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These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:08,098 http://subscene.com/u/659433 Improved by: @Ivandrofly 2 00:00:08,100 --> 00:00:10,500 (DOG BARKS IN THE DISTANCE) 3 00:00:10,501 --> 00:00:12,900 (DISTANT KNOCKING) 4 00:00:15,733 --> 00:00:18,099 (WOMAN SHIVERS, GLASS SHATTERS) 5 00:00:18,100 --> 00:00:21,100 (DOG BARKS IN THE DISTANCE) 6 00:00:28,900 --> 00:00:31,900 (WIND WHISTLES OUTSIDE) 7 00:00:33,567 --> 00:00:35,350 (MATCH STRIKES) 8 00:00:35,351 --> 00:00:39,133 (FLAME CATCHES, WOMAN SHIVERS) 9 00:00:46,333 --> 00:00:50,333 (DOOR CLICKS AND CREAKS OPEN) 10 00:00:56,733 --> 00:00:58,733 (SHIVERING) 11 00:00:59,967 --> 00:01:02,099 (FLOORBOARDS CREAK UNDERFOOT) 12 00:01:09,733 --> 00:01:12,733 (DOOR CREAKS SHUT) 13 00:01:14,033 --> 00:01:16,033 (SHIVERING) 14 00:01:18,333 --> 00:01:21,333 (WIND HOWLS) 15 00:01:23,000 --> 00:01:25,667 (CLOTHING RUSTLES) 16 00:01:26,833 --> 00:01:29,833 (SHIVERING) 17 00:01:32,067 --> 00:01:35,232 (URINE TINKLES, WOMAN SHIVERS) 18 00:01:35,233 --> 00:01:39,866 (TAPPING AND SCRAPING SOUNDS, WOMAN'S BREATH CATCHES) 19 00:01:39,867 --> 00:01:41,300 (GLASS SHATTERS) 20 00:01:41,303 --> 00:01:44,333 (GASPS AWAKE) 21 00:01:45,200 --> 00:01:47,367 Mum? 22 00:01:53,767 --> 00:01:56,767 (BED SPRINGS CREAK, GIRL SHIVERS) 23 00:01:58,967 --> 00:02:00,967 (SHAKY, SHALLOW BREATHS) 24 00:02:03,167 --> 00:02:05,566 Mum? 25 00:02:05,567 --> 00:02:08,567 (DOOR CREAKS OPEN) 26 00:02:11,033 --> 00:02:14,733 (SHAKY, SHALLOW BREATHS, FLOORBOARDS CREAK UNDERFOOT) 27 00:02:16,900 --> 00:02:19,300 Mum? 28 00:02:21,900 --> 00:02:25,900 (SHAKY, SHALLOW BREATHS, FLOORBOARDS CREAK UNDERFOOT) 29 00:02:28,700 --> 00:02:30,700 (DOOR CREAKS OPEN) 30 00:02:33,167 --> 00:02:35,767 (TERRIFIED, HORROR-FILLED SCREAM) 31 00:03:58,116 --> 00:04:03,873 Sync & corrections by E l d e r fel www.addic7ed.com 32 00:04:07,733 --> 00:04:10,633 (FERVENT PRAYING IN LATIN) 33 00:04:11,867 --> 00:04:15,332 Ave Maria, gratia plena, Dominus tecum. 34 00:04:15,333 --> 00:04:17,166 Benedicta tu in mulieribus, 35 00:04:17,167 --> 00:04:20,599 et benedictus fructus ventris tui, Lesus. 36 00:04:20,600 --> 00:04:22,467 Sancta Maria, mater Dei, 37 00:04:22,468 --> 00:04:24,332 or a pro nobis peccatoribus, 38 00:04:24,333 --> 00:04:28,332 nunc et in hora mortis nostrae. Amen. 39 00:04:28,333 --> 00:04:31,632 Ave Maria, gratia plena, Dominus tecum. 40 00:04:31,633 --> 00:04:34,666 Benedicta tu in... 41 00:04:34,667 --> 00:04:36,067 (GASPS) 42 00:04:40,400 --> 00:04:44,000 (OMINOUS VOICE WHISPERS SOFTLY) 43 00:04:46,067 --> 00:04:50,267 (WOMAN SHUDDERS, OMINOUS WHISPERS CONTINUE) 44 00:04:51,900 --> 00:04:55,900 (OMINOUS VOICES WHISPER) 45 00:05:07,633 --> 00:05:11,300 (DISTANT SOBBING, HIGH-PITCHED SCREAM) 46 00:05:12,767 --> 00:05:15,300 (WOMAN SOBBING) 47 00:05:16,667 --> 00:05:20,100 (DISTANT SOBS AND TORMENTED SCREAMS) 48 00:05:22,067 --> 00:05:27,333 OMINOUS DEEP VOICE: Soon, child, soon. 49 00:05:31,300 --> 00:05:33,666 (SHAKY, SHALLOW BREATHS) 50 00:05:33,667 --> 00:05:37,699 OMINOUS DEEP VOICE: I'm hungry... 51 00:05:37,700 --> 00:05:39,700 (LOW, THREATENING GROWL) 52 00:05:40,867 --> 00:05:42,633 (HAMMER CLICKS, GUNSHOT BLASTS) 53 00:05:42,636 --> 00:05:45,232 (ITEMS SHATTER, GUNSHOTS BLAST) 54 00:05:45,233 --> 00:05:46,673 (CHEERING AND APPLAUSE, MUSIC PLAYS) 55 00:05:48,100 --> 00:05:49,933 ETHAN: Just about then... 56 00:05:49,936 --> 00:05:52,699 I seen big old Crazy Horse himself, 57 00:05:52,700 --> 00:05:57,266 riding up with his band of bloodthirsty Sioux killers. 58 00:05:57,267 --> 00:05:58,667 (CROWD CHEERS, GUNSHOT BLASTS) 59 00:05:58,670 --> 00:06:02,832 (ITEMS SHATTER, GUNSHOTS BLAST REPEATEDLY) 60 00:06:02,833 --> 00:06:06,099 (CROWD OOHS AND AHHS, GUNSHOTS BLAST) 61 00:06:06,100 --> 00:06:08,632 (BELL DINGS, CROWD APPLAUDS) 62 00:06:08,633 --> 00:06:10,133 MAN: Applaud the man! 63 00:06:10,134 --> 00:06:11,632 (CROWD LAUGHS AND WHISTLES) 64 00:06:11,633 --> 00:06:13,699 General Custer gave the word, 65 00:06:13,700 --> 00:06:16,699 his blond hair flapping in the breeze 66 00:06:16,700 --> 00:06:18,632 like something from myth. 67 00:06:18,633 --> 00:06:23,899 SAYS HE: "Stand here and fight, boys, fight for your very lives!" 68 00:06:23,900 --> 00:06:25,266 (APPLAUSE AND CHEERING) 69 00:06:25,267 --> 00:06:26,732 And so fight I did. 70 00:06:26,733 --> 00:06:28,300 (HORSESHOE WHOOSHES, THREE RAPID-FIRE BLASTS) 71 00:06:28,303 --> 00:06:29,699 (BULLETS PING) 72 00:06:29,700 --> 00:06:31,599 (APPLAUSE) 73 00:06:31,600 --> 00:06:33,666 One of the few survivors who lived 74 00:06:33,667 --> 00:06:38,066 to bring you this tale of pluck and daring. 75 00:06:38,067 --> 00:06:41,400 (APPLAUSE AND CHEERING) 76 00:06:42,933 --> 00:06:44,483 (FESTIVE MUSIC STARTS) 77 00:06:44,484 --> 00:06:46,032 Thanks for coming out today 78 00:06:46,033 --> 00:06:48,899 and I hope that I have found some favor among you 79 00:06:48,900 --> 00:06:52,666 estimable gentlemen... and ladies. 80 00:06:52,667 --> 00:06:54,999 (APPLAUSE AND CHEERING) 81 00:06:55,000 --> 00:06:56,900 (GUNSHOT BLASTS, WOMAN GASPS IN SURPRISE) 82 00:06:56,903 --> 00:07:00,233 (CROWD GASPS, APPLAUDS VIGOROUSLY) 83 00:07:01,933 --> 00:07:05,333 YOUNG WOMAN: (MOANING AND GASPING) 84 00:07:06,967 --> 00:07:08,017 Yeah! 85 00:07:08,018 --> 00:07:09,066 (MOANING AND GASPING) 86 00:07:09,067 --> 00:07:10,184 (GRUNTING AND GASPING) 87 00:07:10,185 --> 00:07:11,299 Yeah! 88 00:07:11,300 --> 00:07:13,567 (MOANING AND GASPING) 89 00:07:15,000 --> 00:07:18,000 (GRUNTING AND GASPING) 90 00:07:20,200 --> 00:07:22,632 YOUNG WOMAN: Will I see you again? 91 00:07:22,633 --> 00:07:24,267 (UNDER HIS BREATH) No. 92 00:07:24,270 --> 00:07:27,066 Would that I could. Show's heading off to Paris. 93 00:07:27,067 --> 00:07:30,066 So many details to attend to... You understand. 94 00:07:30,067 --> 00:07:33,066 The life of a theatrical gentleman is peripatetic, darlin'. 95 00:07:33,067 --> 00:07:34,517 But I was under... 96 00:07:34,518 --> 00:07:35,966 (SMOTHERING KISS) 97 00:07:35,967 --> 00:07:38,967 (MEN CHATTER NEARBY, CHURCH BELLS RING) 98 00:07:40,733 --> 00:07:44,232 Just know that you have made my visit here truly memorable. 99 00:07:44,233 --> 00:07:45,967 I shall never forget you. 100 00:07:47,733 --> 00:07:51,699 Perhaps you'd like to know my name then. 101 00:07:51,700 --> 00:07:53,732 (AMUSED SNORT) 102 00:07:53,733 --> 00:07:55,999 (GLASSES CLINK) 103 00:07:56,000 --> 00:07:59,000 (FOOTSTEPS SCUFF, LOW HUM OF CHATTER) 104 00:08:05,033 --> 00:08:07,332 WOMAN: You didn't tell the truth. 