1 00:00:26,430 --> 00:00:29,510 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 2 00:01:12,860 --> 00:01:13,860 [CHEERING AND APPLAUSE] 3 00:01:14,360 --> 00:01:16,730 Man: WELL, IT'S A BEAUTIFUL EVENING HERE IN LOS ANGELES 4 00:01:16,730 --> 00:01:20,110 AS WE ARE ALREADY UNDERWAY INSIDE THORNTON AUDITORIUM 5 00:01:20,110 --> 00:01:21,560 FOR THE 35th ANNUAL 6 00:01:21,560 --> 00:01:23,570 ALL-AMERICAN MOTION PICTURE AWARDS. 7 00:01:43,050 --> 00:01:45,560 THOUGH THIS AWARDS SHOW HAS NOT BEEN AROUND 8 00:01:45,560 --> 00:01:48,060 AS LONG AS THE PRESTIGIOUS ACADEMY AWARDS, 9 00:01:48,060 --> 00:01:50,560 OR EVEN THE FOREIGN PRESS ASSOCIATION'S 10 00:01:50,560 --> 00:01:53,980 GOLDEN GLOBE AWARDS, THE ALL-AMERICAN STATUE 11 00:01:53,980 --> 00:01:57,480 CONTINUES TO SIGNIFY EXCELLENCE IN FILMMAKING. 12 00:02:05,830 --> 00:02:08,330 YOU KNOW, I'M JUST AMAZED AT HOW ENTHUSIASTICALLY 13 00:02:08,330 --> 00:02:11,330 THE GATHERED CROWDS WELCOME THE ARRIVING STARS, 14 00:02:11,330 --> 00:02:13,280 THE STUDIO MOGULS-- 15 00:02:13,280 --> 00:02:15,280 UH, CELEBRITIES FROM AROUND THE GLOBE. 16 00:02:30,470 --> 00:02:32,470 THE BEST DIRECTOR FOR AN AMERICAN-MADE FEATURE 17 00:02:32,470 --> 00:02:34,220 IS ABOUT TO BE ANNOUNCED INSIDE. 18 00:02:34,220 --> 00:02:36,060 THE 3 DIRECTORS WHO HAVE BEEN TALKED ABOUT THE MOST 19 00:02:36,060 --> 00:02:37,940 ARE CAMERON HAYES, SWEETS DONNA HEWITT. 20 00:02:37,940 --> 00:02:40,690 MY OWN PICK FOR THE BIG ONE, MARK MALLORY. 21 00:02:55,290 --> 00:02:57,830 MARK'S GREAT DIRECTING HAS BEEN OVERLOOKED 22 00:02:57,830 --> 00:02:59,410 BY THE INDUSTRY FOR MANY YEARS, 23 00:02:59,410 --> 00:03:01,500 BUT THIS YEAR HE'S DONE THE IMPOSSIBLE. 24 00:03:01,500 --> 00:03:03,720 HE'S REACHED BACK INTO HOLLYWOOD'S RICHEST GENRE, 25 00:03:03,720 --> 00:03:05,220 THE AMERICAN WESTERN. 26 00:03:25,610 --> 00:03:28,610 BALLINGER CAN KISS MY IVORY-SCULPTED ASS. 27 00:03:29,110 --> 00:03:30,110 SHE WANTS TO TALK A-LIST? 28 00:03:30,110 --> 00:03:32,610 WE'LL SHOW HER WHO'S ON THE FUCKING A-LIST. 29 00:03:32,610 --> 00:03:35,620 OH, WHERE'S MY LITTLE NAKED BUDDY? 30 00:03:35,620 --> 00:03:36,620 HEY, HEY, HEY, LITTLE BUDDY. 31 00:03:36,620 --> 00:03:38,120 COME TO DADDY, NOW. 32 00:03:38,120 --> 00:03:39,620 OH, THERE YOU ARE. 33 00:03:39,620 --> 00:03:42,620 OOH, I LOVE YOU! MWAH! 34 00:03:42,620 --> 00:03:44,620 WELL, IT IS A BIG NIGHT FOR YOU, LITTLE BUDDY. 35 00:03:44,620 --> 00:03:46,130 YOU GOT YOURSELF A BRAND-NEW HOME! 36 00:03:46,130 --> 00:03:47,130 YEAH! 37 00:03:47,630 --> 00:03:50,630 AND YOU ARE GONNA TAKE A FLYING CARPET RIDE. 38 00:03:51,130 --> 00:03:52,630 WITH KARI 39 00:03:53,130 --> 00:03:54,630 YOU THINK I'M GONNA LET YOU 40 00:03:54,630 --> 00:03:56,140 USE THAT AS A DILDO, BUDDY? 41 00:03:56,640 --> 00:03:58,640 YOU'VE BEEN HOOVERING UP SOME BAD SHIT AGAIN. 42 00:03:58,640 --> 00:04:00,520 HA HA! HUH... 43 00:04:12,650 --> 00:04:14,650 WHAT THE FUCK IS THIS?! 44 00:04:15,150 --> 00:04:18,660 MARK... WHAT'S GOING ON? 45 00:04:18,660 --> 00:04:19,660 SHH! 46 00:04:21,160 --> 00:04:22,660 FREAKS. 47 00:04:25,160 --> 00:04:26,670 GODDAMN IT! 48 00:04:32,810 --> 00:04:34,310 HELLO? 49 00:04:46,320 --> 00:04:48,820 ALL RIGHT. I WANT YOU TO GO BACK OUTSIDE. 50 00:04:48,820 --> 00:04:50,320 I WANT YOU TO WAIT IN THE CAR. 51 00:04:50,320 --> 00:04:51,830 NO, NO, MARK. I WON'T-- 52 00:04:51,820 --> 00:04:53,830 OH, KARI--KARI, FOR THE LOVE OF GOD, 53 00:04:53,830 --> 00:04:55,330 JUST ONCE PRETEND TO BE AN ACTRESS 54 00:04:55,330 --> 00:04:57,330 WHO CAN TAKE DIRECTION. GO BACK OUTSIDE, 55 00:04:57,330 --> 00:04:59,330 USE THE CAR PHONE, CALL 911. 56 00:04:59,330 --> 00:05:00,330 OK. GO. 57 00:05:00,330 --> 00:05:01,330 BE CAREFUL. 58 00:05:07,840 --> 00:05:08,840 [CLICKING LIGHT SWITCH] 59 00:05:09,340 --> 00:05:10,840 WHAT THE-- 60 00:06:51,110 --> 00:06:54,110 [WHISPERING] Come on, where are you? 61 00:06:55,620 --> 00:06:57,120 [RATTLE] [GASPS] 62 00:07:06,880 --> 00:07:08,380 [BIRD SCREECHES] AAH! AAH! 63 00:07:10,380 --> 00:07:11,880 GOD! UHH! 64 00:07:11,880 --> 00:07:13,380 [GLASS BREAKS] 65 00:07:19,340 --> 00:07:21,340 I'VE GOT A WEAPON HERE! 66 00:07:31,850 --> 00:07:33,350 HELLO! 67 00:07:34,850 --> 00:07:37,860 [CREAKING] 68 00:07:44,860 --> 00:07:46,370 WHO ARE YOU? 69 00:07:52,870 --> 00:07:54,370 WHO ARE YOU? 70 00:07:56,880 --> 00:07:58,930 FUCK YOU. 71 00:07:58,930 --> 00:08:00,430 FUCK YOU! 72 00:08:05,940 --> 00:08:08,440 MY STUNT DUMMY? 73 00:08:08,850 --> 00:08:10,860 HOW THE HELL'D THIS GET IN HERE? UHH! 74 00:08:11,360 --> 00:08:13,860 CALM DOWN. THERE'S NOBODY HERE. 75 00:08:13,860 --> 00:08:15,360 THERE'S SOMEBODY HERE! 76 00:08:21,370 --> 00:08:22,370 [RATTLING DOORKNOB] 77 00:08:22,370 --> 00:08:24,870 COME ON! UHH! 78 00:08:30,880 --> 00:08:33,380 [RATTLING DOORKNOB] GOD, OPEN, OPEN! 79 00:08:33,380 --> 00:08:34,380 UH! 80 00:08:38,880 --> 00:08:40,390 [LOCKS DOOR] 81 00:08:43,390 --> 00:08:46,390 SHIT! OH, GOD! OH, PLEASE, PLEASE. 82 00:08:46,390 --> 00:08:48,900 LOOK, LOOK, I HAVE MONEY. I CAN PAY YOU. 83 00:08:48,890 --> 00:08:50,900 I CAN GIVE YOU ANYTHING-- 84 00:08:50,900 --> 00:08:51,900 LOOK, YOU WANT A PART IN A MOVIE? 85 00:08:51,900 --> 00:08:54,400 [HAMMERING CONTINUES] 86 00:08:54,900 --> 00:08:55,900 YOU WANT A PART IN A MOVIE? 87 00:08:55,900 --> 00:08:57,400 YOU WANNA BE IN A MOVIE? 88 00:08:59,160 --> 00:09:00,990 OH, PLEASE, GO AWAY! GO AWAY-- 89 00:09:00,990 --> 00:09:02,990 WHY DON'T YOU TAKE MY CAR? IT'S RIGHT OUT FRONT. 90 00:09:02,990 --> 00:09:03,990 IT'S A BRAND-NEW JAG. 91 00:09:03,990 --> 00:09:05,860 IT'S WORTH A FORTUNE. JUST TAKE IT! 92 00:09:10,450 --> 00:09:12,450 [CHAIN RATTLING] 93 00:09:18,460 --> 00:09:19,960 [CLANK] 94 00:09:30,850 --> 00:09:32,610 UHH! 95 00:09:32,610 --> 00:09:36,110 YES! YOU MESSED WITH THE WRONG COMANCHE, ASSHOLE. 96 00:09:40,110 --> 00:09:41,610 YOU OUT THERE? 97 00:09:47,120 --> 00:09:48,620 [SQUISH] 98 00:09:48,620 --> 00:09:52,630 [MARK BREATHING HEAVILY] 99 00:09:54,460 --> 00:09:56,460 [DROPS SWORD] 100 00:09:58,460 --> 00:10:00,470 [WHISPERING] Oh, fuck. 101 00:10:02,470 --> 00:10:04,970 [UNLOCKS DOOR] 102 00:10:04,970 --> 00:10:06,470 OH... 103 00:10:11,090 --> 00:10:14,100 HUH? OH, NO! KARI! 104 00:10:14,100 --> 00:10:17,100 NO! NO. NO! 105 00:10:17,100 --> 00:10:18,600 OH, GOD! 106 00:10:20,600 --> 00:10:23,610 NO! NO, PLEASE, LOOK. LOOK, I'M A FAMOUS DIRECTOR. 107 00:10:23,610 --> 00:10:26,110 I CAN MAKE YOU A STAR. I CAN DO ANYTHING FOR-- 108 00:10:26,110 --> 00:10:28,660 OH, SHIT! 109 00:10:28,660 --> 00:10:30,700 AAH! 110 00:10:30,700 --> 00:10:33,250 [YELLING] 111 00:10:44,210 --> 00:10:46,210 THE SUN SHINES HERE 112 00:10:46,210 --> 00:10:48,210 AND THE DAYS ARE SLOW 113 00:10:48,710 --> 00:10:50,720 AND EVERYTHING'S GOOD 114 00:10:51,220 --> 00:10:53,220 AND EVERYONE KNOWS 115 00:10:53,720 --> 00:10:55,720 THE SUN SHINES HERE 116 00:10:55,720 --> 00:10:58,720 AND THE DAYS ARE LONG 117 00:10:59,230 --> 00:11:00,730 NOBODY CRIES 118 00:11:01,230 --> 00:11:03,730 AND NOTHING IS WRONG 119 00:11:03,730 --> 00:11:06,280 THE SUN SHINES HERE 120 00:11:06,780 --> 00:11:08,280 SOMEBODY SHOULD LOCK UP JEFFREY LUCAS 121 00:11:08,280 --> 00:11:09,790 FOR IMPERSONATING A HUMAN. 122 00:11:09,790 --> 00:11:12,290 THAT MOSS POINT HOUSE HAS BEEN EMPTY FOR YEARS. 123 00:11:12,290 --> 00:11:13,790 HOW'D YOU GUYS GET IN IT? 124 00:11:13,790 --> 00:11:15,290 JEFFREY BROKE IN. 125 00:11:15,290 --> 00:11:17,790 THEN BY THE TIME WE STARTED SHOOTING HIS DUMB MOVIE, 126 00:11:17,790 --> 00:11:19,300 IT WAS PAST MIDNIGHT. 127 00:11:19,300 --> 00:11:21,800 JEFFREY IS WALKING AROUND IN THIS BLACK TRENCH COAT 128 00:11:21,800 --> 00:11:24,300 LIKE HE'S FROM THE POST OFFICE OR SOMETHING, OK? 129 00:11:24,300 --> 00:11:25,300 WITH HIS LITTLE VIDEO CAMERA, 130 00:11:25,300 --> 00:11:28,810 POURING CORN SYRUP BLOOD ALL OVER EVERYTHING. UGH! 131 00:11:28,800 --> 00:11:30,810 GOD, MR. HADDEN IS GONNA FREAK. 132 00:11:30,810 --> 00:11:32,310 THOSE SUMMER VIDEO PROJECTS 133 00:11:32,310 --> 00:11:34,310 ARE SUPPOSED TO BE DOCUMENTARIES. 134 00:11:34,310 --> 00:11:35,310 HEH. JEFFREY SAYS HIS UNCLE'S 135 00:11:35,310 --> 00:11:37,310 GONNA GET THE MOVIE ENTERED AT SUNDANCE. 136 00:11:37,310 --> 00:11:38,680 FAT CHANCE ON THAT. 137 00:11:38,680 --> 00:11:40,430 THERE'S JASON. 138 00:11:43,270 --> 00:11:45,270 MONSTER, YOU GOTTA HELP DILLON 139 00:11:45,270 --> 00:11:46,770 WITH HIS COMPUTER CLASS FIRST SEMESTER. 140 00:11:46,770 --> 00:11:47,770 YEAH. 141 00:11:47,770 --> 00:11:48,770 LIKE YOU PROMISED. 142 00:11:48,770 --> 00:11:50,780 YEAH, MAN, I GOTTA GET ALL Cs 143 00:11:50,780 --> 00:11:52,280 TO STAY ELIGIBLE FOR FOOTBALL. 144 00:11:52,280 --> 00:11:54,280 YO, I AM SO DOWN, BRO. 145 00:11:54,280 --> 00:11:55,780 YOU'RE GONNA BE KICKIN' IT. 146 00:11:55,780 --> 00:11:56,780 CHECK IT, MAN. MY NEW COMPUTER 147 00:11:56,780 --> 00:11:59,290 CAN BIT-BUST ANY OF THAT SKEEVY CLASSROOM BULLSHIT. 148 00:11:59,290 --> 00:12:00,290 NO PROBLEMO. 149 00:12:00,290 --> 00:12:02,370 WHO'S GONNA GET BUSTED? 150 00:12:02,370 --> 00:12:03,210 NOBODY. MONSTER'S GONNA DO 151 00:12:03,210 --> 00:12:04,590 MY COMPUTER HOMEWORK THIS FALL. 152 00:12:04,590 --> 00:12:05,880 HE'S GONNA SAVE MY ASS. 153 00:12:06,380 --> 00:12:07,880 OH, YEAH, AND SPEAKIN' O' ASS-- 154 00:12:07,880 --> 00:12:09,380 RAWR RAWR RAWR! 155 00:12:09,380 --> 00:12:11,880 I'M GONNA BE HAVIN' A PARTY THIS WEEKEND! 156 00:12:11,880 --> 00:12:13,300 ALL RIGHT? THE PARENTAL UNITS ARE AWAY, 157 00:12:13,300 --> 00:12:14,880 SO WE IS GONNA PAR-TAY. 158 00:12:14,880 --> 00:12:18,300 WE GONNA PAINT THE WALLS AND PRAY TO DIONYSUS. 159 00:12:18,300 --> 00:12:20,140 THE LAST TIME WE PRAYED TO DIONYSUS, 160 00:12:20,140 --> 00:12:21,520 YOUR NEIGHBORS CALLED THE POLICE. 161 00:12:21,520 --> 00:12:23,480 DON'T GET UP ON MY GRILL, GIRL. 162 00:12:23,480 --> 00:12:25,480 SHI-AT HAPPENS. 163 00:12:25,480 --> 00:12:27,360 WHOA. SHI-AT. 164 00:12:27,360 --> 00:12:30,320 IT'S JEFFREY LUCAS, THE PARAGON OF EVIL, 165 00:12:30,320 --> 00:12:32,320 BAY CITY HIGH'S OWN FREDDIE KRUEGER 166 00:12:32,320 --> 00:12:35,450 AND HIS BAT CAVE PRINCESS. WOOO... 167 00:12:35,450 --> 00:12:38,960 THAT MOVIE OF HIS IS GONNA BE MAJOR SUCKAGE. 168 00:12:38,960 --> 00:12:40,460 COPY THAT. 169 00:12:43,080 --> 00:12:46,080 NEVER SUMMON ANYTHING YOU CAN'T BANISH. 170 00:12:46,080 --> 00:12:48,580 THAT IS SO FUCKING RIGHTEOUS, JEFFREY. 171 00:12:48,580 --> 00:12:51,590 AND NEVER LAUGH AT SOMEONE WHO IS SKY-CLAD. 172 00:12:52,090 --> 00:12:54,090 OR WHO HAS A DISEMBODIED SPIRIT. 173 00:12:57,590 --> 00:13:00,600 2 MORE YEARS IN THIS SINKHOLE? GOD. 174 00:13:00,600 --> 00:13:02,100 SOMETIMES ALL I WANT 175 00:13:02,100 --> 00:13:05,100 IS TO ESCAPE INTO THE CELT WORLD... 176 00:13:05,600 --> 00:13:08,100 BE WITH THE DARK GODS. 177 00:13:08,100 --> 00:13:11,110 MALEVOLENT ENTITIES NEVER ASK FOR PHOTO I.D. 178 00:13:11,110 --> 00:13:13,110 THAT IS SO TRUE, JEFFREY. 179 00:13:13,110 --> 00:13:15,610 SOMETIMES DURING THE EQUINOX, BETWEEN MABON AND SAMHAIN, 180 00:13:15,610 --> 00:13:17,610 I FEEL MY SPIRIT PLUNGE. 181 00:13:17,610 --> 00:13:19,120 I WISH I HAD SOMETHING THAT I LOVED 182 00:13:19,110 --> 00:13:20,620 LIKE YOU HAVE YOUR MOVIES. 183 00:13:21,120 --> 00:13:24,370 MY MOVIES ARE WASTED ON PEOPLE LIKE THEM. 184 00:13:24,370 --> 00:13:25,920 ECCH. 185 00:13:25,920 --> 00:13:28,710 THEY WILL NEVER GET IT, ZARA. 186 00:13:28,710 --> 00:13:32,210 THEY DON'T SEE THE BEAUTY IN THE ANCIENT GRIMMERIES. 187 00:13:32,710 --> 00:13:33,710 DO YOU THINK MR. HADDEN 188 00:13:33,710 --> 00:13:35,210 WILL ACCEPT YOUR SUMMER PROJECT? 189 00:13:35,210 --> 00:13:36,720 I MEAN, YOU COULD GET IN TROUBLE. 190 00:13:36,720 --> 00:13:38,220 [SCOFFS] MR. HADDEN 191 00:13:38,220 --> 00:13:41,220 WILL ONLY GAIN STATURE IN THE NETHER WORLD 192 00:13:41,220 --> 00:13:43,720 WHEN HE IS FINALLY EATEN ALIVE 193 00:13:43,720 --> 00:13:45,720 BY THE WANDERING DEMONIC HORDES. 194 00:13:45,720 --> 00:13:47,230 [EVIL LAUGH] 195 00:13:47,230 --> 00:13:48,730 [ZARA GIGGLES] 196 00:13:48,730 --> 00:13:51,730 VERY COOL, JEFFREY. EXTREMELY BITCHIN'. 197 00:13:51,730 --> 00:13:54,620 [BELL RINGS] 198 00:13:54,620 --> 00:13:57,900 MY NAME IS CARL HADDEN, 199 00:13:57,900 --> 00:14:01,410 AND FOR THOSE NEW STUDENTS THAT I HAVEN'T MET YET, 200 00:14:01,410 --> 00:14:03,910 I'M YOUR PRINCIPAL HERE AT BAY CITY HIGH, 201 00:14:03,910 --> 00:14:05,910 BUT I ALSO TEACH THIS ONE CLASS 202 00:14:06,410 --> 00:14:07,910 IN SOCIAL THEORY, COMMUNICATIONS, 203 00:14:07,910 --> 00:14:09,420 AND NEWS INSTITUTIONS. 204 00:14:09,420 --> 00:14:12,840 I'M REALLY, REALLY EXCITED ABOUT OUR STUDY PLAN THIS YEAR. 205 00:14:13,340 --> 00:14:14,970 WE'RE GONNA GET INTO THE WHOLE DEBATE 206 00:14:14,970 --> 00:14:16,470 ON THE CONSTRUCTION OF REALITY IN NEWS 207 00:14:16,970 --> 00:14:18,340 AND NARROW-CASTING IN THE MEDIA. 208 00:14:18,340 --> 00:14:20,340 REAL FUN STUFF. 209 00:14:20,340 --> 00:14:24,180 OK, SO, UM, I'VE GOT A WONDERFUL READING LIST 210 00:14:24,180 --> 00:14:26,180 FOR THIS YEAR. 211 00:14:27,070 --> 00:14:30,320 WELL, I LEFT MY BRIEFCASE BACK IN MY OFFICE. 212 00:14:30,320 --> 00:14:33,820 COULD I HAVE A VOLUNTEER TO GO BACK AND GET THAT FOR ME? 213 00:14:37,190 --> 00:14:40,080 NO? UH, DILLON, WILL YOU GET IT, PLEASE? 214 00:14:40,080 --> 00:14:41,830 YOU BET, MR. HADDEN. 215 00:14:41,830 --> 00:14:43,830 OOH... [MAKES KISSING NOISES] 216 00:14:43,830 --> 00:14:45,330 GOOD JOB, DILLON. 217 00:14:45,330 --> 00:14:46,700 OH, OH, AND DILLON? 218 00:14:46,700 --> 00:14:48,450 IF YOU COULD GET MY READING SPECS, PLEASE? 219 00:14:48,450 --> 00:14:49,340 I THINK THEY'RE ON MY DESK. 220 00:14:49,340 --> 00:14:51,120 I THINK THEY'RE ON YOUR HEAD, SIR. 221 00:14:51,120 --> 00:14:53,590 [LAUGHTER] 222 00:14:54,090 --> 00:14:56,600 SO THEY ARE. 223 00:14:56,600 --> 00:14:59,130 YOU KNOW, I THINK I'D LOSE MY HEAD 224 00:14:59,630 --> 00:15:01,350 IF IT WEREN'T ATTACHED TO MY SHOULDERS. 225 00:15:01,350 --> 00:15:03,800 Whispery male voice: THAT CAN BE ARRANGED. 226 00:15:05,100 --> 00:15:06,610 WHO SAID THAT? 227 00:15:09,270 --> 00:15:12,730 LOOK, LOOK, PEOPLE, LET'S GET OVER SUMMER, ALL RIGHT? 