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Soon after its premiere,
the film Metropolis
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00:00:20,667 --> 00:00:23,749
was severely truncated
and alterations were made.
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From that time onward,
more than a quarter of the film
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00:00:27,042 --> 00:00:30,124
was assumed to have been lost.
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Then, in 2008, a virtually complete
version of the film
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00:00:33,458 --> 00:00:36,541
was discovered in Buenos Aires.
What had been preserved
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was, however, a heavily damaged
copy of the film
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00:00:39,875 --> 00:00:42,916
that had been printed to 16mm
film stock,
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lacking the full frame
of the picture's original aspect ratio.
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A considerable amount of the film
reconstruction was able to be completed
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00:00:51,833 --> 00:00:54,207
and the correct sequence
of its editing
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established by means
of this Argentinian material.
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Spanish intertitles have been translated
into German
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with the aid of the censor-cards.
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In order to display in their correct
position on the image
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00:01:06,542 --> 00:01:09,332
the cropped elements taken
from the 16mm negative,
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00:01:09,458 --> 00:01:12,291
the missing portion of the frame
has been marked by black.
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00:01:13,083 --> 00:01:16,832
The intertitles appear
with their original graphic treatment.
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Those titles which appear in a different
typeface (like the one used here)
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have been added to summarise
the content of still-missing scenes
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00:01:24,500 --> 00:01:26,332
as far as is necessary
to facilitate
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00:01:26,458 --> 00:01:28,707
an adequate understanding
of the storyline.
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00:01:28,833 --> 00:01:31,957
Shorter gaps are indicated
by small segments of black leader.
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This film was produced by Ufa
and is distributed courtesy of Parufamet.
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00:01:39,583 --> 00:01:44,957
Direction: Fritz Lang.
Scenario: Thea von Harbou.
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Production Design: Otto Hunte,
Erich Kettelhut, Karl Vollbrecht.
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At the Camera:
Karl Freund, Günther Rittau.
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Music: Gottfried Huppertz.
Sculptor: Walter Schultze-Mittendorf.
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00:01:59,083 --> 00:02:01,416
Metropolis, a novel
by Thea von Harbou,
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00:02:01,542 --> 00:02:04,624
appeared in the publication
Illustriertes Blatt, Frankfurt,
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00:02:04,750 --> 00:02:07,374
and in book form
from August Scherl Verlag G.m.b.H.
32
00:02:07,667 --> 00:02:10,499
The personages in the film:
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00:02:10,625 --> 00:02:13,457
Joh Fredersen ― Alfred Abel
34
00:02:13,583 --> 00:02:16,999
Freder, Joh Fredersen's son ―
Gustav Fröhlich
35
00:02:17,125 --> 00:02:20,541
Rotwang, the inventor
― Rudolf Klein-Rogge
36
00:02:20,667 --> 00:02:24,082
The Thin Man ― Fritz Rasp
Josaphat ― Theodor Loos
37
00:02:24,208 --> 00:02:27,041
11811 ― Erwin Biswanger
38
00:02:27,167 --> 00:02:30,582
Grot, the guardian of the Heart-Machine ―
Heinrich George
39
00:02:30,708 --> 00:02:34,457
The Creative Man
The Machine-Man
40
00:02:34,583 --> 00:02:38,332
Death
The Seven Deadly Sins
41
00:02:38,458 --> 00:02:42,332
Maria ― Brigitte Helm
42
00:02:42,625 --> 00:02:45,207
Epigraph:
43
00:02:45,333 --> 00:02:50,916
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
44
00:03:58,000 --> 00:04:01,291
Shift change.
45
00:05:19,208 --> 00:05:22,332
Deep beneath
46
00:05:22,458 --> 00:05:25,999
the earth lay the
47
00:05:26,125 --> 00:05:30,207
City of the Workers.
48
00:06:39,917 --> 00:06:45,499
As deep beneath the earth
as the City of the Workers lay,
49
00:06:45,625 --> 00:06:51,249
so high above it towered the complex
known as the "Sons' Club",
50
00:06:51,375 --> 00:06:56,957
with its lecture halls and libraries,
its theatres and stadiums.
51
00:07:30,042 --> 00:07:34,374
Fathers, for whom every revolution
of a mechanical wheel meant gold,
52
00:07:34,500 --> 00:07:39,249
had bestowed upon their sons
the wonder of the Eternal Gardens.
