Original subtitles

HEADS AGAIN. THAT'S 18.

19.

AND...

(chuckles)

VOILÀ.

I BELIEVE THAT'S THE WAGER.

PAY UP.

OKAY. SO WHAT'S THE TRICK? TRICK?

TELL ME WHAT THE TRICK IS, AND I WILL GIVE YOU THE MONEY.

THE TRICK IS...

(whispers) I HAVE SUPERNATURAL POWERS.

IT'S A 2-HEADED COIN, RIGHT?

LOOKS NORMAL TO ME.

HMM.

YOU DID SOMETHING TO THE COIN, RIGHT?

COME ON, MAN. I GAVE YOU 20 BUCKS.

(chuckles)

UH, CAN I HELP YOU? AM I IN THE WAY?

KIMBALL SAID I COULD SIT HERE. KIMBALL?

I'M A FRIEND OF HIS. ELISE CHAY.

ELISE, YES. YEAH, I'M THERESA LISBON.

CHO'S TALKED ABOUT YOU.

IT'S NICE TO MEET YOU. YOU MUST BE RIGSBY.

OH, HEY. WAYNE. IT'S A PLEASURE.

IT IS. I LIKE PUTTING FACES TO NAMES.

UM, I HAVE TO ASK YOU--

PATRICK JANE--IS-- OVER HERE.

OH. HI. HI.

(lowered voice) I THOUGHT HE'D LOOK SCARIER.

(lowered voice) HE'S RESTING.

HEY. HI WAS JUST MEETING EVERYBODY.

YEAH, WE WERE JUST GETTING TO THE EMBARRASSING QUESTIONS.

AND THAT'S WHY WE'RE LEAVING. OUR RESERVATION'S AT 8:00.

WELL, IT WAS NICE MEETING YOU ALL. HAVE A GOOD NIGHT.

(telephone rings) LET ME JUST GET THIS.

OKAY, I'LL BE BY THE ELEVATOR. ALL RIGHT.

CHO. Uh, Agent Kimball Cho?

THAT'S RIGHT. IT'S DETECTIVE SHARON FLOREY, OAKLAND HOMICIDE.

I'M HOPING YOU CAN HELP ME OUT WITH IT. UH, IF YOU WANT A SHOOTING CBI's ASSISTANCE, DETECTIVE,

YOU'LL HAVE TO RUN IT BY THE SPECIAL AGENT IN CHARGE.

NO, I'M--I'M NOT ASKING FOR CBI, AGENT, JUST YOU. ME? WHY?

Well, we haven't I.D.'d the victim yet,

BUT WE GOT HIS PHONE.

THERE WERE THREE CALLS TO YOUR NUMBER IN THE PAST FEW DAYS.

That bring a name to mind?

WHAT'S THE VICTIM LOOK LIKE?

ASIAN MALE, EARLY 30s,

prison tats. Uh, gangbanger, probably.

WHAT'S THE ADDRESS? (thud)

3700 Heller Way, Oakland.

(clicks pen)

ALL RIGHT.

I'M ON MY WAY. Thanks.

DUTY CALLS?

IT'S A HOMICIDE IN OAKLAND. THEY WANT HELP WITH THE I.D.

YOU'RE GONNA DISAPPOINT THAT LOVELY YOUNG LADY

WAITING OUT BY THE ELEVATOR FOR A CORPSE? IN OAKLAND?

A JOB'S A JOB.

I'LL COME WITH YOU.

NO. I'LL DO THIS ALONE.

(thunder crashes)

(indistinct police radio chatter)

AGENT CHO.

DETECTIVE FLOREY.

VICTIM TOOK THREE BULLETS IN THE BACK.

WALLET'S MISSING, BUT I DON'T THINK IT WAS A ROBBERY.

HE STILL HAD HIS PHONE ON HIM

AND SOME CASH IN HIS BACK POCKET,

ALSO THIS-- MEAN ANYTHING TO YOU?

NO.

HIS NAME'S DAVID SEUNG,

GOT OUT SIX MONTHS AGO AFTER DOING TIME AT FOLSOM.

HE'S A BANGER,

MEMBER OF THE AVON PARK PLAYBOYS.

AVON PARK PLAYBOYS?

MY OLD GANG. YOU RAN WITH THE PLAYBOYS?

SEUNG'S ONLY FAMILY IS HIS GRANDMOTHER, SAME LAST NAME.

SHE LIVES ON TELEGRAPH AVENUE. KNOW WHAT HE'D BEEN UP TO SINCE GETTING OUT?

NO IDEA. HAVEN'T TALKED TO HIM IN 13 YEARS. WHAT ABOUT THOSE CALLS?

HE LEFT A COUPLE MESSAGES, SAID HE NEEDED HELP.

YOU DIDN'T CALL HIM BACK AND FIND OUT WHY?

NO. ANYTHING ELSE, DETECTIVE?

WE'RE GOOD. THANKS FOR YOUR HELP. THANK YOU.

(horn honks in distance)

ALL RIGHT. WHAT'S THE STORY?

YOU HEARD THE STORY.

WHY DID HE CALL YOU FOR HELP? ARE YOU FRIENDS?

WE USED TO BE BEST FRIENDS.

HE WAS LIKE MY BROTHER.

Captioning made possible by T-Mobile. Stick Together.

Captioned by Closed Captioning Services, Inc.

MORNING.

DOES THAT LOOK FUNNY TO YOU?

LIKE, THICKER?

WHY?

I'M THINKING JANE WEIGHTED IT ON ONE SIDE

SO THAT IT ALWAYS LANDS HEADS.

EXCEPT WHEN I FLIP IT,

IT DOESN'T ALWAYS LAND HEADS.

IT COMES UP TAILS HALF THE TIME.

