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1
00:00:03,400 --> 00:00:05,600
♪ THIS IS THE LIFE ♪
2
00:00:05,600 --> 00:00:09,300
♪ HOLD ON TIGHT ♪
3
00:00:09,300 --> 00:00:12,033
♪ AND THIS IS THE DREAM ♪
4
00:00:12,033 --> 00:00:15,000
14-YEAR-OLD SENSATION
HANNAH MONTANA
5
00:00:15,000 --> 00:00:16,400
CONTINUES HER SMASH TOUR
6
00:00:16,400 --> 00:00:17,667
WITH ANOTHER SOLD-OUT SHOW
7
00:00:17,667 --> 00:00:18,967
TOMORROW NIGHT
IN LOS ANGELES.
8
00:00:18,967 --> 00:00:22,100
♪ I'M GONNA TAKE
MY TIME, YEAH ♪
9
00:00:22,100 --> 00:00:27,000
♪ I'M STILL
GETTING IT RIGHT ♪
10
00:00:27,000 --> 00:00:29,200
♪ THIS IS THE LIFE ♪
11
00:00:29,200 --> 00:00:31,000
WHOO!
DID YOU HEAR THAT?
12
00:00:31,000 --> 00:00:33,734
SOLD OUT
IN LOS ANGELES!
13
00:00:33,734 --> 00:00:34,300
WHOO!
14
00:00:34,300 --> 00:00:36,100
OW! OW!
NEEDLE IN FINGER!
15
00:00:36,100 --> 00:00:37,967
SHARP, SHOOTING PAIN.
16
00:00:37,967 --> 00:00:39,233
OH, I'M SORRY, FERMINE.
17
00:00:39,233 --> 00:00:41,967
THAT'S OK. I KISS IT.
MM--ALL BETTER.
18
00:00:41,967 --> 00:00:42,500
ALL RIGHT.
19
00:00:42,500 --> 00:00:47,367
OH, LOOK AT YOU.
YOU LOOK GORGEOUS.
20
00:00:47,367 --> 00:00:49,500
YOU'RE GONNA LOOK BEAUTIFUL
IN YOUR FINALE.
21
00:00:49,500 --> 00:00:51,800
DO IT WITH ME. COME ON NOW.
22
00:00:51,800 --> 00:00:53,300
WORK IT OUT. WORK IT OUT.
23
00:00:53,300 --> 00:00:54,467
AND POP IT!
24
00:00:54,467 --> 00:00:56,000
[RIP]
25
00:00:56,000 --> 00:00:57,767
OH!
26
00:00:58,300 --> 00:01:00,066
TUSHIE TEAR.
27
00:01:00,066 --> 00:01:03,300
AWKWARD MOMENT.
TIME TO GO.
28
00:01:03,300 --> 00:01:05,300
DON'T LOOK AT MY BOOTY.
29
00:01:05,300 --> 00:01:07,100
UH, NO DANGER
OF THAT, PARTNER.
30
00:01:07,100 --> 00:01:10,033
I LOVE YOU,
HANNAH MONTANA.
31
00:01:10,033 --> 00:01:13,400
DO YOU MIND? I AM ON
THE PHONE HERE, ALL RIGHT?
32
00:01:13,400 --> 00:01:14,867
I'VE GOT A LIFE, TOO,
33
00:01:14,867 --> 00:01:16,600
AND I WOULD APPRECIATE IT
34
00:01:16,600 --> 00:01:17,934
IF I COULD HAVE
ONE CONVERSATION
35
00:01:17,934 --> 00:01:20,400
WITHOUT HEARING THE WORDS
HANNAH MONTANA.
36
00:01:20,400 --> 00:01:23,133
YEAH, THAT'S RIGHT, GIRL.
37
00:01:23,133 --> 00:01:24,400
I KNOW HANNAH MONTANA.
38
00:01:24,400 --> 00:01:27,500
AND I GOT TWO INCREDIBLE
TICKETS FOR TOMORROW NIGHT.
39
00:01:27,500 --> 00:01:30,300
GREAT. WE'LL SEE YOU THEN.
40
00:01:30,300 --> 00:01:31,767
I NEED TWO
INCREDIBLE SEATS
41
00:01:31,767 --> 00:01:32,934
FOR TOMORROW NIGHT.
42
00:01:32,934 --> 00:01:34,900
SORRY. I'M SOLD OUT.
43
00:01:34,900 --> 00:01:35,500
DAD--
44
00:01:35,500 --> 00:01:36,800
THINK ABOUT IT
THIS WAY, MILEY--
45
00:01:36,800 --> 00:01:39,600
HE GOES OUT WITH THE GIRL,
THEY FALL IN LOVE,
46
00:01:39,600 --> 00:01:41,834
THEY GET MARRIED,
HE MOVES OUT.
47
00:01:41,834 --> 00:01:43,367
YOU GOT THE TICKETS.
48
00:01:43,367 --> 00:01:46,033
[TELEPHONE RINGS]
49
00:01:46,033 --> 00:01:46,934
HELLO.
50
00:01:46,934 --> 00:01:48,200
Lilly: HEY, IT'S ME!
51
00:01:48,200 --> 00:01:49,767
LANDING
IN 20 SECONDS!
52
00:01:49,767 --> 00:01:50,400
GREAT!
53
00:01:50,400 --> 00:01:52,667
LILLY ALERT IN 18 SECONDS!
54
00:01:52,667 --> 00:01:53,867
SHE'S YOUR BEST FRIEND,
MILEY.
55
00:01:53,867 --> 00:01:57,700
SOONER OR LATER,
YOU'LL HAVE TO TELL HER
YOU'RE HANNAH MONTANA.
56
00:01:57,700 --> 00:01:58,734
I PICK LATER.
57
00:01:58,734 --> 00:02:00,200
NINE SECONDS.
GET THE JUICE!
58
00:02:00,200 --> 00:02:02,000
GOT IT!
GOOD!
59
00:02:02,000 --> 00:02:03,500
3...
2...
1!
60
00:02:03,500 --> 00:02:05,800
GUESS WHO JUST LANDED
TWO TICKETS
61
00:02:05,800 --> 00:02:07,934
TO THE HOTTEST
CONCERT IN TOWN!
62
00:02:07,934 --> 00:02:11,667
MILEY, YOU AND I--
I BEING YOUR BEST FRIEND--
63
00:02:11,667 --> 00:02:15,567
ARE GOING TO SEE
THE ONE, THE ONLY
64
00:02:15,567 --> 00:02:17,600
HANNAH MONTANA!
65
00:02:17,600 --> 00:02:19,467
WHOO!
66
00:02:20,500 --> 00:02:21,500
YOU'RE
NOT SCREAMING.
67
00:02:21,500 --> 00:02:23,767
WHY AREN'T YOU
SCREAMING?
68
00:02:23,767 --> 00:02:24,967
OH, BELIEVE ME,
69
00:02:24,967 --> 00:02:28,500
SHE'S SCREAMING
ON THE INSIDE.
70
00:02:28,500 --> 00:02:31,300
[INSIDE]
AAH!
71
00:02:38,300 --> 00:02:39,200
COME ON.
