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(HEART THUMPING)
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(THUMPING STOPS)
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(THUNDER RUMBLING)
4
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SAM: "You are a carcinogen,"
5
00:00:41,341 --> 00:00:43,076
I would say to her.
6
00:00:44,646 --> 00:00:46,113
"You are a tumor,
7
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"whose malignancy has defined
8
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"the ebb and flowof all I've done,
9
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"of all I've tried to do.
10
00:00:53,186 --> 00:00:54,221
"And yet, in spite of that,
11
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"do you know how much spaceyou occupy
12
00:00:56,356 --> 00:00:58,458
"in the entirety of me?
13
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"This much.
14
00:01:01,663 --> 00:01:02,597
"You define my life,
15
00:01:02,697 --> 00:01:06,568
"and yet, this is how muchyou matter to me.
16
00:01:06,668 --> 00:01:08,703
"If you hadn't shown upon my door this morning,
17
00:01:08,803 --> 00:01:11,005
"I'd have gladly gonethe rest of my days
18
00:01:11,104 --> 00:01:12,574
"thinking of you regularly,
19
00:01:12,674 --> 00:01:14,107
"but from a distance,
20
00:01:14,207 --> 00:01:15,810
"flung from your orbit.
21
00:01:16,678 --> 00:01:17,745
"But now...
22
00:01:18,746 --> 00:01:20,648
"you are here
23
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"and the bile is risingand taking the form of words.
24
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"And what these words mean is,
25
00:01:27,321 --> 00:01:28,488
"never have I known
26
00:01:28,590 --> 00:01:30,625
"how closely loveand hate are bound
27
00:01:30,725 --> 00:01:32,894
"than when I think of youand realize
28
00:01:32,994 --> 00:01:34,629
"you deserve neither."
29
00:01:35,597 --> 00:01:37,599
(HEART BEATING)
30
00:01:49,409 --> 00:01:51,613
(ETHEREAL MUSIC PLAYING)
31
00:01:59,921 --> 00:02:04,124
♪ I'll kill you softly ♪
32
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♪ So sweetly, kindly ♪
33
00:02:08,896 --> 00:02:13,200
♪ I'm mesmerizing ♪
34
00:02:13,300 --> 00:02:16,938
♪ It's terrifying ♪
35
00:02:17,038 --> 00:02:20,374
-(HEART BEATING)
-(AUDIENCE CHEERING)
36
00:02:28,816 --> 00:02:30,484
♪ This black suit fitslike a glove ♪
37
00:02:30,585 --> 00:02:33,353
♪ I was born to bethe widow of love ♪
38
00:02:33,453 --> 00:02:35,155
♪ Won't lose myselfto a touch ♪
39
00:02:35,255 --> 00:02:36,791
♪ I was born to bethe widow of love ♪
40
00:02:37,825 --> 00:02:39,459
♪ This black suit fitslike a glove ♪
41
00:02:39,560 --> 00:02:42,262
♪ I was born to bethe widow of love ♪
42
00:02:42,362 --> 00:02:43,564
♪ My red heart freedlike a dove ♪
43
00:02:43,665 --> 00:02:45,265
♪ But you tell methat it's never enough ♪
44
00:02:45,365 --> 00:02:46,366
♪ This is your burial ♪
45
00:02:46,466 --> 00:02:48,670
(BACKUP SINGER VOCALIZING)
46
00:02:54,575 --> 00:02:56,176
♪ This is your burial ♪
47
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♪ This is your burial ♪
48
00:03:04,852 --> 00:03:07,789
(VOCALIZING)
49
00:03:22,235 --> 00:03:23,437
(CONTINUES VOCALIZING)
50
00:03:35,482 --> 00:03:37,384
(VOCALIZING INTENSIFIES)
51
00:03:40,822 --> 00:03:42,355
♪ This black suit fitslike a glove ♪
52
00:03:42,456 --> 00:03:45,059
♪ I was born to bethe widow of love ♪
53
00:03:45,159 --> 00:03:46,694
♪ Won't lose myselfto a touch ♪
54
00:03:46,794 --> 00:03:49,597
♪ I was born to bethe widow of love ♪
55
00:03:49,697 --> 00:03:51,398
♪ This black suitfits like a glove ♪
56
00:03:51,498 --> 00:03:53,034
♪ But your teethtell me I'm not enough ♪
57
00:03:53,134 --> 00:03:54,602
♪ This is your burial ♪
58
00:04:07,081 --> 00:04:10,250
(INDISTINCT CHATTER)
59
00:04:10,350 --> 00:04:12,285
SAM: I hadn't seen herin over 10 years.
60
00:04:12,385 --> 00:04:15,455
But I could tell she wascoming from a mile away.
61
00:04:16,991 --> 00:04:18,526
More than a mile.
62
00:04:19,093 --> 00:04:21,696
A thousand miles.
63
00:04:21,796 --> 00:04:24,464
I woke up that morningwith a taste in my mouth
64
00:04:24,565 --> 00:04:27,300
I hadn't felt in years.
65
00:04:28,401 --> 00:04:30,337
(WOMAN SPEAKING INDISTINCTLY)
66
00:04:32,173 --> 00:04:34,274
(WOMAN SPEAKING INDISTINCTLY)
67
00:04:34,374 --> 00:04:36,611
Is it... Is it a bit too rigid
here at the waist?
68
00:04:36,711 --> 00:04:38,345
WOMAN 2: How do you feel?
You feel okay?
69
00:04:39,113 --> 00:04:40,280
Yeah. I just... It's...
70
00:04:40,380 --> 00:04:42,583
-I do love how bold it is.
-Yeah.
71
00:04:43,416 --> 00:04:44,619
A whole new you.
72
00:04:46,419 --> 00:04:47,989
SAM: I cast itout of my mind,
73
00:04:48,656 --> 00:04:50,423
but as the day went on,
74
00:04:51,259 --> 00:04:52,927
the taste left my mouth
75
00:04:53,027 --> 00:04:56,496
and traveledto that space behind my eyes
76
00:04:56,597 --> 00:04:59,600
where it settledand turned thick.
77
00:04:59,700 --> 00:05:02,369
By the time the late flightsfrom LAX to Heathrow
78
00:05:02,469 --> 00:05:03,805
were coming infor their landing,
79
00:05:03,905 --> 00:05:07,809
I felt as if a secret twinhad grown in my skull.
80
00:05:13,948 --> 00:05:15,650
(SPEAKING INDISTINCTLY)
81
00:05:20,922 --> 00:05:22,924
WOMAN 3: What's wrong?
Are you okay?
82
00:05:23,323 --> 00:05:24,491
(BREATH TREMBLING)
83
00:05:50,585 --> 00:05:51,752
(DISTANT SCREAMING)
84
00:05:55,355 --> 00:05:56,691
-(SCREAMING STOPS)
-(WHIMPERS)
85
00:05:58,826 --> 00:06:00,393
(SHRIEKS)
86
00:06:05,099 --> 00:06:06,399
SAM: It was calling,
87
00:06:07,367 --> 00:06:08,736
shouting,
88
00:06:11,806 --> 00:06:12,807
screaming,
89
00:06:15,442 --> 00:06:16,677
telling me
90
00:06:17,311 --> 00:06:18,679
it was coming.
91
00:06:20,114 --> 00:06:22,083
She was coming.
92
00:06:24,118 --> 00:06:25,485
She was here.
93
00:06:25,987 --> 00:06:27,855
(RAIN PATTERING)
94
00:06:57,484 --> 00:06:59,687
(MUFFLED DANCE MUSIC PLAYING)
95
00:07:01,522 --> 00:07:03,490
(INDISTINCT CHATTER
IN BACKGROUND)
96
00:07:04,292 --> 00:07:06,093
(DANCE MUSIC PLAYING)
97
00:07:12,033 --> 00:07:14,235
Uh, hi. Excuse me.
Hi. Can I help you?
98
00:07:14,335 --> 00:07:15,636
I'm looking for Sam.
99
00:07:15,736 --> 00:07:19,407
Oh, I'm afraid
Sam isn't available right now.
100
00:07:19,507 --> 00:07:20,641
Are you...
101
00:07:20,741 --> 00:07:21,909
Does Sam know you were coming?
102
00:07:22,009 --> 00:07:23,010
No, no.
103
00:07:23,110 --> 00:07:24,145
Okay, uh...
104
00:07:24,245 --> 00:07:26,981
Well, then could I just
ask you to just wait, uh...
105
00:07:28,049 --> 00:07:29,050
MARY: Sam?
106
00:07:29,517 --> 00:07:31,484
(PANTING) Sam?
107
00:07:31,585 --> 00:07:32,753
HILDA: Um...
108
00:07:32,853 --> 00:07:35,156
-Sam?
-Sorry, you really can't...
109
00:07:35,256 --> 00:07:37,224
-Uh...
-MARY: (PANTING) Sam?
110
00:07:37,325 --> 00:07:38,526
HILDA: Sam's not
seeing anybody
111
00:07:38,626 --> 00:07:39,927
-right now.
-Sam?
112
00:07:44,699 --> 00:07:45,900
Sam, I'm so sorry.
113
00:07:46,000 --> 00:07:48,569
I didn't see her coming,
she just came in. (PANTING)
114
00:07:51,038 --> 00:07:52,472
Sam, I need a dress.
115
00:07:53,174 --> 00:07:54,742
(THUNDER RUMBLING)
116
00:07:56,377 --> 00:07:58,379
SAM: Just landed?
117
00:07:58,478 --> 00:07:59,847
MARY: Yes.
SAM: From LA?
118
00:08:00,581 --> 00:08:02,183
Yes, I just came from...
119
00:08:02,283 --> 00:08:03,751
Would you like
something to eat?
120
00:08:04,452 --> 00:08:07,021
-Uh... No, I...
-Hilda,
121
00:08:07,121 --> 00:08:10,391
do we... do we have anything
to eat here?
122
00:08:10,490 --> 00:08:12,492
Um, not really, no.
123
00:08:12,593 --> 00:08:14,494
Okay. (CHUCKLING)
Well, there you go.
124
00:08:16,297 --> 00:08:17,832
Does anyone know you're here?
125
00:08:19,499 --> 00:08:21,268
-No.
-SAM: I... I...
126
00:08:21,369 --> 00:08:23,771
I must say,
I wish you had called.
127
00:08:23,871 --> 00:08:25,840
You might have noticed
we're a little underwater
128
00:08:25,940 --> 00:08:27,742
-at the moment.
-Would you have answered?
129
00:08:27,842 --> 00:08:29,643
(CHUCKLING) No,
but somebody would have.
130
00:08:29,744 --> 00:08:32,580
And they could have told you
we're very busy.
131
00:08:32,680 --> 00:08:34,548
Sam has her show coming up.
132
00:08:35,149 --> 00:08:36,617
MARY: Oh.
133
00:08:37,151 --> 00:08:37,985
Sorry.
134
00:08:38,085 --> 00:08:40,955
For not calling
or for just showing up?
135
00:08:41,989 --> 00:08:43,491
In general.
136
00:08:43,591 --> 00:08:46,927
Wouldn't you rather get
more specific?
137
00:08:47,028 --> 00:08:50,264
I just never had the chance
to say it before,
138
00:08:50,364 --> 00:08:53,334
-so...
-So the onus is on me then,
139
00:08:53,434 --> 00:08:55,536
to list off your offenses
one by one
140
00:08:55,636 --> 00:08:56,670
and cross-check them
141
00:08:56,771 --> 00:09:00,074
against the totality
of your "I'm sorry"?
142
00:09:01,142 --> 00:09:02,511
Oh, well.
143
00:09:02,610 --> 00:09:05,679
That hardly seems worth it,
does it?
144
00:09:06,480 --> 00:09:07,815
Making me do all the work,
145
00:09:07,915 --> 00:09:10,151
-just like you always do.
-I can go
146
00:09:10,251 --> 00:09:11,185
if you want.
147
00:09:11,285 --> 00:09:14,355
If you want to go, go.
148
00:09:14,455 --> 00:09:15,790
If you want to stay, stay.
149
00:09:15,890 --> 00:09:18,059
If you want to apologize,
you go for it.
150
00:09:18,159 --> 00:09:19,460
But if you stay,
151
00:09:19,560 --> 00:09:20,728
please stop doing
152
00:09:20,828 --> 00:09:21,929
that hovering thing
you always do,
153
00:09:22,029 --> 00:09:23,964
because it makes me
very nervous.
154
00:09:25,132 --> 00:09:28,002
-Sorry.
-You already said that.
155
00:09:29,538 --> 00:09:31,138
-I mean it.
-Say it two more times,
156
00:09:31,238 --> 00:09:32,606
so I believe you.
157
00:09:34,642 --> 00:09:36,077
-(INHALES)
-But not yet.
158
00:09:37,278 --> 00:09:41,148
Catch me by surprise
with your sincerity.
159
00:09:42,616 --> 00:09:45,986
Now, why don't you start
with why you're here?
160
00:09:46,620 --> 00:09:47,822
I really do need a dress.
161
00:09:47,922 --> 00:09:50,357
What, you don't have
a whole coterie of stylists
162
00:09:50,458 --> 00:09:52,126
to take care of that for you?
163
00:09:52,226 --> 00:09:54,628
No, I do. But it's not...
164
00:09:56,997 --> 00:09:57,832
working out.
165
00:09:57,932 --> 00:10:00,101
And this performance,
when is it?
166
00:10:00,201 --> 00:10:01,669
The 31st.
167
00:10:02,504 --> 00:10:04,705
-That's on Sunday?
-Yes.
168
00:10:05,339 --> 00:10:07,374
And today is?
169
00:10:09,343 --> 00:10:10,377
Thursday.
170
00:10:11,846 --> 00:10:14,448
Well, that's impossible.
171
00:10:14,549 --> 00:10:16,317
What's wrong
with the dress you have?
172
00:10:16,417 --> 00:10:17,785
I'm assuming you have one.
173
00:10:17,885 --> 00:10:19,720
It's just all wrong.
174
00:10:20,287 --> 00:10:21,722
SAM: May I see it?
175
00:10:24,024 --> 00:10:26,327
-So that's it?
-MARY: Yes.
176
00:10:27,361 --> 00:10:28,729
SAM: It's not a dress at all.
177
00:10:29,330 --> 00:10:30,631
Who made it?
178
00:10:30,731 --> 00:10:32,166
Saracen & Pare.
179
00:10:34,569 --> 00:10:36,571
SAM: Hmm.
180
00:10:36,670 --> 00:10:39,306
Tell me three things
that are wrong with it.
181
00:10:40,374 --> 00:10:41,942
It doesn't feel like me.
182
00:10:43,077 --> 00:10:45,946
Okay. It doesn't
feel like you. That's one.
183
00:10:47,348 --> 00:10:48,349
That's it.
184
00:10:49,183 --> 00:10:50,317
That's it?
185
00:10:51,285 --> 00:10:53,387
-Yes.
-So you,
186
00:10:53,487 --> 00:10:57,258
who have been dressed
by everyone
187
00:10:57,358 --> 00:10:59,059
and worn everything,
188
00:10:59,160 --> 00:11:01,630
who once paraded down
a red... (CHUCKLING) ...carpet
189
00:11:01,729 --> 00:11:04,131
wearing nothing
but freshly poured honey,
190
00:11:04,231 --> 00:11:06,500
you have somehow found
191
00:11:06,601 --> 00:11:08,736
the one outfit
in all of creation
192
00:11:08,836 --> 00:11:11,372
that doesn't feel like you?
193
00:11:11,472 --> 00:11:12,206
Yes.
194
00:11:12,306 --> 00:11:14,875
And you've come
crawling back to me
195
00:11:14,975 --> 00:11:17,745
because you know
I can do better?
196
00:11:17,845 --> 00:11:20,047
-Yes.
-Because I, above all others,
197
00:11:20,147 --> 00:11:21,516
know you?
198
00:11:21,616 --> 00:11:23,117
Because I didn't know
where else to go.
199
00:11:23,717 --> 00:11:24,919
Truly?
200
00:11:25,986 --> 00:11:27,121
Yes.
201
00:11:33,761 --> 00:11:36,764
Will you let me do
whatever I like?
202
00:11:37,798 --> 00:11:39,333
Yes. But...
203
00:11:39,433 --> 00:11:41,168
Will you do exactly as I say?
204
00:11:41,670 --> 00:11:43,003
Yes, within...
205
00:11:43,103 --> 00:11:45,105
And will you wear what I make?
206
00:11:46,140 --> 00:11:47,408
Yes.
207
00:11:47,875 --> 00:11:49,343
And can you stop time?
208
00:11:51,680 --> 00:11:52,846
(SNAPS FINGERS)
209
00:11:53,714 --> 00:11:54,848
Just did.
210
00:11:54,949 --> 00:11:57,084
(CLOCK TICKING)
211
00:11:57,184 --> 00:11:59,688
SAM: This is really
going to take some doing,
212
00:11:59,787 --> 00:12:01,956
if we're gonna pull this off.
213
00:12:02,056 --> 00:12:04,158
MARY: Just tell me
what I can do.
214
00:12:04,258 --> 00:12:05,893
SAM: You can just
keep talking.
215
00:12:05,993 --> 00:12:07,094
That's how this works.
216
00:12:07,194 --> 00:12:10,130
You tell me something
like how you're feeling,
217
00:12:10,231 --> 00:12:13,668
and I'll take those feelings
and turn them into a dress.
218
00:12:13,767 --> 00:12:17,706
The transubstantiation
of feeling.
219
00:12:17,805 --> 00:12:19,240
That's what we're doing here.
220
00:12:21,809 --> 00:12:23,210
Here we are.
221
00:12:23,310 --> 00:12:25,012
Now, as you can see,
222
00:12:25,112 --> 00:12:27,682
I've entered
my Ms. Havisham period
223
00:12:27,781 --> 00:12:29,517
very much ahead of schedule.
224
00:12:29,618 --> 00:12:33,020
This is where I come to cry
my eyes out in the dark.
