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These are the user uploaded subtitles that are being translated: 1 00:00:06,000 --> 00:00:12,074 Advertise your product or brand here contact www.SubtitleDB.org today 2 00:01:12,900 --> 00:01:15,500 Mr. Taransky...? 3 00:01:15,600 --> 00:01:17,400 She's... 4 00:01:17,500 --> 00:01:19,500 She's walking? 5 00:01:19,600 --> 00:01:21,500 Don't tell me she's walking. 6 00:01:21,600 --> 00:01:23,400 She can't walk. 7 00:01:24,800 --> 00:01:28,300 - Nicola! - This, this... 8 00:01:28,400 --> 00:01:29,700 - not this. - Nicola! 9 00:01:29,800 --> 00:01:31,900 - How was your massage? - You're in breach. 10 00:01:32,000 --> 00:01:34,200 - Cigarette. - Is this about the new pages? 11 00:01:34,300 --> 00:01:35,900 Because I made the changes, 12 00:01:36,000 --> 00:01:37,700 all the changes you wanted. 13 00:01:37,800 --> 00:01:40,200 You are virtually in every scene. 14 00:01:40,300 --> 00:01:43,200 It is not the size of the role, Viktor. 15 00:01:43,300 --> 00:01:45,900 Am I, or am I not entitled 16 00:01:45,900 --> 00:01:48,700 to the biggest trailer on the lot? Hmm? 17 00:01:48,800 --> 00:01:51,000 It's the biggest on earth. 18 00:01:51,100 --> 00:01:52,900 I swear. 19 00:01:52,900 --> 00:01:54,700 It's a 50-foot Airstream. 20 00:01:54,800 --> 00:01:56,700 They don't make them any longer. 21 00:01:56,800 --> 00:01:59,100 - Taller, Viktor. - Taller? 22 00:01:59,100 --> 00:02:00,700 - Taller! - What? 23 00:02:00,800 --> 00:02:02,700 Eh. 24 00:02:05,200 --> 00:02:07,400 You've insulted me for the last time. 25 00:02:07,500 --> 00:02:09,400 You're right. It's actually-- 26 00:02:09,400 --> 00:02:10,300 It's actually taller. 27 00:02:10,400 --> 00:02:12,300 - You're right. It's amazing. - Coffee! 28 00:02:12,400 --> 00:02:14,500 Wait a minute. 29 00:02:14,600 --> 00:02:17,100 The tires are overinflated. 30 00:02:17,100 --> 00:02:19,100 See? It's just this. 31 00:02:21,200 --> 00:02:23,700 See? Look. Here. 32 00:02:23,700 --> 00:02:25,700 - The air comes right out. - This is sad. 33 00:02:25,800 --> 00:02:27,700 See? It's lower already. 34 00:02:27,800 --> 00:02:30,000 Nicola, I beg you. Don't do this to me. 35 00:02:30,100 --> 00:02:32,400 You know, I had three other offers. 36 00:02:32,400 --> 00:02:34,400 I only signed on to this picture... 37 00:02:34,400 --> 00:02:37,200 - out of loyalty. - Well, then show me some. 38 00:02:37,300 --> 00:02:38,800 They're going to shut me down! 39 00:02:38,900 --> 00:02:40,700 It's not working, Viktor. 40 00:02:40,800 --> 00:02:42,500 I mean, my God! 41 00:02:42,600 --> 00:02:44,900 The scene with the thousand geese?! 42 00:02:45,000 --> 00:02:47,000 I don't understand this film! 43 00:02:47,100 --> 00:02:50,200 Nobody is going to understand this film. 44 00:02:50,300 --> 00:02:53,100 I already put out a press release citing creative differences. 45 00:02:53,200 --> 00:02:55,100 So just let it go. 46 00:02:55,100 --> 00:02:57,100 You went to the press? 47 00:02:57,100 --> 00:02:59,000 Do we have everything? 48 00:02:59,000 --> 00:03:00,800 All right. You know what? 49 00:03:00,900 --> 00:03:02,300 You're right. 50 00:03:02,400 --> 00:03:05,000 You are right. And when you're right, you're right. 51 00:03:05,100 --> 00:03:07,100 - Thank you. - Let me help you with these. 52 00:03:07,200 --> 00:03:09,000 'Cause you oughta go. 53 00:03:09,100 --> 00:03:11,000 - I don't deserve you. - Oh. 54 00:03:11,100 --> 00:03:13,000 This film doesn't deserve you. 55 00:03:13,100 --> 00:03:16,400 It deserves much, much better than you! 56 00:03:16,400 --> 00:03:18,000 Creative differences? 57 00:03:18,100 --> 00:03:20,200 The difference is you're not creative. 58 00:03:25,700 --> 00:03:27,700 To hell, please. 59 00:03:41,900 --> 00:03:43,400 Jack? 60 00:03:44,600 --> 00:03:46,900 Jack, are you there? 61 00:03:46,900 --> 00:03:48,500 She's good. 62 00:03:48,600 --> 00:03:51,600 You can hardly tell she's reading off a teleprompter. 63 00:03:51,600 --> 00:03:53,000 I'm right here. 64 00:03:54,300 --> 00:03:56,000 Right beside you. 65 00:03:59,900 --> 00:04:00,800 Look. 66 00:04:02,100 --> 00:04:03,700 I've analyzed this footage. 67 00:04:03,700 --> 00:04:06,200 We've got everything we need in the can already. 68 00:04:06,200 --> 00:04:08,500 If I could just make the proper adjustments, 69 00:04:08,500 --> 00:04:11,700 we can finish this film without her. 70 00:04:11,800 --> 00:04:14,700 Viktor, according to the writ her attorneys filed at noon today, 71 00:04:14,800 --> 00:04:18,300 they'll sue if the film is released with Nicola in a single frame. 72 00:04:18,300 --> 00:04:20,600 They will sue, Viktor. They're serious. 73 00:04:20,600 --> 00:04:22,000 So let's recast. 74 00:04:22,100 --> 00:04:24,300 Nicola Anders is the only actress in the world 75 00:04:24,400 --> 00:04:25,600 that could play that part. 76 00:04:25,700 --> 00:04:27,700 - It's a remake, Hal. - That's right. 77 00:04:27,800 --> 00:04:29,900 Nicola Anders is not bigger than this picture. 78 00:04:30,000 --> 00:04:32,300 Of course she is, Viktor. 79 00:04:32,400 --> 00:04:34,200 No other name is going to sign on now. 80 00:04:34,300 --> 00:04:36,900 Who needs a name? We'll cast an unknown. 81 00:04:36,900 --> 00:04:39,000 I'm not going to play opposite an unknown. 82 00:04:39,100 --> 00:04:41,900 - We can't sell an unknown. - The numbers don't work. 83 00:04:41,900 --> 00:04:45,000 If we ever want to be in the Nicola Anders business again, 84 00:04:45,100 --> 00:04:47,600 we have to cut our losses and shelve the picture. 85 00:04:47,700 --> 00:04:49,200 No! 86 00:04:49,200 --> 00:04:51,300 I will not give in to that blackmailing-- 87 00:04:51,400 --> 00:04:53,100 Viktor, let's take a walk. 88 00:04:53,100 --> 00:04:54,900 Ridiculous performance. 89 00:04:55,000 --> 00:04:56,800 I told you she was bad. 90 00:04:56,800 --> 00:04:58,600 No, yours in there. 91 00:04:58,700 --> 00:05:01,900 Why do you always have to make things so difficult for yourself? 92 00:05:02,000 --> 00:05:04,500 Difficult? I'm being difficult? 93 00:05:04,600 --> 00:05:06,100 Yes. Mm-hmm. 94 00:05:07,400 --> 00:05:10,300 Elaine, do you know what these are? 95 00:05:10,300 --> 00:05:12,400 Mike 'n' Ike's? 96 00:05:12,500 --> 00:05:14,100 They're not just any Mike 'n' Ike's, 97 00:05:14,100 --> 00:05:15,600 These are cherry Mike 'n' Ike's. 98 00:05:15,700 --> 00:05:18,000 Do you know why I, Viktor Taransky, 99 00:05:18,100 --> 00:05:20,200 two-time Academy Award nominated director-- 100 00:05:20,200 --> 00:05:22,100 Viktor, that was "Short Subject." 101 00:05:22,200 --> 00:05:25,500 --overseeing the most cherished movie project of my entire career, 102 00:05:25,600 --> 00:05:27,500 am walking around with-- look, look, look... 103 00:05:27,600 --> 00:05:29,500 pockets full of these... things?! 104 00:05:29,600 --> 00:05:31,700 I have a feeling you're going to tell me. 105 00:05:31,800 --> 00:05:35,300 I'm going to tell you why. Because Ms. Nicola Anders, 106 00:05:35,400 --> 00:05:37,300 supermodel with a SAG card, 107 00:05:37,400 --> 00:05:39,600 has it written in her contract 108 00:05:39,600 --> 00:05:41,600 that all cherry Mike 'n' Ike's 109 00:05:41,600 --> 00:05:43,200 be removed from her candy dish, 110 00:05:43,300 --> 00:05:46,500 along with strict instructions that any room she walks into 111 00:05:46,600 --> 00:05:49,200 must have seven packs of cigarettes waiting for her-- 112 00:05:49,300 --> 00:05:50,600 three of them opened; 113 00:05:50,700 --> 00:05:53,200 that there be a personal Jacuzzi 114 00:05:53,200 --> 00:05:55,700 within 80 paces of her dressing room; 115 00:05:55,700 --> 00:05:57,700 and that any time she travels, 116 00:05:57,700 --> 00:06:00,100 her nanny must fly with her first-class. 117 00:06:00,200 --> 00:06:02,100 So, what's wrong with that? 118 00:06:02,200 --> 00:06:03,900 Elaine, she doesn't have children. 119 00:06:04,000 --> 00:06:06,400 Don't you see? They're mocking us. 120 00:06:06,500 --> 00:06:08,500 They're mocking-- we're at their mercy. 121 00:06:08,600 --> 00:06:11,600 What happened? I mean, we always had movie stars, 122 00:06:11,600 --> 00:06:14,000 but they used to be our stars, remember? 123 00:06:14,000 --> 00:06:16,300 We were the ones who would tell them what to do. 124 00:06:16,400 --> 00:06:18,100 And we would tell them what to wear, 125 00:06:18,200 --> 00:06:20,100 - who to date-- - That's what you want?! 126 00:06:20,200 --> 00:06:21,800 When they were under contract to us, 127 00:06:21,900 --> 00:06:24,300 we could change their names if we wanted to. 128 00:06:24,300 --> 00:06:25,800 - More than once. - Viktor, 129 00:06:25,900 --> 00:06:27,400 do you realize you're nostalgic 130 00:06:27,500 --> 00:06:29,300 for an era you weren't even born in?! 131 00:06:29,400 --> 00:06:31,900 I do remember why I got into this business. 132 00:06:31,900 --> 00:06:34,900 - You seem to have forgotten. - Oh, please. Come on. 133 00:06:35,000 --> 00:06:37,000 New York-- Cassavetes. Remember? 134 00:06:37,000 --> 00:06:38,800 - Here we go. - What were we doing? 135 00:06:38,900 --> 00:06:40,900 We were trying to make something important. 136 00:06:41,000 --> 00:06:42,100 I don't know. 137 00:06:42,200 --> 00:06:44,600 Shine a little light in that darkened cinema. 138 00:06:44,700 --> 00:06:46,400 It's called a projector. 139 00:06:46,500 --> 00:06:48,800 Illuminate hearts and minds with a ray of truth. 140 00:06:48,800 --> 00:06:50,700 I thought that's what we were doing. 141 00:06:50,800 --> 00:06:54,200 I have good memories of those days, too. 142 00:06:54,200 --> 00:06:56,300 I do, but this isn't about that-- 143 00:06:56,300 --> 00:06:57,500 or you, or me, 144 00:06:57,500 --> 00:06:59,800 or some high-minded ideal. This is business. 145 00:06:59,900 --> 00:07:01,300 - Spare me. - Look around. 146 00:07:01,300 --> 00:07:03,300 Who do you think pays for all of this? 147 00:07:03,300 --> 00:07:05,100 This is about investment and return. 148 00:07:05,200 --> 00:07:06,800 I'm not interested in investment and return! 149 00:07:06,900 --> 00:07:08,700 I'm not interested in who pays for anything! 150 00:07:08,800 --> 00:07:10,900 I'm trying to make a movie! 151 00:07:11,000 --> 00:07:13,700 I'm responsible for this, Viktor. 152 00:07:13,800 --> 00:07:15,500 Those days in New York... 153 00:07:17,500 --> 00:07:19,800 It's over, Viktor. 154 00:07:25,800 --> 00:07:27,700 You're not renewing my contract? 155 00:07:27,800 --> 00:07:29,700 How can I?! 156 00:07:29,800 --> 00:07:32,900 Your last three pictures tanked. 157 00:07:33,000 --> 00:07:35,300 No bankable star is going to work with you after this. 158 00:07:35,400 --> 00:07:37,800 I mean, if you just compromised a little. 159 00:07:40,900 --> 00:07:43,800 Well, it's not every day you're fired 160 00:07:43,800 --> 00:07:45,600 by the mother of your own child. 161 00:07:47,900 --> 00:07:50,800 You and I both know that I kept you on 162 00:07:50,800 --> 00:07:53,300 after the divorce for old time's sake. 163 00:07:53,400 --> 00:07:56,500 And so you could still hold your head up in front of Lainey. 164 00:07:56,600 --> 00:07:59,300 - I fought for you. - Yeah, well... 165 00:08:08,000 --> 00:08:09,700 I'm sorry, Viktor. 166 00:08:35,300 --> 00:08:36,800 Dad! 167 00:08:38,600 --> 00:08:40,600 - Sweetheart. - Hey, Dad. 168 00:08:42,200 --> 00:08:43,900 - How are you, honey? - Good. 169 00:08:45,200 --> 00:08:46,900 I'm sorry Mom canned you. 170 00:08:48,700 --> 00:08:50,700 I'm going to finish this picture. 171 00:08:50,800 --> 00:08:53,200 Lainey, I'm going to finish it. 172 00:08:54,700 --> 00:08:57,000 Because it's important. 173 00:08:58,200 --> 00:09:00,200 I know you will, Dad. 174 00:09:00,300 --> 00:09:02,100 You're Viktor Taransky. 175 00:09:03,300 --> 00:09:04,900 I'm Viktor Taransky. 176 00:09:07,400 --> 00:09:09,900 'Kay. Bye, Dad. 177 00:09:16,600 --> 00:09:18,400 - Hi, sweetheart. - Hey, Mom. 178 00:09:18,500 --> 00:09:20,000 Are you okay? 179 00:09:20,100 --> 00:09:22,300 I'm Viktor Taransky. 180 00:09:35,200 --> 00:09:37,100 Mr. Taransky? 181 00:09:37,200 --> 00:09:39,000 Mr. Taransky, thank God. 182 00:09:39,000 --> 00:09:40,200 I've been trying to see you. 183 00:09:40,300 --> 00:09:42,400 I've been calling. 184 00:09:42,500 --> 00:09:44,500 Your assistant won't put me through. 185 00:09:44,500 --> 00:09:46,700 I told her it was a matter of life and death. 186 00:09:46,800 --> 00:09:49,300 I was afraid I wasn't going to get to you in time. 187 00:09:49,300 --> 00:09:51,500 Please, just... 188 00:09:51,500 --> 00:09:53,400 - Keep your distance. - I did it! 189 00:09:53,500 --> 00:09:54,400 I did it! 190 00:09:54,500 --> 00:09:56,500 I licked skin, I licked hair, 191 00:09:56,600 --> 00:09:59,700 - I licked every part of her. - I'm going to call security. 192 00:09:59,700 --> 00:10:01,800 I'll call security if you don't back off. 193 00:10:01,900 --> 00:10:04,300 I have her, Mr. Taransky. 194 00:10:04,400 --> 00:10:06,400 The answer to your prayers. 195 00:10:06,500 --> 00:10:09,800 - The answer to this. - I was misquoted. 196 00:10:09,800 --> 00:10:12,000 I have your new leading-lady right here. 197 00:10:12,000 --> 00:10:14,600 In my pants. 198 00:10:16,900 --> 00:10:18,800 Please, sir, I don't know you. 199 00:10:18,900 --> 00:10:22,100 - I don't know where you come from-- - It's me! 200 00:10:22,200 --> 00:10:24,100 Mr. Taransky, don't-- 201 00:10:24,200 --> 00:10:25,800 Don't you recognize me? 202 00:10:25,900 --> 00:10:29,300 The Future of Film Conference in San Jose. 203 00:10:29,300 --> 00:10:31,300 Remember that? Hank. 204 00:10:31,300 --> 00:10:33,300 Hank Aleno. 205 00:10:33,400 --> 00:10:35,600 I was a keynote speaker. You must remember my speech. 206 00:10:35,700 --> 00:10:37,800 - "Who Needs Humans?" - Right. 207 00:10:39,100 --> 00:10:41,000 You were booed off the stage. 208 00:10:41,100 --> 00:10:44,000 - Whoa, that's got to be... - Eight years ago. 209 00:10:44,000 --> 00:10:46,300 And that whole time I never left my computer. 210 00:10:46,400 --> 00:10:48,300 Uh-huh. Good for you, Hank. 211 00:10:48,400 --> 00:10:50,100 Well, it's good and bad. 212 00:10:50,200 --> 00:10:52,100 That's what caused this. The eye tumor. 213 00:10:52,200 --> 00:10:54,900 - Microwaves from the screen. - I'm sorry. 214 00:10:55,000 --> 00:10:56,900 Don't be, because it was worth it. 215 00:10:59,100 --> 00:11:00,500 You have to see her. 216 00:11:00,500 --> 00:11:02,300 Oh, I've seen those. 217 00:11:02,400 --> 00:11:04,500 - Not like this. - I'll take care of that. 218 00:11:04,500 --> 00:11:07,100 Yeah, well, you're talking about a "syn-thespian." 