53
00:07:58,833 --> 00:08:02,166
Which of you ladies shall today
54
00:08:02,292 --> 00:08:07,124
have the honour of entertaining Master Freder,
Joh Fredersen's son?
55
00:10:46,292 --> 00:10:50,416
Look!These are your brothers!
56
00:10:53,000 --> 00:10:55,832
Look ― !
57
00:11:03,083 --> 00:11:06,374
These are your brothers!
58
00:12:35,875 --> 00:12:39,166
Who ― was that?
59
00:13:28,333 --> 00:13:30,749
But this was what happened to Freder ―
60
00:13:30,875 --> 00:13:34,332
the son of Joh Fredersen,
the master of Metropolis ―
61
00:13:34,458 --> 00:13:37,124
as he sought out the girl:
62
00:17:43,833 --> 00:17:47,957
To the new Tower of Babel ―
to my father ― !
63
00:21:38,083 --> 00:21:43,499
Why is it, Josaphat, that I learn of this explosion
from my son, and not from you ― !
64
00:21:51,458 --> 00:21:54,749
Details ― !
65
00:23:07,083 --> 00:23:12,457
What were you looking for
in the Machine-Halls, Freder?
66
00:23:15,167 --> 00:23:21,791
I wanted to look into the faces of the people
whose little children are my brothers, my sisters...
67
00:23:48,500 --> 00:23:50,832
Your magnificent city, Father ―
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00:23:50,958 --> 00:23:55,124
and you the brain of this city ―
and all of us within the light of this city... ―
69
00:24:22,417 --> 00:24:26,541
...and where are the people, Father,
whose hands built your city ― ?
70
00:24:32,417 --> 00:24:36,541
Off where they belong...
71
00:24:43,417 --> 00:24:46,374
...off where they belong...?
72
00:24:51,417 --> 00:24:54,957
...in the Depths...?
73
00:25:30,292 --> 00:25:35,249
And if those in the Depths
one day rise against you?
74
00:26:07,250 --> 00:26:12,207
The chief foreman of the Heart-Machine, Grot, ―
with an important message...
75
00:26:33,167 --> 00:26:38,124
There were two more copies
of those damnable plans, Herr Fredersen...
76
00:27:19,125 --> 00:27:24,082
...in the pockets of two men who met
with an accident today at the M-Machine...
77
00:27:38,208 --> 00:27:44,832
How is it, Josaphat, that these plans
were brought to me by Grot, rather than by you?
78
00:28:09,167 --> 00:28:14,124
Apply to the G-Bank
for your remaining wages...
79
00:29:19,125 --> 00:29:23,166
Father, do you know what it means
to be dismissed by you? ―
80
00:29:23,292 --> 00:29:27,416
It means: To be sent below! ―
Father ― below! Into the Depths ― !
81
00:30:40,125 --> 00:30:46,749
Do you know what it means to be dismissed
like that by Joh Fredersen?
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00:31:05,167 --> 00:31:09,291
Would you like to come with me,
Josaphat?
83
00:31:49,833 --> 00:31:58,124
Go home, Josaphat, and wait for me...
I still have a long way to go tonight...
84
00:32:09,417 --> 00:32:14,374
Into the Depths, ―
to my brothers...
85
00:32:22,750 --> 00:32:29,374
From today on I wish to be kept precisely informed
of my son's every move...
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00:33:44,750 --> 00:33:46,791
Brother...
87
00:33:57,167 --> 00:34:02,166
...the Machine!There needs
to be someone at the Machine!
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00:34:07,667 --> 00:34:12,624
There will be someone at the machine...
89
00:34:12,750 --> 00:34:14,707
ME.
90
00:34:26,458 --> 00:34:31,416
Listen to me...
I want to trade my life with you...
91
00:35:03,208 --> 00:35:08,124
Josaphat.
99th Block. House 7, 7th Floor.
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00:35:13,583 --> 00:35:17,707
Wait for me ―
both of you...
93
00:35:48,542 --> 00:36:08,957
Josaphat.
99th Block. House 7, 7th Floor.
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00:38:01,375 --> 00:38:03,874
In the middle of Metropolis,
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00:38:04,000 --> 00:38:08,499
there stands a strange house
that the centuries had overlooked.
96
00:38:15,042 --> 00:38:20,416
The man who dwelled within
was Rotwang, the inventor.