72
00:02:39,200 --> 00:02:42,200
♪ YOU GET THE LIMO
OUT FRONT ♪
73
00:02:42,200 --> 00:02:43,467
♪ OOH-OOH-OOH ♪
74
00:02:43,467 --> 00:02:46,867
♪ HOT STYLES, EVERY SHOE,
EVERY COVER ♪
75
00:02:46,867 --> 00:02:48,300
♪ YEAH, WHEN YOU'RE FAMOUS ♪
76
00:02:48,300 --> 00:02:50,300
♪ IT CAN BE KIND OF FUN ♪
77
00:02:50,300 --> 00:02:51,834
♪ IT'S REALLY YOU ♪
78
00:02:51,834 --> 00:02:55,467
♪ BUT NO ONE
EVER DISCOVERS ♪
79
00:02:55,467 --> 00:02:59,133
♪ WHO WOULD HAVE THOUGHT
THAT A GIRL LIKE ME ♪
80
00:02:59,133 --> 00:03:04,367
♪ WOULD DOUBLE
AS A SUPERSTAR ♪
81
00:03:04,367 --> 00:03:08,300
♪ YOU GET THE BEST
OF BOTH WORLDS ♪
82
00:03:08,300 --> 00:03:10,500
♪ CHILL IT OUT,
TAKE IT SLOW ♪
83
00:03:10,500 --> 00:03:11,967
♪ THEN YOU ROCK OUT
THE SHOW ♪
84
00:03:11,967 --> 00:03:16,867
♪ YOU GET THE BEST
OF BOTH WORLDS ♪
85
00:03:16,867 --> 00:03:17,734
♪ MIX IT ALL TOGETHER ♪
86
00:03:17,734 --> 00:03:23,000
♪ AND YOU KNOW THAT IT'S
THE BEST OF BOTH WORLDS ♪
87
00:03:24,700 --> 00:03:27,000
♪ YEAH, YEAH, YEAH ♪
88
00:03:27,000 --> 00:03:28,567
I JUST DON'T GET IT.
89
00:03:28,567 --> 00:03:31,500
WHY WON'T YOU GO
TO THE CONCERT WITH ME?
90
00:03:31,500 --> 00:03:33,500
IT'S JUST THAT, UM...
91
00:03:33,500 --> 00:03:36,000
I REALLY WANT TO SPEND
SOME QUALITY TIME
92
00:03:36,000 --> 00:03:37,834
WITH MY BROTHER.
93
00:03:38,200 --> 00:03:42,367
QUALITY TIME
WITH YOUR BROTHER?
94
00:03:42,367 --> 00:03:45,233
OK, IF YOU DON'T
WANT TO TELL ME,
95
00:03:45,233 --> 00:03:47,400
I GUESS THERE'S
NOTHING I CAN DO
96
00:03:47,400 --> 00:03:48,867
EXCEPT
GO THROUGH LIFE
97
00:03:48,867 --> 00:03:50,100
WONDERING WHAT I DID
98
00:03:50,100 --> 00:03:52,100
TO DESERVE
BEING HURT SO BADLY
99
00:03:52,100 --> 00:03:53,000
BY MY BEST FRIEND.
100
00:03:53,000 --> 00:03:55,100
OH, STOP.
I JUST CAN'T GO, OK?
101
00:03:55,100 --> 00:03:56,400
OK, THAT'S FINE.
102
00:03:56,400 --> 00:03:59,400
HEY, MILEY. HOW'S IT GOING?
103
00:04:01,900 --> 00:04:02,834
UH, PRETTY GOOD.
104
00:04:02,834 --> 00:04:04,967
JUST GETTING SOME KETCHUP
FOR MY VEGGIE BURGER.
105
00:04:04,967 --> 00:04:06,367
I SEE YOU LIKE MAYONNAISE.
106
00:04:06,367 --> 00:04:08,867
I NEVER TRIED THAT
ON A VEGGIE BURGER.
107
00:04:08,867 --> 00:04:10,033
MAYBE I SHOULD,
BUT NOT TODAY,
108
00:04:10,033 --> 00:04:11,934
BECAUSE I'VE GOT
THIS KETCHUP THING--
109
00:04:11,934 --> 00:04:13,600
MILEY. MILEY!
110
00:04:15,200 --> 00:04:18,567
YOU KNOW WHAT A LOT OF PEOPLE
DON'T KNOW IS--IS...
111
00:04:18,567 --> 00:04:23,367
IT'S ALSO A WONDERFUL
MOISTURIZER, MM-HMM.
112
00:04:23,367 --> 00:04:25,467
HERE.
ISN'T THAT LOVELY?
113
00:04:25,467 --> 00:04:26,767
MOISTURIZER.
114
00:04:26,767 --> 00:04:29,300
YOU'RE PRETTY FUNNY.
115
00:04:30,567 --> 00:04:34,200
OH, MY HAND
DOES FEEL SOFTER.
116
00:04:34,200 --> 00:04:35,033
WOW.
117
00:04:35,033 --> 00:04:38,367
I KNOW. HE IS SO HOT.
118
00:04:38,367 --> 00:04:39,734
AND I'M SO LAME.
119
00:04:39,734 --> 00:04:41,567
HEY, HE'S THE ONE
WHO BELIEVED
120
00:04:41,567 --> 00:04:42,734
KETCHUP
WAS A MOISTURIZER.
121
00:04:42,734 --> 00:04:46,834
MILEY, YOU'VE BEEN
TOTALLY CRUSHING
ON JOHNNY COLLINS
122
00:04:46,834 --> 00:04:47,567
FOR MONTHS.
123
00:04:47,567 --> 00:04:48,667
HE THOUGHT
YOU WERE FUNNY!
124
00:04:48,667 --> 00:04:51,700
THIS IS YOUR CHANCE!
HE'S SITTING RIGHT THERE.
125
00:04:51,700 --> 00:04:52,767
LET'S MOVE!
126
00:04:52,767 --> 00:04:55,000
I JUST CAN'T DO IT.
127
00:04:55,000 --> 00:04:56,000
[SIGH]
128
00:04:56,000 --> 00:04:56,800
YES, YOU CAN.
129
00:04:56,800 --> 00:04:59,767
MILEY, YOU'RE SMART,
YOU'RE FUNNY,
130
00:04:59,767 --> 00:05:01,967
AND YOU'RE TOTALLY CUTE.
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131
00:05:01,967 --> 00:05:03,500
AND NOW...
132
00:05:03,500 --> 00:05:07,000
YOU HAVE MY LUCKY BRACELET.
133
00:05:08,300 --> 00:05:09,000
OK.
134
00:05:09,000 --> 00:05:10,500
WAIT! BOOGER CHECK!
135
00:05:10,500 --> 00:05:12,200
YOU'RE SO GROSS.
136
00:05:12,200 --> 00:05:15,200
ALL CLEAR. GOOD TO GO.
137
00:05:15,767 --> 00:05:16,400
SERIOUSLY, DUDE,
138
00:05:16,400 --> 00:05:18,934
IT REALLY DOES
SOFTEN YOUR SKIN.
139
00:05:18,934 --> 00:05:21,300
HI, JOHNNY.
140
00:05:24,700 --> 00:05:27,500
HEY! AMBER, ASHLEY,
141
00:05:27,500 --> 00:05:29,300
WE WERE GONNA SIT THERE.