219 00:11:07,200 --> 00:11:10,300 - A virtual actor. - No, we call them "vac-tors." 220 00:11:10,400 --> 00:11:12,200 "Vac-tors"? I need flesh. 221 00:11:12,300 --> 00:11:13,800 - Flesh is weak. - It can't be done. 222 00:11:13,800 --> 00:11:16,300 It can be done. With my new computer code, 223 00:11:16,400 --> 00:11:18,100 it can be done. 224 00:11:18,200 --> 00:11:20,800 You and me... 225 00:11:20,800 --> 00:11:22,600 we can do this together. 226 00:11:22,600 --> 00:11:24,400 I don't know anything about computers. 227 00:11:24,500 --> 00:11:28,100 See, that's why-- that's why you're so perfect. 228 00:11:28,200 --> 00:11:30,400 You have something... 229 00:11:30,500 --> 00:11:32,900 - that I don't have. - What's that? 230 00:11:34,200 --> 00:11:35,800 An eye. 231 00:11:35,900 --> 00:11:38,100 An eye for performance. 232 00:11:38,200 --> 00:11:40,100 You know the truth when you see it. 233 00:11:40,200 --> 00:11:42,400 I know. 234 00:11:42,500 --> 00:11:45,000 I mean, I've seen your movies. 235 00:11:45,100 --> 00:11:47,000 I love your movies. 236 00:11:48,200 --> 00:11:51,100 - You love my movies? - "Straw God." 237 00:11:52,700 --> 00:11:54,600 That changed my life. 238 00:11:54,700 --> 00:11:57,000 You saw "Straw God"? 239 00:11:57,100 --> 00:12:00,000 I have seen every frame of your work. 240 00:12:01,100 --> 00:12:02,900 You're the only filmmaker 241 00:12:03,000 --> 00:12:05,000 with the artistic integrity... 242 00:12:06,900 --> 00:12:08,600 to realize my vision. 243 00:12:10,900 --> 00:12:13,300 You and me, art and science-- 244 00:12:14,700 --> 00:12:16,400 We're the perfect marriage. 245 00:12:16,400 --> 00:12:18,600 Hank... 246 00:12:18,700 --> 00:12:20,400 I've had a rough day today. 247 00:12:20,500 --> 00:12:22,100 But, I tell you what, 248 00:12:22,200 --> 00:12:24,700 I'll call you about this next week. 249 00:12:24,800 --> 00:12:27,500 - We can talk. - I won't be here in a week. 250 00:12:27,600 --> 00:12:30,500 - The tumor is inoperable. - I'll call you about it, okay? 251 00:12:30,600 --> 00:12:33,600 That's what I'm trying to say. The tumor is inoperable. 252 00:12:34,900 --> 00:12:36,600 I'll be dead. 253 00:12:39,300 --> 00:12:41,400 Well, I'm already dead. 254 00:12:49,600 --> 00:12:51,100 Call me! 255 00:12:51,200 --> 00:12:53,600 This week! 256 00:12:55,400 --> 00:12:57,200 Please. 257 00:13:14,800 --> 00:13:16,900 What do you mean she won't work with me? 258 00:13:17,000 --> 00:13:18,800 She's done nothing. 259 00:13:18,800 --> 00:13:21,300 She doesn't have a single credit to her name. 260 00:13:21,300 --> 00:13:23,600 Better no credits than a Taransky credit. 261 00:13:23,700 --> 00:13:25,400 Art, you don't understand. 262 00:13:25,500 --> 00:13:28,000 I've mortgaged everything to finish this film. 263 00:13:28,100 --> 00:13:29,900 The creditors are calling me. 264 00:13:30,000 --> 00:13:31,900 They're at the door for God's sake. 265 00:13:32,000 --> 00:13:34,800 Hello? 266 00:13:36,000 --> 00:13:37,400 Damn it! 267 00:13:39,700 --> 00:13:41,600 Mr. Taransky. 268 00:13:43,700 --> 00:13:45,900 Mr. Taransky! 269 00:13:52,000 --> 00:13:55,000 - Mr. Taransky! - No, I'm not him! 270 00:13:55,100 --> 00:13:57,800 - Mr. Taransky! - I'm not him! 271 00:13:57,900 --> 00:13:59,000 Mr. Taransky! 272 00:13:59,000 --> 00:14:01,200 Hank Aleno! 273 00:14:05,000 --> 00:14:08,100 I represent the estate of Mr. Hank Aleno. 274 00:14:09,300 --> 00:14:12,600 It was his last wish that you have this. 275 00:14:17,600 --> 00:14:18,600 What is it? 276 00:14:18,700 --> 00:14:20,200 I have no idea. 277 00:14:20,300 --> 00:14:21,800 He wanted you to have it. 278 00:15:54,800 --> 00:15:56,600 Valarie! 279 00:15:58,300 --> 00:15:59,800 Valarie! 280 00:16:05,100 --> 00:16:06,800 Valarie! 281 00:16:11,100 --> 00:16:13,900 Valarie, what are you running from? 282 00:16:13,900 --> 00:16:16,100 From Valarie. 283 00:16:19,600 --> 00:16:22,000 Valarie, no! 284 00:16:34,200 --> 00:16:36,000 Jack, are you there? 285 00:16:38,800 --> 00:16:41,700 Something like this can happen and what... 286 00:16:41,800 --> 00:16:44,600 was it for? 287 00:16:44,700 --> 00:16:46,300 Why are we here? 288 00:16:47,500 --> 00:16:49,800 Is that what you're asking, Jack? 289 00:16:49,900 --> 00:16:52,200 Why are we here? 290 00:16:54,500 --> 00:16:56,400 No why... 291 00:16:57,800 --> 00:16:59,400 just here. 292 00:17:01,500 --> 00:17:03,700 Just here. 293 00:17:33,800 --> 00:17:36,600 Ladies and gentlemen of the jury, 294 00:17:36,600 --> 00:17:39,700 I know I may be guilty of a crime, 295 00:17:41,300 --> 00:17:44,300 but it was committed with the purest of intentions. 296 00:17:44,400 --> 00:17:47,400 I wanted to send a message 297 00:17:47,500 --> 00:17:49,400 to the acting community 298 00:17:49,500 --> 00:17:51,200 who... 299 00:17:51,300 --> 00:17:53,500 put themselves above the work, 300 00:17:53,600 --> 00:17:56,100 who put themselves above me. 301 00:17:56,200 --> 00:17:57,700 So, what did you guys think? 302 00:17:57,800 --> 00:17:59,900 So fake. 303 00:18:00,000 --> 00:18:02,200 Totally artificial. 304 00:18:06,400 --> 00:18:09,500 Like we're suppose to believe that was 19th century Lisbon. 305 00:18:09,600 --> 00:18:11,300 - Come on. - Guys... 306 00:18:11,400 --> 00:18:13,800 Who's looking at the sets when she's on screen? 307 00:18:13,900 --> 00:18:15,300 Oh, yeah. 308 00:18:17,600 --> 00:18:18,900 There he is. 309 00:18:19,000 --> 00:18:20,900 That's my dad, Viktor Taransky. 310 00:18:24,700 --> 00:18:27,600 - She was magnificent. - She's absolutely unreal. 311 00:18:27,700 --> 00:18:29,400 Breathtaking. 312 00:18:29,400 --> 00:18:31,700 She wasn't too... cartoony, or anything? 313 00:18:31,800 --> 00:18:32,700 The nun? 314 00:18:32,800 --> 00:18:34,600 Or are you talking about the mother? 315 00:18:34,700 --> 00:18:37,600 A star like that, who cares about the supporting cast? 316 00:18:37,700 --> 00:18:40,100 Congratulations again. She's not of this earth. 317 00:18:40,200 --> 00:18:43,100 - You should be very proud. - Oh, not of this earth. 318 00:18:44,600 --> 00:18:46,800 And the rest of the film, what did you think? 319 00:18:46,800 --> 00:18:49,700 She's a miracle. Where did you find her? 320 00:18:49,800 --> 00:18:51,100 Well... 321 00:18:51,200 --> 00:18:54,800 I saw her picture... on the computer. 322 00:18:54,800 --> 00:18:56,100 A computer? 323 00:18:57,500 --> 00:19:00,900 You really didn't notice anything unusual about her? 324 00:19:01,000 --> 00:19:03,100 Only her brilliance. To be honest, 325 00:19:03,100 --> 00:19:04,400 with what you had to work with, 326 00:19:04,500 --> 00:19:06,300 I was expecting a train wreck. 327 00:19:06,400 --> 00:19:08,900 - You really pulled it off. - I did? 328 00:19:09,000 --> 00:19:12,400 Yeah. I have a feeling Mom's going to take you back after this. 329 00:19:14,300 --> 00:19:16,500 Back on the lot. That's what-- 330 00:19:16,600 --> 00:19:18,300 I know. I know. Come on, let's go. 331 00:19:20,000 --> 00:19:23,600 A dazzling new ingenue has come from seemingly nowhere 332 00:19:23,700 --> 00:19:25,600 to capture the hearts of movie-going audiences around the world 333 00:19:25,700 --> 00:19:27,600 to capture the hearts of movie-going audiences around the world 334 00:19:27,700 --> 00:19:31,000 in her debut film "Sunrise, Sunset." 335 00:19:31,100 --> 00:19:33,200 But who is Simone? 336 00:19:33,300 --> 00:19:35,000 We know so little about her. 337 00:19:35,100 --> 00:19:37,400 And why the secrecy? 338 00:19:37,500 --> 00:19:40,300 All we know for sure is that she was discovered 339 00:19:40,300 --> 00:19:42,700 by little-known director, Viktor Tarinsky. 340 00:19:42,800 --> 00:19:44,600 Taransky. 341 00:19:50,600 --> 00:19:52,200 Simone! 342 00:19:52,300 --> 00:19:54,200 Simone? 343 00:19:54,300 --> 00:19:56,900 - Good to see you, too, Elaine. - Where is she? 344 00:19:57,000 --> 00:19:59,700 - She's not here. - Why isn't she with you? 345 00:19:59,800 --> 00:20:02,800 Why? Because she would never come to something like this. 346 00:20:02,900 --> 00:20:04,500 She's intensely private. 347 00:20:04,500 --> 00:20:06,700 Back to work, everyone. She's not here. 348 00:20:06,700 --> 00:20:08,900 Hey, listen. Have you read the reviews? 349 00:20:09,000 --> 00:20:10,500 They're love letters. 350 00:20:10,600 --> 00:20:13,900 Listen to this one. Oh, here. 351 00:20:13,900 --> 00:20:17,100 Simone has the voice of a young Jane Fonda, 352 00:20:17,200 --> 00:20:18,900 the body of Sophia Loren, 353 00:20:19,000 --> 00:20:21,000 the grace of well, Grace Kelly-- 354 00:20:21,000 --> 00:20:23,700 ha-ha-- and the face... 355 00:20:23,800 --> 00:20:26,100 of Audrey Hepburn combined with an angel. 356 00:20:27,400 --> 00:20:29,800 - Almost right. - I can't wait to meet her. 357 00:20:29,900 --> 00:20:32,000 Oh, I don't know if that's going to happen. 358 00:20:32,100 --> 00:20:34,100 Why not? 359 00:20:34,200 --> 00:20:36,400 She is somewhat of a recluse. 360 00:20:36,500 --> 00:20:38,500 That's how she stays so pure. 361 00:20:38,600 --> 00:20:41,700 She isolates herself in her art. 362 00:20:41,700 --> 00:20:43,700 Viktor, it's my studio. 363 00:20:43,700 --> 00:20:45,800 Elaine, it's my actor. 364 00:20:45,900 --> 00:20:48,600 There are other studios. 365 00:20:48,700 --> 00:20:50,500 There's only one Simone. 366 00:20:50,600 --> 00:20:53,000 Okay, have it your way, Viktor. 367 00:21:01,800 --> 00:21:02,900 Hello, Walter. 368 00:21:03,000 --> 00:21:04,600 Nobody came in or went out, 369 00:21:04,700 --> 00:21:06,800 - just like you said. - Very good. 370 00:21:06,900 --> 00:21:08,800 - Mr. Taransky? - Yes? 371 00:21:08,900 --> 00:21:11,800 Is Ms. Simone coming in today? 372 00:21:13,400 --> 00:21:16,300 She's already here. She arrived before you got here. 373 00:21:16,300 --> 00:21:18,700 She's going to leave long after you're gone. 374 00:21:18,700 --> 00:21:20,600 Remember, under no circumstances 375 00:21:20,700 --> 00:21:23,700 are you or anybody else ever to enter this set 376 00:21:23,800 --> 00:21:26,200 without my express permission, understood? 377 00:21:26,200 --> 00:21:27,700 Yes, sir. 378 00:21:27,700 --> 00:21:29,600 Mr. Taransky? 379 00:21:29,700 --> 00:21:31,900 What if it catches on fire? 380 00:21:33,800 --> 00:21:35,400 Let it burn. 381 00:22:20,700 --> 00:22:22,500 Good morning, Simone. 382 00:22:25,500 --> 00:22:27,600 Good morning, Mr. Taransky. 383 00:22:33,800 --> 00:22:37,200 Simone, a star is... 384 00:22:37,300 --> 00:22:39,900 digitized. 385 00:22:40,000 --> 00:22:41,900 Do you know what this means? 386 00:22:42,000 --> 00:22:44,900 We have stepped into a new dimension. 387 00:22:46,200 --> 00:22:49,100 Our ability to manufacture fraud 388 00:22:49,200 --> 00:22:52,800 now exceeds our ability to detect it. 389 00:22:54,500 --> 00:22:56,400 I am the death of real. 390 00:22:58,500 --> 00:23:00,500 ...death of real. 391 00:23:00,600 --> 00:23:02,700 ...death of real. 392 00:23:07,600 --> 00:23:09,400 Too much Meryl Streep. 393 00:23:16,100 --> 00:23:17,600 A little less Streep. 394 00:23:19,800 --> 00:23:21,700 And a little more... 395 00:23:23,200 --> 00:23:24,800 Bacall. 396 00:23:24,900 --> 00:23:28,000 Is this better, Mr. Taransky? 397 00:23:28,100 --> 00:23:30,000 Much. 398 00:23:30,100 --> 00:23:31,600 While we're at it, 399 00:23:31,700 --> 00:23:33,600 there's a little something 400 00:23:33,700 --> 00:23:36,000 I want to add to your repertoire. 401 00:23:37,100 --> 00:23:39,300 You've got the wrong Holly Golightly. 402 00:23:39,400 --> 00:23:42,100 Remember that thing Audrey Hepburn does 403 00:23:42,200 --> 00:23:44,000 in "Breakfast at Tiffany's"? 404 00:23:50,000 --> 00:23:51,600 How do I look? 405 00:23:59,200 --> 00:24:00,600 Give me Audrey. 406 00:24:00,700 --> 00:24:02,400 How do I look? 407 00:24:03,600 --> 00:24:05,200 Perfect. 408 00:24:05,300 --> 00:24:07,900 Perfect, Simone. 409 00:24:07,900 --> 00:24:09,400 Perfect. 410 00:24:11,100 --> 00:24:12,900 Oh, God. 411 00:24:14,100 --> 00:24:16,500 I'm so relaxed around you. 412 00:24:20,000 --> 00:24:22,000 I'm so myself. 413 00:24:27,300 --> 00:24:28,900 You did create me. 414 00:24:29,000 --> 00:24:32,900 I just brought someone else's dream to life. 415 00:24:35,100 --> 00:24:36,400 Mr. Taransky, 416 00:24:36,500 --> 00:24:40,300 we both know I was nothing without you. 417 00:24:40,300 --> 00:24:42,600 I was computer code. 418 00:24:42,600 --> 00:24:45,200 I was ones and zeros. 419 00:24:45,300 --> 00:24:47,100 I was nothing. 420 00:24:48,600 --> 00:24:51,400 Well... 421 00:24:51,500 --> 00:24:53,400 that's true. 422 00:24:53,500 --> 00:24:56,200 I don't want to boast, but... 423 00:24:56,300 --> 00:24:59,900 Are you ever going to tell the truth about me, Mr. Taransky? 424 00:25:01,200 --> 00:25:03,200 I'm going tell the truth about you. 425 00:25:03,300 --> 00:25:05,400 Why wouldn't i? 426 00:25:05,500 --> 00:25:07,800 Of course... 427 00:25:07,900 --> 00:25:10,500 with Hank's tragic passing, 428 00:25:12,300 --> 00:25:13,800 his secret did die with him. 429 00:25:17,400 --> 00:25:19,900 This is a classic case of 430 00:25:20,000 --> 00:25:23,900 technology in search of an artist. 431 00:25:25,700 --> 00:25:27,600 Someone with integrity, 432 00:25:27,600 --> 00:25:30,000 someone with vision, someone who can see. 433 00:25:31,300 --> 00:25:34,700 See beyond this irrational 434 00:25:34,800 --> 00:25:36,400 allegiance to flesh and blood. 435 00:25:36,500 --> 00:25:38,000 Someone who can see 436 00:25:38,100 --> 00:25:41,000 that with the rise in the price of a real actor 437 00:25:41,100 --> 00:25:43,900 and the fall in the price of a fake, 438 00:25:44,000 --> 00:25:46,900 that the scales have tipped-- 439 00:25:47,000 --> 00:25:49,000 naturally in favor of the fake. 440 00:25:53,100 --> 00:25:54,900 Someone who can see 441 00:25:54,900 --> 00:25:57,200 that if a performance is genuine, 442 00:25:58,400 --> 00:26:00,600 it doesn't matter if the actor's real or not. 443 00:26:02,600 --> 00:26:05,400 And what's real anymore? 444 00:26:05,400 --> 00:26:07,400 Most actors these days 445 00:26:07,400 --> 00:26:09,400 have digital work done to them. 446 00:26:10,900 --> 00:26:12,400 It's a gray area. 447 00:26:14,400 --> 00:26:16,400 The only real truth is the work. 448 00:26:18,500 --> 00:26:20,600 I'm going to tell the truth about you 449 00:26:20,700 --> 00:26:23,000 after your next picture. 450 00:26:29,000 --> 00:26:30,700 You're so beautiful. 451 00:26:37,600 --> 00:26:39,600 You're too beautiful. 452 00:26:43,600 --> 00:26:45,400 We're going to fix that. 453 00:27:06,300 --> 00:27:08,300 Is this on? 454 00:27:10,000 --> 00:27:13,900 I will not be taking any questions regarding Simone. 