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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,000 --> 00:00:04,560 All right, CONAN. 2 00:00:04,560 --> 00:00:05,440 You look great. 3 00:00:05,440 --> 00:00:08,440 And the show's about to start, so time to hit the stage. 4 00:00:08,520 --> 00:00:11,520 I feel like something's a little off. 5 00:00:11,880 --> 00:00:12,560 Really? 6 00:00:12,560 --> 00:00:13,840 Yeah. 7 00:00:13,840 --> 00:00:16,480 Don't you think it's 8 00:00:16,480 --> 00:00:19,480 a bit much? 9 00:00:19,960 --> 00:00:21,120 No, I don't think so. 10 00:00:21,120 --> 00:00:23,480 You look fine. So. Break a leg. 11 00:00:23,480 --> 00:00:25,440 No, no. I think you used way too much weight. 12 00:00:25,440 --> 00:00:28,440 Oh, sweetie, I didn't use any white. 13 00:00:28,760 --> 00:00:29,880 That's just you. 14 00:00:29,880 --> 00:00:32,320 Okay, you got to wash this off. We start again. 15 00:00:32,320 --> 00:00:34,080 CONAN That would take, like, 2 hours. 16 00:00:34,080 --> 00:00:34,440 Okay. 17 00:00:34,440 --> 00:00:35,960 Delroy Lindo is seated. 18 00:00:35,960 --> 00:00:38,560 Delroy Lindo can wait. 19 00:00:38,560 --> 00:00:39,640 I can't look like this. 20 00:00:39,640 --> 00:00:41,400 You look fine. Go. 21 00:00:41,400 --> 00:00:43,520 I look like Betty Davis with lupus. 22 00:00:43,520 --> 00:00:46,000 CONAN Go. I won't do it. 23 00:00:46,000 --> 00:00:49,000 I said go. 24 00:00:50,560 --> 00:00:53,560 Oh, no. 25 00:01:34,000 --> 00:01:37,000 What the hell is that? 26 00:02:06,320 --> 00:02:08,640 But two months dead. 27 00:02:08,640 --> 00:02:11,360 Hey, not so much. Not to so 28 00:02:19,200 --> 00:02:20,480 to the of 29 00:02:20,480 --> 00:02:23,480 these kids who 30 00:02:23,640 --> 00:02:26,640 came through being honest. 31 00:02:28,320 --> 00:02:29,400 What's the plan? 32 00:02:29,400 --> 00:02:31,240 I'm going to turn this gas station. 33 00:02:31,240 --> 00:02:33,080 I'm going to slow down. 34 00:02:33,080 --> 00:02:34,960 You just roll. He's talking about a head. 35 00:02:34,960 --> 00:02:36,320 Both hips replaced. 36 00:02:36,320 --> 00:02:38,880 No. Sure. Hey, 37 00:02:38,880 --> 00:02:41,880 hey, yo. 38 00:02:42,040 --> 00:02:42,720 Okay. 39 00:02:42,720 --> 00:02:45,880 Jumbo for his from the get go. No. 40 00:02:50,080 --> 00:02:51,040 What's your point? 41 00:02:51,040 --> 00:02:54,040 We can get back to the important stuff like the fans. 42 00:02:56,760 --> 00:03:12,120 Cool guy. 43 00:03:12,120 --> 00:03:14,760 Feels as if the wealth of knowledge that I goombas get club with. 44 00:03:14,760 --> 00:03:16,720 There's got to be failure. 45 00:03:16,720 --> 00:03:19,720 We deliver literally, 46 00:03:19,920 --> 00:03:23,560 because the system was just the food was telling me ever to reach for. 47 00:03:23,680 --> 00:03:27,720 I could get a lot better when I mean a here wants to learn it was done 48 00:03:27,720 --> 00:03:31,320 it was a buffet you could show this to food stick my 49 00:03:31,840 --> 00:03:35,800 some cool air for a dilemma Lyndal that 50 00:03:38,720 --> 00:03:41,680 is I mean you know the idea pop up 51 00:03:41,680 --> 00:03:43,560 called me and 52 00:03:43,560 --> 00:03:46,560 ten cooking LA may nurse for the ten. 53 00:03:52,080 --> 00:03:54,880 Oh wow. 54 00:03:54,880 --> 00:03:57,320 Hey, listen. 55 00:03:57,320 --> 00:03:57,960 Yeah. 56 00:03:57,960 --> 00:03:59,880 Get his kids chasing me. 57 00:03:59,880 --> 00:04:01,560 Can I just come in and hide? 58 00:04:01,560 --> 00:04:02,880 And I believe you. 59 00:04:02,880 --> 00:04:05,280 But this here juke joint blues music. 60 00:04:05,280 --> 00:04:08,280 Juke joint and created music. 61 00:04:08,280 --> 00:04:13,920 Oh, down he All the pipes, The pipes are falling. 62 00:04:13,920 --> 00:04:16,920 Yeah, This guy likes it. 63 00:04:40,760 --> 00:04:42,360 Please welcome your host, 64 00:04:42,360 --> 00:04:45,360 CONAN O'Brien, 65 00:05:00,480 --> 00:05:03,200 back here. 66 00:05:03,200 --> 00:05:06,200 Back here. 67 00:05:11,280 --> 00:05:13,280 Thank you very much. 68 00:05:13,280 --> 00:05:14,160 Big thanks. 69 00:05:14,160 --> 00:05:16,160 Big thanks to Amy Madigan for the wig. 70 00:05:16,160 --> 00:05:19,160 Thank you so much, Amy. Thank you for that. 71 00:05:19,720 --> 00:05:22,080 Hey, I am CONAN O'Brien. 72 00:05:22,080 --> 00:05:25,240 And I am honored to be the last human 73 00:05:25,240 --> 00:05:29,160 host of the Academy Award. Yes. 74 00:05:30,240 --> 00:05:31,760 Yeah. 75 00:05:31,760 --> 00:05:34,080 Next year, it's going to be a rainbow in a tux. 76 00:05:34,080 --> 00:05:35,720 So check that out. 77 00:05:35,720 --> 00:05:40,000 No, it's great to be back hosting the Oscars last year when I hosted. 78 00:05:40,640 --> 00:05:43,040 Los Angeles was on fire. 79 00:05:43,040 --> 00:05:45,800 But this year, everything's going great. 80 00:05:53,400 --> 00:05:54,720 Oh, you applaud that. 81 00:05:54,720 --> 00:05:55,920 That's weird. 82 00:05:55,920 --> 00:05:57,240 That's weird. 83 00:05:57,240 --> 00:05:59,640 Security is extremely tight tonight. 84 00:05:59,640 --> 00:06:00,480 I just got to mention that. 85 00:06:00,480 --> 00:06:01,320 Yeah. 86 00:06:01,320 --> 00:06:04,080 I'm told there's concerns about attacks from both the opera 87 00:06:04,080 --> 00:06:07,080 and ballet communities. 88 00:06:15,160 --> 00:06:15,760 They're just mad 89 00:06:15,760 --> 00:06:18,760 you left out jazz. 90 00:06:21,640 --> 00:06:24,640 I should warn you, tonight could get political. 91 00:06:25,440 --> 00:06:27,360 And if that makes you uncomfortable, 92 00:06:27,360 --> 00:06:30,360 there's an alternate Oscars being hosted by Kid Rock. 93 00:06:30,960 --> 00:06:33,960 Yeah, it's at the Dave and Buster's down the street. 94 00:06:35,040 --> 00:06:37,120 A lot of tickets for that. 95 00:06:37,120 --> 00:06:38,440 Netflix. This is exciting. 96 00:06:38,440 --> 00:06:41,120 A lot of cool people are here and some of them behind the scenes. 97 00:06:41,120 --> 00:06:44,080 Netflix CEO Ted Sarandos is here. 98 00:06:44,080 --> 00:06:45,800 And this is exciting. 99 00:06:45,800 --> 00:06:48,800 It's his first time in a theater. 100 00:06:52,200 --> 00:06:55,200 This is what they're talking about. 101 00:06:55,680 --> 00:06:58,680 Why are they all together enjoying themselves? 102 00:06:59,840 --> 00:07:01,240 It should be home alone 103 00:07:02,520 --> 00:07:05,520 where I can monetize that. 104 00:07:10,040 --> 00:07:13,040 Yeah, I'm going to 105 00:07:17,760 --> 00:07:19,680 so many so many great films this year. 106 00:07:19,680 --> 00:07:21,920 Just what an incredible year for film, wasn't it? 107 00:07:21,920 --> 00:07:24,840 Absolutely stunning. 108 00:07:24,840 --> 00:07:27,640 Yeah, 109 00:07:27,640 --> 00:07:30,640 I said that last year, but I was lying. 110 00:07:30,640 --> 00:07:32,320 No, this year is stunning. 111 00:07:32,320 --> 00:07:33,400 I love Hamnet. 112 00:07:33,400 --> 00:07:34,760 I love begonia. 113 00:07:34,760 --> 00:07:37,760 Yeah. What the amazing. 114 00:07:37,760 --> 00:07:39,120 Yeah. 115 00:07:39,120 --> 00:07:40,520 Yeah. Between Hamlet, Begonia. 116 00:07:40,520 --> 00:07:43,520 It's been a big year for movies that sound like off brand lunchmeat. 117 00:07:43,800 --> 00:07:46,800 So that's 118 00:07:47,320 --> 00:07:49,280 had a little begonia around ten. 119 00:07:49,280 --> 00:07:52,280 That's not sitting too well 120 00:07:52,600 --> 00:07:53,320 on the ride home. 121 00:07:53,320 --> 00:07:56,320 You'll appreciate it at the 122 00:07:56,880 --> 00:08:00,440 at the beginning of Hamnet, a message comes on the screen 123 00:08:00,440 --> 00:08:05,080 explaining that the names Hamnet and Hamlet were used interchangeably. 124 00:08:05,920 --> 00:08:08,200 Yeah, that's when I knew 125 00:08:08,200 --> 00:08:11,200 I'd better buckle up. 126 00:08:12,920 --> 00:08:15,360 Rollercoaster In Hamnet William, 127 00:08:15,360 --> 00:08:18,480 Shakespeare's wife, Agnes, gives birth by herself in the woods. 128 00:08:19,200 --> 00:08:21,960 Whereas we call that here in America a affordable health care. 129 00:08:24,400 --> 00:08:27,360 No. Two real for you, huh? 130 00:08:27,360 --> 00:08:29,920 All right, 131 00:08:29,920 --> 00:08:31,040 everyone. I loved everyone. 132 00:08:31,040 --> 00:08:32,520 A popcorn movie was great. 133 00:08:32,520 --> 00:08:35,400 That one was terrific. 134 00:08:35,400 --> 00:08:37,080 Yeah, 135 00:08:37,080 --> 00:08:38,640 that's one is up for best picture. 136 00:08:38,640 --> 00:08:43,280 It's the story of a racecar driver who finally wins after deciding to go faster. 137 00:08:49,200 --> 00:08:49,880 Yeah. 138 00:08:49,880 --> 00:08:51,960 Yeah. 139 00:08:51,960 --> 00:08:54,120 F1 received four nominations. 140 00:08:54,120 --> 00:08:55,200 F1 did so well. 141 00:08:55,200 --> 00:08:56,200 They're making a sequel. 142 00:08:56,200 --> 00:08:59,200 Caps lock. 143 00:09:03,920 --> 00:09:06,920 Some of these I do for myself. 144 00:09:08,120 --> 00:09:10,440 And ladies and gentlemen, let's hear it for sinners. 145 00:09:10,440 --> 00:09:13,440 Let's hear. 146 00:09:13,760 --> 00:09:16,760 Yeah. 147 00:09:22,680 --> 00:09:25,000 Yeah. 148 00:09:25,000 --> 00:09:25,560 Sinners. 149 00:09:25,560 --> 00:09:30,120 Director Ryan Coogler said he declined to become a voting member of the Academy 150 00:09:30,600 --> 00:09:33,600 because he doesn't like judging his fellow artist's work. 151 00:09:34,360 --> 00:09:35,600 Yeah. Yeah. 152 00:09:35,600 --> 00:09:38,800 But the rest of you pricks seem to love it. 153 00:09:46,200 --> 00:09:47,280 One battle after another. 154 00:09:47,280 --> 00:09:48,560 I love that film. 155 00:09:48,560 --> 00:09:50,840 What a great film. Amazing film. 156 00:09:54,840 --> 00:09:57,360 Lots of memorable scenes from one battle after another. 157 00:09:57,360 --> 00:10:01,440 Best supporting actor nominee Sean Penn, of course, got an erection at gunpoint. 158 00:10:03,280 --> 00:10:03,480 Yeah. 159 00:10:03,480 --> 00:10:07,600 And then Paul Thomas Anderson said, Hey, let's put that in the film, huh? 160 00:10:11,520 --> 00:10:12,720 I was in a movie this year. 161 00:10:12,720 --> 00:10:15,720 Yeah, I was in a movie with 162 00:10:15,720 --> 00:10:18,720 the lovely Rose Byrne. 163 00:10:21,920 --> 00:10:24,640 My costar Rose Byrne is nominated for Best Actress. 164 00:10:24,640 --> 00:10:27,160 And if I had legs, I'd kick you. 165 00:10:27,160 --> 00:10:28,680 Yeah. 166 00:10:28,680 --> 00:10:30,800 Yeah. 167 00:10:30,800 --> 00:10:34,080 It's hard to act in a scene with someone you've always had a massive crush on. 168 00:10:34,520 --> 00:10:37,520 But, Rose, you did a fantastic job. 169 00:10:39,120 --> 00:10:41,760 Admirable restraint. 170 00:10:41,760 --> 00:10:44,200 This year we've added a new category to the Oscars. 171 00:10:44,200 --> 00:10:45,720 Best Casting. 172 00:10:45,720 --> 00:10:46,520 I have a big task. 173 00:10:46,520 --> 00:10:48,040 Help! 174 00:10:48,040 --> 00:10:50,520 Yeah. 175 00:10:50,520 --> 00:10:51,960 Which means tonight. 176 00:10:51,960 --> 00:10:54,520 One casting director will win an Oscar. 177 00:10:54,520 --> 00:10:57,920 And for the rest of you, we've decided to go in another direction. 178 00:11:00,400 --> 00:11:01,360 Their dream killers. 179 00:11:01,360 --> 00:11:03,480 They are 180 00:11:03,480 --> 00:11:05,240 a lot of lesser known categories. 181 00:11:05,240 --> 00:11:09,600 Tonight, of course, will be honoring the best documentary, short films or. 182 00:11:10,080 --> 00:11:11,800 Yeah, best documentary. 183 00:11:11,800 --> 00:11:14,800 Short films, 184 00:11:14,800 --> 00:11:17,960 or as I like to call them. 185 00:11:32,440 --> 00:11:35,440 What the hell is that all about? 186 00:11:37,200 --> 00:11:38,600 Best documentary, short films, 187 00:11:38,600 --> 00:11:41,600 or as I like to call them, little fads. 188 00:11:43,080 --> 00:11:43,760 It's you watching. 189 00:11:43,760 --> 00:11:44,800 I Did it make you sad? 190 00:11:44,800 --> 00:11:47,800 Little bit. 191 00:11:48,680 --> 00:11:49,760 Amazon Studios 192 00:11:49,760 --> 00:11:52,760 didn't receive any nominations this year. 193 00:11:52,800 --> 00:11:53,640 Yeah. 194 00:11:53,640 --> 00:11:57,640 Also shut out Wal Mart, Alibaba and Chewy. 195 00:11:59,400 --> 00:12:01,600 Why isn't the website I order toilet paper 196 00:12:01,600 --> 00:12:04,600 from winning more Oscars? 197 00:12:10,200 --> 00:12:13,200 It's the first time since 2012. 198 00:12:13,520 --> 00:12:17,280 First time since 2012 that there are no British actors 199 00:12:17,280 --> 00:12:20,320 nominated for best actor or best actress. 200 00:12:21,360 --> 00:12:23,320 Yeah, British spokesperson said. 201 00:12:23,320 --> 00:12:26,320 Yeah, well, at least we arrest our pedophiles. 202 00:12:26,480 --> 00:12:27,960 So you got that going. 203 00:12:40,680 --> 00:12:41,880 By the way, I have to say 204 00:12:41,880 --> 00:12:46,120 again, Michael B Jordan, you were incredible, incredible playing 205 00:12:46,840 --> 00:12:50,640 identical twin brother Smoke and stack and Center is just amazing. 206 00:12:51,040 --> 00:12:53,160 I cannot get enough of this man. 207 00:12:53,160 --> 00:12:54,800 So it's a special treat. 208 00:12:54,800 --> 00:12:58,720 Every seat filler at tonight's Oscars will be Michael B Jordan. 209 00:12:58,720 --> 00:13:01,720 Check it out. 210 00:13:03,440 --> 00:13:05,640 Yeah. 211 00:13:05,640 --> 00:13:06,960 By the way, how am I looking tonight? 212 00:13:06,960 --> 00:13:09,960 Michael B Jordan's. 213 00:13:11,360 --> 00:13:13,120 Well, 214 00:13:13,120 --> 00:13:14,920 Leonardo DiCaprio is here, sir. 215 00:13:14,920 --> 00:13:15,720 Good to see you. 216 00:13:15,720 --> 00:13:18,720 I bought you. 217 00:13:19,080 --> 00:13:22,280 He's the star of so many movies and the King of means. 218 00:13:22,280 --> 00:13:25,280 He's the king of means, this guy. 219 00:13:25,840 --> 00:13:28,840 Let's make a new meme with Leo right now. 220 00:13:29,760 --> 00:13:32,760 That feeling when you didn't agree to this. 221 00:13:41,000 --> 00:13:44,000 They'll pull that up in editing 222 00:13:44,280 --> 00:13:44,840 live. 223 00:13:44,840 --> 00:13:48,520 Okay, We'll talk later. 224 00:13:48,520 --> 00:13:51,760 Tonight's Oscars are being watched by more 225 00:13:51,760 --> 00:13:54,760 than a billion people around the world. 226 00:13:54,800 --> 00:13:56,040 Yeah, let's 227 00:13:57,000 --> 00:13:58,880 let's say hi to some of them. 228 00:13:58,880 --> 00:14:01,800 If you're watching from Spain 229 00:14:01,800 --> 00:14:03,720 or as I call Ryanair superstar 230 00:14:03,720 --> 00:14:06,720 Darlene Love, the company that all of our viewers, 231 00:14:06,840 --> 00:14:10,520 if you're seeing us in Argentina or LA. 232 00:14:10,680 --> 00:14:12,000 So I cyclone hear Brian. 233 00:14:12,000 --> 00:14:15,000 Yes And plus our Darlene Love you and Benita all of us first 234 00:14:15,640 --> 00:14:18,440 and to our friends in Los Angeles. 235 00:14:18,440 --> 00:14:20,120 Hola. So I call her Brian. 236 00:14:20,120 --> 00:14:20,760 That's impressive. 237 00:14:20,760 --> 00:14:23,760 Darlene Love will be that. 238 00:14:31,480 --> 00:14:34,120 Yes. Tonight is an international event. 239 00:14:34,120 --> 00:14:38,360 If I can be serious for just a moment, everyone watching right now 240 00:14:38,760 --> 00:14:42,320 around the world is all too aware that these are very chaotic, 241 00:14:42,840 --> 00:14:45,400 frightening times. 242 00:14:45,400 --> 00:14:48,400 It's at moments like these that I believe 243 00:14:49,440 --> 00:14:52,000 that the Oscars are particularly resonant. 244 00:14:52,000 --> 00:14:53,160 Check it out. 245 00:14:53,160 --> 00:14:58,160 31 countries across six continents are represented this evening. 246 00:14:58,880 --> 00:15:01,640 And every film. Every film. 247 00:15:03,000 --> 00:15:03,400 Yeah. 248 00:15:03,400 --> 00:15:07,400 Every film we salute is the product of thousands of people 249 00:15:07,400 --> 00:15:10,920 speaking different languages, working hard to make something of beauty. 250 00:15:11,840 --> 00:15:14,840 We pay tribute tonight not just to film, 251 00:15:15,240 --> 00:15:18,240 but to the ideals of global artistry, 252 00:15:18,840 --> 00:15:22,520 collaboration, patience, resilience 253 00:15:23,160 --> 00:15:26,560 and that rarest of qualities today, optimism. 254 00:15:27,680 --> 00:15:30,680 So let us please celebrate. 255 00:15:30,960 --> 00:15:33,960 Let us celebrate. 256 00:15:35,240 --> 00:15:36,840 Let us celebrate. 257 00:15:36,840 --> 00:15:39,240 Not because we think all is well, but 258 00:15:39,240 --> 00:15:42,480 because we work and hope for better days ahead. 259 00:15:43,040 --> 00:15:49,200 Now we're about to start handing out awards. 260 00:15:49,240 --> 00:15:52,920 I just want to say this in the spirit of optimism 261 00:15:54,120 --> 00:15:54,800 and joy. 262 00:15:54,800 --> 00:15:57,040 I've seen a lot of these ceremonies. 263 00:15:57,040 --> 00:15:59,520 I'm always so impressed by 264 00:15:59,520 --> 00:16:02,520 how gracious the winners are, really. 265 00:16:02,840 --> 00:16:08,040 When you guys win, you share your glory with your co nominees, 266 00:16:08,280 --> 00:16:11,280 with your team, with your spouse. 267 00:16:12,000 --> 00:16:16,400 It's refreshing to see all this modesty and genuine humility. 268 00:16:21,760 --> 00:16:23,480 But honestly, 269 00:16:23,480 --> 00:16:25,720 I don't know if I could do that. 270 00:16:25,720 --> 00:16:27,600 If it were me 271 00:16:27,600 --> 00:16:30,440 and I was up for an Oscar. 272 00:16:30,440 --> 00:16:32,680 The nominees for best Achievement 273 00:16:32,680 --> 00:16:35,920 are Antonio Banderas. 274 00:16:36,720 --> 00:16:38,520 Renee Zellweger. 275 00:16:38,520 --> 00:16:40,440 Denzel Washington. 276 00:16:40,440 --> 00:16:42,040 Glenn Close. 277 00:16:42,040 --> 00:16:45,000 And CONAN O'Brien. 278 00:16:45,000 --> 00:16:48,960 And the winner is CONAN O'Brien. 279 00:17:12,320 --> 00:17:15,320 His Oscar win has been feted. 280 00:17:15,440 --> 00:17:18,560 My God, he is the greatest. 281 00:17:18,720 --> 00:17:22,880 Just check out the record in this himself. 282 00:17:22,880 --> 00:17:25,880 And he's grateful to none. 283 00:17:25,960 --> 00:17:28,520 Even the haters can't hate. 284 00:17:28,520 --> 00:17:35,240 Number one, he promised my agent my highest fees yet. 285 00:17:35,760 --> 00:17:38,960 And all the money this 286 00:17:45,720 --> 00:17:48,720 Cicero 287 00:17:50,160 --> 00:17:51,160 come to me 288 00:17:51,160 --> 00:17:55,880 to try to come to me. 289 00:17:56,400 --> 00:17:59,400 Yeah. 290 00:18:00,240 --> 00:18:09,320 Oh, this is how all answers will be handed out tonight. 291 00:18:09,640 --> 00:18:12,760 Josh Groban, everybody give it up for him. 292 00:18:14,040 --> 00:18:16,320 Here to present our first award, 293 00:18:16,320 --> 00:18:19,600 fellow Oscar winner Zoe Saldana. 294 00:18:36,480 --> 00:18:39,480 Ladies, ladies, ladies, ladies. 295 00:18:41,680 --> 00:18:44,880 What I loved about every single performance nominated 296 00:18:44,880 --> 00:18:49,840 for supporting actress was the sheer scope of contrast contained. 297 00:18:50,160 --> 00:18:53,280 And each one there was vulnerability 298 00:18:53,280 --> 00:18:56,280 and fearlessness, 299 00:18:56,400 --> 00:18:58,440 fierce physicality and quiet 300 00:18:58,440 --> 00:19:02,600 emotion, both subtlety and a balls 301 00:19:02,600 --> 00:19:06,840 to the wall commitment to what each one of you put on screen. 302 00:19:08,000 --> 00:19:09,360 You all allowed. 303 00:19:09,360 --> 00:19:12,360 What makes the art of acting so exhilarating? 304 00:19:16,920 --> 00:19:19,680 Elle Fanning Sentimental value. 305 00:19:19,680 --> 00:19:22,680 I can't tell you. 306 00:19:23,760 --> 00:19:26,400 Oh, what? Oh, 307 00:19:26,400 --> 00:19:28,360 well, 308 00:19:28,360 --> 00:19:30,840 Inga, Eve's daughter lust sentimental 309 00:19:30,840 --> 00:19:34,040 that if you think of her as losing your best 310 00:19:35,320 --> 00:19:38,320 dancer in this hall, I would prefer it more than it is. 311 00:19:39,560 --> 00:19:41,480 Amy Madigan Weapons. 312 00:19:41,480 --> 00:19:44,080 I had realized far too late. 313 00:19:44,080 --> 00:19:46,560 And I was standing on the wrong corner. 314 00:19:46,560 --> 00:19:48,440 And by the time I put that together. 315 00:19:48,440 --> 00:19:50,840 Oh, I'd missed it entirely. 316 00:19:50,840 --> 00:19:54,840 So I had to walk all the way across town to get here. 317 00:19:55,800 --> 00:19:58,360 When we massacre singers 318 00:19:58,360 --> 00:20:01,760 away from our work, everyone who 319 00:20:01,800 --> 00:20:05,320 my grandmother taught me to keep you and that crazy brother, you're safe. 320 00:20:05,680 --> 00:20:08,680 Every day since you've been gone. 321 00:20:08,760 --> 00:20:10,320 Teyana Taylor one barrel of 322 00:20:10,320 --> 00:20:14,120 After an emotional meta series in 2000. 323 00:20:14,120 --> 00:20:17,120 While you 324 00:20:17,880 --> 00:20:20,480 and your crumbling ego would never do this revolution. 325 00:20:20,480 --> 00:20:23,480 Make me. 326 00:20:27,200 --> 00:20:30,200 And the Oscar goes to 327 00:20:30,600 --> 00:20:33,600 Amy Madigan. 328 00:20:37,200 --> 00:20:38,600 This is the first Oscar winner 329 00:20:38,600 --> 00:20:41,600 and second nomination for not. 330 00:21:10,600 --> 00:21:13,600 This is great. 331 00:21:14,520 --> 00:21:17,400 Everybody is asking me and the press and all is well. 332 00:21:17,400 --> 00:21:19,120 It's been 40 years. 333 00:21:19,120 --> 00:21:22,520 And you know what's different about this time is different 334 00:21:22,520 --> 00:21:25,520 is you got this little old guy. So, 335 00:21:26,400 --> 00:21:29,400 I mean, I was in the shower last night trying to think of 336 00:21:30,160 --> 00:21:34,520 something to say as I was shaving my legs and I went, I got pants on. 337 00:21:34,520 --> 00:21:36,400 I don't have to worry about that. 338 00:21:36,400 --> 00:21:38,240 I'm sorry. And, 339 00:21:39,240 --> 00:21:41,880 you know, we were kind of advised that, 340 00:21:41,880 --> 00:21:44,840 you know, don't say all these names because nobody knows 341 00:21:44,840 --> 00:21:48,000 who the hell these people are, but you're not rattling them off. 342 00:21:48,000 --> 00:21:51,400 They're people that mean something to you that you couldn't be here 343 00:21:51,720 --> 00:21:54,720 without them. 344 00:21:57,440 --> 00:22:00,400 That first and foremost, I just have to 345 00:22:00,400 --> 00:22:03,400 thank Zack Krieger, a writer and director. 