Original subtitles

You don't make up for your sins in church.

You do it in the streets, you do it at home.

The rest is bullshit and you know it.

What the hell is this?

Not in my fucking place!

Keep outta my place! I know your face.

And you, scumbag!

I told you about passing that shit in my place.

I didn't do nothing.

George, you're supposed to be the bouncer.

- I didn't do nothing. - That's it, you didn't do nothing.

Hurry up with that shit, huh?

What's this, more shit?

No, that ain't shit, that's a German lens.

I got two shipments of those. That's good stuff.

I can't use it.

What do you mean, you can't use it? That's a telescopic one.

That's the best one they make.

It's not German, it's Jap.

This is an adaptor, it's not a lens.

You bought two shipments of Jap adaptors, not lenses.

Jap adaptors?

Lord, I'm not worthy to eat Your flesh.

Not worthy to drink Your blood.

Not worthy to drink Your blood.

OK. OK, I just come out of confession, right? Right.

And a priest gives me the usual penance, right?

Ten Hail Marys, ten Our Fathers, ten whatever.

Now, you know that next week, I'm gonna come back

and he's just gonna give me another ten Hail Marys and another ten Our Fathers.

I mean, you know howl feel about that shit.

Those things, they don't mean anything to me; they're just words.

Now, that may be OK for the others, but it just doesn't work for me.

I mean, if I do something wrong I just want to pay for it my way.

So I do my own penance for my own sins. What do you say, huh?

And it's all bullshit except the pain, right? The pain of hell.

The burn from a lighted match increased a million times. Infinite.

Now, you don't fuck around with the infinite.

There's no way you do that.

Pain in hell has two sides.

The kind you can touch with your hand.

The kind you can feel in your heart,

your soul, the spiritual side.

And you know, the worst of the two is the spiritual.

Hey, Charlie, you're crazy.

- Priest taught me that. - Terrific. You know any other tricks?

I'll show you 'em when I learn this one.

You know something? She is really good-looking.

I gotta say that again. She is really good-looking.

But she's black.

And you can see that real plain, right?

Well, there's not much of a difference anyway, is there?

Well, is there?

Oh, great.

They Marlboro?

For these prices, Charlie, you shouldn't complain.

That's the best I can do. Maybe next week I can do better.

OK, OK.

If you can't smoke 'em, maybe you can sell 'em.

No, I'll be OK for a week.

Bless you. You seen Johnny Boy?

No. He's supposed to be here.

But who knows what goes on in that kid's head, right?

I'd like to know, Charlie. I think the kid's trying to duck me.

Don't you think you ought to care more about Johnny's payments to me?

I think you should, you know.

Michael, Michael, nobody's out to screw you. I guarantee that.

Well, looking at it from my side, you vouched for the kid.

What happens if he doesn't pay? I gotta collect from you?

- I don't want to do that. - You're right.

I made a deal with him, not you.

Mike, I'm not gonna pay his debts, believe me.

I'll talk to him, I'll straighten him out.

Straighten him out? The bum owes money left and right.

Don't worry. Michael...

Hey, stop it! Stop it! Stop it!

Come on. Come on.

- Sit down. - Take it easy.

- What's the matter with you? - Miss, miss!

Come on, sit down.

- Charlie, I don't understand you. - What?

I don't understand why you hang around with a punk kid.

I mean, he's the biggest jerk-off around.

Don't say that. Don't call him that, will you?

What's the matter?

It's family things. It's complicated. I can't explain it, alright?

He really is a good kid.

Alright. Sure. I'll see ya.

Right. Later. Be well.

Come on, give her your coats. Give her your coats.

If you don't mind, young lady, I would like you to check these.

But I'm keeping my... my skin pants.

- Hey! - Hey! Here he is!

Hey! Whoo!

Those the shorts with the hearts on 'em?

Girls, after you.

Alright, OK. Thanks a lot, Lord. Thanks a lot for opening my eyes.

We talk about penance and you send this through the door.

Well, we play by Your rules, don't we? Well, don't we?

Hey!

- Giovannino! - Charlie, how are you?

Alright. How are you?

I want you to meet two beautiful young ladies here.

This is my good friend, Charlie.

This is my good friend Tony who owns the joint.

- This is... What's your name again? - Sarah.

Sarah. Sarah Kline, right? Sarah Kline.

And this is Tony. And this is... What's your name?

- Heather. - Heather. Heather Weintraub, right?

- I met them in the Village. - Bohemian.

Yeah, over at the Café Bizarre.

So what do youse want to drink, girls?

- Tequila. - You got tequila?

No.

Listen... Listen, have a 7 and 7. This is good for both of youse.

Tony, give yourself a drink.

Give Charlie and me a J&B, will you, please?

- What's this? - What?

- This. - What?

- That. What does this look like, huh? - What?

- Where did you get this? - What?

- Where did you get this? - What?

- This. - What?

- This? - Yeah. In the back. Come on.

- Hey, hey! - Come on.

What are you doin'?

Hey, you're making me look bad, Charlie,

in front of the girls over here.

Oh, excuse me. I didn't mean to be rude, girls.

Mr. Civello, I'd like your presence in the back room,

if you got a moment or two.

What, you mean you request my presence for a moment or two in the back room?

- I most certainly do. - Well, after you.

- No, after you. - No, after you.

- Hey, Mr. Civello, after you. - No, after you.

In the back!

Tony, give them whatever they want.

Hey, girls. Girls, excuse me.

Hey, Tony, keep an eye on these nice girls here.

Don't let none of the vultures look, OK?

What are you doing?

What do you mean? What are you doing to me, huh?

- What do you mean? - Michael's been on my back all night.

He's bothering me. Why didn't you make your payment last Tuesday?

I made my payment. What are you talking about?

- You paid him last week? - Yeah, I paid him last week.

Did he say I didn't pay him? He's a fucking liar. Where is he?

- You paid him? - Yeah, I paid him.

- Last week? - Yeah!

- Last Tuesday? - Yeah.

- Charlie, you don't know... - He's here.

- Where? - Out front.

- He's here? - Yeah.

- So what do I care? - Let me go and get him.

We'll straighten this thing out, alright?

Hey, wait a minute. Charlie...

- What? - Well, you're right.

- I'm right? - Yeah. Was it last Tuesday?

That's the Tuesday that was last week, before the one that's about to come up.

My mistake, forgive me.

It was last week, the week before, that l was thinking of.

- Oh, it was, huh? - That's right.

What's the matter with you? You can't go round bullshitting people that way.

- You give your word, you gotta keep it. - You don't know what happened to me.

I'm so depressed about other things, I can't worry about payments.

I come home last Tuesday, I have my money in cash.

Blah, blah, bing, bing. Coming home, I ran into Jimmy Sparks.

I owed Jimmy Sparks 700 for four months. I gotta pay the guy.

He lives in my building, I gotta pay the guy, right?

- Yeah. - So what happened?

I had to give some to my mother,

and then I wound up with 25 at the end of the week.

What happened today you ain't gonna believe.

It's incredible. I can't believe it.

- What? - I was in a game.

- I was ahead $600, $700. - You gotta be kidding me.

Yeah, on Hester Street. You know Joey Clams?

