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These are the user uploaded subtitles that are being translated: 1 00:00:01,172 --> 00:00:04,088 Restoration and digitilization was carried out in 2023 2 00:00:04,297 --> 00:00:05,713 with the support of the CNC 3 00:00:32,505 --> 00:00:36,463 There was once a young French woman in Geneva. 4 00:01:14,505 --> 00:01:16,422 - And Fabio? - He's leaving tomorrow. 5 00:01:16,588 --> 00:01:18,505 - Is he going for long? - For three days. 6 00:01:20,172 --> 00:01:21,380 Where is he going? 7 00:01:21,547 --> 00:01:23,338 To England. 8 00:02:02,172 --> 00:02:03,297 You make me laugh. 9 00:02:44,588 --> 00:02:47,880 A VERY PRIVATE AFFAIR 10 00:03:15,380 --> 00:03:17,130 Hello, Gricha. 11 00:03:17,630 --> 00:03:19,130 Hello, Jill. 12 00:03:19,297 --> 00:03:21,255 - Is your mother well? -Yes. 13 00:03:22,630 --> 00:03:24,838 Does she think about me? 14 00:03:25,172 --> 00:03:26,880 No! 15 00:04:09,255 --> 00:04:10,797 Hello, goat. 16 00:05:25,172 --> 00:05:27,338 You'll spoil your lunch. 17 00:05:28,130 --> 00:05:30,088 - What's for lunch? - Gnocchi. 18 00:05:30,255 --> 00:05:31,547 Again? 19 00:05:32,963 --> 00:05:34,963 - Mum! -Yes. 20 00:05:49,547 --> 00:05:51,255 I'm exhausted. 21 00:05:52,380 --> 00:05:53,963 Take a bath. 22 00:05:54,755 --> 00:05:57,172 - I saw your lover boy. - Oh! 23 00:05:57,338 --> 00:05:58,380 Him again! 24 00:06:05,255 --> 00:06:07,255 The company Swissair 25 00:06:07,422 --> 00:06:09,047 informs that passengers 26 00:06:09,255 --> 00:06:11,922 for flight 145 to Zurich, 27 00:06:12,088 --> 00:06:14,922 that the departure is delayed for approximately 20 minutes 28 00:06:15,088 --> 00:06:17,463 due to a late departure of the aeroplane. 29 00:06:24,672 --> 00:06:26,297 Hey, lovebirds. 30 00:06:40,130 --> 00:06:41,838 I can see a woman. 31 00:06:42,297 --> 00:06:43,922 And a guy. 32 00:06:45,338 --> 00:06:47,797 They're looking at us through binoculars. 33 00:06:49,255 --> 00:06:50,713 They are old 34 00:06:51,213 --> 00:06:52,797 and ugly. 35 00:06:58,172 --> 00:07:00,547 Paris, Paris... 36 00:07:01,422 --> 00:07:03,255 I don't want you to go. 37 00:07:10,797 --> 00:07:12,630 I'll come and see you often. 38 00:07:12,797 --> 00:07:14,713 That's what they always say. 39 00:07:17,255 --> 00:07:18,963 Why don't you spend winter here 40 00:07:19,130 --> 00:07:20,755 and leave in the spring? 41 00:07:34,505 --> 00:07:37,422 - Good evening. - Good evening, Mrs Rinaldi. 42 00:07:38,505 --> 00:07:40,922 Come in, come and see. 43 00:07:41,963 --> 00:07:43,380 This is the next issue? 44 00:07:43,880 --> 00:07:45,297 Yes. Expressionism. 45 00:07:45,463 --> 00:07:48,047 Where's the expressionism? I can't see it. 46 00:07:48,463 --> 00:07:51,588 It could be Chinese theatre or something. 47 00:07:52,672 --> 00:07:55,088 It has to be out in four days. 48 00:07:55,672 --> 00:07:57,755 - The page is fine. -Yes. 49 00:07:57,922 --> 00:07:59,422 You're never happy. 50 00:08:00,213 --> 00:08:02,130 Oh, listen to this. 51 00:08:02,922 --> 00:08:05,630 "Intermittent chords, powerful drama 52 00:08:05,797 --> 00:08:08,505 "and dialogues leap as if interrupted by street noise." 53 00:08:09,630 --> 00:08:11,755 That's not so good. Who wrote it? 54 00:08:11,922 --> 00:08:13,380 I did, my friends. 55 00:08:15,672 --> 00:08:18,172 What are you doing? Come on, we're leaving. 56 00:08:21,130 --> 00:08:23,880 - What's that? - That's my homeland. 57 00:08:45,172 --> 00:08:47,588 How about getting cakes for dessert? 58 00:08:49,213 --> 00:08:51,338 No cakes. 59 00:08:56,380 --> 00:08:58,422 Your wife told me you're leaving for Paris. 60 00:08:58,588 --> 00:09:00,922 Yes. In a few months' time. 61 00:09:01,380 --> 00:09:03,505 You can't do anything worthwhile here. 62 00:09:03,880 --> 00:09:05,422 I don't want to cook. 63 00:09:05,880 --> 00:09:08,463 - Why don't we go to a restaurant? - That's absurd. 64 00:09:40,547 --> 00:09:43,755 For goodness sake, Albert, we need two more cups. 65 00:09:46,880 --> 00:09:48,088 Charming! 66 00:09:48,838 --> 00:09:51,047 That boy knows nothing about serving. 67 00:09:51,547 --> 00:09:54,005 And his mother knows nothing about cooking. 68 00:09:54,297 --> 00:09:55,755 Albert is incredible! 69 00:09:55,922 --> 00:09:57,922 Is your husband in Geneva, Carla? 70 00:09:58,088 --> 00:09:59,755 No. He's at the Berlin festival. 71 00:10:08,297 --> 00:10:11,172 - Madam, Mr Bornhauser is arriving. - I don't want to see him. 72 00:10:11,755 --> 00:10:13,672 - Why? - He bores me. 73 00:10:14,922 --> 00:10:16,588 Madam is not home. 74 00:10:19,672 --> 00:10:21,422 Never mind. I'll come back. 75 00:10:24,047 --> 00:10:26,047 - Hello, Gricha. - Hello, Jill. 76 00:10:36,755 --> 00:10:38,630 He's always in a dinner jacket. 77 00:10:38,797 --> 00:10:40,672 A kind of club manager. 78 00:10:40,838 --> 00:10:42,297 - Who, Julius Caesar? -Yes. 79 00:10:42,463 --> 00:10:45,880 And Mark Antony is a slot-machine expert. 80 00:10:47,005 --> 00:10:48,422 Wonderful! 81 00:10:48,922 --> 00:10:50,922 You know what they said about the play? 82 00:10:51,088 --> 00:10:52,755 We adapted Julius Caesar 83 00:10:52,922 --> 00:10:55,172 but we didn't change the intention of the author. 