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All right, CONAN.
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You look great.
3
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And the show's about to start,
so time to hit the stage.
4
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I feel like something's a little off.
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Really?
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Yeah.
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Don't you think it's
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a bit much?
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No, I don't think so.
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You look fine. So. Break a leg.
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No, no.
I think you used way too much weight.
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Oh, sweetie, I didn't use any white.
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That's just you.
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Okay, you got to wash this off.
We start again.
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CONAN That would take, like, 2 hours.
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Okay.
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Delroy Lindo is seated.
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Delroy Lindo can wait.
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I can't look like this.
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You look fine. Go.
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I look like Betty Davis with lupus.
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CONAN Go. I won't do it.
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I said go.
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Oh, no.
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What the hell is that?
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But two months dead.
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Hey, not so much. Not to so
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to the of
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these kids who
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came through being honest.
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What's the plan?
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I'm going to turn this gas station.
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I'm going to slow down.
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You just roll. He's talking about a head.
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Both hips replaced.
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No. Sure. Hey,
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hey, yo.
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Okay.
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Jumbo for his from the get go. No.
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What's your point?
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We can get back to the important stuff
like the fans.
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Cool guy.
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Feels as if the wealth of knowledge
that I goombas get club with.
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There's got to be failure.
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We deliver literally,
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because the system was just
the food was telling me ever to reach for.
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I could get a lot better when I mean
a here wants to learn it was done
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it was a buffet
you could show this to food stick my
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some cool air for a dilemma Lyndal that
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is I mean you know the idea pop up
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called me and
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ten cooking LA may nurse for the ten.
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Oh wow.
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Hey, listen.
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Yeah.
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Get his kids chasing me.
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Can I just come in and hide?
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And I believe you.
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But this here juke joint blues music.
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Juke joint and created music.
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Oh, down he All the pipes,
The pipes are falling.
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Yeah, This guy likes it.
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Please welcome your host,
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CONAN O'Brien,
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back here.
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Back here.
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Thank you very much.
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Big thanks.
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Big thanks to Amy Madigan for the wig.
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Thank you so much, Amy.
Thank you for that.
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Hey, I am CONAN O'Brien.
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And I am honored to be the last human
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host of the Academy Award. Yes.
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Yeah.
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Next year, it's
going to be a rainbow in a tux.
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So check that out.
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No, it's great to be back hosting
the Oscars last year when I hosted.
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Los Angeles was on fire.
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But this year, everything's going great.
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Oh, you applaud that.
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That's weird.
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That's weird.
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Security is extremely tight tonight.
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I just got to mention that.
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Yeah.
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I'm told there's concerns about attacks
from both the opera
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and ballet communities.
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They're just mad
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you left out jazz.
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I should warn you,
tonight could get political.
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And if that makes you uncomfortable,
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there's an alternate Oscars
being hosted by Kid Rock.
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Yeah, it's at the Dave
and Buster's down the street.
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A lot of tickets for that.
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Netflix. This is exciting.
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A lot of cool people are here
and some of them behind the scenes.
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Netflix CEO Ted Sarandos is here.
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And this is exciting.
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It's his first time in a theater.
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This is what they're talking about.
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Why are they all together
enjoying themselves?
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It should be home alone
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where I can monetize that.
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Yeah, I'm going to
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so many so many great films this year.
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Just what an incredible year for film,
wasn't it?
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Absolutely stunning.
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Yeah,
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I said that last year, but I was lying.
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No, this year is stunning.
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I love Hamnet.
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I love begonia.
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Yeah. What the amazing.
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Yeah.
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Yeah. Between Hamlet, Begonia.
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It's been a big year for movies
that sound like off brand lunchmeat.
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So that's
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had a little begonia around ten.
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That's not sitting too well
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on the ride home.
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You'll appreciate it at the
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at the beginning of Hamnet,
a message comes on the screen
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explaining that the names Hamnet
and Hamlet were used interchangeably.
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Yeah, that's when I knew
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I'd better buckle up.
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Rollercoaster In Hamnet William,
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Shakespeare's wife, Agnes,
gives birth by herself in the woods.
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Whereas we call that here in America
a affordable health care.
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No. Two real for you, huh?
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All right,
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everyone. I loved everyone.
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A popcorn movie was great.
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That one was terrific.
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Yeah,
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that's one is up for best picture.
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It's the story of a racecar driver who
finally wins after deciding to go faster.
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Yeah.
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Yeah.
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F1 received four nominations.
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F1 did so well.
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They're making a sequel.
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Caps lock.
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Some of these I do for myself.
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And ladies and gentlemen,
let's hear it for sinners.
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Let's hear.
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Yeah.
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Yeah.
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Sinners.
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Director Ryan Coogler said he declined
to become a voting member of the Academy
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because he doesn't like judging his fellow
artist's work.
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Yeah. Yeah.
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But the rest of you pricks
seem to love it.
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One battle after another.
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I love that film.
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What a great film. Amazing film.
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Lots of memorable scenes from one battle
after another.
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Best supporting actor nominee Sean Penn,
of course, got an erection at gunpoint.
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Yeah.
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And then Paul Thomas Anderson said, Hey,
let's put that in the film, huh?
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I was in a movie this year.
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Yeah, I was in a movie with
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the lovely Rose Byrne.
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My costar
Rose Byrne is nominated for Best Actress.
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And if I had legs, I'd kick you.
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Yeah.
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Yeah.
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It's hard to act in a scene with someone
you've always had a massive crush on.
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But, Rose, you did a fantastic job.
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Admirable restraint.
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This year we've added a new category
to the Oscars.
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Best Casting.
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I have a big task.
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Help!
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Yeah.
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Which means tonight.
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One casting director will win an Oscar.
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And for the rest of you,
we've decided to go in another direction.
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Their dream killers.
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They are
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a lot of lesser known categories.
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Tonight, of course, will be honoring
the best documentary, short films or.
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Yeah, best documentary.
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Short films,
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or as I like to call them.
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What the hell is that all about?
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Best documentary, short films,
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or as I like to call them, little fads.
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It's you watching.
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I Did it make you sad?
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Little bit.
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Amazon Studios
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didn't receive any nominations this year.
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Yeah.
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Also shut out Wal Mart, Alibaba and Chewy.
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Why isn't the website I order toilet paper
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from winning more Oscars?
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It's the first time since 2012.
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First time since 2012
that there are no British actors
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nominated for best actor or best actress.
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Yeah, British spokesperson said.
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Yeah, well,
at least we arrest our pedophiles.
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So you got that going.
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By the way, I have to say
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again, Michael B Jordan,
you were incredible, incredible playing
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identical twin brother Smoke and stack
and Center is just amazing.
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I cannot get enough of this man.
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So it's a special treat.
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Every seat filler at tonight's
Oscars will be Michael B Jordan.
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Check it out.
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Yeah.
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By the way, how am I looking tonight?
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Michael B Jordan's.
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Well,
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Leonardo DiCaprio is here, sir.
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Good to see you.
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I bought you.
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He's the star of so many movies
and the King of means.
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He's the king of means, this guy.
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Let's make a new meme with Leo right now.
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That feeling
when you didn't agree to this.
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They'll pull that up in editing
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live.
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Okay, We'll talk later.
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Tonight's Oscars are being watched by more
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than a billion people around the world.
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Yeah, let's
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let's say hi to some of them.
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If you're watching from Spain
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or as I call Ryanair superstar
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Darlene
Love, the company that all of our viewers,
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if you're seeing us in Argentina or LA.
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So I cyclone hear Brian.
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Yes And plus our Darlene Love
you and Benita all of us first
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and to our friends in Los Angeles.
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Hola. So I call her Brian.
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That's impressive.
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Darlene Love will be that.
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Yes. Tonight is an international event.
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If I can be serious for just a moment,
everyone watching right now
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around the world is all too aware
that these are very chaotic,
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frightening times.
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It's at moments like these that I believe
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that the Oscars are particularly resonant.
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Check it out.
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31 countries across six
continents are represented this evening.
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And every film. Every film.
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Yeah.
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Every film we salute
is the product of thousands of people
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speaking different languages,
working hard to make something of beauty.
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We pay tribute tonight not just to film,
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but to the ideals of global artistry,
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collaboration, patience, resilience
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and that rarest of qualities
today, optimism.
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So let us please celebrate.
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Let us celebrate.
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Let us celebrate.
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Not because we think all is well, but
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because we work and hope for better days
ahead.
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Now we're about to start
handing out awards.
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I just want to say this
in the spirit of optimism
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and joy.
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I've seen a lot of these ceremonies.
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I'm always so impressed by
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how gracious the winners are, really.
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When you guys win, you share your glory
with your co nominees,
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with your team, with your spouse.
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It's refreshing to see
all this modesty and genuine humility.
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But honestly,
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I don't know if I could do that.
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If it were me
271
00:16:27,600 --> 00:16:30,440
and I was up for an Oscar.
272
00:16:30,440 --> 00:16:32,680
The nominees for best Achievement
273
00:16:32,680 --> 00:16:35,920
are Antonio Banderas.
274
00:16:36,720 --> 00:16:38,520
Renee Zellweger.
275
00:16:38,520 --> 00:16:40,440
Denzel Washington.
276
00:16:40,440 --> 00:16:42,040
Glenn Close.
277
00:16:42,040 --> 00:16:45,000
And CONAN O'Brien.
278
00:16:45,000 --> 00:16:48,960
And the winner is CONAN O'Brien.
279
00:17:12,320 --> 00:17:15,320
His Oscar win has been feted.
280
00:17:15,440 --> 00:17:18,560
My God, he is the greatest.
281
00:17:18,720 --> 00:17:22,880
Just check out the record in this himself.
282
00:17:22,880 --> 00:17:25,880
And he's grateful to none.
283
00:17:25,960 --> 00:17:28,520
Even the haters can't hate.
284
00:17:28,520 --> 00:17:35,240
Number one,
he promised my agent my highest fees yet.
285
00:17:35,760 --> 00:17:38,960
And all the money this
286
00:17:45,720 --> 00:17:48,720
Cicero
287
00:17:50,160 --> 00:17:51,160
come to me
288
00:17:51,160 --> 00:17:55,880
to try to come to me.
289
00:17:56,400 --> 00:17:59,400
Yeah.
290
00:18:00,240 --> 00:18:09,320
Oh, this is how all answers will be
handed out tonight.
291
00:18:09,640 --> 00:18:12,760
Josh Groban, everybody give it up for him.
292
00:18:14,040 --> 00:18:16,320
Here to present our first award,
293
00:18:16,320 --> 00:18:19,600
fellow Oscar winner Zoe Saldana.
294
00:18:36,480 --> 00:18:39,480
Ladies, ladies, ladies, ladies.
295
00:18:41,680 --> 00:18:44,880
What I loved
about every single performance nominated
296
00:18:44,880 --> 00:18:49,840
for supporting actress
was the sheer scope of contrast contained.
297
00:18:50,160 --> 00:18:53,280
And each one there was vulnerability
298
00:18:53,280 --> 00:18:56,280
and fearlessness,
299
00:18:56,400 --> 00:18:58,440
fierce physicality and quiet
300
00:18:58,440 --> 00:19:02,600
emotion, both subtlety and a balls
301
00:19:02,600 --> 00:19:06,840
to the wall commitment
to what each one of you put on screen.
302
00:19:08,000 --> 00:19:09,360
You all allowed.
303
00:19:09,360 --> 00:19:12,360
What makes the art of acting
so exhilarating?
304
00:19:16,920 --> 00:19:19,680
Elle Fanning Sentimental value.
305
00:19:19,680 --> 00:19:22,680
I can't tell you.
306
00:19:23,760 --> 00:19:26,400
Oh, what? Oh,
307
00:19:26,400 --> 00:19:28,360
well,
308
00:19:28,360 --> 00:19:30,840
Inga, Eve's daughter lust sentimental
309
00:19:30,840 --> 00:19:34,040
that if you think of her
as losing your best
310
00:19:35,320 --> 00:19:38,320
dancer in this hall,
I would prefer it more than it is.
311
00:19:39,560 --> 00:19:41,480
Amy Madigan Weapons.
312
00:19:41,480 --> 00:19:44,080
I had realized far too late.
313
00:19:44,080 --> 00:19:46,560
And I was standing on the wrong corner.
314
00:19:46,560 --> 00:19:48,440
And by the time I put that together.
315
00:19:48,440 --> 00:19:50,840
Oh, I'd missed it entirely.
316
00:19:50,840 --> 00:19:54,840
So I had to walk all the
way across town to get here.
317
00:19:55,800 --> 00:19:58,360
When we massacre singers
318
00:19:58,360 --> 00:20:01,760
away from our work, everyone who
319
00:20:01,800 --> 00:20:05,320
my grandmother taught me to keep you
and that crazy brother, you're safe.
320
00:20:05,680 --> 00:20:08,680
Every day since you've been gone.
321
00:20:08,760 --> 00:20:10,320
Teyana Taylor one barrel of
322
00:20:10,320 --> 00:20:14,120
After an emotional meta series in 2000.
323
00:20:14,120 --> 00:20:17,120
While you
324
00:20:17,880 --> 00:20:20,480
and your crumbling ego would never do this
revolution.
325
00:20:20,480 --> 00:20:23,480
Make me.
326
00:20:27,200 --> 00:20:30,200
And the Oscar goes to
327
00:20:30,600 --> 00:20:33,600
Amy Madigan.
328
00:20:37,200 --> 00:20:38,600
This is the first Oscar winner
329
00:20:38,600 --> 00:20:41,600
and second nomination for not.
330
00:21:10,600 --> 00:21:13,600
This is great.
331
00:21:14,520 --> 00:21:17,400
Everybody is asking me and the press
and all is well.
332
00:21:17,400 --> 00:21:19,120
It's been 40 years.
333
00:21:19,120 --> 00:21:22,520
And you know what's different about this
time is different
334
00:21:22,520 --> 00:21:25,520
is you got this little old guy. So,
335
00:21:26,400 --> 00:21:29,400
I mean, I was in the shower last night
trying to think of
336
00:21:30,160 --> 00:21:34,520
something to say as I was shaving my legs
and I went, I got pants on.
337
00:21:34,520 --> 00:21:36,400
I don't have to worry about that.
338
00:21:36,400 --> 00:21:38,240
I'm sorry. And,
339
00:21:39,240 --> 00:21:41,880
you know, we were kind of advised that,
340
00:21:41,880 --> 00:21:44,840
you know, don't say all these names
because nobody knows
341
00:21:44,840 --> 00:21:48,000
who the hell these people are,
but you're not rattling them off.
342
00:21:48,000 --> 00:21:51,400
They're people that mean something to you
that you couldn't be here
343
00:21:51,720 --> 00:21:54,720
without them.
344
00:21:57,440 --> 00:22:00,400
That first and foremost, I just have to
345
00:22:00,400 --> 00:22:03,400
thank Zack Krieger, a writer and director.
346
00:22:05,040 --> 00:22:08,040
He just wrote
He just wrote a dream part in one eye.
347
00:22:08,120 --> 00:22:12,840
Let me just grab it by the throat
and we ball.
348
00:22:14,360 --> 00:22:15,840
You know, I want to thank Mary,
349
00:22:15,840 --> 00:22:19,160
You know who's on
set all the time, our producer.
350
00:22:19,600 --> 00:22:24,320
And of course, you know Warner
Brothers in New Line and Pam and Mike.
351
00:22:24,320 --> 00:22:28,520
But, you know, it's
all the people who helped me get here.
352
00:22:28,560 --> 00:22:29,440
You know, you're just
353
00:22:30,400 --> 00:22:33,320
as you can tell, I'm a little flummoxed,
you know.
354
00:22:33,320 --> 00:22:38,360
I mean, I also want to
just give some tribute to Al and Inga
355
00:22:38,680 --> 00:22:40,600
and Wunmi and Teyana.
356
00:22:40,600 --> 00:22:47,760
I met
357
00:22:47,760 --> 00:22:50,760
oh, my legs are shaking
358
00:22:50,800 --> 00:22:54,720
because when I was doing all the weapons
stuff, I was kind of traveling on my own.
359
00:22:55,000 --> 00:22:59,160
And people from one battle
and people from sinners
360
00:22:59,160 --> 00:23:02,160
and all the films, they just kind of
361
00:23:02,160 --> 00:23:06,000
gave me a hug and said, Yeah, come on in
and let us know you and you can know us.
362
00:23:06,000 --> 00:23:09,880
So I think that but most of all,
I want to thank my beautiful daughter,
363
00:23:09,880 --> 00:23:12,880
Lily, her husband, Sean,
364
00:23:13,360 --> 00:23:15,360
and of course, all the dogs.
365
00:23:15,360 --> 00:23:18,680
But the most important is my beloved Ed,
366
00:23:23,560 --> 00:23:26,560
who's been with me for ever.
367
00:23:26,920 --> 00:23:29,040
And that's the longest time.
368
00:23:29,040 --> 00:23:33,440
And none of this would mean anything
if he wasn't by my side.
369
00:23:33,640 --> 00:23:35,880
So thank you
very much. I'm very overwhelmed.
370
00:23:53,080 --> 00:23:54,840
Coming up next, will
371
00:23:54,840 --> 00:23:59,400
Channing Tatum celebrate music
from sinners here on the Oscars?
372
00:23:59,400 --> 00:24:02,400
From Adobe Theater at Ovation Hall.
373
00:24:17,280 --> 00:24:18,600
Fighting with Timothy right now.
374
00:24:18,600 --> 00:24:20,600
We're fighting, right?
375
00:24:20,600 --> 00:24:22,960
He doesn't think so. All right.
376
00:24:22,960 --> 00:24:23,840
Welcome back.
377
00:24:23,840 --> 00:24:27,200
We're coming to you live from the
has a small penis theater.
378
00:24:28,800 --> 00:24:31,800
Let's see him
put his name in front of that.
379
00:24:42,040 --> 00:24:43,800
Starting in 2029.
380
00:24:43,800 --> 00:24:44,400
Did you know this?
381
00:24:44,400 --> 00:24:48,880
Instead of ABC, the Oscars
are going to air solely on YouTube.
382
00:24:49,320 --> 00:24:52,320
Yeah, It's the future. Yes, Big change.
383
00:24:52,560 --> 00:24:55,760
Some people are worried this will change
how the Oscars are viewed.
384
00:24:56,400 --> 00:25:00,640
But I've been assured that they will know
pretty much for a feed from hundred
385
00:25:00,960 --> 00:25:04,360
2500 moments of brightness,
conveniently perfect to have
386
00:25:05,880 --> 00:25:08,960
the same flashlight that killed bin Laden.
387
00:25:14,400 --> 00:25:15,240
Sorry about that.
388
00:25:15,240 --> 00:25:18,240
But like I said, I don't think
this is going to change the Oscars at all.
389
00:25:18,360 --> 00:25:19,800
I think this is a joke.
390
00:25:19,800 --> 00:25:22,680
Have you been injured in the tactical
flashlight related incident?
391
00:25:22,680 --> 00:25:24,600
You may be eligible for compensation.
392
00:25:24,600 --> 00:25:28,360
Don't let big tactical flashlight
get the better of you.
393
00:25:33,480 --> 00:25:36,480
For Jane Lynch,
394
00:25:36,560 --> 00:25:37,800
our next presenters
395
00:25:37,800 --> 00:25:40,840
are the two most aggressive
alpha males in my book club.
396
00:25:40,840 --> 00:25:43,840
Please
welcome Will Arnett and Channing Tatum.
397
00:25:53,760 --> 00:25:54,160
Tonight,
398
00:25:54,160 --> 00:25:57,160
we are here to celebrate excellence
in animation.
399
00:25:57,360 --> 00:25:58,080
That is right.
400
00:25:58,080 --> 00:26:01,280
And yeah, it is right. That's right.
401
00:26:01,600 --> 00:26:04,560
And we'll add that
such a big fan of your work
402
00:26:04,560 --> 00:26:08,080
in animation,
BoJack Horseman, Genius, your Lego Batman.
403
00:26:08,080 --> 00:26:10,480
And maybe my favorite of all the Batman.
Oh, thank you.
404
00:26:10,480 --> 00:26:12,120
You were also in Batman.
405
00:26:12,120 --> 00:26:14,200
But no, no, I'm serious. I'm serious.
You're so good.
406
00:26:14,200 --> 00:26:14,640
Thank you.
407
00:26:14,640 --> 00:26:17,640
Have you ever considered, you know,
trying to act in front of the camera?
408
00:26:19,400 --> 00:26:21,160
Yeah, I.
409
00:26:21,160 --> 00:26:23,280
In fact, I did this year.
410
00:26:23,280 --> 00:26:24,760
I mean,
I made the movie with Bradley Cooper.
411
00:26:24,760 --> 00:26:26,120
What?
412
00:26:26,120 --> 00:26:28,440
Really? I love that guy.
413
00:26:28,440 --> 00:26:29,480
He's so good.
414
00:26:29,480 --> 00:26:32,480
He, like, just takes so many risks
on, like, non-actors.
415
00:26:32,720 --> 00:26:33,640
He just pulls, like.
416
00:26:33,640 --> 00:26:36,720
Like, you know, like really,
really amazing performances out of them.
417
00:26:36,720 --> 00:26:39,120
Lady Gaga, You. I'm assuming
418
00:26:40,440 --> 00:26:42,600
it's not
really like he's like a miracle worker.
419
00:26:42,600 --> 00:26:44,640
He's like he's like,
just has a magic wand.
420
00:26:44,640 --> 00:26:46,080
He gets everybody nominated.
421
00:26:46,080 --> 00:26:46,840
I'm sure you got nominated.
422
00:26:46,840 --> 00:26:49,800
I did not get it.
423
00:26:49,800 --> 00:26:50,880
Oh, that's okay.
424
00:26:50,880 --> 00:26:51,920
That's okay. Me neither.
425
00:26:51,920 --> 00:26:54,600
So I guess we're both available
for voiceover work. Yeah. Yeah.
426
00:26:54,600 --> 00:26:55,200
All right.
427
00:26:55,200 --> 00:26:58,200
Your nominees for Best Animated
feature are
428
00:27:02,040 --> 00:27:04,160
Argo, Hugo Bienvenu,
429
00:27:04,160 --> 00:27:07,360
Felix Diaz,
Jeffrey, Sophie Mars, and Natalie Portman.
430
00:27:09,200 --> 00:27:12,240
Helio, Madeleine's Russian dummy sheep.
431
00:27:12,600 --> 00:27:15,600
Adrian Molina and Mary Alice Drumm.
432
00:27:17,160 --> 00:27:18,680
K-Pop Demon Hunters.
433
00:27:18,680 --> 00:27:19,800
Maggie Kane.
434
00:27:19,800 --> 00:27:21,040
Chris Evans.
435
00:27:21,040 --> 00:27:23,920
And Michelle Alden. While
436
00:27:23,920 --> 00:27:26,680
Little Emily or the character of Dream,
437
00:27:26,680 --> 00:27:29,920
Miley's villain LeAnn Shogun Media.
438
00:27:29,920 --> 00:27:32,920
Santiago and Andre Magalong.
439
00:27:33,520 --> 00:27:34,800
Zootopia, too.
440
00:27:34,800 --> 00:27:35,920
Jared Bush.
441
00:27:35,920 --> 00:27:37,600
Byron Howard and Event.
442
00:27:37,600 --> 00:27:40,600
Marina.
443
00:27:43,800 --> 00:27:46,800
And the Oscar goes to
444
00:27:47,720 --> 00:27:50,720
K-Pop Demon Hunter.
445
00:27:55,600 --> 00:27:57,320
This is the first Oscar
446
00:27:57,320 --> 00:28:01,640
nominations that Maggie can Criss
Angel hands and the show.
447
00:28:01,680 --> 00:28:02,520
Helen the God.
448
00:28:35,880 --> 00:28:38,520
Oh, oh,
449
00:28:38,520 --> 00:28:41,520
oh, gosh.
450
00:28:42,840 --> 00:28:45,600
You think you.
451
00:28:45,600 --> 00:28:45,920
Thank you.
452
00:28:45,920 --> 00:28:49,920
To the academy
and to all the fans who got us here.
453
00:28:50,800 --> 00:28:54,080
And for those of you who look like me,
I am so sorry
454
00:28:54,080 --> 00:28:57,120
that it took us so long
to see us in a movie like this.
455
00:28:58,320 --> 00:29:01,320
But it is here.
456
00:29:01,360 --> 00:29:04,360
And that means that the next generations
don't have to go long.
457
00:29:04,720 --> 00:29:07,720
This is for Korea
and for Koreans everywhere.
458
00:29:14,680 --> 00:29:17,200
Music and stories have this power
459
00:29:17,200 --> 00:29:21,080
to connect us
as humans across cultures and borders.
460
00:29:21,840 --> 00:29:25,640
So I just want to take a moment
to say to all the young filmmakers,
461
00:29:26,040 --> 00:29:29,040
artists, musicians
in all corners of the globe,
462
00:29:29,760 --> 00:29:30,640
tell your story.
463
00:29:30,640 --> 00:29:32,200
Sing in your voice.
464
00:29:32,200 --> 00:29:35,200
I promise you, the world is waiting.
465
00:29:36,360 --> 00:29:39,040
Thank you to our partners at Netflix. Oh.
466
00:29:42,680 --> 00:29:43,040
Thank you
467
00:29:43,040 --> 00:29:46,160
to our partners at Netflix
who made all of this possible
468
00:29:46,160 --> 00:29:50,000
and of course, to our crews
at Sony Pictures Animation Image
469
00:29:50,000 --> 00:29:53,000
Works and Sony Pictures Music
470
00:29:54,120 --> 00:29:56,640
for Your Excellence in Making Films.
471
00:29:56,640 --> 00:29:58,800
And Love to our spouses.
472
00:29:58,800 --> 00:30:01,800
Eric Rad and Marine
for all of your support.
473
00:30:01,880 --> 00:30:04,880
Mom, this is for you.