- Yeah. - Joey Scala.

- I know him too, yeah. - No, Joey Scala is Joey Clams.

- Right. - Right.

- They're the same person? - Yeah.

- Hey. - Hey.

So I was in there playing bankers and brokers.

All of a sudden I'm ahead, like, $600, $700. I'm really winning.

All of a sudden, some kid walks in and yells that the bulls are coming.

The cops are coming, everybody runs away. I grab all the money, I go in.

- It's an excuse to get away. - Right.

I give everybody the money back later

and I don't have to get into the game and get a losing streak and all that.

What happens? I come out into the yard, I don't know this building.

I couldn't get out, it was like a box. Big, like this.

So I gotta go back in.

Not only do I go back in, but this kid says it's a false alarm.

You imagine that? I wanted to kill this fucking kid.

I mean, I wanna...

l was so crazy. I wanted to kill this kid.

Meanwhile, I gotta get back in the game. Bing, bing, bing, I lose $400.

Meanwhile, Frankie Bones is over there. Frankie Bones.

I owe him $1,300 for seven, eight months already.

I can't even walk on Hester Street without ducking that guy.

He's waiting for me, like, I can't move, and he sees that I'm losing.

So he's waiting for me. So he's tapping me on the shoulder, he's saying...

Tapping me like this. Like a hawk.

"Get it up, you're losing. Give me some money."

I says, "Frankie, come on, give me a break. Let me win some back."

I got debts. I mean, I'm in a big hole.

He says, "Never mind, give me the money." I says, "OK."

So I gave him $200. Meanwhile, I lost the deal.

I go outside, I'm a little depressed...

I wanna cut this story short cos you don't want to hear all this. I know.

Make a long story short.

Anyway, I went out Kaplan, got a new tie, got this shirt.

You like this shirt? It's nice. This tie...

Hey! Michael doesn't care if you're depressed.

What is he, your priest? Why do you come out shopping when you owe money?

- That ain't right. How much you got? - I'm gonna pay him next week.

- I'm gonna pay him! - You don't do nothing.

- How much you got there? - I got about $40.

What are you doing?

I got about $40, that's all.

What? What are you doing?

I'm holding on to this until next week till you make the next payment.

What are you talking about? There's a little more than $40. It's a mistake.

- Yeah, it's a mistake. - I swear to my mother,

you come with me next Tuesday, I sign the pay cheque over to you, Charlie.

I swear to my mother, swear to Christ, OK?

It's $110, you give it to Mike. Come on.

Gimme some money, we got those two beautiful girls. We're gonna get laid.

I met those chicks in that Café Bizarre. A model.

They were fucking around with two other guys.

That one, Weintraub, is very nice. Very nice.

- I wanna bang her like crazy. - Yeah.

- Come on. - That's enough for you.

- Come on, gimme another five. Come on. - Which one do you want?

You're leaving me nothing. We gotta go eat Chinks?

You better make do for the rest of the week. Which one do you want?

Which one do you want?

I want the Weintraub one. She's nice. I like that one.

She the one on the left?

No, she's the one... What, your left or my left?

- We were both standing the same way. - That don't matter.

Hey, girls, we had a little business to talk over. Everything's OK now.

Excuse me for a minute.

Hey, Tony, do you think maybe you could put this on the tab,

because something happened before,

and you'd be doing me a favor, you know, huh?

Big tab or little tab?

Well, don't you think it's better that you should put it on the small tab

so that it balances out with the big tab?

- Oh, so things even out? - Yeah, right.

Where did you get those beads?

How about me, John? I don't get a drink?

- Hey! Mikey! - Long time no see.

You don't get a drink? Does a bear shit in the woods over here?

Give him a double, Tony.

Long time no see. I know what you're gonna say, but don't say it.

One, I'm not paying for these drinks, they're are on the tab,

and two, I'm gonna see you this Tuesday's payday.

I swear on my mother and Jesus Christ.

OK?

I just want to tell you to stay on top of it, Johnny.

- Don't worry... - We don't want it to get out of hand.

- It ain't gonna get out of hand. - I'm doing it for you.

- Come and have a drink. - OK.

Gentlemen!

- The Queen! - The Queen!

Da, da, da!

- Know what the Queen said? - What?

- If I had the balls, I'd be the King. - Ohh!

They told me you were here and you're here.

- Hey! - How are you? How's the classes going?

OK, Oscar. How's everything going with you?

I was in the basement fixing the freezer. Would you believe that?

Charlie, you're a good boy. Will you tell your uncle l have nothing?

I can't make this week's payment.

Listen, you talk to Giovanni, not me.

I should hand this place over to him. I don't need this aggravation.

He'd rather have the loan paid, you know that, Oscar.

Your uncle's a good man. I'm not gonna stick him.

He either gets the money or he gets the place.

Right now, it looks like he's getting the place.

Tell me why I should care. I got a partner who is a bum, he disappears.

I don't understand, where's Groppi?

I should know! His wife don't even know.

And if he don't give a damn, why should I kill myself?

Thank you very much, Natalie.

Come stai, signore? How are you feeling?

Non c'e male, grazie.

About that shooting last night, I was there, Uncle.

No, you were not.

Ah, yes, I must have confused it with something else.

- Yes, you did. - Si.

- So…? - About Oscar?

I think he's putting on this act about the restaurant being in a bad shape.

He says he can't make the payments.

He says his partner Groppi's disappeared.

What should I do?

Don't do anything. His business is bad.

Can I help?

Yeah, you can help by waiting.

Don't be impatient. You like restaurants?

Yes, sure.

You know what I do have? I got a good buy on toilet paper.

Leave me alone. Leave me alone.

What kind of toilet paper? I got stock.

No, I got toilet paper coming from the PX, the army.

Now you steal from the army, huh?

I can get it cheap. You want toilet paper?

The army of the United States of America.

You sell firecrackers?

What? Come here. What do you want?

- Firecrackers. - No, that's illegal.

We went to Chinatown, they don't have any stuff.

Keep away from those Chinks. All they have is shit.

We have $40.

Well, why didn't you say so? For $40...

We don't know if we want to spend all $40.

- You want good stuff or you want shit? - Good stuff.

You know where this stuff comes from? Maryland. Know what that means?

- No. - That means it's good.

- Tony, we'll borrow your car. - Sure.

Come on. Across the street.

- You get sparklers? - Yes.

- Cherry bombs? - Yes.

- Ash cans? - Yes.

- Cones? - Cones, yes.

Women?

What are you, a comedian?

Comedians, Tony!

- Nice car. - Yeah, well...

Must've cost a lot.

You got a good buy on this. You need a tune-up.

Did you kids come down for the feast?

Yeah.

What we're gonna do

is let you out right over there on that corner.

- We'll come back for you. - Can't we come with you?

No. I can't let anybody see where I got the stuff.

That's good business, you know what I'm saying?

We'll be back in 30 minutes.

OK. Wait, wait, wait, wait. What about the cash?

Take a cheque?

Take a cheque? Where you guys from?

Riverdale.

Maybe that's what they do in Riverdale, but down here, we gotta take cash.

Now you got it or you don't got it.

0K.

Alright, now wait over there and keep your mouth shut.

