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1
00:00:26,430 --> 00:00:29,510
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT
2
00:01:12,860 --> 00:01:13,860
[CHEERING AND APPLAUSE]
3
00:01:14,360 --> 00:01:16,730
Man: WELL, IT'S A BEAUTIFUL
EVENING HERE IN LOS ANGELES
4
00:01:16,730 --> 00:01:20,110
AS WE ARE ALREADY UNDERWAY
INSIDE THORNTON AUDITORIUM
5
00:01:20,110 --> 00:01:21,560
FOR THE 35th ANNUAL
6
00:01:21,560 --> 00:01:23,570
ALL-AMERICAN
MOTION PICTURE AWARDS.
7
00:01:43,050 --> 00:01:45,560
THOUGH THIS AWARDS SHOW
HAS NOT BEEN AROUND
8
00:01:45,560 --> 00:01:48,060
AS LONG AS THE PRESTIGIOUS
ACADEMY AWARDS,
9
00:01:48,060 --> 00:01:50,560
OR EVEN THE FOREIGN PRESS
ASSOCIATION'S
10
00:01:50,560 --> 00:01:53,980
GOLDEN GLOBE AWARDS,
THE ALL-AMERICAN STATUE
11
00:01:53,980 --> 00:01:57,480
CONTINUES TO SIGNIFY
EXCELLENCE IN FILMMAKING.
12
00:02:05,830 --> 00:02:08,330
YOU KNOW, I'M JUST AMAZED
AT HOW ENTHUSIASTICALLY
13
00:02:08,330 --> 00:02:11,330
THE GATHERED CROWDS
WELCOME THE ARRIVING STARS,
14
00:02:11,330 --> 00:02:13,280
THE STUDIO MOGULS--
15
00:02:13,280 --> 00:02:15,280
UH, CELEBRITIES
FROM AROUND THE GLOBE.
16
00:02:30,470 --> 00:02:32,470
THE BEST DIRECTOR
FOR AN AMERICAN-MADE FEATURE
17
00:02:32,470 --> 00:02:34,220
IS ABOUT TO BE
ANNOUNCED INSIDE.
18
00:02:34,220 --> 00:02:36,060
THE 3 DIRECTORS WHO HAVE
BEEN TALKED ABOUT THE MOST
19
00:02:36,060 --> 00:02:37,940
ARE CAMERON HAYES,
SWEETS DONNA HEWITT.
20
00:02:37,940 --> 00:02:40,690
MY OWN PICK FOR THE BIG ONE,
MARK MALLORY.
21
00:02:55,290 --> 00:02:57,830
MARK'S GREAT DIRECTING
HAS BEEN OVERLOOKED
22
00:02:57,830 --> 00:02:59,410
BY THE INDUSTRY
FOR MANY YEARS,
23
00:02:59,410 --> 00:03:01,500
BUT THIS YEAR HE'S DONE
THE IMPOSSIBLE.
24
00:03:01,500 --> 00:03:03,720
HE'S REACHED BACK INTO
HOLLYWOOD'S RICHEST GENRE,
25
00:03:03,720 --> 00:03:05,220
THE AMERICAN WESTERN.
26
00:03:25,610 --> 00:03:28,610
BALLINGER CAN KISS
MY IVORY-SCULPTED ASS.
27
00:03:29,110 --> 00:03:30,110
SHE WANTS TO TALK A-LIST?
28
00:03:30,110 --> 00:03:32,610
WE'LL SHOW HER WHO'S
ON THE FUCKING A-LIST.
29
00:03:32,610 --> 00:03:35,620
OH, WHERE'S
MY LITTLE NAKED BUDDY?
30
00:03:35,620 --> 00:03:36,620
HEY, HEY, HEY,
LITTLE BUDDY.
31
00:03:36,620 --> 00:03:38,120
COME TO DADDY, NOW.
32
00:03:38,120 --> 00:03:39,620
OH, THERE YOU ARE.
33
00:03:39,620 --> 00:03:42,620
OOH, I LOVE YOU! MWAH!
34
00:03:42,620 --> 00:03:44,620
WELL, IT IS A BIG NIGHT
FOR YOU, LITTLE BUDDY.
35
00:03:44,620 --> 00:03:46,130
YOU GOT YOURSELF
A BRAND-NEW HOME!
36
00:03:46,130 --> 00:03:47,130
YEAH!
37
00:03:47,630 --> 00:03:50,630
AND YOU ARE GONNA TAKE
A FLYING CARPET RIDE.
38
00:03:51,130 --> 00:03:52,630
WITH KARI
39
00:03:53,130 --> 00:03:54,630
YOU THINK
I'M GONNA LET YOU
40
00:03:54,630 --> 00:03:56,140
USE THAT AS A DILDO,
BUDDY?
41
00:03:56,640 --> 00:03:58,640
YOU'VE BEEN HOOVERING UP
SOME BAD SHIT AGAIN.
42
00:03:58,640 --> 00:04:00,520
HA HA! HUH...
43
00:04:12,650 --> 00:04:14,650
WHAT THE FUCK IS THIS?!
44
00:04:15,150 --> 00:04:18,660
MARK...
WHAT'S GOING ON?
45
00:04:18,660 --> 00:04:19,660
SHH!
46
00:04:21,160 --> 00:04:22,660
FREAKS.
47
00:04:25,160 --> 00:04:26,670
GODDAMN IT!
48
00:04:32,810 --> 00:04:34,310
HELLO?
49
00:04:46,320 --> 00:04:48,820
ALL RIGHT. I WANT YOU
TO GO BACK OUTSIDE.
50
00:04:48,820 --> 00:04:50,320
I WANT YOU TO WAIT
IN THE CAR.
51
00:04:50,320 --> 00:04:51,830
NO, NO, MARK. I WON'T--
52
00:04:51,820 --> 00:04:53,830
OH, KARI--KARI,
FOR THE LOVE OF GOD,
53
00:04:53,830 --> 00:04:55,330
JUST ONCE PRETEND
TO BE AN ACTRESS
54
00:04:55,330 --> 00:04:57,330
WHO CAN TAKE DIRECTION.
GO BACK OUTSIDE,
55
00:04:57,330 --> 00:04:59,330
USE THE CAR PHONE,
CALL 911.
56
00:04:59,330 --> 00:05:00,330
OK.
GO.
57
00:05:00,330 --> 00:05:01,330
BE CAREFUL.
58
00:05:07,840 --> 00:05:08,840
[CLICKING LIGHT SWITCH]
59
00:05:09,340 --> 00:05:10,840
WHAT THE--
60
00:06:51,110 --> 00:06:54,110
[WHISPERING]
Come on, where are you?
61
00:06:55,620 --> 00:06:57,120
[RATTLE]
[GASPS]
62
00:07:06,880 --> 00:07:08,380
[BIRD SCREECHES]
AAH! AAH!
63
00:07:10,380 --> 00:07:11,880
GOD! UHH!
64
00:07:11,880 --> 00:07:13,380
[GLASS BREAKS]
65
00:07:19,340 --> 00:07:21,340
I'VE GOT A WEAPON HERE!
66
00:07:31,850 --> 00:07:33,350
HELLO!
67
00:07:34,850 --> 00:07:37,860
[CREAKING]
68
00:07:44,860 --> 00:07:46,370
WHO ARE YOU?
69
00:07:52,870 --> 00:07:54,370
WHO ARE YOU?
70
00:07:56,880 --> 00:07:58,930
FUCK YOU.
71
00:07:58,930 --> 00:08:00,430
FUCK YOU!
72
00:08:05,940 --> 00:08:08,440
MY STUNT DUMMY?
73
00:08:08,850 --> 00:08:10,860
HOW THE HELL'D THIS
GET IN HERE? UHH!
74
00:08:11,360 --> 00:08:13,860
CALM DOWN.
THERE'S NOBODY HERE.
75
00:08:13,860 --> 00:08:15,360
THERE'S SOMEBODY HERE!
76
00:08:21,370 --> 00:08:22,370
[RATTLING DOORKNOB]
77
00:08:22,370 --> 00:08:24,870
COME ON! UHH!
78
00:08:30,880 --> 00:08:33,380
[RATTLING DOORKNOB]
GOD, OPEN, OPEN!
79
00:08:33,380 --> 00:08:34,380
UH!
80
00:08:38,880 --> 00:08:40,390
[LOCKS DOOR]
81
00:08:43,390 --> 00:08:46,390
SHIT! OH, GOD!
OH, PLEASE, PLEASE.
82
00:08:46,390 --> 00:08:48,900
LOOK, LOOK, I HAVE MONEY.
I CAN PAY YOU.
83
00:08:48,890 --> 00:08:50,900
I CAN GIVE YOU ANYTHING--
84
00:08:50,900 --> 00:08:51,900
LOOK, YOU WANT A PART
IN A MOVIE?
85
00:08:51,900 --> 00:08:54,400
[HAMMERING CONTINUES]
86
00:08:54,900 --> 00:08:55,900
YOU WANT A PART IN A MOVIE?
87
00:08:55,900 --> 00:08:57,400
YOU WANNA BE IN A MOVIE?
88
00:08:59,160 --> 00:09:00,990
OH, PLEASE, GO AWAY!
GO AWAY--
89
00:09:00,990 --> 00:09:02,990
WHY DON'T YOU TAKE MY CAR?
IT'S RIGHT OUT FRONT.
90
00:09:02,990 --> 00:09:03,990
IT'S A BRAND-NEW JAG.
91
00:09:03,990 --> 00:09:05,860
IT'S WORTH A FORTUNE.
JUST TAKE IT!
92
00:09:10,450 --> 00:09:12,450
[CHAIN RATTLING]
93
00:09:18,460 --> 00:09:19,960
[CLANK]
94
00:09:30,850 --> 00:09:32,610
UHH!
95
00:09:32,610 --> 00:09:36,110
YES! YOU MESSED WITH THE
WRONG COMANCHE, ASSHOLE.
96
00:09:40,110 --> 00:09:41,610
YOU OUT THERE?
97
00:09:47,120 --> 00:09:48,620
[SQUISH]
98
00:09:48,620 --> 00:09:52,630
[MARK BREATHING HEAVILY]
99
00:09:54,460 --> 00:09:56,460
[DROPS SWORD]
100
00:09:58,460 --> 00:10:00,470
[WHISPERING]
Oh, fuck.
101
00:10:02,470 --> 00:10:04,970
[UNLOCKS DOOR]
102
00:10:04,970 --> 00:10:06,470
OH...
103
00:10:11,090 --> 00:10:14,100
HUH? OH, NO! KARI!
104
00:10:14,100 --> 00:10:17,100
NO! NO. NO!
105
00:10:17,100 --> 00:10:18,600
OH, GOD!
106
00:10:20,600 --> 00:10:23,610
NO! NO, PLEASE, LOOK.
LOOK, I'M A FAMOUS DIRECTOR.
107
00:10:23,610 --> 00:10:26,110
I CAN MAKE YOU A STAR.
I CAN DO ANYTHING FOR--
108
00:10:26,110 --> 00:10:28,660
OH, SHIT!
109
00:10:28,660 --> 00:10:30,700
AAH!
110
00:10:30,700 --> 00:10:33,250
[YELLING]
111
00:10:44,210 --> 00:10:46,210
THE SUN SHINES HERE
112
00:10:46,210 --> 00:10:48,210
AND THE DAYS ARE SLOW
113
00:10:48,710 --> 00:10:50,720
AND EVERYTHING'S GOOD
114
00:10:51,220 --> 00:10:53,220
AND EVERYONE KNOWS
115
00:10:53,720 --> 00:10:55,720
THE SUN SHINES HERE
116
00:10:55,720 --> 00:10:58,720
AND THE DAYS ARE LONG
117
00:10:59,230 --> 00:11:00,730
NOBODY CRIES
118
00:11:01,230 --> 00:11:03,730
AND NOTHING IS WRONG
119
00:11:03,730 --> 00:11:06,280
THE SUN SHINES HERE
120
00:11:06,780 --> 00:11:08,280
SOMEBODY SHOULD LOCK UP
JEFFREY LUCAS
121
00:11:08,280 --> 00:11:09,790
FOR IMPERSONATING A HUMAN.
122
00:11:09,790 --> 00:11:12,290
THAT MOSS POINT HOUSE
HAS BEEN EMPTY FOR YEARS.
123
00:11:12,290 --> 00:11:13,790
HOW'D YOU GUYS GET IN IT?
124
00:11:13,790 --> 00:11:15,290
JEFFREY BROKE IN.
125
00:11:15,290 --> 00:11:17,790
THEN BY THE TIME WE STARTED
SHOOTING HIS DUMB MOVIE,
126
00:11:17,790 --> 00:11:19,300
IT WAS PAST MIDNIGHT.
127
00:11:19,300 --> 00:11:21,800
JEFFREY IS WALKING AROUND
IN THIS BLACK TRENCH COAT
128
00:11:21,800 --> 00:11:24,300
LIKE HE'S FROM THE POST OFFICE
OR SOMETHING, OK?
129
00:11:24,300 --> 00:11:25,300
WITH HIS LITTLE VIDEO CAMERA,
130
00:11:25,300 --> 00:11:28,810
POURING CORN SYRUP BLOOD
ALL OVER EVERYTHING. UGH!
131
00:11:28,800 --> 00:11:30,810
GOD, MR. HADDEN
IS GONNA FREAK.
132
00:11:30,810 --> 00:11:32,310
THOSE SUMMER
VIDEO PROJECTS
133
00:11:32,310 --> 00:11:34,310
ARE SUPPOSED
TO BE DOCUMENTARIES.
134
00:11:34,310 --> 00:11:35,310
HEH. JEFFREY SAYS
HIS UNCLE'S
135
00:11:35,310 --> 00:11:37,310
GONNA GET THE MOVIE
ENTERED AT SUNDANCE.
136
00:11:37,310 --> 00:11:38,680
FAT CHANCE ON THAT.
137
00:11:38,680 --> 00:11:40,430
THERE'S JASON.
138
00:11:43,270 --> 00:11:45,270
MONSTER,
YOU GOTTA HELP DILLON
139
00:11:45,270 --> 00:11:46,770
WITH HIS COMPUTER CLASS
FIRST SEMESTER.
140
00:11:46,770 --> 00:11:47,770
YEAH.
141
00:11:47,770 --> 00:11:48,770
LIKE YOU PROMISED.
142
00:11:48,770 --> 00:11:50,780
YEAH, MAN, I
GOTTA GET ALL Cs
143
00:11:50,780 --> 00:11:52,280
TO STAY ELIGIBLE
FOR FOOTBALL.
144
00:11:52,280 --> 00:11:54,280
YO, I AM SO DOWN, BRO.
145
00:11:54,280 --> 00:11:55,780
YOU'RE GONNA BE KICKIN' IT.
146
00:11:55,780 --> 00:11:56,780
CHECK IT, MAN.
MY NEW COMPUTER
147
00:11:56,780 --> 00:11:59,290
CAN BIT-BUST ANY OF THAT
SKEEVY CLASSROOM BULLSHIT.
148
00:11:59,290 --> 00:12:00,290
NO PROBLEMO.
149
00:12:00,290 --> 00:12:02,370
WHO'S GONNA
GET BUSTED?
150
00:12:02,370 --> 00:12:03,210
NOBODY. MONSTER'S
GONNA DO
151
00:12:03,210 --> 00:12:04,590
MY COMPUTER HOMEWORK
THIS FALL.
152
00:12:04,590 --> 00:12:05,880
HE'S GONNA
SAVE MY ASS.
153
00:12:06,380 --> 00:12:07,880
OH, YEAH,
AND SPEAKIN' O' ASS--
154
00:12:07,880 --> 00:12:09,380
RAWR RAWR RAWR!
155
00:12:09,380 --> 00:12:11,880
I'M GONNA BE HAVIN'
A PARTY THIS WEEKEND!
156
00:12:11,880 --> 00:12:13,300
ALL RIGHT?
THE PARENTAL UNITS ARE AWAY,
157
00:12:13,300 --> 00:12:14,880
SO WE IS GONNA PAR-TAY.
158
00:12:14,880 --> 00:12:18,300
WE GONNA PAINT THE WALLS
AND PRAY TO DIONYSUS.
159
00:12:18,300 --> 00:12:20,140
THE LAST TIME WE
PRAYED TO DIONYSUS,
160
00:12:20,140 --> 00:12:21,520
YOUR NEIGHBORS
CALLED THE POLICE.
161
00:12:21,520 --> 00:12:23,480
DON'T GET UP
ON MY GRILL, GIRL.
162
00:12:23,480 --> 00:12:25,480
SHI-AT HAPPENS.
163
00:12:25,480 --> 00:12:27,360
WHOA. SHI-AT.
164
00:12:27,360 --> 00:12:30,320
IT'S JEFFREY LUCAS,
THE PARAGON OF EVIL,
165
00:12:30,320 --> 00:12:32,320
BAY CITY HIGH'S
OWN FREDDIE KRUEGER
166
00:12:32,320 --> 00:12:35,450
AND HIS BAT CAVE PRINCESS.
WOOO...
167
00:12:35,450 --> 00:12:38,960
THAT MOVIE OF HIS IS
GONNA BE MAJOR SUCKAGE.
168
00:12:38,960 --> 00:12:40,460
COPY THAT.
169
00:12:43,080 --> 00:12:46,080
NEVER SUMMON ANYTHING
YOU CAN'T BANISH.
170
00:12:46,080 --> 00:12:48,580
THAT IS SO FUCKING
RIGHTEOUS, JEFFREY.
171
00:12:48,580 --> 00:12:51,590
AND NEVER LAUGH AT
SOMEONE WHO IS SKY-CLAD.
172
00:12:52,090 --> 00:12:54,090
OR WHO HAS
A DISEMBODIED SPIRIT.
173
00:12:57,590 --> 00:13:00,600
2 MORE YEARS
IN THIS SINKHOLE? GOD.
174
00:13:00,600 --> 00:13:02,100
SOMETIMES ALL I WANT
175
00:13:02,100 --> 00:13:05,100
IS TO ESCAPE INTO
THE CELT WORLD...
176
00:13:05,600 --> 00:13:08,100
BE WITH THE DARK GODS.
177
00:13:08,100 --> 00:13:11,110
MALEVOLENT ENTITIES
NEVER ASK FOR PHOTO I.D.
178
00:13:11,110 --> 00:13:13,110
THAT IS SO TRUE, JEFFREY.
179
00:13:13,110 --> 00:13:15,610
SOMETIMES DURING THE EQUINOX,
BETWEEN MABON AND SAMHAIN,
180
00:13:15,610 --> 00:13:17,610
I FEEL MY SPIRIT PLUNGE.
181
00:13:17,610 --> 00:13:19,120
I WISH I HAD SOMETHING
THAT I LOVED
182
00:13:19,110 --> 00:13:20,620
LIKE YOU HAVE YOUR MOVIES.
183
00:13:21,120 --> 00:13:24,370
MY MOVIES ARE WASTED
ON PEOPLE LIKE THEM.
184
00:13:24,370 --> 00:13:25,920
ECCH.
185
00:13:25,920 --> 00:13:28,710
THEY WILL NEVER
GET IT, ZARA.
186
00:13:28,710 --> 00:13:32,210
THEY DON'T SEE THE BEAUTY
IN THE ANCIENT GRIMMERIES.
187
00:13:32,710 --> 00:13:33,710
DO YOU THINK MR. HADDEN
188
00:13:33,710 --> 00:13:35,210
WILL ACCEPT
YOUR SUMMER PROJECT?
189
00:13:35,210 --> 00:13:36,720
I MEAN, YOU COULD
GET IN TROUBLE.
190
00:13:36,720 --> 00:13:38,220
[SCOFFS] MR. HADDEN
191
00:13:38,220 --> 00:13:41,220
WILL ONLY GAIN STATURE
IN THE NETHER WORLD
192
00:13:41,220 --> 00:13:43,720
WHEN HE IS FINALLY
EATEN ALIVE
193
00:13:43,720 --> 00:13:45,720
BY THE WANDERING
DEMONIC HORDES.
194
00:13:45,720 --> 00:13:47,230
[EVIL LAUGH]
195
00:13:47,230 --> 00:13:48,730
[ZARA GIGGLES]
196
00:13:48,730 --> 00:13:51,730
VERY COOL, JEFFREY.
EXTREMELY BITCHIN'.
197
00:13:51,730 --> 00:13:54,620
[BELL RINGS]
198
00:13:54,620 --> 00:13:57,900
MY NAME IS CARL HADDEN,
199
00:13:57,900 --> 00:14:01,410
AND FOR THOSE NEW STUDENTS
THAT I HAVEN'T MET YET,
200
00:14:01,410 --> 00:14:03,910
I'M YOUR PRINCIPAL HERE
AT BAY CITY HIGH,
201
00:14:03,910 --> 00:14:05,910
BUT I ALSO TEACH
THIS ONE CLASS
202
00:14:06,410 --> 00:14:07,910
IN SOCIAL THEORY,
COMMUNICATIONS,
203
00:14:07,910 --> 00:14:09,420
AND NEWS INSTITUTIONS.
204
00:14:09,420 --> 00:14:12,840
I'M REALLY, REALLY EXCITED
ABOUT OUR STUDY PLAN THIS YEAR.
205
00:14:13,340 --> 00:14:14,970
WE'RE GONNA GET
INTO THE WHOLE DEBATE
206
00:14:14,970 --> 00:14:16,470
ON THE CONSTRUCTION
OF REALITY IN NEWS
207
00:14:16,970 --> 00:14:18,340
AND NARROW-CASTING
IN THE MEDIA.
208
00:14:18,340 --> 00:14:20,340
REAL FUN STUFF.
209
00:14:20,340 --> 00:14:24,180
OK, SO, UM, I'VE GOT
A WONDERFUL READING LIST
210
00:14:24,180 --> 00:14:26,180
FOR THIS YEAR.
211
00:14:27,070 --> 00:14:30,320
WELL, I LEFT MY BRIEFCASE
BACK IN MY OFFICE.
212
00:14:30,320 --> 00:14:33,820
COULD I HAVE A VOLUNTEER TO
GO BACK AND GET THAT FOR ME?
213
00:14:37,190 --> 00:14:40,080
NO? UH, DILLON,
WILL YOU GET IT, PLEASE?
214
00:14:40,080 --> 00:14:41,830
YOU BET, MR. HADDEN.
215
00:14:41,830 --> 00:14:43,830
OOH...
[MAKES KISSING NOISES]
216
00:14:43,830 --> 00:14:45,330
GOOD JOB, DILLON.
217
00:14:45,330 --> 00:14:46,700
OH, OH, AND DILLON?
218
00:14:46,700 --> 00:14:48,450
IF YOU COULD GET
MY READING SPECS, PLEASE?
219
00:14:48,450 --> 00:14:49,340
I THINK THEY'RE ON MY DESK.
220
00:14:49,340 --> 00:14:51,120
I THINK THEY'RE
ON YOUR HEAD, SIR.
221
00:14:51,120 --> 00:14:53,590
[LAUGHTER]
222
00:14:54,090 --> 00:14:56,600
SO THEY ARE.
223
00:14:56,600 --> 00:14:59,130
YOU KNOW, I THINK
I'D LOSE MY HEAD
224
00:14:59,630 --> 00:15:01,350
IF IT WEREN'T ATTACHED
TO MY SHOULDERS.
225
00:15:01,350 --> 00:15:03,800
Whispery male voice:
THAT CAN BE ARRANGED.
226
00:15:05,100 --> 00:15:06,610
WHO SAID THAT?
227
00:15:09,270 --> 00:15:12,730
LOOK, LOOK, PEOPLE, LET'S
GET OVER SUMMER, ALL RIGHT?