105 00:08:07,333 --> 00:08:11,632 By my reckoning, you were a boy when General Custer died 106 00:08:11,633 --> 00:08:14,099 and 'tis well known there were no survivors. 107 00:08:14,100 --> 00:08:16,132 ETHAN: What we call a tall tale, darlin'. 108 00:08:16,133 --> 00:08:17,567 WOMAN: Exceedingly tall. 109 00:08:17,570 --> 00:08:19,866 ETHAN: Vice of my nation. We're storytellers. 110 00:08:19,867 --> 00:08:22,233 Join me, won't you? 111 00:08:25,200 --> 00:08:26,766 You saw my exhibition? 112 00:08:26,767 --> 00:08:29,966 Highly impressive, especially your finale. 113 00:08:29,967 --> 00:08:31,667 ETHAN: Well, you gotta leave them wanting more, 114 00:08:31,670 --> 00:08:33,900 as we say in show business. 115 00:08:36,967 --> 00:08:39,932 And what might I do for you? 116 00:08:39,933 --> 00:08:43,367 - I have a need for some night work. - Oh, honey, don't we all? 117 00:08:45,100 --> 00:08:48,699 I have a need for a gentleman who's comfortable with firearms 118 00:08:48,700 --> 00:08:52,699 and not hesitant to engage in dangerous endeavors 119 00:08:52,700 --> 00:08:55,632 or was all that a tall tale as well? 120 00:08:55,633 --> 00:08:57,633 What do you think? 121 00:08:58,933 --> 00:09:02,066 Expensive watch, but threadbare jacket. 122 00:09:02,067 --> 00:09:05,932 Sentimental about the money you used to have. 123 00:09:05,933 --> 00:09:08,766 Your eye is steady, but your left hand tremors. 124 00:09:08,767 --> 00:09:09,932 That's the drink, 125 00:09:09,933 --> 00:09:13,199 so you keep it below the table, hoping I won't notice. 126 00:09:13,200 --> 00:09:16,066 You have a contusion healing on your other hand, 127 00:09:16,067 --> 00:09:20,332 the result of a recent brawl with a jealous husband, no doubt. 128 00:09:20,333 --> 00:09:25,332 Your boots are good quality leather, but have been resoled more than once. 129 00:09:25,333 --> 00:09:28,866 I see a man who's been accustomed to wealth, 130 00:09:28,867 --> 00:09:30,932 but has given himself to excess 131 00:09:30,933 --> 00:09:33,799 and the unbridled pleasures of youth. 132 00:09:33,800 --> 00:09:37,416 A man much more complicated 133 00:09:37,419 --> 00:09:39,833 than he likes to appear. 134 00:09:46,900 --> 00:09:50,166 So, it's a job, this "night work?" 135 00:09:50,167 --> 00:09:52,266 Yes. 136 00:09:52,267 --> 00:09:54,666 Something of a criminal setup? 137 00:09:54,667 --> 00:09:56,032 Would it matter? 138 00:09:56,033 --> 00:09:58,366 - Not at all. - Then why ask? 139 00:09:58,369 --> 00:10:00,490 Show's heading off to Paris, pretty soon. 140 00:10:00,499 --> 00:10:02,142 The job's tonight. 141 00:10:02,149 --> 00:10:05,067 - Is it a murder? - Would it matter? 142 00:10:09,000 --> 00:10:12,300 One smile and I say yes. 143 00:10:17,567 --> 00:10:19,767 Meet me at this address at eleven o'clock. 144 00:10:19,768 --> 00:10:22,966 - I don't know London. - Then ask a policeman. 145 00:10:22,967 --> 00:10:25,166 You have a name? 146 00:10:25,167 --> 00:10:27,168 WOMAN: Yes. 147 00:10:28,733 --> 00:10:33,066 (LOUD BUZZ OF CHATTER IN THE STREETS) 148 00:10:33,067 --> 00:10:34,850 BOY: Clear off, Johnny! 149 00:10:34,851 --> 00:10:36,633 (HORSE WHINNIES) 150 00:10:40,767 --> 00:10:44,133 (BABY WAILS) 151 00:10:50,000 --> 00:10:51,932 Mr. Chandler. 152 00:10:51,933 --> 00:10:53,533 I didn't expect you to be on time. 153 00:10:53,536 --> 00:10:56,466 Oh, I never keep a lady waiting. 154 00:10:56,467 --> 00:10:59,366 WOMAN: Very wise. This way please. 155 00:10:59,367 --> 00:11:04,100 (FOOTSTEPS CLACK, CAT MEOWS NEARBY) 156 00:11:05,867 --> 00:11:08,299 (KNOCKS ON DOOR) 157 00:11:08,300 --> 00:11:10,700 (DOOR CLANKS OPEN) 158 00:11:10,701 --> 00:11:13,100 (FOOTSTEPS ECHO) 159 00:11:17,433 --> 00:11:20,433 (DOOR SLAMS SHUT) 160 00:11:22,367 --> 00:11:26,367 (CHIME TINKLES, VOICES MURMUR QUIETLY) 161 00:11:33,233 --> 00:11:37,500 (LIGHT RINGING SOUND, FLAME SIZZLES) 162 00:11:40,200 --> 00:11:43,200 (PUFFING) 163 00:11:46,233 --> 00:11:50,567 (VOICES MURMUR QUIETLY, SOMEONE COUGHS) 164 00:11:57,367 --> 00:12:00,433 (APPROACHING FOOTSTEPS) 165 00:12:07,733 --> 00:12:10,366 - This is the individual? - Yes. 166 00:12:10,367 --> 00:12:12,933 Did you bring your weapons? 167 00:12:17,933 --> 00:12:19,999 ETHAN: One-one minute. 168 00:12:22,165 --> 00:12:23,440 What're we doing here? 169 00:12:23,447 --> 00:12:24,700 SIR MALCOLM: We're looking for someone. 170 00:12:24,703 --> 00:12:27,299 More than that, you don't need to know. 171 00:12:27,300 --> 00:12:31,099 Do not be amazed at anything you see 172 00:12:31,100 --> 00:12:34,100 and don't hesitate. 173 00:12:37,300 --> 00:12:39,300 (FOOTSTEPS ECHO) 174 00:12:43,967 --> 00:12:46,599 ETHAN: Who exactly are we looking for? 175 00:12:46,600 --> 00:12:49,166 Someone very dear to me who's been taken. 176 00:12:49,167 --> 00:12:51,532 (DOOR LATCH CLUNKS) 177 00:12:51,533 --> 00:13:06,432 ♪ ♪ 178 00:13:15,433 --> 00:13:18,032 That which you serve, we seek. 179 00:13:18,033 --> 00:13:21,033 (SPEAKS IN ARABIC) 180 00:13:25,233 --> 00:13:29,267 OLDER GENTLEMAN: (RESPONDS IN ARABIC) 181 00:13:32,833 --> 00:13:35,900 FAMILIAR: (SPEAKS IN ARABIC) 182 00:13:40,467 --> 00:13:44,466 OLDER GENTLEMAN: (SPEAKS ANGRILY IN ARABIC) 183 00:13:44,467 --> 00:13:47,600 GIRL: (GASPS DRAMATICALLY, THEN GIGGLES) 184 00:13:49,433 --> 00:13:51,433 (FOOTSTEPS SHUFFLE) 185 00:13:52,800 --> 00:13:54,500 (ATTACK CRY, HARD PUNCH) 186 00:13:54,503 --> 00:13:56,832 (FAMILIARS GROWL MENACINGLY) 187 00:13:56,833 --> 00:13:59,432 (FIGHTING GRUNTS AND GROWLS) 188 00:13:59,433 --> 00:14:02,066 (GUNSHOT BLASTS) 189 00:14:02,067 --> 00:14:05,532 (TORMENTED WAILING ECHOES AROUND THE ROOM) 190 00:14:05,533 --> 00:14:09,032 (GUNSHOTS BLAST, FIGHTING GRUNTS) 191 00:14:09,033 --> 00:14:12,099 (ATTACK GROWL, PUNCHING THUDS) 192 00:14:12,100 --> 00:14:14,832 (SOBS ECHO, GUNSHOTS BLAST) 193 00:14:14,833 --> 00:14:16,267 (PAINED GRUNT, SOBS ECHO) 194 00:14:16,270 --> 00:14:19,299 (FAMILIAR GROWLS, GUNSHOTS BLAST) 195 00:14:19,300 --> 00:14:22,433 (FAMILIAR GRUNTS, HIGH-PITCHED SOB ECHOES) 196 00:14:27,067 --> 00:14:29,433 (GUNSHOTS BLAST IN THE DISTANCE) 197 00:14:31,167 --> 00:14:34,200 (TORMENTED WAILING ECHOES AROUND THE ROOM) 198 00:14:37,233 --> 00:14:39,233 (PUNCHING THUDS) 199 00:14:43,167 --> 00:14:46,166 (STRUGGLING GRUNTS, GUNSHOT BLASTS) 200 00:14:46,167 --> 00:14:48,166 (STRUGGLING GRUNTS) 201 00:14:48,167 --> 00:14:50,432 (ATTACK CRY, FAMILIAR SHRIEKS) 202 00:14:50,433 --> 00:14:52,166 (BODY THUDS HEAVILY) 203 00:14:52,167 --> 00:14:55,899 (HISSING NEARBY, ETHAN EXHALES SHARPLY) 204 00:14:55,900 --> 00:14:58,233 (GURGLED SNARL) 205 00:15:01,433 --> 00:15:02,799 (LOW GROWL) 206 00:15:02,800 --> 00:15:06,166 (GUNSHOT BLASTS, BODY THUMPS HEAVILY) 207 00:15:06,167 --> 00:15:08,433 (EXHALES SHARPLY, PANTING) 208 00:15:09,967 --> 00:15:12,300 (DISTANT SOBBING) 209 00:15:14,867 --> 00:15:17,867 (BLOOD DRIPS) 210 00:15:26,400 --> 00:15:30,400 (FOOTSTEPS SQUELCH THROUGH ENTRAILS) 211 00:15:44,100 --> 00:15:46,533 (FOOTSTEPS SQUELCH) 212 00:15:53,800 --> 00:15:56,532 (APPROACHING FOOTSTEPS) 213 00:15:56,933 --> 00:15:58,566 Where is she? 214 00:15:58,567 --> 00:16:01,833 Little girls shouldn't play with toys like that. 215 00:16:04,433 --> 00:16:06,267 WOMAN: Where is your master? 