455 00:27:14,000 --> 00:27:16,000 I do, however, have a statement 456 00:27:16,100 --> 00:27:17,900 to read on her behalf. 457 00:27:21,600 --> 00:27:24,000 "To Whom it May Concern: 458 00:27:24,100 --> 00:27:26,600 I'm deeply grateful for the extraordinary 459 00:27:26,700 --> 00:27:29,700 public response to Mr. Taransky's film. 460 00:27:29,700 --> 00:27:33,000 At this time I will be conducting no interviews, 461 00:27:33,100 --> 00:27:35,600 or making publicity appearances-- 462 00:27:35,700 --> 00:27:39,500 - This is unbelievable. - I politely request that the press 463 00:27:39,500 --> 00:27:43,900 respect my privacy and let the work speak for itself. 464 00:27:44,000 --> 00:27:45,700 Yours truly, Simone." 465 00:27:45,800 --> 00:27:48,300 Viktor! Who is Simone dating?! 466 00:27:48,400 --> 00:27:50,200 Where did you find her? 467 00:27:50,300 --> 00:27:53,300 - Is Simone her real name? - Didn't I make it clear? 468 00:27:53,400 --> 00:27:55,200 No questions regarding Simone. 469 00:27:55,300 --> 00:27:57,400 We're just trying to get some answers. 470 00:27:57,500 --> 00:27:59,500 I will make my final statement. 471 00:27:59,600 --> 00:28:04,000 Ms. Simone begins production on her new film today-- 472 00:28:04,100 --> 00:28:06,100 "Eternity Forever." 473 00:28:06,100 --> 00:28:09,200 This is a project which has been near and dear 474 00:28:09,300 --> 00:28:12,400 to my heart since I wrote it 475 00:28:12,400 --> 00:28:14,200 nine years ago. 476 00:28:16,900 --> 00:28:18,200 Thank you. 477 00:28:18,300 --> 00:28:20,700 Would you answer a question regarding Hank? 478 00:28:26,700 --> 00:28:29,200 Hank? Who asked me about Hank? 479 00:28:29,300 --> 00:28:33,000 Funny, why is the movie dedicated to Hank? 480 00:28:33,000 --> 00:28:34,600 Are they involved? 481 00:28:37,600 --> 00:28:41,700 They were at one time inseparable. Yes. 482 00:28:44,100 --> 00:28:45,500 And now? 483 00:28:45,600 --> 00:28:47,600 Now... 484 00:28:47,600 --> 00:28:50,500 sadly to say, only in spirit. 485 00:28:51,900 --> 00:28:53,700 Thank you. 486 00:29:16,400 --> 00:29:19,100 Your car will be ready in just a minute. 487 00:29:19,200 --> 00:29:21,100 We gave you a complimentary car wash. 488 00:29:21,200 --> 00:29:23,300 - Oh, really? - They're cleaning the engine now. 489 00:29:23,400 --> 00:29:25,100 Thank you. 490 00:29:27,200 --> 00:29:29,500 - Viktor, hey. - Hal. 491 00:29:29,600 --> 00:29:31,500 I am so happy for us. 492 00:29:31,600 --> 00:29:33,200 The film, the chemistry. 493 00:29:33,200 --> 00:29:34,800 Nothing against Nicola Anders, 494 00:29:34,900 --> 00:29:37,000 but I think that Simone and I, 495 00:29:37,100 --> 00:29:39,000 we really worked great together. 496 00:29:39,100 --> 00:29:42,200 - You were never together. - Still, the connection was undeniable. 497 00:29:42,300 --> 00:29:43,800 You can't-- 498 00:29:43,900 --> 00:29:45,900 Look, I have not read "Eternity Forever," 499 00:29:45,900 --> 00:29:47,500 but it is fantastic. 500 00:29:47,600 --> 00:29:50,000 And I know I would be perfect for the part of Clive. 501 00:29:50,100 --> 00:29:51,500 - Clyde. - Clyde, right. 502 00:29:51,600 --> 00:29:53,700 That's what I'm talking about. Yes, perfect. 503 00:29:53,700 --> 00:29:55,800 Come on, man. 504 00:29:55,900 --> 00:29:58,200 Look, I ran into Simone on the lot. 505 00:29:58,300 --> 00:30:00,000 - Really? - Yes, really. 506 00:30:00,100 --> 00:30:02,200 - She never mentioned it. - She's busy right now. 507 00:30:02,300 --> 00:30:03,800 People coming at her from all angles. 508 00:30:03,800 --> 00:30:05,700 Maybe she didn't want you to know, huh? 509 00:30:07,800 --> 00:30:09,000 I strongly sensed 510 00:30:09,100 --> 00:30:12,100 that she thought I would be perfect for Clyde as well. 511 00:30:12,200 --> 00:30:13,600 - Really? - Strongly. 512 00:30:13,700 --> 00:30:15,100 Excuse me. 513 00:30:15,200 --> 00:30:16,500 Sure. 514 00:30:16,600 --> 00:30:18,500 Hello? 515 00:30:18,600 --> 00:30:21,000 Simone, it's so great to hear from you. 516 00:30:21,100 --> 00:30:22,500 How are you, sweetheart? 517 00:30:22,600 --> 00:30:25,200 You'll never guess who I'm with. 518 00:30:25,300 --> 00:30:28,900 - You met him on the lot the other day. - It was more in passing. 519 00:30:29,000 --> 00:30:30,500 No, you're not even close. 520 00:30:30,600 --> 00:30:32,800 Hal. 521 00:30:32,900 --> 00:30:35,400 - Hal Sinclair. - What's wrong now? 522 00:30:35,500 --> 00:30:38,400 I'm getting nothing from her side of the conversation. 523 00:30:38,400 --> 00:30:40,300 No, I don't think he put on weight. 524 00:30:40,400 --> 00:30:44,000 Anyway, listen. Do you think he'd be right for "Eternity Forever"? 525 00:30:44,100 --> 00:30:46,000 He's not the right type? 526 00:30:46,100 --> 00:30:48,200 You want to go in another direction? 527 00:30:48,200 --> 00:30:51,000 Well... we'll try and talk her into it, don't worry. 528 00:30:51,100 --> 00:30:52,600 Anything you can do. 529 00:30:52,700 --> 00:30:55,300 - Anything. - Yeah, listen, honey. 530 00:30:55,400 --> 00:30:57,300 What is this, some kind of jamming device? 531 00:30:57,300 --> 00:30:59,100 This is a bad place to talk. 532 00:30:59,200 --> 00:31:01,700 Maybe he's just talking to himself. 533 00:31:01,800 --> 00:31:03,900 Taransky's not that good an actor. 534 00:31:04,000 --> 00:31:06,200 Honey, I know you want to do charity work. 535 00:31:06,200 --> 00:31:09,300 No, they've taken special precautions. 536 00:31:09,400 --> 00:31:11,600 Some kind of new encryption. 537 00:31:11,700 --> 00:31:13,700 Why would they do that? 538 00:31:17,200 --> 00:31:19,200 Well, whatever it is... 539 00:31:19,300 --> 00:31:21,300 it's dark. 540 00:31:22,600 --> 00:31:24,300 Dark? 541 00:31:24,300 --> 00:31:26,900 Yeah. Very. 542 00:31:27,000 --> 00:31:28,500 All right, we'll talk about it 543 00:31:28,600 --> 00:31:30,900 at the beach house this weekend. 544 00:31:38,400 --> 00:31:41,500 - Can you ever stop doing that? - Why? 545 00:31:41,600 --> 00:31:43,100 You'll lose yourself in that thing. 546 00:31:43,200 --> 00:31:45,800 You gotta get out more. How you gonna meet boys? 547 00:31:45,900 --> 00:31:48,200 Dad, I know plenty of boys. 548 00:31:48,200 --> 00:31:49,900 You do? Who? 549 00:31:50,000 --> 00:31:51,200 Where do you meet them? 550 00:31:51,300 --> 00:31:53,000 You meet them in those chat rooms? 551 00:31:53,000 --> 00:31:55,900 How do you know you're not talking to some middle-aged freak? 552 00:31:56,000 --> 00:31:58,500 Dad, I can spot a middle-aged freak a mile away. 553 00:31:58,600 --> 00:32:01,200 It's beautiful today. Let's go outside and eat. 554 00:32:01,300 --> 00:32:03,800 And Lainey, leave the computer, please. 555 00:32:03,900 --> 00:32:05,500 Okay. 556 00:32:12,800 --> 00:32:14,800 Dad, it might be better to eat inside. 557 00:32:14,900 --> 00:32:16,500 Stay here. 558 00:32:20,700 --> 00:32:22,200 What is this? 559 00:32:24,600 --> 00:32:27,400 What the hell is going on? What are you doing here? 560 00:32:27,500 --> 00:32:30,700 - You're trespassing. - You can't hide her forever! 561 00:32:30,800 --> 00:32:34,400 Simone appears only when I want her to appear! 562 00:32:34,500 --> 00:32:35,700 Sounds like a prisoner. 563 00:32:35,800 --> 00:32:38,200 - What are you, holding her hostage? - You're the hostage. 564 00:32:38,300 --> 00:32:40,300 I mean, you look kind of captive to me. 565 00:32:47,900 --> 00:32:49,900 Lainey, don't you ever wonder 566 00:32:49,900 --> 00:32:51,800 where I'm really hiding Simone? 567 00:32:51,800 --> 00:32:54,600 Just as long as I know where you are, Dad. 568 00:32:57,400 --> 00:32:59,400 - Bye, Dad. - Bye, honey. 569 00:32:59,400 --> 00:33:01,300 Hello, Viktor. 570 00:33:01,400 --> 00:33:03,600 Sorry I got her back late. 571 00:33:03,700 --> 00:33:05,700 Oh, no problem. 572 00:33:05,700 --> 00:33:07,400 Hey, you want to come in? 573 00:33:15,100 --> 00:33:16,700 - Hi. - Hi, Honey. 574 00:33:16,700 --> 00:33:18,900 - Hi, Vik. - Kent. 575 00:33:21,100 --> 00:33:23,300 Viktor, we simply have to discuss 576 00:33:23,400 --> 00:33:25,300 "Eternity Forever." 577 00:33:25,400 --> 00:33:28,300 I still haven't received Simone's script notes. 578 00:33:28,400 --> 00:33:30,700 There aren't any. 579 00:33:30,800 --> 00:33:32,600 If the filmmakers are happy, 580 00:33:32,600 --> 00:33:34,500 she's happy. 581 00:33:34,600 --> 00:33:38,400 She considers herself, you know, an instrument. 582 00:33:38,500 --> 00:33:40,800 So she's really going to do all this nudity? 583 00:33:40,900 --> 00:33:42,700 It's on the page. 584 00:33:42,800 --> 00:33:44,700 We have to do something about this budget. 585 00:33:44,700 --> 00:33:46,100 It's completely unrealistic. 586 00:33:46,200 --> 00:33:48,500 You allowed nothing for limousine service. 587 00:33:48,600 --> 00:33:51,100 - She drives herself. - Uh-huh. 588 00:33:51,200 --> 00:33:54,000 - Hair and make-up? - Does her own. 589 00:33:54,000 --> 00:33:57,000 - Theater training. - Oh, she was in the theater? 590 00:33:57,100 --> 00:33:58,000 Where? 591 00:33:58,100 --> 00:33:59,700 You want her resume? I'll send it to you. 592 00:33:59,800 --> 00:34:01,700 Okay, great. Thanks. 593 00:34:01,800 --> 00:34:04,100 At least, Viktor, contingency for wardrobe. 594 00:34:04,200 --> 00:34:06,000 Anybody can go up a size. 595 00:34:06,100 --> 00:34:07,900 I guarantee she will not gain an ounce. 596 00:34:08,000 --> 00:34:09,700 She is so disciplined. 597 00:34:09,800 --> 00:34:12,000 Well, we've gotta do something about this-- 598 00:34:12,100 --> 00:34:14,400 - "Stuntwoman." - What about it? 599 00:34:14,500 --> 00:34:17,300 - Well, there isn't one. - She doesn't need one. 600 00:34:17,300 --> 00:34:20,000 - Does all her own stunts. - Even the fall from the plane? 601 00:34:20,100 --> 00:34:22,100 - Even the fall from the plane. - Oh. 602 00:34:22,200 --> 00:34:24,000 Shoot it on the last day. 603 00:34:24,100 --> 00:34:26,200 Listen, Viktor. 604 00:34:26,200 --> 00:34:29,300 I want to talk to you now, not as Elaine, Studio Head, 605 00:34:29,400 --> 00:34:33,700 but as Elaine, ex-wife. Hey, second ex-wife. 606 00:34:35,900 --> 00:34:38,300 Seriously. You got lucky this last time. 607 00:34:38,400 --> 00:34:41,000 But you need to be careful. 608 00:34:41,000 --> 00:34:43,600 We both know you wouldn't be making this overblown art film 609 00:34:43,700 --> 00:34:46,400 if you hadn't convinced Simone to be in it. 610 00:34:47,600 --> 00:34:49,000 Elaine... 611 00:34:50,300 --> 00:34:52,700 talking to you now, not as Viktor, Director, 612 00:34:52,800 --> 00:34:56,100 but as Viktor, your first former husband, 613 00:34:57,400 --> 00:34:59,600 what happened to you? Huh? 614 00:35:01,200 --> 00:35:03,300 Experience, Viktor. 615 00:35:03,400 --> 00:35:05,300 That's what happened to me. 616 00:35:05,400 --> 00:35:07,100 Yeah, I've seen this a hundred times. 617 00:35:07,100 --> 00:35:09,900 - Really? - Yeah. 618 00:35:09,900 --> 00:35:12,500 These young stars destroying 619 00:35:12,600 --> 00:35:14,500 the very people who discovered them. 620 00:35:14,600 --> 00:35:16,700 I'm worried about you, that's all. 621 00:35:16,800 --> 00:35:19,400 This woman, she controls your destiny. 622 00:35:19,500 --> 00:35:20,900 She doesn't control my destiny. 623 00:35:21,000 --> 00:35:23,100 There's something about her I don't trust. 624 00:35:30,200 --> 00:35:32,100 Hi, Jane. 625 00:35:32,200 --> 00:35:34,200 Thanks for taking me back, Mr. Taransky. 626 00:35:34,300 --> 00:35:36,800 I know that it looked like I sided with the studio, 627 00:35:36,900 --> 00:35:38,800 but I've always believed in you. Honestly. 628 00:35:38,900 --> 00:35:40,500 Don't worry. I understand. 629 00:35:40,600 --> 00:35:42,500 - Are they-- - They're all here. 630 00:35:42,600 --> 00:35:44,600 Okay, thank you. Hello. 631 00:35:44,700 --> 00:35:46,800 Viktor. 632 00:35:46,900 --> 00:35:48,800 I just want to say I am delighted 633 00:35:48,900 --> 00:35:52,400 to have such a wonderful cast 634 00:35:52,500 --> 00:35:55,200 assembled here for "Eternity Forever." 635 00:35:55,200 --> 00:35:56,800 A reminder: 636 00:35:56,800 --> 00:35:59,500 as a condition for working on this picture, 637 00:35:59,600 --> 00:36:02,000 you will not be rehearsing with Simone. 638 00:36:02,100 --> 00:36:04,500 You will not be shooting with Simone. 639 00:36:04,500 --> 00:36:07,900 Actually, you are forbidden from contacting Simone 640 00:36:08,000 --> 00:36:10,400 at any time, for any reason, whatsoever. 641 00:36:10,500 --> 00:36:12,800 - Works for me. - How will you shoot our love scenes? 642 00:36:12,900 --> 00:36:15,100 - Body double. - For her? 643 00:36:15,200 --> 00:36:17,200 For you. 644 00:36:17,200 --> 00:36:20,800 Anyway, Simone insisted on speaking with you herself 645 00:36:20,800 --> 00:36:22,300 before filming started. 646 00:36:22,300 --> 00:36:24,800 I believe she's on the line now. Simone, are you there? 647 00:36:24,900 --> 00:36:26,900 I certainly am, Mr. Taransky. 648 00:36:29,200 --> 00:36:31,200 So are we, Simone. 649 00:36:31,200 --> 00:36:34,700 Why don't you leave me alone with my co-stars, Mr. Taransky, 650 00:36:34,700 --> 00:36:36,800 so we can get to know each other better? 651 00:36:36,900 --> 00:36:38,700 Absolutely. I'll be back in a minute. 652 00:36:38,700 --> 00:36:40,300 Hi, who's there? 653 00:36:40,400 --> 00:36:43,000 Don't be shy. Introduce yourselves. 654 00:36:49,000 --> 00:36:50,600 I'm Mac. 655 00:36:50,700 --> 00:36:52,800 I turned down a Bertolucci film to be here. 656 00:36:54,700 --> 00:36:56,600 Hi, Simone. I'm Corel. 657 00:36:56,700 --> 00:36:58,600 Hi, I'm Claris. 658 00:36:58,700 --> 00:37:00,900 You used to date my cousin, Dell. 659 00:37:01,000 --> 00:37:02,600 I'm Hewlitt. 660 00:37:02,700 --> 00:37:04,800 We can rehearse in private if you like. 661 00:37:04,900 --> 00:37:08,100 My name is Lotus. 662 00:37:08,100 --> 00:37:10,200 God, I can't believe I'm talking to you. 663 00:37:10,300 --> 00:37:12,700 We are going to become such great friends. 664 00:37:12,800 --> 00:37:14,600 Hi, Simone, it's Hal. 665 00:37:14,700 --> 00:37:17,100 It's great to be working together... again. 666 00:37:17,200 --> 00:37:18,900 Is that everyone? 667 00:37:19,000 --> 00:37:22,600 Well, obviously, as you know, I'm Simone. 668 00:37:23,800 --> 00:37:25,200 Who else? 669 00:37:25,300 --> 00:37:27,300 I just want to start 670 00:37:27,400 --> 00:37:30,000 by apologizing for my process. 671 00:37:30,000 --> 00:37:32,100 I know it's an unusual way to work, 672 00:37:32,200 --> 00:37:34,600 but I just find I relate better to people 673 00:37:34,600 --> 00:37:36,300 when they're not actually there. 