228 00:15:12,730 --> 00:15:14,230 UH, WE'VE GOT A LOT OF WORK TO DO 229 00:15:14,230 --> 00:15:15,610 AND I REALLY WANT TO BUCKLE DOWN. 230 00:15:15,610 --> 00:15:18,480 WHAT I'D LIKE TO START OUT BY DOING 231 00:15:18,480 --> 00:15:20,370 IS SCREENING OUR SUMMER VIDEO PROJECTS. 232 00:15:20,370 --> 00:15:21,740 MAYBE WE'LL DO 2 A DAY 233 00:15:21,740 --> 00:15:23,240 AND THEN HAVE DISCUSSIONS AFTERWARD. 234 00:15:23,240 --> 00:15:24,240 Boy: YEAH. 235 00:15:24,240 --> 00:15:25,740 WHO WOULD LIKE TO BE FIRST? 236 00:15:27,630 --> 00:15:29,960 ANY VOLUNTEERS? 237 00:15:29,960 --> 00:15:34,470 NOBODY? OK, THEN I'LL JUST TAKE POTLUCK. 238 00:15:34,470 --> 00:15:37,720 Boy, softly: OH, GOD, I LOVE THE WAY... 239 00:15:37,720 --> 00:15:40,220 JEFF LUCAS. YOU'RE THE LUCKY WINNER. 240 00:15:40,220 --> 00:15:42,010 OH, THERE'S NO TITLE ON THIS, JEFF. 241 00:15:42,010 --> 00:15:43,510 GONNA HAVE TO DING YOU THERE. 242 00:15:43,510 --> 00:15:45,510 YOU SEE, A TITLE ON A DOCUMENTARY 243 00:15:45,510 --> 00:15:46,510 IS VERY IMPORTANT, 244 00:15:46,510 --> 00:15:48,510 VERY MUCH LIKE A TOPIC SENTENCE ON AN ESSAY. 245 00:15:48,510 --> 00:15:50,400 MY FILM DEFIES LABELING. 246 00:15:50,400 --> 00:15:53,270 IT'S A PATH TO HIGHER LEARNING. 247 00:15:53,270 --> 00:15:56,610 OOH, WAY TO KICK THE OLD BALL AROUND, JEFFY-JEFF. 248 00:15:56,610 --> 00:15:58,320 OK, OK, LET'S CALM DOWN. 249 00:15:58,320 --> 00:15:59,830 NOW--NOW--NOW, I'D LIKE TO PURSUE THIS. 250 00:15:59,830 --> 00:16:01,330 THIS IS VERY INTERESTING, JEFF. 251 00:16:01,330 --> 00:16:04,330 SO WHAT YOU'RE SAYING IS THAT A DOCUMENTARY 252 00:16:04,330 --> 00:16:06,330 NEED NOT NECESSARILY HAVE A TITLE 253 00:16:06,330 --> 00:16:08,830 IF IT SEEKS TO INSTRUCT AND EDUCATE. 254 00:16:08,830 --> 00:16:10,790 NO. WHAT I'M SAYING IS, 255 00:16:10,790 --> 00:16:13,170 THIS WHOLE PROJECT SUCKED ASS. 256 00:16:13,170 --> 00:16:15,790 [STUDENTS MURMURING] 257 00:16:15,790 --> 00:16:16,790 SO I IGNORED THE ASSIGNMENT 258 00:16:16,790 --> 00:16:18,680 AND I DID WHAT I WANTED TO. 259 00:16:18,680 --> 00:16:21,850 YOU REALLY TRY MY PATIENCE, MR. LUCAS. 260 00:16:24,350 --> 00:16:26,720 OK, LET'S SEE WHAT WE'VE GOT HERE. 261 00:16:28,970 --> 00:16:30,360 SOMEBODY GET THE LIGHTS. 262 00:16:30,360 --> 00:16:32,360 [MUSIC PLAYS IN JEFF'S MOVIE] 263 00:16:36,860 --> 00:16:39,370 Girl: IT ALL STARTED THAT FIRST SUMMER AT MOSS POINT 264 00:16:39,360 --> 00:16:42,370 WHEN I DECIDED TO CONTACT MY DEAD FATHER. 265 00:16:42,370 --> 00:16:44,870 HIS DEMON SPIRIT WAS TRAPPED IN THAT HOUSE 266 00:16:44,870 --> 00:16:46,370 AND WAS TORMENTING ME. 267 00:16:50,240 --> 00:16:52,710 WHOO-OO! 268 00:16:55,710 --> 00:16:57,220 [LIQUID BUBBLING] 269 00:16:57,220 --> 00:17:01,220 BY YOUR POWERS ON THIS NIGHT... 270 00:17:03,220 --> 00:17:04,720 [LAUGHTER] 271 00:17:05,220 --> 00:17:06,730 [GIRL IN CLASS LAUGHS] OH, MY GOD! 272 00:17:06,730 --> 00:17:10,230 EMPOWER THIS TOOL... BEGIN THE FIGHT. 273 00:17:11,230 --> 00:17:15,100 HA! EMPOWER THIS TOOL, JEFF! 274 00:17:15,100 --> 00:17:16,520 WHOA! 275 00:17:16,520 --> 00:17:17,400 YOU'RE ON LUNCH CLEAN-UP, MR. MOOLEY. 276 00:17:17,400 --> 00:17:19,400 NOW SIT DOWN. SIT DOWN. 277 00:17:27,910 --> 00:17:30,920 [GIRL SCREAMS] 278 00:17:30,920 --> 00:17:34,920 [CLASS GROANS] 279 00:17:34,920 --> 00:17:36,670 [CLASS LAUGHS] 280 00:17:36,670 --> 00:17:40,010 EVERYBODY, KELLY FINALLY GIVES HEAD! 281 00:17:40,010 --> 00:17:41,510 SHUT UP! 282 00:17:41,510 --> 00:17:42,510 Hadden: OK, OK, THAT'S ENOUGH OF THAT, MONSTER. 283 00:17:42,510 --> 00:17:44,710 NOW CALM DOWN. CALM DOWN, EVERYBODY. 284 00:17:44,710 --> 00:17:46,520 STOP IT! 285 00:17:46,520 --> 00:17:48,770 STOP LAUGHING! 286 00:17:48,770 --> 00:17:50,640 STOP LAUGHING! 287 00:17:50,640 --> 00:17:52,470 YOU PEOPLE ARE ALL FUCKING DEAD. 288 00:17:52,470 --> 00:17:54,360 DEAD ABOVE GROUND. 289 00:17:54,360 --> 00:17:56,860 CAN'T YOU SEE THE EVIL THAT'S IN ME? 290 00:17:56,860 --> 00:18:01,530 YOU, YOU, AND ESPECIALLY YOU. 291 00:18:01,530 --> 00:18:03,870 DEAD ABOVE GROUND, ALL OF YOU. 292 00:18:03,870 --> 00:18:04,730 THESE SUMMER VIDEO PROJECTS 293 00:18:05,230 --> 00:18:05,730 ARE SUPPOSED TO BE 294 00:18:06,230 --> 00:18:07,240 ABOUT THE COMMUNITY, JEFF. 295 00:18:07,240 --> 00:18:08,240 THIS IS TOTALLY UNACCEPTABLE. 296 00:18:08,740 --> 00:18:10,120 YOU'RE TOTALLY UNACCEPTABLE. 297 00:18:10,120 --> 00:18:13,740 YOU ARE ABOUT NOTHING, 298 00:18:13,740 --> 00:18:15,710 MR. HADDEN. 299 00:18:15,710 --> 00:18:16,630 YOUR END IS NIGH! 300 00:18:16,630 --> 00:18:18,160 JASON, GO GET COACH DONALDSON. 301 00:18:18,160 --> 00:18:19,670 Jason: YES, SIR. 302 00:18:25,300 --> 00:18:27,810 YOU WILL DIE ON THE SEVENTH EQUINOX OF MABON. 303 00:18:27,810 --> 00:18:29,310 HEY, JEFF, YOU KNOW, YOUR TEACHERS RECS 304 00:18:29,310 --> 00:18:31,680 FOR COLLEGE ARE REALLY GONNA SUCK. 305 00:18:31,680 --> 00:18:34,510 YOU WILL ALL TASTE THE AXE OF RECKONING! 306 00:18:34,510 --> 00:18:35,760 MR. HADDEN, YOU WANT ME TO GET THIS JERK 307 00:18:35,760 --> 00:18:36,770 OUT OF HERE FOR YOU? 308 00:18:36,770 --> 00:18:37,820 DILLON, WOULD YOU-- 309 00:18:37,820 --> 00:18:39,820 HEY! WHAT THE FU-- GET OFF OF ME! 310 00:18:39,820 --> 00:18:40,820 HEY, HEY! 311 00:18:40,820 --> 00:18:42,650 DILLON, DILLON, SIT DOWN. 312 00:18:42,650 --> 00:18:45,660 OK, OK. SHADOWS! [YELLING] 313 00:18:45,660 --> 00:18:47,660 ONE MORE TIME, SHUT UP! COME ON. 314 00:18:48,160 --> 00:18:49,830 KEEP MOVING. GO. 315 00:18:50,200 --> 00:18:52,160 SOON BE FILLED WITH...[SHOUTING] 316 00:18:52,160 --> 00:18:53,670 TAKE HIM TO DR. BOONE'S OFFICE. 317 00:18:53,670 --> 00:18:55,670 TAKE HIM TO DR. BOONE. 318 00:18:56,170 --> 00:18:59,040 YOU DON'T SEE WHAT HE SEES. 319 00:18:59,040 --> 00:19:00,790 Hadden: I'M TELLING YOU, HE JUST WENT CRAZY. 320 00:19:00,790 --> 00:19:01,790 NO RUNNING ON THE WALKWAYS. 321 00:19:01,790 --> 00:19:02,790 YOU, TOO, DAVID. NO RUNNING. 322 00:19:02,790 --> 00:19:04,290 IS THAT A MEDICAL OPINION? 323 00:19:04,790 --> 00:19:06,300 NO, IT'S THE PRINCIPAL'S OPINION. 324 00:19:06,290 --> 00:19:07,800 WELL, I DON'T THINK WE SHOULD START OFF 325 00:19:07,800 --> 00:19:09,300 BY CALLING HIM CRAZY, CARL. 326 00:19:09,300 --> 00:19:11,800 THIS SOUNDS LIKE A CLASSIC CRY FOR HELP. 327 00:19:11,800 --> 00:19:12,800 WELL, I'M NOT SO SURE. 328 00:19:12,800 --> 00:19:14,300 THIS IS YOUR FIRST COUNSELING JOB 329 00:19:14,300 --> 00:19:16,300 AND I'VE BEEN TEACHING FOR 25 YEARS. 330 00:19:16,300 --> 00:19:19,810 I CERTAINLY OUGHT TO KNOW A FOUL BALL WHEN I SEE ONE. 331 00:19:19,810 --> 00:19:21,190 [MANIACAL LAUGHTER] 332 00:19:21,190 --> 00:19:22,190 Coach: SHUT UP! 333 00:19:22,690 --> 00:19:23,700 Hadden: OH, MY. 334 00:19:36,990 --> 00:19:38,380 GREAT OUTFIT, BREN. 335 00:19:38,380 --> 00:19:40,250 THAT'S HARDLY THE POINT. 336 00:19:40,250 --> 00:19:42,250 MAYBE YOU SHOULD STICK AROUND, TOM, 337 00:19:42,250 --> 00:19:44,250 AT LEAST UNTIL I GET THIS CALMED DOWN. 338 00:19:44,250 --> 00:19:47,140 I'VE NEVER COUNSELED A FOUL BALL BEFORE. 339 00:19:47,140 --> 00:19:47,970 OH, FOUL BALLS ARE EASY. 340 00:19:47,970 --> 00:19:50,470 YOU CATCH IT, THE RUNNER'S OUT. 341 00:19:50,470 --> 00:19:51,970 YOUR PLAY'S AT ANY BASE. 342 00:19:51,970 --> 00:19:54,340 GOOD OBSERVATION. VERY HELPFUL. 343 00:19:54,340 --> 00:19:56,850 LISTEN, I THINK SOMEBODY SHOULD GO IN THERE WITH YOU 344 00:19:56,850 --> 00:19:57,850 TO PROTECT YOU. 345 00:19:57,850 --> 00:20:00,350 NO, NO, I'M PRETTY SURE I SHOULD GO IN THERE 346 00:20:00,350 --> 00:20:02,230 AND TALK TO HIM MYSELF. 347 00:20:02,230 --> 00:20:04,570 I'LL BE RIGHT HERE. I'LL BE HERE, BRENDA. 348 00:20:10,440 --> 00:20:12,190 PLEASE. 349 00:20:12,190 --> 00:20:15,530 Jeff: ...VERY EXISTENCE UNTIL YOU HAVE SUCCUMBED 350 00:20:15,530 --> 00:20:20,040 TO MY EVIL DEEDS IN THIS PLACE THAT IS NOT A PLACE. 351 00:20:20,040 --> 00:20:21,920 WITNESS WHAT I UNDERTAKE! 352 00:20:21,920 --> 00:20:23,090 PUT IT DOWN, JEFF. 353 00:20:23,090 --> 00:20:26,170 EVEN INDOORS, I FEEL THE STILLNESS OVER EVERYTHING. 354 00:20:26,170 --> 00:20:29,680 OVER MY BOOTS, STANDING BY THE CHAIR. 355 00:20:29,680 --> 00:20:33,180 OVER THE RADIO, PLAYING SMALL INSTRUMENTALS 356 00:20:33,180 --> 00:20:36,050 LIKE FLOWERS RESTING ON VELVET. 357 00:20:36,050 --> 00:20:38,640 JEFF, GIVE ME THE TROPHY. PLEASE? 358 00:20:38,640 --> 00:20:40,390 WHAT ARE YOU DOING HERE? 359 00:20:41,720 --> 00:20:43,730 IT'S MY OFFICE. 360 00:20:43,730 --> 00:20:45,730 I NEED TO TALK TO YOU, JEFF. 361 00:20:45,730 --> 00:20:50,150 PURE BEING IS INDIVISIBLE AND UNALTERABLE MOTION. 362 00:20:50,150 --> 00:20:51,530 WE STOP THE RUSH OF BEING 363 00:20:51,530 --> 00:20:53,320 AND FORM IN THE VISIBLE WORLD 364 00:20:53,320 --> 00:20:58,820 BY CUTTING ETERNITY UP INTO TIME AND SPACE. 365 00:20:58,820 --> 00:21:00,330 WE DO? 366 00:21:00,330 --> 00:21:01,830 YES. 367 00:21:03,330 --> 00:21:05,330 YES. 368 00:21:15,340 --> 00:21:17,730 Tom: THIS KID IS CERTIFIABLE. 369 00:21:17,730 --> 00:21:20,180 YOU WANT MY OPINION? 370 00:21:20,180 --> 00:21:22,680 YOU SHOULD GET THE GUYS WITH THE BUTTERFLY NETS 371 00:21:22,680 --> 00:21:23,680 TO HAUL HIM OUT OF HERE. 372 00:21:23,680 --> 00:21:25,680 I REALLY DON'T NEED YOUR OPINION, TOM. 373 00:21:25,680 --> 00:21:27,190 STICK TO FOOTBALL. 374 00:21:27,190 --> 00:21:29,690 HEH HEH HEH. ALL I'M SAYING IS, 375 00:21:29,690 --> 00:21:32,190 THE KID IS OBVIOUSLY VAPOR-LOCKED. 376 00:21:32,690 --> 00:21:34,190 A REAL NUT JOB. 377 00:21:34,190 --> 00:21:36,700 YOU MAY NEED THE GUYS WITH THE WHITE COATS. 378 00:21:36,700 --> 00:21:38,200 I SAID I'D TAKE CARE OF IT. 379 00:21:40,200 --> 00:21:42,700 ALL RIGHT. 380 00:21:42,700 --> 00:21:45,700 ANYTHING YOU SAY, CARL. 381 00:21:45,700 --> 00:21:47,210 OH, BY THE WAY, 382 00:21:47,210 --> 00:21:49,210 BRENDA TOLD ME ABOUT YOUR POOL PARTY. 383 00:21:49,210 --> 00:21:50,710 DIDN'T GET MY INVITE. 384 00:21:50,710 --> 00:21:53,850 WELL, IT'S JUST FOR MY COMMUNICATIONS CLASS ONLY. 385 00:21:53,850 --> 00:21:56,050 AH. WELL, I'LL BE COMING WITH BRENDA. 386 00:21:56,050 --> 00:21:57,300 HOPE THAT WORKS. 387 00:22:00,300 --> 00:22:02,050 YOU TWO ARE GOING OUT? 388 00:22:02,050 --> 00:22:04,360 HA! KABOOM! COACH SCORES! 389 00:22:04,360 --> 00:22:05,610 HA HA HA! 390 00:22:08,810 --> 00:22:10,730 JEFF? 391 00:22:11,230 --> 00:22:13,230 I'M OVER HERE. TRY AND FOCUS. 392 00:22:15,730 --> 00:22:16,740 JEFF. 393 00:22:20,990 --> 00:22:24,830 SOMETIMES YOU LOSE MORE OF YOURSELF THAN YOU REDEEM. 394 00:22:31,500 --> 00:22:34,500 I'VE TRIED TO REACH YOUR MOM AND DAD 3 TIMES, 395 00:22:34,500 --> 00:22:37,010 BUT THE NUMBER YOU GAVE THE ADMINISTRATION 396 00:22:37,010 --> 00:22:39,010 HAS BEEN DISCONNECTED. 397 00:22:39,010 --> 00:22:42,510 IF I CAN'T LOCATE YOUR PARENTS, 398 00:22:42,510 --> 00:22:45,510 I'LL HAVE TO REPORT THAT TO CHILD SERVICES. 399 00:22:45,510 --> 00:22:49,520 IN CELTIC FAMILIES, FOSTERAGE WAS COMMONLY PRACTICED, 400 00:22:49,520 --> 00:22:51,520 WEAVING BONDS BETWEEN CLANS 401 00:22:51,520 --> 00:22:53,520 AND ENCOURAGING CLOSENESS 402 00:22:53,520 --> 00:22:56,520 BETWEEN UNRELATED INDIVIDUALS. 403 00:22:56,520 --> 00:22:58,530 [SIGHS AND CHUCKLES] 404 00:23:04,000 --> 00:23:07,370 THAT'S REALLY A NICE OUTFIT, DR. BOONE. 405 00:23:11,170 --> 00:23:13,370 [LOUD JAZZ MUSIC PLAYING] 406 00:23:13,380 --> 00:23:15,340 [PEOPLE CHATTERING] 407 00:23:18,850 --> 00:23:20,880 WHOA. COME ON, KIDS. 408 00:23:23,390 --> 00:23:25,390 OK. LET'S SEE... 409 00:23:28,890 --> 00:23:29,890 LET'S GET OUT OF HERE. 410 00:23:30,390 --> 00:23:31,890 MR. HADDEN'S PARTIES ARE FROM THE STONE AGE. 411 00:23:31,890 --> 00:23:34,400 YEAH, THIS ONE'S A REAL MAYBELLINE WASTE, 412 00:23:34,400 --> 00:23:36,400 BUT YOU GOTTA GET A "C" IN COMMUNICATIONS 413 00:23:36,400 --> 00:23:37,400 TO STAY ELIGIBLE. 414 00:23:37,400 --> 00:23:39,320 DADDY SAYS IF YOU DON'T GET YOUR GRADES UP, 415 00:23:39,320 --> 00:23:40,240 IT DOESN'T EVEN MATTER 416 00:23:40,240 --> 00:23:41,240 IF YOU GET A FOOTBALL SCHOLARSHIP. 417 00:23:41,240 --> 00:23:42,490 THEY WON'T LET YOU IN. 418 00:23:44,820 --> 00:23:45,820 WHAT'S WRONG? 419 00:23:45,820 --> 00:23:46,710 NOTHING. 420 00:23:46,710 --> 00:23:48,130 WHAT DO YOU MEAN, NOTHING? 421 00:23:48,130 --> 00:23:49,490 I CAN TELL WHEN SOMETHING IS WRONG. 422 00:23:49,490 --> 00:23:50,960 IT'S JUST-- 423 00:23:50,960 --> 00:23:52,830 SOMETIMES I FEEL KIND OF OUT OF PLACE AROUND HERE. 424 00:23:52,830 --> 00:23:54,630 THAT'S CRAZY. WHY DO YOU SAY THINGS LIKE THAT? 425 00:23:55,130 --> 00:23:57,140 IT'S JUST YOU'RE SO BEAUTIFUL AND SMART. 426 00:23:57,140 --> 00:23:59,420 YOUR DAD'S A FAMOUS HOLLYWOOD WRITER. 427 00:23:59,420 --> 00:24:01,920 AND ALL THESE OTHER KIDS, THEIR DADS RUN COMPANIES. 428 00:24:01,920 --> 00:24:04,430 EVERYONE IN SCHOOL HAS EITHER A BRAND-NEW BMW 429 00:24:04,430 --> 00:24:05,430 OR AN ACURA. 430 00:24:05,430 --> 00:24:07,310 I DRIVE AN OLD CAMARO. I DON'T BELONG. 431 00:24:07,310 --> 00:24:08,730 I DON'T WANT TO HEAR THIS. 432 00:24:08,730 --> 00:24:09,730 IT'S SILLY, DILLON. 433 00:24:09,730 --> 00:24:10,730 IS IT? 434 00:24:10,730 --> 00:24:12,100 YOU KNOW, SOMETIMES I THINK 435 00:24:12,100 --> 00:24:13,600 YOUR PARENTS WOULD RATHER I JUST WENT AWAY. 436 00:24:13,600 --> 00:24:15,570 MY PARENTS? 437 00:24:15,570 --> 00:24:17,110 THEY--THEY-- 438 00:24:17,110 --> 00:24:17,990 YEAH. 439 00:24:17,990 --> 00:24:22,240 THEY RESPECT YOU, DILLON. THEY DO. 440 00:24:22,240 --> 00:24:23,660 MY MOM WORKS IN THE PHARMACY, 441 00:24:23,660 --> 00:24:26,170 AND YOUR MOM DOESN'T EVEN TALK TO HER WHEN SHE GOES IN THERE. 442 00:24:26,160 --> 00:24:28,170 AND SOMETIMES I FEEL LIKE THERE'S MORE SEPARATING US 443 00:24:28,670 --> 00:24:29,670 THAN HOLDING US TOGETHER. 444 00:24:29,670 --> 00:24:31,170 SHH. 445 00:24:31,170 --> 00:24:32,170 STOP IT. 446 00:24:33,670 --> 00:24:36,430 NOTHING WILL EVER COME BETWEEN US, I PROMISE. 447 00:24:36,420 --> 00:24:38,130 I LOVE YOU, DILLON. 448 00:24:41,130 --> 00:24:42,630 EVEN MORE THAN MY OWN LIFE. 449 00:24:45,850 --> 00:24:49,100 I PROMISE... WE'LL BE TOGETHER ALWAYS. 450 00:25:04,700 --> 00:25:06,070 HEY, NO RUNNING ON THE DECK! 451 00:25:06,070 --> 00:25:07,820 AND NO WATER BALLOONS! 