216 00:16:06,270 --> 00:16:07,884 Closer than you think. 217 00:16:07,885 --> 00:16:09,499 Would you like to meet him? 218 00:16:09,500 --> 00:16:12,766 (GUNSHOT BLASTS, FAMILIAR GROANS) 219 00:16:12,767 --> 00:16:15,833 (GUNSHOT BLASTS, BODY THUMPS HEAVILY) 220 00:16:18,167 --> 00:16:21,500 (FOOTSTEPS SQUELCH THROUGH ENTRAILS) 221 00:16:24,267 --> 00:16:26,500 It's not her. 222 00:16:28,167 --> 00:16:30,167 (RUSTLING SOUND) 223 00:16:36,733 --> 00:16:38,900 (COCKS PISTOL) 224 00:16:43,700 --> 00:16:45,432 (RAT SQUEAKS) 225 00:16:45,433 --> 00:16:47,866 (VICIOUS SNARL) 226 00:16:47,867 --> 00:16:49,833 (SNARLS MENACINGLY) 227 00:16:51,367 --> 00:16:52,933 (BODY THUDS) 228 00:16:55,433 --> 00:16:58,432 (SNARLS MENACINGLY) 229 00:16:58,433 --> 00:16:59,932 (GUNSHOTS FIRE) 230 00:16:59,933 --> 00:17:01,300 ETHAN: Agghhh! 231 00:17:01,303 --> 00:17:03,366 (WOOD SPLINTERS AND CRASHES) 232 00:17:03,367 --> 00:17:05,233 (SNARLS FEROCIOUSLY) 233 00:17:06,400 --> 00:17:08,667 (SWORD BLADE RINGS, VAMPIRE SNARLS) 234 00:17:09,933 --> 00:17:13,166 (STARTLED GROWL) 235 00:17:13,167 --> 00:17:15,667 (HISSED SCREAM) 236 00:17:18,467 --> 00:17:21,467 (SWORD CLANKS, BODY CRASHES HEAVILY) 237 00:17:27,367 --> 00:17:29,667 She's not here. 238 00:17:32,477 --> 00:17:33,997 OLDER GENTLEMAN: There must be another. 239 00:17:34,008 --> 00:17:35,367 WOMAN: Another creature? 240 00:17:35,370 --> 00:17:37,367 OLDER GENTLEMAN: Is there another? 241 00:17:37,370 --> 00:17:40,632 Is there another creature like that? 242 00:17:40,633 --> 00:17:41,983 SOMNOLENT WOMAN: (HISSES) 243 00:17:41,984 --> 00:17:43,332 ETHAN: Jesus Christ! 244 00:17:43,333 --> 00:17:45,980 Don't move, Mr. Chandler. This night's not over. 245 00:17:46,081 --> 00:17:47,999 Help us, please. 246 00:17:48,000 --> 00:17:51,532 (FERAL HISSING AND SCREAMING) 247 00:17:51,533 --> 00:17:54,932 (SWORD STRIKES, HIGH-PITCHED SCREAMS) 248 00:17:54,933 --> 00:17:58,933 (SCREAMS REVERBERATE AND FILL THE NIGHT) 249 00:18:02,267 --> 00:18:05,500 (SQUISHY, GELATINOUS SOUND) 250 00:18:07,900 --> 00:18:09,267 ETHAN: What is this place? 251 00:18:09,270 --> 00:18:11,566 Where the resurrection men ply their trade. 252 00:18:11,567 --> 00:18:14,266 The surgeons must supply their students with ample subjects. 253 00:18:14,267 --> 00:18:15,700 When the legal channels are exhausted, 254 00:18:15,703 --> 00:18:18,266 they're forced to resort to other means. 255 00:18:18,267 --> 00:18:19,924 I'm in need of your services, sir. 256 00:18:19,925 --> 00:18:21,000 PROPRIETOR: Tisn't from the river? 257 00:18:21,003 --> 00:18:22,767 They're useless once them fishes got 'em. 258 00:18:22,770 --> 00:18:23,932 Not the river, no. 259 00:18:23,933 --> 00:18:25,600 PROPRIETOR: Well, that's a blessing. 260 00:18:25,603 --> 00:18:28,933 Bring it round the back and see if my assistant can take you. 261 00:18:35,733 --> 00:18:39,800 (CART RATTLES) 262 00:18:44,212 --> 00:18:46,332 OLDER GENTLEMAN: Your master said you might assist us. 263 00:18:46,333 --> 00:18:47,667 YOUNG DOCTOR: I have no master. 264 00:18:47,670 --> 00:18:49,067 OLDER GENTLEMAN: The proprietor out front, I mean. 265 00:18:49,068 --> 00:18:51,233 - Go away. - I'll pay you for your time. 266 00:18:51,236 --> 00:18:53,932 - You'd not afford it. - You're very proud. 267 00:18:53,933 --> 00:18:55,933 Take it to a slaughterhouse. I'm not a medical practitioner. 268 00:18:55,936 --> 00:18:57,399 I'm engaged in research. 269 00:18:57,400 --> 00:19:00,366 ETHAN: You're a man with a bloody knife like everybody else out there, 270 00:19:00,367 --> 00:19:02,699 so stop putting on airs. 271 00:19:02,700 --> 00:19:03,967 American? 272 00:19:03,968 --> 00:19:05,232 ETHAN: You are clever. 273 00:19:05,233 --> 00:19:07,200 Do you know anything about electrical currents? 274 00:19:07,203 --> 00:19:08,500 Your country is making such strides 275 00:19:08,503 --> 00:19:11,332 as we labor in the dark ages of coal and peat. 276 00:19:11,333 --> 00:19:12,633 Have you any experience with the principles 277 00:19:12,636 --> 00:19:14,932 and applications of galvanism? 278 00:19:14,933 --> 00:19:16,366 Oh, the usual. 279 00:19:16,367 --> 00:19:19,332 Sir, I have urgent need of an necropsy. Will you assist us? 280 00:19:19,333 --> 00:19:21,932 I am occupied solely in research. 281 00:19:21,933 --> 00:19:23,702 I will not bore myself with explanations 282 00:19:23,703 --> 00:19:25,064 you could not possibly understand. 283 00:19:25,155 --> 00:19:28,333 Now, kindly, stop wasting my time and get out! 284 00:19:29,667 --> 00:19:31,667 (FOOTSTEPS ECHO LIGHTLY) 285 00:19:38,233 --> 00:19:39,932 (TOOL CLATTERS) 286 00:19:39,933 --> 00:19:42,167 (SHOCKED WHISPER) My God. 287 00:19:44,233 --> 00:19:46,517 Lividity, null. 288 00:19:46,518 --> 00:19:48,799 Rigor mortis, null. 289 00:19:48,800 --> 00:19:50,800 Notable ocular hyperemia. 290 00:19:50,801 --> 00:19:52,799 Ocular reaction, null. 291 00:19:52,800 --> 00:19:54,332 Dental malformation, 292 00:19:54,333 --> 00:19:56,466 not naturally occurring due to the isotropy. 293 00:19:56,467 --> 00:19:57,984 Nature's rarely so neat. 294 00:19:57,985 --> 00:19:59,499 Nature abhors symmetry. 295 00:19:59,500 --> 00:20:01,167 Trauma and penetration of the chest cavity 296 00:20:01,170 --> 00:20:03,290 through the manubrium seems the likely cause of death, 297 00:20:03,379 --> 00:20:05,432 but I expect you know that. 298 00:20:05,433 --> 00:20:08,432 Age of the subject is impossible to determine. 299 00:20:08,433 --> 00:20:11,917 The teeth seem barely used, which seems unlikely given the... 300 00:20:11,918 --> 00:20:13,700 muscular development. 301 00:20:15,033 --> 00:20:16,566 The dermis is unusual. 