228
00:15:12,730 --> 00:15:14,230
UH, WE'VE GOT
A LOT OF WORK TO DO
229
00:15:14,230 --> 00:15:15,610
AND I REALLY WANT
TO BUCKLE DOWN.
230
00:15:15,610 --> 00:15:18,480
WHAT I'D LIKE
TO START OUT BY DOING
231
00:15:18,480 --> 00:15:20,370
IS SCREENING OUR SUMMER
VIDEO PROJECTS.
232
00:15:20,370 --> 00:15:21,740
MAYBE WE'LL DO 2 A DAY
233
00:15:21,740 --> 00:15:23,240
AND THEN HAVE
DISCUSSIONS AFTERWARD.
234
00:15:23,240 --> 00:15:24,240
Boy: YEAH.
235
00:15:24,240 --> 00:15:25,740
WHO WOULD LIKE TO BE FIRST?
236
00:15:27,630 --> 00:15:29,960
ANY VOLUNTEERS?
237
00:15:29,960 --> 00:15:34,470
NOBODY? OK, THEN
I'LL JUST TAKE POTLUCK.
238
00:15:34,470 --> 00:15:37,720
Boy, softly: OH, GOD,
I LOVE THE WAY...
239
00:15:37,720 --> 00:15:40,220
JEFF LUCAS.
YOU'RE THE LUCKY WINNER.
240
00:15:40,220 --> 00:15:42,010
OH, THERE'S NO TITLE
ON THIS, JEFF.
241
00:15:42,010 --> 00:15:43,510
GONNA HAVE TO
DING YOU THERE.
242
00:15:43,510 --> 00:15:45,510
YOU SEE, A TITLE
ON A DOCUMENTARY
243
00:15:45,510 --> 00:15:46,510
IS VERY IMPORTANT,
244
00:15:46,510 --> 00:15:48,510
VERY MUCH LIKE A TOPIC
SENTENCE ON AN ESSAY.
245
00:15:48,510 --> 00:15:50,400
MY FILM
DEFIES LABELING.
246
00:15:50,400 --> 00:15:53,270
IT'S A PATH
TO HIGHER LEARNING.
247
00:15:53,270 --> 00:15:56,610
OOH, WAY TO KICK THE OLD
BALL AROUND, JEFFY-JEFF.
248
00:15:56,610 --> 00:15:58,320
OK, OK, LET'S CALM DOWN.
249
00:15:58,320 --> 00:15:59,830
NOW--NOW--NOW, I'D LIKE
TO PURSUE THIS.
250
00:15:59,830 --> 00:16:01,330
THIS IS VERY INTERESTING,
JEFF.
251
00:16:01,330 --> 00:16:04,330
SO WHAT YOU'RE SAYING
IS THAT A DOCUMENTARY
252
00:16:04,330 --> 00:16:06,330
NEED NOT NECESSARILY
HAVE A TITLE
253
00:16:06,330 --> 00:16:08,830
IF IT SEEKS TO INSTRUCT
AND EDUCATE.
254
00:16:08,830 --> 00:16:10,790
NO. WHAT I'M SAYING IS,
255
00:16:10,790 --> 00:16:13,170
THIS WHOLE PROJECT
SUCKED ASS.
256
00:16:13,170 --> 00:16:15,790
[STUDENTS MURMURING]
257
00:16:15,790 --> 00:16:16,790
SO I IGNORED
THE ASSIGNMENT
258
00:16:16,790 --> 00:16:18,680
AND I DID
WHAT I WANTED TO.
259
00:16:18,680 --> 00:16:21,850
YOU REALLY TRY MY PATIENCE,
MR. LUCAS.
260
00:16:24,350 --> 00:16:26,720
OK, LET'S SEE
WHAT WE'VE GOT HERE.
261
00:16:28,970 --> 00:16:30,360
SOMEBODY GET THE LIGHTS.
262
00:16:30,360 --> 00:16:32,360
[MUSIC PLAYS
IN JEFF'S MOVIE]
263
00:16:36,860 --> 00:16:39,370
Girl: IT ALL STARTED THAT
FIRST SUMMER AT MOSS POINT
264
00:16:39,360 --> 00:16:42,370
WHEN I DECIDED TO CONTACT
MY DEAD FATHER.
265
00:16:42,370 --> 00:16:44,870
HIS DEMON SPIRIT
WAS TRAPPED IN THAT HOUSE
266
00:16:44,870 --> 00:16:46,370
AND WAS TORMENTING ME.
267
00:16:50,240 --> 00:16:52,710
WHOO-OO!
268
00:16:55,710 --> 00:16:57,220
[LIQUID BUBBLING]
269
00:16:57,220 --> 00:17:01,220
BY YOUR POWERS
ON THIS NIGHT...
270
00:17:03,220 --> 00:17:04,720
[LAUGHTER]
271
00:17:05,220 --> 00:17:06,730
[GIRL IN CLASS LAUGHS]
OH, MY GOD!
272
00:17:06,730 --> 00:17:10,230
EMPOWER THIS TOOL...
BEGIN THE FIGHT.
273
00:17:11,230 --> 00:17:15,100
HA! EMPOWER THIS TOOL,
JEFF!
274
00:17:15,100 --> 00:17:16,520
WHOA!
275
00:17:16,520 --> 00:17:17,400
YOU'RE ON LUNCH
CLEAN-UP, MR. MOOLEY.
276
00:17:17,400 --> 00:17:19,400
NOW SIT DOWN. SIT DOWN.
277
00:17:27,910 --> 00:17:30,920
[GIRL SCREAMS]
278
00:17:30,920 --> 00:17:34,920
[CLASS GROANS]
279
00:17:34,920 --> 00:17:36,670
[CLASS LAUGHS]
280
00:17:36,670 --> 00:17:40,010
EVERYBODY, KELLY
FINALLY GIVES HEAD!
281
00:17:40,010 --> 00:17:41,510
SHUT UP!
282
00:17:41,510 --> 00:17:42,510
Hadden: OK, OK, THAT'S
ENOUGH OF THAT, MONSTER.
283
00:17:42,510 --> 00:17:44,710
NOW CALM DOWN.
CALM DOWN, EVERYBODY.
284
00:17:44,710 --> 00:17:46,520
STOP IT!
285
00:17:46,520 --> 00:17:48,770
STOP LAUGHING!
286
00:17:48,770 --> 00:17:50,640
STOP LAUGHING!
287
00:17:50,640 --> 00:17:52,470
YOU PEOPLE ARE
ALL FUCKING DEAD.
288
00:17:52,470 --> 00:17:54,360
DEAD ABOVE GROUND.
289
00:17:54,360 --> 00:17:56,860
CAN'T YOU SEE THE EVIL
THAT'S IN ME?
290
00:17:56,860 --> 00:18:01,530
YOU, YOU,
AND ESPECIALLY YOU.
291
00:18:01,530 --> 00:18:03,870
DEAD ABOVE GROUND,
ALL OF YOU.
292
00:18:03,870 --> 00:18:04,730
THESE SUMMER
VIDEO PROJECTS
293
00:18:05,230 --> 00:18:05,730
ARE SUPPOSED TO BE
294
00:18:06,230 --> 00:18:07,240
ABOUT THE COMMUNITY,
JEFF.
295
00:18:07,240 --> 00:18:08,240
THIS IS TOTALLY
UNACCEPTABLE.
296
00:18:08,740 --> 00:18:10,120
YOU'RE TOTALLY
UNACCEPTABLE.
297
00:18:10,120 --> 00:18:13,740
YOU ARE ABOUT NOTHING,
298
00:18:13,740 --> 00:18:15,710
MR. HADDEN.
299
00:18:15,710 --> 00:18:16,630
YOUR END IS NIGH!
300
00:18:16,630 --> 00:18:18,160
JASON, GO GET
COACH DONALDSON.
301
00:18:18,160 --> 00:18:19,670
Jason: YES, SIR.
302
00:18:25,300 --> 00:18:27,810
YOU WILL DIE ON THE
SEVENTH EQUINOX OF MABON.
303
00:18:27,810 --> 00:18:29,310
HEY, JEFF, YOU KNOW,
YOUR TEACHERS RECS
304
00:18:29,310 --> 00:18:31,680
FOR COLLEGE ARE
REALLY GONNA SUCK.
305
00:18:31,680 --> 00:18:34,510
YOU WILL ALL TASTE
THE AXE OF RECKONING!
306
00:18:34,510 --> 00:18:35,760
MR. HADDEN, YOU WANT ME
TO GET THIS JERK
307
00:18:35,760 --> 00:18:36,770
OUT OF HERE FOR YOU?
308
00:18:36,770 --> 00:18:37,820
DILLON, WOULD YOU--
309
00:18:37,820 --> 00:18:39,820
HEY! WHAT THE FU--
GET OFF OF ME!
310
00:18:39,820 --> 00:18:40,820
HEY, HEY!
311
00:18:40,820 --> 00:18:42,650
DILLON,
DILLON, SIT DOWN.
312
00:18:42,650 --> 00:18:45,660
OK, OK.
SHADOWS! [YELLING]
313
00:18:45,660 --> 00:18:47,660
ONE MORE TIME,
SHUT UP! COME ON.
314
00:18:48,160 --> 00:18:49,830
KEEP MOVING. GO.
315
00:18:50,200 --> 00:18:52,160
SOON BE FILLED
WITH...[SHOUTING]
316
00:18:52,160 --> 00:18:53,670
TAKE HIM TO
DR. BOONE'S OFFICE.
317
00:18:53,670 --> 00:18:55,670
TAKE HIM
TO DR. BOONE.
318
00:18:56,170 --> 00:18:59,040
YOU DON'T SEE
WHAT HE SEES.
319
00:18:59,040 --> 00:19:00,790
Hadden: I'M TELLING YOU,
HE JUST WENT CRAZY.
320
00:19:00,790 --> 00:19:01,790
NO RUNNING
ON THE WALKWAYS.
321
00:19:01,790 --> 00:19:02,790
YOU, TOO, DAVID.
NO RUNNING.
322
00:19:02,790 --> 00:19:04,290
IS THAT
A MEDICAL OPINION?
323
00:19:04,790 --> 00:19:06,300
NO, IT'S THE PRINCIPAL'S
OPINION.
324
00:19:06,290 --> 00:19:07,800
WELL, I DON'T THINK
WE SHOULD START OFF
325
00:19:07,800 --> 00:19:09,300
BY CALLING HIM CRAZY,
CARL.
326
00:19:09,300 --> 00:19:11,800
THIS SOUNDS LIKE
A CLASSIC CRY FOR HELP.
327
00:19:11,800 --> 00:19:12,800
WELL, I'M NOT SO SURE.
328
00:19:12,800 --> 00:19:14,300
THIS IS YOUR FIRST
COUNSELING JOB
329
00:19:14,300 --> 00:19:16,300
AND I'VE BEEN TEACHING
FOR 25 YEARS.
330
00:19:16,300 --> 00:19:19,810
I CERTAINLY OUGHT TO KNOW
A FOUL BALL WHEN I SEE ONE.
331
00:19:19,810 --> 00:19:21,190
[MANIACAL LAUGHTER]
332
00:19:21,190 --> 00:19:22,190
Coach: SHUT UP!
333
00:19:22,690 --> 00:19:23,700
Hadden: OH, MY.
334
00:19:36,990 --> 00:19:38,380
GREAT OUTFIT, BREN.
335
00:19:38,380 --> 00:19:40,250
THAT'S HARDLY THE POINT.
336
00:19:40,250 --> 00:19:42,250
MAYBE YOU SHOULD
STICK AROUND, TOM,
337
00:19:42,250 --> 00:19:44,250
AT LEAST UNTIL I GET
THIS CALMED DOWN.
338
00:19:44,250 --> 00:19:47,140
I'VE NEVER COUNSELED
A FOUL BALL BEFORE.
339
00:19:47,140 --> 00:19:47,970
OH, FOUL BALLS ARE EASY.
340
00:19:47,970 --> 00:19:50,470
YOU CATCH IT,
THE RUNNER'S OUT.
341
00:19:50,470 --> 00:19:51,970
YOUR PLAY'S AT ANY BASE.
342
00:19:51,970 --> 00:19:54,340
GOOD OBSERVATION.
VERY HELPFUL.
343
00:19:54,340 --> 00:19:56,850
LISTEN, I THINK SOMEBODY
SHOULD GO IN THERE WITH YOU
344
00:19:56,850 --> 00:19:57,850
TO PROTECT YOU.
345
00:19:57,850 --> 00:20:00,350
NO, NO, I'M PRETTY SURE
I SHOULD GO IN THERE
346
00:20:00,350 --> 00:20:02,230
AND TALK TO HIM MYSELF.
347
00:20:02,230 --> 00:20:04,570
I'LL BE RIGHT HERE.
I'LL BE HERE, BRENDA.
348
00:20:10,440 --> 00:20:12,190
PLEASE.
349
00:20:12,190 --> 00:20:15,530
Jeff: ...VERY EXISTENCE
UNTIL YOU HAVE SUCCUMBED
350
00:20:15,530 --> 00:20:20,040
TO MY EVIL DEEDS IN THIS
PLACE THAT IS NOT A PLACE.
351
00:20:20,040 --> 00:20:21,920
WITNESS WHAT I UNDERTAKE!
352
00:20:21,920 --> 00:20:23,090
PUT IT DOWN, JEFF.
353
00:20:23,090 --> 00:20:26,170
EVEN INDOORS, I FEEL THE
STILLNESS OVER EVERYTHING.
354
00:20:26,170 --> 00:20:29,680
OVER MY BOOTS,
STANDING BY THE CHAIR.
355
00:20:29,680 --> 00:20:33,180
OVER THE RADIO,
PLAYING SMALL INSTRUMENTALS
356
00:20:33,180 --> 00:20:36,050
LIKE FLOWERS RESTING
ON VELVET.
357
00:20:36,050 --> 00:20:38,640
JEFF, GIVE ME
THE TROPHY. PLEASE?
358
00:20:38,640 --> 00:20:40,390
WHAT ARE YOU DOING HERE?
359
00:20:41,720 --> 00:20:43,730
IT'S MY OFFICE.
360
00:20:43,730 --> 00:20:45,730
I NEED TO TALK
TO YOU, JEFF.
361
00:20:45,730 --> 00:20:50,150
PURE BEING IS INDIVISIBLE
AND UNALTERABLE MOTION.
362
00:20:50,150 --> 00:20:51,530
WE STOP THE RUSH OF BEING
363
00:20:51,530 --> 00:20:53,320
AND FORM
IN THE VISIBLE WORLD
364
00:20:53,320 --> 00:20:58,820
BY CUTTING ETERNITY UP
INTO TIME AND SPACE.
365
00:20:58,820 --> 00:21:00,330
WE DO?
366
00:21:00,330 --> 00:21:01,830
YES.
367
00:21:03,330 --> 00:21:05,330
YES.
368
00:21:15,340 --> 00:21:17,730
Tom: THIS KID IS
CERTIFIABLE.
369
00:21:17,730 --> 00:21:20,180
YOU WANT MY OPINION?
370
00:21:20,180 --> 00:21:22,680
YOU SHOULD GET THE GUYS
WITH THE BUTTERFLY NETS
371
00:21:22,680 --> 00:21:23,680
TO HAUL HIM OUT OF HERE.
372
00:21:23,680 --> 00:21:25,680
I REALLY DON'T NEED
YOUR OPINION, TOM.
373
00:21:25,680 --> 00:21:27,190
STICK TO FOOTBALL.
374
00:21:27,190 --> 00:21:29,690
HEH HEH HEH.
ALL I'M SAYING IS,
375
00:21:29,690 --> 00:21:32,190
THE KID IS
OBVIOUSLY VAPOR-LOCKED.
376
00:21:32,690 --> 00:21:34,190
A REAL NUT JOB.
377
00:21:34,190 --> 00:21:36,700
YOU MAY NEED THE GUYS
WITH THE WHITE COATS.
378
00:21:36,700 --> 00:21:38,200
I SAID I'D
TAKE CARE OF IT.
379
00:21:40,200 --> 00:21:42,700
ALL RIGHT.
380
00:21:42,700 --> 00:21:45,700
ANYTHING YOU SAY, CARL.
381
00:21:45,700 --> 00:21:47,210
OH, BY THE WAY,
382
00:21:47,210 --> 00:21:49,210
BRENDA TOLD ME
ABOUT YOUR POOL PARTY.
383
00:21:49,210 --> 00:21:50,710
DIDN'T GET MY INVITE.
384
00:21:50,710 --> 00:21:53,850
WELL, IT'S JUST FOR MY
COMMUNICATIONS CLASS ONLY.
385
00:21:53,850 --> 00:21:56,050
AH. WELL, I'LL BE
COMING WITH BRENDA.
386
00:21:56,050 --> 00:21:57,300
HOPE THAT WORKS.
387
00:22:00,300 --> 00:22:02,050
YOU TWO ARE GOING OUT?
388
00:22:02,050 --> 00:22:04,360
HA! KABOOM!
COACH SCORES!
389
00:22:04,360 --> 00:22:05,610
HA HA HA!
390
00:22:08,810 --> 00:22:10,730
JEFF?
391
00:22:11,230 --> 00:22:13,230
I'M OVER HERE.
TRY AND FOCUS.
392
00:22:15,730 --> 00:22:16,740
JEFF.
393
00:22:20,990 --> 00:22:24,830
SOMETIMES YOU LOSE MORE
OF YOURSELF THAN YOU REDEEM.
394
00:22:31,500 --> 00:22:34,500
I'VE TRIED TO REACH YOUR
MOM AND DAD 3 TIMES,
395
00:22:34,500 --> 00:22:37,010
BUT THE NUMBER YOU GAVE
THE ADMINISTRATION
396
00:22:37,010 --> 00:22:39,010
HAS BEEN DISCONNECTED.
397
00:22:39,010 --> 00:22:42,510
IF I CAN'T LOCATE
YOUR PARENTS,
398
00:22:42,510 --> 00:22:45,510
I'LL HAVE TO REPORT THAT
TO CHILD SERVICES.
399
00:22:45,510 --> 00:22:49,520
IN CELTIC FAMILIES, FOSTERAGE
WAS COMMONLY PRACTICED,
400
00:22:49,520 --> 00:22:51,520
WEAVING BONDS BETWEEN CLANS
401
00:22:51,520 --> 00:22:53,520
AND ENCOURAGING CLOSENESS
402
00:22:53,520 --> 00:22:56,520
BETWEEN UNRELATED INDIVIDUALS.
403
00:22:56,520 --> 00:22:58,530
[SIGHS AND CHUCKLES]
404
00:23:04,000 --> 00:23:07,370
THAT'S REALLY A NICE OUTFIT,
DR. BOONE.
405
00:23:11,170 --> 00:23:13,370
[LOUD JAZZ MUSIC PLAYING]
406
00:23:13,380 --> 00:23:15,340
[PEOPLE CHATTERING]
407
00:23:18,850 --> 00:23:20,880
WHOA. COME ON, KIDS.
408
00:23:23,390 --> 00:23:25,390
OK. LET'S SEE...
409
00:23:28,890 --> 00:23:29,890
LET'S GET OUT OF HERE.
410
00:23:30,390 --> 00:23:31,890
MR. HADDEN'S PARTIES
ARE FROM THE STONE AGE.
411
00:23:31,890 --> 00:23:34,400
YEAH, THIS ONE'S
A REAL MAYBELLINE WASTE,
412
00:23:34,400 --> 00:23:36,400
BUT YOU GOTTA GET
A "C" IN COMMUNICATIONS
413
00:23:36,400 --> 00:23:37,400
TO STAY ELIGIBLE.
414
00:23:37,400 --> 00:23:39,320
DADDY SAYS IF YOU DON'T
GET YOUR GRADES UP,
415
00:23:39,320 --> 00:23:40,240
IT DOESN'T EVEN MATTER
416
00:23:40,240 --> 00:23:41,240
IF YOU GET A FOOTBALL
SCHOLARSHIP.
417
00:23:41,240 --> 00:23:42,490
THEY WON'T LET YOU IN.
418
00:23:44,820 --> 00:23:45,820
WHAT'S WRONG?
419
00:23:45,820 --> 00:23:46,710
NOTHING.
420
00:23:46,710 --> 00:23:48,130
WHAT DO YOU MEAN,
NOTHING?
421
00:23:48,130 --> 00:23:49,490
I CAN TELL WHEN
SOMETHING IS WRONG.
422
00:23:49,490 --> 00:23:50,960
IT'S JUST--
423
00:23:50,960 --> 00:23:52,830
SOMETIMES I FEEL KIND OF
OUT OF PLACE AROUND HERE.
424
00:23:52,830 --> 00:23:54,630
THAT'S CRAZY. WHY DO YOU
SAY THINGS LIKE THAT?
425
00:23:55,130 --> 00:23:57,140
IT'S JUST YOU'RE
SO BEAUTIFUL AND SMART.
426
00:23:57,140 --> 00:23:59,420
YOUR DAD'S A FAMOUS
HOLLYWOOD WRITER.
427
00:23:59,420 --> 00:24:01,920
AND ALL THESE OTHER KIDS,
THEIR DADS RUN COMPANIES.
428
00:24:01,920 --> 00:24:04,430
EVERYONE IN SCHOOL
HAS EITHER A BRAND-NEW BMW
429
00:24:04,430 --> 00:24:05,430
OR AN ACURA.
430
00:24:05,430 --> 00:24:07,310
I DRIVE AN OLD CAMARO.
I DON'T BELONG.
431
00:24:07,310 --> 00:24:08,730
I DON'T WANT
TO HEAR THIS.
432
00:24:08,730 --> 00:24:09,730
IT'S SILLY, DILLON.
433
00:24:09,730 --> 00:24:10,730
IS IT?
434
00:24:10,730 --> 00:24:12,100
YOU KNOW, SOMETIMES I THINK
435
00:24:12,100 --> 00:24:13,600
YOUR PARENTS WOULD RATHER
I JUST WENT AWAY.
436
00:24:13,600 --> 00:24:15,570
MY PARENTS?
437
00:24:15,570 --> 00:24:17,110
THEY--THEY--
438
00:24:17,110 --> 00:24:17,990
YEAH.
439
00:24:17,990 --> 00:24:22,240
THEY RESPECT YOU,
DILLON. THEY DO.
440
00:24:22,240 --> 00:24:23,660
MY MOM WORKS
IN THE PHARMACY,
441
00:24:23,660 --> 00:24:26,170
AND YOUR MOM DOESN'T EVEN TALK
TO HER WHEN SHE GOES IN THERE.
442
00:24:26,160 --> 00:24:28,170
AND SOMETIMES I FEEL LIKE
THERE'S MORE SEPARATING US
443
00:24:28,670 --> 00:24:29,670
THAN HOLDING US TOGETHER.
444
00:24:29,670 --> 00:24:31,170
SHH.
445
00:24:31,170 --> 00:24:32,170
STOP IT.
446
00:24:33,670 --> 00:24:36,430
NOTHING WILL EVER COME
BETWEEN US, I PROMISE.
447
00:24:36,420 --> 00:24:38,130
I LOVE YOU, DILLON.
448
00:24:41,130 --> 00:24:42,630
EVEN MORE
THAN MY OWN LIFE.
449
00:24:45,850 --> 00:24:49,100
I PROMISE...
WE'LL BE TOGETHER ALWAYS.
450
00:25:04,700 --> 00:25:06,070
HEY, NO RUNNING
ON THE DECK!
451
00:25:06,070 --> 00:25:07,820
AND NO WATER BALLOONS!
452
00:25:07,820 --> 00:25:09,820
OH, CARL!
453
00:25:09,820 --> 00:25:11,830
ARE YOU ALL RIGHT?
OH, MY GOD.