452 00:25:07,820 --> 00:25:09,820 OH, CARL! 453 00:25:09,820 --> 00:25:11,830 ARE YOU ALL RIGHT? OH, MY GOD. 454 00:25:11,830 --> 00:25:13,330 YOU'RE-- 455 00:25:13,330 --> 00:25:14,830 I KNOW, I KNOW. 456 00:25:14,830 --> 00:25:17,330 WELL, YOU KNOW, I THINK JEFF LUCAS 457 00:25:17,830 --> 00:25:19,830 IS EXHIBITING SCHIZOPHRENIC BEHAVIOR, 458 00:25:19,830 --> 00:25:21,340 AND I CAN'T REACH HIS PARENTS. 459 00:25:21,340 --> 00:25:23,340 WELL, WHAT PASSES FOR PARENTING IN THIS TOWN 460 00:25:23,340 --> 00:25:24,840 IS A CRIME. 461 00:25:24,840 --> 00:25:26,840 I NEED TO GET THROUGH TO HIS MOM AND DAD, 462 00:25:26,840 --> 00:25:27,840 BUT THEIR NUMBER'S NOT IN SERVICE, 463 00:25:27,840 --> 00:25:29,340 AND HE WON'T GIVE ME ANOTHER. 464 00:25:29,340 --> 00:25:31,260 WELL, WHAT ABOUT GEORGE LUCAS? 465 00:25:31,260 --> 00:25:33,260 I MEAN, JEFF'S ALWAYS BRAGGING 466 00:25:33,260 --> 00:25:35,270 ABOUT HOW HE GOES UP THERE IN THE SUMMERTIME 467 00:25:35,270 --> 00:25:38,270 TO VISIT HIS UNCLE AT, UH, SKYWALKER RANCH 468 00:25:38,270 --> 00:25:39,770 IN MILL VALLEY OR WHEREVER IT IS. 469 00:25:39,770 --> 00:25:40,660 WHY DON'T YOU CALL HIM? 470 00:25:40,660 --> 00:25:42,440 CALL GEORGE LUCAS? 471 00:25:42,440 --> 00:25:44,440 NOW, HOW AM I GONNA GET THROUGH 472 00:25:44,440 --> 00:25:45,940 TO A WORLD-FAMOUS DIRECTOR LIKE HIM? 473 00:25:45,940 --> 00:25:46,950 WELL, I-- 474 00:25:46,950 --> 00:25:49,450 CARL, IF YOU WANT TO KEEP THESE KIDS FROM SPLITTING, 475 00:25:49,450 --> 00:25:51,450 YOU'RE GONNA HAVE TO LOSE THIS PRE-WAR MUSIC. 476 00:25:51,950 --> 00:25:53,950 I MEAN, THIS STUFF IS FROM THE JURASSIC PERIOD. 477 00:25:54,450 --> 00:25:54,950 IT IS, HUH? 478 00:25:55,450 --> 00:25:56,450 YEAH. 479 00:25:56,450 --> 00:25:58,510 YOU BITCH! AAH! 480 00:25:58,510 --> 00:25:59,790 LUCAS! 481 00:26:01,180 --> 00:26:02,380 Jeff, shouting: THE BLOOD APPEARS 482 00:26:02,380 --> 00:26:05,260 ON HE WHO GAVE THE BLOW! 483 00:26:05,260 --> 00:26:07,270 HEY, HEY, HEY! I'M GONNA HAVE TO FLAG YOU 484 00:26:07,270 --> 00:26:08,630 FOR UNNECESSARY ROUGHNESS. 485 00:26:08,630 --> 00:26:09,630 I'VE HAD IT WITH HIS BULLSHIT! 486 00:26:09,630 --> 00:26:11,520 [SHOUTING] GONE ARE THY DAYS OF FLESH! 487 00:26:11,520 --> 00:26:13,690 AHEAD THY DAYS OF SPIRIT! 488 00:26:13,690 --> 00:26:15,110 DEATH IS YOUR REWARD! 489 00:26:15,110 --> 00:26:16,110 IT'S GONNA BE YOUR REWARD 490 00:26:16,110 --> 00:26:17,530 IF YOU DON'T GET THE FUCK OUT OF HERE, LUCAS! 491 00:26:17,530 --> 00:26:18,390 CALM DOWN, CALM DOWN. 492 00:26:18,390 --> 00:26:19,810 Hadden: OK, OK, EVERYBODY CALM DOWN. 493 00:26:19,810 --> 00:26:21,310 LET'S EVERYBODY TAKE A NICE TIME-OUT. 494 00:26:21,310 --> 00:26:23,280 HOW ABOUT SOME MARSHMALLOWS, EVERYBODY, HUH? 495 00:26:23,780 --> 00:26:25,650 [TIRES SCREECHING] 496 00:26:25,650 --> 00:26:26,450 [CRASH] 497 00:26:26,450 --> 00:26:27,450 Girl: HE HIT SOMEBODY'S CAR! 498 00:26:27,450 --> 00:26:28,450 I'M GONNA GET THAT PRICK. 499 00:26:28,450 --> 00:26:29,540 HEY, HEY! 500 00:26:29,540 --> 00:26:32,990 [TIRES SCREECHING] 501 00:26:32,990 --> 00:26:33,790 [HORN HONKING] 502 00:26:36,880 --> 00:26:38,380 HE HIT MY CAR! 503 00:26:38,380 --> 00:26:39,880 THAT'S IT. HE'S TOAST. 504 00:26:44,890 --> 00:26:46,810 [TIRES SCREECH] 505 00:26:52,480 --> 00:26:53,480 HEH. 506 00:26:53,480 --> 00:26:55,480 I DON'T KNOW HOW YOU DO IT, CARL. 507 00:26:55,480 --> 00:26:56,980 I MEAN, WHENEVER I THROW A BASH, 508 00:26:56,980 --> 00:26:58,980 I CAN NEVER GET ENTERTAINMENT LIKE THIS. 509 00:27:00,240 --> 00:27:02,020 [HEAVY METAL MUSIC PLAYING] 510 00:27:06,490 --> 00:27:08,990 [MOCKING]DILLON JOHNSON. DILLON JOHNSON. 511 00:27:08,990 --> 00:27:10,360 BLAAHH... 512 00:27:12,610 --> 00:27:13,750 COME ON, BITCH. 513 00:27:13,750 --> 00:27:16,450 OH, YEAH! COME ON, DILLON! 514 00:27:16,450 --> 00:27:17,950 CATCH UP, YOU LITTLE BITCH! 515 00:27:17,950 --> 00:27:19,200 [LAUGHS MANIACALLY] 516 00:27:33,720 --> 00:27:37,440 DIGGING YOUR OWN GRAVE 517 00:27:37,440 --> 00:27:40,110 A SLAVE TO THE SLAVES 518 00:27:40,690 --> 00:27:44,400 WALK THE BEATEN PATH... 519 00:27:44,400 --> 00:27:45,650 PULL OVER, LUCAS! 520 00:27:45,650 --> 00:27:47,030 COME ON, DILLON! 521 00:27:49,400 --> 00:27:50,700 Dillon: TAKE IT EASY! 522 00:27:53,960 --> 00:27:55,870 CALM DOWN! CALM DOWN! 523 00:28:00,910 --> 00:28:03,420 DILLON! HA HA HA HA HA! 524 00:28:06,300 --> 00:28:08,420 FOR GOD'S SAKE, PULL OVER! 525 00:28:08,420 --> 00:28:10,720 I TRY TO HOLD BACK THE TEARS 526 00:28:10,720 --> 00:28:14,090 BUT NONE OF THAT MATTERS TODAY... 527 00:28:14,090 --> 00:28:15,260 [LAUGHS MANIACALLY] 528 00:28:19,760 --> 00:28:21,570 OH! OH! 529 00:28:21,570 --> 00:28:24,270 AAH! 530 00:28:24,270 --> 00:28:28,110 [SCREAM ECHOING] 531 00:29:11,030 --> 00:29:13,280 HAPPY FALL SEMESTER, DICKHEAD. 532 00:29:13,280 --> 00:29:15,070 THAT'S IT. 533 00:29:15,070 --> 00:29:16,570 NOT AGAIN. I'VE HAD IT. 534 00:29:26,660 --> 00:29:27,550 MR. HADDEN? 535 00:29:29,380 --> 00:29:33,640 OH. UM, DO WE REALLY HAVE TO READ ALL OF CHAPTER 5 536 00:29:33,640 --> 00:29:35,560 ON MEDIA GLOBALIZATION BEFORE FRIDAY? 537 00:29:35,560 --> 00:29:37,480 BECAUSE I HAVE AN AWAY VOLLEYBALL GAME, 538 00:29:37,480 --> 00:29:38,980 AND I JUST DON'T THINK I CAN GET IT DONE. 539 00:29:38,980 --> 00:29:40,400 DO THE ASSIGNMENT, CHELSEA. 540 00:29:45,900 --> 00:29:46,900 YOU'VE BEEN FIRED. 541 00:29:46,900 --> 00:29:48,820 I WILL NOT HAVE EX-EMPLOYEES 542 00:29:48,820 --> 00:29:51,190 LIVING IN THEIR VANS ON SCHOOL PROPERTY. 543 00:29:51,190 --> 00:29:53,440 I DIDN'T DESERVE TO BE FIRED, ASSHOLE. 544 00:29:53,440 --> 00:29:54,780 WHY DON'T YOU JUST ADMIT 545 00:29:54,780 --> 00:29:56,780 YOU DID IT BECAUSE YOU WERE JEALOUS OF ME AND BRENDA? 546 00:29:56,780 --> 00:29:58,780 WELL, I FIRED YOU BECAUSE THE FOOTBALL TEAM 547 00:29:58,780 --> 00:30:01,030 LOST 8 OUT OF 10 GAMES LAST YEAR. 548 00:30:01,030 --> 00:30:02,830 BIG FUCKING DEAL. 549 00:30:02,830 --> 00:30:04,340 YOU'D RUIN MY LIFE OVER THAT? 550 00:30:04,340 --> 00:30:05,250 GET OFF SCHOOL PROPERTY, 551 00:30:05,750 --> 00:30:06,750 AND STOP LEAVING THREATENING MESSAGES 552 00:30:07,260 --> 00:30:08,120 ON MY ANSWERING MACHINE. 553 00:30:08,120 --> 00:30:09,090 I DON'T THREATEN PUSSIES. 554 00:30:09,090 --> 00:30:10,170 AAH! 555 00:30:12,180 --> 00:30:14,880 I'VE GOT A GUN. 556 00:30:14,880 --> 00:30:17,300 [CHUCKLES] 557 00:30:17,300 --> 00:30:21,440 YOU BETTER TRIM YOUR SAILS, ASSHOLE. 558 00:30:21,440 --> 00:30:22,640 IT'S DOWN. 559 00:30:22,640 --> 00:30:24,060 THE KICK. 560 00:30:24,060 --> 00:30:25,560 IT'S GOOD. 561 00:30:34,730 --> 00:30:36,980 YOU BETTER--YOU BETTER GET OFF OF SCHOOL PROPERTY. 562 00:30:36,980 --> 00:30:38,820 IF YOU'RE HERE IN AN HOUR WHEN SCHOOL STARTS, 563 00:30:38,820 --> 00:30:40,160 I'M HAVING YOU ARRESTED. 564 00:30:40,150 --> 00:30:41,540 OH. 565 00:30:48,880 --> 00:30:51,470 [HIP HOP MUSIC BEGINS] 566 00:30:53,800 --> 00:30:54,800 YEAH 567 00:30:54,800 --> 00:30:56,300 LEAST YOU HAD FUN 568 00:30:56,300 --> 00:30:57,810 YOU KNOW WHERE TO FIND US 569 00:30:57,810 --> 00:31:00,220 YOU CAN FIND US WHERE THE BUSES DON'T RUN 570 00:31:00,220 --> 00:31:01,730 AND THE COPS DON'T COME 571 00:31:02,230 --> 00:31:03,230 FOR YOUR 9-1-1s 572 00:31:03,230 --> 00:31:04,230 AND YOU CAN FIND US 573 00:31:04,230 --> 00:31:05,730 WHERE WE ALWAYS BEEN 574 00:31:05,730 --> 00:31:07,230 20-DEEP IN TENEMENTS 575 00:31:07,230 --> 00:31:08,230 FILTHY IMMIGRANTS 576 00:31:08,230 --> 00:31:09,730 YOU CAN FIND US 577 00:31:09,730 --> 00:31:10,740 WHERE THE BUSES DON'T RUN 578 00:31:10,740 --> 00:31:12,240 AND THE COPS DON'T COME 579 00:31:12,240 --> 00:31:13,240 FOR YOUR 9-1-1s 580 00:31:13,240 --> 00:31:14,740 AND YOU CAN FIND US 581 00:31:14,740 --> 00:31:15,740 WHERE WE ALWAYS BEEN 582 00:31:15,740 --> 00:31:17,240 20-DEEP IN TENEMENTS 583 00:31:17,240 --> 00:31:18,740 FILTHY IMMIGRANTS 584 00:31:18,740 --> 00:31:20,250 IF YOU STILL LOVE HIM, 585 00:31:20,240 --> 00:31:22,250 GO GIVE HIM SOME T.L.C. 586 00:31:22,250 --> 00:31:24,750 NO, IT'S OVER BETWEEN US. 587 00:31:24,750 --> 00:31:26,750 BESIDES, MY PARENTS ARE SPOOKED 588 00:31:26,750 --> 00:31:28,250 SINCE THE COPS STILL SUSPECT DILLON 589 00:31:28,250 --> 00:31:29,750 OF RUNNING JEFF OFF THE ROAD. 590 00:31:29,750 --> 00:31:31,260 THEY WON'T LET ME SEE HIM. 591 00:31:31,260 --> 00:31:33,760 WELL, IT'S A NEW YEAR. 592 00:31:33,760 --> 00:31:35,260 MAYBE SOME NEW GUY WILL SHOW UP 593 00:31:35,760 --> 00:31:36,760 AND STEAL YOUR HEART. 594 00:31:36,760 --> 00:31:37,630 SURE. 595 00:31:37,630 --> 00:31:39,050 AND WE LIVE WITH THE ROACHES 596 00:31:39,050 --> 00:31:40,550 YOU CAN FIND US 597 00:31:40,550 --> 00:31:42,050 HUDDLED AROUND THE GARCIA ANCHOR 598 00:31:42,050 --> 00:31:43,050 WHERE YOU COP A SACK 599 00:31:43,050 --> 00:31:44,550 ON THE WAY BACK FROM THE BODEGA 600 00:31:44,550 --> 00:31:46,050 YOU CAN FIND US SWEEPING THE FLOORS 601 00:31:46,050 --> 00:31:47,560 TEACHING THE FARM REACH 602 00:31:47,560 --> 00:31:49,560 FOR THE 4-4 BOYS RIGHT TO THE CORE 603 00:31:49,560 --> 00:31:50,560 YOU CAN FIND US 604 00:31:51,060 --> 00:31:52,060 WHERE YOU'RE SCARED TO LOOK 605 00:31:52,060 --> 00:31:53,560 BUT QUITE OFTEN IF YOU'RE FLOSSING 606 00:31:53,560 --> 00:31:54,560 THEN YOUR MONEY GETS TOOK 607 00:31:54,560 --> 00:31:56,560 AND YOU CAN FIND US ON THE CORNER 608 00:31:56,560 --> 00:31:58,070 BODIES GET DUMPED SHORTIES GET BUMPED 609 00:31:58,070 --> 00:31:59,070 ROUND LITTLE... 610 00:31:59,070 --> 00:32:00,450 Jason: HEY, WHAT'S HAPPENING, LADIES? 611 00:32:00,450 --> 00:32:02,900 YOU GUYS HAVE GOT TO GET DILLON TO SUIT UP. 612 00:32:02,900 --> 00:32:04,410 THIS NEW QUARTERBACK WE GOT 613 00:32:04,410 --> 00:32:07,410 COULDN'T HIT THE WATER IF HIS ASS FELL OUT OF A BOAT. 614 00:32:07,410 --> 00:32:09,910 I HAVEN'T SEEN DILLON ALL SUMMER. 615 00:32:10,410 --> 00:32:12,910 HE CHANGED, JASON. HE'S NOT LIKE HE USED TO BE. 616 00:32:14,420 --> 00:32:15,420 [BELL RINGS] 617 00:32:15,420 --> 00:32:17,670 OH, SHIT, GUYS, THE BELL. 618 00:32:17,670 --> 00:32:18,500 WHAT'S THE SPILL ON THE NEW KID 619 00:32:19,000 --> 00:32:20,000 WHO MOVED HERE FROM MICHIGAN? 620 00:32:20,000 --> 00:32:22,010 HE'S IN MY ALGEBRA CLASS. WHAT A HOTTIE. 621 00:32:22,010 --> 00:32:24,010 HIS NAME'S CHIP PALMER. 622 00:32:24,010 --> 00:32:26,510 HIS FAMILY JUST MOVED INTO THE OLD MOSS POINT HOUSE. 623 00:32:26,510 --> 00:32:28,010 OH! EVER SINCE JEFF SHOT HIS MOVIE THERE, 624 00:32:28,010 --> 00:32:29,510 I HAVE BEEN SPOOKED TO EVEN GO NEAR THE PLACE. 625 00:32:30,010 --> 00:32:31,020 IT'S JUST A HOUSE, KEL. 626 00:32:31,020 --> 00:32:33,020 IT'S NOT LIKE HIS GHOST IS LIVING INSIDE. 627 00:32:33,020 --> 00:32:35,020 OH, YEAH? TELL ZARA LIGHT THAT. 628 00:32:35,020 --> 00:32:37,020 SHE SAID JEFF HAD A PREMONITION OF HIS DEATH 629 00:32:37,020 --> 00:32:38,520 AND PROMISED TO COME BACK FROM THE GRAVE 630 00:32:38,520 --> 00:32:39,520 ON THE ONE-YEAR ANNIVERSARY 631 00:32:40,020 --> 00:32:41,030 AND SEEK REVENGE. 632 00:32:41,030 --> 00:32:43,030 HMM. SOUNDS LIKE ZARA'S BACK ON CRYSTAL. 633 00:32:43,530 --> 00:32:46,530 HAVE YOU GUYS SEEN THE NEW CUTE GUY? 634 00:32:46,530 --> 00:32:48,530 WHAT A NAME TAG SHAKER. 635 00:32:48,530 --> 00:32:50,540 I KNOW. HIS NAME'S CHIP PALMER. 636 00:32:50,540 --> 00:32:52,040 HIS FAMILY MOVED INTO THE MOSS POINT HOUSE. 637 00:32:52,540 --> 00:32:55,540 OH, YUCK. I'D RATHER LIVE IN A CARDBOARD BOX. 638 00:32:55,540 --> 00:32:58,040 NEXT THING YOU KNOW, JEFF IS DEAD. 639 00:32:58,040 --> 00:33:00,040 RUN OFF THE ROAD AND BURNED UP. 640 00:33:00,040 --> 00:33:02,050 ALL THEY FOUND WERE SOME ASHES. 641 00:33:02,050 --> 00:33:03,800 WHAT DID THIS LUCAS GUY LOOK LIKE? 642 00:33:03,800 --> 00:33:05,680 HE WAS TALL, ALMOST 6 FEET. 643 00:33:05,680 --> 00:33:07,690 KIND OF THIN AND-- 644 00:33:07,690 --> 00:33:10,050 HE WORE A DEATH'S HEAD RING ON HIS INDEX FINGER? 645 00:33:10,050 --> 00:33:11,440 OH, MY GOD, CHIP. YES. 646 00:33:11,440 --> 00:33:12,640 HOW DID YOU KNOW THAT? 647 00:33:15,610 --> 00:33:17,480 I THINK I'VE BEEN DREAMING ABOUT HIM. 648 00:33:17,480 --> 00:33:19,810 EVER SINCE I MOVED INTO THAT HOUSE AT MOSS POINT. 649 00:33:25,370 --> 00:33:27,200 THAT'S DILLON JOHNSON, ISN'T IT? 650 00:33:27,210 --> 00:33:29,120 THE GUY EVERYBODY THINKS MURDERED JEFF LUCAS. 651 00:33:29,120 --> 00:33:32,130 YEAH, BUT JEFF LUCAS WASN'T HIS REAL NAME. 652 00:33:32,130 --> 00:33:33,630 THE COPS FOUND OUT 653 00:33:33,630 --> 00:33:34,630 HE WAS LIVING WITH A LOT OF HOMELESS PEOPLE 654 00:33:34,630 --> 00:33:36,130 UP IN HOBO CANYON. 655 00:33:36,130 --> 00:33:38,630 MAYBE HE REALLY WAS A CELT DEITY. 656 00:33:38,630 --> 00:33:40,640 MAYBE HE'LL COME BACK LIKE HE PROMISED. 657 00:33:44,140 --> 00:33:45,640 YEAH, MAYBE. 658 00:33:47,140 --> 00:33:48,140 Dillon: I WISH I WAS STILL PLAYING, 659 00:33:48,140 --> 00:33:49,590 BUT THERE'S NOT MUCH I CAN DO ABOUT IT. 660 00:33:49,590 --> 00:33:51,100 AS LONG AS THEY GIVE JASON THE BALL 661 00:33:51,100 --> 00:33:52,600 AND THEN SCORE A FEW TOUCHDOWNS, YOU KNOW? 662 00:33:58,600 --> 00:34:00,110 I'M NOT LOOKING FOR ANY MORE COMPANY, 663 00:34:00,100 --> 00:34:02,110 SO PUSH OFF. 664 00:34:02,110 --> 00:34:03,360 I JUST THOUGHT YOU SHOULD KNOW... 665 00:34:04,160 --> 00:34:06,530 BAD THINGS ARE ABOUT TO HAPPEN. 666 00:34:16,750 --> 00:34:19,260 [SLOW GUITAR MUSIC BEGINS] 667 00:34:26,760 --> 00:34:31,770 I'M DOWN 668 00:34:31,770 --> 00:34:36,770 I'M WAY DOWN 669 00:34:37,280 --> 00:34:42,780 AND I'VE BEEN BOUND 670 00:34:42,780 --> 00:34:46,780 TIED TO THE GROUND 671 00:34:46,780 --> 00:34:49,790 I'VE WAITED FOR YOU 672 00:34:49,790 --> 00:34:52,290 IF YOU WANT ME 673 00:34:52,290 --> 00:34:54,790 MAKE IT FEEL GOOD 674 00:34:54,790 --> 00:34:57,300 DOES IT BOTHER YOU 675 00:34:57,300 --> 00:34:59,800 LIKE IT USED TO 676 00:34:59,800 --> 00:35:02,550 LIKE I KNEW IT WOULD? 677 00:35:02,550 --> 00:35:04,640 DOES IT MAKE ME 678 00:35:04,640 --> 00:35:06,470 [BANGING] 679 00:35:06,470 --> 00:35:08,470 Man, creepy voice: WELCOME WAGON. 680 00:35:08,470 --> 00:35:09,970 I'VE WAITED FOR YOU 681 00:35:10,470 --> 00:35:11,480 I'M GONNA KICK YOUR ASS. 682 00:35:11,480 --> 00:35:13,980 IF YOU WANT ME 683 00:35:13,980 --> 00:35:16,480 MAKE IT FEEL GOOD 684 00:35:16,480 --> 00:35:17,480 [SCREECHING] 685 00:35:20,480 --> 00:35:21,990 [SCREAMING] 686 00:35:30,750 --> 00:35:32,530 [SCREAMING] 687 00:35:32,530 --> 00:35:34,500 [SCREECHING] 688 00:35:38,500 --> 00:35:41,010 DOES IT BOTHER YOU 689 00:35:41,510 --> 00:35:43,510 LIKE IT USED TO? 690 00:35:43,510 --> 00:35:46,290 LIKE I KNEW IT WOULD? 