84 00:10:55,338 --> 00:10:56,797 Yes! 85 00:10:56,963 --> 00:10:58,963 If Shakespeare had seen it! 86 00:11:11,880 --> 00:11:15,088 There's not enough contrast. We need to enhance it. 87 00:11:16,380 --> 00:11:18,880 - Increase the yellow and black. -Yes. 88 00:11:19,213 --> 00:11:21,797 If we increase the black it'll be for everything. 89 00:11:21,963 --> 00:11:24,213 - It's safe to increase the yellow. - Okay. 90 00:11:24,380 --> 00:11:27,172 Jean, increase the yellow on everything. 91 00:11:27,338 --> 00:11:29,172 On the whole reel? 92 00:11:32,005 --> 00:11:33,297 Hello, Fabio. 93 00:11:34,213 --> 00:11:35,380 Hello, Jill. 94 00:11:35,547 --> 00:11:37,505 I've increased the yellow a little. 95 00:11:37,797 --> 00:11:40,213 - Yes. That's good. - I've come to see Carla. 96 00:11:40,380 --> 00:11:42,297 What? No, she's not here. 97 00:11:42,547 --> 00:11:44,047 You can print like that. 98 00:11:51,505 --> 00:11:53,130 Can I wait for her? 99 00:11:53,297 --> 00:11:54,463 If you want. 100 00:11:58,922 --> 00:12:00,047 Yes, that's it. 101 00:12:00,672 --> 00:12:01,713 That's solved it. 102 00:12:14,088 --> 00:12:16,005 There's one sheet left to print. 103 00:12:16,172 --> 00:12:17,797 We'll finish tomorrow morning. 104 00:12:19,005 --> 00:12:21,797 Don't forget the English issue must be in New York for half-past. 105 00:12:21,963 --> 00:12:23,755 - Yes, okay. - Good night. 106 00:12:23,922 --> 00:12:25,505 - Good night. - Good night. 107 00:12:27,047 --> 00:12:28,422 See you tomorrow. 108 00:12:35,338 --> 00:12:38,338 - You think it will be ready? -Yes. 109 00:12:38,505 --> 00:12:40,338 And the stage production and the report? 110 00:12:41,047 --> 00:12:44,005 - Oh, that... - It would be a good opportunity 111 00:12:44,172 --> 00:12:47,755 to denounce all the errors committed in the name of stage production. 112 00:13:02,130 --> 00:13:03,838 Jill, what's wrong? 113 00:13:04,005 --> 00:13:05,922 Nothing. Leave me alone. 114 00:13:06,797 --> 00:13:09,213 Come and join us. Everyone is asking for you. 115 00:13:10,213 --> 00:13:11,547 Leave me alone. 116 00:13:22,797 --> 00:13:23,963 Hello. 117 00:13:24,422 --> 00:13:26,255 - Hello. - Hello. 118 00:13:27,713 --> 00:13:29,672 Let me introduce you to Estelle. 119 00:13:45,047 --> 00:13:47,255 Oh! You don't keep your promises. 120 00:13:58,880 --> 00:14:00,130 Gilbert. 121 00:14:05,838 --> 00:14:08,088 Your mother thinks I'm a drunk. 122 00:14:08,255 --> 00:14:10,505 She always hates people at first. 123 00:14:12,047 --> 00:14:14,047 Then she loves them. 124 00:14:15,588 --> 00:14:17,588 I'm a patient man. 125 00:14:19,172 --> 00:14:20,963 You look sad, Jill. 126 00:14:22,797 --> 00:14:23,880 Yes. 127 00:14:24,880 --> 00:14:27,130 Is it because of a man? 128 00:14:27,838 --> 00:14:29,297 - Yes. - Don't worry. 129 00:14:29,505 --> 00:14:31,255 Be patient. 130 00:14:31,422 --> 00:14:33,047 Everything always works out. 131 00:14:33,213 --> 00:14:34,213 Not for me. 132 00:14:34,380 --> 00:14:36,338 - Never? - Never. 133 00:14:37,088 --> 00:14:39,588 Then you will have to do something. 134 00:14:39,755 --> 00:14:40,963 What? 135 00:14:41,130 --> 00:14:43,463 I don't know. You will have to move. 136 00:14:48,547 --> 00:14:50,588 Miss Jill! Miss Jill! 137 00:14:50,755 --> 00:14:53,505 Wake up! Mr Dick is here! 138 00:15:11,463 --> 00:15:12,838 Good morning, sweetheart. 139 00:15:13,213 --> 00:15:14,505 Good morning. 140 00:15:14,672 --> 00:15:15,797 Did you sleep well? 141 00:15:16,213 --> 00:15:17,755 So-so. 142 00:15:19,922 --> 00:15:22,838 Do you know how many bottles of whiskey they drank? 143 00:15:23,755 --> 00:15:25,255 Fourteen! 144 00:15:27,588 --> 00:15:29,672 - Mum. - Hmm? 145 00:15:29,838 --> 00:15:33,047 Dick is leaving tomorrow. I want to leave Geneva and go with him. 146 00:15:34,088 --> 00:15:36,088 - To Paris? -Yes. 147 00:15:36,255 --> 00:15:37,463 Why? 148 00:15:40,255 --> 00:15:42,338 - Jill! - Come up! 149 00:15:43,005 --> 00:15:44,463 But why? 150 00:15:44,880 --> 00:15:46,338 Are you in love with this boy? 151 00:15:46,505 --> 00:15:47,672 No. 152 00:15:50,213 --> 00:15:53,172 So, you're bored here, with me. 153 00:15:53,338 --> 00:15:55,005 Not at all. 154 00:15:55,172 --> 00:15:58,005 Well then, why? Tell me. 155 00:15:58,797 --> 00:16:01,630 Listen, Mum, it's complicated. I have to leave. 156 00:16:02,047 --> 00:16:03,172 What will you do? 157 00:16:03,338 --> 00:16:05,838 - What will you live on? - I'll find something. 158 00:16:06,047 --> 00:16:07,380 Good morning, madam. 159 00:16:07,547 --> 00:16:10,213 - Did you put this idea in her head? - What idea? 160 00:16:12,422 --> 00:16:14,880 I've decided to leave tomorrow with you. 161 00:16:20,672 --> 00:16:22,130 Don't do it, Jill. 162 00:16:22,588 --> 00:16:24,088 We will fall out. 163 00:16:24,255 --> 00:16:25,547 I'm getting dressed. 164 00:16:55,297 --> 00:16:56,505 Are you my friend? 165 00:16:58,297 --> 00:16:59,547 Yes, I'm your friend. 166 00:17:12,255 --> 00:17:13,713 For several months, 167 00:17:13,880 --> 00:17:16,380 Jill lived in Paris, accompanying Dick, 168 00:17:16,547 --> 00:17:19,755 leading the carefree life of a young dancer. 169 00:17:23,297 --> 00:17:27,505 However, she loved neither Dick nor dance enough 170 00:17:27,672 --> 00:17:29,297 for it to last for very long. 171 00:17:36,838 --> 00:17:38,297 Jill, come back. 172 00:18:02,213 --> 00:18:03,547 - Stay... - Get lost! 173 00:18:22,922 --> 00:18:25,422 And one, two, 174 00:18:25,880 --> 00:18:27,672 three, four, 175 00:18:28,338 --> 00:18:31,088 five, six, seven. 