Cheques... Tony, you take cheques, right?

Sure I take cheques. How much did we get?

You know, I don't know. Let me see... What have we got here?

What have we got? Mathematician.

One, two, three, four, five... ten, 15...

What do you know? We got stiffed by them kids.

They only give me $20.

Here...

Take five. Tell you what, I'll write you a cheque.

- Tell you what, get out of the car. - Tell you what, take the five.

- Gimme the five. - OK.

- Let's go to the movies. - And the movie's on you.

Pull over here, pull over here. There he is. Hey!

- Hey, Michael. - Charlie, get in the car. Come here.

- Coming in? - No, come here.

Sorry. See you tomorrow. Frankie, be good.

- What's the matter? - We just stiffed a couple of kids.

- How much you take 'em for? - $20.

What are you laughing about? $20? Let's go to the movies.

- And the movie's on you. - What are you talking about?!

This is my business!

That ain't fair!

Ow!

You guys better enjoy yourselves. It's costing a lot of money.

Hey, get your hands off me! Leave me alone!

Gimme a break, I'm trying to watch the picture.

Watch it. I'm gonna get the manager in here and he'll throw you out.

Yeah, go get the fucking manager. He's a fruit.

- You're a fruit. - Me? You're a fruit.

Feels good, huh, Charlie? Streets are empty and nice. Thank God.

With that feast on, you can't even move in your own neighborhood.

I hate that feast with a passion.

Never mind the feast. When we get there, I'll do the talking.

That's the trouble, you always do the talking.

Don't fool around. Jimmy asked me to settle this.

How much do I owe him?

A couple of hundred. Look at this character.

Hasn't taken a bath since last Christmas.

- He's probably an ex-judge. - He's the mayor's aide.

- Where's he gonna meet us? - In the pool room.

- Near Sullivan's? - Yeah.

No, it's on King Street. What are you...

Show me where to go. I don't know my way around the Village.

Make a right turn over there when the light turns green.

Next time, Jimmy, don't bet outside the neighborhood.

Come on with this light. What is this, a coffee and cake light over here?

Johnny, keep your father away from the car, please.

I know these guys. They're not gonna stiff him.

How do you know?

Just keep your mouth shut when we get there.

Just don't say nothing, alright?

- Where the fuck is he? - There he is.

Charlie.

The number I bet was 235.

I bet a combination because I dreamt of my grandfather.

- How much did you bet on that? - Hey, what did I say?

Clark, you seen Joey Gatucci around?

He's in the back room.

When he died, the number on the funeral parlor was 235,

so I figured I had a good bet, you know?

Hey, Joey!

Well, well, well, St. Charles is here. Everybody, benediction.

Hey. You may rise. Rise, please.

- My good friend, Tootie, over here. - Tootie. Tootie.

- You can't lose with that. - How about Mushy?

Mushy, vote for the lamp!

Mushy, this will definitely get you to Hollywood.

The chalkboard.

- The pool cues! - The pool cues!

How about the balls? Bless my balls.

- Bless his balls. - Hey.

- How you been, Joey? - Alright.

Looking good. Look like you took off a couple of tons.

What brings you down here?

Joey, on Friday 25th I placed a bet with Sally.

- Never heard of it. - Never heard of it?

Never heard of Sally. Who the fuck is Sally?

Oh, Joey, really. Come on. We're all friends here.

Now, let's cut the bullshit, huh?

Well, er... Hey, Jimmy, you know you got a good friend here.

- Wonderful. - Come to think of it, I do remember.

- The guy's a real scumbag. - You wanna shut up?

Hey, Friday's a busy day. A mistake can be made, you know.

No problem, no problem. I forget myself too, sometimes.

OK, let's have a drink. Come on, let's have a drink.

Jimmy, Tony, finish the rack.

- Who's buying? - Me.

Hey, hey, hey...

Mind if I have a beer, Joey?

- Go ahead. I got Scotch here. - I got a dry throat.

Hey, where'd you get the hat?

You like this hat? It's a $25 Dobbs hat.

- Where'd you get those sneakers? - These are $2 sneakers.

Why don't you lower the jukebox? I can't hear nothing.

Hey, the girls like the music loud.

"Girls"? You call those skanks "girls"?

What's the matter with this kid, huh?

- Ain't nothing wrong with me. I'm fine. - Keep your mouth shut.

You telling me that in front of this asshole?

We're not gonna pay. We're not paying.

- Joey. - We just said we're gonna have a drink.

We're not paying because this guy... this guy is a fucking mook.

But I didn't say nothing.

And we don't pay mooks.

- A mook? I'm a mook? - Yeah.

What's a mook?

- A mook? What's a mook? - I don't know.

What's a mook?

- You can't call me a mook. - I can't?

No.

I'll give you mook.

Hey, hey! Come on, I got a bad hand!

Come on, get him up against the wall.

Come on, come on! Get him away!

Come on now. I got him.

Watch out, watch out!

What's the matter with you, Joey?

- Hey, Officer, can I get my hat? - No.

- Can I call my wife? - No.

- What you got here? - It's a nail file.

- That's a knife. - No.

- This is a knife. - No, it's got a toothpick in there.

Davis, Davis, this is very embarrassing.

Look, how long have I known you, Davis, huh?

You've never seen fights like this. These are my friends.

This is my cousin Charlie. We're friends.

- Your cousin? - Yeah.

- Where you from? - The East Side.

The East Side. What is this? This is a knife.

No, it's... it's got a toothpick in there. You see over there?

Davis, come here. I want to talk to you.

Your cousin from the East Side...

Alright, Davis, let me just talk to you over here.

What are you gonna say about this knife?

- It's a harmless penknife. - This is a dangerous weapon.

Do you know the penalty for this?

- Look, I'm sure we can settle this. - How we gonna settle this?

- Let me give you some car fare. - Alright.

Took you a long time. Where are you going?

- New Jersey. - New Jersey.

Here. This is for you and your partner...

We're going to Philadelphia.

- Here. - Thank you.

OK. Thanks a lot, Davis.

Alright, here.

Johnny, come on.

Thanks a lot, Davis.

And you guys here, no more of this fooling around, huh?

- You guys get hurt like that. Alright? - OK.

So long, Davis.

Come on, let's have a drink. Come on, let's have a drink! Everybody!

Who were those two mooks that jumped us?

Every day is Christmas with these cops.

Jimmy, we were gonna pay you. We just don't like being pushed around.

- Come on, we're pushing you around? - Yeah.

Let's have a drink and forget it.

Alright. This is the drink we never had before. Salut.

Salut.

Ah.

There's your money.

You don't have to count it, it's all there.

No, go ahead. Count it.

Come on, no bullshit. Friends. Come on.

Don't fucking touch me, scumbag.

Hey, hey...

Whoa, whoa.

Fuck youse all!

Come on! Come on!

Hey, that's for you. Up your ass!

Come back here again and you'll find out what's gonna happen to you.

Fucking douchebags!

- Oh, Christ! - Johnny!

Look at that, look at that.

- Don't touch it, it hurts. - You look great, Flash.

You got something we can put on his eye?

Come on. First, I wanna show you something.