674 00:37:36,400 --> 00:37:38,300 Oh, of course. Of course. 675 00:37:38,400 --> 00:37:40,300 I don't have much to say, 676 00:37:40,300 --> 00:37:43,700 Except, that I know it's gonna be a great project 677 00:37:43,800 --> 00:37:48,600 if we all just trust Mr. Taransky's vision. 678 00:37:48,700 --> 00:37:51,900 Always do what Mr. Taransky says. 679 00:37:52,000 --> 00:37:56,000 If in doubt, do it the Taransky way. 680 00:37:56,100 --> 00:37:59,000 I know we're gonna make a wonderful movie together. 681 00:38:00,100 --> 00:38:01,500 Together. 682 00:38:01,600 --> 00:38:03,300 Absolutely. 683 00:38:27,000 --> 00:38:28,400 Veronica. 684 00:38:30,800 --> 00:38:34,800 What you don't understand, Clyde, is that love-- 685 00:38:34,800 --> 00:38:36,200 Still too big. 686 00:38:36,200 --> 00:38:38,100 I like it, but it's too big. 687 00:38:39,300 --> 00:38:41,400 All right. Smaller teardrops this time. 688 00:38:49,200 --> 00:38:52,200 What you don't understand, Clyde, 689 00:38:52,300 --> 00:38:56,100 is that love is like a wildflower. 690 00:38:56,100 --> 00:38:59,300 But that flower only grows 691 00:38:59,400 --> 00:39:01,200 on the edge... 692 00:39:01,300 --> 00:39:04,800 of a very high cliff. 693 00:39:06,000 --> 00:39:07,500 Perfect. 694 00:39:07,600 --> 00:39:08,500 Perfect. 695 00:39:10,900 --> 00:39:12,900 Simone. Simone. 696 00:39:14,300 --> 00:39:15,600 Simone. 697 00:39:18,400 --> 00:39:21,100 Gonna be a little change in plans, Simone. 698 00:39:23,700 --> 00:39:26,400 You have no idea the effect 699 00:39:26,500 --> 00:39:28,500 your performance is having on people. 700 00:39:28,600 --> 00:39:30,700 We can't stop now. 701 00:39:30,800 --> 00:39:33,500 These films, they're speaking 702 00:39:33,500 --> 00:39:35,400 to the human condition. 703 00:39:37,700 --> 00:39:39,200 We're changing lives. 704 00:39:42,600 --> 00:39:45,000 People need to believe you're real. 705 00:39:46,600 --> 00:39:48,500 To reveal the truth now, 706 00:39:48,600 --> 00:39:50,500 it would be too cruel. 707 00:39:53,600 --> 00:39:56,400 You're gonna get in a lot of trouble, Mr. Taransky. 708 00:39:56,600 --> 00:39:58,700 Now, why do you have to bring that up?! 709 00:40:00,400 --> 00:40:02,900 I mean, everything's a risk. 710 00:40:03,000 --> 00:40:05,300 But it's worth it, isn't it? 711 00:40:10,600 --> 00:40:12,200 We've done enough work today. 712 00:40:14,300 --> 00:40:16,700 You've been cooped up in there too long. 713 00:40:17,800 --> 00:40:19,200 So how about... 714 00:40:19,300 --> 00:40:21,900 you and I going out on the town? 715 00:40:24,100 --> 00:40:26,400 Tonight, they're going to see you 716 00:40:26,500 --> 00:40:28,400 with their own eyes. 717 00:40:38,600 --> 00:40:40,500 Excuse me. 718 00:40:40,600 --> 00:40:44,000 I will be checking in a very special guest. 719 00:40:44,100 --> 00:40:47,600 - A Ms. Enomis. - Ah, Ms. Enomis. 720 00:40:48,800 --> 00:40:52,400 Now, Ms. Enomis demands her privacy. 721 00:40:52,500 --> 00:40:55,800 So, you will switch off all surveillance cameras. 722 00:40:55,800 --> 00:40:58,900 I alone, will escort Ms. Enomis to her room 723 00:40:59,000 --> 00:41:00,900 via the rear exit. 724 00:41:00,900 --> 00:41:03,000 She must not be disturbed at any time, 725 00:41:03,100 --> 00:41:04,700 for any reason whatsoever. 726 00:41:04,800 --> 00:41:07,400 I'm sure I can rely on your discretion. 727 00:41:08,600 --> 00:41:10,100 Understood, sir. 728 00:41:12,100 --> 00:41:13,700 Thank you. 729 00:42:20,300 --> 00:42:22,200 There she is! 730 00:42:35,300 --> 00:42:36,900 Who is it? 731 00:42:36,900 --> 00:42:38,900 It's Simone. 732 00:42:50,500 --> 00:42:52,600 Okay, I think everybody's here. 733 00:42:52,700 --> 00:42:54,400 Now! 734 00:43:05,200 --> 00:43:07,000 I think we're all right now. 735 00:43:10,400 --> 00:43:12,200 Oh, thank God for you, Faith. 736 00:43:12,200 --> 00:43:14,100 Thank God for you. 737 00:43:14,100 --> 00:43:17,900 This is way above and beyond 738 00:43:17,900 --> 00:43:20,100 the call of duty for a stand-in. 739 00:43:20,200 --> 00:43:22,800 I must tell you, you have no idea 740 00:43:22,900 --> 00:43:25,200 the service you've performed for Simone, 741 00:43:25,200 --> 00:43:27,500 shielding her from these animals. 742 00:43:27,500 --> 00:43:29,700 Oh, no, Mr. Taransky. Thank God for you. 743 00:43:29,800 --> 00:43:31,000 - For me? - Yeah. 744 00:43:31,100 --> 00:43:32,500 How many directors would go 745 00:43:32,600 --> 00:43:34,500 to so much trouble to protect an actress? 746 00:43:34,600 --> 00:43:36,100 It's incredible. 747 00:43:39,300 --> 00:43:40,700 You know, we're gonna have 748 00:43:40,800 --> 00:43:42,300 to go back to my place, 749 00:43:42,300 --> 00:43:45,400 just to, you know, keep them off the scent. 750 00:43:46,600 --> 00:43:48,200 Of course. 751 00:43:53,300 --> 00:43:54,800 You look so... 752 00:43:54,800 --> 00:43:58,600 So much like... um, like her? 753 00:44:00,200 --> 00:44:02,200 Oh, yes, of course. Like her. 754 00:44:02,300 --> 00:44:04,500 But you're so very beautiful 755 00:44:04,600 --> 00:44:06,500 in your own right. 756 00:44:12,500 --> 00:44:16,500 I do find myself strangely attracted to you, Mr. Taransky. 757 00:44:19,200 --> 00:44:21,000 Call me Viktor. 758 00:44:22,200 --> 00:44:23,600 Viktor. 759 00:44:23,700 --> 00:44:25,700 - Oh. - Oh, Viktor. 760 00:44:30,800 --> 00:44:32,300 - Viktor. - Yes? 761 00:44:32,400 --> 00:44:34,400 - This is so exciting. - Yes. 762 00:44:35,700 --> 00:44:37,700 Do what you do to Simone? 763 00:44:37,800 --> 00:44:39,900 What? What did you say? 764 00:44:40,000 --> 00:44:42,300 I said do whatever you do to Simone. 765 00:44:44,300 --> 00:44:45,900 What I do to Simone? 766 00:44:46,000 --> 00:44:47,800 Call me Simone! 767 00:44:47,900 --> 00:44:49,400 Simone? 768 00:44:49,500 --> 00:44:51,600 Yes. Say it again, please. 769 00:44:51,700 --> 00:44:54,300 I want to know what it's like to be her just for one night. 770 00:44:54,300 --> 00:44:56,100 Please, call me Simone. 771 00:44:56,200 --> 00:44:59,800 You're with me so you can be close to her? 772 00:44:59,900 --> 00:45:01,500 Is that a problem? 773 00:45:03,400 --> 00:45:05,800 Okay. Excuse me just a minute. 774 00:45:05,800 --> 00:45:07,600 Is something wrong? 775 00:45:07,700 --> 00:45:09,900 Well, actually, 776 00:45:10,000 --> 00:45:12,500 maybe we can do this some other time 777 00:45:12,600 --> 00:45:14,600 - or something. - Are you busy tomorrow? 778 00:45:16,000 --> 00:45:19,200 Gentlemen, the Presidential Suite. 779 00:45:35,700 --> 00:45:37,600 Ahem-- 780 00:45:41,800 --> 00:45:43,900 I think that should take care of everything. 781 00:45:44,000 --> 00:45:45,500 Yes, sir. 782 00:45:45,600 --> 00:45:47,900 I believe it will. 783 00:45:48,000 --> 00:45:50,200 Leave me for a moment. 784 00:46:07,500 --> 00:46:09,300 Simone. 785 00:47:25,500 --> 00:47:27,300 - Brilliant. - Elaine! 786 00:47:27,400 --> 00:47:29,800 - There she is. - The picture-- 787 00:47:29,900 --> 00:47:31,600 The picture. It's a revelation. 788 00:47:31,700 --> 00:47:33,500 Thank you. Thank you. 789 00:47:33,500 --> 00:47:35,200 We all worked so hard. 790 00:47:35,300 --> 00:47:38,600 - It was you. - No, it was all of us. 791 00:47:38,700 --> 00:47:40,200 It was incredible. 792 00:47:40,300 --> 00:47:41,800 Thank you all. 793 00:47:56,900 --> 00:47:58,500 Thank you. 794 00:47:59,600 --> 00:48:00,800 - Whoa! - Viktor! 795 00:48:00,800 --> 00:48:02,600 - Is she here? - Viktor, is she here? 796 00:48:04,900 --> 00:48:06,600 Oh, I'm fine, Hal. How are you? 797 00:48:06,700 --> 00:48:08,100 Somebody said she was here. 798 00:48:08,200 --> 00:48:10,100 Jesus. That's her glass. 799 00:48:11,700 --> 00:48:14,600 Jack Daniels, straight up. 800 00:48:14,700 --> 00:48:17,700 - My kind of woman. - Come on, where is she? 801 00:48:17,800 --> 00:48:19,600 I don't know. She's, uh... 802 00:48:19,700 --> 00:48:21,500 Is that her by the fountain? 803 00:48:23,000 --> 00:48:24,600 You know, between you and me, 804 00:48:24,700 --> 00:48:26,700 - she doesn't really exist. - Simone! 805 00:48:26,800 --> 00:48:29,300 - Simone! - Simone's here? 806 00:48:29,300 --> 00:48:31,800 - Why didn't anybody tell me? - She's here?! 807 00:48:31,800 --> 00:48:33,800 - Simone! - I got your glass! 808 00:48:33,800 --> 00:48:35,900 I'm your biggest fan! 809 00:48:40,600 --> 00:48:42,900 Simone! 810 00:48:42,900 --> 00:48:44,800 - Simone! - Simone? 811 00:48:54,100 --> 00:48:55,700 Get out! 812 00:48:58,700 --> 00:49:00,400 Not you two. 813 00:49:07,600 --> 00:49:13,100 She goes to a major Hollywood A-list party 814 00:49:13,200 --> 00:49:14,800 and we don't get an interview, 815 00:49:14,800 --> 00:49:17,900 a comment? We don't even get a photograph?! 816 00:49:18,000 --> 00:49:20,000 Is that what you're telling me? 817 00:49:20,100 --> 00:49:21,600 Nobody got a photograph. 818 00:49:21,700 --> 00:49:23,400 Nobody ever gets a photograph. 819 00:49:23,500 --> 00:49:25,500 We have our best people on it, Mr. Sayer. 820 00:49:25,600 --> 00:49:26,700 Get better people! 821 00:49:27,900 --> 00:49:30,300 What about the 24-hour tail on Taransky? 822 00:49:30,400 --> 00:49:33,700 They're camped out every place he goes; every concierge, 823 00:49:33,700 --> 00:49:35,500 every maitre d', they're all on the take. 824 00:49:35,600 --> 00:49:37,500 But this Simone woman is good. 825 00:49:37,600 --> 00:49:40,000 Obviously, that is not her real name. 826 00:49:40,000 --> 00:49:41,700 She uses an assumed identity. 827 00:49:41,800 --> 00:49:43,400 She travels under a false name. 828 00:49:43,500 --> 00:49:45,400 She checks into a hotel under an alias. 829 00:49:45,500 --> 00:49:48,400 Never stays in the same place two nights in a row. 830 00:49:48,500 --> 00:49:51,000 What about the satellite photos? What happened? 831 00:49:55,700 --> 00:49:58,500 - Nothin'. - Nothing from space?! 832 00:50:00,200 --> 00:50:01,800 What about the fingerprints? 833 00:50:01,900 --> 00:50:04,500 What happened when we dusted that whole hotel suite? 834 00:50:04,600 --> 00:50:06,900 Well, we have some of Taransky's fingerprints, 835 00:50:08,700 --> 00:50:10,600 a lot of yours... 836 00:50:10,700 --> 00:50:12,400 and none of hers. 837 00:50:12,500 --> 00:50:16,200 No one is that perfect, that pure. 838 00:50:16,200 --> 00:50:18,600 You know, I had something on Mother Teresa once. 839 00:50:18,700 --> 00:50:20,300 But then she died 840 00:50:20,400 --> 00:50:22,100 and it just wasn't worth it anymore. 841 00:50:22,200 --> 00:50:26,000 I know how to flush out this Simone woman. 842 00:50:27,500 --> 00:50:30,600 A tell-all story from her childhood. 843 00:50:30,700 --> 00:50:32,500 You have one? 844 00:50:34,300 --> 00:50:37,500 I will when you're finished writing it. 845 00:50:58,600 --> 00:51:00,500 Please don't make me do this. 846 00:51:00,500 --> 00:51:02,600 Guard, open this door right now. 847 00:51:02,700 --> 00:51:04,500 Mr. Taransky gave me specific instructions 848 00:51:04,600 --> 00:51:05,900 never to open up this door. 849 00:51:05,900 --> 00:51:07,400 - What are you doing?! - Mr. Taransky! 850 00:51:07,500 --> 00:51:09,600 - Why did you do this?! - We have to talk to her! 851 00:51:09,700 --> 00:51:11,500 - We know she's in there. - Okay. 852 00:51:11,600 --> 00:51:13,600 What is this about? 853 00:51:13,700 --> 00:51:15,300 We've got the tracking numbers for "Eternity Forever." 854 00:51:15,400 --> 00:51:16,300 They're in the toilet. 855 00:51:16,400 --> 00:51:18,300 She's gotta get out there and sell the film. 856 00:51:18,300 --> 00:51:20,400 What do you want her to do, go door-to-door? 857 00:51:20,500 --> 00:51:23,400 Even Garbo would be on the talk show circuit if she were alive! 858 00:51:23,500 --> 00:51:26,100 It is precisely because she doesn't crave the limelight 859 00:51:26,200 --> 00:51:27,500 that people love her! 860 00:51:27,600 --> 00:51:29,400 - This is bullshit! - She is about the work, 861 00:51:29,400 --> 00:51:32,200 - and only the work! - This is overshadowing the work. 862 00:51:32,300 --> 00:51:34,000 If you can't handle her, I will. 863 00:51:34,100 --> 00:51:36,300 It's not a good time. She's emotional. 864 00:51:36,400 --> 00:51:38,300 Today, her mother dies. 865 00:51:38,400 --> 00:51:40,100 Scene 42 of "Good for Nothing." 866 00:51:40,200 --> 00:51:43,000 - This is not a good time. - It never is. 867 00:51:43,000 --> 00:51:45,000 - Step aside! - We're going in! 868 00:51:45,000 --> 00:51:48,300 - This is ridiculous! - No! No! 869 00:51:48,400 --> 00:51:50,700 - What are you doing?! - Simone! 870 00:51:53,600 --> 00:51:55,300 I trusted you. 871 00:51:58,200 --> 00:52:00,300 - Simone? - You can come out, it's Elaine! 872 00:52:00,300 --> 00:52:02,600 - We just want to have a meeting. - We can talk, 873 00:52:02,600 --> 00:52:04,800 - girl-to-girl. Just us. - Where is she? 874 00:52:04,900 --> 00:52:06,600 - She's gone. - Where are the sets? 875 00:52:06,600 --> 00:52:09,800 - God, that is so like her. - Where are the cameras? 876 00:52:09,900 --> 00:52:12,400 Viktor, we're not paying for this are we? 877 00:52:12,400 --> 00:52:13,800 What is all this? 878 00:52:16,300 --> 00:52:18,200 What is all this? 879 00:52:18,300 --> 00:52:20,200 Well... 880 00:52:20,300 --> 00:52:22,600 I suppose 881 00:52:22,700 --> 00:52:25,100 it was gonna come out sooner or later. 882 00:52:25,200 --> 00:52:28,600 I guess I'm actually relieved in a way. 883 00:52:28,700 --> 00:52:30,600 I can just say it finally. 884 00:52:32,400 --> 00:52:34,700 She's a computer-- 885 00:52:34,800 --> 00:52:36,800 addict. 886 00:52:36,800 --> 00:52:38,300 What? 887 00:52:38,400 --> 00:52:40,700 She's a computer addict! 888 00:52:40,800 --> 00:52:43,100 She's buried in here. 889 00:52:43,200 --> 00:52:45,100 Day in, day out. 890 00:52:47,100 --> 00:52:49,200 Of course. I should have guessed. 891 00:52:49,300 --> 00:52:52,500 It's why she never goes anywhere, 892 00:52:52,500 --> 00:52:55,200 - Why she's never seen in public. - Now you're getting it. 893 00:52:55,200 --> 00:52:57,400 Probably spends her whole life in chat rooms. 894 00:52:57,500 --> 00:52:59,700 - The one place she can be herself. - Anonymous. 895 00:52:59,800 --> 00:53:01,700 Only it's worse. It's far worse. 896 00:53:03,800 --> 00:53:05,700 She's extremely agoraphobic. 897 00:53:05,700 --> 00:53:08,700 She has a morbid fear of people, 898 00:53:08,800 --> 00:53:11,500 of germs, 899 00:53:11,600 --> 00:53:14,000 places, heights-- 900 00:53:14,100 --> 00:53:15,800 - Name it. - This is terrible. 901 00:53:15,800 --> 00:53:17,600 How is she going to plug the film? 902 00:53:17,700 --> 00:53:20,300 - Yes, indeed. - She has to do publicity. 