97
00:39:38,917 --> 00:39:40,916
Hel
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00:39:41,042 --> 00:39:45,499
Born to bring me happiness
and a benediction to all mankind.
99
00:39:45,625 --> 00:39:50,124
Lost to Joh Fredersen.
Died giving life to Freder, Joh Fredersen's son.
100
00:40:16,375 --> 00:40:21,041
A mind like yours, Rotwang,
should be able to forget...
101
00:40:26,083 --> 00:40:32,707
Only one time in life did I forget something:
that Hel was a woman ― and you a man...
102
00:40:38,708 --> 00:40:43,666
Let the dead lie, Rotwang...
She's dead for you as she is for me...
103
00:40:51,375 --> 00:40:56,332
For me she isn't dead, Joh Fredersen ―
for me she lives — !
104
00:41:06,083 --> 00:41:14,374
Do you think the loss of a hand
is too high a price for recreating Hel ― ?!
105
00:41:20,958 --> 00:41:24,249
Do you wish to see her ― ?!
106
00:43:26,042 --> 00:43:28,832
Now, Joh Fredersen ― ?!
107
00:43:28,958 --> 00:43:32,916
Isn't it worth losing a hand
to have created the man of the future ―
108
00:43:33,042 --> 00:43:35,124
the Machine-Man — ?!
109
00:43:42,708 --> 00:43:46,541
24 more hours of work ―
110
00:43:46,667 --> 00:43:51,832
and no man, Joh Fredersen, will be able
to differentiate the Machine-Man from a mortal ― !
111
00:44:11,875 --> 00:44:17,374
The woman is mine, Joh Fredersen!
Hel's son was yours!
112
00:44:44,542 --> 00:44:49,499
And what brings you my way,
Joh Fredersen?
113
00:45:00,208 --> 00:45:06,832
I need your advice ―
as usual, when all my experts fail me...
114
00:45:20,167 --> 00:45:23,082
Can you decipher for me these plans
115
00:45:23,208 --> 00:45:28,457
that for months have been getting discovered
in the pockets of my workers?
116
00:46:03,875 --> 00:46:08,832
...at two... once my shift ends!
She has summoned us again...
117
00:47:35,292 --> 00:47:41,916
Father ― ! Father ― !
Will ten hours never come to an end ― ??!!
118
00:48:12,500 --> 00:48:16,541
― it's a blueprint
of the two-thousand-year-old catacombs
119
00:48:16,667 --> 00:48:20,791
deep below the lowest levels
of your Metropolis...
120
00:48:56,042 --> 00:49:04,207
I should like to glean what my workers
are doing exactly in those catacombs...
121
00:52:28,208 --> 00:52:30,624
Today I shall tell you
122
00:52:30,750 --> 00:52:34,916
the legend of THE CONSTRUCTION
OF THE TOWER OF BABEL...
123
00:52:35,042 --> 00:52:40,707
The Legend of THE CONSTRUCTION
OF THE TOWER OF BABEL
124
00:52:50,708 --> 00:52:56,916
Come! Let us build a tower
whose zenith shall reach unto the stars!
125
00:53:00,167 --> 00:53:03,749
And at the tower's zenith we shall write:
126
00:53:03,875 --> 00:53:08,457
Great is the world and its Maker!
And great is Man!
127
00:53:28,542 --> 00:53:31,666
...but those who had conceived
of the Tower of Babel
128
00:53:31,792 --> 00:53:34,082
could not build the Tower of Babel.
129
00:53:34,208 --> 00:53:38,874
The task was too great.
So they paid wages to outside hands...
130
00:53:56,167 --> 00:54:01,249
But the hands that built the Tower of Babel
knew nothing of the dream
131
00:54:01,375 --> 00:54:06,541
of which the head that had conceived it
had been fantasising.
132
00:54:34,750 --> 00:54:39,374
The hymns of praise of one man
became the curses of others.
133
00:54:52,625 --> 00:54:58,832
The same language was spoken,
but these men did not understand one another...
134
00:55:06,667 --> 00:55:14,499
Great is the world and its Maker
and great is Man
135
00:55:30,167 --> 00:55:34,291
HEAD and HANDS require a Mediator.
136
00:55:36,750 --> 00:55:42,957
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
137
00:56:12,042 --> 00:56:16,999
And where is our Mediator,
Maria ― ?
138
00:56:37,250 --> 00:56:42,207
Wait for him!
He will surely come!
139
00:56:57,583 --> 00:57:02,541
We will wait, Maria...!