142
00:05:29,300 --> 00:05:30,834
WELL, ISN'T THAT
JUST TOO BAD?
143
00:05:30,834 --> 00:05:34,567
DON'T WORRY. THERE ARE SEATS
OVER THERE BY THE TRASH CANS.
144
00:05:34,567 --> 00:05:36,200
Both: AT THE LOSERS' TABLE.
145
00:05:36,200 --> 00:05:38,967
OOH! TSS!
OOH! TSS!
146
00:05:40,700 --> 00:05:41,567
UH, HEY, AMBER,
147
00:05:41,567 --> 00:05:44,667
I THINK IT MIGHT BE TIME
TO PLUCK THE 'STACHE.
148
00:05:44,667 --> 00:05:47,734
AND, ASHLEY--[GASP]--
IS THAT A ZIT,
149
00:05:47,734 --> 00:05:50,934
OR ARE YOU GROWING
A NEW HEAD?
150
00:05:51,600 --> 00:05:52,867
Both: GROSS!
151
00:05:52,867 --> 00:05:56,100
OOH! TSS!
OOH! TSS!
152
00:06:00,300 --> 00:06:02,667
OK, WE DIDN'T
GET THOSE SEATS.
153
00:06:02,667 --> 00:06:03,700
MINOR SETBACK.
154
00:06:03,700 --> 00:06:04,700
BUT THE GOOD NEWS IS,
155
00:06:04,700 --> 00:06:07,100
WE HAVE BETTER SEATS
FOR HANNAH MONTANA!
156
00:06:07,100 --> 00:06:09,200
I'M SORRY.
IT'S JUST THAT...
157
00:06:09,200 --> 00:06:12,000
I DON'T LIKE
HANNAH MONTANA.
158
00:06:12,834 --> 00:06:14,867
WHAT?
159
00:06:14,867 --> 00:06:17,867
HEY, BABY, HOW YOU DOING?
160
00:06:17,867 --> 00:06:22,300
OLIVER OKEN, AND MAY I SAY,
YOU TWO ARE SMOKIN'.
161
00:06:22,300 --> 00:06:23,300
IN YOUR DREAMS.
162
00:06:23,300 --> 00:06:24,600
I'M COUNTING ON THAT.
163
00:06:24,600 --> 00:06:27,600
HEY, SLICK.
164
00:06:27,600 --> 00:06:29,967
HEY. OH, YEAH,
165
00:06:29,967 --> 00:06:32,100
SHE WANTS ME.
166
00:06:32,100 --> 00:06:33,867
OLIVER, YOU'RE NOT
GONNA BELIEVE THIS.
167
00:06:33,867 --> 00:06:37,567
MILEY SAYS SHE DOESN'T
LIKE HANNAH MONTANA.
168
00:06:37,567 --> 00:06:38,300
WHAT?
169
00:06:38,300 --> 00:06:40,734
HANNAH MONTANA
IS A GODDESS.
170
00:06:40,734 --> 00:06:42,967
I WORSHIP
AT HER FEET.
171
00:06:42,967 --> 00:06:44,033
IN FACT, FYI,
172
00:06:44,033 --> 00:06:46,400
SOMEDAY, I'M GONNA BE
MR. HANNAH MONTANA.
173
00:06:46,400 --> 00:06:49,467
GONNA WATCH HER EVERY
MINUTE OF EVERY DAY,
174
00:06:49,467 --> 00:06:51,700
PROTECT HER FROM ANY
OBSESSED FANS.
175
00:06:51,700 --> 00:06:53,867
EVERY NIGHT,
I'LL SHAMPOO
AND CONDITION
176
00:06:53,867 --> 00:06:57,567
THAT BEAUTIFUL
BLONDE HAIR.
177
00:06:57,567 --> 00:07:02,033
OLIVER, I SAY THIS
BECAUSE I CARE ABOUT YOU.
178
00:07:02,033 --> 00:07:04,300
GET SOME HELP!
179
00:07:05,300 --> 00:07:08,934
MILEY, DON'T MAKE ME GO
SEE MY FAVORITE SINGER
180
00:07:08,934 --> 00:07:10,100
WITHOUT MY BEST FRIEND.
181
00:07:10,100 --> 00:07:11,667
IF YOU DON'T
TAKE THIS TICKET,
182
00:07:11,667 --> 00:07:14,000
I'M GONNA END UP
GOING TO THE CONCERT
183
00:07:14,000 --> 00:07:15,400
WITH MR. HANNAH MONTANA.
184
00:07:15,400 --> 00:07:19,367
YOU HAVE AN EXTRA TICKET
TO HANNAH MONTANA?
185
00:07:19,367 --> 00:07:19,900
[ALL GASP]
186
00:07:19,900 --> 00:07:22,567
THAT WAS REALLY
LOUD, WASN'T IT?
187
00:07:31,667 --> 00:07:32,233
HEY, DAD,
188
00:07:32,233 --> 00:07:34,834
I'M REALLY NERVOUS
ABOUT MY DATE,
189
00:07:34,834 --> 00:07:36,033
AND, WELL...
190
00:07:36,033 --> 00:07:37,900
I'M JUST GONNA SAY THIS.
191
00:07:37,900 --> 00:07:40,100
THERE IS NOBODY
IN THE WORLD
192
00:07:40,100 --> 00:07:42,133
WHOSE ADVICE
I TRUST AND RESPECT
193
00:07:42,133 --> 00:07:43,100
MORE THAN YOU.
194
00:07:43,100 --> 00:07:46,300
SON, I'M NOT
LOANING YOU MONEY.
195
00:07:46,300 --> 00:07:46,934
WHAT?
196
00:07:46,934 --> 00:07:49,367
IS THAT WHAT YOU THINK
THIS IS ABOUT?
197
00:07:49,367 --> 00:07:51,233
DAD, I--I AM HURT.
198
00:07:51,233 --> 00:07:55,100
THIS HAS NOTHING TO DO
WITH BORROWING MONEY FROM YOU.
199
00:07:55,100 --> 00:07:57,100
I WAS ACTUALLY
KIND OF HOPING MORE
200
00:07:57,100 --> 00:07:58,834
FOR AN OUTRIGHT GIFT.
201
00:07:58,834 --> 00:08:01,300
I GAVE YOU THE GIFT
OF LIFE, SON.
202
00:08:01,300 --> 00:08:03,367
DON'T PUSH IT.
203
00:08:05,100 --> 00:08:06,200
HONEY, WHAT HAPPENED?
204
00:08:06,200 --> 00:08:07,867
HANNAH MONTANA HAPPENED.
205
00:08:07,867 --> 00:08:09,867
YOU MEAN THE KIDS
AT SCHOOL FOUND OUT?
206
00:08:09,867 --> 00:08:13,800
NO. THIS WAS JUST
ABOUT A TICKET TO SEE
HANNAH MONTANA.
207
00:08:13,800 --> 00:08:16,500
WHAT IF THEY FOUND OUT
I WAS HANNAH MONTANA?
208
00:08:16,500 --> 00:08:18,500
NO ONE WOULD
TREAT ME THE SAME.
209
00:08:18,500 --> 00:08:20,000
I BET LILLY WOULD.
210
00:08:20,000 --> 00:08:21,100
ARE YOU KIDDING?