176 00:18:33,297 --> 00:18:34,505 One. 177 00:18:35,130 --> 00:18:37,380 No, Jill. No, no, no, no! 178 00:18:37,922 --> 00:18:40,005 You're in the boys' line and you're doubling the tempo. 179 00:18:40,172 --> 00:18:42,547 The boys go one, and two. 180 00:18:42,713 --> 00:18:43,880 And you double the tempo. 181 00:18:44,047 --> 00:18:46,630 You're late. You don't work. You do nothing! 182 00:19:00,422 --> 00:19:02,380 And one... 183 00:19:05,880 --> 00:19:07,755 One and two 184 00:19:07,922 --> 00:19:10,713 and three and four. 185 00:19:10,880 --> 00:19:14,130 And one, and two and... 186 00:19:14,297 --> 00:19:16,838 Stop the music. At the front. 187 00:19:17,005 --> 00:19:18,505 One and two. 188 00:19:20,422 --> 00:19:23,172 Jill was on her own. 189 00:19:23,338 --> 00:19:25,463 Too proud to return to Geneva, 190 00:19:25,630 --> 00:19:28,213 she made a living for a while as a photo model. 191 00:19:30,130 --> 00:19:33,422 From photography to cinema, there is only one small step 192 00:19:35,047 --> 00:19:38,130 and one day, she took it without conviction. 193 00:19:38,297 --> 00:19:39,547 Prepare the clapperboard. 194 00:19:39,713 --> 00:19:41,213 Everything is ready. 195 00:19:42,005 --> 00:19:43,505 Over here. 196 00:19:44,047 --> 00:19:45,713 We're preparing a scene. 197 00:19:46,547 --> 00:19:48,297 It's about time! 198 00:19:48,505 --> 00:19:50,797 That's a great way to start your career! 199 00:19:50,963 --> 00:19:52,297 Stand here. 200 00:19:54,630 --> 00:19:56,838 Just there. It's not difficult. 201 00:19:57,005 --> 00:19:59,713 You know what a camera is? That is the camera. 202 00:20:01,838 --> 00:20:04,297 And make it better than in rehearsal. 203 00:20:04,463 --> 00:20:06,130 There are plenty other actresses. 204 00:20:06,297 --> 00:20:08,630 Hey, you came to me! 205 00:20:08,797 --> 00:20:10,255 Camera. 206 00:20:10,588 --> 00:20:11,797 Rolling. Clapper. 207 00:20:11,963 --> 00:20:13,172 Screen test. Jill. One. 208 00:20:28,922 --> 00:20:32,838 Something special happened with Jill and the camera. 209 00:20:33,422 --> 00:20:36,505 An unexpected encounter. A mysterious bond 210 00:20:36,713 --> 00:20:39,088 that would inadvertently make Jill 211 00:20:39,255 --> 00:20:41,422 a star, a phenomenon, 212 00:20:41,588 --> 00:20:42,755 a monster. 213 00:20:42,963 --> 00:20:45,755 THREE YEARS LATER... 214 00:21:01,255 --> 00:21:04,755 THE JOY OF BEING A STAR... 215 00:21:19,630 --> 00:21:21,297 An ashtray, please. 216 00:21:22,547 --> 00:21:23,630 Thank you. 217 00:21:26,755 --> 00:21:27,838 No. 218 00:21:28,505 --> 00:21:31,255 Leave me. Please. Please. 219 00:21:33,922 --> 00:21:35,047 Please! 220 00:21:35,713 --> 00:21:36,630 No. 221 00:21:37,213 --> 00:21:38,797 Okay, it's fine. 222 00:21:39,255 --> 00:21:41,130 - We'll do it again. - Let's hurry up. 223 00:21:41,338 --> 00:21:42,963 - It's good for Jill. - Got it. 224 00:21:44,963 --> 00:21:46,713 Yes, I can see her. She's beautiful. 225 00:21:48,338 --> 00:21:49,297 Excuse me. 226 00:21:49,922 --> 00:21:51,088 This is not a good time. 227 00:21:52,755 --> 00:21:55,213 A BODY WORTH MILLIONS 228 00:21:55,422 --> 00:21:57,005 NEW YORK 6TH MONTH OF EXCLUSIVITY 229 00:21:57,213 --> 00:21:58,713 SHE TURNS DOWN HOLLYWOOD 230 00:21:58,922 --> 00:22:00,713 COUNCIL REFUSES FILM SHOWING 231 00:22:00,922 --> 00:22:02,047 A BILLION-DOLLAR FILM 232 00:22:02,255 --> 00:22:03,422 FORBIDDEN BY THE VATICAN 233 00:22:07,547 --> 00:22:08,880 Okay, let's do it. 234 00:22:09,338 --> 00:22:11,422 - Wait a minute! - What do you mean? 235 00:22:11,630 --> 00:22:14,213 - There's a problem. - Guys, this is no good. 236 00:22:14,380 --> 00:22:17,422 Three months of dubbing while you learn how it works. 237 00:22:17,588 --> 00:22:19,005 The mic cut out. It happens. 238 00:22:19,172 --> 00:22:21,422 No it doesn't, only to you. 239 00:22:26,130 --> 00:22:27,755 What have I done now? 240 00:22:27,922 --> 00:22:29,338 I don't like that guy. 241 00:22:29,505 --> 00:22:30,922 You are so annoying. 242 00:22:42,213 --> 00:22:44,047 It's repaired. We can go. 243 00:22:44,713 --> 00:22:46,005 Michou! 244 00:22:46,213 --> 00:22:47,547 SHE'LL DRIVE HIM CRAZY 245 00:22:47,755 --> 00:22:49,588 SHE HAS THE DEVIL IN THE FLESH! 246 00:22:49,797 --> 00:22:51,172 DOES SHE HAVE A HEART? 247 00:22:51,380 --> 00:22:53,047 I won't go to London. 248 00:22:53,338 --> 00:22:55,172 That's enough for today. 249 00:22:55,338 --> 00:22:57,672 If they want to see me, they'll have to come to Paris 250 00:22:58,005 --> 00:22:59,797 And for the house? 251 00:23:00,255 --> 00:23:01,422 Another day. 252 00:23:01,588 --> 00:23:03,422 - Let's go! - Ready? 253 00:23:03,630 --> 00:23:05,838 No. Leave me. 254 00:23:06,422 --> 00:23:09,172 - Please! Please! - Are you afraid? 255 00:23:11,005 --> 00:23:13,713 Please. No. 256 00:23:14,797 --> 00:23:15,922 RECKLESS OR PERVERSE? 257 00:23:16,130 --> 00:23:17,297 JILL GOES TOO FAR 258 00:23:17,505 --> 00:23:19,963 Jill, I'm not talking to you as a producer, 259 00:23:20,380 --> 00:23:21,630 but as a friend. 260 00:23:22,422 --> 00:23:26,672 You've always loved who you wanted, you have had lovers and left them. 261 00:23:26,880 --> 00:23:28,255 It's not a criticism. 