Original subtitles

Is this how you brake?

You think I'm crazy?

Were you sleeping?

It's the fault of that cyclist.

He's getting more and more stupid.

You didn't do anything?

Hi, Luigi.

Good thing I let you record the brakes

before you left.

Throw that cigarette away!

Come on, come on, let's go, we're late.

He was

a rival and he came back for the

hunt.

But, he's always with you?

Like a dog.

Yes, yes, like a dog, like a dog.

He's the director of the engineer's factory.

But he's a hunter, isn't he?

No, he will be.

But I smell horns.

No, look, everyone has horns, but not the

engineer.

But the cat is present, Mrs. Zoraida.

And the whole house is lit, in fact,

more lit than the house.

I've always said that you have a lot

of horns around you.

Oh, here's your lady, Romeo.

First, you took the ice cream.

And now?

If we want to go?

Anyway, listen to me when I talk to

you.

The favorite engineer is the big horn.

But what are you saying, Romeo?

You'll see, you'll see, who's good at it

will see.

Let's go, wife, let's go.

Come on, engineer.

Come on, come on.

Come on, engineer.

How?

Still all like this?

Come on, come on.

If I don't think about it.

Open everything.

Arrange the beds and the rooms, quick.

Yes, ma'am.

Luigi.

Luigi, where did you go?

Princess.

Sleep.

Come here.

Come here.

Wait for me.

If I catch you.

Wait for me.

If I catch you, asshole.

What are you doing?

The lady is coming.

But I'm afraid of the lady.

I'm afraid of everyone, I know.

But where are you?

Where are you going?

What are you doing?

Where are you going?

We'll make a nice car, my dear.

My God, what a bump.

Doris.

Zoraida.

Who are you?

Who's that?

Do you know her?

She says she's our relative.

Adele, what are you doing here?

Mine?

18 years old.

You've grown up.

Yes.

You've grown up.

The last time I saw you...

you were this tall.

With your mother.

Face her soul.

And you got thrown out of school.

Mom used to pay for the rent.

Have you finished your studies?

No.

Well, at least we're here.

Mom always told me you wouldn't forget when

you were two.

All right, all right.

We'll figure something out.

Here's the coffee.

How much sugar?

Two.

Give it to me, I'll pass it to

the lady.

Luigi, don't take it, it'll raise your blood

pressure.

With what he's eaten, he'll need another coffee.

How much sugar?

One, thank you.

A unique taste.

An exceptional bouquet.

It's a pity you come like this, you

won't find any more.

With the strawberries, it's your death.

Because it has so much asprin that goes

well with the sweet.

Don't you think, Isoraide?

Yes, yes, it pays off well.

Anyway, as long as you stay with us,

find something to do.

I don't like to see people around the

house doing nothing.

All right, aunt.

You, Mr. Piero, don't take the coffee, do

you?

Yes, I'll do it tonight, I'll break the

rule.

Let him go through.

I'll go to bed, aunt, I'm very tired.

All right, all right.

Well, Luigi, let's play a game, shall we?

He's going to sleep, tomorrow he's going hunting.

But Antonio is coming tomorrow.

He won't go to get Doris, he'll wake

up at four.

I have to go, I have to go.

Are you going to wake up too, Mr.

Piero?

Yes, yes, thank you.

No, I'll call him.

And turn off that shitty cigar.

Good night, Luigi.

Good night, good night.

After eight months, you'd like him to go

and get you, you don't need him.

What's all this hunting mania?

Sometimes I think I love him better, Antonio,

that I'm not even his mother.

And close that window, we'll fill it with

mosquitoes.

It's the only thing that's not missing here.

I understand why you come here every year.

We could go to Riccione, to the sea.

I hate the countryside.

Besides, we wouldn't have found ourselves among the

feet of that Adele.

What would you say about putting her to

work in the factory?

No, she's still a relative of mine, I

don't think it's the right place.

Still, we'll have to give her a fix.

If not, she'll stick to us like a

leech and she'll stay at home all her

life.

Wait a minute.

I'll come to you later.

Luigi, aren't you listening to me?

What the hell is this?

Silence!

It's your granddaughter!

Not mine, for God's sake!

Oh, Lord!

What a bad curse!