691 00:35:46,290 --> 00:35:48,800 DOES IT MAKE ME 692 00:35:48,800 --> 00:35:52,300 FEEL LIKE A BIGGER MAN? 693 00:36:00,310 --> 00:36:02,810 FEEL LIKE A BIGGER MAN 694 00:36:02,810 --> 00:36:07,820 BOUND BY THE RIGHTEOUS ONE 695 00:36:07,820 --> 00:36:12,820 WELL, HOW ABOUT THE CHOSEN ONE 696 00:36:12,820 --> 00:36:17,330 BOUND BY THE RIGHTEOUS 697 00:36:17,320 --> 00:36:20,830 DR. BOONE, I'M SERGEANT DeSOUSA. 698 00:36:20,830 --> 00:36:23,300 WHEN WAS THE LAST TIME YOU SAW TOM DONALDSON EXACTLY? 699 00:36:23,300 --> 00:36:24,300 YESTERDAY MORNING. 700 00:36:24,300 --> 00:36:26,300 TOM AND CARL HADDEN, OUR PRINCIPAL, 701 00:36:26,300 --> 00:36:28,800 WERE OUT IN THE SCHOOL PARKING LOT. 702 00:36:29,300 --> 00:36:31,810 THEY, UH-- THEY GOT INTO A FIGHT. 703 00:36:31,810 --> 00:36:33,310 UM... 704 00:36:33,310 --> 00:36:36,310 CARL FIRED TOM LAST YEAR, AND TOM HAS BEEN UNEMPLOYED, 705 00:36:36,310 --> 00:36:38,310 LIVING OUT OF HIS CAR EVER SINCE. 706 00:36:38,810 --> 00:36:41,820 AND, UH, YESTERDAY MORNING IT BOILED OVER? 707 00:36:41,820 --> 00:36:45,350 CARL HAD A GUN AND TRIED TO RUN TOM OFF, AND... 708 00:36:45,350 --> 00:36:46,850 DONALDSON HIT HIM AND KNOCKED HIM DOWN. 709 00:36:46,850 --> 00:36:47,860 WHAT IS THIS ABOUT? 710 00:36:49,860 --> 00:36:52,860 WELL, DR. BOONE... 711 00:36:52,860 --> 00:36:56,360 TOM DONALDSON WAS MURDERED LAST NIGHT. 712 00:36:56,360 --> 00:36:58,870 HE HAD AN OLD-FASHIONED STEEL AXE 713 00:36:58,870 --> 00:37:00,750 BURIED IN HIS CHEST. 714 00:37:00,750 --> 00:37:02,250 AND PINNED THERE BY THE BLADE 715 00:37:02,750 --> 00:37:04,260 WAS A PICTURE OF CARL HADDEN. 716 00:37:04,260 --> 00:37:06,760 OH, MY GOD. 717 00:37:06,760 --> 00:37:09,260 NOW, THAT FIGHT YOU OBSERVED YESTERDAY MORNING-- 718 00:37:09,260 --> 00:37:12,260 THAT MAKES CARL HADDEN LOOK PRETTY DAMN GOOD FOR THIS. 719 00:37:18,770 --> 00:37:21,060 BUT--BUT WHY WOULD HE LEAVE HIS PICTURE BEHIND 720 00:37:21,060 --> 00:37:23,060 TO IMPLICATE HIMSELF? 721 00:37:23,060 --> 00:37:24,060 HE... 722 00:37:24,060 --> 00:37:25,560 THAT SOUNDS PRETTY STUPID. 723 00:37:25,560 --> 00:37:27,060 PLEASE, DOC. DON'T MESS UP 724 00:37:27,060 --> 00:37:29,530 MY SLAM-DUNK MURDER WITH PSYCHOLOGY. 725 00:37:37,570 --> 00:37:38,570 Hadden: OH, MY GOODNESS. 726 00:37:38,570 --> 00:37:39,570 WATCH YOUR HEAD. 727 00:37:39,570 --> 00:37:42,080 THIS IS NUTS. ABSOLUTELY NUTS. 728 00:37:42,080 --> 00:37:43,580 IT'S CRAZY. I DIDN'T DO A THING. 729 00:37:46,210 --> 00:37:48,080 MR. HADDEN, 730 00:37:48,080 --> 00:37:49,420 I'M DETECTIVE DeSOUSA. 731 00:37:49,420 --> 00:37:50,920 THIS IS MY PARTNER DETECTIVE BURROWS. 732 00:37:51,420 --> 00:37:52,670 LET'S GET A TAPE RUNNING. 733 00:37:58,640 --> 00:38:01,090 THIS IS A POST-MIRANDA INTERVIEW WITH CARL HADDEN 734 00:38:01,100 --> 00:38:02,560 SEPTEMBER 9. 735 00:38:02,560 --> 00:38:04,930 SERGEANT DANIEL DeSOUSA AND DETECTIVE SIDNEY BURROWS 736 00:38:04,930 --> 00:38:05,930 ARE PRESENT. 737 00:38:05,930 --> 00:38:06,930 DAN DeSOUSA. 738 00:38:06,930 --> 00:38:10,910 FLUNKED HIGH SCHOOL CHEMISTRY YOUR SENIOR YEAR. 739 00:38:10,910 --> 00:38:13,410 ALL-CONFERENCE. 740 00:38:13,410 --> 00:38:15,780 WELL, IT'S NICE TO MEET YOU. 741 00:38:15,780 --> 00:38:17,110 ARE YOU KIDDING ME? 742 00:38:17,110 --> 00:38:18,110 YOU'RE MY PRIME SUSPECT 743 00:38:18,110 --> 00:38:19,500 IN A FIRST-DEGREE HOMICIDE. 744 00:38:19,500 --> 00:38:21,920 WELL, I DIDN'T KILL TOM DONALDSON. 745 00:38:21,920 --> 00:38:23,420 SO WHY DON'T YOU START BY TELLING ME 746 00:38:23,420 --> 00:38:25,920 ABOUT THE LONG-STANDING FEUD YOU HAD WITH HIM? 747 00:38:25,920 --> 00:38:29,370 OR ABOUT FIRING HIM LAST CHRISTMAS? 748 00:38:29,370 --> 00:38:32,710 OR ABOUT THE FIGHT YOU HAD WITH HIM 749 00:38:32,710 --> 00:38:34,210 IN FRONT OF THE SCHOOL, 750 00:38:34,210 --> 00:38:36,210 WHERE YOU THREATENED HIM WITH A GUN? 751 00:38:36,210 --> 00:38:37,720 I RESENT YOUR IMPLICATIONS. 752 00:38:37,720 --> 00:38:39,850 I DON'T LET MY PERSONAL FEELINGS 753 00:38:39,850 --> 00:38:41,600 INTERFERE WITH MY ADMINISTRATIVE JUDGMENTS. 754 00:38:41,600 --> 00:38:43,940 I--I DON'T GO AROUND KILLING PEOPLE. 755 00:38:43,940 --> 00:38:44,940 I'M AN EDUCATOR. 756 00:38:48,940 --> 00:38:50,230 WHAT IS THIS FOR? 757 00:38:50,230 --> 00:38:52,610 ENFORCING HOMEWORK ASSIGNMENTS? 758 00:38:54,280 --> 00:38:56,200 NOW, I BOUGHT THIS... 759 00:38:56,200 --> 00:38:59,070 BECAUSE SOMEBODY WAS CALLING MY HOUSE 760 00:38:59,070 --> 00:39:01,790 AND THEY WERE LEAVING THREATENING MESSAGES 761 00:39:01,790 --> 00:39:03,160 ON MY ANSWERING MACHINE. 762 00:39:03,160 --> 00:39:04,540 WHAT KIND OF THREATS? 763 00:39:04,540 --> 00:39:06,040 A WHISPERY VOICE. 764 00:39:06,040 --> 00:39:08,500 IT SAID "DEAD ABOVE GROUND." 765 00:39:08,500 --> 00:39:11,500 I WAS--I WAS FRIGHTENED, SO I--I... 766 00:39:11,500 --> 00:39:12,880 BOUGHT THE GUN. 767 00:39:12,880 --> 00:39:14,720 MR. HADDEN... 768 00:39:14,720 --> 00:39:16,090 WE HAVE A WITNESS WHO SAYS 769 00:39:16,090 --> 00:39:19,720 YOU POINTED THIS GUN AT TOM DONALDSON YESTERDAY. 770 00:39:19,720 --> 00:39:23,060 HE WAS ON SCHOOL PROPERTY, AND HE REFUSED TO LEAVE. 771 00:39:23,060 --> 00:39:25,930 SO WHAT, YOU JUST POINT A GUN? 772 00:39:25,930 --> 00:39:28,150 DON'T YOU THINK THAT'S A LITTLE INTENSE? 773 00:39:28,150 --> 00:39:29,820 [SIGHS] I WAS SCARED. 774 00:39:29,820 --> 00:39:32,770 YOU COULD MAKE THIS A LOT EASIER ON YOURSELF 775 00:39:32,770 --> 00:39:35,770 IF YOU MAKE A VOLUNTARY STATEMENT, MR. HADDEN. 776 00:39:38,780 --> 00:39:40,280 I WANT TO TALK TO MY ATTORNEY. 777 00:39:40,280 --> 00:39:43,250 WOULD YOU PLEASE CALL MIKE POTTER? 778 00:39:43,250 --> 00:39:45,700 MICHAEL POTTER IS YOUR ATTORNEY? 779 00:39:45,700 --> 00:39:47,700 I'M NOT GONNA SAY ANOTHER WORD TO YOU 780 00:39:48,200 --> 00:39:49,420 UNTIL HE GETS HERE. 781 00:39:49,420 --> 00:39:52,710 WELL, THAT'S FINE, BECAUSE WE GOT EVERYTHING WE NEED. 782 00:39:52,710 --> 00:39:54,210 THANK YOU VERY MUCH. 783 00:40:06,640 --> 00:40:08,560 Zara: WE'RE GONNA TRY AND CONTACT JEFF'S SPIRIT 784 00:40:08,560 --> 00:40:09,560 AT MOSS POINT TONIGHT. 785 00:40:10,060 --> 00:40:11,060 CHIP PALMER IS GOING TO BE OUR MEDIUM. 786 00:40:11,560 --> 00:40:12,560 MOSS POINT?! 787 00:40:12,560 --> 00:40:13,560 NO WAY! 788 00:40:14,060 --> 00:40:15,560 BESIDES, I COULD BARELY STAND TALKING TO JEFFREY 789 00:40:16,060 --> 00:40:18,570 WHEN HE WAS ALIVE, SO I SURE DON'T WANT TO TALK TO HIS GHOST. 790 00:40:25,070 --> 00:40:27,070 YOU GUYS COMING TO THE SEANCE TONIGHT? 791 00:40:27,070 --> 00:40:28,580 WE'RE CHANNELING JEFF LUCAS' SPIRIT. 792 00:40:28,580 --> 00:40:31,080 WELL, THE COPS THINK IT'S HADDEN WHO KILLED COACH, 793 00:40:31,080 --> 00:40:32,080 BUT IF YOU ASK ME, 794 00:40:32,080 --> 00:40:34,080 HADDEN WOULD HAVE HAD TROUBLE KILLING A BEER, 795 00:40:34,580 --> 00:40:36,330 YOU KNOW WHAT I MEAN? HA HA HA. 796 00:40:36,330 --> 00:40:37,670 SO WHAT ABOUT YOU, GIRLFRIEND? 797 00:40:37,670 --> 00:40:38,670 YOU WANT TO GO WATCH CHIP 798 00:40:38,670 --> 00:40:41,170 VIBE JEFFREY'S DIGITS IN THE AFTERLIFE? 799 00:40:41,170 --> 00:40:43,060 COOL. WHAT ARE YOU GONNA WEAR? 800 00:40:50,180 --> 00:40:51,180 MR. HADDEN. 801 00:40:51,180 --> 00:40:53,180 WHAT IS IT, DILLON? SHOULDN'T YOU BE IN CLASS? 802 00:40:53,180 --> 00:40:54,690 YOU'RE GONNA GET A LATE SLIP. 803 00:40:54,690 --> 00:40:56,190 HOW DO YOU LIKE HAVING EVERYONE THINK 804 00:40:56,190 --> 00:40:57,570 YOU COMMITTED A MURDER? 805 00:40:57,570 --> 00:40:58,910 IT'S NO FUN, IS IT? 806 00:40:58,910 --> 00:41:00,830 GET TO CLASS. 807 00:41:14,710 --> 00:41:16,620 [JASON LAUGHING] 808 00:41:16,620 --> 00:41:17,620 Zara: JASON, TURN OFF THE LIGHTS. 809 00:41:17,620 --> 00:41:18,630 YES, MA'AM. 810 00:41:19,130 --> 00:41:20,130 DARCY, WHAT TIME IS IT? 811 00:41:20,630 --> 00:41:22,130 11:58. 812 00:41:22,130 --> 00:41:23,630 2 MINUTES TO MIDNIGHT. PERFECT. 813 00:41:24,130 --> 00:41:26,630 EVERYBODY SIT IN A CIRCLE. 814 00:41:26,630 --> 00:41:28,140 CHIP, YOU'RE IN THE MIDDLE. 815 00:41:28,140 --> 00:41:30,140 [JASON LAUGHS MOCKINGLY] 816 00:41:32,140 --> 00:41:33,640 IT'S CREEPY IN HERE. 817 00:41:33,640 --> 00:41:34,640 [WINGS FLAPPING] 818 00:41:34,640 --> 00:41:35,640 [BIRD CAWS] WHAT WAS THAT? 819 00:41:39,150 --> 00:41:40,530 I HEAR SOMETHING. 820 00:41:40,530 --> 00:41:41,530 Zara: SHH! 821 00:41:41,530 --> 00:41:43,030 WE HAVE TO MAKE CONTACT NOW. 822 00:41:43,030 --> 00:41:45,040 EVERYONE THINK OF JEFFREY. 823 00:41:45,040 --> 00:41:46,540 THINK GOOD THOUGHTS... 824 00:41:46,540 --> 00:41:48,410 THOUGHTS THAT WILL BRING HIM CLOSE TO US. 825 00:41:48,410 --> 00:41:49,370 OH, OH, OH! I KNOW! 826 00:41:49,870 --> 00:41:50,870 LIKE THE TIME HE GOT REALLY DRUNK 827 00:41:51,380 --> 00:41:52,880 AND THEN HE PUKED ON MY BACKPACK. 828 00:41:52,880 --> 00:41:54,380 [LAUGHING] 829 00:41:54,380 --> 00:41:55,380 Zara: SHH! 830 00:41:55,380 --> 00:41:57,380 THIS IS THE DAY OF YOUR REBIRTH, JEFFREY, 831 00:41:57,880 --> 00:42:00,380 FREED FROM THE BURDENS OF THE PAST. 832 00:42:00,380 --> 00:42:02,390 AS THE MORNING SUN AT BELTANE RISES, 833 00:42:02,390 --> 00:42:04,390 WE RECEIVE THE SPIRITS OF THE EAST. 834 00:42:04,390 --> 00:42:06,390 APPEAR NOW, WE BESEECH YOU! 835 00:42:06,390 --> 00:42:10,310 OR NOT APPEAR, WHICH IS MY PERSONAL FAVORITE! 836 00:42:10,310 --> 00:42:11,810 [LAUGHTER] 837 00:42:11,810 --> 00:42:13,310 JASON, IF YOU FIGHT THE ENERGY, 838 00:42:13,310 --> 00:42:14,180 THIS WON'T WORK. 839 00:42:14,520 --> 00:42:16,100 OH, COME ON, DON'T GET YOUR CAPE AND COWL 840 00:42:16,100 --> 00:42:17,100 IN A BUNCH, BATGIRL! 841 00:42:17,100 --> 00:42:18,600 WE'RE ON THE SAME SQUAD, ALL RIGHT? 842 00:42:18,600 --> 00:42:19,600 I'M GONNA PLAY ALONG, ALL RIGHT? 843 00:42:19,600 --> 00:42:20,600 I'M HERE, RIGHT? 844 00:42:21,110 --> 00:42:23,610 SPIRITS OF THE WEST, WHOSE ELEMENT IS WATER, 845 00:42:23,610 --> 00:42:25,110 I OPEN WIDE THE GATES 846 00:42:25,110 --> 00:42:27,110 AND ASK YOU TO BRING OUR WANDERING SPIRIT 847 00:42:27,110 --> 00:42:28,610 CLOSE TO US! 848 00:42:37,170 --> 00:42:39,670 SPIRITS OF THE SOUTH, WHO ARE WARM AND BRIGHT 849 00:42:39,670 --> 00:42:41,540 LIKE THE NOONDAY SUN AT LAMMAS-- 850 00:42:41,540 --> 00:42:42,510 LORENZO LAMAS? 851 00:42:42,510 --> 00:42:44,960 HE'S THE BOMB. I LOVE HIM! 852 00:42:44,960 --> 00:42:47,350 ANCIENT GODDESS, QUEEN OF THE NIGHT, 853 00:42:47,350 --> 00:42:49,350 KEEPER OF THE DARK MYSTERIES, 854 00:42:49,350 --> 00:42:51,350 I AM YOUR DAUGHTER ZARA LIGHT! 855 00:42:51,350 --> 00:42:54,860 I STAND BEFORE YOUR ALTAR CHANGING, YET UNCHANGED. 856 00:42:54,860 --> 00:42:56,360 BRING JEFFREY TO DIRECT US 857 00:42:56,360 --> 00:42:58,360 IN YOUR SPIRIT WAYS! 858 00:43:02,150 --> 00:43:03,150 [GASPS] 859 00:43:19,660 --> 00:43:21,670 [GRUFF VOICE] HADDEN. 860 00:43:21,670 --> 00:43:23,170 [BIRD SCREECHING] 861 00:43:23,170 --> 00:43:24,670 [HADDEN SCREAMING] 862 00:43:27,140 --> 00:43:31,730 DEAD ABOVE GROUND. 863 00:43:31,730 --> 00:43:33,480 UH-OH. 864 00:43:57,330 --> 00:43:59,840 YOU GUYS, THIS IS COMPLETELY WHACK. 865 00:43:59,840 --> 00:44:01,840 WHAT ARE WE DOING? IT'S 2 IN THE A.M. 866 00:44:02,340 --> 00:44:04,340 HADDEN'S GONNA FREAK. 867 00:44:04,340 --> 00:44:06,340 FIRST JEFF, THEN DONALDSON. 868 00:44:06,340 --> 00:44:08,350 SOMEBODY OR SOMETHING IS KILLING PEOPLE. 869 00:44:08,850 --> 00:44:11,350 WELL, LOOK, YOU GUYS, WE GOTTA AT LEAST WARN HIM. 870 00:44:11,350 --> 00:44:13,350 WE GOTTA TELL HIM WHAT JEFF'S SPIRIT SAID. 871 00:44:15,350 --> 00:44:16,850 OH, FUCK. 872 00:44:16,850 --> 00:44:18,360 OH, SHIT. NO, I HATE THIS. 873 00:44:18,360 --> 00:44:19,360 I'M OUT OF HERE. 874 00:44:19,360 --> 00:44:20,860 OPEN IT. Darcy: GO ON. 875 00:44:27,870 --> 00:44:28,870 [ALL SCREAMING] 876 00:44:29,370 --> 00:44:29,870 SHIT! 877 00:44:30,370 --> 00:44:31,370 WHERE THE HELL DID THAT COME FROM? 878 00:44:31,370 --> 00:44:32,370 ARE YOU OK? 879 00:44:33,370 --> 00:44:34,370 Chip: LOOK, LET'S GO. 880 00:44:34,870 --> 00:44:35,870 LET'S GET OUT OF HERE, ALL RIGHT? 881 00:44:35,870 --> 00:44:37,380 Zara: NO. STICK TOGETHER. 882 00:44:37,370 --> 00:44:38,880 WHY AM I IN FRONT? 883 00:44:38,880 --> 00:44:40,880 Chip: SHH... 884 00:44:59,400 --> 00:45:00,900 MR. HADDEN? 885 00:45:16,500 --> 00:45:19,000 OH, GOD. 886 00:45:19,000 --> 00:45:20,500 AAH! 887 00:45:23,290 --> 00:45:24,670 MRS. JOHNSON, YOU'RE PROBABLY CONSIDERING 888 00:45:24,670 --> 00:45:26,170 GETTING AN ATTORNEY, 889 00:45:26,170 --> 00:45:27,680 WHICH IS YOUR CONSTITUTIONAL RIGHT. 890 00:45:27,670 --> 00:45:29,180 BUT IT MAY BE QUICKER AND EASIER 891 00:45:29,180 --> 00:45:31,550 IF WE JUST HANDLE THIS NOW. 892 00:45:31,550 --> 00:45:33,800 WE'VE ALREADY CALLED MR. ALBUQUERQUE. 893 00:45:33,800 --> 00:45:34,770 HOW ARE YOU PAYING FOR HIM? 894 00:45:34,770 --> 00:45:36,270 HE'S ONE OF THE PRICIEST GUYS IN L.A. 895 00:45:36,270 --> 00:45:38,470 HE WAS A FRIEND OF MY DEAD HUSBAND. 896 00:45:38,470 --> 00:45:39,520 DILLON, YOU'RE 18, RIGHT? 897 00:45:39,520 --> 00:45:40,690 YOU'RE AN ADULT. 898 00:45:40,690 --> 00:45:42,060 IF YOU WANT TO WAIVE YOUR RIGHTS, 899 00:45:42,060 --> 00:45:43,940 IT'S UP TO YOU, MAN, NOT--NOT YOUR MOTHER. 900 00:45:43,940 --> 00:45:46,860 IT'S OK, MOM. REALLY. 901 00:45:46,860 --> 00:45:48,860 I WANT TO TALK TO THEM. 902 00:45:48,860 --> 00:45:51,870 MRS. JOHNSON, WHY DON'T YOU WAIT OUT IN THE LOBBY? 903 00:45:56,290 --> 00:45:59,210 NOW, I READ YOUR FILE FROM A YEAR AGO. 904 00:46:01,160 --> 00:46:03,160 I THINK YOU KILLED THAT KID JEFF LUCAS. 905 00:46:03,160 --> 00:46:04,660 YOU RAN HIM OFF THE ROAD. 906 00:46:04,660 --> 00:46:06,160 AND IF I HAD BEEN ON THE FORCE BACK THEN, 907 00:46:06,160 --> 00:46:07,670 THERE'S A GOOD CHANCE I'D HAVE YOU LOCKED UP 908 00:46:07,660 --> 00:46:08,550 IN SOLEDAD... 909 00:46:08,550 --> 00:46:10,380 IN A CELL... 910 00:46:10,380 --> 00:46:12,750 RIGHT NEXT TO YOUR OLD MAN. 911 00:46:14,220 --> 00:46:15,590 YOU KNOW ABOUT MY DAD? 912 00:46:15,590 --> 00:46:16,890 I KNOW HOW TO PUNCH A NAME 913 00:46:16,890 --> 00:46:18,890 ON THE N.C.I.C. COMPUTER. 914 00:46:18,890 --> 00:46:19,890 YOUR DAD WENT NUTS, 915 00:46:19,890 --> 00:46:21,400 KILLED 2 GUYS IN SAN FRANCISCO 916 00:46:21,400 --> 00:46:22,400 IN A BAR FIGHT. 