MAYBE THERE'S A TECHNIQUE OF TOSSING IT.

YOU'RE NOT GETTING ENOUGH SEX FROM VAN PELT.

HEY. SHH. WE DON'T TALK ABOUT THAT. (woman) KIMBALL.

MRS. SEUNG.

IT'S SO GOOD TO SEE YOU AFTER ALL THESE YEARS.

WHAT CAN I DO FOR YOU?

YOU NEVER VISITED HIM IN PRISON, DID YOU?

NO.

12 YEARS IS A LONG TIME.

I TOLD DAVID ABOUT YOU,

WHEN YOU JOINED THE ARMY,

WHEN YOU BECAME A POLICE OFFICER.

HE ALWAYS LOOKED UP TO YOU.

YOU'LL BE WORKING TO FIND WHO KILLED HIM, WON'T YOU?

NO, MA'AM. THE CASE BELONGS TO THE OAKLAND POLICE.

THEY'LL FIND WHOEVER DID THIS.

THAT DETECTIVE WOMAN--

SHE THINKS DAVID GOT KILLED BECAUSE HE WAS IN THE GANG.

THAT'S NOT TRUE. IT DOES LOOK LIKE THAT'S WHAT HAPPENED.

NO. HE LEFT THE GANG.

HE HAD A JOB.

JUST BECAUSE HE TOLD YOU HE LEFT THE GANG DOESN'T MEAN HE DID. HE WOULDN'T LIE TO ME.

MRS. SEUNG,

WHEN I KNEW DAVID,

I HEARD HIM LIE TO YOU MANY TIMES,

ABOUT WHAT HE WAS DOING, WHO HE WAS WITH.

THE OAKLAND POLICE WILL HANDLE IT, OKAY?

PLEASE, KIMBALL.

WON'T YOU HELP?

I'M SORRY, MRS. SEUNG.

THERE'S NOTHING I CAN DO.

SO HE WAS A FRIEND OF YOURS?

IT WAS A GUY I USED TO KNOW.

LOOK, WE'LL COVER FOR YOU

IF YOU WANT TO TAKE COMP TIME TO LOOK INTO IT. ABSOLUTELY. BOSS WON'T MIND.

I'M NOT GETTING INVOLVED.

BUT HE WAS YOUR FRIEND.

HE WAS A GANGBANGER, VAN PELT. BANGERS GET SHOT.

ALL RIGHT, HE'S NOT THE FIRST GUY I USED TO KNOW TO GET SHOT.

HE WON'T BE THE LAST. THAT'S FUNNY. GRANDMA OUT THERE

SEEMED PRETTY CERTAIN HE WAS NO LONGER A GANG MEMBER. SHE'S WRONG.

MAYBE HE GOT SHOT 'CAUSE HE WAS TRYING TO LEAVE THE GANG.

THAT HAPPENS, DOESN'T IT?

WHATEVER. OAKLAND'S GOT IT.

HOW MUCH TIME IS OAKLAND P.D. GONNA SPEND ON A GANGBANGER?

NOT MUCH. WHAT'S YOUR POINT?

WELL, THERE MUST BE SOMEONE THAT CAN TELL US

THAT HE WAS OR WASN'T A MEMBER OF THE GANG.

I MEAN, JUST FOR KICKS. NO.

OKAY, THEN, UH,

JUST TO...

SOOTHE YOUR TROUBLED CONSCIENCE.

(horns honking in distance)

SO THE MEAN STREETS, HUH? YEP.

YOUR OLD STOMPING GROUND.

YOU COULD SAY THAT.

STOLE A CAR OVER THERE WHEN I WAS 14.

YEAH?

CRASHED IT OVER THERE.

MM.

DON'T WANDER. NO WORRIES.

(scoffs) WE'RE CLOSED.

JON JON.

CHO.

IS THAT YOU FOR REAL?

YEAH.

MAN, I HEARD YOU WAS A COP.

I SAID, NO WAY.

DAWG, THIS IS KIMBALL CHO.

YEAH, I SEE HIM.

HE'S A PLAYBOY FROM WAY BACK.

CALLED HIM THE "ICE MAN."

NO.

YEAH, YOU WANTED SOMETHING DONE COLD, YOU GOT CHO.

WELL, IT'S STILL THE SAME. WHO ARE YOU?

UH. PATRICK JANE.

NICE TO MEET YOU. GREAT STORE.

UH, SOME KIND OF DRUG DEALERSHIP IS IT, YEAH?

NAH.

YOU KNOW, I READ SOMEWHERE THAT--

AND THIS IS VERY INTERESTING-- THE AVERAGE DRUG DEALER

WOULD MAKE A BETTER WAGE SERVING BURGERS.

IS THAT ACCURATE, DO YOU THINK?

(chuckles) THERE'S CHUMPS AND THERE'S PLAYERS

IN ANY GAME, BRO.

I GUESS.

HEY.

YOU HEAR ABOUT DAVID SEUNG?

OH. YEAH.

ANY IDEA WHO KILLED HIM? NO.

WAS HE ROLLING WITH YOU GUYS AGAIN?

IS THAT WHAT GOT HIM IN TROUBLE? WHY WOULD I TELL YOU ANYTHING?

AND I'LL LEAVE IT ALONE. WHEN DAVID GOT OUT OF PRISON, WE ASKED HIM TO PUT IN SOME WORK,

GET HIM BACK IN THE GROOVE, YOU KNOW? HE SAID NO.

HE WAS QUITTING. HE QUIT.

THEN ABOUT A MONTH AGO, HE CALLS AND HE'S ALL,

"I NEED TO TALK TO K.S. DIRECT,"

LIKE HE HAD SOME KIND OF DEAL.