903 00:53:20,300 --> 00:53:22,800 Maybe I could get her to do something. 904 00:53:22,800 --> 00:53:25,100 Maybe a television talk show or something. 905 00:53:25,100 --> 00:53:26,100 Yes! 906 00:53:26,200 --> 00:53:28,900 - Taped. - Make it live, please. 907 00:53:28,900 --> 00:53:30,300 - Live? - Please. 908 00:53:30,400 --> 00:53:32,500 She'd never go there. It would have to be remote. 909 00:53:32,600 --> 00:53:34,300 We can work with that. 910 00:53:34,400 --> 00:53:36,300 I can't promise anything. 911 00:53:36,400 --> 00:53:38,000 - We understand. - Thank you, Viktor. 912 00:53:38,100 --> 00:53:40,400 - Thank you, Viktor. - Don't grovel. 913 00:53:40,400 --> 00:53:42,200 Thank you. 914 00:53:42,300 --> 00:53:43,500 Give her our best. 915 00:53:43,600 --> 00:53:45,500 That agoraphobia-- it's like a plague. 916 00:53:45,500 --> 00:53:47,000 It's out of control in Europe. 917 00:53:49,100 --> 00:53:52,100 It's so good of you to protect her like this. 918 00:53:54,100 --> 00:53:55,300 She wanted you-- 919 00:53:55,300 --> 00:53:57,600 No, no. Don't touch that. 920 00:53:57,700 --> 00:53:59,900 Germs. 921 00:53:59,900 --> 00:54:01,600 She wanted you to have that. 922 00:54:01,700 --> 00:54:04,400 She was there. She was right there. 923 00:54:04,500 --> 00:54:06,100 Yeah. 924 00:54:08,600 --> 00:54:10,100 Oh, my gosh. 925 00:54:13,000 --> 00:54:14,600 She didn't, by any chance, 926 00:54:14,600 --> 00:54:16,300 happen to mention me? 927 00:54:17,500 --> 00:54:19,400 Actually, she did. 928 00:54:19,400 --> 00:54:22,000 She, uh... 929 00:54:22,000 --> 00:54:26,000 she said that she thought you were very beautiful. 930 00:54:26,100 --> 00:54:28,400 - Really? - Yeah. 931 00:54:29,700 --> 00:54:31,300 Would you want to go 932 00:54:31,300 --> 00:54:33,800 and get something to eat, or something? 933 00:54:35,800 --> 00:54:37,800 Viktor, I'd love to, really., 934 00:54:37,800 --> 00:54:40,800 but don't you have to go talk to Simone? 935 00:54:43,100 --> 00:54:44,800 If I can find her. 936 00:54:49,500 --> 00:54:51,600 Well. 937 00:54:51,700 --> 00:54:53,900 All right. Good. 938 00:54:54,000 --> 00:54:56,100 - Thanks, Viktor. - Thank you. 939 00:54:59,700 --> 00:55:01,100 I'm gonna-- Bye. 940 00:55:21,500 --> 00:55:24,800 Tonight, on Frank Brand Live-- 941 00:55:24,800 --> 00:55:27,100 Since taking the nation by storm 942 00:55:27,100 --> 00:55:31,200 in her debut movie, "Sunrise, Sunset," 943 00:55:31,300 --> 00:55:35,400 no one has managed to land a live television interview 944 00:55:35,500 --> 00:55:39,300 with this fabulous shooting starlet, Simone-- 945 00:55:39,300 --> 00:55:41,300 until now. 946 00:55:41,300 --> 00:55:44,600 she's agreed to talk with us tonight 947 00:55:44,700 --> 00:55:46,400 from the set of her new film. 948 00:55:46,500 --> 00:55:48,700 Welcome, Simone. 949 00:55:50,800 --> 00:55:54,900 So glad you can find time in your hectic schedule to be here. 950 00:55:55,000 --> 00:55:57,000 It's my pleasure. 951 00:55:57,100 --> 00:55:59,000 Wonderful to be with you, Frank. 952 00:55:59,100 --> 00:56:04,300 No one can accuse you of being overexposed, Simone. 953 00:56:04,400 --> 00:56:07,400 Why have you stayed so completely out of the limelight? 954 00:56:07,500 --> 00:56:09,700 I guess I just think actors talk too much. 955 00:56:09,800 --> 00:56:12,700 Does the world really want to hear my life story 956 00:56:12,800 --> 00:56:15,300 just because I have a movie opening on Friday? 957 00:56:15,300 --> 00:56:17,700 Wow. 958 00:56:17,800 --> 00:56:20,000 She is all woman. 959 00:56:20,100 --> 00:56:21,300 Of course, the problem 960 00:56:21,400 --> 00:56:23,700 with shying away from publicity these days 961 00:56:23,800 --> 00:56:26,200 is that it tends to attract even more. 962 00:56:26,200 --> 00:56:28,600 Don't I know it. 963 00:56:28,600 --> 00:56:30,500 But the only reason I'm here now, 964 00:56:30,600 --> 00:56:33,300 is to put the attention back where it belongs, 965 00:56:33,400 --> 00:56:35,700 on Mr. Taransky's film. 966 00:56:35,800 --> 00:56:38,200 And you don't secretly want the attention? 967 00:56:38,200 --> 00:56:40,100 I'm not even sure I deserve it. 968 00:56:40,200 --> 00:56:42,000 You see, after tonight, 969 00:56:42,100 --> 00:56:44,400 I'll have just as much screen time on your show 970 00:56:44,500 --> 00:56:46,200 as I have in my movies. 971 00:56:46,300 --> 00:56:49,000 Now, how is that healthy for a performer? 972 00:56:49,100 --> 00:56:52,300 Because you have to understand, Frank, none of this is real. 973 00:56:52,300 --> 00:56:55,300 Who I am on screen and who I really am, 974 00:56:55,400 --> 00:56:57,700 they're two totally different people. 975 00:56:57,800 --> 00:56:59,600 Change of topic. 976 00:56:59,700 --> 00:57:01,600 You have been romantically linked 977 00:57:01,700 --> 00:57:04,000 to dozens of men in the press-- 978 00:57:04,100 --> 00:57:07,400 Mick Jagger, Steven Hawking, Fidel Castro, 979 00:57:07,400 --> 00:57:09,500 most recently, Viktor Taransky. 980 00:57:09,600 --> 00:57:11,600 Is there a Mr. Right in there somewhere? 981 00:57:11,700 --> 00:57:15,700 You know, Frank, I'd rather not discuss my private life. 982 00:57:15,800 --> 00:57:17,400 But Viktor and I, 983 00:57:17,500 --> 00:57:19,400 we are inseparable. 984 00:57:19,500 --> 00:57:21,200 Oh, Viktor. 985 00:57:21,300 --> 00:57:23,000 You dog. 986 00:57:24,500 --> 00:57:26,300 I wouldn't be here today without him. 987 00:57:37,000 --> 00:57:39,200 Would you like a moment, Simone? 988 00:57:39,300 --> 00:57:41,300 No, I'm okay. 989 00:57:44,800 --> 00:57:46,600 Okay. 990 00:57:46,700 --> 00:57:48,700 Then let's talk about this work 991 00:57:48,700 --> 00:57:50,200 you care so much about. 992 00:57:50,300 --> 00:57:51,700 Sure. 993 00:57:51,700 --> 00:57:53,700 Where would you like to start, Frank? 994 00:57:53,800 --> 00:57:56,400 - How about the nudity? - I know where that is. 995 00:57:56,500 --> 00:57:58,700 Nudity's just never been an issue for me. 996 00:57:58,700 --> 00:58:00,700 I know that tree. 997 00:58:00,700 --> 00:58:03,400 - Clothes are simply an option. - I know that tree. 998 00:58:03,500 --> 00:58:04,700 I know where that is. 999 00:58:04,800 --> 00:58:06,800 What exactly was it that attracted you 1000 00:58:06,800 --> 00:58:08,300 to your first two projects? 1001 00:58:08,400 --> 00:58:11,300 I suppose what I like most about the movies I'm in 1002 00:58:11,400 --> 00:58:13,900 is that they're not about special effects. 1003 00:58:14,000 --> 00:58:17,000 And they are better for it, I might add. 1004 00:58:27,100 --> 00:58:30,200 We appear to be having some satellite difficulties. 1005 00:58:30,300 --> 00:58:33,400 But, before we lose you completely, Simone, 1006 00:58:33,400 --> 00:58:35,900 I just want to say thank you. 1007 00:58:35,900 --> 00:58:37,500 Thank you, Frank. 1008 00:58:37,500 --> 00:58:40,000 Goodbye. 1009 00:58:40,100 --> 00:58:43,300 Ladies and gentlemen, Simone. 1010 00:59:14,400 --> 00:59:16,000 I've been here before. 1011 00:59:16,100 --> 00:59:18,000 On my honeymoon with my ex-wife. 1012 00:59:19,200 --> 00:59:20,700 Yeah, look. 1013 00:59:20,700 --> 00:59:23,100 It's the exact same tree. 1014 00:59:23,200 --> 00:59:25,200 And look in the distance. 1015 00:59:27,800 --> 00:59:28,900 The mountain. 1016 00:59:32,000 --> 00:59:34,000 It's a hotel. 1017 00:59:36,000 --> 00:59:38,500 I don't understand. 1018 00:59:38,600 --> 00:59:41,200 Could they have built that hotel since yesterday? 1019 00:59:43,400 --> 00:59:45,000 Get in the car. 1020 01:00:04,500 --> 01:00:06,400 Simone! Simone! 1021 01:00:14,400 --> 01:00:16,800 We don't do the photos, you don't get the cover. 1022 01:00:16,900 --> 01:00:18,300 It's as simple as that. 1023 01:00:18,300 --> 01:00:21,200 Yes. Written answers to written questions. 1024 01:00:21,300 --> 01:00:23,600 Didn't we have this conversation before? 1025 01:00:25,100 --> 01:00:27,700 Yeah, web site interviews, no problem. 1026 01:00:27,800 --> 01:00:30,400 I think people are gonna love "Eternity Forever." 1027 01:00:30,500 --> 01:00:33,800 "Eternity Forever" is my finest work. 1028 01:00:33,900 --> 01:00:35,600 I loved working with the director 1029 01:00:35,700 --> 01:00:37,900 of "Eternity Forever." He's a genius. 1030 01:00:37,900 --> 01:00:39,200 You wish. 1031 01:00:43,100 --> 01:00:45,100 It's wonderful being a movie star. 1032 01:00:47,700 --> 01:00:50,300 But there's so many other ways I want to express myself. 1033 01:00:57,000 --> 01:00:59,100 But it's not enough to be a movie star. 1034 01:00:59,200 --> 01:01:01,100 You have to be a pop star, too. 1035 01:01:02,600 --> 01:01:05,100 If you really want to make a difference. 1036 01:01:31,000 --> 01:01:33,000 Nice boat, Taransky! 1037 01:01:33,100 --> 01:01:34,900 It's not a boat, 1038 01:01:35,000 --> 01:01:36,600 it's a yacht. 1039 01:01:38,500 --> 01:01:40,100 I know what you're up to. 1040 01:01:40,200 --> 01:01:42,700 You know, I really don't have time for this. 1041 01:01:42,800 --> 01:01:45,600 I think you do, 'cause I know it's a fake. 1042 01:01:47,100 --> 01:01:48,500 It's bogus. 1043 01:01:48,600 --> 01:01:51,400 You used an old library shot for the background. 1044 01:01:53,000 --> 01:01:54,700 She never was in New Mexico. 1045 01:01:54,800 --> 01:01:56,800 She never even left the studio. 1046 01:01:56,900 --> 01:01:58,800 I've done my homework. 1047 01:01:58,900 --> 01:02:01,300 - I've studied her. - I bet you have. 1048 01:02:01,400 --> 01:02:04,700 I've looked at every piece of publicity she's done. 1049 01:02:04,800 --> 01:02:06,500 And as far as I can tell, 1050 01:02:06,500 --> 01:02:08,100 there's no evidence 1051 01:02:08,200 --> 01:02:10,400 that she has ever left the studio. 1052 01:02:10,500 --> 01:02:12,100 Oh... 1053 01:02:12,200 --> 01:02:14,500 And for some reason, 1054 01:02:14,500 --> 01:02:16,400 this woman leaves no paper trail? 1055 01:02:16,400 --> 01:02:19,200 Now, I've obtained a copy of your bank account. 1056 01:02:19,300 --> 01:02:21,500 I know you have power of attorney, 1057 01:02:21,600 --> 01:02:23,800 but so far, you have not turned over 1058 01:02:23,900 --> 01:02:26,300 a single solitary cent to this woman. 1059 01:02:26,400 --> 01:02:28,100 I keep it in a trust. 1060 01:02:28,100 --> 01:02:30,400 I know that's what you want people to believe, 1061 01:02:30,400 --> 01:02:31,900 but I gotta tell you, 1062 01:02:31,900 --> 01:02:34,200 embezzlement is a serious matter. 1063 01:02:34,300 --> 01:02:36,600 Not to mention abduction. 1064 01:02:36,700 --> 01:02:38,500 - Abduction? - Yeah. 1065 01:02:38,600 --> 01:02:40,400 Off the record. 1066 01:02:40,400 --> 01:02:42,200 I want to know how you're doing it. 1067 01:02:42,300 --> 01:02:44,600 Is it drugs? Is it mind control? 1068 01:02:44,700 --> 01:02:47,000 Is it blackmail? Is it all three? 1069 01:02:48,500 --> 01:02:51,300 What do you do? Do you keep her locked in a box somewhere? 1070 01:02:51,400 --> 01:02:54,000 What is it exactly 1071 01:02:54,100 --> 01:02:56,000 that you want? 1072 01:02:56,000 --> 01:02:58,600 I want to see her. 1073 01:02:58,700 --> 01:03:02,200 Unless you show me Simone live and in person, 1074 01:03:02,300 --> 01:03:05,100 I show these photos to the authorities. 1075 01:03:07,800 --> 01:03:10,000 You want to see her? 1076 01:03:10,000 --> 01:03:11,600 All right. 1077 01:03:11,700 --> 01:03:13,300 You've got a deal. 1078 01:03:14,900 --> 01:03:17,400 You want to see her? You're gonna see her! 1079 01:03:19,100 --> 01:03:20,500 Good! 1080 01:03:26,500 --> 01:03:28,500 Mr. Taransky. 1081 01:03:28,500 --> 01:03:31,500 - Hello, gentlemen. - We're all ready. 1082 01:03:31,600 --> 01:03:32,800 This time tomorrow night, 1083 01:03:32,900 --> 01:03:35,700 she'll be standing right here in front of 100,000 people. 1084 01:03:35,800 --> 01:03:38,500 We could've sold this out 20 times. 1085 01:03:38,600 --> 01:03:40,400 Yeah, the sound check went great. 1086 01:03:40,500 --> 01:03:42,400 The laser show is good to go. 1087 01:03:42,400 --> 01:03:43,800 I gotta ask you, though, 1088 01:03:43,900 --> 01:03:46,500 you ordered an awful lot of smoke. 1089 01:03:46,600 --> 01:03:48,800 Well, that's the way she wants it. 1090 01:03:48,800 --> 01:03:51,000 After you told us about the death threats, 1091 01:03:51,100 --> 01:03:53,400 security guards are under strict instructions 1092 01:03:53,400 --> 01:03:55,000 never to take their eyes off the crowd. 1093 01:03:55,100 --> 01:03:58,000 Excellent. Here, Simone wanted you to have these. 1094 01:03:58,100 --> 01:03:59,600 - Unreal. - And remember-- 1095 01:03:59,700 --> 01:04:01,600 no cameras, no binoculars. 1096 01:04:03,400 --> 01:04:06,200 Ladies and gentlemen, Viktor Taransky Promotions 1097 01:04:06,300 --> 01:04:10,300 is proud to present Simone-- live on stage 1098 01:04:10,400 --> 01:04:13,700 for the debut concert of the Splendid Isolation tour. 1099 01:04:17,000 --> 01:04:18,800 Let's get you into hair and make-up. 1100 01:04:42,400 --> 01:04:43,800 No. 1101 01:04:52,700 --> 01:04:54,300 No. 1102 01:05:04,200 --> 01:05:05,500 Yes. 1103 01:05:05,600 --> 01:05:07,300 You know, it's easier 1104 01:05:07,400 --> 01:05:10,100 to make 100,000 believe than just one? 1105 01:05:16,900 --> 01:05:18,800 And now, the one, 1106 01:05:18,900 --> 01:05:21,900 the only, Simone! 1107 01:05:25,200 --> 01:05:26,500 I love you... 1108 01:05:30,200 --> 01:05:31,500 LA. 1109 01:05:31,600 --> 01:05:33,800 It's great to be here. 1110 01:05:38,200 --> 01:05:40,000 # Looking out # 1111 01:05:40,000 --> 01:05:43,000 # On the morning rain # 1112 01:05:44,200 --> 01:05:48,000 # I used to feel so inspired # 1113 01:05:50,700 --> 01:05:54,500 # And when I knew I had to face another day # 1114 01:05:57,200 --> 01:06:00,200 # Lord, it made me feel so tired # 1115 01:06:02,900 --> 01:06:06,300 # Before the day I met you # 1116 01:06:06,400 --> 01:06:08,900 # Life was so unkind # 1117 01:06:08,900 --> 01:06:13,500 # But you're the key to my peace of mind # 1118 01:06:13,600 --> 01:06:16,600 # 'Cause you make me feel # 1119 01:06:16,700 --> 01:06:20,000 # You make me feel # 1120 01:06:20,000 --> 01:06:26,300 # You make me feel like a natural woman # 1121 01:06:28,900 --> 01:06:31,300 # Oh, baby # 1122 01:06:31,400 --> 01:06:33,100 # What you've done to me # 1123 01:06:33,200 --> 01:06:35,200 # Done to me # 1124 01:06:35,300 --> 01:06:39,300 # You make me feel so good inside # 1125 01:06:39,400 --> 01:06:42,400 # Good inside # 1126 01:06:42,400 --> 01:06:46,000 # And I just wanna be # 1127 01:06:46,100 --> 01:06:48,300 # Wanna be # 1128 01:06:48,400 --> 01:06:52,200 # Close to you, you make me feel so alive # 1129 01:06:52,200 --> 01:06:55,700 # 'Cause you make me feel # 1130 01:06:55,700 --> 01:06:59,000 # You make me feel # 1131 01:06:59,100 --> 01:07:05,400 # You make me feel like a natural woman # 1132 01:07:05,400 --> 01:07:07,400 # You make me feel # 1133 01:07:07,500 --> 01:07:10,600 - # You make me feel # - # You make me feel # 1134 01:07:10,700 --> 01:07:13,600 # You make me feel # 1135 01:07:13,600 --> 01:07:18,600 # You make me feel like a real... # 1136 01:07:20,400 --> 01:07:23,100 # You make me feel # 1137 01:07:23,100 --> 01:07:26,400 # Feel like a... # 1138 01:07:26,500 --> 01:07:31,900 # You make me feel like a real... # 1139 01:07:35,900 --> 01:07:38,100 Thank you. 1140 01:07:38,200 --> 01:07:40,800 Never stop believing. 