454
00:25:11,830 --> 00:25:13,330
YOU'RE--
455
00:25:13,330 --> 00:25:14,830
I KNOW, I KNOW.
456
00:25:14,830 --> 00:25:17,330
WELL, YOU KNOW,
I THINK JEFF LUCAS
457
00:25:17,830 --> 00:25:19,830
IS EXHIBITING
SCHIZOPHRENIC BEHAVIOR,
458
00:25:19,830 --> 00:25:21,340
AND I CAN'T REACH HIS PARENTS.
459
00:25:21,340 --> 00:25:23,340
WELL, WHAT PASSES FOR
PARENTING IN THIS TOWN
460
00:25:23,340 --> 00:25:24,840
IS A CRIME.
461
00:25:24,840 --> 00:25:26,840
I NEED TO GET THROUGH
TO HIS MOM AND DAD,
462
00:25:26,840 --> 00:25:27,840
BUT THEIR NUMBER'S
NOT IN SERVICE,
463
00:25:27,840 --> 00:25:29,340
AND HE WON'T GIVE ME ANOTHER.
464
00:25:29,340 --> 00:25:31,260
WELL, WHAT ABOUT
GEORGE LUCAS?
465
00:25:31,260 --> 00:25:33,260
I MEAN, JEFF'S
ALWAYS BRAGGING
466
00:25:33,260 --> 00:25:35,270
ABOUT HOW HE GOES UP
THERE IN THE SUMMERTIME
467
00:25:35,270 --> 00:25:38,270
TO VISIT HIS UNCLE
AT, UH, SKYWALKER RANCH
468
00:25:38,270 --> 00:25:39,770
IN MILL VALLEY
OR WHEREVER IT IS.
469
00:25:39,770 --> 00:25:40,660
WHY DON'T YOU CALL HIM?
470
00:25:40,660 --> 00:25:42,440
CALL GEORGE LUCAS?
471
00:25:42,440 --> 00:25:44,440
NOW, HOW AM I
GONNA GET THROUGH
472
00:25:44,440 --> 00:25:45,940
TO A WORLD-FAMOUS DIRECTOR
LIKE HIM?
473
00:25:45,940 --> 00:25:46,950
WELL, I--
474
00:25:46,950 --> 00:25:49,450
CARL, IF YOU WANT TO KEEP
THESE KIDS FROM SPLITTING,
475
00:25:49,450 --> 00:25:51,450
YOU'RE GONNA HAVE TO
LOSE THIS PRE-WAR MUSIC.
476
00:25:51,950 --> 00:25:53,950
I MEAN, THIS STUFF IS
FROM THE JURASSIC PERIOD.
477
00:25:54,450 --> 00:25:54,950
IT IS, HUH?
478
00:25:55,450 --> 00:25:56,450
YEAH.
479
00:25:56,450 --> 00:25:58,510
YOU BITCH!
AAH!
480
00:25:58,510 --> 00:25:59,790
LUCAS!
481
00:26:01,180 --> 00:26:02,380
Jeff, shouting:
THE BLOOD APPEARS
482
00:26:02,380 --> 00:26:05,260
ON HE WHO GAVE THE BLOW!
483
00:26:05,260 --> 00:26:07,270
HEY, HEY, HEY! I'M GONNA
HAVE TO FLAG YOU
484
00:26:07,270 --> 00:26:08,630
FOR UNNECESSARY
ROUGHNESS.
485
00:26:08,630 --> 00:26:09,630
I'VE HAD IT
WITH HIS BULLSHIT!
486
00:26:09,630 --> 00:26:11,520
[SHOUTING]
GONE ARE THY DAYS OF FLESH!
487
00:26:11,520 --> 00:26:13,690
AHEAD THY DAYS OF SPIRIT!
488
00:26:13,690 --> 00:26:15,110
DEATH IS YOUR REWARD!
489
00:26:15,110 --> 00:26:16,110
IT'S GONNA BE
YOUR REWARD
490
00:26:16,110 --> 00:26:17,530
IF YOU DON'T GET THE
FUCK OUT OF HERE, LUCAS!
491
00:26:17,530 --> 00:26:18,390
CALM DOWN, CALM DOWN.
492
00:26:18,390 --> 00:26:19,810
Hadden: OK, OK,
EVERYBODY CALM DOWN.
493
00:26:19,810 --> 00:26:21,310
LET'S EVERYBODY
TAKE A NICE TIME-OUT.
494
00:26:21,310 --> 00:26:23,280
HOW ABOUT SOME MARSHMALLOWS,
EVERYBODY, HUH?
495
00:26:23,780 --> 00:26:25,650
[TIRES SCREECHING]
496
00:26:25,650 --> 00:26:26,450
[CRASH]
497
00:26:26,450 --> 00:26:27,450
Girl:
HE HIT SOMEBODY'S CAR!
498
00:26:27,450 --> 00:26:28,450
I'M GONNA GET
THAT PRICK.
499
00:26:28,450 --> 00:26:29,540
HEY, HEY!
500
00:26:29,540 --> 00:26:32,990
[TIRES SCREECHING]
501
00:26:32,990 --> 00:26:33,790
[HORN HONKING]
502
00:26:36,880 --> 00:26:38,380
HE HIT MY CAR!
503
00:26:38,380 --> 00:26:39,880
THAT'S IT. HE'S TOAST.
504
00:26:44,890 --> 00:26:46,810
[TIRES SCREECH]
505
00:26:52,480 --> 00:26:53,480
HEH.
506
00:26:53,480 --> 00:26:55,480
I DON'T KNOW
HOW YOU DO IT, CARL.
507
00:26:55,480 --> 00:26:56,980
I MEAN, WHENEVER
I THROW A BASH,
508
00:26:56,980 --> 00:26:58,980
I CAN NEVER GET
ENTERTAINMENT LIKE THIS.
509
00:27:00,240 --> 00:27:02,020
[HEAVY METAL MUSIC PLAYING]
510
00:27:06,490 --> 00:27:08,990
[MOCKING]DILLON JOHNSON.
DILLON JOHNSON.
511
00:27:08,990 --> 00:27:10,360
BLAAHH...
512
00:27:12,610 --> 00:27:13,750
COME ON, BITCH.
513
00:27:13,750 --> 00:27:16,450
OH, YEAH! COME ON, DILLON!
514
00:27:16,450 --> 00:27:17,950
CATCH UP, YOU LITTLE BITCH!
515
00:27:17,950 --> 00:27:19,200
[LAUGHS MANIACALLY]
516
00:27:33,720 --> 00:27:37,440
DIGGING YOUR OWN GRAVE
517
00:27:37,440 --> 00:27:40,110
A SLAVE TO THE SLAVES
518
00:27:40,690 --> 00:27:44,400
WALK THE BEATEN PATH...
519
00:27:44,400 --> 00:27:45,650
PULL OVER, LUCAS!
520
00:27:45,650 --> 00:27:47,030
COME ON, DILLON!
521
00:27:49,400 --> 00:27:50,700
Dillon: TAKE IT EASY!
522
00:27:53,960 --> 00:27:55,870
CALM DOWN! CALM DOWN!
523
00:28:00,910 --> 00:28:03,420
DILLON! HA HA HA HA HA!
524
00:28:06,300 --> 00:28:08,420
FOR GOD'S SAKE,
PULL OVER!
525
00:28:08,420 --> 00:28:10,720
I TRY TO HOLD BACK THE TEARS
526
00:28:10,720 --> 00:28:14,090
BUT NONE OF THAT
MATTERS TODAY...
527
00:28:14,090 --> 00:28:15,260
[LAUGHS MANIACALLY]
528
00:28:19,760 --> 00:28:21,570
OH! OH!
529
00:28:21,570 --> 00:28:24,270
AAH!
530
00:28:24,270 --> 00:28:28,110
[SCREAM ECHOING]
531
00:29:11,030 --> 00:29:13,280
HAPPY FALL SEMESTER,
DICKHEAD.
532
00:29:13,280 --> 00:29:15,070
THAT'S IT.
533
00:29:15,070 --> 00:29:16,570
NOT AGAIN. I'VE HAD IT.
534
00:29:26,660 --> 00:29:27,550
MR. HADDEN?
535
00:29:29,380 --> 00:29:33,640
OH. UM, DO WE REALLY HAVE TO
READ ALL OF CHAPTER 5
536
00:29:33,640 --> 00:29:35,560
ON MEDIA GLOBALIZATION
BEFORE FRIDAY?
537
00:29:35,560 --> 00:29:37,480
BECAUSE I HAVE
AN AWAY VOLLEYBALL GAME,
538
00:29:37,480 --> 00:29:38,980
AND I JUST DON'T THINK
I CAN GET IT DONE.
539
00:29:38,980 --> 00:29:40,400
DO THE ASSIGNMENT,
CHELSEA.
540
00:29:45,900 --> 00:29:46,900
YOU'VE BEEN FIRED.
541
00:29:46,900 --> 00:29:48,820
I WILL NOT HAVE
EX-EMPLOYEES
542
00:29:48,820 --> 00:29:51,190
LIVING IN THEIR VANS
ON SCHOOL PROPERTY.
543
00:29:51,190 --> 00:29:53,440
I DIDN'T DESERVE
TO BE FIRED, ASSHOLE.
544
00:29:53,440 --> 00:29:54,780
WHY DON'T YOU JUST ADMIT
545
00:29:54,780 --> 00:29:56,780
YOU DID IT BECAUSE YOU WERE
JEALOUS OF ME AND BRENDA?
546
00:29:56,780 --> 00:29:58,780
WELL, I FIRED YOU
BECAUSE THE FOOTBALL TEAM
547
00:29:58,780 --> 00:30:01,030
LOST 8 OUT OF 10 GAMES
LAST YEAR.
548
00:30:01,030 --> 00:30:02,830
BIG FUCKING DEAL.
549
00:30:02,830 --> 00:30:04,340
YOU'D RUIN MY LIFE OVER THAT?
550
00:30:04,340 --> 00:30:05,250
GET OFF SCHOOL PROPERTY,
551
00:30:05,750 --> 00:30:06,750
AND STOP LEAVING
THREATENING MESSAGES
552
00:30:07,260 --> 00:30:08,120
ON MY ANSWERING
MACHINE.
553
00:30:08,120 --> 00:30:09,090
I DON'T THREATEN PUSSIES.
554
00:30:09,090 --> 00:30:10,170
AAH!
555
00:30:12,180 --> 00:30:14,880
I'VE GOT A GUN.
556
00:30:14,880 --> 00:30:17,300
[CHUCKLES]
557
00:30:17,300 --> 00:30:21,440
YOU BETTER TRIM YOUR SAILS,
ASSHOLE.
558
00:30:21,440 --> 00:30:22,640
IT'S DOWN.
559
00:30:22,640 --> 00:30:24,060
THE KICK.
560
00:30:24,060 --> 00:30:25,560
IT'S GOOD.
561
00:30:34,730 --> 00:30:36,980
YOU BETTER--YOU BETTER
GET OFF OF SCHOOL PROPERTY.
562
00:30:36,980 --> 00:30:38,820
IF YOU'RE HERE IN AN HOUR
WHEN SCHOOL STARTS,
563
00:30:38,820 --> 00:30:40,160
I'M HAVING YOU ARRESTED.
564
00:30:40,150 --> 00:30:41,540
OH.
565
00:30:48,880 --> 00:30:51,470
[HIP HOP MUSIC BEGINS]
566
00:30:53,800 --> 00:30:54,800
YEAH
567
00:30:54,800 --> 00:30:56,300
LEAST YOU HAD FUN
568
00:30:56,300 --> 00:30:57,810
YOU KNOW WHERE TO FIND US
569
00:30:57,810 --> 00:31:00,220
YOU CAN FIND US
WHERE THE BUSES DON'T RUN
570
00:31:00,220 --> 00:31:01,730
AND THE COPS DON'T COME
571
00:31:02,230 --> 00:31:03,230
FOR YOUR 9-1-1s
572
00:31:03,230 --> 00:31:04,230
AND YOU CAN FIND US
573
00:31:04,230 --> 00:31:05,730
WHERE WE ALWAYS BEEN
574
00:31:05,730 --> 00:31:07,230
20-DEEP IN TENEMENTS
575
00:31:07,230 --> 00:31:08,230
FILTHY IMMIGRANTS
576
00:31:08,230 --> 00:31:09,730
YOU CAN FIND US
577
00:31:09,730 --> 00:31:10,740
WHERE THE BUSES DON'T RUN
578
00:31:10,740 --> 00:31:12,240
AND THE COPS DON'T COME
579
00:31:12,240 --> 00:31:13,240
FOR YOUR 9-1-1s
580
00:31:13,240 --> 00:31:14,740
AND YOU CAN FIND US
581
00:31:14,740 --> 00:31:15,740
WHERE WE ALWAYS BEEN
582
00:31:15,740 --> 00:31:17,240
20-DEEP IN TENEMENTS
583
00:31:17,240 --> 00:31:18,740
FILTHY IMMIGRANTS
584
00:31:18,740 --> 00:31:20,250
IF YOU STILL LOVE HIM,
585
00:31:20,240 --> 00:31:22,250
GO GIVE HIM SOME T.L.C.
586
00:31:22,250 --> 00:31:24,750
NO, IT'S OVER
BETWEEN US.
587
00:31:24,750 --> 00:31:26,750
BESIDES, MY PARENTS
ARE SPOOKED
588
00:31:26,750 --> 00:31:28,250
SINCE THE COPS
STILL SUSPECT DILLON
589
00:31:28,250 --> 00:31:29,750
OF RUNNING JEFF
OFF THE ROAD.
590
00:31:29,750 --> 00:31:31,260
THEY WON'T
LET ME SEE HIM.
591
00:31:31,260 --> 00:31:33,760
WELL,
IT'S A NEW YEAR.
592
00:31:33,760 --> 00:31:35,260
MAYBE SOME NEW GUY
WILL SHOW UP
593
00:31:35,760 --> 00:31:36,760
AND STEAL YOUR HEART.
594
00:31:36,760 --> 00:31:37,630
SURE.
595
00:31:37,630 --> 00:31:39,050
AND WE LIVE
WITH THE ROACHES
596
00:31:39,050 --> 00:31:40,550
YOU CAN FIND US
597
00:31:40,550 --> 00:31:42,050
HUDDLED AROUND
THE GARCIA ANCHOR
598
00:31:42,050 --> 00:31:43,050
WHERE YOU COP A SACK
599
00:31:43,050 --> 00:31:44,550
ON THE WAY BACK
FROM THE BODEGA
600
00:31:44,550 --> 00:31:46,050
YOU CAN FIND US
SWEEPING THE FLOORS
601
00:31:46,050 --> 00:31:47,560
TEACHING THE FARM REACH
602
00:31:47,560 --> 00:31:49,560
FOR THE 4-4 BOYS
RIGHT TO THE CORE
603
00:31:49,560 --> 00:31:50,560
YOU CAN FIND US
604
00:31:51,060 --> 00:31:52,060
WHERE YOU'RE SCARED TO LOOK
605
00:31:52,060 --> 00:31:53,560
BUT QUITE OFTEN
IF YOU'RE FLOSSING
606
00:31:53,560 --> 00:31:54,560
THEN YOUR MONEY GETS TOOK
607
00:31:54,560 --> 00:31:56,560
AND YOU CAN FIND US
ON THE CORNER
608
00:31:56,560 --> 00:31:58,070
BODIES GET DUMPED
SHORTIES GET BUMPED
609
00:31:58,070 --> 00:31:59,070
ROUND LITTLE...
610
00:31:59,070 --> 00:32:00,450
Jason: HEY,
WHAT'S HAPPENING, LADIES?
611
00:32:00,450 --> 00:32:02,900
YOU GUYS HAVE GOT TO
GET DILLON TO SUIT UP.
612
00:32:02,900 --> 00:32:04,410
THIS NEW QUARTERBACK WE GOT
613
00:32:04,410 --> 00:32:07,410
COULDN'T HIT THE WATER IF
HIS ASS FELL OUT OF A BOAT.
614
00:32:07,410 --> 00:32:09,910
I HAVEN'T SEEN DILLON
ALL SUMMER.
615
00:32:10,410 --> 00:32:12,910
HE CHANGED, JASON.
HE'S NOT LIKE HE USED TO BE.
616
00:32:14,420 --> 00:32:15,420
[BELL RINGS]
617
00:32:15,420 --> 00:32:17,670
OH, SHIT, GUYS,
THE BELL.
618
00:32:17,670 --> 00:32:18,500
WHAT'S THE SPILL
ON THE NEW KID
619
00:32:19,000 --> 00:32:20,000
WHO MOVED HERE
FROM MICHIGAN?
620
00:32:20,000 --> 00:32:22,010
HE'S IN MY ALGEBRA
CLASS. WHAT A HOTTIE.
621
00:32:22,010 --> 00:32:24,010
HIS NAME'S CHIP PALMER.
622
00:32:24,010 --> 00:32:26,510
HIS FAMILY JUST MOVED INTO
THE OLD MOSS POINT HOUSE.
623
00:32:26,510 --> 00:32:28,010
OH! EVER SINCE JEFF
SHOT HIS MOVIE THERE,
624
00:32:28,010 --> 00:32:29,510
I HAVE BEEN SPOOKED TO
EVEN GO NEAR THE PLACE.
625
00:32:30,010 --> 00:32:31,020
IT'S JUST A HOUSE, KEL.
626
00:32:31,020 --> 00:32:33,020
IT'S NOT LIKE HIS GHOST
IS LIVING INSIDE.
627
00:32:33,020 --> 00:32:35,020
OH, YEAH? TELL
ZARA LIGHT THAT.
628
00:32:35,020 --> 00:32:37,020
SHE SAID JEFF HAD
A PREMONITION OF HIS DEATH
629
00:32:37,020 --> 00:32:38,520
AND PROMISED TO
COME BACK FROM THE GRAVE
630
00:32:38,520 --> 00:32:39,520
ON THE ONE-YEAR ANNIVERSARY
631
00:32:40,020 --> 00:32:41,030
AND SEEK REVENGE.
632
00:32:41,030 --> 00:32:43,030
HMM. SOUNDS LIKE
ZARA'S BACK ON CRYSTAL.
633
00:32:43,530 --> 00:32:46,530
HAVE YOU GUYS SEEN
THE NEW CUTE GUY?
634
00:32:46,530 --> 00:32:48,530
WHAT A NAME TAG SHAKER.
635
00:32:48,530 --> 00:32:50,540
I KNOW. HIS NAME'S
CHIP PALMER.
636
00:32:50,540 --> 00:32:52,040
HIS FAMILY MOVED INTO
THE MOSS POINT HOUSE.
637
00:32:52,540 --> 00:32:55,540
OH, YUCK. I'D RATHER
LIVE IN A CARDBOARD BOX.
638
00:32:55,540 --> 00:32:58,040
NEXT THING YOU KNOW,
JEFF IS DEAD.
639
00:32:58,040 --> 00:33:00,040
RUN OFF THE ROAD
AND BURNED UP.
640
00:33:00,040 --> 00:33:02,050
ALL THEY FOUND
WERE SOME ASHES.
641
00:33:02,050 --> 00:33:03,800
WHAT DID THIS LUCAS GUY
LOOK LIKE?
642
00:33:03,800 --> 00:33:05,680
HE WAS TALL,
ALMOST 6 FEET.
643
00:33:05,680 --> 00:33:07,690
KIND OF THIN AND--
644
00:33:07,690 --> 00:33:10,050
HE WORE A DEATH'S HEAD RING
ON HIS INDEX FINGER?
645
00:33:10,050 --> 00:33:11,440
OH, MY GOD, CHIP. YES.
646
00:33:11,440 --> 00:33:12,640
HOW DID YOU KNOW THAT?
647
00:33:15,610 --> 00:33:17,480
I THINK I'VE BEEN
DREAMING ABOUT HIM.
648
00:33:17,480 --> 00:33:19,810
EVER SINCE I MOVED INTO
THAT HOUSE AT MOSS POINT.
649
00:33:25,370 --> 00:33:27,200
THAT'S DILLON JOHNSON,
ISN'T IT?
650
00:33:27,210 --> 00:33:29,120
THE GUY EVERYBODY THINKS
MURDERED JEFF LUCAS.
651
00:33:29,120 --> 00:33:32,130
YEAH, BUT JEFF LUCAS
WASN'T HIS REAL NAME.
652
00:33:32,130 --> 00:33:33,630
THE COPS FOUND OUT
653
00:33:33,630 --> 00:33:34,630
HE WAS LIVING WITH
A LOT OF HOMELESS PEOPLE
654
00:33:34,630 --> 00:33:36,130
UP IN HOBO CANYON.
655
00:33:36,130 --> 00:33:38,630
MAYBE HE REALLY WAS
A CELT DEITY.
656
00:33:38,630 --> 00:33:40,640
MAYBE HE'LL COME BACK
LIKE HE PROMISED.
657
00:33:44,140 --> 00:33:45,640
YEAH, MAYBE.
658
00:33:47,140 --> 00:33:48,140
Dillon: I WISH
I WAS STILL PLAYING,
659
00:33:48,140 --> 00:33:49,590
BUT THERE'S NOT MUCH
I CAN DO ABOUT IT.
660
00:33:49,590 --> 00:33:51,100
AS LONG AS THEY GIVE
JASON THE BALL
661
00:33:51,100 --> 00:33:52,600
AND THEN SCORE A FEW
TOUCHDOWNS, YOU KNOW?
662
00:33:58,600 --> 00:34:00,110
I'M NOT LOOKING
FOR ANY MORE COMPANY,
663
00:34:00,100 --> 00:34:02,110
SO PUSH OFF.
664
00:34:02,110 --> 00:34:03,360
I JUST THOUGHT
YOU SHOULD KNOW...
665
00:34:04,160 --> 00:34:06,530
BAD THINGS
ARE ABOUT TO HAPPEN.
666
00:34:16,750 --> 00:34:19,260
[SLOW GUITAR MUSIC BEGINS]
667
00:34:26,760 --> 00:34:31,770
I'M DOWN
668
00:34:31,770 --> 00:34:36,770
I'M WAY DOWN
669
00:34:37,280 --> 00:34:42,780
AND I'VE BEEN BOUND
670
00:34:42,780 --> 00:34:46,780
TIED TO THE GROUND
671
00:34:46,780 --> 00:34:49,790
I'VE WAITED FOR YOU
672
00:34:49,790 --> 00:34:52,290
IF YOU WANT ME
673
00:34:52,290 --> 00:34:54,790
MAKE IT FEEL GOOD
674
00:34:54,790 --> 00:34:57,300
DOES IT BOTHER YOU
675
00:34:57,300 --> 00:34:59,800
LIKE IT USED TO
676
00:34:59,800 --> 00:35:02,550
LIKE I KNEW IT WOULD?
677
00:35:02,550 --> 00:35:04,640
DOES IT MAKE ME
678
00:35:04,640 --> 00:35:06,470
[BANGING]
679
00:35:06,470 --> 00:35:08,470
Man, creepy voice:
WELCOME WAGON.
680
00:35:08,470 --> 00:35:09,970
I'VE WAITED FOR YOU
681
00:35:10,470 --> 00:35:11,480
I'M GONNA KICK YOUR ASS.
682
00:35:11,480 --> 00:35:13,980
IF YOU WANT ME
683
00:35:13,980 --> 00:35:16,480
MAKE IT FEEL GOOD
684
00:35:16,480 --> 00:35:17,480
[SCREECHING]
685
00:35:20,480 --> 00:35:21,990
[SCREAMING]
686
00:35:30,750 --> 00:35:32,530
[SCREAMING]
687
00:35:32,530 --> 00:35:34,500
[SCREECHING]
688
00:35:38,500 --> 00:35:41,010
DOES IT BOTHER YOU
689
00:35:41,510 --> 00:35:43,510
LIKE IT USED TO?