SO HE'S WORKING WITH K.S. AND NOT THE GANG?

THAT'S WRONG.

THAT'S DISRESPECT.

YOU'RE IN OR YOU'RE OUT.

AIN'T NO HALFWAY.

RIGHT, ICE MAN?

WHAT KIND OF DEAL?

DON'T KNOW.

I DO KNOW K.S. IS SERIOUSLY MAD AT YOU FOR WHAT YOU DID.

WELL, HE SHOULD LEARN TO LET GO.

THANKS FOR YOUR HELP.

OH, JON JON, UM, THESE NUMBERS MEAN ANYTHING TO YOU?

(sniffs) NO.

YOU CERTAIN?

YEAH.

YOU'RE ABSOLUTELY CERTAIN?

WHAT'S WITH THIS GUY?

ALL RIGHT, WE'RE GOING.

YOU KNOW, YOUR OBSESSION WITH EATING

IS AN INFANTILE ATTEMPT

OF COPING WITH THE PERSISTENT ANXIETY YOU FEEL.

NOW IF I MAY RECOMMEND SOMETHING?

A CAREER CHANGE. IT'LL BE VERY GOOD FOR YOU.

DON'T TAKE THIS THE WRONG WAY,

BUT, UH, WHO CAME UP WITH "AVON PARK PLAYBOYS"?

I MEAN, IT'S NOT VERY TOUGH. YEAH, THAT'S FUNNY. LET'S GO BACK TO SACRAMENTO.

ICE MAN--UM, I KNOW WHERE IT COMES FROM, BUT I JUST...

(cell phone rings) JUST TELL ME YOU DIDN'T COME UP WITH THAT, 'CAUSE IT'S, UH,

YOU CAN DO BETTER THAN THE "ICE MAN."

Rigsby, what you got? WHEN DAVID SEUNG GOT OUT OF PRISON, HE WENT TO WORK

FOR A JANITORIAL SERVICES COMPANY BASED IN OAKLAND.

RIGSBY FOUND WHERE DAVID WORKED.

LISBON KNOW HE DID THAT? GOT AN ADDRESS?

I'M WORKING ON IT. IT'S JUST...

What about Seung's girlfriend?

GIMME A HINT ON THE COIN TRICK.

Occam's razor. WHAT RAZOR?

BYE.

LET'S GO PAY A VISIT TO DAVID'S OLD BOSS. WHAT'S THE POINT? HE WAS A BANGER.

SO HE HAD IT COMING? YES.

LET'S GO AND SEE HIS BOSS, GET A SECOND OPINION.

AND WHO'S THIS "K.S.," BY THE WAY? HE'S A GANG LEADER, BAD GUY.

WHAT'D YOU DO TO MAKE HIM MAD? I SHOT HIM.

(car door closes)

THAT'LL DO IT.

I WAS DROPPING OFF PAYROLL WHEN HE WAS STARTING HIS SHIFT. DID DAVID EVER MENTION ANYTHING ABOUT THE AVON PARK PLAYBOYS?

HIS P.O. GOT HIM THE INTERVIEW. I KNEW ABOUT HIS PAST.

WHY'D YOU HIRE HIM? I DON'T MIND HIRING EX-CONS. THEY JUST NEED A SECOND CHANCE.

WHEN THEY GET ONE, THEY APPRECIATE IT.

THEY'RE LOYAL. IT KEEPS TURNOVER DOWN.

(man) HEY, YOU. FRANK. CAN I HELP YOU WITH SOMETHING, MR. REED?

YEAH, DO YOUR JOB.

THE THIRD FLOOR MEN'S ROOM'S A DISASTER.

WHOLE FLOOR'S STARTING TO STINK.

MIDDLE MANAGEMENT.

EXCUSE ME?

YOU CATCH MORE FLIES WITH HONEY--

IT'S A SOUND BUSINESS PRINCIPLE,

OBVIOUSLY, ONE YOU NEVER LEARNED.

HENCE, UH, MIDDLE MANAGEMENT.

(pops lips)

HAVE A NICE DAY.

HE'S GONE.

I STARTED THIS BUSINESS

THINKING IT'D BE NICE NOT TO HAVE A BOSS.

TRUTH IS, I HAVE DOZENS. DO YOU KNOW WHAT THESE MEAN?

I HAVE NO IDEA.

NO IDEA AT ALL?

UH...

NO.

I-I DON'T KNOW WHAT ELSE TO TELL YOU GUYS.

NO NEED. THANKS FOR YOUR TIME.

NO PROBLEM. GOOD LUCK.

HEY, GUYS. I GOT A CALL FROM DETECTIVE FLOREY

WITH OAKLAND HOMICIDE.

DID WE DECIDE TO TAKE OVER THE DAVID SEUNG CASE

AND NOBODY BOTHERED TO TELL ME?

BECAUSE SHE'S HEARING FROM WITNESSES THAT YOU'VE TALKED TO. OH, UH, WE'RE JUST, UH.

PURSUING A LITTLE INDEPENDENT INVESTIGATION.

I WAS CHECKING TO SEE IF DAVID WAS STILL WITH THE PLAYBOYS. BALLISTICS CONNECTEDTHOSE. THE GUN USED TO KILL THAT'HIMY

WITH ANOTHER GANG SHOOTING A YEAR AGO.

IT WAS THE PLAYBOYS.

GREAT.

MAYBE WE SHOULD GO SEE THIS K.S. CHARACTER, HUH?

OR NOT.

SO I TOLD THE PROFESSOR THAT THE EVIDENTIARY ISSUES

WERE SECONDARY TO THE PROCEDURAL QUESTION,

AND SHE LOOKED AT ME AND SAID,

"HEY, YOUR HAIR'S ON FIRE."