346 00:22:05,040 --> 00:22:08,040 He just wrote He just wrote a dream part in one eye. 347 00:22:08,120 --> 00:22:12,840 Let me just grab it by the throat and we ball. 348 00:22:14,360 --> 00:22:15,840 You know, I want to thank Mary, 349 00:22:15,840 --> 00:22:19,160 You know who's on set all the time, our producer. 350 00:22:19,600 --> 00:22:24,320 And of course, you know Warner Brothers in New Line and Pam and Mike. 351 00:22:24,320 --> 00:22:28,520 But, you know, it's all the people who helped me get here. 352 00:22:28,560 --> 00:22:29,440 You know, you're just 353 00:22:30,400 --> 00:22:33,320 as you can tell, I'm a little flummoxed, you know. 354 00:22:33,320 --> 00:22:38,360 I mean, I also want to just give some tribute to Al and Inga 355 00:22:38,680 --> 00:22:40,600 and Wunmi and Teyana. 356 00:22:40,600 --> 00:22:47,760 I met 357 00:22:47,760 --> 00:22:50,760 oh, my legs are shaking 358 00:22:50,800 --> 00:22:54,720 because when I was doing all the weapons stuff, I was kind of traveling on my own. 359 00:22:55,000 --> 00:22:59,160 And people from one battle and people from sinners 360 00:22:59,160 --> 00:23:02,160 and all the films, they just kind of 361 00:23:02,160 --> 00:23:06,000 gave me a hug and said, Yeah, come on in and let us know you and you can know us. 362 00:23:06,000 --> 00:23:09,880 So I think that but most of all, I want to thank my beautiful daughter, 363 00:23:09,880 --> 00:23:12,880 Lily, her husband, Sean, 364 00:23:13,360 --> 00:23:15,360 and of course, all the dogs. 365 00:23:15,360 --> 00:23:18,680 But the most important is my beloved Ed, 366 00:23:23,560 --> 00:23:26,560 who's been with me for ever. 367 00:23:26,920 --> 00:23:29,040 And that's the longest time. 368 00:23:29,040 --> 00:23:33,440 And none of this would mean anything if he wasn't by my side. 369 00:23:33,640 --> 00:23:35,880 So thank you very much. I'm very overwhelmed. 370 00:23:53,080 --> 00:23:54,840 Coming up next, will 371 00:23:54,840 --> 00:23:59,400 Channing Tatum celebrate music from sinners here on the Oscars? 372 00:23:59,400 --> 00:24:02,400 From Adobe Theater at Ovation Hall. 373 00:24:17,280 --> 00:24:18,600 Fighting with Timothy right now. 374 00:24:18,600 --> 00:24:20,600 We're fighting, right? 375 00:24:20,600 --> 00:24:22,960 He doesn't think so. All right. 376 00:24:22,960 --> 00:24:23,840 Welcome back. 377 00:24:23,840 --> 00:24:27,200 We're coming to you live from the has a small penis theater. 378 00:24:28,800 --> 00:24:31,800 Let's see him put his name in front of that. 379 00:24:42,040 --> 00:24:43,800 Starting in 2029. 380 00:24:43,800 --> 00:24:44,400 Did you know this? 381 00:24:44,400 --> 00:24:48,880 Instead of ABC, the Oscars are going to air solely on YouTube. 382 00:24:49,320 --> 00:24:52,320 Yeah, It's the future. Yes, Big change. 383 00:24:52,560 --> 00:24:55,760 Some people are worried this will change how the Oscars are viewed. 384 00:24:56,400 --> 00:25:00,640 But I've been assured that they will know pretty much for a feed from hundred 385 00:25:00,960 --> 00:25:04,360 2500 moments of brightness, conveniently perfect to have 386 00:25:05,880 --> 00:25:08,960 the same flashlight that killed bin Laden. 387 00:25:14,400 --> 00:25:15,240 Sorry about that. 388 00:25:15,240 --> 00:25:18,240 But like I said, I don't think this is going to change the Oscars at all. 389 00:25:18,360 --> 00:25:19,800 I think this is a joke. 390 00:25:19,800 --> 00:25:22,680 Have you been injured in the tactical flashlight related incident? 391 00:25:22,680 --> 00:25:24,600 You may be eligible for compensation. 392 00:25:24,600 --> 00:25:28,360 Don't let big tactical flashlight get the better of you. 393 00:25:33,480 --> 00:25:36,480 For Jane Lynch, 394 00:25:36,560 --> 00:25:37,800 our next presenters 395 00:25:37,800 --> 00:25:40,840 are the two most aggressive alpha males in my book club. 396 00:25:40,840 --> 00:25:43,840 Please welcome Will Arnett and Channing Tatum. 397 00:25:53,760 --> 00:25:54,160 Tonight, 398 00:25:54,160 --> 00:25:57,160 we are here to celebrate excellence in animation. 399 00:25:57,360 --> 00:25:58,080 That is right. 400 00:25:58,080 --> 00:26:01,280 And yeah, it is right. That's right. 401 00:26:01,600 --> 00:26:04,560 And we'll add that such a big fan of your work 402 00:26:04,560 --> 00:26:08,080 in animation, BoJack Horseman, Genius, your Lego Batman. 403 00:26:08,080 --> 00:26:10,480 And maybe my favorite of all the Batman. Oh, thank you. 404 00:26:10,480 --> 00:26:12,120 You were also in Batman. 405 00:26:12,120 --> 00:26:14,200 But no, no, I'm serious. I'm serious. You're so good. 406 00:26:14,200 --> 00:26:14,640 Thank you. 407 00:26:14,640 --> 00:26:17,640 Have you ever considered, you know, trying to act in front of the camera? 408 00:26:19,400 --> 00:26:21,160 Yeah, I. 409 00:26:21,160 --> 00:26:23,280 In fact, I did this year. 410 00:26:23,280 --> 00:26:24,760 I mean, I made the movie with Bradley Cooper. 411 00:26:24,760 --> 00:26:26,120 What? 412 00:26:26,120 --> 00:26:28,440 Really? I love that guy. 413 00:26:28,440 --> 00:26:29,480 He's so good. 414 00:26:29,480 --> 00:26:32,480 He, like, just takes so many risks on, like, non-actors. 415 00:26:32,720 --> 00:26:33,640 He just pulls, like. 416 00:26:33,640 --> 00:26:36,720 Like, you know, like really, really amazing performances out of them. 417 00:26:36,720 --> 00:26:39,120 Lady Gaga, You. I'm assuming 418 00:26:40,440 --> 00:26:42,600 it's not really like he's like a miracle worker. 419 00:26:42,600 --> 00:26:44,640 He's like he's like, just has a magic wand. 420 00:26:44,640 --> 00:26:46,080 He gets everybody nominated. 421 00:26:46,080 --> 00:26:46,840 I'm sure you got nominated. 422 00:26:46,840 --> 00:26:49,800 I did not get it. 423 00:26:49,800 --> 00:26:50,880 Oh, that's okay. 424 00:26:50,880 --> 00:26:51,920 That's okay. Me neither. 425 00:26:51,920 --> 00:26:54,600 So I guess we're both available for voiceover work. Yeah. Yeah. 426 00:26:54,600 --> 00:26:55,200 All right. 427 00:26:55,200 --> 00:26:58,200 Your nominees for Best Animated feature are 428 00:27:02,040 --> 00:27:04,160 Argo, Hugo Bienvenu, 429 00:27:04,160 --> 00:27:07,360 Felix Diaz, Jeffrey, Sophie Mars, and Natalie Portman. 430 00:27:09,200 --> 00:27:12,240 Helio, Madeleine's Russian dummy sheep. 431 00:27:12,600 --> 00:27:15,600 Adrian Molina and Mary Alice Drumm. 432 00:27:17,160 --> 00:27:18,680 K-Pop Demon Hunters. 433 00:27:18,680 --> 00:27:19,800 Maggie Kane. 434 00:27:19,800 --> 00:27:21,040 Chris Evans. 435 00:27:21,040 --> 00:27:23,920 And Michelle Alden. While 436 00:27:23,920 --> 00:27:26,680 Little Emily or the character of Dream, 437 00:27:26,680 --> 00:27:29,920 Miley's villain LeAnn Shogun Media. 438 00:27:29,920 --> 00:27:32,920 Santiago and Andre Magalong. 439 00:27:33,520 --> 00:27:34,800 Zootopia, too. 440 00:27:34,800 --> 00:27:35,920 Jared Bush. 441 00:27:35,920 --> 00:27:37,600 Byron Howard and Event. 442 00:27:37,600 --> 00:27:40,600 Marina. 443 00:27:43,800 --> 00:27:46,800 And the Oscar goes to 444 00:27:47,720 --> 00:27:50,720 K-Pop Demon Hunter. 445 00:27:55,600 --> 00:27:57,320 This is the first Oscar 446 00:27:57,320 --> 00:28:01,640 nominations that Maggie can Criss Angel hands and the show. 447 00:28:01,680 --> 00:28:02,520 Helen the God. 448 00:28:35,880 --> 00:28:38,520 Oh, oh, 449 00:28:38,520 --> 00:28:41,520 oh, gosh. 450 00:28:42,840 --> 00:28:45,600 You think you. 451 00:28:45,600 --> 00:28:45,920 Thank you. 452 00:28:45,920 --> 00:28:49,920 To the academy and to all the fans who got us here. 453 00:28:50,800 --> 00:28:54,080 And for those of you who look like me, I am so sorry 454 00:28:54,080 --> 00:28:57,120 that it took us so long to see us in a movie like this. 455 00:28:58,320 --> 00:29:01,320 But it is here. 456 00:29:01,360 --> 00:29:04,360 And that means that the next generations don't have to go long. 457 00:29:04,720 --> 00:29:07,720 This is for Korea and for Koreans everywhere. 458 00:29:14,680 --> 00:29:17,200 Music and stories have this power 459 00:29:17,200 --> 00:29:21,080 to connect us as humans across cultures and borders. 460 00:29:21,840 --> 00:29:25,640 So I just want to take a moment to say to all the young filmmakers, 461 00:29:26,040 --> 00:29:29,040 artists, musicians in all corners of the globe, 462 00:29:29,760 --> 00:29:30,640 tell your story. 463 00:29:30,640 --> 00:29:32,200 Sing in your voice. 464 00:29:32,200 --> 00:29:35,200 I promise you, the world is waiting. 465 00:29:36,360 --> 00:29:39,040 Thank you to our partners at Netflix. Oh. 466 00:29:42,680 --> 00:29:43,040 Thank you 467 00:29:43,040 --> 00:29:46,160 to our partners at Netflix who made all of this possible 468 00:29:46,160 --> 00:29:50,000 and of course, to our crews at Sony Pictures Animation Image 469 00:29:50,000 --> 00:29:53,000 Works and Sony Pictures Music 470 00:29:54,120 --> 00:29:56,640 for Your Excellence in Making Films. 471 00:29:56,640 --> 00:29:58,800 And Love to our spouses. 472 00:29:58,800 --> 00:30:01,800 Eric Rad and Marine for all of your support. 473 00:30:01,880 --> 00:30:04,880 Mom, this is for you. 474 00:30:19,720 --> 00:30:21,000 And now the award for Best 475 00:30:21,000 --> 00:30:24,360 Animated Short and the creative people who bring these animated stories to life. 476 00:30:24,720 --> 00:30:25,440 That's right. 477 00:30:25,440 --> 00:30:31,440 Tonight, we are celebrating people, not A.I., because animation. 478 00:30:31,440 --> 00:30:33,960 Yeah, it's more than a product. 479 00:30:33,960 --> 00:30:36,320 It's an art form and it needs to be protected. 480 00:30:36,320 --> 00:30:39,320 AM I right? Oh, my. Right. 481 00:30:40,040 --> 00:30:43,040 Yeah, yeah, yeah. 482 00:30:43,120 --> 00:30:44,960 I feel that way, too. 483 00:30:44,960 --> 00:30:46,960 That too late. I already won this presenting segment. 484 00:30:46,960 --> 00:30:48,480 I didn't really realize it was a competition, but. 485 00:30:48,480 --> 00:30:51,000 Yeah, well, that's why you came in second. All right. 486 00:30:51,000 --> 00:30:52,320 The nominees are 487 00:30:56,480 --> 00:30:59,760 Butterfly, the Horse Media, Enron, Dyas 488 00:31:01,040 --> 00:31:04,160 for Evergreen, Nathan Engelhart and Jeremy Spears, 489 00:31:05,760 --> 00:31:07,520 the girl Who Cried Pearls. 490 00:31:07,520 --> 00:31:10,520 Chris Davis in March. Aisha Boesky 491 00:31:10,920 --> 00:31:12,120 Retirement Plan. 492 00:31:12,120 --> 00:31:15,120 John Kelly. Andrew Friedman, 493 00:31:15,360 --> 00:31:16,640 The Three Sisters. 494 00:31:16,640 --> 00:31:19,640 Constantine Bronze, Eat. 495 00:31:23,000 --> 00:31:25,520 And the Oscar Goes to the girl 496 00:31:25,520 --> 00:31:28,520 who Cried Pearls. 497 00:31:30,200 --> 00:31:33,120 This is the first Oscar winning an Oscar nomination 498 00:31:33,120 --> 00:31:36,120 for a march actually 499 00:31:36,640 --> 00:31:39,400 previously nominated for the animated short 500 00:31:39,400 --> 00:31:42,400 Madam Tutti Frutti. 501 00:31:47,280 --> 00:31:48,480 Oh, boy. 502 00:31:48,480 --> 00:31:50,800 We really are that nervous. 503 00:31:50,800 --> 00:31:53,480 I guess people think it takes patients 504 00:31:53,480 --> 00:31:56,480 to take five years to make a puppet film. 505 00:31:57,240 --> 00:32:00,280 It actually takes patience to live with someone 506 00:32:00,360 --> 00:32:03,360 who takes five years to make a puppet film. 507 00:32:03,360 --> 00:32:05,640 So I'd like to thank my wife, 508 00:32:05,640 --> 00:32:08,640 Maya, my daughter Julie, 509 00:32:09,160 --> 00:32:11,800 Stephanie, and our beautiful Mila. 510 00:32:11,800 --> 00:32:16,320 We'd like to thank the National Film Board, our amazing producers, Julie Lau, 511 00:32:16,960 --> 00:32:21,160 Mark Bertram and Christine Noel, our wonderful collaborators, 512 00:32:21,960 --> 00:32:24,960 Bridget Henry, Patrick Watson, 513 00:32:24,960 --> 00:32:27,760 Colm Feore, James Heineman. 514 00:32:27,760 --> 00:32:32,600 And to get off quick, we just really want to thank our amazing neighborhood 515 00:32:33,320 --> 00:32:36,200 and the amazingly talented community of artists 516 00:32:36,200 --> 00:32:39,200 that we have had the superb luck to work with. 517 00:32:40,000 --> 00:32:40,480 Thank you. 518 00:32:40,480 --> 00:32:42,960 The fantastic city of Montreal. 519 00:32:42,960 --> 00:32:44,280 Thank you. Canada. Canada. 520 00:33:00,800 --> 00:33:03,000 There are legends of people 521 00:33:03,000 --> 00:33:07,800 making music so true it can pierce the way 522 00:33:09,880 --> 00:33:12,880 between life and death. 523 00:33:14,040 --> 00:33:16,160 The Delta Blues is a form of healing, 524 00:33:16,160 --> 00:33:19,600 the affirmation of the existence of people who dream. 525 00:33:20,520 --> 00:33:23,520 To those who fall in love, 526 00:33:24,240 --> 00:33:27,000 it is both sacred and profane, 527 00:33:27,000 --> 00:33:29,160 simple yet complex, 528 00:33:29,160 --> 00:33:33,120 both human and divine is powerful magic. 529 00:33:33,120 --> 00:33:36,000 There is a global culture in its image. 530 00:33:36,000 --> 00:33:38,320 Our movie was about that power 531 00:33:38,320 --> 00:33:41,320 in a song about those people 532 00:33:48,600 --> 00:33:51,600 you keep dancing with the devil. 533 00:33:52,320 --> 00:33:55,320 One day he's going to follow you home 534 00:33:58,680 --> 00:34:01,680 to preach on Speak your word. 535 00:34:02,960 --> 00:34:05,880 I know that you've heard. 536 00:34:05,880 --> 00:34:08,880 So I lie to you. 537 00:34:09,440 --> 00:34:12,280 So I'm going to tell 538 00:34:12,280 --> 00:34:14,480 you one time 539 00:34:14,480 --> 00:34:16,480 I didn't mind you 540 00:34:16,480 --> 00:34:18,840 hope you don't lose my mind. 541 00:34:18,840 --> 00:34:19,880 Well, I was just 542 00:34:20,880 --> 00:34:23,800 now eight years old. 543 00:34:23,800 --> 00:34:26,440 You threw me a baboon moment. 544 00:34:26,440 --> 00:34:27,000 This is sick. 545 00:34:27,000 --> 00:34:28,640 You see. 546 00:34:28,640 --> 00:34:30,800 I love you, Papa. 547 00:34:30,800 --> 00:34:33,240 You did all you can do. 548 00:34:33,240 --> 00:34:35,760 They say so. 549 00:34:35,760 --> 00:34:39,000 I lied to you and yes, I lied to you. 550 00:34:40,640 --> 00:34:43,640 Oh, the blues 551 00:34:43,760 --> 00:35:02,600 and somebody 552 00:35:02,600 --> 00:35:06,200 take me in here. 553 00:35:06,320 --> 00:35:09,320 Oh, tonight. 554 00:35:11,080 --> 00:35:15,320 Somebody take me here. 555 00:35:15,360 --> 00:35:18,360 You're almost ten. 556 00:35:20,720 --> 00:35:23,720 Somebody take me, 557 00:35:31,160 --> 00:35:34,160 take me 558 00:35:35,560 --> 00:35:43,040 to stampede. 559 00:35:43,080 --> 00:35:47,920 Oh, preach it all 560 00:35:48,840 --> 00:35:51,840 to you. 561 00:35:55,680 --> 00:35:56,480 Well, 562 00:35:56,480 --> 00:36:17,600 I mean, yes. 563 00:36:35,600 --> 00:36:38,520 To take me 564 00:36:38,520 --> 00:36:41,520 with you 565 00:36:42,880 --> 00:36:45,880 to know 566 00:37:03,120 --> 00:37:06,120 you're. 567 00:37:07,440 --> 00:37:10,440 Oh, yeah. 568 00:37:11,280 --> 00:37:14,880 To show 569 00:37:39,240 --> 00:37:40,800 I'm on a new level. 570 00:37:40,800 --> 00:37:43,640 I have a purpose. 571 00:37:43,640 --> 00:37:45,200 And if you think that some sort of blessing is not, 572 00:37:45,200 --> 00:37:48,840 it puts me at a huge disadvantage right now. 573 00:37:49,920 --> 00:37:51,560 It means I have an obligation. 574 00:37:51,560 --> 00:37:54,560 I see a very specific thing through. 575 00:37:56,640 --> 00:37:58,520 And with that obligation comes sacrifice. 576 00:38:00,800 --> 00:38:03,320 What do you plan to do if this whole dream of yours doesn't work? 577 00:38:03,320 --> 00:38:05,880 That doesn't even enter my consciousness. 578 00:38:05,880 --> 00:38:08,880 I'm on a new level. 579 00:38:09,920 --> 00:38:12,920 Well, 580 00:38:14,440 --> 00:38:15,080 before we go 581 00:38:15,080 --> 00:38:18,160 any further, how about a hand for our brilliant conductor, 582 00:38:18,160 --> 00:38:21,400 Michael Bearden, and the Incredible Academy Orchestra? 583 00:38:22,160 --> 00:38:25,160 It's true. 584 00:38:25,240 --> 00:38:27,680 And concert master Charlie Fisher. 585 00:38:27,680 --> 00:38:30,680 Right, sir, We salute you. 586 00:38:32,920 --> 00:38:36,240 And for those of you who are fans of Mighty Supreme, you'll love 587 00:38:36,240 --> 00:38:39,440 the orchestra's newest instrument, the Timothy Shalom, a boom 588 00:38:39,440 --> 00:38:42,440 drum. 589 00:38:51,760 --> 00:38:54,520 Tonight, we're here to celebrate this year's films. 590 00:38:54,520 --> 00:38:55,920 But I need to stress this. 591 00:38:55,920 --> 00:39:00,000 We also care deeply about preserving, preserving film history. 592 00:39:00,000 --> 00:39:01,680 It must be preserved. 593 00:39:01,680 --> 00:39:05,040 I wanted to highlight one studio committed to doing just that 594 00:39:05,360 --> 00:39:08,360 for the smartphone generation 595 00:39:08,680 --> 00:39:09,160 Venture. 596 00:39:09,160 --> 00:39:12,640 A Crossroads Labs is a group of film preservationists 597 00:39:12,640 --> 00:39:17,960 committed to one simple goal making movies very tall and very skinny. 598 00:39:18,200 --> 00:39:21,560 As more people depend on their personal devices for entertainment 599 00:39:21,560 --> 00:39:26,040 venture, A Crossroads is meeting this need by updating yesterday's classics 600 00:39:26,240 --> 00:39:30,160 for today's movie audiences Using sophisticated A.I. 601 00:39:30,160 --> 00:39:34,440 software, Ventura Crossroads preserves only the most visually 602 00:39:34,440 --> 00:39:35,760 interesting parts of the frame. 603 00:39:35,760 --> 00:39:38,040 Yes, Yes. Yes. 604 00:39:38,040 --> 00:39:43,720 So now future audiences can enjoy re-imagined classics like Two Angry Men. 605 00:39:44,240 --> 00:39:48,960 And on Fat II, Hollywood's biggest movies made smaller 606 00:39:49,200 --> 00:39:52,720 and taller, all thanks to Ventura Crossroads. 607 00:39:52,960 --> 00:39:56,240 Oh, and one more thing to Lalani Century. 608 00:40:01,440 --> 00:40:03,000 Important work. 609 00:40:03,000 --> 00:40:04,720 Important work. 610 00:40:04,720 --> 00:40:07,200 It's time to introduce the next presenter. 611 00:40:07,200 --> 00:40:08,520 But let's make this special. 612 00:40:08,520 --> 00:40:09,520 Can we have a boom? 613 00:40:09,520 --> 00:40:12,520 Drum roll, please? 614 00:40:14,600 --> 00:40:15,600 Why Konan? Why? 615 00:40:15,600 --> 00:40:18,520 At one point in my life, I've had both of their haircuts. 616 00:40:18,520 --> 00:40:21,560 Please welcome Oscar winner Anne Hathaway and Dame 617 00:40:21,560 --> 00:40:24,760 Anna Wintour, who? 618 00:40:45,120 --> 00:40:46,680 Whether it's two distinct 619 00:40:46,680 --> 00:40:50,040 jewel toned hats, a meticulously crafted headdress, 620 00:40:50,440 --> 00:40:53,280 a simple pair of semi rimless eyeglasses, 621 00:40:53,280 --> 00:40:57,280 complex and dramatic pieces that bring to life a gothic classic 622 00:40:57,680 --> 00:41:02,280 or watching Red Turn rust in 16th century England, 623 00:41:02,880 --> 00:41:05,880 the character's costume is key to telling a story. 624 00:41:06,440 --> 00:41:09,600 One could argue that one's wardrobe in real life is also, 625 00:41:10,960 --> 00:41:14,240 does it make one appear elegant and attractive 626 00:41:14,240 --> 00:41:16,360 on, say, the most important night in Hollywood 627 00:41:16,360 --> 00:41:19,880 when, say, the most important people in fashion will be judging how one looks? 628 00:41:20,240 --> 00:41:24,760 Anna, I'm just curious what 629 00:41:27,480 --> 00:41:30,480 what do you think of my dress tonight? 630 00:41:31,560 --> 00:41:34,560 And the nominees are 631 00:41:43,520 --> 00:41:44,280 Avatar, 632 00:41:44,280 --> 00:41:47,640 Fire and Ash Costume Design by Deborah L. 633 00:41:47,680 --> 00:41:49,320 Scott 634 00:41:49,320 --> 00:41:52,960 Frankenstein Costume Design by Kate Collins. 635 00:41:55,040 --> 00:41:57,800 Prominent Costume Design by Mal Gershon. 636 00:41:57,800 --> 00:42:00,200 Artisan Stuff. 637 00:42:00,200 --> 00:42:01,960 Margie Supreme Costume 638 00:42:01,960 --> 00:42:04,960 Design by Miyako Billingsley 639 00:42:05,680 --> 00:42:09,000 Sinas Costume Design by Ruth E Thomson 640 00:42:13,320 --> 00:42:14,480 and the Oscar 641 00:42:14,480 --> 00:42:17,480 for Best Costume Design Goes to 642 00:42:18,320 --> 00:42:20,040 Frankenstein. 643 00:42:20,040 --> 00:42:23,040 Kate, Holly. 644 00:42:26,920 --> 00:42:29,920 This is the first Oscar nomination for Okay. 645 00:42:30,240 --> 00:42:33,160 She's an acclaimed New Zealand born costume designer, 646 00:42:33,160 --> 00:42:36,000 renowned for her work in fantasy and sci fi. 647 00:42:36,000 --> 00:42:58,720 Since I'm 648 00:43:02,160 --> 00:43:03,960 on behalf of myself 649 00:43:03,960 --> 00:43:09,240 and the amazing team that I work with, the artisans, the alchemists, 650 00:43:09,600 --> 00:43:14,320 the Dream Weavers, we're so grateful to the Academy for recognizing our craft, 651 00:43:14,760 --> 00:43:20,160 and it's been such a privilege to stand alongside Ruth Carter, Miyako, Beletsky, 652 00:43:22,000 --> 00:43:24,280 Mogo Chef, and Dave Scott. 653 00:43:24,280 --> 00:43:26,960 I just it's been amazing, you all. 654 00:43:26,960 --> 00:43:29,560 And Guillermo, I'm not going to cry. 655 00:43:29,560 --> 00:43:34,640 And thank you for the vision and for taking us on your journey. 656 00:43:34,640 --> 00:43:37,160 It's been a great privilege to be part of it all. 657 00:43:37,160 --> 00:43:39,960 Our nominations are your nominations. 658 00:43:39,960 --> 00:43:41,480 We share this with you. 659 00:43:41,480 --> 00:43:46,680 A big shout out to our fantastic cast and an extra one to Dan Alexander 660 00:43:46,680 --> 00:43:49,680 and Dennis and my family, 661 00:43:49,720 --> 00:43:52,720 who've put up with a lot of shit over the years. 662 00:43:53,040 --> 00:43:57,440 My darling daughter, who's my little eight to my Big Edie, and just 663 00:43:58,560 --> 00:44:01,080 everybody who supported us along the way, 664 00:44:01,080 --> 00:44:04,080 the Netflix family, Scott Miles, 665 00:44:05,520 --> 00:44:06,440 I don't know any more. 666 00:44:06,440 --> 00:44:09,240 I've lost it, but I'm so, so grateful. 