225
00:12:40,595 --> 00:12:41,829
Stand here, please.
226
00:12:50,437 --> 00:12:52,574
Now, uh...
227
00:12:52,674 --> 00:12:56,043
I haven't had a new idea
in ages.
228
00:12:56,143 --> 00:12:57,679
Not a good one, at least.
229
00:12:57,778 --> 00:12:59,213
So if we're to do this,
230
00:12:59,313 --> 00:13:02,049
I'm just gonna
have to fasten things to you
231
00:13:02,149 --> 00:13:05,185
-until inspiration strikes.
-(METAL CLANKING)
232
00:13:07,488 --> 00:13:08,489
SAM: There we go.
233
00:13:13,360 --> 00:13:16,063
HILDA: Uh, can I take
your sweater?
234
00:13:17,599 --> 00:13:18,566
Yes.
235
00:13:18,667 --> 00:13:19,867
-Thank you.
-Mmm-hmm.
236
00:13:21,101 --> 00:13:22,069
So...
237
00:13:23,337 --> 00:13:26,708
So tell me more
about this dress we're making.
238
00:13:26,807 --> 00:13:28,909
What do you see in your head?
239
00:13:30,444 --> 00:13:31,445
Just...
240
00:13:33,113 --> 00:13:34,114
me.
241
00:13:34,214 --> 00:13:35,215
Just you?
242
00:13:35,784 --> 00:13:37,017
MARY: But...
243
00:13:38,352 --> 00:13:39,920
But all of me.
244
00:13:40,020 --> 00:13:43,758
I was thinking more like,
"What color?"
245
00:13:43,857 --> 00:13:45,259
-Uh...
-Hold still.
246
00:13:48,563 --> 00:13:49,963
Whatever you like.
247
00:13:50,397 --> 00:13:51,498
But no red.
248
00:13:51,599 --> 00:13:53,033
Do you have to be able
to move?
249
00:13:53,867 --> 00:13:55,135
-Yes.
-Dance?
250
00:13:55,235 --> 00:13:58,038
-Yes.
-Any stunts or harnesses?
251
00:13:58,138 --> 00:13:58,906
No.
252
00:13:59,006 --> 00:14:00,007
Backup dancers?
253
00:14:00,107 --> 00:14:01,475
-Nine.
-I'm not making
254
00:14:01,576 --> 00:14:02,677
-anything for them.
-I know.
255
00:14:02,777 --> 00:14:03,778
There's simply
not enough time.
256
00:14:03,877 --> 00:14:05,680
I know. You don't have to.
Just me.
257
00:14:06,046 --> 00:14:07,214
HILDA: Arms up.
258
00:14:11,085 --> 00:14:12,486
What song are you singing?
259
00:14:14,922 --> 00:14:16,558
Spooky Action.
260
00:14:16,658 --> 00:14:18,192
Hmm. I don't remember
that one.
261
00:14:18,892 --> 00:14:20,795
-'Cause it's new.
-Oh.
262
00:14:20,894 --> 00:14:22,463
That explains it then.
263
00:14:22,564 --> 00:14:23,897
Did you write it?
264
00:14:24,566 --> 00:14:25,999
Yes.
265
00:14:28,335 --> 00:14:29,870
I'll play it for you
if you want.
266
00:14:29,970 --> 00:14:31,372
Yes, maybe later.
267
00:14:32,473 --> 00:14:34,341
(PEN SCRIBBLING)
268
00:14:34,441 --> 00:14:35,476
It's good.
269
00:14:35,577 --> 00:14:37,645
I am sure it is.
270
00:14:38,813 --> 00:14:39,848
It might be
the best song ever written
271
00:14:39,947 --> 00:14:41,816
-in the history of songs.
-SAM: Mmm.
272
00:14:41,915 --> 00:14:43,484
Lift your shirt up
for me, please.
273
00:14:55,162 --> 00:14:56,497
You've gotten so tiny.
274
00:14:57,164 --> 00:14:58,966
The tiniest intruder.
275
00:15:01,770 --> 00:15:03,337
You're exactly the same.
276
00:15:03,437 --> 00:15:04,506
Oh, no, I'm not.
277
00:15:05,339 --> 00:15:06,373
You'll see.
278
00:15:07,274 --> 00:15:09,443
You'll see how I've changed.
279
00:15:10,944 --> 00:15:13,080
What the years
have made of me.
280
00:15:16,885 --> 00:15:19,119
Okay. That's good for now.
Thank you, Hilda.
281
00:15:24,324 --> 00:15:25,392
(SCRAPING)
282
00:15:26,561 --> 00:15:28,162
-Hilda.
-Yes?
283
00:15:28,262 --> 00:15:30,899
Hilda, would you run back
to the main house
284
00:15:30,998 --> 00:15:34,001
-and grab a few things for me?
-Mmm-hmm.
285
00:15:35,235 --> 00:15:37,037
SAM: What does this matter?
286
00:15:38,105 --> 00:15:39,973
-You know what I need?
-Of course.
287
00:15:40,073 --> 00:15:41,776
SAM: Uh, what about you?
Can we get you anything?
288
00:15:41,876 --> 00:15:43,912
-I'm fine. Thank you.
-SAM: Okay. Good.
289
00:15:44,011 --> 00:15:45,513
HILDA: Okay.
I'll be right back.
290
00:15:55,924 --> 00:15:57,725
(DOOR OPENS)
291
00:15:59,661 --> 00:16:00,628
(DOOR CLOSES)
292
00:16:04,833 --> 00:16:05,867
She's not gonna tell anyone...
293
00:16:05,966 --> 00:16:07,869
No. Don't worry.
294
00:16:07,968 --> 00:16:09,504
There are no spies
in our midst.
295
00:16:09,604 --> 00:16:14,141
I just need her
to bring me some things.
296
00:16:14,241 --> 00:16:16,845
Some old bric-a-brac,
a few bolts of fabric,
297
00:16:16,945 --> 00:16:18,212
and a good pair of scissors
298
00:16:18,312 --> 00:16:20,615
in case one of us has
the sudden desire to...
299
00:16:20,715 --> 00:16:22,584
-(GRUNTING)
-(GASPS SOFTLY)
300
00:16:28,723 --> 00:16:30,457
-(SCISSORS CLATTER)
-Okay.
301
00:16:30,558 --> 00:16:32,226
(FOOTSTEPS RECEDING)
302
00:17:05,025 --> 00:17:06,426
How's your mum?
303
00:17:08,763 --> 00:17:10,030
MARY: She died.
304
00:17:12,000 --> 00:17:13,166
I'm sorry.
305
00:17:15,603 --> 00:17:17,705
How are you?
306
00:17:21,843 --> 00:17:22,911
Same.
307
00:17:23,011 --> 00:17:25,212
You've been laying low.
308
00:17:25,312 --> 00:17:28,716
Am I right that this will be
your first outing
309
00:17:28,816 --> 00:17:30,484
-since...
-Since?
310
00:17:30,585 --> 00:17:33,788
Since whatever happened
happened.
311
00:17:33,888 --> 00:17:35,623
What do you think happened?
312
00:17:35,723 --> 00:17:38,091
Well, I... I saw that video.
313
00:17:38,191 --> 00:17:40,227
(CHUCKLING)
Everyone saw that video.
314
00:17:41,194 --> 00:17:42,664
Is there more to it than that?
315
00:17:45,432 --> 00:17:46,433
Yes.
316
00:17:48,468 --> 00:17:51,171
And when it first happened,
people kept asking me,
317
00:17:51,271 --> 00:17:52,574
what do I know,
318
00:17:52,674 --> 00:17:55,409
had I heard anything,
"Did she trip, did she jump?"
319
00:17:58,278 --> 00:17:59,413
What'd you say?
320
00:17:59,514 --> 00:18:01,783
People... said
you had a breakdown.
321
00:18:01,883 --> 00:18:04,318
I said, "No. She probably
just needed a break."
322
00:18:04,418 --> 00:18:07,220
Yeah. That was part of it.
323
00:18:09,189 --> 00:18:10,758
What are the other parts?
324
00:18:13,393 --> 00:18:14,762
I don't want to tell you.
325
00:18:15,329 --> 00:18:17,164
-Why?
-(INHALES)
326
00:18:17,832 --> 00:18:19,299
Because you'd laugh.
327
00:18:19,399 --> 00:18:21,201
-No, I wouldn't.
-Yes, you would.
328
00:18:21,301 --> 00:18:22,870
-(SNICKERING)
-You're laughing right now.
329
00:18:22,971 --> 00:18:24,204
(LAUGHING) I'm just...
330
00:18:24,304 --> 00:18:26,106
I'm just picturing
the worst possible thing
331
00:18:26,206 --> 00:18:28,108
that could have made you do
what you did.
332
00:18:28,610 --> 00:18:29,877
(LAUGHING) I...
333
00:18:31,144 --> 00:18:33,180
-What is it?
-It's not worth mentioning,
334
00:18:33,280 --> 00:18:35,583
but it's very funny.
335
00:18:35,683 --> 00:18:37,685
Well, that's why
I'm not gonna tell you.
336
00:18:37,785 --> 00:18:38,853
Except you will.
337
00:18:38,953 --> 00:18:40,989
Because you never would have
338
00:18:41,089 --> 00:18:42,289
brought it up
in the first place
339
00:18:42,389 --> 00:18:43,992
if you didn't want to.
340
00:18:44,092 --> 00:18:46,259
No, you want to tell me.
341
00:18:46,360 --> 00:18:48,763
You want me to know so badly,
you can hardly stand it.
342
00:18:48,863 --> 00:18:51,431
But it's okay. I can wait.
343
00:18:56,771 --> 00:18:58,840
Mmm. Mmm.
344
00:19:03,678 --> 00:19:04,812
No.
345
00:19:08,082 --> 00:19:09,483
No.
346
00:19:13,121 --> 00:19:14,354
Mmm.
347
00:19:31,371 --> 00:19:32,573
(MARY WHIMPERS)
348
00:19:36,878 --> 00:19:39,346
(HEART THUMPING)
349
00:19:45,019 --> 00:19:46,420
No.
350
00:19:50,925 --> 00:19:53,193
Right. No red.
351
00:19:55,262 --> 00:19:56,731
No red.
352
00:19:56,831 --> 00:19:59,701
What about your hair,
what's going on there?
353
00:19:59,801 --> 00:20:01,002
We should...
354
00:20:01,102 --> 00:20:02,436
We should talk
about your halo.
355
00:20:02,537 --> 00:20:03,504
No halo.
356
00:20:04,639 --> 00:20:05,673
At all?
357
00:20:05,773 --> 00:20:08,509
I want to get back
to the basics.
358
00:20:08,609 --> 00:20:11,079
I mean, it doesn't get
much more basic than that.
359
00:20:11,179 --> 00:20:12,547
It's sort of your thing.
360
00:20:12,647 --> 00:20:14,182
It was never meant
to be my thing.
361
00:20:14,281 --> 00:20:15,516
It was your thing.
362
00:20:15,616 --> 00:20:18,119
That's... that's not
how I recall it.
363
00:20:18,218 --> 00:20:19,187
But whatever the case,
364
00:20:19,319 --> 00:20:20,521
you've done
pretty well with it.
365
00:20:20,621 --> 00:20:22,790
-We'll do well without it.
-Will anyone recognize you
366
00:20:22,890 --> 00:20:23,858
without it?
367
00:20:23,958 --> 00:20:26,426
I don't know if anyone
actually truly comprehends
368
00:20:26,527 --> 00:20:28,495
-the shape of your...
-They hurt.
369
00:20:34,401 --> 00:20:37,105
Well, that's because whoever's
making them for you now
370
00:20:37,205 --> 00:20:38,806
keeps trying to up the ante.
371
00:20:39,974 --> 00:20:41,776
They're not doing it right.
372
00:20:41,876 --> 00:20:42,877
I could make you a new one
373
00:20:42,977 --> 00:20:44,178
-in two seconds flat...
-No.
374
00:20:44,277 --> 00:20:46,246
-Right. But, don't you...
-I said...
375
00:20:46,346 --> 00:20:47,949
Yes, I know what you said.
376
00:20:48,049 --> 00:20:49,183
You don't want to wear one,
377
00:20:49,282 --> 00:20:51,786
but what if I want you
to wear one?
378
00:20:54,155 --> 00:20:55,355
(ETHEREAL MUSIC PLAYING)
379
00:20:55,455 --> 00:20:57,925
MARY: ♪ I can't believewhat I found ♪
380
00:20:59,761 --> 00:21:04,331
♪ I'm staring into the darkso powerful... ♪
381
00:21:04,431 --> 00:21:06,968
♪ My knees are pressedto the ground ♪
382
00:21:08,703 --> 00:21:11,438
♪ I'm holdin' onfor dear life ♪
383
00:21:11,539 --> 00:21:13,440
♪ It's mythical ♪
384
00:21:13,541 --> 00:21:15,576
♪ Are you there?Are you mine? ♪
385
00:21:15,676 --> 00:21:17,645
♪ Do you feel holy? ♪
386
00:21:17,745 --> 00:21:20,114
♪ Are you real or divine? ♪
387
00:21:20,214 --> 00:21:22,282
♪ Do you feel holy? ♪
388
00:21:22,382 --> 00:21:24,451
♪ Are you there?Are you mine? ♪
389
00:21:24,552 --> 00:21:25,853
♪ Do you know? ♪
390
00:21:25,953 --> 00:21:29,924
-♪ Your spirit is calling me ♪
-(INHALES, EXHALES)
391
00:21:30,024 --> 00:21:31,692
What are we doing here?
392
00:21:32,660 --> 00:21:34,962
Are we reinventing you?
393
00:21:36,764 --> 00:21:37,698
(MUSIC STOPS)
394
00:21:37,799 --> 00:21:38,800
No.
395
00:21:40,935 --> 00:21:42,435
No, I...
396
00:21:44,337 --> 00:21:45,506
Just...
397
00:21:48,876 --> 00:21:50,878
I... I want to be...
398
00:21:52,312 --> 00:21:55,883
-Revelatory.
-No. I just, like... I want...
399
00:21:57,350 --> 00:21:59,086
-Profundity.
-(SUCKS AIR THROUGH TEETH)
400
00:21:59,187 --> 00:22:00,988
Mmm, more, um...
401
00:22:03,658 --> 00:22:06,459
-Authenticity.
-No. It's like...
402
00:22:06,561 --> 00:22:08,095
(BREATHES DEEPLY)
403
00:22:11,966 --> 00:22:13,366
Clarity.
404
00:22:15,102 --> 00:22:16,403
-Yes.
-Clarity.
405
00:22:16,504 --> 00:22:19,607
-So, reducing?
-Yes.
406
00:22:19,707 --> 00:22:22,310
-Peeling away everything...
-Yes. Yes.
407
00:22:22,409 --> 00:22:24,344
-...that's accumulated.
-Yes.
408
00:22:24,444 --> 00:22:25,880
-Old skin.
-Yes.
409
00:22:25,980 --> 00:22:27,215
-Barnacles.
-Yes
410
00:22:27,315 --> 00:22:28,549
Dead hair.
411
00:22:28,649 --> 00:22:29,984
Yes.
412
00:22:30,084 --> 00:22:31,686
All the old yous.
413
00:22:32,320 --> 00:22:33,721
I want to be sharp.
414
00:22:33,821 --> 00:22:36,023
You want me
to make you into a knife?
415
00:22:36,123 --> 00:22:37,692
I want to have a point.
416
00:22:39,260 --> 00:22:40,561
Got it.
417
00:22:42,830 --> 00:22:44,165
MARY: If this were
the first performance
418
00:22:44,265 --> 00:22:46,499
I ever gave,
how would you dress me?
419
00:22:46,601 --> 00:22:49,103
I did dress you
for your first performance.
420
00:22:49,203 --> 00:22:50,838
MARY: If it were
my last performance?
421
00:22:50,938 --> 00:22:52,540
Is that what this is?
422
00:22:53,373 --> 00:22:54,775
-Maybe.
-'Cause I could make you
423
00:22:54,876 --> 00:22:56,577
a funeral gown,
424
00:22:56,677 --> 00:22:58,045
if that's what
you really wanted.
425
00:22:58,145 --> 00:22:59,247
I could build you a pyre
426
00:22:59,347 --> 00:23:00,781
the likes of which
the world has never seen
427
00:23:00,882 --> 00:23:03,150
if that's the way
you see things going.
428
00:23:07,088 --> 00:23:08,689
I sort of do.
429
00:23:10,825 --> 00:23:12,560
We are still speaking in...
430
00:23:13,393 --> 00:23:14,862
abstractions, aren't we?
431
00:23:15,630 --> 00:23:17,031
(MARY'S BREATH TREMBLING)
432
00:23:17,131 --> 00:23:18,232
I think so.
433
00:23:18,599 --> 00:23:20,201
Are you depressed?
434
00:23:20,301 --> 00:23:21,802
-No. No.
-Is this a cry for help?
435
00:23:21,903 --> 00:23:24,505
So you're not planning
on self-immolating
436
00:23:24,605 --> 00:23:26,040
-on my doorstep?
-(INHALES)
437
00:23:26,140 --> 00:23:27,407
-No.
-Good.
438
00:23:27,508 --> 00:23:29,510
But if I did, it would be
kind of a great way to go.
439
00:23:29,610 --> 00:23:31,545
No, not for me. I'd be the one
to have to clean you up.
440
00:23:31,646 --> 00:23:33,147
-No peeking.
-(SNIFFLES)
441
00:23:36,150 --> 00:23:37,518
If it's really that bad,
442
00:23:38,286 --> 00:23:39,287
just quit.
443
00:23:39,387 --> 00:23:40,922
MARY: I can't quit.
444
00:23:41,022 --> 00:23:42,390
SAM: Yeah, you can.
445
00:23:42,489 --> 00:23:43,891
People say
quitting is for cowards,
446
00:23:43,991 --> 00:23:45,559
but it's actually
one of the bravest things
447
00:23:45,660 --> 00:23:48,396
-anyone can do.