HELLO?

SORRY. I HEARD THAT.

HEARING ISN'T THE SAME AS LISTENING.

ARE YOU OKAY?

YEAH. I'M FINE.

KIMBALL, YOU'RE TALKING EVEN LESS THAN YOU NORMALLY DO.

WHAT'S ON YOUR MIND?

NOTHING.

WHICH MEANS SOMETHING,

BUT YOU JUST DON'T WANT TO TALK ABOUT IT, RIGHT?

RIGHT.

WELL...

WE DON'T HAVE TO TALK.

THANKS.

(loud crash) ON THE FLOOR! ON THE FLOOR!

HEY, HEY, HEY! TAKE IT EASY! SHUT IT!

HEY! GET DOWN! FACE DOWN! (Elise) OH!

(Cho) HEY, YOU STAY AWAY FROM HER! STAY OUT OF PLAYBOY BUSINESS!

(Elise grunting)

(siren wails, indistinct police radio chatter)

SHE'S GOT SOME PRETTY BAD BRUISING AND LACERATIONS,

BUT SHE'LL BE OKAY.

YOU'LL BE FINE. JUST HANG IN THERE.

IT HURTS TO TALK.

ARE YOU OKAY? YEAH.

ARE YOU COMING WITH ME?

(whispers) I HAVE SOME THINGS TO TAKE CARE OF FIRST, OKAY?

AND THEN I'LL COME SEE YOU.

WE'RE TAKING OVER THIS CASE.

WE'LL LIAISE WITH THE OAKLAND P.D.,

BUT WE'RE IN CHARGE. I'LL LOOK INTO SUSPECTS WITH THE PLAYBOYS.

RIGSBY AND VAN PELT WILL GO

AND TALK TO THE PEOPLE AT SEUNG'S WORK.

HE WAS SHOT TWO BLOCKS AWAY FROM WORK.

MAYBE SOMEBODY SAW SOMETHING. CHO?

CHO?

WHERE WE GOING?

WHY DID YOU SHOOT K.S.?

I MEAN, IT'S A GANG. THERE'S GOTTA BE

SOME KIND OF RULES AGAINST THAT SORT OF THING.

K.S. WANTED TO DO A HOME INVASION.

YOU GO IN, HOLD THE FAMILY HOSTAGE AND TAKE ALL THEIR CASH.

I WOULDN'T DO IT.

K.S. WANTED ME ON THE JOB. WE ARGUED.

HE PULLED HIS GUN. I PULLED MINE FASTER,

TAGGED HIM IN THE SHOULDER. OUCH.

THAT'S WHEN I LEFT THE GANG. GAVE MY GUN TO DAVID.

A COUPLE OF DAYS LATER HE BOOSTED A CAR.

THEY PULLED HIM OVER, FOUND THE GUN ON HIM.

WITH THE POSSESSION CHARGE, HE GOT 15 YEARS.

AND YOU FELT RESPONSIBLE BECAUSE IT WAS YOUR GUN.

NO, I THOUGHT HE WAS STUPID TO HAVE IT ON HIM.

NEVER SHOULD HAVE DONE THAT. AND THEN YOU JOINED THE ARMY?

ENLISTED TWO WEEKS LATER.

I WANTED TO GET AS FAR AWAY AS I COULD.

TOLD MYSELF I'D NEVER GO BACK. OKAY.

HEY. HOW'S BUSINESS?

JON JON'S GONE. YOU WANT TO TALK, YOU GO FIND HIM.

NOT LOOKING FOR JON JON. WHERE'S K.S.? WHERE'S K.S.?

UH, YEAH, SIMPLE ENOUGH QUESTION, I THOUGHT.

WH--WERE YOU SERIOUS?

I NEED TO TALK TO HIM. WHERE CAN I FIND HIM? I DON'T TALK TO COPS.

I'M NOT A COP TONIGHT. NO BADGE. NOW WHERE IS HE?

I'M NOT LEAVING UNTIL I GET AN ANSWER FROM YOU.

(grunts) AAH! (mutters) NOW I'M GONNA ASK YOU ONE MORE TIME WHERE K.S. IS.

YOU DON'T TELL ME, I'M GONNA BREAK YOUR ARM.

YOU UNDERSTAND ME? SCREW YOU, MAN.

I CAN DO THIS ALL DAY. WHERE'S K.S.?! LET'S JUST RECONSIDER-- AAH! OKAY. OKAY, MAN. YOU'RE GONNA BREAK MY ARM. ALL RIGHT.

(Lisbon speaks indistinctly)

HAVE EITHER OF YOU HEARD FROM JANE OR CHO?

I CAN'T GET THEM ON THE PHONE,

AND THEY WON'T RETURN MY MESSAGES. I DON'T KNOW. CHO HASN'T BEEN TO THE HOSPITAL. I CHECKED.

DAMN. BOSS, I WENT OVER THE LIST OF PEOPLE WORKING WITH DAVID SEUNG

THE NIGHT HE WAS KILLED.

FOUR OF THEM ARE WORKING AT THE SAME JOB SITE TODAY--

A FINANCIAL FIRM CALLED CEDAR CREEK EQUITIES. THAT'S THE PLACE WHERE JANE AND CHO WENT TO, RIGHT?

YEAH. GO AND TALK TO WHOEVER'S IN CHARGE.

SET UP INTERVIEWS WITH ANYONE WHO WORKED WITH DAVID SEUNG.

AND IF YOU HEAR FROM EITHER OF THEM, CALL ME.

WHAT DID HE CALL IT? OCCAM'S RAZOR.

WHAT IS IT? I HAVE TO LOOK IT UP. IT'S SOME LOGIC THING.