474
00:30:19,720 --> 00:30:21,000
And now the award for Best
475
00:30:21,000 --> 00:30:24,360
Animated Short and the creative people
who bring these animated stories to life.
476
00:30:24,720 --> 00:30:25,440
That's right.
477
00:30:25,440 --> 00:30:31,440
Tonight, we are celebrating people,
not A.I., because animation.
478
00:30:31,440 --> 00:30:33,960
Yeah, it's more than a product.
479
00:30:33,960 --> 00:30:36,320
It's an art form
and it needs to be protected.
480
00:30:36,320 --> 00:30:39,320
AM I right? Oh, my. Right.
481
00:30:40,040 --> 00:30:43,040
Yeah, yeah, yeah.
482
00:30:43,120 --> 00:30:44,960
I feel that way, too.
483
00:30:44,960 --> 00:30:46,960
That too late.
I already won this presenting segment.
484
00:30:46,960 --> 00:30:48,480
I didn't really realize
it was a competition, but.
485
00:30:48,480 --> 00:30:51,000
Yeah, well,
that's why you came in second. All right.
486
00:30:51,000 --> 00:30:52,320
The nominees are
487
00:30:56,480 --> 00:30:59,760
Butterfly, the Horse Media, Enron, Dyas
488
00:31:01,040 --> 00:31:04,160
for Evergreen, Nathan Engelhart
and Jeremy Spears,
489
00:31:05,760 --> 00:31:07,520
the girl Who Cried Pearls.
490
00:31:07,520 --> 00:31:10,520
Chris Davis in March. Aisha Boesky
491
00:31:10,920 --> 00:31:12,120
Retirement Plan.
492
00:31:12,120 --> 00:31:15,120
John Kelly. Andrew Friedman,
493
00:31:15,360 --> 00:31:16,640
The Three Sisters.
494
00:31:16,640 --> 00:31:19,640
Constantine Bronze, Eat.
495
00:31:23,000 --> 00:31:25,520
And the Oscar Goes to the girl
496
00:31:25,520 --> 00:31:28,520
who Cried Pearls.
497
00:31:30,200 --> 00:31:33,120
This is the first Oscar
winning an Oscar nomination
498
00:31:33,120 --> 00:31:36,120
for a march actually
499
00:31:36,640 --> 00:31:39,400
previously nominated
for the animated short
500
00:31:39,400 --> 00:31:42,400
Madam Tutti Frutti.
501
00:31:47,280 --> 00:31:48,480
Oh, boy.
502
00:31:48,480 --> 00:31:50,800
We really are that nervous.
503
00:31:50,800 --> 00:31:53,480
I guess people think it takes patients
504
00:31:53,480 --> 00:31:56,480
to take five years to make a puppet film.
505
00:31:57,240 --> 00:32:00,280
It actually takes patience to live with
someone
506
00:32:00,360 --> 00:32:03,360
who takes
five years to make a puppet film.
507
00:32:03,360 --> 00:32:05,640
So I'd like to thank my wife,
508
00:32:05,640 --> 00:32:08,640
Maya, my daughter Julie,
509
00:32:09,160 --> 00:32:11,800
Stephanie, and our beautiful Mila.
510
00:32:11,800 --> 00:32:16,320
We'd like to thank the National Film
Board, our amazing producers, Julie Lau,
511
00:32:16,960 --> 00:32:21,160
Mark Bertram and Christine Noel,
our wonderful collaborators,
512
00:32:21,960 --> 00:32:24,960
Bridget Henry, Patrick Watson,
513
00:32:24,960 --> 00:32:27,760
Colm Feore, James Heineman.
514
00:32:27,760 --> 00:32:32,600
And to get off quick, we just really want
to thank our amazing neighborhood
515
00:32:33,320 --> 00:32:36,200
and the amazingly talented
community of artists
516
00:32:36,200 --> 00:32:39,200
that we have
had the superb luck to work with.
517
00:32:40,000 --> 00:32:40,480
Thank you.
518
00:32:40,480 --> 00:32:42,960
The fantastic city of Montreal.
519
00:32:42,960 --> 00:32:44,280
Thank you. Canada. Canada.
520
00:33:00,800 --> 00:33:03,000
There are legends of people
521
00:33:03,000 --> 00:33:07,800
making music so true it can pierce the way
522
00:33:09,880 --> 00:33:12,880
between life and death.
523
00:33:14,040 --> 00:33:16,160
The Delta Blues is a form of healing,
524
00:33:16,160 --> 00:33:19,600
the affirmation of the existence of people
who dream.
525
00:33:20,520 --> 00:33:23,520
To those who fall in love,
526
00:33:24,240 --> 00:33:27,000
it is both sacred and profane,
527
00:33:27,000 --> 00:33:29,160
simple yet complex,
528
00:33:29,160 --> 00:33:33,120
both human and divine is powerful magic.
529
00:33:33,120 --> 00:33:36,000
There is a global culture in its image.
530
00:33:36,000 --> 00:33:38,320
Our movie was about that power
531
00:33:38,320 --> 00:33:41,320
in a song about those people
532
00:33:48,600 --> 00:33:51,600
you keep dancing with the devil.
533
00:33:52,320 --> 00:33:55,320
One day he's going to follow you home
534
00:33:58,680 --> 00:34:01,680
to preach on Speak your word.
535
00:34:02,960 --> 00:34:05,880
I know that you've heard.
536
00:34:05,880 --> 00:34:08,880
So I lie to you.
537
00:34:09,440 --> 00:34:12,280
So I'm going to tell
538
00:34:12,280 --> 00:34:14,480
you one time
539
00:34:14,480 --> 00:34:16,480
I didn't mind you
540
00:34:16,480 --> 00:34:18,840
hope you don't lose my mind.
541
00:34:18,840 --> 00:34:19,880
Well, I was just
542
00:34:20,880 --> 00:34:23,800
now eight years old.
543
00:34:23,800 --> 00:34:26,440
You threw me a baboon moment.
544
00:34:26,440 --> 00:34:27,000
This is sick.
545
00:34:27,000 --> 00:34:28,640
You see.
546
00:34:28,640 --> 00:34:30,800
I love you, Papa.
547
00:34:30,800 --> 00:34:33,240
You did all you can do.
548
00:34:33,240 --> 00:34:35,760
They say so.
549
00:34:35,760 --> 00:34:39,000
I lied to you and yes, I lied to you.
550
00:34:40,640 --> 00:34:43,640
Oh, the blues
551
00:34:43,760 --> 00:35:02,600
and somebody
552
00:35:02,600 --> 00:35:06,200
take me in here.
553
00:35:06,320 --> 00:35:09,320
Oh, tonight.
554
00:35:11,080 --> 00:35:15,320
Somebody take me here.
555
00:35:15,360 --> 00:35:18,360
You're almost ten.
556
00:35:20,720 --> 00:35:23,720
Somebody take me,
557
00:35:31,160 --> 00:35:34,160
take me
558
00:35:35,560 --> 00:35:43,040
to stampede.
559
00:35:43,080 --> 00:35:47,920
Oh, preach it all
560
00:35:48,840 --> 00:35:51,840
to you.
561
00:35:55,680 --> 00:35:56,480
Well,
562
00:35:56,480 --> 00:36:17,600
I mean, yes.
563
00:36:35,600 --> 00:36:38,520
To take me
564
00:36:38,520 --> 00:36:41,520
with you
565
00:36:42,880 --> 00:36:45,880
to know
566
00:37:03,120 --> 00:37:06,120
you're.
567
00:37:07,440 --> 00:37:10,440
Oh, yeah.
568
00:37:11,280 --> 00:37:14,880
To show
569
00:37:39,240 --> 00:37:40,800
I'm on a new level.
570
00:37:40,800 --> 00:37:43,640
I have a purpose.
571
00:37:43,640 --> 00:37:45,200
And if you think that
some sort of blessing is not,
572
00:37:45,200 --> 00:37:48,840
it puts me at a huge disadvantage
right now.
573
00:37:49,920 --> 00:37:51,560
It means I have an obligation.
574
00:37:51,560 --> 00:37:54,560
I see a very specific thing through.
575
00:37:56,640 --> 00:37:58,520
And with that obligation comes sacrifice.
576
00:38:00,800 --> 00:38:03,320
What do you plan to do
if this whole dream of yours doesn't work?
577
00:38:03,320 --> 00:38:05,880
That doesn't even enter my consciousness.
578
00:38:05,880 --> 00:38:08,880
I'm on a new level.
579
00:38:09,920 --> 00:38:12,920
Well,
580
00:38:14,440 --> 00:38:15,080
before we go
581
00:38:15,080 --> 00:38:18,160
any further, how about a hand
for our brilliant conductor,
582
00:38:18,160 --> 00:38:21,400
Michael Bearden,
and the Incredible Academy Orchestra?
583
00:38:22,160 --> 00:38:25,160
It's true.
584
00:38:25,240 --> 00:38:27,680
And concert master Charlie Fisher.
585
00:38:27,680 --> 00:38:30,680
Right, sir, We salute you.
586
00:38:32,920 --> 00:38:36,240
And for those of you who are fans
of Mighty Supreme, you'll love
587
00:38:36,240 --> 00:38:39,440
the orchestra's newest instrument,
the Timothy Shalom, a boom
588
00:38:39,440 --> 00:38:42,440
drum.
589
00:38:51,760 --> 00:38:54,520
Tonight,
we're here to celebrate this year's films.
590
00:38:54,520 --> 00:38:55,920
But I need to stress this.
591
00:38:55,920 --> 00:39:00,000
We also care deeply about preserving,
preserving film history.
592
00:39:00,000 --> 00:39:01,680
It must be preserved.
593
00:39:01,680 --> 00:39:05,040
I wanted to highlight
one studio committed to doing just that
594
00:39:05,360 --> 00:39:08,360
for the smartphone generation
595
00:39:08,680 --> 00:39:09,160
Venture.
596
00:39:09,160 --> 00:39:12,640
A Crossroads Labs is a group of film
preservationists
597
00:39:12,640 --> 00:39:17,960
committed to one simple goal
making movies very tall and very skinny.
598
00:39:18,200 --> 00:39:21,560
As more people depend on
their personal devices for entertainment
599
00:39:21,560 --> 00:39:26,040
venture, A Crossroads is meeting
this need by updating yesterday's classics
600
00:39:26,240 --> 00:39:30,160
for today's movie
audiences Using sophisticated A.I.
601
00:39:30,160 --> 00:39:34,440
software, Ventura Crossroads preserves
only the most visually
602
00:39:34,440 --> 00:39:35,760
interesting parts of the frame.
603
00:39:35,760 --> 00:39:38,040
Yes, Yes. Yes.
604
00:39:38,040 --> 00:39:43,720
So now future audiences can enjoy
re-imagined classics like Two Angry Men.
605
00:39:44,240 --> 00:39:48,960
And on Fat II, Hollywood's
biggest movies made smaller
606
00:39:49,200 --> 00:39:52,720
and taller,
all thanks to Ventura Crossroads.
607
00:39:52,960 --> 00:39:56,240
Oh, and one more thing to Lalani Century.
608
00:40:01,440 --> 00:40:03,000
Important work.
609
00:40:03,000 --> 00:40:04,720
Important work.
610
00:40:04,720 --> 00:40:07,200
It's time to introduce the next presenter.
611
00:40:07,200 --> 00:40:08,520
But let's make this special.
612
00:40:08,520 --> 00:40:09,520
Can we have a boom?
613
00:40:09,520 --> 00:40:12,520
Drum roll, please?
614
00:40:14,600 --> 00:40:15,600
Why Konan? Why?
615
00:40:15,600 --> 00:40:18,520
At one point in my life,
I've had both of their haircuts.
616
00:40:18,520 --> 00:40:21,560
Please welcome Oscar winner
Anne Hathaway and Dame
617
00:40:21,560 --> 00:40:24,760
Anna Wintour, who?
618
00:40:45,120 --> 00:40:46,680
Whether it's two distinct
619
00:40:46,680 --> 00:40:50,040
jewel toned hats,
a meticulously crafted headdress,
620
00:40:50,440 --> 00:40:53,280
a simple pair of semi rimless eyeglasses,
621
00:40:53,280 --> 00:40:57,280
complex and dramatic pieces
that bring to life a gothic classic
622
00:40:57,680 --> 00:41:02,280
or watching Red Turn rust in 16th century
England,
623
00:41:02,880 --> 00:41:05,880
the character's
costume is key to telling a story.
624
00:41:06,440 --> 00:41:09,600
One could argue that one's wardrobe in
real life is also,
625
00:41:10,960 --> 00:41:14,240
does it make one appear
elegant and attractive
626
00:41:14,240 --> 00:41:16,360
on, say,
the most important night in Hollywood
627
00:41:16,360 --> 00:41:19,880
when, say, the most important people
in fashion will be judging how one looks?
628
00:41:20,240 --> 00:41:24,760
Anna, I'm just curious what
629
00:41:27,480 --> 00:41:30,480
what do you think of my dress tonight?
630
00:41:31,560 --> 00:41:34,560
And the nominees are
631
00:41:43,520 --> 00:41:44,280
Avatar,
632
00:41:44,280 --> 00:41:47,640
Fire and Ash Costume Design by Deborah L.
633
00:41:47,680 --> 00:41:49,320
Scott
634
00:41:49,320 --> 00:41:52,960
Frankenstein Costume Design by Kate
Collins.
635
00:41:55,040 --> 00:41:57,800
Prominent Costume Design by Mal Gershon.
636
00:41:57,800 --> 00:42:00,200
Artisan Stuff.
637
00:42:00,200 --> 00:42:01,960
Margie Supreme Costume
638
00:42:01,960 --> 00:42:04,960
Design by Miyako Billingsley
639
00:42:05,680 --> 00:42:09,000
Sinas Costume Design by Ruth E Thomson
640
00:42:13,320 --> 00:42:14,480
and the Oscar
641
00:42:14,480 --> 00:42:17,480
for Best Costume Design Goes to
642
00:42:18,320 --> 00:42:20,040
Frankenstein.
643
00:42:20,040 --> 00:42:23,040
Kate, Holly.
644
00:42:26,920 --> 00:42:29,920
This is the first Oscar nomination
for Okay.
645
00:42:30,240 --> 00:42:33,160
She's an acclaimed New Zealand
born costume designer,
646
00:42:33,160 --> 00:42:36,000
renowned for her work
in fantasy and sci fi.
647
00:42:36,000 --> 00:42:58,720
Since I'm
648
00:43:02,160 --> 00:43:03,960
on behalf of myself
649
00:43:03,960 --> 00:43:09,240
and the amazing team that I work
with, the artisans, the alchemists,
650
00:43:09,600 --> 00:43:14,320
the Dream Weavers, we're so grateful
to the Academy for recognizing our craft,
651
00:43:14,760 --> 00:43:20,160
and it's been such a privilege to stand
alongside Ruth Carter, Miyako, Beletsky,
652
00:43:22,000 --> 00:43:24,280
Mogo Chef, and Dave Scott.
653
00:43:24,280 --> 00:43:26,960
I just it's been amazing, you all.
654
00:43:26,960 --> 00:43:29,560
And Guillermo, I'm not going to cry.
655
00:43:29,560 --> 00:43:34,640
And thank you for the vision
and for taking us on your journey.
656
00:43:34,640 --> 00:43:37,160
It's been a great privilege
to be part of it all.
657
00:43:37,160 --> 00:43:39,960
Our nominations are your nominations.
658
00:43:39,960 --> 00:43:41,480
We share this with you.
659
00:43:41,480 --> 00:43:46,680
A big shout out to our fantastic cast
and an extra one to Dan Alexander
660
00:43:46,680 --> 00:43:49,680
and Dennis and my family,
661
00:43:49,720 --> 00:43:52,720
who've put up with a lot of shit
over the years.
662
00:43:53,040 --> 00:43:57,440
My darling daughter, who's my little
eight to my Big Edie, and just
663
00:43:58,560 --> 00:44:01,080
everybody who supported us along the way,
664
00:44:01,080 --> 00:44:04,080
the Netflix family, Scott Miles,
665
00:44:05,520 --> 00:44:06,440
I don't know any more.
666
00:44:06,440 --> 00:44:09,240
I've lost it, but I'm so, so grateful.
667
00:44:09,240 --> 00:44:11,520
And thank you very much
for recognizing that craft
668
00:44:29,560 --> 00:44:29,880
hair and
669
00:44:29,880 --> 00:44:32,880
makeup choices can make a performance
come alive.
670
00:44:32,920 --> 00:44:36,840
These artists delicately balance
being bold yet transparent,
671
00:44:37,200 --> 00:44:41,040
constantly asking themselves,
Do I pull back or do I go for broke?
672
00:44:41,720 --> 00:44:44,480
These five
nominated films are stunning examples
673
00:44:44,480 --> 00:44:47,480
of vision, art and craft.
674
00:44:47,520 --> 00:44:49,440
Anna, would you like to read the nominees?
675
00:44:49,440 --> 00:44:52,440
Thank you, Emily.
676
00:44:52,720 --> 00:44:55,720
And the nominees are
677
00:44:58,800 --> 00:45:00,960
Frankenstein, Michael
678
00:45:00,960 --> 00:45:04,800
Jordan, Samuel and Cliona Fury, Kikuyu.
679
00:45:04,880 --> 00:45:11,040
Kyoko Toya Koa, Naomi
Corvino and Tadashi and Ishimatsu Sinha's.
680
00:45:11,040 --> 00:45:16,040
Kenya's My Crunching and Sunidhi Kothari
The Smashing Machine.
681
00:45:16,120 --> 00:45:17,400
Kazu Hiro.
682
00:45:17,400 --> 00:45:19,000
Glen Griffin and Beyond.
683
00:45:19,000 --> 00:45:21,520
Ray Divine, the Ugly Stepsister.
684
00:45:21,520 --> 00:45:24,520
Thomas Go back and and country and about.
685
00:45:29,000 --> 00:45:32,000
And the Oscar goes to
686
00:45:32,400 --> 00:45:35,280
Michael Jordan, Samuel and Fiona
687
00:45:35,280 --> 00:45:38,280
for Frankenstein.
688
00:45:38,520 --> 00:45:40,240
This is the first Oscar
689
00:45:40,240 --> 00:45:43,960
nomination for Michael Jordan
singing and cleaning this year.
690
00:45:47,880 --> 00:45:50,840
The creature's
transformation took up to 11 hours.
691
00:45:50,840 --> 00:45:53,880
Each day is a 42 individually
692
00:45:53,880 --> 00:45:56,880
prosthetic piece.
693
00:46:06,200 --> 00:46:09,200
Oh, fantastic.
694
00:46:09,960 --> 00:46:12,600
Old school
695
00:46:12,600 --> 00:46:15,360
shit.
696
00:46:15,360 --> 00:46:18,360
Oh, no.
697
00:46:19,800 --> 00:46:20,480
Okay.
698
00:46:20,480 --> 00:46:21,360
Such an odyssey.
699
00:46:21,360 --> 00:46:23,240
Thank you so much.
700
00:46:23,240 --> 00:46:25,440
Crikey.
701
00:46:25,440 --> 00:46:27,040
While we're making this film.
702
00:46:27,040 --> 00:46:27,480
You know, we.
703
00:46:27,480 --> 00:46:30,480
The sense we're part of something very
special, and tonight really confirms that.
704
00:46:30,480 --> 00:46:33,480
So thanks to special
thanks to the Academy.
705
00:46:34,000 --> 00:46:36,200
Deepest thanks to our film nominees.
706
00:46:36,200 --> 00:46:39,640
Thank you to Netflix producers
Miles and Scott.
707
00:46:40,400 --> 00:46:43,640
Thanks to Oscar, Isaac and most beautiful
Mia Gough.
708
00:46:44,040 --> 00:46:48,120
And, of course, my mate Jacob Elordi,
who set sat a 400 hours
709
00:46:48,720 --> 00:46:51,720
in their makeup chair during filming.
710
00:46:53,440 --> 00:46:54,880
A personal thank you to my dear
711
00:46:54,880 --> 00:46:57,960
Maggie
and to our friend Guillermo del Toro.
712
00:46:58,640 --> 00:46:59,880
You did it, man.
713
00:46:59,880 --> 00:47:02,520
You brought our beloved Frankenstein back.
714
00:47:02,520 --> 00:47:04,800
And we want to thank you
for allowing us to help
715
00:47:04,800 --> 00:47:07,720
make your dream project
become our dream project.
716
00:47:07,720 --> 00:47:08,400
Thank you, sir.
717
00:47:10,520 --> 00:47:11,560
We want to thank
718
00:47:11,560 --> 00:47:15,200
all the prosthetic makeup and hair people
for all the hard work they did.
719
00:47:15,240 --> 00:47:18,240
It's shown on the screen,
and we're indebted to you forever.
720
00:47:40,200 --> 00:47:40,800
Coming up,
721
00:47:40,800 --> 00:47:45,240
an all star presentation
for the first ever Oscar for casting
722
00:47:45,440 --> 00:47:48,440
only at the Oscars here on ABC.
723
00:47:57,720 --> 00:47:58,400
You touch Me.
724
00:47:58,400 --> 00:48:01,120
And what did you see?
725
00:48:01,120 --> 00:48:03,480
I saw a landscape
726
00:48:03,480 --> 00:48:06,760
space, this undiscovered country.
727
00:48:07,640 --> 00:48:10,640
The film is about hope.
728
00:48:10,920 --> 00:48:12,680
Empathy,
729
00:48:12,680 --> 00:48:14,480
grief
730
00:48:14,480 --> 00:48:17,080
and love.
731
00:48:17,080 --> 00:48:18,360
We have the power
732
00:48:18,360 --> 00:48:21,800
of transforming these feelings into art.
733
00:48:22,680 --> 00:48:25,680
What do you see?
734
00:48:25,920 --> 00:48:27,520
Loves doesn't die,
735
00:48:27,520 --> 00:48:30,520
just transforms.
736
00:48:34,000 --> 00:48:36,640
Please welcome Paul Moscone.
737
00:48:36,640 --> 00:48:37,920
Gwyneth Paltrow.
738
00:48:37,920 --> 00:48:38,800
Che Simpson.
739
00:48:38,800 --> 00:48:41,720
And to fuck them all down.
740
00:48:41,720 --> 00:48:44,720
Why Linda?
741
00:49:01,200 --> 00:49:03,960
The five of us on this stage
are truly honored
742
00:49:03,960 --> 00:49:07,880
to be presenting the first ever Oscar
for achievement in casting,
743
00:49:13,520 --> 00:49:14,480
a great casting
744
00:49:14,480 --> 00:49:17,480
director identifies the soul of a story.
745
00:49:17,600 --> 00:49:21,280
And Nina, you found the soul of happiness
in William Agnew's
746
00:49:21,280 --> 00:49:24,280
This Family.
747
00:49:25,560 --> 00:49:26,880
They were the heart of the film.
748
00:49:26,880 --> 00:49:28,480
And seeing you work with Chloe Zhao
749
00:49:28,480 --> 00:49:31,480
to bring together
the perfect emotional connection
750
00:49:31,480 --> 00:49:34,640
between the children and Jesse and I,
It was incredible to watch.
751
00:49:34,640 --> 00:49:37,640
So thank you.
752
00:49:42,360 --> 00:49:45,120
Being a part of Marty Supreme
meant stepping
753
00:49:45,120 --> 00:49:48,600
into a cast that felt incredibly alive
from the first day.
754
00:49:49,200 --> 00:49:51,680
And that comes from the brilliance
of Jennifer
755
00:49:51,680 --> 00:49:54,680
and Eddie. Wow.
756
00:49:57,360 --> 00:49:57,920
Jennifer,
757
00:49:57,920 --> 00:50:01,800
you have this rare ability
to see people as they truly are
758
00:50:02,080 --> 00:50:05,280
and understand
exactly how they belong inside a story.
759
00:50:06,000 --> 00:50:08,640
With your background in documentaries,
you know the true
760
00:50:08,640 --> 00:50:10,840
value of lived experience.
761
00:50:10,840 --> 00:50:11,840
It can't be things
762
00:50:13,000 --> 00:50:14,160
in your eyes.
763
00:50:14,160 --> 00:50:16,840
Everyone has a character
with a story to tell.
764
00:50:16,840 --> 00:50:19,200
And as someone
lucky enough to be among them,
765
00:50:19,200 --> 00:50:22,200
I felt that care every day on set.
766
00:50:22,680 --> 00:50:26,520
Tonight, we're celebrating the invisible,
exquisite architecture
767
00:50:26,520 --> 00:50:29,640
you built beneath
every moment of Marty Supreme.
768
00:50:37,560 --> 00:50:41,760
I'm standing here tonight because of a
casting director, Cassandra Culliton.
769
00:50:41,760 --> 00:50:44,760
This.
770
00:50:47,440 --> 00:50:49,360
She spent years searching for Willa,
771
00:50:49,360 --> 00:50:52,360
and she saw something in me
that I didn't even know was there.
772
00:50:52,360 --> 00:50:54,960
Her belief in me
helped me believe in myself.
773
00:50:54,960 --> 00:50:58,080
And thanks to her
determination, imagination and instincts,
774
00:50:58,360 --> 00:51:01,440
I was cast in my first feature
film, One Battle after Another,
775
00:51:01,680 --> 00:51:04,680
which has 13 Oscar nominations next.
776
00:51:09,080 --> 00:51:11,840
Three casting directors like Cassandra
777
00:51:11,840 --> 00:51:15,120
know how to bring together actors
we love with new faces
778
00:51:15,320 --> 00:51:18,480
and make a film feel unexpected
and completely original.
779
00:51:27,240 --> 00:51:30,240
The secret agent.
780
00:51:34,240 --> 00:51:34,800
The Secret
781
00:51:34,800 --> 00:51:38,720
agent is set in Brazil in the late 1970s.