211
00:08:21,100 --> 00:08:22,867
SHE'S
HANNAH'S BIGGEST FAN.
212
00:08:22,867 --> 00:08:24,700
IF SHE KNEW
THE TRUTH...
213
00:08:24,700 --> 00:08:27,300
I'D NEVER BE
JUST MILEY AGAIN.
214
00:08:27,300 --> 00:08:28,133
OH, BABY DOLL--
215
00:08:28,133 --> 00:08:30,133
I'M TAKING A WALK
ON THE BEACH.
216
00:08:30,133 --> 00:08:31,100
NOW HOLD ON JUST A MINUTE.
217
00:08:31,100 --> 00:08:34,200
FIRST, LET'S GET THIS
FRENCH FRY OUT OF YOUR HAIR
218
00:08:34,200 --> 00:08:36,100
BEFORE THE SEAGULLS
ATTACK YOU.
219
00:08:36,100 --> 00:08:39,767
BOY, THAT SUCKER
IS IN THERE, TOO.
220
00:08:40,500 --> 00:08:41,567
SECOND OF ALL,
221
00:08:41,567 --> 00:08:42,734
I KNOW YOU'RE CONCERNED
222
00:08:42,734 --> 00:08:44,400
THAT IF LILLY
FINDS OUT THE TRUTH
223
00:08:44,400 --> 00:08:46,300
THAT SHE WON'T
TREAT YOU THE SAME.
224
00:08:46,300 --> 00:08:47,834
SHE'S
STILL YOUR BEST BUD.
225
00:08:47,834 --> 00:08:49,033
YOU NEED TO TRUST THAT.
226
00:08:49,033 --> 00:08:51,667
AT LEAST THINK
ABOUT TELLING HER?
227
00:08:51,667 --> 00:08:53,300
OK.
228
00:08:53,300 --> 00:08:55,667
NOT GONNA HAPPEN.
229
00:08:58,033 --> 00:08:58,734
DAD,
230
00:08:58,734 --> 00:09:01,467
I CAN ONLY HOPE
THAT WHEN I'M A FATHER--
231
00:09:01,467 --> 00:09:04,800
NO MONEY.
DIDN'T THINK SO.
232
00:09:06,734 --> 00:09:09,300
♪ THIS IS THE LIFE ♪
233
00:09:09,300 --> 00:09:13,500
♪ HOLD ON TIGHT ♪
234
00:09:13,500 --> 00:09:15,967
♪ AND THIS IS A DREAM ♪
235
00:09:15,967 --> 00:09:18,900
♪ IT'S ALL I NEED ♪
236
00:09:18,900 --> 00:09:22,667
♪ YOU NEVER KNOW
WHERE YOU'LL FIND IT ♪
237
00:09:22,667 --> 00:09:25,834
♪ AND I'M GONNA
TAKE MY TIME, YEAH ♪
238
00:09:25,834 --> 00:09:30,600
♪ I'M STILL GETTING IT
RI-I-IGHT ♪
239
00:09:30,600 --> 00:09:33,934
♪ THIS IS THE LIFE ♪
240
00:09:33,934 --> 00:09:37,233
[CHEERING]
241
00:09:37,667 --> 00:09:40,834
Hannah:
THANK YOU, LOS ANGELES!
242
00:09:41,467 --> 00:09:45,300
HANNAH MONTAN...A.
243
00:09:45,300 --> 00:09:47,967
THERE YOU GO.
THANK YOU.
244
00:09:48,667 --> 00:09:52,133
HEY, J--UST ANOTHER FAN.
245
00:09:52,133 --> 00:09:53,100
UM...
246
00:09:53,100 --> 00:09:54,500
COULD YOU SIGN THIS
TO JOHNNY?
247
00:09:54,500 --> 00:09:57,400
IT'S NOT ME. IT'S
MY LITTLE BROTHER.
248
00:09:57,400 --> 00:09:58,500
HE REALLY LIKES YOU.
249
00:09:58,500 --> 00:10:00,100
NOT THAT I DON'T.
I DO.
250
00:10:00,100 --> 00:10:02,300
BUT HE WANTED ME
TO GET IT,
STYLE
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251
00:10:02,300 --> 00:10:03,233
SO I'M GETTING IT.
252
00:10:03,233 --> 00:10:06,100
SO IF YOU COULD
JUST SIGN THAT
TO JOHNNY,
253
00:10:06,100 --> 00:10:07,467
MY LITTLE BROTHER.
254
00:10:07,467 --> 00:10:09,400
THERE YOU GO.
THANKS.
255
00:10:09,400 --> 00:10:11,300
HEY,
REALLY SOFT HANDS.
256
00:10:11,300 --> 00:10:13,367
THANKS. IT'S KETCHUP.
257
00:10:14,200 --> 00:10:15,000
BYE.
258
00:10:15,000 --> 00:10:19,200
PICK UP HER RECORD
AND T-SHIRT IN THE LOBBY.
259
00:10:19,734 --> 00:10:21,767
HE IS SO CUTE!
260
00:10:21,767 --> 00:10:22,467
HONEY, AT YOUR AGE,
261
00:10:22,467 --> 00:10:24,033
THERE'S ONLY TWO THINGS
THAT ARE CUTE--
262
00:10:24,033 --> 00:10:27,233
THAT'S SQUIRRELS
AND LITTLE PUPPY DOGS.
263
00:10:27,567 --> 00:10:29,033
HOO! I TELL YOU WHAT.
264
00:10:29,033 --> 00:10:30,100
I HATE
WEARING THIS THING.
265
00:10:30,100 --> 00:10:32,967
IT'S LIKE KISSING
YOUR GREAT-AUNT CLARA.
266
00:10:32,967 --> 00:10:33,767
OOHH!
OOHH!
267
00:10:33,767 --> 00:10:35,467
HEY,
GREAT SHOW TONIGHT.
268
00:10:35,467 --> 00:10:36,700
I'LL GO CHECK
ON THE LIMO.
269
00:10:36,700 --> 00:10:39,767
YOUR MAMA
WOULD HAVE BEEN
SO PROUD OF YOU.
270
00:10:39,767 --> 00:10:41,567
THANKS, DAD.
271
00:10:49,667 --> 00:10:51,300
UHHN!
272
00:10:52,800 --> 00:10:55,000
HIGHER, OLIVER.
I'M ALMOST IN!
273
00:10:55,000 --> 00:10:56,500
Oliver:
THERE IS NO HIGHER!
274
00:10:56,500 --> 00:10:59,834
YOU'RE ALREADY
STANDING ON MY HEAD!
275
00:10:59,834 --> 00:11:03,000
JUMP, YOU IDIOT, JUMP!
276
00:11:03,567 --> 00:11:05,300
[OLIVER GRUNTS]
277
00:11:13,000 --> 00:11:14,600
WHOA!
278
00:11:14,600 --> 00:11:16,734
NOT GOOD!
279
00:11:17,600 --> 00:11:20,400
WHOA!
280
00:11:21,700 --> 00:11:23,667
OOPS.
281
00:11:24,233 --> 00:11:27,667
AND SHE STICKS THE LANDING.
282
00:11:28,500 --> 00:11:30,033
[GASP]
283
00:11:30,033 --> 00:11:32,900
HANNAH MONTANA'S HOT DOGS!