-No. (BREATH TREMBLING)
448
00:23:48,495 --> 00:23:51,464
I can't quit. I don't know
how to do anything else.
449
00:23:53,067 --> 00:23:54,602
(SIGHS)
450
00:23:56,737 --> 00:23:58,172
I just wish
I was happy doing it.
451
00:23:58,272 --> 00:24:00,074
SAM: Oh, yes, I remember.
452
00:24:00,174 --> 00:24:05,012
Used to be so happy
singing sad songs. Well...
453
00:24:05,112 --> 00:24:08,481
things are never gonna
be like that ever again.
454
00:24:09,350 --> 00:24:11,953
Nevertheless...
you will go on.
455
00:24:12,053 --> 00:24:13,688
This won't be
your last performance ever
456
00:24:13,788 --> 00:24:15,455
but it will be your best.
457
00:24:15,556 --> 00:24:17,291
You will be radiant,
458
00:24:17,391 --> 00:24:19,126
and transcendent.
459
00:24:19,226 --> 00:24:22,229
And when you open your mouth
and sing about your sadness,
460
00:24:22,330 --> 00:24:23,731
it will be everyone's sadness,
461
00:24:23,831 --> 00:24:26,734
and it will be writ
as large as the goddamn sky
462
00:24:26,834 --> 00:24:29,637
because that's
what you give people.
463
00:24:30,538 --> 00:24:32,273
It's what
you can do for people
464
00:24:32,373 --> 00:24:34,542
and since they pay you for it,
465
00:24:34,642 --> 00:24:36,677
it's more or less your job,
so quit...
466
00:24:37,278 --> 00:24:38,646
or do a good job.
467
00:24:45,052 --> 00:24:46,020
See?
468
00:24:47,655 --> 00:24:49,523
This is what you do.
469
00:24:50,858 --> 00:24:53,561
This is why you have
nothing to worry about.
470
00:24:54,862 --> 00:24:58,099
You give people the gift
of giving a shit about you.
471
00:24:59,367 --> 00:25:03,137
I am humbled
by your munificence.
472
00:25:07,408 --> 00:25:08,709
Uh...
473
00:25:09,276 --> 00:25:11,178
Is someone playing before you?
474
00:25:12,446 --> 00:25:13,981
Yes.
475
00:25:14,081 --> 00:25:15,282
-Who?
-(INHALES)
476
00:25:15,383 --> 00:25:17,151
(SIGHS) Miel Contrera.
477
00:25:17,251 --> 00:25:18,586
What's she sing?
478
00:25:18,686 --> 00:25:21,288
-Paper Moon.
-Oh, right. Yeah, I like her.
479
00:25:22,289 --> 00:25:24,125
MARY: Everyone likes her.
480
00:25:24,225 --> 00:25:25,626
SAM: You sound bitter.
481
00:25:27,628 --> 00:25:28,863
No, I don't.
482
00:25:29,730 --> 00:25:31,132
She's my friend.
483
00:25:31,232 --> 00:25:32,733
-Is she?
-Yes.
484
00:25:32,833 --> 00:25:33,834
-We sang together at the...
-Yeah.
485
00:25:33,934 --> 00:25:36,003
But she was just a child then.
486
00:25:36,103 --> 00:25:37,238
Now I see her
everywhere I look.
487
00:25:37,338 --> 00:25:40,307
Her tits are spilling out
over Soho in Givenchy.
488
00:25:40,408 --> 00:25:42,143
She's successful
489
00:25:42,576 --> 00:25:43,677
and I'm proud of her.
490
00:25:43,778 --> 00:25:45,846
And I'm very happy
to be in her company.
491
00:25:45,946 --> 00:25:46,914
Good.
492
00:25:47,348 --> 00:25:48,983
But?
493
00:25:49,083 --> 00:25:52,420
You're going to lay waste
to her, aren't you?
494
00:25:52,521 --> 00:25:54,121
-What?
-Oh.
495
00:25:54,221 --> 00:25:56,624
Poor girl doesn't know
what she's in for.
496
00:25:56,724 --> 00:25:58,092
Why would you even say that?
497
00:25:58,192 --> 00:25:59,260
SAM: Because it's true.
498
00:25:59,360 --> 00:26:00,461
No, it's not.
499
00:26:00,561 --> 00:26:02,129
SAM: Oh,
it's already happened.
500
00:26:02,229 --> 00:26:04,131
You don't even have to try.
501
00:26:04,231 --> 00:26:05,699
This is what you do.
You're always picking
502
00:26:05,800 --> 00:26:07,768
-and picking and scratching...
-It's part of my job.
503
00:26:07,868 --> 00:26:09,670
I need to see
what I'm meant to cover.
504
00:26:09,770 --> 00:26:11,639
You mean you need to see
what you want to find.
505
00:26:11,739 --> 00:26:12,840
And if you don't find it,
you put it there
506
00:26:12,940 --> 00:26:14,509
because it suits you
and what you want to make,
507
00:26:14,608 --> 00:26:16,377
-which is why...
-Which is why I'm here
508
00:26:16,877 --> 00:26:18,412
-and you're there.
-No.
509
00:26:18,513 --> 00:26:19,847
I'm here because I want
what you want,
510
00:26:19,947 --> 00:26:22,049
but I want you to want it
for the right reasons.
511
00:26:22,149 --> 00:26:23,317
Which are?
512
00:26:23,417 --> 00:26:24,385
I want you
to have an open heart.
513
00:26:24,485 --> 00:26:26,387
-SAM: Mmm-hmm. Mmm.
-And no fear.
514
00:26:26,487 --> 00:26:28,322
And what am I afraid of?
515
00:26:28,422 --> 00:26:29,723
Of this.
516
00:26:30,057 --> 00:26:31,258
-Me.
-Yeah.
517
00:26:31,358 --> 00:26:32,793
Hey,
you're fucking terrifying.
518
00:26:34,628 --> 00:26:36,730
This is what you do.
519
00:26:36,831 --> 00:26:38,432
This is what you do when
you don't know what to do.
520
00:26:38,533 --> 00:26:39,700
This is what
you've always done,
521
00:26:39,800 --> 00:26:42,670
which is why I'm trying
to lay it all out for you.
522
00:26:42,770 --> 00:26:44,705
But I asked you
to lay it out for me
523
00:26:44,805 --> 00:26:46,807
so that I'd know what to do.
524
00:26:46,907 --> 00:26:49,210
-So, here it is.
-Thank you.
525
00:26:52,947 --> 00:26:55,182
Miel Contrera
will sing before me.
526
00:26:56,484 --> 00:27:00,154
She will sing Paper Moon,
and it'll be beautiful.
527
00:27:00,589 --> 00:27:01,922
And then,
528
00:27:02,022 --> 00:27:04,725
at five minutes to midnight,
the lights will go down.
529
00:27:06,694 --> 00:27:07,928
And I...
530
00:27:10,498 --> 00:27:11,732
SAM: Mmm-hmm.
531
00:27:12,433 --> 00:27:13,767
(EXHALES)
532
00:27:15,002 --> 00:27:17,905
I'll do whatever it is
that I'm gonna do.
533
00:27:20,609 --> 00:27:23,210
Sing your new song?
534
00:27:23,310 --> 00:27:24,278
Yes.
535
00:27:25,580 --> 00:27:27,148
Maybe not.
536
00:27:27,248 --> 00:27:30,017
-No, I'm gonna sing it.
-Oh, good.
537
00:27:30,117 --> 00:27:33,087
Because you sounded
uncertain there for a moment.
538
00:27:34,488 --> 00:27:36,657
No, it's just...
539
00:27:37,291 --> 00:27:38,392
It's not good enough yet?
540
00:27:43,397 --> 00:27:44,431
You want to hear it?
541
00:27:45,399 --> 00:27:46,568
The... the song?
542
00:27:46,667 --> 00:27:48,769
-Yes.
-No.
543
00:27:49,803 --> 00:27:51,772
No. No music.
544
00:27:52,641 --> 00:27:53,841
Not right now.
545
00:27:54,543 --> 00:27:56,710
-Why?
-Because if I did,
546
00:27:56,810 --> 00:27:58,012
I'd make a dress for the song.
547
00:27:58,112 --> 00:28:00,347
And you want me to make
a dress for you, don't you?
548
00:28:00,447 --> 00:28:03,050
So, better not to hear it.
549
00:28:03,851 --> 00:28:05,085
(SCISSORS SNIPPING)
550
00:28:05,186 --> 00:28:06,787
-You might like it.
-(SCISSORS CLATTER)
551
00:28:06,887 --> 00:28:09,456
Mmm, I'm in an ascetic phase
right now.
552
00:28:09,990 --> 00:28:12,059
I'm trying not liking things.
553
00:28:15,129 --> 00:28:17,698
Why is it called
Spooky Action anyway?
554
00:28:18,699 --> 00:28:21,603
Is it about particle physics?
555
00:28:21,702 --> 00:28:23,771
Large Hadron Colliders?
556
00:28:25,773 --> 00:28:28,842
MARY: No. It's more like...
557
00:28:29,743 --> 00:28:31,745
connections we can't explain.
558
00:28:31,845 --> 00:28:34,448
And what led you to write it?
559
00:28:37,384 --> 00:28:40,321
I had a connection
and I couldn't explain it.
560
00:28:40,854 --> 00:28:42,022
To a person?
561
00:28:43,057 --> 00:28:44,058
Maybe.
562
00:28:44,758 --> 00:28:45,960
Are you being coy?
563
00:28:46,493 --> 00:28:47,828
No.
564
00:28:47,928 --> 00:28:49,296
And you really can
dance to it?
565
00:28:51,198 --> 00:28:52,499
-Yes.
-Hmm.
566
00:28:54,569 --> 00:28:55,736
Show me.
567
00:28:57,304 --> 00:28:58,973
-The dance?
-Yeah.
568
00:28:59,674 --> 00:29:01,141
Could you?
569
00:29:01,242 --> 00:29:04,445
Honestly, it'll be good for me
to see how you move
570
00:29:04,546 --> 00:29:06,447
to make sure
I'm accommodating.
571
00:29:11,051 --> 00:29:12,052
Okay.
572
00:29:12,152 --> 00:29:14,321
I'm sure you're supposed to be
drilling it anyway.
573
00:29:18,759 --> 00:29:19,994
(CLEARS THROAT SOFTLY)
574
00:29:27,468 --> 00:29:28,469
(SHOE THUDS)
575
00:29:30,337 --> 00:29:31,338
(SHOE THUDS)
576
00:29:38,178 --> 00:29:40,548
Do you have a speaker
or anything I can plug into?
577
00:29:41,248 --> 00:29:42,684
Yeah.
578
00:29:42,783 --> 00:29:44,084
But do it without the song.
579
00:29:47,321 --> 00:29:48,690
Why?
580
00:29:48,789 --> 00:29:50,924
Because I told you,
I don't want to hear it.
581
00:29:51,025 --> 00:29:53,460
-But it's all set to the...
-I'm sure you've got it down.
582
00:29:55,296 --> 00:29:57,131
Why won't you just let me
play it for you?
583
00:29:57,231 --> 00:29:58,966
'Cause I don't want
to break my streak.
584
00:29:59,466 --> 00:30:00,568
Of what?
585
00:30:00,669 --> 00:30:02,136
Of not listening
to your music.
586
00:30:34,368 --> 00:30:35,402
(EXHALES SHARPLY)
587
00:30:38,872 --> 00:30:40,474
-(INHALES)
-(TAPS FLOOR)
588
00:30:40,575 --> 00:30:42,409
-(EXHALES)
-(TAPS FLOOR)
589
00:30:43,210 --> 00:30:44,878
-(EXHALES)
-(TAPS FLOOR)
590
00:31:07,101 --> 00:31:08,302
(GRUNTS SOFTLY)
591
00:31:31,358 --> 00:31:32,627
(EXHALES SHARPLY)
592
00:31:44,338 --> 00:31:45,272
Ooh. Okay.
593
00:31:45,372 --> 00:31:47,074
-Well, I think that's...
-I'm not done yet.
594
00:32:01,155 --> 00:32:02,423
(TABLE THUDDING)
595
00:32:02,524 --> 00:32:03,490
(GRUNTS)
596
00:32:08,395 --> 00:32:09,664
(GRUNTS)
597
00:32:12,700 --> 00:32:14,067
(GRUNTS)
598
00:32:17,872 --> 00:32:19,574
(EXHALES SHARPLY)
599
00:32:20,107 --> 00:32:22,009
(BREATHING LOUDLY)
600
00:32:23,477 --> 00:32:25,412
(GRUNTING)
601
00:32:25,513 --> 00:32:27,047
(PANTING)
602
00:32:27,749 --> 00:32:28,716
(MARY GRUNTS)
603
00:32:36,223 --> 00:32:38,726
(BREATHING HEAVILY)
604
00:32:42,564 --> 00:32:44,264
(GRUNTS)
605
00:32:45,065 --> 00:32:47,067
(STRAINING)
606
00:32:48,803 --> 00:32:49,970
(GRUNTS)
607
00:32:57,978 --> 00:33:00,515
(PANTING)
608
00:33:19,734 --> 00:33:23,538
(SAM BREATHES DEEPLY)
609
00:33:26,039 --> 00:33:29,076
How on earth
are you gonna sing
610
00:33:29,176 --> 00:33:30,778
while you do all that?
611
00:33:31,513 --> 00:33:33,581
(PANTING)
612
00:33:33,681 --> 00:33:34,716
Practice.
613
00:33:36,951 --> 00:33:38,285
(EXHALES)
614
00:33:48,630 --> 00:33:49,797
(SAM TUTS)
615
00:33:49,898 --> 00:33:51,265
(MARY EXHALES)
616
00:33:51,365 --> 00:33:52,432
You know,
617
00:33:54,034 --> 00:33:55,703
if you're going for...
618
00:33:56,638 --> 00:34:01,108
burn-it-all-down
last-will-and-testaments,
619
00:34:01,809 --> 00:34:03,443
what we should do is
620
00:34:04,378 --> 00:34:05,914
we should make you
a beautiful dress
621
00:34:06,014 --> 00:34:07,214
that is simple and elegant,
622
00:34:07,314 --> 00:34:08,816
and whatever else
it needs to be,
623
00:34:08,917 --> 00:34:11,418
but attached to it...
624
00:34:12,854 --> 00:34:13,855
is a train.
625
00:34:13,955 --> 00:34:16,490
-(LAUGHING)
-You know how I love...
626
00:34:18,026 --> 00:34:20,695
a good train,
and this one is, say,
627
00:34:20,795 --> 00:34:23,096
um, just a quarter-mile long.
628
00:34:23,196 --> 00:34:26,000
And maybe
most people don't notice,
629
00:34:26,099 --> 00:34:29,102
but a keen eye will detect
630
00:34:29,202 --> 00:34:33,373
that at a certain point,
the fabric of the gown fades
631
00:34:33,875 --> 00:34:35,175
from one thing
632
00:34:35,777 --> 00:34:37,277
into something else.
633
00:34:37,377 --> 00:34:39,914
Something more familiar.
634
00:34:40,014 --> 00:34:41,849
It's so seamless
you don't even see it.
635
00:34:41,950 --> 00:34:43,651
But once you do,
636
00:34:44,786 --> 00:34:46,353
you realize
637
00:34:46,453 --> 00:34:50,792
the entire gown is made up
of every dress
638
00:34:50,892 --> 00:34:52,627
you've ever
639
00:34:52,727 --> 00:34:54,428
-worn.
-(EXHILARATING MUSIC PLAYING)
640
00:34:54,529 --> 00:34:57,364
The story
of how you got to right here,
641
00:34:57,665 --> 00:34:59,266
right now,
642
00:34:59,366 --> 00:35:01,970
in this exact moment,
643
00:35:02,070 --> 00:35:03,470
stepping out on stage,
644
00:35:03,571 --> 00:35:06,440
Mother Mary... (GASPS)
...in the new millennium.
645
00:35:06,541 --> 00:35:08,308
You walk...
(SUCKS AIR THROUGH TEETH)
646
00:35:08,408 --> 00:35:09,443
...down the...
Where is the show?
647
00:35:09,544 --> 00:35:12,947
-At the Palladium.
-That's perfect. So...
648
00:35:13,047 --> 00:35:15,583
Miel Contrera
finishes singing,
649
00:35:15,683 --> 00:35:18,653
and it's beautiful
and it's well-liked,
650
00:35:18,753 --> 00:35:22,155
but now, here you come,
651
00:35:22,890 --> 00:35:25,225
marching down that aisle,
652
00:35:25,325 --> 00:35:27,194
marching
from far beyond the aisle,
653
00:35:27,294 --> 00:35:28,930
from outside the theater,
654
00:35:29,030 --> 00:35:30,632
coming down the street,
655
00:35:30,732 --> 00:35:34,869
dragging your whole history
behind you.
656
00:35:35,302 --> 00:35:37,137
The doors swing open,
657
00:35:37,237 --> 00:35:38,338
and you enter the theater
658
00:35:38,438 --> 00:35:41,109
and you walk up
the steps to the stage,
659
00:35:41,208 --> 00:35:43,210
and when you get to the top...
660
00:35:43,845 --> 00:35:45,212
What's this?
661
00:35:46,246 --> 00:35:47,649
Something catches.
662
00:35:48,448 --> 00:35:51,085
The train is pulled tight.
663
00:35:51,184 --> 00:35:55,623
It's caught
on all of your history.
664
00:35:56,256 --> 00:35:58,926
And as you take
your final step
665
00:35:59,027 --> 00:36:01,361
and complete your ascension,
666
00:36:01,896 --> 00:36:03,698
the entire gown,
667
00:36:03,798 --> 00:36:07,200
we'll set it
so it just shears away,
668
00:36:07,300 --> 00:36:08,636
and there you are.
669
00:36:09,737 --> 00:36:15,308
You are standing naked
under the lights,
670
00:36:15,409 --> 00:36:18,079
free of everything
you've been carrying,
671
00:36:18,178 --> 00:36:20,715
of everything that's been
weighing you down.