- What does mook mean? - Hey, Jimmy Mook!

OK, baby, just relax. Take it easy.

That's it.

Uh-uh, time out. George, you're supposed to be working.

Come on, gimme a break. I'm with a girl.

- Yeah, go out and work. - Charlie, give him a break.

Close the door, George.

OK, before we take care of you, there's something I gotta show you.

Watch this.

- Oh, hey! - Where did you get this?

- Look at the size of these guys! - Tony, you gotta be kidding me.

That's crazy. Look at this one. That's beautiful. That panther...

Where'd you get this? How many pounds of meat you feed them?

Keep quiet about this. I don't have a license for 'em yet.

Where did you get these?

Nobody can go near them but me.

I'm the only one who can feed them. Watch.

What are you doing?

- Hey, hey! Tony! - What, are you crazy or what?

Be careful in there.

Are you outta your mind, Tony?

Where are you going, cowards? No wonder Italy lost the war.

Here's Daddy. Here's Daddy.

Tony, be careful.

I really wanted to get a tiger. Old William Blake and all that.

OK, come on. Come on.

That's it. Good girl. Good girl.

That's it.

That's it. Oh, don't bite. Don't bite.

Good girl, good girl.

You believe anything anybody says.

That's right, I believe anybody. That's my charm.

Some charm, pops.

What about when you went on retreat?

What about it? Yeah...

Charlie goes on this retreat, he tells me this story about a priest

who used to let this couple borrow his car for dates.

They didn't make it because they weren't married.

But two weeks before the marriage, they decided to make it.

So they pull over to the side of the road in the priest's car.

Boom. Mack truck comes along and they're both killed.

That's true? This really happened?

No, wait.

Charlie believes it.

I tell him two years before that,

I went on a retreat and the priest tells me the same story.

It's a different priest, the exact same story.

- So, that... - You get it?

Yeah, I mean, the story ain't true, right?

Yeah, but the point is he's really upset.

What he don't understand is it's a business,

it's work, it's an organization.

Tony, you got a way of talking about one thing and then... zap!

You slide right into something else like nobody's supposed to notice.

I was mad because they lied to me.

I tell you one thing. I ain't never goin' on no retreat, never.

Why do you let those guys get to you?

Because they're not supposed to be guys.

Listen, that's where you and l differ. What can I tell you?

You want me to say it? You gotta be like me.

You want to be saved.

Bar's closed, kid.

I'm just waiting for Joey.

Alright, sit down.

I gotta go to the bathroom.

So go ahead. What do you want, somebody to hold it for you?

Jesus!

Yeah, Johnny, hold it for him. Hold his ding-dong.

George. You wanna do something?

Yeah, you know how he gets.

You know how my chairs get?

Hey!

- Easy! - What's with this guy?

This place is really getting depressing, Tony.

That's an understatement.

If I had my place, every night,

I'd get bums like this down, have things happen.

I'd call it something like Season of the Witch. Get it?

- Got it. - Good.

Bullshit.

Who's talking bullshit? Who's the guy with William Blake and the tigers?

Come on, guys. Will you shut up with the tigers and witches over here?

Come on, let's get outta here. Close the place.

We'll get out of here when the place is ready to close.

Why don't you close it now? We'll go out, get something to eat.

When everybody leaves, we close.

Don't forget whatshisname in the bathroom.

Charlie, come here. Look at this picture of yourself.

Not quite, but keep trying. Dummkopf.

- You wanna have a game after we close? - No.

- Yeah, come on. For how much? - What?

- Scumbag. - Don't call me no scumbag.

You can't pay what you owe.

As soon as a game shows up, bang, you wanna jump in. "For how much?"

Why don't you use your head?

Hey, hey!

Hey! What's the matter with you guys? We're friends!

- What the fuck is wrong with you? - Me? He's the one...

- You, too. - Called me a scumbag.

- Alright, enough. - Fucking moron. Moron.

- Moron. - Yeah. Moron.

Hit each other with the fucking chairs, why don't you?

We gonna go eat now?

Alright, enough. You oughta know better than that.

I'm sorry.

I'm sorry.

I'm sorry, OK? I'm sorry.

- Wanna play a little cards? - No.

Anybody wanna have a game?

Michael, I've got a game you cannot say no to.

No.

He said no. Lot of sports.

Little blackjack?

Grab him!

Somebody grab the gun!

Everybody out! George, kill the lights!

Don't run. Split up! Split up! Don't run!

Come on!

Don't run! Just split up! Don't run.

Don't run!

Split up. Hey, don't run!

George, where are you going? Where's your car?

Mikey!

Michael, let us go with you. Hey, chauffeur!

Hey, chauffeur.

- Shut up. - I'll ask him.

- Uptown, Jeeves. - Come on, you guys, hurry up.

- Where we gonna go? - Michael, give us a lift.

Get outta here! Get the fuck outta here!

- Hey, hey! - Get outta here!

Shut up. You're making too much noise.

Just get in. I'm standing out in the rain.

What's the matter with you guys? Get away!

Move over. Stay over your side, don't touch me. Don't touch me.

Where are we? Where are we?

Sammy, will you behave yourself?

I'm terribly sorry, guys, he's terribly frightened.

Just keep him quiet, alright?

- Friends of yours, Mike? - What are you, a comedian?

I can't get over the way he just kept going at him.

Must've been all that liquor in him.

Hey. Statazit.

Yeah, statazit.

You know what statazit means, Sammy?

Sounds like something dirty.

What you looking at?

What are we doing with these faggots? Throw them out.

Are you nuts?

You want me to leave them in front of Tony's place? Come on.

Hey, Benton, look at that number. Wow!

- Hey, beautiful! - Shut up.

- Hey, keep him down. - What's the matter?

Look at this. It's embarrassing.

- Sammy, behave yourself. - I won't.

I won't! Why should I? Let me outta this car.

Get your hands off!

Oh, look at that one.

Oh, my God. Hey, baby, you got any meat?

Hey, baby, I wanna... suck on that, baby!

Suck on that, baby! I want it all!

Get 'em outta here. That's it!

Get outta here! Get them outta here!

Get outta here.

- What do you mean, get out? - Get outta here!

I just got in.

- Go, go. - Oh, animals. Alright.

What's the matter?

- Where are we going? - Mike, thanks. See you around.

Wait a minute, what is this?

Hey, fellas, you going my way?

- Come on! - What's the matter with you?

What's your problem? Bullshit!

Hey. Look at that piece, Johnny.

One of those little jobs the cops carry in their sock.

Yeah. Copper hit me on the head with one of those.

Remember that time I got that beating from those cops?

Yeah, you never recovered from that one, did you?

I never recovered?

I wasn't there to be used as a punching bag to enable you to leave fast.

That's because you're stupid. You should've ran and left safely with me.

With you? I'm stupid for getting my head punched in?

You Schweinhund.

Oh, oh!

My bad hand, my bad hand...

- What are you doing? - Shh. Joe Black.

Joe Black, I owe him money.

- I don't think that's him. - Yeah, that's him.

- Where is he? - He's turned the corner. Come on.

- Is he gone? - Yeah, he turned the corner. Come on.

That don't mean he's gone.