284
00:11:33,900 --> 00:11:36,967
HANNAH MONTANA'S SCARF!
285
00:11:40,300 --> 00:11:42,200
HANNAH MONTANA!
286
00:11:42,200 --> 00:11:43,100
AAH!
AAH!
287
00:11:43,100 --> 00:11:45,000
WHOEVER YOU ARE,
GET OUT OF HERE,
288
00:11:45,000 --> 00:11:46,300
OR I'LL CALL SECURITY!
289
00:11:46,300 --> 00:11:47,600
WAIT, WAIT!
NO, I'M SORRY!
290
00:11:47,600 --> 00:11:49,500
I WAS JUST LOOKING
FOR A SOUVENIR.
291
00:11:49,500 --> 00:11:51,000
MY NAME'S
LILLY TRUSCOTT,
292
00:11:51,000 --> 00:11:54,400
AND I'M A HUGE FAN.
293
00:12:05,667 --> 00:12:07,200
[SPLAT]
294
00:12:10,834 --> 00:12:13,233
DID YOU JUST SHOVE PIE
IN YOUR FACE?
295
00:12:13,233 --> 00:12:15,734
[DISGUISING VOICE]
IT'S NOT A REAL PIE.
296
00:12:15,734 --> 00:12:19,233
IT'S, UM, A FOAMING
FACIAL WASH--
297
00:12:19,233 --> 00:12:21,834
PIE.
298
00:12:22,100 --> 00:12:23,934
WHAT'S WRONG
WITH YOUR VOICE?
299
00:12:23,934 --> 00:12:26,300
[DEEP VOICE]
UH, THAT HAPPENS
AFTER EVERY CONCERT.
300
00:12:26,300 --> 00:12:27,100
[GASP]
301
00:12:27,100 --> 00:12:29,600
YOU GIVE SO MUCH!
302
00:12:29,600 --> 00:12:32,100
I--I JUST WISH
MILEY WERE HERE.
303
00:12:32,100 --> 00:12:33,400
UH, MILEY?
WHO'S MILEY?
304
00:12:33,400 --> 00:12:34,867
THAT'S
A STRANGE NAME.
305
00:12:34,867 --> 00:12:37,300
OH, SHE'S
MY BEST FRIEND.
306
00:12:37,300 --> 00:12:38,233
GREAT!
307
00:12:38,233 --> 00:12:40,600
WELL, THEN, WHY
DON'T YOU GO GET HER?
308
00:12:40,600 --> 00:12:42,800
OH, GREAT IDEA!
I'LL CALL HER.
309
00:12:42,800 --> 00:12:43,767
NO!
310
00:12:43,767 --> 00:12:46,300
YOU KNOW, CELL PHONES
DON'T REALLY WORK IN HERE.
311
00:12:46,300 --> 00:12:49,133
IT HAS TO DO WITH
THE WALLS AND CEMENT--
312
00:12:49,133 --> 00:12:51,000
[RINGING]
313
00:12:51,000 --> 00:12:55,667
OK. THEY MUST HAVE
FIXED IT.
314
00:12:56,800 --> 00:12:57,500
[RINGING]
315
00:12:57,500 --> 00:12:58,967
AREN'T YOU
GONNA GET THAT?
316
00:12:58,967 --> 00:13:01,300
UH, NO.
I'M TALKING TO YOU.
317
00:13:01,300 --> 00:13:03,033
THAT WOULD BE RUDE.
318
00:13:03,033 --> 00:13:05,734
OK. SHE'S NOT HOME.
319
00:13:06,700 --> 00:13:08,367
WELL, THAT WAS WEIRD.
320
00:13:08,367 --> 00:13:12,233
UH, WHY DON'T I JUST GIVE YOU
AN AUTOGRAPH FOR HER?
321
00:13:12,233 --> 00:13:14,100
Oliver: WHAT ABOUT ME?
322
00:13:14,100 --> 00:13:17,300
I'M THE ONE WHO LOVES YOU.
323
00:13:18,367 --> 00:13:22,233
YOU'RE MUCH PALER
IN PERSON.
324
00:13:22,233 --> 00:13:23,500
YEAH, I AM. YOU KNOW WHAT?
325
00:13:23,500 --> 00:13:25,567
IT WAS REALLY FUN
MEETING YOU GUYS,
326
00:13:25,567 --> 00:13:26,834
BUT I'VE REALLY GOT TO GO.
327
00:13:26,834 --> 00:13:29,133
WAIT. CAN'T I EVEN
SHAMPOO AND CONDITION
328
00:13:29,133 --> 00:13:30,934
YOUR BEAUTIFUL
BLONDE HAIR?
329
00:13:30,934 --> 00:13:34,133
NO. BUT YOU CAN
TAKE THIS TOWEL.
330
00:13:34,133 --> 00:13:36,400
HANNAH MONTANA'S TOWEL.
331
00:13:36,400 --> 00:13:37,934
WHOA!
332
00:13:37,934 --> 00:13:38,500
[CRASH]
333
00:13:38,500 --> 00:13:43,400
IT'S OK! NONE OF MY BLOOD
GOT ON THE TOWEL!
334
00:13:45,567 --> 00:13:49,000
WELL, I GUESS
I'M LEAVING, TOO.
335
00:13:49,000 --> 00:13:50,500
OK.
336
00:13:50,500 --> 00:13:54,200
WITHOUT EVEN A TOWEL
AS A SOUVENIR.
337
00:13:54,200 --> 00:13:56,100
BUH-BYE.
338
00:13:56,100 --> 00:13:58,367
NOTHING BUT MY MEMORIES,
339
00:13:58,367 --> 00:14:01,200
WHICH WILL FADE
TOO, TOO QUICKLY.
340
00:14:01,200 --> 00:14:03,934
ALL RIGHT, ALL RIGHT.
341
00:14:03,934 --> 00:14:05,967
HERE.
342
00:14:05,967 --> 00:14:06,734
OH, MY GOSH.
343
00:14:06,734 --> 00:14:10,200
THE ACTUAL SCARF YOU WORE
ON THE ACTUAL STAGE!
344
00:14:10,200 --> 00:14:12,500
I CAN'T BELIEVE IT!
THIS IS SO--
345
00:14:12,500 --> 00:14:15,300
HEY, I HAVE A LUCKY
BRACELET JUST LIKE THAT.
346
00:14:15,300 --> 00:14:17,000
I LOANED IT MY
BEST FRIEND YESTERDAY.
347
00:14:17,000 --> 00:14:20,900
OF COURSE, MINE SAYS
LILLY ON THE BACK.
348
00:14:22,000 --> 00:14:24,400
JUST LIKE THAT.
349
00:14:30,400 --> 00:14:33,000
TA-DA!
350
00:14:37,233 --> 00:14:38,033
♪ OOH-OOH-OOH ♪
351
00:14:38,033 --> 00:14:41,400
LILLY, I KNOW YOU'RE
UPSET I DIDN'T TELL YOU.
352
00:14:41,400 --> 00:14:44,700
BUT YOU CANNOT JUST
FREEZE ME OUT LIKE THIS.
353
00:14:44,700 --> 00:14:46,867
PLEASE TALK TO ME.