667 00:44:09,240 --> 00:44:11,520 And thank you very much for recognizing that craft 668 00:44:29,560 --> 00:44:29,880 hair and 669 00:44:29,880 --> 00:44:32,880 makeup choices can make a performance come alive. 670 00:44:32,920 --> 00:44:36,840 These artists delicately balance being bold yet transparent, 671 00:44:37,200 --> 00:44:41,040 constantly asking themselves, Do I pull back or do I go for broke? 672 00:44:41,720 --> 00:44:44,480 These five nominated films are stunning examples 673 00:44:44,480 --> 00:44:47,480 of vision, art and craft. 674 00:44:47,520 --> 00:44:49,440 Anna, would you like to read the nominees? 675 00:44:49,440 --> 00:44:52,440 Thank you, Emily. 676 00:44:52,720 --> 00:44:55,720 And the nominees are 677 00:44:58,800 --> 00:45:00,960 Frankenstein, Michael 678 00:45:00,960 --> 00:45:04,800 Jordan, Samuel and Cliona Fury, Kikuyu. 679 00:45:04,880 --> 00:45:11,040 Kyoko Toya Koa, Naomi Corvino and Tadashi and Ishimatsu Sinha's. 680 00:45:11,040 --> 00:45:16,040 Kenya's My Crunching and Sunidhi Kothari The Smashing Machine. 681 00:45:16,120 --> 00:45:17,400 Kazu Hiro. 682 00:45:17,400 --> 00:45:19,000 Glen Griffin and Beyond. 683 00:45:19,000 --> 00:45:21,520 Ray Divine, the Ugly Stepsister. 684 00:45:21,520 --> 00:45:24,520 Thomas Go back and and country and about. 685 00:45:29,000 --> 00:45:32,000 And the Oscar goes to 686 00:45:32,400 --> 00:45:35,280 Michael Jordan, Samuel and Fiona 687 00:45:35,280 --> 00:45:38,280 for Frankenstein. 688 00:45:38,520 --> 00:45:40,240 This is the first Oscar 689 00:45:40,240 --> 00:45:43,960 nomination for Michael Jordan singing and cleaning this year. 690 00:45:47,880 --> 00:45:50,840 The creature's transformation took up to 11 hours. 691 00:45:50,840 --> 00:45:53,880 Each day is a 42 individually 692 00:45:53,880 --> 00:45:56,880 prosthetic piece. 693 00:46:06,200 --> 00:46:09,200 Oh, fantastic. 694 00:46:09,960 --> 00:46:12,600 Old school 695 00:46:12,600 --> 00:46:15,360 shit. 696 00:46:15,360 --> 00:46:18,360 Oh, no. 697 00:46:19,800 --> 00:46:20,480 Okay. 698 00:46:20,480 --> 00:46:21,360 Such an odyssey. 699 00:46:21,360 --> 00:46:23,240 Thank you so much. 700 00:46:23,240 --> 00:46:25,440 Crikey. 701 00:46:25,440 --> 00:46:27,040 While we're making this film. 702 00:46:27,040 --> 00:46:27,480 You know, we. 703 00:46:27,480 --> 00:46:30,480 The sense we're part of something very special, and tonight really confirms that. 704 00:46:30,480 --> 00:46:33,480 So thanks to special thanks to the Academy. 705 00:46:34,000 --> 00:46:36,200 Deepest thanks to our film nominees. 706 00:46:36,200 --> 00:46:39,640 Thank you to Netflix producers Miles and Scott. 707 00:46:40,400 --> 00:46:43,640 Thanks to Oscar, Isaac and most beautiful Mia Gough. 708 00:46:44,040 --> 00:46:48,120 And, of course, my mate Jacob Elordi, who set sat a 400 hours 709 00:46:48,720 --> 00:46:51,720 in their makeup chair during filming. 710 00:46:53,440 --> 00:46:54,880 A personal thank you to my dear 711 00:46:54,880 --> 00:46:57,960 Maggie and to our friend Guillermo del Toro. 712 00:46:58,640 --> 00:46:59,880 You did it, man. 713 00:46:59,880 --> 00:47:02,520 You brought our beloved Frankenstein back. 714 00:47:02,520 --> 00:47:04,800 And we want to thank you for allowing us to help 715 00:47:04,800 --> 00:47:07,720 make your dream project become our dream project. 716 00:47:07,720 --> 00:47:08,400 Thank you, sir. 717 00:47:10,520 --> 00:47:11,560 We want to thank 718 00:47:11,560 --> 00:47:15,200 all the prosthetic makeup and hair people for all the hard work they did. 719 00:47:15,240 --> 00:47:18,240 It's shown on the screen, and we're indebted to you forever. 720 00:47:40,200 --> 00:47:40,800 Coming up, 721 00:47:40,800 --> 00:47:45,240 an all star presentation for the first ever Oscar for casting 722 00:47:45,440 --> 00:47:48,440 only at the Oscars here on ABC. 723 00:47:57,720 --> 00:47:58,400 You touch Me. 724 00:47:58,400 --> 00:48:01,120 And what did you see? 725 00:48:01,120 --> 00:48:03,480 I saw a landscape 726 00:48:03,480 --> 00:48:06,760 space, this undiscovered country. 727 00:48:07,640 --> 00:48:10,640 The film is about hope. 728 00:48:10,920 --> 00:48:12,680 Empathy, 729 00:48:12,680 --> 00:48:14,480 grief 730 00:48:14,480 --> 00:48:17,080 and love. 731 00:48:17,080 --> 00:48:18,360 We have the power 732 00:48:18,360 --> 00:48:21,800 of transforming these feelings into art. 733 00:48:22,680 --> 00:48:25,680 What do you see? 734 00:48:25,920 --> 00:48:27,520 Loves doesn't die, 735 00:48:27,520 --> 00:48:30,520 just transforms. 736 00:48:34,000 --> 00:48:36,640 Please welcome Paul Moscone. 737 00:48:36,640 --> 00:48:37,920 Gwyneth Paltrow. 738 00:48:37,920 --> 00:48:38,800 Che Simpson. 739 00:48:38,800 --> 00:48:41,720 And to fuck them all down. 740 00:48:41,720 --> 00:48:44,720 Why Linda? 741 00:49:01,200 --> 00:49:03,960 The five of us on this stage are truly honored 742 00:49:03,960 --> 00:49:07,880 to be presenting the first ever Oscar for achievement in casting, 743 00:49:13,520 --> 00:49:14,480 a great casting 744 00:49:14,480 --> 00:49:17,480 director identifies the soul of a story. 745 00:49:17,600 --> 00:49:21,280 And Nina, you found the soul of happiness in William Agnew's 746 00:49:21,280 --> 00:49:24,280 This Family. 747 00:49:25,560 --> 00:49:26,880 They were the heart of the film. 748 00:49:26,880 --> 00:49:28,480 And seeing you work with Chloe Zhao 749 00:49:28,480 --> 00:49:31,480 to bring together the perfect emotional connection 750 00:49:31,480 --> 00:49:34,640 between the children and Jesse and I, It was incredible to watch. 751 00:49:34,640 --> 00:49:37,640 So thank you. 752 00:49:42,360 --> 00:49:45,120 Being a part of Marty Supreme meant stepping 753 00:49:45,120 --> 00:49:48,600 into a cast that felt incredibly alive from the first day. 754 00:49:49,200 --> 00:49:51,680 And that comes from the brilliance of Jennifer 755 00:49:51,680 --> 00:49:54,680 and Eddie. Wow. 756 00:49:57,360 --> 00:49:57,920 Jennifer, 757 00:49:57,920 --> 00:50:01,800 you have this rare ability to see people as they truly are 758 00:50:02,080 --> 00:50:05,280 and understand exactly how they belong inside a story. 759 00:50:06,000 --> 00:50:08,640 With your background in documentaries, you know the true 760 00:50:08,640 --> 00:50:10,840 value of lived experience. 761 00:50:10,840 --> 00:50:11,840 It can't be things 762 00:50:13,000 --> 00:50:14,160 in your eyes. 763 00:50:14,160 --> 00:50:16,840 Everyone has a character with a story to tell. 764 00:50:16,840 --> 00:50:19,200 And as someone lucky enough to be among them, 765 00:50:19,200 --> 00:50:22,200 I felt that care every day on set. 766 00:50:22,680 --> 00:50:26,520 Tonight, we're celebrating the invisible, exquisite architecture 767 00:50:26,520 --> 00:50:29,640 you built beneath every moment of Marty Supreme. 768 00:50:37,560 --> 00:50:41,760 I'm standing here tonight because of a casting director, Cassandra Culliton. 769 00:50:41,760 --> 00:50:44,760 This. 770 00:50:47,440 --> 00:50:49,360 She spent years searching for Willa, 771 00:50:49,360 --> 00:50:52,360 and she saw something in me that I didn't even know was there. 772 00:50:52,360 --> 00:50:54,960 Her belief in me helped me believe in myself. 773 00:50:54,960 --> 00:50:58,080 And thanks to her determination, imagination and instincts, 774 00:50:58,360 --> 00:51:01,440 I was cast in my first feature film, One Battle after Another, 775 00:51:01,680 --> 00:51:04,680 which has 13 Oscar nominations next. 776 00:51:09,080 --> 00:51:11,840 Three casting directors like Cassandra 777 00:51:11,840 --> 00:51:15,120 know how to bring together actors we love with new faces 778 00:51:15,320 --> 00:51:18,480 and make a film feel unexpected and completely original. 779 00:51:27,240 --> 00:51:30,240 The secret agent. 780 00:51:34,240 --> 00:51:34,800 The Secret 781 00:51:34,800 --> 00:51:38,720 agent is set in Brazil in the late 1970s. 782 00:51:39,640 --> 00:51:42,120 Gabrielle Dominguez 783 00:51:42,120 --> 00:51:45,120 had to populate 784 00:51:45,320 --> 00:51:48,000 She had to populate this film with people 785 00:51:48,000 --> 00:51:51,880 who had faces that looked like they belonged to that time. 786 00:51:53,160 --> 00:51:56,240 Gabrielle You achieved that goal. 787 00:51:59,680 --> 00:52:03,080 You found those faces 788 00:52:04,560 --> 00:52:08,280 and you did it by taking as much care and attention 789 00:52:08,280 --> 00:52:12,640 with the smallest parts as you did with the biggest parts. 790 00:52:13,400 --> 00:52:16,320 And the life it gave to our film 791 00:52:16,320 --> 00:52:19,320 is immeasurable. 792 00:52:19,960 --> 00:52:21,480 You, Gabrielle, 793 00:52:21,480 --> 00:52:24,680 use your technique to shape an entire world 794 00:52:25,000 --> 00:52:28,000 in the secret agent. 795 00:52:34,320 --> 00:52:37,320 And for that I say, but a bench. 796 00:52:41,520 --> 00:52:44,520 Francine Metzler. 797 00:52:49,960 --> 00:52:52,960 We look back at the cast as sinners. 798 00:52:53,000 --> 00:52:57,360 It's apparent to everyone you know how to discover new talent. 799 00:52:58,600 --> 00:53:01,680 Very grateful personally to you that you made room for 800 00:53:02,720 --> 00:53:05,720 one who's been doing this a little while 801 00:53:07,240 --> 00:53:08,280 in centers. 802 00:53:08,280 --> 00:53:11,600 Every character feels singular, distinct, 803 00:53:12,720 --> 00:53:16,520 fully lived in Francine, and yet together 804 00:53:16,520 --> 00:53:21,000 they formed something much larger a living, breathing world. 805 00:53:22,360 --> 00:53:24,480 It didn't happen by accident. 806 00:53:24,480 --> 00:53:27,720 That happened because you, Francine, you understood 807 00:53:28,280 --> 00:53:31,160 that identity is cultural, 808 00:53:31,160 --> 00:53:33,480 is generational. 809 00:53:33,480 --> 00:53:36,480 It's communal. 810 00:53:44,120 --> 00:53:45,680 And the very first Oscar 811 00:53:45,680 --> 00:53:48,920 for casting goes to Cassandra for the 812 00:53:56,560 --> 00:53:57,120 Cassandra 813 00:53:57,120 --> 00:54:02,360 Curtis wins the inaugural Best Casting Oscar, the first new competitive Academy 814 00:54:02,360 --> 00:54:05,360 Award in 24 years. 815 00:54:19,440 --> 00:54:20,160 Yeah, I said that. 816 00:54:20,160 --> 00:54:21,440 Okay. 817 00:54:21,440 --> 00:54:22,280 Wow. Wah, wah, wah, wah. 818 00:54:22,280 --> 00:54:22,600 Okay. 819 00:54:22,600 --> 00:54:25,840 I have to obviously thank the Academy for even adding this category 820 00:54:25,840 --> 00:54:27,080 and for the casting directors 821 00:54:27,080 --> 00:54:31,120 that fought tirelessly to make it happen despite everything in their way. 822 00:54:31,680 --> 00:54:33,560 I dedicate this to you 823 00:54:33,560 --> 00:54:37,200 and to the casting directors who never got a chance to get out of here. 824 00:54:37,680 --> 00:54:40,440 Who didn't even get a chance to get their name on the movie. 825 00:54:40,440 --> 00:54:43,240 So better for you guys. 826 00:54:43,240 --> 00:54:45,240 When Paul Thomas Anderson calls you. 827 00:54:45,240 --> 00:54:48,240 You enter the witness protection program and you 828 00:54:48,600 --> 00:54:50,240 literally don't talk to your friends and your family 829 00:54:50,240 --> 00:54:52,440 unless they have somebody that's right for the movie. 830 00:54:53,640 --> 00:54:54,840 And I put them all to 831 00:54:54,840 --> 00:54:57,840 work and I get more out of them when they haven't provided. 832 00:54:58,720 --> 00:55:02,040 And I have to thank all the crew who I'm in all of your departments, 833 00:55:02,040 --> 00:55:05,680 whether you like me or not, whether it's locations, who really gave me 834 00:55:05,800 --> 00:55:09,040 stance, product production, design or art directors. 835 00:55:09,040 --> 00:55:11,480 Yeah, everyone and editors, obviously. 836 00:55:11,480 --> 00:55:12,640 Thank you. 837 00:55:12,640 --> 00:55:18,680 But like, this is a thing and I just thank you for I mean, ten movies. 838 00:55:18,680 --> 00:55:20,520 We've done this for over 30 years. 839 00:55:20,520 --> 00:55:21,840 Like, we grew up together, I guess. 840 00:55:21,840 --> 00:55:23,320 And this is frickin insane. 841 00:55:23,320 --> 00:55:26,600 And I have one before you, which is also crazy high. 842 00:55:27,240 --> 00:55:29,880 So, yeah, I hope you get one tonight. Yeah. 843 00:55:29,880 --> 00:55:31,200 Thank you very much, everybody. 844 00:55:31,200 --> 00:55:34,200 Yeah. 845 00:56:01,360 --> 00:56:02,600 Why didn't you want to do the role? 846 00:56:03,960 --> 00:56:06,480 We wanted you to do it. 847 00:56:06,480 --> 00:56:09,040 I can't work with him. 848 00:56:09,040 --> 00:56:12,040 We can't really talk. 849 00:56:12,080 --> 00:56:15,080 Because only if I made it not liable. 850 00:56:16,280 --> 00:56:18,120 I try to understand people in the movies. 851 00:56:18,120 --> 00:56:20,640 I make 852 00:56:20,640 --> 00:56:24,240 cinematic language somehow gets us closer to people 853 00:56:24,240 --> 00:56:27,240 than we can in our everyday life. 854 00:56:28,360 --> 00:56:31,360 We're allowed to really look at others, 855 00:56:51,200 --> 00:56:54,240 not the Oscars 856 00:56:56,840 --> 00:56:58,840 are an international event. 857 00:56:58,840 --> 00:57:01,960 In that spirit, please welcome live from London, 858 00:57:02,280 --> 00:57:05,280 our announcer, Matt Berry. 859 00:57:05,600 --> 00:57:07,280 Thank you, country. 860 00:57:07,280 --> 00:57:10,040 It's a huge honor and a thrill to be here tonight. 861 00:57:10,040 --> 00:57:12,880 Well, we're thrilled to have you, Matt. 862 00:57:12,880 --> 00:57:15,280 Who are you excited to see tonight? 863 00:57:15,280 --> 00:57:20,000 Well, I've always been a fan of Benicio Del Toro, Sigourney Weaver, 864 00:57:20,560 --> 00:57:23,560 and, of course, Basil Rathbone. 865 00:57:24,960 --> 00:57:28,400 Sorry to tell you that Basil Rathbone died almost 60 years ago. 866 00:57:30,000 --> 00:57:32,200 Is that right? 867 00:57:32,200 --> 00:57:35,160 Well, that's live TV for you. 868 00:57:35,160 --> 00:57:37,000 No, it's not. 869 00:57:37,000 --> 00:57:38,840 Anyway, Matt Berry, I salute you. 870 00:57:38,840 --> 00:57:40,360 And thank you very much for doing this. 871 00:57:40,360 --> 00:57:43,360 I thank you. Yeah. Bless you. 872 00:57:43,720 --> 00:57:45,560 Here to present our next award 873 00:57:45,560 --> 00:57:48,680 is the man who has the body of a marvel Comics hero 874 00:57:48,800 --> 00:57:51,680 and the voice of a marvel Comics collector. 875 00:57:51,680 --> 00:57:54,680 Oscar nominee Kumail Nanjiani 876 00:58:07,440 --> 00:58:11,040 says it hurts because it's true. 877 00:58:15,080 --> 00:58:17,920 I got no warning that was going to happen. 878 00:58:17,920 --> 00:58:21,600 I am here to present the Oscar for Best Live-Action short film. 879 00:58:22,000 --> 00:58:25,840 There is real art to making a short film to tell a story 880 00:58:25,840 --> 00:58:29,840 that efficiently takes vision, creativity and discipline. 881 00:58:29,840 --> 00:58:30,880 And I'll say it. 882 00:58:30,880 --> 00:58:34,440 I think many full length movies would work just as well, if not better, 883 00:58:34,720 --> 00:58:35,840 as short films. 884 00:58:37,320 --> 00:58:38,520 You know what? 885 00:58:38,520 --> 00:58:42,000 We should take some of these feature films, remake them in shorts, 886 00:58:42,440 --> 00:58:43,440 save us some time. 887 00:58:43,440 --> 00:58:46,000 We have so much going on. 888 00:58:46,000 --> 00:58:49,520 Instead of It's a Wonderful Life, how about It's a wonderful month? 889 00:58:50,880 --> 00:58:53,880 West Side Anecdote. 890 00:58:53,880 --> 00:58:56,560 The King's Tweet. 891 00:58:56,560 --> 00:58:59,560 Some of that jazz. 892 00:59:00,880 --> 00:59:03,880 Call me by your nickname. 893 00:59:04,080 --> 00:59:07,080 No Country for Old Man. 894 00:59:07,760 --> 00:59:10,760 One Battle. 895 00:59:11,960 --> 00:59:13,600 That's it. 896 00:59:13,600 --> 00:59:15,480 You got one. 897 00:59:15,480 --> 00:59:18,480 Choose wisely, Paul. 898 00:59:18,480 --> 00:59:21,480 Schindler's posted. 899 00:59:22,000 --> 00:59:25,000 The nominees are. 900 00:59:28,120 --> 00:59:29,160 Put your stay. 901 00:59:29,160 --> 00:59:32,160 Meyer, Levinson, Blunt and Lauren Caspi, 902 00:59:33,000 --> 00:59:36,080 a friend of Dorothy Lee Knight and James Dean. 903 00:59:37,560 --> 00:59:39,600 Jane Austin's period drama 904 00:59:39,600 --> 00:59:42,600 Julia AX and Steve Pinder. 905 00:59:42,840 --> 00:59:46,040 The singers Fannie Davis and Jack hire 906 00:59:47,160 --> 00:59:49,320 two people, exchanging saliva. 907 00:59:49,320 --> 00:59:52,320 Alexandra saying, And that Lima Theater 908 00:59:57,480 --> 01:00:00,480 and the Oscar goes to. 909 01:00:01,080 --> 01:00:02,000 It's a tie. 910 01:00:02,000 --> 01:00:03,120 I'm not joking. 911 01:00:03,120 --> 01:00:04,760 It's actually a tie. 912 01:00:04,760 --> 01:00:06,000 So everyone come down. 913 01:00:06,000 --> 01:00:08,280 We're going to get through this. Focus up. 914 01:00:08,280 --> 01:00:10,480 I'm calm down to remain calm. 915 01:00:10,480 --> 01:00:12,600 I'm going to name one winner. 916 01:00:12,600 --> 01:00:14,080 They'll Come up, accept their award, 917 01:00:14,080 --> 01:00:16,080 and then I'll come back and name another winner. 918 01:00:16,080 --> 01:00:17,200 And then they'll accept their award. 919 01:00:17,200 --> 01:00:19,560 Okay, here we go. 920 01:00:19,560 --> 01:00:22,240 One Oscar goes to the singers. 921 01:00:29,520 --> 01:00:29,920 This is the 922 01:00:29,920 --> 01:00:32,920 first Oscar win a nomination for Jack Pine. 923 01:00:33,200 --> 01:00:35,920 The first win and second nomination to Sunday. 924 01:00:35,920 --> 01:00:38,920 Davis, 925 01:00:40,640 --> 01:00:43,640 the tie. Wow. 926 01:00:44,120 --> 01:00:45,000 I didn't know that was. 927 01:00:45,000 --> 01:00:47,480 I don't know. That was the thing. A tie. 928 01:00:47,480 --> 01:00:48,440 But we're happy to be up here. 929 01:00:48,440 --> 01:00:52,120 First, I want to thank my my parents who convinced the kid from Pottsville, 930 01:00:52,120 --> 01:00:55,560 Michigan, that this was a viable career avenue. 931 01:00:56,000 --> 01:00:59,640 Thank you, mom and dad to our entire crew, but especially to these guys 932 01:00:59,640 --> 01:01:00,520 standing behind me. 933 01:01:00,520 --> 01:01:03,520 They Robichaux and Jack Piatt, my producers. 934 01:01:03,720 --> 01:01:05,800 Who will this thing into existence? 935 01:01:05,800 --> 01:01:08,160 To our incredible cast of first timers. 936 01:01:08,160 --> 01:01:11,560 People who had never acted before and never really imagined themselves 937 01:01:11,560 --> 01:01:12,600 on the big screen. 938 01:01:12,600 --> 01:01:17,000 Mike Young is here, New York City Subway Busker as you may have seen him, 939 01:01:18,680 --> 01:01:21,680 thank you to Netflix, to my girlfriend Paris, 940 01:01:21,720 --> 01:01:25,240 to the La Habra Moose Lodge and of course, to the Academy. 941 01:01:25,280 --> 01:01:27,000 Crazy sentence, I know. 942 01:01:27,000 --> 01:01:30,480 And finally, the singers is a simple story about the power of music 943 01:01:30,480 --> 01:01:32,440 and art to bring us together in a moment 944 01:01:32,440 --> 01:01:35,480 when we live in an increasingly isolated world. 945 01:01:35,880 --> 01:01:38,880 May we keep looking for beauty in unexpected places? 946 01:01:39,320 --> 01:01:41,640 May we all be brave enough to keep on singing? 947 01:01:41,640 --> 01:01:44,640 Thank you. 948 01:01:53,000 --> 01:01:54,960 Ironic that the short film Oscar 949 01:01:54,960 --> 01:01:57,960 is going to take twice as long, 950 01:02:00,600 --> 01:02:02,400 and the second Oscar goes 951 01:02:02,400 --> 01:02:05,400 to two people exchanging saliva. 952 01:02:09,160 --> 01:02:12,760 This is the first Oscar win and nomination for Alexandra Sui 953 01:02:13,120 --> 01:02:16,120 and Natalie Muschietti. 954 01:02:25,200 --> 01:02:25,800 I believe 955 01:02:25,800 --> 01:02:29,280 this is only happened three times in history before 956 01:02:29,520 --> 01:02:34,080 and we are so happy to be sharing this Oscar with the singers we love. 957 01:02:34,280 --> 01:02:36,400 All of our fellow nominees. 958 01:02:36,400 --> 01:02:40,600 And we're so, so grateful to everyone who has supported our film 959 01:02:40,600 --> 01:02:41,880 and who made this film. 960 01:02:41,880 --> 01:02:45,640 Our crew, the Gallery, Lafayette, The New Yorker, 961 01:02:45,800 --> 01:02:51,320 our EP's, Julianne Moore and Isabelle Huppert, our family, our friends. 962 01:02:51,600 --> 01:02:55,560 Souvenir and our little girl Sophia sing 963 01:02:56,080 --> 01:03:00,320 and thank you to the Academy for for, for, for supporting a film 964 01:03:00,320 --> 01:03:03,320 that is weird and that is queer and that is 965 01:03:04,080 --> 01:03:07,120 made by a majority of women in 966 01:03:10,960 --> 01:03:17,440 and among all 967 01:03:24,360 --> 01:03:25,720 so and 968 01:03:25,720 --> 01:03:30,040 for having rewarded a French film made by a Franco Indian Brits, 969 01:03:30,360 --> 01:03:34,200 a Romanian American, an Argentinean and an Italian 970 01:03:34,200 --> 01:03:37,920 with actresses Aurรฉlie Buika, Vicky Krieps from Luxembourg, 971 01:03:38,800 --> 01:03:41,440 and Pastrami from Kosovo, and Zaw Amir 972 01:03:41,440 --> 01:03:44,440 from Iran, who cannot be here tonight. 973 01:03:45,040 --> 01:03:48,280 She just had a baby girl two days ago. 974 01:03:48,600 --> 01:03:52,440 Nyla Jane, you are the hope in a world 975 01:03:52,440 --> 01:03:56,520 that is dark and absurd and ridiculous and horrifying. 976 01:03:57,120 --> 01:04:00,600 But that is why we make films, is not because we believe that art 977 01:04:00,800 --> 01:04:02,400 can change people's souls. 978 01:04:02,400 --> 01:04:05,680 Maybe it takes ten years time, but we can change society through art, 979 01:04:05,680 --> 01:04:08,680 through creativity, through theater and ballet, and. 980 01:04:12,960 --> 01:04:14,200 And also cinema. 981 01:04:14,200 --> 01:04:15,000 Thank you so much. 982 01:04:15,000 --> 01:04:18,000 Thank you. 983 01:04:26,440 --> 01:04:29,200 I just want to say congratulations to both winners. 984 01:04:29,200 --> 01:04:32,520 You just ruined 22 million Oscar pools. 985 01:04:36,080 --> 01:04:37,240 And I know we're tight, but 986 01:04:37,240 --> 01:04:40,240 to retract a microphone on a man 987 01:04:40,360 --> 01:04:42,960 as he speaking is hilarious. 