But not for much longer ― !
140
00:58:51,500 --> 00:58:56,457
Oh Mediator,
have you finally come...
141
00:58:59,250 --> 00:59:04,207
You summoned me ―
here I am!
142
00:59:35,042 --> 00:59:41,666
Rotwang, give the Machine-Man
the likeness of this woman...
143
00:59:50,792 --> 00:59:54,832
I shall sow discord
between them and her!
144
00:59:54,958 --> 00:59:59,082
I shall destroy their belief
in this woman ―
145
01:00:26,375 --> 01:00:32,999
Leave me alone now, Joh Fredersen...
You'll find the way back without me...
146
01:00:58,958 --> 01:01:03,624
You fool! Now you shall also lose
the last remaining thing you still had from Hel...
147
01:01:03,750 --> 01:01:07,249
your son...
148
01:01:30,167 --> 01:01:34,332
Until tomorrow, in the cathedral!
149
01:06:06,167 --> 01:06:10,291
END OF THE PRELUDE
150
01:06:14,833 --> 01:06:18,624
INTERMEZZO
151
01:06:56,208 --> 01:07:00,041
Freder witnesses a monk at the pulpit
who preaches:
152
01:07:00,167 --> 01:07:05,041
"Verily, I say unto you: the days
of which the Apocalypse speaks draw nigh!"
153
01:07:05,417 --> 01:07:09,457
The monk's hand points to the Bible,
in which it is written:
154
01:07:09,625 --> 01:07:13,416
"And I saw a woman sit upon a scarlet coloured
beast, full of names of blasphemy,
155
01:07:13,542 --> 01:07:15,707
having seven heads and ten horns.
156
01:07:15,833 --> 01:07:19,499
And the woman was arrayed
in purple and scarlet colour,
157
01:07:19,625 --> 01:07:21,791
having a golden cup in her hand.
158
01:07:21,917 --> 01:07:25,582
And upon herforehead was a name
written, a mystery:
159
01:07:25,708 --> 01:07:29,207
BABYLON THE GREAT, the Mother
of Abominations of the Earth.
160
01:07:29,333 --> 01:07:32,666
And I saw the woman drunken
with the blood of the Saints."
161
01:07:48,542 --> 01:07:54,332
You will annihilate Joh Fredersen ―
him and his city and his son ― !
162
01:08:39,458 --> 01:08:41,124
GLUTTONY
163
01:08:41,292 --> 01:08:42,957
AVARICE
164
01:08:43,083 --> 01:08:44,832
PRIDE
165
01:08:44,958 --> 01:08:46,207
LUST
166
01:08:46,375 --> 01:08:48,041
ENVY
167
01:08:48,208 --> 01:08:49,499
ANGER
168
01:08:49,667 --> 01:08:50,791
SLOTH
169
01:09:06,458 --> 01:09:10,499
Had you come earlier,
you wouldn't have frightened me...
170
01:09:10,625 --> 01:09:14,749
I now beg of you: stay away from me
and my beloved...!
171
01:10:19,667 --> 01:10:24,082
Where is the one whose clothes
you are wearing?
172
01:10:38,208 --> 01:10:44,041
Josaphat.
99th Block. House 7, 7th Floor.
173
01:11:18,083 --> 01:11:21,416
Would you please wake Georgy up?
174
01:11:21,542 --> 01:11:25,416
He must lead me
to the Workers' City at once...
175
01:11:44,542 --> 01:11:52,124
No. 11811, get back to the Machine
and forget that you ever left it ― understood?
176
01:12:13,083 --> 01:12:16,791
I have to have someone
who's faithful to me, Josaphat, ―
177
01:12:16,917 --> 01:12:20,749
otherwise, how shall I attain the end-goal
of my path ― ?!
178
01:12:47,375 --> 01:12:51,124
I must go on, Josaphat, ―
must now, on my own,
179
01:12:51,250 --> 01:12:55,041
seek out the person to whom Georgy
was supposed to lead me...
180
01:12:58,458 --> 01:13:03,624
Tonight, Josaphat ―
tonight when I come back...
181
01:14:51,083 --> 01:14:56,624
Josaphat.
99th Block. House 7, 7th Floor.
182
01:15:34,083 --> 01:15:41,707
So, what price are you demanding
for leaving this residence tonight?
183
01:16:27,917 --> 01:16:33,041
You still don't seem to have grasped
who sent me here...