302 00:20:16,567 --> 00:20:19,550 Seems to lack the normal cutaneous eccrine pores. 303 00:20:19,651 --> 00:20:21,467 Hand me that. 304 00:20:28,867 --> 00:20:31,432 (SLICING, CRACKING SOUND) 305 00:20:31,433 --> 00:20:34,766 Well, I know why the skin seems peculiar. 306 00:20:34,767 --> 00:20:35,800 OLDER GENTLEMAN: Why? 307 00:20:35,801 --> 00:20:36,832 Forceps. 308 00:20:36,833 --> 00:20:38,833 Because it isn't skin. 309 00:20:38,834 --> 00:20:40,832 Not as we know it. 310 00:20:40,833 --> 00:20:42,883 It's more like a... 311 00:20:42,884 --> 00:20:44,932 tensile exoskeleton, 312 00:20:44,933 --> 00:20:46,933 along the lines of an insect or crustacean. 313 00:20:46,936 --> 00:20:48,867 He must have been a hearty devil. 314 00:20:48,870 --> 00:20:50,966 ETHAN: You're not kidding. 315 00:20:50,967 --> 00:20:52,900 Hold on, what's this? 316 00:20:55,933 --> 00:20:57,666 Fascinating. 317 00:20:57,667 --> 00:20:59,832 Hieroglyphics. 318 00:20:59,833 --> 00:21:01,767 YOUNG DOCTOR: Egyptian? 319 00:21:01,768 --> 00:21:03,700 OLDER GENTLEMAN: Undoubtedly. 320 00:21:05,347 --> 00:21:06,867 Well, it would appear 321 00:21:06,870 --> 00:21:08,633 you have an Egyptian man of no particular age, 322 00:21:08,636 --> 00:21:10,400 who, at some point in his indeterminate lifespan, 323 00:21:10,403 --> 00:21:12,467 decided to sharpen his teeth, cover himself in hieroglyphics 324 00:21:12,470 --> 00:21:14,932 and grow an exoskeleton. 325 00:21:14,933 --> 00:21:17,933 Or you have something else altogether. 326 00:21:20,533 --> 00:21:23,033 Who the fuck are you people? 327 00:21:25,500 --> 00:21:28,466 Do you know Grandage Place in Westminster? 328 00:21:28,467 --> 00:21:29,632 I can find it. 329 00:21:29,633 --> 00:21:33,799 Number eight. Come at noon tomorrow. 330 00:21:33,800 --> 00:21:35,767 Unless you'd rather spend the rest of your life 331 00:21:35,770 --> 00:21:39,432 shooting Clay targets and telling lies. 332 00:21:39,433 --> 00:21:42,100 (CART RATTLES) 333 00:21:45,567 --> 00:21:46,732 (LOW HUM OF CHATTER) 334 00:21:46,733 --> 00:21:48,766 MAN: No, no, she's gone! 335 00:21:48,767 --> 00:21:50,600 WOMAN: Says she heard something last night. 336 00:21:50,601 --> 00:21:51,700 MAN: Really? 337 00:21:51,703 --> 00:21:53,067 WOMAN: But she didn't see nothing. 338 00:21:53,070 --> 00:21:56,699 (BELL TOLLS, BLOOD DRIPS, FLIES BUZZ MERCILESSLY) 339 00:21:56,700 --> 00:21:58,250 GALSWORTHY: Carnage. 340 00:21:58,251 --> 00:21:59,799 CONSTABLE: Sir? 341 00:21:59,800 --> 00:22:02,932 GALSWORTHY: It's like a battlefield. 342 00:22:02,933 --> 00:22:04,367 PHOTOGRAPHER: You want it all? 343 00:22:04,370 --> 00:22:05,700 GALSWORTHY: Everything. 344 00:22:05,701 --> 00:22:07,452 PHOTOGRAPHER: Even her? 345 00:22:07,553 --> 00:22:09,132 GALSWORTHY: Especially her. 346 00:22:09,133 --> 00:22:11,125 PHOTOGRAPHER: Doesn't seem right. 347 00:22:11,126 --> 00:22:12,799 Where's the dignity in that? 348 00:22:12,800 --> 00:22:15,899 (CONSTABLE VOMITS) 349 00:22:15,900 --> 00:22:19,467 GALSWORTHY: We'll get her dignity back when we've caught this monster. 350 00:22:24,467 --> 00:22:27,999 (FLASHLAMP BURSTS REPEATEDLY) 351 00:22:28,000 --> 00:22:31,533 (CARRIAGE RATTLES, HOOVES CLOP) 352 00:22:32,900 --> 00:22:36,767 (HORSE WHINNIES, LOW HUM OF CHATTER) 353 00:22:39,633 --> 00:22:43,100 (LOW HUM OF CHATTER) 354 00:22:45,100 --> 00:22:51,199 ♪ ♪ 355 00:22:51,200 --> 00:22:53,567 (DOOR CLICKS OPEN) 356 00:22:56,900 --> 00:22:59,200 Ethan Chandler to see Sir Malcolm. 357 00:22:59,201 --> 00:23:00,366 I'm expected. 358 00:23:00,367 --> 00:23:02,367 Come in. 359 00:23:06,167 --> 00:23:08,000 (DOOR CLUNKS SHUT) 360 00:23:10,233 --> 00:23:12,032 (FOOTSTEPS SCUFF) 361 00:23:12,033 --> 00:23:15,066 Wait here, please. 362 00:23:15,067 --> 00:23:18,067 (FOOTSTEPS RETREAT) 363 00:23:22,433 --> 00:23:26,433 (FOOTSTEPS ECHO LIGHTLY) 364 00:23:44,267 --> 00:23:45,933 WOMAN: Not what you expected? 365 00:23:47,200 --> 00:23:49,817 You've a light step, miss. 366 00:23:49,818 --> 00:23:52,432 Or is it ma'am? 367 00:23:52,433 --> 00:23:55,899 WOMAN: Miss Vanessa Ives. 368 00:23:55,900 --> 00:23:58,667 Come this way, won't you? 369 00:23:59,833 --> 00:24:03,867 (FOOTSTEPS TAP LIGHTLY, DOOR CREAKS SHUT) 370 00:24:05,733 --> 00:24:07,733 (DOOR CLICKS SHUT) 371 00:24:11,000 --> 00:24:13,199 May I offer you some tea? 372 00:24:13,200 --> 00:24:14,667 ETHAN: No thanks. 373 00:24:15,867 --> 00:24:17,332 So you're a fortune reader? 374 00:24:17,333 --> 00:24:18,867 VENESSA: The term is inadequate. 375 00:24:18,870 --> 00:24:20,899 - ETHAN: Spiritualist? - VANESSA: If you like. 376 00:24:20,900 --> 00:24:23,832 Rapping on the table? Voices from the great beyond? 377 00:24:23,833 --> 00:24:25,083 Not precisely. 378 00:24:25,084 --> 00:24:26,332 You're a skeptic. 379 00:24:26,333 --> 00:24:28,021 ETHAN: Not about everything. 380 00:24:28,122 --> 00:24:30,132 Last night, for example. 381 00:24:30,133 --> 00:24:33,099 And you want an explanation? 382 00:24:33,100 --> 00:24:36,100 I think I should see Sir Malcolm. 383 00:24:40,233 --> 00:24:42,400 I can speak for him. 384 00:24:44,933 --> 00:24:48,099 Do you believe there is a demimonde, Mr. Chandler? 385 00:24:48,100 --> 00:24:52,299 A half world between what we know and what we fear? 386 00:24:52,300 --> 00:24:57,732 A place in the shadows, rarely seen, but deeply felt. 387 00:24:57,733 --> 00:25:00,966 Do you believe that? 388 00:25:00,967 --> 00:25:02,300 Yes. 389 00:25:07,100 --> 00:25:09,766 That's where we were last night, 390 00:25:09,767 --> 00:25:13,666 where some unfortunate souls are cursed to live always. 391 00:25:13,667 --> 00:25:16,666 If you believe in curses, that is. 392 00:25:16,667 --> 00:25:19,333 (CARDS RASP) 393 00:25:23,233 --> 00:25:26,832 Are you a wise man, Mr. Chandler? 394 00:25:26,833 --> 00:25:28,232 Not especially. 395 00:25:28,233 --> 00:25:30,133 A wise man would walk away from this house 396 00:25:30,136 --> 00:25:34,266 and make a concerted effort to forget everything that occurred last night. 397 00:25:34,267 --> 00:25:35,732 He would not look back. 398 00:25:35,733 --> 00:25:37,166 That sounds like a warning. 399 00:25:37,167 --> 00:25:39,899 It's an invitation. 400 00:25:39,900 --> 00:25:42,966 Should you be so unwise as to entertain the idea, 401 00:25:42,967 --> 00:25:45,832 we have continued use of a man of your skills. 402 00:25:45,833 --> 00:25:46,999 Your kind of man. 403 00:25:47,000 --> 00:25:48,200 ETHAN: And what kind is that? 404 00:25:48,203 --> 00:25:52,399 VANESSA: One of great violence and hidden depths. 