BASICALLY IT SAYS YOU SHOULD AVOID COMPLEXITY

WHEN SOLVING PROBLEMS. WHAT DOES THAT HAVE TO DO WITH FLIPPING HEADS 20 TIMES?

I HAVE NO IDEA.

HI. I'M AGENT VAN PELT. THIS IS AGENT RIGSBY.

WE'RE FROM CBI. WHAT, DID SOMETHING HAPPEN?

NO. BUT WE NEED TO SPEAK

WITH THE DIRECTOR OF OPERATIONS, ADAM REED.

IS HE IN? NOT RIGHT NOW. UM, WOULD YOU LIKE TO LEAVE A MESSAGE?

WE NEED TO TALK TO HIM AS SOON AS POSSIBLE.

IS HE IN THE BUILDING? SURE. UM, BUT HE COULD BE ANYWHERE,

AND I DON'T KNOW WHEN HE'LL BE BACK.

THEN MAYBE YOU COULD CALL HIM AND ASK HIM TO COME BACK?

RIGHT. I GUESS I COULD DO THAT.

BAD COLD? HMM? (sniffles) OH, IT'S ALLERGIES.

I, YOU KNOW, THEY DRIVE ME CRAZY.

THAT'S K.S.'s HOUSE?

I'M GOING IN. YOU STAY HERE. DON'T MOVE.

I'M NOT GOING ANYWHERE.

(car door closes)

(sighs)

(horn honks in distance)

WE'RE LOOKING INTO THE MURDER OF ONE OF YOUR EMPLOYEES,

DAVID SEUNG. YEAH. THAT WAS SHOCKING.

I SAW HIM AROUND THE OFFICE OCCASIONALLY,

AND WE DIDN'T HAVE ANY REAL INTERACTION.

I DON'T, UH, HANG OUT IN THE MEN'S ROOM

CHECKING OUT THE PAPER PRODUCTS, SO...

(chair hums)

(birds chirping)

YOU EVER SEE ANY ARGUMENTS BETWEEN SEUNG AND COWORKERS?

CLEANING CREW? I DON'T KNOW. YOU'D HAVE TO ASK THEM. AND WHERE NOT WICOULD WE FIND THEM?

DOWNSTAIRS.

BUT, UH, MY GIRL CRYSTAL CAN HELP YOU OUT WITH THAT ONE.

CRYSTAL!

YES, MR. REED?

YEAH, COULD YOU PLEASE TAKE THESE AGENTS DOWNSTAIRS

AND LET 'EM TALK TO ALL THE JANITORS?

(sniffles) SURE. AND ON YOUR WAY BACK UP,

COULD YOU PLEASE GET ME A DECENT CUP OF COFFEE? YES, SIR.

THANK YOU. THANKS FOR YOUR TIME.

YOU BET. THANKS.

(gunfire)

(man) WHAT ARE YOU DOING? (man) HEY, YOU GONNA SHOOT THAT?

NOBODY MOVE. HANDS WHERE I CAN SEE THEM.

CHO.

K.S.

IT'S BEEN A WHILE. WHAT ARE YOU DOING HERE, MAN?

WE NEED TO TALK. GOT NOTHING TO SAY TO YOU.

I'M NOT ASKING YOU. IN THERE. MOVE.

MOVE.

(book thuds)

GO ON.

GO ON.

I'LL SHOOT ANYONE WHO COMES THROUGH THAT DOOR.

(closes door) WHAT IS THIS?

DID YOU KILL DAVID SEUNG? WHO?

(grunts) AAH!

(laughs)

GOOD TO SEE YOU, TOO, BRO. HAVEN'T CHANGED MUCH.

(grunts)

SOMEONE CAME TO MY HOUSE, HURT MY GIRLFRIEND,

TOLD ME TO STAY OUT OF PLAYBOY BUSINESS. THAT'S GOOD ADVICE.

YOU STILL MAD I SHOT YOU, HUH?

NOT MAD.

DETERMINED.

JUST KEEP TALKING WITHOUT TELLING ME WHAT I WANT TO KNOW. YOU'RE NOT YOU AGAIN GOING TO SHOOT ME. WAN

TRY ME.

YOU'RE A COP.

YOU'LL DO WHAT THE MAN SAYS.

I'LL DO WHAT NEEDS TO BE DONE. YOU KNOW THAT.

I DIDN'T PUT THE BEAT DOWN ON YOUR GIRLFRIEND.

I DIDN'T KILL DAVID. OKAY?

DAVID CAME TO ME A MONTH AGO,

WANTED TO BUY SOME COKE, 5 LARGE.

I HOOKED HIM UP. THAT'S ALL I DID WITH HIM.

WHAT WERE YOU ARGUING ABOUT? THAT MUCH WEIGHT WASN'T JUST FOR HIM.

I FIGURED HE WAS SELLING. YOU TOLD HIM TO CUT YOU IN.

YEAH. BUT HE WASN'T DOWN FOR THAT,

SAID IT WAS A ONETIME THING AND NO MORE.

YOU'RE LYING. I'M TAKING YOU IN.

GET UP.

NOT GOING TO A GOOD PLACE, CHO.

SHUT UP. GET THE DOOR.

MOVE.

HI.

YOU MUST BE K.S.

LET HIM GO. PUT YOUR GUN DOWN, AND I'LL LET HIM GO.

NO WAY. YOU.

WHAT'S IT GONNA BE, CHO?

IT'S ON YOU.

WELL, LET'S JUST TAKE A BREATH, THINK ABOUT WHAT WE WANT.

YOU DON'T REALLY WANT TO SHOOT ME. NO?

NO. MY FRIEND AND I ARE COPS.

NO MATTER HOW CRAZY AND TOUGH YOU ARE,

EVERYONE KNOWS WHAT HAPPENS WHEN YOU KILL A COP.