262 00:23:28,422 --> 00:23:30,880 You are a scandalous women in the eyes of others. 263 00:23:31,047 --> 00:23:32,672 But I know 264 00:23:32,838 --> 00:23:35,713 that you are a liberated woman, an amazon. 265 00:23:36,213 --> 00:23:38,838 - The first amazon. - What rubbish! 266 00:23:39,005 --> 00:23:40,797 You decide, you choose. 267 00:23:41,005 --> 00:23:42,755 You leave them. You're the man. 268 00:23:43,547 --> 00:23:45,047 Be careful! 269 00:23:46,338 --> 00:23:48,297 I've thought long and hard about it. 270 00:23:48,463 --> 00:23:50,380 Let me give you some advice. 271 00:23:56,005 --> 00:23:57,255 - It's her! - Hey! 272 00:23:57,422 --> 00:23:59,338 - It's her, guys! - Jill! 273 00:23:59,547 --> 00:24:01,880 - Are you looking for a fiancé? - Jill! 274 00:24:02,755 --> 00:24:04,755 You won't find another like me, eh? 275 00:24:04,922 --> 00:24:06,880 Once a scout, always a scout. 276 00:24:07,047 --> 00:24:09,338 - Let's move. - Drive on! 277 00:24:09,547 --> 00:24:11,088 I don't want to run one over. 278 00:24:45,255 --> 00:24:46,588 SEX SYMBOL 279 00:24:46,797 --> 00:24:48,505 TOO RICH TOO BEAUTIFUL 280 00:24:48,713 --> 00:24:50,005 A PICTURE OF SIN 281 00:24:50,213 --> 00:24:51,463 PARENTS ACCUSE 282 00:24:51,672 --> 00:24:52,755 NAKED 283 00:24:52,963 --> 00:24:53,963 CENSORED 284 00:24:54,172 --> 00:24:55,213 DESPICABLE 285 00:24:55,422 --> 00:24:56,713 ENOUGH! 286 00:25:34,255 --> 00:25:36,005 - Which floor? - Sixth. 287 00:25:36,172 --> 00:25:37,880 I'm getting out before. 288 00:25:49,463 --> 00:25:51,463 Oh! Forgive me. 289 00:25:51,630 --> 00:25:53,172 I didn't recognise you. 290 00:25:53,338 --> 00:25:55,130 I knew you lived here. 291 00:25:55,297 --> 00:25:57,505 I'd heard. But to see you here... 292 00:25:57,922 --> 00:25:59,797 It's quite a surprise. 293 00:26:00,172 --> 00:26:01,505 I've only seen photos. 294 00:26:01,713 --> 00:26:03,963 I don't watch your films. 295 00:26:04,172 --> 00:26:05,713 No way. 296 00:26:05,880 --> 00:26:07,088 But I read the papers 297 00:26:07,255 --> 00:26:09,672 and, well, there's a lot to say. 298 00:26:11,588 --> 00:26:12,880 But personally, 299 00:26:13,047 --> 00:26:15,588 I'm tired of seeing your face everywhere. 300 00:26:15,755 --> 00:26:17,338 I'm tired of all your stories. 301 00:26:17,755 --> 00:26:20,922 When will you leave these poor boys alone? 302 00:26:21,088 --> 00:26:23,172 They've done nothing to you. Let them be. 303 00:26:23,338 --> 00:26:25,422 Are you going to sleep with the whole world? 304 00:26:25,588 --> 00:26:27,297 What are you? 305 00:26:27,713 --> 00:26:28,880 A slut? 306 00:26:29,047 --> 00:26:30,797 Yes, that's what you are. A slut. 307 00:26:30,963 --> 00:26:33,172 A bitch with no respect, no shame. 308 00:26:33,338 --> 00:26:35,463 You earn millions for stripping off 309 00:26:35,630 --> 00:26:37,630 while my brother is fighting in Algeria. 310 00:26:37,797 --> 00:26:39,547 Those things come at a price. 311 00:26:39,713 --> 00:26:41,713 There are still good people in this world, 312 00:26:41,880 --> 00:26:43,547 one day they'll kill you, 313 00:26:43,713 --> 00:26:45,297 and you won't be missed. 314 00:26:45,463 --> 00:26:46,672 We don't like hussies. 315 00:26:46,838 --> 00:26:48,172 You hear me? Hussy! 316 00:26:48,338 --> 00:26:50,047 You can run, but we'll find you! 317 00:28:00,130 --> 00:28:02,630 Miss, what is the subject? 318 00:28:06,588 --> 00:28:08,255 Come on, snap out of it. 319 00:28:12,047 --> 00:28:13,130 Listen, Jill... 320 00:28:13,880 --> 00:28:15,838 I can give a message, yes. 321 00:28:17,005 --> 00:28:19,422 No, no, no. Absolutely not. 322 00:28:19,630 --> 00:28:21,130 That's nothing but a joke. 323 00:28:21,297 --> 00:28:23,713 No, it's not. I read it in France Soir. 324 00:28:24,088 --> 00:28:27,088 It's out of the question. You have to come. 325 00:28:27,255 --> 00:28:29,755 Listen to Maxime, Jill. 326 00:28:29,963 --> 00:28:31,005 Leave me alone. 327 00:28:31,172 --> 00:28:34,297 I'm sorry, but there is no other way. 328 00:28:34,463 --> 00:28:36,005 I'm not going. 329 00:28:36,463 --> 00:28:39,255 - Jill, I'm asking as a favour... - Leave me in peace. 330 00:28:41,297 --> 00:28:43,130 - How long to dress her? - Half an hour. 331 00:28:45,547 --> 00:28:47,255 Ah! I thought so! 332 00:28:47,963 --> 00:28:49,422 - You've taken some. - What is it? 333 00:28:49,630 --> 00:28:51,005 Sleeping pills. 334 00:28:51,172 --> 00:28:53,088 I'll make her some hot coffee. 335 00:28:53,922 --> 00:28:54,672 Here's the dress. 336 00:29:06,880 --> 00:29:07,630 Leave me alone. 337 00:29:09,213 --> 00:29:11,088 Please. Leave me alone. 338 00:29:11,380 --> 00:29:12,630 I can't take any more. 339 00:29:13,130 --> 00:29:14,547 I'm sick of everything. 340 00:29:15,713 --> 00:29:17,588 Get out of here! 341 00:29:34,713 --> 00:29:37,838 Jillt Jillt Jili? 342 00:29:38,005 --> 00:29:40,963 Jillt Jillt Jili? 343 00:31:47,130 --> 00:31:49,047 Maybe she doesn't live here anymore. 344 00:31:49,547 --> 00:31:51,005 What shall we do? 345 00:31:52,630 --> 00:31:54,047 I don't know. 346 00:31:54,213 --> 00:31:55,755 Go back to Paris? 347 00:31:56,922 --> 00:31:58,630 Where are you going? 348 00:32:16,213 --> 00:32:19,297 Jill, honey, listen to Juliette, you're sick. 349 00:32:19,463 --> 00:32:20,963 Come back to the car. 350 00:32:21,130 --> 00:32:22,672 There's a good girl. 351 00:32:49,047 --> 00:32:51,130 Where can we find your friend? 