917 00:46:22,400 --> 00:46:24,900 HE'S DOING BACK-TO-BACK 20-YEAR JOLTS. 918 00:46:24,900 --> 00:46:26,400 AFTER THE TRIAL, YOU AND YOUR MOM 919 00:46:26,400 --> 00:46:27,900 MOVED HERE, RIGHT? 920 00:46:27,900 --> 00:46:30,270 DON'T TELL ANYBODY ABOUT MY DAD, PLEASE. 921 00:46:30,270 --> 00:46:32,190 HEY, MAN, YOU GOT MUCH BIGGER PROBLEMS 922 00:46:32,190 --> 00:46:33,690 THAN YOUR DAD. 923 00:46:33,690 --> 00:46:36,240 YOU ARE A PRIME SUSPECT FOR THESE 2 MURDERS, 924 00:46:36,240 --> 00:46:37,240 AS WELL AS THE ONE LAST YEAR. 925 00:46:37,240 --> 00:46:39,250 WHY WOULD I KILL HADDEN AND DONALDSON? 926 00:46:39,250 --> 00:46:41,620 'CAUSE THEY PULLED YOUR ELIGIBILITY. 927 00:46:41,620 --> 00:46:42,920 YOU THINK I KILLED THOSE 2 GUYS 928 00:46:42,920 --> 00:46:44,670 'CAUSE THEY WOULDN'T LET ME PLAY FOOTBALL? 929 00:46:44,670 --> 00:46:47,000 I DON'T LIVE MY LIFE FOR STUFF LIKE THAT. 930 00:46:47,000 --> 00:46:49,870 GIVE ME A LIE DETECTOR TEST IF YOU DON'T BELIEVE ME. 931 00:46:49,870 --> 00:46:50,840 GOOD IDEA. I'LL SET IT UP. 932 00:46:54,340 --> 00:46:55,850 DETECTIVE BURROWS? 933 00:46:55,850 --> 00:46:57,850 UH, WE'RE GONNA NEED A POLYGRAPH OPERATOR 934 00:46:57,850 --> 00:46:58,850 IN HERE, PLEASE. 935 00:46:58,850 --> 00:47:00,720 THANK YOU. 936 00:47:00,720 --> 00:47:02,220 YOU KNOW WHAT I FIND INTERESTING 937 00:47:02,220 --> 00:47:04,720 ABOUT THIS MOVIE, JEFF LUCAS MOVIE? 938 00:47:04,720 --> 00:47:07,190 EVERY PERSON WHO DIES... 939 00:47:08,810 --> 00:47:12,810 HOLDS THE CLUE TO WHO WILL DIE NEXT. 940 00:47:14,820 --> 00:47:17,320 JUST LIKE WITH... 941 00:47:17,320 --> 00:47:18,820 THESE REAL MURDERS. 942 00:47:22,320 --> 00:47:24,290 TOM DONALDSON GETS AN AXE... 943 00:47:24,290 --> 00:47:26,790 IN HIS CHEST. 944 00:47:26,790 --> 00:47:31,800 IT'S PINNING A PICTURE OF CARL HADDEN. 945 00:47:31,800 --> 00:47:34,550 THEN CARL HADDEN DIES, AND, UH... 946 00:47:34,550 --> 00:47:36,890 FROZEN ON THE TV WAS A PICTURE OF KELLY. 947 00:47:36,890 --> 00:47:38,390 YOU CAN'T BE SERIOUS. 948 00:47:38,390 --> 00:47:39,390 YEAH, THE COPS THINK 949 00:47:39,390 --> 00:47:40,390 THE KILLER IS USING JEFF'S MOVIE 950 00:47:40,390 --> 00:47:42,390 AS SOME SORT OF BLUEPRINT FOR THE MURDERS. 951 00:47:42,390 --> 00:47:44,340 WHAT? OH, YOU KNOW WHAT? HELL, NO. UH-UH. 952 00:47:44,340 --> 00:47:45,850 SELL THE BUICK, BABY, 'CAUSE I'M BOOKING. 953 00:47:45,850 --> 00:47:47,850 COME ON, BABY. STICK AROUND. 954 00:47:47,850 --> 00:47:50,350 MAYBE YOU'RE JUST TRYING TO SCARE US. 955 00:47:50,850 --> 00:47:53,350 YEAH, MAYBE YOU DID IT. THE COPS ARRESTED YOU. 956 00:47:53,350 --> 00:47:55,740 YEAH, AND LET ME GO BECAUSE I PASSED A POLYGRAPH. 957 00:47:55,740 --> 00:47:59,080 SO YOU'RE SAYING KELLY'S GONNA DIE NEXT? 958 00:47:59,080 --> 00:48:00,440 STOP IT! STOP SAYING THAT. 959 00:48:00,440 --> 00:48:01,830 Zara: IF THAT'S WHAT JEFF'S SPIRIT WANTS, 960 00:48:01,830 --> 00:48:03,160 THEN IT'S GOING TO HAPPEN. 961 00:48:03,160 --> 00:48:04,580 COME ON, ZARA. PEOPLE ARE EITHER ALIVE 962 00:48:04,580 --> 00:48:05,450 OR THEY'RE DEAD. 963 00:48:05,450 --> 00:48:06,870 SPIRITS GET TRAPPED, DARCY. 964 00:48:07,370 --> 00:48:07,870 WHEN THEY'RE TRAPPED, THEY CAN BE 965 00:48:08,370 --> 00:48:09,370 IN BOTH DIMENSIONS AT THE SAME TIME. 966 00:48:09,370 --> 00:48:11,870 WHEN THAT HAPPENS, THEY OFTEN BECOME MALEVOLENT. 967 00:48:11,870 --> 00:48:13,260 JEFF LEFT TOO SOON. 968 00:48:13,260 --> 00:48:15,760 OH, YOU MEAN BEFORE HIS UNCLE GEORGE LUCAS, 969 00:48:15,760 --> 00:48:16,760 WHO NEVER HEARD OF HIM, 970 00:48:16,760 --> 00:48:19,130 GOT HIS WANNABE MOVIE INTO SUNDANCE, RIGHT? 971 00:48:19,130 --> 00:48:21,770 LOOK, ZARA, LET ME DROP SOME SCIENCE ON YOU. 972 00:48:21,770 --> 00:48:24,270 EVERYTHING JEFF SAID, EVERYTHING JEFF DID, 973 00:48:24,270 --> 00:48:25,640 WAS DOO-WAP. 974 00:48:25,640 --> 00:48:27,100 DARCY, YOU INFURIATED HIM 975 00:48:27,100 --> 00:48:28,610 WHEN YOU WOULDN'T HELP HIM PURGE HIS DEMONS. 976 00:48:28,610 --> 00:48:30,560 ALL OF YOU LAUGHED AT HIM. 977 00:48:30,560 --> 00:48:31,560 MR. HADDEN DISSED HIS MOVIE. 978 00:48:32,060 --> 00:48:33,560 MR. DONALDSON RIDICULED HIM. 979 00:48:33,560 --> 00:48:35,450 AND, DILLON, YOU THREATENED TO KILL HIM 980 00:48:35,450 --> 00:48:36,700 AT THE PARTY. 981 00:48:36,700 --> 00:48:37,480 YOU CHASED HIM, AND YOU-- 982 00:48:37,480 --> 00:48:38,870 I DIDN'T KILL HIM. 983 00:48:38,870 --> 00:48:40,320 I TRIED TO STOP HIM, 984 00:48:40,320 --> 00:48:42,320 HE WAS GOING TOO FAST AND WENT OVER THE CLIFF. 985 00:48:42,820 --> 00:48:43,820 AND KELLY. 986 00:48:43,820 --> 00:48:44,820 HE WANTED TO GO OUT WITH YOU, 987 00:48:44,820 --> 00:48:46,320 BUT YOU MADE A JOKE OUT OF IT. 988 00:48:46,320 --> 00:48:48,710 MY GOD, ZARA, HE'S SUCH A TOOL. 989 00:48:48,710 --> 00:48:50,080 NOBODY WOULD GO OUT WITH HIM. 990 00:48:50,080 --> 00:48:51,910 HIS SPIRIT IS GOING TO KILL EACH OF YOU 991 00:48:51,910 --> 00:48:53,910 ONE AT A TIME UNLESS WE STOP HIM. 992 00:48:53,910 --> 00:48:55,800 OH, BUT NOT YOU, RIGHT, ZARA? 993 00:48:55,800 --> 00:48:57,250 YEAH, YOU'RE JUST HERE TO EXPLAIN 994 00:48:57,250 --> 00:49:00,250 ALL THIS SICK SHIT TO US AND GET US FREAKIN'. 995 00:49:00,250 --> 00:49:01,760 AHEM. 996 00:49:05,730 --> 00:49:07,230 DILLON, A WORD, PLEASE. 997 00:49:07,230 --> 00:49:08,730 IT'S ABOUT YOUR ASSIGNMENT. 998 00:49:08,730 --> 00:49:09,730 LOOK, I, UH-- 999 00:49:09,730 --> 00:49:11,010 IT'S NOT ACCEPTABLE. 1000 00:49:11,010 --> 00:49:12,520 LOOK, I KNOW YOU GUYS NEVER UNDERSTOOD 1001 00:49:12,520 --> 00:49:13,520 WHY I HUNG WITH JEFFREY. 1002 00:49:13,520 --> 00:49:16,520 BUT, DARCY, WE'VE BEEN IN SCHOOL TOGETHER SINCE KINDERGARTEN. 1003 00:49:16,520 --> 00:49:19,020 JASON, I'VE KNOWN YOU SINCE I WAS 10 OR 11. 1004 00:49:19,020 --> 00:49:21,360 KELLY WAS MY JUNIOR HIGH TENNIS PARTNER. 1005 00:49:21,360 --> 00:49:23,280 WE MAY NOT ALWAYS AGREE ABOUT WHAT'S IMPORTANT, 1006 00:49:23,780 --> 00:49:25,280 BUT I WOULD NEVER HURT YOU GUYS. 1007 00:49:25,280 --> 00:49:27,280 WAIT, DON'T GO. 1008 00:49:31,080 --> 00:49:32,500 WHAT SHOULD WE DO? 1009 00:49:32,500 --> 00:49:34,450 WE NEED TO GET THROUGH TO JEFFREY AGAIN. 1010 00:49:34,450 --> 00:49:36,960 THIS TIME, WE'VE GOT TO CONVINCE HIM NOT TO KILL KELLY. 1011 00:49:36,960 --> 00:49:39,460 I'M NOT GOING THERE, ZARA. NO WAY. 1012 00:49:39,460 --> 00:49:40,630 YEAH, ME, NEITHER. 1013 00:49:40,630 --> 00:49:43,010 I MEAN, I AM NOT GONNA SIT IN SOME DARK ROOM, 1014 00:49:43,010 --> 00:49:44,520 HOLD HANDS WITH MONSTER, 1015 00:49:44,510 --> 00:49:45,380 AND WATCH CHIP DO LINDA BLAIR 1016 00:49:45,380 --> 00:49:46,770 IMPERSONATIONS, OK? 1017 00:49:46,770 --> 00:49:49,020 THAT IS NOT GONNA BE JASON JOHNSON'S NIGHT. 1018 00:49:49,020 --> 00:49:51,520 JASON JOHNSON IS GONNA GO HOME, 1019 00:49:51,520 --> 00:49:52,520 SIT HIS LITTLE CARAMELLY BLACK ASS 1020 00:49:53,020 --> 00:49:54,020 RIGHT IN FRONT OF THE TV, 1021 00:49:54,020 --> 00:49:55,530 AND WATCH SOMETHING STUPID AND SAFE, 1022 00:49:55,530 --> 00:49:57,030 LIKE ROAD RULES. 1023 00:49:57,030 --> 00:49:58,530 JASON WILL COME, WON'T YOU, BABY? 1024 00:49:58,530 --> 00:50:00,030 OH, BABY, YOU KNOW I DON'T GET DOWN 1025 00:50:00,030 --> 00:50:01,530 WITH THIS KENNY KINKS AND PSYCHIC FRIEND 1026 00:50:01,530 --> 00:50:03,030 DIONNE WARWICK BULLSHIT! 1027 00:50:03,030 --> 00:50:05,400 OH, YOU'RE GONNA MISS SATURDAY'S BOOTY CALL. 1028 00:50:05,400 --> 00:50:07,040 DAMN. 1029 00:50:07,040 --> 00:50:08,870 ALL RIGHT, I GUESS I'M ON THE CASE. 1030 00:50:08,870 --> 00:50:11,320 IT DOESN'T DO US ANY GOOD TO JUST TALK TO JEFFREY'S SPIRIT. 1031 00:50:11,320 --> 00:50:12,830 WE HAVE TO HAVE SOMETHING TO BARGAIN WITH 1032 00:50:12,830 --> 00:50:14,830 SO HE'LL AGREE TO STOP THESE KILLINGS. 1033 00:50:17,830 --> 00:50:20,330 I'M NOT GONNA BE THE VESTAL VIRGIN. 1034 00:50:20,330 --> 00:50:21,840 YOU CAN FIND SOMEONE ELSE FOR THAT JOB. 1035 00:50:21,840 --> 00:50:24,340 BUT YOUR DAD IS REED WILSON. HE'S A FAMOUS SCREENWRITER. 1036 00:50:24,840 --> 00:50:26,340 YEAH. 1037 00:50:26,340 --> 00:50:27,720 SO WHAT? 1038 00:50:27,720 --> 00:50:29,680 MAYBE HE CAN MAKE JEFFREY'S DREAM COME TRUE 1039 00:50:29,680 --> 00:50:31,600 AND GET HIS MOVIE INTO SUNDANCE. 1040 00:50:31,600 --> 00:50:33,100 LET ME GET THIS STRAIGHT. 1041 00:50:33,100 --> 00:50:35,100 YOU GUYS WANT TO CUT A MOVIE DEAL 1042 00:50:35,100 --> 00:50:37,100 WITH JEFFREY'S GHOST? 1043 00:50:37,100 --> 00:50:40,020 ALL I KNOW IS COACH DONALDSON HAD MR. HADDEN'S PICTURE 1044 00:50:40,020 --> 00:50:43,770 AXED TO HIS CHEST, AND MR. HADDEN HAD MINE ON TV. 1045 00:50:43,770 --> 00:50:46,440 LISTEN, KELLY, I'M NOT GONNA TELL YOU NOT TO WORRY. 1046 00:50:46,440 --> 00:50:47,740 WHAT IF I'M NEXT? 1047 00:50:47,740 --> 00:50:49,160 LET'S JUST THINK THIS THROUGH. 1048 00:50:49,660 --> 00:50:52,920 ZARA WANTS ME TO GO TO ANOTHER SEANCE AT MOSS POINT TONIGHT. 1049 00:50:52,920 --> 00:50:55,250 THEY'RE GONNA TRY AND TALK TO JEFF'S SPIRIT AGAIN, 1050 00:50:55,250 --> 00:50:56,750 TRY AND CONVINCE HIM NOT TO HURT US. 1051 00:50:56,750 --> 00:50:58,590 BAD IDEA. 1052 00:50:58,590 --> 00:50:59,870 DOCTOR, I CAN'T JUST STAY HERE 1053 00:50:59,870 --> 00:51:01,380 AND WAIT FOR THIS MONSTER TO ATTACK ME! 1054 00:51:01,370 --> 00:51:03,010 THAT SEANCE IS JUST GONNA FUEL 1055 00:51:03,010 --> 00:51:05,010 THESE SUPERNATURAL FEARS. 1056 00:51:05,010 --> 00:51:06,010 WHAT WE NEED, KELLY, 1057 00:51:06,010 --> 00:51:07,510 IS JUST LEVEL-HEADED THINKING. 1058 00:51:07,510 --> 00:51:09,380 WHEN ARE YOUR PARENTS COMING HOME? 1059 00:51:09,380 --> 00:51:11,380 THEY GET BACK FROM SANTA BARBARA THIS AFTERNOON. 1060 00:51:11,380 --> 00:51:13,890 THEN I WANT YOU TO STAY WHERE YOU ARE. 1061 00:51:13,890 --> 00:51:16,890 WHATEVER YOU DO, DON'T GO TO THAT SEANCE. 1062 00:51:16,890 --> 00:51:18,280 [SIGHS] 1063 00:51:21,780 --> 00:51:24,780 TELL ME MORE ABOUT CARL HADDEN'S COMMUNICATION CLASS 1064 00:51:24,780 --> 00:51:26,280 FROM A YEAR AGO, 1065 00:51:26,280 --> 00:51:29,290 BECAUSE EVERYONE KEEPS SAYING THAT'S WHERE JEFF WENT NUTS. 1066 00:51:29,790 --> 00:51:32,290 THEY SCREENED JEFFREY LUCAS' MOVIE, 1067 00:51:32,290 --> 00:51:35,290 AND ALL THE KIDS STARTED LAUGHING. 1068 00:51:35,290 --> 00:51:37,290 I CAN'T IMAGINE WHY. 1069 00:51:37,290 --> 00:51:38,800 WITH ALL THAT STRAWBERRY SYRUP, 1070 00:51:38,800 --> 00:51:40,300 THEY SHOULD HAVE BEEN COOKING SOME PANCAKES. 1071 00:51:40,800 --> 00:51:41,300 [CHUCKLES] 1072 00:51:41,800 --> 00:51:43,300 THEN COACH-- COACH DONALDSON 1073 00:51:43,300 --> 00:51:44,800 AND DILLON WRESTLED JEFF OUT OF THE AUDITORIUM 1074 00:51:45,300 --> 00:51:46,300 AND PUT HIM IN MY OFFICE. 1075 00:51:46,800 --> 00:51:47,800 I WALKED IN THERE, 1076 00:51:47,800 --> 00:51:48,810 AND HE WAS STANDING THERE 1077 00:51:48,810 --> 00:51:51,310 WIELDING ONE OF MY TENNIS TROPHIES. 1078 00:51:51,810 --> 00:51:54,310 I CALMED HIM DOWN AND HE STARTED-- 1079 00:51:54,310 --> 00:51:56,310 HE STARTED SORT OF RECITING THINGS. 1080 00:51:56,310 --> 00:51:57,310 IT WAS--IT WAS WEIRD. 1081 00:51:57,810 --> 00:51:58,820 THE-- 1082 00:51:58,820 --> 00:52:00,570 CELT CHANTS? 1083 00:52:00,570 --> 00:52:02,440 IT WAS MORE LIKE CELTIC LORE. 1084 00:52:02,440 --> 00:52:04,820 NOW, YOU SAID HE WAS WIELDING A TENNIS TROPHY. 1085 00:52:04,820 --> 00:52:06,320 YEAH. 1086 00:52:06,320 --> 00:52:09,690 DID OUR HOMICIDE INVESTIGATOR DUST IT FOR LEADS? 1087 00:52:09,690 --> 00:52:10,940 I DON'T THINK THEY DID. 1088 00:52:10,940 --> 00:52:12,950 JESUS, WHY NOT? 1089 00:52:12,950 --> 00:52:14,950 'CAUSE I JUST REMEMBERED IT NOW. 1090 00:52:16,450 --> 00:52:19,450 WELL, IF YOU LET ME HAVE IT, I'LL DO A FINGERPRINT RUN. 1091 00:52:19,450 --> 00:52:21,450 YOU KNOW, FINGERPRINTS LAST FOREVER ON METAL. 1092 00:52:21,450 --> 00:52:23,460 MAYBE WE'LL, UH, GET A HIT AND FIND OUT 1093 00:52:23,460 --> 00:52:26,210 WHO THIS JEFF LUCAS REALLY WAS. 1094 00:52:26,460 --> 00:52:27,540 IF YOU CAN FOLLOW ME BACK TO MY OFFICE, 1095 00:52:27,540 --> 00:52:28,930 I'LL GIVE IT TO YOU RIGHT NOW. 1096 00:52:28,930 --> 00:52:30,800 WELL, DR. BOONE, 1097 00:52:30,800 --> 00:52:33,050 I COULD FOLLOW YOU ANYWHERE YOU WANT ME TO FOLLOW YOU TO. 1098 00:52:33,300 --> 00:52:35,640 YOU SAY THE SWEETEST THINGS, SERGEANT. 1099 00:52:35,640 --> 00:52:37,470 WELL, THANK YOU, DR. BOONE. 1100 00:52:43,060 --> 00:52:47,200 [THUNDER] 1101 00:52:47,200 --> 00:52:48,120 Zara: HIGH GODS, 1102 00:52:48,110 --> 00:52:49,730 PROTECTED BY THE GUARDIAN SPIRITS, 1103 00:52:49,730 --> 00:52:51,120 WE BESEECH YOU, COME. 1104 00:52:51,620 --> 00:52:53,620 PASS YE AMONG THE SHADES AND SHADOWS 1105 00:52:54,120 --> 00:52:55,620 WONDERFUL ON THIS NIGHT. 1106 00:52:55,620 --> 00:52:57,370 UNHARMED BY THE MALIGNANT POWERS, 1107 00:52:57,570 --> 00:52:59,160 COME FORTH, DARK SPIRIT. 1108 00:52:59,660 --> 00:53:00,660 REVEAL YOUR PLIGHT. 1109 00:53:07,220 --> 00:53:09,300 [THUNDER CONTINUES] 1110 00:53:14,470 --> 00:53:15,980 HE'S NOT HERE. 1111 00:53:15,980 --> 00:53:17,480 THERE'S NOTHING. 1112 00:53:17,480 --> 00:53:19,480 SOMETHING'S WRONG. 1113 00:53:19,980 --> 00:53:21,980 HE CAME LAST TIME. 1114 00:53:21,980 --> 00:53:24,480 HE WON'T COME BECAUSE KELLY'S HIS NEXT TARGET, 1115 00:53:24,480 --> 00:53:25,990 AND SHE'S MISSING. 1116 00:53:25,990 --> 00:53:27,490 HE KNOWS WHAT WE WANT. 1117 00:53:27,490 --> 00:53:29,240 HIS MIND, LIKE HIS SPIRIT, IS EVERYWHERE. 1118 00:53:29,440 --> 00:53:31,020 KELLY'S NOT COMING, ZARA. 1119 00:53:31,020 --> 00:53:33,410 SHE'S TERRIFIED OF THIS PLACE. 1120 00:53:33,690 --> 00:53:35,280 [THUNDER] 1121 00:53:39,700 --> 00:53:42,040 LOOK, MAYBE I CAN CONVINCE HER. 1122 00:53:42,040 --> 00:53:43,540 I'LL GO TO HER, EXPLAIN TO HER 1123 00:53:43,540 --> 00:53:45,870 WE'RE TRYING TO CONTACT JEFFREY'S SPIRIT... 1124 00:53:45,870 --> 00:53:47,760 TRYING TO MAKE A DEAL TO SPARE HER LIFE. 1125 00:53:47,760 --> 00:53:49,090 YOU GO, CHIP. 1126 00:53:49,090 --> 00:53:50,540 WE'LL KEEP TRYING TO BRING HIS SPIRIT CLOSE. 1127 00:53:56,380 --> 00:53:58,100 I'LL BE BACK IN LESS THAN AN HOUR. 1128 00:54:16,370 --> 00:54:18,870 DADDY, YOU AND MOM WERE SUPPOSED TO BE HOME BY 6:00. 1129 00:54:18,870 --> 00:54:21,380 SOME FRIENDS WERE SUPPOSED TO COME OVER 1130 00:54:21,370 --> 00:54:23,880 AFTER CHEERLEADING PRACTICE, BUT THEY'RE NOT HERE YET. 1131 00:54:23,880 --> 00:54:25,880 JUST HURRY, PLEASE. 