782
00:51:39,640 --> 00:51:42,120
Gabrielle Dominguez
783
00:51:42,120 --> 00:51:45,120
had to populate
784
00:51:45,320 --> 00:51:48,000
She had to populate this film with people
785
00:51:48,000 --> 00:51:51,880
who had faces that looked like
they belonged to that time.
786
00:51:53,160 --> 00:51:56,240
Gabrielle You achieved that goal.
787
00:51:59,680 --> 00:52:03,080
You found those faces
788
00:52:04,560 --> 00:52:08,280
and you did it
by taking as much care and attention
789
00:52:08,280 --> 00:52:12,640
with the smallest parts
as you did with the biggest parts.
790
00:52:13,400 --> 00:52:16,320
And the life it gave to our film
791
00:52:16,320 --> 00:52:19,320
is immeasurable.
792
00:52:19,960 --> 00:52:21,480
You, Gabrielle,
793
00:52:21,480 --> 00:52:24,680
use your technique
to shape an entire world
794
00:52:25,000 --> 00:52:28,000
in the secret agent.
795
00:52:34,320 --> 00:52:37,320
And for that I say, but a bench.
796
00:52:41,520 --> 00:52:44,520
Francine Metzler.
797
00:52:49,960 --> 00:52:52,960
We look back at the cast as sinners.
798
00:52:53,000 --> 00:52:57,360
It's apparent to everyone
you know how to discover new talent.
799
00:52:58,600 --> 00:53:01,680
Very grateful
personally to you that you made room for
800
00:53:02,720 --> 00:53:05,720
one who's been doing this a little while
801
00:53:07,240 --> 00:53:08,280
in centers.
802
00:53:08,280 --> 00:53:11,600
Every character feels singular, distinct,
803
00:53:12,720 --> 00:53:16,520
fully lived in Francine, and yet together
804
00:53:16,520 --> 00:53:21,000
they formed something much larger
a living, breathing world.
805
00:53:22,360 --> 00:53:24,480
It didn't happen by accident.
806
00:53:24,480 --> 00:53:27,720
That happened because you, Francine,
you understood
807
00:53:28,280 --> 00:53:31,160
that identity is cultural,
808
00:53:31,160 --> 00:53:33,480
is generational.
809
00:53:33,480 --> 00:53:36,480
It's communal.
810
00:53:44,120 --> 00:53:45,680
And the very first Oscar
811
00:53:45,680 --> 00:53:48,920
for casting goes to Cassandra for the
812
00:53:56,560 --> 00:53:57,120
Cassandra
813
00:53:57,120 --> 00:54:02,360
Curtis wins the inaugural Best Casting
Oscar, the first new competitive Academy
814
00:54:02,360 --> 00:54:05,360
Award in 24 years.
815
00:54:19,440 --> 00:54:20,160
Yeah, I said that.
816
00:54:20,160 --> 00:54:21,440
Okay.
817
00:54:21,440 --> 00:54:22,280
Wow. Wah, wah, wah, wah.
818
00:54:22,280 --> 00:54:22,600
Okay.
819
00:54:22,600 --> 00:54:25,840
I have to obviously thank the Academy
for even adding this category
820
00:54:25,840 --> 00:54:27,080
and for the casting directors
821
00:54:27,080 --> 00:54:31,120
that fought tirelessly to make it happen
despite everything in their way.
822
00:54:31,680 --> 00:54:33,560
I dedicate this to you
823
00:54:33,560 --> 00:54:37,200
and to the casting directors
who never got a chance to get out of here.
824
00:54:37,680 --> 00:54:40,440
Who didn't even get a chance
to get their name on the movie.
825
00:54:40,440 --> 00:54:43,240
So better for you guys.
826
00:54:43,240 --> 00:54:45,240
When Paul Thomas Anderson calls you.
827
00:54:45,240 --> 00:54:48,240
You enter the witness protection program
and you
828
00:54:48,600 --> 00:54:50,240
literally don't talk to your friends
and your family
829
00:54:50,240 --> 00:54:52,440
unless they have somebody
that's right for the movie.
830
00:54:53,640 --> 00:54:54,840
And I put them all to
831
00:54:54,840 --> 00:54:57,840
work and I get more out of them
when they haven't provided.
832
00:54:58,720 --> 00:55:02,040
And I have to thank all the crew
who I'm in all of your departments,
833
00:55:02,040 --> 00:55:05,680
whether you like me or not,
whether it's locations, who really gave me
834
00:55:05,800 --> 00:55:09,040
stance, product production, design
or art directors.
835
00:55:09,040 --> 00:55:11,480
Yeah, everyone and editors, obviously.
836
00:55:11,480 --> 00:55:12,640
Thank you.
837
00:55:12,640 --> 00:55:18,680
But like, this is a thing and I just
thank you for I mean, ten movies.
838
00:55:18,680 --> 00:55:20,520
We've done this for over 30 years.
839
00:55:20,520 --> 00:55:21,840
Like, we grew up together, I guess.
840
00:55:21,840 --> 00:55:23,320
And this is frickin insane.
841
00:55:23,320 --> 00:55:26,600
And I have one before you,
which is also crazy high.
842
00:55:27,240 --> 00:55:29,880
So, yeah,
I hope you get one tonight. Yeah.
843
00:55:29,880 --> 00:55:31,200
Thank you very much, everybody.
844
00:55:31,200 --> 00:55:34,200
Yeah.
845
00:56:01,360 --> 00:56:02,600
Why didn't you want to do the role?
846
00:56:03,960 --> 00:56:06,480
We wanted you to do it.
847
00:56:06,480 --> 00:56:09,040
I can't work with him.
848
00:56:09,040 --> 00:56:12,040
We can't really talk.
849
00:56:12,080 --> 00:56:15,080
Because only if I made it not liable.
850
00:56:16,280 --> 00:56:18,120
I try to understand people in the movies.
851
00:56:18,120 --> 00:56:20,640
I make
852
00:56:20,640 --> 00:56:24,240
cinematic language
somehow gets us closer to people
853
00:56:24,240 --> 00:56:27,240
than we can in our everyday life.
854
00:56:28,360 --> 00:56:31,360
We're allowed to really look at others,
855
00:56:51,200 --> 00:56:54,240
not the Oscars
856
00:56:56,840 --> 00:56:58,840
are an international event.
857
00:56:58,840 --> 00:57:01,960
In that spirit,
please welcome live from London,
858
00:57:02,280 --> 00:57:05,280
our announcer, Matt Berry.
859
00:57:05,600 --> 00:57:07,280
Thank you, country.
860
00:57:07,280 --> 00:57:10,040
It's a huge honor
and a thrill to be here tonight.
861
00:57:10,040 --> 00:57:12,880
Well, we're thrilled to have you, Matt.
862
00:57:12,880 --> 00:57:15,280
Who are you excited to see tonight?
863
00:57:15,280 --> 00:57:20,000
Well, I've always been a fan of Benicio
Del Toro, Sigourney Weaver,
864
00:57:20,560 --> 00:57:23,560
and, of course, Basil Rathbone.
865
00:57:24,960 --> 00:57:28,400
Sorry to tell you that Basil Rathbone
died almost 60 years ago.
866
00:57:30,000 --> 00:57:32,200
Is that right?
867
00:57:32,200 --> 00:57:35,160
Well, that's live TV for you.
868
00:57:35,160 --> 00:57:37,000
No, it's not.
869
00:57:37,000 --> 00:57:38,840
Anyway, Matt Berry, I salute you.
870
00:57:38,840 --> 00:57:40,360
And thank you very much for doing this.
871
00:57:40,360 --> 00:57:43,360
I thank you. Yeah. Bless you.
872
00:57:43,720 --> 00:57:45,560
Here to present our next award
873
00:57:45,560 --> 00:57:48,680
is the man who has the body
of a marvel Comics hero
874
00:57:48,800 --> 00:57:51,680
and the voice of a marvel Comics
collector.
875
00:57:51,680 --> 00:57:54,680
Oscar nominee Kumail Nanjiani
876
00:58:07,440 --> 00:58:11,040
says it hurts because it's true.
877
00:58:15,080 --> 00:58:17,920
I got no warning that was going to happen.
878
00:58:17,920 --> 00:58:21,600
I am here to present the Oscar
for Best Live-Action short film.
879
00:58:22,000 --> 00:58:25,840
There is real art to making a short film
to tell a story
880
00:58:25,840 --> 00:58:29,840
that efficiently
takes vision, creativity and discipline.
881
00:58:29,840 --> 00:58:30,880
And I'll say it.
882
00:58:30,880 --> 00:58:34,440
I think many full length movies would work
just as well, if not better,
883
00:58:34,720 --> 00:58:35,840
as short films.
884
00:58:37,320 --> 00:58:38,520
You know what?
885
00:58:38,520 --> 00:58:42,000
We should take some of these feature
films, remake them in shorts,
886
00:58:42,440 --> 00:58:43,440
save us some time.
887
00:58:43,440 --> 00:58:46,000
We have so much going on.
888
00:58:46,000 --> 00:58:49,520
Instead of It's a Wonderful Life,
how about It's a wonderful month?
889
00:58:50,880 --> 00:58:53,880
West Side Anecdote.
890
00:58:53,880 --> 00:58:56,560
The King's Tweet.
891
00:58:56,560 --> 00:58:59,560
Some of that jazz.
892
00:59:00,880 --> 00:59:03,880
Call me by your nickname.
893
00:59:04,080 --> 00:59:07,080
No Country for Old Man.
894
00:59:07,760 --> 00:59:10,760
One Battle.
895
00:59:11,960 --> 00:59:13,600
That's it.
896
00:59:13,600 --> 00:59:15,480
You got one.
897
00:59:15,480 --> 00:59:18,480
Choose wisely, Paul.
898
00:59:18,480 --> 00:59:21,480
Schindler's posted.
899
00:59:22,000 --> 00:59:25,000
The nominees are.
900
00:59:28,120 --> 00:59:29,160
Put your stay.
901
00:59:29,160 --> 00:59:32,160
Meyer, Levinson, Blunt and Lauren Caspi,
902
00:59:33,000 --> 00:59:36,080
a friend of Dorothy
Lee Knight and James Dean.
903
00:59:37,560 --> 00:59:39,600
Jane Austin's period drama
904
00:59:39,600 --> 00:59:42,600
Julia AX and Steve Pinder.
905
00:59:42,840 --> 00:59:46,040
The singers Fannie Davis and Jack hire
906
00:59:47,160 --> 00:59:49,320
two people, exchanging saliva.
907
00:59:49,320 --> 00:59:52,320
Alexandra saying, And that Lima Theater
908
00:59:57,480 --> 01:00:00,480
and the Oscar goes to.
909
01:00:01,080 --> 01:00:02,000
It's a tie.
910
01:00:02,000 --> 01:00:03,120
I'm not joking.
911
01:00:03,120 --> 01:00:04,760
It's actually a tie.
912
01:00:04,760 --> 01:00:06,000
So everyone come down.
913
01:00:06,000 --> 01:00:08,280
We're going to get through this. Focus up.
914
01:00:08,280 --> 01:00:10,480
I'm calm down to remain calm.
915
01:00:10,480 --> 01:00:12,600
I'm going to name one winner.
916
01:00:12,600 --> 01:00:14,080
They'll Come up, accept their award,
917
01:00:14,080 --> 01:00:16,080
and then I'll come back and name
another winner.
918
01:00:16,080 --> 01:00:17,200
And then they'll accept their award.
919
01:00:17,200 --> 01:00:19,560
Okay, here we go.
920
01:00:19,560 --> 01:00:22,240
One Oscar goes to the singers.
921
01:00:29,520 --> 01:00:29,920
This is the
922
01:00:29,920 --> 01:00:32,920
first
Oscar win a nomination for Jack Pine.
923
01:00:33,200 --> 01:00:35,920
The first win and second nomination
to Sunday.
924
01:00:35,920 --> 01:00:38,920
Davis,
925
01:00:40,640 --> 01:00:43,640
the tie. Wow.
926
01:00:44,120 --> 01:00:45,000
I didn't know that was.
927
01:00:45,000 --> 01:00:47,480
I don't know. That was the thing. A tie.
928
01:00:47,480 --> 01:00:48,440
But we're happy to be up here.
929
01:00:48,440 --> 01:00:52,120
First, I want to thank my my parents
who convinced the kid from Pottsville,
930
01:00:52,120 --> 01:00:55,560
Michigan,
that this was a viable career avenue.
931
01:00:56,000 --> 01:00:59,640
Thank you, mom and dad to our entire crew,
but especially to these guys
932
01:00:59,640 --> 01:01:00,520
standing behind me.
933
01:01:00,520 --> 01:01:03,520
They Robichaux and Jack Piatt,
my producers.
934
01:01:03,720 --> 01:01:05,800
Who will this thing into existence?
935
01:01:05,800 --> 01:01:08,160
To our incredible cast of first timers.
936
01:01:08,160 --> 01:01:11,560
People who had never acted before
and never really imagined themselves
937
01:01:11,560 --> 01:01:12,600
on the big screen.
938
01:01:12,600 --> 01:01:17,000
Mike Young is here, New York City
Subway Busker as you may have seen him,
939
01:01:18,680 --> 01:01:21,680
thank you to Netflix, to my girlfriend
Paris,
940
01:01:21,720 --> 01:01:25,240
to the La Habra Moose Lodge
and of course, to the Academy.
941
01:01:25,280 --> 01:01:27,000
Crazy sentence, I know.
942
01:01:27,000 --> 01:01:30,480
And finally, the singers is a simple story
about the power of music
943
01:01:30,480 --> 01:01:32,440
and art to bring us together in a moment
944
01:01:32,440 --> 01:01:35,480
when we live in
an increasingly isolated world.
945
01:01:35,880 --> 01:01:38,880
May we keep looking for beauty
in unexpected places?
946
01:01:39,320 --> 01:01:41,640
May we all be brave enough
to keep on singing?
947
01:01:41,640 --> 01:01:44,640
Thank you.
948
01:01:53,000 --> 01:01:54,960
Ironic that the short film Oscar
949
01:01:54,960 --> 01:01:57,960
is going to take twice as long,
950
01:02:00,600 --> 01:02:02,400
and the second Oscar goes
951
01:02:02,400 --> 01:02:05,400
to two people exchanging saliva.
952
01:02:09,160 --> 01:02:12,760
This is the first Oscar win
and nomination for Alexandra Sui
953
01:02:13,120 --> 01:02:16,120
and Natalie Muschietti.
954
01:02:25,200 --> 01:02:25,800
I believe
955
01:02:25,800 --> 01:02:29,280
this is only happened
three times in history before
956
01:02:29,520 --> 01:02:34,080
and we are so happy to be sharing
this Oscar with the singers we love.
957
01:02:34,280 --> 01:02:36,400
All of our fellow nominees.
958
01:02:36,400 --> 01:02:40,600
And we're so, so grateful to everyone
who has supported our film
959
01:02:40,600 --> 01:02:41,880
and who made this film.
960
01:02:41,880 --> 01:02:45,640
Our crew,
the Gallery, Lafayette, The New Yorker,
961
01:02:45,800 --> 01:02:51,320
our EP's, Julianne Moore and Isabelle
Huppert, our family, our friends.
962
01:02:51,600 --> 01:02:55,560
Souvenir and our little girl Sophia sing
963
01:02:56,080 --> 01:03:00,320
and thank you to the Academy for for, for,
for supporting a film
964
01:03:00,320 --> 01:03:03,320
that is weird and that is queer
and that is
965
01:03:04,080 --> 01:03:07,120
made by a majority of women in
966
01:03:10,960 --> 01:03:17,440
and among all
967
01:03:24,360 --> 01:03:25,720
so and
968
01:03:25,720 --> 01:03:30,040
for having rewarded a French film
made by a Franco Indian Brits,
969
01:03:30,360 --> 01:03:34,200
a Romanian American, an Argentinean
and an Italian
970
01:03:34,200 --> 01:03:37,920
with actresses Aurรฉlie Buika,
Vicky Krieps from Luxembourg,
971
01:03:38,800 --> 01:03:41,440
and Pastrami from Kosovo, and Zaw Amir
972
01:03:41,440 --> 01:03:44,440
from Iran, who cannot be here tonight.
973
01:03:45,040 --> 01:03:48,280
She just had a baby girl two days ago.
974
01:03:48,600 --> 01:03:52,440
Nyla Jane, you are the hope in a world
975
01:03:52,440 --> 01:03:56,520
that is dark and absurd
and ridiculous and horrifying.
976
01:03:57,120 --> 01:04:00,600
But that is why we make films,
is not because we believe that art
977
01:04:00,800 --> 01:04:02,400
can change people's souls.
978
01:04:02,400 --> 01:04:05,680
Maybe it takes ten years time,
but we can change society through art,
979
01:04:05,680 --> 01:04:08,680
through creativity,
through theater and ballet, and.
980
01:04:12,960 --> 01:04:14,200
And also cinema.
981
01:04:14,200 --> 01:04:15,000
Thank you so much.
982
01:04:15,000 --> 01:04:18,000
Thank you.
983
01:04:26,440 --> 01:04:29,200
I just want to say congratulations
to both winners.
984
01:04:29,200 --> 01:04:32,520
You just ruined 22 million Oscar pools.
985
01:04:36,080 --> 01:04:37,240
And I know we're tight, but
986
01:04:37,240 --> 01:04:40,240
to retract a microphone on a man
987
01:04:40,360 --> 01:04:42,960
as he speaking is hilarious.
988
01:04:42,960 --> 01:04:45,960
Next up,
989
01:04:48,120 --> 01:04:50,840
next step is a really, really fine fellow.
990
01:04:50,840 --> 01:04:53,840
And Oscar winner
for best Supporting actor.
991
01:04:53,960 --> 01:04:54,520
Please welcome.
992
01:04:54,520 --> 01:04:57,520
I love this guy, Kieran Culkin,
993
01:05:05,400 --> 01:05:13,200
who I have been given the honor
994
01:05:13,200 --> 01:05:16,200
to introduce the nominees for actor
in a supporting role.
995
01:05:17,760 --> 01:05:21,000
Gentlemen, you gave us performances
we will always remember.
996
01:05:21,600 --> 01:05:25,400
And now it is my genuine
pleasure to give one of you a moment
997
01:05:25,400 --> 01:05:28,400
I hope you will never forget.
998
01:05:31,440 --> 01:05:32,640
Benicio Del Toro.
999
01:05:32,640 --> 01:05:34,720
One battle after another.
1000
01:05:34,720 --> 01:05:37,480
Whether you talk out of the vehicle back
there,
1001
01:05:37,480 --> 01:05:39,760
crash. You sure about that?
1002
01:05:39,760 --> 01:05:42,360
Yes, ma'am. You've been drinking today?
1003
01:05:42,360 --> 01:05:44,800
I've had a few. A few what?
1004
01:05:44,800 --> 01:05:46,600
Small beers.
1005
01:05:46,600 --> 01:05:48,360
Jacob Elordi, Frankenstein.
1006
01:05:51,880 --> 01:05:53,160
Sean Shaw.
1007
01:05:53,160 --> 01:05:54,920
The House
1008
01:05:54,920 --> 01:05:57,680
of Correction.
1009
01:05:57,680 --> 01:06:00,680
A symbol from the discarded dead
1010
01:06:01,840 --> 01:06:04,200
Delroy Lindo centers
1011
01:06:04,200 --> 01:06:07,000
around the amount of booze
belong to white folks.
1012
01:06:07,000 --> 01:06:08,400
Here at the blues is fine.
1013
01:06:08,400 --> 01:06:11,400
They just don't like the people
who make you
1014
01:06:11,920 --> 01:06:12,920
Sean Penn.
1015
01:06:12,920 --> 01:06:15,760
One battle after another is doesn't line
1016
01:06:15,760 --> 01:06:18,760
up the big screen.
1017
01:06:20,520 --> 01:06:22,240
But if it does line up,
1018
01:06:22,240 --> 01:06:25,200
if it's a straight line,
1019
01:06:25,200 --> 01:06:27,720
you got probably
1020
01:06:27,720 --> 01:06:30,480
Stellan Skarsgard sentimental value.
1021
01:06:30,480 --> 01:06:33,400
He should give us the best actors
of a generation.
1022
01:06:33,400 --> 01:06:34,800
The Lucky, as you see here.
1023
01:06:34,800 --> 01:06:37,800
You should be grateful.
1024
01:06:41,000 --> 01:06:43,800
And the Oscar goes to
1025
01:06:43,800 --> 01:06:44,880
Sean Penn.
1026
01:06:44,880 --> 01:06:47,880
One battle after another.
1027
01:06:53,560 --> 01:06:56,760
Sean Penn couldn't be here this evening
or didn't want to.
1028
01:06:56,800 --> 01:06:59,800
So I'll be accepting the award
on his behalf
1029
01:07:07,760 --> 01:07:10,600
and still
1030
01:07:10,600 --> 01:07:13,600
to come, the awards
for adapted and original screenplay.
1031
01:07:13,840 --> 01:07:15,400
As we celebrate more movies.
1032
01:07:15,400 --> 01:07:20,080
We love being on the Oscars from the Dolby
Theater at Ovation, Hollywood
1033
01:07:23,800 --> 01:07:38,400
and I know who you are.
1034
01:07:38,920 --> 01:07:40,440
I know what you are.
1035
01:07:40,440 --> 01:07:42,120
You know I'm not an alien.
1036
01:07:42,120 --> 01:07:45,120
Like I said afterwards,
1037
01:07:45,240 --> 01:07:49,160
I find fascinating
that people are willing to question
1038
01:07:49,160 --> 01:07:53,160
what reality is
and try and find their own truth.
1039
01:07:55,120 --> 01:07:58,120
It all starts with something
1040
01:07:58,840 --> 01:08:07,920
magnificent, like
1041
01:08:11,920 --> 01:08:13,960
we're like we're barely into this show.
1042
01:08:13,960 --> 01:08:16,240
We already have a tie, right?
1043
01:08:16,240 --> 01:08:19,040
And we have a no show in in Sean Penn.
1044
01:08:19,040 --> 01:08:20,240
This thing's a humdinger.
1045
01:08:20,240 --> 01:08:23,240
You got to stay tuned.
1046
01:08:24,960 --> 01:08:27,000
It's been widely reported
1047
01:08:27,000 --> 01:08:31,640
that some studios are now insisting
filmmakers repeat information
1048
01:08:31,840 --> 01:08:36,560
and restate the plot several times
in their movies in order to accommodate
1049
01:08:36,840 --> 01:08:38,600
the modern movie viewer
1050
01:08:38,600 --> 01:08:41,640
who's half watching because
they're distracted by their phones.
1051
01:08:42,240 --> 01:08:44,880
Some are upset about this.
1052
01:08:44,880 --> 01:08:46,680
I don't think it's a big deal.
1053
01:08:46,680 --> 01:08:50,200
Please enjoy this scene
from an updated Hollywood classic
1054
01:08:53,320 --> 01:08:55,200
Casablanca with CONAN
1055
01:08:55,200 --> 01:08:58,200
O'Brien and Sterling K Brown.
1056
01:09:02,360 --> 01:09:04,080
Of all the gin joints
1057
01:09:04,080 --> 01:09:07,400
and all the towns in all the world,
she walks into mine,
1058
01:09:07,960 --> 01:09:10,960
she being Ilsa right?
1059
01:09:12,400 --> 01:09:14,400
Yeah, That's her name.
1060
01:09:14,400 --> 01:09:14,960
Yeah.
1061
01:09:14,960 --> 01:09:19,560
That's got to be tough because she ghosted
you at that train station in Paris.
1062
01:09:21,320 --> 01:09:24,440
It definitely contributed
to my overall cynicism,
1063
01:09:24,440 --> 01:09:27,440
what with this being World War Two and all
1064
01:09:28,560 --> 01:09:31,080
World War Two.
1065
01:09:31,080 --> 01:09:34,080
That's the Hitler one, right?
1066
01:09:34,920 --> 01:09:37,920
Sure is, Sam. Oh,
1067
01:09:38,640 --> 01:09:41,760
and, Rick, to reiterate,
you're just now realizing
1068
01:09:41,760 --> 01:09:45,360
that you're still in love with Ilsa,
even though she's married.
1069
01:09:46,720 --> 01:09:48,360
That's right, Sam.
1070
01:09:48,360 --> 01:09:51,520
I'm in a love train during World War Two.
1071
01:09:52,560 --> 01:09:54,280
Crazy
1072
01:09:54,280 --> 01:09:56,200
Thank you very much, Sterling K
1073
01:09:56,200 --> 01:09:59,200
Brown, everybody.
1074
01:09:59,520 --> 01:10:01,840
And now,
1075
01:10:01,840 --> 01:10:04,680
now to present the awards
for screenwriting.
1076
01:10:04,680 --> 01:10:08,440
And to be clear, the award we're talking
about is the draft.
1077
01:10:08,480 --> 01:10:09,480
That's correct.
1078
01:10:12,400 --> 01:10:15,960
Please welcome Chris Evans and Oscar
winner
1079
01:10:16,080 --> 01:10:19,080
Robert Downey Jr.
1080
01:10:30,120 --> 01:10:33,360
Wow. The script, right?
1081
01:10:33,720 --> 01:10:35,920
It's the driving force of any film.
1082
01:10:35,920 --> 01:10:39,840
And this has truly been a banner year
for screenwriters to say that.
1083
01:10:39,920 --> 01:10:41,400
Yeah,
1084
01:10:41,400 --> 01:10:44,240
but you gave me for our anniversary.
1085
01:10:44,240 --> 01:10:45,880
Dude, hold on. I'm just. I'm doing.
1086
01:10:45,880 --> 01:10:49,440
It's the 14th year
anniversary of our first Avengers movie.
1087
01:10:49,440 --> 01:10:51,000
I got you. Yeah.
1088
01:10:51,000 --> 01:10:54,520
A signed copy of the original script
signed by the whole cast.
1089
01:10:54,520 --> 01:10:56,720
It's backstage.
Okay. I really thought this through.