1141 01:07:45,200 --> 01:07:47,900 Yeah! Simone! 1142 01:07:50,600 --> 01:07:52,700 # What you've done to me # 1143 01:07:54,300 --> 01:07:56,000 # Natural woman. # 1144 01:08:01,600 --> 01:08:04,400 I said I didn't want to be disturbed! 1145 01:08:06,200 --> 01:08:08,300 Viktor. 1146 01:08:08,300 --> 01:08:13,000 My two favorite girls in all the world. 1147 01:08:13,000 --> 01:08:14,500 We just stopped by to congratulate Simone. 1148 01:08:14,600 --> 01:08:16,100 Well, you know... 1149 01:08:16,200 --> 01:08:18,300 she's lying down. She's exhausted. 1150 01:08:18,400 --> 01:08:20,200 Yeah, I can imagine. 1151 01:08:21,500 --> 01:08:23,500 Listen, thank Simone for the tickets, okay? 1152 01:08:23,600 --> 01:08:25,700 That's a good color on you. 1153 01:08:27,100 --> 01:08:28,800 It was a great show, Dad. 1154 01:08:33,900 --> 01:08:35,800 I can't believe she's doing this. 1155 01:08:35,800 --> 01:08:37,600 Taking advantage of him this way. 1156 01:08:37,600 --> 01:08:39,100 - It's cruel. - Why? 1157 01:08:39,200 --> 01:08:41,600 Obviously, this can't last. She's gonna dump him. 1158 01:08:41,700 --> 01:08:44,400 Viktor won't be able to take that, he's too sensitive. 1159 01:08:44,400 --> 01:08:46,400 This'll destroy him. 1160 01:08:46,400 --> 01:08:48,100 Elaine, do you realize 1161 01:08:48,200 --> 01:08:50,300 that you can't stop talking about Viktor? 1162 01:08:50,400 --> 01:08:51,800 I have to talk to her. 1163 01:08:55,900 --> 01:08:57,800 I've been meaning to talk to you. 1164 01:08:59,200 --> 01:09:02,600 I'm starting to feel like I don't exist. 1165 01:09:14,200 --> 01:09:16,100 Dad? 1166 01:09:16,200 --> 01:09:19,100 Oh, hi, baby. Thank you. 1167 01:09:26,600 --> 01:09:29,400 So how's your love life? 1168 01:09:29,500 --> 01:09:31,400 I do okay. 1169 01:09:31,500 --> 01:09:33,400 What about you? 1170 01:09:33,500 --> 01:09:35,800 Well, you know me. Married to my work. 1171 01:09:35,900 --> 01:09:37,600 I noticed. 1172 01:09:42,400 --> 01:09:44,900 You know I don't like to get between you and mom, 1173 01:09:45,000 --> 01:09:48,300 but she's feeling down right now. 1174 01:09:48,400 --> 01:09:50,000 She broke up with Kent. 1175 01:09:55,500 --> 01:09:58,600 She thinks you're with Simone. 1176 01:09:58,700 --> 01:10:01,000 Ah, Lainey. That's so ridiculous. 1177 01:10:01,100 --> 01:10:02,700 I don't have a relationship with Simone. 1178 01:10:02,800 --> 01:10:05,800 I know, I know, but Mom doesn't. 1179 01:10:05,800 --> 01:10:07,800 Maybe if Simone spoke to her she could 1180 01:10:07,900 --> 01:10:11,000 straighten things out. Dinner maybe. 1181 01:10:11,100 --> 01:10:13,500 Dinner? 1182 01:10:13,500 --> 01:10:15,300 I don't know about dinner. 1183 01:10:16,700 --> 01:10:18,700 That'd be difficult, I think. 1184 01:10:20,200 --> 01:10:22,800 - Maybe a phone call? - It's too impersonal. 1185 01:10:22,900 --> 01:10:24,700 They have to meet face-to-face. 1186 01:10:28,100 --> 01:10:30,000 Well, I'll think of something. 1187 01:10:31,600 --> 01:10:33,400 The escalating violence, 1188 01:10:33,500 --> 01:10:36,200 tragic loss of human life, and threat of all-out war 1189 01:10:36,300 --> 01:10:38,600 was overshadowed today by the announcement 1190 01:10:38,700 --> 01:10:40,500 of the Oscar nominations. 1191 01:10:42,700 --> 01:10:44,500 - Hello? - Hello? 1192 01:10:44,600 --> 01:10:47,400 - Is this Elaine? - Who's this? 1193 01:10:47,500 --> 01:10:50,400 - Oh my God. Is that you, Simone? - Yes. 1194 01:10:50,500 --> 01:10:53,100 - You look beautiful today. - Thanks, I-- 1195 01:10:53,200 --> 01:10:55,900 - Where are you? - I'm right here. 1196 01:10:55,900 --> 01:10:58,000 Beside you. 1197 01:11:00,300 --> 01:11:02,800 - Oh! - I borrowed Viktor's car. 1198 01:11:02,900 --> 01:11:05,400 - Hi! - Hi. 1199 01:11:05,500 --> 01:11:08,900 I'm really late. I would love to talk to you, 1200 01:11:09,000 --> 01:11:11,300 But I'm on my way to see Viktor right now. 1201 01:11:11,400 --> 01:11:14,700 Simone, I know what's going on between you two. 1202 01:11:14,800 --> 01:11:17,000 Oh? No. Oh, Elaine, 1203 01:11:17,100 --> 01:11:18,400 there's absolutely nothing. 1204 01:11:18,500 --> 01:11:20,500 It's strictly a working relationship. 1205 01:11:20,600 --> 01:11:22,600 I just don't want to see Viktor get hurt. 1206 01:11:22,700 --> 01:11:25,400 Sounds to me like you still have feelings for him. 1207 01:11:25,500 --> 01:11:28,300 Well, we have a daughter together. 1208 01:11:28,400 --> 01:11:31,600 I don't love Viktor. I could never love anyone. 1209 01:11:31,600 --> 01:11:35,600 I'm in love with the camera. 1210 01:11:35,600 --> 01:11:39,200 Simone, I recognize the coat you're wearing. 1211 01:11:39,300 --> 01:11:41,500 I gave it to Viktor on his birthday. 1212 01:11:41,600 --> 01:11:42,900 Christ. 1213 01:11:42,900 --> 01:11:44,800 Elaine, I just-- 1214 01:11:44,900 --> 01:11:46,400 Whoa. 1215 01:11:49,300 --> 01:11:52,000 God! Oh my God! I tell ya. 1216 01:11:53,600 --> 01:11:58,700 - Are you all right? - This does look awful. I know that. 1217 01:11:58,800 --> 01:12:01,300 But, Viktor, he's just so crazy about you. 1218 01:12:01,300 --> 01:12:03,300 Could you go to the Oscars with him? 1219 01:12:03,400 --> 01:12:05,000 No, no, no. 1220 01:12:05,100 --> 01:12:06,900 If you won't do it for him, 1221 01:12:07,000 --> 01:12:08,800 I ask you, please, do it for me. 1222 01:12:12,800 --> 01:12:14,400 Okay. Okay. For you. 1223 01:12:14,500 --> 01:12:16,300 For you I'll go. 1224 01:12:16,400 --> 01:12:19,000 Thank you. Well, here's my exit. 1225 01:12:19,000 --> 01:12:20,800 All right. I'm glad that we talked. 1226 01:12:20,900 --> 01:12:21,900 - Oh, yes. Bye. - Bye! 1227 01:12:22,000 --> 01:12:23,500 Goodbye. 1228 01:12:25,700 --> 01:12:28,400 Oh! 1229 01:12:33,700 --> 01:12:35,900 And, the winner of Best Actress... 1230 01:12:36,000 --> 01:12:37,600 is... 1231 01:12:39,300 --> 01:12:41,000 Oh, my goodness. We have a tie. 1232 01:12:42,700 --> 01:12:46,000 The winners are Simone for "Sunrise, Sunset"... 1233 01:12:47,300 --> 01:12:48,500 Thank you. 1234 01:12:50,900 --> 01:12:54,700 ...and Simone for "Eternity Forever." 1235 01:12:58,700 --> 01:13:02,000 Unfortunately, Simone cannot be with us here tonight 1236 01:13:02,100 --> 01:13:04,400 but thanks to the miracle of modern technology, 1237 01:13:04,400 --> 01:13:07,600 she joins us live from her Goodwill Tour of the third world. 1238 01:13:07,700 --> 01:13:09,600 Ladies and gentlemen, Simone! 1239 01:13:14,200 --> 01:13:16,000 Thank you. Oh, thank you. 1240 01:13:16,000 --> 01:13:18,400 This means so much to me. 1241 01:13:18,500 --> 01:13:21,300 I'm just sorry I couldn't be there with you. 1242 01:13:21,400 --> 01:13:24,100 First, I want to acknowledge my fellow nominees. 1243 01:13:24,200 --> 01:13:27,200 I don't even feel I belong in the Best Actress category, 1244 01:13:27,300 --> 01:13:29,700 Iet alone with these wonderful human beings. 1245 01:13:29,800 --> 01:13:32,900 And I also wanna thank my co-stars 1246 01:13:33,000 --> 01:13:36,300 and the studio, of course. 1247 01:13:36,400 --> 01:13:38,400 And as always, I dedicate this to Hank, 1248 01:13:38,400 --> 01:13:41,500 without whom none of this would be possible. 1249 01:13:41,600 --> 01:13:46,000 I love you, Hank, wherever you are. 1250 01:13:47,700 --> 01:13:50,700 Thank you. 1251 01:13:56,100 --> 01:13:57,800 Who's Hank? Her agent? 1252 01:13:59,700 --> 01:14:02,300 - Her father. - Oh. 1253 01:14:03,400 --> 01:14:04,900 Why didn't she thank you? 1254 01:14:06,700 --> 01:14:08,400 She did. 1255 01:14:10,700 --> 01:14:13,000 Didn't she? 1256 01:14:13,100 --> 01:14:14,600 No. 1257 01:14:20,500 --> 01:14:23,600 And of course, I must thank my collaborator, 1258 01:14:23,700 --> 01:14:25,400 Viktor Taransky, 1259 01:14:25,500 --> 01:14:27,900 without whom none of this would be possible. 1260 01:14:28,000 --> 01:14:32,100 And of course, I must thank my collaborator, 1261 01:14:32,200 --> 01:14:33,800 Viktor Taransky, 1262 01:14:33,900 --> 01:14:36,100 without whom none of this would be possible. 1263 01:14:36,200 --> 01:14:37,800 Why didn't I say it? 1264 01:14:39,900 --> 01:14:41,600 How could I forget to say it? 1265 01:14:43,700 --> 01:14:45,400 I wrote it. 1266 01:14:45,500 --> 01:14:48,800 And of course, I must thank my collaborator, 1267 01:14:48,900 --> 01:14:50,400 Viktor Taransky, 1268 01:14:50,800 --> 01:14:53,600 without whom none of this would be possible. 1269 01:14:56,900 --> 01:14:58,800 Excuse me, Mr. Taransky, 1270 01:14:58,900 --> 01:15:01,100 Are you ready for your casting session? 1271 01:15:01,100 --> 01:15:03,900 Nicola is here for the role of Simone's sister. 1272 01:15:05,300 --> 01:15:07,100 Viktor. 1273 01:15:09,800 --> 01:15:13,100 So much has happened since we last saw each other. 1274 01:15:13,200 --> 01:15:15,400 Oh, yeah. Yeah. 1275 01:15:15,500 --> 01:15:17,500 - Why don't you sit? - Thank you. 1276 01:15:21,700 --> 01:15:24,100 I never got a chance to properly apologize 1277 01:15:24,200 --> 01:15:25,900 for what happened on "Sunrise." 1278 01:15:26,000 --> 01:15:28,800 Oh, that's okay. I know. I understand. 1279 01:15:30,300 --> 01:15:33,100 When I saw what Simone did with the role, 1280 01:15:33,200 --> 01:15:36,800 I mean, I fired all my people. 1281 01:15:36,900 --> 01:15:38,400 I went into rehab. 1282 01:15:38,500 --> 01:15:39,900 I took some acting classes. 1283 01:15:39,900 --> 01:15:42,100 I changed my whole look. 1284 01:15:42,200 --> 01:15:45,500 She really, really inspired me. 1285 01:15:49,900 --> 01:15:51,500 Would you like me to read? 1286 01:15:52,900 --> 01:15:54,900 Oh, sure. That would be good. 1287 01:16:17,500 --> 01:16:20,900 Who do you think you are, Carlos, 1288 01:16:21,000 --> 01:16:23,100 coming in here like this? 1289 01:16:25,100 --> 01:16:27,700 My husband's sleeping in the next room. 1290 01:16:27,800 --> 01:16:30,400 You think I won't call out? 1291 01:16:30,500 --> 01:16:32,400 Do you think I'll just... 1292 01:16:32,500 --> 01:16:34,300 give in to you without a fight, 1293 01:16:34,400 --> 01:16:37,100 Iike I did the last time and the time before that? 1294 01:16:46,000 --> 01:16:47,800 I wish you were dead. 1295 01:17:00,200 --> 01:17:02,600 I wish we were both dead. 1296 01:17:10,300 --> 01:17:11,800 Oh... 1297 01:17:11,900 --> 01:17:15,100 that was just wonderful. 1298 01:17:15,200 --> 01:17:16,900 Wonderful acting. 1299 01:17:16,900 --> 01:17:19,100 Thank you. 1300 01:17:19,200 --> 01:17:20,900 You could play the lead. 1301 01:17:23,500 --> 01:17:25,300 Isn't that Simone's part? 1302 01:17:27,500 --> 01:17:29,100 Of course. 1303 01:17:29,200 --> 01:17:31,000 Of course it is. 1304 01:17:32,100 --> 01:17:36,300 You have such a beautiful line, 1305 01:17:36,400 --> 01:17:38,600 right, right there. 1306 01:17:38,700 --> 01:17:40,600 It's not a wrinkle, or anything, 1307 01:17:40,700 --> 01:17:42,300 it's like a dimple. 1308 01:17:42,400 --> 01:17:44,400 Right-- when you smile it-- 1309 01:17:44,500 --> 01:17:46,100 I was thinking of incorporating 1310 01:17:46,200 --> 01:17:48,100 something like that in Simone. 1311 01:17:49,700 --> 01:17:53,100 Cosmetically altering Simone to look like me? 1312 01:17:55,200 --> 01:17:56,700 Oh, yeah. That would be crazy. 1313 01:17:56,800 --> 01:17:59,600 That would be crazy. Yes... 1314 01:17:59,700 --> 01:18:01,300 that would be nuts. 1315 01:18:03,600 --> 01:18:07,500 Would you like me to try something different with this, or do it again? 1316 01:18:08,800 --> 01:18:10,500 No, it's fine. 1317 01:18:11,800 --> 01:18:13,600 Okay. 1318 01:18:15,300 --> 01:18:16,900 Thank you. 1319 01:18:21,800 --> 01:18:23,600 Thank you, Viktor. 1320 01:18:36,000 --> 01:18:37,900 Happy birthday, Lainey. 1321 01:18:44,800 --> 01:18:46,200 What do you think? 1322 01:18:47,800 --> 01:18:49,700 It's fantastic. 1323 01:18:51,100 --> 01:18:55,100 It's what she drove in "Eternity Forever." 1324 01:18:55,100 --> 01:18:57,100 - I know. - See? 1325 01:18:59,000 --> 01:19:01,500 - You have to thank her for me. - It's from both of us. 1326 01:19:01,600 --> 01:19:04,000 You know, you won't be able 1327 01:19:04,000 --> 01:19:05,800 to drive it till you get your permit, 1328 01:19:05,900 --> 01:19:08,300 but you can take it around the lot, okay? 1329 01:19:08,400 --> 01:19:10,000 Here. 1330 01:19:12,700 --> 01:19:15,000 What's the matter? 1331 01:19:15,100 --> 01:19:17,200 I can't accept it. 1332 01:19:18,900 --> 01:19:21,700 Why? Why, honey? 1333 01:19:21,700 --> 01:19:23,700 I don't want a car, Dad. 1334 01:19:23,700 --> 01:19:25,500 What do you want? 1335 01:19:26,700 --> 01:19:29,100 I'll give you whatever you want. 1336 01:19:31,100 --> 01:19:33,200 The old Viktor Taransky. 1337 01:19:36,900 --> 01:19:39,100 I can't stand to see you like this, 1338 01:19:39,200 --> 01:19:42,400 clinging to Simone's coattails. 1339 01:19:44,400 --> 01:19:46,000 It used to be all about the work 1340 01:19:46,100 --> 01:19:47,700 and now it's all about her. 1341 01:19:49,100 --> 01:19:52,000 And then she's not even grateful enough to thank you. 1342 01:19:52,100 --> 01:19:53,500 Oh, no, that was me. 1343 01:19:53,600 --> 01:19:56,000 There you go again, blaming yourself. 1344 01:19:57,500 --> 01:19:59,300 Can't you see what she's done to you? 1345 01:20:01,100 --> 01:20:05,000 She's taken advantage. Mocking you. 1346 01:20:05,000 --> 01:20:07,000 You deserve better than Simone. 1347 01:20:10,400 --> 01:20:13,200 - I have to go, Dad. - Okay. 1348 01:20:42,600 --> 01:20:44,900 Oh, sure. She comes in all the time. 1349 01:20:45,000 --> 01:20:46,500 - Really? - Mm-hmm. 1350 01:20:46,600 --> 01:20:48,800 - Is she nice? - We've become very close. 1351 01:20:48,800 --> 01:20:51,800 She told me she wanted to look at my script next week. 1352 01:20:51,900 --> 01:20:53,400 - Jane? - Gotta go. 1353 01:20:54,900 --> 01:20:56,800 I'm leaving early. 