Who is it?

It's me.

The engineer?

The engineer?

What did he do?

No, no, for God's sake!

The engineer!

Do you hear that, Baroness?

Oh, Mary the Virgin!

Oh, I'm dirty!

No!

He's throwing me!

No, he's throwing me!

Engineer, don't get so worked up.

It happens to everyone.

It must have been a tiring journey.

Tiring my ass off?

Never!

I'm never tired, do you understand?

Mario!

Here.

Put this on.

But how?

Naked?

Oh, I'm ashamed.

Naked, naked, naked!

Like you've come to the world, Benedetta!

All right.

But what a stranger, Engineer.

You're a stranger now.

Come on.

Come on, run!

All of you?

All of you, all of you, come on!

Here.

Good.

Stasso!

Come on.

Is this all right?

Come on, put it on me.

Also underneath, also underneath.

Good.

More or less.

Brush!

Benedetta, good, good.

I'm tired, Engineer.

Also underneath, come on, come on, come on!

Come on, brush!

More underneath.

I'm tired.

I'm tired.

A little more, a little more.

Hurry up, rhythm, rhythm.

Here, yes, good, here.

Come on.

Brush!

Brush, Engineer!

Good, Engineer!

Yes, Engineer!

What are you looking at?

You're tired, go to sleep!

Yes.

Are you

tired, Sir?

No, no.

It's a little hot.

Oh God, oh God, what are you doing?

What are you doing, Freddy?

Freddy!

Freddy!

Sir!

He never makes a mistake.

Thank you.

Here we are.

10 and 5 and 15.

Change.

10 for the poor of our parish and

5 for the souls of the purgatory.

It seems right to me.

Luigi, Antonio has arrived.

Yes, Tiger, what are you doing there?

Come on, come on.

Luigi!

I gave myself to Jesus Christ, Father.

I've always given myself to him.

Did they brainwash you?

Or didn't they give you enough to eat?

Luigi!

What did he say?

Look how thin he is.

Promoted!

Remanded!

Sacrament!

Patience, he'll recover.

Patience my ass!

From tomorrow, study!

Eight hours on the books!

But he has just returned, let him rest

a little.

Nothing, nothing, study, study!

At his age, I broke my head on

the books.

If they show you that this year I'll

put you in the factory to be a

worker!

Antonio, are you there?

What are you doing?

Take it, it's good for you.

Thank you.

And be careful, eh?

Study, study.

I'll draw the hands and the face of

Jesus.

Fly, no!

Sing, no!

Hi Doris.

Good morning, miss.

Are you studying today?

Uffa, are you going to study too now?

Ah, for me.

It's hot, eh?

Yes, hot.

Fly, no!

Sing, no!

In the blue, painted in blue, happy to

be up there.

And I flew, I flew, happy, higher in

the sun and even higher.

What are you studying?

God, how must you be educated?

Fly, no!

Sing, no!

In the blue, painted in blue.

Can I see it?

No, and the wet hands, you suck it.

Ouch!

What is it?

I threw something in my back.

Where is it?

Oh Lord, I can not.

Try her.

Me?

Yes, I have wet hands.

Try, try.

Where?

Put your hand down.

Here, here.

The hand, more down, more down again.

A little further.

Here, more in there, more in there.

Here, yes.

I do not hear anything.

And even further.

Here, again.

It's there, it's there, it's there.

A little further.

Sir, did you find it?

Sir, did you find it?

Hello.

Hello.

Look here,

the stuff does not last any longer today.

Washing it too much.

Doris!

The engineer has woken up, he wants coffee.

Thank you, Mr. Piero.

Well up, you want coffee too.

Eh, why not.

Thank you.

Adele, would not you bring coffee to your

uncle?

But I really ...

Come on, come on, I have to do

here.

Come on.

But who can see my beautiful wife?

Uncle, please, uncle.

Who are you?

Adele.

Genoide!

Doris!

But this is the way to bring coffee!

What do you learn?

Do you think I have not seen you,

that you see among all the clothes of

the house?

But I ...

But you, but you.

You never mind.

But if you do not provoke them, they

would be good.

But what does it sound like?

What are you doing, Mr. Piero?

A check on the engine.

But look at that flower of a cow.