1090
01:10:56,720 --> 01:10:58,160
Yeah,
1091
01:10:58,160 --> 01:11:00,000
Yeah, it's not backstage.
1092
01:11:00,000 --> 01:11:00,840
Mine's backstage.
1093
01:11:00,840 --> 01:11:02,520
You didn't get the course.
1094
01:11:02,520 --> 01:11:04,280
I did. Yes, I know you did, bro. I got.
1095
01:11:04,280 --> 01:11:05,840
I got it.
1096
01:11:05,840 --> 01:11:07,000
I got me.
1097
01:11:07,000 --> 01:11:07,680
Look.
1098
01:11:07,680 --> 01:11:10,680
Saw you.
1099
01:11:11,120 --> 01:11:14,120
This is your valet parking ticket.
1100
01:11:14,360 --> 01:11:15,280
You self drove?
1101
01:11:15,280 --> 01:11:16,680
I did. I'm a man of the people,
1102
01:11:18,320 --> 01:11:19,480
but I didn't really think that through.
1103
01:11:19,480 --> 01:11:20,400
I'm going to need it back.
1104
01:11:20,400 --> 01:11:23,400
Sorry.
1105
01:11:24,240 --> 01:11:27,240
The nominees for Best Adapted
Screenplay are
1106
01:11:30,320 --> 01:11:33,320
Begonia Screenplay by Will Tracy.
1107
01:11:33,400 --> 01:11:36,640
And I'm supposed to believe
you're a 45 year old woman,
1108
01:11:37,800 --> 01:11:39,600
human woman.
1109
01:11:39,600 --> 01:11:43,160
I mean, I follow a very strict reverse
aging diet and therapy program.
1110
01:11:45,080 --> 01:11:48,080
Frankenstein
written for the screen by Gamo del Toro.
1111
01:11:48,520 --> 01:11:51,840
If this is not to be construed
1112
01:11:51,960 --> 01:11:54,960
this my son, Wherever you are,
1113
01:11:56,240 --> 01:12:00,320
what recourse do you have to leave him?
1114
01:12:00,320 --> 01:12:03,440
The screenplay by Chloe
Zhao and Maggie Wilson.
1115
01:12:04,480 --> 01:12:05,640
I must be hand Foster to you.
1116
01:12:05,640 --> 01:12:07,160
No one else will do.
1117
01:12:07,160 --> 01:12:09,240
I will speak with your stepmother
and your brother.
1118
01:12:09,240 --> 01:12:12,240
And of course they will not agree. But
1119
01:12:13,600 --> 01:12:16,200
I don't care
because I have no talent for waiting
1120
01:12:18,520 --> 01:12:20,080
one battle after another.
1121
01:12:20,080 --> 01:12:22,440
Written by Paul Thomas Anderson.
1122
01:12:22,440 --> 01:12:23,760
How many women?
1123
01:12:23,760 --> 01:12:25,120
I don't know. A bunch.
1124
01:12:25,120 --> 01:12:28,040
Ten or 20
1125
01:12:28,040 --> 01:12:29,880
weapons.
1126
01:12:29,880 --> 01:12:32,880
I think they're vegetarian.
1127
01:12:33,440 --> 01:12:34,640
Train Dreams
1128
01:12:34,640 --> 01:12:37,440
Screenplay
by Clint Bentley and Greg Brain.
1129
01:12:37,440 --> 01:12:40,840
You worry more and more as something
terrible was following them.
1130
01:12:41,840 --> 01:12:44,840
The deaths I would find him out here
1131
01:12:44,880 --> 01:12:47,880
far away from the only place
he really wanted to be.
1132
01:12:54,600 --> 01:12:57,240
And the Oscar goes to
1133
01:12:57,240 --> 01:12:58,520
one battle after another.
1134
01:12:58,520 --> 01:13:01,520
Paul Thomas Anderson.
1135
01:13:03,320 --> 01:13:05,000
This is the first Oscar win
1136
01:13:05,000 --> 01:13:08,040
and 14th nomination for Paul Thomas fans,
1137
01:13:08,760 --> 01:13:11,440
including his nominations
this year for directing
1138
01:13:11,440 --> 01:13:14,440
Best Picture
1139
01:13:15,840 --> 01:13:30,880
and thank you.
1140
01:13:32,160 --> 01:13:34,920
Thank you very, very much.
1141
01:13:34,920 --> 01:13:37,920
I'm incredibly honored
to be part of this history.
1142
01:13:40,280 --> 01:13:41,160
This is an adaption.
1143
01:13:41,160 --> 01:13:44,720
So I owe a huge debt of of of admiration
1144
01:13:44,720 --> 01:13:47,720
and love to Thomas Pynchon
1145
01:13:48,000 --> 01:13:51,000
and he writer knows that you're
1146
01:13:51,640 --> 01:13:54,040
you either beg for forgiveness
or your special thanks
1147
01:13:54,040 --> 01:13:57,240
is really to your family
and the people that you share a roof with
1148
01:13:57,480 --> 01:14:00,480
who put up with what it means
to live with a writer.
1149
01:14:01,160 --> 01:14:01,800
To Maya.
1150
01:14:03,320 --> 01:14:05,760
Yeah.
1151
01:14:05,760 --> 01:14:08,760
Rainer, Sylvia Gu, Uncle Paul, Jojo.
1152
01:14:08,880 --> 01:14:11,720
I wrote this movie for my kids
1153
01:14:11,720 --> 01:14:14,520
to say sorry for the.
1154
01:14:14,520 --> 01:14:16,760
The housekeeping mess
that we left in this world.
1155
01:14:16,760 --> 01:14:20,480
We're handing off to them,
but also with the encouragement
1156
01:14:21,360 --> 01:14:23,760
that they will be the generation that
1157
01:14:23,760 --> 01:14:26,720
hopefully brings us
some common sense and decency.
1158
01:14:26,720 --> 01:14:30,120
My poor Lucy, Jack and Ida, I love you.
1159
01:14:30,120 --> 01:14:31,200
Thank you very much.
1160
01:14:31,200 --> 01:14:32,160
Thank you very much.
1161
01:14:32,160 --> 01:14:35,160
Thank you.
1162
01:14:52,720 --> 01:14:56,360
No doubt he is very gay.
1163
01:14:57,840 --> 01:15:02,280
Speaking of anniversaries,
it was 50 years ago that Frank Pearson won
1164
01:15:02,280 --> 01:15:06,680
for Best Original screenplay
for Dog Day after news.
1165
01:15:07,680 --> 01:15:08,720
I was just Josh.
1166
01:15:08,720 --> 01:15:11,000
Oh, of course I got you.
1167
01:15:11,000 --> 01:15:12,960
I got you.
1168
01:15:12,960 --> 01:15:14,760
The official
1169
01:15:14,760 --> 01:15:17,600
tanning Chatham thong for Magic Mike.
1170
01:15:17,600 --> 01:15:18,720
It's Sequin, right?
1171
01:15:18,720 --> 01:15:21,920
It's got like a mirror
mirror ball effect, light usage.
1172
01:15:24,600 --> 01:15:26,360
I have no words.
1173
01:15:26,360 --> 01:15:29,360
I haven't need that back, though.
1174
01:15:31,800 --> 01:15:34,280
For what?
1175
01:15:34,280 --> 01:15:36,480
I got to work later room.
1176
01:15:36,480 --> 01:15:39,320
TOTENBERG The nominees for best
1177
01:15:39,320 --> 01:15:42,320
Original Screenplay are
1178
01:15:43,520 --> 01:15:46,520
Blue Moon, written by Robert Kaplan.
1179
01:15:46,720 --> 01:15:50,080
They should put my picture on that
by the whiskey
1180
01:15:50,280 --> 01:15:53,280
that made Lawrence Hart unemployable.
1181
01:15:53,920 --> 01:15:55,520
It was just an accident.
1182
01:15:55,520 --> 01:15:58,920
Written by Jafar Panahi, script
collaborators.
1183
01:15:59,040 --> 01:16:00,120
No, dear. Sorry.
1184
01:16:00,120 --> 01:16:05,800
Bars, Shot Mirror Rothstein, Medhi Mahmoud
Young anymore wanted me around
1185
01:16:05,800 --> 01:16:10,000
dismissal notion, but apparently Scooter
will be Kenny Monaco.
1186
01:16:10,080 --> 01:16:12,600
Additional candor
are getting caught accountable.
1187
01:16:12,600 --> 01:16:14,520
She and he could have had only
a small spatula.
1188
01:16:14,520 --> 01:16:16,080
Candy
1189
01:16:16,080 --> 01:16:19,440
Marty Supreme written by Ronald Brownstein
and Josh Safdie
1190
01:16:20,640 --> 01:16:22,200
do the job.
1191
01:16:22,200 --> 01:16:24,360
No, I mean, table tennis, my job.
1192
01:16:24,360 --> 01:16:26,000
How do you live where I live?
1193
01:16:26,000 --> 01:16:27,600
With the confidence of
I believe in myself.
1194
01:16:27,600 --> 01:16:28,320
The money will follow.
1195
01:16:28,320 --> 01:16:30,840
Ultimately,
my struggle isn't even about money.
1196
01:16:30,840 --> 01:16:32,880
How do you pay rent? I don't.
1197
01:16:34,200 --> 01:16:34,760
Sentimental
1198
01:16:34,760 --> 01:16:38,000
value written by skill, food
and joking truth.
1199
01:16:38,200 --> 01:16:39,240
And here goes.
1200
01:16:39,240 --> 01:16:41,480
Tonight was done.
1201
01:16:41,480 --> 01:16:43,520
It was a buffet. Yeah.
1202
01:16:43,520 --> 01:16:46,520
Thank you for Barnaba
1203
01:16:46,640 --> 01:16:49,640
Sinners written by Ryan Cooper.
1204
01:16:50,320 --> 01:16:52,800
You guys were in the studio
1205
01:16:52,800 --> 01:16:54,520
and think Would you sit up tonight?
1206
01:16:54,520 --> 01:16:55,400
Open up next week?
1207
01:16:55,400 --> 01:16:57,840
You know that it's got to be tonight.
1208
01:16:57,840 --> 01:16:59,760
Grand opening started with a bang.
1209
01:16:59,760 --> 01:17:02,520
Well, we start with a misfire.
1210
01:17:02,520 --> 01:17:04,960
Alaska.
1211
01:17:04,960 --> 01:17:07,960
That's a modified way to be free. Any
1212
01:17:13,720 --> 01:17:16,720
and the Oscar goes to
1213
01:17:17,360 --> 01:17:17,840
sinners.
1214
01:17:17,840 --> 01:17:20,840
Ryan Coogler.
1215
01:17:22,320 --> 01:17:25,560
Ryan Coogler
is three nominations this year
1216
01:17:25,560 --> 01:17:28,760
and this is his first Oscar win
with five nominations
1217
01:17:28,760 --> 01:17:31,760
overall.
1218
01:17:48,280 --> 01:17:51,280
I was struck
1219
01:17:51,720 --> 01:17:54,400
to see
1220
01:17:54,400 --> 01:17:56,760
three, three, three.
1221
01:17:56,760 --> 01:17:59,040
Hey, I
1222
01:17:59,040 --> 01:18:01,800
please, please, please sit out
because because I'm very nervous
1223
01:18:01,800 --> 01:18:02,640
and I got to play me off.
1224
01:18:03,800 --> 01:18:05,880
I'm from I grew up in Oakland,
Richmond, California.
1225
01:18:05,880 --> 01:18:06,960
We can talk a lot.
1226
01:18:06,960 --> 01:18:10,600
So so I'm I want to thank the Academy
1227
01:18:10,600 --> 01:18:13,240
for thinking of our movie
that came out almost a year ago.
1228
01:18:13,240 --> 01:18:14,280
It is an incredible honor.
1229
01:18:14,280 --> 01:18:16,920
I want to thank my fellow nominees,
you guys.
1230
01:18:16,920 --> 01:18:18,400
I want to thank you all for the gifts
that your movie
1231
01:18:18,400 --> 01:18:20,240
is wearing for your friendship
over the past years.
1232
01:18:20,240 --> 01:18:21,520
And once
1233
01:18:21,520 --> 01:18:23,400
I want to thank everybody
that was involved with this movie,
1234
01:18:23,400 --> 01:18:26,400
starting with Warner Brothers,
my companion here, David here somewhere,
1235
01:18:26,400 --> 01:18:28,840
everybody on my cast and crew,
please stand up.
1236
01:18:28,840 --> 01:18:31,840
You guys are amazing.
You guys are amazing.
1237
01:18:32,080 --> 01:18:33,360
You guys, guys.
1238
01:18:33,360 --> 01:18:34,320
Oh, my God.
1239
01:18:34,320 --> 01:18:36,520
You guys, you guys,
1240
01:18:36,520 --> 01:18:38,080
you all, you all that.
1241
01:18:38,080 --> 01:18:40,840
You all are winners in my book.
Y'all are winners in my book.
1242
01:18:40,840 --> 01:18:43,680
So what several high end is, is equal
guys are the best movies in the world.
1243
01:18:43,680 --> 01:18:45,520
Zazie the best wife and mom in the world.
1244
01:18:45,520 --> 01:18:48,520
Every day I look at this movie, which was
better than, the one that came before it.
1245
01:18:49,040 --> 01:18:50,760
It's my parents who are here.
1246
01:18:50,760 --> 01:18:51,720
Thank you all for all your memories.
1247
01:18:51,720 --> 01:18:53,360
Thank you all
for making me believe in myself
1248
01:18:53,360 --> 01:18:55,280
and to my babies
that are all home watching.
1249
01:18:55,280 --> 01:18:57,800
I apologize for all the time away
that loves you.
1250
01:18:57,800 --> 01:19:00,120
Memories, all we have.
I hope I gave you some great ones.
1251
01:19:00,120 --> 01:19:02,280
And when you are blessed
to live a long life
1252
01:19:02,280 --> 01:19:04,760
and that becomes just a memory,
I want you all. I remember this one thing.
1253
01:19:04,760 --> 01:19:06,240
I love you
all more than anything. Thank you.
1254
01:19:17,680 --> 01:19:18,200
Still to
1255
01:19:18,200 --> 01:19:21,280
come, more stars, more envelopes,
more excitement.
1256
01:19:21,280 --> 01:19:26,400
Then later, a celebrity version of the
global sensation K-Pop demon Hunters.
1257
01:19:26,600 --> 01:19:29,600
Here on the Oscars
1258
01:19:45,640 --> 01:19:47,200
every year.
1259
01:19:47,200 --> 01:19:48,840
Thank you.
1260
01:19:48,840 --> 01:19:53,240
Every year we acknowledge
the loss of great artists in our industry.
1261
01:19:53,480 --> 01:19:56,520
And sadly, tonight,
we are faced with the passing
1262
01:19:56,520 --> 01:19:59,520
of some extraordinary giants and film.
1263
01:19:59,760 --> 01:20:04,160
Here to speak about a good friend
and amazing talent is Mr.
1264
01:20:04,160 --> 01:20:07,160
Billy Crystal.
1265
01:20:19,200 --> 01:20:20,840
Thank you so much.
1266
01:20:20,840 --> 01:20:25,840
I first met Rob Reiner in 1975
when I was cast as his best friend
1267
01:20:25,840 --> 01:20:29,520
in an episode of All in the Family
and it went so well, Rob said.
1268
01:20:29,520 --> 01:20:31,160
You know,
it was fun playing your best friend.
1269
01:20:31,160 --> 01:20:33,120
Why don't we keep it going?
1270
01:20:33,120 --> 01:20:35,520
And it was a thrill to see him
evolve from a great comic
1271
01:20:35,520 --> 01:20:38,520
actor to a master storyteller.
1272
01:20:38,800 --> 01:20:41,280
His first film is This is Spinal Tap.
1273
01:20:42,360 --> 01:20:46,240
Yes, you could stop right there.
1274
01:20:47,160 --> 01:20:51,360
The hilarious and brilliant mockumentary
with a comedy was turned up to 11.
1275
01:20:52,320 --> 01:20:55,440
Then John Cusack and Daphne Zuniga
and the Pursuit of Love.
1276
01:20:55,440 --> 01:20:58,440
And the sure thing.
1277
01:20:58,440 --> 01:21:00,960
And then he beautifully portrays
1278
01:21:00,960 --> 01:21:04,040
the pain of boys about to become men
and stand by me.
1279
01:21:07,920 --> 01:21:11,520
Next, the inconceivable tale of true
1280
01:21:11,520 --> 01:21:14,520
love and rodents of unusual size,
1281
01:21:14,640 --> 01:21:17,880
revenge, a gentle giant sword fights
1282
01:21:18,120 --> 01:21:21,120
and an old miracle man
and his wife in The Princess Bride.
1283
01:21:21,480 --> 01:21:24,480
Then with an Oscar
nominated Nora Ephron script.
1284
01:21:24,880 --> 01:21:27,880
Bruno Kirby, Carrie Fisher, Meg Ryan,
1285
01:21:28,320 --> 01:21:31,320
and myself.
1286
01:21:31,640 --> 01:21:33,160
Then it was New York in the fall.
1287
01:21:33,160 --> 01:21:34,240
Katz's Deli.
1288
01:21:34,240 --> 01:21:38,320
I'll have what she's having Baby
fish, mouth pecan pie.
1289
01:21:39,200 --> 01:21:42,360
And Harry telling Sally when, You realize
you want to spend the rest of your life
1290
01:21:42,360 --> 01:21:42,880
with somebody.
1291
01:21:42,880 --> 01:21:45,880
You want the rest of your life
to start as soon as possible.
1292
01:21:46,000 --> 01:21:49,440
Audiences then lined up to see his funny,
charming films.
1293
01:21:49,680 --> 01:21:51,800
So he gave them misery,
1294
01:21:54,120 --> 01:21:55,200
a psychodrama
1295
01:21:55,200 --> 01:21:58,680
and an Oscar for Kathy Bates
playing the psycho in that drama.
1296
01:21:59,160 --> 01:22:04,160
Aaron Sorkin's courtroom thriller
A Best Picture nominee with Moore,
1297
01:22:04,160 --> 01:22:08,400
Kevin Pollak and a few good men named Tom
Cruise and Jack Nicholson,
1298
01:22:08,920 --> 01:22:11,920
who warned us, You can't handle the truth,
1299
01:22:11,960 --> 01:22:14,960
which is simply what we want today.
1300
01:22:15,000 --> 01:22:17,760
Then into the Oval Office,
an American president wrestling
1301
01:22:17,760 --> 01:22:20,760
with a new love and his own morality.
1302
01:22:21,840 --> 01:22:25,120
My friends, Rob's movies
will last for lifetimes
1303
01:22:25,440 --> 01:22:31,520
because they were about what makes us
laugh and cry and what we aspire to be.
1304
01:22:32,240 --> 01:22:35,240
Far in his eyes, far kinder,
1305
01:22:35,240 --> 01:22:38,240
far funnier and far more human.
1306
01:22:38,440 --> 01:22:41,840
And when Michelle Singer entered his life,
they were unstoppable.
1307
01:22:42,360 --> 01:22:45,360
A gifted photographer,
she not only produced films with Rob,
1308
01:22:45,600 --> 01:22:48,600
but it was her energy
that had them working tirelessly
1309
01:22:48,760 --> 01:22:51,960
to fight social injustice in the country
that they both loved.
1310
01:22:52,920 --> 01:22:54,040
Now, Robin, Michelle,
1311
01:22:56,360 --> 01:22:57,080
Robin, Michelle
1312
01:22:57,080 --> 01:23:00,080
Reiner became the driving force
in the landmark decision
1313
01:23:00,080 --> 01:23:03,080
for marriage equality
across the United States,
1314
01:23:11,280 --> 01:23:13,840
and their loss is immeasurable.
1315
01:23:13,840 --> 01:23:15,800
And to the millions
who have enjoyed his films
1316
01:23:15,800 --> 01:23:19,240
all these years, I want you to know here
and around the world
1317
01:23:19,240 --> 01:23:22,520
how many times Rob told me
that it meant everything to him,
1318
01:23:22,800 --> 01:23:26,880
that his work meant something to you
and for us,
1319
01:23:27,480 --> 01:23:32,040
who had the privilege of working with
and knowing him and loving him.
1320
01:23:32,720 --> 01:23:35,720
All we can say is, Buddy,
1321
01:23:35,880 --> 01:23:38,880
what fun we had storming the castle
1322
01:24:08,080 --> 01:24:43,880
and I haven't been able
1323
01:24:43,880 --> 01:24:46,880
to stop thinking about you
since I first met you.
1324
01:25:12,880 --> 01:25:15,880
I hope you'll come back someday.
1325
01:25:57,760 --> 01:25:59,040
Man type things.
1326
01:25:59,040 --> 01:26:00,720
Women tapping.
1327
01:26:00,720 --> 01:26:03,000
What is the creative force
behind the universe?
1328
01:26:03,000 --> 01:26:04,680
Care about such foolishness?
1329
01:26:07,320 --> 01:26:08,400
This past year,
1330
01:26:08,400 --> 01:26:11,440
we lost so many artists,
including actresses
1331
01:26:11,440 --> 01:26:14,880
whose talent and originality
widened the world for all of us.
1332
01:26:15,360 --> 01:26:18,600
Women like Claudia Cardinale,
whose six decade career
1333
01:26:18,600 --> 01:26:21,600
helped bring European cinema to America.
1334
01:26:21,640 --> 01:26:24,160
Three time Oscar nominee Diane Ladd,
1335
01:26:24,160 --> 01:26:27,320
who brought fierce humanity
and wit to every role.
1336
01:26:28,080 --> 01:26:30,720
Comedic genius and scene stealer.
1337
01:26:30,720 --> 01:26:33,720
Our mighty winds,
1338
01:26:37,080 --> 01:26:40,160
and my fellow Canadian, Catherine O'Hara.
1339
01:26:40,880 --> 01:26:43,880
She made us laugh until we cried.
1340
01:26:44,280 --> 01:26:47,280
And the icon Diane Keaton,
1341
01:26:52,560 --> 01:26:55,560
Annie Hall, the Godfather, Reds.
1342
01:26:56,160 --> 01:26:58,680
And that's just her first decade
1343
01:26:58,680 --> 01:27:02,840
for over 50 years,
luminous on screen and indelible in life.
1344
01:27:03,480 --> 01:27:06,960
Believe me when I say
there isn't an actress of my generation
1345
01:27:07,240 --> 01:27:11,640
who was not inspired by and enthralled
with her absolute singularity.
1346
01:27:12,680 --> 01:27:15,480
She wore so many hats,
1347
01:27:15,480 --> 01:27:17,280
literally
1348
01:27:17,280 --> 01:27:19,240
and figuratively.
1349
01:27:19,240 --> 01:27:22,400
Actress, artist, author, activist.
1350
01:27:23,280 --> 01:27:27,680
But no hat more important to her
than being a mother to her two children.
1351
01:27:29,120 --> 01:27:32,120
She meant so much to so many of us.
1352
01:27:32,520 --> 01:27:36,240
I remember she used to sing this old Girl
Scout song on set,
1353
01:27:36,680 --> 01:27:39,680
which is just so her
1354
01:27:39,760 --> 01:27:43,560
make new friends,
but keep the old one in silver
1355
01:27:43,760 --> 01:27:46,920
and the other is called A circle is round.
1356
01:27:47,320 --> 01:27:49,200
It has no end.
1357
01:27:49,200 --> 01:27:52,200
That's how long I'll be your friend.
1358
01:27:52,920 --> 01:27:55,920
And so to our friend Diane Keaton,
1359
01:27:56,040 --> 01:27:59,040
celebrating a life in silver and gold,
1360
01:28:01,040 --> 01:28:04,040
a legend with no end
1361
01:28:14,360 --> 01:28:16,200
attached,
1362
01:28:16,200 --> 01:28:18,560
The audience was there waiting for it.
1363
01:28:18,560 --> 01:28:22,120
And you get caught up
in a heat of the moment and you just,
1364
01:28:22,280 --> 01:28:25,440
you know, you want to give them anything
they want and,
1365
01:29:05,640 --> 01:29:24,960
oh, you think
1366
01:29:24,960 --> 01:29:27,960
if a man sincerely depends
on what they've done wrong,
1367
01:29:28,600 --> 01:29:31,640
they might get to go back to the time
that was happiest for him.
1368
01:29:36,120 --> 01:29:38,400
It's just that,
1369
01:29:38,400 --> 01:29:41,240
again, often
1370
01:29:41,240 --> 01:29:45,040
and sometimes things may
or may not be true,
1371
01:29:45,840 --> 01:29:48,840
but the things I've managed
to believe in the most.
1372
01:29:49,080 --> 01:29:52,080
But people are basically good.
1373
01:29:53,280 --> 01:29:55,040
Honor,
1374
01:29:55,040 --> 01:29:58,040
courage and virtue in everything.
1375
01:29:59,240 --> 01:30:00,400
But I just think of myself
1376
01:30:00,400 --> 01:30:03,400
thinking, you know,
what would you even problem?
1377
01:30:03,400 --> 01:30:05,920
The answer is yes,
that I know exactly where
1378
01:30:05,920 --> 01:30:08,920
I'm supposed to be.
1379
01:30:29,480 --> 01:30:30,400
After I wrote
1380
01:30:30,400 --> 01:30:33,400
the first script of the way where
1381
01:30:34,720 --> 01:30:37,720
I could only imagine one man
1382
01:30:38,600 --> 01:30:41,040
in the role of Hubble.
1383
01:30:41,040 --> 01:30:44,040
And that was Robert Redford.
1384
01:30:44,360 --> 01:30:47,360
But he turned it down
because he said character
1385
01:30:48,080 --> 01:30:50,520
had no backbone.
1386
01:30:50,520 --> 01:30:52,880
He doesn't stand for anything.
1387
01:30:52,880 --> 01:30:55,120
And he was right.
1388
01:30:55,120 --> 01:30:57,840
So many drafts later,
1389
01:30:57,840 --> 01:31:00,840
Bob finally agreed to do it.