690
00:35:43,510 --> 00:35:46,290
LIKE I KNEW IT WOULD?
691
00:35:46,290 --> 00:35:48,800
DOES IT MAKE ME
692
00:35:48,800 --> 00:35:52,300
FEEL LIKE A BIGGER MAN?
693
00:36:00,310 --> 00:36:02,810
FEEL LIKE A BIGGER MAN
694
00:36:02,810 --> 00:36:07,820
BOUND BY THE RIGHTEOUS ONE
695
00:36:07,820 --> 00:36:12,820
WELL, HOW ABOUT
THE CHOSEN ONE
696
00:36:12,820 --> 00:36:17,330
BOUND BY THE RIGHTEOUS
697
00:36:17,320 --> 00:36:20,830
DR. BOONE,
I'M SERGEANT DeSOUSA.
698
00:36:20,830 --> 00:36:23,300
WHEN WAS THE LAST TIME YOU
SAW TOM DONALDSON EXACTLY?
699
00:36:23,300 --> 00:36:24,300
YESTERDAY MORNING.
700
00:36:24,300 --> 00:36:26,300
TOM AND CARL HADDEN,
OUR PRINCIPAL,
701
00:36:26,300 --> 00:36:28,800
WERE OUT IN THE SCHOOL
PARKING LOT.
702
00:36:29,300 --> 00:36:31,810
THEY, UH--
THEY GOT INTO A FIGHT.
703
00:36:31,810 --> 00:36:33,310
UM...
704
00:36:33,310 --> 00:36:36,310
CARL FIRED TOM LAST YEAR,
AND TOM HAS BEEN UNEMPLOYED,
705
00:36:36,310 --> 00:36:38,310
LIVING OUT OF HIS CAR
EVER SINCE.
706
00:36:38,810 --> 00:36:41,820
AND, UH, YESTERDAY
MORNING IT BOILED OVER?
707
00:36:41,820 --> 00:36:45,350
CARL HAD A GUN AND TRIED
TO RUN TOM OFF, AND...
708
00:36:45,350 --> 00:36:46,850
DONALDSON HIT HIM
AND KNOCKED HIM DOWN.
709
00:36:46,850 --> 00:36:47,860
WHAT IS THIS ABOUT?
710
00:36:49,860 --> 00:36:52,860
WELL, DR. BOONE...
711
00:36:52,860 --> 00:36:56,360
TOM DONALDSON WAS
MURDERED LAST NIGHT.
712
00:36:56,360 --> 00:36:58,870
HE HAD AN
OLD-FASHIONED STEEL AXE
713
00:36:58,870 --> 00:37:00,750
BURIED IN HIS CHEST.
714
00:37:00,750 --> 00:37:02,250
AND PINNED THERE
BY THE BLADE
715
00:37:02,750 --> 00:37:04,260
WAS A PICTURE
OF CARL HADDEN.
716
00:37:04,260 --> 00:37:06,760
OH, MY GOD.
717
00:37:06,760 --> 00:37:09,260
NOW, THAT FIGHT YOU
OBSERVED YESTERDAY MORNING--
718
00:37:09,260 --> 00:37:12,260
THAT MAKES CARL HADDEN LOOK
PRETTY DAMN GOOD FOR THIS.
719
00:37:18,770 --> 00:37:21,060
BUT--BUT WHY WOULD HE LEAVE
HIS PICTURE BEHIND
720
00:37:21,060 --> 00:37:23,060
TO IMPLICATE HIMSELF?
721
00:37:23,060 --> 00:37:24,060
HE...
722
00:37:24,060 --> 00:37:25,560
THAT SOUNDS PRETTY STUPID.
723
00:37:25,560 --> 00:37:27,060
PLEASE, DOC.
DON'T MESS UP
724
00:37:27,060 --> 00:37:29,530
MY SLAM-DUNK MURDER
WITH PSYCHOLOGY.
725
00:37:37,570 --> 00:37:38,570
Hadden: OH, MY GOODNESS.
726
00:37:38,570 --> 00:37:39,570
WATCH YOUR HEAD.
727
00:37:39,570 --> 00:37:42,080
THIS IS NUTS.
ABSOLUTELY NUTS.
728
00:37:42,080 --> 00:37:43,580
IT'S CRAZY.
I DIDN'T DO A THING.
729
00:37:46,210 --> 00:37:48,080
MR. HADDEN,
730
00:37:48,080 --> 00:37:49,420
I'M DETECTIVE DeSOUSA.
731
00:37:49,420 --> 00:37:50,920
THIS IS MY PARTNER
DETECTIVE BURROWS.
732
00:37:51,420 --> 00:37:52,670
LET'S GET A TAPE RUNNING.
733
00:37:58,640 --> 00:38:01,090
THIS IS A POST-MIRANDA
INTERVIEW WITH CARL HADDEN
734
00:38:01,100 --> 00:38:02,560
SEPTEMBER 9.
735
00:38:02,560 --> 00:38:04,930
SERGEANT DANIEL DeSOUSA
AND DETECTIVE SIDNEY BURROWS
736
00:38:04,930 --> 00:38:05,930
ARE PRESENT.
737
00:38:05,930 --> 00:38:06,930
DAN DeSOUSA.
738
00:38:06,930 --> 00:38:10,910
FLUNKED HIGH SCHOOL
CHEMISTRY YOUR SENIOR YEAR.
739
00:38:10,910 --> 00:38:13,410
ALL-CONFERENCE.
740
00:38:13,410 --> 00:38:15,780
WELL, IT'S NICE
TO MEET YOU.
741
00:38:15,780 --> 00:38:17,110
ARE YOU KIDDING ME?
742
00:38:17,110 --> 00:38:18,110
YOU'RE MY PRIME SUSPECT
743
00:38:18,110 --> 00:38:19,500
IN A FIRST-DEGREE
HOMICIDE.
744
00:38:19,500 --> 00:38:21,920
WELL, I DIDN'T KILL
TOM DONALDSON.
745
00:38:21,920 --> 00:38:23,420
SO WHY DON'T YOU START
BY TELLING ME
746
00:38:23,420 --> 00:38:25,920
ABOUT THE LONG-STANDING
FEUD YOU HAD WITH HIM?
747
00:38:25,920 --> 00:38:29,370
OR ABOUT FIRING HIM
LAST CHRISTMAS?
748
00:38:29,370 --> 00:38:32,710
OR ABOUT THE FIGHT
YOU HAD WITH HIM
749
00:38:32,710 --> 00:38:34,210
IN FRONT OF THE SCHOOL,
750
00:38:34,210 --> 00:38:36,210
WHERE YOU THREATENED HIM
WITH A GUN?
751
00:38:36,210 --> 00:38:37,720
I RESENT YOUR
IMPLICATIONS.
752
00:38:37,720 --> 00:38:39,850
I DON'T LET
MY PERSONAL FEELINGS
753
00:38:39,850 --> 00:38:41,600
INTERFERE WITH MY
ADMINISTRATIVE JUDGMENTS.
754
00:38:41,600 --> 00:38:43,940
I--I DON'T GO AROUND
KILLING PEOPLE.
755
00:38:43,940 --> 00:38:44,940
I'M AN EDUCATOR.
756
00:38:48,940 --> 00:38:50,230
WHAT IS THIS FOR?
757
00:38:50,230 --> 00:38:52,610
ENFORCING HOMEWORK ASSIGNMENTS?
758
00:38:54,280 --> 00:38:56,200
NOW, I BOUGHT THIS...
759
00:38:56,200 --> 00:38:59,070
BECAUSE SOMEBODY
WAS CALLING MY HOUSE
760
00:38:59,070 --> 00:39:01,790
AND THEY WERE LEAVING
THREATENING MESSAGES
761
00:39:01,790 --> 00:39:03,160
ON MY ANSWERING MACHINE.
762
00:39:03,160 --> 00:39:04,540
WHAT KIND
OF THREATS?
763
00:39:04,540 --> 00:39:06,040
A WHISPERY VOICE.
764
00:39:06,040 --> 00:39:08,500
IT SAID "DEAD ABOVE GROUND."
765
00:39:08,500 --> 00:39:11,500
I WAS--I WAS
FRIGHTENED, SO I--I...
766
00:39:11,500 --> 00:39:12,880
BOUGHT THE GUN.
767
00:39:12,880 --> 00:39:14,720
MR. HADDEN...
768
00:39:14,720 --> 00:39:16,090
WE HAVE A WITNESS
WHO SAYS
769
00:39:16,090 --> 00:39:19,720
YOU POINTED THIS GUN AT
TOM DONALDSON YESTERDAY.
770
00:39:19,720 --> 00:39:23,060
HE WAS ON SCHOOL PROPERTY,
AND HE REFUSED TO LEAVE.
771
00:39:23,060 --> 00:39:25,930
SO WHAT,
YOU JUST POINT A GUN?
772
00:39:25,930 --> 00:39:28,150
DON'T YOU THINK THAT'S
A LITTLE INTENSE?
773
00:39:28,150 --> 00:39:29,820
[SIGHS]
I WAS SCARED.
774
00:39:29,820 --> 00:39:32,770
YOU COULD MAKE THIS
A LOT EASIER ON YOURSELF
775
00:39:32,770 --> 00:39:35,770
IF YOU MAKE A VOLUNTARY
STATEMENT, MR. HADDEN.
776
00:39:38,780 --> 00:39:40,280
I WANT TO TALK
TO MY ATTORNEY.
777
00:39:40,280 --> 00:39:43,250
WOULD YOU PLEASE CALL
MIKE POTTER?
778
00:39:43,250 --> 00:39:45,700
MICHAEL POTTER
IS YOUR ATTORNEY?
779
00:39:45,700 --> 00:39:47,700
I'M NOT GONNA
SAY ANOTHER WORD TO YOU
780
00:39:48,200 --> 00:39:49,420
UNTIL HE GETS HERE.
781
00:39:49,420 --> 00:39:52,710
WELL, THAT'S FINE, BECAUSE
WE GOT EVERYTHING WE NEED.
782
00:39:52,710 --> 00:39:54,210
THANK YOU VERY MUCH.
783
00:40:06,640 --> 00:40:08,560
Zara: WE'RE GONNA TRY
AND CONTACT JEFF'S SPIRIT
784
00:40:08,560 --> 00:40:09,560
AT MOSS POINT TONIGHT.
785
00:40:10,060 --> 00:40:11,060
CHIP PALMER IS GOING
TO BE OUR MEDIUM.
786
00:40:11,560 --> 00:40:12,560
MOSS POINT?!
787
00:40:12,560 --> 00:40:13,560
NO WAY!
788
00:40:14,060 --> 00:40:15,560
BESIDES, I COULD BARELY STAND
TALKING TO JEFFREY
789
00:40:16,060 --> 00:40:18,570
WHEN HE WAS ALIVE, SO I SURE
DON'T WANT TO TALK TO HIS GHOST.
790
00:40:25,070 --> 00:40:27,070
YOU GUYS COMING
TO THE SEANCE TONIGHT?
791
00:40:27,070 --> 00:40:28,580
WE'RE CHANNELING
JEFF LUCAS' SPIRIT.
792
00:40:28,580 --> 00:40:31,080
WELL, THE COPS THINK IT'S
HADDEN WHO KILLED COACH,
793
00:40:31,080 --> 00:40:32,080
BUT IF YOU ASK ME,
794
00:40:32,080 --> 00:40:34,080
HADDEN WOULD HAVE HAD
TROUBLE KILLING A BEER,
795
00:40:34,580 --> 00:40:36,330
YOU KNOW WHAT I MEAN?
HA HA HA.
796
00:40:36,330 --> 00:40:37,670
SO WHAT ABOUT YOU,
GIRLFRIEND?
797
00:40:37,670 --> 00:40:38,670
YOU WANT TO GO
WATCH CHIP
798
00:40:38,670 --> 00:40:41,170
VIBE JEFFREY'S DIGITS
IN THE AFTERLIFE?
799
00:40:41,170 --> 00:40:43,060
COOL. WHAT ARE YOU GONNA WEAR?
800
00:40:50,180 --> 00:40:51,180
MR. HADDEN.
801
00:40:51,180 --> 00:40:53,180
WHAT IS IT, DILLON?
SHOULDN'T YOU BE IN CLASS?
802
00:40:53,180 --> 00:40:54,690
YOU'RE GONNA GET A LATE SLIP.
803
00:40:54,690 --> 00:40:56,190
HOW DO YOU LIKE
HAVING EVERYONE THINK
804
00:40:56,190 --> 00:40:57,570
YOU COMMITTED A MURDER?
805
00:40:57,570 --> 00:40:58,910
IT'S NO FUN, IS IT?
806
00:40:58,910 --> 00:41:00,830
GET TO CLASS.
807
00:41:14,710 --> 00:41:16,620
[JASON LAUGHING]
808
00:41:16,620 --> 00:41:17,620
Zara: JASON,
TURN OFF THE LIGHTS.
809
00:41:17,620 --> 00:41:18,630
YES, MA'AM.
810
00:41:19,130 --> 00:41:20,130
DARCY, WHAT TIME IS IT?
811
00:41:20,630 --> 00:41:22,130
11:58.
812
00:41:22,130 --> 00:41:23,630
2 MINUTES TO MIDNIGHT.
PERFECT.
813
00:41:24,130 --> 00:41:26,630
EVERYBODY
SIT IN A CIRCLE.
814
00:41:26,630 --> 00:41:28,140
CHIP, YOU'RE
IN THE MIDDLE.
815
00:41:28,140 --> 00:41:30,140
[JASON LAUGHS
MOCKINGLY]
816
00:41:32,140 --> 00:41:33,640
IT'S CREEPY IN HERE.
817
00:41:33,640 --> 00:41:34,640
[WINGS FLAPPING]
818
00:41:34,640 --> 00:41:35,640
[BIRD CAWS]
WHAT WAS THAT?
819
00:41:39,150 --> 00:41:40,530
I HEAR SOMETHING.
820
00:41:40,530 --> 00:41:41,530
Zara: SHH!
821
00:41:41,530 --> 00:41:43,030
WE HAVE TO MAKE
CONTACT NOW.
822
00:41:43,030 --> 00:41:45,040
EVERYONE THINK
OF JEFFREY.
823
00:41:45,040 --> 00:41:46,540
THINK GOOD THOUGHTS...
824
00:41:46,540 --> 00:41:48,410
THOUGHTS THAT WILL
BRING HIM CLOSE TO US.
825
00:41:48,410 --> 00:41:49,370
OH, OH, OH! I KNOW!
826
00:41:49,870 --> 00:41:50,870
LIKE THE TIME
HE GOT REALLY DRUNK
827
00:41:51,380 --> 00:41:52,880
AND THEN HE PUKED
ON MY BACKPACK.
828
00:41:52,880 --> 00:41:54,380
[LAUGHING]
829
00:41:54,380 --> 00:41:55,380
Zara: SHH!
830
00:41:55,380 --> 00:41:57,380
THIS IS THE DAY OF
YOUR REBIRTH, JEFFREY,
831
00:41:57,880 --> 00:42:00,380
FREED FROM THE BURDENS
OF THE PAST.
832
00:42:00,380 --> 00:42:02,390
AS THE MORNING SUN
AT BELTANE RISES,
833
00:42:02,390 --> 00:42:04,390
WE RECEIVE THE SPIRITS
OF THE EAST.
834
00:42:04,390 --> 00:42:06,390
APPEAR NOW,
WE BESEECH YOU!
835
00:42:06,390 --> 00:42:10,310
OR NOT APPEAR, WHICH IS
MY PERSONAL FAVORITE!
836
00:42:10,310 --> 00:42:11,810
[LAUGHTER]
837
00:42:11,810 --> 00:42:13,310
JASON, IF YOU FIGHT
THE ENERGY,
838
00:42:13,310 --> 00:42:14,180
THIS WON'T WORK.
839
00:42:14,520 --> 00:42:16,100
OH, COME ON, DON'T GET
YOUR CAPE AND COWL
840
00:42:16,100 --> 00:42:17,100
IN A BUNCH, BATGIRL!
841
00:42:17,100 --> 00:42:18,600
WE'RE ON THE SAME SQUAD,
ALL RIGHT?
842
00:42:18,600 --> 00:42:19,600
I'M GONNA PLAY ALONG,
ALL RIGHT?
843
00:42:19,600 --> 00:42:20,600
I'M HERE, RIGHT?
844
00:42:21,110 --> 00:42:23,610
SPIRITS OF THE WEST,
WHOSE ELEMENT IS WATER,
845
00:42:23,610 --> 00:42:25,110
I OPEN WIDE THE GATES
846
00:42:25,110 --> 00:42:27,110
AND ASK YOU TO BRING
OUR WANDERING SPIRIT
847
00:42:27,110 --> 00:42:28,610
CLOSE TO US!
848
00:42:37,170 --> 00:42:39,670
SPIRITS OF THE SOUTH,
WHO ARE WARM AND BRIGHT
849
00:42:39,670 --> 00:42:41,540
LIKE THE NOONDAY SUN
AT LAMMAS--
850
00:42:41,540 --> 00:42:42,510
LORENZO LAMAS?
851
00:42:42,510 --> 00:42:44,960
HE'S THE BOMB.
I LOVE HIM!
852
00:42:44,960 --> 00:42:47,350
ANCIENT GODDESS,
QUEEN OF THE NIGHT,
853
00:42:47,350 --> 00:42:49,350
KEEPER OF
THE DARK MYSTERIES,
854
00:42:49,350 --> 00:42:51,350
I AM YOUR DAUGHTER
ZARA LIGHT!
855
00:42:51,350 --> 00:42:54,860
I STAND BEFORE YOUR ALTAR
CHANGING, YET UNCHANGED.
856
00:42:54,860 --> 00:42:56,360
BRING JEFFREY
TO DIRECT US
857
00:42:56,360 --> 00:42:58,360
IN YOUR SPIRIT WAYS!
858
00:43:02,150 --> 00:43:03,150
[GASPS]
859
00:43:19,660 --> 00:43:21,670
[GRUFF VOICE]
HADDEN.
860
00:43:21,670 --> 00:43:23,170
[BIRD SCREECHING]
861
00:43:23,170 --> 00:43:24,670
[HADDEN SCREAMING]
862
00:43:27,140 --> 00:43:31,730
DEAD ABOVE GROUND.
863
00:43:31,730 --> 00:43:33,480
UH-OH.
864
00:43:57,330 --> 00:43:59,840
YOU GUYS, THIS IS
COMPLETELY WHACK.
865
00:43:59,840 --> 00:44:01,840
WHAT ARE WE DOING?
IT'S 2 IN THE A.M.
866
00:44:02,340 --> 00:44:04,340
HADDEN'S
GONNA FREAK.
867
00:44:04,340 --> 00:44:06,340
FIRST JEFF, THEN DONALDSON.
868
00:44:06,340 --> 00:44:08,350
SOMEBODY OR SOMETHING
IS KILLING PEOPLE.
869
00:44:08,850 --> 00:44:11,350
WELL, LOOK, YOU GUYS, WE
GOTTA AT LEAST WARN HIM.
870
00:44:11,350 --> 00:44:13,350
WE GOTTA TELL HIM WHAT
JEFF'S SPIRIT SAID.
871
00:44:15,350 --> 00:44:16,850
OH, FUCK.
872
00:44:16,850 --> 00:44:18,360
OH, SHIT.
NO, I HATE THIS.
873
00:44:18,360 --> 00:44:19,360
I'M OUT OF HERE.
874
00:44:19,360 --> 00:44:20,860
OPEN IT.
Darcy: GO ON.
875
00:44:27,870 --> 00:44:28,870
[ALL SCREAMING]
876
00:44:29,370 --> 00:44:29,870
SHIT!
877
00:44:30,370 --> 00:44:31,370
WHERE THE HELL
DID THAT COME FROM?
878
00:44:31,370 --> 00:44:32,370
ARE YOU OK?
879
00:44:33,370 --> 00:44:34,370
Chip: LOOK, LET'S GO.
880
00:44:34,870 --> 00:44:35,870
LET'S GET OUT OF HERE,
ALL RIGHT?
881
00:44:35,870 --> 00:44:37,380
Zara: NO. STICK TOGETHER.
882
00:44:37,370 --> 00:44:38,880
WHY AM I IN FRONT?
883
00:44:38,880 --> 00:44:40,880
Chip: SHH...
884
00:44:59,400 --> 00:45:00,900
MR. HADDEN?
885
00:45:16,500 --> 00:45:19,000
OH, GOD.
886
00:45:19,000 --> 00:45:20,500
AAH!
887
00:45:23,290 --> 00:45:24,670
MRS. JOHNSON, YOU'RE
PROBABLY CONSIDERING
888
00:45:24,670 --> 00:45:26,170
GETTING AN ATTORNEY,
889
00:45:26,170 --> 00:45:27,680
WHICH IS YOUR
CONSTITUTIONAL RIGHT.
890
00:45:27,670 --> 00:45:29,180
BUT IT MAY BE
QUICKER AND EASIER
891
00:45:29,180 --> 00:45:31,550
IF WE JUST
HANDLE THIS NOW.
892
00:45:31,550 --> 00:45:33,800
WE'VE ALREADY CALLED
MR. ALBUQUERQUE.
893
00:45:33,800 --> 00:45:34,770
HOW ARE YOU
PAYING FOR HIM?
894
00:45:34,770 --> 00:45:36,270
HE'S ONE OF THE
PRICIEST GUYS IN L.A.
895
00:45:36,270 --> 00:45:38,470
HE WAS A FRIEND
OF MY DEAD HUSBAND.
896
00:45:38,470 --> 00:45:39,520
DILLON, YOU'RE 18,
RIGHT?
897
00:45:39,520 --> 00:45:40,690
YOU'RE AN ADULT.
898
00:45:40,690 --> 00:45:42,060
IF YOU WANT TO
WAIVE YOUR RIGHTS,
899
00:45:42,060 --> 00:45:43,940
IT'S UP TO YOU, MAN,
NOT--NOT YOUR MOTHER.
900
00:45:43,940 --> 00:45:46,860
IT'S OK, MOM. REALLY.
901
00:45:46,860 --> 00:45:48,860
I WANT TO TALK TO THEM.
902
00:45:48,860 --> 00:45:51,870
MRS. JOHNSON, WHY DON'T
YOU WAIT OUT IN THE LOBBY?
903
00:45:56,290 --> 00:45:59,210
NOW, I READ YOUR FILE
FROM A YEAR AGO.
904
00:46:01,160 --> 00:46:03,160
I THINK YOU KILLED
THAT KID JEFF LUCAS.
905
00:46:03,160 --> 00:46:04,660
YOU RAN HIM
OFF THE ROAD.
906
00:46:04,660 --> 00:46:06,160
AND IF I HAD BEEN
ON THE FORCE BACK THEN,
907
00:46:06,160 --> 00:46:07,670
THERE'S A GOOD CHANCE
I'D HAVE YOU LOCKED UP
908
00:46:07,660 --> 00:46:08,550
IN SOLEDAD...
909
00:46:08,550 --> 00:46:10,380
IN A CELL...
910
00:46:10,380 --> 00:46:12,750
RIGHT NEXT TO
YOUR OLD MAN.
911
00:46:14,220 --> 00:46:15,590
YOU KNOW ABOUT MY DAD?
912
00:46:15,590 --> 00:46:16,890
I KNOW HOW
TO PUNCH A NAME
913
00:46:16,890 --> 00:46:18,890
ON THE N.C.I.C.
COMPUTER.
914
00:46:18,890 --> 00:46:19,890
YOUR DAD WENT NUTS,
915
00:46:19,890 --> 00:46:21,400
KILLED 2 GUYS
IN SAN FRANCISCO
916
00:46:21,400 --> 00:46:22,400
IN A BAR FIGHT.