Here it is.

Can I mount?

Yes, mount.

Can you drive me?

Just a ride.

Bring the bag!

You hurt yourself, Luigi?

Oh, Madonna!

But you have nothing to do.

Go away!

I'm going, I'm going.

Then ...

Mona!

Put them in cold water, if they do

not inflate.

Genoide, are you ready?

Always late in this house.

This house is a mess!

What happened to your hand?

But that imbecile, so much to change.

But you're still like that?

Luigi, I have to talk to you.

Right now?

Promise me you will not get angry.

Shortly before, I surprised Antonio who inspired me.

But I fuck that deprived!

But no, do not do that, you have

to understand, he's a boy, and delicate hands.

Sorry, you should speak to him as a

man.

Now he's big.

Okay, quickly, if we're late, I'll take care

of it.

I recommend, tact.

Dad, I did nothing.

But look, what are you doing?

I study.

Exactly, you study, you study too much.

A boy your age should go out, get

a little distracted, take a walk, some company

suitable, some girl.

But...

But what?

Listen to me, to women, you go.

But in high school...

But what high school?

Look how you reduced high school, white that

looks like a worm.

Always books, books, books, books, books.

What is this?

What is this?

Here it is.

You're a scoundrel, of the witch.

What time do you wake up?

Women, women in flesh and blood, more than

these pigs here, I was your age.

It was a mess, from morning to night,

understood?

From morning to night, eh?

But do you have a girl?

No?

Then I'll take care of it.

Now you can come to someone's village of

the country.

Have a party, today, dance, palpate, dance and

palpate, understood?

Yes dad, thanks dad.

It's the Mona.

What do you want?

Let's go to Mass.

But I'm coming, I'm coming.

Did you understand?

Fuck you, you're a man, eh?

Penalty?

This father, 20 years, it's a fine.

A fine?

10,000 lire.

But, I find it strange as a penalty.

Hey Aldino.

Good morning, engineer.

Can you hear this ricotta?

It seems good, it seems.

Well, good, good.

Bring it to me, bring it to me

in the villa, eh?

Good morning, engineer.

Here, everything is crooked in this country.

Come on, let's go, let's go, let's go.

But what a hurry.

The eye of the sky.

Don't you see that the ice is missing?

Go to the kitchen to get it, no?

But if you come to mind.

A game, engineer?

No, no, play with Piero, who is better.

Ah really, I'm a little out of the

game.

you're a champion.

No, but no, I ...

Zoga.

Right or left?

Right.

Oh, Bianco, I really see that you are

lucky, you.

And the move first.

Read, read the newspapers.

Eh yes, at the end of the world.

Now, tell Pamela, do you read the newspapers?

Yes and no, I read the newspaper.

Here, you know what we would like?

A strong government, but strong.

I have a headache, I'm going to get

some air.

Usually it doesn't hurt.

Oh sir, in my house, under my husband's

roof.

Oh Gaspare, no.

Oh no, Gaspare.

Head.

Oh, Gaspare.

Gaspare, I didn't believe it.

Modestly.

But, however, you turn it around, there are

always horns.

Where are you, Piero?

Eh, he didn't feel well, I couldn't disturb

him.

Where is the car?

Come on, the car.

A bicycle.

Luigi.

Give me a bicycle.

Luigi.

What did the engineer take from him?

I don't know.

he drives me crazy.

Let me see, let me see.

Look what a fury he has.

Oh God.

Prepare the way to go away.

Eh?

But.

Oh, but Romeo, but yours is really a

sensation.

Not without foundation, but.

Piero.

Our songs.

Piero.

Luigi, did you find out?

Oh, stop.

Stop, bitch.

Engineer, no.

Open the door.

here.

Hey, Luigi, let's go hunting.

Help.

Help.

Help.

Help.

I'm going to die, my dear.

Take the rifle, I'll give you some ice.

Help.

For four skeletons I had to bear even

Master.

Coward, dirty, depraved and even impotent.

But I'm leaving.

No.

Good morning to the most beautiful ass of

the country.

You too, now all for six men.

No, but.

What?

Luigi.

No.

Engineer.

But you hurt yourself.

In short, I want to dig this stuff

from above.

Eh, yes, corrupt and impotent.