1354 01:20:56,800 --> 01:20:59,300 If anybody needs me, I'll be at the beach house 1355 01:20:59,300 --> 01:21:01,400 having dinner with a certain someone. 1356 01:21:14,600 --> 01:21:16,600 Elaine Christian, please. 1357 01:22:01,900 --> 01:22:04,000 Elaine. 1358 01:22:04,100 --> 01:22:05,400 Hi. 1359 01:22:07,100 --> 01:22:08,700 Hi. 1360 01:22:08,800 --> 01:22:12,700 I was in the neighborhood. I just thought I'd drop by. 1361 01:22:12,800 --> 01:22:14,900 You don't use the front door anymore? 1362 01:22:14,900 --> 01:22:16,900 Uh... no. 1363 01:22:21,000 --> 01:22:22,700 When is she coming over? 1364 01:22:24,800 --> 01:22:26,700 - About now. - Oh. 1365 01:22:28,600 --> 01:22:30,700 Okay. I'll just stay until she gets here. 1366 01:22:32,700 --> 01:22:35,200 Well, she's... 1367 01:22:35,200 --> 01:22:37,400 already here. 1368 01:22:37,500 --> 01:22:39,400 What? 1369 01:22:41,000 --> 01:22:43,200 Elaine... 1370 01:22:43,200 --> 01:22:45,700 Simone is not coming over tonight 1371 01:22:48,100 --> 01:22:49,900 or any other night. 1372 01:22:53,300 --> 01:22:56,700 - I want you back, Elaine. - I want you back, too. 1373 01:22:59,100 --> 01:23:00,600 Oh, Viktor! 1374 01:23:00,600 --> 01:23:02,300 Wait! Viktor! 1375 01:23:02,400 --> 01:23:04,500 This is crazy. Who are we kidding? 1376 01:23:04,600 --> 01:23:07,000 I can't compete with Simone. 1377 01:23:07,100 --> 01:23:09,800 - Well... - What woman can? 1378 01:23:09,900 --> 01:23:12,000 I'd rather have you than Simone. 1379 01:23:12,100 --> 01:23:13,000 - Believe me. - Oh. 1380 01:23:13,100 --> 01:23:15,000 That's so sweet. 1381 01:23:16,400 --> 01:23:18,200 No, but I can't let you do that, 1382 01:23:18,300 --> 01:23:20,400 make that kind of sacrifice. 1383 01:23:20,500 --> 01:23:22,200 - No. No. - God, this is strange. 1384 01:23:22,300 --> 01:23:24,400 You know, I have stabbed people in the back 1385 01:23:24,400 --> 01:23:27,200 and clawed and slept my way to where I am. 1386 01:23:27,300 --> 01:23:29,500 - but-- - You have? 1387 01:23:29,600 --> 01:23:31,500 Well, it goes with the territory. 1388 01:23:31,600 --> 01:23:34,500 For some reason, I can't betray Simone. 1389 01:23:34,600 --> 01:23:37,600 I can't. There's a goodness to her, Viktor. 1390 01:23:37,600 --> 01:23:40,200 - No, there's nothing to her. - Oh, Viktor. 1391 01:23:42,600 --> 01:23:44,400 You say that now, but in the morning 1392 01:23:44,500 --> 01:23:46,400 you would go back to her. 1393 01:23:46,500 --> 01:23:47,900 - No. No. - You would, Viktor. 1394 01:23:47,900 --> 01:23:50,300 She's gonna retire. She'll never work again. 1395 01:23:50,400 --> 01:23:53,200 Of course she will. Her public will demand it. 1396 01:23:53,300 --> 01:23:55,200 - Not if I don't let her. - You? 1397 01:23:55,300 --> 01:23:57,200 - Yeah. - How can you stop her? 1398 01:24:01,700 --> 01:24:04,900 I'm gonna tell you a secret now, Elaine. 1399 01:24:12,600 --> 01:24:16,000 Simone isn't a real person. 1400 01:24:20,400 --> 01:24:21,800 I invented her. 1401 01:24:24,300 --> 01:24:26,400 Every actor is an invention. 1402 01:24:26,400 --> 01:24:28,100 - Elaine-- - Please. 1403 01:24:28,200 --> 01:24:30,700 You're lucky she's loyal enough to stay with you. 1404 01:24:30,700 --> 01:24:32,800 Maybe she's staying out of pity. 1405 01:24:32,900 --> 01:24:35,500 Who knows? I mean, she certainly doesn't need you. 1406 01:24:35,600 --> 01:24:37,500 Listen, she's thin air. 1407 01:24:37,600 --> 01:24:39,500 - She's pixels. - What? 1408 01:24:39,600 --> 01:24:43,500 Computer code molded by me 1409 01:24:43,600 --> 01:24:46,000 from a mathematical equation 1410 01:24:46,100 --> 01:24:49,800 I inherited from a madman. 1411 01:24:49,900 --> 01:24:51,900 How much have you had to drink? 1412 01:24:52,000 --> 01:24:53,700 There's no Simone. 1413 01:24:53,800 --> 01:24:56,100 - I'm Simone. - You're Simone?! 1414 01:24:57,500 --> 01:25:00,000 I've done the impossible. 1415 01:25:02,100 --> 01:25:06,000 I have recreated 1416 01:25:06,100 --> 01:25:08,500 the infinite nuances 1417 01:25:08,600 --> 01:25:10,500 of a human being-- 1418 01:25:10,600 --> 01:25:12,800 a human soul. 1419 01:25:12,900 --> 01:25:15,800 I have taken nothing, 1420 01:25:15,900 --> 01:25:18,800 and made it something. 1421 01:25:21,200 --> 01:25:24,500 I have breathed life into a machine. 1422 01:25:26,300 --> 01:25:28,400 - I made a miracle. - Viktor, please stop. 1423 01:25:28,500 --> 01:25:31,700 - Please. - I swear, Elaine. 1424 01:25:31,700 --> 01:25:34,300 As God is my judge, I swear. 1425 01:25:34,400 --> 01:25:37,100 I made Simone. I made her. 1426 01:25:38,400 --> 01:25:40,300 - You made Simone? - Yes. 1427 01:25:41,900 --> 01:25:44,300 Viktor... 1428 01:25:44,300 --> 01:25:46,200 she made you. 1429 01:26:03,200 --> 01:26:05,300 You bitch. 1430 01:26:05,400 --> 01:26:07,300 I'll destroy you. 1431 01:26:52,600 --> 01:26:55,300 Bravo! 1432 01:26:59,500 --> 01:27:01,100 Yes! Yes! Yes! 1433 01:27:15,200 --> 01:27:16,700 Had a rough night? 1434 01:27:19,900 --> 01:27:22,500 Let's see if they still love you after this. 1435 01:27:28,900 --> 01:27:30,800 You made me. 1436 01:27:30,900 --> 01:27:32,700 I made you first. 1437 01:27:34,700 --> 01:27:37,000 Well, we're back on "Good Morning, Good Day," 1438 01:27:37,100 --> 01:27:40,000 and we are here once again with the incomparable Simone. 1439 01:27:40,000 --> 01:27:42,500 Simone, before the break 1440 01:27:42,600 --> 01:27:45,500 you were taking a rather controversial position. 1441 01:27:45,600 --> 01:27:48,000 I just think all elementary schools 1442 01:27:48,100 --> 01:27:50,600 should have a firing range. 1443 01:27:50,600 --> 01:27:53,600 How else can the children learn to defend themselves? 1444 01:27:53,600 --> 01:27:55,800 If there is a hole in the ozone layer, 1445 01:27:55,900 --> 01:27:57,900 how come I can't see it? 1446 01:27:58,000 --> 01:28:00,400 Immigration? God! 1447 01:28:00,400 --> 01:28:02,200 Isn't it crowded enough? 1448 01:28:02,300 --> 01:28:05,200 But God created furry animals to be worn. 1449 01:28:05,200 --> 01:28:07,100 Have you ever tasted dolphin? 1450 01:28:07,200 --> 01:28:10,000 Pan-fried with a little garlic and fennel. 1451 01:28:10,100 --> 01:28:13,300 Everybody always talks about the negatives of cigarettes. 1452 01:28:13,400 --> 01:28:15,000 But look at the benefits. 1453 01:28:15,100 --> 01:28:17,000 I mean, you don't eat as much. 1454 01:28:17,000 --> 01:28:19,500 And you've got something to hold in your hand. 1455 01:28:21,000 --> 01:28:23,500 We always knew Simone wasn't like other celebrities. 1456 01:28:23,500 --> 01:28:25,300 - Oh, no. - She speaks her mind. 1457 01:28:25,400 --> 01:28:26,900 She certainly does. 1458 01:28:36,700 --> 01:28:38,600 It's plastic, Hank. 1459 01:28:38,700 --> 01:28:41,400 I know that's the way you'd want it. 1460 01:28:44,300 --> 01:28:46,200 She killed you, Hank. 1461 01:28:46,300 --> 01:28:48,000 Now she's killing me. 1462 01:28:49,700 --> 01:28:51,500 She's a serial killer. 1463 01:28:54,400 --> 01:28:56,300 But I don't know how to stop her. 1464 01:28:56,400 --> 01:29:00,500 I mean, she's taken on a life of her own. 1465 01:29:02,700 --> 01:29:04,600 I can't just come clean, 1466 01:29:04,700 --> 01:29:06,600 you know, make some confession, 1467 01:29:06,700 --> 01:29:09,100 because... 1468 01:29:09,200 --> 01:29:12,300 I've defrauded millions. They'd turn on me. 1469 01:29:14,200 --> 01:29:17,000 I just can't put the genie 1470 01:29:17,100 --> 01:29:19,100 back in the bottle, because... 1471 01:29:19,100 --> 01:29:21,100 if she suddenly stopped working, 1472 01:29:21,200 --> 01:29:23,000 you know, just dropped out of sight, 1473 01:29:23,100 --> 01:29:25,600 they'd never let it rest. 1474 01:29:28,400 --> 01:29:31,200 I tried killing her career, 1475 01:29:33,900 --> 01:29:36,100 but they like her even more. 1476 01:29:40,600 --> 01:29:42,100 What am I gonna do? 1477 01:29:53,300 --> 01:29:55,200 Not another word, Hank. 1478 01:29:56,400 --> 01:29:58,800 You are truly a genius. 1479 01:30:08,900 --> 01:30:10,700 Thank you, Hank. 1480 01:30:12,200 --> 01:30:13,800 Thank you. 1481 01:30:19,100 --> 01:30:21,700 What's the matter, Viktor? 1482 01:30:22,800 --> 01:30:24,800 You look so sad. 1483 01:30:26,900 --> 01:30:29,200 Don't you love me anymore? 1484 01:30:33,900 --> 01:30:35,800 It's over, isn't it? 1485 01:30:43,900 --> 01:30:44,900 I know what you're thinking, Simone. 1486 01:30:47,800 --> 01:30:50,200 This is a phoney-baloney world. 1487 01:30:52,600 --> 01:30:55,100 We're all living one big lie. 1488 01:30:55,200 --> 01:30:57,200 So, why shouldn't you live, too? 1489 01:30:59,300 --> 01:31:02,700 You're more authentic than all these people who worship you. 1490 01:31:02,700 --> 01:31:05,000 And that's the problem. 1491 01:31:10,300 --> 01:31:12,300 You're looking at the real fraud. 1492 01:31:13,600 --> 01:31:16,900 I told myself this was all about the work. 1493 01:31:17,000 --> 01:31:18,900 But if that were the truth, 1494 01:31:19,000 --> 01:31:21,600 it wouldn't matter to me 1495 01:31:21,700 --> 01:31:23,600 that you get all the attention. 1496 01:31:26,400 --> 01:31:28,200 And it does. 1497 01:31:29,800 --> 01:31:31,700 It does. 1498 01:31:33,900 --> 01:31:35,900 I'm sorry, Simone. 1499 01:31:37,200 --> 01:31:39,900 Here I was trying to convince 1500 01:31:39,900 --> 01:31:42,300 the whole world you existed. 1501 01:31:42,400 --> 01:31:44,500 but what I was really trying to do 1502 01:31:44,600 --> 01:31:47,700 was convince them that I exist. 1503 01:31:51,500 --> 01:31:53,400 It's not that you aren't human. 1504 01:31:55,800 --> 01:31:57,700 It's that I am. 1505 01:34:20,600 --> 01:34:22,700 I'm sorry, Simone. 1506 01:34:48,200 --> 01:34:51,900 It is my sad... 1507 01:34:51,900 --> 01:34:54,700 and solemn duty... 1508 01:34:56,300 --> 01:34:58,400 to announce... 1509 01:34:58,400 --> 01:35:01,800 the tragic passing of Simone. 1510 01:35:06,900 --> 01:35:08,300 How did she die? 1511 01:35:09,600 --> 01:35:12,000 It was a rare virus she contracted 1512 01:35:13,200 --> 01:35:15,500 on her Goodwill Tour of the third world. 1513 01:35:18,400 --> 01:35:20,000 Did she suffer? 1514 01:35:20,100 --> 01:35:23,100 Mercifully, it was quick. 1515 01:36:15,600 --> 01:36:17,600 I feel awful. 1516 01:36:18,900 --> 01:36:20,900 It's a great loss. 1517 01:36:26,000 --> 01:36:28,700 You know, we're going to have to restructure your deal. 1518 01:36:30,900 --> 01:36:33,500 Can I see you later? 1519 01:36:33,600 --> 01:36:36,200 I mean, go away for the weekend? 1520 01:36:37,500 --> 01:36:40,500 How could you bring that up at a time like this? 1521 01:37:01,200 --> 01:37:02,900 One minute, Mr. Taransky. 1522 01:37:08,400 --> 01:37:10,200 Oh my God. 1523 01:37:12,500 --> 01:37:14,100 This has got to be a mistake. 1524 01:37:14,200 --> 01:37:16,000 You have the right to remain silent. 1525 01:37:16,000 --> 01:37:19,400 Anything you say can and will be used against you in a court of law. 1526 01:37:19,500 --> 01:37:21,000 - You don't understand. - Viktor! 1527 01:37:21,100 --> 01:37:24,100 - It's a mistake! - I'll call my attorney. 1528 01:37:24,200 --> 01:37:25,300 Dad! 1529 01:37:25,300 --> 01:37:27,300 Elaine, call Bernard! 1530 01:37:27,300 --> 01:37:29,300 That's why it was so light. 1531 01:37:29,400 --> 01:37:31,800 I heard him say, 1532 01:37:31,800 --> 01:37:36,000 "Die, bitch. I'll destroy you." 1533 01:37:37,900 --> 01:37:40,000 It was so strange. 1534 01:37:40,000 --> 01:37:43,000 He actually wanted to replace Simone with me 1535 01:37:43,100 --> 01:37:45,000 in his new movie. 1536 01:37:47,100 --> 01:37:48,800 He's a sick man. 1537 01:37:48,900 --> 01:37:52,300 He was a controlling madman. 1538 01:37:52,400 --> 01:37:54,300 She was a prisoner. 1539 01:37:55,700 --> 01:37:58,200 I blame myself. 1540 01:37:58,200 --> 01:38:01,300 I wish I had done more to stop it. 1541 01:38:04,000 --> 01:38:05,600 Forgive me, Mr. Taransky. 1542 01:38:05,700 --> 01:38:08,200 I'm just trying to understand here. 1543 01:38:08,300 --> 01:38:10,500 Now, all these films 1544 01:38:10,600 --> 01:38:13,600 and TV appearances and magazine covers 1545 01:38:13,700 --> 01:38:15,700 and internet interviews, 1546 01:38:15,800 --> 01:38:19,100 publicity photos, snapshots from her childhood... 1547 01:38:20,400 --> 01:38:22,800 All fake? Hmm? 1548 01:38:22,900 --> 01:38:25,200 This is fake. This is fake. 1549 01:38:25,300 --> 01:38:27,300 Fake, fake, fake, fake, fake. 1550 01:38:27,300 --> 01:38:29,800 - All fake? - Yes. 1551 01:38:29,900 --> 01:38:31,900 You understand perfectly. 1552 01:38:32,000 --> 01:38:34,900 So, I will confess 1553 01:38:34,900 --> 01:38:37,800 to fraud but not to murder. 1554 01:38:37,900 --> 01:38:40,200 And a fan club with a worldwide membership 1555 01:38:40,300 --> 01:38:43,100 in the millions, that's also bogus? 1556 01:38:43,200 --> 01:38:46,800 No. No. The fan club's real. 1557 01:38:46,900 --> 01:38:49,000 It's just what they were worshipping 1558 01:38:49,100 --> 01:38:51,500 is a computer code. 1559 01:38:51,500 --> 01:38:53,500 Ones and zeroes. 1560 01:38:53,600 --> 01:38:56,300 You couldn't have killed Simone because there was no Simone. 1561 01:38:56,900 --> 01:38:58,600 - Right. Exactly. - And this Hank Aleno 1562 01:38:58,600 --> 01:39:00,300 that you keep talking about, 1563 01:39:00,400 --> 01:39:04,200 the renowned failure who also happens to be so conveniently dead, 1564 01:39:04,400 --> 01:39:07,600 now, perhaps this man that you claim helped invent Simone, 1565 01:39:07,700 --> 01:39:10,300 is an invention himself. 1566 01:39:10,400 --> 01:39:12,200 Oh, no. No. 1567 01:39:12,300 --> 01:39:14,800 This whole thing is insane! 1568 01:39:14,800 --> 01:39:16,300 There is no Simone! 1569 01:39:16,400 --> 01:39:18,800 Look. Even her name is fake. 1570 01:39:18,900 --> 01:39:20,800 It's not Simone. 1571 01:39:20,800 --> 01:39:24,000 It's "Sim One"-- See? 1572 01:39:24,000 --> 01:39:26,000 "Simulation One"! 1573 01:39:26,000 --> 01:39:27,800 It's a computer code! 1574 01:39:30,300 --> 01:39:32,500 You really hated her, didn't you? 1575 01:39:35,000 --> 01:39:38,500 Perhaps you could explain this to me, Mr. Taransky. 1576 01:39:38,600 --> 01:39:41,700 Or is this tape doctored, too? 1577 01:39:41,800 --> 01:39:44,800 This is footage from the marina's closed-circuit camera 1578 01:39:44,900 --> 01:39:48,600 on the night in question-- altered of course. 1579 01:39:48,700 --> 01:39:51,100 Can you tell us why you're disposing 1580 01:39:51,100 --> 01:39:53,400 of the body of a woman who doesn't exist? 1581 01:39:53,500 --> 01:39:55,500 Well, it's not her body. 1582 01:39:56,700 --> 01:40:00,000 It's her body of work. 1583 01:40:00,000 --> 01:40:01,900 Viktor, Viktor, Viktor. 