Come on, get over here. What's the matter with you?

You can't go home looking like that. Stay with me.

Your mother ain't there, is she?

No, she's on the Island taking care of my grandmother.

Let's get some bread from my uncle's store.

- I'm sick about my hat. - Here.

- Your grandmother's gonna die, right? - Yeah, right.

Did you like her?

What do you mean, do I like her? She's my grandmother.

So what? That don't mean nothing.

- So what? What's the matter with you? - What's the matter with you?

Jesus. Anyway, she ain't dead yet, God forbid, so shut up.

- Charlie! - What?

You ain't got nothing to eat over here.

I could've told you that before.

You got nothing. I tell you what we do.

- What do you want? - I tell you what we do.

I'll go over to my aunt's cos she's got lots of food.

She keeps a lot of food. I'll get through the fire escape.

Don't do that. You'll scare your cousin Teresa if you go in there that way.

Oh, that's right, yeah. You know what we can do?

She can have a seizure maybe and we can watch.

That's not funny. You gonna be a jerk-off all your life?

Grow up, huh?

You want some food from your aunt's house, go and knock on her door.

lain't hungry now. I'm going to sleep.

Besides, where are you going at six o'clock in the morning?

Did you say your prayers?

Ah, very funny. Why don't you tuck me in, sweetie?

Teresa, I had a dream last night about you and me.

I gotta tell you this. We're in this room and we're both naked.

There's this huge white bed and you're lying on it and I'm standing over you.

And we're just about to make love and I come.

The only thing is, I come blood.

And blood went all over the place. Squirting all over the place.

All over you, all over me, my hands and everything.

I don't think that's funny.

Girls bother me. They've got no sense of humor.

Well, I'm a girl.

Do you like me?

- Yeah, I like you. - I love you.

- Well, I don't love you. - We'll see.

Hey, forget it. If there was any chance of me falling in love with you, Teresa,

I wouldn't be here right now, believe me.

- Because? - Because with you I can't get involved.

- Because? - Because you're a cunt!

Wait, it was only a joke.

Where do you get off talking like that?

It was only a joke!

- Teresa, hey. Come here. - Like hell it was!

What are you standing in front of the window like that for?

Someone might see you. Get over here, come on!

Go ahead, jump out the fucking window.

Don't look.

Don't look!

- You really don't want me to look? - Yeah, I really don't want you to look.

I see what you're doing.

- Mm. - I saw you.

- I wasn't doing nothing. - Ah, you weren't doing nothing.

Ah!

You wild woman!

Let me alone! Get your hands off me!

Charlie!

Oh.

You're killing me.

You should've seen it. Unbelievable.

The kid went to the bathroom and shot him.

The guy kept coming at him like Rasputin.

That kid was scared. We were more scared.

It doesn't make any sense.

You mean he shot him just because he insulted Mario?

It wasn't anything personal?

The kid's a climber, not very bright. He kills a guy who insulted a big man,

he gets a reputation. He thinks he's made it.

- That's still sick. - Not sick, just stupid.

Which reminds me, last night,

Johnny decided to break into your mother's house to get some food.

- So why didn't you let him? - Oh, that's funny.

Hey, put that shit down. What are you doing?

What's the matter with you?

Hey, he doesn't know anything about us, does he? Really?

No, I don't want him to know.

Nobody knows anything, your reputation's still safe.

Hey, come on, smile. What's the matter?

You look like you wanna kill me. You wanna kill me?

Yeah, kill me. Ooh.

Miss, you can make up the room now.

- I only got two hands. - Well, use them.

- Cut that out. - Oh, I hate shit like that.

Excuse me, ma'am.

- You got some mouth, you know that? - Well, kiss me.

I'll give you a zap. Wow!

- Hey, Hash, how you feelin'? - Hey, pretty good.

- My uncle in the back? - Yeah, but he's busy right now.

Hey, Charlie, play a 463 combination today.

Yeah, thanks.

What are you talking about?

There was no insult.

I know the kid, he was drunk. He made a fool of himself, not me.

Nobody had to shoot him.

I hate the sun. Come on, let's go inside.

What else do you hate?

I hate the ocean and I hate the beach and I hate the sun,

and the grass and the trees... and I hate heat!

Charlie, what do you like?

I like spaghetti with clam sauce, mountains...

Francis of Assisi, chicken with lemon and garlic,

er, and John Wayne.

There aren't any mountains in Manhattan.

Tall buildings, the same thing. And I like you.

I like it here alone.

You know, I'm really going to take that apartment, the one uptown.

- Are you? - Yeah, I'm really gonna do it.

- Why don't you do it this time? - I'm gonna.

The hell with my parents. I can't take it any more.

- I think it'd be a good move. - I'm gonna do it.

- So what are you waiting for? - You.

Teresa! You can't wait for me now.

I'm closing in on something in the neighborhood

- and I gotta stick around. - What are you afraid of?

Afraid? What are you talking about, afraid? Go on, what's stopping you?

You say you're not afraid of your parents? Move out.

All I've got is the neighborhood right now.

What about me?

The neighborhood and those guys down there is all that's supporting me.

- Guys like my cousin Johnny. - No, not exactly your cousin Johnny.

Well, I hope not, because he is crazy. I mean, he is driving me nuts.

I don't know how you can be with him all the time. He's like an insane person.

What is the matter with you? He's your own cousin.

- Oh, fuck him! - That's terrible.

Who's gonna help him if I don't? That's what's the matter.

- Nobody tries any more. - Tries what?

Tries to... to help, that's all. Help people.

You help yourself first.

Bullshit, Teresa, that's where you're wrong.

Francis of Assisi had it all down, he knew.

What are you talking about?

- He knew. - What are you talking about?

St. Francis didn't run numbers.

Me neither. I don't run numbers.

Diane, how are you feelin'?

Fine. Excuse me, please.

You know, Diane, I've been wanting to talk to you for a while now.

Excuse me.

Aside from all that joking around that you and I do, when you're on,...

Excuse me.

..I really think you're a terrific performer.

- Fine. - I'm serious, you're really very good.

- I know. - Groovy.

In a little while, I'm gonna have the opportunity of opening my own place,

much nice... much nicer than this.

Uptown, sort of a nightclub restaurant and everything, and...

..l was thinking you'd do very nicely for the place.

Dancing?

- No, as the hostess. That's nice. - Hostess?

Yeah, the people come in and you greet them,

you show them to their tables and everything like that.

Why don't we get together later on and we'll talk about all of it?

- Chinese food? - Hey, Chinese food.

Where do you want me to drop you off?

No, don't stop. Just pass by real slow, OK?

Hey, stop there! Am I crazy?

Er, say, would you take me back to where you picked me up, please?

- Sorry. - Alright.

Are you crazy?

That's all I need now is to get caught in the Village with a mulignan.

How you doing?

- Come sta? - Fine, thank you.

- Good to see you. - Good to see you.

- How's it going? - Fine.

Hi, Oscar.

Mario, how are you doing?

- How are you, kid? - Nice to see you.

- Giovanni, can I sit? - Sure.

- Can I talk? - What is it?

It's about money.

I know all about it. We'll discuss it later, huh?

Sure. I understand. Shall I serve the tripe now?