405 00:25:52,400 --> 00:25:54,699 You play your role well, Mr. Chandler, 406 00:25:54,700 --> 00:25:57,700 but this is not who you are. 407 00:26:01,333 --> 00:26:04,333 Tell me what this is all about. 408 00:26:07,267 --> 00:26:09,732 Sir Malcolm's daughter was taken by a creature 409 00:26:09,733 --> 00:26:12,199 such as the one we killed. 410 00:26:12,200 --> 00:26:15,099 We didn't suspect there was another. 411 00:26:15,100 --> 00:26:17,399 There's much we don't know and must discover. 412 00:26:17,400 --> 00:26:20,832 ETHAN: And what's your part in all this? 413 00:26:20,833 --> 00:26:23,333 My part is my own. 414 00:26:28,867 --> 00:26:33,199 I've been a hired gun before. 415 00:26:33,200 --> 00:26:35,766 Doesn't suit me. 416 00:26:35,767 --> 00:26:37,999 There's no exaltation in killing for gold. 417 00:26:38,000 --> 00:26:40,832 A wise man after all. 418 00:26:40,833 --> 00:26:43,832 Sembene has your money at the door. He'll show you out. 419 00:26:43,833 --> 00:26:45,833 I hope you enjoy your life as an actor. 420 00:26:45,836 --> 00:26:48,299 It seems to be what you're suited for. 421 00:26:48,300 --> 00:26:53,766 But if you find yourself in that demimonde we spoke of, 422 00:26:53,767 --> 00:26:56,366 and seek to escape it, 423 00:26:56,367 --> 00:26:58,000 you know my address. 424 00:26:59,167 --> 00:27:01,999 And what do you seek to escape? 425 00:27:02,000 --> 00:27:04,766 Perhaps the same thing you do. 426 00:27:04,767 --> 00:27:08,167 We all have our curses, don't we? 427 00:27:09,333 --> 00:27:11,833 Good day, Mr. Chandler. 428 00:27:13,067 --> 00:27:15,067 Miss Ives. 429 00:27:16,200 --> 00:27:18,766 Before you go, 430 00:27:18,767 --> 00:27:21,899 one last task, if you'll indulge me: 431 00:27:21,900 --> 00:27:24,000 Pick a card. 432 00:27:26,167 --> 00:27:31,099 No, no, not like that. Not impulsively, not without thought. 433 00:27:31,100 --> 00:27:33,432 Let them work on you. 434 00:27:33,433 --> 00:27:35,917 Look into my eyes. 435 00:27:35,918 --> 00:27:38,400 Believe. 436 00:27:39,967 --> 00:27:43,266 (NERVOUS BREATH) 437 00:27:43,267 --> 00:27:46,267 (FIRE CRACKLES) 438 00:27:51,400 --> 00:27:54,333 (CARD RASPS) 439 00:28:10,167 --> 00:28:12,333 (APPROACHING FOOTSTEPS) 440 00:28:14,433 --> 00:28:16,966 SIR MALCOLM: Was he tempted? 441 00:28:16,967 --> 00:28:18,433 VANESSA: Intrigued, I would say. 442 00:28:18,436 --> 00:28:19,967 SIR MALCOLM: Then he'll be back. 443 00:28:19,970 --> 00:28:24,032 - He's intending to leave town. - He won't. We won't let him. 444 00:28:24,033 --> 00:28:26,650 I'll require you in an hour. 445 00:28:26,651 --> 00:28:29,266 We have an appointment. 446 00:28:29,267 --> 00:28:31,067 Where are we going? 447 00:28:32,700 --> 00:28:35,700 Amongst dead things. 448 00:28:37,733 --> 00:28:40,800 (RECEDING FOOTSTEPS) 449 00:28:45,467 --> 00:28:48,432 (HORSE WHINNIES, BELL TOLLS) 450 00:28:48,433 --> 00:28:51,432 NEWSVENDOR: Mother and daughter butchered in east end horror! 451 00:28:51,433 --> 00:28:54,966 BOY: Westminster Guardian. Only a penny! 452 00:28:56,002 --> 00:28:58,676 NEWSVENDOR 2: Undone in Spitalfields. 453 00:28:58,777 --> 00:29:01,000 Police fear Ripper is back! 454 00:29:03,067 --> 00:29:05,499 (OBJECT CLUNKS, LOUD KNOCK) 455 00:29:05,500 --> 00:29:08,199 (LATCH CLICKS, DOOR SQUEAKS OPEN) 456 00:29:08,200 --> 00:29:10,080 ASSISTANT: Sir... 457 00:29:10,081 --> 00:29:11,466 Sir Malcolm Murray is outside. 458 00:29:11,467 --> 00:29:13,599 The Malcolm Murray? 459 00:29:13,600 --> 00:29:15,699 Oh... (EXCITED CHUCKLE) 460 00:29:15,700 --> 00:29:18,966 I am extravagantly pleased. Do show him in. 461 00:29:18,967 --> 00:29:20,800 And stand up straight, Felix. 462 00:29:20,801 --> 00:29:22,633 You look like an orangutan. 463 00:29:27,033 --> 00:29:28,083 SIR MALCOLM: Mr. Lyle. 464 00:29:28,084 --> 00:29:31,032 LYLE: Sir Malcolm. Oh, it is you! 465 00:29:31,033 --> 00:29:34,299 The photograph in your book does you no justice, but do they ever? 466 00:29:34,300 --> 00:29:36,300 Say you'll inscribe it for me. Say you will. 467 00:29:36,303 --> 00:29:38,433 Your book, I mean. And something deeply personal. 468 00:29:38,436 --> 00:29:39,867 It would be a pleasure. 469 00:29:39,868 --> 00:29:41,299 This is Miss Vanessa Ives. 470 00:29:41,300 --> 00:29:45,099 Could I be more charmed? No, I could not. 471 00:29:45,100 --> 00:29:47,000 And what brings you to the humble confines 472 00:29:47,003 --> 00:29:49,332 of the Department of Egyptian and Assyrian Antiquities? 473 00:29:49,333 --> 00:29:51,033 Though, really, it's only Egyptian. 474 00:29:51,036 --> 00:29:53,432 We don't quite approve the Assyrians, do we? 475 00:29:53,433 --> 00:29:54,732 Sit down, do. 476 00:29:54,733 --> 00:29:56,217 VANESSA: What are these? 477 00:29:56,218 --> 00:29:57,699 LYLE: Oh, carrion beetles. 478 00:29:57,700 --> 00:30:01,366 We employ them when the usual solvents are deemed too abrasive. 479 00:30:01,367 --> 00:30:04,532 They eat the flesh, don't you know. 480 00:30:04,533 --> 00:30:07,132 Sorry, my dear, it's a bit ghoulish to the lay-person. 481 00:30:07,133 --> 00:30:09,432 Very exotic. Where do they come from? 482 00:30:09,433 --> 00:30:11,632 Actually, Waveney, in Suffolk. 483 00:30:11,633 --> 00:30:14,332 VANESSA: Not exotic at all. 484 00:30:14,333 --> 00:30:17,232 SIR MALCOLM: Mr. Lyle, I was hoping you could assist me. 485 00:30:17,233 --> 00:30:20,633 I've a bit of hieroglyphics in need of translating. 486 00:30:25,413 --> 00:30:27,533 LYLE: These aren't from a scroll. What are they? 487 00:30:27,536 --> 00:30:30,567 They're from a tattoo on a corpse. 488 00:30:31,733 --> 00:30:35,299 Oh, that's outre. 489 00:30:35,300 --> 00:30:38,066 What have you got for me then? 490 00:30:38,067 --> 00:30:39,632 Late hieratic script. 491 00:30:39,633 --> 00:30:41,850 18th dynasty, perhaps earlier. 492 00:30:41,851 --> 00:30:44,066 It's a standard funerary text. 493 00:30:44,067 --> 00:30:46,700 (AGITATED CHIRPS, WINGS BEAT FURIOUSLY) 494 00:30:49,120 --> 00:30:51,200 Conjoined in this fashion, they translate roughly 495 00:30:51,203 --> 00:30:55,032 to an idea meaning "blood cure" or "blood transformation." 496 00:30:55,033 --> 00:30:56,333 Although there's a theory it's something 497 00:30:56,336 --> 00:30:58,599 more along the lines of a malediction: 498 00:30:58,600 --> 00:31:00,032 "A blood curse." 499 00:31:00,033 --> 00:31:02,432 Trust me, those Egyptians were a bit madcap 500 00:31:02,433 --> 00:31:06,133 when it came to specifics. It's all very metaphoric. 