917
00:46:22,400 --> 00:46:24,900
HE'S DOING BACK-TO-BACK
20-YEAR JOLTS.
918
00:46:24,900 --> 00:46:26,400
AFTER THE TRIAL,
YOU AND YOUR MOM
919
00:46:26,400 --> 00:46:27,900
MOVED HERE, RIGHT?
920
00:46:27,900 --> 00:46:30,270
DON'T TELL ANYBODY
ABOUT MY DAD, PLEASE.
921
00:46:30,270 --> 00:46:32,190
HEY, MAN, YOU GOT
MUCH BIGGER PROBLEMS
922
00:46:32,190 --> 00:46:33,690
THAN YOUR DAD.
923
00:46:33,690 --> 00:46:36,240
YOU ARE A PRIME SUSPECT
FOR THESE 2 MURDERS,
924
00:46:36,240 --> 00:46:37,240
AS WELL AS
THE ONE LAST YEAR.
925
00:46:37,240 --> 00:46:39,250
WHY WOULD I KILL
HADDEN AND DONALDSON?
926
00:46:39,250 --> 00:46:41,620
'CAUSE THEY PULLED
YOUR ELIGIBILITY.
927
00:46:41,620 --> 00:46:42,920
YOU THINK I KILLED
THOSE 2 GUYS
928
00:46:42,920 --> 00:46:44,670
'CAUSE THEY WOULDN'T
LET ME PLAY FOOTBALL?
929
00:46:44,670 --> 00:46:47,000
I DON'T LIVE MY LIFE
FOR STUFF LIKE THAT.
930
00:46:47,000 --> 00:46:49,870
GIVE ME A LIE DETECTOR TEST
IF YOU DON'T BELIEVE ME.
931
00:46:49,870 --> 00:46:50,840
GOOD IDEA.
I'LL SET IT UP.
932
00:46:54,340 --> 00:46:55,850
DETECTIVE BURROWS?
933
00:46:55,850 --> 00:46:57,850
UH, WE'RE GONNA NEED
A POLYGRAPH OPERATOR
934
00:46:57,850 --> 00:46:58,850
IN HERE, PLEASE.
935
00:46:58,850 --> 00:47:00,720
THANK YOU.
936
00:47:00,720 --> 00:47:02,220
YOU KNOW WHAT
I FIND INTERESTING
937
00:47:02,220 --> 00:47:04,720
ABOUT THIS MOVIE,
JEFF LUCAS MOVIE?
938
00:47:04,720 --> 00:47:07,190
EVERY PERSON WHO DIES...
939
00:47:08,810 --> 00:47:12,810
HOLDS THE CLUE
TO WHO WILL DIE NEXT.
940
00:47:14,820 --> 00:47:17,320
JUST LIKE WITH...
941
00:47:17,320 --> 00:47:18,820
THESE REAL MURDERS.
942
00:47:22,320 --> 00:47:24,290
TOM DONALDSON GETS AN AXE...
943
00:47:24,290 --> 00:47:26,790
IN HIS CHEST.
944
00:47:26,790 --> 00:47:31,800
IT'S PINNING A PICTURE
OF CARL HADDEN.
945
00:47:31,800 --> 00:47:34,550
THEN CARL HADDEN DIES,
AND, UH...
946
00:47:34,550 --> 00:47:36,890
FROZEN ON THE TV WAS
A PICTURE OF KELLY.
947
00:47:36,890 --> 00:47:38,390
YOU CAN'T BE SERIOUS.
948
00:47:38,390 --> 00:47:39,390
YEAH, THE COPS THINK
949
00:47:39,390 --> 00:47:40,390
THE KILLER IS USING
JEFF'S MOVIE
950
00:47:40,390 --> 00:47:42,390
AS SOME SORT OF BLUEPRINT
FOR THE MURDERS.
951
00:47:42,390 --> 00:47:44,340
WHAT? OH, YOU KNOW WHAT?
HELL, NO. UH-UH.
952
00:47:44,340 --> 00:47:45,850
SELL THE BUICK, BABY,
'CAUSE I'M BOOKING.
953
00:47:45,850 --> 00:47:47,850
COME ON, BABY.
STICK AROUND.
954
00:47:47,850 --> 00:47:50,350
MAYBE YOU'RE JUST
TRYING TO SCARE US.
955
00:47:50,850 --> 00:47:53,350
YEAH, MAYBE YOU DID IT.
THE COPS ARRESTED YOU.
956
00:47:53,350 --> 00:47:55,740
YEAH, AND LET ME GO BECAUSE
I PASSED A POLYGRAPH.
957
00:47:55,740 --> 00:47:59,080
SO YOU'RE SAYING
KELLY'S GONNA DIE NEXT?
958
00:47:59,080 --> 00:48:00,440
STOP IT! STOP SAYING THAT.
959
00:48:00,440 --> 00:48:01,830
Zara: IF THAT'S WHAT
JEFF'S SPIRIT WANTS,
960
00:48:01,830 --> 00:48:03,160
THEN IT'S
GOING TO HAPPEN.
961
00:48:03,160 --> 00:48:04,580
COME ON, ZARA.
PEOPLE ARE EITHER ALIVE
962
00:48:04,580 --> 00:48:05,450
OR THEY'RE DEAD.
963
00:48:05,450 --> 00:48:06,870
SPIRITS GET TRAPPED,
DARCY.
964
00:48:07,370 --> 00:48:07,870
WHEN THEY'RE TRAPPED,
THEY CAN BE
965
00:48:08,370 --> 00:48:09,370
IN BOTH DIMENSIONS
AT THE SAME TIME.
966
00:48:09,370 --> 00:48:11,870
WHEN THAT HAPPENS, THEY
OFTEN BECOME MALEVOLENT.
967
00:48:11,870 --> 00:48:13,260
JEFF LEFT TOO SOON.
968
00:48:13,260 --> 00:48:15,760
OH, YOU MEAN BEFORE HIS
UNCLE GEORGE LUCAS,
969
00:48:15,760 --> 00:48:16,760
WHO NEVER HEARD OF HIM,
970
00:48:16,760 --> 00:48:19,130
GOT HIS WANNABE MOVIE
INTO SUNDANCE, RIGHT?
971
00:48:19,130 --> 00:48:21,770
LOOK, ZARA, LET ME
DROP SOME SCIENCE ON YOU.
972
00:48:21,770 --> 00:48:24,270
EVERYTHING JEFF SAID,
EVERYTHING JEFF DID,
973
00:48:24,270 --> 00:48:25,640
WAS DOO-WAP.
974
00:48:25,640 --> 00:48:27,100
DARCY, YOU INFURIATED HIM
975
00:48:27,100 --> 00:48:28,610
WHEN YOU WOULDN'T HELP
HIM PURGE HIS DEMONS.
976
00:48:28,610 --> 00:48:30,560
ALL OF YOU
LAUGHED AT HIM.
977
00:48:30,560 --> 00:48:31,560
MR. HADDEN
DISSED HIS MOVIE.
978
00:48:32,060 --> 00:48:33,560
MR. DONALDSON
RIDICULED HIM.
979
00:48:33,560 --> 00:48:35,450
AND, DILLON, YOU
THREATENED TO KILL HIM
980
00:48:35,450 --> 00:48:36,700
AT THE PARTY.
981
00:48:36,700 --> 00:48:37,480
YOU CHASED HIM,
AND YOU--
982
00:48:37,480 --> 00:48:38,870
I DIDN'T KILL HIM.
983
00:48:38,870 --> 00:48:40,320
I TRIED TO STOP HIM,
984
00:48:40,320 --> 00:48:42,320
HE WAS GOING TOO FAST
AND WENT OVER THE CLIFF.
985
00:48:42,820 --> 00:48:43,820
AND KELLY.
986
00:48:43,820 --> 00:48:44,820
HE WANTED TO
GO OUT WITH YOU,
987
00:48:44,820 --> 00:48:46,320
BUT YOU MADE A JOKE
OUT OF IT.
988
00:48:46,320 --> 00:48:48,710
MY GOD, ZARA,
HE'S SUCH A TOOL.
989
00:48:48,710 --> 00:48:50,080
NOBODY WOULD
GO OUT WITH HIM.
990
00:48:50,080 --> 00:48:51,910
HIS SPIRIT IS GOING
TO KILL EACH OF YOU
991
00:48:51,910 --> 00:48:53,910
ONE AT A TIME
UNLESS WE STOP HIM.
992
00:48:53,910 --> 00:48:55,800
OH, BUT NOT YOU,
RIGHT, ZARA?
993
00:48:55,800 --> 00:48:57,250
YEAH, YOU'RE JUST
HERE TO EXPLAIN
994
00:48:57,250 --> 00:49:00,250
ALL THIS SICK SHIT TO US
AND GET US FREAKIN'.
995
00:49:00,250 --> 00:49:01,760
AHEM.
996
00:49:05,730 --> 00:49:07,230
DILLON, A WORD, PLEASE.
997
00:49:07,230 --> 00:49:08,730
IT'S ABOUT YOUR ASSIGNMENT.
998
00:49:08,730 --> 00:49:09,730
LOOK, I, UH--
999
00:49:09,730 --> 00:49:11,010
IT'S NOT ACCEPTABLE.
1000
00:49:11,010 --> 00:49:12,520
LOOK, I KNOW YOU GUYS
NEVER UNDERSTOOD
1001
00:49:12,520 --> 00:49:13,520
WHY I HUNG WITH JEFFREY.
1002
00:49:13,520 --> 00:49:16,520
BUT, DARCY, WE'VE BEEN IN SCHOOL
TOGETHER SINCE KINDERGARTEN.
1003
00:49:16,520 --> 00:49:19,020
JASON, I'VE KNOWN YOU
SINCE I WAS 10 OR 11.
1004
00:49:19,020 --> 00:49:21,360
KELLY WAS MY JUNIOR HIGH
TENNIS PARTNER.
1005
00:49:21,360 --> 00:49:23,280
WE MAY NOT ALWAYS AGREE
ABOUT WHAT'S IMPORTANT,
1006
00:49:23,780 --> 00:49:25,280
BUT I WOULD NEVER
HURT YOU GUYS.
1007
00:49:25,280 --> 00:49:27,280
WAIT, DON'T GO.
1008
00:49:31,080 --> 00:49:32,500
WHAT SHOULD WE DO?
1009
00:49:32,500 --> 00:49:34,450
WE NEED TO GET THROUGH
TO JEFFREY AGAIN.
1010
00:49:34,450 --> 00:49:36,960
THIS TIME, WE'VE GOT TO
CONVINCE HIM NOT TO KILL KELLY.
1011
00:49:36,960 --> 00:49:39,460
I'M NOT GOING THERE,
ZARA. NO WAY.
1012
00:49:39,460 --> 00:49:40,630
YEAH, ME, NEITHER.
1013
00:49:40,630 --> 00:49:43,010
I MEAN, I AM NOT GONNA
SIT IN SOME DARK ROOM,
1014
00:49:43,010 --> 00:49:44,520
HOLD HANDS
WITH MONSTER,
1015
00:49:44,510 --> 00:49:45,380
AND WATCH CHIP
DO LINDA BLAIR
1016
00:49:45,380 --> 00:49:46,770
IMPERSONATIONS, OK?
1017
00:49:46,770 --> 00:49:49,020
THAT IS NOT GONNA BE
JASON JOHNSON'S NIGHT.
1018
00:49:49,020 --> 00:49:51,520
JASON JOHNSON
IS GONNA GO HOME,
1019
00:49:51,520 --> 00:49:52,520
SIT HIS LITTLE
CARAMELLY BLACK ASS
1020
00:49:53,020 --> 00:49:54,020
RIGHT IN FRONT
OF THE TV,
1021
00:49:54,020 --> 00:49:55,530
AND WATCH SOMETHING
STUPID AND SAFE,
1022
00:49:55,530 --> 00:49:57,030
LIKE ROAD RULES.
1023
00:49:57,030 --> 00:49:58,530
JASON WILL COME,
WON'T YOU, BABY?
1024
00:49:58,530 --> 00:50:00,030
OH, BABY, YOU KNOW
I DON'T GET DOWN
1025
00:50:00,030 --> 00:50:01,530
WITH THIS KENNY KINKS
AND PSYCHIC FRIEND
1026
00:50:01,530 --> 00:50:03,030
DIONNE WARWICK
BULLSHIT!
1027
00:50:03,030 --> 00:50:05,400
OH, YOU'RE GONNA MISS
SATURDAY'S BOOTY CALL.
1028
00:50:05,400 --> 00:50:07,040
DAMN.
1029
00:50:07,040 --> 00:50:08,870
ALL RIGHT, I GUESS
I'M ON THE CASE.
1030
00:50:08,870 --> 00:50:11,320
IT DOESN'T DO US ANY GOOD TO
JUST TALK TO JEFFREY'S SPIRIT.
1031
00:50:11,320 --> 00:50:12,830
WE HAVE TO HAVE SOMETHING
TO BARGAIN WITH
1032
00:50:12,830 --> 00:50:14,830
SO HE'LL AGREE
TO STOP THESE KILLINGS.
1033
00:50:17,830 --> 00:50:20,330
I'M NOT GONNA BE
THE VESTAL VIRGIN.
1034
00:50:20,330 --> 00:50:21,840
YOU CAN FIND SOMEONE
ELSE FOR THAT JOB.
1035
00:50:21,840 --> 00:50:24,340
BUT YOUR DAD IS REED WILSON.
HE'S A FAMOUS SCREENWRITER.
1036
00:50:24,840 --> 00:50:26,340
YEAH.
1037
00:50:26,340 --> 00:50:27,720
SO WHAT?
1038
00:50:27,720 --> 00:50:29,680
MAYBE HE CAN MAKE
JEFFREY'S DREAM COME TRUE
1039
00:50:29,680 --> 00:50:31,600
AND GET HIS MOVIE
INTO SUNDANCE.
1040
00:50:31,600 --> 00:50:33,100
LET ME GET THIS
STRAIGHT.
1041
00:50:33,100 --> 00:50:35,100
YOU GUYS WANT TO
CUT A MOVIE DEAL
1042
00:50:35,100 --> 00:50:37,100
WITH JEFFREY'S GHOST?
1043
00:50:37,100 --> 00:50:40,020
ALL I KNOW IS COACH DONALDSON
HAD MR. HADDEN'S PICTURE
1044
00:50:40,020 --> 00:50:43,770
AXED TO HIS CHEST,
AND MR. HADDEN HAD MINE ON TV.
1045
00:50:43,770 --> 00:50:46,440
LISTEN, KELLY, I'M NOT
GONNA TELL YOU NOT TO WORRY.
1046
00:50:46,440 --> 00:50:47,740
WHAT IF I'M NEXT?
1047
00:50:47,740 --> 00:50:49,160
LET'S JUST
THINK THIS THROUGH.
1048
00:50:49,660 --> 00:50:52,920
ZARA WANTS ME TO GO TO ANOTHER
SEANCE AT MOSS POINT TONIGHT.
1049
00:50:52,920 --> 00:50:55,250
THEY'RE GONNA TRY AND
TALK TO JEFF'S SPIRIT AGAIN,
1050
00:50:55,250 --> 00:50:56,750
TRY AND CONVINCE HIM
NOT TO HURT US.
1051
00:50:56,750 --> 00:50:58,590
BAD IDEA.
1052
00:50:58,590 --> 00:50:59,870
DOCTOR, I CAN'T JUST STAY HERE
1053
00:50:59,870 --> 00:51:01,380
AND WAIT FOR THIS MONSTER
TO ATTACK ME!
1054
00:51:01,370 --> 00:51:03,010
THAT SEANCE
IS JUST GONNA FUEL
1055
00:51:03,010 --> 00:51:05,010
THESE SUPERNATURAL
FEARS.
1056
00:51:05,010 --> 00:51:06,010
WHAT WE NEED, KELLY,
1057
00:51:06,010 --> 00:51:07,510
IS JUST LEVEL-HEADED
THINKING.
1058
00:51:07,510 --> 00:51:09,380
WHEN ARE YOUR PARENTS
COMING HOME?
1059
00:51:09,380 --> 00:51:11,380
THEY GET BACK FROM SANTA BARBARA
THIS AFTERNOON.
1060
00:51:11,380 --> 00:51:13,890
THEN I WANT YOU
TO STAY WHERE YOU ARE.
1061
00:51:13,890 --> 00:51:16,890
WHATEVER YOU DO,
DON'T GO TO THAT SEANCE.
1062
00:51:16,890 --> 00:51:18,280
[SIGHS]
1063
00:51:21,780 --> 00:51:24,780
TELL ME MORE ABOUT CARL HADDEN'S
COMMUNICATION CLASS
1064
00:51:24,780 --> 00:51:26,280
FROM A YEAR AGO,
1065
00:51:26,280 --> 00:51:29,290
BECAUSE EVERYONE KEEPS SAYING
THAT'S WHERE JEFF WENT NUTS.
1066
00:51:29,790 --> 00:51:32,290
THEY SCREENED
JEFFREY LUCAS' MOVIE,
1067
00:51:32,290 --> 00:51:35,290
AND ALL THE KIDS
STARTED LAUGHING.
1068
00:51:35,290 --> 00:51:37,290
I CAN'T IMAGINE WHY.
1069
00:51:37,290 --> 00:51:38,800
WITH ALL THAT
STRAWBERRY SYRUP,
1070
00:51:38,800 --> 00:51:40,300
THEY SHOULD HAVE BEEN
COOKING SOME PANCAKES.
1071
00:51:40,800 --> 00:51:41,300
[CHUCKLES]
1072
00:51:41,800 --> 00:51:43,300
THEN COACH--
COACH DONALDSON
1073
00:51:43,300 --> 00:51:44,800
AND DILLON WRESTLED JEFF
OUT OF THE AUDITORIUM
1074
00:51:45,300 --> 00:51:46,300
AND PUT HIM
IN MY OFFICE.
1075
00:51:46,800 --> 00:51:47,800
I WALKED IN THERE,
1076
00:51:47,800 --> 00:51:48,810
AND HE WAS
STANDING THERE
1077
00:51:48,810 --> 00:51:51,310
WIELDING ONE OF
MY TENNIS TROPHIES.
1078
00:51:51,810 --> 00:51:54,310
I CALMED HIM DOWN
AND HE STARTED--
1079
00:51:54,310 --> 00:51:56,310
HE STARTED SORT OF
RECITING THINGS.
1080
00:51:56,310 --> 00:51:57,310
IT WAS--IT WAS WEIRD.
1081
00:51:57,810 --> 00:51:58,820
THE--
1082
00:51:58,820 --> 00:52:00,570
CELT CHANTS?
1083
00:52:00,570 --> 00:52:02,440
IT WAS MORE LIKE
CELTIC LORE.
1084
00:52:02,440 --> 00:52:04,820
NOW, YOU SAID HE WAS WIELDING
A TENNIS TROPHY.
1085
00:52:04,820 --> 00:52:06,320
YEAH.
1086
00:52:06,320 --> 00:52:09,690
DID OUR HOMICIDE INVESTIGATOR
DUST IT FOR LEADS?
1087
00:52:09,690 --> 00:52:10,940
I DON'T THINK THEY DID.
1088
00:52:10,940 --> 00:52:12,950
JESUS, WHY NOT?
1089
00:52:12,950 --> 00:52:14,950
'CAUSE I JUST
REMEMBERED IT NOW.
1090
00:52:16,450 --> 00:52:19,450
WELL, IF YOU LET ME HAVE IT,
I'LL DO A FINGERPRINT RUN.
1091
00:52:19,450 --> 00:52:21,450
YOU KNOW, FINGERPRINTS
LAST FOREVER ON METAL.
1092
00:52:21,450 --> 00:52:23,460
MAYBE WE'LL, UH,
GET A HIT AND FIND OUT
1093
00:52:23,460 --> 00:52:26,210
WHO THIS JEFF LUCAS
REALLY WAS.
1094
00:52:26,460 --> 00:52:27,540
IF YOU CAN FOLLOW ME
BACK TO MY OFFICE,
1095
00:52:27,540 --> 00:52:28,930
I'LL GIVE IT TO YOU
RIGHT NOW.
1096
00:52:28,930 --> 00:52:30,800
WELL, DR. BOONE,
1097
00:52:30,800 --> 00:52:33,050
I COULD FOLLOW YOU ANYWHERE
YOU WANT ME TO FOLLOW YOU TO.
1098
00:52:33,300 --> 00:52:35,640
YOU SAY THE SWEETEST
THINGS, SERGEANT.
1099
00:52:35,640 --> 00:52:37,470
WELL, THANK YOU,
DR. BOONE.
1100
00:52:43,060 --> 00:52:47,200
[THUNDER]
1101
00:52:47,200 --> 00:52:48,120
Zara: HIGH GODS,
1102
00:52:48,110 --> 00:52:49,730
PROTECTED BY
THE GUARDIAN SPIRITS,
1103
00:52:49,730 --> 00:52:51,120
WE BESEECH YOU, COME.
1104
00:52:51,620 --> 00:52:53,620
PASS YE AMONG
THE SHADES AND SHADOWS
1105
00:52:54,120 --> 00:52:55,620
WONDERFUL ON THIS NIGHT.
1106
00:52:55,620 --> 00:52:57,370
UNHARMED BY
THE MALIGNANT POWERS,
1107
00:52:57,570 --> 00:52:59,160
COME FORTH, DARK SPIRIT.
1108
00:52:59,660 --> 00:53:00,660
REVEAL YOUR PLIGHT.
1109
00:53:07,220 --> 00:53:09,300
[THUNDER CONTINUES]
1110
00:53:14,470 --> 00:53:15,980
HE'S NOT HERE.
1111
00:53:15,980 --> 00:53:17,480
THERE'S NOTHING.
1112
00:53:17,480 --> 00:53:19,480
SOMETHING'S WRONG.
1113
00:53:19,980 --> 00:53:21,980
HE CAME LAST TIME.
1114
00:53:21,980 --> 00:53:24,480
HE WON'T COME BECAUSE
KELLY'S HIS NEXT TARGET,
1115
00:53:24,480 --> 00:53:25,990
AND SHE'S MISSING.
1116
00:53:25,990 --> 00:53:27,490
HE KNOWS WHAT WE WANT.
1117
00:53:27,490 --> 00:53:29,240
HIS MIND, LIKE HIS SPIRIT,
IS EVERYWHERE.
1118
00:53:29,440 --> 00:53:31,020
KELLY'S NOT COMING,
ZARA.
1119
00:53:31,020 --> 00:53:33,410
SHE'S TERRIFIED
OF THIS PLACE.
1120
00:53:33,690 --> 00:53:35,280
[THUNDER]
1121
00:53:39,700 --> 00:53:42,040
LOOK, MAYBE I CAN
CONVINCE HER.
1122
00:53:42,040 --> 00:53:43,540
I'LL GO TO HER,
EXPLAIN TO HER
1123
00:53:43,540 --> 00:53:45,870
WE'RE TRYING TO CONTACT
JEFFREY'S SPIRIT...
1124
00:53:45,870 --> 00:53:47,760
TRYING TO MAKE A DEAL
TO SPARE HER LIFE.
1125
00:53:47,760 --> 00:53:49,090
YOU GO, CHIP.
1126
00:53:49,090 --> 00:53:50,540
WE'LL KEEP TRYING
TO BRING HIS SPIRIT CLOSE.
1127
00:53:56,380 --> 00:53:58,100
I'LL BE BACK
IN LESS THAN AN HOUR.
1128
00:54:16,370 --> 00:54:18,870
DADDY, YOU AND MOM WERE
SUPPOSED TO BE HOME BY 6:00.