988 01:04:42,960 --> 01:04:45,960 Next up, 989 01:04:48,120 --> 01:04:50,840 next step is a really, really fine fellow. 990 01:04:50,840 --> 01:04:53,840 And Oscar winner for best Supporting actor. 991 01:04:53,960 --> 01:04:54,520 Please welcome. 992 01:04:54,520 --> 01:04:57,520 I love this guy, Kieran Culkin, 993 01:05:05,400 --> 01:05:13,200 who I have been given the honor 994 01:05:13,200 --> 01:05:16,200 to introduce the nominees for actor in a supporting role. 995 01:05:17,760 --> 01:05:21,000 Gentlemen, you gave us performances we will always remember. 996 01:05:21,600 --> 01:05:25,400 And now it is my genuine pleasure to give one of you a moment 997 01:05:25,400 --> 01:05:28,400 I hope you will never forget. 998 01:05:31,440 --> 01:05:32,640 Benicio Del Toro. 999 01:05:32,640 --> 01:05:34,720 One battle after another. 1000 01:05:34,720 --> 01:05:37,480 Whether you talk out of the vehicle back there, 1001 01:05:37,480 --> 01:05:39,760 crash. You sure about that? 1002 01:05:39,760 --> 01:05:42,360 Yes, ma'am. You've been drinking today? 1003 01:05:42,360 --> 01:05:44,800 I've had a few. A few what? 1004 01:05:44,800 --> 01:05:46,600 Small beers. 1005 01:05:46,600 --> 01:05:48,360 Jacob Elordi, Frankenstein. 1006 01:05:51,880 --> 01:05:53,160 Sean Shaw. 1007 01:05:53,160 --> 01:05:54,920 The House 1008 01:05:54,920 --> 01:05:57,680 of Correction. 1009 01:05:57,680 --> 01:06:00,680 A symbol from the discarded dead 1010 01:06:01,840 --> 01:06:04,200 Delroy Lindo centers 1011 01:06:04,200 --> 01:06:07,000 around the amount of booze belong to white folks. 1012 01:06:07,000 --> 01:06:08,400 Here at the blues is fine. 1013 01:06:08,400 --> 01:06:11,400 They just don't like the people who make you 1014 01:06:11,920 --> 01:06:12,920 Sean Penn. 1015 01:06:12,920 --> 01:06:15,760 One battle after another is doesn't line 1016 01:06:15,760 --> 01:06:18,760 up the big screen. 1017 01:06:20,520 --> 01:06:22,240 But if it does line up, 1018 01:06:22,240 --> 01:06:25,200 if it's a straight line, 1019 01:06:25,200 --> 01:06:27,720 you got probably 1020 01:06:27,720 --> 01:06:30,480 Stellan Skarsgard sentimental value. 1021 01:06:30,480 --> 01:06:33,400 He should give us the best actors of a generation. 1022 01:06:33,400 --> 01:06:34,800 The Lucky, as you see here. 1023 01:06:34,800 --> 01:06:37,800 You should be grateful. 1024 01:06:41,000 --> 01:06:43,800 And the Oscar goes to 1025 01:06:43,800 --> 01:06:44,880 Sean Penn. 1026 01:06:44,880 --> 01:06:47,880 One battle after another. 1027 01:06:53,560 --> 01:06:56,760 Sean Penn couldn't be here this evening or didn't want to. 1028 01:06:56,800 --> 01:06:59,800 So I'll be accepting the award on his behalf 1029 01:07:07,760 --> 01:07:10,600 and still 1030 01:07:10,600 --> 01:07:13,600 to come, the awards for adapted and original screenplay. 1031 01:07:13,840 --> 01:07:15,400 As we celebrate more movies. 1032 01:07:15,400 --> 01:07:20,080 We love being on the Oscars from the Dolby Theater at Ovation, Hollywood 1033 01:07:23,800 --> 01:07:38,400 and I know who you are. 1034 01:07:38,920 --> 01:07:40,440 I know what you are. 1035 01:07:40,440 --> 01:07:42,120 You know I'm not an alien. 1036 01:07:42,120 --> 01:07:45,120 Like I said afterwards, 1037 01:07:45,240 --> 01:07:49,160 I find fascinating that people are willing to question 1038 01:07:49,160 --> 01:07:53,160 what reality is and try and find their own truth. 1039 01:07:55,120 --> 01:07:58,120 It all starts with something 1040 01:07:58,840 --> 01:08:07,920 magnificent, like 1041 01:08:11,920 --> 01:08:13,960 we're like we're barely into this show. 1042 01:08:13,960 --> 01:08:16,240 We already have a tie, right? 1043 01:08:16,240 --> 01:08:19,040 And we have a no show in in Sean Penn. 1044 01:08:19,040 --> 01:08:20,240 This thing's a humdinger. 1045 01:08:20,240 --> 01:08:23,240 You got to stay tuned. 1046 01:08:24,960 --> 01:08:27,000 It's been widely reported 1047 01:08:27,000 --> 01:08:31,640 that some studios are now insisting filmmakers repeat information 1048 01:08:31,840 --> 01:08:36,560 and restate the plot several times in their movies in order to accommodate 1049 01:08:36,840 --> 01:08:38,600 the modern movie viewer 1050 01:08:38,600 --> 01:08:41,640 who's half watching because they're distracted by their phones. 1051 01:08:42,240 --> 01:08:44,880 Some are upset about this. 1052 01:08:44,880 --> 01:08:46,680 I don't think it's a big deal. 1053 01:08:46,680 --> 01:08:50,200 Please enjoy this scene from an updated Hollywood classic 1054 01:08:53,320 --> 01:08:55,200 Casablanca with CONAN 1055 01:08:55,200 --> 01:08:58,200 O'Brien and Sterling K Brown. 1056 01:09:02,360 --> 01:09:04,080 Of all the gin joints 1057 01:09:04,080 --> 01:09:07,400 and all the towns in all the world, she walks into mine, 1058 01:09:07,960 --> 01:09:10,960 she being Ilsa right? 1059 01:09:12,400 --> 01:09:14,400 Yeah, That's her name. 1060 01:09:14,400 --> 01:09:14,960 Yeah. 1061 01:09:14,960 --> 01:09:19,560 That's got to be tough because she ghosted you at that train station in Paris. 1062 01:09:21,320 --> 01:09:24,440 It definitely contributed to my overall cynicism, 1063 01:09:24,440 --> 01:09:27,440 what with this being World War Two and all 1064 01:09:28,560 --> 01:09:31,080 World War Two. 1065 01:09:31,080 --> 01:09:34,080 That's the Hitler one, right? 1066 01:09:34,920 --> 01:09:37,920 Sure is, Sam. Oh, 1067 01:09:38,640 --> 01:09:41,760 and, Rick, to reiterate, you're just now realizing 1068 01:09:41,760 --> 01:09:45,360 that you're still in love with Ilsa, even though she's married. 1069 01:09:46,720 --> 01:09:48,360 That's right, Sam. 1070 01:09:48,360 --> 01:09:51,520 I'm in a love train during World War Two. 1071 01:09:52,560 --> 01:09:54,280 Crazy 1072 01:09:54,280 --> 01:09:56,200 Thank you very much, Sterling K 1073 01:09:56,200 --> 01:09:59,200 Brown, everybody. 1074 01:09:59,520 --> 01:10:01,840 And now, 1075 01:10:01,840 --> 01:10:04,680 now to present the awards for screenwriting. 1076 01:10:04,680 --> 01:10:08,440 And to be clear, the award we're talking about is the draft. 1077 01:10:08,480 --> 01:10:09,480 That's correct. 1078 01:10:12,400 --> 01:10:15,960 Please welcome Chris Evans and Oscar winner 1079 01:10:16,080 --> 01:10:19,080 Robert Downey Jr. 1080 01:10:30,120 --> 01:10:33,360 Wow. The script, right? 1081 01:10:33,720 --> 01:10:35,920 It's the driving force of any film. 1082 01:10:35,920 --> 01:10:39,840 And this has truly been a banner year for screenwriters to say that. 1083 01:10:39,920 --> 01:10:41,400 Yeah, 1084 01:10:41,400 --> 01:10:44,240 but you gave me for our anniversary. 1085 01:10:44,240 --> 01:10:45,880 Dude, hold on. I'm just. I'm doing. 1086 01:10:45,880 --> 01:10:49,440 It's the 14th year anniversary of our first Avengers movie. 1087 01:10:49,440 --> 01:10:51,000 I got you. Yeah. 1088 01:10:51,000 --> 01:10:54,520 A signed copy of the original script signed by the whole cast. 1089 01:10:54,520 --> 01:10:56,720 It's backstage. Okay. I really thought this through. 1090 01:10:56,720 --> 01:10:58,160 Yeah, 1091 01:10:58,160 --> 01:11:00,000 Yeah, it's not backstage. 1092 01:11:00,000 --> 01:11:00,840 Mine's backstage. 1093 01:11:00,840 --> 01:11:02,520 You didn't get the course. 1094 01:11:02,520 --> 01:11:04,280 I did. Yes, I know you did, bro. I got. 1095 01:11:04,280 --> 01:11:05,840 I got it. 1096 01:11:05,840 --> 01:11:07,000 I got me. 1097 01:11:07,000 --> 01:11:07,680 Look. 1098 01:11:07,680 --> 01:11:10,680 Saw you. 1099 01:11:11,120 --> 01:11:14,120 This is your valet parking ticket. 1100 01:11:14,360 --> 01:11:15,280 You self drove? 1101 01:11:15,280 --> 01:11:16,680 I did. I'm a man of the people, 1102 01:11:18,320 --> 01:11:19,480 but I didn't really think that through. 1103 01:11:19,480 --> 01:11:20,400 I'm going to need it back. 1104 01:11:20,400 --> 01:11:23,400 Sorry. 1105 01:11:24,240 --> 01:11:27,240 The nominees for Best Adapted Screenplay are 1106 01:11:30,320 --> 01:11:33,320 Begonia Screenplay by Will Tracy. 1107 01:11:33,400 --> 01:11:36,640 And I'm supposed to believe you're a 45 year old woman, 1108 01:11:37,800 --> 01:11:39,600 human woman. 1109 01:11:39,600 --> 01:11:43,160 I mean, I follow a very strict reverse aging diet and therapy program. 1110 01:11:45,080 --> 01:11:48,080 Frankenstein written for the screen by Gamo del Toro. 1111 01:11:48,520 --> 01:11:51,840 If this is not to be construed 1112 01:11:51,960 --> 01:11:54,960 this my son, Wherever you are, 1113 01:11:56,240 --> 01:12:00,320 what recourse do you have to leave him? 1114 01:12:00,320 --> 01:12:03,440 The screenplay by Chloe Zhao and Maggie Wilson. 1115 01:12:04,480 --> 01:12:05,640 I must be hand Foster to you. 1116 01:12:05,640 --> 01:12:07,160 No one else will do. 1117 01:12:07,160 --> 01:12:09,240 I will speak with your stepmother and your brother. 1118 01:12:09,240 --> 01:12:12,240 And of course they will not agree. But 1119 01:12:13,600 --> 01:12:16,200 I don't care because I have no talent for waiting 1120 01:12:18,520 --> 01:12:20,080 one battle after another. 1121 01:12:20,080 --> 01:12:22,440 Written by Paul Thomas Anderson. 1122 01:12:22,440 --> 01:12:23,760 How many women? 1123 01:12:23,760 --> 01:12:25,120 I don't know. A bunch. 1124 01:12:25,120 --> 01:12:28,040 Ten or 20 1125 01:12:28,040 --> 01:12:29,880 weapons. 1126 01:12:29,880 --> 01:12:32,880 I think they're vegetarian. 1127 01:12:33,440 --> 01:12:34,640 Train Dreams 1128 01:12:34,640 --> 01:12:37,440 Screenplay by Clint Bentley and Greg Brain. 1129 01:12:37,440 --> 01:12:40,840 You worry more and more as something terrible was following them. 1130 01:12:41,840 --> 01:12:44,840 The deaths I would find him out here 1131 01:12:44,880 --> 01:12:47,880 far away from the only place he really wanted to be. 1132 01:12:54,600 --> 01:12:57,240 And the Oscar goes to 1133 01:12:57,240 --> 01:12:58,520 one battle after another. 1134 01:12:58,520 --> 01:13:01,520 Paul Thomas Anderson. 1135 01:13:03,320 --> 01:13:05,000 This is the first Oscar win 1136 01:13:05,000 --> 01:13:08,040 and 14th nomination for Paul Thomas fans, 1137 01:13:08,760 --> 01:13:11,440 including his nominations this year for directing 1138 01:13:11,440 --> 01:13:14,440 Best Picture 1139 01:13:15,840 --> 01:13:30,880 and thank you. 1140 01:13:32,160 --> 01:13:34,920 Thank you very, very much. 1141 01:13:34,920 --> 01:13:37,920 I'm incredibly honored to be part of this history. 1142 01:13:40,280 --> 01:13:41,160 This is an adaption. 1143 01:13:41,160 --> 01:13:44,720 So I owe a huge debt of of of admiration 1144 01:13:44,720 --> 01:13:47,720 and love to Thomas Pynchon 1145 01:13:48,000 --> 01:13:51,000 and he writer knows that you're 1146 01:13:51,640 --> 01:13:54,040 you either beg for forgiveness or your special thanks 1147 01:13:54,040 --> 01:13:57,240 is really to your family and the people that you share a roof with 1148 01:13:57,480 --> 01:14:00,480 who put up with what it means to live with a writer. 1149 01:14:01,160 --> 01:14:01,800 To Maya. 1150 01:14:03,320 --> 01:14:05,760 Yeah. 1151 01:14:05,760 --> 01:14:08,760 Rainer, Sylvia Gu, Uncle Paul, Jojo. 1152 01:14:08,880 --> 01:14:11,720 I wrote this movie for my kids 1153 01:14:11,720 --> 01:14:14,520 to say sorry for the. 1154 01:14:14,520 --> 01:14:16,760 The housekeeping mess that we left in this world. 1155 01:14:16,760 --> 01:14:20,480 We're handing off to them, but also with the encouragement 1156 01:14:21,360 --> 01:14:23,760 that they will be the generation that 1157 01:14:23,760 --> 01:14:26,720 hopefully brings us some common sense and decency. 1158 01:14:26,720 --> 01:14:30,120 My poor Lucy, Jack and Ida, I love you. 1159 01:14:30,120 --> 01:14:31,200 Thank you very much. 1160 01:14:31,200 --> 01:14:32,160 Thank you very much. 1161 01:14:32,160 --> 01:14:35,160 Thank you. 1162 01:14:52,720 --> 01:14:56,360 No doubt he is very gay. 1163 01:14:57,840 --> 01:15:02,280 Speaking of anniversaries, it was 50 years ago that Frank Pearson won 1164 01:15:02,280 --> 01:15:06,680 for Best Original screenplay for Dog Day after news. 1165 01:15:07,680 --> 01:15:08,720 I was just Josh. 1166 01:15:08,720 --> 01:15:11,000 Oh, of course I got you. 1167 01:15:11,000 --> 01:15:12,960 I got you. 1168 01:15:12,960 --> 01:15:14,760 The official 1169 01:15:14,760 --> 01:15:17,600 tanning Chatham thong for Magic Mike. 1170 01:15:17,600 --> 01:15:18,720 It's Sequin, right? 1171 01:15:18,720 --> 01:15:21,920 It's got like a mirror mirror ball effect, light usage. 1172 01:15:24,600 --> 01:15:26,360 I have no words. 1173 01:15:26,360 --> 01:15:29,360 I haven't need that back, though. 1174 01:15:31,800 --> 01:15:34,280 For what? 1175 01:15:34,280 --> 01:15:36,480 I got to work later room. 1176 01:15:36,480 --> 01:15:39,320 TOTENBERG The nominees for best 1177 01:15:39,320 --> 01:15:42,320 Original Screenplay are 1178 01:15:43,520 --> 01:15:46,520 Blue Moon, written by Robert Kaplan. 1179 01:15:46,720 --> 01:15:50,080 They should put my picture on that by the whiskey 1180 01:15:50,280 --> 01:15:53,280 that made Lawrence Hart unemployable. 1181 01:15:53,920 --> 01:15:55,520 It was just an accident. 1182 01:15:55,520 --> 01:15:58,920 Written by Jafar Panahi, script collaborators. 1183 01:15:59,040 --> 01:16:00,120 No, dear. Sorry. 1184 01:16:00,120 --> 01:16:05,800 Bars, Shot Mirror Rothstein, Medhi Mahmoud Young anymore wanted me around 1185 01:16:05,800 --> 01:16:10,000 dismissal notion, but apparently Scooter will be Kenny Monaco. 1186 01:16:10,080 --> 01:16:12,600 Additional candor are getting caught accountable. 1187 01:16:12,600 --> 01:16:14,520 She and he could have had only a small spatula. 1188 01:16:14,520 --> 01:16:16,080 Candy 1189 01:16:16,080 --> 01:16:19,440 Marty Supreme written by Ronald Brownstein and Josh Safdie 1190 01:16:20,640 --> 01:16:22,200 do the job. 1191 01:16:22,200 --> 01:16:24,360 No, I mean, table tennis, my job. 1192 01:16:24,360 --> 01:16:26,000 How do you live where I live? 1193 01:16:26,000 --> 01:16:27,600 With the confidence of I believe in myself. 1194 01:16:27,600 --> 01:16:28,320 The money will follow. 1195 01:16:28,320 --> 01:16:30,840 Ultimately, my struggle isn't even about money. 1196 01:16:30,840 --> 01:16:32,880 How do you pay rent? I don't. 1197 01:16:34,200 --> 01:16:34,760 Sentimental 1198 01:16:34,760 --> 01:16:38,000 value written by skill, food and joking truth. 1199 01:16:38,200 --> 01:16:39,240 And here goes. 1200 01:16:39,240 --> 01:16:41,480 Tonight was done. 1201 01:16:41,480 --> 01:16:43,520 It was a buffet. Yeah. 1202 01:16:43,520 --> 01:16:46,520 Thank you for Barnaba 1203 01:16:46,640 --> 01:16:49,640 Sinners written by Ryan Cooper. 1204 01:16:50,320 --> 01:16:52,800 You guys were in the studio 1205 01:16:52,800 --> 01:16:54,520 and think Would you sit up tonight? 1206 01:16:54,520 --> 01:16:55,400 Open up next week? 1207 01:16:55,400 --> 01:16:57,840 You know that it's got to be tonight. 1208 01:16:57,840 --> 01:16:59,760 Grand opening started with a bang. 1209 01:16:59,760 --> 01:17:02,520 Well, we start with a misfire. 1210 01:17:02,520 --> 01:17:04,960 Alaska. 1211 01:17:04,960 --> 01:17:07,960 That's a modified way to be free. Any 1212 01:17:13,720 --> 01:17:16,720 and the Oscar goes to 1213 01:17:17,360 --> 01:17:17,840 sinners. 1214 01:17:17,840 --> 01:17:20,840 Ryan Coogler. 1215 01:17:22,320 --> 01:17:25,560 Ryan Coogler is three nominations this year 1216 01:17:25,560 --> 01:17:28,760 and this is his first Oscar win with five nominations 1217 01:17:28,760 --> 01:17:31,760 overall. 1218 01:17:48,280 --> 01:17:51,280 I was struck 1219 01:17:51,720 --> 01:17:54,400 to see 1220 01:17:54,400 --> 01:17:56,760 three, three, three. 1221 01:17:56,760 --> 01:17:59,040 Hey, I 1222 01:17:59,040 --> 01:18:01,800 please, please, please sit out because because I'm very nervous 1223 01:18:01,800 --> 01:18:02,640 and I got to play me off. 1224 01:18:03,800 --> 01:18:05,880 I'm from I grew up in Oakland, Richmond, California. 1225 01:18:05,880 --> 01:18:06,960 We can talk a lot. 1226 01:18:06,960 --> 01:18:10,600 So so I'm I want to thank the Academy 1227 01:18:10,600 --> 01:18:13,240 for thinking of our movie that came out almost a year ago. 1228 01:18:13,240 --> 01:18:14,280 It is an incredible honor. 1229 01:18:14,280 --> 01:18:16,920 I want to thank my fellow nominees, you guys. 1230 01:18:16,920 --> 01:18:18,400 I want to thank you all for the gifts that your movie 1231 01:18:18,400 --> 01:18:20,240 is wearing for your friendship over the past years. 1232 01:18:20,240 --> 01:18:21,520 And once 1233 01:18:21,520 --> 01:18:23,400 I want to thank everybody that was involved with this movie, 1234 01:18:23,400 --> 01:18:26,400 starting with Warner Brothers, my companion here, David here somewhere, 1235 01:18:26,400 --> 01:18:28,840 everybody on my cast and crew, please stand up. 1236 01:18:28,840 --> 01:18:31,840 You guys are amazing. You guys are amazing. 1237 01:18:32,080 --> 01:18:33,360 You guys, guys. 1238 01:18:33,360 --> 01:18:34,320 Oh, my God. 1239 01:18:34,320 --> 01:18:36,520 You guys, you guys, 1240 01:18:36,520 --> 01:18:38,080 you all, you all that. 1241 01:18:38,080 --> 01:18:40,840 You all are winners in my book. Y'all are winners in my book. 1242 01:18:40,840 --> 01:18:43,680 So what several high end is, is equal guys are the best movies in the world. 1243 01:18:43,680 --> 01:18:45,520 Zazie the best wife and mom in the world. 1244 01:18:45,520 --> 01:18:48,520 Every day I look at this movie, which was better than, the one that came before it. 1245 01:18:49,040 --> 01:18:50,760 It's my parents who are here. 1246 01:18:50,760 --> 01:18:51,720 Thank you all for all your memories. 1247 01:18:51,720 --> 01:18:53,360 Thank you all for making me believe in myself 1248 01:18:53,360 --> 01:18:55,280 and to my babies that are all home watching. 1249 01:18:55,280 --> 01:18:57,800 I apologize for all the time away that loves you. 1250 01:18:57,800 --> 01:19:00,120 Memories, all we have. I hope I gave you some great ones. 1251 01:19:00,120 --> 01:19:02,280 And when you are blessed to live a long life 1252 01:19:02,280 --> 01:19:04,760 and that becomes just a memory, I want you all. I remember this one thing. 1253 01:19:04,760 --> 01:19:06,240 I love you all more than anything. Thank you. 1254 01:19:17,680 --> 01:19:18,200 Still to 1255 01:19:18,200 --> 01:19:21,280 come, more stars, more envelopes, more excitement. 1256 01:19:21,280 --> 01:19:26,400 Then later, a celebrity version of the global sensation K-Pop demon Hunters. 1257 01:19:26,600 --> 01:19:29,600 Here on the Oscars 1258 01:19:45,640 --> 01:19:47,200 every year. 1259 01:19:47,200 --> 01:19:48,840 Thank you. 1260 01:19:48,840 --> 01:19:53,240 Every year we acknowledge the loss of great artists in our industry. 1261 01:19:53,480 --> 01:19:56,520 And sadly, tonight, we are faced with the passing 1262 01:19:56,520 --> 01:19:59,520 of some extraordinary giants and film. 1263 01:19:59,760 --> 01:20:04,160 Here to speak about a good friend and amazing talent is Mr. 1264 01:20:04,160 --> 01:20:07,160 Billy Crystal. 1265 01:20:19,200 --> 01:20:20,840 Thank you so much. 1266 01:20:20,840 --> 01:20:25,840 I first met Rob Reiner in 1975 when I was cast as his best friend 1267 01:20:25,840 --> 01:20:29,520 in an episode of All in the Family and it went so well, Rob said. 1268 01:20:29,520 --> 01:20:31,160 You know, it was fun playing your best friend. 1269 01:20:31,160 --> 01:20:33,120 Why don't we keep it going? 1270 01:20:33,120 --> 01:20:35,520 And it was a thrill to see him evolve from a great comic 1271 01:20:35,520 --> 01:20:38,520 actor to a master storyteller. 1272 01:20:38,800 --> 01:20:41,280 His first film is This is Spinal Tap. 1273 01:20:42,360 --> 01:20:46,240 Yes, you could stop right there. 1274 01:20:47,160 --> 01:20:51,360 The hilarious and brilliant mockumentary with a comedy was turned up to 11. 1275 01:20:52,320 --> 01:20:55,440 Then John Cusack and Daphne Zuniga and the Pursuit of Love. 1276 01:20:55,440 --> 01:20:58,440 And the sure thing. 1277 01:20:58,440 --> 01:21:00,960 And then he beautifully portrays 1278 01:21:00,960 --> 01:21:04,040 the pain of boys about to become men and stand by me. 1279 01:21:07,920 --> 01:21:11,520 Next, the inconceivable tale of true 1280 01:21:11,520 --> 01:21:14,520 love and rodents of unusual size, 1281 01:21:14,640 --> 01:21:17,880 revenge, a gentle giant sword fights 1282 01:21:18,120 --> 01:21:21,120 and an old miracle man and his wife in The Princess Bride. 1283 01:21:21,480 --> 01:21:24,480 Then with an Oscar nominated Nora Ephron script. 1284 01:21:24,880 --> 01:21:27,880 Bruno Kirby, Carrie Fisher, Meg Ryan, 1285 01:21:28,320 --> 01:21:31,320 and myself. 1286 01:21:31,640 --> 01:21:33,160 Then it was New York in the fall. 1287 01:21:33,160 --> 01:21:34,240 Katz's Deli. 1288 01:21:34,240 --> 01:21:38,320 I'll have what she's having Baby fish, mouth pecan pie. 1289 01:21:39,200 --> 01:21:42,360 And Harry telling Sally when, You realize you want to spend the rest of your life 1290 01:21:42,360 --> 01:21:42,880 with somebody. 1291 01:21:42,880 --> 01:21:45,880 You want the rest of your life to start as soon as possible. 1292 01:21:46,000 --> 01:21:49,440 Audiences then lined up to see his funny, charming films. 1293 01:21:49,680 --> 01:21:51,800 So he gave them misery, 1294 01:21:54,120 --> 01:21:55,200 a psychodrama 1295 01:21:55,200 --> 01:21:58,680 and an Oscar for Kathy Bates playing the psycho in that drama. 1296 01:21:59,160 --> 01:22:04,160 Aaron Sorkin's courtroom thriller A Best Picture nominee with Moore, 1297 01:22:04,160 --> 01:22:08,400 Kevin Pollak and a few good men named Tom Cruise and Jack Nicholson, 1298 01:22:08,920 --> 01:22:11,920 who warned us, You can't handle the truth, 1299 01:22:11,960 --> 01:22:14,960 which is simply what we want today. 1300 01:22:15,000 --> 01:22:17,760 Then into the Oval Office, an American president wrestling 1301 01:22:17,760 --> 01:22:20,760 with a new love and his own morality. 1302 01:22:21,840 --> 01:22:25,120 My friends, Rob's movies will last for lifetimes 1303 01:22:25,440 --> 01:22:31,520 because they were about what makes us laugh and cry and what we aspire to be. 1304 01:22:32,240 --> 01:22:35,240 Far in his eyes, far kinder, 1305 01:22:35,240 --> 01:22:38,240 far funnier and far more human. 