1390
01:31:01,720 --> 01:31:05,280
He was a brilliant, subtle actor,
1391
01:31:06,360 --> 01:31:09,000
and we had a wonderful time
playing off each other
1392
01:31:09,000 --> 01:31:13,920
because we never quite knew what the other
one was going to do and see.
1393
01:31:15,600 --> 01:31:18,600
And I'm thrilled that the way we were
is now
1394
01:31:19,560 --> 01:31:22,880
considered a classic love story.
1395
01:31:23,760 --> 01:31:27,080
But it's also about a dark time
in our history.
1396
01:31:28,000 --> 01:31:30,960
The late forties and early fifties
1397
01:31:30,960 --> 01:31:33,960
when people were informing on each other
1398
01:31:34,800 --> 01:31:37,800
and subject to loyalty oaths.
1399
01:31:38,800 --> 01:31:42,480
Now Bob had real backbone
1400
01:31:43,680 --> 01:31:45,920
on off the screen.
1401
01:31:45,920 --> 01:31:48,560
He spoke up to defend
1402
01:31:48,560 --> 01:31:51,960
freedom of the press,
protect the environment,
1403
01:31:52,320 --> 01:31:56,720
and encouraged new voices
at his Sundance Institute,
1404
01:31:57,280 --> 01:32:00,280
and some of whom
1405
01:32:02,400 --> 01:32:03,320
some of whom
1406
01:32:03,320 --> 01:32:06,320
are up for Oscars tonight,
which is so great.
1407
01:32:07,360 --> 01:32:09,520
He was
1408
01:32:09,520 --> 01:32:10,640
he was thoughtful.
1409
01:32:10,640 --> 01:32:13,640
And bold.
1410
01:32:14,200 --> 01:32:17,200
I call him the intellectual cowboy
1411
01:32:17,640 --> 01:32:20,400
who blazed his own trail
1412
01:32:20,400 --> 01:32:23,400
and won the Academy Award
for best director.
1413
01:32:24,200 --> 01:32:27,200
And I miss him now more than ever.
1414
01:32:28,040 --> 01:32:30,560
Even though he loved teasing me,
1415
01:32:31,680 --> 01:32:33,120
he called me.
1416
01:32:33,120 --> 01:32:35,200
He called me Babs.
1417
01:32:35,200 --> 01:32:39,440
And I said, Bob, you know,
do I look like a bad brother?
1418
01:32:39,440 --> 01:32:41,680
Babs? You know?
1419
01:32:41,680 --> 01:32:45,600
But the way he said it made me laugh.
1420
01:32:46,920 --> 01:32:49,920
And many years later, we were
1421
01:32:50,120 --> 01:32:55,000
we were chatting on the phone
about the usual politics
1422
01:32:55,440 --> 01:32:58,440
or modern Johnny, our favorite.
1423
01:32:59,680 --> 01:33:02,680
And as we were hanging up, he said, Babs,
1424
01:33:04,440 --> 01:33:07,440
I love you dearly
1425
01:33:07,560 --> 01:33:10,560
and I always will.
1426
01:33:10,560 --> 01:33:13,720
And in the last note I ever wrote to Bob,
1427
01:33:15,000 --> 01:33:18,200
I ended it with, I love you, too.
1428
01:33:19,560 --> 01:33:22,560
And I signed it.
1429
01:33:22,800 --> 01:33:25,800
Babs.
1430
01:33:36,360 --> 01:33:41,360
So it's laughter.
1431
01:33:43,320 --> 01:33:48,000
The laughter will remember.
1432
01:33:50,160 --> 01:33:55,720
Oh, my. Oh,
1433
01:33:57,920 --> 01:34:00,920
the way we would.
1434
01:34:03,720 --> 01:34:05,760
Oh, yes.
1435
01:34:05,760 --> 01:34:08,840
Who would we.
1436
01:34:10,440 --> 01:34:21,280
Oh! Ooh, Oh,
1437
01:34:32,760 --> 01:34:35,880
thank you so much. Be.
1438
01:34:44,840 --> 01:34:47,840
Forgive me, my son.
1439
01:34:49,800 --> 01:34:52,200
My maker
1440
01:34:52,200 --> 01:34:53,520
told his tale.
1441
01:34:55,160 --> 01:34:58,680
And will tend to mine
1442
01:35:00,120 --> 01:35:02,400
the. The backbone of it all is the idea
1443
01:35:02,400 --> 01:35:05,400
of loving a character that is imperfect.
1444
01:35:05,720 --> 01:35:09,360
And for giving those imperfections,
I can die.
1445
01:35:09,920 --> 01:35:11,200
And I cannot.
1446
01:35:11,200 --> 01:35:14,200
If I love.
1447
01:35:23,120 --> 01:35:24,760
Welcome back.
1448
01:35:24,760 --> 01:35:27,360
Of course, we here at
the Oscars are always trying
1449
01:35:27,360 --> 01:35:30,360
to figure out ways
to reach a younger demographic.
1450
01:35:30,720 --> 01:35:34,040
And I've been assured
this next segment will do just that.
1451
01:35:35,760 --> 01:35:38,680
When your host matching the Oscars
and genuinely
1452
01:35:38,680 --> 01:35:41,760
trying to rise up the younger demographic
by going brain run mode.
1453
01:35:42,040 --> 01:35:44,760
And even though you're uncoated,
it is a bunch of fame filled.
1454
01:35:44,760 --> 01:35:48,960
And because you're still
is to your level or a farming six seven.
1455
01:35:51,000 --> 01:35:52,280
Well,
1456
01:35:52,280 --> 01:35:55,200
that's the message
that the young people will definitely see.
1457
01:35:55,200 --> 01:35:58,200
Watching broadcast television,
1458
01:36:02,800 --> 01:36:07,720
she's appeared in 74 movies
and he appeared in 74 movies last year.
1459
01:36:08,040 --> 01:36:11,720
Please welcome Oscar
nominee Sigourney Weaver and Pedro Pascal
1460
01:36:17,640 --> 01:36:27,240
and the
1461
01:36:30,760 --> 01:36:32,840
production designers possess
1462
01:36:32,840 --> 01:36:37,720
a special kind of movie, Magic
that happens long before the cameras roll.
1463
01:36:38,320 --> 01:36:42,280
It begins with a sketch,
a texture, a doorway,
1464
01:36:42,720 --> 01:36:46,560
and suddenly an entire world
exists Cities,
1465
01:36:47,000 --> 01:36:50,280
palaces, entire galaxies,
1466
01:36:50,280 --> 01:36:54,080
sometimes even alien worlds,
so that our characters live in.
1467
01:36:56,200 --> 01:36:59,200
You've had some experience with those?
1468
01:36:59,280 --> 01:37:00,960
A little.
1469
01:37:00,960 --> 01:37:03,960
The good, the bad.
1470
01:37:04,080 --> 01:37:07,080
And The downright adorable.
1471
01:37:12,840 --> 01:37:15,840
Get away from him, you bitch.
1472
01:37:19,080 --> 01:37:21,480
Wow. Good character recall.
1473
01:37:21,480 --> 01:37:24,400
I peed myself a little.
1474
01:37:24,400 --> 01:37:27,400
It's my soft maternal instinct.
1475
01:37:29,240 --> 01:37:29,680
I'm sorry.
1476
01:37:29,680 --> 01:37:32,680
Kate. Kate.
1477
01:37:33,120 --> 01:37:36,120
I stand by it.
1478
01:37:37,200 --> 01:37:38,800
And now
1479
01:37:38,800 --> 01:37:42,280
the artists and world builders
who are nominated tonight
1480
01:37:42,520 --> 01:37:45,520
for achievement in production design are
1481
01:37:54,920 --> 01:37:58,040
Frankenstein Production Design
by Tamara Devereux.
1482
01:37:58,280 --> 01:38:01,200
Set decoration by Shane Vere,
1483
01:38:01,200 --> 01:38:04,440
Pam Hamnett Production Design
by Fiona Crombie.
1484
01:38:04,640 --> 01:38:07,600
Set Decoration by Alice Felton.
1485
01:38:07,600 --> 01:38:09,720
Marty Supreme Production Design
1486
01:38:09,720 --> 01:38:13,280
by Jackson's set by Adam Willis.
1487
01:38:14,200 --> 01:38:18,200
One Battle after Another Production Design
by Florencia Martin.
1488
01:38:18,360 --> 01:38:22,800
Set Decoration by Anthony Carlino Sinner's
Production
1489
01:38:22,800 --> 01:38:27,000
Design by Hanafi Blue
Set Decoration by Monique Champagne.
1490
01:38:31,560 --> 01:38:34,560
And the Oscar goes to
1491
01:38:35,840 --> 01:38:37,440
Tamara Devereaux
1492
01:38:37,440 --> 01:38:40,440
and Shane Bell for Frankenstein.
1493
01:38:42,800 --> 01:38:45,680
This is the first Oscar win
and second nomination
1494
01:38:45,680 --> 01:38:50,280
for Tamara deserves
a second Oscar win and fourth nomination.
1495
01:38:50,520 --> 01:38:53,520
Pushing the
1496
01:39:15,920 --> 01:39:18,520
Who Thank you to the Academy
1497
01:39:18,520 --> 01:39:22,080
and to all the other nominees
for your inspired work. Wow.
1498
01:39:22,960 --> 01:39:24,840
Guillermo, where are you?
1499
01:39:24,840 --> 01:39:27,840
Thank you for your humanity
and your artistry.
1500
01:39:28,080 --> 01:39:30,360
You are truly a master storyteller.
1501
01:39:30,360 --> 01:39:34,680
It was an honor for us to help steer
your fantastic operatic ship,
1502
01:39:35,760 --> 01:39:39,440
huge two Miles Dale to Scott Stewart
and the entire Netflix team
1503
01:39:39,440 --> 01:39:42,440
for supporting
and uplifting this creative journey.
1504
01:39:42,920 --> 01:39:45,920
We share this with an amazing crew
in Toronto, in the UK, U.K.,
1505
01:39:46,360 --> 01:39:50,040
our scenic paint and construction,
the Mod Squad.
1506
01:39:50,280 --> 01:39:52,760
So many talented hands.
1507
01:39:52,760 --> 01:39:56,280
A shout out to Guy
Davis, our concept artist, and our superb
1508
01:39:57,080 --> 01:39:59,400
art director,
Brant Gordon, who are here tonight.
1509
01:39:59,400 --> 01:40:02,520
First of all, thanks to our families
and friends, to our moms and dads,
1510
01:40:02,880 --> 01:40:06,240
to my husband, Kenny, our kids, Rachel
and David for their love and support.
1511
01:40:06,480 --> 01:40:09,240
And finally,
thank you, Mary Shelley, for the story.
1512
01:40:29,840 --> 01:40:31,640
It's time to pay tribute to
1513
01:40:31,640 --> 01:40:36,240
those who pushed the boundaries of what
we ever thought possible in cinema.
1514
01:40:36,440 --> 01:40:39,840
The artists who blend the virtual
with the real
1515
01:40:40,080 --> 01:40:44,640
to create cinematic effects
that inspire all wonder and excitement.
1516
01:40:46,200 --> 01:40:48,960
Here are this year's nominees
for Achievement
1517
01:40:48,960 --> 01:40:51,960
in visual effects.
1518
01:40:53,760 --> 01:40:56,520
Avatar, Fire and Ash, Julia Terry,
1519
01:40:56,520 --> 01:40:59,520
Richard Beynon, Eric Saindon
and Daniel Barratt,
1520
01:41:00,840 --> 01:41:03,000
F1, Brian Todd Hope,
1521
01:41:03,000 --> 01:41:06,560
Nicholas Chevalier,
Robert Harrington and Keith Dawson.
1522
01:41:07,160 --> 01:41:09,960
Jurassic World Rebirth. David Vicary.
1523
01:41:09,960 --> 01:41:11,000
Steven Aplin.
1524
01:41:11,000 --> 01:41:14,000
Charmaine Chan and Neil Corvo.
1525
01:41:14,240 --> 01:41:16,680
The Lost Bus, Charlie Noble,
1526
01:41:16,680 --> 01:41:20,280
David's already Russell Bowen and Brandon
MacLaughlin
1527
01:41:21,000 --> 01:41:24,000
sinners, Russell Aspinall,
1528
01:41:24,320 --> 01:41:27,320
Cato Walton and Donald Dean
1529
01:41:30,480 --> 01:41:31,680
And the winner.
1530
01:41:31,680 --> 01:41:34,680
And the Oscar goes to
1531
01:41:36,760 --> 01:41:39,760
Avatar Fire.
1532
01:41:43,200 --> 01:41:45,960
This is the sixth Oscar
win in 12 nominations,
1533
01:41:45,960 --> 01:41:49,960
which led to a third win
and third nomination for Richard being
1534
01:41:50,480 --> 01:41:53,880
the second winner and fourth time
nominee Alexandre.
1535
01:41:54,360 --> 01:41:56,520
Five time nominee Daniel Patrick.
1536
01:42:21,480 --> 01:42:21,920
First and
1537
01:42:21,920 --> 01:42:24,920
foremost,
I think thank you to our families.
1538
01:42:25,400 --> 01:42:30,240
Honestly,
the love support our wives, our partners.
1539
01:42:30,480 --> 01:42:32,400
It's like there's 2200 artists.
1540
01:42:32,400 --> 01:42:35,440
This is a massive,
massive collaboration on the VFX side.
1541
01:42:35,760 --> 01:42:38,760
We also overlap with everybody
on the on the movie.
1542
01:42:38,960 --> 01:42:43,800
So to all our families, it's like,
this is everything.
1543
01:42:44,240 --> 01:42:46,800
Again, truly truly everything.
1544
01:42:46,800 --> 01:42:49,800
Jim Cameron Gaugamela Maha got the,
1545
01:42:50,440 --> 01:42:53,280
you know, he literally informs
every frame of the movie
1546
01:42:53,280 --> 01:42:56,840
and I think has a big part of the effects
to race and Cheney.
1547
01:42:57,320 --> 01:43:00,320
Everyone effects industrial light magic.
1548
01:43:00,600 --> 01:43:01,520
Thank you.
1549
01:43:01,520 --> 01:43:04,680
And to the one
we're missing up here tonight, Jon Landau.
1550
01:43:05,080 --> 01:43:06,840
We miss you.
1551
01:43:06,840 --> 01:43:09,360
You're still the heart
and soul of this movie.
1552
01:43:09,360 --> 01:43:11,880
Thank you. Thank you.
1553
01:43:11,880 --> 01:43:14,880
Our cast.
1554
01:43:27,360 --> 01:43:28,080
I'm sorry.
1555
01:43:28,080 --> 01:43:31,080
I was just backstage
and I noticed something.
1556
01:43:31,240 --> 01:43:34,120
They cut to grow goo in the audience,
1557
01:43:34,120 --> 01:43:36,880
and I realized grow goo can't clap or
1558
01:43:38,400 --> 01:43:40,040
try to clap for you. Try.
1559
01:43:40,040 --> 01:43:41,080
Try to clap.
1560
01:43:41,080 --> 01:43:44,080
No, no. What a cruel thing to do.
1561
01:43:44,080 --> 01:43:47,080
To bring a creature
who can't clap to an award show.
1562
01:43:47,160 --> 01:43:49,440
Is there no bottom to these people?
1563
01:43:49,440 --> 01:43:52,120
We'll be right back with more Oscars
clad crow who?
1564
01:43:52,120 --> 01:43:56,040
Quack, quack, quack, quack.
1565
01:44:08,400 --> 01:44:11,400
His world is intricately stitched
together.
1566
01:44:13,560 --> 01:44:14,680
Every thread we pull,
1567
01:44:14,680 --> 01:44:17,680
we know
not how it affects the design of things.
1568
01:44:18,720 --> 01:44:21,720
This story really explores
how we navigate love
1569
01:44:23,480 --> 01:44:26,480
and loss
1570
01:44:26,720 --> 01:44:29,640
as the world transforms around us.
1571
01:44:29,640 --> 01:44:31,880
Beautiful in it.
1572
01:44:31,880 --> 01:44:34,880
What is it?
1573
01:44:37,080 --> 01:44:40,080
Evan,
1574
01:44:43,320 --> 01:44:46,600
Please welcome Jimmy Kimmel and
1575
01:44:58,840 --> 01:44:59,600
Jimmy Kimmel,
1576
01:44:59,600 --> 01:45:02,680
and welcome to the 98th Annual Academy
1577
01:45:02,680 --> 01:45:05,680
Awards.
1578
01:45:06,080 --> 01:45:08,040
Wait, am I not hosting the show?
1579
01:45:08,040 --> 01:45:10,440
Oh, well, this is embarrass.
1580
01:45:10,440 --> 01:45:12,880
Actually,
CONAN went outside to get some air.
1581
01:45:12,880 --> 01:45:17,400
I inadvertently exposed his face to the
sun and was incinerated. So
1582
01:45:18,720 --> 01:45:21,120
I will
be finishing out the rest of the program.
1583
01:45:21,120 --> 01:45:24,440
I am here to present the Oscars
for documentary films,
1584
01:45:24,920 --> 01:45:27,920
and we hear a lot about
1585
01:45:30,840 --> 01:45:33,840
we hear a great deal.
1586
01:45:39,800 --> 01:45:41,440
They're going to cut down on your tickets
1587
01:45:41,440 --> 01:45:44,440
for next year.
1588
01:45:44,440 --> 01:45:46,800
We hear a lot about courage
at shows like this,
1589
01:45:46,800 --> 01:45:51,560
but telling a story that could get
you killed for telling it is real courage.
1590
01:45:51,880 --> 01:45:55,800
As you know, there are some countries
whose leaders don't support free speech.
1591
01:45:56,560 --> 01:45:59,560
I'm not at liberty to say where.
1592
01:45:59,880 --> 01:46:02,880
Let's just leave it at North Korea
and CBS.
1593
01:46:03,160 --> 01:46:06,160
Fortunately Fortunately,
1594
01:46:10,880 --> 01:46:14,800
fortunately for all of us, there is
an international community of filmmakers
1595
01:46:14,800 --> 01:46:19,360
dedicated to telling the truth, oftentimes
at great risk to make films.
1596
01:46:19,520 --> 01:46:23,440
Teach us that call out injustice,
then inspire us to take action.
1597
01:46:23,960 --> 01:46:27,480
And there are also documentaries
where you walk around the White House
1598
01:46:27,480 --> 01:46:29,080
trying on shoes.
1599
01:46:29,080 --> 01:46:32,920
Here are the nominees
for documentary short film,
1600
01:46:37,800 --> 01:46:38,280
All the
1601
01:46:38,280 --> 01:46:41,280
Empty Rooms, Joshua Seftel and Connell
Jones.
1602
01:46:42,160 --> 01:46:43,560
Armed only with a camera.
1603
01:46:43,560 --> 01:46:47,960
The Life and Death of Brett Renaud, Craig
Renaud and Juan Arredondo.
1604
01:46:48,240 --> 01:46:50,800
Children No more were and are gone.
1605
01:46:50,800 --> 01:46:53,800
De La Maddalena and Sheila Nevins.
1606
01:46:54,400 --> 01:46:55,680
The devil is busy.
1607
01:46:55,680 --> 01:46:58,680
Krystal and Hampton and Geeta
are going to be
1608
01:46:59,520 --> 01:47:01,000
perfectly a strangeness.
1609
01:47:01,000 --> 01:47:04,000
Alison McAlpin
1610
01:47:07,800 --> 01:47:09,000
All right.
1611
01:47:09,000 --> 01:47:11,520
And the Oscar for documentary short
1612
01:47:11,520 --> 01:47:14,600
film goes to all the empty Rooms
1613
01:47:16,200 --> 01:47:19,200
and Joan,
1614
01:47:19,600 --> 01:47:20,800
this is the first Oscar
1615
01:47:20,800 --> 01:47:23,840
win and second nomination
for Joshua Seftel
1616
01:47:24,000 --> 01:47:27,000
and Colonel Jones.
1617
01:47:44,320 --> 01:47:44,720
Thank you.
1618
01:47:44,720 --> 01:47:46,600
To the Academy,
1619
01:47:46,600 --> 01:47:49,600
to the amazing Steve Hartman,
1620
01:47:52,320 --> 01:47:52,800
to you
1621
01:47:52,800 --> 01:47:55,800
both, to Netflix, Ted, Adam and Chloe,
1622
01:47:56,600 --> 01:47:59,600
and to our incredibly compassionate
filmmaking team.
1623
01:48:00,120 --> 01:48:03,600
The empty rooms in our film
belong belong to four young
1624
01:48:03,600 --> 01:48:06,720
children
who were all killed in school shootings.
1625
01:48:08,160 --> 01:48:11,240
Holly, Gracie, Dominick and Jackie.
1626
01:48:13,520 --> 01:48:15,480
My daughter Jackie was nine
1627
01:48:15,480 --> 01:48:18,480
years old when she was killed in Uvalde.
1628
01:48:19,240 --> 01:48:22,600
Since that day,
her bedroom has been frozen in time.
1629
01:48:23,560 --> 01:48:26,440
Jackie is more than just a headline.
1630
01:48:26,440 --> 01:48:29,040
She is our light and our life.
1631
01:48:29,040 --> 01:48:32,640
Gun violence is now the number one
cause of death in kids and teens.
1632
01:48:33,360 --> 01:48:36,720
We believe that if the world could see
their empty bedrooms,
1633
01:48:37,120 --> 01:48:38,920
would it be a different America?
1634
01:48:38,920 --> 01:48:41,920
Thank you.
1635
01:49:01,400 --> 01:49:04,400
The next Oscar is for documentary
feature film,
1636
01:49:04,440 --> 01:49:07,440
which is like a documentary short film,
1637
01:49:08,400 --> 01:49:09,920
but longer.
1638
01:49:09,920 --> 01:49:12,920
Here are the nominees.
1639
01:49:16,000 --> 01:49:16,640
The Alabama
1640
01:49:16,640 --> 01:49:19,640
Solution,
Andrew Direct and Charlie Kaufman.
1641
01:49:20,920 --> 01:49:22,520
Come See Me in the Good Life.
1642
01:49:22,520 --> 01:49:26,040
Ryan White, Jessica Hargrave,
Tig Notaro and Stef Willard.
1643
01:49:28,000 --> 01:49:29,040
Cutting Through Rocks.
1644
01:49:29,040 --> 01:49:31,560
Sara, Kathy and Mohammad Reza. Amy.
1645
01:49:33,520 --> 01:49:35,520
Mr.. Nobody against Putin.
1646
01:49:35,520 --> 01:49:36,800
David Bornstein.
1647
01:49:36,800 --> 01:49:40,840
Paul To Lefebvre and better Caracalla
1648
01:49:42,720 --> 01:49:44,280
the perfect neighbor.
1649
01:49:44,280 --> 01:49:47,880
Either come to the release of pain
me come from two
1650
01:49:48,160 --> 01:49:51,160
and Sam Bisbee.
1651
01:49:54,760 --> 01:49:56,200
Oh man, is he going to be mad?
1652
01:49:56,200 --> 01:49:59,200
His wife was nominated for this.
1653
01:50:03,200 --> 01:50:04,200
And the Oscar
1654
01:50:04,200 --> 01:50:07,920
for documentary feature film goes to Mr.
1655
01:50:07,920 --> 01:50:13,720
Nobody Against David
Born to Travel to Lincoln, Alabama
1656
01:50:13,720 --> 01:50:16,720
and How to Better Kill Escobar.
1657
01:50:17,680 --> 01:50:18,840
This is the first Oscar
1658
01:50:18,840 --> 01:50:21,840
win and nomination for David Bernstein.
1659
01:50:21,960 --> 01:50:24,960
How about tons of elevating
1660
01:50:25,320 --> 01:50:28,320
angles, better covers?
1661
01:50:46,200 --> 01:50:47,800
Thank you to the academy.
1662
01:50:47,800 --> 01:50:49,040
Thank you to our family.
1663
01:50:49,040 --> 01:50:50,400
Thank you to our friends.
1664
01:50:50,400 --> 01:50:51,800
And thank you to the other
1665
01:50:51,800 --> 01:50:54,800
documentary nominees
who have become such good friends of ours.
1666
01:50:55,160 --> 01:50:59,640
Mr.. Nobody against Putin
is about how you lose your country
1667
01:51:00,120 --> 01:51:03,560
and what we saw when working
with this footage that you it's that
1668
01:51:03,560 --> 01:51:07,560
you lose it through countless
small little acts of complicity.
1669
01:51:08,120 --> 01:51:12,960
When we act complicit, when a government
murders people on the streets
1670
01:51:12,960 --> 01:51:17,280
of our major cities, when we don't say
anything, when the oligarchs
1671
01:51:17,520 --> 01:51:22,520
take over the media and control
how we could produce it and consume it,
1672
01:51:29,040 --> 01:51:31,800
we all face a moral choice.
1673
01:51:31,800 --> 01:51:36,600
But luckily, even a
nobody is more powerful than you think.
1674
01:51:36,960 --> 01:51:39,960
And here's part to Long
and the main character of our film.
1675
01:51:43,040 --> 01:51:44,760
Thank you both.
1676
01:51:44,760 --> 01:51:46,560
As each theory go, there was more to him.
1677
01:51:46,560 --> 01:51:48,520
That's because Narnia is a god.
1678
01:51:48,520 --> 01:51:49,840
The were some of us.
1679
01:51:49,840 --> 01:51:52,080
Nasrallah for four years.
1680
01:51:52,080 --> 01:51:56,200
We look at the sky for a shooting stars
to make a very important wish
1681
01:51:58,680 --> 01:52:01,680
nor yes training yes
1682
01:52:02,360 --> 01:52:05,480
is just the right to drone.
1683
01:52:06,000 --> 01:52:09,480
But there are countries
where instead of shooting stars,
1684
01:52:09,600 --> 01:52:12,600
they have shooting bombs and shooting
drones.