IF YOU'RE LUCKY, YOU SPEND THE REST OF YOUR LIFE IN PRISON.

IF YOU'RE LUCKY.

CHO.

YOU DON'T WANT TO SHOOT K.S.

YOU DO, YOU'LL NEVER FIND OUT IF HE KILLED DAVID.

YOU'LL DESTROY YOUR CAREER AT CBI.

SO LET'S JUST EMBRACE THIS MOMENT

AND THINK...

ABOUT WHAT WE WANT...

AND JUST RELAX.

JUST...

LOOSEN UP AND RELAX.

(exhales deeply)

OH, YEAH. THAT FEELS SO MUCH BETTER.

GET OUT.

NOW.

THANK YOU.

UH, ACTUALLY, I-- WHOA.

WHOA.

IT'S OKAY. JUST...

DON'T SHOOT.

JUST A PLASTIC BAG.

NOTHING TO IT.

THESE NUMBERS-- THEY MEAN ANYTHING TO YOU?

YOU ARE ONE STRANGE FREAK, MAN.

OKAY. WELL, I'LL TAKE THAT AS A NO.

(bag rustles)

(door creaks)

THERE'S PLENTY TO HOLD HIM ON. AH, HE'D COME IND ARREST K.S. SURROUNDED BY LAWYERS. HIM

IT'S NOT HIS FIRST TIME IN AN INTERROGATION ROOM.

BESIDES, I THINK HE'S CLEAN FOR THIS. CLEAN? HOW?

WELL, HE TOLD YOU THAT HE SOLD THE DRUGS TO DAVID.

WH-WHY WOULD HE DO THAT? WHY WOULD HE KILL HIM?

WHAT'S THE MOTIVE? HEY. WOW, THAT LOOKS GOOD.

LIGHTER THAN AIR. MMM.

WHY'D YOU CALL HIM? OH, UM, YOU'RE AN UNRELIABLE PARTNER.

I NEARLY GOT SHOT.

LOOK, IF DAVID WAS SELLING, HE WAS USING. IF HE WAS USING,

HE COULD HAVE SCREWED UP WITH K.S. A THOUSAND WAYS. SEUNG WASN'T USING.

HIS TOX SCREEN CAME BACK CLEAN. JUST GOT THE REPORT. NO DRUGS.

SEE? WELL, THEN K.S. KILLED HIM FOR ANOTHER REASON.

TOO COMPLICATED.

OCCAM'S RAZOR SAYS

THE SIMPLEST SOLUTION TO A PROBLEM

IS USUALLY THE CORRECT ONE. RIGHT? RIGHT.

RIGHT. SO IF I FLIP A COIN,

AND I GET HEADS 20 TIMES IN A ROW,

YES, I COULD HAVE RIGGED THE COIN.

BUT IF THE SIMPLE ANSWER IS THE RIGHT ONE...

TWO COINS.

A 2-HEADED VERSION TO FLIP...

AND A REAL COIN TO SHOW YOU, MY FRIEND. (sets quarter on table)

I KNEW IT. WHAT'S THAT GOT TO DO WITH DAVID?

DAVID BOUGHT $5,000 WORTH OF COCAINE.

HE DIDN'T SELL AND HE WASN'T USING. THINK SIMPLE.

WHO GOT THE DRUGS?

(sniffles)

(toilet flushes)

(sniffs)

(clears throat)

HI, CRYSTAL.

WHAT YOU GOT THERE?

(sniffles)

WE DON'T REALLY CARE ABOUT THE DRUGS.

CRYSTAL, THIS IS A HOMICIDE INVESTIGATION.

GIVE US A NAME.

WAS IT DAVID SEUNG?

YES.

YES, IT WAS DAVID SEUNG.

HE GAVE ME THE DRUGS.

NO. NO, YOU JUMPED AT THAT A LITTLE TOO EAGERLY.

IT'S NOT A GOOD IDEA TO LIE TO US, CRYSTAL.

I CAN'T TELL.

HE'LL HURT ME.

OKAY.

HAS HE HURT YOU BEFORE NOW?

HOW?

(sighs)

UM... (sucks lip)

HE LIKES TO GET HIGH

AND BEAT ME AND THEN HAVE SEX.

CRYSTAL, THAT'S SEXUAL ASSAULT.

HE SOMEBODY YOU WORK WITH?

CRYSTAL, IF YOU TELL US HIS NAME, HE WON'T HURT YOU AGAIN.

ADAM REED.

AND DID ADAM GET THE DRUGS FROM DAVID SEUNG?

YEAH. YES.

HOW?

ADAM CAUGHT DAVID STEALING A LAPTOP,

AND HE KNEW THAT DAVID HAD GANG CONNECTIONS,

SO HE FIGURED HE WOULD KNOW

PEOPLE WHO HAD ACCESS TO GOOD COKE.

ADAM TOLD DAVID HE WOULD TURN HIM IN

UNLESS HE GOT US THE DRUGS.

ADAM REED BLACKMAILED DAVID INTO GIVING HIM THE DRUGS?

YES.

THANK YOU, CRYSTAL.

THAT WAS LOVELY. THANK YOU, CRYSTAL.

DO YOU KNOW WHAT THESE MEAN?

UH...

I--WHERE DID-- HOW'D YOU GET THOSE?

(Adam) ONE FOR ME. ONE FOR YOU. (woman laughs)

TWO FOR ME... (door opens)

OH.

(Cho) LADY, IF YOU DON'T WANT TO GO TO JAIL, LEAVE NOW.

WHAT'S GOING ON, FELLAS?

WHAT THE HELL IS THIS? 'CAUSE FIRST OF ALL, THAT'S NOT MINE.