672
00:36:20,815 --> 00:36:22,850
And, of course,
the plugs will get pulled
673
00:36:22,950 --> 00:36:25,953
and the broadcast would cut
but that's on them,
674
00:36:26,054 --> 00:36:27,555
it's not on you.
675
00:36:27,655 --> 00:36:28,990
Mmm-mmm.
676
00:36:29,090 --> 00:36:31,626
You're doing
what you were born to do.
677
00:36:32,426 --> 00:36:34,796
You open your mouth
678
00:36:34,896 --> 00:36:36,798
and you dance your dance.
679
00:36:38,365 --> 00:36:40,601
You sing your song.
680
00:36:41,869 --> 00:36:43,370
Or maybe...
681
00:36:44,438 --> 00:36:45,940
you don't even do that.
682
00:36:47,842 --> 00:36:49,677
Maybe you don't need to.
683
00:36:51,211 --> 00:36:54,649
You don't need
the song at all,
684
00:36:55,282 --> 00:36:56,818
because this...
685
00:36:58,318 --> 00:37:01,556
is all about...
686
00:37:02,857 --> 00:37:03,891
you.
687
00:37:12,533 --> 00:37:13,568
But...
688
00:37:19,339 --> 00:37:20,808
isn't that kind of...
689
00:37:27,715 --> 00:37:28,750
-obvious?
-No.
690
00:37:29,784 --> 00:37:32,854
Mmm. This is...
691
00:37:33,588 --> 00:37:34,622
clarity.
692
00:37:35,556 --> 00:37:38,726
♪ Bad conversations ♪
693
00:37:39,961 --> 00:37:42,630
♪ Cigarettes ♪
694
00:37:43,363 --> 00:37:45,900
♪ Words I don't mean ♪
695
00:37:47,168 --> 00:37:49,137
♪ Empty threats ♪
696
00:37:49,237 --> 00:37:51,172
♪ Chewing gum ♪
697
00:37:51,271 --> 00:37:54,675
♪ I'm so empty ♪
698
00:37:56,276 --> 00:37:59,947
♪ You're the one for me ♪
699
00:38:00,515 --> 00:38:02,449
♪ You see ♪
700
00:38:02,550 --> 00:38:05,485
♪ But it's been a while ♪
701
00:38:08,856 --> 00:38:13,027
♪ My mouth is lonely for you ♪
702
00:38:16,230 --> 00:38:20,568
♪ My mouth is lonely for you ♪
703
00:38:22,435 --> 00:38:24,505
♪ You ♪
704
00:38:26,406 --> 00:38:28,075
♪ My mouth ♪
705
00:38:31,179 --> 00:38:35,082
♪ My mouth is lonely for you ♪
706
00:38:35,183 --> 00:38:36,951
(AUDIENCE CHEERING)
707
00:38:44,659 --> 00:38:46,694
(CHEERING DISTORTS, FADES)
708
00:38:47,795 --> 00:38:48,796
(GASPS)
709
00:38:50,231 --> 00:38:52,432
(PANTING)
710
00:39:34,374 --> 00:39:36,544
(ENCHANTING MUSIC PLAYING)
711
00:39:50,091 --> 00:39:52,860
♪ You said go findall the things that you want ♪
712
00:39:52,960 --> 00:39:54,662
♪ Find all the thingsthat you need ♪
713
00:39:54,762 --> 00:39:57,965
♪ If you can't find them in mego find anywhere, please ♪
714
00:39:58,065 --> 00:40:00,101
♪ Unroll the mapclimb up the trees ♪
715
00:40:00,201 --> 00:40:02,036
♪ Scale the mountaindo or don't breathe ♪
716
00:40:02,136 --> 00:40:04,105
♪ But you mustfall to your knees ♪
717
00:40:04,205 --> 00:40:06,641
♪ Don't cry to the starsyou must summon the deep ♪
718
00:40:06,741 --> 00:40:08,309
♪ Lose all the peopleyou keep ♪
719
00:40:08,408 --> 00:40:09,377
♪ Lose your will to believe ♪
720
00:40:09,476 --> 00:40:10,611
♪ And once again believe ♪
721
00:40:10,711 --> 00:40:12,280
♪ And if in the endyou're not free ♪
722
00:40:12,380 --> 00:40:13,748
♪ Cut a deal, please ♪
723
00:40:13,848 --> 00:40:15,816
-(CLINKING)
-♪ Used to walk with you ♪
724
00:40:15,917 --> 00:40:19,486
♪ Till I sawsomething bigger ♪
725
00:40:19,587 --> 00:40:21,555
♪ I jumpedinto the flames ♪
726
00:40:21,656 --> 00:40:25,026
♪ And I shook handswith forever ♪
727
00:40:25,126 --> 00:40:28,195
♪ Had to cut ties ♪
728
00:40:28,296 --> 00:40:29,797
(SNIFFING)
729
00:40:30,598 --> 00:40:33,567
♪ To be star-light ♪
730
00:40:36,671 --> 00:40:38,572
♪ He blessed mewith his gaze... ♪
731
00:40:38,673 --> 00:40:42,043
That was a very specific
moment in time,
732
00:40:42,543 --> 00:40:43,844
wasn't it?
733
00:40:44,645 --> 00:40:45,613
(HALO CLINKING)
734
00:40:45,713 --> 00:40:47,214
Why do we say that?
735
00:40:48,416 --> 00:40:50,217
Every moment in time
is specific.
736
00:40:50,318 --> 00:40:53,654
Yeah, but it's hard to tell
one from the next. Mmm?
737
00:40:54,487 --> 00:40:56,157
Every now and then, though,
738
00:40:57,224 --> 00:40:59,060
something happens.
739
00:41:00,328 --> 00:41:02,363
And it makes us
prick up our ears
740
00:41:02,462 --> 00:41:06,300
and say,
"That was a moment."
741
00:41:06,400 --> 00:41:09,303
And what I think
we're really saying...
742
00:41:09,403 --> 00:41:11,138
-(HALO CLINKING)
-...is for that moment,
743
00:41:12,873 --> 00:41:14,775
we were...
744
00:41:15,409 --> 00:41:16,610
together.
745
00:41:19,347 --> 00:41:21,549
Did you really mean
what you said?
746
00:41:22,216 --> 00:41:24,218
About what?
747
00:41:24,318 --> 00:41:26,721
About not listening
to my music.
748
00:41:30,124 --> 00:41:31,491
-Yes.
-(HALO CLATTERS)
749
00:41:32,460 --> 00:41:33,561
Is it a surprise?
750
00:41:33,661 --> 00:41:35,730
I don't exactly see you
at the runway.
751
00:41:35,830 --> 00:41:38,366
Did I really hurt
your feelings so badly?
752
00:41:38,466 --> 00:41:39,533
Yeah.
753
00:41:39,633 --> 00:41:41,469
And that's fine.
754
00:41:41,569 --> 00:41:43,537
That's what feelings are for.
755
00:41:43,637 --> 00:41:45,906
I just wish you would have
told me yourself.
756
00:41:47,108 --> 00:41:48,175
Told you what?
757
00:41:48,275 --> 00:41:50,111
(SMACKS LIPS) That, um...
758
00:41:51,078 --> 00:41:53,314
That Mother Mary no longer
needed me.
759
00:41:53,414 --> 00:41:55,449
-I did need you.
-No, you...
760
00:41:55,549 --> 00:41:57,184
-And I did tell you.
-You told me
761
00:41:57,284 --> 00:41:58,452
by not telling me.
762
00:41:58,552 --> 00:41:59,820
You told me by saying nothing
763
00:41:59,920 --> 00:42:02,390
and letting everyone
who suddenly had your ear
764
00:42:02,490 --> 00:42:03,424
do all the talking.
765
00:42:03,524 --> 00:42:04,759
I told you I needed a change.
766
00:42:04,859 --> 00:42:07,695
Yes, but you didn't tell me
you'd already made it.
767
00:42:07,795 --> 00:42:09,497
By the time
I figured that out,
768
00:42:09,597 --> 00:42:11,599
you'd already closed the door.
769
00:42:11,699 --> 00:42:13,000
The door was always open.
770
00:42:13,100 --> 00:42:14,101
No.
771
00:42:14,201 --> 00:42:15,202
No, it wasn't.
772
00:42:16,537 --> 00:42:18,639
No, it wasn't. It was shut
773
00:42:19,073 --> 00:42:20,474
and locked.
774
00:42:20,574 --> 00:42:22,810
And you were
a million miles away.
775
00:42:23,577 --> 00:42:25,146
And there I was...
776
00:42:25,246 --> 00:42:26,947
who knew you and...
777
00:42:29,650 --> 00:42:31,252
who loved you,
778
00:42:32,586 --> 00:42:35,856
trying to pick up the pieces.
779
00:42:35,956 --> 00:42:38,726
Except there weren't
even any pieces
780
00:42:38,826 --> 00:42:40,761
'cause everything I had was...
781
00:42:41,462 --> 00:42:43,631
wrapped up in you.
782
00:42:43,731 --> 00:42:46,133
You never know
how little you matter
783
00:42:46,233 --> 00:42:47,735
until you realize
784
00:42:47,835 --> 00:42:49,570
that everything you've done
785
00:42:49,670 --> 00:42:51,472
has been in the service
786
00:42:51,572 --> 00:42:53,774
of someone
the whole world loves
787
00:42:53,874 --> 00:42:56,210
just as much as you.
788
00:42:59,346 --> 00:43:03,384
Oh, yeah. And tell yourself
you're doing good work.
789
00:43:03,484 --> 00:43:04,819
Tell yourself
what you're doing counts
790
00:43:04,919 --> 00:43:06,353
'cause you're the one
that's doing it,
791
00:43:06,454 --> 00:43:09,356
but really, step by step,
792
00:43:09,457 --> 00:43:10,891
stitch by stitch,
793
00:43:12,726 --> 00:43:14,962
you're obliterating yourself.
794
00:43:20,000 --> 00:43:21,802
I wanted you
795
00:43:21,902 --> 00:43:23,771
to look like Joan of Arc.
796
00:43:27,208 --> 00:43:28,943
When I heard you sing,
797
00:43:29,743 --> 00:43:31,979
that's what I saw.
798
00:43:32,079 --> 00:43:36,383
That's what I set out
to design for you.
799
00:43:37,318 --> 00:43:38,786
And to that,
800
00:43:39,253 --> 00:43:42,022
I added bits and pieces
801
00:43:43,525 --> 00:43:44,692
of me.
802
00:43:46,595 --> 00:43:48,162
Silly things,
803
00:43:48,863 --> 00:43:52,166
like my holy communion
when I was seven.
804
00:43:52,266 --> 00:43:53,234
Feeling like a queen
805
00:43:53,334 --> 00:43:54,702
even though I'd spilled wine
806
00:43:54,802 --> 00:43:57,071
all down
my beautiful white dress.
807
00:44:00,174 --> 00:44:01,175
All of that
808
00:44:02,376 --> 00:44:03,711
is in there.
809
00:44:05,514 --> 00:44:07,114
That's my story.
810
00:44:08,649 --> 00:44:09,850
And no,
811
00:44:10,585 --> 00:44:12,153
I don't expect you to tell it.
812
00:44:13,320 --> 00:44:16,924
But I... would have expected
a little bit credit.
813
00:44:26,333 --> 00:44:29,103
-I didn't mean to cut you out.
-But you did.
814
00:44:30,371 --> 00:44:31,438
MARY: Yes.
815
00:44:32,273 --> 00:44:33,240
I did.
816
00:44:36,611 --> 00:44:38,479
-But...
-What?
817
00:44:38,580 --> 00:44:40,848
But I'm the one
who wore that dress,
818
00:44:42,517 --> 00:44:44,385
who wore all the dresses.
819
00:44:46,687 --> 00:44:47,721
I let you make
820
00:44:47,821 --> 00:44:50,090
-something of me.
-No. No.
821
00:44:50,191 --> 00:44:52,527
-We did that together.
-And...
822
00:44:52,627 --> 00:44:53,928
And I liked it.
823
00:44:54,762 --> 00:44:55,996
I liked it.
824
00:44:57,865 --> 00:44:59,733
I liked how you saw me.
825
00:45:03,404 --> 00:45:05,005
I liked how it felt...
826
00:45:07,274 --> 00:45:09,578
when you dressed me.
827
00:45:09,678 --> 00:45:12,780
But you were making
your own Mother Mary,
828
00:45:12,880 --> 00:45:14,315
and she... (INHALES)
829
00:45:14,715 --> 00:45:16,317
she was beautiful.
830
00:45:17,619 --> 00:45:18,919
But I'm the one
who had to go out
831
00:45:19,019 --> 00:45:20,821
in front of all those people
832
00:45:21,388 --> 00:45:23,257
and sing my songs
833
00:45:23,757 --> 00:45:25,859
and feel them, so, yes...
834
00:45:25,960 --> 00:45:26,927
(SCISSORS SNIP)
835
00:45:27,027 --> 00:45:29,830
...I wanted to change for her.
836
00:45:30,864 --> 00:45:32,866
But I was never done with us.
837
00:45:34,468 --> 00:45:35,836
You closed that door.
838
00:45:35,936 --> 00:45:38,673
No, there was never a door
at all until you opened it.
839
00:45:38,772 --> 00:45:39,740
The door doesn't exist.
(SCOFFS)
840
00:45:39,840 --> 00:45:41,909
These metaphors
are exhausting.
841
00:45:42,843 --> 00:45:44,044
(SCISSORS CLATTER)
842
00:45:45,012 --> 00:45:47,314
You went somewhere...
843
00:45:47,414 --> 00:45:49,984
-I couldn't follow.
-Yes, but you had all this.
844
00:45:50,084 --> 00:45:51,885
Yeah, I had to build this
so I had something.
845
00:45:51,986 --> 00:45:53,454
But that's good, isn't it?
846
00:45:53,555 --> 00:45:55,356
Yeah.
847
00:45:55,456 --> 00:45:58,259
Except that it took me
hating you to do it.
848
00:46:05,099 --> 00:46:07,067
-Uh-uh.
-(SCISSORS CLINKING)
849
00:46:07,868 --> 00:46:09,470
(SCISSORS SNIPPING)
850
00:46:11,338 --> 00:46:12,306
(WHIMPERS)
851
00:46:18,412 --> 00:46:19,380
(EXHALES)
852
00:46:22,717 --> 00:46:23,951
(SNIFFLES)
853
00:46:24,051 --> 00:46:25,553
You can't really hate me.
854
00:46:25,654 --> 00:46:26,854
Oh, yes, I can.
855
00:46:27,788 --> 00:46:30,424
It's very easy
to flip that switch.
856
00:46:30,525 --> 00:46:32,092
Is that what we're doing here?
857
00:46:32,192 --> 00:46:34,161
You're making me a hate-dress?
858
00:46:34,261 --> 00:46:35,530
Maybe.
859
00:46:36,397 --> 00:46:37,431
Maybe.
860
00:46:37,532 --> 00:46:39,933
So what do we have to do
to flip that switch back?
861
00:46:40,034 --> 00:46:42,469
I don't know. Maybe we can't,
maybe it's a one-time thing.
862
00:46:42,570 --> 00:46:43,538
No.
863
00:46:44,338 --> 00:46:45,740
You already have.
864
00:46:45,839 --> 00:46:47,676
You wouldn't let me
in the door otherwise.
865
00:46:47,776 --> 00:46:50,010
The real door
or the metaphorical one?
866
00:46:50,110 --> 00:46:51,646
-Your front door.
-Oh.
867
00:46:51,746 --> 00:46:53,947
Well... I didn't let you in.
868
00:46:54,915 --> 00:46:56,817
Hilda did.
869
00:46:56,917 --> 00:46:59,587
And why do I have to be
the one to open the door
870
00:46:59,688 --> 00:47:01,889
or flip a switch or whatever?
871
00:47:03,692 --> 00:47:05,125
Can't you do it?
872
00:47:07,094 --> 00:47:08,896
Can't you do the work?
873
00:47:10,732 --> 00:47:13,434
Make me love you again.
874
00:47:14,536 --> 00:47:16,203
Can you let me try?
875
00:47:17,605 --> 00:47:19,173
Can you stop putting up walls?
876
00:47:19,273 --> 00:47:21,875
Can you let me play
this fucking song?
877
00:47:21,975 --> 00:47:23,877
Oh, you can't do
anything else?
878
00:47:23,977 --> 00:47:25,946
I don't have anything else.
879
00:47:26,815 --> 00:47:28,015
What else is there?
880
00:47:28,115 --> 00:47:30,417
I can... send you flowers,
881
00:47:30,518 --> 00:47:32,353
I can write you a note,
or I can buy you a house,
882
00:47:32,453 --> 00:47:35,557
or I can sing you a song.
That's it.
883
00:47:36,857 --> 00:47:38,058
(CRIES SOFTLY)
884
00:47:40,595 --> 00:47:41,629
That's all I got.
885
00:47:45,065 --> 00:47:46,801
Well, I could do
with a new house.
886
00:47:46,900 --> 00:47:48,603
This one's falling apart.
887
00:47:50,404 --> 00:47:52,172
Pick one out
and send me the listing.
888
00:47:52,272 --> 00:47:53,907
Oh, you know, I think
I'll pay for it myself.
889
00:47:54,007 --> 00:47:55,909
Thank you very much.
890
00:47:56,009 --> 00:47:57,945
You see, the problem is,
891
00:47:58,045 --> 00:48:00,815
and it's not a problem,
892
00:48:00,914 --> 00:48:03,117
but the problem is...
893
00:48:03,852 --> 00:48:06,521
I am very stubborn.
894
00:48:07,254 --> 00:48:08,355
(SCOFFS)
895
00:48:09,390 --> 00:48:10,525
Clearly.
896
00:48:11,358 --> 00:48:13,661
And I don't...
897
00:48:13,762 --> 00:48:17,599
I'm no good
at changing on the spot.