1685
01:52:13,080 --> 01:52:15,840
Viremia Nash of a bullish Ava via
1686
01:52:15,840 --> 01:52:19,800
Jay Aston TVG See Avoiding seashells
1687
01:52:20,400 --> 01:52:24,120
in the name of our future
In the name of all of our children.
1688
01:52:24,400 --> 01:52:27,000
Stop all of these wars now
1689
01:52:28,400 --> 01:52:31,400
by C-Band
1690
01:52:51,960 --> 01:52:53,200
There's this moment
1691
01:52:53,200 --> 01:52:56,280
in the car where everything goes quiet.
1692
01:52:57,480 --> 01:52:59,760
My heartbeat slows
1693
01:52:59,760 --> 01:53:02,240
and I can see everything
1694
01:53:02,240 --> 01:53:05,240
is flying.
1695
01:53:08,120 --> 01:53:11,120
The last thing I do is drive that car.
1696
01:53:11,360 --> 01:53:14,360
I will take that life.
1697
01:53:14,680 --> 01:53:17,680
If you win,
1698
01:53:18,200 --> 01:53:21,200
you are the absolute best in the world.
1699
01:53:30,840 --> 01:53:32,280
Such a fun movie.
1700
01:53:32,280 --> 01:53:33,560
Hey, another quick, fun fact.
1701
01:53:33,560 --> 01:53:36,560
Brad Pitt and I are the exact same age.
1702
01:53:36,960 --> 01:53:37,880
True.
1703
01:53:37,880 --> 01:53:41,240
I was told this by my wife with tears
streaming
1704
01:53:41,240 --> 01:53:44,240
down her face.
1705
01:53:46,800 --> 01:53:49,480
These next presenters
are the only reason the phrase
1706
01:53:49,480 --> 01:53:53,240
wedding dress street
diarrhea is in my search history.
1707
01:53:53,760 --> 01:53:59,000
The only reason here to celebrate the 15th
anniversary of Bridesmaids, please
1708
01:53:59,000 --> 01:54:02,920
welcome Maya Rudolph, Kristen
Wiig, Rose Byrne, Liz McCarthy and Ellie
1709
01:54:02,920 --> 01:54:05,920
Kemper.
1710
01:54:26,440 --> 01:54:29,120
Oh, thank you.
1711
01:54:29,120 --> 01:54:33,160
We are so happy to all be here together
tonight.
1712
01:54:33,160 --> 01:54:36,480
I cannot believe that
it's been 15 years now.
1713
01:54:36,480 --> 01:54:40,480
We are not good with numbers,
but we figured out backstage
1714
01:54:40,480 --> 01:54:43,720
that means shot this movie in 1883.
1715
01:54:45,120 --> 01:54:45,720
Yeah.
1716
01:54:45,720 --> 01:54:48,720
And we are so happy to be back here
1717
01:54:48,760 --> 01:54:51,760
to present the Oscar for Best Score.
1718
01:54:51,840 --> 01:54:55,360
Now, a film score helps us to feel
1719
01:54:55,640 --> 01:54:58,520
it invites us into a world.
1720
01:54:58,520 --> 01:55:01,520
Oh, sorry. What's happening?
1721
01:55:01,520 --> 01:55:03,000
Oh, what are these?
1722
01:55:03,000 --> 01:55:06,000
Are these notes
1723
01:55:06,440 --> 01:55:07,760
people on the audience?
1724
01:55:07,760 --> 01:55:11,800
Oh, here I a this is strange.
1725
01:55:11,840 --> 01:55:17,840
Okay, well, mine says, first of all, you
ladies look extremely beautiful tonight.
1726
01:55:17,880 --> 01:55:20,880
Oh, nine star. Thank you.
1727
01:55:21,240 --> 01:55:24,240
You're all aging well,
1728
01:55:24,640 --> 01:55:27,640
so signed Stellan Skarsgard star.
1729
01:55:34,880 --> 01:55:37,880
Oh, this one's for me.
1730
01:55:38,080 --> 01:55:40,720
Rose, can you please stop looking at me?
1731
01:55:40,720 --> 01:55:42,600
The eye contact is too much.
1732
01:55:42,600 --> 01:55:44,880
I'm thinking of leaving
very uncomfortable.
1733
01:55:44,880 --> 01:55:47,880
Sincerely, Leonardo DiCaprio.
1734
01:55:52,000 --> 01:55:55,240
Oh, I apologize.
1735
01:55:55,240 --> 01:55:57,120
I have been staring at you.
1736
01:55:57,120 --> 01:55:59,800
I thought you were somebody else.
1737
01:55:59,800 --> 01:56:00,480
It happens.
1738
01:56:00,480 --> 01:56:02,160
It happens to him a lot.
1739
01:56:02,160 --> 01:56:05,160
Oh, this is a must. See.
1740
01:56:05,520 --> 01:56:08,160
I have to say
mine is almost impossible to read.
1741
01:56:08,160 --> 01:56:10,560
The handwriting is really pretty terrible.
1742
01:56:10,560 --> 01:56:11,240
Says Hi.
1743
01:56:11,240 --> 01:56:14,360
I'm with Stellan Skarsgard
writing my own separate note.
1744
01:56:14,360 --> 01:56:17,360
I also agree. You ladies look radiant.
1745
01:56:17,360 --> 01:56:21,400
All The things you've done to
your faces are very tasteful.
1746
01:56:22,800 --> 01:56:25,800
Yours truly, Elle Fanning.
1747
01:56:25,960 --> 01:56:29,360
Oh, okay.
1748
01:56:30,040 --> 01:56:31,680
Wait, wait. There's more.
1749
01:56:31,680 --> 01:56:33,480
It says, Just kidding.
1750
01:56:33,480 --> 01:56:34,440
It's me again.
1751
01:56:34,440 --> 01:56:37,440
Stellan Skarsgard. Oh.
1752
01:56:37,640 --> 01:56:40,640
Oh, sorry.
1753
01:56:40,920 --> 01:56:41,760
Okay. All right.
1754
01:56:41,760 --> 01:56:44,760
Well, mine's kind of short.
1755
01:56:45,040 --> 01:56:47,640
You guys have been talking
for a long time.
1756
01:56:47,640 --> 01:56:50,280
This bit could have been a lot shorter.
1757
01:56:50,280 --> 01:56:52,440
This is really going on and on.
1758
01:56:52,440 --> 01:56:55,800
You aren't even talking about score,
that's all.
1759
01:56:56,040 --> 01:56:57,360
Love you lots.
1760
01:56:57,360 --> 01:57:00,000
Benicio Del Toro.
1761
01:57:00,000 --> 01:57:03,160
Or for those of you
who refuse to learn Spanish,
1762
01:57:03,160 --> 01:57:06,880
it's Benedict of the Rings.
1763
01:57:09,360 --> 01:57:10,880
Give it up.
1764
01:57:10,880 --> 01:57:13,120
Okay,
1765
01:57:13,120 --> 01:57:13,960
I think that's me up.
1766
01:57:13,960 --> 01:57:17,320
Here we go. Well, this last one is quick.
1767
01:57:17,320 --> 01:57:20,520
It just says I'm tired
and I want to go home.
1768
01:57:21,000 --> 01:57:24,000
This show is very long
and there's no pizza.
1769
01:57:24,120 --> 01:57:27,120
Sign the kid from Hamlet.
1770
01:57:27,280 --> 01:57:27,760
He's right.
1771
01:57:32,800 --> 01:57:33,240
Okay.
1772
01:57:33,240 --> 01:57:33,480
All right.
1773
01:57:33,480 --> 01:57:34,320
We'll get to it.
1774
01:57:34,320 --> 01:57:37,320
The nominees for best score are
1775
01:57:41,760 --> 01:57:43,760
Frankenstein by Alexandra.
1776
01:57:43,760 --> 01:57:46,760
This pop
1777
01:57:47,920 --> 01:57:52,000
in one battle
1778
01:57:52,000 --> 01:57:55,000
after another by Jonny Greenwood,
1779
01:58:02,880 --> 01:58:05,880
Begonia by deerskin bench drinks,
1780
01:58:11,520 --> 01:58:14,520
Hamnet by Max Richter
1781
01:58:19,800 --> 01:58:22,800
Sinners by Ludvig Goransson.
1782
01:58:38,760 --> 01:58:43,080
And the Oscar goes to sinners.
1783
01:58:48,680 --> 01:58:51,680
This is the third Oscar win
for Little Begotten Son,
1784
01:58:51,720 --> 01:58:54,720
who previously won in this category
for Black Panther
1785
01:58:54,840 --> 01:58:57,840
and Oppenheimer.
1786
01:59:07,800 --> 01:59:10,800
Wow. Um,
1787
01:59:10,840 --> 01:59:13,200
my dad bought his first blues
1788
01:59:13,200 --> 01:59:16,200
album in Sweden 1964.
1789
01:59:16,560 --> 01:59:19,800
It was a John Lee Hooker album,
and even though
1790
01:59:20,160 --> 01:59:22,200
it was on the other side of the world
from the place,
1791
01:59:22,200 --> 01:59:25,200
my dad never been in the place,
could not relate to.
1792
01:59:25,360 --> 01:59:28,600
The music was so powerful
that it changed my dad's life and
1793
01:59:28,600 --> 01:59:30,960
he devoted his whole life to the music.
1794
01:59:30,960 --> 01:59:33,560
And when I was about
seven years old, a little,
1795
01:59:34,800 --> 01:59:36,360
he put a guitar in my
1796
01:59:36,360 --> 01:59:40,880
arms and I loved the guitar
and became everything to me.
1797
01:59:40,880 --> 01:59:42,160
And it was the guitar
1798
01:59:42,160 --> 01:59:45,480
that opened up a lot of doors for me,
and it was the guitar that brought me
1799
01:59:45,480 --> 01:59:49,520
over to the States, and it was the guitar
that eventually led me
1800
01:59:49,520 --> 01:59:52,520
to one of the greatest storytellers
of our time, Ryan Coogler.
1801
01:59:56,520 --> 01:59:58,280
Ryan,
1802
01:59:58,280 --> 02:00:00,240
thank you for your vision
1803
02:00:00,240 --> 02:00:03,240
and making a movie
that resonated with the world.
1804
02:00:03,400 --> 02:00:06,400
Thank you
1805
02:00:15,720 --> 02:00:21,160
so we are also here
1806
02:00:21,160 --> 02:00:24,160
to present the Oscar
for Achievement in Sound.
1807
02:00:24,680 --> 02:00:28,840
You know, earlier today when I was
counting my money, I asked myself,
1808
02:00:30,400 --> 02:00:32,840
What is sound, really?
1809
02:00:32,840 --> 02:00:34,120
Am I right?
1810
02:00:34,120 --> 02:00:36,680
Well, it's a mystery, Maya.
1811
02:00:36,680 --> 02:00:39,560
I mean, the best scientists,
the best in the world,
1812
02:00:39,560 --> 02:00:42,760
including Steven Spielberg,
and even he doesn't know.
1813
02:00:42,760 --> 02:00:46,080
So once again, I find myself
disappointed with you, Steven.
1814
02:00:49,080 --> 02:00:51,600
You know, I actually think I can help out
here.
1815
02:00:51,600 --> 02:00:55,640
I was just talking about this with a woman
I met on a roller coaster,
1816
02:00:56,000 --> 02:00:59,040
and she said that without sound,
1817
02:01:00,400 --> 02:01:02,560
we wouldn't hear anything.
1818
02:01:02,560 --> 02:01:03,640
What?
1819
02:01:03,640 --> 02:01:04,160
Yeah.
1820
02:01:04,160 --> 02:01:05,800
Yeah, that's right, Kristen.
1821
02:01:05,800 --> 02:01:08,560
And it's especially important in film.
1822
02:01:08,560 --> 02:01:11,560
I tried watching models to frame
with the volume down.
1823
02:01:11,840 --> 02:01:14,840
No idea what anybody was playing. No.
1824
02:01:16,640 --> 02:01:18,800
Curating these sounds is an art.
1825
02:01:18,800 --> 02:01:23,400
It's how directors throughout history have
created the classics, their own style.
1826
02:01:23,400 --> 02:01:28,240
I mean, when we think of Martin Scorsese,
we all think of his go to favorite
1827
02:01:28,560 --> 02:01:31,560
of all
1828
02:01:31,920 --> 02:01:34,920
Marty classic Marty Marty
1829
02:01:35,520 --> 02:01:37,720
and the nominees for achievement
1830
02:01:37,720 --> 02:01:40,720
in sound are
1831
02:01:43,960 --> 02:01:46,320
F1, Gareth, John,
1832
02:01:46,320 --> 02:01:48,960
Al Nelson, Gwendolyn Yates,
1833
02:01:48,960 --> 02:01:51,720
Gary Rizzo and Juan.
1834
02:01:51,720 --> 02:01:53,600
There's still a way to go in this race.
1835
02:01:54,760 --> 02:01:56,080
Frankenstein.
1836
02:01:56,080 --> 02:01:57,280
Greg Chapman.
1837
02:01:57,280 --> 02:01:59,920
Nathan Bogota. Nelson Ferrero.
1838
02:01:59,920 --> 02:02:02,920
Christian Cooke and Brad Thorn.
1839
02:02:05,720 --> 02:02:07,560
One battle after another.
1840
02:02:07,560 --> 02:02:10,840
Jose Antonio Garcia,
Christopher Starr Beauchamp
1841
02:02:10,920 --> 02:02:13,920
and Tony Villa, Florida in
1842
02:02:15,200 --> 02:02:16,160
centers.
1843
02:02:16,160 --> 02:02:21,000
Chris Logan, Benjamin Abbott,
Felipe Pacheco, Brendan Proctor
1844
02:02:21,120 --> 02:02:24,120
and Steve Bo Tucker.
1845
02:02:24,920 --> 02:02:27,920
See, right, Amanda, I love you.
1846
02:02:28,480 --> 02:02:31,560
Maya Casanovas and Yasmina Haidara.
1847
02:02:38,400 --> 02:02:41,640
And the Oscar goes to F1
1848
02:02:45,560 --> 02:02:48,560
for the track.
1849
02:02:50,960 --> 02:02:54,640
This is the first Oscar win
and for full time nominee Gwendolyn
1850
02:02:54,640 --> 02:02:57,920
Yates, Whitaker
and first time nominee Juan Peralta,
1851
02:02:58,640 --> 02:03:02,600
the second win and second nomination
for Gareth, John and Al Nelson
1852
02:03:03,120 --> 02:03:05,920
and the third win
an eighth nomination for Gary.
1853
02:03:05,920 --> 02:03:08,920
I was a
1854
02:03:23,760 --> 02:03:26,760
thank you to the Academy.
1855
02:03:27,560 --> 02:03:29,800
I want to thank Joe Kosinski.
1856
02:03:29,800 --> 02:03:31,320
You're a genius.
1857
02:03:31,320 --> 02:03:34,320
Jerry Bruckheimer, Brad Pitt, Plan B,
1858
02:03:35,000 --> 02:03:37,720
Lewis Hamilton, Formula One,
and everyone at Apple for supporting
1859
02:03:37,720 --> 02:03:39,720
such a fun cinematic experience.
1860
02:03:39,720 --> 02:03:41,720
This award is for the whole production
sound team.
1861
02:03:41,720 --> 02:03:43,960
Everyone at Skywalker
Sound, thanks to Hans Zimmer
1862
02:03:43,960 --> 02:03:46,960
and a big shout out to our amazing
first lady, Toby Pfefferman.
1863
02:03:47,000 --> 02:03:49,800
It's for our partners,
our parents, our children
1864
02:03:51,240 --> 02:03:53,240
that.
1865
02:03:53,240 --> 02:03:55,760
Excuse me.
1866
02:03:55,760 --> 02:03:58,000
Sorry, sorry, sorry, sir.
1867
02:03:58,000 --> 02:04:00,600
Our gratitude goes to our partners,
our parents,
1868
02:04:00,600 --> 02:04:02,200
our children and grandchildren.
1869
02:04:02,200 --> 02:04:05,200
Movies are made for you. Go see the block.
1870
02:04:05,520 --> 02:04:06,960
Go see the blockbusters.
1871
02:04:06,960 --> 02:04:08,600
Go see the Independent.
1872
02:04:08,600 --> 02:04:10,200
Be inspired. Go with a friend.
1873
02:04:10,200 --> 02:04:12,080
Get a fresh point of view.
1874
02:04:12,080 --> 02:04:15,080
Thank You
1875
02:04:21,000 --> 02:04:24,200
please welcome the president
of the Academy of Motion
1876
02:04:24,200 --> 02:04:27,720
Picture Arts and Sciences, Leonard Taylor.
1877
02:04:38,560 --> 02:04:40,080
For 98 years
1878
02:04:40,080 --> 02:04:43,240
you have heard the words
Thank you to the Academy.
1879
02:04:44,000 --> 02:04:47,000
But have you ever wondered
who is the Academy?
1880
02:04:47,160 --> 02:04:50,680
The Academy of Motion Picture
Arts and Sciences is over
1881
02:04:50,680 --> 02:04:54,160
11,000 storytellers
from all over the world.
1882
02:04:54,640 --> 02:04:58,560
And yes, we are most known
for giving out awards on this night.
1883
02:04:58,880 --> 02:05:02,000
But the Academy's work
extends far beyond this stage.
1884
02:05:02,840 --> 02:05:05,840
Last year
at the scientific and technical Awards,
1885
02:05:05,880 --> 02:05:10,000
we honored 14 innovations
that pushed filmmaking forward,
1886
02:05:10,320 --> 02:05:13,840
and we awarded an Oscar to the community
that created
1887
02:05:13,840 --> 02:05:19,400
and supports captioning accepted
by the trailblazing Marlee Matlin
1888
02:05:26,480 --> 02:05:28,080
at the Student Academy Awards.
1889
02:05:28,080 --> 02:05:32,280
We champion the next generation
of filmmakers and celebrate extraordinary
1890
02:05:32,280 --> 02:05:35,840
lifetime contributions to cinema
at the annual Governors awards
1891
02:05:36,080 --> 02:05:40,680
where last year Tom Cruise, Debbie Allen
when Thomas and Dolly
1892
02:05:40,680 --> 02:05:43,680
parton were honored.
1893
02:05:47,400 --> 02:05:48,600
We also preserve,
1894
02:05:48,600 --> 02:05:51,640
curate and program our global film history
1895
02:05:51,920 --> 02:05:55,200
through the 52 million items
in our Academy collection
1896
02:05:55,360 --> 02:05:58,560
and our spectacular Academy
Museum of Motion Pictures.
1897
02:06:04,400 --> 02:06:06,360
Growing up in Liverpool, England,
1898
02:06:06,360 --> 02:06:09,600
it was the movies that connected me
to the rest of the world.
1899
02:06:10,280 --> 02:06:13,280
We all need
the joy and entertainment of cinema.
1900
02:06:13,840 --> 02:06:18,120
Films that shine a light on truth,
illuminate our complicated history
1901
02:06:18,400 --> 02:06:21,680
and connect us through our diverse
experiences.
1902
02:06:22,120 --> 02:06:24,840
Movies can change perspectives.
1903
02:06:24,840 --> 02:06:28,560
So tonight, I would like to say
thank you to the Academy,
1904
02:06:28,960 --> 02:06:33,360
because I don't know where any of us
would be without our storytellers.
1905
02:06:36,680 --> 02:06:38,320
She wasn't just a movie star.
1906
02:06:38,320 --> 02:06:39,840
She was iconic.
1907
02:06:39,840 --> 02:06:41,920
Marilyn Monroe, Hollywood Icon.
1908
02:06:41,920 --> 02:06:46,880
The new exhibition opening May 31st
at the Museum of Motion Pictures
1909
02:06:46,880 --> 02:06:51,080
in Los Angeles, featuring a stunning array
of original objects,
1910
02:06:51,080 --> 02:06:54,360
an extensive showcase of Marilyn's
movie costumes.
1911
02:06:54,720 --> 02:06:57,880
Tickets are on sale now
at Academy Museum Doors
1912
02:07:07,880 --> 02:07:10,120
in two key
1913
02:07:10,120 --> 02:07:12,160
features for the school night.
1914
02:07:12,160 --> 02:07:13,320
Jessica comes to us from Peter.
1915
02:07:13,320 --> 02:07:18,120
But I didn't really to make a film
about the dictatorship.
1916
02:07:19,200 --> 02:07:22,200
I wanted to rebuild a sense of time
1917
02:07:22,600 --> 02:07:24,760
in very difficult situations,
1918
02:07:24,760 --> 02:07:27,760
and people get together,
and they protect each other.
1919
02:07:28,200 --> 02:07:30,800
To view
1920
02:07:30,800 --> 02:07:33,800
the two for two
1921
02:07:33,960 --> 02:07:36,960
can of event,
1922
02:07:43,280 --> 02:07:44,360
please welcome Bill
1923
02:07:44,360 --> 02:07:47,360
Pullman and Louis Pullman.
1924
02:07:56,720 --> 02:07:58,000
Yeah.
1925
02:07:58,000 --> 02:07:59,280
Film editing.
1926
02:07:59,280 --> 02:08:03,200
It's sometimes it can seem
almost like it's an invisible art form.
1927
02:08:03,560 --> 02:08:04,360
You know?
1928
02:08:04,360 --> 02:08:05,120
It's right. Yeah.
1929
02:08:05,120 --> 02:08:08,120
The better
the editing, the less it stands out.
1930
02:08:08,200 --> 02:08:12,240
But behind the scenes,
editors are always shaping the story.
1931
02:08:12,840 --> 02:08:14,160
Yeah, kind of like
1932
02:08:15,960 --> 02:08:18,960
growing up with the famous dad.
1933
02:08:20,200 --> 02:08:21,200
Yeah.
1934
02:08:21,200 --> 02:08:23,160
Yeah, a little bit.
1935
02:08:23,160 --> 02:08:25,640
Yeah.
1936
02:08:25,640 --> 02:08:30,440
But I didn't really shape anything,
you know, I stayed behind the scenes, and
1937
02:08:30,480 --> 02:08:35,120
I did think that there would be a place
for you in livestock management, right?
1938
02:08:35,120 --> 02:08:35,680
That's right.
1939
02:08:35,680 --> 02:08:38,120
Yeah, but that didn't really work out.
1940
02:08:38,120 --> 02:08:38,880
Yeah, Yeah.
1941
02:08:38,880 --> 02:08:40,360
Big disappointment there. But.
1942
02:08:40,360 --> 02:08:43,280
Yeah, but you know, you all on your own.
1943
02:08:43,280 --> 02:08:46,280
You did just fine.
1944
02:08:46,280 --> 02:08:48,880
Thank you for saying that.
1945
02:08:48,880 --> 02:08:49,880
We're lucky.
1946
02:08:49,880 --> 02:08:53,960
Turns out audiences don't always,
you know, mine, the sequel.
1947
02:08:54,880 --> 02:09:00,760
I hope that they like the sequel even
more than the original, but a little more.
1948
02:09:00,840 --> 02:09:03,840
Well, jury's still out. Yeah,
1949
02:09:04,400 --> 02:09:06,280
but tonight we're lucky
1950
02:09:06,280 --> 02:09:10,080
because we get to celebrate the artists
who make the final cut.
1951
02:09:11,040 --> 02:09:12,960
The editors
1952
02:09:12,960 --> 02:09:13,920
here are the nominees.
1953
02:09:18,720 --> 02:09:21,280
F1 Steven Marion.
1954
02:09:21,280 --> 02:09:24,280
I hear my name through
1955
02:09:24,760 --> 02:09:25,280
worse.
1956
02:09:25,280 --> 02:09:28,280
My bad,
1957
02:09:28,320 --> 02:09:29,640
Marty Supreme,
1958
02:09:29,640 --> 02:09:32,640
Ronald Bronstein and Josh Safdie.
1959
02:09:34,680 --> 02:09:38,080
Just one battle after another.
1960
02:09:38,240 --> 02:09:41,240
Andy Jurgensen
1961
02:09:46,520 --> 02:09:47,800
Sentimental Value.
1962
02:09:47,800 --> 02:09:50,800
Olivia Booga Cutie
1963
02:09:54,880 --> 02:09:55,640
Sinners.
1964
02:09:55,640 --> 02:09:58,640
Michael Piece of
1965
02:10:12,000 --> 02:10:14,800
And the winner is
1966
02:10:14,800 --> 02:10:17,960
one battle after another and knee
1967
02:10:18,000 --> 02:10:21,000
jerk action
1968
02:10:21,880 --> 02:10:23,640
This is the first Oscar win I'm
1969
02:10:23,640 --> 02:10:26,640
nomination for Andy Jurgensen
1970
02:10:35,040 --> 02:10:39,320
Well well thank you very much.
1971
02:10:40,960 --> 02:10:43,160
First off, I want to give a shout out
to all my friends
1972
02:10:43,160 --> 02:10:46,160
who are at a bar right now watching me so
1973
02:10:46,560 --> 02:10:49,560
you can order shots now
1974
02:10:50,240 --> 02:10:53,280
I want to give a special
thank you to my editorial crew
1975
02:10:53,880 --> 02:10:56,760
who worked their butts off
behind the scenes.
1976
02:10:56,760 --> 02:10:58,360
You guys are amazing.
1977
02:10:58,360 --> 02:10:59,200
Thank you to Paul.
1978
02:10:59,200 --> 02:11:02,800
Thank you for taking me on this journey
and our collaboration.
1979
02:11:03,800 --> 02:11:06,800
Thank you to the wonderful cast and crew.
1980
02:11:07,600 --> 02:11:11,400
Loved to my parents and sisters
who are up in the balcony somewhere,
1981
02:11:11,640 --> 02:11:15,920
and to my partner Bill, who brings so much
joy to my life every day.
1982
02:11:16,720 --> 02:11:19,680
And lastly,
I would like to dedicate this to my Aunt
1983
02:11:19,680 --> 02:11:24,240
Barbara Hall, who was a film archivist
for the Academy for over 25 years.