184
01:16:36,542 --> 01:16:37,749
CENTRAL BANK OF METROPOLIS
185
01:16:39,708 --> 01:16:45,874
This man doesn't want his son
to find you still here tonight!
186
01:17:38,125 --> 01:17:43,707
In three hours' time
I shall be calling for you!
187
01:18:39,750 --> 01:18:46,332
Come! It is time to give the Man-Machine
your face!
188
01:26:30,917 --> 01:26:34,999
Where is Maria ― ?!
189
01:26:43,375 --> 01:26:48,291
She's with your father...
190
01:27:05,125 --> 01:27:10,041
I'm telling you,
she is with your father ― !
191
01:27:11,792 --> 01:27:15,791
"She is the most perfect and most obedient tool
that a man has ever possessed!
192
01:27:15,917 --> 01:27:19,916
Tonight you shall see how she holds up
before the eyes of the upper hundred.
193
01:27:20,042 --> 01:27:24,166
You shall see her dance, and if only one single
person recognises the machine in her,
194
01:27:24,292 --> 01:27:28,291
I will call myself a bungler
who never succeeded at anything!
195
01:27:28,417 --> 01:27:31,457
C. Rotwang"
196
01:27:31,583 --> 01:27:36,374
"C. A. Rotwang requests Herr Joh Fredersen
to be his guest this evening."
197
01:28:09,042 --> 01:28:15,624
I want you to go to those in the Depths
in order to annihilate the work of your prototype!
198
01:30:07,250 --> 01:30:10,291
"C. A. Rotwang requests Herr Joh Fredersen
to be his guest this evening."
199
01:32:03,958 --> 01:32:11,291
Verily, I say unto you: the days
of which the Apocalypse speaks draw nigh...!
200
01:33:22,125 --> 01:33:27,041
All Seven Deadly Sins,
on her behalf ― !
201
01:34:12,792 --> 01:34:17,707
Death overtakes the City ― !
202
01:34:29,583 --> 01:34:34,499
END OF THE INTERMEZZO
203
01:34:49,708 --> 01:34:57,957
The Revelation of St. John
Avalun Publishing, Hellerau
204
01:35:16,083 --> 01:35:20,499
I escaped from the Thin Man
wearing this attire...
205
01:35:20,625 --> 01:35:25,166
But for ten days your father's bloodhound
has been making the Workers' City unsafe...
206
01:35:35,000 --> 01:35:38,082
The only thing keeping the workers in check
207
01:35:38,208 --> 01:35:42,416
is their expectation for the Mediator
promised unto them...
208
01:36:07,417 --> 01:36:12,707
Even stranger things
have been happening, Freder...
209
01:36:23,208 --> 01:36:27,791
On that evening when you fell ill...
210
01:36:38,458 --> 01:36:43,416
...once the best of friends...
because of that woman...
211
01:36:49,125 --> 01:36:54,041
...the other man...
on that same evening...
212
01:37:02,042 --> 01:37:08,624
...the Eternal Gardens lie abandoned...
but night after night in Yoshiwara...
213
01:37:44,500 --> 01:37:51,082
And this woman,
at whose feet all sins are heaped...
214
01:37:51,417 --> 01:37:56,124
...is also called Maria...
215
01:38:04,417 --> 01:38:10,999
That same woman that those in the Depths
regard as a saint ― ?!
216
01:38:25,500 --> 01:38:28,832
Many now go to the City of the Dead,
217
01:38:28,958 --> 01:38:33,791
to a woman they have judged
to be as true as gold.
218
01:38:39,583 --> 01:38:43,999
The Mediator is not likely
to miss that occasion...
219
01:39:06,833 --> 01:39:10,166
Whatever happens tonight:
220
01:39:10,292 --> 01:39:14,416
it is my express order to allow the workers
to do as they please...
221
01:39:25,417 --> 01:39:30,707
Joh Fredersen wants to let those in the Depths
use force and do wrong
222
01:39:30,833 --> 01:39:36,166
so that he can claim the right
to use force against them...
223
01:39:53,750 --> 01:39:58,999
When you spoke to your poor brothers,
you talked about peace, Maria...
224
01:39:59,125 --> 01:40:04,499
today a mouthpiece of Joh Fredersen
incites them to rebel against him...
225
01:40:27,917 --> 01:40:32,832
She will destroy their belief
in the Mediator!