1306 01:22:38,440 --> 01:22:41,840 And when Michelle Singer entered his life, they were unstoppable. 1307 01:22:42,360 --> 01:22:45,360 A gifted photographer, she not only produced films with Rob, 1308 01:22:45,600 --> 01:22:48,600 but it was her energy that had them working tirelessly 1309 01:22:48,760 --> 01:22:51,960 to fight social injustice in the country that they both loved. 1310 01:22:52,920 --> 01:22:54,040 Now, Robin, Michelle, 1311 01:22:56,360 --> 01:22:57,080 Robin, Michelle 1312 01:22:57,080 --> 01:23:00,080 Reiner became the driving force in the landmark decision 1313 01:23:00,080 --> 01:23:03,080 for marriage equality across the United States, 1314 01:23:11,280 --> 01:23:13,840 and their loss is immeasurable. 1315 01:23:13,840 --> 01:23:15,800 And to the millions who have enjoyed his films 1316 01:23:15,800 --> 01:23:19,240 all these years, I want you to know here and around the world 1317 01:23:19,240 --> 01:23:22,520 how many times Rob told me that it meant everything to him, 1318 01:23:22,800 --> 01:23:26,880 that his work meant something to you and for us, 1319 01:23:27,480 --> 01:23:32,040 who had the privilege of working with and knowing him and loving him. 1320 01:23:32,720 --> 01:23:35,720 All we can say is, Buddy, 1321 01:23:35,880 --> 01:23:38,880 what fun we had storming the castle 1322 01:24:08,080 --> 01:24:43,880 and I haven't been able 1323 01:24:43,880 --> 01:24:46,880 to stop thinking about you since I first met you. 1324 01:25:12,880 --> 01:25:15,880 I hope you'll come back someday. 1325 01:25:57,760 --> 01:25:59,040 Man type things. 1326 01:25:59,040 --> 01:26:00,720 Women tapping. 1327 01:26:00,720 --> 01:26:03,000 What is the creative force behind the universe? 1328 01:26:03,000 --> 01:26:04,680 Care about such foolishness? 1329 01:26:07,320 --> 01:26:08,400 This past year, 1330 01:26:08,400 --> 01:26:11,440 we lost so many artists, including actresses 1331 01:26:11,440 --> 01:26:14,880 whose talent and originality widened the world for all of us. 1332 01:26:15,360 --> 01:26:18,600 Women like Claudia Cardinale, whose six decade career 1333 01:26:18,600 --> 01:26:21,600 helped bring European cinema to America. 1334 01:26:21,640 --> 01:26:24,160 Three time Oscar nominee Diane Ladd, 1335 01:26:24,160 --> 01:26:27,320 who brought fierce humanity and wit to every role. 1336 01:26:28,080 --> 01:26:30,720 Comedic genius and scene stealer. 1337 01:26:30,720 --> 01:26:33,720 Our mighty winds, 1338 01:26:37,080 --> 01:26:40,160 and my fellow Canadian, Catherine O'Hara. 1339 01:26:40,880 --> 01:26:43,880 She made us laugh until we cried. 1340 01:26:44,280 --> 01:26:47,280 And the icon Diane Keaton, 1341 01:26:52,560 --> 01:26:55,560 Annie Hall, the Godfather, Reds. 1342 01:26:56,160 --> 01:26:58,680 And that's just her first decade 1343 01:26:58,680 --> 01:27:02,840 for over 50 years, luminous on screen and indelible in life. 1344 01:27:03,480 --> 01:27:06,960 Believe me when I say there isn't an actress of my generation 1345 01:27:07,240 --> 01:27:11,640 who was not inspired by and enthralled with her absolute singularity. 1346 01:27:12,680 --> 01:27:15,480 She wore so many hats, 1347 01:27:15,480 --> 01:27:17,280 literally 1348 01:27:17,280 --> 01:27:19,240 and figuratively. 1349 01:27:19,240 --> 01:27:22,400 Actress, artist, author, activist. 1350 01:27:23,280 --> 01:27:27,680 But no hat more important to her than being a mother to her two children. 1351 01:27:29,120 --> 01:27:32,120 She meant so much to so many of us. 1352 01:27:32,520 --> 01:27:36,240 I remember she used to sing this old Girl Scout song on set, 1353 01:27:36,680 --> 01:27:39,680 which is just so her 1354 01:27:39,760 --> 01:27:43,560 make new friends, but keep the old one in silver 1355 01:27:43,760 --> 01:27:46,920 and the other is called A circle is round. 1356 01:27:47,320 --> 01:27:49,200 It has no end. 1357 01:27:49,200 --> 01:27:52,200 That's how long I'll be your friend. 1358 01:27:52,920 --> 01:27:55,920 And so to our friend Diane Keaton, 1359 01:27:56,040 --> 01:27:59,040 celebrating a life in silver and gold, 1360 01:28:01,040 --> 01:28:04,040 a legend with no end 1361 01:28:14,360 --> 01:28:16,200 attached, 1362 01:28:16,200 --> 01:28:18,560 The audience was there waiting for it. 1363 01:28:18,560 --> 01:28:22,120 And you get caught up in a heat of the moment and you just, 1364 01:28:22,280 --> 01:28:25,440 you know, you want to give them anything they want and, 1365 01:29:05,640 --> 01:29:24,960 oh, you think 1366 01:29:24,960 --> 01:29:27,960 if a man sincerely depends on what they've done wrong, 1367 01:29:28,600 --> 01:29:31,640 they might get to go back to the time that was happiest for him. 1368 01:29:36,120 --> 01:29:38,400 It's just that, 1369 01:29:38,400 --> 01:29:41,240 again, often 1370 01:29:41,240 --> 01:29:45,040 and sometimes things may or may not be true, 1371 01:29:45,840 --> 01:29:48,840 but the things I've managed to believe in the most. 1372 01:29:49,080 --> 01:29:52,080 But people are basically good. 1373 01:29:53,280 --> 01:29:55,040 Honor, 1374 01:29:55,040 --> 01:29:58,040 courage and virtue in everything. 1375 01:29:59,240 --> 01:30:00,400 But I just think of myself 1376 01:30:00,400 --> 01:30:03,400 thinking, you know, what would you even problem? 1377 01:30:03,400 --> 01:30:05,920 The answer is yes, that I know exactly where 1378 01:30:05,920 --> 01:30:08,920 I'm supposed to be. 1379 01:30:29,480 --> 01:30:30,400 After I wrote 1380 01:30:30,400 --> 01:30:33,400 the first script of the way where 1381 01:30:34,720 --> 01:30:37,720 I could only imagine one man 1382 01:30:38,600 --> 01:30:41,040 in the role of Hubble. 1383 01:30:41,040 --> 01:30:44,040 And that was Robert Redford. 1384 01:30:44,360 --> 01:30:47,360 But he turned it down because he said character 1385 01:30:48,080 --> 01:30:50,520 had no backbone. 1386 01:30:50,520 --> 01:30:52,880 He doesn't stand for anything. 1387 01:30:52,880 --> 01:30:55,120 And he was right. 1388 01:30:55,120 --> 01:30:57,840 So many drafts later, 1389 01:30:57,840 --> 01:31:00,840 Bob finally agreed to do it. 1390 01:31:01,720 --> 01:31:05,280 He was a brilliant, subtle actor, 1391 01:31:06,360 --> 01:31:09,000 and we had a wonderful time playing off each other 1392 01:31:09,000 --> 01:31:13,920 because we never quite knew what the other one was going to do and see. 1393 01:31:15,600 --> 01:31:18,600 And I'm thrilled that the way we were is now 1394 01:31:19,560 --> 01:31:22,880 considered a classic love story. 1395 01:31:23,760 --> 01:31:27,080 But it's also about a dark time in our history. 1396 01:31:28,000 --> 01:31:30,960 The late forties and early fifties 1397 01:31:30,960 --> 01:31:33,960 when people were informing on each other 1398 01:31:34,800 --> 01:31:37,800 and subject to loyalty oaths. 1399 01:31:38,800 --> 01:31:42,480 Now Bob had real backbone 1400 01:31:43,680 --> 01:31:45,920 on off the screen. 1401 01:31:45,920 --> 01:31:48,560 He spoke up to defend 1402 01:31:48,560 --> 01:31:51,960 freedom of the press, protect the environment, 1403 01:31:52,320 --> 01:31:56,720 and encouraged new voices at his Sundance Institute, 1404 01:31:57,280 --> 01:32:00,280 and some of whom 1405 01:32:02,400 --> 01:32:03,320 some of whom 1406 01:32:03,320 --> 01:32:06,320 are up for Oscars tonight, which is so great. 1407 01:32:07,360 --> 01:32:09,520 He was 1408 01:32:09,520 --> 01:32:10,640 he was thoughtful. 1409 01:32:10,640 --> 01:32:13,640 And bold. 1410 01:32:14,200 --> 01:32:17,200 I call him the intellectual cowboy 1411 01:32:17,640 --> 01:32:20,400 who blazed his own trail 1412 01:32:20,400 --> 01:32:23,400 and won the Academy Award for best director. 1413 01:32:24,200 --> 01:32:27,200 And I miss him now more than ever. 1414 01:32:28,040 --> 01:32:30,560 Even though he loved teasing me, 1415 01:32:31,680 --> 01:32:33,120 he called me. 1416 01:32:33,120 --> 01:32:35,200 He called me Babs. 1417 01:32:35,200 --> 01:32:39,440 And I said, Bob, you know, do I look like a bad brother? 1418 01:32:39,440 --> 01:32:41,680 Babs? You know? 1419 01:32:41,680 --> 01:32:45,600 But the way he said it made me laugh. 1420 01:32:46,920 --> 01:32:49,920 And many years later, we were 1421 01:32:50,120 --> 01:32:55,000 we were chatting on the phone about the usual politics 1422 01:32:55,440 --> 01:32:58,440 or modern Johnny, our favorite. 1423 01:32:59,680 --> 01:33:02,680 And as we were hanging up, he said, Babs, 1424 01:33:04,440 --> 01:33:07,440 I love you dearly 1425 01:33:07,560 --> 01:33:10,560 and I always will. 1426 01:33:10,560 --> 01:33:13,720 And in the last note I ever wrote to Bob, 1427 01:33:15,000 --> 01:33:18,200 I ended it with, I love you, too. 1428 01:33:19,560 --> 01:33:22,560 And I signed it. 1429 01:33:22,800 --> 01:33:25,800 Babs. 1430 01:33:36,360 --> 01:33:41,360 So it's laughter. 1431 01:33:43,320 --> 01:33:48,000 The laughter will remember. 1432 01:33:50,160 --> 01:33:55,720 Oh, my. Oh, 1433 01:33:57,920 --> 01:34:00,920 the way we would. 1434 01:34:03,720 --> 01:34:05,760 Oh, yes. 1435 01:34:05,760 --> 01:34:08,840 Who would we. 1436 01:34:10,440 --> 01:34:21,280 Oh! Ooh, Oh, 1437 01:34:32,760 --> 01:34:35,880 thank you so much. Be. 1438 01:34:44,840 --> 01:34:47,840 Forgive me, my son. 1439 01:34:49,800 --> 01:34:52,200 My maker 1440 01:34:52,200 --> 01:34:53,520 told his tale. 1441 01:34:55,160 --> 01:34:58,680 And will tend to mine 1442 01:35:00,120 --> 01:35:02,400 the. The backbone of it all is the idea 1443 01:35:02,400 --> 01:35:05,400 of loving a character that is imperfect. 1444 01:35:05,720 --> 01:35:09,360 And for giving those imperfections, I can die. 1445 01:35:09,920 --> 01:35:11,200 And I cannot. 1446 01:35:11,200 --> 01:35:14,200 If I love. 1447 01:35:23,120 --> 01:35:24,760 Welcome back. 1448 01:35:24,760 --> 01:35:27,360 Of course, we here at the Oscars are always trying 1449 01:35:27,360 --> 01:35:30,360 to figure out ways to reach a younger demographic. 1450 01:35:30,720 --> 01:35:34,040 And I've been assured this next segment will do just that. 1451 01:35:35,760 --> 01:35:38,680 When your host matching the Oscars and genuinely 1452 01:35:38,680 --> 01:35:41,760 trying to rise up the younger demographic by going brain run mode. 1453 01:35:42,040 --> 01:35:44,760 And even though you're uncoated, it is a bunch of fame filled. 1454 01:35:44,760 --> 01:35:48,960 And because you're still is to your level or a farming six seven. 1455 01:35:51,000 --> 01:35:52,280 Well, 1456 01:35:52,280 --> 01:35:55,200 that's the message that the young people will definitely see. 1457 01:35:55,200 --> 01:35:58,200 Watching broadcast television, 1458 01:36:02,800 --> 01:36:07,720 she's appeared in 74 movies and he appeared in 74 movies last year. 1459 01:36:08,040 --> 01:36:11,720 Please welcome Oscar nominee Sigourney Weaver and Pedro Pascal 1460 01:36:17,640 --> 01:36:27,240 and the 1461 01:36:30,760 --> 01:36:32,840 production designers possess 1462 01:36:32,840 --> 01:36:37,720 a special kind of movie, Magic that happens long before the cameras roll. 1463 01:36:38,320 --> 01:36:42,280 It begins with a sketch, a texture, a doorway, 1464 01:36:42,720 --> 01:36:46,560 and suddenly an entire world exists Cities, 1465 01:36:47,000 --> 01:36:50,280 palaces, entire galaxies, 1466 01:36:50,280 --> 01:36:54,080 sometimes even alien worlds, so that our characters live in. 1467 01:36:56,200 --> 01:36:59,200 You've had some experience with those? 1468 01:36:59,280 --> 01:37:00,960 A little. 1469 01:37:00,960 --> 01:37:03,960 The good, the bad. 1470 01:37:04,080 --> 01:37:07,080 And The downright adorable. 1471 01:37:12,840 --> 01:37:15,840 Get away from him, you bitch. 1472 01:37:19,080 --> 01:37:21,480 Wow. Good character recall. 1473 01:37:21,480 --> 01:37:24,400 I peed myself a little. 1474 01:37:24,400 --> 01:37:27,400 It's my soft maternal instinct. 1475 01:37:29,240 --> 01:37:29,680 I'm sorry. 1476 01:37:29,680 --> 01:37:32,680 Kate. Kate. 1477 01:37:33,120 --> 01:37:36,120 I stand by it. 1478 01:37:37,200 --> 01:37:38,800 And now 1479 01:37:38,800 --> 01:37:42,280 the artists and world builders who are nominated tonight 1480 01:37:42,520 --> 01:37:45,520 for achievement in production design are 1481 01:37:54,920 --> 01:37:58,040 Frankenstein Production Design by Tamara Devereux. 1482 01:37:58,280 --> 01:38:01,200 Set decoration by Shane Vere, 1483 01:38:01,200 --> 01:38:04,440 Pam Hamnett Production Design by Fiona Crombie. 1484 01:38:04,640 --> 01:38:07,600 Set Decoration by Alice Felton. 1485 01:38:07,600 --> 01:38:09,720 Marty Supreme Production Design 1486 01:38:09,720 --> 01:38:13,280 by Jackson's set by Adam Willis. 1487 01:38:14,200 --> 01:38:18,200 One Battle after Another Production Design by Florencia Martin. 1488 01:38:18,360 --> 01:38:22,800 Set Decoration by Anthony Carlino Sinner's Production 1489 01:38:22,800 --> 01:38:27,000 Design by Hanafi Blue Set Decoration by Monique Champagne. 1490 01:38:31,560 --> 01:38:34,560 And the Oscar goes to 1491 01:38:35,840 --> 01:38:37,440 Tamara Devereaux 1492 01:38:37,440 --> 01:38:40,440 and Shane Bell for Frankenstein. 1493 01:38:42,800 --> 01:38:45,680 This is the first Oscar win and second nomination 1494 01:38:45,680 --> 01:38:50,280 for Tamara deserves a second Oscar win and fourth nomination. 1495 01:38:50,520 --> 01:38:53,520 Pushing the 1496 01:39:15,920 --> 01:39:18,520 Who Thank you to the Academy 1497 01:39:18,520 --> 01:39:22,080 and to all the other nominees for your inspired work. Wow. 1498 01:39:22,960 --> 01:39:24,840 Guillermo, where are you? 1499 01:39:24,840 --> 01:39:27,840 Thank you for your humanity and your artistry. 1500 01:39:28,080 --> 01:39:30,360 You are truly a master storyteller. 1501 01:39:30,360 --> 01:39:34,680 It was an honor for us to help steer your fantastic operatic ship, 1502 01:39:35,760 --> 01:39:39,440 huge two Miles Dale to Scott Stewart and the entire Netflix team 1503 01:39:39,440 --> 01:39:42,440 for supporting and uplifting this creative journey. 1504 01:39:42,920 --> 01:39:45,920 We share this with an amazing crew in Toronto, in the UK, U.K., 1505 01:39:46,360 --> 01:39:50,040 our scenic paint and construction, the Mod Squad. 1506 01:39:50,280 --> 01:39:52,760 So many talented hands. 1507 01:39:52,760 --> 01:39:56,280 A shout out to Guy Davis, our concept artist, and our superb 1508 01:39:57,080 --> 01:39:59,400 art director, Brant Gordon, who are here tonight. 1509 01:39:59,400 --> 01:40:02,520 First of all, thanks to our families and friends, to our moms and dads, 1510 01:40:02,880 --> 01:40:06,240 to my husband, Kenny, our kids, Rachel and David for their love and support. 1511 01:40:06,480 --> 01:40:09,240 And finally, thank you, Mary Shelley, for the story. 1512 01:40:29,840 --> 01:40:31,640 It's time to pay tribute to 1513 01:40:31,640 --> 01:40:36,240 those who pushed the boundaries of what we ever thought possible in cinema. 1514 01:40:36,440 --> 01:40:39,840 The artists who blend the virtual with the real 1515 01:40:40,080 --> 01:40:44,640 to create cinematic effects that inspire all wonder and excitement. 1516 01:40:46,200 --> 01:40:48,960 Here are this year's nominees for Achievement 1517 01:40:48,960 --> 01:40:51,960 in visual effects. 1518 01:40:53,760 --> 01:40:56,520 Avatar, Fire and Ash, Julia Terry, 1519 01:40:56,520 --> 01:40:59,520 Richard Beynon, Eric Saindon and Daniel Barratt, 1520 01:41:00,840 --> 01:41:03,000 F1, Brian Todd Hope, 1521 01:41:03,000 --> 01:41:06,560 Nicholas Chevalier, Robert Harrington and Keith Dawson. 1522 01:41:07,160 --> 01:41:09,960 Jurassic World Rebirth. David Vicary. 1523 01:41:09,960 --> 01:41:11,000 Steven Aplin. 1524 01:41:11,000 --> 01:41:14,000 Charmaine Chan and Neil Corvo. 1525 01:41:14,240 --> 01:41:16,680 The Lost Bus, Charlie Noble, 1526 01:41:16,680 --> 01:41:20,280 David's already Russell Bowen and Brandon MacLaughlin 1527 01:41:21,000 --> 01:41:24,000 sinners, Russell Aspinall, 1528 01:41:24,320 --> 01:41:27,320 Cato Walton and Donald Dean 1529 01:41:30,480 --> 01:41:31,680 And the winner. 1530 01:41:31,680 --> 01:41:34,680 And the Oscar goes to 1531 01:41:36,760 --> 01:41:39,760 Avatar Fire. 1532 01:41:43,200 --> 01:41:45,960 This is the sixth Oscar win in 12 nominations, 1533 01:41:45,960 --> 01:41:49,960 which led to a third win and third nomination for Richard being 1534 01:41:50,480 --> 01:41:53,880 the second winner and fourth time nominee Alexandre. 1535 01:41:54,360 --> 01:41:56,520 Five time nominee Daniel Patrick. 1536 01:42:21,480 --> 01:42:21,920 First and 1537 01:42:21,920 --> 01:42:24,920 foremost, I think thank you to our families. 1538 01:42:25,400 --> 01:42:30,240 Honestly, the love support our wives, our partners. 1539 01:42:30,480 --> 01:42:32,400 It's like there's 2200 artists. 1540 01:42:32,400 --> 01:42:35,440 This is a massive, massive collaboration on the VFX side. 1541 01:42:35,760 --> 01:42:38,760 We also overlap with everybody on the on the movie. 1542 01:42:38,960 --> 01:42:43,800 So to all our families, it's like, this is everything. 1543 01:42:44,240 --> 01:42:46,800 Again, truly truly everything. 1544 01:42:46,800 --> 01:42:49,800 Jim Cameron Gaugamela Maha got the, 1545 01:42:50,440 --> 01:42:53,280 you know, he literally informs every frame of the movie 1546 01:42:53,280 --> 01:42:56,840 and I think has a big part of the effects to race and Cheney. 1547 01:42:57,320 --> 01:43:00,320 Everyone effects industrial light magic. 1548 01:43:00,600 --> 01:43:01,520 Thank you. 1549 01:43:01,520 --> 01:43:04,680 And to the one we're missing up here tonight, Jon Landau. 1550 01:43:05,080 --> 01:43:06,840 We miss you. 1551 01:43:06,840 --> 01:43:09,360 You're still the heart and soul of this movie. 1552 01:43:09,360 --> 01:43:11,880 Thank you. Thank you. 1553 01:43:11,880 --> 01:43:14,880 Our cast. 1554 01:43:27,360 --> 01:43:28,080 I'm sorry. 1555 01:43:28,080 --> 01:43:31,080 I was just backstage and I noticed something. 1556 01:43:31,240 --> 01:43:34,120 They cut to grow goo in the audience, 1557 01:43:34,120 --> 01:43:36,880 and I realized grow goo can't clap or 1558 01:43:38,400 --> 01:43:40,040 try to clap for you. Try. 1559 01:43:40,040 --> 01:43:41,080 Try to clap. 1560 01:43:41,080 --> 01:43:44,080 No, no. What a cruel thing to do. 1561 01:43:44,080 --> 01:43:47,080 To bring a creature who can't clap to an award show. 1562 01:43:47,160 --> 01:43:49,440 Is there no bottom to these people? 1563 01:43:49,440 --> 01:43:52,120 We'll be right back with more Oscars clad crow who? 1564 01:43:52,120 --> 01:43:56,040 Quack, quack, quack, quack. 1565 01:44:08,400 --> 01:44:11,400 His world is intricately stitched together. 1566 01:44:13,560 --> 01:44:14,680 Every thread we pull, 1567 01:44:14,680 --> 01:44:17,680 we know not how it affects the design of things. 1568 01:44:18,720 --> 01:44:21,720 This story really explores how we navigate love 1569 01:44:23,480 --> 01:44:26,480 and loss 1570 01:44:26,720 --> 01:44:29,640 as the world transforms around us. 1571 01:44:29,640 --> 01:44:31,880 Beautiful in it. 1572 01:44:31,880 --> 01:44:34,880 What is it? 1573 01:44:37,080 --> 01:44:40,080 Evan, 1574 01:44:43,320 --> 01:44:46,600 Please welcome Jimmy Kimmel and 1575 01:44:58,840 --> 01:44:59,600 Jimmy Kimmel, 1576 01:44:59,600 --> 01:45:02,680 and welcome to the 98th Annual Academy 1577 01:45:02,680 --> 01:45:05,680 Awards. 1578 01:45:06,080 --> 01:45:08,040 Wait, am I not hosting the show? 1579 01:45:08,040 --> 01:45:10,440 Oh, well, this is embarrass. 1580 01:45:10,440 --> 01:45:12,880 Actually, CONAN went outside to get some air. 1581 01:45:12,880 --> 01:45:17,400 I inadvertently exposed his face to the sun and was incinerated. So 1582 01:45:18,720 --> 01:45:21,120 I will be finishing out the rest of the program. 1583 01:45:21,120 --> 01:45:24,440 I am here to present the Oscars for documentary films, 1584 01:45:24,920 --> 01:45:27,920 and we hear a lot about 1585 01:45:30,840 --> 01:45:33,840 we hear a great deal. 1586 01:45:39,800 --> 01:45:41,440 They're going to cut down on your tickets 1587 01:45:41,440 --> 01:45:44,440 for next year. 1588 01:45:44,440 --> 01:45:46,800 We hear a lot about courage at shows like this, 1589 01:45:46,800 --> 01:45:51,560 but telling a story that could get you killed for telling it is real courage. 1590 01:45:51,880 --> 01:45:55,800 As you know, there are some countries whose leaders don't support free speech. 1591 01:45:56,560 --> 01:45:59,560 I'm not at liberty to say where. 1592 01:45:59,880 --> 01:46:02,880 Let's just leave it at North Korea and CBS. 1593 01:46:03,160 --> 01:46:06,160 Fortunately Fortunately, 1594 01:46:10,880 --> 01:46:14,800 fortunately for all of us, there is an international community of filmmakers 1595 01:46:14,800 --> 01:46:19,360 dedicated to telling the truth, oftentimes at great risk to make films. 1596 01:46:19,520 --> 01:46:23,440 Teach us that call out injustice, then inspire us to take action. 1597 01:46:23,960 --> 01:46:27,480 And there are also documentaries where you walk around the White House 1598 01:46:27,480 --> 01:46:29,080 trying on shoes. 1599 01:46:29,080 --> 01:46:32,920 Here are the nominees for documentary short film, 1600 01:46:37,800 --> 01:46:38,280 All the 1601 01:46:38,280 --> 01:46:41,280 Empty Rooms, Joshua Seftel and Connell Jones. 1602 01:46:42,160 --> 01:46:43,560 Armed only with a camera. 1603 01:46:43,560 --> 01:46:47,960 The Life and Death of Brett Renaud, Craig Renaud and Juan Arredondo. 1604 01:46:48,240 --> 01:46:50,800 Children No more were and are gone. 1605 01:46:50,800 --> 01:46:53,800 De La Maddalena and Sheila Nevins. 1606 01:46:54,400 --> 01:46:55,680 The devil is busy. 1607 01:46:55,680 --> 01:46:58,680 Krystal and Hampton and Geeta are going to be 1608 01:46:59,520 --> 01:47:01,000 perfectly a strangeness. 1609 01:47:01,000 --> 01:47:04,000 Alison McAlpin 1610 01:47:07,800 --> 01:47:09,000 All right. 1611 01:47:09,000 --> 01:47:11,520 And the Oscar for documentary short 1612 01:47:11,520 --> 01:47:14,600 film goes to all the empty Rooms 1613 01:47:16,200 --> 01:47:19,200 and Joan, 1614 01:47:19,600 --> 01:47:20,800 this is the first Oscar 1615 01:47:20,800 --> 01:47:23,840 win and second nomination for Joshua Seftel 1616 01:47:24,000 --> 01:47:27,000 and Colonel Jones. 