501 00:31:08,133 --> 00:31:11,133 (OMINOUS MUSIC PLAYS) 502 00:31:16,000 --> 00:31:19,367 - Are there more of these? - Yes. 503 00:31:23,267 --> 00:31:27,466 I should like to see them, but not here. 504 00:31:27,467 --> 00:31:31,399 The British museum is no place for actual scholarship, after all. 505 00:31:31,400 --> 00:31:32,599 Perish the thought. 506 00:31:32,600 --> 00:31:34,467 And before I engage in professional matters, 507 00:31:34,470 --> 00:31:37,699 I feel it is vital to engage in social congress. 508 00:31:37,700 --> 00:31:40,466 Get to know the sort of people one is working with, you understand? 509 00:31:40,467 --> 00:31:42,666 My wife and I entertain on occasion. 510 00:31:42,667 --> 00:31:45,799 Lavishly, you can be sure, as she's absurdly rich. 511 00:31:45,800 --> 00:31:48,132 We're having a little fete, Friday next. 512 00:31:48,133 --> 00:31:49,567 Perhaps you and Miss Ives could join us? 513 00:31:49,570 --> 00:31:51,732 SIR MALCOLM: This is a matter of some urgency. 514 00:31:51,733 --> 00:31:53,600 Good heavens, Sir Malcolm, 515 00:31:53,603 --> 00:31:56,066 there hasn't been anything urgent about the Egyptians 516 00:31:56,067 --> 00:31:57,732 for 2000 years. 517 00:31:57,733 --> 00:32:01,066 And I'm dreadfully busy now, you understand. 518 00:32:01,067 --> 00:32:04,699 Ever so many papyri to translate. 519 00:32:04,700 --> 00:32:06,967 Isn't that a delicious word? 520 00:32:06,968 --> 00:32:09,232 Papyri. 521 00:32:09,233 --> 00:32:12,499 Sounds like something eaten by little Persian boys, doesn't it? 522 00:32:12,500 --> 00:32:15,633 So I shall see you Friday next. 523 00:32:17,033 --> 00:32:18,199 As you say. 524 00:32:18,200 --> 00:32:20,266 LYLE: Grand. It's resolved. 525 00:32:20,267 --> 00:32:22,256 Bring the rest of the photographs with you 526 00:32:22,357 --> 00:32:23,702 and we'll take a peek. 527 00:32:23,803 --> 00:32:27,066 Entre nous, don't you know? 528 00:32:27,067 --> 00:32:29,199 Such an infinite pleasure meeting you both. 529 00:32:29,200 --> 00:32:30,828 Our pleasure, Mr. Lyle. 530 00:32:30,929 --> 00:32:32,300 Good day, good day. 531 00:32:32,303 --> 00:32:35,300 I do assume you know the source of the writing? 532 00:32:36,967 --> 00:32:38,499 No. 533 00:32:38,500 --> 00:32:41,700 It's from the Egyptian Book of the Dead. 534 00:32:47,633 --> 00:32:51,332 (FOOTSTEPS RECEDE, DOOR CLICKS SHUT) 535 00:32:51,333 --> 00:32:55,699 (BELL TOLLS, DOG BARKS, EXCITED BUZZ OF CHATTER) 536 00:32:55,700 --> 00:32:57,700 (BABY WAILS) 537 00:32:59,300 --> 00:33:01,732 CONSTABLE 1: Keep clear. 538 00:33:01,733 --> 00:33:04,733 (LOW HUM OF CHATTER) 539 00:33:06,367 --> 00:33:08,399 CONSTABLE: Stay there. 540 00:33:08,400 --> 00:33:11,232 WOMAN 1: Look at that blood. Think they suffered much? 541 00:33:11,233 --> 00:33:14,366 WOMAN 2: Bloody right, they did. And that little girl too. 542 00:33:14,367 --> 00:33:16,200 WOMAN 1: She was expecting another, you know. 543 00:33:16,201 --> 00:33:17,533 WOMAN 2: Don't say it. 544 00:33:17,536 --> 00:33:20,144 WOMAN 1: Just starting to show. Picking out names, she was. 545 00:33:20,245 --> 00:33:21,700 WOMAN 2: Is it the Ripper come back? 546 00:33:21,701 --> 00:33:23,700 WOMAN 1: Who else but old Jack? 547 00:33:23,701 --> 00:33:27,566 WOMAN 2: Damn him that did it. Right to hell. 548 00:33:27,567 --> 00:33:31,866 (ON-LOOKERS CHATTER, DOG BARKS NEARBY) 549 00:33:31,867 --> 00:33:35,867 (STREET BUZZES WITH CHATTER, BABY CRIES) 550 00:33:37,933 --> 00:33:42,100 (WAGON RATTLES, HOOVES CLOP LOUDLY) 551 00:33:44,867 --> 00:33:46,466 (HORSE SNORTS) 552 00:33:46,467 --> 00:33:49,666 (MEN GROAN AND YELL NEARBY) 553 00:33:49,667 --> 00:33:52,766 MAN: I haven't seen him, Maud! 554 00:33:52,767 --> 00:33:57,132 (DOOR SLAMS HEAVILY, BABY WAILS, PEOPLE SHOUT) 555 00:33:57,133 --> 00:34:00,133 (FOOTSTEPS CLOMP LOUDLY) 556 00:34:04,000 --> 00:34:07,000 (BABY CRIES, MAN COUGHS, LOW HUM OF CHATTER) 557 00:34:09,567 --> 00:34:12,033 (KNOCKING) 558 00:34:13,867 --> 00:34:15,899 (LOUD KNOCKING) 559 00:34:15,900 --> 00:34:18,533 (DOOR CREAKS SHUT, LOCKS LATCH) 560 00:34:20,700 --> 00:34:22,766 (FALSE DOOR GROANS SHUT) 561 00:34:22,767 --> 00:34:25,100 (KNOCKING) 562 00:34:28,967 --> 00:34:31,132 (DOOR CREAKS OPEN) 563 00:34:31,133 --> 00:34:33,333 A delivery for you. 564 00:34:33,334 --> 00:34:35,533 From Sir Malcolm Murray. 565 00:34:40,733 --> 00:34:42,767 (DOOR CLUNKS SHUT) 566 00:34:47,633 --> 00:34:49,633 (DOG BARKS OUTSIDE) 567 00:35:05,967 --> 00:35:08,033 (DOOR CLOSES HEAVILY) 568 00:35:10,900 --> 00:35:13,666 MAN 1: Concentrating around the north side, 569 00:35:13,667 --> 00:35:16,899 and then moving slowly South, here. 570 00:35:16,900 --> 00:35:20,766 (MEN TALK QUIETLY) 571 00:35:20,767 --> 00:35:22,700 MAN 1: That's right. 572 00:35:22,703 --> 00:35:25,533 - YOUNG DOCTOR: Sir Malcolm. - SIR MALCOLM: Doctor. 573 00:35:27,400 --> 00:35:30,499 YOUNG DOCTOR: So you're the explorer? 574 00:35:30,500 --> 00:35:32,766 I've made one or two modest discoveries. 575 00:35:32,767 --> 00:35:34,600 There's a Murray Mountain in the eastern regions 576 00:35:34,603 --> 00:35:37,966 of the Belgian Congo, if you're ever in the vicinity. 577 00:35:37,967 --> 00:35:39,967 Not the tallest Mountain, to be sure, 578 00:35:39,968 --> 00:35:41,799 but not the smallest either. 579 00:35:41,800 --> 00:35:43,466 Hmm. 580 00:35:43,467 --> 00:35:45,832 I've spent most of my life in Africa, 581 00:35:45,833 --> 00:35:47,833 beholding wonders. 582 00:35:49,200 --> 00:35:51,966 I was surprised to get your note. 583 00:35:51,967 --> 00:35:53,800 You seem a man who holds his secrets fast. 584 00:35:53,803 --> 00:35:55,732 I wasn't going to come. 585 00:35:55,733 --> 00:35:58,033 But you couldn't resist. 586 00:35:59,900 --> 00:36:04,666 When you see a river, you must follow it to its source, 587 00:36:04,667 --> 00:36:07,650 no matter the perils, no matter those comrades 588 00:36:07,651 --> 00:36:09,466 that fall along the way. 589 00:36:09,467 --> 00:36:11,917 You must know how things work. 590 00:36:11,918 --> 00:36:14,366 You must unlock. 591 00:36:14,367 --> 00:36:16,066 You are dissatisfied always. 592 00:36:16,067 --> 00:36:17,799 Are you dissatisfied? 593 00:36:17,800 --> 00:36:19,234 SIR MALCOLM: I'm seeking. 594 00:36:19,235 --> 00:36:20,666 YOUNG DOCTOR: What? 595 00:36:20,667 --> 00:36:22,066 Perhaps the same as you. 596 00:36:22,067 --> 00:36:23,932 Mm, I seek the truth. 597 00:36:23,933 --> 00:36:26,432 Ah, you're a very young man. 598 00:36:26,433 --> 00:36:28,766 I've long since learned that truth is mutable. 