898
00:48:18,767 --> 00:48:20,100
I'm not...
899
00:48:20,602 --> 00:48:22,169
like you.
900
00:48:23,337 --> 00:48:25,707
I can't be what other people
want me to be
901
00:48:25,807 --> 00:48:27,241
at the drop of a hat.
902
00:48:27,809 --> 00:48:29,209
Good.
903
00:48:29,943 --> 00:48:31,412
Because it wears you down.
904
00:48:31,513 --> 00:48:34,448
And I've been getting on
quite well without you.
905
00:48:34,549 --> 00:48:36,885
If I hear you on the radio,
I change the channel.
906
00:48:36,984 --> 00:48:39,353
If I see you on the telly,
I just turn it off.
907
00:48:40,889 --> 00:48:42,456
All or nothing.
908
00:48:44,458 --> 00:48:45,959
All or nothing.
909
00:48:48,195 --> 00:48:50,364
Everyone else needs you.
910
00:48:51,699 --> 00:48:53,300
I don't.
911
00:48:58,372 --> 00:49:00,240
Would you like to know
what happened
912
00:49:00,340 --> 00:49:02,544
the last time
I heard you sing?
913
00:49:03,745 --> 00:49:04,746
Sure.
914
00:49:04,846 --> 00:49:06,581
It's gonna sound
like another metaphor,
915
00:49:06,681 --> 00:49:07,882
even though it's not.
916
00:49:07,981 --> 00:49:09,149
Okay.
917
00:49:11,653 --> 00:49:15,355
Do you remember
when you played in Hyde Park
918
00:49:15,456 --> 00:49:17,592
at the beginning
of your Ecstatic Tour?
919
00:49:19,193 --> 00:49:21,295
-Yeah.
-I was there.
920
00:49:22,362 --> 00:49:23,497
Front row.
921
00:49:25,533 --> 00:49:27,234
(AUDIENCE CHEERING)
922
00:49:35,175 --> 00:49:37,712
SAM: I wonderedif you'd spot me,
923
00:49:37,812 --> 00:49:40,180
but... you never did.
924
00:49:41,081 --> 00:49:43,751
Or if you did,you didn't let on.
925
00:49:44,284 --> 00:49:46,386
And now I'm letting on now
926
00:49:47,755 --> 00:49:49,724
you were amazing.
927
00:49:50,892 --> 00:49:54,161
The whole crowd was crying.
928
00:49:54,529 --> 00:49:56,463
You were crying.
929
00:49:56,564 --> 00:49:58,232
And I was crying,
930
00:49:58,800 --> 00:50:01,502
but for a different reason.
931
00:50:01,603 --> 00:50:04,338
Because I was seeingsomething beautiful
932
00:50:04,438 --> 00:50:06,173
that I had once been a part of
933
00:50:06,273 --> 00:50:09,243
and... never would be again.
934
00:50:10,912 --> 00:50:12,614
You were radiant.
935
00:50:14,481 --> 00:50:16,216
I was miserable.
936
00:50:16,784 --> 00:50:17,852
(SAM INHALES SLOWLY)
937
00:50:17,952 --> 00:50:19,119
And by and by,
938
00:50:19,219 --> 00:50:24,157
that misery resolvedinto a very sharp pain
939
00:50:24,258 --> 00:50:26,360
in my upper mandible.
940
00:50:27,461 --> 00:50:30,565
My jaws were clenched so tight
941
00:50:30,665 --> 00:50:34,334
that my top left wisdom toothcracked wide open,
942
00:50:34,434 --> 00:50:37,539
and the pain that it gave me
943
00:50:37,639 --> 00:50:39,306
was pure
944
00:50:40,173 --> 00:50:41,543
and sharp.
945
00:50:42,977 --> 00:50:48,215
And I could think of no wayto describe it other than you.
946
00:50:48,315 --> 00:50:50,217
(INTENSE MUSIC PLAYING)
947
00:50:54,656 --> 00:50:56,056
Oh, it was you.
948
00:50:56,858 --> 00:50:59,126
And I had to cut you out.
949
00:51:02,664 --> 00:51:04,231
So I fled.
950
00:51:06,366 --> 00:51:08,736
Before the encore.
951
00:51:08,836 --> 00:51:10,103
Before you played Holy Spirit,
952
00:51:10,203 --> 00:51:12,740
the one song I thoughtmight make me feel better.
953
00:51:14,943 --> 00:51:16,343
AUDIENCE: Mary! Mary!
954
00:51:18,012 --> 00:51:19,346
(VOICE BREAKING) I ran home,
955
00:51:20,080 --> 00:51:21,516
grabbed some pliers,
956
00:51:23,651 --> 00:51:24,752
and...
957
00:51:27,755 --> 00:51:28,756
(TOOTH CRACKING)
958
00:51:31,025 --> 00:51:32,359
(MUSIC FADES)
959
00:51:35,063 --> 00:51:36,330
See?
960
00:51:39,601 --> 00:51:40,768
All gone.
961
00:51:42,670 --> 00:51:43,470
Jesus!
962
00:51:43,571 --> 00:51:45,807
(SNICKERING)
I'm only exaggerating.
963
00:51:46,975 --> 00:51:48,676
I went to the dentist.
964
00:51:49,744 --> 00:51:51,211
Yeah, they put me under,
965
00:51:52,346 --> 00:51:54,816
and when I woke up
in the chair,
966
00:51:55,349 --> 00:51:57,150
my tooth was gone.
967
00:51:59,219 --> 00:52:01,789
And the anesthesia
was wearing off,
968
00:52:03,691 --> 00:52:05,325
and I felt very sad.
969
00:52:06,828 --> 00:52:08,495
Like I was...
970
00:52:08,596 --> 00:52:12,366
in the midst of saying goodbye
to something dear.
971
00:52:12,900 --> 00:52:15,637
You know, when I was little,
972
00:52:15,737 --> 00:52:18,138
and we'd move,
973
00:52:18,238 --> 00:52:23,410
and I'd feel myself
being pulled away from a house
974
00:52:23,845 --> 00:52:26,446
I'd made time to love.
975
00:52:30,585 --> 00:52:31,586
Hmm.
976
00:52:34,088 --> 00:52:35,255
Now...
977
00:52:37,324 --> 00:52:38,826
this is where it gets
978
00:52:39,493 --> 00:52:40,460
strange.
979
00:52:41,829 --> 00:52:43,196
That night,
980
00:52:45,165 --> 00:52:46,500
I had a visitor.
981
00:52:48,069 --> 00:52:49,369
I woke up very suddenly
982
00:52:49,469 --> 00:52:51,572
to find that my gums
were bleeding again.
983
00:52:53,608 --> 00:52:56,176
There was blood all over.
984
00:52:56,276 --> 00:52:59,413
There was a little trailof it, in fact,
985
00:52:59,514 --> 00:53:01,849
streaked across the duvet.
986
00:53:01,949 --> 00:53:05,318
It was like something hadcrawled out of my mouth,
987
00:53:05,953 --> 00:53:07,655
across the bedspread,
988
00:53:08,455 --> 00:53:09,824
down onto the floor.
989
00:53:11,059 --> 00:53:12,325
Now...
990
00:53:13,127 --> 00:53:14,929
I've always been
open to ghosts.
991
00:53:15,029 --> 00:53:17,397
If any house was haunted,
you'd think it'd be this one,
992
00:53:17,497 --> 00:53:19,867
but I haven't seen one before.
993
00:53:20,802 --> 00:53:22,103
Until now.
994
00:53:22,670 --> 00:53:24,572
And I can say
without a doubt,
995
00:53:24,672 --> 00:53:27,709
there was a ghost
at the foot of my bed.
996
00:53:31,344 --> 00:53:32,880
What did it look like?
997
00:53:33,715 --> 00:53:35,616
I couldn't say.
998
00:53:35,717 --> 00:53:39,219
She was likesix different things at once.
999
00:53:39,554 --> 00:53:40,688
"She"?
1000
00:53:40,788 --> 00:53:43,191
Yes. She was a she.
1001
00:53:44,592 --> 00:53:46,194
I think.
1002
00:53:46,293 --> 00:53:49,864
Or maybe the idea of a "she."
1003
00:53:49,964 --> 00:53:51,264
(ETHEREAL MUSIC PLAYING)
1004
00:53:51,364 --> 00:53:52,633
And she was red.
1005
00:53:54,001 --> 00:53:55,903
Not red like a color.
1006
00:53:56,704 --> 00:53:57,839
More like...
1007
00:53:59,073 --> 00:54:00,842
red like a feeling.
1008
00:54:00,942 --> 00:54:03,310
(WIND BLOWING)
1009
00:54:09,617 --> 00:54:14,789
SAM: Oh, and she wasthe most beautiful thing.
1010
00:54:15,957 --> 00:54:17,992
I couldn't let her stay.
1011
00:54:21,294 --> 00:54:23,564
So I opened the door,
1012
00:54:24,866 --> 00:54:26,734
and I watched her go,
1013
00:54:29,003 --> 00:54:30,470
down the hallway,
1014
00:54:31,973 --> 00:54:33,741
out the house,
1015
00:54:34,976 --> 00:54:37,245
into the woods,
1016
00:54:37,344 --> 00:54:39,914
a smudge of red in the dark.
1017
00:54:42,750 --> 00:54:46,554
Oh, and with her goesthe pain in my mouth,
1018
00:54:48,388 --> 00:54:50,558
the knot in my stomach,
1019
00:54:52,093 --> 00:54:54,562
and the hole in my heart.
1020
00:54:58,065 --> 00:55:01,936
And after that I stopped
listening to your music.
1021
00:55:04,038 --> 00:55:05,907
I stopped thinking about you.
1022
00:55:07,108 --> 00:55:08,810
I stopped dreaming about you.
1023
00:55:10,410 --> 00:55:14,081
And everything's been better
ever since.
1024
00:55:17,317 --> 00:55:18,619
Where did she go?
1025
00:55:19,787 --> 00:55:20,822
SAM: Oh.
1026
00:55:21,989 --> 00:55:23,658
Oh, I don't know.
1027
00:55:24,292 --> 00:55:25,392
Where do ghosts go
1028
00:55:25,492 --> 00:55:27,327
when you don't
need 'em anymore?
1029
00:55:28,062 --> 00:55:29,130
That's where.
1030
00:55:29,230 --> 00:55:32,300
But are you saying that
this is just another metaphor?
1031
00:55:32,399 --> 00:55:34,367
Did you really see something?
1032
00:55:34,467 --> 00:55:37,271
Look, I'm not saying
that I saw the spirit
1033
00:55:37,370 --> 00:55:39,439
of some
recently deceased individual
1034
00:55:39,540 --> 00:55:43,878
or that my house
is haunted by an ancestor.
1035
00:55:43,978 --> 00:55:45,046
If someone else...
1036
00:55:45,146 --> 00:55:48,950
If Hilda, say, had been there,
would she have seen it?
1037
00:55:49,050 --> 00:55:50,417
Probably not.
1038
00:55:51,418 --> 00:55:52,720
But I did.
1039
00:55:53,955 --> 00:55:56,257
Whatever neurons
in my head differentiate
1040
00:55:56,356 --> 00:55:58,092
between imagination
and perception
1041
00:55:58,192 --> 00:56:00,127
tell me that I did.
1042
00:56:00,795 --> 00:56:03,965
And if you were
to ask me why I did,
1043
00:56:04,866 --> 00:56:08,536
I would say
because I needed to.
1044
00:56:09,337 --> 00:56:11,205
Perhaps I manifested her.
1045
00:56:11,305 --> 00:56:14,976
Perhaps she was
my subconscious,
1046
00:56:15,076 --> 00:56:15,877
sending me a message
1047
00:56:15,977 --> 00:56:18,378
in the only way
it knew I would listen.
1048
00:56:20,348 --> 00:56:22,382
Perhaps she was a ghost.
1049
00:56:23,084 --> 00:56:24,085
Yeah.
1050
00:56:27,387 --> 00:56:29,724
But she was my ghost.
1051
00:56:31,391 --> 00:56:32,793
Except...
1052
00:56:33,527 --> 00:56:35,563
I think I saw her too.
1053
00:56:37,098 --> 00:56:38,299
You saw what?
1054
00:56:38,398 --> 00:56:39,533
Your ghost.
1055
00:56:39,634 --> 00:56:41,235
(UNEASY MUSIC PLAYING)
1056
00:56:41,335 --> 00:56:43,170
-I saw her.
-I was being serious.
1057
00:56:43,271 --> 00:56:44,672
So am I.
1058
00:56:44,772 --> 00:56:46,841
So what?
1059
00:56:46,941 --> 00:56:50,044
You can't even let me
have my own ghost story?
1060
00:56:50,144 --> 00:56:51,913
No. No, it is yours.
1061
00:56:52,013 --> 00:56:55,082
It is, but I think
I might be a part of it.
1062
00:56:55,182 --> 00:56:57,351
You're making me feel
1063
00:56:57,450 --> 00:56:59,620
-very foolish.
-I promise I don't mean to.
1064
00:56:59,720 --> 00:57:01,889
(WHIMPERING)
I saw what you saw.
1065
00:57:01,989 --> 00:57:07,929
I saw a ghost or a spirit
and she was red.
1066
00:57:08,329 --> 00:57:10,430
And when was this?
1067
00:57:10,531 --> 00:57:12,833
-The first time was...
-Ooh. "The first time"?
1068
00:57:15,303 --> 00:57:17,071
The first time was in Dublin.
1069
00:57:19,040 --> 00:57:20,641
96th stop of the tour.
1070
00:57:21,342 --> 00:57:23,644
I was so worn out, but...
1071
00:57:26,681 --> 00:57:28,481
it was my birthday.
1072
00:57:30,885 --> 00:57:33,521
And I wanted to do
something special.
1073
00:57:34,422 --> 00:57:35,890
(THUNDER RUMBLING)
1074
00:57:35,990 --> 00:57:37,692
(CROWD CHEERING)
1075
00:57:40,493 --> 00:57:42,430
I love you, Dublin!
1076
00:57:42,530 --> 00:57:43,831
Goodnight!
1077
00:57:43,931 --> 00:57:45,733
(CROWD CHEERING)
1078
00:57:51,839 --> 00:57:53,975
(INDISTINCT CONVERSATION)
1079
00:58:05,920 --> 00:58:06,988
(MARY SIGHS)
1080
00:58:07,355 --> 00:58:08,823
(MARY EXCLAIMS)
1081
00:58:08,923 --> 00:58:10,992
-Thank you. (FLUTTERS LIPS)
-NIKKI: Here, here, here.
1082
00:58:11,092 --> 00:58:12,526
I've got it. I've got it.
I've got it.
1083
00:58:12,626 --> 00:58:13,928
MARY: (CHUCKLES) Careful.
1084
00:58:14,028 --> 00:58:14,996
(MARY SIGHS)
1085
00:58:16,364 --> 00:58:17,999
How does this keep happening?
1086
00:58:19,433 --> 00:58:20,534
Oh, shit. Um,
1087
00:58:20,634 --> 00:58:22,136
-there's blood on your...
-Huh?
1088
00:58:22,236 --> 00:58:22,970
-JADE: Hey, MM!
-Blood...
1089
00:58:23,070 --> 00:58:26,007
-Oh, um, yeah.
-JADE: Look who I found!
1090
00:58:26,107 --> 00:58:27,108
MARY: Ooh.
1091
00:58:27,608 --> 00:58:29,377
Oh, my gosh!
1092
00:58:29,477 --> 00:58:30,611
-Are you...
-Hi.
1093
00:58:30,711 --> 00:58:33,581
-(GIGGLING) Hi! Hi, hi, hi!
-I'm Imogen. Hi.
1094
00:58:33,681 --> 00:58:35,383
-(MARY SIGHS)
-Happy birthday.
1095
00:58:35,483 --> 00:58:37,018
Thank you. Thank you. Yes.
1096
00:58:37,118 --> 00:58:38,686
-So nice to meet you.
-So nice to meet you.
1097
00:58:38,786 --> 00:58:41,288
Yes. Oh, my gosh.
We are so excited for tonight.
1098
00:58:41,389 --> 00:58:42,456
-Me too.
-Everyone says
1099
00:58:42,556 --> 00:58:43,858
you are very special.
1100
00:58:43,958 --> 00:58:45,793
-Well, that sounds very kind.
-Okay.
1101
00:58:45,893 --> 00:58:47,328
JADE: She was sat
in the regular seat,
1102
00:58:47,428 --> 00:58:48,529
that's why PJ couldn't
find her.
1103
00:58:48,629 --> 00:58:49,730
-Ah.
-JADE: How long did you say
1104
00:58:49,830 --> 00:58:51,399
-you waited in line?
-MARY: Oh?
1105
00:58:51,499 --> 00:58:54,201
Only two hours.
But it's fine. I had fun.
1106
00:58:54,301 --> 00:58:56,237
-I met people.
-I'm so sorry.
1107
00:58:56,337 --> 00:58:57,671
Yeah. Okay.
1108
00:58:57,772 --> 00:58:59,774
-I like meeting people.
-Thank you.
1109
00:58:59,874 --> 00:59:02,276
Oh, well, now you're here
and you're with us.
1110
00:59:02,376 --> 00:59:03,878
Did you like the show?
1111
00:59:03,978 --> 00:59:05,746
-Oh, it was incredible.
-MARY: Mmm.
1112
00:59:05,846 --> 00:59:08,182
It was like,
like a religious experience
1113
00:59:08,282 --> 00:59:10,084
or like going to church,
1114
00:59:10,184 --> 00:59:12,887
-but in a good way.
-(GIGGLING) Yeah.
1115
00:59:12,987 --> 00:59:15,790
And at the same time,
all I could think is
1116
00:59:15,890 --> 00:59:17,958
when you have
that many people...
1117
00:59:18,059 --> 00:59:20,027
-Yeah.
-How many people were there?
1118
00:59:20,127 --> 00:59:22,897
Uh, 18,210.