352 00:32:51,713 --> 00:32:53,505 I don't know this city. 353 00:32:54,922 --> 00:32:56,588 What a state of affairs. 354 00:32:57,255 --> 00:32:59,047 I should never have taken you. 355 00:33:01,213 --> 00:33:03,255 And all these cars and people. 356 00:33:03,422 --> 00:33:06,047 They are going to recognise you sooner or later. 357 00:33:07,922 --> 00:33:11,422 I don't see the connection with Katie of Heilbronn. 358 00:33:11,588 --> 00:33:14,755 - That's not bad. - Yes, for the court scene. 359 00:33:14,963 --> 00:33:17,130 - No. It's only an operetta. - True. 360 00:33:26,797 --> 00:33:29,922 NO NEWS OF JILL SINCE HER ESCAPE FROM THE CLINIC 361 00:33:36,797 --> 00:33:38,088 Jill? 362 00:33:40,713 --> 00:33:41,963 Jill? 363 00:33:42,547 --> 00:33:43,297 Jill? 364 00:33:53,547 --> 00:33:55,963 Anyway, we shouldn't overdo it with the flags. 365 00:33:56,130 --> 00:33:57,297 - Good night. - Good night. 366 00:33:57,463 --> 00:33:58,630 Good night. 367 00:34:00,380 --> 00:34:01,630 What's that? 368 00:34:01,797 --> 00:34:03,755 Dom Juan in hell. 369 00:34:04,213 --> 00:34:05,422 Thomas, be serious. 370 00:34:06,130 --> 00:34:08,922 You would build all that in a square in Spoleto? 371 00:34:09,922 --> 00:34:13,297 - That's for The Merchant of Venice. - No. Too modern. 372 00:34:13,880 --> 00:34:14,963 What's that one? 373 00:34:15,255 --> 00:34:16,588 Dom Juan and Death. 374 00:34:17,547 --> 00:34:19,255 That's more what we are looking for. 375 00:34:19,422 --> 00:34:22,630 - Yes, if we take out the... - What's left? 376 00:34:22,797 --> 00:34:24,005 The stairs? 377 00:34:25,088 --> 00:34:27,838 No problem. Franco is an excellent set designer. 378 00:34:28,630 --> 00:34:31,005 Just explain well and everything will be fine. 379 00:34:39,338 --> 00:34:40,838 Where is Carla? 380 00:34:41,088 --> 00:34:42,922 She left, madam. 381 00:34:43,088 --> 00:34:44,797 She lives in Rome now. 382 00:34:44,963 --> 00:34:46,088 In Rome? 383 00:34:46,338 --> 00:34:48,255 Yes. I can give you her address. 384 00:34:49,338 --> 00:34:51,963 You let her leave? Why? 385 00:34:53,630 --> 00:34:54,797 Jill! 386 00:35:15,630 --> 00:35:16,672 Jill! 387 00:35:18,547 --> 00:35:19,588 Jill. 388 00:35:23,755 --> 00:35:25,213 What's the matter? 389 00:35:26,213 --> 00:35:28,880 If your mother is away, the staff will be there. 390 00:35:29,547 --> 00:35:31,463 If they have gone out, they will be back. 391 00:35:33,838 --> 00:35:35,630 Why did Carla leave? 392 00:35:41,797 --> 00:35:43,088 No lights. 393 00:35:43,922 --> 00:35:45,380 The door bell doesn't work. 394 00:35:46,755 --> 00:35:48,213 It's all closed up. 395 00:35:51,922 --> 00:35:53,130 Hold on. 396 00:35:54,797 --> 00:35:56,005 Here it is. 397 00:35:57,422 --> 00:35:58,922 In the same place. 398 00:36:00,213 --> 00:36:02,255 That year, Carla went on holiday alone. 399 00:36:02,422 --> 00:36:03,963 I stayed here. 400 00:36:04,130 --> 00:36:06,005 We thought it would be for the best. 401 00:36:11,255 --> 00:36:12,797 Tell me more. 402 00:36:13,797 --> 00:36:15,505 There's nothing else to say. 403 00:36:15,880 --> 00:36:17,297 There is. Tell me. 404 00:36:20,588 --> 00:36:22,755 After that, we tried to live like before, 405 00:36:22,922 --> 00:36:24,255 but it was no good. 406 00:36:24,422 --> 00:36:25,713 It was already over. 407 00:36:26,380 --> 00:36:29,588 Carla stopped dancing. She was bored, didn't like the city. 408 00:36:29,755 --> 00:36:32,172 Maybe I didn't behave correctly. 409 00:36:32,338 --> 00:36:34,005 I wanted to be alone. 410 00:36:34,713 --> 00:36:36,422 She is in a ballet troupe now. 411 00:36:36,588 --> 00:36:38,338 An excellent Italian troupe. 412 00:36:38,505 --> 00:36:40,297 She tells me she's happy. 413 00:36:40,463 --> 00:36:41,130 That's it. 414 00:36:43,463 --> 00:36:45,713 Here. Some letters for your mother. 415 00:36:45,880 --> 00:36:47,922 See? She's coming back. 416 00:36:48,797 --> 00:36:49,880 Jill? 417 00:36:50,047 --> 00:36:51,463 Where are you? 418 00:36:53,630 --> 00:36:55,463 Jill. Come down, please. 419 00:37:01,713 --> 00:37:02,755 Jill. 420 00:37:03,047 --> 00:37:04,422 We can't stay here. 421 00:37:05,297 --> 00:37:06,588 This is my room. 422 00:37:08,963 --> 00:37:10,130 We must leave. 423 00:37:10,588 --> 00:37:11,713 This is my room! 424 00:37:11,880 --> 00:37:13,213 Leave me now. 425 00:37:13,380 --> 00:37:14,588 Carla was my friend. 426 00:37:14,755 --> 00:37:17,047 I thought you loved her, that you were happy together. 427 00:37:17,213 --> 00:37:19,130 I believed in you! I was such an idiot! 428 00:37:19,297 --> 00:37:21,130 Idiot! Idiot! 429 00:37:29,838 --> 00:37:30,963 Someone's turned a light off. 430 00:37:31,130 --> 00:37:32,672 The entrance is here. 431 00:37:33,547 --> 00:37:35,172 It's locked. Do we break a window? 432 00:37:35,338 --> 00:37:36,880 Easy, guys. Calm down. 433 00:37:38,005 --> 00:37:39,922 - They'll see us. - Be quiet. Don't move. 434 00:37:43,588 --> 00:37:45,588 Go and see if she's in the house. 435 00:37:45,797 --> 00:37:47,463 - What's the Fiat doing here? - Look. 436 00:37:47,672 --> 00:37:48,922 Whose car is that? 437 00:37:49,088 --> 00:37:50,505 Has it been there long? 438 00:37:50,755 --> 00:37:52,338 I don't know. It was raining too much. 439 00:37:52,505 --> 00:37:53,880 She's not there, anyway. 