1129
00:54:18,870 --> 00:54:21,380
SOME FRIENDS
WERE SUPPOSED TO COME OVER
1130
00:54:21,370 --> 00:54:23,880
AFTER CHEERLEADING PRACTICE,
BUT THEY'RE NOT HERE YET.
1131
00:54:23,880 --> 00:54:25,880
JUST HURRY, PLEASE.
1132
00:54:28,380 --> 00:54:30,380
[THUNDER]
1133
00:54:30,380 --> 00:54:31,890
[DOOR OPENS]
1134
00:54:38,390 --> 00:54:39,390
[DOOR CLOSES]
1135
00:54:49,820 --> 00:54:51,320
WHO IS IT?
1136
00:54:52,820 --> 00:54:54,320
CUT IT OUT.
THIS ISN'T FUNNY.
1137
00:54:55,830 --> 00:54:57,330
[BIRD CAWS]
1138
00:54:57,330 --> 00:54:58,700
[WINGS FLAP]
1139
00:55:07,450 --> 00:55:09,460
[SCREAMING]
1140
00:55:14,630 --> 00:55:16,210
[GRUNTING AND SCREAMING]
1141
00:55:24,220 --> 00:55:25,220
[CHOKING]
1142
00:55:26,720 --> 00:55:27,720
[CRACK]
1143
00:55:42,070 --> 00:55:43,570
[DOG BARKING IN DISTANCE]
1144
00:55:46,080 --> 00:55:49,080
Jason: THAT'S CHIP'S RIDE.
HE'S STILL HERE.
1145
00:56:03,090 --> 00:56:04,590
Monster:
HEY, GUYS, LET'S BOOGIE.
1146
00:56:04,590 --> 00:56:06,600
I'M ON FRONT STREET
WITH THIS.
1147
00:56:06,600 --> 00:56:09,100
Jason, whispering:
Shut up. Keep moving.
1148
00:56:09,100 --> 00:56:10,600
Darcy: WHAT IF
WE GET CAUGHT?
1149
00:56:10,600 --> 00:56:11,600
Jason:
SHH, SHH, SHH, SHH.
1150
00:56:12,100 --> 00:56:13,600
[CREAKING SOUND]
1151
00:56:13,600 --> 00:56:14,600
YOU GUYS HEAR THAT?
1152
00:56:15,100 --> 00:56:16,110
Darcy: YES.
1153
00:56:16,110 --> 00:56:18,110
Monster: NO, NO, NO,
I DON'T HEAR ANYTHING.
1154
00:56:18,110 --> 00:56:20,110
IT SOUNDS LIKE
IT'S COMING FROM IN THERE.
1155
00:56:20,110 --> 00:56:22,110
Zara: I FEEL SOMETHING.
1156
00:56:22,110 --> 00:56:23,110
Monster: WHAT?
1157
00:56:23,610 --> 00:56:25,620
Darcy: THIS IS
FREAKIN' ME OUT.
1158
00:56:25,620 --> 00:56:28,120
THE GARAGE--
LOOK IN THE GARAGE.
1159
00:56:28,120 --> 00:56:30,120
[CREAKING SOUND]
1160
00:56:30,620 --> 00:56:32,120
Monster: YO, UH, J.J.,
WE GOTS TO GO IN?
1161
00:56:32,120 --> 00:56:34,620
MONSTER, SHUT UP.
1162
00:56:34,620 --> 00:56:36,630
[DOOR SQUEAKS]
1163
00:56:39,130 --> 00:56:41,130
LET'S HURRY THIS UP
AND GET OUT OF HERE.
1164
00:56:41,130 --> 00:56:42,130
DON'T PUSH ME!
SHH!
1165
00:56:43,630 --> 00:56:45,140
I HATE THE DARK.
1166
00:56:45,130 --> 00:56:47,140
SHUT UP. SHUT UP.
1167
00:56:51,140 --> 00:56:52,640
[ALL SCREAM]
1168
00:56:52,640 --> 00:56:55,150
JASON, DO SOMETHING!
1169
00:56:55,650 --> 00:56:57,150
Monster: GET HIM DOWN!
NO, GET HIM DOWN!
1170
00:56:57,150 --> 00:56:58,150
GET HIM DOWN! WAIT!
1171
00:56:58,150 --> 00:56:59,150
[CHIP GRUNTING]
1172
00:56:59,150 --> 00:57:00,150
[ALL CHATTERING]
1173
00:57:03,650 --> 00:57:05,160
Chip: OH, GOD!
1174
00:57:05,150 --> 00:57:06,660
GET ME DOWN!
1175
00:57:06,660 --> 00:57:08,160
Jason: ON 3, BABY, ON 3.
1176
00:57:08,160 --> 00:57:09,660
Chip: YOU GUYS,
IT WAS HORRIBLE.
1177
00:57:09,660 --> 00:57:10,660
I MEAN, IT WAS ALL
BURNT AND CHARRED--
1178
00:57:10,660 --> 00:57:12,660
HE HIT ME OVER THE HEAD,
AND I--
1179
00:57:13,160 --> 00:57:14,660
WHEN I CAME TO, KELLY WAS
SCREAMING IN THE HOUSE.
1180
00:57:15,160 --> 00:57:16,670
I COULDN'T DO ANYTHING.
I MEAN, I WAS ALL TIED UP.
1181
00:57:16,670 --> 00:57:18,170
DEAD ABOVE GROUND.
1182
00:57:18,170 --> 00:57:20,670
Monster: NO, YOU WITCH LADY!
STOP SAYING THAT!
1183
00:57:20,670 --> 00:57:22,170
ALL RIGHT, I'M A LITTLE
FREAKED OUT HERE,
1184
00:57:22,170 --> 00:57:23,670
SO I THINK I'M GONNA
TAKE OFF, HUH?
1185
00:57:23,670 --> 00:57:25,680
WE'VE GOT TO FIND KELLY!
1186
00:57:25,680 --> 00:57:27,680
DARCY, NORMALLY, I WOULD
DO IT, BUT ONE BODY A WEEK
1187
00:57:27,680 --> 00:57:29,680
IS THE MONSTER'S
ABSOLUTE FUCKING LIMIT.
1188
00:57:29,680 --> 00:57:30,680
BESIDES...
1189
00:57:31,180 --> 00:57:32,680
I'M ABOUT TO GET MY PERIOD.
1190
00:57:32,680 --> 00:57:34,180
GUYS DON'T GET PERIODS,
ASSHOLE.
1191
00:57:34,180 --> 00:57:36,190
WELL, IT ALWAYS WORKS
WHEN GIRLS SAY IT.
1192
00:57:36,190 --> 00:57:38,690
LOOK, DARCY,
CALL 911, ALL RIGHT?
1193
00:57:39,190 --> 00:57:39,690
MONSTER, YOU'RE WITH ME.
1194
00:57:40,190 --> 00:57:42,190
LET'S GO. LET'S GO
MAKE SOME MOVES, BABY.
1195
00:57:42,190 --> 00:57:43,190
COME ON.
1196
00:57:47,200 --> 00:57:49,700
Chip: COME ON,
LET'S CHECK THE HOUSE.
1197
00:57:49,700 --> 00:57:52,120
OH, MAN,
HOLD ON, YOU GUYS.
1198
00:57:54,120 --> 00:57:55,120
Darcy: OH!
1199
00:57:55,120 --> 00:57:56,620
[ALL GROANING]
1200
00:57:56,620 --> 00:57:57,620
OH, MY GOD.
1201
00:57:57,620 --> 00:57:59,130
YOU GUYS GOT A BUCKET?
1202
00:57:59,130 --> 00:58:01,630
WHY? WHAT YOU NEED
A BUCKET FOR, MAN?
1203
00:58:01,630 --> 00:58:03,630
[GAGS]
NOT TO CLEAN, BRO.
1204
00:58:03,630 --> 00:58:05,630
I'M ABOUT TO HURL.
1205
00:58:06,130 --> 00:58:07,630
GONNA DO THE YELLOW YAWN.
1206
00:58:07,630 --> 00:58:09,140
OH, COME ON, MAN.
1207
00:58:09,140 --> 00:58:12,390
[VOMITING]
1208
00:58:12,390 --> 00:58:14,190
DeSousa: MAYBE
THIS IS THE LAST ONE.
1209
00:58:14,190 --> 00:58:15,690
WHAT MAKES YOU SAY THAT?
1210
00:58:15,690 --> 00:58:17,060
NO PICTURES LIKE IN
THE OTHER KILLINGS.
1211
00:58:17,060 --> 00:58:19,560
NO CLUES STUCK IN HER CHEST
WITH AN AXE.
1212
00:58:19,560 --> 00:58:21,950
SO MAYBE IT ENDS HERE.
1213
00:58:21,950 --> 00:58:23,280
HOW'D I DO?
1214
00:58:23,280 --> 00:58:24,780
DeSousa:
DON'T ANSWER THAT, JOE.
1215
00:58:25,280 --> 00:58:26,290
WE'LL TALK ABOUT IT LATER.
1216
00:58:28,290 --> 00:58:29,290
THERE.
1217
00:58:29,290 --> 00:58:30,790
PASSED AGAIN, DIDN'T I?
1218
00:58:30,790 --> 00:58:32,290
BUMMER.
1219
00:58:32,290 --> 00:58:33,790
AND SINCE YOU
HAVE NO ONE
1220
00:58:33,790 --> 00:58:35,300
WHO CAN CONFIRM
YOUR WHEREABOUTS
1221
00:58:35,290 --> 00:58:36,800
AT THE TIME OF
KELLY'S MURDER,
1222
00:58:36,800 --> 00:58:38,300
I'M GONNA HOLD ON TO YOU
FOR JUST A LITTLE BIT.
1223
00:58:38,300 --> 00:58:40,800
DETECTIVE?
COME HERE.
1224
00:58:40,800 --> 00:58:43,550
TAKE HIM DOWN AND PUT
HIM IN HOLDING CELL 3.
1225
00:58:43,550 --> 00:58:45,840
KELLY WAS MY FRIEND.
I WOULDN'T KILL HER.
1226
00:58:45,840 --> 00:58:47,840
HOW DO I FINALLY CATCH
A BREAK WITH YOU?
1227
00:58:47,840 --> 00:58:50,340
LISTEN, IN THE LAST
10 YEARS,
1228
00:58:50,340 --> 00:58:53,850
WE'VE ONLY HAD
3 HOMICIDES IN BAY CITY.
1229
00:58:53,850 --> 00:58:55,730
NOW I GOT 3 IN 3 NIGHTS.
1230
00:58:55,730 --> 00:58:57,520
SO SOMEONE IS GOING DOWN
FOR THOSE MURDERS,
1231
00:58:58,020 --> 00:58:59,400
AND MAYBE IT'S
GONNA BE YOU.
1232
00:58:59,400 --> 00:59:01,350
NOW GET HIM
OUT OF HERE!
1233
00:59:07,830 --> 00:59:09,410
I UNDERSTAND YOU'RE
THE ONE TO SEE
1234
00:59:09,410 --> 00:59:11,280
WHEN IT COMES DOWN
TO CELTIC LEGENDS?
1235
00:59:11,280 --> 00:59:13,120
I KNOW THE PAGAN WAYS.
1236
00:59:13,120 --> 00:59:14,870
HAVE A SEAT.
1237
00:59:18,370 --> 00:59:20,870
TELL ME ABOUT, UH,
BIRD OMENS.
1238
00:59:20,870 --> 00:59:22,210
WHAT DO THEY MEAN?
1239
00:59:22,210 --> 00:59:25,960
IF A WHITE BIRD
SITS ON YOUR HOUSE,
1240
00:59:26,460 --> 00:59:28,970
SOMEONE IN THAT HOUSE
WILL BECOME VERY SICK.
1241
00:59:28,970 --> 00:59:30,350
I'M MORE INTERESTED
IN, UH,
1242
00:59:30,350 --> 00:59:31,720
RAVENS.
1243
00:59:31,720 --> 00:59:33,220
NIGHT RAVENS.
1244
00:59:33,220 --> 00:59:35,220
THEIR LATIN NAME
IS STRIX FLAMA.
1245
00:59:35,220 --> 00:59:37,220
THEY'RE THE WORST
OF THE BIRD OMENS.
1246
00:59:37,220 --> 00:59:38,730
IF A NIGHT RAVEN
ENTERS YOUR HOUSE,
1247
00:59:38,720 --> 00:59:40,610
TERRIBLE
CONSEQUENCES OCCUR.
1248
00:59:40,610 --> 00:59:41,730
LIKE WHAT?
1249
00:59:41,730 --> 00:59:42,560
WITH THEIR BEAKS,
1250
00:59:42,560 --> 00:59:44,560
THEY TEAR THE ENTRAILS
OF CHILDREN
1251
00:59:44,560 --> 00:59:45,570
UNTIL THEIR MAWS
ARE DISTENDED
1252
00:59:45,570 --> 00:59:47,070
WITH INFANT BLOOD.
1253
00:59:47,070 --> 00:59:50,490
MAYBE THAT'S WHY DISNEY
PASSED ON A CARTOON.
1254
00:59:50,490 --> 00:59:51,990
JOE, GIVE HER THE TEST.
1255
00:59:59,800 --> 01:00:02,300
Brenda: YOU LIVE VERY WELL
FOR A POLICE SERGEANT.
1256
01:00:02,300 --> 01:00:03,800
I'M HOUSE-SITTING.
1257
01:00:03,800 --> 01:00:04,800
IT'S A GREAT
SECOND CAREER
1258
01:00:04,800 --> 01:00:06,800
FOR SEMI-DEADBEATS
AND COPS, YOU KNOW.
1259
01:00:06,800 --> 01:00:08,310
OH. HEH.
1260
01:00:11,310 --> 01:00:14,310
YOU DON'T SEEM LIKE
A COP TO ME.
1261
01:00:14,310 --> 01:00:17,810
I COULDN'T DECIDE
BETWEEN POLICE WORK
1262
01:00:17,810 --> 01:00:20,320
AND BRAIN SURGERY.
1263
01:00:20,320 --> 01:00:21,320
BUT I CHOSE THIS
1264
01:00:21,820 --> 01:00:23,320
BECAUSE I LOVE TO EAT
AT TACO BELL.
1265
01:00:25,320 --> 01:00:27,320
SO, WHAT TOOK
BRENDA BOONE
1266
01:00:27,820 --> 01:00:29,330
TO POSTGRADUATE SCHOOL?
1267
01:00:33,330 --> 01:00:35,330
I WANTED TO HELP PEOPLE.
1268
01:00:35,330 --> 01:00:36,830
SILLY, HUH?
1269
01:00:40,340 --> 01:00:42,840
BUT I HARDLY KNOW WHAT
TO SAY TO THESE KIDS.
1270
01:00:42,840 --> 01:00:44,840
THEY HAVE SO MUCH,
1271
01:00:44,840 --> 01:00:46,840
AND YET SOMEHOW,
THEY SEEM TO HAVE NOTHING.
1272
01:00:46,840 --> 01:00:49,350
THEIR PARENTS ARE TOO BUSY
TO EVEN RAISE THEM.
1273
01:00:49,350 --> 01:00:52,350
MONEY CAN'T
BUY YOU LOVE.
1274
01:00:54,350 --> 01:00:56,850
I FEEL LIKE I'M
SCREWING UP BADLY HERE.
1275
01:00:56,850 --> 01:01:00,360
I WASN'T AT ALL
PREPARED FOR ALL THIS.
1276
01:01:00,360 --> 01:01:05,360
I WAS GOOD AT DIAGNOSING
A.D.D. OR YOUTHFUL ANXIETY.
1277
01:01:05,360 --> 01:01:09,370
PSYCHO AXE MURDERS ARE
SORT OF OFF MY SCALE, TOO.
1278
01:01:09,370 --> 01:01:11,370
SEE? WE'RE
A PERFECT MATCH.
1279
01:01:11,370 --> 01:01:13,370
MM-HMM.
BIRDS OF A FEATHER.
1280
01:01:13,870 --> 01:01:15,370
HEY, CUT IT
WITH THE BIRDS.
1281
01:01:15,870 --> 01:01:17,370
I HAD ENOUGH BLEAK
OMENS FOR A WHILE.
1282
01:01:17,370 --> 01:01:19,380
MM-HMM.
1283
01:01:23,880 --> 01:01:25,880
I WANT YOU TO KNOW
1284
01:01:25,880 --> 01:01:28,390
I WON'T BACK DOWN
1285
01:01:28,380 --> 01:01:30,390
FROM YOU NOW
1286
01:01:30,390 --> 01:01:34,890
I KNOW THAT THIS
IS RIGHT SOMEHOW
1287
01:01:34,890 --> 01:01:37,390
YES, I DO
1288
01:01:37,390 --> 01:01:39,400
HEY, YOU
1289
01:01:39,400 --> 01:01:41,400
CAN WE GIVE IT A TRY?
1290
01:01:41,900 --> 01:01:43,900
THOUGH THE WATER IS WIDE
1291
01:01:43,900 --> 01:01:48,410
I BELIEVE WE CAN SEE
THE OTHER SIDE
1292
01:01:48,400 --> 01:01:50,910
I'M ASKING YOU
1293
01:01:50,910 --> 01:01:52,910
TO THINK IT THROUGH
1294
01:01:52,910 --> 01:01:55,410
I BET YOU COULD
1295
01:01:55,410 --> 01:01:57,410
IF YOU
1296
01:01:57,410 --> 01:01:59,920
I WON'T BACK DOWN
1297
01:01:59,920 --> 01:02:01,920
FROM YOU NOW
1298
01:02:01,920 --> 01:02:06,420
I KNOW THAT THIS
IS RIGHT SOMEHOW
1299
01:02:06,420 --> 01:02:08,930
YES, I DO
1300
01:02:08,930 --> 01:02:10,930
HEY, YOU
1301
01:02:10,930 --> 01:02:13,430
CAN WE GIVE IT A TRY?
1302
01:02:13,430 --> 01:02:15,930
THOUGH THE WATER IS WIDE
1303
01:02:15,930 --> 01:02:20,440
I BELIEVE WE CAN SEE
THE OTHER SIDE
1304
01:02:20,440 --> 01:02:22,440
I'M ASKING YOU
1305
01:02:22,440 --> 01:02:24,440
TO THINK IT THROUGH
1306
01:02:24,940 --> 01:02:26,940
I BET YOU COULD
1307
01:02:26,940 --> 01:02:28,950
IF YOU WOULD
1308
01:02:28,950 --> 01:02:31,450
WAS IT REALLY THAT BAD?
1309
01:02:31,450 --> 01:02:33,450
THINK OF ALL THAT WE HAD
1310
01:02:33,450 --> 01:02:38,450
I BELIEVE WE COULD FLY
IF WE LET GO
1311
01:02:38,450 --> 01:02:40,460
I'M ASKING YOU
1312
01:02:40,460 --> 01:02:42,960
TO THINK IT THROUGH
1313
01:02:42,960 --> 01:02:45,460
I BET YOU COULD
1314
01:02:45,460 --> 01:02:48,460
IF YOU WOULD
1315
01:02:58,860 --> 01:03:00,430
MORNING, DAN.
1316
01:03:00,430 --> 01:03:01,810
HEY, DOUG,
I GOT YOUR CALL.
1317
01:03:01,810 --> 01:03:03,430
HOW WAS THE AUTOPSY?
1318
01:03:03,430 --> 01:03:04,730
DID YOU FIND ANYTHING
WE COULD USE?
1319
01:03:04,730 --> 01:03:06,100
THIS MIGHT INTEREST YOU.
1320
01:03:06,100 --> 01:03:08,850
DARCY WILSON.
1321
01:03:08,850 --> 01:03:10,100
WHERE'D THIS COME FROM?
1322
01:03:10,100 --> 01:03:12,020
IT WAS IN
KELLY BRITTON'S STOMACH.
1323
01:03:12,020 --> 01:03:13,020
THE SICK BASTARD MUST HAVE
1324
01:03:13,020 --> 01:03:14,410
FORCE-FED IT TO HER
BEFORE SHE DIED.
1325
01:03:16,580 --> 01:03:18,660
HERE WE GO AGAIN.
THANKS, DOC.
1326
01:03:24,530 --> 01:03:25,870
YOU'RE TELLING US
THIS MANIAC
1327
01:03:25,870 --> 01:03:27,870
IS GOING TO TRY
AND KILL DARCY?
1328
01:03:27,870 --> 01:03:30,370
I'M SAYING
IT'S A POSSIBILITY, YES.
1329
01:03:30,370 --> 01:03:32,760
BECAUSE AN OLD YEARBOOK
PICTURE OF DARCY
1330
01:03:32,760 --> 01:03:34,130
WAS IN KELLY'S STOMACH?
1331
01:03:34,130 --> 01:03:35,630
YES.
1332
01:03:35,630 --> 01:03:37,130
DADDY...
1333
01:03:37,130 --> 01:03:39,630
OH. IT'S OK, BABY.
1334
01:03:39,630 --> 01:03:41,130
NOTHING'S GOING
TO HAPPEN TO YOU.
1335
01:03:41,130 --> 01:03:42,130
I PROMISE. I PROMISE.
1336
01:03:42,130 --> 01:03:43,140
RAY...
1337
01:03:43,140 --> 01:03:46,520
MAYBE WE NEED
TO HIRE SECURITY.
1338
01:03:46,520 --> 01:03:47,810
I'M GOING TO ASSIGN
AN EXTRA PATROL CAR
1339
01:03:47,810 --> 01:03:49,310
TO PARK IN FRONT.
AND THIS TIME
1340
01:03:49,310 --> 01:03:50,690
IT'LL BE HERE 24/7.
1341
01:03:50,690 --> 01:03:53,110
I'M DETERMINED
TO MAKE CERTAIN
1342
01:03:53,110 --> 01:03:54,110
THAT THIS
DOESN'T END UP
1343
01:03:54,110 --> 01:03:55,110
LIKE THE OTHERS.
1344
01:03:55,110 --> 01:03:56,980
I APPRECIATE THAT, SERGEANT.
1345
01:03:57,480 --> 01:03:59,820
BUT DIDN'T KELLY'S PARENTS
GET THAT SAME PROMISE?
1346
01:03:59,820 --> 01:04:01,320
YOU KNOW, IT IT'S
ALL THE SAME TO YOU,
1347
01:04:01,320 --> 01:04:03,320
I'M GOING TO TAKE SOME
PRECAUTIONS OF MY OWN.
1348
01:04:03,320 --> 01:04:04,570
I JUST AS SOON
WE DIDN'T ADD
1349
01:04:04,570 --> 01:04:06,410
A BUNCH OF PLASTIC
BADGES, SIR.
1350
01:04:06,410 --> 01:04:08,290
I DON'T GIVE A DAMN
WHAT YOU WANT.
1351
01:04:08,290 --> 01:04:12,750
YOU GOT BODIES STACKED UP
LIKE CORDWOOD DOWN THERE.
1352
01:04:12,750 --> 01:04:13,750
AND DARCY
ISN'T GOING TO JOIN
1353
01:04:13,750 --> 01:04:15,630
THAT SAD LITTLE CLUB.
1354
01:04:15,630 --> 01:04:17,920
I SUPPOSE I CAN'T
CHANGE YOUR MIND.
1355
01:04:17,920 --> 01:04:19,840
YOU'RE DAMN RIGHT
YOU CAN'T.
1356
01:04:19,840 --> 01:04:21,340
UNTIL I GET A MAN HERE,
1357
01:04:21,840 --> 01:04:23,730
DARCY ISN'T GOING
TO BE OUT OF MY SIGHT.
1358
01:04:25,140 --> 01:04:27,150
WELL, MAKE SURE YOU GIVE
ME THE NAME OF THIS MAN
1359
01:04:27,150 --> 01:04:28,150
YOU'RE GOING TO HIRE,
1360
01:04:28,150 --> 01:04:30,150
SO I WON'T SHOOT HIM
BY MISTAKE.