1119
00:59:22,997 --> 00:59:25,032
There were even more
in New York.
1120
00:59:25,132 --> 00:59:27,536
-(MARY EXCLAIMS)
-And they're all there,
1121
00:59:27,635 --> 00:59:30,805
all at once,
putting out all that energy,
1122
00:59:30,905 --> 00:59:32,840
all of those ups and downs,
1123
00:59:32,940 --> 00:59:39,514
and all of it is
laser-focused right at you.
1124
00:59:39,613 --> 00:59:42,116
Mmm. It's intense.
1125
00:59:42,216 --> 00:59:43,617
How do you handle that?
1126
00:59:44,385 --> 00:59:46,253
(SIGHS) You don't.
1127
00:59:46,353 --> 00:59:48,289
Uh, I mean, you do.
1128
00:59:48,389 --> 00:59:49,457
But you just...
1129
00:59:49,558 --> 00:59:50,891
You sort of, um,
1130
00:59:51,459 --> 00:59:52,626
take it
1131
00:59:53,194 --> 00:59:54,228
and...
1132
00:59:56,297 --> 00:59:57,865
(EXHALES SLOWLY)
1133
01:00:00,701 --> 01:00:02,236
Yes, but...
1134
01:00:03,505 --> 01:00:05,372
what does it do to you?
1135
01:00:08,742 --> 01:00:10,711
It's like the same, same thing
1136
01:00:10,811 --> 01:00:13,781
over and over again
in circles.
1137
01:00:13,881 --> 01:00:14,982
GIRL: (GIGGLING)
Sounds like shit.
1138
01:00:15,082 --> 01:00:17,017
IMOGEN: Don't ask
why he chose me, but he did.
1139
01:00:17,118 --> 01:00:19,653
NIKKI: But you have seen
ghosts here before, right?
1140
01:00:19,753 --> 01:00:21,222
IMOGEN: Ah, yes.
1141
01:00:21,322 --> 01:00:22,790
There are spirits here
1142
01:00:22,890 --> 01:00:24,692
and I've met most of them.
1143
01:00:24,792 --> 01:00:27,428
But the walls here
are very thin.
1144
01:00:27,529 --> 01:00:29,697
You never know
who might come knocking.
1145
01:00:29,797 --> 01:00:32,700
Now, can somebody
get the lights?
1146
01:00:32,800 --> 01:00:33,968
Do ghosts really need the dark
1147
01:00:34,068 --> 01:00:36,403
or is it just
to make it spookier?
1148
01:00:36,505 --> 01:00:38,239
IMOGEN: Oh, it's not for them.
1149
01:00:38,339 --> 01:00:40,007
They're already here.
1150
01:00:40,107 --> 01:00:42,409
We're the ones
that are opening up to them.
1151
01:00:46,113 --> 01:00:47,314
(TINKLING)
1152
01:00:50,885 --> 01:00:54,922
(CHANTING IN IRISH)
1153
01:00:57,958 --> 01:00:59,126
(IN ENGLISH)
What does that mean?
1154
01:00:59,226 --> 01:01:00,261
What does that mean?
1155
01:01:00,361 --> 01:01:01,228
IMOGEN: It means
1156
01:01:01,328 --> 01:01:03,364
-reveal yourselves.
-Reveal yourselves.
1157
01:01:03,464 --> 01:01:05,666
- IMOGEN: We mean you no harm.
-We mean you no harm.
1158
01:01:06,635 --> 01:01:08,269
Can I say it too?
1159
01:01:08,369 --> 01:01:10,639
Yeah, sure.
1160
01:01:10,738 --> 01:01:12,706
How does it go again?
(GIGGLES)
1161
01:01:13,642 --> 01:01:15,142
(CHANTING IN IRISH)
1162
01:01:15,242 --> 01:01:16,410
(CHANTING IN IRISH)
1163
01:01:29,723 --> 01:01:33,827
(CHANTING IN IRISH)
1164
01:01:43,638 --> 01:01:46,974
(IMOGEN AND MARY
CONTINUE CHANTING)
1165
01:01:54,982 --> 01:01:56,518
-(YELPS)
-(IN ENGLISH) No. No.
1166
01:01:56,618 --> 01:01:57,785
Sorry, sorry. That was me.
1167
01:01:57,885 --> 01:01:59,453
-Fuck you.
-Oh, my God.
1168
01:01:59,554 --> 01:02:01,422
I slipped. I slipped.
I'm sorry.
1169
01:02:01,523 --> 01:02:02,389
-I hate this.
-(GIRLS LAUGHING)
1170
01:02:02,489 --> 01:02:04,792
I hate everything about this,
Emily. Really?
1171
01:02:04,892 --> 01:02:06,760
-(GIRLS LAUGHING)
-Shh.
1172
01:02:07,861 --> 01:02:09,463
(SHUSHING) Wait, wait, wait.
1173
01:02:10,532 --> 01:02:11,498
What is it?
1174
01:02:14,468 --> 01:02:15,736
Is someone here?
1175
01:02:16,605 --> 01:02:17,838
Do you feel it?
1176
01:02:17,938 --> 01:02:19,373
I feel nothing.
1177
01:02:20,140 --> 01:02:21,809
What are we supposed to feel?
1178
01:02:22,977 --> 01:02:26,615
She's not from here.
1179
01:02:26,715 --> 01:02:27,881
"She"?
1180
01:02:28,782 --> 01:02:31,785
She's from somewhere...
1181
01:02:33,487 --> 01:02:34,955
far away.
1182
01:02:39,694 --> 01:02:43,097
But she's very nearly here.
1183
01:02:43,197 --> 01:02:45,199
Who are we talking about now?
1184
01:02:46,467 --> 01:02:47,468
Who is she?
1185
01:02:49,738 --> 01:02:50,938
Do you know?
1186
01:02:52,574 --> 01:02:53,541
No.
1187
01:02:58,546 --> 01:02:59,514
No.
1188
01:03:05,687 --> 01:03:06,987
-No.
-(DISTORTED VOICE) No.
1189
01:03:07,087 --> 01:03:08,255
Okay, we should...
Maybe this is just...
1190
01:03:08,355 --> 01:03:10,558
-It's not real.
-She's just fucking with us.
1191
01:03:10,659 --> 01:03:13,093
No, she isn't.
1192
01:03:15,095 --> 01:03:17,097
(IN SING-SONG VOICE) Imogen...
1193
01:03:18,832 --> 01:03:20,934
(SOFTLY) What do you want
to tell us?
1194
01:03:21,035 --> 01:03:24,338
Do you have a message? Or...
1195
01:03:25,239 --> 01:03:27,941
What do you want us to know?
1196
01:03:30,411 --> 01:03:32,079
We're here for you.
1197
01:03:38,285 --> 01:03:39,554
I'm here for you.
1198
01:03:39,654 --> 01:03:41,088
(GASPS)
1199
01:03:44,258 --> 01:03:46,327
I've been...
1200
01:03:47,294 --> 01:03:48,362
looking...
1201
01:03:49,396 --> 01:03:50,497
for you,
1202
01:03:51,566 --> 01:03:54,835
my dearest one.
1203
01:03:56,837 --> 01:04:01,108
I've come so far.
1204
01:04:02,711 --> 01:04:03,877
(WHIMPERS SOFTLY)
1205
01:04:04,445 --> 01:04:06,113
I've traveled
1206
01:04:06,815 --> 01:04:11,885
across land and sea.
1207
01:04:15,889 --> 01:04:17,257
(IMOGEN GRUNTS)
1208
01:04:21,261 --> 01:04:22,363
-(TAPS FOOT)
-(BONES CRACK)
1209
01:04:22,463 --> 01:04:24,566
-(THUNDER RUMBLES)
-(IMOGEN GASPS)
1210
01:04:30,605 --> 01:04:33,941
-My feet are bleeding.
-MARY: ...bleeding.
1211
01:04:36,977 --> 01:04:38,680
My bones...
1212
01:04:39,179 --> 01:04:41,081
-MARY: Ache.
-...ache.
1213
01:04:41,816 --> 01:04:43,016
My head...
1214
01:04:43,117 --> 01:04:45,252
My head is heavy.
1215
01:04:46,387 --> 01:04:48,322
(THUNDER RUMBLING)
1216
01:04:51,225 --> 01:04:52,993
-See...
-MARY: See...
1217
01:04:53,093 --> 01:04:54,562
in my hair...
1218
01:04:56,363 --> 01:04:59,967
-a braid made of woe.
-MARY: A braid made of woe.
1219
01:05:01,870 --> 01:05:04,672
See all your sorrows
1220
01:05:06,106 --> 01:05:09,811
-hang over my shoulders.
-MARY: Hang over my shoulders.
1221
01:05:09,910 --> 01:05:12,479
-And all of their kin...
-And all of their kin...
1222
01:05:12,580 --> 01:05:16,016
-...bite at my heels.
-...bite at my heels.
1223
01:05:16,116 --> 01:05:17,619
-(THUNDER RUMBLING)
-(GASPS)
1224
01:05:26,628 --> 01:05:27,629
(WHIMPERING SOFTLY)
1225
01:05:31,932 --> 01:05:33,100
(GRUNTS)
1226
01:05:35,169 --> 01:05:37,371
IMOGEN: (INHALES SHARPLY)
But soon...
1227
01:05:39,541 --> 01:05:43,277
soon my journey
will see me through.
1228
01:05:44,945 --> 01:05:47,549
And I will rest
1229
01:05:48,215 --> 01:05:52,520
on a bed spun of gold.
1230
01:05:53,253 --> 01:05:54,622
-(THUNDER RUMBLES)
-(GASPS)
1231
01:05:54,722 --> 01:05:56,290
(INTENSE MUSIC PLAYING)
1232
01:06:02,396 --> 01:06:03,731
For you...
1233
01:06:05,265 --> 01:06:08,703
are finally at hand.
1234
01:06:13,040 --> 01:06:14,341
(GASPS)
1235
01:06:15,075 --> 01:06:16,511
Listen.
1236
01:06:19,112 --> 01:06:22,282
Do you hear me?
1237
01:06:25,787 --> 01:06:27,354
Do you...
1238
01:06:29,456 --> 01:06:31,458
feel me?
1239
01:06:34,929 --> 01:06:36,330
Now...
1240
01:06:38,131 --> 01:06:42,704
you must open the door
1241
01:06:44,639 --> 01:06:50,712
and let my love...
1242
01:06:53,480 --> 01:06:54,782
-in.
-(MARY SQUEALS IN PAIN)
1243
01:06:55,884 --> 01:06:57,251
(SQUEALS)
1244
01:06:58,953 --> 01:07:00,688
(SHRIEKS)
1245
01:07:00,788 --> 01:07:03,123
-She stabbed you.
-(MARY GROANING)
1246
01:07:04,458 --> 01:07:05,259
No.
1247
01:07:05,359 --> 01:07:07,027
(SIRENS WAILING
IN DISTANCE)
1248
01:07:10,030 --> 01:07:11,498
She opened a door.
1249
01:07:18,873 --> 01:07:21,174
Everything was a blur
after that.
1250
01:07:21,809 --> 01:07:23,545
They bandaged me up.
1251
01:07:25,379 --> 01:07:27,447
Security did their rounds,
1252
01:07:28,415 --> 01:07:31,184
and eventually everyone else
went to bed.
1253
01:07:31,285 --> 01:07:33,420
(UNEASY MUSIC PLAYING)
1254
01:07:35,790 --> 01:07:38,058
I wanted to go to sleep too.
1255
01:07:38,726 --> 01:07:39,694
I wanted to.
1256
01:07:41,696 --> 01:07:43,531
I wanted to so badly.
1257
01:07:48,268 --> 01:07:49,637
But I couldn't.
1258
01:07:53,140 --> 01:07:55,677
Those words kept running
through my mind.
1259
01:07:58,713 --> 01:08:00,748
She was very nearly here.
1260
01:08:03,685 --> 01:08:05,753
She was very nearly here.
1261
01:08:06,955 --> 01:08:09,289
She was very nearly here.
1262
01:08:09,389 --> 01:08:11,325
She was very nearly here.
1263
01:08:11,425 --> 01:08:14,963
She was very nearly here.
(WHIMPERS)
1264
01:08:15,063 --> 01:08:16,664
And then she was...
1265
01:08:16,764 --> 01:08:18,332
(SQUELCHING)
1266
01:08:18,432 --> 01:08:19,499
(GASPS)
1267
01:08:24,939 --> 01:08:26,206
(GASPING)
1268
01:09:01,709 --> 01:09:02,777
(MUSIC INTENSIFIES)
1269
01:09:29,671 --> 01:09:30,805
(SCREAMS)
1270
01:09:43,250 --> 01:09:44,451
So I run.
1271
01:09:55,997 --> 01:09:58,331
-(MARY HYPERVENTILATING)
-(MUFFLED CONVERSATION)
1272
01:10:06,808 --> 01:10:08,408
(MUFFLED CONVERSATION)
1273
01:10:14,982 --> 01:10:16,918
MARY: Someone asks meif I want to stop,
1274
01:10:17,018 --> 01:10:18,418
but I say no.
1275
01:10:20,021 --> 01:10:21,122
JADE: Hmm?
1276
01:10:21,221 --> 01:10:22,590
MARY: I keep going.
1277
01:10:24,859 --> 01:10:27,161
I sing my songs.
1278
01:10:27,260 --> 01:10:30,098
This is what I do.This is what I do.
1279
01:10:30,198 --> 01:10:32,734
This is what I do.This is what I do.
1280
01:10:32,834 --> 01:10:34,102
This is what I do.
1281
01:10:34,202 --> 01:10:35,402
(GASPS)
1282
01:10:39,540 --> 01:10:41,876
This is what I do.
This is what I do.
1283
01:10:41,976 --> 01:10:45,345
This is what I do.
This is what I do. This is...
1284
01:10:45,445 --> 01:10:48,149
(MUFFLED SPEAKING)
1285
01:10:48,248 --> 01:10:50,417
(DRAMATIC MUSIC PLAYING)
1286
01:12:06,027 --> 01:12:08,796
(DRAMATIC MUSIC CONTINUES)
1287
01:12:41,963 --> 01:12:43,898
(CROWD CHEERING)
1288
01:12:56,344 --> 01:12:58,411
(INAUDIBLE)
1289
01:13:07,021 --> 01:13:09,023
(MUSIC INTENSIFIES)
1290
01:13:12,560 --> 01:13:14,695
(HEART BEATING)
1291
01:13:33,147 --> 01:13:34,782
(INAUDIBLE CONVERSATION)
1292
01:13:51,732 --> 01:13:53,200
(INAUDIBLE CONVERSATION)
1293
01:14:22,029 --> 01:14:23,531
(MUSIC STOPS)
1294
01:14:24,665 --> 01:14:29,136
♪ You got that cold feeling ♪
1295
01:14:29,236 --> 01:14:34,608
♪ Your sacred heart's blue ♪
1296
01:14:34,709 --> 01:14:40,681
♪ Do you knowwhat to pray for anymore? ♪
1297
01:14:40,781 --> 01:14:47,588
♪ Or if you canmake it through? ♪
1298
01:14:47,688 --> 01:14:51,459
♪ But me ♪
1299
01:14:51,559 --> 01:14:57,064
♪ I was raised up to believe ♪
1300
01:14:57,164 --> 01:15:04,572
♪ You could fill a cathedralwith what I thought was true ♪
1301
01:15:04,672 --> 01:15:07,408
♪ Those churchesall came crashing down ♪
1302
01:15:07,508 --> 01:15:10,644
♪ Those churchesall came crashing down ♪
1303
01:15:10,745 --> 01:15:13,147
♪ As they do ♪
1304
01:15:13,247 --> 01:15:17,018
♪ So now ♪
1305
01:15:22,223 --> 01:15:26,560
♪ I believe in you ♪
1306
01:15:27,895 --> 01:15:30,798
♪ Did you ever feelyou're holy? ♪
1307
01:15:30,898 --> 01:15:33,634
♪ Did you ever feel it?Did you ever feel it? ♪
1308
01:15:33,734 --> 01:15:36,437
♪ Did you ever feelyou're holy? ♪
1309
01:15:36,537 --> 01:15:37,838
♪ Did you ever feel it? ♪
1310
01:15:37,938 --> 01:15:40,041
♪ Did you ever feel the signof your mind ♪
1311
01:15:40,141 --> 01:15:41,542
♪ Could matchthe prayer of your lips ♪
1312
01:15:41,642 --> 01:15:43,444
♪ Lord forgiveour wasted time ♪
1313
01:15:43,544 --> 01:15:44,779
♪ Did you ever feel it? ♪
1314
01:15:44,879 --> 01:15:45,746
♪ Did you ever feelthe sway of my hips ♪
1315
01:15:45,846 --> 01:15:46,947
♪ The press of my fingertips ♪
1316
01:15:47,048 --> 01:15:48,916
♪ No, I ain't gonnawin this fight ♪
1317
01:15:49,016 --> 01:15:50,484
♪ Did you ever feel it? ♪
1318
01:15:50,584 --> 01:15:52,586
♪ Babe, I spent my whole lifePraying for my whole life ♪
1319
01:15:52,686 --> 01:15:55,389
♪ I've never feltlike this before ♪
1320
01:15:55,489 --> 01:15:58,059
♪ Babe, I spent my whole lifePraying for my whole life ♪
1321
01:15:58,159 --> 01:16:01,762
♪ I've never kneltlike this before ♪
1322
01:16:01,862 --> 01:16:04,565
♪ Did you ever feelyou're holy? ♪
1323
01:16:04,665 --> 01:16:07,501
♪ Did you ever feel it?Did you ever feel it? ♪
1324
01:16:07,601 --> 01:16:10,404
♪ Did you ever feelyou're holy? ♪
1325
01:16:10,504 --> 01:16:11,739
♪ Did you ever feel it? ♪
1326
01:16:11,839 --> 01:16:13,841
♪ So, come on, babyPut your spirit in me ♪
1327
01:16:13,941 --> 01:16:17,278
♪ Tongue the fire in meRip me open, let me breathe ♪
1328
01:16:17,378 --> 01:16:19,548
♪ Come on, babyPut that heart into mine ♪
1329
01:16:19,647 --> 01:16:20,948
♪ Press your knees into mine ♪
1330
01:16:21,048 --> 01:16:27,354
♪ Press my needsinto the ground ♪
1331
01:16:32,993 --> 01:16:35,830
♪ Did you ever feelyou're holy? ♪
1332
01:16:35,930 --> 01:16:38,732
♪ Did you ever feel it?Did you ever feel it? ♪
1333
01:16:38,833 --> 01:16:41,268
♪ Did you ever feelyou're holy? ♪
1334
01:16:41,368 --> 01:16:44,872
♪ Did you ever feel it?Did you ever feel it? ♪
1335
01:16:48,809 --> 01:16:55,082
♪ My sacred heart'sbeen feelin' blue ♪
1336
01:16:55,182 --> 01:16:58,752
♪ Should I have faithin anything? ♪
1337
01:17:00,020 --> 01:17:05,726
♪ Oh, I'll cut myselfto make some room ♪
1338
01:17:05,826 --> 01:17:11,165
♪ And let out allthat wasn't you ♪
1339
01:17:11,265 --> 01:17:13,868
MARY: I've watchedthe videos of that night
1340
01:17:15,436 --> 01:17:16,770
a hundred times.