Look here, what a nice couple.

I'm disgusted, I want to resist even mass.

Come on.

What did you mean?

But imagine, a malignancy before leaving.

But now we are left without a servant,

we have to go too.

Can I replace Doris?

But yes, of course.

My Adele.

Hey Adele, but where did you hide all

this good God?

Until yesterday you looked flat in front and

behind.

So?

Ah nothing, it's a note, so much to

discuss.

To me these notes I break my balls.

But uncle, no, what are you doing?

Bravo, here it is, here it is, you're

always late.

Hello Luigi, the price of the raw material

increases, it will be necessary to touch up

the lists.

And I have to think about it.

But then you, excuse me, what are you

doing as director of the factory?

You are 18 years old and you will

make me a generation of dead.

Disgusting, but Adele, but how is it that

you serve?

But how do you hide that when you

put the stuff you don't even move?

And what are you laughing at, But Luigi,

you can't offend me like that all the

time.

I don't offend you when I call you

stupid, because you are stupid.

I'm good at making trouble.

Zoraida, Luigi, but don't do that.

Couldn't we have a little of that for

you?

Luigi, are you sick?

What time is it?

Nothing, I'm going hunting.

Sleep.

You look sad, this morning.

Come, come, here, good.

It was time.

Come.

How beautiful.

But, but where are you going?

Hey, look at him.

Your mother, bitch.

But, damn, even the binoculars now.

Hey, Fjordunkan, come here.

Bring that sledgehammer, I'll break it.

Come here right now.

Well, uncle, did you sleep well?

Well, thank you.

Fjordunkan, come here.

Fjordunkan, you're always the last one.

Always the last one.

Never once do you get up on time.

Monkey.

Don't argue, you know, I give you five

minutes, sledgehammer.

What is it?

Five minutes, do you understand?

Sorry Luigi, but how could I know that

you wanted to go hunting even today?

You don't talk to me.

Come down.

Baldino, think of the dogs.

Luigi, didn't Penna fly?

We haven't seen the beak of a swan.

There must be some injector.

Some injector, Luigi?

I'm afraid so.

What are you looking at?

Nothing.

Go on, old pig.

Keep an eye on him.

Are you still here?

I'm going, I'm going.

Oh, good morning, uncle.

Can you stretch that rag for me, please?

Oh, for me?

Yes.

A little present that reminds me of the

past.

Oh, how well I remember these little legs,

always crumpled, always scratched.

When you came here as a child.

Can you pass me the other rag?

You know, sometimes it hurts.

Otherwise I have to go down.

No, no, no, don't move, Benedetta.

Stop as you say.

Is this it?

Yes.

But who would have ever said that I

would have made such a success?

I've never worn pants like these.

Bad, bad.

It's time you learn, you know.

Look, now I'll teach you a nice song.

Put your foot in, slowly, slowly, slowly, there

you go, up, higher, even more, there you

go, there you go.

Oh, uncle.

Come on.

Wait, stop, you have to put the seam

straight.

Is it okay like this?

Wait, wait, touch of shit.

You have here, what do you have to

look at?

Do you need a hand?

Not from you!

No!

And then why do you enter the house

with the ball?

You dirty all the floors!

And now that you're going to take a

shower, try not to leave the bathroom as

it is, please, that later it's only me

who has to put it back in place.

You can know what you take.

And then don't go, to always have you

curious every time I climb a ladder.

But do you have it with me?

Go away, you're a whore.

What?

Don't pretend you don't understand, the cleaning now

I do it, and I happen to see

so many little things, those magazines you hide

in the room.

I've seen them, you know?

Spy.

Look, I didn't tell anyone.

The motorcyclist,

the invader from Ferrara arrives.

And who are you?

Do you see her?

I think she's Mrs. Codeghino.

You understood the Puritan.

Wait, wait, let her come to confess.

Maybe, but I smell horns.

Come here, and turn a little, all the

children laugh.

Show me the way.

But isn't that the engineer from the Oseis

passing the fish?

I hate the cow, underproduct of misery.

Fuck me.

Adele, wait for me.

You already want to play, don't you?

Adele.

Go, go, go, go, go.

This is not the place to let the

sheep graze here.

Go, go.