599 00:36:28,767 --> 00:36:30,600 Perhaps we view science differently. 600 00:36:30,603 --> 00:36:32,433 - Do we? - I would never chart a river 601 00:36:32,436 --> 00:36:36,067 or scale a peak to take its measure or plant a flag. There's no point. 602 00:36:36,070 --> 00:36:39,432 It's solipsistic self-aggrandizement. 603 00:36:39,433 --> 00:36:41,566 So too those scientists who study the planets 604 00:36:41,567 --> 00:36:44,099 seeking astronomical enlightenment for its own sake. 605 00:36:44,100 --> 00:36:47,132 The botanist studying the variegation of an Amazonian fern. 606 00:36:47,133 --> 00:36:50,167 The zoologist caught up in the endless fascination 607 00:36:50,168 --> 00:36:51,832 of an adder's coils. 608 00:36:51,833 --> 00:36:55,466 And for what? 609 00:36:55,467 --> 00:36:58,034 Knowledge for itself alone? 610 00:36:58,035 --> 00:37:00,599 The elation of discovery? 611 00:37:00,600 --> 00:37:03,999 Plant your flag on the truth? 612 00:37:04,000 --> 00:37:06,734 There is only one worthy goal 613 00:37:06,735 --> 00:37:09,466 for scientific exploration... 614 00:37:09,467 --> 00:37:14,466 (WHISPERS) piercing the tissue that separates life from death. 615 00:37:14,467 --> 00:37:16,933 Everything else, from the deep bottom of the sea 616 00:37:16,936 --> 00:37:21,034 to the top of the highest Mountain on the farthest planet, 617 00:37:21,035 --> 00:37:22,999 is insignificant. 618 00:37:23,000 --> 00:37:26,499 Life and death, Sir Malcolm. 619 00:37:26,500 --> 00:37:29,032 The flicker that separates one from the other, 620 00:37:29,033 --> 00:37:32,267 fast as a bat's wing, 621 00:37:32,268 --> 00:37:35,499 more beautiful than any sonnet. 622 00:37:35,500 --> 00:37:37,700 That is my river. 623 00:37:37,701 --> 00:37:39,900 That is my Mountain. 624 00:37:41,067 --> 00:37:45,666 There I will plant my flag. 625 00:37:45,667 --> 00:37:48,200 You have the soul of a poet, sir. 626 00:37:49,867 --> 00:37:52,000 And the bank account to match. 627 00:37:53,100 --> 00:37:56,566 Now why did you want to see me, Sir Malcolm? 628 00:37:56,567 --> 00:37:58,234 SIR MALCOLM: You tell me. 629 00:37:58,235 --> 00:37:59,899 Last night, of course. 630 00:37:59,900 --> 00:38:02,432 The body you bought was not, strictly speaking, human. 631 00:38:02,433 --> 00:38:04,466 No. 632 00:38:04,467 --> 00:38:06,033 - Did you kill him? - Yes. 633 00:38:06,036 --> 00:38:08,231 - Are there more? - At least one. 634 00:38:08,332 --> 00:38:09,575 And what is your goal? 635 00:38:09,676 --> 00:38:11,699 To find a cure for a most rare disease. 636 00:38:11,700 --> 00:38:13,866 Hence, I'm in a position to offer you employment. 637 00:38:13,867 --> 00:38:16,399 You seem to be a freethinker who might imagine a world 638 00:38:16,400 --> 00:38:20,466 less constrained by what we think we know of as "truth." 639 00:38:20,467 --> 00:38:21,632 You mean the supernatural? 640 00:38:21,633 --> 00:38:26,600 I mean that place where science and superstition walk hand-in-hand. 641 00:38:27,767 --> 00:38:32,766 An anatomist of your skill would be invaluable to my work. 642 00:38:32,767 --> 00:38:34,633 You'll be well paid. 643 00:38:35,800 --> 00:38:38,866 I have no interest in joining an amateur occultist society. 644 00:38:38,867 --> 00:38:41,767 SIR MALCOLM: Nor I in forming one! 645 00:38:44,000 --> 00:38:45,767 It is not a game for me. 646 00:38:46,933 --> 00:38:51,632 Then stop playing as if it were. 647 00:38:51,633 --> 00:38:53,033 What are you after? 648 00:38:54,400 --> 00:38:56,467 I'm trying to rescue my daughter. 649 00:38:58,667 --> 00:39:02,500 To save her, I would murder the world. 650 00:39:04,700 --> 00:39:07,532 Join me, doctor. 651 00:39:07,533 --> 00:39:12,466 With me, you will behold terrible wonders. 652 00:39:12,467 --> 00:39:16,899 And how much of the world will we have to murder? 653 00:39:16,900 --> 00:39:18,733 Do you care? 654 00:39:19,900 --> 00:39:22,684 I've only one other question: 655 00:39:22,685 --> 00:39:25,466 (WHISPERS) why me? 656 00:39:25,467 --> 00:39:28,952 Because you were unafraid to pull back the skin 657 00:39:28,953 --> 00:39:31,433 and look beneath. 658 00:39:33,867 --> 00:39:36,867 (DOG BARKS IN THE DISTANCE) 659 00:39:40,433 --> 00:39:43,767 (THUNDER RUMBLES) 660 00:39:47,733 --> 00:39:48,817 (CARRIAGE APPROACHES) 661 00:39:49,900 --> 00:39:52,999 (CARRIAGE RATTLES, HOOVES CLOP LOUDLY) 662 00:39:53,000 --> 00:39:55,000 (HORSE WHINNIES) 663 00:39:58,567 --> 00:40:00,932 (CARRIAGE CREAKS, HEAVY LANDING) 664 00:40:00,933 --> 00:40:03,967 (HORSE WHINNIES, HOOVES CLOP LOUDLY) 665 00:40:06,133 --> 00:40:07,699 (BREATHING HEAVILY) 666 00:40:07,700 --> 00:40:11,700 (THUNDER RUMBLES, RAIN PATTERS HEAVILY) 667 00:40:14,833 --> 00:40:17,833 (BREATHING HEAVILY) 668 00:40:22,900 --> 00:40:27,900 (DOOR CLICKS OPEN, CREAKS SHUT) 669 00:40:33,600 --> 00:40:37,033 (FLOORBOARDS CREAK) 670 00:40:41,600 --> 00:40:43,600 (RAIN PATTERS LOUDLY AGAINST WINDOW) 671 00:40:43,601 --> 00:40:46,600 (DOOR SQUEALS SHUT) 672 00:40:49,600 --> 00:40:55,533 (LOW, BUILDING RUMBLE OF THUNDER) 673 00:40:57,500 --> 00:40:59,700 (LOUD THUNDERCLAP) 674 00:41:01,733 --> 00:41:04,533 (WINDOW SQUEAKS SHUT, LATCH CLICKS) 675 00:41:10,533 --> 00:41:14,533 (THUNDER RUMBLES, RAIN PATTERS) 676 00:41:22,900 --> 00:41:25,900 (ELECTRICITY FIZZLES) 677 00:41:28,700 --> 00:41:30,932 (SHARP EXHALE) 678 00:41:30,933 --> 00:41:34,033 (FOOTSTEPS SCUFF LIGHTLY) 679 00:41:35,967 --> 00:41:38,533 (ELECTRICITY FIZZLES) 680 00:41:40,533 --> 00:41:42,599 (WOMAN WHIMPERS) 681 00:41:42,600 --> 00:41:45,600 (FLOORBOARD CREAKS, BED GROANS) 682 00:41:46,833 --> 00:41:50,567 (BREATHY SOBS) 683 00:41:55,833 --> 00:41:57,032 (INHALES SLOWLY) 684 00:41:57,033 --> 00:41:59,632 (EXHALES FORCEFULLY, INHALES SHARPLY) 685 00:41:59,633 --> 00:42:01,566 Mina? 686 00:42:01,567 --> 00:42:04,567 (WEEPING) 687 00:42:08,700 --> 00:42:12,066 (BREATHING HEAVILY) 688 00:42:12,067 --> 00:42:16,733 My God... Mina. 689 00:42:18,533 --> 00:42:21,132 (LOUD CLICK, LOUD WHOOSH) 690 00:42:21,133 --> 00:42:23,432 (WINDOW BURSTS OPEN, WIND HOWLS) 691 00:42:23,433 --> 00:42:26,433 (HIGH-PITCHED SNARL, GLASS SHATTERS) 692 00:42:30,633 --> 00:42:32,566 (ICE CUBES CLINK) 693 00:42:32,567 --> 00:42:35,032 - You've no doubt? - It was her. 694 00:42:35,033 --> 00:42:37,066 Was it an appeal? 695 00:42:37,067 --> 00:42:38,784 I don't know. 696 00:42:38,785 --> 00:42:40,499 At first... 697 00:42:40,500 --> 00:42:42,799 there was such a need in her eyes 698 00:42:42,800 --> 00:42:45,278 and then something... 