1361
01:04:30,150 --> 01:04:32,020
MISS WILSON...
1362
01:04:32,020 --> 01:04:34,240
IF I WERE YOU,
I'D STAY AWAY
1363
01:04:34,240 --> 01:04:35,240
FROM DILLON JOHNSON.
1364
01:04:35,240 --> 01:04:36,690
DILLON DIDN'T DO IT.
1365
01:04:36,690 --> 01:04:38,770
WE THINK HE DID, HONEY.
1366
01:04:38,770 --> 01:04:41,280
HE RAN JEFF LUCAS
OFF THE ROAD LAST YEAR,
1367
01:04:41,280 --> 01:04:44,030
AND HE PROBABLY KILLED
HADDEN AND DONALDSON.
1368
01:04:44,030 --> 01:04:45,360
HIS FATHER'S
IN JAIL RIGHT NOW
1369
01:04:45,360 --> 01:04:48,370
FOR A DOUBLE MURDER,
AND AS FAR AS I'M CONCERNED,
1370
01:04:48,370 --> 01:04:50,370
THE WHOLE DAMN FAMILY
IS DANGEROUS
1371
01:04:50,370 --> 01:04:51,750
AND DOESN'T BELONG HERE.
1372
01:04:51,750 --> 01:04:53,010
HE'S INSANE,
1373
01:04:53,010 --> 01:04:54,790
AND I'M NOT TAKING
ANY CHANCES.
1374
01:04:54,790 --> 01:04:57,290
DARCY, YOU SHOULD LISTEN
TO YOUR FATHER
1375
01:04:57,290 --> 01:04:58,800
ON THIS ONE.
1376
01:04:58,790 --> 01:04:59,680
HE'S RIGHT.
1377
01:05:02,180 --> 01:05:03,600
PLEASE CALL
IF YOU NEED ANYTHING.
1378
01:05:03,600 --> 01:05:04,970
[NO AUDIO]
1379
01:05:31,990 --> 01:05:34,410
MAKE A CIRCLE
IN THE SAND
1380
01:05:34,410 --> 01:05:36,920
IN THE MIDDLE
WE WILL STAND
1381
01:05:36,920 --> 01:05:39,670
AND TOGETHER WE WILL LIVE
1382
01:05:39,670 --> 01:05:41,500
AS ONE
1383
01:05:41,500 --> 01:05:42,890
HEY, DARCE...
1384
01:05:42,890 --> 01:05:44,420
DILLON...
1385
01:05:44,420 --> 01:05:45,720
I NEED TO TALK
TO YOU.
1386
01:05:45,720 --> 01:05:47,230
I'M WARNING YOU, DILLON,
IF YOU COME A FOOT CLOSER,
1387
01:05:47,230 --> 01:05:48,230
I'M GONNA RUN INSIDE.
1388
01:05:48,230 --> 01:05:49,850
DARCY, I'M INNOCENT.
1389
01:05:49,850 --> 01:05:52,150
ISN'T THAT WHAT
EVERY GUILTY MAN SAYS?
1390
01:05:52,150 --> 01:05:53,600
I GUESS, BUT I WANTED YOU
TO HEAR IT FROM ME.
1391
01:05:54,100 --> 01:05:55,100
I WANTED TO TELL YOU.
1392
01:05:55,100 --> 01:05:56,990
NOBODY BELIEVES ME.
1393
01:05:56,990 --> 01:05:58,600
THEN WHO?
WHO'S DOING THIS?
1394
01:05:58,600 --> 01:05:59,360
I DON'T KNOW.
1395
01:05:59,360 --> 01:06:02,360
I HEARD ON THE RADIO
THAT THE CORONER
1396
01:06:02,360 --> 01:06:03,860
FOUND A PICTURE OF YOU
IN KELLY'S STOMACH.
1397
01:06:03,860 --> 01:06:04,860
IS THAT TRUE?
1398
01:06:04,860 --> 01:06:06,700
YEAH.
1399
01:06:06,700 --> 01:06:09,450
DARCY, I'VE ALWAYS
LOVED YOU.
1400
01:06:09,450 --> 01:06:10,950
DILLON, DON'T.
1401
01:06:10,950 --> 01:06:11,950
I THOUGHT YOU SAID
NOTHING WOULD EVER
1402
01:06:11,950 --> 01:06:12,950
COME BETWEEN US.
1403
01:06:12,950 --> 01:06:14,840
MY GOD. DILLON,
THERE ARE 4 PEOPLE DEAD.
1404
01:06:14,840 --> 01:06:16,210
DOESN'T THAT MAKE
A DIFFERENCE?
1405
01:06:16,210 --> 01:06:17,620
I DIDN'T DO IT.
1406
01:06:17,620 --> 01:06:19,630
AND NOW YOUR LIFE'S
AT RISK.
1407
01:06:19,630 --> 01:06:21,130
I PROMISE I WILL
NOT LET
1408
01:06:21,130 --> 01:06:22,130
THIS MONSTER
GET YOU.
1409
01:06:22,130 --> 01:06:23,130
IF IT COMES
TO THAT,
1410
01:06:23,130 --> 01:06:24,130
I'LL DIE
TO PROTECT YOU.
1411
01:06:24,630 --> 01:06:26,130
YOU DON'T HAVE
TO WORRY, DILLON.
1412
01:06:26,130 --> 01:06:28,020
SERGEANT DeSOUSA
HAS A POLICE OFFICER
1413
01:06:28,020 --> 01:06:30,020
WATCHING THE HOUSE.
I'LL BE FINE.
1414
01:06:30,020 --> 01:06:31,390
IF IT'S REALLY JEFFREY'S
SPIRIT DOING THIS,
1415
01:06:31,390 --> 01:06:32,390
HOW WILL THAT HELP?
1416
01:06:32,390 --> 01:06:33,770
HOW ARE THEY GOING
TO ARREST A GHOST?
1417
01:06:33,770 --> 01:06:35,060
I DON'T KNOW, DILLON.
1418
01:06:35,560 --> 01:06:37,560
I'M JUST SCARED
AND CONFUSED.
1419
01:06:38,060 --> 01:06:39,060
I'LL BE HERE, DARCY.
1420
01:06:39,060 --> 01:06:41,530
I'LL ALWAYS BE NEARBY
WATCHING OUT FOR YOU.
1421
01:06:41,530 --> 01:06:43,400
YOU CAN COUNT ON ME.
1422
01:06:43,400 --> 01:06:45,200
Mr. Wilson:
WHO IS THAT DOWN THERE?!
1423
01:06:45,200 --> 01:06:46,620
IS THAT DILLON JOHNSON?!
1424
01:06:46,620 --> 01:06:48,990
YOU BETTER LEAVE.
1425
01:06:48,990 --> 01:06:50,910
DARCY, YOU GET BACK
UP HERE RIGHT NOW!
1426
01:06:50,910 --> 01:06:52,790
HEY, DILLON,
I'M CALLING THE POLICE!
1427
01:06:55,210 --> 01:06:56,210
I LOVE YOU.
1428
01:06:56,210 --> 01:06:59,500
YOU ARE MY GIRL
1429
01:06:59,500 --> 01:07:02,420
AND I'M YOUR MAN
1430
01:07:02,420 --> 01:07:06,140
WE ARE THAT CIRCLE
IN THE SAND
1431
01:07:06,140 --> 01:07:07,140
I LOVE YOU, TOO.
1432
01:07:07,140 --> 01:07:09,980
ON EVERY SHORE
1433
01:07:09,980 --> 01:07:12,730
AND EVERY LAND
1434
01:07:12,730 --> 01:07:18,100
THERE IS A CIRCLE
IN THE SAND
1435
01:07:27,610 --> 01:07:29,110
ZARA...
1436
01:07:29,110 --> 01:07:30,610
YOU BETTER GET OUT
OF HERE, DILLON.
1437
01:07:30,610 --> 01:07:32,120
LEAVE ME ALONE.
1438
01:07:32,110 --> 01:07:34,620
YOU KNOW WHAT'S GOING ON.
YOU'VE GOT TO TELL ME.
1439
01:07:34,620 --> 01:07:36,500
IF YOU'RE THE KILLER,
MAYBE YOU SHOULD TELL ME.
1440
01:07:36,500 --> 01:07:38,750
IF I KNEW, THEN WHY WOULD I
COME HERE TO TALK TO YOU?
1441
01:07:38,750 --> 01:07:39,760
TO THROW ME OFF.
1442
01:07:39,760 --> 01:07:40,760
TO MAKE ME THINK
IT WAS SOMEONE ELSE.
1443
01:07:40,760 --> 01:07:41,760
EXCEPT YOU'RE THE ONLY ONE
1444
01:07:42,260 --> 01:07:43,260
THAT FLUNKED
THE LIE DETECTOR TEST,
1445
01:07:43,260 --> 01:07:44,760
WHICH MAKES ME WONDER
1446
01:07:44,760 --> 01:07:46,760
IF YOU KNOW A LITTLE BIT MORE
THAN THE REST OF US.
1447
01:07:46,760 --> 01:07:49,770
IT'S JUST A THOUGHT.
1448
01:07:49,770 --> 01:07:51,770
DID YOU KNOW, DILLON,
1449
01:07:51,770 --> 01:07:54,270
THAT DIRT IS JUST MATTER
IN THE WRONG PLACE?
1450
01:07:54,270 --> 01:07:55,270
HUH?
1451
01:07:55,270 --> 01:07:57,770
AND THOUGHT IS MIND
IN THE WRONG PLACE.
1452
01:07:57,770 --> 01:08:00,530
THEREFORE, MIND IS MATTER,
AND THOUGHT IS DIRT.
1453
01:08:00,530 --> 01:08:04,310
YOU WERE LYING.
I WANT TO KNOW ABOUT WHAT.
1454
01:08:04,310 --> 01:08:06,320
IT'S GONE TOO FAR.
IT'S OUT OF CONTROL.
1455
01:08:06,320 --> 01:08:07,820
I CAN'T STOP IT NOW.
1456
01:08:07,820 --> 01:08:09,820
ZARA, YOU'VE GOT TO COME
WITH ME TO THE POLICE
1457
01:08:09,820 --> 01:08:10,820
AND TELL THEM
WHAT YOU KNOW.
1458
01:08:11,320 --> 01:08:12,820
I'VE BEEN WATCHING
THE CROWS FOR A SIGN,
1459
01:08:12,820 --> 01:08:14,320
BUT NOTHING IS THE WAY
IT'S SUPPOSED TO BE.
1460
01:08:14,320 --> 01:08:16,330
TELL SERGEANT DeSOUSA.
1461
01:08:16,330 --> 01:08:17,830
TONIGHT IS THE ONE-YEAR
ANNIVERSARY
1462
01:08:17,830 --> 01:08:18,830
OF JEFFREY'S DEATH.
1463
01:08:18,830 --> 01:08:20,830
TONIGHT AT MIDNIGHT,
THE BLOOD WILL FLOW.
1464
01:08:21,330 --> 01:08:22,330
AND YOU DON'T CARE
IF DARCY DIES.
1465
01:08:22,330 --> 01:08:23,330
OF COURSE I CARE.
1466
01:08:23,330 --> 01:08:24,830
I'M JUST FRIGHTENED,
DILLON.
1467
01:08:24,830 --> 01:08:26,840
I HAVE THE PAGAN CURSES
TO CONTEND WITH.
1468
01:08:26,840 --> 01:08:28,840
I'VE CALLED DARK SPIRITS
CLOSE TO ME.
1469
01:08:29,340 --> 01:08:31,220
MY WORLD IS FULL
OF MALEVOLENT DANGERS.
1470
01:08:31,220 --> 01:08:33,140
I WILL TAKE YOU
TO DeSOUSA.
1471
01:08:33,140 --> 01:08:36,150
I WILL STAND WITH YOU.
I WILL BE YOUR FRIEND.
1472
01:08:36,150 --> 01:08:40,150
I DON'T HAVE ANY FRIENDS
SINCE JEFFREY DIED.
1473
01:08:40,150 --> 01:08:41,650
I'M ALL ALONE.
1474
01:08:41,650 --> 01:08:43,650
NOT ANYMORE.
1475
01:09:01,200 --> 01:09:02,590
[KNOCK ON DOOR]
1476
01:09:02,590 --> 01:09:04,920
SARGE, I'VE GOT
SOMETHING FOR YOU.
1477
01:09:08,930 --> 01:09:09,930
YOU WANTED
TO SEE ME?
1478
01:09:09,930 --> 01:09:11,850
SHE HAS SOMETHING
SHE WANTS TO TELL YOU.
1479
01:09:11,850 --> 01:09:14,220
ALL RIGHT,
I'M LISTENING.
1480
01:09:15,100 --> 01:09:16,600
IT'S OK, DILLON.
1481
01:09:16,600 --> 01:09:18,100
I CAN DO THIS
BY MYSELF.
1482
01:09:18,100 --> 01:09:20,610
JUST WAIT FOR ME
OUTSIDE. DON'T LEAVE.
1483
01:09:20,610 --> 01:09:22,110
OK.
1484
01:09:24,610 --> 01:09:25,860
WHY DON'T YOU
HAVE A SEAT?
1485
01:09:28,650 --> 01:09:30,150
WHAT IS IT?
1486
01:09:32,070 --> 01:09:34,070
I WANT TO CONFESS
TO 3 MURDERS.
1487
01:09:34,070 --> 01:09:36,990
HOLD ON A SECOND.
1488
01:09:36,990 --> 01:09:38,490
DETECTIVE BURROWS,
1489
01:09:38,490 --> 01:09:40,380
CAN YOU GET A TAPE
RUNNING, PLEASE?
1490
01:09:44,210 --> 01:09:45,720
THIS INTERVIEW
IS BEING CONDUCTED
1491
01:09:45,710 --> 01:09:48,580
WITH MISS ZARA LIGHT
IN SERGEANT DeSOUSA'S OFFICE
1492
01:09:48,580 --> 01:09:52,090
AT...2:15 P.M.
ON SEPTEMBER 12,
1493
01:09:52,590 --> 01:09:55,590
OF HER OWN FREE WILL,
AND AT HER REQUEST.
1494
01:09:55,590 --> 01:09:56,560
GO AHEAD.
1495
01:09:56,560 --> 01:09:58,060
A FRIEND OF MINE
AND I HAVE BEEN
1496
01:09:58,060 --> 01:09:59,560
COMMITTING
THESE MURDERS.
1497
01:09:59,560 --> 01:10:03,570
MY PART WAS
TO ARRANGE THE PLACE,
1498
01:10:03,570 --> 01:10:05,070
THEN I WOULD LURE
THE VICTIMS OUT
1499
01:10:05,570 --> 01:10:07,570
AND SAY PRAYERS
TO THE PAGAN DEITIES,
1500
01:10:08,070 --> 01:10:09,070
WHILE MY FRIEND
COMMITTED THE MURDERS
1501
01:10:09,570 --> 01:10:10,440
WITH HIS AXE.
1502
01:10:10,440 --> 01:10:11,910
YOU WERE AN ACCOMPLICE
1503
01:10:12,410 --> 01:10:14,410
AND PRESENT AT EVERY KILLING?
1504
01:10:14,410 --> 01:10:16,410
YES, SIR. EXCEPT FOR
KELLY'S MURDER.
1505
01:10:16,410 --> 01:10:17,910
I WASN'T THERE
WHEN SHE DIED,
1506
01:10:17,910 --> 01:10:19,420
BUT I TOLD MY FRIEND
WHERE SHE WAS,
1507
01:10:19,420 --> 01:10:20,420
AND HE DID THE MURDER.
1508
01:10:20,420 --> 01:10:21,830
WHO IS THIS FRIEND?
1509
01:10:26,620 --> 01:10:28,510
DILLON JOHNSON.
1510
01:10:33,300 --> 01:10:34,300
YOU CAN'T DO THIS, MAN.
1511
01:10:34,300 --> 01:10:35,800
I PROMISED DARCY
I'D WATCH OUT FOR HER.
1512
01:10:35,800 --> 01:10:37,300
SHUT UP
AND GET IN THERE.
1513
01:10:37,300 --> 01:10:38,800
YOU'RE UNDER ARREST
FOR MULTIPLE MURDERS.
1514
01:10:38,800 --> 01:10:40,800
I DIDN'T KILL ANYBODY!
1515
01:10:40,800 --> 01:10:42,810
DeSOUSA!
1516
01:10:42,810 --> 01:10:44,810
I STILL CAN'T
BELIEVE HE AND ZARA
1517
01:10:44,810 --> 01:10:46,190
WERE THE ONES
KILLING EVERYONE.
1518
01:10:46,190 --> 01:10:47,480
Chip: ZARA'S LYING.
1519
01:10:47,480 --> 01:10:48,980
WHY? WHY WOULD
SHE LIE?
1520
01:10:48,980 --> 01:10:51,480
TO GET DILLON
OUT OF THE WAY.
1521
01:10:51,480 --> 01:10:54,980
DILLON WAS THE ONLY ONE
THAT JEFF WAS AFRAID OF.
1522
01:10:56,990 --> 01:10:57,990
DON'T YOU GET IT?
1523
01:10:57,990 --> 01:10:59,490
ZARA'S BEEN RIGGING
THIS THING
1524
01:10:59,490 --> 01:11:00,990
FROM THE VERY BEGINNING.
1525
01:11:00,990 --> 01:11:03,880
SHE'S JEFF'S ACCOMPLICE
IN THIS DIMENSION.
1526
01:11:03,880 --> 01:11:05,160
SHE'S THE ONE WHO WANTED
1527
01:11:05,160 --> 01:11:07,160
TO HAVE THE SEANCE
HERE AT MY HOUSE.
1528
01:11:07,160 --> 01:11:09,670
DO YOU REALLY BELIEVE
IN ALL THIS SPIRIT STUFF?
1529
01:11:11,170 --> 01:11:14,050
I'VE BEEN HAVING
NIGHTMARES AGAIN.
1530
01:11:14,050 --> 01:11:17,010
BUT IN THESE DREAMS,
JEFF TALKS TO ME.
1531
01:11:17,010 --> 01:11:18,510
I KNOW WHAT HE'S THINKING.
1532
01:11:18,510 --> 01:11:20,510
I CAN FEEL HIS THOUGHTS,
HIS RAGE.
1533
01:11:20,510 --> 01:11:22,760
HE WANTS YOU
TO HELP HIM.
1534
01:11:22,760 --> 01:11:25,310
HE'S DEMANDING IT
IN RETURN FOR YOUR LIFE.
1535
01:11:25,310 --> 01:11:26,900
I CAN'T HELP HIM.
1536
01:11:26,900 --> 01:11:28,180
DID YOU GET
YOUR FATHER'S PROMISE?
1537
01:11:28,180 --> 01:11:30,190
YES, I TALKED TO HIM,
BUT HE THOUGHT I WAS CRAZY.
1538
01:11:30,190 --> 01:11:31,570
THEY DON'T
JUST LET ANYBODY
1539
01:11:31,570 --> 01:11:32,570
ENTER A FILM
AT SUNDANCE.
1540
01:11:32,570 --> 01:11:33,940
THEY HAVE SCREENING
COMMITTEES.
1541
01:11:33,940 --> 01:11:34,740
WELL, HE COULD GET THEM
1542
01:11:34,740 --> 01:11:36,110
TO BYPASS THAT, THOUGH,
COULDN'T HE?
1543
01:11:36,110 --> 01:11:38,440
YES, BUT THE FILM
IS UGLY.
1544
01:11:38,440 --> 01:11:40,200
IT'S A 5-MINUTE JOKE.
1545
01:11:40,200 --> 01:11:42,910
SOMETIMES BEAUTY
IS MISTAKEN FOR UGLINESS.
1546
01:11:42,920 --> 01:11:44,170
LOOK, GET YOUR FATHER'S
PROMISE,
1547
01:11:44,670 --> 01:11:45,530
THEN YOU'VE GOTTA
SNEAK OUT.
1548
01:11:45,530 --> 01:11:48,500
JEFF'S CLOSE. I CAN FEEL HIM.
HE WANTS THIS.
1549
01:11:48,500 --> 01:11:52,510
IF YOU DO THIS,
HE'LL SPARE YOU.
1550
01:11:52,510 --> 01:11:54,380
DARCY, IT'S THE ONLY WAY.
1551
01:11:54,380 --> 01:11:56,260
LOOK, I'LL MEET YOU
AT THE END OF YOUR STREET
1552
01:11:56,260 --> 01:11:58,260
10 MINUTES BEFORE MIDNIGHT.
1553
01:11:58,260 --> 01:12:00,520
THAT'S OVER 2 HOURS.
WHY WAIT TILL THEN?
1554
01:12:00,520 --> 01:12:02,350
I HAVE TO DO
SOMETHING FIRST.
1555
01:12:10,110 --> 01:12:11,810
DADDY?
1556
01:12:12,610 --> 01:12:14,060
I NEED TO TALK TO YOU.
1557
01:12:19,200 --> 01:12:20,200
[BELL DINGS]
1558
01:12:23,160 --> 01:12:25,660
WE CLOSE IN ABOUT 5 MINUTES.
YOU BETTER HURRY UP.
1559
01:12:25,660 --> 01:12:27,660
THANKS. I ONLY HAVE
ONE OR 2 THINGS.
1560
01:12:39,340 --> 01:12:41,840
YOU SAID 5 MINUTES.
I'M NOT THROUGH YET.
1561
01:12:47,810 --> 01:12:48,810
DR. BOONE...
1562
01:12:49,310 --> 01:12:51,980
ARE YOU READY
TO RUMBLE?
1563
01:12:51,980 --> 01:12:52,990
NO.
1564
01:12:52,990 --> 01:12:53,990
OH, YES.
1565
01:12:53,990 --> 01:12:55,490
NO. NO!
1566
01:12:55,490 --> 01:12:57,490
NO, PLEASE, NO!
1567
01:12:59,990 --> 01:13:05,000
I'VE ANOTHER SHOT FOR ANGER
1568
01:13:05,500 --> 01:13:07,000
I'M DIRT BROKE
1569
01:13:07,000 --> 01:13:09,500
AND I'M ABANDONED
1570
01:13:10,000 --> 01:13:14,510
PARANOID ABOUT THE WEATHER
1571
01:13:14,510 --> 01:13:19,510
TONIGHT I GOT TO HIDE
1572
01:13:21,010 --> 01:13:23,020
Radio: OFFICER DANIELS,
WHAT'S YOUR 20?
1573
01:13:23,020 --> 01:13:24,520
OFFICER DANIELS?
1574
01:13:24,520 --> 01:13:26,800
DeSousa: DARCY AND DR. BOONE
ARE GONE.
1575
01:13:26,800 --> 01:13:28,270
GONE? WHAT DO YOU
MEAN THEY'RE GONE?
1576
01:13:28,270 --> 01:13:30,520
GONE. IT'S A 4-LETTER WORD.
IT MEANS MISSING.
1577
01:13:30,520 --> 01:13:31,470
CALM DOWN, DAN.
1578
01:13:31,470 --> 01:13:33,980
HOW CAN I CALM DOWN?
I'M LOSING PEOPLE HERE.
1579
01:13:34,480 --> 01:13:35,480
IF YOU HADN'T ARRESTED ME,
I WOULD'VE BEEN THERE.
1580
01:13:35,980 --> 01:13:37,480
DIDN'T YOU TALK WITH HER
ON THE PRISONER PHONE?
1581
01:13:37,980 --> 01:13:39,900
NO.
1582
01:13:39,900 --> 01:13:42,620
WE GOT A PRINT HIT
OFF A TENNIS TROPHY
1583
01:13:42,620 --> 01:13:44,620
IN BRENDA'S OFFICE.