1984
02:11:25,560 --> 02:11:27,720
She loved her job and she loved
1985
02:11:27,720 --> 02:11:30,920
showing me old
and teaching me about film history.
1986
02:11:31,160 --> 02:11:32,800
And I miss her every day.
1987
02:11:32,800 --> 02:11:35,520
And I would not be up here
if it wasn't for her and my Uncle Val.
1988
02:11:35,520 --> 02:11:37,640
So thank you very much.
1989
02:11:37,640 --> 02:11:40,640
Thank you.
1990
02:11:48,320 --> 02:11:51,600
Please welcome Oscar nominee Demi Moore.
1991
02:12:06,960 --> 02:12:08,440
Cinematography
1992
02:12:08,440 --> 02:12:11,440
is the language of light and movement.
1993
02:12:11,800 --> 02:12:15,360
It's how a film
breathes, how a moment becomes.
1994
02:12:17,000 --> 02:12:18,600
It's what makes us feel.
1995
02:12:18,600 --> 02:12:22,720
Turning images into emotion and moments
into memory.
1996
02:12:23,200 --> 02:12:27,120
Tonight, we honor the storytellers
who shaped the way we see a film.
1997
02:12:27,560 --> 02:12:30,560
Here are the nominees for achievement
in cinematography.
1998
02:12:35,200 --> 02:12:38,200
Frankenstein, Dan Lutz and
1999
02:12:39,200 --> 02:12:42,200
Marty Supreme Country.
2000
02:12:43,440 --> 02:12:45,000
One Battle after Another.
2001
02:12:45,000 --> 02:12:48,000
Michael Baumann.
2002
02:12:48,080 --> 02:12:48,880
Sinners.
2003
02:12:48,880 --> 02:12:51,880
Adam Duvall.
2004
02:12:52,560 --> 02:12:54,040
Train Dreams.
2005
02:12:54,040 --> 02:12:57,040
A Doctor was amazing.
2006
02:13:01,080 --> 02:13:04,080
And the Oscar goes to
2007
02:13:05,240 --> 02:13:08,240
sinners. Adam
2008
02:13:12,600 --> 02:13:14,200
This is the first Oscar winner
2009
02:13:14,200 --> 02:13:17,200
and nomination
for all time dwelling Occupy
2010
02:14:06,800 --> 02:14:11,480
oh eight And
2011
02:14:12,000 --> 02:14:15,000
where are you at?
2012
02:14:18,280 --> 02:14:21,280
Well, um,
2013
02:14:21,600 --> 02:14:23,920
whenever I say thank you to Ryan,
2014
02:14:23,920 --> 02:14:26,760
he replies and says, No, thank you.
2015
02:14:26,760 --> 02:14:30,320
Thank you for believing in me
and thank you for trusting me.
2016
02:14:30,360 --> 02:14:33,200
And that's the kind guy
that I get to make films with.
2017
02:14:33,200 --> 02:14:36,000
Um, it's a very,
2018
02:14:36,000 --> 02:14:38,120
very honorable person.
2019
02:14:38,120 --> 02:14:41,520
Um, and he means it,
and he really truly means it.
2020
02:14:41,520 --> 02:14:45,080
And I feel like I had to meet him.
2021
02:14:45,080 --> 02:14:48,680
Like this little girl
that their mother who's over
2022
02:14:48,680 --> 02:14:51,800
there told them that they could do
anything, had to meet Ryan.
2023
02:14:52,600 --> 02:14:55,440
That girl also had to look up
Ellen Cross's
2024
02:14:55,440 --> 02:14:58,600
name, who's also in this room today. Um,
2025
02:15:00,000 --> 02:15:01,160
and that girl also
2026
02:15:01,160 --> 02:15:04,160
had to meet Rachel Morrison.
2027
02:15:05,320 --> 02:15:06,160
Um, I'm
2028
02:15:06,160 --> 02:15:10,000
so honored to be here, and I really want
all the women in the room to stand up
2029
02:15:10,760 --> 02:15:13,360
because I feel like I don't get here
2030
02:15:13,360 --> 02:15:16,360
without you guys.
2031
02:15:30,000 --> 02:15:33,000
I really, really, truly mean that.
2032
02:15:33,600 --> 02:15:37,160
Um, I have felt so much love
from all the women
2033
02:15:37,280 --> 02:15:41,120
on this whole campaign
and gotten to meet so many people.
2034
02:15:41,440 --> 02:15:44,520
And I just feel like moments
like this happened because of you guys.
2035
02:15:44,520 --> 02:15:47,360
And I want to thank you for that.
I want to thank Warner Brothers.
2036
02:15:47,360 --> 02:15:50,120
Lindsey serve my whole crew.
2037
02:15:50,120 --> 02:15:55,480
Ethan, Brian, McGill, Dre, Josh,
all people that work their hearts out.
2038
02:15:55,800 --> 02:15:57,440
And my cast.
2039
02:15:57,440 --> 02:16:00,720
Michael, Delroy, Rumi, Miles,
2040
02:16:00,720 --> 02:16:03,720
Jamie, Omar, Lily,
2041
02:16:04,480 --> 02:16:07,480
Jack, Hailey.
2042
02:16:07,640 --> 02:16:09,120
These are so beautiful.
2043
02:16:09,120 --> 02:16:10,440
These people are so beautiful.
2044
02:16:10,440 --> 02:16:13,000
And I'm honored to be there
photographing them.
2045
02:16:13,000 --> 02:16:16,400
And my husband and my son, Aiden,
and my parents back there.
2046
02:16:16,760 --> 02:16:19,760
Thank you so much.
This is this is an honor.
2047
02:16:20,080 --> 02:16:20,600
Thank you.
2048
02:16:49,800 --> 02:16:52,800
Demons have always been terrible,
2049
02:16:52,920 --> 02:16:54,960
stealing our souls and channeling
2050
02:16:54,960 --> 02:16:57,960
strength back to their
2051
02:16:58,880 --> 02:17:01,880
until humans arose to defend us.
2052
02:17:03,000 --> 02:17:06,080
Born with voices
that could drive back the darkness
2053
02:17:07,120 --> 02:17:09,360
our music ignites soul and brings
2054
02:17:09,360 --> 02:17:12,360
people together.
2055
02:17:24,000 --> 02:17:28,200
With this connection, the first hunters
created a shield to protect.
2056
02:17:28,200 --> 02:17:33,680
Oh, I know that To be false, to view
2057
02:17:34,680 --> 02:17:35,400
the world.
2058
02:17:35,400 --> 02:17:37,440
Who knew you as pop stars?
2059
02:17:37,440 --> 02:17:40,080
But you be much more than God.
2060
02:17:40,080 --> 02:17:43,080
You will be centers.
2061
02:17:58,920 --> 02:18:00,000
I was a girl.
2062
02:18:00,000 --> 02:18:01,160
I was alone.
2063
02:18:01,160 --> 02:18:03,920
Who told you
2064
02:18:03,920 --> 02:18:04,200
this?
2065
02:18:04,200 --> 02:18:06,760
I'm gay
2066
02:18:06,760 --> 02:18:07,760
in the throng.
2067
02:18:07,760 --> 02:18:10,760
I didn't know who to believe.
2068
02:18:10,920 --> 02:18:12,480
I was a queen.
2069
02:18:12,480 --> 02:18:17,280
Determined to be to Nigerian people side.
2070
02:18:18,000 --> 02:18:24,400
I tell to
2071
02:18:26,280 --> 02:18:29,520
tell the state
2072
02:18:30,120 --> 02:18:35,040
that anyone should become but
2073
02:18:36,920 --> 02:18:38,840
be dreaming.
2074
02:18:38,840 --> 02:18:41,240
Making sure
2075
02:18:41,240 --> 02:18:44,560
whoever we
2076
02:18:45,680 --> 02:18:50,360
go, go.
2077
02:18:53,080 --> 02:18:56,000
Yeah.
2078
02:18:56,000 --> 02:18:57,920
You're
2079
02:18:57,920 --> 02:19:00,920
gonna be
2080
02:19:03,000 --> 02:19:04,840
outside
2081
02:19:04,840 --> 02:19:10,440
like no,
2082
02:19:12,440 --> 02:19:15,440
that's right.
2083
02:19:16,800 --> 02:19:19,800
You know,
2084
02:19:24,120 --> 02:19:29,640
like these guys
2085
02:19:56,040 --> 02:19:59,040
coming off the award
for Best Original song.
2086
02:19:59,040 --> 02:20:01,760
To hear all of tonight's
original song nominees.
2087
02:20:01,760 --> 02:20:04,760
Scan the QR code on your screen. Now.
2088
02:20:17,200 --> 02:20:18,600
Kisses at the end of the line.
2089
02:20:18,600 --> 02:20:21,600
I'm not for you
2090
02:20:22,720 --> 02:20:22,960
three.
2091
02:20:22,960 --> 02:20:25,320
Revolution begins by any means.
2092
02:20:25,320 --> 02:20:26,800
I need to find my daughter.
2093
02:20:26,800 --> 02:20:29,920
I've been holding on to something
for a while now.
2094
02:20:31,320 --> 02:20:33,320
I wanted to protect you.
2095
02:20:33,320 --> 02:20:36,320
I cannot remember the answer
to your question.
2096
02:20:36,400 --> 02:20:37,480
I understand.
2097
02:20:37,480 --> 02:20:40,480
And the question is
2098
02:20:53,920 --> 02:20:55,440
this is a historic night.
2099
02:20:55,440 --> 02:20:58,920
I believe Autumn Durand,
aka Power, was the first woman to win
2100
02:20:58,920 --> 02:21:02,000
Best Cinematography, The amazing,
2101
02:21:03,480 --> 02:21:06,480
incredible, really.
2102
02:21:08,080 --> 02:21:10,160
I love that.
2103
02:21:10,160 --> 02:21:13,400
One of our next presenters
is married to one of the Jonas Brothers.
2104
02:21:13,400 --> 02:21:15,720
The other pronounces them Jonas Brothers.
2105
02:21:15,720 --> 02:21:19,800
Please welcome Priyanka
Jonas and Oscar winner Honey are Bardem
2106
02:21:37,480 --> 02:21:39,920
not to walk
2107
02:21:39,920 --> 02:21:42,920
on free Palestine.
2108
02:21:49,080 --> 02:21:49,760
My love
2109
02:21:49,760 --> 02:21:52,760
for cinema comes from his unique ability
2110
02:21:53,000 --> 02:21:56,000
to connect the human experience across
cultures.
2111
02:21:56,480 --> 02:22:00,240
The nominees for international feature
film brings us stories
2112
02:22:00,240 --> 02:22:01,520
from around the world.
2113
02:22:01,520 --> 02:22:05,400
It's rooted in forces
that are deeply familiar to us all,
2114
02:22:07,200 --> 02:22:09,240
visceral and engrossing.
2115
02:22:09,240 --> 02:22:13,520
They remind us
that international is never truly far away
2116
02:22:14,080 --> 02:22:16,680
because every story sends a ripple
2117
02:22:16,680 --> 02:22:19,520
far beyond where it begins.
2118
02:22:19,520 --> 02:22:22,680
Here are the nominees
for Best International feature film
2119
02:22:26,880 --> 02:22:27,840
from Brazil.
2120
02:22:27,840 --> 02:22:31,280
The secret agent broke the bones of film
2121
02:22:32,880 --> 02:22:33,800
from France.
2122
02:22:33,800 --> 02:22:37,200
It was just an action
and directed by Jennifer McCarthy
2123
02:22:38,840 --> 02:22:39,640
from Norway.
2124
02:22:39,640 --> 02:22:42,760
Sentimental Value, directed by Yong Kim,
created
2125
02:22:44,040 --> 02:22:45,920
from Spain,
2126
02:22:45,920 --> 02:22:48,920
directed by Oliver Lussier
2127
02:22:48,920 --> 02:22:53,960
from Tunisia, the voice of King
Raja, directed by Countach, Ben Kano.
2128
02:22:58,360 --> 02:23:03,440
Hey, and
the Oscar goes to Sentimental Value
2129
02:23:03,600 --> 02:23:06,600
movie was here.
2130
02:23:11,600 --> 02:23:15,120
This is the first Oscar win
and seventh nomination for Norway.
2131
02:23:15,400 --> 02:23:18,600
Sentimental Value has nine nominations,
including
2132
02:23:18,600 --> 02:23:21,600
Best Picture.
2133
02:23:40,960 --> 02:23:43,960
Oh, it's.
2134
02:23:45,480 --> 02:23:46,720
Thank you.
2135
02:23:46,720 --> 02:23:48,720
Oh, my goodness.
2136
02:23:48,720 --> 02:23:50,840
Thank you so much.
2137
02:23:50,840 --> 02:23:52,440
I'm just a film nerd from Norway.
2138
02:23:52,440 --> 02:23:53,200
Thank you so much.
2139
02:23:53,200 --> 02:23:54,280
Honestly, the work.
2140
02:23:54,280 --> 02:23:58,680
Many thanks to the academy
and and thanks to Neon,
2141
02:23:58,680 --> 02:24:01,680
who brought our film over here to help us
2142
02:24:02,280 --> 02:24:04,920
with this film.
2143
02:24:04,920 --> 02:24:08,160
It's about a very dysfunctional family,
and it's the opposite of what I felt
2144
02:24:08,160 --> 02:24:10,320
with this beautiful group behind me.
2145
02:24:10,320 --> 02:24:14,400
I think I make films to feel at home
with people and I've really felt at home
2146
02:24:14,400 --> 02:24:15,440
with the crew.
2147
02:24:15,440 --> 02:24:18,920
There's 1072 people on these credits
and I love them all,
2148
02:24:18,920 --> 02:24:20,160
and I share this with them.
2149
02:24:20,160 --> 02:24:22,480
The cast behind me,
I've never been so proud.
2150
02:24:22,480 --> 02:24:23,040
Thanks for
2151
02:24:24,280 --> 02:24:26,480
wanting to work with me,
2152
02:24:26,480 --> 02:24:29,880
my real family,
my mom and dad for showing me movies,
2153
02:24:30,200 --> 02:24:34,920
my wife Hella for, you know, it's
not so easy to be with filmmakers.
2154
02:24:34,920 --> 02:24:37,840
I love you, my kids.
2155
02:24:37,840 --> 02:24:42,080
It might be a good idea and I want to
2156
02:24:42,480 --> 02:24:45,800
because I'm in this category
and I feel I represent global filmmakers.
2157
02:24:45,800 --> 02:24:49,480
And in a moment like this, I just want
to recognize the wonderful films
2158
02:24:50,520 --> 02:24:54,320
we were nominated together with important,
beautiful film
2159
02:24:54,320 --> 02:24:58,200
that reflect our present crisis
and the crisis of the past.
2160
02:24:58,440 --> 02:25:03,240
And I want to end by quoting or not
actually quoting, paraphrasing, rather,
2161
02:25:03,480 --> 02:25:06,480
the wonderful American writer
James Baldwin,
2162
02:25:06,600 --> 02:25:09,000
who makes us remember that
2163
02:25:09,000 --> 02:25:14,160
all adults are responsible,
all children, and let's not vote
2164
02:25:14,160 --> 02:25:17,160
for a politician who does not take
this seriously into account.
2165
02:25:17,840 --> 02:25:18,760
Okay. Thank you.
2166
02:25:43,400 --> 02:25:46,520
Please welcome Oscar winner Lionel Richie.
2167
02:26:01,640 --> 02:26:13,040
Oh, all right, All right.
2168
02:26:13,240 --> 02:26:16,240
Okay. All right,
2169
02:26:16,560 --> 02:26:17,960
all right. I'm back.
2170
02:26:17,960 --> 02:26:20,400
I'm back, I'm back.
2171
02:26:20,400 --> 02:26:22,960
Wow. Let me just tell you,
all 40 years ago,
2172
02:26:22,960 --> 02:26:27,280
I was lucky enough to stand on this stage
and win an Oscar for
2173
02:26:27,280 --> 02:26:30,280
say you say me from the movie
White Knights.
2174
02:26:33,720 --> 02:26:35,800
Did I just say 40 years ago?
2175
02:26:35,800 --> 02:26:38,800
That's. That's ridiculous.
2176
02:26:39,080 --> 02:26:41,240
And now I'm tortured with the idea
2177
02:26:41,240 --> 02:26:44,240
that my birthday comes every Thursday.
2178
02:26:44,320 --> 02:26:46,520
It's getting worse by the minute.
2179
02:26:46,520 --> 02:26:49,520
Stories cannot be told without music.
2180
02:26:49,520 --> 02:26:52,280
And let me tell you,
writing a song for a movie
2181
02:26:52,280 --> 02:26:55,280
is not as easy as you may think.
2182
02:26:55,560 --> 02:27:00,680
You're asked to capture the heart
and soul of a story in just a few minutes.
2183
02:27:01,400 --> 02:27:04,520
Tonight,
we're going to celebrate these writers.
2184
02:27:05,040 --> 02:27:09,200
Here are the nominees
for Best Original Song
2185
02:27:13,680 --> 02:27:15,480
Dear Me from Diane Warren,
2186
02:27:15,480 --> 02:27:18,480
Relentless Music and Lyrics
by Diane Warren.
2187
02:27:20,160 --> 02:27:22,520
Gonna be all right.
2188
02:27:22,520 --> 02:27:25,520
All right.
2189
02:27:25,920 --> 02:27:28,200
Pass me on.
2190
02:27:28,200 --> 02:27:33,240
The pain is All Gonna See You Train Dreams
2191
02:27:33,360 --> 02:27:38,880
From Train Dreams Music by Nick and Bryce
Dessner Lyrics by Nick Cave.
2192
02:27:38,920 --> 02:27:43,680
Lately
I've been dreaming these crazy dreams.
2193
02:27:43,680 --> 02:27:49,960
I can't explain a woman
standing in a few flowers and screaming
2194
02:27:49,960 --> 02:27:54,840
and a locomotive dreaming
crazy dreams that go on for
2195
02:27:55,840 --> 02:27:58,640
sweet dreams of joy From Viva Verdi
2196
02:27:58,640 --> 02:28:06,880
Music and Lyrics by Nicholas Pike Oh,
2197
02:28:10,200 --> 02:28:15,600
so I Lied to You from Sinners,
2198
02:28:15,840 --> 02:28:19,360
Music and Lyrics by Raphael Saadiq
and new Dancing
2199
02:28:20,400 --> 02:28:25,000
Golden from K-Pop
Demon Hunter's Music and Lyrics by D.J.
2200
02:28:25,200 --> 02:28:27,240
Mark Sunday, June two.
2201
02:28:27,240 --> 02:28:31,200
What you Honey Key to Mom, Chunky,
2202
02:28:31,240 --> 02:28:34,240
Soft and Teddy Pop.
2203
02:28:38,840 --> 02:28:40,960
And the Oscar goes to
2204
02:28:45,240 --> 02:28:48,240
Golden
2205
02:28:52,200 --> 02:28:55,440
Goose and
K-Pop Demon Hunter has just made Academy
2206
02:28:55,440 --> 02:29:00,240
Awards history becoming first K-Pop
song to win Best Original Song.
2207
02:29:01,040 --> 02:29:03,360
This is the first Oscar nomination
2208
02:29:03,360 --> 02:29:06,360
for each of the songwriting team.
2209
02:29:13,840 --> 02:29:16,840
Thank Like you.
2210
02:29:18,600 --> 02:29:18,960
Thank you
2211
02:29:18,960 --> 02:29:21,960
so much to the Academy State Awards.
2212
02:29:22,200 --> 02:29:25,200
We got three
2213
02:29:25,560 --> 02:29:26,440
oh going up.
2214
02:29:26,440 --> 02:29:28,920
You know,
people make fun of me, like in K-Pop,
2215
02:29:28,920 --> 02:29:33,400
but now they're everyone's
singing our song and all the lyrics.
2216
02:29:33,400 --> 02:29:35,040
I'm so proud.
2217
02:29:35,040 --> 02:29:37,280
And I realized, like the song
2218
02:29:37,280 --> 02:29:40,520
this award is about,
not about success, it's about resilience.
2219
02:29:41,160 --> 02:29:44,680
And I'm just so grateful to our team and.
2220
02:29:45,360 --> 02:29:48,680
I just want to thank my mom
or dad, my brother,
2221
02:29:48,680 --> 02:29:52,000
my fiance, my manager,
of course, for always staying with me.
2222
02:29:52,000 --> 02:29:56,120
And I also want to think, of course,
the resilience has kept you and Hunter's.
2223
02:29:56,120 --> 02:29:58,320
Thank you so much to Maggie King
and to Chris
2224
02:29:58,320 --> 02:30:02,040
Hawes, that our producer, Michelle Ward,
thank you so much for this film.
2225
02:30:02,080 --> 02:30:04,680
Thank you to Netflix.
Thank you. Sony Animation.
2226
02:30:04,680 --> 02:30:08,160
Thank you for Eisendrath
and Spring Casper's. And
2227
02:30:09,920 --> 02:30:12,920
I do like to.
2228
02:30:23,960 --> 02:30:24,400
Still to
2229
02:30:24,400 --> 02:30:27,400
come, the awards for best director
and best actor.
2230
02:30:27,680 --> 02:30:30,680
Here on the Oscars from the Dolby Theater
at a function
2231
02:30:30,720 --> 02:30:33,720
in Hollywood.
2232
02:30:39,000 --> 02:30:40,600
We're back at the Oscars.
2233
02:30:40,600 --> 02:30:43,720
Please
welcome Zendaya and Robert Pattinson.
2234
02:30:58,080 --> 02:31:00,600
Directing is a rare kind of vision.
2235
02:31:00,600 --> 02:31:03,720
It's the ability
to see a whole world for anyone else can
2236
02:31:04,120 --> 02:31:07,360
and then invite hundreds of people
to help bring it to life.
2237
02:31:07,840 --> 02:31:12,520
Actors, designers, cinematographers,
editors, all guided by their voice.
2238
02:31:13,520 --> 02:31:16,280
The five filmmakers
we celebrate tonight, each created
2239
02:31:16,280 --> 02:31:20,160
something unforgettable stories
that moved us, surprised us,
2240
02:31:20,440 --> 02:31:23,440
and reminded us
why we love going to the movies.
2241
02:31:23,960 --> 02:31:26,960
Here are the nominees for achievement
in directing
2242
02:31:30,760 --> 02:31:33,760
Chloe Zhao and
2243
02:31:35,040 --> 02:31:38,040
Josh Safdie, Matthew suffering,
2244
02:31:39,120 --> 02:31:42,120
Paul Thomas Anderson,
One Battle after another.
2245
02:31:43,080 --> 02:31:45,480
Yong Kim Trip Sentimental not for
2246
02:31:46,800 --> 02:31:48,040
Ryan Coogler.
2247
02:31:48,040 --> 02:31:51,040
Since
2248
02:31:56,280 --> 02:31:59,280
and the Oscar goes to
2249
02:31:59,880 --> 02:32:01,360
one battle after another.
2250
02:32:01,360 --> 02:32:04,360
Paul Thomas Anderson
2251
02:32:06,240 --> 02:32:07,840
This is the second Oscar win
2252
02:32:07,840 --> 02:32:11,160
tonight and 14th nomination for Paul
Thomas.
2253
02:32:11,160 --> 02:32:14,160
Anderson,
2254
02:32:37,120 --> 02:32:39,040
thank you very much.
2255
02:32:39,040 --> 02:32:40,440
Thank you very, very, very much.
2256
02:32:40,440 --> 02:32:42,200
You make a guy work for one of these.
2257
02:32:42,200 --> 02:32:45,200
I really appreciate it.
2258
02:32:46,880 --> 02:32:48,400
I share this
2259
02:32:48,400 --> 02:32:51,400
with a friend of mine
on the other side of the shadows
2260
02:32:51,720 --> 02:32:54,720
who name Adam Sumner, who's up at a
2261
02:32:56,480 --> 02:32:59,160
is it up in a really big bar up in the sky
right now?
2262
02:32:59,160 --> 02:33:02,200
And he's having a gin and tonic
and he is so happy for me
2263
02:33:02,640 --> 02:33:05,640
and our crew.
2264
02:33:06,040 --> 02:33:07,400
I want to thank the Academy
2265
02:33:07,400 --> 02:33:10,400
for finding my work
worthy of this highest honor.
2266
02:33:13,080 --> 02:33:15,560
And my classmates, Chloe
2267
02:33:15,560 --> 02:33:18,560
Ryan Jochem
2268
02:33:18,920 --> 02:33:19,800
and Josh,
2269
02:33:21,240 --> 02:33:24,240
I couldn't ask for a better class.
2270
02:33:25,080 --> 02:33:25,920
It's an honor
2271
02:33:25,920 --> 02:33:28,920
to be counted amongst you guys.
2272
02:33:29,520 --> 02:33:31,200
There will always be some,
2273
02:33:31,200 --> 02:33:34,200
some doubt in your heart
that you deserve it.
2274
02:33:34,200 --> 02:33:37,440
But is there is no question
that the pleasure of having it
2275
02:33:37,440 --> 02:33:40,440
for myself,
2276
02:33:46,480 --> 02:33:49,480
I'm here because of people's faith in me.
2277
02:33:49,760 --> 02:33:52,760
They give me their faith in their time.
2278
02:33:53,880 --> 02:33:54,720
And that's the best part
2279
02:33:54,720 --> 02:33:57,720
about being on a film
crew is being with people.
2280
02:33:58,200 --> 02:34:00,240
So we need each other.
2281
02:34:00,240 --> 02:34:03,240
This is a wonderful gift
and I'm so happy to call the movies home.
2282
02:34:03,240 --> 02:34:05,200
This is really terrific.
2283
02:34:05,200 --> 02:34:06,640
Thank you. From the bottom of my heart.
2284
02:34:06,640 --> 02:34:07,240
I love it.
2285
02:34:07,240 --> 02:34:07,880
Thank you, guys.
2286
02:34:07,880 --> 02:34:10,880
Thank you very much.