699 00:42:46,204 --> 00:42:48,580 monstrous. 700 00:42:49,133 --> 00:42:51,937 My true friend would do you no harm. 701 00:42:52,038 --> 00:42:54,261 Our nature doesn't change, only our circumstance. 702 00:42:54,362 --> 00:42:56,728 You don't know. 703 00:42:58,033 --> 00:43:00,666 Don't I? 704 00:43:00,667 --> 00:43:02,717 Was I not responsible? 705 00:43:03,118 --> 00:43:06,367 But for my transgression, would any of this have occurred? 706 00:43:06,370 --> 00:43:08,966 We cannot unmake the past. 707 00:43:08,967 --> 00:43:12,433 We shall live with our guilt, you and I. 708 00:43:14,433 --> 00:43:18,767 After all this time, she came to me. 709 00:43:20,767 --> 00:43:23,433 I will find her. 710 00:43:29,400 --> 00:43:31,866 There was another thought when she was so very close to me, 711 00:43:31,867 --> 00:43:34,867 a strange working of memory. 712 00:43:36,167 --> 00:43:40,232 I thought of a particular lion hunt many years ago. 713 00:43:40,233 --> 00:43:43,499 You're moving through the tall grass, getting a glimpse of the prey, 714 00:43:43,500 --> 00:43:46,066 the shoulders mostly, the mane. 715 00:43:46,067 --> 00:43:48,150 You prepare your rifle. 716 00:43:48,151 --> 00:43:50,232 You're very quiet. 717 00:43:50,233 --> 00:43:54,099 And then there's a moment. 718 00:43:54,100 --> 00:43:59,366 The wind changes, the grass stops swaying. 719 00:43:59,367 --> 00:44:01,993 The lion turns, 720 00:44:04,038 --> 00:44:06,329 looks at you. 721 00:44:08,467 --> 00:44:11,532 The moment you realize you are no longer the hunter, 722 00:44:11,533 --> 00:44:14,933 you are the prey. 723 00:44:20,133 --> 00:44:22,967 (RAIN POURS DOWN, FOOTSTEPS SPLASH) 724 00:44:25,033 --> 00:44:28,866 (PEOPLE CHATTER, LOUD THUNDERCLAP) 725 00:44:28,867 --> 00:44:33,100 (KEYS CLANK, KEY CLICKS IN LOCK) 726 00:44:34,900 --> 00:44:38,967 (OMINOUS MUSIC) 727 00:44:43,000 --> 00:44:46,833 (THUNDER RUMBLES, RAIN PATTERS) 728 00:44:49,233 --> 00:44:53,100 (DOOR GROANS OPEN AND CLANKS SHUT) 729 00:44:54,933 --> 00:44:58,267 (FOOTSTEPS CLUNK HEAVILY) 730 00:45:01,400 --> 00:45:06,133 (KEYS JINGLE, LOCK CLICKS, DOOR CREAKS OPEN) 731 00:45:11,100 --> 00:45:15,100 VANESSA: (WHISPERING THE LORD'S PRAYER IN LATIN) 732 00:45:17,467 --> 00:45:22,068 Pater noster, qui es caelis, sanctificetur nomen tuum. 733 00:45:22,169 --> 00:45:23,556 Adveniat regnum tuum. 734 00:45:23,657 --> 00:45:26,386 Fiat voluntas tua, sicut in caelo, et in terra. 735 00:45:26,487 --> 00:45:29,061 Panem nostrum qotidianum da nobis hodie, 736 00:45:29,162 --> 00:45:32,229 et dimittimus nobis debitoribus nostris. Amen. 737 00:45:32,330 --> 00:45:34,734 Sanctificetur nomen tuum. Adveniat regnum tuum. 738 00:45:34,835 --> 00:45:39,332 Et ne nos inducas in tentationem, sed libera nos a malo. Amen. 739 00:45:39,333 --> 00:45:43,622 Pater noster, qui es caelis, sanctificetur nomen tuum. 740 00:45:43,723 --> 00:45:45,660 Adveniat regnum tuum. 741 00:45:45,761 --> 00:45:48,362 Fiat voluntas tua, sicut in caelo et in terra. 742 00:45:48,463 --> 00:45:50,999 Panem nostrum quotidianum da nobis hodie. Amen. 743 00:45:51,000 --> 00:45:54,199 (LOUD METALLIC CLATTER, ELECTRICITY FIZZLES) 744 00:45:54,200 --> 00:45:56,100 (GASPS) 745 00:45:57,833 --> 00:45:59,833 (SPIDERS SKITTER) 746 00:46:06,100 --> 00:46:07,499 (THUNDER RUMBLES) 747 00:46:07,500 --> 00:46:10,533 (BREATHING HARD) 748 00:46:15,933 --> 00:46:18,866 (KEYS JINGLE) 749 00:46:18,867 --> 00:46:20,900 (FALSE DOOR GROANS OPEN) 750 00:46:23,433 --> 00:46:25,433 (LOCK CLICKS) 751 00:46:27,300 --> 00:46:32,767 (DOOR CREAKS OPEN AND CLOSES HEAVILY) 752 00:46:33,933 --> 00:46:36,932 (LIGHTNING STRIKES, THUNDER ROLLS) 753 00:46:36,933 --> 00:46:40,000 (STAIRS CREAK UNDERFOOT) 754 00:46:43,167 --> 00:46:45,167 (LANTERN AND KEYS CLATTER) 755 00:46:49,133 --> 00:46:54,367 (ELECTRICITY BURSTS ON AND HUMS LOUDLY) 756 00:46:58,100 --> 00:47:00,900 (FOOTSTEPS SCUFF) 757 00:47:08,533 --> 00:47:10,867 (CLOTHING RUSTLES) 758 00:47:20,100 --> 00:47:23,100 (ELECTRICITY FIZZLES) 759 00:47:27,333 --> 00:47:30,333 (GLASS LID CLINKS, BOTTLE CLUNKS) 760 00:47:32,800 --> 00:47:37,867 (LOUD THUNDERCLAP, ELECTRICITY HUMS AND FIZZLES) 761 00:47:45,567 --> 00:47:50,200 (ELECTRICITY CRACKLES AND SPARKS) 762 00:47:54,000 --> 00:47:57,000 (ELECTRICITY CRACKLES AND FIZZLES) 763 00:48:05,100 --> 00:48:07,866 (MACHINERY RATTLES AND HUMS) 764 00:48:07,867 --> 00:48:10,867 (METALLIC CLANK, CRACKLING SPARK) 765 00:48:17,933 --> 00:48:21,999 (MACHINERY RATTLES AND HUMS) 766 00:48:22,000 --> 00:48:23,767 (CRACKLING SPARK, DOCTOR WINCES) 767 00:48:23,770 --> 00:48:26,100 (METALLIC CLANKING) 768 00:48:28,100 --> 00:48:30,832 (RATTLING HUM, LOUD THUNDERCLAP) 769 00:48:30,833 --> 00:48:33,866 (EXPLOSION, ELECTRICITY POWERS DOWN) 770 00:48:33,867 --> 00:48:36,867 YOUNG DOCTOR: Ugh! Damn it! 771 00:48:39,033 --> 00:48:42,033 (STRIKES MATCH REPEATEDLY) 772 00:48:43,600 --> 00:48:46,600 (FLAME SPUTTERS) 773 00:48:49,100 --> 00:48:52,500 (RAIN PATTERS LOUDLY) 774 00:48:54,867 --> 00:48:56,866 (LOUD CRACK OF THUNDER) 775 00:48:56,867 --> 00:48:59,200 (EXHALES FORCEFULLY) 776 00:49:06,333 --> 00:49:09,500 (FOOTSTEPS THUD LIGHTLY) 777 00:49:11,767 --> 00:49:16,099 (BREATHING HARD) 778 00:49:16,100 --> 00:49:19,267 (FLOORBOARDS CREAK) 779 00:49:23,167 --> 00:49:27,167 (FURNITURE SCRAPES ACROSS FLOOR, HEAVY FOOTSTEPS) 780 00:49:32,367 --> 00:49:34,500 (SHAKY, UNEVEN BREATHS) 781 00:49:35,867 --> 00:49:38,867 (SCRAPING SOUND) 782 00:49:46,433 --> 00:49:49,433 (UNEVEN FOOTSTEPS SCUFF THE FLOOR) 783 00:49:52,100 --> 00:49:55,100 (BREATHING HEAVILY) 784 00:49:56,433 --> 00:50:00,433 (HEAVY, UNEVEN FOOTSTEPS APPROACH) 785 00:50:06,833 --> 00:50:11,833 (STUNNED, SHAKY BREATHS) 786 00:50:21,533 --> 00:50:26,033 (SHAKY, EMOTIONAL BREATHS) 787 00:50:30,833 --> 00:50:34,833 (THUNDER RUMBLES) 788 00:50:42,933 --> 00:50:45,933 (GRUNTS SOFTLY) 789 00:50:58,533 --> 00:51:01,533 (GRUNTS SOFTLY) 790 00:51:10,433 --> 00:51:11,850 YOUNG DOCTOR: Can you hear? 791 00:51:11,851 --> 00:51:13,367 CREATURE: (AMAZED GASP) 792 00:51:22,100 --> 00:51:24,932 (AMAZED GASP) 793 00:51:24,933 --> 00:51:28,933 (SHAKY, EMOTIONAL BREATHS) 794 00:51:33,067 --> 00:51:36,017 My name... 795 00:51:36,999 --> 00:51:40,167 is Victor Frankenstein. 796 00:51:47,207 --> 00:51:53,101 Sync & corrections by E l d e r fel www.addic7ed.com 797 00:51:53,201 --> 00:51:58,201 http://subscene.com/u/659433 Improved by: @Ivandrofly56327

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