1132 00:54:28,380 --> 00:54:30,380 [THUNDER] 1133 00:54:30,380 --> 00:54:31,890 [DOOR OPENS] 1134 00:54:38,390 --> 00:54:39,390 [DOOR CLOSES] 1135 00:54:49,820 --> 00:54:51,320 WHO IS IT? 1136 00:54:52,820 --> 00:54:54,320 CUT IT OUT. THIS ISN'T FUNNY. 1137 00:54:55,830 --> 00:54:57,330 [BIRD CAWS] 1138 00:54:57,330 --> 00:54:58,700 [WINGS FLAP] 1139 00:55:07,450 --> 00:55:09,460 [SCREAMING] 1140 00:55:14,630 --> 00:55:16,210 [GRUNTING AND SCREAMING] 1141 00:55:24,220 --> 00:55:25,220 [CHOKING] 1142 00:55:26,720 --> 00:55:27,720 [CRACK] 1143 00:55:42,070 --> 00:55:43,570 [DOG BARKING IN DISTANCE] 1144 00:55:46,080 --> 00:55:49,080 Jason: THAT'S CHIP'S RIDE. HE'S STILL HERE. 1145 00:56:03,090 --> 00:56:04,590 Monster: HEY, GUYS, LET'S BOOGIE. 1146 00:56:04,590 --> 00:56:06,600 I'M ON FRONT STREET WITH THIS. 1147 00:56:06,600 --> 00:56:09,100 Jason, whispering: Shut up. Keep moving. 1148 00:56:09,100 --> 00:56:10,600 Darcy: WHAT IF WE GET CAUGHT? 1149 00:56:10,600 --> 00:56:11,600 Jason: SHH, SHH, SHH, SHH. 1150 00:56:12,100 --> 00:56:13,600 [CREAKING SOUND] 1151 00:56:13,600 --> 00:56:14,600 YOU GUYS HEAR THAT? 1152 00:56:15,100 --> 00:56:16,110 Darcy: YES. 1153 00:56:16,110 --> 00:56:18,110 Monster: NO, NO, NO, I DON'T HEAR ANYTHING. 1154 00:56:18,110 --> 00:56:20,110 IT SOUNDS LIKE IT'S COMING FROM IN THERE. 1155 00:56:20,110 --> 00:56:22,110 Zara: I FEEL SOMETHING. 1156 00:56:22,110 --> 00:56:23,110 Monster: WHAT? 1157 00:56:23,610 --> 00:56:25,620 Darcy: THIS IS FREAKIN' ME OUT. 1158 00:56:25,620 --> 00:56:28,120 THE GARAGE-- LOOK IN THE GARAGE. 1159 00:56:28,120 --> 00:56:30,120 [CREAKING SOUND] 1160 00:56:30,620 --> 00:56:32,120 Monster: YO, UH, J.J., WE GOTS TO GO IN? 1161 00:56:32,120 --> 00:56:34,620 MONSTER, SHUT UP. 1162 00:56:34,620 --> 00:56:36,630 [DOOR SQUEAKS] 1163 00:56:39,130 --> 00:56:41,130 LET'S HURRY THIS UP AND GET OUT OF HERE. 1164 00:56:41,130 --> 00:56:42,130 DON'T PUSH ME! SHH! 1165 00:56:43,630 --> 00:56:45,140 I HATE THE DARK. 1166 00:56:45,130 --> 00:56:47,140 SHUT UP. SHUT UP. 1167 00:56:51,140 --> 00:56:52,640 [ALL SCREAM] 1168 00:56:52,640 --> 00:56:55,150 JASON, DO SOMETHING! 1169 00:56:55,650 --> 00:56:57,150 Monster: GET HIM DOWN! NO, GET HIM DOWN! 1170 00:56:57,150 --> 00:56:58,150 GET HIM DOWN! WAIT! 1171 00:56:58,150 --> 00:56:59,150 [CHIP GRUNTING] 1172 00:56:59,150 --> 00:57:00,150 [ALL CHATTERING] 1173 00:57:03,650 --> 00:57:05,160 Chip: OH, GOD! 1174 00:57:05,150 --> 00:57:06,660 GET ME DOWN! 1175 00:57:06,660 --> 00:57:08,160 Jason: ON 3, BABY, ON 3. 1176 00:57:08,160 --> 00:57:09,660 Chip: YOU GUYS, IT WAS HORRIBLE. 1177 00:57:09,660 --> 00:57:10,660 I MEAN, IT WAS ALL BURNT AND CHARRED-- 1178 00:57:10,660 --> 00:57:12,660 HE HIT ME OVER THE HEAD, AND I-- 1179 00:57:13,160 --> 00:57:14,660 WHEN I CAME TO, KELLY WAS SCREAMING IN THE HOUSE. 1180 00:57:15,160 --> 00:57:16,670 I COULDN'T DO ANYTHING. I MEAN, I WAS ALL TIED UP. 1181 00:57:16,670 --> 00:57:18,170 DEAD ABOVE GROUND. 1182 00:57:18,170 --> 00:57:20,670 Monster: NO, YOU WITCH LADY! STOP SAYING THAT! 1183 00:57:20,670 --> 00:57:22,170 ALL RIGHT, I'M A LITTLE FREAKED OUT HERE, 1184 00:57:22,170 --> 00:57:23,670 SO I THINK I'M GONNA TAKE OFF, HUH? 1185 00:57:23,670 --> 00:57:25,680 WE'VE GOT TO FIND KELLY! 1186 00:57:25,680 --> 00:57:27,680 DARCY, NORMALLY, I WOULD DO IT, BUT ONE BODY A WEEK 1187 00:57:27,680 --> 00:57:29,680 IS THE MONSTER'S ABSOLUTE FUCKING LIMIT. 1188 00:57:29,680 --> 00:57:30,680 BESIDES... 1189 00:57:31,180 --> 00:57:32,680 I'M ABOUT TO GET MY PERIOD. 1190 00:57:32,680 --> 00:57:34,180 GUYS DON'T GET PERIODS, ASSHOLE. 1191 00:57:34,180 --> 00:57:36,190 WELL, IT ALWAYS WORKS WHEN GIRLS SAY IT. 1192 00:57:36,190 --> 00:57:38,690 LOOK, DARCY, CALL 911, ALL RIGHT? 1193 00:57:39,190 --> 00:57:39,690 MONSTER, YOU'RE WITH ME. 1194 00:57:40,190 --> 00:57:42,190 LET'S GO. LET'S GO MAKE SOME MOVES, BABY. 1195 00:57:42,190 --> 00:57:43,190 COME ON. 1196 00:57:47,200 --> 00:57:49,700 Chip: COME ON, LET'S CHECK THE HOUSE. 1197 00:57:49,700 --> 00:57:52,120 OH, MAN, HOLD ON, YOU GUYS. 1198 00:57:54,120 --> 00:57:55,120 Darcy: OH! 1199 00:57:55,120 --> 00:57:56,620 [ALL GROANING] 1200 00:57:56,620 --> 00:57:57,620 OH, MY GOD. 1201 00:57:57,620 --> 00:57:59,130 YOU GUYS GOT A BUCKET? 1202 00:57:59,130 --> 00:58:01,630 WHY? WHAT YOU NEED A BUCKET FOR, MAN? 1203 00:58:01,630 --> 00:58:03,630 [GAGS] NOT TO CLEAN, BRO. 1204 00:58:03,630 --> 00:58:05,630 I'M ABOUT TO HURL. 1205 00:58:06,130 --> 00:58:07,630 GONNA DO THE YELLOW YAWN. 1206 00:58:07,630 --> 00:58:09,140 OH, COME ON, MAN. 1207 00:58:09,140 --> 00:58:12,390 [VOMITING] 1208 00:58:12,390 --> 00:58:14,190 DeSousa: MAYBE THIS IS THE LAST ONE. 1209 00:58:14,190 --> 00:58:15,690 WHAT MAKES YOU SAY THAT? 1210 00:58:15,690 --> 00:58:17,060 NO PICTURES LIKE IN THE OTHER KILLINGS. 1211 00:58:17,060 --> 00:58:19,560 NO CLUES STUCK IN HER CHEST WITH AN AXE. 1212 00:58:19,560 --> 00:58:21,950 SO MAYBE IT ENDS HERE. 1213 00:58:21,950 --> 00:58:23,280 HOW'D I DO? 1214 00:58:23,280 --> 00:58:24,780 DeSousa: DON'T ANSWER THAT, JOE. 1215 00:58:25,280 --> 00:58:26,290 WE'LL TALK ABOUT IT LATER. 1216 00:58:28,290 --> 00:58:29,290 THERE. 1217 00:58:29,290 --> 00:58:30,790 PASSED AGAIN, DIDN'T I? 1218 00:58:30,790 --> 00:58:32,290 BUMMER. 1219 00:58:32,290 --> 00:58:33,790 AND SINCE YOU HAVE NO ONE 1220 00:58:33,790 --> 00:58:35,300 WHO CAN CONFIRM YOUR WHEREABOUTS 1221 00:58:35,290 --> 00:58:36,800 AT THE TIME OF KELLY'S MURDER, 1222 00:58:36,800 --> 00:58:38,300 I'M GONNA HOLD ON TO YOU FOR JUST A LITTLE BIT. 1223 00:58:38,300 --> 00:58:40,800 DETECTIVE? COME HERE. 1224 00:58:40,800 --> 00:58:43,550 TAKE HIM DOWN AND PUT HIM IN HOLDING CELL 3. 1225 00:58:43,550 --> 00:58:45,840 KELLY WAS MY FRIEND. I WOULDN'T KILL HER. 1226 00:58:45,840 --> 00:58:47,840 HOW DO I FINALLY CATCH A BREAK WITH YOU? 1227 00:58:47,840 --> 00:58:50,340 LISTEN, IN THE LAST 10 YEARS, 1228 00:58:50,340 --> 00:58:53,850 WE'VE ONLY HAD 3 HOMICIDES IN BAY CITY. 1229 00:58:53,850 --> 00:58:55,730 NOW I GOT 3 IN 3 NIGHTS. 1230 00:58:55,730 --> 00:58:57,520 SO SOMEONE IS GOING DOWN FOR THOSE MURDERS, 1231 00:58:58,020 --> 00:58:59,400 AND MAYBE IT'S GONNA BE YOU. 1232 00:58:59,400 --> 00:59:01,350 NOW GET HIM OUT OF HERE! 1233 00:59:07,830 --> 00:59:09,410 I UNDERSTAND YOU'RE THE ONE TO SEE 1234 00:59:09,410 --> 00:59:11,280 WHEN IT COMES DOWN TO CELTIC LEGENDS? 1235 00:59:11,280 --> 00:59:13,120 I KNOW THE PAGAN WAYS. 1236 00:59:13,120 --> 00:59:14,870 HAVE A SEAT. 1237 00:59:18,370 --> 00:59:20,870 TELL ME ABOUT, UH, BIRD OMENS. 1238 00:59:20,870 --> 00:59:22,210 WHAT DO THEY MEAN? 1239 00:59:22,210 --> 00:59:25,960 IF A WHITE BIRD SITS ON YOUR HOUSE, 1240 00:59:26,460 --> 00:59:28,970 SOMEONE IN THAT HOUSE WILL BECOME VERY SICK. 1241 00:59:28,970 --> 00:59:30,350 I'M MORE INTERESTED IN, UH, 1242 00:59:30,350 --> 00:59:31,720 RAVENS. 1243 00:59:31,720 --> 00:59:33,220 NIGHT RAVENS. 1244 00:59:33,220 --> 00:59:35,220 THEIR LATIN NAME IS STRIX FLAMA. 1245 00:59:35,220 --> 00:59:37,220 THEY'RE THE WORST OF THE BIRD OMENS. 1246 00:59:37,220 --> 00:59:38,730 IF A NIGHT RAVEN ENTERS YOUR HOUSE, 1247 00:59:38,720 --> 00:59:40,610 TERRIBLE CONSEQUENCES OCCUR. 1248 00:59:40,610 --> 00:59:41,730 LIKE WHAT? 1249 00:59:41,730 --> 00:59:42,560 WITH THEIR BEAKS, 1250 00:59:42,560 --> 00:59:44,560 THEY TEAR THE ENTRAILS OF CHILDREN 1251 00:59:44,560 --> 00:59:45,570 UNTIL THEIR MAWS ARE DISTENDED 1252 00:59:45,570 --> 00:59:47,070 WITH INFANT BLOOD. 1253 00:59:47,070 --> 00:59:50,490 MAYBE THAT'S WHY DISNEY PASSED ON A CARTOON. 1254 00:59:50,490 --> 00:59:51,990 JOE, GIVE HER THE TEST. 1255 00:59:59,800 --> 01:00:02,300 Brenda: YOU LIVE VERY WELL FOR A POLICE SERGEANT. 1256 01:00:02,300 --> 01:00:03,800 I'M HOUSE-SITTING. 1257 01:00:03,800 --> 01:00:04,800 IT'S A GREAT SECOND CAREER 1258 01:00:04,800 --> 01:00:06,800 FOR SEMI-DEADBEATS AND COPS, YOU KNOW. 1259 01:00:06,800 --> 01:00:08,310 OH. HEH. 1260 01:00:11,310 --> 01:00:14,310 YOU DON'T SEEM LIKE A COP TO ME. 1261 01:00:14,310 --> 01:00:17,810 I COULDN'T DECIDE BETWEEN POLICE WORK 1262 01:00:17,810 --> 01:00:20,320 AND BRAIN SURGERY. 1263 01:00:20,320 --> 01:00:21,320 BUT I CHOSE THIS 1264 01:00:21,820 --> 01:00:23,320 BECAUSE I LOVE TO EAT AT TACO BELL. 1265 01:00:25,320 --> 01:00:27,320 SO, WHAT TOOK BRENDA BOONE 1266 01:00:27,820 --> 01:00:29,330 TO POSTGRADUATE SCHOOL? 1267 01:00:33,330 --> 01:00:35,330 I WANTED TO HELP PEOPLE. 1268 01:00:35,330 --> 01:00:36,830 SILLY, HUH? 1269 01:00:40,340 --> 01:00:42,840 BUT I HARDLY KNOW WHAT TO SAY TO THESE KIDS. 1270 01:00:42,840 --> 01:00:44,840 THEY HAVE SO MUCH, 1271 01:00:44,840 --> 01:00:46,840 AND YET SOMEHOW, THEY SEEM TO HAVE NOTHING. 1272 01:00:46,840 --> 01:00:49,350 THEIR PARENTS ARE TOO BUSY TO EVEN RAISE THEM. 1273 01:00:49,350 --> 01:00:52,350 MONEY CAN'T BUY YOU LOVE. 1274 01:00:54,350 --> 01:00:56,850 I FEEL LIKE I'M SCREWING UP BADLY HERE. 1275 01:00:56,850 --> 01:01:00,360 I WASN'T AT ALL PREPARED FOR ALL THIS. 1276 01:01:00,360 --> 01:01:05,360 I WAS GOOD AT DIAGNOSING A.D.D. OR YOUTHFUL ANXIETY. 1277 01:01:05,360 --> 01:01:09,370 PSYCHO AXE MURDERS ARE SORT OF OFF MY SCALE, TOO. 1278 01:01:09,370 --> 01:01:11,370 SEE? WE'RE A PERFECT MATCH. 1279 01:01:11,370 --> 01:01:13,370 MM-HMM. BIRDS OF A FEATHER. 1280 01:01:13,870 --> 01:01:15,370 HEY, CUT IT WITH THE BIRDS. 1281 01:01:15,870 --> 01:01:17,370 I HAD ENOUGH BLEAK OMENS FOR A WHILE. 1282 01:01:17,370 --> 01:01:19,380 MM-HMM. 1283 01:01:23,880 --> 01:01:25,880 I WANT YOU TO KNOW 1284 01:01:25,880 --> 01:01:28,390 I WON'T BACK DOWN 1285 01:01:28,380 --> 01:01:30,390 FROM YOU NOW 1286 01:01:30,390 --> 01:01:34,890 I KNOW THAT THIS IS RIGHT SOMEHOW 1287 01:01:34,890 --> 01:01:37,390 YES, I DO 1288 01:01:37,390 --> 01:01:39,400 HEY, YOU 1289 01:01:39,400 --> 01:01:41,400 CAN WE GIVE IT A TRY? 1290 01:01:41,900 --> 01:01:43,900 THOUGH THE WATER IS WIDE 1291 01:01:43,900 --> 01:01:48,410 I BELIEVE WE CAN SEE THE OTHER SIDE 1292 01:01:48,400 --> 01:01:50,910 I'M ASKING YOU 1293 01:01:50,910 --> 01:01:52,910 TO THINK IT THROUGH 1294 01:01:52,910 --> 01:01:55,410 I BET YOU COULD 1295 01:01:55,410 --> 01:01:57,410 IF YOU 1296 01:01:57,410 --> 01:01:59,920 I WON'T BACK DOWN 1297 01:01:59,920 --> 01:02:01,920 FROM YOU NOW 1298 01:02:01,920 --> 01:02:06,420 I KNOW THAT THIS IS RIGHT SOMEHOW 1299 01:02:06,420 --> 01:02:08,930 YES, I DO 1300 01:02:08,930 --> 01:02:10,930 HEY, YOU 1301 01:02:10,930 --> 01:02:13,430 CAN WE GIVE IT A TRY? 1302 01:02:13,430 --> 01:02:15,930 THOUGH THE WATER IS WIDE 1303 01:02:15,930 --> 01:02:20,440 I BELIEVE WE CAN SEE THE OTHER SIDE 1304 01:02:20,440 --> 01:02:22,440 I'M ASKING YOU 1305 01:02:22,440 --> 01:02:24,440 TO THINK IT THROUGH 1306 01:02:24,940 --> 01:02:26,940 I BET YOU COULD 1307 01:02:26,940 --> 01:02:28,950 IF YOU WOULD 1308 01:02:28,950 --> 01:02:31,450 WAS IT REALLY THAT BAD? 1309 01:02:31,450 --> 01:02:33,450 THINK OF ALL THAT WE HAD 1310 01:02:33,450 --> 01:02:38,450 I BELIEVE WE COULD FLY IF WE LET GO 1311 01:02:38,450 --> 01:02:40,460 I'M ASKING YOU 1312 01:02:40,460 --> 01:02:42,960 TO THINK IT THROUGH 1313 01:02:42,960 --> 01:02:45,460 I BET YOU COULD 1314 01:02:45,460 --> 01:02:48,460 IF YOU WOULD 1315 01:02:58,860 --> 01:03:00,430 MORNING, DAN. 1316 01:03:00,430 --> 01:03:01,810 HEY, DOUG, I GOT YOUR CALL. 1317 01:03:01,810 --> 01:03:03,430 HOW WAS THE AUTOPSY? 1318 01:03:03,430 --> 01:03:04,730 DID YOU FIND ANYTHING WE COULD USE? 1319 01:03:04,730 --> 01:03:06,100 THIS MIGHT INTEREST YOU. 1320 01:03:06,100 --> 01:03:08,850 DARCY WILSON. 1321 01:03:08,850 --> 01:03:10,100 WHERE'D THIS COME FROM? 1322 01:03:10,100 --> 01:03:12,020 IT WAS IN KELLY BRITTON'S STOMACH. 1323 01:03:12,020 --> 01:03:13,020 THE SICK BASTARD MUST HAVE 1324 01:03:13,020 --> 01:03:14,410 FORCE-FED IT TO HER BEFORE SHE DIED. 1325 01:03:16,580 --> 01:03:18,660 HERE WE GO AGAIN. THANKS, DOC. 1326 01:03:24,530 --> 01:03:25,870 YOU'RE TELLING US THIS MANIAC 1327 01:03:25,870 --> 01:03:27,870 IS GOING TO TRY AND KILL DARCY? 1328 01:03:27,870 --> 01:03:30,370 I'M SAYING IT'S A POSSIBILITY, YES. 1329 01:03:30,370 --> 01:03:32,760 BECAUSE AN OLD YEARBOOK PICTURE OF DARCY 1330 01:03:32,760 --> 01:03:34,130 WAS IN KELLY'S STOMACH? 1331 01:03:34,130 --> 01:03:35,630 YES. 1332 01:03:35,630 --> 01:03:37,130 DADDY... 1333 01:03:37,130 --> 01:03:39,630 OH. IT'S OK, BABY. 1334 01:03:39,630 --> 01:03:41,130 NOTHING'S GOING TO HAPPEN TO YOU. 1335 01:03:41,130 --> 01:03:42,130 I PROMISE. I PROMISE. 1336 01:03:42,130 --> 01:03:43,140 RAY... 1337 01:03:43,140 --> 01:03:46,520 MAYBE WE NEED TO HIRE SECURITY. 1338 01:03:46,520 --> 01:03:47,810 I'M GOING TO ASSIGN AN EXTRA PATROL CAR 1339 01:03:47,810 --> 01:03:49,310 TO PARK IN FRONT. AND THIS TIME 1340 01:03:49,310 --> 01:03:50,690 IT'LL BE HERE 24/7. 1341 01:03:50,690 --> 01:03:53,110 I'M DETERMINED TO MAKE CERTAIN 1342 01:03:53,110 --> 01:03:54,110 THAT THIS DOESN'T END UP 1343 01:03:54,110 --> 01:03:55,110 LIKE THE OTHERS. 1344 01:03:55,110 --> 01:03:56,980 I APPRECIATE THAT, SERGEANT. 1345 01:03:57,480 --> 01:03:59,820 BUT DIDN'T KELLY'S PARENTS GET THAT SAME PROMISE? 1346 01:03:59,820 --> 01:04:01,320 YOU KNOW, IT IT'S ALL THE SAME TO YOU, 1347 01:04:01,320 --> 01:04:03,320 I'M GOING TO TAKE SOME PRECAUTIONS OF MY OWN. 1348 01:04:03,320 --> 01:04:04,570 I JUST AS SOON WE DIDN'T ADD 1349 01:04:04,570 --> 01:04:06,410 A BUNCH OF PLASTIC BADGES, SIR. 1350 01:04:06,410 --> 01:04:08,290 I DON'T GIVE A DAMN WHAT YOU WANT. 1351 01:04:08,290 --> 01:04:12,750 YOU GOT BODIES STACKED UP LIKE CORDWOOD DOWN THERE. 1352 01:04:12,750 --> 01:04:13,750 AND DARCY ISN'T GOING TO JOIN 1353 01:04:13,750 --> 01:04:15,630 THAT SAD LITTLE CLUB. 1354 01:04:15,630 --> 01:04:17,920 I SUPPOSE I CAN'T CHANGE YOUR MIND. 1355 01:04:17,920 --> 01:04:19,840 YOU'RE DAMN RIGHT YOU CAN'T. 1356 01:04:19,840 --> 01:04:21,340 UNTIL I GET A MAN HERE, 1357 01:04:21,840 --> 01:04:23,730 DARCY ISN'T GOING TO BE OUT OF MY SIGHT. 1358 01:04:25,140 --> 01:04:27,150 WELL, MAKE SURE YOU GIVE ME THE NAME OF THIS MAN 1359 01:04:27,150 --> 01:04:28,150 YOU'RE GOING TO HIRE, 1360 01:04:28,150 --> 01:04:30,150 SO I WON'T SHOOT HIM BY MISTAKE. 1361 01:04:30,150 --> 01:04:32,020 MISS WILSON... 