354
00:14:47,900 --> 00:14:49,600
I THOUGHT WE
WERE FRIENDS.
355
00:14:49,600 --> 00:14:52,734
I THOUGHT WE TOLD
EACH OTHER EVERYTHING,
356
00:14:52,734 --> 00:14:54,133
BUT I GUESS I WAS WRONG
357
00:14:54,133 --> 00:14:55,300
SINCE YOU KEPT
JUST ABOUT
358
00:14:55,300 --> 00:14:56,834
THE BIGGEST SECRET
IN THE WORLD,
359
00:14:56,834 --> 00:15:00,400
MILEY STEWART/
HANNAH MONTANA.
360
00:15:00,734 --> 00:15:03,767
OKAY, WELL,
OTHER THAN THAT,
STYLE
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361
00:15:03,767 --> 00:15:06,500
DID YOU ENJOY
THE CONCERT?
362
00:15:08,233 --> 00:15:08,834
THAT'S RIGHT.
363
00:15:08,834 --> 00:15:13,400
I HAPPEN TO BE
REAL TIGHT WITH
HANNAH MONTANA.
364
00:15:13,400 --> 00:15:14,200
HEY, HANNAH?
365
00:15:14,200 --> 00:15:17,367
THOUGHT MY LADY HERE COULD
USE A LITTLE SOUVENIR.
366
00:15:17,367 --> 00:15:19,934
JACKSON,
GET OUT OF HERE.
367
00:15:19,934 --> 00:15:20,800
FOR YOU.
368
00:15:20,800 --> 00:15:24,300
TOLD YOU
WE WERE TIGHT.
369
00:15:27,100 --> 00:15:29,200
I AM SO OUT OF HERE.
370
00:15:29,200 --> 00:15:31,400
LILLY, PLEASE WAIT.
371
00:15:32,834 --> 00:15:34,400
I WANTED TO TELL YOU.
372
00:15:34,400 --> 00:15:38,300
IT'S JUST THAT
I WAS AFRAID.
373
00:15:38,300 --> 00:15:40,300
AFRAID OF WHAT?
374
00:15:40,300 --> 00:15:41,100
I DON'T KNOW.
375
00:15:41,100 --> 00:15:43,000
I THOUGHT MAYBE
ONCE YOU KNEW
376
00:15:43,000 --> 00:15:46,000
YOU WOULDN'T WANT TO
BE MY FRIEND ANYMORE
377
00:15:46,000 --> 00:15:47,567
AND YOU'D LIKE
HANNAH MONTANA
378
00:15:47,567 --> 00:15:49,100
MORE THAN
YOU LIKE ME.
379
00:15:49,100 --> 00:15:51,600
THAT'S WHAT
YOU THOUGHT?
380
00:15:51,600 --> 00:15:54,000
THAT COULD NEVER
HAPPEN, MILEY.
381
00:15:54,000 --> 00:15:56,400
DON'T YOU KNOW THAT?
382
00:15:56,400 --> 00:15:58,867
YEAH.
383
00:15:58,867 --> 00:16:00,300
I DO.
384
00:16:00,300 --> 00:16:03,000
OKAY, NO MORE SECRETS,
AND TO PROVE IT
385
00:16:03,000 --> 00:16:04,133
I'M GONNA SHOW
YOU SOMETHING
386
00:16:04,133 --> 00:16:07,400
I'VE NEVER SHOWN
TO ANY OTHER FRIEND.
387
00:16:09,600 --> 00:16:12,800
WAIT TILL YOU
SEE THIS.
388
00:16:18,000 --> 00:16:20,900
WHY AM I STANDING
IN YOUR CLOSET?
389
00:16:20,900 --> 00:16:23,700
BECAUSE BEHIND
MY CLOSET IS...
390
00:16:23,700 --> 00:16:26,400
MY CLOSET.
391
00:16:28,300 --> 00:16:30,600
♪ ALLELUIA ♪
392
00:16:30,600 --> 00:16:32,300
♪ ALLELUIA ♪
393
00:16:32,300 --> 00:16:37,700
♪ ALLELUIA,
ALLELUIA,
ALLE-LUIA ♪
394
00:16:37,700 --> 00:16:39,600
IT'S LIKE A DREAM,
395
00:16:39,600 --> 00:16:43,100
A BEAUTIFUL,
BEAUTIFUL DREAM.
396
00:16:43,100 --> 00:16:45,033
OKAY, DREAM'S OVER.
397
00:16:45,033 --> 00:16:47,100
I'VE GOT TO
HAVE THESE!
398
00:16:47,100 --> 00:16:48,500
WAIT, THERE'S MORE.
399
00:16:48,500 --> 00:16:50,500
ANOTHER CLOSET?
400
00:16:54,400 --> 00:16:55,667
WHAT SIZE SHOE
DO YOU WEAR?
401
00:16:55,667 --> 00:16:56,567
I'M A FIVE.
402
00:16:56,567 --> 00:16:59,600
I'M A SIX,
BUT I'LL SQUEEZE!
403
00:17:01,033 --> 00:17:04,867
WAIT TILL AMBER
AND ASHLEY FIND OUT.
WHAT?
404
00:17:04,867 --> 00:17:06,500
WELL, WE HAVE
TO TELL THEM.
405
00:17:06,500 --> 00:17:07,834
HERE'S MY CELL.
406
00:17:07,834 --> 00:17:10,600
TAKE A PICTURE OF ME
IN FRONT OF HANNAH
MONTANA'S CLOTHES.
407
00:17:10,600 --> 00:17:13,867
NO! NO ONE ELSE
CAN SEE THIS STUFF.
408
00:17:13,867 --> 00:17:15,500
ARE YOU CRAZY?
WHY NOT?
409
00:17:15,500 --> 00:17:16,967
ONCE PEOPLE KNOW
I'M HANNAH,
410
00:17:16,967 --> 00:17:18,600
THEY WON'T TREAT
ME THE SAME.
411
00:17:18,600 --> 00:17:19,200
THAT'S THE POINT.
412
00:17:19,200 --> 00:17:22,834
I'M TALKING MEGA
POPULARITY HERE
FOR BOTH OF US.
413
00:17:22,834 --> 00:17:24,300
THINK ABOUT
JOHNNY COLLINS.
414
00:17:24,300 --> 00:17:26,100
HE'D BE YOURS
IF HE KNEW.
415
00:17:26,100 --> 00:17:26,734
NO!
416
00:17:26,734 --> 00:17:29,200
HOW CAN YOU BE
SO SELFISH? WHOA!
417
00:17:29,200 --> 00:17:30,734
IF YOU WERE REALLY
MY BEST FRIEND,
418
00:17:30,734 --> 00:17:32,500
YOU'D WANT
THIS FOR ME.
419
00:17:32,500 --> 00:17:33,400
IF YOU WERE
MY BEST FRIEND,
420
00:17:33,400 --> 00:17:34,967
YOU'D UNDERSTAND
WHY I CAN'T DO IT.
421
00:17:34,967 --> 00:17:38,367
COME ON, CUT ME
SOME SLACK, HANNAH.
422
00:17:38,367 --> 00:17:39,767
HANNAH?
423
00:17:39,767 --> 00:17:41,600
I KNEW THIS
WOULD HAPPEN.