1584
01:13:44,620 --> 01:13:46,490
WE KNOW WHO
JEFF LUCAS WAS.
1585
01:13:46,490 --> 01:13:47,790
WHO WAS HE?
1586
01:13:47,790 --> 01:13:50,740
A KID BY THE NAME
OF RICK MALLORY.
1587
01:13:50,740 --> 01:13:52,630
A SCHIZOPHRENIC PSYCHOPATH.
1588
01:13:52,630 --> 01:13:54,580
HE'S BEEN INSTITUTIONALIZED
IN A FACILITY
1589
01:13:55,080 --> 01:13:56,580
FOR THE CRIMINALLY INSANE.
1590
01:13:56,580 --> 01:13:58,580
THEN HE BROKE OUT,
KILLED HIS FATHER
1591
01:13:59,080 --> 01:14:00,590
MARK MALLORY,
THE FAMOUS DIRECTOR,
1592
01:14:00,590 --> 01:14:02,890
AND HIS STEPMOTHER.
THEN HE STOLE 40 GRAND
1593
01:14:02,890 --> 01:14:05,390
OUT OF HIS FATHER'S SAFE,
LET HIS BIRDS LOOSE,
1594
01:14:05,390 --> 01:14:07,680
AND SPLIT TOWN.
BIRDS?
1595
01:14:07,680 --> 01:14:09,850
YEAH. HE RAISED RAVENS.
1596
01:14:09,850 --> 01:14:11,150
THE L.A. COPS HAVE
1597
01:14:11,150 --> 01:14:12,600
A YEAR-OLD WARRANT
OUT ON THIS GUY.
1598
01:14:13,100 --> 01:14:14,350
IF JEFF LUCAS' PRINTS
1599
01:14:14,350 --> 01:14:15,930
WERE ON
THAT TENNIS TROPHY
1600
01:14:15,930 --> 01:14:16,940
AND HE DIED
IN THAT CAR CRASH,
1601
01:14:17,440 --> 01:14:18,940
THAT MEANS RICK MALLORY
IS DEAD.
1602
01:14:19,440 --> 01:14:20,940
IF JEFF IS DEAD.
1603
01:14:20,940 --> 01:14:22,940
ALL WE FOUND WAS ASHES.
1604
01:14:22,940 --> 01:14:25,940
HEY,
GET ME OUT OF HERE.
1605
01:14:25,940 --> 01:14:26,950
IF 2 MORE PEOPLE
DIED TONIGHT,
1606
01:14:26,950 --> 01:14:28,330
OBVIOUSLY I'M NOT
THE KILLER.
1607
01:14:28,330 --> 01:14:29,950
I'LL GIVE IT SOME CAREFUL
THOUGHT IN THE MORNING.
1608
01:14:29,950 --> 01:14:32,750
THAT'S TOO LATE IF DARCY
OR DR. BOONE DIES TONIGHT.
1609
01:14:32,750 --> 01:14:36,120
IT'S THE YEAR ANNIVERSARY
OF JEFF LUCAS' DEATH.
1610
01:14:36,120 --> 01:14:37,920
DID YOU CHECK
OUT AT MOSS POINT?
1611
01:14:37,920 --> 01:14:39,290
THERE'S NO ANSWER
ON THE PHONE OUT THERE,
1612
01:14:39,290 --> 01:14:40,290
BUT THAT'S MY NEXT STOP.
1613
01:14:40,290 --> 01:14:42,130
NOW, IF YOU HEAR
FROM DARCY,
1614
01:14:42,130 --> 01:14:44,100
YOU GET IN TOUCH
WITH ME.
1615
01:14:54,110 --> 01:14:56,110
HEY, I NEED TO CALL
MY ATTORNEY.
1616
01:14:56,110 --> 01:14:57,480
IT'S AN EMERGENCY.
1617
01:14:57,480 --> 01:14:59,730
MONSTER, YOU'VE GOT
TO DO THIS FOR ME.
1618
01:14:59,730 --> 01:15:00,530
HACK INTO THE COUNTY
PRISON COMPUTER?
1619
01:15:01,030 --> 01:15:02,030
CAN YOU DO IT?
1620
01:15:02,030 --> 01:15:04,030
DILLON, THAT BAND BOX WAS
MADE IN DEAD FISH, IDAHO.
1621
01:15:04,030 --> 01:15:06,030
IT'S GOT, LIKE, 9 TO 5
CODES. COME ON.
1622
01:15:06,030 --> 01:15:08,400
IT'S M-O-N-S-T-E-R
YOU CALLING FO'.
1623
01:15:08,400 --> 01:15:10,290
GET INTO THE PRISONER FILE.
1624
01:15:10,290 --> 01:15:14,040
MY BOOKING NUMBER IS 26876.
1625
01:15:14,040 --> 01:15:15,330
OK.
1626
01:15:15,330 --> 01:15:16,830
CHANGE THE RECORDS AND GIVE ME
AN IMMEDIATE RELEASE.
1627
01:15:16,830 --> 01:15:17,710
ALL RIGHT, DUDE.
1628
01:15:17,710 --> 01:15:18,660
OH, AND, MONSTER,
1629
01:15:19,160 --> 01:15:20,170
I GOT TO BE OUT OF HERE
BEFORE MIDNIGHT.
1630
01:15:20,170 --> 01:15:22,670
THAT'S WHEN ZARA SAID
JEFF'S SPIRIT IS COMING BACK.
1631
01:15:22,670 --> 01:15:25,670
JESUS, BRO, THAT'S IN, LIKE,
40 MINUTES! COME ON!
1632
01:15:25,670 --> 01:15:27,170
YEAH, SO GET HACKING.
1633
01:15:27,170 --> 01:15:28,170
[DIAL TONE]
1634
01:15:41,190 --> 01:15:43,690
I FOUND JEFF'S
SECRET PLACE.
1635
01:15:43,690 --> 01:15:44,690
HE HAD A ROOM UP HERE
1636
01:15:45,190 --> 01:15:46,190
FILLED WITH MAKEUP
AND APPLIANCES
1637
01:15:46,190 --> 01:15:47,190
FOR WHEN HE SHOT
THE MOVIE.
1638
01:15:47,690 --> 01:15:48,690
I DON'T WANT
TO SEE THAT.
1639
01:15:48,690 --> 01:15:50,200
I INSIST.
1640
01:15:50,200 --> 01:15:51,700
CHIP, WHAT ARE YOU DOING?
1641
01:15:51,700 --> 01:15:53,200
CHIP, LET GO OF ME.
YOU'RE SCARING ME!
1642
01:15:53,200 --> 01:15:54,700
ALL I ASK IS THAT
YOU FREE ME
1643
01:15:54,700 --> 01:15:56,700
OF MY DEMON POSSESSION
SO I CAN PASS ON.
1644
01:15:56,700 --> 01:15:58,200
WHAT?
COME ON, DARCY!
1645
01:15:58,200 --> 01:15:59,710
GOD!
DON'T BE AFRAID.
1646
01:15:59,700 --> 01:16:02,210
COME ON, DARCY.
COME ON!
1647
01:16:02,210 --> 01:16:03,710
GET IN THERE.
1648
01:16:03,710 --> 01:16:06,710
COME ON, DARCY. I WANT
TO SHOW YOU SOMETHING.
1649
01:16:06,710 --> 01:16:08,210
AAH!
1650
01:16:08,210 --> 01:16:09,720
HE'S CRAZY, DARCY.
TOTALLY INSANE.
1651
01:16:09,710 --> 01:16:10,720
UNDO THESE, QUICK!
1652
01:16:11,220 --> 01:16:12,720
GET UP, DARCY,
GET UP.
1653
01:16:12,720 --> 01:16:14,720
WHAT ARE YOU DOING?
LET ME GO!
1654
01:16:14,720 --> 01:16:15,600
OHH!
1655
01:16:16,560 --> 01:16:19,060
YOU KNOW THE CAUSE
OF GRIEF...
1656
01:16:19,060 --> 01:16:20,560
IS LOST DESIRE, DARCY.
1657
01:16:20,560 --> 01:16:22,060
SIT DOWN!
1658
01:16:22,060 --> 01:16:24,560
WHAT ARE YOU
TALKING ABOUT?
1659
01:16:24,560 --> 01:16:26,450
CHIP, YOU THINK THIS WILL
MAKE YOU FEEL BETTER,
1660
01:16:26,450 --> 01:16:28,150
EASE THE ACHE,
BUT IT WON'T.
1661
01:16:28,150 --> 01:16:31,540
HOW CAN YOU POSSIBLY
KNOW WHAT I THINK,
1662
01:16:31,540 --> 01:16:32,540
WHEN YOU EXIST
1663
01:16:32,540 --> 01:16:34,040
2 ASTRAL PLANES
BENEATH ME?
1664
01:16:41,550 --> 01:16:43,550
[RAVEN CAWING]
1665
01:16:46,050 --> 01:16:47,550
GREAT.
1666
01:17:04,350 --> 01:17:06,860
Darcy:
PLEASE. PLEASE STOP.
1667
01:17:06,860 --> 01:17:08,860
DID YOU KNOW, DARCY,
1668
01:17:08,860 --> 01:17:10,360
THAT DEATH
IS SIMPLY A VEIL?
1669
01:17:10,360 --> 01:17:12,860
Brenda:
DEATH IS NOT A VEIL.
1670
01:17:12,860 --> 01:17:14,360
IT'S A CONDITION.
A STATE OF BEING.
1671
01:17:14,360 --> 01:17:17,370
BUT LIFE CAN SOMETIMES
VEIL OUR TRUE DESTINY.
1672
01:17:17,370 --> 01:17:20,950
IT'S NOT TOO LATE, CHIP.
YOU CAN STILL FIND PEACE.
1673
01:17:20,950 --> 01:17:22,920
DON'T CONTRADICT ME.
1674
01:17:24,920 --> 01:17:27,430
YOU NEVER
UNDERSTOOD ME.
1675
01:17:27,430 --> 01:17:30,430
YOU THOUGHT I WAS
JUST INSANE.
1676
01:17:30,430 --> 01:17:33,430
IF BLOOD IS THE LIFE
OF THE SOUL,
1677
01:17:33,430 --> 01:17:35,930
THEN WE MUST
OFFER BLOOD.
1678
01:17:35,930 --> 01:17:37,440
WHY ARE YOU DOING THIS?
1679
01:17:40,940 --> 01:17:42,310
WHY?
1680
01:17:42,310 --> 01:17:46,280
BECAUSE WE LIKE YOU.
1681
01:17:57,790 --> 01:18:00,660
OH, MY GOD.
1682
01:18:00,660 --> 01:18:02,080
YOU'RE JEFF LUCAS.
1683
01:18:02,080 --> 01:18:05,080
NO, I'M SORRY.
JEFF IS NOT PRESENT.
1684
01:18:05,080 --> 01:18:06,580
I'M RICK MALLORY.
1685
01:18:06,580 --> 01:18:10,500
JEFF LUCAS AND CHIP PALMER
HAVE SERVED THEIR PURPOSE.
1686
01:18:10,500 --> 01:18:14,510
ONLY MARK MALLORY'S
PSYCHO SON RICKY LIVES ON.
1687
01:18:14,510 --> 01:18:16,010
THE UGLY SNAIL-LIKE
CATERPILLAR
1688
01:18:16,510 --> 01:18:17,510
TURNS INTO THE BUTTERFLY.
1689
01:18:21,510 --> 01:18:23,520
BUT HOW RARE
FOR THE BUTTERFLY
1690
01:18:24,020 --> 01:18:26,520
TO TURN BACK INTO THE UGLY
SNAIL-LIKE CREATURE.
1691
01:18:27,020 --> 01:18:29,020
BUT THEY FOUND
JEFF'S ASHES.
1692
01:18:29,020 --> 01:18:30,520
YOU DIED.
1693
01:18:30,520 --> 01:18:32,520
I WAS BURNED!
1694
01:18:32,520 --> 01:18:35,530
I WAS TURNED
INTO THIS!
1695
01:18:35,530 --> 01:18:38,030
I WAS FORGED
BY YOUR FIRES.
1696
01:18:38,030 --> 01:18:40,030
AND THOSE WERE
KARI'S ASHES,
1697
01:18:40,030 --> 01:18:41,530
STOLEN FROM
THE FAMILY CRYPT.
1698
01:18:42,030 --> 01:18:43,540
YOUR MOTHER'S ASHES?
1699
01:18:43,540 --> 01:18:47,040
THAT SLUT-MONGERING WHORE
WAS NOT MY MOTHER.
1700
01:18:47,040 --> 01:18:48,540
SHE WAS MY FATHER'S TRICK.
1701
01:18:49,040 --> 01:18:50,040
HIS RELOAD.
1702
01:18:50,040 --> 01:18:54,050
HE HAD A PLATINUM MISTAKE
LIKE HER EVERY 2 YEARS.
1703
01:18:54,050 --> 01:18:55,550
THEY HAD ME LOCKED UP...
1704
01:18:56,050 --> 01:18:57,550
TO GET RID OF ME.
1705
01:18:57,550 --> 01:18:59,550
SO I KILLED THEM.
1706
01:19:03,100 --> 01:19:05,110
BUT WE DIGRESS.
1707
01:19:19,040 --> 01:19:21,540
IT IS NOW TIME
1708
01:19:21,540 --> 01:19:23,040
TO TEACH YOU THE LESSON
1709
01:19:23,040 --> 01:19:25,910
THAT I HAVE COME
FROM THE GRAVE TO TENDER.
1710
01:19:25,910 --> 01:19:27,750
SHALL WE TEST OUR BLADE?
1711
01:19:28,800 --> 01:19:30,550
AAH!
AAH!
1712
01:19:30,550 --> 01:19:31,630
DeSousa: MALLORY!
1713
01:19:39,340 --> 01:19:40,140
AAH!
1714
01:19:45,760 --> 01:19:46,770
KEEP THE CHANGE.
1715
01:20:12,460 --> 01:20:13,430
AAH!
1716
01:20:16,930 --> 01:20:17,930
UHH!
1717
01:20:26,140 --> 01:20:27,610
AAH!
1718
01:20:38,120 --> 01:20:38,950
AAH!
1719
01:20:40,240 --> 01:20:41,570
[WOMEN SCREAM]
1720
01:20:54,550 --> 01:20:55,550
DROP THE AXE, MALLORY.
1721
01:20:55,550 --> 01:20:56,580
COME ON.
1722
01:21:19,520 --> 01:21:21,030
AAH!
1723
01:21:38,540 --> 01:21:40,550
Burrows: HAVE HER
RELEASED TO MY CUSTODY.
1724
01:21:40,550 --> 01:21:42,050
THAT'S A 10-4.
1725
01:21:42,050 --> 01:21:43,550
I NEED YOU TO GO
DOWN TO THE JAIL
1726
01:21:43,550 --> 01:21:45,550
AND PICK UP ZARA LIGHT.
BRING HER HERE.
1727
01:21:51,560 --> 01:21:54,560
HEY. WHY DON'T YOU TWO
GO WAIT IN MY CAR?
1728
01:21:54,560 --> 01:21:56,560
IT'LL BE A LOT WARMER
IN THERE.
1729
01:21:59,060 --> 01:22:00,570
Darcy: THANK GOD
YOU GOT HERE.
1730
01:22:00,570 --> 01:22:03,570
I TOLD YOU I'D PROTECT YOU.
1731
01:22:03,570 --> 01:22:05,570
I PROMISED.
1732
01:22:05,570 --> 01:22:07,070
I LOVE YOU.
1733
01:22:07,070 --> 01:22:09,070
SAY THAT AGAIN.
1734
01:22:09,070 --> 01:22:11,580
I DON'T EVER GET
TIRED OF HEARING IT.
1735
01:22:11,580 --> 01:22:13,580
I LOVE YOU,
DILLON JOHNSON.
1736
01:22:16,080 --> 01:22:18,080
YOU'RE SUCH A BALDWIN.
1737
01:22:27,590 --> 01:22:29,680
Man: WHERE'S THE HARNESS
AND THE ROPE?
1738
01:22:29,680 --> 01:22:31,060
WE GOT TO GET
THAT BODY UP HERE.
1739
01:22:34,430 --> 01:22:36,430
YOUR FRIEND
RICK MALLORY'S DEAD.
1740
01:22:36,430 --> 01:22:37,940
I KNOW.
1741
01:22:37,940 --> 01:22:39,940
IT WAS TOLD TO ME
BY SPIRIT GUIDES.
1742
01:22:39,940 --> 01:22:42,440
I NEED TO SAY GOOD-BYE.
WHERE IS HE?
1743
01:22:48,080 --> 01:22:50,080
I WILL WAIT
FOR YOUR RETURN.
1744
01:22:55,290 --> 01:22:57,590
[GASPS]
1745
01:23:03,630 --> 01:23:05,130
HE'S NOT
COMING BACK, ZARA.
1746
01:23:05,630 --> 01:23:08,020
HE'S GOING TO THE
MORGUE THIS TIME.
1747
01:23:08,020 --> 01:23:10,440
Man: LET'S TAKE 4 SHOTS
OVER HERE, TOO.
1748
01:23:18,640 --> 01:23:19,640
DAN...
1749
01:23:27,150 --> 01:23:29,150
JESUS.
1750
01:23:29,150 --> 01:23:31,160
NOT AGAIN.
1751
01:23:34,380 --> 01:23:39,380
LET ME GO
1752
01:23:39,880 --> 01:23:44,390
LIE BENEATH THE STARS
1753
01:23:44,390 --> 01:23:48,890
AND TAKE MY LAST BREATH
1754
01:23:48,890 --> 01:23:54,680
DON'T CRY FOR ME
1755
01:23:54,680 --> 01:23:59,680
I'LL BE WITH YOU
1756
01:23:59,680 --> 01:24:01,690
NOW I MUST GO
1757
01:24:01,690 --> 01:24:04,190
I'LL SLEEP WHEN I'M DEAD
1758
01:24:04,690 --> 01:24:07,110
NOW I MUST GO
1759
01:24:07,110 --> 01:24:11,110
I'LL SLEEP WHEN I'M DEAD
1760
01:24:11,110 --> 01:24:15,620
DARKNESS CALLING
1761
01:24:15,620 --> 01:24:20,620
I AM FLYING
1762
01:24:20,620 --> 01:24:24,630
OOH
1763
01:24:24,630 --> 01:24:29,630
NOW I AM FREE
1764
01:24:29,630 --> 01:24:32,130
I'M FREE
1765
01:24:32,130 --> 01:24:37,140
INTO THE UNKNOWN
1766
01:24:37,140 --> 01:24:41,640
I DON'T WANT TO BE ALONE
1767
01:24:41,640 --> 01:24:47,150
COULD THIS BE MY FATE?
1768
01:24:47,150 --> 01:24:50,150
A SOUL WITHOUT A FACE
1769
01:24:50,150 --> 01:24:51,650
I WON'T BE SCARED
1770
01:24:51,650 --> 01:24:56,160
I AM GONE,
BUT STILL I'M HERE
1771
01:24:56,160 --> 01:25:01,660
IT IS LIVING THAT I FEAR
1772
01:25:01,660 --> 01:25:07,170
YOU WON'T HEAR A SOUND
1773
01:25:07,170 --> 01:25:11,670
BECAUSE I AM DEATH
ABOVE GROUND
1774
01:25:11,670 --> 01:25:15,680
DARKNESS CALLING
1775
01:25:16,180 --> 01:25:20,680
I AM FLYING
1776
01:25:20,680 --> 01:25:24,690
OOH
1777
01:25:24,690 --> 01:25:29,690
NOW I AM FREE
1778
01:25:29,690 --> 01:25:31,690
I'M FREE
1779
01:25:31,690 --> 01:25:36,700
INTO THE UNKNOWN
1780
01:25:36,700 --> 01:25:42,200
I DON'T WANT TO BE ALONE
1781
01:25:42,200 --> 01:25:47,210
COULD THIS BE MY FATE?
1782
01:25:47,210 --> 01:25:49,710
A SOUL WITHOUT A FACE
1783
01:25:49,710 --> 01:25:52,210
I WON'T BE SCARED
1784
01:25:52,210 --> 01:25:56,720
I AM GONE,
BUT STILL I'M HERE
1785
01:25:56,720 --> 01:26:01,720
IT IS LIVING THAT I FEAR
1786
01:26:01,720 --> 01:26:06,730
BUT YOU WON'T HEAR A SOUND
1787
01:26:06,730 --> 01:26:11,230
BECAUSE I AM DEATH
ABOVE GROUND
1788
01:26:21,240 --> 01:26:25,750
DARKNESS CALLING
1789
01:26:25,750 --> 01:26:31,250
I AM FLYING
1790
01:26:31,250 --> 01:26:34,760
OOH
1791
01:26:34,760 --> 01:26:39,760
NOW I AM FREE
1792
01:26:39,760 --> 01:26:41,260
FREE
1793
01:26:41,260 --> 01:26:45,770
DARKNESS CALLING
1794
01:26:45,770 --> 01:26:51,270
I AM FLYING
1795
01:26:51,270 --> 01:26:54,280
OOH
1796
01:26:54,280 --> 01:26:59,780
NOW I AM FREE
1797
01:26:59,780 --> 01:27:01,280
FREE
1798
01:27:01,280 --> 01:27:05,790
DARKNESS CALLING
1799
01:27:05,790 --> 01:27:10,790
I AM FLYING
1800
01:27:10,790 --> 01:27:14,800
OOH
1801
01:27:14,800 --> 01:27:19,800
NOW I AM FREE
1802
01:27:19,800 --> 01:27:21,800
I'M FREE
1803
01:27:21,800 --> 01:27:26,810
INTO THE UNKNOWN
1804
01:27:26,810 --> 01:27:31,810
I DON'T WANT TO BE ALONE
1805
01:27:31,810 --> 01:27:37,320
COULD THIS BE MY FATE?
1806
01:27:37,320 --> 01:27:39,320
A SOUL WITHOUT A FACE
1807
01:27:39,820 --> 01:27:42,320
I WON'T BE SCARED
1808
01:27:42,320 --> 01:27:46,330
I AM GONE,
BUT STILL I'M HERE
1809
01:27:46,330 --> 01:27:51,830
IT IS LIVING THAT I FEAR
1810
01:27:51,830 --> 01:27:56,840
BUT YOU WON'T HEAR A SOUND
1811
01:27:56,840 --> 01:28:01,340
BECAUSE I AM DEATH
ABOVE GROUND
1812
01:28:01,340 --> 01:28:05,850
DARKNESS CALLING
1813
01:28:05,850 --> 01:28:10,850
I AM FLYING
1814
01:28:10,850 --> 01:28:14,360
OOH
1815
01:28:14,860 --> 01:28:19,860
NOW I AM FREE
1816
01:28:19,860 --> 01:28:21,360
FREE
1817
01:28:21,360 --> 01:28:25,870
DARKNESS CALLING
1818
01:28:25,870 --> 01:28:30,870
I AM FLYING
1819
01:28:30,870 --> 01:28:34,380
OOH
1820
01:28:34,380 --> 01:28:39,880
NOW I AM FREE
1821
01:28:39,880 --> 01:28:41,380
FREE
1822
01:29:20,920 --> 01:29:25,930
DARKNESS CALLING
1823
01:29:25,930 --> 01:29:30,930
I AM FLYING
1824
01:29:30,930 --> 01:29:34,440
OOH
1825
01:29:34,440 --> 01:29:39,940
NOW I AM FREE
1826
01:29:39,940 --> 01:29:41,440
FREE
1827
01:29:43,950 --> 01:29:46,950
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT
1828
01:29:46,950 --> 01:29:49,950
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--124667
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