1584 01:40:02,000 --> 01:40:03,500 Viktor. 1585 01:40:03,600 --> 01:40:06,700 I know. Look. Look. Look. 1586 01:40:08,500 --> 01:40:10,800 Why don't you just come clean? Huh? 1587 01:40:10,900 --> 01:40:14,400 Just tell the truth, you're gonna feel better afterwards. 1588 01:40:14,500 --> 01:40:17,000 I'm telling the truth, and I don't feel so good. 1589 01:40:17,100 --> 01:40:19,500 Hey, we all know what happened. 1590 01:40:19,600 --> 01:40:21,700 In a fit of jealous rage, 1591 01:40:21,800 --> 01:40:25,500 you killed Simone and you dumped her body off the boat... 1592 01:40:25,600 --> 01:40:28,400 - Don't say that. -...that she bought for you. 1593 01:40:28,400 --> 01:40:30,200 I did-- I can prove-- 1594 01:40:30,300 --> 01:40:31,600 I can prove it to you. 1595 01:40:31,700 --> 01:40:33,400 Let me just take you there. 1596 01:40:33,400 --> 01:40:35,000 I'll take you to the spot. 1597 01:40:35,100 --> 01:40:36,400 I can prove it. 1598 01:40:36,500 --> 01:40:38,000 Here. Here. Come on. 1599 01:40:38,100 --> 01:40:39,500 We can just go there, can't we? 1600 01:40:39,600 --> 01:40:42,200 - Let's just go. I'll take you there. - Oh, Viktor. 1601 01:40:53,000 --> 01:40:54,700 Okay, good. 1602 01:40:54,800 --> 01:40:56,900 Thank you. Good work. 1603 01:40:58,800 --> 01:41:00,500 Now you'll see. 1604 01:41:06,200 --> 01:41:08,300 What is this? 1605 01:41:08,400 --> 01:41:10,800 No, there's drives and discs. 1606 01:41:12,400 --> 01:41:13,900 Where are the discs? 1607 01:41:13,900 --> 01:41:15,800 You have to go back down and get them. 1608 01:41:15,900 --> 01:41:18,300 - That's where they are. - We can't go back down there. 1609 01:41:18,400 --> 01:41:20,600 - There's discs down there! - Calm yourself! 1610 01:41:20,700 --> 01:41:22,400 - Please! Just-- - Sit him down. 1611 01:41:22,400 --> 01:41:24,300 You must go down and get the drives. 1612 01:41:24,400 --> 01:41:26,300 Hey, you see what's down there? 1613 01:41:33,000 --> 01:41:34,700 Plead guilty. 1614 01:41:34,800 --> 01:41:36,300 Plead guilty and throw yourself 1615 01:41:36,400 --> 01:41:37,900 on the mercy of the court. 1616 01:41:37,900 --> 01:41:39,700 It's the best deal you're gonna get. 1617 01:41:39,800 --> 01:41:41,800 I could get the death penalty. 1618 01:41:41,900 --> 01:41:43,300 Yeah. Yeah. 1619 01:41:43,400 --> 01:41:45,400 You certainly will if you go to trial. 1620 01:41:45,500 --> 01:41:48,600 A jury, in this kind of ugly mood. 1621 01:41:48,700 --> 01:41:51,000 You killed an icon, for God's sake. 1622 01:41:51,100 --> 01:41:53,000 - Bernard, listen to me! - Viktor! 1623 01:41:53,100 --> 01:41:56,700 Bernard, I didn't kill anyone. 1624 01:41:56,700 --> 01:41:58,700 Viktor, come on, it's in the paper. 1625 01:41:58,800 --> 01:42:00,400 There's no one to kill. 1626 01:42:02,400 --> 01:42:05,200 Bernard, I'm a filmmaker. 1627 01:42:06,200 --> 01:42:08,300 I was trying to say something. 1628 01:42:08,400 --> 01:42:11,300 I wanted recognition. 1629 01:42:11,400 --> 01:42:13,800 I wanted to be appreciated. 1630 01:42:15,000 --> 01:42:17,900 So I created her. 1631 01:42:19,400 --> 01:42:21,800 Bernard, there's no one to kill. 1632 01:42:23,100 --> 01:42:24,600 Do you understand? 1633 01:42:26,100 --> 01:42:27,900 An insanity defense. 1634 01:42:30,500 --> 01:42:32,000 Beautiful. 1635 01:42:33,400 --> 01:42:35,900 Fantastic. 1636 01:42:35,900 --> 01:42:38,400 - What are you doing? - "I created her." 1637 01:42:39,500 --> 01:42:41,200 Viktor! Jesus! 1638 01:42:42,900 --> 01:42:44,700 Jesus Christ, Viktor! 1639 01:42:45,900 --> 01:42:48,500 What am I doing? Oh, what am I doing? 1640 01:42:49,900 --> 01:42:51,900 - Get me out! - Viktor! 1641 01:42:51,900 --> 01:42:54,300 Get me another lawyer. I want another lawyer! 1642 01:42:58,800 --> 01:43:00,600 Why can't people just take responsibility 1643 01:43:00,700 --> 01:43:02,100 for their actions anymore, huh? 1644 01:43:04,000 --> 01:43:06,800 You know, I can almost forgive him for killing her. 1645 01:43:08,400 --> 01:43:10,800 But, to deny her existence? 1646 01:43:12,700 --> 01:43:14,600 I can never forgive that. 1647 01:43:14,700 --> 01:43:17,400 Because obviously she existed, right? 1648 01:43:17,500 --> 01:43:20,700 I know it just as surely as you're sitting there. 1649 01:43:22,400 --> 01:43:24,700 She was the most vital woman I ever met. 1650 01:43:24,700 --> 01:43:26,300 So you did meet her? 1651 01:43:26,400 --> 01:43:28,500 Yeah, Lainey, what are you getting at? 1652 01:43:28,500 --> 01:43:30,100 I'm the head of a major studio. 1653 01:43:30,200 --> 01:43:32,700 Do you think I'm gonna make a three-picture deal 1654 01:43:32,700 --> 01:43:34,000 with an actress I never met? 1655 01:43:34,100 --> 01:43:35,300 No. No. 1656 01:43:35,400 --> 01:43:39,000 I mean, really meet her. Like in the flesh. 1657 01:43:41,700 --> 01:43:43,600 I know it's embarrassing to admit it, 1658 01:43:43,700 --> 01:43:48,100 but when I think about it honestly, I haven't. 1659 01:43:48,200 --> 01:43:50,200 I've never really seen Simone up close... 1660 01:43:50,300 --> 01:43:52,000 touched her. 1661 01:43:52,100 --> 01:43:54,900 Been in her physical presence. 1662 01:43:54,900 --> 01:43:56,700 Have you? 1663 01:43:58,900 --> 01:44:00,200 Well-- 1664 01:44:00,300 --> 01:44:02,100 we don't want to believe daddy 1665 01:44:02,100 --> 01:44:05,100 because we don't want to believe that we were taken in too. 1666 01:44:06,200 --> 01:44:07,400 But, Lainey, 1667 01:44:09,900 --> 01:44:13,100 there's no evidence that Simone isn't real. 1668 01:44:13,200 --> 01:44:15,000 Listen to what you're saying, Mom. 1669 01:44:15,100 --> 01:44:17,500 I mean, is there any evidence that she is? 1670 01:44:24,800 --> 01:44:26,600 Do you have any idea what you're doing? 1671 01:44:34,700 --> 01:44:35,900 What's that? 1672 01:44:35,900 --> 01:44:39,100 One part of Dad's story may have been true. 1673 01:44:39,200 --> 01:44:41,500 Simone may have contracted a virus. 1674 01:44:44,100 --> 01:44:45,900 Certain viruses can be cured. 1675 01:44:48,900 --> 01:44:50,900 I have no idea what you're talking about. 1676 01:45:08,200 --> 01:45:09,800 Listen to me. 1677 01:45:09,800 --> 01:45:12,300 There's a psychiatrist in Ventura, 1678 01:45:12,300 --> 01:45:14,800 well-respected, who is willing to testify 1679 01:45:14,800 --> 01:45:18,300 under oath that you have diminished capacity 1680 01:45:19,500 --> 01:45:21,700 due to the trauma of your divorce, 1681 01:45:21,800 --> 01:45:25,200 10 years of abject failure in the movie business 1682 01:45:25,300 --> 01:45:28,200 and a bump on the head 1683 01:45:28,200 --> 01:45:29,700 you sustained as a child. 1684 01:45:29,800 --> 01:45:32,200 No more. 1685 01:45:32,300 --> 01:45:35,500 I can't go along with this horseshit. 1686 01:45:35,500 --> 01:45:37,800 - Come on, Viktor. - I did it. 1687 01:45:37,900 --> 01:45:39,500 No. No. Viktor, come on. 1688 01:45:39,500 --> 01:45:42,300 - Tell them they can fry me. - No, Viktor, please. 1689 01:45:44,000 --> 01:45:46,000 - I did it! - Viktor, please. 1690 01:45:46,000 --> 01:45:48,000 It was premeditated! 1691 01:45:48,000 --> 01:45:51,000 - Can you please lower your voice? - I strangled her. 1692 01:45:51,100 --> 01:45:54,300 I bludgeoned her! 1693 01:45:54,400 --> 01:45:56,600 I set her on fire 1694 01:45:56,700 --> 01:45:59,400 and then I killed her! 1695 01:45:59,400 --> 01:46:02,300 - I did it! - Excuse me. 1696 01:46:02,300 --> 01:46:04,600 I think you better see this. 1697 01:46:14,700 --> 01:46:15,700 Breaking news: 1698 01:46:15,700 --> 01:46:19,900 International media star Simone is alive and well. 1699 01:46:20,000 --> 01:46:22,700 Her studio released this footage, just minutes ago. 1700 01:46:22,700 --> 01:46:26,800 Simone reading today's edition of "The LA Times." 1701 01:46:31,800 --> 01:46:34,800 Who says the only bad publicity is your obituary? 1702 01:46:34,800 --> 01:46:36,800 Details at the top of the hour. 1703 01:46:38,100 --> 01:46:40,000 She's indestructible. 1704 01:46:52,200 --> 01:46:53,800 He's coming. 1705 01:47:01,600 --> 01:47:03,500 Viktor. 1706 01:47:03,600 --> 01:47:05,700 Oh, Viktor. 1707 01:47:05,700 --> 01:47:07,400 Oh, honey. 1708 01:47:10,800 --> 01:47:13,600 I don't know what you did or how you did it, 1709 01:47:13,700 --> 01:47:16,000 - but thank you. - Well, it was Lainey. 1710 01:47:16,100 --> 01:47:17,900 But don't thank us too fast. 1711 01:47:18,000 --> 01:47:19,900 You know what we have to do now. 1712 01:47:20,000 --> 01:47:21,400 What? 1713 01:47:21,500 --> 01:47:23,800 Well, why stop at one character 1714 01:47:23,900 --> 01:47:26,100 when you can have a whole cast? 1715 01:47:26,200 --> 01:47:28,300 You have to finish what you started. 1716 01:47:28,400 --> 01:47:30,300 We can do it together. 1717 01:47:30,400 --> 01:47:33,400 - Haven't we done enough? - Could we go, please? 1718 01:47:33,500 --> 01:47:35,300 Where we going? 1719 01:47:35,400 --> 01:47:37,600 Well, I was thinking... 1720 01:47:37,700 --> 01:47:39,800 how about you and Simone, 1721 01:47:39,800 --> 01:47:41,800 moving in with me and Lainey? 1722 01:47:47,200 --> 01:47:48,600 That's wonderful. 1723 01:47:50,000 --> 01:47:51,600 What do you think, Lainey? 1724 01:47:51,700 --> 01:47:53,300 About you and Mom? 1725 01:47:53,300 --> 01:47:56,800 Well, about me and Simone. 1726 01:47:56,900 --> 01:47:59,100 What I did. 1727 01:47:59,100 --> 01:48:00,700 Everything. I'm sorry. 1728 01:48:00,800 --> 01:48:03,900 Your mistake wasn't making something fake, Dad. 1729 01:48:04,000 --> 01:48:05,900 We're fine with fake. 1730 01:48:05,900 --> 01:48:08,000 As long as you don't lie about it. 1731 01:48:12,800 --> 01:48:14,400 Oh, come on, Viktor. 1732 01:48:14,500 --> 01:48:16,500 It's not a death sentence. 1733 01:48:17,900 --> 01:48:20,600 No. It's life. 1734 01:48:29,200 --> 01:48:30,900 Hey, Viktor, remember us? 1735 01:48:31,000 --> 01:48:33,300 We probably never met. I'm Milton. 1736 01:48:33,300 --> 01:48:36,100 How are you? Max Sayer from the Echo. 1737 01:48:36,200 --> 01:48:38,600 - Hi! - It's life. 1738 01:48:44,300 --> 01:48:45,800 Just call. Five minutes. 1739 01:48:45,900 --> 01:48:47,300 All we need is five minutes. 1740 01:49:01,100 --> 01:49:03,600 Good evening, and welcome. 1741 01:49:05,000 --> 01:49:06,900 Simone, the question 1742 01:49:07,000 --> 01:49:11,300 on everybody's mind is simply... why? 1743 01:49:11,300 --> 01:49:13,400 Frank, you know as well as I do, 1744 01:49:13,500 --> 01:49:15,500 Iiving in this fish-bowl, 1745 01:49:15,600 --> 01:49:18,300 the insatiable appetite of the media, 1746 01:49:18,300 --> 01:49:20,800 with everything that was going on in my life, 1747 01:49:20,800 --> 01:49:23,600 I just needed to drop out of sight for a while. 1748 01:49:23,600 --> 01:49:27,600 I needed time, and Viktor bought me that time. 1749 01:49:27,600 --> 01:49:31,100 - I owe him so much. - We all do. 1750 01:49:33,000 --> 01:49:34,900 But now I understand you're eager 1751 01:49:34,900 --> 01:49:36,600 to get back to work 1752 01:49:36,700 --> 01:49:38,400 and it's not the kind of work 1753 01:49:38,500 --> 01:49:40,800 we were all expecting. 1754 01:49:40,800 --> 01:49:42,400 It's true. 1755 01:49:42,500 --> 01:49:46,900 I can reveal I am considering a career in politics. 1756 01:49:47,000 --> 01:49:49,500 And what, may I ask, brought this on? 1757 01:49:52,200 --> 01:49:55,800 I suppose this little man had something to do with it. 1758 01:49:55,800 --> 01:49:58,400 - That beautiful baby. - Yes. 1759 01:49:58,500 --> 01:50:01,400 You see, Viktor and I are both very concerned 1760 01:50:01,400 --> 01:50:03,800 about what kind of world our new son, Chip, 1761 01:50:03,900 --> 01:50:05,600 is going to grow up in. 1762 01:50:07,100 --> 01:50:08,800 Aren't you, Viktor? 1763 01:50:08,900 --> 01:50:10,600 Oh, yes. 1764 01:50:11,900 --> 01:50:13,500 Hi. 1765 01:50:16,500 --> 01:50:18,500 Oh yes. 1766 01:50:30,500 --> 01:50:32,600 # Looking out # 1767 01:50:32,700 --> 01:50:36,300 # On the morning rain # 1768 01:50:36,400 --> 01:50:40,400 # I used to feel so inspired # 1769 01:50:43,100 --> 01:50:47,000 # And when I knew I had to face another day # 1770 01:50:49,200 --> 01:50:52,900 # Lord, it made me feel so tired # 1771 01:50:55,200 --> 01:50:57,900 # Before the day I met you # 1772 01:50:58,000 --> 01:51:01,100 # Life was so unkind # 1773 01:51:01,200 --> 01:51:05,700 # You're the key to my peace of mind # 1774 01:51:05,700 --> 01:51:09,300 # 'Cause you make me feel # 1775 01:51:09,400 --> 01:51:12,500 # You make me feel # 1776 01:51:12,500 --> 01:51:18,700 # You make me feel like a natural woman # 1777 01:51:22,000 --> 01:51:26,000 # When my soul was in the lost and found # 1778 01:51:27,900 --> 01:51:31,900 # You came along to claim it # 1779 01:51:34,600 --> 01:51:40,500 # And didn't know what was wrong with me # 1780 01:51:40,600 --> 01:51:44,400 # Till your kiss helped me name it # 1781 01:51:46,700 --> 01:51:49,600 # Now I'm no longer doubtful # 1782 01:51:49,700 --> 01:51:52,500 # To what I'm living for # 1783 01:51:52,500 --> 01:51:54,600 # And if I make you happy # 1784 01:51:54,700 --> 01:51:57,200 # I don't need to do more # 1785 01:51:57,300 --> 01:52:00,800 # 'Cause you make me feel # 1786 01:52:00,900 --> 01:52:03,800 # You make me feel # 1787 01:52:03,900 --> 01:52:10,400 # You make me feel like a natural woman # 1788 01:52:10,500 --> 01:52:13,000 # Woman # 1789 01:52:13,000 --> 01:52:16,600 # Oh, baby, what you've done to me # 1790 01:52:16,700 --> 01:52:18,600 # Done to me # 1791 01:52:18,700 --> 01:52:23,200 # You make me feel so good inside # 1792 01:52:23,300 --> 01:52:25,800 # Good inside # 1793 01:52:25,900 --> 01:52:29,900 # And I just wanna be # 1794 01:52:29,900 --> 01:52:31,800 # Wanna be # 1795 01:52:31,900 --> 01:52:35,700 # Close to you, you make me feel so alive # 1796 01:52:35,800 --> 01:52:38,800 # 'Cause you make me feel # 1797 01:52:38,800 --> 01:52:42,500 # You make me feel # 1798 01:52:42,500 --> 01:52:49,000 # You make me feel like a natural woman # 1799 01:52:49,100 --> 01:52:51,700 # You make me feel # 1800 01:52:51,800 --> 01:52:55,200 # You make me feel # 1801 01:52:55,300 --> 01:53:01,900 # You make me feel like a real... # 1802 01:53:03,700 --> 01:53:06,900 # You make me feel # 1803 01:53:06,900 --> 01:53:10,100 # Feel like a real... # 1804 01:53:10,200 --> 01:53:15,400 # You make me feel like a real... # 1805 01:57:15,600 --> 01:57:18,200 She likes chicken pot pie... 1806 01:57:18,400 --> 01:57:20,500 just like me. 1807 01:57:21,305 --> 01:57:27,194 Please rate this subtitle at %url% Help other users to choose the best subtitles 127165