2287
02:34:24,520 --> 02:34:25,760
Our next presenter
2288
02:34:25,760 --> 02:34:29,640
heroically saved last year's
Oscars from running short.
2289
02:34:30,200 --> 02:34:33,000
Please welcome Oscar winner Brody.
2290
02:34:43,600 --> 02:34:46,600
Good evening.
2291
02:34:47,080 --> 02:34:50,640
Know all you did.
2292
02:34:56,280 --> 02:34:59,280
I know this has been a long night,
2293
02:35:01,080 --> 02:35:03,240
but, uh.
2294
02:35:03,240 --> 02:35:06,520
But I just one thing here to.
2295
02:35:13,600 --> 02:35:14,120
All right, all right.
2296
02:35:14,120 --> 02:35:14,400
Come on.
2297
02:35:14,400 --> 02:35:16,080
Stop, stop, stop.
2298
02:35:16,080 --> 02:35:19,080
Hold on. Hold the music, please.
2299
02:35:19,080 --> 02:35:22,080
I do have something very important to say.
2300
02:35:24,040 --> 02:35:27,240
And the nominees for lead actor are
2301
02:35:31,840 --> 02:35:32,960
Ethan Hawke.
2302
02:35:32,960 --> 02:35:33,800
Blue Moon.
2303
02:35:33,800 --> 02:35:36,640
You tell me Heart is Drunk.
2304
02:35:36,640 --> 02:35:38,840
This beauty
2305
02:35:38,840 --> 02:35:41,160
tells us the word drunk.
2306
02:35:41,160 --> 02:35:41,520
Vodka.
2307
02:35:41,520 --> 02:35:44,520
No more The secret agent. No,
2308
02:35:45,080 --> 02:35:48,080
no film.
2309
02:35:50,040 --> 02:35:52,120
I just kind of
2310
02:35:52,120 --> 02:35:54,680
do my stuff on my pillow.
2311
02:35:54,680 --> 02:35:57,680
Michael B Jordan Since
2312
02:36:01,560 --> 02:36:04,240
the war, we're all fine
2313
02:36:04,240 --> 02:36:08,000
until it is
Timothy Charlemagne, the Supreme.
2314
02:36:08,760 --> 02:36:10,120
Because nothing sentimental.
2315
02:36:10,120 --> 02:36:10,800
Settle down now.
2316
02:36:10,800 --> 02:36:11,600
Keep it out of your mind.
2317
02:36:11,600 --> 02:36:14,440
I will not settle down right now. Okay.
2318
02:36:14,440 --> 02:36:17,040
Leonardo DiCaprio after.
2319
02:36:23,440 --> 02:36:24,480
Thank you.
2320
02:36:24,480 --> 02:36:26,840
Hey. Thank you, Sensei.
2321
02:36:26,840 --> 02:36:27,520
Thank you so much, sir.
2322
02:36:27,520 --> 02:36:30,520
Thank you.
2323
02:36:40,080 --> 02:36:43,080
And the Oscar goes to
2324
02:36:44,560 --> 02:36:47,560
Michael B Jordan.
2325
02:36:56,400 --> 02:36:57,840
This is the first Oscar win
2326
02:36:57,840 --> 02:37:00,840
and nomination for Michael Jordan.
2327
02:37:42,920 --> 02:37:47,040
Man. God is good.
2328
02:37:47,760 --> 02:37:49,520
God is good.
2329
02:37:49,520 --> 02:37:53,640
And your mama was up.
2330
02:37:56,440 --> 02:37:59,120
Y'all know how I feel about my mother
and my father.
2331
02:37:59,120 --> 02:37:59,520
Your pops?
2332
02:37:59,520 --> 02:38:02,400
Were you at my dad?
2333
02:38:02,400 --> 02:38:03,680
My dad came in from Ghana.
2334
02:38:03,680 --> 02:38:05,880
He flew in from Ghana to be here.
2335
02:38:05,880 --> 02:38:07,360
My brother, my sister's here.
2336
02:38:07,360 --> 02:38:08,960
My family.
2337
02:38:08,960 --> 02:38:09,560
I want to think.
2338
02:38:09,560 --> 02:38:11,600
I want to think.
I want to thank Warner brothers.
2339
02:38:11,600 --> 02:38:16,160
I think Mike and Pam for believing in this
this dream, this vision of Ryan Coogler,
2340
02:38:16,400 --> 02:38:20,280
embedded on a culture, embedded
on original ideas and original artistry.
2341
02:38:20,880 --> 02:38:23,280
And you're an amazing, amazing person.
2342
02:38:23,280 --> 02:38:27,360
I'm so honored to call you a collaborator
and a friend, and you gave me
2343
02:38:27,360 --> 02:38:30,480
an opportunity and space
for me to too, to be seen
2344
02:38:31,040 --> 02:38:33,880
and allow you to lead the deaf.
2345
02:38:33,880 --> 02:38:34,880
I would like to thank
2346
02:38:36,080 --> 02:38:37,960
who my incredible cast.
2347
02:38:37,960 --> 02:38:41,560
I want to thank you so much for giving
smoke opportunity to be him.
2348
02:38:42,120 --> 02:38:43,400
Haley at home.
2349
02:38:43,400 --> 02:38:45,200
You know, just, you know.
Do you really have a baby right now?
2350
02:38:45,200 --> 02:38:48,720
Thank you so much for being the other
of the other half of stack
2351
02:38:50,400 --> 02:38:50,880
Miles.
2352
02:38:50,880 --> 02:38:55,680
Delroy, Jamie,
everybody, Lily, Omar, the entire cast.
2353
02:38:55,720 --> 02:38:57,840
Thank you guys for
for support me through this.
2354
02:38:57,840 --> 02:39:00,600
My team, Phil Sutton, Greg Stewart,
2355
02:39:00,600 --> 02:39:03,600
Lindsey Gallant
2356
02:39:04,800 --> 02:39:07,800
who may go
2357
02:39:10,240 --> 02:39:12,200
as I stand here
2358
02:39:12,200 --> 02:39:15,200
for because of the people that came
before me.
2359
02:39:15,240 --> 02:39:18,240
Sidney Poitier, Denzel Washington,
Halle Berry,
2360
02:39:18,360 --> 02:39:21,360
Jamie Foxx, Forest Whitaker, Will Smith.
2361
02:39:21,760 --> 02:39:26,560
And to be amongst those giants, amongst
those great greats, amongst my ancestors,
2362
02:39:26,560 --> 02:39:27,480
amongst my
2363
02:39:27,480 --> 02:39:29,120
Thank you, everybody in this room
2364
02:39:29,120 --> 02:39:31,600
and everybody at home
for supporting me over my career.
2365
02:39:31,600 --> 02:39:32,560
I feel it.
2366
02:39:32,560 --> 02:39:36,240
I know you guys want me to do well
and and I want to do that
2367
02:39:36,480 --> 02:39:37,840
because you guys bet on me.
2368
02:39:37,840 --> 02:39:40,640
So thank you for keep
up, but keep betting on me
2369
02:39:41,840 --> 02:39:42,120
and I'm
2370
02:39:42,120 --> 02:39:45,840
gonna keep stepping up and I'm keep being
the best version of myself I could be.
2371
02:39:45,840 --> 02:39:46,440
So I just want
2372
02:39:46,440 --> 02:39:49,040
say thank you for everybody in this room
to have something to do with my success.
2373
02:39:49,040 --> 02:39:51,160
I love you guys and everybody at home
2374
02:39:51,160 --> 02:39:52,920
who supported centers,
who went to go see the movie
2375
02:39:52,920 --> 02:39:55,240
once, twice, three or four or five times.
Thank you.
2376
02:39:55,240 --> 02:39:56,480
Because you guys made this movie.
2377
02:39:56,480 --> 02:39:57,520
It is. I love you.
2378
02:39:57,520 --> 02:39:57,960
I love you.
2379
02:39:57,960 --> 02:40:00,960
I love.
2380
02:40:21,240 --> 02:40:21,720
Still
2381
02:40:21,720 --> 02:40:24,720
to come, the awards
for best actress and best picture
2382
02:40:25,080 --> 02:40:28,080
only at the Oscars here on ABC.
2383
02:40:45,960 --> 02:40:48,960
I know what that was about.
2384
02:40:50,120 --> 02:40:51,000
Get there.
2385
02:40:51,000 --> 02:40:52,920
We're almost there.
2386
02:40:52,920 --> 02:40:55,240
Almost. They're
2387
02:40:55,240 --> 02:40:56,880
almost there.
2388
02:40:56,880 --> 02:40:59,880
And they go
2389
02:41:04,160 --> 02:41:07,160
that you never know
2390
02:41:08,200 --> 02:41:11,000
that this next presenter may bring back
2391
02:41:11,000 --> 02:41:14,680
painful memories of accidentally
watching a Nora with your parents.
2392
02:41:14,760 --> 02:41:15,400
Please welcome
2393
02:41:16,920 --> 02:41:17,040
that.
2394
02:41:17,040 --> 02:41:20,040
I did Oscar winner Maggie Madison
2395
02:41:22,720 --> 02:41:37,240
and as artists,
2396
02:41:37,240 --> 02:41:40,720
we're always learning
how to listen to our instincts,
2397
02:41:41,080 --> 02:41:45,240
to one another and to the fundamental
truths inside a story.
2398
02:41:46,240 --> 02:41:51,120
Jessie Rose, Kate, Renata and Emma.
2399
02:41:51,760 --> 02:41:54,520
You left me, all of us, and are
2400
02:41:54,520 --> 02:41:57,520
with your performances.
2401
02:42:00,200 --> 02:42:03,200
Jessie Buckley, Hamnet and
2402
02:42:04,560 --> 02:42:08,000
I left on the ground for what I know.
2403
02:42:08,040 --> 02:42:10,200
I don't know.
2404
02:42:10,200 --> 02:42:10,920
Rose Byrne.
2405
02:42:10,920 --> 02:42:13,920
If I had legs, I keep you not
2406
02:42:14,320 --> 02:42:15,400
none.
2407
02:42:15,400 --> 02:42:17,760
This isn't going to be what it's like.
This, isn't it?
2408
02:42:17,760 --> 02:42:19,840
This can't be it.
2409
02:42:19,840 --> 02:42:24,920
Kate Hudson songs and the bad things
happen over and over and
2410
02:42:24,920 --> 02:42:27,920
I just want to sing and I want to shine
2411
02:42:28,080 --> 02:42:30,480
before another car runs into me.
2412
02:42:30,480 --> 02:42:34,360
Renata rains
that sentimental times shift on
2413
02:42:38,120 --> 02:42:40,040
talking about.
2414
02:42:40,040 --> 02:42:40,920
But she would talk a lot
2415
02:42:41,960 --> 02:42:42,800
that I knew her last.
2416
02:42:42,800 --> 02:42:47,520
Tomorrow was Emma Stone, Begonia
You killed her.
2417
02:42:49,080 --> 02:42:50,640
I figured you'd be apprehended feeding
2418
02:42:50,640 --> 02:42:53,640
antifreeze to a coma patient,
and then I'd be freed.
2419
02:42:53,640 --> 02:42:55,080
I could return to my work.
2420
02:42:55,080 --> 02:42:58,480
But you actually got away with it,
you sick ape.
2421
02:43:04,200 --> 02:43:07,200
And the Oscar goes to
2422
02:43:07,200 --> 02:43:10,200
Jessie Buckley.
2423
02:43:11,800 --> 02:43:13,000
This is the first Oscar
2424
02:43:13,000 --> 02:43:16,000
winner
and second nomination for Jessie Buckley.
2425
02:43:16,040 --> 02:43:18,680
Previously,
she was nominated for a supporting role
2426
02:43:18,680 --> 02:43:21,680
in the Lost Daughter.
2427
02:43:45,640 --> 02:43:53,800
Yeah. Wow.
2428
02:43:56,200 --> 02:43:59,200
Thank you so much.
2429
02:43:59,320 --> 02:44:02,320
This is
2430
02:44:04,440 --> 02:44:07,320
really something.
2431
02:44:07,320 --> 02:44:11,520
Thank you to the incredible women
that I stand beside.
2432
02:44:11,760 --> 02:44:14,600
Am inspired by your art and your heart.
2433
02:44:14,600 --> 02:44:17,600
And I want to work
with every single one of you.
2434
02:44:17,600 --> 02:44:22,640
And to the producers
who created this ship for us to stand in.
2435
02:44:23,160 --> 02:44:25,840
And my shipmates for Life, Hilda,
2436
02:44:25,840 --> 02:44:30,080
Jessica, Lindsay,
Zach None of this is possible without you.
2437
02:44:30,920 --> 02:44:33,920
My family, my Irish family,
they're all here.
2438
02:44:34,200 --> 02:44:36,920
Ireland bought them flight. Where are you
2439
02:44:38,680 --> 02:44:41,160
now? Where can you just fly up?
2440
02:44:41,160 --> 02:44:45,080
Mom? Dad, thank you for teaching us
to dream and to never be defined
2441
02:44:45,080 --> 02:44:48,240
by expectation,
but to carve from your own passion.
2442
02:44:50,440 --> 02:44:53,040
You. Fred.
2443
02:44:53,040 --> 02:44:55,160
I love you, man.
2444
02:44:55,160 --> 02:44:55,840
I love you.
2445
02:44:55,840 --> 02:44:58,320
You're the most incredible
dad. You're my best friend.
2446
02:44:58,320 --> 02:45:00,640
And I want to have 20,000
more babies with you.
2447
02:45:00,640 --> 02:45:03,640
I tell you I do.
2448
02:45:03,640 --> 02:45:06,480
And I love my little girl
who is eight months,
2449
02:45:06,480 --> 02:45:10,080
who has absolutely no idea what's going on
and is probably dreaming milk.
2450
02:45:10,640 --> 02:45:13,200
This is kind of a big deal.
2451
02:45:13,200 --> 02:45:15,000
And I love you and I love being your mom.
2452
02:45:15,000 --> 02:45:17,920
And I can't wait to discover
life beside you.
2453
02:45:17,920 --> 02:45:20,880
Chloe and Maggie
2454
02:45:20,880 --> 02:45:24,240
you two get to know
2455
02:45:25,440 --> 02:45:29,120
this incandescent woman and journey to
2456
02:45:30,320 --> 02:45:32,760
understand the capacity of a mother's
2457
02:45:32,760 --> 02:45:36,000
love is the greatest collision of my life.
2458
02:45:37,320 --> 02:45:39,000
It's.
2459
02:45:39,000 --> 02:45:42,000
It's day in the UK today,
2460
02:45:46,200 --> 02:45:48,960
so I would like to dedicate this
2461
02:45:48,960 --> 02:45:51,960
to the beautiful chaos
of a mother's heart.
2462
02:45:56,480 --> 02:45:58,800
We and we all come from
2463
02:45:58,800 --> 02:46:02,000
a lineage of women
who continue to create, against all odds.
2464
02:46:02,840 --> 02:46:05,120
Thank you for recognizing me in this role.
2465
02:46:05,120 --> 02:46:06,480
This is the greatest honor.
2466
02:46:06,480 --> 02:46:08,040
I can't even believe it.
2467
02:46:08,040 --> 02:46:08,760
Gert. Mm.
2468
02:46:08,760 --> 02:46:11,760
My Sloane.
2469
02:46:23,600 --> 02:46:26,640
Please
welcome Ewan McGregor and Oscar winner
2470
02:46:26,920 --> 02:46:29,920
Nicole Kidman.
2471
02:46:45,680 --> 02:46:47,040
So I have to say,
2472
02:46:47,040 --> 02:46:50,040
I adored all of the films this year.
2473
02:46:50,720 --> 02:46:52,560
Adored?
2474
02:46:52,560 --> 02:46:55,560
Would you say you loved them?
2475
02:46:56,720 --> 02:46:57,840
What? Love?
2476
02:46:57,840 --> 02:47:01,120
You know, like love is like oxygen.
2477
02:47:02,120 --> 02:47:06,880
Oh, love is a many splendid thing.
2478
02:47:06,880 --> 02:47:09,880
Love lifts us up where we belong.
2479
02:47:11,880 --> 02:47:12,320
But I have to
2480
02:47:12,320 --> 02:47:15,480
say, Nicole,
even though it's been 25 years.
2481
02:47:15,600 --> 02:47:18,920
Oh, every time I hear the word love,
I still imagine someone's
2482
02:47:18,920 --> 02:47:21,920
going to lure a chandelier
and cue the orchestra.
2483
02:47:21,920 --> 02:47:23,320
Oh, don't tempt me.
2484
02:47:24,960 --> 02:47:27,360
But I have to say, these nominees
2485
02:47:27,360 --> 02:47:30,360
remind us why we fell in love
with the movies in the first.
2486
02:47:31,760 --> 02:47:34,920
Because all you need is love.
2487
02:47:35,760 --> 02:47:38,200
All you need is love her.
2488
02:47:38,200 --> 02:47:41,720
Her love is all you need.
2489
02:47:45,960 --> 02:47:48,280
And here are the nominations
2490
02:47:48,280 --> 02:47:51,280
for Best picture.
2491
02:47:55,920 --> 02:47:58,840
Agony in Agony and Andrew Moment.
2492
02:47:58,840 --> 02:48:02,200
Yorgos Lanthimos,
Emma Stone and Lesbianism.
2493
02:48:03,080 --> 02:48:04,000
If one.
2494
02:48:04,000 --> 02:48:07,680
Chad Owen, Brad Pitt, Judy Gardner, Jeremy
2495
02:48:07,680 --> 02:48:11,120
Kleiner, Joseph
Kosinski and Jerry Bruckheimer.
2496
02:48:11,960 --> 02:48:14,720
Frankenstein. Guillermo del Toro, J.
2497
02:48:14,720 --> 02:48:17,960
Miles Dale and Scott Stuber Hamnet.
2498
02:48:18,160 --> 02:48:21,880
Liza Marshall,
Pippa Harris, Nicolas Gonda, Steven
2499
02:48:21,880 --> 02:48:25,560
Spielberg and Sam Mendes Marry Supreme.
2500
02:48:26,000 --> 02:48:26,800
Eli Bush.
2501
02:48:26,800 --> 02:48:30,240
Roma Bernstein, Josh Safdie,
Anthony Cattaraugus.
2502
02:48:30,440 --> 02:48:32,880
Timothee Chalamet.
2503
02:48:32,880 --> 02:48:34,560
One Battle after Another.
2504
02:48:34,560 --> 02:48:37,800
Adam Song
Not So Murphy and Paul Thomas Anderson,
2505
02:48:38,840 --> 02:48:39,960
The Secret Agent.
2506
02:48:39,960 --> 02:48:43,080
Emily Lasky, Sentimental Value,
2507
02:48:43,200 --> 02:48:46,120
Maria
Alcohol and Andre a Balanced and Organic
2508
02:48:47,560 --> 02:48:49,680
Simmons Zindzi Coupon
2509
02:48:49,680 --> 02:48:52,680
Ceremony and Ryan Coogler
2510
02:48:53,640 --> 02:48:56,880
train dreams in and Teddy Schwarzman
2511
02:48:57,280 --> 02:49:00,000
will generate Ashley Schaefer
2512
02:49:00,000 --> 02:49:03,000
and Michael Heineman.
2513
02:49:07,840 --> 02:49:11,600
The Oscar goes to one battle
2514
02:49:11,600 --> 02:49:14,600
after another another.
2515
02:49:18,720 --> 02:49:21,720
Frank Darabont Norman
2516
02:49:22,560 --> 02:49:25,200
Academy Awards,
One battle after another won
2517
02:49:25,200 --> 02:49:30,560
six Oscars tonight for casting actor
in a supporting role, adapted screenplay,
2518
02:49:30,760 --> 02:49:33,760
film editing, directing and Best Picture.
2519
02:50:09,320 --> 02:50:12,320
Occupy.
2520
02:50:12,720 --> 02:50:14,560
Thank you.
2521
02:50:14,560 --> 02:50:17,120
Uh, getting to make this film
2522
02:50:17,120 --> 02:50:20,120
with this cast and this crew,
2523
02:50:20,200 --> 02:50:23,200
Paul has already been the
2524
02:50:23,720 --> 02:50:27,320
greatest filmmaking experience
I can fathom, so receiving this award is
2525
02:50:28,600 --> 02:50:32,080
just beyond
my heart is exploding with gratitude.
2526
02:50:32,480 --> 02:50:36,720
You Thank you to Mike,
Mike and Pammy at Warner Brothers.
2527
02:50:37,040 --> 02:50:40,040
Thank you, Brian. Lord,
2528
02:50:40,320 --> 02:50:42,600
thank you to my producing partners,
Adam Sumner,
2529
02:50:42,600 --> 02:50:45,480
Bill Wise,
Erica Frome and I share this with you.
2530
02:50:46,600 --> 02:50:48,840
Thank you to my family
2531
02:50:48,840 --> 02:50:52,720
of four of my parents,
my beautiful brothers, Fannie,
2532
02:50:53,880 --> 02:50:55,840
Josh, Ryan, I love you.
2533
02:50:55,840 --> 02:50:58,320
I'm grateful for you. Polly Okay?
2534
02:50:58,320 --> 02:51:01,320
I just want to say that in 1975,
2535
02:51:01,560 --> 02:51:05,560
the Oscar nominees for Best Picture
were Dog Day, Afternoon, One
2536
02:51:05,560 --> 02:51:10,320
Flew Over the Cuckoo's
Nest, Jaws, Nashville, and Barry Lyndon.
2537
02:51:10,760 --> 02:51:13,200
There is no best among them.
2538
02:51:13,200 --> 02:51:16,200
There is
just what that mood might be that day,
2539
02:51:16,800 --> 02:51:19,200
but we're happy to be part of this.
2540
02:51:19,200 --> 02:51:22,000
A wonderful, wonderful journey
with our fellow nominees.
2541
02:51:22,000 --> 02:51:25,000
Our fellow filmmakers are film filmmakers
that even weren't
2542
02:51:25,440 --> 02:51:26,760
recognized by the Academy.
2543
02:51:26,760 --> 02:51:31,040
There's so many great films this
and I really blew it when I won a Best
2544
02:51:31,040 --> 02:51:34,040
Director award
and I forgot to thank my cast
2545
02:51:35,400 --> 02:51:37,800
with Leo, Benicio, Tiana, Sean,
2546
02:51:39,080 --> 02:51:42,480
Regina,
and especially Chase My American Girl.
2547
02:51:42,480 --> 02:51:46,200
Chase, you are the heart of this movie,
this entire team.
2548
02:51:46,800 --> 02:51:49,080
What a night
you guys, let's have a martini.
2549
02:51:49,080 --> 02:51:52,000
This is pretty amazing heights. Cheers.
Thank you very much.
2550
02:51:52,000 --> 02:51:54,120
Thank you. Thank you.
2551
02:51:54,120 --> 02:51:54,600
Thank you.
2552
02:51:54,600 --> 02:51:57,600
Thank
2553
02:52:03,120 --> 02:52:05,880
an honor and a joy, everybody.
2554
02:52:05,880 --> 02:52:08,880
Marty Short tonight.
2555
02:52:23,200 --> 02:52:23,880
Great show.
2556
02:52:23,880 --> 02:52:26,560
CONAN. Just terrific.
2557
02:52:26,560 --> 02:52:28,240
Gee, thanks.
2558
02:52:28,240 --> 02:52:32,240
In fact, we liked it so much
we've decided to make you
2559
02:52:32,920 --> 02:52:35,920
Oscars Host for life.
2560
02:52:35,920 --> 02:52:38,920
Host for Life. That's right.
2561
02:52:38,920 --> 02:52:40,800
I don't know what to say.
2562
02:52:40,800 --> 02:52:42,800
Let's go see your new office.
2563
02:52:42,800 --> 02:52:45,120
I'd like that very much.
2564
02:52:45,120 --> 02:52:48,080
Your efforts have pleased the Academy
greatly.
2565
02:52:48,080 --> 02:52:51,280
Wow. People have not stopped
talking about your performance.
2566
02:52:52,120 --> 02:52:53,880
It was really something.
2567
02:52:53,880 --> 02:52:56,880
Well, coming from the academy,
that's a real honor, sir.
2568
02:52:57,080 --> 02:52:57,960
An honor you've earned.
2569
02:52:59,160 --> 02:53:00,720
And here we
2570
02:53:00,720 --> 02:53:03,600
suite 55.
2571
02:53:03,600 --> 02:53:05,360
All this for me.
2572
02:53:05,360 --> 02:53:08,360
That's your name, isn't it?
2573
02:53:09,000 --> 02:53:12,000
Going get settled.
2574
02:53:13,480 --> 02:53:16,080
This view is
2575
02:53:16,080 --> 02:53:19,080
incredible.
2576
02:53:20,400 --> 02:53:21,880
Damn it.
2577
02:53:21,880 --> 02:53:23,040
I forgot your keys.
2578
02:53:23,040 --> 02:53:26,040
I'll be right back.
2579
02:53:36,160 --> 02:53:39,160
Host for lie.
2580
02:57:11,280 --> 02:57:12,040
All eligible
2581
02:57:12,040 --> 02:57:15,640
Academy members
participate in Oscars for best picture.
2582
02:57:15,640 --> 02:57:19,720
Nominations are determined by all
eligible members in other categories,
2583
02:57:19,720 --> 02:57:23,080
the nominations are determined by members
of a specific branch
2584
02:57:23,080 --> 02:57:26,640
of voters who meet the categories
eligibility requirements.
2585
02:57:26,720 --> 02:57:30,800
All rounds of Oscars voting are done
by secret ballot that is tabulated
2586
02:57:30,800 --> 02:57:34,800
by the independent
accounting firm of PricewaterhouseCoopers.
2587
02:57:34,880 --> 02:57:38,880
The results of the final round of secret
voting are known only to done.
2588
02:57:38,880 --> 02:57:41,840
Please see, until the sealed
envelopes are opened on the.
193135
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