1617 01:47:44,320 --> 01:47:44,720 Thank you. 1618 01:47:44,720 --> 01:47:46,600 To the Academy, 1619 01:47:46,600 --> 01:47:49,600 to the amazing Steve Hartman, 1620 01:47:52,320 --> 01:47:52,800 to you 1621 01:47:52,800 --> 01:47:55,800 both, to Netflix, Ted, Adam and Chloe, 1622 01:47:56,600 --> 01:47:59,600 and to our incredibly compassionate filmmaking team. 1623 01:48:00,120 --> 01:48:03,600 The empty rooms in our film belong belong to four young 1624 01:48:03,600 --> 01:48:06,720 children who were all killed in school shootings. 1625 01:48:08,160 --> 01:48:11,240 Holly, Gracie, Dominick and Jackie. 1626 01:48:13,520 --> 01:48:15,480 My daughter Jackie was nine 1627 01:48:15,480 --> 01:48:18,480 years old when she was killed in Uvalde. 1628 01:48:19,240 --> 01:48:22,600 Since that day, her bedroom has been frozen in time. 1629 01:48:23,560 --> 01:48:26,440 Jackie is more than just a headline. 1630 01:48:26,440 --> 01:48:29,040 She is our light and our life. 1631 01:48:29,040 --> 01:48:32,640 Gun violence is now the number one cause of death in kids and teens. 1632 01:48:33,360 --> 01:48:36,720 We believe that if the world could see their empty bedrooms, 1633 01:48:37,120 --> 01:48:38,920 would it be a different America? 1634 01:48:38,920 --> 01:48:41,920 Thank you. 1635 01:49:01,400 --> 01:49:04,400 The next Oscar is for documentary feature film, 1636 01:49:04,440 --> 01:49:07,440 which is like a documentary short film, 1637 01:49:08,400 --> 01:49:09,920 but longer. 1638 01:49:09,920 --> 01:49:12,920 Here are the nominees. 1639 01:49:16,000 --> 01:49:16,640 The Alabama 1640 01:49:16,640 --> 01:49:19,640 Solution, Andrew Direct and Charlie Kaufman. 1641 01:49:20,920 --> 01:49:22,520 Come See Me in the Good Life. 1642 01:49:22,520 --> 01:49:26,040 Ryan White, Jessica Hargrave, Tig Notaro and Stef Willard. 1643 01:49:28,000 --> 01:49:29,040 Cutting Through Rocks. 1644 01:49:29,040 --> 01:49:31,560 Sara, Kathy and Mohammad Reza. Amy. 1645 01:49:33,520 --> 01:49:35,520 Mr.. Nobody against Putin. 1646 01:49:35,520 --> 01:49:36,800 David Bornstein. 1647 01:49:36,800 --> 01:49:40,840 Paul To Lefebvre and better Caracalla 1648 01:49:42,720 --> 01:49:44,280 the perfect neighbor. 1649 01:49:44,280 --> 01:49:47,880 Either come to the release of pain me come from two 1650 01:49:48,160 --> 01:49:51,160 and Sam Bisbee. 1651 01:49:54,760 --> 01:49:56,200 Oh man, is he going to be mad? 1652 01:49:56,200 --> 01:49:59,200 His wife was nominated for this. 1653 01:50:03,200 --> 01:50:04,200 And the Oscar 1654 01:50:04,200 --> 01:50:07,920 for documentary feature film goes to Mr. 1655 01:50:07,920 --> 01:50:13,720 Nobody Against David Born to Travel to Lincoln, Alabama 1656 01:50:13,720 --> 01:50:16,720 and How to Better Kill Escobar. 1657 01:50:17,680 --> 01:50:18,840 This is the first Oscar 1658 01:50:18,840 --> 01:50:21,840 win and nomination for David Bernstein. 1659 01:50:21,960 --> 01:50:24,960 How about tons of elevating 1660 01:50:25,320 --> 01:50:28,320 angles, better covers? 1661 01:50:46,200 --> 01:50:47,800 Thank you to the academy. 1662 01:50:47,800 --> 01:50:49,040 Thank you to our family. 1663 01:50:49,040 --> 01:50:50,400 Thank you to our friends. 1664 01:50:50,400 --> 01:50:51,800 And thank you to the other 1665 01:50:51,800 --> 01:50:54,800 documentary nominees who have become such good friends of ours. 1666 01:50:55,160 --> 01:50:59,640 Mr.. Nobody against Putin is about how you lose your country 1667 01:51:00,120 --> 01:51:03,560 and what we saw when working with this footage that you it's that 1668 01:51:03,560 --> 01:51:07,560 you lose it through countless small little acts of complicity. 1669 01:51:08,120 --> 01:51:12,960 When we act complicit, when a government murders people on the streets 1670 01:51:12,960 --> 01:51:17,280 of our major cities, when we don't say anything, when the oligarchs 1671 01:51:17,520 --> 01:51:22,520 take over the media and control how we could produce it and consume it, 1672 01:51:29,040 --> 01:51:31,800 we all face a moral choice. 1673 01:51:31,800 --> 01:51:36,600 But luckily, even a nobody is more powerful than you think. 1674 01:51:36,960 --> 01:51:39,960 And here's part to Long and the main character of our film. 1675 01:51:43,040 --> 01:51:44,760 Thank you both. 1676 01:51:44,760 --> 01:51:46,560 As each theory go, there was more to him. 1677 01:51:46,560 --> 01:51:48,520 That's because Narnia is a god. 1678 01:51:48,520 --> 01:51:49,840 The were some of us. 1679 01:51:49,840 --> 01:51:52,080 Nasrallah for four years. 1680 01:51:52,080 --> 01:51:56,200 We look at the sky for a shooting stars to make a very important wish 1681 01:51:58,680 --> 01:52:01,680 nor yes training yes 1682 01:52:02,360 --> 01:52:05,480 is just the right to drone. 1683 01:52:06,000 --> 01:52:09,480 But there are countries where instead of shooting stars, 1684 01:52:09,600 --> 01:52:12,600 they have shooting bombs and shooting drones. 1685 01:52:13,080 --> 01:52:15,840 Viremia Nash of a bullish Ava via 1686 01:52:15,840 --> 01:52:19,800 Jay Aston TVG See Avoiding seashells 1687 01:52:20,400 --> 01:52:24,120 in the name of our future In the name of all of our children. 1688 01:52:24,400 --> 01:52:27,000 Stop all of these wars now 1689 01:52:28,400 --> 01:52:31,400 by C-Band 1690 01:52:51,960 --> 01:52:53,200 There's this moment 1691 01:52:53,200 --> 01:52:56,280 in the car where everything goes quiet. 1692 01:52:57,480 --> 01:52:59,760 My heartbeat slows 1693 01:52:59,760 --> 01:53:02,240 and I can see everything 1694 01:53:02,240 --> 01:53:05,240 is flying. 1695 01:53:08,120 --> 01:53:11,120 The last thing I do is drive that car. 1696 01:53:11,360 --> 01:53:14,360 I will take that life. 1697 01:53:14,680 --> 01:53:17,680 If you win, 1698 01:53:18,200 --> 01:53:21,200 you are the absolute best in the world. 1699 01:53:30,840 --> 01:53:32,280 Such a fun movie. 1700 01:53:32,280 --> 01:53:33,560 Hey, another quick, fun fact. 1701 01:53:33,560 --> 01:53:36,560 Brad Pitt and I are the exact same age. 1702 01:53:36,960 --> 01:53:37,880 True. 1703 01:53:37,880 --> 01:53:41,240 I was told this by my wife with tears streaming 1704 01:53:41,240 --> 01:53:44,240 down her face. 1705 01:53:46,800 --> 01:53:49,480 These next presenters are the only reason the phrase 1706 01:53:49,480 --> 01:53:53,240 wedding dress street diarrhea is in my search history. 1707 01:53:53,760 --> 01:53:59,000 The only reason here to celebrate the 15th anniversary of Bridesmaids, please 1708 01:53:59,000 --> 01:54:02,920 welcome Maya Rudolph, Kristen Wiig, Rose Byrne, Liz McCarthy and Ellie 1709 01:54:02,920 --> 01:54:05,920 Kemper. 1710 01:54:26,440 --> 01:54:29,120 Oh, thank you. 1711 01:54:29,120 --> 01:54:33,160 We are so happy to all be here together tonight. 1712 01:54:33,160 --> 01:54:36,480 I cannot believe that it's been 15 years now. 1713 01:54:36,480 --> 01:54:40,480 We are not good with numbers, but we figured out backstage 1714 01:54:40,480 --> 01:54:43,720 that means shot this movie in 1883. 1715 01:54:45,120 --> 01:54:45,720 Yeah. 1716 01:54:45,720 --> 01:54:48,720 And we are so happy to be back here 1717 01:54:48,760 --> 01:54:51,760 to present the Oscar for Best Score. 1718 01:54:51,840 --> 01:54:55,360 Now, a film score helps us to feel 1719 01:54:55,640 --> 01:54:58,520 it invites us into a world. 1720 01:54:58,520 --> 01:55:01,520 Oh, sorry. What's happening? 1721 01:55:01,520 --> 01:55:03,000 Oh, what are these? 1722 01:55:03,000 --> 01:55:06,000 Are these notes 1723 01:55:06,440 --> 01:55:07,760 people on the audience? 1724 01:55:07,760 --> 01:55:11,800 Oh, here I a this is strange. 1725 01:55:11,840 --> 01:55:17,840 Okay, well, mine says, first of all, you ladies look extremely beautiful tonight. 1726 01:55:17,880 --> 01:55:20,880 Oh, nine star. Thank you. 1727 01:55:21,240 --> 01:55:24,240 You're all aging well, 1728 01:55:24,640 --> 01:55:27,640 so signed Stellan Skarsgard star. 1729 01:55:34,880 --> 01:55:37,880 Oh, this one's for me. 1730 01:55:38,080 --> 01:55:40,720 Rose, can you please stop looking at me? 1731 01:55:40,720 --> 01:55:42,600 The eye contact is too much. 1732 01:55:42,600 --> 01:55:44,880 I'm thinking of leaving very uncomfortable. 1733 01:55:44,880 --> 01:55:47,880 Sincerely, Leonardo DiCaprio. 1734 01:55:52,000 --> 01:55:55,240 Oh, I apologize. 1735 01:55:55,240 --> 01:55:57,120 I have been staring at you. 1736 01:55:57,120 --> 01:55:59,800 I thought you were somebody else. 1737 01:55:59,800 --> 01:56:00,480 It happens. 1738 01:56:00,480 --> 01:56:02,160 It happens to him a lot. 1739 01:56:02,160 --> 01:56:05,160 Oh, this is a must. See. 1740 01:56:05,520 --> 01:56:08,160 I have to say mine is almost impossible to read. 1741 01:56:08,160 --> 01:56:10,560 The handwriting is really pretty terrible. 1742 01:56:10,560 --> 01:56:11,240 Says Hi. 1743 01:56:11,240 --> 01:56:14,360 I'm with Stellan Skarsgard writing my own separate note. 1744 01:56:14,360 --> 01:56:17,360 I also agree. You ladies look radiant. 1745 01:56:17,360 --> 01:56:21,400 All The things you've done to your faces are very tasteful. 1746 01:56:22,800 --> 01:56:25,800 Yours truly, Elle Fanning. 1747 01:56:25,960 --> 01:56:29,360 Oh, okay. 1748 01:56:30,040 --> 01:56:31,680 Wait, wait. There's more. 1749 01:56:31,680 --> 01:56:33,480 It says, Just kidding. 1750 01:56:33,480 --> 01:56:34,440 It's me again. 1751 01:56:34,440 --> 01:56:37,440 Stellan Skarsgard. Oh. 1752 01:56:37,640 --> 01:56:40,640 Oh, sorry. 1753 01:56:40,920 --> 01:56:41,760 Okay. All right. 1754 01:56:41,760 --> 01:56:44,760 Well, mine's kind of short. 1755 01:56:45,040 --> 01:56:47,640 You guys have been talking for a long time. 1756 01:56:47,640 --> 01:56:50,280 This bit could have been a lot shorter. 1757 01:56:50,280 --> 01:56:52,440 This is really going on and on. 1758 01:56:52,440 --> 01:56:55,800 You aren't even talking about score, that's all. 1759 01:56:56,040 --> 01:56:57,360 Love you lots. 1760 01:56:57,360 --> 01:57:00,000 Benicio Del Toro. 1761 01:57:00,000 --> 01:57:03,160 Or for those of you who refuse to learn Spanish, 1762 01:57:03,160 --> 01:57:06,880 it's Benedict of the Rings. 1763 01:57:09,360 --> 01:57:10,880 Give it up. 1764 01:57:10,880 --> 01:57:13,120 Okay, 1765 01:57:13,120 --> 01:57:13,960 I think that's me up. 1766 01:57:13,960 --> 01:57:17,320 Here we go. Well, this last one is quick. 1767 01:57:17,320 --> 01:57:20,520 It just says I'm tired and I want to go home. 1768 01:57:21,000 --> 01:57:24,000 This show is very long and there's no pizza. 1769 01:57:24,120 --> 01:57:27,120 Sign the kid from Hamlet. 1770 01:57:27,280 --> 01:57:27,760 He's right. 1771 01:57:32,800 --> 01:57:33,240 Okay. 1772 01:57:33,240 --> 01:57:33,480 All right. 1773 01:57:33,480 --> 01:57:34,320 We'll get to it. 1774 01:57:34,320 --> 01:57:37,320 The nominees for best score are 1775 01:57:41,760 --> 01:57:43,760 Frankenstein by Alexandra. 1776 01:57:43,760 --> 01:57:46,760 This pop 1777 01:57:47,920 --> 01:57:52,000 in one battle 1778 01:57:52,000 --> 01:57:55,000 after another by Jonny Greenwood, 1779 01:58:02,880 --> 01:58:05,880 Begonia by deerskin bench drinks, 1780 01:58:11,520 --> 01:58:14,520 Hamnet by Max Richter 1781 01:58:19,800 --> 01:58:22,800 Sinners by Ludvig Goransson. 1782 01:58:38,760 --> 01:58:43,080 And the Oscar goes to sinners. 1783 01:58:48,680 --> 01:58:51,680 This is the third Oscar win for Little Begotten Son, 1784 01:58:51,720 --> 01:58:54,720 who previously won in this category for Black Panther 1785 01:58:54,840 --> 01:58:57,840 and Oppenheimer. 1786 01:59:07,800 --> 01:59:10,800 Wow. Um, 1787 01:59:10,840 --> 01:59:13,200 my dad bought his first blues 1788 01:59:13,200 --> 01:59:16,200 album in Sweden 1964. 1789 01:59:16,560 --> 01:59:19,800 It was a John Lee Hooker album, and even though 1790 01:59:20,160 --> 01:59:22,200 it was on the other side of the world from the place, 1791 01:59:22,200 --> 01:59:25,200 my dad never been in the place, could not relate to. 1792 01:59:25,360 --> 01:59:28,600 The music was so powerful that it changed my dad's life and 1793 01:59:28,600 --> 01:59:30,960 he devoted his whole life to the music. 1794 01:59:30,960 --> 01:59:33,560 And when I was about seven years old, a little, 1795 01:59:34,800 --> 01:59:36,360 he put a guitar in my 1796 01:59:36,360 --> 01:59:40,880 arms and I loved the guitar and became everything to me. 1797 01:59:40,880 --> 01:59:42,160 And it was the guitar 1798 01:59:42,160 --> 01:59:45,480 that opened up a lot of doors for me, and it was the guitar that brought me 1799 01:59:45,480 --> 01:59:49,520 over to the States, and it was the guitar that eventually led me 1800 01:59:49,520 --> 01:59:52,520 to one of the greatest storytellers of our time, Ryan Coogler. 1801 01:59:56,520 --> 01:59:58,280 Ryan, 1802 01:59:58,280 --> 02:00:00,240 thank you for your vision 1803 02:00:00,240 --> 02:00:03,240 and making a movie that resonated with the world. 1804 02:00:03,400 --> 02:00:06,400 Thank you 1805 02:00:15,720 --> 02:00:21,160 so we are also here 1806 02:00:21,160 --> 02:00:24,160 to present the Oscar for Achievement in Sound. 1807 02:00:24,680 --> 02:00:28,840 You know, earlier today when I was counting my money, I asked myself, 1808 02:00:30,400 --> 02:00:32,840 What is sound, really? 1809 02:00:32,840 --> 02:00:34,120 Am I right? 1810 02:00:34,120 --> 02:00:36,680 Well, it's a mystery, Maya. 1811 02:00:36,680 --> 02:00:39,560 I mean, the best scientists, the best in the world, 1812 02:00:39,560 --> 02:00:42,760 including Steven Spielberg, and even he doesn't know. 1813 02:00:42,760 --> 02:00:46,080 So once again, I find myself disappointed with you, Steven. 1814 02:00:49,080 --> 02:00:51,600 You know, I actually think I can help out here. 1815 02:00:51,600 --> 02:00:55,640 I was just talking about this with a woman I met on a roller coaster, 1816 02:00:56,000 --> 02:00:59,040 and she said that without sound, 1817 02:01:00,400 --> 02:01:02,560 we wouldn't hear anything. 1818 02:01:02,560 --> 02:01:03,640 What? 1819 02:01:03,640 --> 02:01:04,160 Yeah. 1820 02:01:04,160 --> 02:01:05,800 Yeah, that's right, Kristen. 1821 02:01:05,800 --> 02:01:08,560 And it's especially important in film. 1822 02:01:08,560 --> 02:01:11,560 I tried watching models to frame with the volume down. 1823 02:01:11,840 --> 02:01:14,840 No idea what anybody was playing. No. 1824 02:01:16,640 --> 02:01:18,800 Curating these sounds is an art. 1825 02:01:18,800 --> 02:01:23,400 It's how directors throughout history have created the classics, their own style. 1826 02:01:23,400 --> 02:01:28,240 I mean, when we think of Martin Scorsese, we all think of his go to favorite 1827 02:01:28,560 --> 02:01:31,560 of all 1828 02:01:31,920 --> 02:01:34,920 Marty classic Marty Marty 1829 02:01:35,520 --> 02:01:37,720 and the nominees for achievement 1830 02:01:37,720 --> 02:01:40,720 in sound are 1831 02:01:43,960 --> 02:01:46,320 F1, Gareth, John, 1832 02:01:46,320 --> 02:01:48,960 Al Nelson, Gwendolyn Yates, 1833 02:01:48,960 --> 02:01:51,720 Gary Rizzo and Juan. 1834 02:01:51,720 --> 02:01:53,600 There's still a way to go in this race. 1835 02:01:54,760 --> 02:01:56,080 Frankenstein. 1836 02:01:56,080 --> 02:01:57,280 Greg Chapman. 1837 02:01:57,280 --> 02:01:59,920 Nathan Bogota. Nelson Ferrero. 1838 02:01:59,920 --> 02:02:02,920 Christian Cooke and Brad Thorn. 1839 02:02:05,720 --> 02:02:07,560 One battle after another. 1840 02:02:07,560 --> 02:02:10,840 Jose Antonio Garcia, Christopher Starr Beauchamp 1841 02:02:10,920 --> 02:02:13,920 and Tony Villa, Florida in 1842 02:02:15,200 --> 02:02:16,160 centers. 1843 02:02:16,160 --> 02:02:21,000 Chris Logan, Benjamin Abbott, Felipe Pacheco, Brendan Proctor 1844 02:02:21,120 --> 02:02:24,120 and Steve Bo Tucker. 1845 02:02:24,920 --> 02:02:27,920 See, right, Amanda, I love you. 1846 02:02:28,480 --> 02:02:31,560 Maya Casanovas and Yasmina Haidara. 1847 02:02:38,400 --> 02:02:41,640 And the Oscar goes to F1 1848 02:02:45,560 --> 02:02:48,560 for the track. 1849 02:02:50,960 --> 02:02:54,640 This is the first Oscar win and for full time nominee Gwendolyn 1850 02:02:54,640 --> 02:02:57,920 Yates, Whitaker and first time nominee Juan Peralta, 1851 02:02:58,640 --> 02:03:02,600 the second win and second nomination for Gareth, John and Al Nelson 1852 02:03:03,120 --> 02:03:05,920 and the third win an eighth nomination for Gary. 1853 02:03:05,920 --> 02:03:08,920 I was a 1854 02:03:23,760 --> 02:03:26,760 thank you to the Academy. 1855 02:03:27,560 --> 02:03:29,800 I want to thank Joe Kosinski. 1856 02:03:29,800 --> 02:03:31,320 You're a genius. 1857 02:03:31,320 --> 02:03:34,320 Jerry Bruckheimer, Brad Pitt, Plan B, 1858 02:03:35,000 --> 02:03:37,720 Lewis Hamilton, Formula One, and everyone at Apple for supporting 1859 02:03:37,720 --> 02:03:39,720 such a fun cinematic experience. 1860 02:03:39,720 --> 02:03:41,720 This award is for the whole production sound team. 1861 02:03:41,720 --> 02:03:43,960 Everyone at Skywalker Sound, thanks to Hans Zimmer 1862 02:03:43,960 --> 02:03:46,960 and a big shout out to our amazing first lady, Toby Pfefferman. 1863 02:03:47,000 --> 02:03:49,800 It's for our partners, our parents, our children 1864 02:03:51,240 --> 02:03:53,240 that. 1865 02:03:53,240 --> 02:03:55,760 Excuse me. 1866 02:03:55,760 --> 02:03:58,000 Sorry, sorry, sorry, sir. 1867 02:03:58,000 --> 02:04:00,600 Our gratitude goes to our partners, our parents, 1868 02:04:00,600 --> 02:04:02,200 our children and grandchildren. 1869 02:04:02,200 --> 02:04:05,200 Movies are made for you. Go see the block. 1870 02:04:05,520 --> 02:04:06,960 Go see the blockbusters. 1871 02:04:06,960 --> 02:04:08,600 Go see the Independent. 1872 02:04:08,600 --> 02:04:10,200 Be inspired. Go with a friend. 1873 02:04:10,200 --> 02:04:12,080 Get a fresh point of view. 1874 02:04:12,080 --> 02:04:15,080 Thank You 1875 02:04:21,000 --> 02:04:24,200 please welcome the president of the Academy of Motion 1876 02:04:24,200 --> 02:04:27,720 Picture Arts and Sciences, Leonard Taylor. 1877 02:04:38,560 --> 02:04:40,080 For 98 years 1878 02:04:40,080 --> 02:04:43,240 you have heard the words Thank you to the Academy. 1879 02:04:44,000 --> 02:04:47,000 But have you ever wondered who is the Academy? 1880 02:04:47,160 --> 02:04:50,680 The Academy of Motion Picture Arts and Sciences is over 1881 02:04:50,680 --> 02:04:54,160 11,000 storytellers from all over the world. 1882 02:04:54,640 --> 02:04:58,560 And yes, we are most known for giving out awards on this night. 1883 02:04:58,880 --> 02:05:02,000 But the Academy's work extends far beyond this stage. 1884 02:05:02,840 --> 02:05:05,840 Last year at the scientific and technical Awards, 1885 02:05:05,880 --> 02:05:10,000 we honored 14 innovations that pushed filmmaking forward, 1886 02:05:10,320 --> 02:05:13,840 and we awarded an Oscar to the community that created 1887 02:05:13,840 --> 02:05:19,400 and supports captioning accepted by the trailblazing Marlee Matlin 1888 02:05:26,480 --> 02:05:28,080 at the Student Academy Awards. 1889 02:05:28,080 --> 02:05:32,280 We champion the next generation of filmmakers and celebrate extraordinary 1890 02:05:32,280 --> 02:05:35,840 lifetime contributions to cinema at the annual Governors awards 1891 02:05:36,080 --> 02:05:40,680 where last year Tom Cruise, Debbie Allen when Thomas and Dolly 1892 02:05:40,680 --> 02:05:43,680 parton were honored. 1893 02:05:47,400 --> 02:05:48,600 We also preserve, 1894 02:05:48,600 --> 02:05:51,640 curate and program our global film history 1895 02:05:51,920 --> 02:05:55,200 through the 52 million items in our Academy collection 1896 02:05:55,360 --> 02:05:58,560 and our spectacular Academy Museum of Motion Pictures. 1897 02:06:04,400 --> 02:06:06,360 Growing up in Liverpool, England, 1898 02:06:06,360 --> 02:06:09,600 it was the movies that connected me to the rest of the world. 1899 02:06:10,280 --> 02:06:13,280 We all need the joy and entertainment of cinema. 1900 02:06:13,840 --> 02:06:18,120 Films that shine a light on truth, illuminate our complicated history 1901 02:06:18,400 --> 02:06:21,680 and connect us through our diverse experiences. 1902 02:06:22,120 --> 02:06:24,840 Movies can change perspectives. 1903 02:06:24,840 --> 02:06:28,560 So tonight, I would like to say thank you to the Academy, 1904 02:06:28,960 --> 02:06:33,360 because I don't know where any of us would be without our storytellers. 1905 02:06:36,680 --> 02:06:38,320 She wasn't just a movie star. 1906 02:06:38,320 --> 02:06:39,840 She was iconic. 1907 02:06:39,840 --> 02:06:41,920 Marilyn Monroe, Hollywood Icon. 1908 02:06:41,920 --> 02:06:46,880 The new exhibition opening May 31st at the Museum of Motion Pictures 1909 02:06:46,880 --> 02:06:51,080 in Los Angeles, featuring a stunning array of original objects, 1910 02:06:51,080 --> 02:06:54,360 an extensive showcase of Marilyn's movie costumes. 1911 02:06:54,720 --> 02:06:57,880 Tickets are on sale now at Academy Museum Doors 1912 02:07:07,880 --> 02:07:10,120 in two key 1913 02:07:10,120 --> 02:07:12,160 features for the school night. 1914 02:07:12,160 --> 02:07:13,320 Jessica comes to us from Peter. 1915 02:07:13,320 --> 02:07:18,120 But I didn't really to make a film about the dictatorship. 1916 02:07:19,200 --> 02:07:22,200 I wanted to rebuild a sense of time 1917 02:07:22,600 --> 02:07:24,760 in very difficult situations, 1918 02:07:24,760 --> 02:07:27,760 and people get together, and they protect each other. 1919 02:07:28,200 --> 02:07:30,800 To view 1920 02:07:30,800 --> 02:07:33,800 the two for two 1921 02:07:33,960 --> 02:07:36,960 can of event, 1922 02:07:43,280 --> 02:07:44,360 please welcome Bill 1923 02:07:44,360 --> 02:07:47,360 Pullman and Louis Pullman. 1924 02:07:56,720 --> 02:07:58,000 Yeah. 1925 02:07:58,000 --> 02:07:59,280 Film editing. 1926 02:07:59,280 --> 02:08:03,200 It's sometimes it can seem almost like it's an invisible art form. 1927 02:08:03,560 --> 02:08:04,360 You know? 1928 02:08:04,360 --> 02:08:05,120 It's right. Yeah. 1929 02:08:05,120 --> 02:08:08,120 The better the editing, the less it stands out. 1930 02:08:08,200 --> 02:08:12,240 But behind the scenes, editors are always shaping the story. 1931 02:08:12,840 --> 02:08:14,160 Yeah, kind of like 1932 02:08:15,960 --> 02:08:18,960 growing up with the famous dad. 1933 02:08:20,200 --> 02:08:21,200 Yeah. 1934 02:08:21,200 --> 02:08:23,160 Yeah, a little bit. 1935 02:08:23,160 --> 02:08:25,640 Yeah. 1936 02:08:25,640 --> 02:08:30,440 But I didn't really shape anything, you know, I stayed behind the scenes, and 1937 02:08:30,480 --> 02:08:35,120 I did think that there would be a place for you in livestock management, right? 