440 00:37:54,047 --> 00:37:56,213 You're talking rubbish again. 441 00:37:56,380 --> 00:37:58,588 Take photos of the house. 442 00:37:58,755 --> 00:38:00,422 You'd be the first. 443 00:38:00,838 --> 00:38:03,380 The bitch! The bitch! 444 00:38:03,797 --> 00:38:05,130 Oh that bitch! 445 00:38:06,838 --> 00:38:08,755 No. No. 446 00:38:56,088 --> 00:38:57,672 It's almost dawn. 447 00:38:57,838 --> 00:38:59,213 We have to leave. 448 00:39:00,380 --> 00:39:01,463 Leave. 449 00:39:02,172 --> 00:39:03,838 They'll be back. Come on. 450 00:39:04,005 --> 00:39:05,588 You can sleep at my house. 451 00:39:06,297 --> 00:39:07,672 Leave me here. 452 00:39:07,922 --> 00:39:10,338 - I want to stay here. - Listen, Jill. 453 00:39:10,505 --> 00:39:12,838 Go. And don't come back. 454 00:39:13,797 --> 00:39:15,547 Everything's gone wrong. 455 00:39:15,963 --> 00:39:17,880 I hate you. You hate me. 456 00:39:18,047 --> 00:39:21,047 Whose fault is that? Mine? You wanted to come. 457 00:39:31,005 --> 00:39:33,755 They're still there. We'll go by the lake. 458 00:39:33,922 --> 00:39:34,880 Come on. 459 00:40:32,338 --> 00:40:36,172 - The love scene. - Easy. It begins in the middle. 460 00:40:36,713 --> 00:40:38,172 When he has his dream, 461 00:40:38,338 --> 00:40:39,672 Katie and Stan separate. 462 00:40:39,838 --> 00:40:41,172 One goes to the courtyard, the other, to the garden. 463 00:40:41,380 --> 00:40:43,547 - Towards the castle. - That's right. 464 00:40:44,047 --> 00:40:47,213 They don't know the people in their dreams yet. 465 00:40:58,838 --> 00:41:00,922 - Your telephone. - Thank you. Miss? 466 00:41:01,380 --> 00:41:03,047 - Bring me the papers. - Which ones? 467 00:41:03,213 --> 00:41:05,547 - The morning papers. - Very well, Fabio. 468 00:41:06,213 --> 00:41:07,422 Hello? 469 00:41:32,588 --> 00:41:35,255 - Are you going with Edmond? - No. I can't. 470 00:41:35,422 --> 00:41:38,213 You don't need to come before Saturday. 471 00:41:39,922 --> 00:41:41,505 What about the risers? 472 00:43:21,922 --> 00:43:25,213 SORRY 473 00:43:53,422 --> 00:43:57,547 For the sound, I called Silveni and Arthuro 474 00:43:57,713 --> 00:44:00,672 and we agreed on the... 475 00:45:28,047 --> 00:45:29,297 No. 476 00:45:36,672 --> 00:45:38,047 I'm thirsty. 477 00:46:11,505 --> 00:46:12,588 I'm here. 478 00:46:17,963 --> 00:46:18,922 Fabio! 479 00:46:20,338 --> 00:46:22,213 You were gone. You left. 480 00:46:22,797 --> 00:46:24,755 - Don't leave me! - Calm down. 481 00:46:25,047 --> 00:46:27,213 I'm right here. I won't leave you. 482 00:46:55,797 --> 00:46:56,922 Fabio? 483 00:46:58,963 --> 00:47:00,088 Who is it? Who is it? 484 00:47:00,255 --> 00:47:01,547 It was nobody. 485 00:47:06,422 --> 00:47:07,588 I feel awful. 486 00:47:08,297 --> 00:47:09,505 I'm not well. 487 00:47:10,838 --> 00:47:12,213 My head hurts. 488 00:47:14,838 --> 00:47:15,880 Come. 489 00:47:21,255 --> 00:47:22,297 Come. 490 00:47:25,588 --> 00:47:26,963 Oh, Fabio. 491 00:47:27,130 --> 00:47:29,797 Fabio! Fabio! 492 00:47:32,547 --> 00:47:34,047 Fabio! 493 00:47:35,255 --> 00:47:36,380 Fabio! 494 00:47:43,713 --> 00:47:45,005 Oh, Fabio. 495 00:47:45,380 --> 00:47:46,547 Fabio. 496 00:47:47,255 --> 00:47:48,922 All this time we have lost, 497 00:47:49,463 --> 00:47:51,297 all these years we have wasted, 498 00:47:51,463 --> 00:47:52,755 all this nonsense. 499 00:47:53,047 --> 00:47:54,713 I didn't know, Jill. 500 00:47:55,505 --> 00:47:56,963 You loved Carla. 501 00:47:59,172 --> 00:47:59,838 Yes, I loved her. 502 00:48:00,463 --> 00:48:01,838 And now? 503 00:48:02,005 --> 00:48:04,797 - Right now? - Answer! 504 00:48:06,838 --> 00:48:08,255 Listen... 505 00:48:09,630 --> 00:48:11,255 It's all new for me, too. 506 00:48:13,672 --> 00:48:16,338 I just have to get used to it. 507 00:48:23,213 --> 00:48:24,713 Fabio. 508 00:48:26,672 --> 00:48:28,880 - Why? - I felt like it 509 00:48:29,047 --> 00:48:31,130 and I thought I was in love. 510 00:48:31,422 --> 00:48:33,963 - Every time? - Yes. Every time. 511 00:48:34,505 --> 00:48:36,088 Not for very long. 512 00:48:36,672 --> 00:48:37,880 What about me? 513 00:48:40,255 --> 00:48:41,713 Answer me. 514 00:48:42,213 --> 00:48:43,630 Answer! 515 00:48:43,797 --> 00:48:45,547 That's right. 516 00:48:47,047 --> 00:48:48,963 - Why would you change? - Shut up. 517 00:48:49,505 --> 00:48:50,505 - Why me? - Shut up. 518 00:48:51,297 --> 00:48:53,005 Them. Me. What's the difference? 519 00:48:53,172 --> 00:48:54,672 - Shut up. - The same words, actions! 520 00:48:55,213 --> 00:48:57,963 Shut up! Shut up! Shut up! 521 00:48:59,880 --> 00:49:01,505 Forgive me. 522 00:49:01,838 --> 00:49:02,922 Forgive me. 523 00:49:03,505 --> 00:49:05,005 It doesn't matter. 524 00:49:05,547 --> 00:49:07,213 Nothing matters anymore. 525 00:49:10,130 --> 00:49:11,922 Now, nobody is watching you. 526 00:49:12,088 --> 00:49:13,963 Nobody is looking for you. 527 00:49:14,588 --> 00:49:16,088 Except me, Jill... 528 00:49:17,588 --> 00:49:19,505 Talk to me like that. 529 00:49:19,672 --> 00:49:21,838 I need you to talk to me like that. 530 00:50:01,797 --> 00:50:03,380 It's all dirty. 531 00:50:10,505 --> 00:50:12,630 It's a beautiful day. 532 00:50:44,547 --> 00:50:47,130 There's not even any butter in this god-awful place. 