- Any time. Thank you. - You're welcome.

They are not like us. They know where to come when they need us.

I realized this a long time ago during the World War II.

Charlie Lakey was working for the government, taking care of the clocks.

- What did he do? - What did he do?

He was there, that's what he did.

I said the same thing to your father 20 years ago. He didn't listen.

You are still around that kid, Johnny Boy.

This Johnny Boy is named after me. Nice, huh? For sure.

But this Johnny Boy is a little bit like your friend Groppi, half crazy.

I understand you try to help him out because of our family and his family.

That's nice, I understand.

But watch yourself. Don't spoil anything.

Honorable men go with honorable men.

Ogni simile attira iI suo simile. Don't forget that.

Si.

Also, his whole family has problems.

His cousin, you know, the girl who lives next door to you...

- Teresa? - The one who's sick in the head.

No, she... she's got epilepsy.

That's what I said, she's sick in the head.

Her mother and father came to me for advice.

She wants her own apartment. What am I gonna tell 'em? Lock her up?

You know I'm compato with them, so I listen.

I have to take an interest.

You live next door, keep an eye open, but don't get involved.

Charlie, why don't you take a look around the place if you want?

That's OK, I've been in and out of this place 50 times already.

Well, maybe you missed something.

After all, you should get to know the place.

Oh, yeah.

Jesus Christ, you are disgusting!

Hi, Charlie, how are you? Hot enough for you?

Yeah. How you doing, Cookie?

Fine.

Teresa! Psst!

Downstairs.

Meet me downstairs, now. Yeah.

- What is it? - Come down.

Er, come on.

Shit.

- Er, I can't make it tonight. - OK.

Alright, so is that all? So I'll see you on Friday.

Friday? Erm... I can't make it Friday either.

What do you mean?

I can't see you for a while.

Don't tell me that.

- Teresa... - Why?

Because you are fucking things up! Between you and Johnny,

- you're gonna ruin everything for me! - Ruin what?

Ruin what?

I'm sorry, Mrs. Rucco. Pardon me. Go inside.

Why am I ruining everything?

Keep quiet. I'll give you a slap in the mouth.

Shut up!

Listen to me. My uncle's got me lined up to run a restaurant that I want

but I gotta stay away from you and Johnny.

- Does he know about you and me? - No.

Does he know about Johnny and those loans?

No. What, are you kidding me? Of course not.

He doesn't understand Johnny. He's just a kid who needs to be helped.

- Answer me. - What do you want from me?

I said, do you feel the way he does about me?

No! No, I don't feel that way about you. I don't want to stop seeing you.

What are you afraid of?

I love you.

- I don't wanna say that. - What?

- That. - What? That you love me?

Right.

Alright, alright, alright. Let's just get outta here.

OK, OK. But just, just...

Just let me get the restaurant first. Then I think things are gonna be easier.

OK.

- So where have you been? - Erm, around.

- You heard what happened to Groppi? - Me? No.

Well, Oscar found out where his partner is.

It seems Groppi went to visit his mother.

He went to a room where she was watching television

and he says to her he's sorry.

That's all. Just he's sorry.

He goes into the next room, gets a gun, puts it in his mouth and…

That's it.

How do you like that? I tell you, that Groppi was always half crazy.

Half crazy to say the least.

- What is it? - Not now, huh?

Doesn't he see that we are talking?

In a couple of minutes, will you? Outside.

- What does he want? - To talk about something or other.

Hey, you spit on my shoe.

Michael.

OK, Charlie. A lot of aggravation, though, you know?

Like Johnny Boy.

I figure I've given him all the breaks I can give him.

- Oh, look, Michael... - No. No, Charlie, it's no good, see?

He's a punk bastard, Charlie.

I call them down there at work and ask them if Johnny Boy's there,

he doesn't even show up any more.

- They told you that down at his place? - Yeah. I mean, how's he gonna pay me?

I've talked to him and I've talked to him...

- What more can I do? - I don't know.

Tonight, at the party, the three of us, we get together

and we knock some sense into his head.

- OK? - Alright, Charlie.

You know I don't like being taken advantage of.

You were inside there with your uncle and all,

and it's kinda embarrassing for me, you know?

I apologize. We had some business, private, you know what I mean?

Yeah.

I'm gonna be late. I gotta meet somebody.

- We'll settle it tonight, alright? - OK.

Ciao. And, Michael, I appreciate what you're doing for me.

Alright.

- She's very intelligent, too. - Yeah.

Yeah, she's going to college. Gonna be a school teacher.

Only been out with her a couple of times.

- Michael, let me see that picture. - She's gonna be a teacher.

- Oh, I know this girl. - Yeah?

Yeah. I seen her kissing a nigger under the bridge in Jersey.

What are you talking about, a nigger?

A nigger, as in mulignan. As in black. A nigger.

What do you mean, kissing?

I mean kissing.

Her lips on his lips. It's kissing.

- You sure? - I'm sure.

Oh.

Nigger kissed her.

Don't worry about it, brother.

- Hallelujah! - I've come to create order.

Carl, J&B and soda, please.

May God be with you and with your spirit.

Let me ask you something. Art thou the King of the Jews?

Dost thou say this of thyself or have others told thee of me?

- Am I a Jew? - My kingdom is not of this world.

Jerry, hey! How you doin'?

Wow!

Oh, hey, of course.

Er, to Jerry,

er, who served in Vietnam, following the immortal words of John Garfield,

"Get 'em right in the eyes. Get 'em right in the eyes."

Came back with a Silver Star. From the boys.

Bob, drinks for everybody!

Drinks for everybody!

Hey, drinks for everybody!

- Yeah. - Drinks for everybody!

You could make a shirt out of that, Jerry.

- Are we drinking or bullshitting? - We're bullshitting.

Hey, George, watch this.

Put your mouth down there!

- Michael. - What?

Play only old ones tonight.

- Only old ones. - Alright.

Mmm, do you ever hear of a wish sandwich?

It's the kind of a sandwich

that you're supposed to take two pieces of bread

and wish you had some meat.

Mmm, the other day late a ricochet biscuit.

It's the kind of a biscuit that's supposed to bounce off the wall

back in your mouth. If it don't bounce back, you go hungry.

Charlie, Flash ain't here yet.

- He said he'd be here. - Well, he isn't.

Nice, real nice.

He'll be here, he'll be here.

Look... I'll give you 20 bucks to hold for now.

Are you kidding? $20 doesn't pay the interest for two hours.

Now with the vig, it's almost 3,000.

3,000?

Shit, you charge a guy from the neighborhood 1,800 vig?

- No wonder he's late with his payments. - What am I? His father?

Couldn't you have come to me a little sooner, friend?

Charlie, this is business.

Then be realistic, Michael. Where's he gonna come up with $3,000, huh?

Let's work something out.

- Make it 1,800. - Don't hustle me.

I'm not hustling you.

Let's make it 2,000.

Alright, now you're being sensible about it.

But I swear to Jesus Christ on the goddamn cross,

if that kid thinks he's making a jerk-off out of me, I'll break his legs.

Michael. Come on, huh?

You should have sense enough not to get involved.

- Don't tell me what to do. - I'm telling you the truth.