1938 02:08:35,120 --> 02:08:35,680 That's right. 1939 02:08:35,680 --> 02:08:38,120 Yeah, but that didn't really work out. 1940 02:08:38,120 --> 02:08:38,880 Yeah, Yeah. 1941 02:08:38,880 --> 02:08:40,360 Big disappointment there. But. 1942 02:08:40,360 --> 02:08:43,280 Yeah, but you know, you all on your own. 1943 02:08:43,280 --> 02:08:46,280 You did just fine. 1944 02:08:46,280 --> 02:08:48,880 Thank you for saying that. 1945 02:08:48,880 --> 02:08:49,880 We're lucky. 1946 02:08:49,880 --> 02:08:53,960 Turns out audiences don't always, you know, mine, the sequel. 1947 02:08:54,880 --> 02:09:00,760 I hope that they like the sequel even more than the original, but a little more. 1948 02:09:00,840 --> 02:09:03,840 Well, jury's still out. Yeah, 1949 02:09:04,400 --> 02:09:06,280 but tonight we're lucky 1950 02:09:06,280 --> 02:09:10,080 because we get to celebrate the artists who make the final cut. 1951 02:09:11,040 --> 02:09:12,960 The editors 1952 02:09:12,960 --> 02:09:13,920 here are the nominees. 1953 02:09:18,720 --> 02:09:21,280 F1 Steven Marion. 1954 02:09:21,280 --> 02:09:24,280 I hear my name through 1955 02:09:24,760 --> 02:09:25,280 worse. 1956 02:09:25,280 --> 02:09:28,280 My bad, 1957 02:09:28,320 --> 02:09:29,640 Marty Supreme, 1958 02:09:29,640 --> 02:09:32,640 Ronald Bronstein and Josh Safdie. 1959 02:09:34,680 --> 02:09:38,080 Just one battle after another. 1960 02:09:38,240 --> 02:09:41,240 Andy Jurgensen 1961 02:09:46,520 --> 02:09:47,800 Sentimental Value. 1962 02:09:47,800 --> 02:09:50,800 Olivia Booga Cutie 1963 02:09:54,880 --> 02:09:55,640 Sinners. 1964 02:09:55,640 --> 02:09:58,640 Michael Piece of 1965 02:10:12,000 --> 02:10:14,800 And the winner is 1966 02:10:14,800 --> 02:10:17,960 one battle after another and knee 1967 02:10:18,000 --> 02:10:21,000 jerk action 1968 02:10:21,880 --> 02:10:23,640 This is the first Oscar win I'm 1969 02:10:23,640 --> 02:10:26,640 nomination for Andy Jurgensen 1970 02:10:35,040 --> 02:10:39,320 Well well thank you very much. 1971 02:10:40,960 --> 02:10:43,160 First off, I want to give a shout out to all my friends 1972 02:10:43,160 --> 02:10:46,160 who are at a bar right now watching me so 1973 02:10:46,560 --> 02:10:49,560 you can order shots now 1974 02:10:50,240 --> 02:10:53,280 I want to give a special thank you to my editorial crew 1975 02:10:53,880 --> 02:10:56,760 who worked their butts off behind the scenes. 1976 02:10:56,760 --> 02:10:58,360 You guys are amazing. 1977 02:10:58,360 --> 02:10:59,200 Thank you to Paul. 1978 02:10:59,200 --> 02:11:02,800 Thank you for taking me on this journey and our collaboration. 1979 02:11:03,800 --> 02:11:06,800 Thank you to the wonderful cast and crew. 1980 02:11:07,600 --> 02:11:11,400 Loved to my parents and sisters who are up in the balcony somewhere, 1981 02:11:11,640 --> 02:11:15,920 and to my partner Bill, who brings so much joy to my life every day. 1982 02:11:16,720 --> 02:11:19,680 And lastly, I would like to dedicate this to my Aunt 1983 02:11:19,680 --> 02:11:24,240 Barbara Hall, who was a film archivist for the Academy for over 25 years. 1984 02:11:25,560 --> 02:11:27,720 She loved her job and she loved 1985 02:11:27,720 --> 02:11:30,920 showing me old and teaching me about film history. 1986 02:11:31,160 --> 02:11:32,800 And I miss her every day. 1987 02:11:32,800 --> 02:11:35,520 And I would not be up here if it wasn't for her and my Uncle Val. 1988 02:11:35,520 --> 02:11:37,640 So thank you very much. 1989 02:11:37,640 --> 02:11:40,640 Thank you. 1990 02:11:48,320 --> 02:11:51,600 Please welcome Oscar nominee Demi Moore. 1991 02:12:06,960 --> 02:12:08,440 Cinematography 1992 02:12:08,440 --> 02:12:11,440 is the language of light and movement. 1993 02:12:11,800 --> 02:12:15,360 It's how a film breathes, how a moment becomes. 1994 02:12:17,000 --> 02:12:18,600 It's what makes us feel. 1995 02:12:18,600 --> 02:12:22,720 Turning images into emotion and moments into memory. 1996 02:12:23,200 --> 02:12:27,120 Tonight, we honor the storytellers who shaped the way we see a film. 1997 02:12:27,560 --> 02:12:30,560 Here are the nominees for achievement in cinematography. 1998 02:12:35,200 --> 02:12:38,200 Frankenstein, Dan Lutz and 1999 02:12:39,200 --> 02:12:42,200 Marty Supreme Country. 2000 02:12:43,440 --> 02:12:45,000 One Battle after Another. 2001 02:12:45,000 --> 02:12:48,000 Michael Baumann. 2002 02:12:48,080 --> 02:12:48,880 Sinners. 2003 02:12:48,880 --> 02:12:51,880 Adam Duvall. 2004 02:12:52,560 --> 02:12:54,040 Train Dreams. 2005 02:12:54,040 --> 02:12:57,040 A Doctor was amazing. 2006 02:13:01,080 --> 02:13:04,080 And the Oscar goes to 2007 02:13:05,240 --> 02:13:08,240 sinners. Adam 2008 02:13:12,600 --> 02:13:14,200 This is the first Oscar winner 2009 02:13:14,200 --> 02:13:17,200 and nomination for all time dwelling Occupy 2010 02:14:06,800 --> 02:14:11,480 oh eight And 2011 02:14:12,000 --> 02:14:15,000 where are you at? 2012 02:14:18,280 --> 02:14:21,280 Well, um, 2013 02:14:21,600 --> 02:14:23,920 whenever I say thank you to Ryan, 2014 02:14:23,920 --> 02:14:26,760 he replies and says, No, thank you. 2015 02:14:26,760 --> 02:14:30,320 Thank you for believing in me and thank you for trusting me. 2016 02:14:30,360 --> 02:14:33,200 And that's the kind guy that I get to make films with. 2017 02:14:33,200 --> 02:14:36,000 Um, it's a very, 2018 02:14:36,000 --> 02:14:38,120 very honorable person. 2019 02:14:38,120 --> 02:14:41,520 Um, and he means it, and he really truly means it. 2020 02:14:41,520 --> 02:14:45,080 And I feel like I had to meet him. 2021 02:14:45,080 --> 02:14:48,680 Like this little girl that their mother who's over 2022 02:14:48,680 --> 02:14:51,800 there told them that they could do anything, had to meet Ryan. 2023 02:14:52,600 --> 02:14:55,440 That girl also had to look up Ellen Cross's 2024 02:14:55,440 --> 02:14:58,600 name, who's also in this room today. Um, 2025 02:15:00,000 --> 02:15:01,160 and that girl also 2026 02:15:01,160 --> 02:15:04,160 had to meet Rachel Morrison. 2027 02:15:05,320 --> 02:15:06,160 Um, I'm 2028 02:15:06,160 --> 02:15:10,000 so honored to be here, and I really want all the women in the room to stand up 2029 02:15:10,760 --> 02:15:13,360 because I feel like I don't get here 2030 02:15:13,360 --> 02:15:16,360 without you guys. 2031 02:15:30,000 --> 02:15:33,000 I really, really, truly mean that. 2032 02:15:33,600 --> 02:15:37,160 Um, I have felt so much love from all the women 2033 02:15:37,280 --> 02:15:41,120 on this whole campaign and gotten to meet so many people. 2034 02:15:41,440 --> 02:15:44,520 And I just feel like moments like this happened because of you guys. 2035 02:15:44,520 --> 02:15:47,360 And I want to thank you for that. I want to thank Warner Brothers. 2036 02:15:47,360 --> 02:15:50,120 Lindsey serve my whole crew. 2037 02:15:50,120 --> 02:15:55,480 Ethan, Brian, McGill, Dre, Josh, all people that work their hearts out. 2038 02:15:55,800 --> 02:15:57,440 And my cast. 2039 02:15:57,440 --> 02:16:00,720 Michael, Delroy, Rumi, Miles, 2040 02:16:00,720 --> 02:16:03,720 Jamie, Omar, Lily, 2041 02:16:04,480 --> 02:16:07,480 Jack, Hailey. 2042 02:16:07,640 --> 02:16:09,120 These are so beautiful. 2043 02:16:09,120 --> 02:16:10,440 These people are so beautiful. 2044 02:16:10,440 --> 02:16:13,000 And I'm honored to be there photographing them. 2045 02:16:13,000 --> 02:16:16,400 And my husband and my son, Aiden, and my parents back there. 2046 02:16:16,760 --> 02:16:19,760 Thank you so much. This is this is an honor. 2047 02:16:20,080 --> 02:16:20,600 Thank you. 2048 02:16:49,800 --> 02:16:52,800 Demons have always been terrible, 2049 02:16:52,920 --> 02:16:54,960 stealing our souls and channeling 2050 02:16:54,960 --> 02:16:57,960 strength back to their 2051 02:16:58,880 --> 02:17:01,880 until humans arose to defend us. 2052 02:17:03,000 --> 02:17:06,080 Born with voices that could drive back the darkness 2053 02:17:07,120 --> 02:17:09,360 our music ignites soul and brings 2054 02:17:09,360 --> 02:17:12,360 people together. 2055 02:17:24,000 --> 02:17:28,200 With this connection, the first hunters created a shield to protect. 2056 02:17:28,200 --> 02:17:33,680 Oh, I know that To be false, to view 2057 02:17:34,680 --> 02:17:35,400 the world. 2058 02:17:35,400 --> 02:17:37,440 Who knew you as pop stars? 2059 02:17:37,440 --> 02:17:40,080 But you be much more than God. 2060 02:17:40,080 --> 02:17:43,080 You will be centers. 2061 02:17:58,920 --> 02:18:00,000 I was a girl. 2062 02:18:00,000 --> 02:18:01,160 I was alone. 2063 02:18:01,160 --> 02:18:03,920 Who told you 2064 02:18:03,920 --> 02:18:04,200 this? 2065 02:18:04,200 --> 02:18:06,760 I'm gay 2066 02:18:06,760 --> 02:18:07,760 in the throng. 2067 02:18:07,760 --> 02:18:10,760 I didn't know who to believe. 2068 02:18:10,920 --> 02:18:12,480 I was a queen. 2069 02:18:12,480 --> 02:18:17,280 Determined to be to Nigerian people side. 2070 02:18:18,000 --> 02:18:24,400 I tell to 2071 02:18:26,280 --> 02:18:29,520 tell the state 2072 02:18:30,120 --> 02:18:35,040 that anyone should become but 2073 02:18:36,920 --> 02:18:38,840 be dreaming. 2074 02:18:38,840 --> 02:18:41,240 Making sure 2075 02:18:41,240 --> 02:18:44,560 whoever we 2076 02:18:45,680 --> 02:18:50,360 go, go. 2077 02:18:53,080 --> 02:18:56,000 Yeah. 2078 02:18:56,000 --> 02:18:57,920 You're 2079 02:18:57,920 --> 02:19:00,920 gonna be 2080 02:19:03,000 --> 02:19:04,840 outside 2081 02:19:04,840 --> 02:19:10,440 like no, 2082 02:19:12,440 --> 02:19:15,440 that's right. 2083 02:19:16,800 --> 02:19:19,800 You know, 2084 02:19:24,120 --> 02:19:29,640 like these guys 2085 02:19:56,040 --> 02:19:59,040 coming off the award for Best Original song. 2086 02:19:59,040 --> 02:20:01,760 To hear all of tonight's original song nominees. 2087 02:20:01,760 --> 02:20:04,760 Scan the QR code on your screen. Now. 2088 02:20:17,200 --> 02:20:18,600 Kisses at the end of the line. 2089 02:20:18,600 --> 02:20:21,600 I'm not for you 2090 02:20:22,720 --> 02:20:22,960 three. 2091 02:20:22,960 --> 02:20:25,320 Revolution begins by any means. 2092 02:20:25,320 --> 02:20:26,800 I need to find my daughter. 2093 02:20:26,800 --> 02:20:29,920 I've been holding on to something for a while now. 2094 02:20:31,320 --> 02:20:33,320 I wanted to protect you. 2095 02:20:33,320 --> 02:20:36,320 I cannot remember the answer to your question. 2096 02:20:36,400 --> 02:20:37,480 I understand. 2097 02:20:37,480 --> 02:20:40,480 And the question is 2098 02:20:53,920 --> 02:20:55,440 this is a historic night. 2099 02:20:55,440 --> 02:20:58,920 I believe Autumn Durand, aka Power, was the first woman to win 2100 02:20:58,920 --> 02:21:02,000 Best Cinematography, The amazing, 2101 02:21:03,480 --> 02:21:06,480 incredible, really. 2102 02:21:08,080 --> 02:21:10,160 I love that. 2103 02:21:10,160 --> 02:21:13,400 One of our next presenters is married to one of the Jonas Brothers. 2104 02:21:13,400 --> 02:21:15,720 The other pronounces them Jonas Brothers. 2105 02:21:15,720 --> 02:21:19,800 Please welcome Priyanka Jonas and Oscar winner Honey are Bardem 2106 02:21:37,480 --> 02:21:39,920 not to walk 2107 02:21:39,920 --> 02:21:42,920 on free Palestine. 2108 02:21:49,080 --> 02:21:49,760 My love 2109 02:21:49,760 --> 02:21:52,760 for cinema comes from his unique ability 2110 02:21:53,000 --> 02:21:56,000 to connect the human experience across cultures. 2111 02:21:56,480 --> 02:22:00,240 The nominees for international feature film brings us stories 2112 02:22:00,240 --> 02:22:01,520 from around the world. 2113 02:22:01,520 --> 02:22:05,400 It's rooted in forces that are deeply familiar to us all, 2114 02:22:07,200 --> 02:22:09,240 visceral and engrossing. 2115 02:22:09,240 --> 02:22:13,520 They remind us that international is never truly far away 2116 02:22:14,080 --> 02:22:16,680 because every story sends a ripple 2117 02:22:16,680 --> 02:22:19,520 far beyond where it begins. 2118 02:22:19,520 --> 02:22:22,680 Here are the nominees for Best International feature film 2119 02:22:26,880 --> 02:22:27,840 from Brazil. 2120 02:22:27,840 --> 02:22:31,280 The secret agent broke the bones of film 2121 02:22:32,880 --> 02:22:33,800 from France. 2122 02:22:33,800 --> 02:22:37,200 It was just an action and directed by Jennifer McCarthy 2123 02:22:38,840 --> 02:22:39,640 from Norway. 2124 02:22:39,640 --> 02:22:42,760 Sentimental Value, directed by Yong Kim, created 2125 02:22:44,040 --> 02:22:45,920 from Spain, 2126 02:22:45,920 --> 02:22:48,920 directed by Oliver Lussier 2127 02:22:48,920 --> 02:22:53,960 from Tunisia, the voice of King Raja, directed by Countach, Ben Kano. 2128 02:22:58,360 --> 02:23:03,440 Hey, and the Oscar goes to Sentimental Value 2129 02:23:03,600 --> 02:23:06,600 movie was here. 2130 02:23:11,600 --> 02:23:15,120 This is the first Oscar win and seventh nomination for Norway. 2131 02:23:15,400 --> 02:23:18,600 Sentimental Value has nine nominations, including 2132 02:23:18,600 --> 02:23:21,600 Best Picture. 2133 02:23:40,960 --> 02:23:43,960 Oh, it's. 2134 02:23:45,480 --> 02:23:46,720 Thank you. 2135 02:23:46,720 --> 02:23:48,720 Oh, my goodness. 2136 02:23:48,720 --> 02:23:50,840 Thank you so much. 2137 02:23:50,840 --> 02:23:52,440 I'm just a film nerd from Norway. 2138 02:23:52,440 --> 02:23:53,200 Thank you so much. 2139 02:23:53,200 --> 02:23:54,280 Honestly, the work. 2140 02:23:54,280 --> 02:23:58,680 Many thanks to the academy and and thanks to Neon, 2141 02:23:58,680 --> 02:24:01,680 who brought our film over here to help us 2142 02:24:02,280 --> 02:24:04,920 with this film. 2143 02:24:04,920 --> 02:24:08,160 It's about a very dysfunctional family, and it's the opposite of what I felt 2144 02:24:08,160 --> 02:24:10,320 with this beautiful group behind me. 2145 02:24:10,320 --> 02:24:14,400 I think I make films to feel at home with people and I've really felt at home 2146 02:24:14,400 --> 02:24:15,440 with the crew. 2147 02:24:15,440 --> 02:24:18,920 There's 1072 people on these credits and I love them all, 2148 02:24:18,920 --> 02:24:20,160 and I share this with them. 2149 02:24:20,160 --> 02:24:22,480 The cast behind me, I've never been so proud. 2150 02:24:22,480 --> 02:24:23,040 Thanks for 2151 02:24:24,280 --> 02:24:26,480 wanting to work with me, 2152 02:24:26,480 --> 02:24:29,880 my real family, my mom and dad for showing me movies, 2153 02:24:30,200 --> 02:24:34,920 my wife Hella for, you know, it's not so easy to be with filmmakers. 2154 02:24:34,920 --> 02:24:37,840 I love you, my kids. 2155 02:24:37,840 --> 02:24:42,080 It might be a good idea and I want to 2156 02:24:42,480 --> 02:24:45,800 because I'm in this category and I feel I represent global filmmakers. 2157 02:24:45,800 --> 02:24:49,480 And in a moment like this, I just want to recognize the wonderful films 2158 02:24:50,520 --> 02:24:54,320 we were nominated together with important, beautiful film 2159 02:24:54,320 --> 02:24:58,200 that reflect our present crisis and the crisis of the past. 2160 02:24:58,440 --> 02:25:03,240 And I want to end by quoting or not actually quoting, paraphrasing, rather, 2161 02:25:03,480 --> 02:25:06,480 the wonderful American writer James Baldwin, 2162 02:25:06,600 --> 02:25:09,000 who makes us remember that 2163 02:25:09,000 --> 02:25:14,160 all adults are responsible, all children, and let's not vote 2164 02:25:14,160 --> 02:25:17,160 for a politician who does not take this seriously into account. 2165 02:25:17,840 --> 02:25:18,760 Okay. Thank you. 2166 02:25:43,400 --> 02:25:46,520 Please welcome Oscar winner Lionel Richie. 2167 02:26:01,640 --> 02:26:13,040 Oh, all right, All right. 2168 02:26:13,240 --> 02:26:16,240 Okay. All right, 2169 02:26:16,560 --> 02:26:17,960 all right. I'm back. 2170 02:26:17,960 --> 02:26:20,400 I'm back, I'm back. 2171 02:26:20,400 --> 02:26:22,960 Wow. Let me just tell you, all 40 years ago, 2172 02:26:22,960 --> 02:26:27,280 I was lucky enough to stand on this stage and win an Oscar for 2173 02:26:27,280 --> 02:26:30,280 say you say me from the movie White Knights. 2174 02:26:33,720 --> 02:26:35,800 Did I just say 40 years ago? 2175 02:26:35,800 --> 02:26:38,800 That's. That's ridiculous. 2176 02:26:39,080 --> 02:26:41,240 And now I'm tortured with the idea 2177 02:26:41,240 --> 02:26:44,240 that my birthday comes every Thursday. 2178 02:26:44,320 --> 02:26:46,520 It's getting worse by the minute. 2179 02:26:46,520 --> 02:26:49,520 Stories cannot be told without music. 2180 02:26:49,520 --> 02:26:52,280 And let me tell you, writing a song for a movie 2181 02:26:52,280 --> 02:26:55,280 is not as easy as you may think. 2182 02:26:55,560 --> 02:27:00,680 You're asked to capture the heart and soul of a story in just a few minutes. 2183 02:27:01,400 --> 02:27:04,520 Tonight, we're going to celebrate these writers. 2184 02:27:05,040 --> 02:27:09,200 Here are the nominees for Best Original Song 2185 02:27:13,680 --> 02:27:15,480 Dear Me from Diane Warren, 2186 02:27:15,480 --> 02:27:18,480 Relentless Music and Lyrics by Diane Warren. 2187 02:27:20,160 --> 02:27:22,520 Gonna be all right. 2188 02:27:22,520 --> 02:27:25,520 All right. 2189 02:27:25,920 --> 02:27:28,200 Pass me on. 2190 02:27:28,200 --> 02:27:33,240 The pain is All Gonna See You Train Dreams 2191 02:27:33,360 --> 02:27:38,880 From Train Dreams Music by Nick and Bryce Dessner Lyrics by Nick Cave. 2192 02:27:38,920 --> 02:27:43,680 Lately I've been dreaming these crazy dreams. 2193 02:27:43,680 --> 02:27:49,960 I can't explain a woman standing in a few flowers and screaming 2194 02:27:49,960 --> 02:27:54,840 and a locomotive dreaming crazy dreams that go on for 2195 02:27:55,840 --> 02:27:58,640 sweet dreams of joy From Viva Verdi 2196 02:27:58,640 --> 02:28:06,880 Music and Lyrics by Nicholas Pike Oh, 2197 02:28:10,200 --> 02:28:15,600 so I Lied to You from Sinners, 2198 02:28:15,840 --> 02:28:19,360 Music and Lyrics by Raphael Saadiq and new Dancing 2199 02:28:20,400 --> 02:28:25,000 Golden from K-Pop Demon Hunter's Music and Lyrics by D.J. 2200 02:28:25,200 --> 02:28:27,240 Mark Sunday, June two. 2201 02:28:27,240 --> 02:28:31,200 What you Honey Key to Mom, Chunky, 2202 02:28:31,240 --> 02:28:34,240 Soft and Teddy Pop. 2203 02:28:38,840 --> 02:28:40,960 And the Oscar goes to 2204 02:28:45,240 --> 02:28:48,240 Golden 2205 02:28:52,200 --> 02:28:55,440 Goose and K-Pop Demon Hunter has just made Academy 2206 02:28:55,440 --> 02:29:00,240 Awards history becoming first K-Pop song to win Best Original Song. 2207 02:29:01,040 --> 02:29:03,360 This is the first Oscar nomination 2208 02:29:03,360 --> 02:29:06,360 for each of the songwriting team. 2209 02:29:13,840 --> 02:29:16,840 Thank Like you. 2210 02:29:18,600 --> 02:29:18,960 Thank you 2211 02:29:18,960 --> 02:29:21,960 so much to the Academy State Awards. 2212 02:29:22,200 --> 02:29:25,200 We got three 2213 02:29:25,560 --> 02:29:26,440 oh going up. 2214 02:29:26,440 --> 02:29:28,920 You know, people make fun of me, like in K-Pop, 2215 02:29:28,920 --> 02:29:33,400 but now they're everyone's singing our song and all the lyrics. 2216 02:29:33,400 --> 02:29:35,040 I'm so proud. 2217 02:29:35,040 --> 02:29:37,280 And I realized, like the song 2218 02:29:37,280 --> 02:29:40,520 this award is about, not about success, it's about resilience. 2219 02:29:41,160 --> 02:29:44,680 And I'm just so grateful to our team and. 2220 02:29:45,360 --> 02:29:48,680 I just want to thank my mom or dad, my brother, 2221 02:29:48,680 --> 02:29:52,000 my fiance, my manager, of course, for always staying with me. 2222 02:29:52,000 --> 02:29:56,120 And I also want to think, of course, the resilience has kept you and Hunter's. 2223 02:29:56,120 --> 02:29:58,320 Thank you so much to Maggie King and to Chris 2224 02:29:58,320 --> 02:30:02,040 Hawes, that our producer, Michelle Ward, thank you so much for this film. 2225 02:30:02,080 --> 02:30:04,680 Thank you to Netflix. Thank you. Sony Animation. 2226 02:30:04,680 --> 02:30:08,160 Thank you for Eisendrath and Spring Casper's. And 2227 02:30:09,920 --> 02:30:12,920 I do like to. 2228 02:30:23,960 --> 02:30:24,400 Still to 2229 02:30:24,400 --> 02:30:27,400 come, the awards for best director and best actor. 2230 02:30:27,680 --> 02:30:30,680 Here on the Oscars from the Dolby Theater at a function 2231 02:30:30,720 --> 02:30:33,720 in Hollywood. 2232 02:30:39,000 --> 02:30:40,600 We're back at the Oscars. 2233 02:30:40,600 --> 02:30:43,720 Please welcome Zendaya and Robert Pattinson. 2234 02:30:58,080 --> 02:31:00,600 Directing is a rare kind of vision. 2235 02:31:00,600 --> 02:31:03,720 It's the ability to see a whole world for anyone else can 2236 02:31:04,120 --> 02:31:07,360 and then invite hundreds of people to help bring it to life. 2237 02:31:07,840 --> 02:31:12,520 Actors, designers, cinematographers, editors, all guided by their voice. 2238 02:31:13,520 --> 02:31:16,280 The five filmmakers we celebrate tonight, each created 2239 02:31:16,280 --> 02:31:20,160 something unforgettable stories that moved us, surprised us, 2240 02:31:20,440 --> 02:31:23,440 and reminded us why we love going to the movies. 2241 02:31:23,960 --> 02:31:26,960 Here are the nominees for achievement in directing 2242 02:31:30,760 --> 02:31:33,760 Chloe Zhao and 2243 02:31:35,040 --> 02:31:38,040 Josh Safdie, Matthew suffering, 2244 02:31:39,120 --> 02:31:42,120 Paul Thomas Anderson, One Battle after another. 2245 02:31:43,080 --> 02:31:45,480 Yong Kim Trip Sentimental not for 2246 02:31:46,800 --> 02:31:48,040 Ryan Coogler. 2247 02:31:48,040 --> 02:31:51,040 Since 2248 02:31:56,280 --> 02:31:59,280 and the Oscar goes to 2249 02:31:59,880 --> 02:32:01,360 one battle after another. 2250 02:32:01,360 --> 02:32:04,360 Paul Thomas Anderson 2251 02:32:06,240 --> 02:32:07,840 This is the second Oscar win 2252 02:32:07,840 --> 02:32:11,160 tonight and 14th nomination for Paul Thomas. 2253 02:32:11,160 --> 02:32:14,160 Anderson, 2254 02:32:37,120 --> 02:32:39,040 thank you very much. 2255 02:32:39,040 --> 02:32:40,440 Thank you very, very, very much. 2256 02:32:40,440 --> 02:32:42,200 You make a guy work for one of these. 