1341
01:17:18,172 --> 01:17:20,374
Thousands of cameras
all see the same thing.
1342
01:17:23,444 --> 01:17:25,646
I know she wasn't
really there.
1343
01:17:29,049 --> 01:17:31,652
But I also know what I saw.
1344
01:17:32,521 --> 01:17:36,290
(WHIMPERING)
And I think somehow...
1345
01:17:38,392 --> 01:17:39,994
all those things are true.
1346
01:17:47,801 --> 01:17:50,004
(CROWD CHEERING)
1347
01:18:05,486 --> 01:18:06,687
(FAINT SCREAMING)
1348
01:18:08,422 --> 01:18:10,224
(SCREAMING INTENSIFIES)
1349
01:18:20,434 --> 01:18:22,269
(CHEERING FADES)
1350
01:18:40,555 --> 01:18:42,223
Where is she now?
1351
01:18:49,797 --> 01:18:50,965
(WHIMPERS)
1352
01:18:56,737 --> 01:18:58,339
And I can't sleep.
1353
01:18:59,674 --> 01:19:01,041
I can't heal.
1354
01:19:06,247 --> 01:19:07,248
I'm on...
1355
01:19:09,651 --> 01:19:11,485
who knows how many pills.
1356
01:19:16,490 --> 01:19:17,958
And every minute
1357
01:19:18,993 --> 01:19:20,494
of every day...
1358
01:19:23,632 --> 01:19:25,466
I feel her...
1359
01:19:26,635 --> 01:19:28,235
inside me.
1360
01:19:32,507 --> 01:19:35,109
She's always there, like...
1361
01:19:37,778 --> 01:19:39,813
a cloud or...
1362
01:19:41,115 --> 01:19:42,316
a stone.
1363
01:19:44,218 --> 01:19:46,554
And I don't know.I think, like...
1364
01:19:50,224 --> 01:19:52,459
maybe I'm supposed
to keep her there.
1365
01:19:54,596 --> 01:19:55,796
Like...
1366
01:19:57,865 --> 01:19:59,768
Like, that's
what I have to do.
1367
01:19:59,867 --> 01:20:01,502
That's my job now.
1368
01:20:11,780 --> 01:20:14,481
But I don't know
how much longer I can do it.
1369
01:20:35,002 --> 01:20:36,303
Do you believe me?
1370
01:20:45,212 --> 01:20:47,915
How far is it
from London to Dublin?
1371
01:20:51,318 --> 01:20:53,521
Five, six hundred kilometers?
1372
01:20:55,255 --> 01:20:57,458
How long would it take
to walk that far...
1373
01:20:59,728 --> 01:21:00,729
for a person?
1374
01:21:00,829 --> 01:21:02,363
You'd have to cross the sea.
1375
01:21:02,463 --> 01:21:04,465
I suppose the sea would
slow you down.
1376
01:21:08,435 --> 01:21:10,204
And how long was it
1377
01:21:10,304 --> 01:21:12,039
from the time you played
in Hyde Park
1378
01:21:12,139 --> 01:21:14,041
until your 97th show?
1379
01:21:16,443 --> 01:21:17,444
Four years?
1380
01:21:23,585 --> 01:21:24,586
Hmm?
1381
01:21:35,462 --> 01:21:38,465
I can't read
a single one of these.
1382
01:21:39,667 --> 01:21:42,236
Mmm-mmm.
None of them seem right.
1383
01:21:44,204 --> 01:21:45,973
-(NOTEPAD THUDS)
-Mmm.
1384
01:21:54,883 --> 01:21:56,316
Let's double-check.
1385
01:22:04,324 --> 01:22:05,426
(MARY SIGHS)
1386
01:22:16,937 --> 01:22:19,139
How long have
we known each other?
1387
01:22:23,143 --> 01:22:24,579
Twenty-four...
1388
01:22:25,547 --> 01:22:27,214
Twenty-five years?
1389
01:22:30,117 --> 01:22:32,219
That number seems so small...
1390
01:22:33,822 --> 01:22:35,189
when you say it.
1391
01:22:38,325 --> 01:22:39,359
So...
1392
01:22:41,462 --> 01:22:44,331
let's say there is something
inside of you.
1393
01:22:44,933 --> 01:22:47,201
It came from somewhere
1394
01:22:47,301 --> 01:22:51,071
and traveled across oceans
to find you.
1395
01:22:52,039 --> 01:22:53,340
And maybe...
1396
01:22:53,974 --> 01:22:55,643
that somewhere...
1397
01:22:57,377 --> 01:22:58,546
was me.
1398
01:23:08,957 --> 01:23:10,525
But if that's true,
1399
01:23:13,160 --> 01:23:15,496
it also stands to reason...
1400
01:23:18,933 --> 01:23:20,501
that all these...
1401
01:23:21,836 --> 01:23:24,371
coming and goings...
1402
01:23:25,874 --> 01:23:28,408
are just how our little minds
1403
01:23:29,644 --> 01:23:33,180
process the ebb and flow
1404
01:23:34,081 --> 01:23:37,017
of something
that's always been there.
1405
01:23:46,326 --> 01:23:47,294
Maybe...
1406
01:23:50,030 --> 01:23:51,465
we came...
1407
01:23:53,100 --> 01:23:54,569
to it.
1408
01:23:56,036 --> 01:23:57,437
And you think...
1409
01:23:58,806 --> 01:24:01,275
you need to hold it close...
1410
01:24:03,076 --> 01:24:05,245
and keep it inside.
1411
01:24:07,447 --> 01:24:08,248
But not me.
1412
01:24:08,348 --> 01:24:10,183
(MARY'S BREATH TREMBLES)
1413
01:24:13,955 --> 01:24:15,155
I want her out.
1414
01:24:18,526 --> 01:24:20,360
So let's stop.
1415
01:24:27,835 --> 01:24:30,605
Let's cast her out.
1416
01:24:36,911 --> 01:24:38,078
MARY: How?
1417
01:24:38,813 --> 01:24:40,347
SAM: It can't be that hard.
1418
01:24:40,782 --> 01:24:42,115
We've seen enough films.
1419
01:24:46,219 --> 01:24:48,221
(TENSE MUSIC PLAYING)
1420
01:24:50,223 --> 01:24:52,192
No. I don't like this.
1421
01:24:52,292 --> 01:24:54,862
There is nothing
to be scared of.
1422
01:24:54,963 --> 01:24:56,631
We'll stop
if it gets dangerous.
1423
01:24:57,264 --> 01:24:58,465
-(SWITCH FLICKS)
-(GASPS)
1424
01:25:00,835 --> 01:25:02,670
(SHUDDERS) I just...
1425
01:25:03,972 --> 01:25:05,138
I just wanna...
1426
01:25:05,974 --> 01:25:07,008
I just wanna work on my dress.
1427
01:25:07,107 --> 01:25:08,308
That's what I came here for.
1428
01:25:08,408 --> 01:25:11,646
This is working on the dress.
1429
01:25:11,746 --> 01:25:14,749
Because you want
the dress to look like you,
1430
01:25:14,849 --> 01:25:17,417
and this is a part
of who you are right now.
1431
01:25:18,686 --> 01:25:19,654
This spirit,
1432
01:25:20,922 --> 01:25:22,557
this woman in red,
1433
01:25:22,657 --> 01:25:26,594
she's who you wrote
your song about, isn't she?
1434
01:25:27,929 --> 01:25:29,564
-Yes.
-So...
1435
01:25:31,298 --> 01:25:33,835
let's make the dress
about her, too.
1436
01:25:36,203 --> 01:25:37,371
Let's see...
1437
01:25:38,840 --> 01:25:40,407
what she wants to tell us.
1438
01:25:41,743 --> 01:25:44,378
Now, do we need three of us?
Should I call Hilda?
1439
01:25:44,478 --> 01:25:45,680
-No.
-No, no, you're right.
1440
01:25:45,780 --> 01:25:48,816
The two of us must be
the ones to do it.
1441
01:25:49,282 --> 01:25:50,618
I don't want to.
1442
01:25:52,486 --> 01:25:55,155
You said I need
to open my heart.
1443
01:25:55,623 --> 01:25:56,658
So here I am,
1444
01:25:58,026 --> 01:25:59,226
opening it
1445
01:25:59,894 --> 01:26:01,228
as far as I can.
1446
01:26:02,162 --> 01:26:03,998
And I say to you, my friend...
1447
01:26:04,098 --> 01:26:05,432
(MATCH STRIKES)
1448
01:26:05,967 --> 01:26:07,902
...we are going to do this.
1449
01:26:20,280 --> 01:26:21,649
(MARY GASPS)
1450
01:26:22,349 --> 01:26:23,483
(THUNDER RUMBLING)
1451
01:26:23,584 --> 01:26:24,686
(GASPS)
1452
01:26:31,659 --> 01:26:32,660
(WIND BLOWING)
1453
01:26:37,197 --> 01:26:38,599
What's all that?
1454
01:26:38,966 --> 01:26:41,301
Offerings, totems.
1455
01:26:42,036 --> 01:26:43,971
Things to focus our energy.
1456
01:26:45,405 --> 01:26:47,575
There is nothing magical
about any one object
1457
01:26:47,675 --> 01:26:49,376
other than what we bring
to it.
1458
01:26:50,243 --> 01:26:51,746
In fact,
there is no true meaning
1459
01:26:51,846 --> 01:26:54,749
to any object at all
without our prescription.
1460
01:26:55,516 --> 01:26:56,517
So...
1461
01:26:58,218 --> 01:27:00,454
these shears are not shears.
1462
01:27:01,354 --> 01:27:03,024
They're a key
1463
01:27:03,124 --> 01:27:05,693
to open whatever doors
we may come to.
1464
01:27:07,528 --> 01:27:10,230
And this, this is a chain
1465
01:27:11,165 --> 01:27:13,366
to bind us
to whomever we meet.
1466
01:27:15,670 --> 01:27:16,771
And this...
1467
01:27:19,006 --> 01:27:20,407
this is a sword
1468
01:27:21,909 --> 01:27:22,877
for protection.
1469
01:27:26,013 --> 01:27:26,981
Hmm.
1470
01:27:45,233 --> 01:27:46,768
And this...
1471
01:27:48,102 --> 01:27:49,469
is the oil...
1472
01:27:51,939 --> 01:27:53,273
with which...
1473
01:27:55,375 --> 01:27:57,645
we will anoint ourselves...
1474
01:27:58,746 --> 01:27:59,947
as we await...
1475
01:28:01,215 --> 01:28:02,517
the day...
1476
01:28:03,985 --> 01:28:05,653
of our Pentecost.
1477
01:28:21,035 --> 01:28:22,003
(CHUCKLES SOFTLY)
1478
01:28:27,842 --> 01:28:28,876
(SIGHS)
1479
01:28:38,619 --> 01:28:40,487
Why are you doing this?
1480
01:28:41,622 --> 01:28:43,423
I'm not doing anything.
1481
01:28:44,959 --> 01:28:46,761
We are doing this.
1482
01:28:47,962 --> 01:28:49,096
Because if we don't,
1483
01:28:50,330 --> 01:28:51,666
we'll regret it forever.
1484
01:28:53,935 --> 01:28:56,871
When are you and I ever gonna
be in the same room again
1485
01:28:56,971 --> 01:28:58,773
after all this is done?
1486
01:29:01,108 --> 01:29:02,710
You'll take your dress
1487
01:29:03,311 --> 01:29:04,779
and you'll go away,
1488
01:29:05,847 --> 01:29:07,014
and I'll be here,
1489
01:29:07,982 --> 01:29:09,817
haunting my own house,
1490
01:29:12,086 --> 01:29:13,521
all alone.
1491
01:29:15,323 --> 01:29:18,391
We have to do this now
while we can.
1492
01:29:20,061 --> 01:29:21,394
Now... (SIGHS)
1493
01:29:21,494 --> 01:29:23,631
...what was that spell
you chanted?
1494
01:29:26,801 --> 01:29:27,935
(MARY EXHALES)
1495
01:29:28,501 --> 01:29:30,370
(CHANTING IN IRISH)
1496
01:29:30,470 --> 01:29:33,641
(CHANTING IN IRISH)
1497
01:29:40,648 --> 01:29:42,183
(IN ENGLISH) Oh,
a rose is a rose is a rose.
1498
01:29:42,283 --> 01:29:43,651
Just give me your hands.
1499
01:29:45,319 --> 01:29:46,254
Yes.
1500
01:29:46,354 --> 01:29:47,955
(THUNDER RUMBLING)
1501
01:29:49,489 --> 01:29:50,825
Close your eyes
1502
01:29:51,692 --> 01:29:53,393
and breathe with me.
1503
01:29:57,899 --> 01:29:58,966
And out.
1504
01:29:59,066 --> 01:30:00,801
(BOTH EXHALING)
1505
01:30:02,069 --> 01:30:03,403
Breathe.
1506
01:30:07,074 --> 01:30:08,576
Breathe.
1507
01:30:12,947 --> 01:30:14,081
Breathe.
1508
01:30:18,451 --> 01:30:19,720
Breathe.
1509
01:30:24,457 --> 01:30:27,795
(BOTH BREATHING DEEPLY)
1510
01:30:52,253 --> 01:30:53,453
Spirit...
1511
01:30:55,389 --> 01:30:57,024
if you're here,
1512
01:30:57,625 --> 01:30:59,627
give us something.
1513
01:31:01,262 --> 01:31:02,863
Give us a sign.
1514
01:31:05,066 --> 01:31:06,767
(THUNDERCLAP)
1515
01:31:08,135 --> 01:31:09,603
SAM: Spirit...
1516
01:31:12,740 --> 01:31:14,075
if you are with us...
1517
01:31:16,243 --> 01:31:17,912
know you are welcome...
1518
01:31:20,181 --> 01:31:21,816
and well-loved.
1519
01:31:23,851 --> 01:31:24,919
Spirit...
1520
01:31:26,087 --> 01:31:27,188
if you are here,
1521
01:31:29,090 --> 01:31:32,593
know that you have a home,
but it is not within us.
1522
01:31:33,461 --> 01:31:35,930
We cannot be your respite.
1523
01:31:37,331 --> 01:31:39,700
Our house is full,
1524
01:31:40,434 --> 01:31:43,871
so let my voice be your light
1525
01:31:43,971 --> 01:31:48,709
as you make your way
towards the door.
1526
01:31:53,614 --> 01:31:57,818
Listen, as I name
the rungs of your ladder.
1527
01:31:59,587 --> 01:32:01,222
Come On & On.
1528
01:32:02,356 --> 01:32:03,624
Mother Mary.
1529
01:32:06,227 --> 01:32:07,561
Magnificat.
1530
01:32:10,498 --> 01:32:12,566
Abashed The Devil.
1531
01:32:15,469 --> 01:32:16,837
Poor Thing.
1532
01:32:19,673 --> 01:32:21,108
Cut Me Out.
1533
01:32:23,010 --> 01:32:24,245
Exhalation.
1534
01:32:27,915 --> 01:32:31,619
The Greatest Hitsfrom the years of Our Lord
1535
01:32:31,719 --> 01:32:35,790
2003 to 2015.
1536
01:32:37,491 --> 01:32:39,994
The Third Mary.
1537
01:32:53,040 --> 01:32:54,075
Past that...
1538
01:32:54,675 --> 01:32:55,876
is the door.
1539
01:32:57,278 --> 01:32:58,679
And it is open.
1540
01:32:59,480 --> 01:33:01,782
And the world outside...
1541
01:33:04,285 --> 01:33:05,586
is brighter...
1542
01:33:06,587 --> 01:33:09,723
and more beautiful than ever.
1543
01:33:12,026 --> 01:33:13,027
So come out.
1544
01:33:14,095 --> 01:33:15,062
Out.
1545
01:33:16,297 --> 01:33:17,298
Out.
1546
01:33:18,999 --> 01:33:19,967
Out.
1547
01:33:21,869 --> 01:33:22,803
Out.
1548
01:33:22,903 --> 01:33:24,205
Sam.
1549
01:33:24,305 --> 01:33:25,306
Out.
1550
01:33:26,508 --> 01:33:27,708
Sam.
1551
01:33:28,375 --> 01:33:29,376
Out.
1552
01:33:29,477 --> 01:33:31,145
Sam, she can't hear you.
1553
01:33:31,245 --> 01:33:33,013
She can. Just listen.
1554
01:33:33,114 --> 01:33:35,883
-Out. This is going to work.
-Sam.
1555
01:33:36,450 --> 01:33:37,519
-Out.
-Sam.