226
01:41:11,125 --> 01:41:17,707
You know I've always talked about peace...
but your Mediator hasn't come...
227
01:41:29,667 --> 01:41:34,582
You've waited long enough!
Your time has come ― !
228
01:41:41,292 --> 01:41:45,041
...but I've tricked Joh Fredersen!
229
01:41:45,167 --> 01:41:49,541
Your clone does not obey his will ―
only mine alone!
230
01:41:58,625 --> 01:42:05,249
Who is the living fodder
for the machines for Metropolis ― ?!
231
01:42:09,833 --> 01:42:16,416
Who smears the machine-joints
with their own marrow ― ?!
232
01:42:31,333 --> 01:42:36,249
Who feeds the machines
with their own flesh ― ?!
233
01:42:43,042 --> 01:42:49,624
Let the machines starve, you fools ― !
Finish them off ― !!
234
01:42:52,958 --> 01:42:57,874
Do them in ―
these machines ― !!
235
01:43:14,250 --> 01:43:17,082
You aren't Maria ― !!!
236
01:43:20,708 --> 01:43:23,041
YOU ARE NOT MARIA ― !
237
01:43:37,583 --> 01:43:42,499
Maria talks of peace, not murder ― !
This is not Maria ― !!
238
01:43:46,375 --> 01:43:51,332
Joh Fredersen's son ― !!
239
01:43:53,833 --> 01:44:00,416
Do him in, the dog,
in his white silken hide ― !!!
240
01:44:31,500 --> 01:44:35,541
Get your women, your sons,
out of the Workers' City!
241
01:44:35,667 --> 01:44:39,749
Let no-one stay behind!
Death to the machines ― !!!
242
01:44:50,292 --> 01:44:52,457
In the attic of his home,
243
01:44:52,583 --> 01:44:56,166
Rotwang displays
for Maria his ever-growing intoxication
244
01:44:56,292 --> 01:44:58,374
with his triumph over Fredersen:
245
01:44:58,667 --> 01:45:00,874
" ― and twice over did I trick Joh Fredersen ― !
246
01:45:01,000 --> 01:45:04,916
For I concealed from him that his son
wants to be the Mediator of your brothers ―
247
01:45:05,042 --> 01:45:06,916
and is in love with you ― !"
248
01:45:07,208 --> 01:45:09,707
Maria isn't the only one listening to Rotwang.
249
01:45:09,833 --> 01:45:13,832
On the other side of the attic's window,
Joh Fredersen was eavesdropping...
250
01:45:14,292 --> 01:45:19,124
Joh Fredersen breaks into Rotwang's attic.
He wrestles with his old rival and overtakes him.
251
01:45:19,250 --> 01:45:22,582
Maria is free.
252
01:45:49,000 --> 01:45:53,082
...faithful after all...
253
01:46:12,125 --> 01:46:15,332
Come, Freder!
We still have to go through the Workers' City.
254
01:46:50,000 --> 01:46:52,666
Women and men,
let no-one miss out on today ― !
255
01:46:52,792 --> 01:46:54,916
Death to the machines ― !!
256
01:49:03,708 --> 01:49:08,624
Not one man ―
not one woman has stayed behind ― !
257
01:49:49,250 --> 01:49:56,541
Leave the machines ― !
Let them race to their death ― !
258
01:50:05,042 --> 01:50:07,874
To the Heart-Machine ― !
259
01:50:18,250 --> 01:50:20,957
DANGER
260
01:51:42,333 --> 01:51:44,624
Open the gates!
261
01:51:51,750 --> 01:51:55,624
You have to open the gates!
262
01:51:58,167 --> 01:52:00,874
If the Heart-Machine perishes,
263
01:52:01,000 --> 01:52:04,749
nothing in the Machine-District
will be left standing ― !!
264
01:52:52,875 --> 01:52:56,416
Have you lost your minds ― ??
265
01:52:56,542 --> 01:53:01,999
If the Heart-Machine perishes,
the entire Workers' City will be laid to waste ― !!
266
01:58:52,583 --> 01:58:57,166
Where are your fathers,
your mothers?
267
01:59:49,750 --> 01:59:54,666
Do you have any idea that your son
is amongst the workers?!
268
02:01:32,500 --> 02:01:37,416
Yes ― you! You're Maria ― !
269
02:01:48,250 --> 02:01:54,832
To the air shafts ― quickly! Quickly!