533 00:50:50,172 --> 00:50:52,922 Boiled coffee is ruined coffee! 534 00:50:58,047 --> 00:50:59,213 Damn! 535 00:51:39,797 --> 00:51:41,297 It's me! 536 00:51:41,463 --> 00:51:43,922 They're still showing my first film. 537 00:51:44,088 --> 00:51:46,338 I saw it in Munich. I almost fell off my seat. 538 00:51:46,505 --> 00:51:48,672 - You thought I was ugly? - Oh no! 539 00:51:48,838 --> 00:51:51,047 You spoke German with a beautiful deep voice. 540 00:51:51,213 --> 00:51:52,838 - Ah? -Yes. 541 00:52:10,172 --> 00:52:13,297 I saw your mother this morning. She came back. 542 00:52:14,005 --> 00:52:15,963 Don't look at me like that. 543 00:52:16,130 --> 00:52:17,713 I don't know you, I never saw you. 544 00:52:18,005 --> 00:52:19,005 You can trust me. 545 00:52:19,755 --> 00:52:22,338 They're talking about you on the television. 546 00:52:22,505 --> 00:52:24,422 They even said you were dead. 547 00:52:28,297 --> 00:52:29,505 Oh, shoot! 548 00:52:33,713 --> 00:52:34,963 In one week, 549 00:52:35,130 --> 00:52:37,797 you'll be in a tiny corner on the last page. 550 00:52:42,088 --> 00:52:44,130 It was my first pay check 551 00:52:44,297 --> 00:52:46,213 and my first apartment 552 00:52:46,380 --> 00:52:48,172 with a large room and a bedroom 553 00:52:48,338 --> 00:52:50,047 on Rue de Babylone. 554 00:52:50,213 --> 00:52:52,547 It looked out across the ministry gardens 555 00:52:52,713 --> 00:52:54,088 with lots of birds. 556 00:52:54,255 --> 00:52:55,505 Here, open the bottle. 557 00:52:56,797 --> 00:52:58,963 Dick was in America. 558 00:53:01,630 --> 00:53:04,922 I had stopped dancing. I model led for fashion photos. 559 00:53:06,630 --> 00:53:08,213 It was a good life. 560 00:53:08,422 --> 00:53:10,922 "You're a bad actress”. 561 00:53:11,213 --> 00:53:12,755 What an old fool. 562 00:53:13,588 --> 00:53:15,922 He thought he'd upset me saying that. 563 00:53:16,088 --> 00:53:18,213 As if I wanted to be Sarah Bernhardt. 564 00:53:19,297 --> 00:53:20,922 They broke the shop window. 565 00:53:22,422 --> 00:53:24,922 I was inside buying shoes. 566 00:53:26,172 --> 00:53:28,213 The people outside wanted to see me. 567 00:53:29,172 --> 00:53:30,880 They smashed the window. 568 00:53:35,505 --> 00:53:38,130 I was too scared to leave the house. 569 00:53:40,422 --> 00:53:42,380 In the beginning, I remember 570 00:53:42,547 --> 00:53:45,838 when people in the street recognised me they would say hello. 571 00:53:46,005 --> 00:53:47,797 They would smile kindly. 572 00:53:49,463 --> 00:53:50,963 I haven't changed. 573 00:53:51,130 --> 00:53:52,713 I'm still the same. 574 00:53:52,880 --> 00:53:54,672 You know that. 575 00:53:57,797 --> 00:53:59,630 Then one day, they started to hate me. 576 00:53:59,797 --> 00:54:01,588 No. That's not true. 577 00:54:02,130 --> 00:54:03,797 It's not that simple. 578 00:54:07,172 --> 00:54:08,713 I brought it upon myself. 579 00:54:09,088 --> 00:54:10,922 I should have stayed away. 580 00:54:13,172 --> 00:54:14,588 It's my fault. 581 00:54:15,297 --> 00:54:17,172 - In Rome? - No. In Milan. 582 00:54:17,338 --> 00:54:20,838 It was more of a political journal then. 583 00:54:21,047 --> 00:54:22,713 Then gradually, 584 00:54:22,880 --> 00:54:25,547 the column grew from two to three pages. 585 00:54:27,505 --> 00:54:29,588 People bought the paper just to read it. 586 00:54:30,213 --> 00:54:33,422 In two years, it's almost become a stage journal. 587 00:54:34,255 --> 00:54:36,422 When the Swiss published Théatre Europe 588 00:54:36,630 --> 00:54:39,130 I came here. That's it. 589 00:54:39,338 --> 00:54:41,255 Katie of Heilbronn. 590 00:54:41,880 --> 00:54:43,838 Katie of Heilbronn. 591 00:54:44,880 --> 00:54:48,172 Ka-tie of Heil-bronn. 592 00:54:48,547 --> 00:54:50,213 It's a pretty name. 593 00:54:50,380 --> 00:54:52,422 - Is she German, Katie? -Yes. 594 00:54:52,588 --> 00:54:54,422 You know, it's a romantic play. 595 00:54:54,588 --> 00:54:56,047 Very romantic. 596 00:54:56,213 --> 00:54:59,880 It's not a complete success, and the plot meanders a little, 597 00:55:00,380 --> 00:55:03,797 but it's probably my favourite Kleist play. 598 00:55:05,422 --> 00:55:06,963 And nobody ever stages it. 599 00:55:07,130 --> 00:55:09,005 Too many set designs, too many actors, 600 00:55:09,172 --> 00:55:11,922 a burning castle, a parade. 601 00:55:12,088 --> 00:55:13,922 So, this winter, 602 00:55:14,088 --> 00:55:16,797 I translated the play into Italian, just to see. 603 00:55:18,547 --> 00:55:20,130 And now, 604 00:55:20,297 --> 00:55:23,047 it's going to be the closing act at Spoleto festival. 605 00:55:23,213 --> 00:55:25,505 - With your translation? -Yes. 606 00:55:26,505 --> 00:55:29,797 We found a way to combine all the sets in one support 607 00:55:29,963 --> 00:55:32,547 which they will build outside in a square. 608 00:55:32,713 --> 00:55:34,255 We'll see. 609 00:55:34,630 --> 00:55:36,547 What is Spoleto like? 610 00:55:36,880 --> 00:55:38,922 It's a town on a hill, 611 00:55:39,088 --> 00:55:40,630 not far from Rome. 612 00:55:40,797 --> 00:55:42,047 Each year, 613 00:55:42,213 --> 00:55:44,713 it hosts operas and ballets. 614 00:55:45,880 --> 00:55:47,547 It lasts a month. 615 00:55:47,713 --> 00:55:50,172 It attracts lots of Americans and young people, 616 00:55:50,338 --> 00:55:52,130 and celebrities. 