The fucking truth is, you're more involved than anybody.

What do I look like, a jerk?

Next payday I'm coming down here to Tony's.

Johnny Boy better show or I'm gonna find him

and I'm gonna break his fucking legs. We understand each other?

I heard you.

OK.

Amen I say to thee.

Thou will not come out from it till thou hast paid the last penny.

- Michael, you look tired. - You said it.

- Damn it! - Jerry, come on now.

- Jerry! - Easy, man!

Jerry, take it easy. Take it easy. You're in America, Jerry.

Easy! Come on.

Dance.

Do you like this song?

Charlie, there's a girl here to see you.

- Charlie? - What it is? What's the matter?

Johnny Boy is up on that building on the corner

and he has been on the roof for half an hour.

- Alright, don't get excited. - He's got a gun.

- Don't get excited. You stay here. - I'm coming with you.

- Teresa, stay here. - I don't want to stay here.

- Tony... - Teresa, stay here. Have a drink.

- I don't want a drink. - Carl, give Teresa a drink.

- I don't want a drink. - Have a drink.

- I'll have a 7 and 7. - OK.

Charlie, come here. The crazy bastard's up on the roof.

Johnny! It's me, Charlie!

Watch this. I'm gonna shoot the light out on the Empire State Building.

Cut it out, stupid, it's me!

- Come on! - Stop fucking around, come on.

- Hey, what you got up there? - A .38!

- That ain't real, is it? - Yeah.

What's the matter with him? I'm gonna throw that fucker off the roof.

Oh! Oh, shit.

Hey, lady. Lady, I'm sorry, I didn't mean it.

I swear to God. I'm very sorry.

What are you, crazy? What are you doing?

You scared the shit out of me.

- That's very funny. Gimme that. - I hate that lady.

- I tried to get her clothesline. - What's the matter with you?

- What do you mean? - Teresa's half crazy about this.

I wasn't shooting at nobody. I was shooting up in the air.

I wanted to wake up the neighborhood. It's dead.

I hate that woman with a vengeance, a passion.

You and your numbers.

- Fucking chickenshits. Back to Bataan. - Back to...

Now they're gonna get a real back to Bataan.

An atom bomb to wake up the neighborhood.

- What the fuck...? Put that out. - Put what out?

- Johnny, put that... - Surprise. You wanna see it?

Johnny, put that...

Hey! Give me that. Put that...

- Get the fuck...

Let's hide in here for a while. Come on.

- What's wrong with this door? - Come on.

- What are you kicking, stupid? - About time. Get in there.

Remember playing hide and go seek here?

Never mind that. What's this crap about last week?

What? What?

You got some balls not showing up for work last week.

After all we had to do to get you on that truck, what's the matter with you?

Charlie, come on, my hand was hurting.

Your hand was hurting. Your mouth's gonna hurt from this kick.

From what? Hey, I swear to you. What are you talking about?

- Besides, I don't like loading crates - You're not supposed to like it.

What gets me is your attitude.

My attitude? What gets me is your attitude. You ever load crates?

You don't work. What do you do?

You tell me to go to work, you do all the talking, and you do nothing.

I'll tell you something I don't do. I don't owe anybody 2,000 clams, stupid.

I got Michael to make it 2,000. Give you a break on that.

Oh, yeah?

You go to work tomorrow or I'm gonna break both your arms. Understand?

Yeah, yeah. I'm sorry, Charlie, I really am. I mean...

Cos I appreciate everything you're doing for me. I mean, I do.

So I was figuring that the next logical thing to do... Now don't get mad.

- Oh, yeah? How? - You know how you get.

- You know a way out of this? - Yeah, I know.

Oh, let me hear this one.

Talk to your uncle.

Oh, that'd be just, just, just, just really great for you, wouldn't it?

But not for me.

Johnny, one word out of your mouth, if my uncle hears one word about this...

Alright. Hey, I was just asking, that's all.

That's what I get for getting involved.

Look. On payday, at least show up at Tony's place to meet him, OK?

This way he doesn't think that you're trying to make a jerk-off out of him.

- Yeah, alright. - Hey!

I'm not asking you, I'm telling you!

Yeah.

- Johnny, come on. - What?

- Come on. - What, are we going now?

Let's go.

- Hey, Shorty. - Fuck you, Charlie, will you?

Shorts, you must be having delusions of grandeur.

What do you want from me? Talk to him.

Gonna see you and Johnny Boy down here tonight, right, Charlie?

Yeah, we'll be here.

I'm telling you, that kid doesn't show up tonight, I'm gonna find him.

I'm gonna drag him down here.

I'm gonna tie one of his legs to that Cadillac bumper,

I'm gonna tie the other to the Ford and boom!

- We'll be here. - You better be here, Charlie.

Michael, don't you fucking threaten me.

Miss. Excuse me. Miss. Miss.

What? What do you want?

I want you to tell your cousin Johnny Boy he's gonna see Michael tonight.

- Tell him yourself. - I'd love to. Where can I find him?

I don't know. He doesn't live here.

- He's here all the time. - Fuck you.

Fuck me? I don't have to take this from you.

Look what you did, you... you...

Here.

- What am I doing? - Give me my fucking eggplant, please.

Alright. You got some mouth, you know that?

Get outta here.

Just be sure and tell him to be here tonight, alright?

Are you sure he didn't say anything about tonight?

I told you before, nothing. Charlie? Charlie, will you listen to me?

I can't stay here too long at this time of night.

Now, Michael was looking for him.

- What's happening? - Nothing.

I don't believe you.

- Son of a bitch. - What?

- What did you just say? - Teresa! Watch the hands already!

Charlie, Charlie. What do you think?

Don't you realize what this apartment means?

Maybe after a while you could even move in yourself.

Enough with that apartment already! I don't want to hear any more!

I got enough on my hands with that bastard cousin of yours!

You want to move, go on, move, but leave me out of it!

Teresa, I'm sorry. I didn't mean that, but we've got a situation right now.

- Come on. - A situation?

Look, go and play your fucking games with that dumb kid. I don't care.

Teresa, it's no game.

Hello!

- Where were you? - l was around. What do you mean?

- Answer me. Where were you? - Charlie...

- Shut up. - Yeah, shut up.

Teresa, we don't want to get Charlie in trouble, do we?

Don't be cute. I've been going crazy here!

- Yeah? - What's the matter with you?

- Ah, what's the matter with you? - You're about an hour and a half late.

That's too bad.

Michael's waiting for us. You forget or what?

Your cousin was getting sick worrying about you.

Had to start calling up everybody.

Yeah? That's too bad. Isn't that too bad?

Huh, Teresa?

So, kiddies, you made any plans yet? When are youse getting married?

- Gonna get engaged? - Don't be smart.

What do you mean? I ain't smart. I'm stupid, remember? I'm a stronzo.

I'm so stupid you gotta look out for me, right?

Right? Yeah.

What's the matter? Hey, Teresa...

Look, she's upset. What are you so upset about?

You don't understand Charlie here.

Charlie likes everybody, everybody likes Charlie.

- Enough, enough. - Fucking politician over here.

- Watch your mouth! - I'm just going home.