1556
01:33:37,618 --> 01:33:39,019
Clear your mind.
1557
01:33:39,653 --> 01:33:41,489
-She's coming.
-Sam.
1558
01:33:41,590 --> 01:33:44,024
-She's coming.
-You forgot something.
1559
01:33:44,125 --> 01:33:45,359
What?
1560
01:33:49,396 --> 01:33:50,998
She needs a way out.
1561
01:33:56,303 --> 01:33:57,304
(GASPS)
1562
01:33:59,740 --> 01:34:02,009
(ETHEREAL MUSIC PLAYING)
1563
01:34:20,261 --> 01:34:21,829
(BREATHES DEEPLY)
1564
01:34:22,997 --> 01:34:23,998
Now what?
1565
01:34:25,266 --> 01:34:26,800
I don't know.
1566
01:34:27,234 --> 01:34:28,769
Maybe she needs more.
1567
01:34:37,044 --> 01:34:38,112
A key...
1568
01:34:39,614 --> 01:34:41,048
to open the door.
1569
01:34:42,449 --> 01:34:43,884
-(GASPS)
-(MUSIC INTENSIFIES)
1570
01:34:56,631 --> 01:34:57,865
(SOBBING)
1571
01:35:02,537 --> 01:35:04,171
(PANICKED BREATHING)
1572
01:35:04,271 --> 01:35:05,706
(SHUSHING)
1573
01:35:09,143 --> 01:35:11,245
-(MUSIC FADES)
-(HEART BEATING)
1574
01:35:16,951 --> 01:35:20,421
(HEART BEATING)
1575
01:35:29,463 --> 01:35:31,432
(BOTH INHALING)
1576
01:35:47,214 --> 01:35:48,215
(MARY GASPS)
1577
01:35:54,388 --> 01:35:56,357
(HEART CONTINUES BEATING)
1578
01:36:15,075 --> 01:36:17,244
(ETHEREAL MUSIC PLAYING)
1579
01:37:51,372 --> 01:37:52,473
(DOOR SLAMS OPEN)
1580
01:37:52,574 --> 01:37:54,408
(INDISTINCT CHATTER)
1581
01:37:57,478 --> 01:37:58,979
Jesus fucking Christ.
1582
01:38:02,684 --> 01:38:04,519
(THUNDER RUMBLES)
1583
01:38:06,320 --> 01:38:07,321
(DOOR OPENS)
1584
01:38:12,727 --> 01:38:15,062
(INDISTINCT CHATTER)
1585
01:38:25,005 --> 01:38:27,007
(HELICOPTER HOVERING)
1586
01:39:01,975 --> 01:39:04,111
(ETHEREAL MUSIC PLAYING)
1587
01:39:25,733 --> 01:39:26,701
(INDISTINCT CHATTER)
1588
01:39:36,744 --> 01:39:38,646
(PEOPLE CLAMORING)
1589
01:39:44,619 --> 01:39:45,620
SAM: Hey.
1590
01:39:46,987 --> 01:39:48,355
Get some rest, huh?
1591
01:39:50,357 --> 01:39:51,926
Get a nice bit of sleep
1592
01:39:52,025 --> 01:39:54,228
and when you wake up,
1593
01:39:54,328 --> 01:39:56,497
I might just have something
to show you.
1594
01:39:57,097 --> 01:39:58,432
You will.
1595
01:39:59,968 --> 01:40:01,769
And it'll be perfect.
1596
01:40:10,812 --> 01:40:12,312
(WHIRRING)
1597
01:40:40,775 --> 01:40:41,776
SAM: What's the time?
1598
01:40:42,610 --> 01:40:43,745
HILDA: Almost 12:00.
1599
01:40:45,780 --> 01:40:47,080
Tell me what's happening.
1600
01:40:48,583 --> 01:40:49,617
Well...
1601
01:40:50,718 --> 01:40:52,687
right about now,
1602
01:40:52,787 --> 01:40:56,423
Miel Contrera is probably
finishing Paper Moon.
1603
01:40:56,524 --> 01:40:58,191
(INAUDIBLE)
1604
01:41:00,360 --> 01:41:02,396
She's waving goodnight
to the audience.
1605
01:41:02,864 --> 01:41:04,197
(CROWD CHEERING)
1606
01:41:04,298 --> 01:41:06,166
-What time is it?
-HILDA: Darkness is falling.
1607
01:41:06,266 --> 01:41:08,870
All right, it's six minutes
to midnight, everyone.
1608
01:41:08,970 --> 01:41:11,071
-(MIEL GIGGLES)
-(CROWD CHEERING)
1609
01:41:15,309 --> 01:41:16,811
But then there's a light.
1610
01:41:19,112 --> 01:41:21,015
Not on the stage, but...
1611
01:41:21,114 --> 01:41:22,784
from the back of the theater.
1612
01:41:23,952 --> 01:41:25,520
Everyone turns to look.
1613
01:41:27,555 --> 01:41:28,590
There she is.
1614
01:41:30,223 --> 01:41:31,458
Mother Mary.
1615
01:41:32,927 --> 01:41:34,394
Shining bright.
1616
01:41:36,030 --> 01:41:37,665
She's coming down the aisle.
1617
01:41:39,466 --> 01:41:43,103
She's coming from far beyondthe aisle.
1618
01:41:44,371 --> 01:41:46,139
From across the ocean.
1619
01:41:47,407 --> 01:41:48,743
From another world.
1620
01:41:50,243 --> 01:41:51,713
Now she's taking the stage.
1621
01:41:53,347 --> 01:41:55,349
The light's in her eyes,it's too bright.
1622
01:41:57,317 --> 01:41:59,319
She looksto the audience and...
1623
01:42:00,588 --> 01:42:01,990
she says,
1624
01:42:02,090 --> 01:42:05,827
"I've missed you all so much.It's so good to be back."
1625
01:42:08,295 --> 01:42:11,566
But what she really wants
to say is...
1626
01:42:14,201 --> 01:42:16,571
What she really meansto say is...
1627
01:42:18,372 --> 01:42:20,173
What she's saying is...
1628
01:42:21,909 --> 01:42:23,711
"This song isn't for you.
1629
01:42:34,221 --> 01:42:35,556
"It's for you."
1630
01:42:39,527 --> 01:42:41,696
(ETHEREAL MUSIC CONTINUES)
1631
01:42:53,675 --> 01:42:56,309
-Hey, what the fuck?
-Wait, wait, wait, wait.
1632
01:42:56,410 --> 01:42:57,779
What is she doing?
1633
01:43:12,960 --> 01:43:14,696
And then she closes her eyes,
1634
01:43:16,363 --> 01:43:18,766
at five minutes to midnight.
1635
01:43:20,802 --> 01:43:22,469
She opens her mouth.
1636
01:43:22,570 --> 01:43:24,872
-She's gonna sing the song.
-She's gonna sing her song.
1637
01:43:24,972 --> 01:43:26,708
She's gonna sing her song.
1638
01:43:26,808 --> 01:43:28,341
And she sings your song.
1639
01:43:33,447 --> 01:43:37,652
And it's the greatest song
in the history of songs.
1640
01:44:08,783 --> 01:44:10,051
Hey, Sam?
1641
01:44:10,151 --> 01:44:11,519
Yes?
1642
01:44:14,321 --> 01:44:15,523
I'm sorry.
1643
01:44:17,091 --> 01:44:18,391
I'm sorry.
1644
01:44:19,694 --> 01:44:20,762
I'm sorry.
1645
01:44:21,829 --> 01:44:22,930
(THUNDER RUMBLES)
1646
01:44:42,349 --> 01:44:44,619
♪ Everybody has an obsession ♪
1647
01:44:45,219 --> 01:44:47,221
♪ Everybody has a true angel ♪
1648
01:44:47,822 --> 01:44:50,758
♪ Everybody has an obsession ♪
1649
01:44:50,858 --> 01:44:53,194
♪ Everybodyhas a dark cradle ♪
1650
01:44:53,761 --> 01:44:56,964
♪ Everybody has an obsession ♪
1651
01:44:57,064 --> 01:44:59,734
♪ Everybody has a secret ♪
1652
01:44:59,834 --> 01:45:02,637
♪ Everybody has an obsession ♪
1653
01:45:02,737 --> 01:45:05,072
♪ Everybodyhas a dark cradle ♪
1654
01:45:20,288 --> 01:45:22,623
♪ Everybody hurts ♪
1655
01:45:23,291 --> 01:45:26,060
♪ Everybody crawls ♪
1656
01:45:26,160 --> 01:45:29,297
♪ Every heart will twist kneesto the stone ♪
1657
01:45:29,429 --> 01:45:32,233
♪ Dark eyes will cry ♪
1658
01:45:32,332 --> 01:45:35,203
♪ Everybody aches ♪
1659
01:45:35,303 --> 01:45:38,139
♪ Everybody writhes ♪
1660
01:45:38,239 --> 01:45:40,274
♪ Every wrist is blessed ♪
1661
01:45:40,373 --> 01:45:42,610
♪ Behind a back, then tied ♪
1662
01:45:42,710 --> 01:45:45,478
♪ We can never stopthe clocks on time ♪
1663
01:45:45,580 --> 01:45:48,516
♪ History is rooteddeep inside us ♪
1664
01:45:48,616 --> 01:45:51,285
♪ Intertwined together ♪
1665
01:45:51,384 --> 01:45:54,121
♪ Pass the bladeand make the sacrifice ♪
1666
01:45:54,222 --> 01:45:57,024
♪ Now I got the tasteof blood in my mouth ♪
1667
01:45:57,124 --> 01:45:58,226
♪ Hate the way you cut me ♪
1668
01:45:58,326 --> 01:45:59,961
♪ But I ain't gonnaspit you out ♪
1669
01:46:00,061 --> 01:46:02,395
♪ I've been runningbut I fall to the ground ♪
1670
01:46:02,495 --> 01:46:03,764
♪ We go round and round ♪
1671
01:46:03,865 --> 01:46:06,133
♪ And roundand round and round ♪
1672
01:46:06,234 --> 01:46:09,003
♪ Now I got the tasteof blood in my mouth ♪
1673
01:46:09,103 --> 01:46:10,304
♪ Kiss me like you love me ♪
1674
01:46:10,403 --> 01:46:12,340
♪ While you're pulling medeeper down ♪
1675
01:46:12,439 --> 01:46:14,308
♪ Tied together hereforever we're bound ♪
1676
01:46:14,407 --> 01:46:15,643
♪ We go round ♪
1677
01:46:15,743 --> 01:46:18,679
♪ And round and roundand round and round ♪
1678
01:46:20,514 --> 01:46:23,284
♪ Every tired cry ♪
1679
01:46:23,383 --> 01:46:26,354
♪ Every wild desire ♪
1680
01:46:26,453 --> 01:46:29,257
♪ Every moment feelsso brutal ♪
1681
01:46:29,357 --> 01:46:32,260
♪ When it's you and I ♪
1682
01:46:32,360 --> 01:46:35,363
♪ My whole body aches ♪
1683
01:46:35,462 --> 01:46:38,132
♪ Every single time ♪
1684
01:46:38,232 --> 01:46:42,770
♪ Every broken dancewe do brings me to life ♪
1685
01:46:42,870 --> 01:46:45,673
♪ We can never stopthe clocks on time ♪
1686
01:46:45,773 --> 01:46:48,976
♪ History is rooteddeep inside us ♪
1687
01:46:49,076 --> 01:46:51,045
♪ Intertwined together ♪
1688
01:46:51,145 --> 01:46:54,682
♪ Pass the bladeand make the sacrifice ♪
1689
01:46:54,782 --> 01:46:57,118
♪ Now I got the tasteof blood in my mouth ♪
1690
01:46:57,218 --> 01:46:58,286
♪ Hate the way you cut me ♪
1691
01:46:58,386 --> 01:47:00,487
♪ But I ain't gonnaspit you out ♪
1692
01:47:00,588 --> 01:47:02,590
♪ I've been runningbut I fall to the ground ♪
1693
01:47:02,690 --> 01:47:03,925
♪ We go round and round ♪
1694
01:47:04,025 --> 01:47:06,426
♪ And roundand round and round ♪
1695
01:47:06,527 --> 01:47:08,796
♪ Now I got the tasteof blood in my mouth ♪
1696
01:47:08,896 --> 01:47:10,097
♪ Kiss me like you love me ♪
1697
01:47:10,197 --> 01:47:12,400
♪ While you're pulling medeeper down ♪
1698
01:47:12,499 --> 01:47:14,602
♪ Tied together hereforever we're bound ♪
1699
01:47:14,702 --> 01:47:15,903
♪ We go round and round ♪
1700
01:47:16,003 --> 01:47:18,739
♪ And roundand round and round ♪
1701
01:47:18,839 --> 01:47:23,244
♪ All of the power in meleads to the power in you ♪
1702
01:47:23,344 --> 01:47:30,251
♪ All of the power in meleads to the power in you ♪
1703
01:47:30,351 --> 01:47:33,154
♪ Everybody has an obsession ♪
1704
01:47:33,254 --> 01:47:36,123
♪ Everybody has a true angel ♪
1705
01:47:36,223 --> 01:47:38,993
♪ Everybody has an obsession ♪
1706
01:47:39,093 --> 01:47:42,229
♪ Everybodyhas a dark cradle ♪
1707
01:47:42,330 --> 01:47:45,232
♪ Everybody has an obsession ♪
1708
01:47:45,333 --> 01:47:48,169
♪ Everybody has a true angel ♪
1709
01:47:48,269 --> 01:47:51,005
♪ Everybody has an obsession ♪
1710
01:47:51,105 --> 01:47:54,175
♪ Everybodyhas a dark cradle ♪
1711
01:47:54,275 --> 01:47:57,144
♪ Everybody has an obsession ♪
1712
01:47:57,244 --> 01:48:00,181
♪ Everybody has a secret ♪
1713
01:48:00,281 --> 01:48:02,950
♪ Everybody has an obsession ♪
1714
01:48:03,050 --> 01:48:06,187
♪ Everybodyhas a dark cradle ♪
1715
01:48:06,287 --> 01:48:09,190
♪ Everybody has an obsession ♪
1716
01:48:09,290 --> 01:48:12,193
♪ Everybody has a true angel ♪
1717
01:48:12,293 --> 01:48:15,296
♪ Everybody has an obsession ♪
1718
01:48:15,396 --> 01:48:17,531
♪ Everybodyhas a dark cradle ♪
1719
01:48:17,631 --> 01:48:20,001
(MOODY ELECTRONIC
MUSIC PLAYING)
1720
01:48:33,514 --> 01:48:35,583
♪ Blue flame ♪
1721
01:48:35,683 --> 01:48:37,785
♪ Is burning out ♪
1722
01:48:38,486 --> 01:48:40,821
♪ She's reaching out ♪
1723
01:48:40,921 --> 01:48:43,090
♪ She's reaching out ♪
1724
01:48:44,258 --> 01:48:46,327
♪ Your name ♪
1725
01:48:46,427 --> 01:48:49,130
♪ Was in my mouth ♪
1726
01:48:49,230 --> 01:48:51,699
♪ She took it out ♪
1727
01:48:51,799 --> 01:48:53,167
♪ She took it out ♪
1728
01:48:53,267 --> 01:48:54,702
♪ She took it out ♪
1729
01:48:54,802 --> 01:48:56,704
♪ Blue flame ♪
1730
01:48:57,304 --> 01:48:59,273
♪ Is burning out ♪
1731
01:48:59,774 --> 01:49:01,909
♪ She's reaching out ♪
1732
01:49:03,210 --> 01:49:05,514
(VOCALIZING)
1733
01:49:05,613 --> 01:49:07,181
♪ Your name ♪
1734
01:49:07,848 --> 01:49:10,484
♪ Was in my mouth ♪
1735
01:49:10,584 --> 01:49:12,820
♪ She took it out ♪
1736
01:49:15,656 --> 01:49:18,292
♪ Don't speak ♪
1737
01:49:18,392 --> 01:49:20,127
♪ Look at us now ♪
1738
01:49:21,162 --> 01:49:23,664
♪ Beautiful sounds ♪
1739
01:49:23,764 --> 01:49:25,599
♪ Above the ground ♪
1740
01:49:25,699 --> 01:49:28,769
♪ Oh, don't speak ♪
1741
01:49:28,869 --> 01:49:30,771
♪ Look at us now ♪
1742
01:49:31,872 --> 01:49:34,509
♪ She took it out ♪
1743
01:49:34,608 --> 01:49:36,744
♪ She took it out ♪
1744
01:49:48,689 --> 01:49:51,292
(VOCALIZING)
1745
01:50:42,276 --> 01:50:43,777
♪ Blue flame ♪
1746
01:50:44,513 --> 01:50:46,247
♪ Is burning out ♪
1747
01:50:46,914 --> 01:50:49,584
♪ She's reaching out ♪
1748
01:50:49,683 --> 01:50:51,719
♪ She's reaching out ♪
1749
01:50:52,786 --> 01:50:54,321
♪ Your name ♪
1750
01:50:55,022 --> 01:50:57,024
♪ Was in my mouth ♪
1751
01:50:57,691 --> 01:50:59,760
♪ She took it out ♪
1752
01:51:00,529 --> 01:51:02,363
♪ She took it out ♪
1753
01:51:03,532 --> 01:51:05,065
♪ Blue flame ♪
1754
01:51:05,833 --> 01:51:08,369
♪ Is burning out ♪
1755
01:51:08,469 --> 01:51:10,572
♪ She's reaching out ♪
1756
01:51:11,071 --> 01:51:13,107
♪ She's reaching out ♪
1757
01:51:14,241 --> 01:51:16,477
♪ Your name ♪
1758
01:51:16,578 --> 01:51:18,445
♪ Was in my mouth ♪
1759
01:51:19,380 --> 01:51:21,715
♪ She took it out ♪
1760
01:51:21,815 --> 01:51:23,984
♪ She took it out ♪
1761
01:51:28,122 --> 01:51:29,089
(MUSIC FADES)
120235
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