2257 02:32:42,200 --> 02:32:45,200 I really appreciate it. 2258 02:32:46,880 --> 02:32:48,400 I share this 2259 02:32:48,400 --> 02:32:51,400 with a friend of mine on the other side of the shadows 2260 02:32:51,720 --> 02:32:54,720 who name Adam Sumner, who's up at a 2261 02:32:56,480 --> 02:32:59,160 is it up in a really big bar up in the sky right now? 2262 02:32:59,160 --> 02:33:02,200 And he's having a gin and tonic and he is so happy for me 2263 02:33:02,640 --> 02:33:05,640 and our crew. 2264 02:33:06,040 --> 02:33:07,400 I want to thank the Academy 2265 02:33:07,400 --> 02:33:10,400 for finding my work worthy of this highest honor. 2266 02:33:13,080 --> 02:33:15,560 And my classmates, Chloe 2267 02:33:15,560 --> 02:33:18,560 Ryan Jochem 2268 02:33:18,920 --> 02:33:19,800 and Josh, 2269 02:33:21,240 --> 02:33:24,240 I couldn't ask for a better class. 2270 02:33:25,080 --> 02:33:25,920 It's an honor 2271 02:33:25,920 --> 02:33:28,920 to be counted amongst you guys. 2272 02:33:29,520 --> 02:33:31,200 There will always be some, 2273 02:33:31,200 --> 02:33:34,200 some doubt in your heart that you deserve it. 2274 02:33:34,200 --> 02:33:37,440 But is there is no question that the pleasure of having it 2275 02:33:37,440 --> 02:33:40,440 for myself, 2276 02:33:46,480 --> 02:33:49,480 I'm here because of people's faith in me. 2277 02:33:49,760 --> 02:33:52,760 They give me their faith in their time. 2278 02:33:53,880 --> 02:33:54,720 And that's the best part 2279 02:33:54,720 --> 02:33:57,720 about being on a film crew is being with people. 2280 02:33:58,200 --> 02:34:00,240 So we need each other. 2281 02:34:00,240 --> 02:34:03,240 This is a wonderful gift and I'm so happy to call the movies home. 2282 02:34:03,240 --> 02:34:05,200 This is really terrific. 2283 02:34:05,200 --> 02:34:06,640 Thank you. From the bottom of my heart. 2284 02:34:06,640 --> 02:34:07,240 I love it. 2285 02:34:07,240 --> 02:34:07,880 Thank you, guys. 2286 02:34:07,880 --> 02:34:10,880 Thank you very much. 2287 02:34:24,520 --> 02:34:25,760 Our next presenter 2288 02:34:25,760 --> 02:34:29,640 heroically saved last year's Oscars from running short. 2289 02:34:30,200 --> 02:34:33,000 Please welcome Oscar winner Brody. 2290 02:34:43,600 --> 02:34:46,600 Good evening. 2291 02:34:47,080 --> 02:34:50,640 Know all you did. 2292 02:34:56,280 --> 02:34:59,280 I know this has been a long night, 2293 02:35:01,080 --> 02:35:03,240 but, uh. 2294 02:35:03,240 --> 02:35:06,520 But I just one thing here to. 2295 02:35:13,600 --> 02:35:14,120 All right, all right. 2296 02:35:14,120 --> 02:35:14,400 Come on. 2297 02:35:14,400 --> 02:35:16,080 Stop, stop, stop. 2298 02:35:16,080 --> 02:35:19,080 Hold on. Hold the music, please. 2299 02:35:19,080 --> 02:35:22,080 I do have something very important to say. 2300 02:35:24,040 --> 02:35:27,240 And the nominees for lead actor are 2301 02:35:31,840 --> 02:35:32,960 Ethan Hawke. 2302 02:35:32,960 --> 02:35:33,800 Blue Moon. 2303 02:35:33,800 --> 02:35:36,640 You tell me Heart is Drunk. 2304 02:35:36,640 --> 02:35:38,840 This beauty 2305 02:35:38,840 --> 02:35:41,160 tells us the word drunk. 2306 02:35:41,160 --> 02:35:41,520 Vodka. 2307 02:35:41,520 --> 02:35:44,520 No more The secret agent. No, 2308 02:35:45,080 --> 02:35:48,080 no film. 2309 02:35:50,040 --> 02:35:52,120 I just kind of 2310 02:35:52,120 --> 02:35:54,680 do my stuff on my pillow. 2311 02:35:54,680 --> 02:35:57,680 Michael B Jordan Since 2312 02:36:01,560 --> 02:36:04,240 the war, we're all fine 2313 02:36:04,240 --> 02:36:08,000 until it is Timothy Charlemagne, the Supreme. 2314 02:36:08,760 --> 02:36:10,120 Because nothing sentimental. 2315 02:36:10,120 --> 02:36:10,800 Settle down now. 2316 02:36:10,800 --> 02:36:11,600 Keep it out of your mind. 2317 02:36:11,600 --> 02:36:14,440 I will not settle down right now. Okay. 2318 02:36:14,440 --> 02:36:17,040 Leonardo DiCaprio after. 2319 02:36:23,440 --> 02:36:24,480 Thank you. 2320 02:36:24,480 --> 02:36:26,840 Hey. Thank you, Sensei. 2321 02:36:26,840 --> 02:36:27,520 Thank you so much, sir. 2322 02:36:27,520 --> 02:36:30,520 Thank you. 2323 02:36:40,080 --> 02:36:43,080 And the Oscar goes to 2324 02:36:44,560 --> 02:36:47,560 Michael B Jordan. 2325 02:36:56,400 --> 02:36:57,840 This is the first Oscar win 2326 02:36:57,840 --> 02:37:00,840 and nomination for Michael Jordan. 2327 02:37:42,920 --> 02:37:47,040 Man. God is good. 2328 02:37:47,760 --> 02:37:49,520 God is good. 2329 02:37:49,520 --> 02:37:53,640 And your mama was up. 2330 02:37:56,440 --> 02:37:59,120 Y'all know how I feel about my mother and my father. 2331 02:37:59,120 --> 02:37:59,520 Your pops? 2332 02:37:59,520 --> 02:38:02,400 Were you at my dad? 2333 02:38:02,400 --> 02:38:03,680 My dad came in from Ghana. 2334 02:38:03,680 --> 02:38:05,880 He flew in from Ghana to be here. 2335 02:38:05,880 --> 02:38:07,360 My brother, my sister's here. 2336 02:38:07,360 --> 02:38:08,960 My family. 2337 02:38:08,960 --> 02:38:09,560 I want to think. 2338 02:38:09,560 --> 02:38:11,600 I want to think. I want to thank Warner brothers. 2339 02:38:11,600 --> 02:38:16,160 I think Mike and Pam for believing in this this dream, this vision of Ryan Coogler, 2340 02:38:16,400 --> 02:38:20,280 embedded on a culture, embedded on original ideas and original artistry. 2341 02:38:20,880 --> 02:38:23,280 And you're an amazing, amazing person. 2342 02:38:23,280 --> 02:38:27,360 I'm so honored to call you a collaborator and a friend, and you gave me 2343 02:38:27,360 --> 02:38:30,480 an opportunity and space for me to too, to be seen 2344 02:38:31,040 --> 02:38:33,880 and allow you to lead the deaf. 2345 02:38:33,880 --> 02:38:34,880 I would like to thank 2346 02:38:36,080 --> 02:38:37,960 who my incredible cast. 2347 02:38:37,960 --> 02:38:41,560 I want to thank you so much for giving smoke opportunity to be him. 2348 02:38:42,120 --> 02:38:43,400 Haley at home. 2349 02:38:43,400 --> 02:38:45,200 You know, just, you know. Do you really have a baby right now? 2350 02:38:45,200 --> 02:38:48,720 Thank you so much for being the other of the other half of stack 2351 02:38:50,400 --> 02:38:50,880 Miles. 2352 02:38:50,880 --> 02:38:55,680 Delroy, Jamie, everybody, Lily, Omar, the entire cast. 2353 02:38:55,720 --> 02:38:57,840 Thank you guys for for support me through this. 2354 02:38:57,840 --> 02:39:00,600 My team, Phil Sutton, Greg Stewart, 2355 02:39:00,600 --> 02:39:03,600 Lindsey Gallant 2356 02:39:04,800 --> 02:39:07,800 who may go 2357 02:39:10,240 --> 02:39:12,200 as I stand here 2358 02:39:12,200 --> 02:39:15,200 for because of the people that came before me. 2359 02:39:15,240 --> 02:39:18,240 Sidney Poitier, Denzel Washington, Halle Berry, 2360 02:39:18,360 --> 02:39:21,360 Jamie Foxx, Forest Whitaker, Will Smith. 2361 02:39:21,760 --> 02:39:26,560 And to be amongst those giants, amongst those great greats, amongst my ancestors, 2362 02:39:26,560 --> 02:39:27,480 amongst my 2363 02:39:27,480 --> 02:39:29,120 Thank you, everybody in this room 2364 02:39:29,120 --> 02:39:31,600 and everybody at home for supporting me over my career. 2365 02:39:31,600 --> 02:39:32,560 I feel it. 2366 02:39:32,560 --> 02:39:36,240 I know you guys want me to do well and and I want to do that 2367 02:39:36,480 --> 02:39:37,840 because you guys bet on me. 2368 02:39:37,840 --> 02:39:40,640 So thank you for keep up, but keep betting on me 2369 02:39:41,840 --> 02:39:42,120 and I'm 2370 02:39:42,120 --> 02:39:45,840 gonna keep stepping up and I'm keep being the best version of myself I could be. 2371 02:39:45,840 --> 02:39:46,440 So I just want 2372 02:39:46,440 --> 02:39:49,040 say thank you for everybody in this room to have something to do with my success. 2373 02:39:49,040 --> 02:39:51,160 I love you guys and everybody at home 2374 02:39:51,160 --> 02:39:52,920 who supported centers, who went to go see the movie 2375 02:39:52,920 --> 02:39:55,240 once, twice, three or four or five times. Thank you. 2376 02:39:55,240 --> 02:39:56,480 Because you guys made this movie. 2377 02:39:56,480 --> 02:39:57,520 It is. I love you. 2378 02:39:57,520 --> 02:39:57,960 I love you. 2379 02:39:57,960 --> 02:40:00,960 I love. 2380 02:40:21,240 --> 02:40:21,720 Still 2381 02:40:21,720 --> 02:40:24,720 to come, the awards for best actress and best picture 2382 02:40:25,080 --> 02:40:28,080 only at the Oscars here on ABC. 2383 02:40:45,960 --> 02:40:48,960 I know what that was about. 2384 02:40:50,120 --> 02:40:51,000 Get there. 2385 02:40:51,000 --> 02:40:52,920 We're almost there. 2386 02:40:52,920 --> 02:40:55,240 Almost. They're 2387 02:40:55,240 --> 02:40:56,880 almost there. 2388 02:40:56,880 --> 02:40:59,880 And they go 2389 02:41:04,160 --> 02:41:07,160 that you never know 2390 02:41:08,200 --> 02:41:11,000 that this next presenter may bring back 2391 02:41:11,000 --> 02:41:14,680 painful memories of accidentally watching a Nora with your parents. 2392 02:41:14,760 --> 02:41:15,400 Please welcome 2393 02:41:16,920 --> 02:41:17,040 that. 2394 02:41:17,040 --> 02:41:20,040 I did Oscar winner Maggie Madison 2395 02:41:22,720 --> 02:41:37,240 and as artists, 2396 02:41:37,240 --> 02:41:40,720 we're always learning how to listen to our instincts, 2397 02:41:41,080 --> 02:41:45,240 to one another and to the fundamental truths inside a story. 2398 02:41:46,240 --> 02:41:51,120 Jessie Rose, Kate, Renata and Emma. 2399 02:41:51,760 --> 02:41:54,520 You left me, all of us, and are 2400 02:41:54,520 --> 02:41:57,520 with your performances. 2401 02:42:00,200 --> 02:42:03,200 Jessie Buckley, Hamnet and 2402 02:42:04,560 --> 02:42:08,000 I left on the ground for what I know. 2403 02:42:08,040 --> 02:42:10,200 I don't know. 2404 02:42:10,200 --> 02:42:10,920 Rose Byrne. 2405 02:42:10,920 --> 02:42:13,920 If I had legs, I keep you not 2406 02:42:14,320 --> 02:42:15,400 none. 2407 02:42:15,400 --> 02:42:17,760 This isn't going to be what it's like. This, isn't it? 2408 02:42:17,760 --> 02:42:19,840 This can't be it. 2409 02:42:19,840 --> 02:42:24,920 Kate Hudson songs and the bad things happen over and over and 2410 02:42:24,920 --> 02:42:27,920 I just want to sing and I want to shine 2411 02:42:28,080 --> 02:42:30,480 before another car runs into me. 2412 02:42:30,480 --> 02:42:34,360 Renata rains that sentimental times shift on 2413 02:42:38,120 --> 02:42:40,040 talking about. 2414 02:42:40,040 --> 02:42:40,920 But she would talk a lot 2415 02:42:41,960 --> 02:42:42,800 that I knew her last. 2416 02:42:42,800 --> 02:42:47,520 Tomorrow was Emma Stone, Begonia You killed her. 2417 02:42:49,080 --> 02:42:50,640 I figured you'd be apprehended feeding 2418 02:42:50,640 --> 02:42:53,640 antifreeze to a coma patient, and then I'd be freed. 2419 02:42:53,640 --> 02:42:55,080 I could return to my work. 2420 02:42:55,080 --> 02:42:58,480 But you actually got away with it, you sick ape. 2421 02:43:04,200 --> 02:43:07,200 And the Oscar goes to 2422 02:43:07,200 --> 02:43:10,200 Jessie Buckley. 2423 02:43:11,800 --> 02:43:13,000 This is the first Oscar 2424 02:43:13,000 --> 02:43:16,000 winner and second nomination for Jessie Buckley. 2425 02:43:16,040 --> 02:43:18,680 Previously, she was nominated for a supporting role 2426 02:43:18,680 --> 02:43:21,680 in the Lost Daughter. 2427 02:43:45,640 --> 02:43:53,800 Yeah. Wow. 2428 02:43:56,200 --> 02:43:59,200 Thank you so much. 2429 02:43:59,320 --> 02:44:02,320 This is 2430 02:44:04,440 --> 02:44:07,320 really something. 2431 02:44:07,320 --> 02:44:11,520 Thank you to the incredible women that I stand beside. 2432 02:44:11,760 --> 02:44:14,600 Am inspired by your art and your heart. 2433 02:44:14,600 --> 02:44:17,600 And I want to work with every single one of you. 2434 02:44:17,600 --> 02:44:22,640 And to the producers who created this ship for us to stand in. 2435 02:44:23,160 --> 02:44:25,840 And my shipmates for Life, Hilda, 2436 02:44:25,840 --> 02:44:30,080 Jessica, Lindsay, Zach None of this is possible without you. 2437 02:44:30,920 --> 02:44:33,920 My family, my Irish family, they're all here. 2438 02:44:34,200 --> 02:44:36,920 Ireland bought them flight. Where are you 2439 02:44:38,680 --> 02:44:41,160 now? Where can you just fly up? 2440 02:44:41,160 --> 02:44:45,080 Mom? Dad, thank you for teaching us to dream and to never be defined 2441 02:44:45,080 --> 02:44:48,240 by expectation, but to carve from your own passion. 2442 02:44:50,440 --> 02:44:53,040 You. Fred. 2443 02:44:53,040 --> 02:44:55,160 I love you, man. 2444 02:44:55,160 --> 02:44:55,840 I love you. 2445 02:44:55,840 --> 02:44:58,320 You're the most incredible dad. You're my best friend. 2446 02:44:58,320 --> 02:45:00,640 And I want to have 20,000 more babies with you. 2447 02:45:00,640 --> 02:45:03,640 I tell you I do. 2448 02:45:03,640 --> 02:45:06,480 And I love my little girl who is eight months, 2449 02:45:06,480 --> 02:45:10,080 who has absolutely no idea what's going on and is probably dreaming milk. 2450 02:45:10,640 --> 02:45:13,200 This is kind of a big deal. 2451 02:45:13,200 --> 02:45:15,000 And I love you and I love being your mom. 2452 02:45:15,000 --> 02:45:17,920 And I can't wait to discover life beside you. 2453 02:45:17,920 --> 02:45:20,880 Chloe and Maggie 2454 02:45:20,880 --> 02:45:24,240 you two get to know 2455 02:45:25,440 --> 02:45:29,120 this incandescent woman and journey to 2456 02:45:30,320 --> 02:45:32,760 understand the capacity of a mother's 2457 02:45:32,760 --> 02:45:36,000 love is the greatest collision of my life. 2458 02:45:37,320 --> 02:45:39,000 It's. 2459 02:45:39,000 --> 02:45:42,000 It's day in the UK today, 2460 02:45:46,200 --> 02:45:48,960 so I would like to dedicate this 2461 02:45:48,960 --> 02:45:51,960 to the beautiful chaos of a mother's heart. 2462 02:45:56,480 --> 02:45:58,800 We and we all come from 2463 02:45:58,800 --> 02:46:02,000 a lineage of women who continue to create, against all odds. 2464 02:46:02,840 --> 02:46:05,120 Thank you for recognizing me in this role. 2465 02:46:05,120 --> 02:46:06,480 This is the greatest honor. 2466 02:46:06,480 --> 02:46:08,040 I can't even believe it. 2467 02:46:08,040 --> 02:46:08,760 Gert. Mm. 2468 02:46:08,760 --> 02:46:11,760 My Sloane. 2469 02:46:23,600 --> 02:46:26,640 Please welcome Ewan McGregor and Oscar winner 2470 02:46:26,920 --> 02:46:29,920 Nicole Kidman. 2471 02:46:45,680 --> 02:46:47,040 So I have to say, 2472 02:46:47,040 --> 02:46:50,040 I adored all of the films this year. 2473 02:46:50,720 --> 02:46:52,560 Adored? 2474 02:46:52,560 --> 02:46:55,560 Would you say you loved them? 2475 02:46:56,720 --> 02:46:57,840 What? Love? 2476 02:46:57,840 --> 02:47:01,120 You know, like love is like oxygen. 2477 02:47:02,120 --> 02:47:06,880 Oh, love is a many splendid thing. 2478 02:47:06,880 --> 02:47:09,880 Love lifts us up where we belong. 2479 02:47:11,880 --> 02:47:12,320 But I have to 2480 02:47:12,320 --> 02:47:15,480 say, Nicole, even though it's been 25 years. 2481 02:47:15,600 --> 02:47:18,920 Oh, every time I hear the word love, I still imagine someone's 2482 02:47:18,920 --> 02:47:21,920 going to lure a chandelier and cue the orchestra. 2483 02:47:21,920 --> 02:47:23,320 Oh, don't tempt me. 2484 02:47:24,960 --> 02:47:27,360 But I have to say, these nominees 2485 02:47:27,360 --> 02:47:30,360 remind us why we fell in love with the movies in the first. 2486 02:47:31,760 --> 02:47:34,920 Because all you need is love. 2487 02:47:35,760 --> 02:47:38,200 All you need is love her. 2488 02:47:38,200 --> 02:47:41,720 Her love is all you need. 2489 02:47:45,960 --> 02:47:48,280 And here are the nominations 2490 02:47:48,280 --> 02:47:51,280 for Best picture. 2491 02:47:55,920 --> 02:47:58,840 Agony in Agony and Andrew Moment. 2492 02:47:58,840 --> 02:48:02,200 Yorgos Lanthimos, Emma Stone and Lesbianism. 2493 02:48:03,080 --> 02:48:04,000 If one. 2494 02:48:04,000 --> 02:48:07,680 Chad Owen, Brad Pitt, Judy Gardner, Jeremy 2495 02:48:07,680 --> 02:48:11,120 Kleiner, Joseph Kosinski and Jerry Bruckheimer. 2496 02:48:11,960 --> 02:48:14,720 Frankenstein. Guillermo del Toro, J. 2497 02:48:14,720 --> 02:48:17,960 Miles Dale and Scott Stuber Hamnet. 2498 02:48:18,160 --> 02:48:21,880 Liza Marshall, Pippa Harris, Nicolas Gonda, Steven 2499 02:48:21,880 --> 02:48:25,560 Spielberg and Sam Mendes Marry Supreme. 2500 02:48:26,000 --> 02:48:26,800 Eli Bush. 2501 02:48:26,800 --> 02:48:30,240 Roma Bernstein, Josh Safdie, Anthony Cattaraugus. 2502 02:48:30,440 --> 02:48:32,880 Timothee Chalamet. 2503 02:48:32,880 --> 02:48:34,560 One Battle after Another. 2504 02:48:34,560 --> 02:48:37,800 Adam Song Not So Murphy and Paul Thomas Anderson, 2505 02:48:38,840 --> 02:48:39,960 The Secret Agent. 2506 02:48:39,960 --> 02:48:43,080 Emily Lasky, Sentimental Value, 2507 02:48:43,200 --> 02:48:46,120 Maria Alcohol and Andre a Balanced and Organic 2508 02:48:47,560 --> 02:48:49,680 Simmons Zindzi Coupon 2509 02:48:49,680 --> 02:48:52,680 Ceremony and Ryan Coogler 2510 02:48:53,640 --> 02:48:56,880 train dreams in and Teddy Schwarzman 2511 02:48:57,280 --> 02:49:00,000 will generate Ashley Schaefer 2512 02:49:00,000 --> 02:49:03,000 and Michael Heineman. 2513 02:49:07,840 --> 02:49:11,600 The Oscar goes to one battle 2514 02:49:11,600 --> 02:49:14,600 after another another. 2515 02:49:18,720 --> 02:49:21,720 Frank Darabont Norman 2516 02:49:22,560 --> 02:49:25,200 Academy Awards, One battle after another won 2517 02:49:25,200 --> 02:49:30,560 six Oscars tonight for casting actor in a supporting role, adapted screenplay, 2518 02:49:30,760 --> 02:49:33,760 film editing, directing and Best Picture. 2519 02:50:09,320 --> 02:50:12,320 Occupy. 2520 02:50:12,720 --> 02:50:14,560 Thank you. 2521 02:50:14,560 --> 02:50:17,120 Uh, getting to make this film 2522 02:50:17,120 --> 02:50:20,120 with this cast and this crew, 2523 02:50:20,200 --> 02:50:23,200 Paul has already been the 2524 02:50:23,720 --> 02:50:27,320 greatest filmmaking experience I can fathom, so receiving this award is 2525 02:50:28,600 --> 02:50:32,080 just beyond my heart is exploding with gratitude. 2526 02:50:32,480 --> 02:50:36,720 You Thank you to Mike, Mike and Pammy at Warner Brothers. 2527 02:50:37,040 --> 02:50:40,040 Thank you, Brian. Lord, 2528 02:50:40,320 --> 02:50:42,600 thank you to my producing partners, Adam Sumner, 2529 02:50:42,600 --> 02:50:45,480 Bill Wise, Erica Frome and I share this with you. 2530 02:50:46,600 --> 02:50:48,840 Thank you to my family 2531 02:50:48,840 --> 02:50:52,720 of four of my parents, my beautiful brothers, Fannie, 2532 02:50:53,880 --> 02:50:55,840 Josh, Ryan, I love you. 2533 02:50:55,840 --> 02:50:58,320 I'm grateful for you. Polly Okay? 2534 02:50:58,320 --> 02:51:01,320 I just want to say that in 1975, 2535 02:51:01,560 --> 02:51:05,560 the Oscar nominees for Best Picture were Dog Day, Afternoon, One 2536 02:51:05,560 --> 02:51:10,320 Flew Over the Cuckoo's Nest, Jaws, Nashville, and Barry Lyndon. 2537 02:51:10,760 --> 02:51:13,200 There is no best among them. 2538 02:51:13,200 --> 02:51:16,200 There is just what that mood might be that day, 2539 02:51:16,800 --> 02:51:19,200 but we're happy to be part of this. 2540 02:51:19,200 --> 02:51:22,000 A wonderful, wonderful journey with our fellow nominees. 2541 02:51:22,000 --> 02:51:25,000 Our fellow filmmakers are film filmmakers that even weren't 2542 02:51:25,440 --> 02:51:26,760 recognized by the Academy. 2543 02:51:26,760 --> 02:51:31,040 There's so many great films this and I really blew it when I won a Best 2544 02:51:31,040 --> 02:51:34,040 Director award and I forgot to thank my cast 2545 02:51:35,400 --> 02:51:37,800 with Leo, Benicio, Tiana, Sean, 2546 02:51:39,080 --> 02:51:42,480 Regina, and especially Chase My American Girl. 2547 02:51:42,480 --> 02:51:46,200 Chase, you are the heart of this movie, this entire team. 2548 02:51:46,800 --> 02:51:49,080 What a night you guys, let's have a martini. 2549 02:51:49,080 --> 02:51:52,000 This is pretty amazing heights. Cheers. Thank you very much. 2550 02:51:52,000 --> 02:51:54,120 Thank you. Thank you. 2551 02:51:54,120 --> 02:51:54,600 Thank you. 2552 02:51:54,600 --> 02:51:57,600 Thank 2553 02:52:03,120 --> 02:52:05,880 an honor and a joy, everybody. 2554 02:52:05,880 --> 02:52:08,880 Marty Short tonight. 2555 02:52:23,200 --> 02:52:23,880 Great show. 2556 02:52:23,880 --> 02:52:26,560 CONAN. Just terrific. 2557 02:52:26,560 --> 02:52:28,240 Gee, thanks. 2558 02:52:28,240 --> 02:52:32,240 In fact, we liked it so much we've decided to make you 2559 02:52:32,920 --> 02:52:35,920 Oscars Host for life. 2560 02:52:35,920 --> 02:52:38,920 Host for Life. That's right. 2561 02:52:38,920 --> 02:52:40,800 I don't know what to say. 2562 02:52:40,800 --> 02:52:42,800 Let's go see your new office. 2563 02:52:42,800 --> 02:52:45,120 I'd like that very much. 2564 02:52:45,120 --> 02:52:48,080 Your efforts have pleased the Academy greatly. 2565 02:52:48,080 --> 02:52:51,280 Wow. People have not stopped talking about your performance. 2566 02:52:52,120 --> 02:52:53,880 It was really something. 2567 02:52:53,880 --> 02:52:56,880 Well, coming from the academy, that's a real honor, sir. 2568 02:52:57,080 --> 02:52:57,960 An honor you've earned. 2569 02:52:59,160 --> 02:53:00,720 And here we 2570 02:53:00,720 --> 02:53:03,600 suite 55. 2571 02:53:03,600 --> 02:53:05,360 All this for me. 2572 02:53:05,360 --> 02:53:08,360 That's your name, isn't it? 2573 02:53:09,000 --> 02:53:12,000 Going get settled. 2574 02:53:13,480 --> 02:53:16,080 This view is 2575 02:53:16,080 --> 02:53:19,080 incredible. 2576 02:53:20,400 --> 02:53:21,880 Damn it. 2577 02:53:21,880 --> 02:53:23,040 I forgot your keys. 2578 02:53:23,040 --> 02:53:26,040 I'll be right back. 2579 02:53:36,160 --> 02:53:39,160 Host for lie. 2580 02:57:11,280 --> 02:57:12,040 All eligible 2581 02:57:12,040 --> 02:57:15,640 Academy members participate in Oscars for best picture. 2582 02:57:15,640 --> 02:57:19,720 Nominations are determined by all eligible members in other categories, 2583 02:57:19,720 --> 02:57:23,080 the nominations are determined by members of a specific branch 2584 02:57:23,080 --> 02:57:26,640 of voters who meet the categories eligibility requirements. 2585 02:57:26,720 --> 02:57:30,800 All rounds of Oscars voting are done by secret ballot that is tabulated 2586 02:57:30,800 --> 02:57:34,800 by the independent accounting firm of PricewaterhouseCoopers. 2587 02:57:34,880 --> 02:57:38,880 The results of the final round of secret voting are known only to done. 2588 02:57:38,880 --> 02:57:41,840 Please see, until the sealed envelopes are opened on the. 193135

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