SHE BROUGHT THAT IN HERE. IT HAS NOTHING TO DO WITH ME. LET ME SEE YOUR HANDS. COME ON. LET'S GO.

(handcuffs click)

I DON'T CARE ABOUT THAT. SIT DOWN.

OH, YOU'RE A TRUE RENAISSANCE MAN, AREN'T YOU?

BUSINESSMAN, DRUG DEALER,

BLACKMAILER, SEX ABUSER.

YOU TALKIN' TO CRYSTAL?

HUH? THE CRAZY COKEHEAD?

YOU CAN'T BELIEVE A WORD SHE SAYS.

OW! DON'T MESS WITH US.

OKAY.

THEN THERE'S THE SHOOTING OF DAVID SEUNG.

I HAD NOTHING TO DO WITH THAT. WE THINK YOU DID.

YOU KNOW WHAT THESE ARE? 'CAUSE I DO.

THESE ARE PASSWORDS TO FINANCIAL ACCOUNTS

OF SOME OF THE FIRM'S WEALTHIEST CLIENTS.

DAVID SEUNG WAS STEALING THESE WHEN HE WAS KILLED.

THE DRUG BUY-- THAT WAS JUST A WARM-UP.

THIS IS WHAT YOU REALLY WANTED HIM TO DO, WASN'T IT?

YOU WANTED HIM TO STEAL THESE ACCOUNT NUMBERS

AND YOU SHOT HIM, DIDN'T YOU? SYOU PEOPLE ARE INSANE.THEM. I HAD NOTHING TO DO WITH THAT!

YOU DID. THEN YOU BROKE INTO MY HOUSE

AND YOU BEAT ON MY GIRLFRIEND

AND THREW THE BLAME ON K.S. AND THE PLAYBOYS, RIGHT? NO. I DIDN'T--OW!

(Cho) WHERE'S THE GUN, ADAM? (Adam) WHAT GUN? I DON'T--

MAN, I WANT MY LAWYER RIGHT NOW!

(Rigsby) HEY, CHO!

WHERE'S THE GUN, ADAM? WHAT GUN? AAH!

THE GUN YOU USED TO KILL DAVID.

THAT'S CRAZY. MAN, I WANT MY LAWYER RIGHT NOW.

AAH! HEY, CHO, YOU GOTTA TAKE IT DOWN A NOTCH.

WE CAN TAKE HIM BACK TO THE OFFICE, OKAY?

WE NEED HIM TO CONFESS. HE HAS TO TELL US WHERE THE GUN IS.

IF WE DON'T HAVE THE GUN, HE'S GONNA WALK. WE'LL GET THERE.

CHO, IT'LL BE FINE. NOW YOU GOT CUTS AND BRUISES ON YOUR KNUCKLES.

YOU GET THOSE WHEN YOU HIT SOMEBODY.

YOU WENT TO MY GIRLFRIEND'S APARTMENT.

YOU PUNCHED HER IN THE FACE UNTIL SHE BLED.

AND YOU KILLED MY FRIEND DAVID. ADMIT IT. THAT'S FROM SOMETHING ELSE.

ADMIT IT! I DID! I-I BOUGHT DRUGS FROM DAVID SEUNG.

I-I ADMIT THAT.

SO? THE REST OF THIS--I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

LAST CHANCE.

YOU KILLED DAVID AND YOU HID THE GUN. WHERE?

I DON'T KNOW. TOO BAD.

(grunts)

(Adam) AAH!

(Adam) WHERE ARE WE GOING? WHERE ARE WE GONNA GO?

SHUT UP. (Rigsby) HEY! HEY!

WHERE ARE YOU TAKING ME? COME ON.

(Rigsby) CHO! OPEN UP! (Patrick) CHO! OPEN UP! CHO!

CHO, COME ON! CHO!

COME ON, MAN. OPEN THE DOOR!

(Patrick) HELLO?! (knock on door)

HEY! OPEN THE DOOR! CHO!

HEY! HEY! SOMEBODY!

HEY! HEY! OPEN UP.

COME ON. OPEN IT UP!

HI. THANK YOU.

THANK YOU. DO YOU KNOW WHICH WAY THEY WENT?

THEY WENT THAT WAY. LEFT OR RIGHT?

LEFT. YEAH, THAT WAY. THANK YOU!

YOU SHOULD USE THIS AS A LEARNING EXPERIENCE. (voice breaks) WHAT?

NO. PLEASE DON'T. PLEASE!

(thud)

CHO!

(gunshot)

OHH.

HEY! COME ON!

QUICK! KEY! YOU GOT A KEY?

QUICK.

GO.

OH, CRAP!

OH, HELL. CHO!

IS HE DEAD?

YES. HE WOULDN'T TALK.

OH, NO. THIS IS NOT GOOD, CHO.

YOU'RE OUT OF CONTROL. HE MADE ME MAD.

AND YOU--YOU STAY RIGHT WHERE YOU ARE.

RIGSBY, PUT THE BODY IN THE CAR. OH.

RIGSBY, PUT THE BODY IN THE CAR! RIGHT. YEAH. F-FINE.

I--LISTEN.

I WON'T TELL ANYBODY ABOUT THIS.

BE QUIET! I'M THINKING! OH, WHAT'S TO THINK ABOUT? HE DIDN'T CONFESS.

IF HE WAS GUILTY, HE WOULD HAVE TALKED. I GUESS.

WHAT DO YOU THINK, FRANK?

I DON'T--I DON'T KNOW ANYTHING ABOUT IT.

REALLY?

WELL, THAT'S ODD,

'CAUSE... I THINK YOU LIED ABOUT KNOWING THESE NUMBERS.