424
00:17:41,600 --> 00:17:42,734
DID I SAY HANNAH?
425
00:17:42,734 --> 00:17:45,033
I DIDN'T MEAN THAT.
IT WAS A MISTAKE.
426
00:17:45,033 --> 00:17:48,734
NO, THE MISTAKE
WAS TRUSTING YOU.
427
00:17:51,000 --> 00:17:53,233
THAT GIRL TONIGHT
REALLY DUG ME, DAD.
428
00:17:53,233 --> 00:17:56,300
I THINK IT WAS
THE GUNS.
429
00:17:59,300 --> 00:17:59,834
HEY, LILLY.
430
00:17:59,834 --> 00:18:02,300
I THINK THINGS ARE
GONNA BE A WHOLE LOT
BETTER AROUND HERE
431
00:18:02,300 --> 00:18:04,400
NOW THAT YOU KNOW
OUR LITTLE SECRET.
432
00:18:04,400 --> 00:18:06,600
DID YOU SEE THE WAY
SHE IGNORED YOU?
433
00:18:06,600 --> 00:18:08,100
WELL, I'M SORRY,
BUT THAT IS NO WAY
434
00:18:08,100 --> 00:18:11,967
TO TREAT A MAN
OF YOUR COMPASSION,
SENSITIVITY--
435
00:18:13,767 --> 00:18:15,800
STILL NO MONEY?
436
00:18:19,300 --> 00:18:21,100
I AM SO MAD!
437
00:18:21,100 --> 00:18:25,000
SO YOU GOT TO TAKE IT OUT
ON MY ICE CREAM SUNDAE?
438
00:18:25,000 --> 00:18:26,567
YOU WANT TO
TALK ABOUT IT?
439
00:18:26,567 --> 00:18:27,834
NO.
440
00:18:27,834 --> 00:18:31,000
OKAY.
441
00:18:31,400 --> 00:18:32,500
♪ YOU HAD A FIGHT ♪
442
00:18:32,500 --> 00:18:33,567
[IMITATES
GUITAR RIFF]
443
00:18:33,567 --> 00:18:34,900
♪ SAT AT YOUR PLACE ♪
444
00:18:34,900 --> 00:18:35,834
[IMITATES
GUITAR RIFF]
445
00:18:35,834 --> 00:18:38,967
♪ AND NOW YOU SIT
AND STUFF YOUR FACE ♪
446
00:18:38,967 --> 00:18:41,467
♪ YOU GOT THE PROCESSED
SUGAR BLUES ♪
447
00:18:41,467 --> 00:18:42,467
♪ HOO ♪
♪ HOO ♪
448
00:18:42,467 --> 00:18:44,934
STOP! THAT'S THE WORST
SONG YOU'VE EVER WRITTEN.
449
00:18:44,934 --> 00:18:46,600
SHE OBVIOUSLY
DOESN'T REMEMBER
450
00:18:46,600 --> 00:18:47,667
THE POTTY-
TRAINING SONG.
451
00:18:47,667 --> 00:18:49,300
♪ I LIKE TO SING,
I LIKE TO DANCE ♪
452
00:18:49,300 --> 00:18:52,367
♪ BUT I CAN'T DO WITH
POOPY IN MY PANTS ♪
453
00:18:52,367 --> 00:18:53,100
STOP!
454
00:18:53,100 --> 00:18:54,500
THIS IS SO
NOT FUNNY.
455
00:18:54,500 --> 00:18:57,934
EVERYTHING I WAS AFRAID
THAT WOULD HAPPEN HAPPENED.
456
00:18:57,934 --> 00:18:59,000
SHE FOUND OUT
WHO I WAS,
457
00:18:59,000 --> 00:19:00,800
AND NOW IT'S
RUINED EVERYTHING.
458
00:19:00,800 --> 00:19:03,400
YOU DON'T KNOW THAT
FOR SURE, MI.
459
00:19:03,934 --> 00:19:08,400
THINGS COULD CHANGE.
JUST GIVE IT SOME TIME.
460
00:19:08,400 --> 00:19:09,567
GROUP HUG.
461
00:19:09,567 --> 00:19:12,300
GOT TO GO.
GOT TO GO.
462
00:19:19,700 --> 00:19:21,300
TURN.
463
00:19:23,700 --> 00:19:24,500
I DON'T KNOW.
464
00:19:24,500 --> 00:19:25,767
I THINK IT
MAKES ME LOOK
465
00:19:25,767 --> 00:19:26,867
A LITTLE BIG
AROUND THE HIPS.
466
00:19:26,867 --> 00:19:30,500
PLEASE, LET'S NOT
BLAME THE DRESS.
467
00:19:31,000 --> 00:19:32,700
HEY, GUYS. SORRY.
468
00:19:32,700 --> 00:19:34,867
SWEET DOGGIES.
469
00:19:35,734 --> 00:19:37,233
DADDY...
470
00:19:37,233 --> 00:19:40,300
HE'S FINALLY
CRACKED.
471
00:19:41,000 --> 00:19:41,934
YOU KNOW WHAT, SON?
472
00:19:41,934 --> 00:19:46,200
I LIKE IT, BUT I
DON'T THINK IT GOES
WITH THE SHOES.
473
00:19:46,200 --> 00:19:49,567
OKAY, FINE, YOU--YOU
TAKE YOUR LITTLE CRACKS,
474
00:19:49,567 --> 00:19:51,000
BUT YOU WEREN'T HERE
475
00:19:51,000 --> 00:19:52,400
AND FERMINE NEEDED
HELP WITH THE DRESS
476
00:19:52,400 --> 00:19:53,667
AND HE SAID
HE'D PAY ME.
477
00:19:53,667 --> 00:19:55,400
SO THIS IS
WHAT YOU GET.
478
00:19:55,400 --> 00:19:55,967
OOH!
479
00:19:55,967 --> 00:19:58,500
NEXT TIME TRY SOMETHING
WITH SLEEVES.
480
00:19:58,500 --> 00:20:00,300
AND DEODORANT.
481
00:20:00,300 --> 00:20:02,767
IF YOU GOT IT,
FLAUNT IT.
482
00:20:02,767 --> 00:20:05,200
WHICH REMINDS ME,
I GOT A LITTLE BLUE
STYLE
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483
00:20:05,200 --> 00:20:07,367
SEQUIN NUMBER
WAITING FOR ME.
484
00:20:07,367 --> 00:20:09,367
ENJOY.
485
00:20:09,734 --> 00:20:12,000
OKAY, FERMINE,
HOW MUCH DO I OWE YOU?
486
00:20:12,000 --> 00:20:15,400
KID WORKS CHEAP.
HE DID IT FOR $20.
487
00:20:15,400 --> 00:20:17,133
DADDY, YOU MADE
HIM DO THAT?
488
00:20:17,133 --> 00:20:19,100
HEY, THE BOY SAID
HE NEEDED SOME MONEY.
489
00:20:19,100 --> 00:20:22,200
I THOUGHT I MIGHT AS WELL
GET A CHUCKLE OUT OF IT.
490
00:20:28,734 --> 00:20:31,300
LILLY ALERT.