The reservoirs have burst!The city is drowning ― !
270
02:06:29,792 --> 02:06:34,707
We'll take the children
to the Sons' Club!
271
02:06:46,083 --> 02:06:51,041
Why are all the lights out?
272
02:07:13,875 --> 02:07:18,791
I need to know ― !
Where is my son?!!!
273
02:07:21,958 --> 02:07:25,666
Tomorrow thousands
will ask in fury and desperation:
274
02:07:25,792 --> 02:07:28,541
Joh Fredersen,
where is my son ― ?!
275
02:08:13,375 --> 02:08:17,457
Where are your children??!
276
02:08:26,000 --> 02:08:32,582
The city is drowned,
the shafts are totally flooded ― !!
277
02:08:39,417 --> 02:08:48,499
Who bade you attack the machines,
without which you're finished, you idiots ― ??!
278
02:08:54,750 --> 02:08:58,332
It's the witch's fault ― !
279
02:09:08,375 --> 02:09:12,707
We'll be looking on
as the world goes to the devil ― !
280
02:09:53,875 --> 02:10:00,457
Find the witch; this is all her fault ― !
Strike her dead ― !!
281
02:11:14,833 --> 02:11:19,749
Now I'm going to take you home,
my Hel ― !
282
02:12:33,125 --> 02:12:39,707
The witch ― !the witch ― !
There she is ― !there she is ― !
283
02:12:42,917 --> 02:12:49,499
Where are our children,
you witch, you ― ??!
284
02:12:55,083 --> 02:13:01,666
Burn the witch. ―
To the stake with her!!!
285
02:14:55,875 --> 02:14:59,124
To the stake with her ― !!
286
02:17:24,958 --> 02:17:29,916
Hel ― ! My Hel ― !!
287
02:21:18,417 --> 02:21:23,332
Your children... saved ― !!!
288
02:25:25,708 --> 02:25:30,749
Head and hands want to join together,
but they don't have the heart to do it...
289
02:25:30,917 --> 02:25:34,791
Oh Mediator,
show them the way to one another...
290
02:26:14,542 --> 02:26:23,624
THE MEDIATOR BETWEEN HEAD AND HANDS
MUST BE THE HEART!
291
02:26:28,792 --> 02:26:33,791
Restoration: F. W. Murnau Stiftung, Wiesbaden
jointly with Deutsche Kinemathek ―
292
02:26:33,917 --> 02:26:37,916
Museum für Film und Fernsehen, Berlin
293
02:26:38,042 --> 02:26:43,416
in co-operation with Museo del Cine Pablo
C. Ducros Hicken, Buenos Aires
294
02:26:43,708 --> 02:26:48,707
Supported by:
295
02:26:58,917 --> 02:27:03,916
Contributors of material and guidance:
296
02:28:19,542 --> 02:28:24,541
Special Thanks:
297
02:29:30,417 --> 02:29:32,082
Reconstruction and synchronisation
298
02:29:32,208 --> 02:29:33,749
of the original music
by Gottfried Huppertz:
299
02:29:33,875 --> 02:29:35,374
Frank Strobel
300
02:29:35,458 --> 02:29:37,166
Instrumentation of the missing parts
of the score:
301
02:29:37,292 --> 02:29:38,791
Marco Jovic
302
02:29:38,917 --> 02:29:40,374
Musical notation:
303
02:29:40,500 --> 02:29:42,166
Jörg Peltzer
304
02:29:42,292 --> 02:29:43,791
Edition on behalf of ZDF/ARTE:
305
02:29:43,917 --> 02:29:45,416
Europäische Filmphilharmonie ―
Die Film Philharmonie GmbH
306
02:29:46,417 --> 02:29:48,207
Performed by the:
Rundfunk-Sinfonieorchester Berlin
307
02:29:48,333 --> 02:29:50,124
an ensemble of the
Rundfunk Orchester und Chöre GmbH
308
02:29:50,250 --> 02:29:51,999
Musical direction:
309
02:29:52,125 --> 02:29:53,916
Frank Strobel
310
02:29:54,000 --> 02:29:55,791
Music production:
311
02:29:55,917 --> 02:29:57,666
Nina Goslar, ZDF/ARTE
312
02:29:57,792 --> 02:29:59,541
Stefan Lang,
Deutschlandradio Kultur
313
02:29:59,667 --> 02:30:01,416
Christian Schwalbe, ZDF
27446
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