Piero, Piero, but you fell asleep?

It's four o'clock, the hunt.

Ah, I'm totally broken, I can't take it

anymore.

Every day on foot, which is still dark.

Piero at four.

Piero goes hunting.

I hate hunting.

I don't care about the guns, the cartridges,

the dogs, the dogs, but there was no

other excuse to be together.

Soraide, the two of us.

Adele.

What?

Adele.

Look, what a mess.

Who are you?

Luigi.

Come here.

Oh no, he has something else to think

about.

Did you hear

it?

Mom always sang it.

It's better that you take that smile out

of your face.

Maybe it wasn't your favorite song?

It's the piano, let it play, you have

time to play it.

You offered yourself as a servant, and be

a servant.

And try to get some ideas out of

your head.

With that air of a virgin, I don't

care.

I've seen you, you know, flirting with your

uncle.

It's not true.

I'm not a butcher.

So turn wide.

If not, you take your rags and go,

because without me you would be a wretch

like your mother.

And I don't take my eyes off you,

you know?

All right.

Look at

this monkey sleeping so well.

Where am I?

Wake up, wake up, monkey.

Let's go.

Let's go to a bar.

Wait a minute, you understand me?

Listen, Luigi, it's not worth it.

People are just mosquitoes.

Why don't we go and get some shade?

Yes, that's better.

With a monogram like you.

Tapu.

Tapu.

Commander.

Come here, one more litre.

Come on, run, go on, run.

One more bottle of that wine.

One more bottle of that wine.

What do you need?

Mom doesn't want us to go on the

roof.

They're all gone anyway, Fifone.

And then, why do you keep calling Mom?

Come on.

Turn on the light.

I want to show you something.

You're still here.

What are you looking for?

Look.

Have you ever seen clothes like this?

Yes, I have.

My mom had a full closet.

And what are these?

Your grandmother's.

Mom.

Kiki Delorme.

Isn't it stupid as a name of art?

Even if my mother and your superb stepmother

had little to share What are you laughing

at?

I won't let you.

The mermaids of Cesenatico.

Look.

Not bad, huh?

Look.

Enough.

Tell us that your father doesn't know.

Stop it.

Et voilà.

Horrible.

Grandma.

Grandma.

What are you doing?

Watching.

And what do you see?

I see Maria naked and a man on

the bed who looks dead.

Dead?

Luigi.

Luigi, come out.

There's an old spy.

Luigi.

He's dead.

Italia.

He's dead.

Luigi.

Luigi.

Oh my God, what happened?

And you?

Are you drunk?

Yes, I'm drunk.

I'm drunk.

I'm drunk.

And Luigi was there with the lady, the

spy and then...

Dad.

Dad, is dad dead?

Dead a couple of times.

Poor engineer Favaretto, what a misfortune, what a

loss!

Virgin Mary!

Oh God, what a mess!

Sorry Sam, but you have to explain to

me why you're dieting for everyone.

The doctor told me.

Well, for you, yes, you were sick.

But for us others?

And then, sorry, all this broth opens the

stomach.

But if when it's open, you don't put

anything in it, you can also die, right?

Look at Antonio, poor thing, what has become

of him?

To me, he seems to be the same

as ever.

Continuing like this, you will recover and we

will eat.

Piero!

Sorayte!

Finally!

I couldn't take it anymore.

Chicken!

Throw in the pasta.

All of it?

All of it, all of it!

How is the sauce?

How long does it take to cook?

12 minutes.

12 minutes.

Here it is.

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Sorayte!

Piero!

Sorayte!

Piero!

Sorayte!

Piero!

Piero!

Hey!

What is this thing?

Come on, bubber!

Here you go!

Hey, eat spaghetti!

Hey pass me that!

Pass me the pasta, quick!

Wait, I'm closing in here.

Son of a bitch!

Come on, let's go, let's go.

Let's go.

What a mess, I'm more and more beautiful.

Come on, come on.

Let's get rid of it.

Open the door.

Come on, come on, for heaven's sake, come

on.

And move.

Come on, come on, let's go.

Come on, come on, let's go.

But did Romeo tell you to avoid the

robbers?

What have you done?

You traitor.

The blood of my blood.

Inside my house.