NO, YOU'RE--YOU'RE WRONG. ALL THOSE DAYS CLEANING THE BATHROOM,

IT MUST FEEL PRETTY GOOD GETTING RICH OFF THEIR ACCOUNTS. PICI DIDN'T DO THAT.

WHAT'S WITH THE GLOVES, FRANK?

THEY'RE WORK GLOVES.

YOU'RE NOT WORKING NOW. TAKE THEM OFF. GO ON.

(Frank scoffs) IS THERE SOME REASON YOU WON'T TAKE THEM OFF?

NO. MAYBE YOU GOT SOME CUTS AND BRUISES ON THEM.

S-SLOW DOWN. THIS DOESN'T HAVE TO END THE SAME WAY.

FRANK, JUST TELL US. TELL US THE TRUTH.

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

YOU SHOT DAVID SEUNG.

NO, I DIDN'T! YOU SAID YOU WERE DROPPING OFF THE PAYROLL

THE NIGHT THAT HE WAS KILLED. YOU LIED TO US.

YOU SAW WHAT HAPPENED TO HIM. I AM TRYING TO HELP YOU HERE. SHOW ME YOUR HANDS.

NO. SO JANE'S RIGHT. IT WAS YOU.

NO! OH, FRANK.

FRANK, DON'T MAKE ME KILL YOU, TOO. NOW YOU TELL ME THE TRUTH.

YOU TELL ME THE TRUTH, AND I WON'T HURT YOU.

I-I-I-I'M NOT... YOU.

STOP! AAH! STOP! I CONFESS! I KILLED DAVID!

DON'T LET HIM SHOOT ME! PLEASE. PLEASE.

TELL THE TRUTH. HE'LL DENY IT LATER.

NO! NO! I-I-I-I BROKE INTO YOUR GIRLFRIEND'S APARTMENT!

I CUFFED YOU! I MADE YOU WATCH!

LOOK. SEE?

SEE MY HANDS?

WHERE'S THE GUN?

IN THE STORM DRAIN OUT FRONT.

IT'S OKAY. I BELIEVE HIM. I BELIEVE HIM.

RIGSBY.

WAIT.

YOU--YOU KILLED HIM. (Patrick) AH, NOPE.

CHO, HE'S CONFESSED. YOU WON.

YOU WON. YOU DON'T HAVE TO HURT HIM.

YOU DON'T HAVE TO HURT HIM.

YOU'RE RIGHT.

IT'S OKAY.

OOH!

(siren wailing in distance)

WE FOUND THE GUN. BALLISTICS ARE A MATCH.

YOU DIDN'T HIRE DAVID TO GIVE HIM A SECOND CHANCE.

YOU HIRED HIM TO STEAL FOR YOU.

HE WAS LIFTING LAPTOPS AND DATA.

ALL YOU HAD TO DO WAS THREATEN TO VIOLATE HIS PAROLE.

WHY KILL HIM? HE WAS STEALING FOR YOU.

HE SAID HE WAS GONNA QUIT.

HE DIDN'T WANT ANY OF IT.

SAID HE JUST WANTED TO LIVE HIS LIFE.

I THOUGHT HE WAS GONNA TELL THE COPS.

THE OTHER GUNMAN THAT WAS WITH YOU WHEN YOU BROKE IN ON ME--

WHO IS HE?

TONY WADE.

HE WORKS FOR ME.

WE'RE DONE HERE.

OKAY.

COME ON.

(door opens and closes)

MR. REED, I APOLOGIZE FOR ACCUSING YOU

OF SEVERAL CRIMES I KNEW YOU HAD NOT COMMITTED

AND FOR ASSAULTING YOU REPEATEDLY.

THAT'S IT?

YES, THAT'S IT.

I THOUGHT THAT WAS VERY GOOD.

IT'S INCREDIBLE.

ABSOLUTELY INCREDIBLE.

THIS CASE WON'T LAST 30 SECONDS IN A COURT.

THE LAWSUITS, HOWEVER, WILL LAST FOR A VERY LONG TIME.

COME ON, ADAM. LET'S GET OUT OF HERE.

AGENT CHO,

YOU'VE MADE MY CLIENT A RICH MAN. (chuckles)

ONE MORE THING.

WHAT'S THAT?

WE HAVE TESTIMONY FROM CRYSTAL HARGRAVE

THAT WILL LEAD TO MR. REED BEING CHARGED WITH SEVERAL FELONIES.

THEY INCLUDE NARCOTICS TRAFFICKING,

EXTORTION, SEXUAL HARASSMENT--

NEVER BE ADMITTED. FRUIT OF THE POISONOUS TREE.

NOT EVEN FROM THE SAME FOREST.

OUR D.A. IS WILLING TO TALK A DEAL WITH MR. REED

IN THE INTEREST OF MENDING FENCES,

IF HE'S INTERESTED IN MENDING FENCES WITH US.

(speaks indistinctly)

WE'LL SPEAK TO THE D.A. GOOD.

MRS. SEUNG.

MAY I COME IN?

THANK YOU.

WHEN I HEARD DAVID HAD BEEN KILLED,

I ASSUMED IT WAS BECAUSE OF THE MISTAKES HE MADE,

BECAUSE HE HADN'T CHANGED HIS WAYS.

YES?

I WAS WRONG.

YOU WERE RIGHT.

DAVID HAD CHANGED.

DAVID CALLED ME...

TO ASK FOR MY HELP.

BUT I NEVER CALLED HIM BACK.

WHEN I LEARNED HE'D BEEN KILLED,

I DIDN'T WANT TO ADMIT

THAT MAYBE HE'D TURNED HIS LIFE AROUND,

BECAUSE THAT WOULD MEAN ADMITTING THAT I LET HIM DOWN.

(speaking Korean)