1362 01:04:32,020 --> 01:04:34,240 IF I WERE YOU, I'D STAY AWAY 1363 01:04:34,240 --> 01:04:35,240 FROM DILLON JOHNSON. 1364 01:04:35,240 --> 01:04:36,690 DILLON DIDN'T DO IT. 1365 01:04:36,690 --> 01:04:38,770 WE THINK HE DID, HONEY. 1366 01:04:38,770 --> 01:04:41,280 HE RAN JEFF LUCAS OFF THE ROAD LAST YEAR, 1367 01:04:41,280 --> 01:04:44,030 AND HE PROBABLY KILLED HADDEN AND DONALDSON. 1368 01:04:44,030 --> 01:04:45,360 HIS FATHER'S IN JAIL RIGHT NOW 1369 01:04:45,360 --> 01:04:48,370 FOR A DOUBLE MURDER, AND AS FAR AS I'M CONCERNED, 1370 01:04:48,370 --> 01:04:50,370 THE WHOLE DAMN FAMILY IS DANGEROUS 1371 01:04:50,370 --> 01:04:51,750 AND DOESN'T BELONG HERE. 1372 01:04:51,750 --> 01:04:53,010 HE'S INSANE, 1373 01:04:53,010 --> 01:04:54,790 AND I'M NOT TAKING ANY CHANCES. 1374 01:04:54,790 --> 01:04:57,290 DARCY, YOU SHOULD LISTEN TO YOUR FATHER 1375 01:04:57,290 --> 01:04:58,800 ON THIS ONE. 1376 01:04:58,790 --> 01:04:59,680 HE'S RIGHT. 1377 01:05:02,180 --> 01:05:03,600 PLEASE CALL IF YOU NEED ANYTHING. 1378 01:05:03,600 --> 01:05:04,970 [NO AUDIO] 1379 01:05:31,990 --> 01:05:34,410 MAKE A CIRCLE IN THE SAND 1380 01:05:34,410 --> 01:05:36,920 IN THE MIDDLE WE WILL STAND 1381 01:05:36,920 --> 01:05:39,670 AND TOGETHER WE WILL LIVE 1382 01:05:39,670 --> 01:05:41,500 AS ONE 1383 01:05:41,500 --> 01:05:42,890 HEY, DARCE... 1384 01:05:42,890 --> 01:05:44,420 DILLON... 1385 01:05:44,420 --> 01:05:45,720 I NEED TO TALK TO YOU. 1386 01:05:45,720 --> 01:05:47,230 I'M WARNING YOU, DILLON, IF YOU COME A FOOT CLOSER, 1387 01:05:47,230 --> 01:05:48,230 I'M GONNA RUN INSIDE. 1388 01:05:48,230 --> 01:05:49,850 DARCY, I'M INNOCENT. 1389 01:05:49,850 --> 01:05:52,150 ISN'T THAT WHAT EVERY GUILTY MAN SAYS? 1390 01:05:52,150 --> 01:05:53,600 I GUESS, BUT I WANTED YOU TO HEAR IT FROM ME. 1391 01:05:54,100 --> 01:05:55,100 I WANTED TO TELL YOU. 1392 01:05:55,100 --> 01:05:56,990 NOBODY BELIEVES ME. 1393 01:05:56,990 --> 01:05:58,600 THEN WHO? WHO'S DOING THIS? 1394 01:05:58,600 --> 01:05:59,360 I DON'T KNOW. 1395 01:05:59,360 --> 01:06:02,360 I HEARD ON THE RADIO THAT THE CORONER 1396 01:06:02,360 --> 01:06:03,860 FOUND A PICTURE OF YOU IN KELLY'S STOMACH. 1397 01:06:03,860 --> 01:06:04,860 IS THAT TRUE? 1398 01:06:04,860 --> 01:06:06,700 YEAH. 1399 01:06:06,700 --> 01:06:09,450 DARCY, I'VE ALWAYS LOVED YOU. 1400 01:06:09,450 --> 01:06:10,950 DILLON, DON'T. 1401 01:06:10,950 --> 01:06:11,950 I THOUGHT YOU SAID NOTHING WOULD EVER 1402 01:06:11,950 --> 01:06:12,950 COME BETWEEN US. 1403 01:06:12,950 --> 01:06:14,840 MY GOD. DILLON, THERE ARE 4 PEOPLE DEAD. 1404 01:06:14,840 --> 01:06:16,210 DOESN'T THAT MAKE A DIFFERENCE? 1405 01:06:16,210 --> 01:06:17,620 I DIDN'T DO IT. 1406 01:06:17,620 --> 01:06:19,630 AND NOW YOUR LIFE'S AT RISK. 1407 01:06:19,630 --> 01:06:21,130 I PROMISE I WILL NOT LET 1408 01:06:21,130 --> 01:06:22,130 THIS MONSTER GET YOU. 1409 01:06:22,130 --> 01:06:23,130 IF IT COMES TO THAT, 1410 01:06:23,130 --> 01:06:24,130 I'LL DIE TO PROTECT YOU. 1411 01:06:24,630 --> 01:06:26,130 YOU DON'T HAVE TO WORRY, DILLON. 1412 01:06:26,130 --> 01:06:28,020 SERGEANT DeSOUSA HAS A POLICE OFFICER 1413 01:06:28,020 --> 01:06:30,020 WATCHING THE HOUSE. I'LL BE FINE. 1414 01:06:30,020 --> 01:06:31,390 IF IT'S REALLY JEFFREY'S SPIRIT DOING THIS, 1415 01:06:31,390 --> 01:06:32,390 HOW WILL THAT HELP? 1416 01:06:32,390 --> 01:06:33,770 HOW ARE THEY GOING TO ARREST A GHOST? 1417 01:06:33,770 --> 01:06:35,060 I DON'T KNOW, DILLON. 1418 01:06:35,560 --> 01:06:37,560 I'M JUST SCARED AND CONFUSED. 1419 01:06:38,060 --> 01:06:39,060 I'LL BE HERE, DARCY. 1420 01:06:39,060 --> 01:06:41,530 I'LL ALWAYS BE NEARBY WATCHING OUT FOR YOU. 1421 01:06:41,530 --> 01:06:43,400 YOU CAN COUNT ON ME. 1422 01:06:43,400 --> 01:06:45,200 Mr. Wilson: WHO IS THAT DOWN THERE?! 1423 01:06:45,200 --> 01:06:46,620 IS THAT DILLON JOHNSON?! 1424 01:06:46,620 --> 01:06:48,990 YOU BETTER LEAVE. 1425 01:06:48,990 --> 01:06:50,910 DARCY, YOU GET BACK UP HERE RIGHT NOW! 1426 01:06:50,910 --> 01:06:52,790 HEY, DILLON, I'M CALLING THE POLICE! 1427 01:06:55,210 --> 01:06:56,210 I LOVE YOU. 1428 01:06:56,210 --> 01:06:59,500 YOU ARE MY GIRL 1429 01:06:59,500 --> 01:07:02,420 AND I'M YOUR MAN 1430 01:07:02,420 --> 01:07:06,140 WE ARE THAT CIRCLE IN THE SAND 1431 01:07:06,140 --> 01:07:07,140 I LOVE YOU, TOO. 1432 01:07:07,140 --> 01:07:09,980 ON EVERY SHORE 1433 01:07:09,980 --> 01:07:12,730 AND EVERY LAND 1434 01:07:12,730 --> 01:07:18,100 THERE IS A CIRCLE IN THE SAND 1435 01:07:27,610 --> 01:07:29,110 ZARA... 1436 01:07:29,110 --> 01:07:30,610 YOU BETTER GET OUT OF HERE, DILLON. 1437 01:07:30,610 --> 01:07:32,120 LEAVE ME ALONE. 1438 01:07:32,110 --> 01:07:34,620 YOU KNOW WHAT'S GOING ON. YOU'VE GOT TO TELL ME. 1439 01:07:34,620 --> 01:07:36,500 IF YOU'RE THE KILLER, MAYBE YOU SHOULD TELL ME. 1440 01:07:36,500 --> 01:07:38,750 IF I KNEW, THEN WHY WOULD I COME HERE TO TALK TO YOU? 1441 01:07:38,750 --> 01:07:39,760 TO THROW ME OFF. 1442 01:07:39,760 --> 01:07:40,760 TO MAKE ME THINK IT WAS SOMEONE ELSE. 1443 01:07:40,760 --> 01:07:41,760 EXCEPT YOU'RE THE ONLY ONE 1444 01:07:42,260 --> 01:07:43,260 THAT FLUNKED THE LIE DETECTOR TEST, 1445 01:07:43,260 --> 01:07:44,760 WHICH MAKES ME WONDER 1446 01:07:44,760 --> 01:07:46,760 IF YOU KNOW A LITTLE BIT MORE THAN THE REST OF US. 1447 01:07:46,760 --> 01:07:49,770 IT'S JUST A THOUGHT. 1448 01:07:49,770 --> 01:07:51,770 DID YOU KNOW, DILLON, 1449 01:07:51,770 --> 01:07:54,270 THAT DIRT IS JUST MATTER IN THE WRONG PLACE? 1450 01:07:54,270 --> 01:07:55,270 HUH? 1451 01:07:55,270 --> 01:07:57,770 AND THOUGHT IS MIND IN THE WRONG PLACE. 1452 01:07:57,770 --> 01:08:00,530 THEREFORE, MIND IS MATTER, AND THOUGHT IS DIRT. 1453 01:08:00,530 --> 01:08:04,310 YOU WERE LYING. I WANT TO KNOW ABOUT WHAT. 1454 01:08:04,310 --> 01:08:06,320 IT'S GONE TOO FAR. IT'S OUT OF CONTROL. 1455 01:08:06,320 --> 01:08:07,820 I CAN'T STOP IT NOW. 1456 01:08:07,820 --> 01:08:09,820 ZARA, YOU'VE GOT TO COME WITH ME TO THE POLICE 1457 01:08:09,820 --> 01:08:10,820 AND TELL THEM WHAT YOU KNOW. 1458 01:08:11,320 --> 01:08:12,820 I'VE BEEN WATCHING THE CROWS FOR A SIGN, 1459 01:08:12,820 --> 01:08:14,320 BUT NOTHING IS THE WAY IT'S SUPPOSED TO BE. 1460 01:08:14,320 --> 01:08:16,330 TELL SERGEANT DeSOUSA. 1461 01:08:16,330 --> 01:08:17,830 TONIGHT IS THE ONE-YEAR ANNIVERSARY 1462 01:08:17,830 --> 01:08:18,830 OF JEFFREY'S DEATH. 1463 01:08:18,830 --> 01:08:20,830 TONIGHT AT MIDNIGHT, THE BLOOD WILL FLOW. 1464 01:08:21,330 --> 01:08:22,330 AND YOU DON'T CARE IF DARCY DIES. 1465 01:08:22,330 --> 01:08:23,330 OF COURSE I CARE. 1466 01:08:23,330 --> 01:08:24,830 I'M JUST FRIGHTENED, DILLON. 1467 01:08:24,830 --> 01:08:26,840 I HAVE THE PAGAN CURSES TO CONTEND WITH. 1468 01:08:26,840 --> 01:08:28,840 I'VE CALLED DARK SPIRITS CLOSE TO ME. 1469 01:08:29,340 --> 01:08:31,220 MY WORLD IS FULL OF MALEVOLENT DANGERS. 1470 01:08:31,220 --> 01:08:33,140 I WILL TAKE YOU TO DeSOUSA. 1471 01:08:33,140 --> 01:08:36,150 I WILL STAND WITH YOU. I WILL BE YOUR FRIEND. 1472 01:08:36,150 --> 01:08:40,150 I DON'T HAVE ANY FRIENDS SINCE JEFFREY DIED. 1473 01:08:40,150 --> 01:08:41,650 I'M ALL ALONE. 1474 01:08:41,650 --> 01:08:43,650 NOT ANYMORE. 1475 01:09:01,200 --> 01:09:02,590 [KNOCK ON DOOR] 1476 01:09:02,590 --> 01:09:04,920 SARGE, I'VE GOT SOMETHING FOR YOU. 1477 01:09:08,930 --> 01:09:09,930 YOU WANTED TO SEE ME? 1478 01:09:09,930 --> 01:09:11,850 SHE HAS SOMETHING SHE WANTS TO TELL YOU. 1479 01:09:11,850 --> 01:09:14,220 ALL RIGHT, I'M LISTENING. 1480 01:09:15,100 --> 01:09:16,600 IT'S OK, DILLON. 1481 01:09:16,600 --> 01:09:18,100 I CAN DO THIS BY MYSELF. 1482 01:09:18,100 --> 01:09:20,610 JUST WAIT FOR ME OUTSIDE. DON'T LEAVE. 1483 01:09:20,610 --> 01:09:22,110 OK. 1484 01:09:24,610 --> 01:09:25,860 WHY DON'T YOU HAVE A SEAT? 1485 01:09:28,650 --> 01:09:30,150 WHAT IS IT? 1486 01:09:32,070 --> 01:09:34,070 I WANT TO CONFESS TO 3 MURDERS. 1487 01:09:34,070 --> 01:09:36,990 HOLD ON A SECOND. 1488 01:09:36,990 --> 01:09:38,490 DETECTIVE BURROWS, 1489 01:09:38,490 --> 01:09:40,380 CAN YOU GET A TAPE RUNNING, PLEASE? 1490 01:09:44,210 --> 01:09:45,720 THIS INTERVIEW IS BEING CONDUCTED 1491 01:09:45,710 --> 01:09:48,580 WITH MISS ZARA LIGHT IN SERGEANT DeSOUSA'S OFFICE 1492 01:09:48,580 --> 01:09:52,090 AT...2:15 P.M. ON SEPTEMBER 12, 1493 01:09:52,590 --> 01:09:55,590 OF HER OWN FREE WILL, AND AT HER REQUEST. 1494 01:09:55,590 --> 01:09:56,560 GO AHEAD. 1495 01:09:56,560 --> 01:09:58,060 A FRIEND OF MINE AND I HAVE BEEN 1496 01:09:58,060 --> 01:09:59,560 COMMITTING THESE MURDERS. 1497 01:09:59,560 --> 01:10:03,570 MY PART WAS TO ARRANGE THE PLACE, 1498 01:10:03,570 --> 01:10:05,070 THEN I WOULD LURE THE VICTIMS OUT 1499 01:10:05,570 --> 01:10:07,570 AND SAY PRAYERS TO THE PAGAN DEITIES, 1500 01:10:08,070 --> 01:10:09,070 WHILE MY FRIEND COMMITTED THE MURDERS 1501 01:10:09,570 --> 01:10:10,440 WITH HIS AXE. 1502 01:10:10,440 --> 01:10:11,910 YOU WERE AN ACCOMPLICE 1503 01:10:12,410 --> 01:10:14,410 AND PRESENT AT EVERY KILLING? 1504 01:10:14,410 --> 01:10:16,410 YES, SIR. EXCEPT FOR KELLY'S MURDER. 1505 01:10:16,410 --> 01:10:17,910 I WASN'T THERE WHEN SHE DIED, 1506 01:10:17,910 --> 01:10:19,420 BUT I TOLD MY FRIEND WHERE SHE WAS, 1507 01:10:19,420 --> 01:10:20,420 AND HE DID THE MURDER. 1508 01:10:20,420 --> 01:10:21,830 WHO IS THIS FRIEND? 1509 01:10:26,620 --> 01:10:28,510 DILLON JOHNSON. 1510 01:10:33,300 --> 01:10:34,300 YOU CAN'T DO THIS, MAN. 1511 01:10:34,300 --> 01:10:35,800 I PROMISED DARCY I'D WATCH OUT FOR HER. 1512 01:10:35,800 --> 01:10:37,300 SHUT UP AND GET IN THERE. 1513 01:10:37,300 --> 01:10:38,800 YOU'RE UNDER ARREST FOR MULTIPLE MURDERS. 1514 01:10:38,800 --> 01:10:40,800 I DIDN'T KILL ANYBODY! 1515 01:10:40,800 --> 01:10:42,810 DeSOUSA! 1516 01:10:42,810 --> 01:10:44,810 I STILL CAN'T BELIEVE HE AND ZARA 1517 01:10:44,810 --> 01:10:46,190 WERE THE ONES KILLING EVERYONE. 1518 01:10:46,190 --> 01:10:47,480 Chip: ZARA'S LYING. 1519 01:10:47,480 --> 01:10:48,980 WHY? WHY WOULD SHE LIE? 1520 01:10:48,980 --> 01:10:51,480 TO GET DILLON OUT OF THE WAY. 1521 01:10:51,480 --> 01:10:54,980 DILLON WAS THE ONLY ONE THAT JEFF WAS AFRAID OF. 1522 01:10:56,990 --> 01:10:57,990 DON'T YOU GET IT? 1523 01:10:57,990 --> 01:10:59,490 ZARA'S BEEN RIGGING THIS THING 1524 01:10:59,490 --> 01:11:00,990 FROM THE VERY BEGINNING. 1525 01:11:00,990 --> 01:11:03,880 SHE'S JEFF'S ACCOMPLICE IN THIS DIMENSION. 1526 01:11:03,880 --> 01:11:05,160 SHE'S THE ONE WHO WANTED 1527 01:11:05,160 --> 01:11:07,160 TO HAVE THE SEANCE HERE AT MY HOUSE. 1528 01:11:07,160 --> 01:11:09,670 DO YOU REALLY BELIEVE IN ALL THIS SPIRIT STUFF? 1529 01:11:11,170 --> 01:11:14,050 I'VE BEEN HAVING NIGHTMARES AGAIN. 1530 01:11:14,050 --> 01:11:17,010 BUT IN THESE DREAMS, JEFF TALKS TO ME. 1531 01:11:17,010 --> 01:11:18,510 I KNOW WHAT HE'S THINKING. 1532 01:11:18,510 --> 01:11:20,510 I CAN FEEL HIS THOUGHTS, HIS RAGE. 1533 01:11:20,510 --> 01:11:22,760 HE WANTS YOU TO HELP HIM. 1534 01:11:22,760 --> 01:11:25,310 HE'S DEMANDING IT IN RETURN FOR YOUR LIFE. 1535 01:11:25,310 --> 01:11:26,900 I CAN'T HELP HIM. 1536 01:11:26,900 --> 01:11:28,180 DID YOU GET YOUR FATHER'S PROMISE? 1537 01:11:28,180 --> 01:11:30,190 YES, I TALKED TO HIM, BUT HE THOUGHT I WAS CRAZY. 1538 01:11:30,190 --> 01:11:31,570 THEY DON'T JUST LET ANYBODY 1539 01:11:31,570 --> 01:11:32,570 ENTER A FILM AT SUNDANCE. 1540 01:11:32,570 --> 01:11:33,940 THEY HAVE SCREENING COMMITTEES. 1541 01:11:33,940 --> 01:11:34,740 WELL, HE COULD GET THEM 1542 01:11:34,740 --> 01:11:36,110 TO BYPASS THAT, THOUGH, COULDN'T HE? 1543 01:11:36,110 --> 01:11:38,440 YES, BUT THE FILM IS UGLY. 1544 01:11:38,440 --> 01:11:40,200 IT'S A 5-MINUTE JOKE. 1545 01:11:40,200 --> 01:11:42,910 SOMETIMES BEAUTY IS MISTAKEN FOR UGLINESS. 1546 01:11:42,920 --> 01:11:44,170 LOOK, GET YOUR FATHER'S PROMISE, 1547 01:11:44,670 --> 01:11:45,530 THEN YOU'VE GOTTA SNEAK OUT. 1548 01:11:45,530 --> 01:11:48,500 JEFF'S CLOSE. I CAN FEEL HIM. HE WANTS THIS. 1549 01:11:48,500 --> 01:11:52,510 IF YOU DO THIS, HE'LL SPARE YOU. 1550 01:11:52,510 --> 01:11:54,380 DARCY, IT'S THE ONLY WAY. 1551 01:11:54,380 --> 01:11:56,260 LOOK, I'LL MEET YOU AT THE END OF YOUR STREET 1552 01:11:56,260 --> 01:11:58,260 10 MINUTES BEFORE MIDNIGHT. 1553 01:11:58,260 --> 01:12:00,520 THAT'S OVER 2 HOURS. WHY WAIT TILL THEN? 1554 01:12:00,520 --> 01:12:02,350 I HAVE TO DO SOMETHING FIRST. 1555 01:12:10,110 --> 01:12:11,810 DADDY? 1556 01:12:12,610 --> 01:12:14,060 I NEED TO TALK TO YOU. 1557 01:12:19,200 --> 01:12:20,200 [BELL DINGS] 1558 01:12:23,160 --> 01:12:25,660 WE CLOSE IN ABOUT 5 MINUTES. YOU BETTER HURRY UP. 1559 01:12:25,660 --> 01:12:27,660 THANKS. I ONLY HAVE ONE OR 2 THINGS. 1560 01:12:39,340 --> 01:12:41,840 YOU SAID 5 MINUTES. I'M NOT THROUGH YET. 1561 01:12:47,810 --> 01:12:48,810 DR. BOONE... 1562 01:12:49,310 --> 01:12:51,980 ARE YOU READY TO RUMBLE? 1563 01:12:51,980 --> 01:12:52,990 NO. 1564 01:12:52,990 --> 01:12:53,990 OH, YES. 1565 01:12:53,990 --> 01:12:55,490 NO. NO! 1566 01:12:55,490 --> 01:12:57,490 NO, PLEASE, NO! 1567 01:12:59,990 --> 01:13:05,000 I'VE ANOTHER SHOT FOR ANGER 1568 01:13:05,500 --> 01:13:07,000 I'M DIRT BROKE 1569 01:13:07,000 --> 01:13:09,500 AND I'M ABANDONED 1570 01:13:10,000 --> 01:13:14,510 PARANOID ABOUT THE WEATHER 1571 01:13:14,510 --> 01:13:19,510 TONIGHT I GOT TO HIDE 1572 01:13:21,010 --> 01:13:23,020 Radio: OFFICER DANIELS, WHAT'S YOUR 20? 1573 01:13:23,020 --> 01:13:24,520 OFFICER DANIELS? 1574 01:13:24,520 --> 01:13:26,800 DeSousa: DARCY AND DR. BOONE ARE GONE. 1575 01:13:26,800 --> 01:13:28,270 GONE? WHAT DO YOU MEAN THEY'RE GONE? 1576 01:13:28,270 --> 01:13:30,520 GONE. IT'S A 4-LETTER WORD. IT MEANS MISSING. 1577 01:13:30,520 --> 01:13:31,470 CALM DOWN, DAN. 1578 01:13:31,470 --> 01:13:33,980 HOW CAN I CALM DOWN? I'M LOSING PEOPLE HERE. 1579 01:13:34,480 --> 01:13:35,480 IF YOU HADN'T ARRESTED ME, I WOULD'VE BEEN THERE. 1580 01:13:35,980 --> 01:13:37,480 DIDN'T YOU TALK WITH HER ON THE PRISONER PHONE? 1581 01:13:37,980 --> 01:13:39,900 NO. 1582 01:13:39,900 --> 01:13:42,620 WE GOT A PRINT HIT OFF A TENNIS TROPHY 1583 01:13:42,620 --> 01:13:44,620 IN BRENDA'S OFFICE. 1584 01:13:44,620 --> 01:13:46,490 WE KNOW WHO JEFF LUCAS WAS. 1585 01:13:46,490 --> 01:13:47,790 WHO WAS HE? 1586 01:13:47,790 --> 01:13:50,740 A KID BY THE NAME OF RICK MALLORY. 