491
00:20:35,000 --> 00:20:35,667
HEY, FERMINE,
492
00:20:35,667 --> 00:20:37,100
WHY DON'T WE STEP
OUT ON THE PATIO
493
00:20:37,100 --> 00:20:38,200
AND GIVE THESE GIRLS
SOME PRIVACY?
494
00:20:38,200 --> 00:20:40,133
OKAY, BUT I'M GONNA
NEED SOME SUNSCREEN.
495
00:20:40,133 --> 00:20:42,200
MY SKIN'S LIKE
A BABY'S BOTTOM.
496
00:20:42,200 --> 00:20:44,500
LITTLE TOO MUCH
INFORMATION, COWBOY.
497
00:20:44,500 --> 00:20:47,100
OH, LOOK AT ME.
GIDDYUP, PARTNER.
498
00:20:47,100 --> 00:20:48,600
YIPPIE-KAY-AY.
499
00:20:48,600 --> 00:20:51,200
GIDDYUP.
YIPPIE-KAY-AY.
500
00:20:53,200 --> 00:20:56,100
HEY, CAN I
TALK TO YOU?
501
00:20:56,100 --> 00:20:59,500
WHO? MILEY OR HANNAH?
502
00:21:00,867 --> 00:21:01,367
MILEY.
503
00:21:01,367 --> 00:21:04,200
WELL, SHE'S NOT TALKING
TO YOU RIGHT NOW.
504
00:21:04,200 --> 00:21:04,834
WAIT, MILEY.
505
00:21:04,834 --> 00:21:07,300
I'M SORRY I CALLED
YOU HANNAH.
506
00:21:07,300 --> 00:21:08,100
BUT THAT WAS
MAJOR NEWS.
507
00:21:08,100 --> 00:21:10,467
YOU GOT TO GIVE ME
A LITTLE TIME TO
GET USED TO IT.
508
00:21:10,467 --> 00:21:11,967
WHAT HAPPENS
IF YOU CAN'T?
509
00:21:11,967 --> 00:21:14,100
WHAT ABOUT THE NEXT
TIME YOU GET DISSED
510
00:21:14,100 --> 00:21:15,400
BY AMBER AND ASHLEY?
511
00:21:15,400 --> 00:21:17,100
ARE YOU SURE YOU WON'T
WANT TO TELL THEM?
512
00:21:17,100 --> 00:21:19,934
OF COURSE
I'LL WANT TO,
BUT I WON'T.
513
00:21:19,934 --> 00:21:21,600
AND YOU KNOW WHY?
514
00:21:21,600 --> 00:21:22,934
BECAUSE YOU'RE
MY BEST FRIEND.
515
00:21:22,934 --> 00:21:25,400
AND WHEN I WAS SITTING
IN MY ROOM ALL UPSET,
516
00:21:25,400 --> 00:21:27,900
YOU'RE THE ONE
I WANTED TO TALK TO,
517
00:21:27,900 --> 00:21:30,567
NOT HANNAH MONTANA.
518
00:21:32,834 --> 00:21:36,900
WELL, I GUESS
I'VE SAID EVERYTHING.
519
00:21:36,900 --> 00:21:40,300
SO...SEE YA.
520
00:21:42,800 --> 00:21:45,133
HERE I GO.
521
00:21:45,133 --> 00:21:47,400
HEADED FOR THE DOOR
522
00:21:47,400 --> 00:21:49,734
AFTER MAKING
THE BEST APOLOGY
523
00:21:49,734 --> 00:21:53,033
I COULD POSSIBLY
THINK OF.
524
00:21:57,000 --> 00:22:01,200
STILL HOPING
SHE FORGIVES ME.
525
00:22:01,900 --> 00:22:04,700
HALFWAY THERE.
526
00:22:04,700 --> 00:22:06,834
YOU ARE SUCH
A DRAMA QUEEN.
527
00:22:06,834 --> 00:22:10,133
HUGS?
HUGS?
528
00:22:15,300 --> 00:22:19,700
I AM SO NOT GETTING
PAID ENOUGH FOR THIS.
529
00:22:19,700 --> 00:22:22,767
NEITHER AM I.
530
00:22:28,800 --> 00:22:30,200
WE WERE IN
THE FIRST ROW.
531
00:22:30,200 --> 00:22:32,233
AND HANNAH SMILED
RIGHT AT US.
532
00:22:32,233 --> 00:22:33,967
SHE REALLY DID.
533
00:22:33,967 --> 00:22:34,800
BIG DEAL.
534
00:22:34,800 --> 00:22:36,500
YOU SEE
THIS TOWEL?
535
00:22:36,500 --> 00:22:37,567
SHE GAVE IT TO ME.
536
00:22:37,567 --> 00:22:38,867
IN HER
DRESSING ROOM.
537
00:22:38,867 --> 00:22:39,600
SHE REALLY DID.
538
00:22:39,600 --> 00:22:42,600
YEAH, AND SHE GAVE ME
THIS SANDWICH.
539
00:22:42,600 --> 00:22:44,100
YOU'RE PATHETIC.
540
00:22:44,100 --> 00:22:45,367
OOH!
OOH!
541
00:22:45,367 --> 00:22:47,133
TSS!
TSS!
542
00:22:47,667 --> 00:22:48,500
IT'S TRUE.
543
00:22:48,500 --> 00:22:50,033
IGNORE THEM,
OLIVER.
544
00:22:50,033 --> 00:22:51,400
THEY'RE NOT WORTH IT.
545
00:22:51,400 --> 00:22:52,200
WAIT A MINUTE.
546
00:22:52,200 --> 00:22:53,100
HE'S TELLING THE TRUTH,
547
00:22:53,100 --> 00:22:55,767
AND SHE GAVE LILLY
SOMETHING TOO.
548
00:22:57,667 --> 00:22:59,133
WHAT ARE YOU DOING?
549
00:22:59,133 --> 00:23:01,300
YOU'LL SEE.
550
00:23:02,800 --> 00:23:04,934
THAT'S HANNAH
MONTANA'S SCARF!
551
00:23:04,934 --> 00:23:06,367
[GASPS]
FROM HER CONCERT!
552
00:23:06,367 --> 00:23:08,400
YEAH, HANNAH
GAVE IT TO HER.
553
00:23:08,400 --> 00:23:10,400
BUT YOU KNOW WHAT?
554
00:23:10,400 --> 00:23:12,200
YOU GUYS ARE MUCH
COOLER THAN ME.
555
00:23:12,200 --> 00:23:14,300
YOU SHOULD HAVE IT.
556
00:23:14,300 --> 00:23:16,200
OH, MY GOSH.
557
00:23:16,200 --> 00:23:17,934
HEY, I WANT THAT!
558
00:23:17,934 --> 00:23:19,500
NO!
559
00:23:19,500 --> 00:23:21,200
WHY'D YOU DO THAT?
560
00:23:21,200 --> 00:23:23,600
I THINK I KNOW.
561
00:23:23,600 --> 00:23:24,734
HEY, EVERYBODY.
562
00:23:24,734 --> 00:23:27,800
Both: IT'S HANNAH
MONTANA'S SCARF!
563
00:23:27,800 --> 00:23:30,000
[BOTH SCREAM]
564
00:23:32,100 --> 00:23:33,100
OOH!
OOH!
565
00:23:33,100 --> 00:23:33,667
TSS!
TSS!
38234
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