But today I surrender.

I kick him out of the house.

To the school.

I'll call him back to school.

I'll call him back to school.

Listen to me.

Antonio, go away.

In life school.

And let not a word come out of

this house.

Luigi, we decided to go to the village

to see the passages of the tour.

As long as I go to you to

stay alone for a while.

No, go away.

So much remains of her, no?

I hear the cap on the radio.

Hey, leg, don't beat yourself up, old man.

Do you know the buttocks?

A dry blow.

And you instead?

You're fired.

Please.

You're fired.

Now don't worry, Luigi.

And you, can't you shut up a little?

Let's go, let's go.

It's getting late.

Well, bye.

So see you soon, eh?

The objective

of the listeners is the

bridge on the Po, so with a narrow

curve they will get on the road that

runs along the river's left bank.

And here they will discuss the goal valid

for the three-color classification.

It's a splendid day, rather hot, which has

attracted many enthusiasts along the way.

We left the group still compact at the

gates of Berrarno, in fact, there was a

lot of fuss in the first 130 kilometers

of race.

Obviously, the runners felt a little of the

fatigue of yesterday, the climb of San Marino,

won, as you know, by Charlie Gow.

And, given the characteristics of the stage today,

We'll have to climb up to Verona and

then climb 14 km from the Riva...

...

in the steep climb that leads to Bosco

and Chiesonova.

It's understandable that we'll have to save some

money...

...

counting on the selection along the turns that

lead to the finish line.

Here, everyone's eyes will be on Ercole Baldini...

...

who with yesterday's second place...

...

has revealed unsuspected climbing resources.

I mean, how many people think he's just

a good climber.

Capopilla della Legnano is proving more and more...

...

that he deserves the appellative commitment...

...

excuse me, bad pun...

...

of heir of Coppi, a very demanding label.

By the way, Coppi was only inviting us...

...

to consider this his last tour of Italy.

We obviously hope that the champion returns to

his decision...

...

if not in hommage to the unmuted tifo...

...

that sportsmen carry with inscriptions, incitements and posters...

...

along the whole route.

Batistrada, meanwhile, shouldn't be far away.

Let's try to use this handful of seconds...

...

to reassume the ascending phases of this first

part of the stage...

...

starting from Cieseno at 10.30, first Scaramucci

to De Gregari...

...

then it's all quiet, so much so that

the race assumes...

...

the air of interference.

But here are the obstacles...

...

yes, these are the asphalt obstacles...

...

which are an imminent arrival of the group.

There's a lot of animation, obviously, for the

audience...

...

the pieces are moving towards the bridge...

...

on which the runners should now appear.

Here they are, in fact, two...

...

we can't yet tell which one is...

...

however, one of the Legnano is certainly Baldini...

...

the group follows, in a row, about 30

meters...

...

from the two Batistrada...

...

the group is trying to recover...

...

but they seem to be able to resist.

The two Batistrada have reached the edge of

the bridge...

...

they are on the edge, only 200 meters...

...

they separate them from the finish line...

...

they have recovered a few meters from the

followers...

...

the first one seems to be...

...

yes, yes, it's him, Ercole Baldini...

...

the pedaling is unmistakable...

...

he has the wheel...

...

there's Miguel Poble...

...

and it's the Spaniard with the wheel...

...

of Ercole Baldini...

...

he has gained a lot...

...

compared to his fellow runners...

...

he's trying to align himself...

...

he's preparing himself to the rope...

...

however, Baldini resists...

...

here are the runners...

...

about 90 meters from the finish line...

...

Baldini still resists...

...

in vain, the comeback of Poble...

...

it seems that the group has now been

cut out...

...

desperate cut of Poble...

...

a long one...

...

but the Italian clenches his teeth...

...

he resists...

...

he still resists...

...

and with the last shot of Reinier...

...

Ercole Baldini is judged at the finish line...

...

yes...

...

my marriages...

...

are always with men...

...

cheers...

...

cheers...

...

they are made for each other...

...

if the poor engineer...

...

had been here with us...

...

who knows what consolation for him...

...

there's always a misfortune...

...

for every moment of happiness...

...

we're getting

married...

...

with Mr. Piero...

...

corny...

...

corny...

...

bye...