1587 01:13:50,740 --> 01:13:52,630 A SCHIZOPHRENIC PSYCHOPATH. 1588 01:13:52,630 --> 01:13:54,580 HE'S BEEN INSTITUTIONALIZED IN A FACILITY 1589 01:13:55,080 --> 01:13:56,580 FOR THE CRIMINALLY INSANE. 1590 01:13:56,580 --> 01:13:58,580 THEN HE BROKE OUT, KILLED HIS FATHER 1591 01:13:59,080 --> 01:14:00,590 MARK MALLORY, THE FAMOUS DIRECTOR, 1592 01:14:00,590 --> 01:14:02,890 AND HIS STEPMOTHER. THEN HE STOLE 40 GRAND 1593 01:14:02,890 --> 01:14:05,390 OUT OF HIS FATHER'S SAFE, LET HIS BIRDS LOOSE, 1594 01:14:05,390 --> 01:14:07,680 AND SPLIT TOWN. BIRDS? 1595 01:14:07,680 --> 01:14:09,850 YEAH. HE RAISED RAVENS. 1596 01:14:09,850 --> 01:14:11,150 THE L.A. COPS HAVE 1597 01:14:11,150 --> 01:14:12,600 A YEAR-OLD WARRANT OUT ON THIS GUY. 1598 01:14:13,100 --> 01:14:14,350 IF JEFF LUCAS' PRINTS 1599 01:14:14,350 --> 01:14:15,930 WERE ON THAT TENNIS TROPHY 1600 01:14:15,930 --> 01:14:16,940 AND HE DIED IN THAT CAR CRASH, 1601 01:14:17,440 --> 01:14:18,940 THAT MEANS RICK MALLORY IS DEAD. 1602 01:14:19,440 --> 01:14:20,940 IF JEFF IS DEAD. 1603 01:14:20,940 --> 01:14:22,940 ALL WE FOUND WAS ASHES. 1604 01:14:22,940 --> 01:14:25,940 HEY, GET ME OUT OF HERE. 1605 01:14:25,940 --> 01:14:26,950 IF 2 MORE PEOPLE DIED TONIGHT, 1606 01:14:26,950 --> 01:14:28,330 OBVIOUSLY I'M NOT THE KILLER. 1607 01:14:28,330 --> 01:14:29,950 I'LL GIVE IT SOME CAREFUL THOUGHT IN THE MORNING. 1608 01:14:29,950 --> 01:14:32,750 THAT'S TOO LATE IF DARCY OR DR. BOONE DIES TONIGHT. 1609 01:14:32,750 --> 01:14:36,120 IT'S THE YEAR ANNIVERSARY OF JEFF LUCAS' DEATH. 1610 01:14:36,120 --> 01:14:37,920 DID YOU CHECK OUT AT MOSS POINT? 1611 01:14:37,920 --> 01:14:39,290 THERE'S NO ANSWER ON THE PHONE OUT THERE, 1612 01:14:39,290 --> 01:14:40,290 BUT THAT'S MY NEXT STOP. 1613 01:14:40,290 --> 01:14:42,130 NOW, IF YOU HEAR FROM DARCY, 1614 01:14:42,130 --> 01:14:44,100 YOU GET IN TOUCH WITH ME. 1615 01:14:54,110 --> 01:14:56,110 HEY, I NEED TO CALL MY ATTORNEY. 1616 01:14:56,110 --> 01:14:57,480 IT'S AN EMERGENCY. 1617 01:14:57,480 --> 01:14:59,730 MONSTER, YOU'VE GOT TO DO THIS FOR ME. 1618 01:14:59,730 --> 01:15:00,530 HACK INTO THE COUNTY PRISON COMPUTER? 1619 01:15:01,030 --> 01:15:02,030 CAN YOU DO IT? 1620 01:15:02,030 --> 01:15:04,030 DILLON, THAT BAND BOX WAS MADE IN DEAD FISH, IDAHO. 1621 01:15:04,030 --> 01:15:06,030 IT'S GOT, LIKE, 9 TO 5 CODES. COME ON. 1622 01:15:06,030 --> 01:15:08,400 IT'S M-O-N-S-T-E-R YOU CALLING FO'. 1623 01:15:08,400 --> 01:15:10,290 GET INTO THE PRISONER FILE. 1624 01:15:10,290 --> 01:15:14,040 MY BOOKING NUMBER IS 26876. 1625 01:15:14,040 --> 01:15:15,330 OK. 1626 01:15:15,330 --> 01:15:16,830 CHANGE THE RECORDS AND GIVE ME AN IMMEDIATE RELEASE. 1627 01:15:16,830 --> 01:15:17,710 ALL RIGHT, DUDE. 1628 01:15:17,710 --> 01:15:18,660 OH, AND, MONSTER, 1629 01:15:19,160 --> 01:15:20,170 I GOT TO BE OUT OF HERE BEFORE MIDNIGHT. 1630 01:15:20,170 --> 01:15:22,670 THAT'S WHEN ZARA SAID JEFF'S SPIRIT IS COMING BACK. 1631 01:15:22,670 --> 01:15:25,670 JESUS, BRO, THAT'S IN, LIKE, 40 MINUTES! COME ON! 1632 01:15:25,670 --> 01:15:27,170 YEAH, SO GET HACKING. 1633 01:15:27,170 --> 01:15:28,170 [DIAL TONE] 1634 01:15:41,190 --> 01:15:43,690 I FOUND JEFF'S SECRET PLACE. 1635 01:15:43,690 --> 01:15:44,690 HE HAD A ROOM UP HERE 1636 01:15:45,190 --> 01:15:46,190 FILLED WITH MAKEUP AND APPLIANCES 1637 01:15:46,190 --> 01:15:47,190 FOR WHEN HE SHOT THE MOVIE. 1638 01:15:47,690 --> 01:15:48,690 I DON'T WANT TO SEE THAT. 1639 01:15:48,690 --> 01:15:50,200 I INSIST. 1640 01:15:50,200 --> 01:15:51,700 CHIP, WHAT ARE YOU DOING? 1641 01:15:51,700 --> 01:15:53,200 CHIP, LET GO OF ME. YOU'RE SCARING ME! 1642 01:15:53,200 --> 01:15:54,700 ALL I ASK IS THAT YOU FREE ME 1643 01:15:54,700 --> 01:15:56,700 OF MY DEMON POSSESSION SO I CAN PASS ON. 1644 01:15:56,700 --> 01:15:58,200 WHAT? COME ON, DARCY! 1645 01:15:58,200 --> 01:15:59,710 GOD! DON'T BE AFRAID. 1646 01:15:59,700 --> 01:16:02,210 COME ON, DARCY. COME ON! 1647 01:16:02,210 --> 01:16:03,710 GET IN THERE. 1648 01:16:03,710 --> 01:16:06,710 COME ON, DARCY. I WANT TO SHOW YOU SOMETHING. 1649 01:16:06,710 --> 01:16:08,210 AAH! 1650 01:16:08,210 --> 01:16:09,720 HE'S CRAZY, DARCY. TOTALLY INSANE. 1651 01:16:09,710 --> 01:16:10,720 UNDO THESE, QUICK! 1652 01:16:11,220 --> 01:16:12,720 GET UP, DARCY, GET UP. 1653 01:16:12,720 --> 01:16:14,720 WHAT ARE YOU DOING? LET ME GO! 1654 01:16:14,720 --> 01:16:15,600 OHH! 1655 01:16:16,560 --> 01:16:19,060 YOU KNOW THE CAUSE OF GRIEF... 1656 01:16:19,060 --> 01:16:20,560 IS LOST DESIRE, DARCY. 1657 01:16:20,560 --> 01:16:22,060 SIT DOWN! 1658 01:16:22,060 --> 01:16:24,560 WHAT ARE YOU TALKING ABOUT? 1659 01:16:24,560 --> 01:16:26,450 CHIP, YOU THINK THIS WILL MAKE YOU FEEL BETTER, 1660 01:16:26,450 --> 01:16:28,150 EASE THE ACHE, BUT IT WON'T. 1661 01:16:28,150 --> 01:16:31,540 HOW CAN YOU POSSIBLY KNOW WHAT I THINK, 1662 01:16:31,540 --> 01:16:32,540 WHEN YOU EXIST 1663 01:16:32,540 --> 01:16:34,040 2 ASTRAL PLANES BENEATH ME? 1664 01:16:41,550 --> 01:16:43,550 [RAVEN CAWING] 1665 01:16:46,050 --> 01:16:47,550 GREAT. 1666 01:17:04,350 --> 01:17:06,860 Darcy: PLEASE. PLEASE STOP. 1667 01:17:06,860 --> 01:17:08,860 DID YOU KNOW, DARCY, 1668 01:17:08,860 --> 01:17:10,360 THAT DEATH IS SIMPLY A VEIL? 1669 01:17:10,360 --> 01:17:12,860 Brenda: DEATH IS NOT A VEIL. 1670 01:17:12,860 --> 01:17:14,360 IT'S A CONDITION. A STATE OF BEING. 1671 01:17:14,360 --> 01:17:17,370 BUT LIFE CAN SOMETIMES VEIL OUR TRUE DESTINY. 1672 01:17:17,370 --> 01:17:20,950 IT'S NOT TOO LATE, CHIP. YOU CAN STILL FIND PEACE. 1673 01:17:20,950 --> 01:17:22,920 DON'T CONTRADICT ME. 1674 01:17:24,920 --> 01:17:27,430 YOU NEVER UNDERSTOOD ME. 1675 01:17:27,430 --> 01:17:30,430 YOU THOUGHT I WAS JUST INSANE. 1676 01:17:30,430 --> 01:17:33,430 IF BLOOD IS THE LIFE OF THE SOUL, 1677 01:17:33,430 --> 01:17:35,930 THEN WE MUST OFFER BLOOD. 1678 01:17:35,930 --> 01:17:37,440 WHY ARE YOU DOING THIS? 1679 01:17:40,940 --> 01:17:42,310 WHY? 1680 01:17:42,310 --> 01:17:46,280 BECAUSE WE LIKE YOU. 1681 01:17:57,790 --> 01:18:00,660 OH, MY GOD. 1682 01:18:00,660 --> 01:18:02,080 YOU'RE JEFF LUCAS. 1683 01:18:02,080 --> 01:18:05,080 NO, I'M SORRY. JEFF IS NOT PRESENT. 1684 01:18:05,080 --> 01:18:06,580 I'M RICK MALLORY. 1685 01:18:06,580 --> 01:18:10,500 JEFF LUCAS AND CHIP PALMER HAVE SERVED THEIR PURPOSE. 1686 01:18:10,500 --> 01:18:14,510 ONLY MARK MALLORY'S PSYCHO SON RICKY LIVES ON. 1687 01:18:14,510 --> 01:18:16,010 THE UGLY SNAIL-LIKE CATERPILLAR 1688 01:18:16,510 --> 01:18:17,510 TURNS INTO THE BUTTERFLY. 1689 01:18:21,510 --> 01:18:23,520 BUT HOW RARE FOR THE BUTTERFLY 1690 01:18:24,020 --> 01:18:26,520 TO TURN BACK INTO THE UGLY SNAIL-LIKE CREATURE. 1691 01:18:27,020 --> 01:18:29,020 BUT THEY FOUND JEFF'S ASHES. 1692 01:18:29,020 --> 01:18:30,520 YOU DIED. 1693 01:18:30,520 --> 01:18:32,520 I WAS BURNED! 1694 01:18:32,520 --> 01:18:35,530 I WAS TURNED INTO THIS! 1695 01:18:35,530 --> 01:18:38,030 I WAS FORGED BY YOUR FIRES. 1696 01:18:38,030 --> 01:18:40,030 AND THOSE WERE KARI'S ASHES, 1697 01:18:40,030 --> 01:18:41,530 STOLEN FROM THE FAMILY CRYPT. 1698 01:18:42,030 --> 01:18:43,540 YOUR MOTHER'S ASHES? 1699 01:18:43,540 --> 01:18:47,040 THAT SLUT-MONGERING WHORE WAS NOT MY MOTHER. 1700 01:18:47,040 --> 01:18:48,540 SHE WAS MY FATHER'S TRICK. 1701 01:18:49,040 --> 01:18:50,040 HIS RELOAD. 1702 01:18:50,040 --> 01:18:54,050 HE HAD A PLATINUM MISTAKE LIKE HER EVERY 2 YEARS. 1703 01:18:54,050 --> 01:18:55,550 THEY HAD ME LOCKED UP... 1704 01:18:56,050 --> 01:18:57,550 TO GET RID OF ME. 1705 01:18:57,550 --> 01:18:59,550 SO I KILLED THEM. 1706 01:19:03,100 --> 01:19:05,110 BUT WE DIGRESS. 1707 01:19:19,040 --> 01:19:21,540 IT IS NOW TIME 1708 01:19:21,540 --> 01:19:23,040 TO TEACH YOU THE LESSON 1709 01:19:23,040 --> 01:19:25,910 THAT I HAVE COME FROM THE GRAVE TO TENDER. 1710 01:19:25,910 --> 01:19:27,750 SHALL WE TEST OUR BLADE? 1711 01:19:28,800 --> 01:19:30,550 AAH! AAH! 1712 01:19:30,550 --> 01:19:31,630 DeSousa: MALLORY! 1713 01:19:39,340 --> 01:19:40,140 AAH! 1714 01:19:45,760 --> 01:19:46,770 KEEP THE CHANGE. 1715 01:20:12,460 --> 01:20:13,430 AAH! 1716 01:20:16,930 --> 01:20:17,930 UHH! 1717 01:20:26,140 --> 01:20:27,610 AAH! 1718 01:20:38,120 --> 01:20:38,950 AAH! 1719 01:20:40,240 --> 01:20:41,570 [WOMEN SCREAM] 1720 01:20:54,550 --> 01:20:55,550 DROP THE AXE, MALLORY. 1721 01:20:55,550 --> 01:20:56,580 COME ON. 1722 01:21:19,520 --> 01:21:21,030 AAH! 1723 01:21:38,540 --> 01:21:40,550 Burrows: HAVE HER RELEASED TO MY CUSTODY. 1724 01:21:40,550 --> 01:21:42,050 THAT'S A 10-4. 1725 01:21:42,050 --> 01:21:43,550 I NEED YOU TO GO DOWN TO THE JAIL 1726 01:21:43,550 --> 01:21:45,550 AND PICK UP ZARA LIGHT. BRING HER HERE. 1727 01:21:51,560 --> 01:21:54,560 HEY. WHY DON'T YOU TWO GO WAIT IN MY CAR? 1728 01:21:54,560 --> 01:21:56,560 IT'LL BE A LOT WARMER IN THERE. 1729 01:21:59,060 --> 01:22:00,570 Darcy: THANK GOD YOU GOT HERE. 1730 01:22:00,570 --> 01:22:03,570 I TOLD YOU I'D PROTECT YOU. 1731 01:22:03,570 --> 01:22:05,570 I PROMISED. 1732 01:22:05,570 --> 01:22:07,070 I LOVE YOU. 1733 01:22:07,070 --> 01:22:09,070 SAY THAT AGAIN. 1734 01:22:09,070 --> 01:22:11,580 I DON'T EVER GET TIRED OF HEARING IT. 1735 01:22:11,580 --> 01:22:13,580 I LOVE YOU, DILLON JOHNSON. 1736 01:22:16,080 --> 01:22:18,080 YOU'RE SUCH A BALDWIN. 1737 01:22:27,590 --> 01:22:29,680 Man: WHERE'S THE HARNESS AND THE ROPE? 1738 01:22:29,680 --> 01:22:31,060 WE GOT TO GET THAT BODY UP HERE. 1739 01:22:34,430 --> 01:22:36,430 YOUR FRIEND RICK MALLORY'S DEAD. 1740 01:22:36,430 --> 01:22:37,940 I KNOW. 1741 01:22:37,940 --> 01:22:39,940 IT WAS TOLD TO ME BY SPIRIT GUIDES. 1742 01:22:39,940 --> 01:22:42,440 I NEED TO SAY GOOD-BYE. WHERE IS HE? 1743 01:22:48,080 --> 01:22:50,080 I WILL WAIT FOR YOUR RETURN. 1744 01:22:55,290 --> 01:22:57,590 [GASPS] 1745 01:23:03,630 --> 01:23:05,130 HE'S NOT COMING BACK, ZARA. 1746 01:23:05,630 --> 01:23:08,020 HE'S GOING TO THE MORGUE THIS TIME. 1747 01:23:08,020 --> 01:23:10,440 Man: LET'S TAKE 4 SHOTS OVER HERE, TOO. 1748 01:23:18,640 --> 01:23:19,640 DAN... 1749 01:23:27,150 --> 01:23:29,150 JESUS. 1750 01:23:29,150 --> 01:23:31,160 NOT AGAIN. 1751 01:23:34,380 --> 01:23:39,380 LET ME GO 1752 01:23:39,880 --> 01:23:44,390 LIE BENEATH THE STARS 1753 01:23:44,390 --> 01:23:48,890 AND TAKE MY LAST BREATH 1754 01:23:48,890 --> 01:23:54,680 DON'T CRY FOR ME 1755 01:23:54,680 --> 01:23:59,680 I'LL BE WITH YOU 1756 01:23:59,680 --> 01:24:01,690 NOW I MUST GO 1757 01:24:01,690 --> 01:24:04,190 I'LL SLEEP WHEN I'M DEAD 1758 01:24:04,690 --> 01:24:07,110 NOW I MUST GO 1759 01:24:07,110 --> 01:24:11,110 I'LL SLEEP WHEN I'M DEAD 1760 01:24:11,110 --> 01:24:15,620 DARKNESS CALLING 1761 01:24:15,620 --> 01:24:20,620 I AM FLYING 1762 01:24:20,620 --> 01:24:24,630 OOH 1763 01:24:24,630 --> 01:24:29,630 NOW I AM FREE 1764 01:24:29,630 --> 01:24:32,130 I'M FREE 1765 01:24:32,130 --> 01:24:37,140 INTO THE UNKNOWN 1766 01:24:37,140 --> 01:24:41,640 I DON'T WANT TO BE ALONE 1767 01:24:41,640 --> 01:24:47,150 COULD THIS BE MY FATE? 1768 01:24:47,150 --> 01:24:50,150 A SOUL WITHOUT A FACE 1769 01:24:50,150 --> 01:24:51,650 I WON'T BE SCARED 1770 01:24:51,650 --> 01:24:56,160 I AM GONE, BUT STILL I'M HERE 1771 01:24:56,160 --> 01:25:01,660 IT IS LIVING THAT I FEAR 1772 01:25:01,660 --> 01:25:07,170 YOU WON'T HEAR A SOUND 1773 01:25:07,170 --> 01:25:11,670 BECAUSE I AM DEATH ABOVE GROUND 1774 01:25:11,670 --> 01:25:15,680 DARKNESS CALLING 1775 01:25:16,180 --> 01:25:20,680 I AM FLYING 1776 01:25:20,680 --> 01:25:24,690 OOH 1777 01:25:24,690 --> 01:25:29,690 NOW I AM FREE 1778 01:25:29,690 --> 01:25:31,690 I'M FREE 1779 01:25:31,690 --> 01:25:36,700 INTO THE UNKNOWN 1780 01:25:36,700 --> 01:25:42,200 I DON'T WANT TO BE ALONE 1781 01:25:42,200 --> 01:25:47,210 COULD THIS BE MY FATE? 1782 01:25:47,210 --> 01:25:49,710 A SOUL WITHOUT A FACE 1783 01:25:49,710 --> 01:25:52,210 I WON'T BE SCARED 1784 01:25:52,210 --> 01:25:56,720 I AM GONE, BUT STILL I'M HERE 1785 01:25:56,720 --> 01:26:01,720 IT IS LIVING THAT I FEAR 1786 01:26:01,720 --> 01:26:06,730 BUT YOU WON'T HEAR A SOUND 1787 01:26:06,730 --> 01:26:11,230 BECAUSE I AM DEATH ABOVE GROUND 1788 01:26:21,240 --> 01:26:25,750 DARKNESS CALLING 1789 01:26:25,750 --> 01:26:31,250 I AM FLYING 1790 01:26:31,250 --> 01:26:34,760 OOH 1791 01:26:34,760 --> 01:26:39,760 NOW I AM FREE 1792 01:26:39,760 --> 01:26:41,260 FREE 1793 01:26:41,260 --> 01:26:45,770 DARKNESS CALLING 1794 01:26:45,770 --> 01:26:51,270 I AM FLYING 1795 01:26:51,270 --> 01:26:54,280 OOH 1796 01:26:54,280 --> 01:26:59,780 NOW I AM FREE 1797 01:26:59,780 --> 01:27:01,280 FREE 1798 01:27:01,280 --> 01:27:05,790 DARKNESS CALLING 1799 01:27:05,790 --> 01:27:10,790 I AM FLYING 1800 01:27:10,790 --> 01:27:14,800 OOH 1801 01:27:14,800 --> 01:27:19,800 NOW I AM FREE 1802 01:27:19,800 --> 01:27:21,800 I'M FREE 1803 01:27:21,800 --> 01:27:26,810 INTO THE UNKNOWN 1804 01:27:26,810 --> 01:27:31,810 I DON'T WANT TO BE ALONE 1805 01:27:31,810 --> 01:27:37,320 COULD THIS BE MY FATE? 1806 01:27:37,320 --> 01:27:39,320 A SOUL WITHOUT A FACE 1807 01:27:39,820 --> 01:27:42,320 I WON'T BE SCARED 1808 01:27:42,320 --> 01:27:46,330 I AM GONE, BUT STILL I'M HERE 1809 01:27:46,330 --> 01:27:51,830 IT IS LIVING THAT I FEAR 1810 01:27:51,830 --> 01:27:56,840 BUT YOU WON'T HEAR A SOUND 1811 01:27:56,840 --> 01:28:01,340 BECAUSE I AM DEATH ABOVE GROUND 1812 01:28:01,340 --> 01:28:05,850 DARKNESS CALLING 1813 01:28:05,850 --> 01:28:10,850 I AM FLYING 1814 01:28:10,850 --> 01:28:14,360 OOH 1815 01:28:14,860 --> 01:28:19,860 NOW I AM FREE 1816 01:28:19,860 --> 01:28:21,360 FREE 1817 01:28:21,360 --> 01:28:25,870 DARKNESS CALLING 1818 01:28:25,870 --> 01:28:30,870 I AM FLYING 1819 01:28:30,870 --> 01:28:34,380 OOH 1820 01:28:34,380 --> 01:28:39,880 NOW I AM FREE 1821 01:28:39,880 --> 01:28:41,380 FREE 1822 01:29:20,920 --> 01:29:25,930 DARKNESS CALLING 1823 01:29:25,930 --> 01:29:30,930 I AM FLYING 1824 01:29:30,930 --> 01:29:34,440 OOH 1825 01:29:34,440 --> 01:29:39,940 NOW I AM FREE 1826 01:29:39,940 --> 01:29:41,440 FREE 1827 01:29:43,950 --> 01:29:46,950 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 1828 01:29:46,950 --> 01:29:49,950 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--