No, wait, Teresa. Wait, wait, wait.

Teresa, come on. Stay here. What are you talking about?

I don't want to break up a nice, happy household here.

Johnny, stop fooling around.

I swear to God, if you open your mouth about any of this...

- About what? - You know what I'm talking about.

About what, you two? Hey, who cares?

I won't even say nothing to my aunt and uncle.

The guys don't give a shit. I won't even say nothing to your Uncle Giovanni.

Stop fooling around.

- I'm not fooling around. - Come here!

As a matter of fact...

What? Come on. I won't say nothing to Giovanni, that's all.

I wanted to ask you something, Charlie.

I always wondered about her. This is the God's honest truth.

What happens when she comes? Does she get a fit?

What's that?

What happens when she comes? I mean...

You dirty two-faced fucking bastard! Don't ever hit me again! Don't!

I think I am gonna tell your uncle.

- Right now! - Go on!

Come on, guys!

I'll tear your fucking eyes outta your head!

- I'm gonna kill you, you bastard! - Go on!

- Teresa!

Teresa! What do you do? Do you know anything about this?

Johnny!

How should I know? She's your fucking girl.

- Come here! - Get off me!

Teresa!

Do you know what to do?

Hey, do you know what to do?

She had an attack.

You gonna tell my uncle, huh? After all I've done for you?

What do you mean, what you did for me?

What do you mean, what you did for me? You didn't do nothing for me, you fuck!

Fucking bastard. You're a fucking bastard!

- Get off of me! - Fucking bastard.

- Come on. What are you doing? - What you're doing for me?

Don't show up tonight, we'll see what happens to you.

How much money you got for Michael tonight?

- I ain't got nothing. - You got anything?

I got eight fucking dollars.

Well, here, take... take 20.

Take 22. With your eight, that'll make $30 we'll give to Michael.

I'll keep 11 for the weekend.

Maybe we'll get some Chinks later.

Take it, stupid, I'm doing it for you.

Come on! Come on!

Carrying on, huh? Cut it out, will you?

Charlie, 30 bucks ain't nothing, you know that.

The only way you're gonna do it is if you talk to your uncle.

- Forget it, will you? - Why not?

I ain't gonna do it. Forget about that.

Did I hurt you, huh?

Come on.

You're over an hour late. Michael said he'll be back.

- Have a drink. - I don't want one.

Hey, cut it out, will you?

- Where are you going? - I'm going to the bathroom.

Alright, now. Take it easy, don't get excited.

No.

- Who's the girl? - Jewish.

- How do you know? - Look at her.

She don't look Jewish.

She's in here every night with a different guy. You know how they are.

I love you.

Ever since that first day at the convent

when I saw you playing volleyball with the nuns, I couldn't help myself.

- Let's go. - Fuck off.

- Let's go. - You go, I'm staying.

It's obvious the girl doesn't want to accompany you.

- What do you think? - Look, this is private.

- Nothing's private. - I want to go.

Whether she wants to go or not, she's not gonna go.

- Let go of her. - Take her away from me, physically.

- You're hurting me! - Take her away, go ahead.

Hey, Joyce. Here. Maybe we'll meet at bingo some night.

Hey, Mike!

What's the story, John?

l was here earlier tonight. You kept me waiting for an hour.

I'm sorry, Mikey, but, you know, I had something to do.

But I got something for you.

Not much, but I got something for you.

He has about $30. That's all he's got on him, Michael.

- Where's the rest? - Yeah, where's the rest?

I bought a few rounds of drinks while I was waiting. I mean...

Tony says my credit ain't no good no more.

You know, $30 is enough of an insult,

but I'll take it for Charlie here.

$10? John...

$10?

Hey, Mike...

Mike, you're really something, you know that?

You too good for this $10? You too good for it? It's a good $10.

You know something, Mikey? You make me laugh, you know that?

I borrow money all over this neighborhood, left and right,

from everybody, and I never paid them back

so I can't borrow no money from nobody no more, right?

So who does that leave me to borrow money from but you?

I borrow money from you because you're the only jerk-off around here

that I can borrow money from without paying back, right? Right?

Cos that's what you are.

That's what I think of you, a jerk-off.

You're smiling because you're a jerk-off.

You're a fucking jerk-off.

And I tell you something else, Mikey.

I fuck you right where you breathe,

cos I don't give two shits about you or nobody else.

Easy.

Come on, come on, come on.

Come on, come on. Fuckface!

Come on. Come on.

I got something for you, motherfucker! Come on!

Come on, come on, motherfucker!

Come on, big shot! Come on! Come on.

Come on. D-D. Disappointed Dunce-ski. Right, asshole.

Come on. Come on.

- You don't have the guts... - Come on!

- You don't have the guts to use it. - I don't?

I don't have the guts? Come on, asshole.

Come over here, I'll put this up your ass.

Hey, asshole! This is for you, asshole!

Fucking asshole!

You stupid bastard! Were you gonna use that?

Were you gonna use that?

Fucking...! I'll fucking kill you, Johnny! That is fucking it!

Big fucking man!

Alright. So now you did it.

No bullets in this.

Now you did it.

Get him outta here before this blows up.

Hide the gun, Tony. Throw it away.

Listen, Tony, I gotta borrow your car. We gotta take a ride.

We shouldn't be around here now.

OK. Don't go driving around. Go to a movie or something.

This is no good, alright? You know what I mean?

- You understand? - Maybe.

You got what you wanted.

Get in.

Get in the car, John!

Burton!

Burton!

Teresa, are you alright?

Yeah. I'm sorry.

I told you, I'm sorry.

He's in trouble.

What do you mean, trouble? What's going on?

Look, just trouble, alright?

We gotta leave for a few days until I talk to a couple of people.

I need a couple of bucks to get to Greenwood Lake.

- Where are you gonna go? - To Greenwood Lake.

- I'm coming with you. - No, you're not.

Do you want more trouble? I'm coming with you.

Teresa, I got no time for this.

- So what happened? - Forget it.

Charlie, I think we should talk to your uncle. That's the only way.

No.

- Charlie, what happened? - It's alright, forget about it.

So what are you gonna do, hide me or what?

That's right.

I guess you could safely say

that things haven't gone so well tonight.

But I'm trying, Lord. I'm trying.

What, are you talking to yourself?

- Turn on the radio. - Louder, louder.

Yeah, turn on the radio, John, yeah!

We're going to a party, have lots of fun.

Where are you going, Brooklyn or what?

Why don't you make it louder? Go ahead.

Seriously, do you know which way you're going?

Where we going? Charlie, you don't know where you're going.

We don't know Brooklyn. What's this?

Is this the right way?

Do I know Brooklyn? Do I know the jungle?

Speed fiend.

Watch...

- Watch where you're going! - You're crazy!

You're outta your mind. That was a light. Did you see that light?

- The light was red, right? - What?

- Slow down. - What does red mean?

- Slow down. Will you slow down? - I wish you'd slow down your mouth.

- What, is that guy crazy? - Hey, jerk!

Now's the time.

Get down! Get down!

Johnny! Johnny!

Get down! Get down!

Johnny!

Good night, good luck and God bless you!

Thank you! Thank you!

Thank you very much.