617 00:55:55,422 --> 00:55:57,088 I've drunk too much. 618 00:56:01,005 --> 00:56:03,630 Love is a Genevan child. 619 00:56:04,463 --> 00:56:08,005 He never, never knew anyone but you. 620 00:56:38,880 --> 00:56:41,922 Edmond, it's out of the question. It would be ridiculous. 621 00:56:42,380 --> 00:56:43,630 It's not a comedy. 622 00:56:46,630 --> 00:56:48,255 I told them. 623 00:56:49,922 --> 00:56:51,838 Yes. Like the last scene. 624 00:56:53,838 --> 00:56:55,047 We'll see over there. 625 00:56:55,213 --> 00:56:56,505 Listen, 626 00:56:56,672 --> 00:56:59,338 we'll have plenty of time to talk about it on the plane. 627 00:56:59,672 --> 00:57:00,713 Goodbye. 628 00:57:07,255 --> 00:57:08,547 I'll make some coffee. 629 00:57:09,213 --> 00:57:11,213 Are you going to leave, Fabio? 630 00:57:15,088 --> 00:57:16,172 Yes. 631 00:57:16,922 --> 00:57:19,297 I tried to delay it, but... 632 00:57:19,463 --> 00:57:21,713 they need me in Spoleto. 633 00:57:22,338 --> 00:57:24,005 I have to go. 634 00:57:25,338 --> 00:57:27,130 I'll wait for you at my mother's. 635 00:57:27,505 --> 00:57:29,755 I'll be back in two weeks'. 636 00:57:35,755 --> 00:57:37,880 When you love me, I feel stronger. 637 00:57:38,755 --> 00:57:40,922 When you are near me, I am afraid of nothing. 638 00:57:41,588 --> 00:57:44,047 If you do not think of me, I will no longer exist. 639 00:58:21,130 --> 00:58:22,755 It will last, won't it? 640 00:58:23,255 --> 00:58:24,422 It won't change? 641 00:58:25,047 --> 00:58:26,255 Don't think about that. 642 00:58:27,505 --> 00:58:29,880 Happiness is a mere interlude, 643 00:58:30,047 --> 00:58:33,047 whether it lasts 3 days or 30 years. 644 00:58:33,213 --> 00:58:35,422 What matters is the present moment. 645 00:58:36,297 --> 00:58:38,588 The minutes we snatch away from the hands 646 00:58:38,755 --> 00:58:41,047 of passing time, erosion... 647 00:58:41,213 --> 00:58:42,672 death. 648 00:58:43,838 --> 00:58:47,047 The world is hostile, hostile to happiness. 649 00:58:56,088 --> 00:58:57,797 Looking for something? 650 01:00:16,297 --> 01:00:17,838 Unbelievable. 651 01:00:23,338 --> 01:00:24,922 Where's my goat? 652 01:00:25,088 --> 01:00:26,713 She died last winter. 653 01:00:26,922 --> 01:00:28,172 She was very old. 654 01:00:32,630 --> 01:00:34,505 What does that mean? 655 01:00:34,672 --> 01:00:38,755 The injured bird has found refuge with its mother. 656 01:00:40,088 --> 01:00:44,130 There's a lovely photo of the house and garden. 657 01:00:44,630 --> 01:00:47,297 Last night they destroyed the hedge by the rhododendron. 658 01:00:49,172 --> 01:00:52,088 Dear Richard, would you mind speaking English? 659 01:00:52,588 --> 01:00:54,422 - How many people for lunch? - Four. 660 01:01:17,088 --> 01:01:19,338 I'm still waiting to hear why you're here. 661 01:01:19,505 --> 01:01:21,172 Jill, that's not fair. 662 01:01:21,338 --> 01:01:23,588 You fall ill, you disappear, 663 01:01:23,797 --> 01:01:26,297 I don't sleep for 3 weeks. 664 01:01:27,047 --> 01:01:30,088 Today I'm so happy to be here, to see you. 665 01:01:30,255 --> 01:01:32,880 And what do you do? You give me hell! 666 01:01:33,297 --> 01:01:35,005 If you'll excuse the expression. 667 01:01:35,922 --> 01:01:38,505 We'll not talk about films any more. 668 01:01:38,672 --> 01:01:40,380 No, we won't. 669 01:01:40,547 --> 01:01:42,380 Films can wait. 670 01:01:42,713 --> 01:01:45,380 There are more important things in life than cinema. 671 01:01:45,713 --> 01:01:47,630 Good health, for example. 672 01:01:49,505 --> 01:01:53,047 Someone thought she was in Madeira. Why Madeira? 673 01:01:53,213 --> 01:01:55,463 Why Madeira, indeed. 674 01:01:55,630 --> 01:01:57,755 I felt responsible. 675 01:01:59,088 --> 01:02:01,130 She was overworked. I didn't realise. 676 01:02:01,297 --> 01:02:03,463 - Cigar? - Never. Thank you. 677 01:02:03,630 --> 01:02:05,922 We were very worried, you know. 678 01:02:06,963 --> 01:02:09,630 A producer who doesn't smoke cigars! 679 01:02:11,172 --> 01:02:13,755 What designer could ever recreate the charm 680 01:02:14,380 --> 01:02:17,588 and atmosphere of this young girl's room? 681 01:02:18,380 --> 01:02:19,547 Are you happy here? 682 01:02:21,213 --> 01:02:22,297 I'm bored. 683 01:02:22,713 --> 01:02:24,880 I'll take you back to Paris if you want. 684 01:02:25,672 --> 01:02:27,630 No more Paris and no more films. 685 01:02:28,338 --> 01:02:30,713 You don't know me. 686 01:02:30,880 --> 01:02:32,297 It's a long battle. 687 01:02:32,463 --> 01:02:34,672 Don't provoke me, I'm not just anyone. I'm real. 688 01:02:34,838 --> 01:02:36,338 Lawyers are also real, 689 01:02:36,505 --> 01:02:39,172 the courts too, you hear? - Yes, yes. 690 01:02:39,338 --> 01:02:41,422 Contracts are real, too. 691 01:02:41,588 --> 01:02:43,547 - So? - So, if, in eight days' time 692 01:02:43,713 --> 01:02:46,963 you haven't thought it through, it will be war. And you will lose. 693 01:02:55,297 --> 01:02:58,797 All these old dresses. They won't fit you anymore. 694 01:02:58,963 --> 01:03:02,338 You can't take that! And you can't leave either. 695 01:03:02,505 --> 01:03:03,672 Why not? 696 01:03:03,838 --> 01:03:05,838 They'll recognise her instantly. 697 01:03:07,630 --> 01:03:10,005 - I don't care anymore. - Good. 698 01:03:10,172 --> 01:03:13,005 - You're both conspiring against me. - Of course not, Mum. 699 01:03:13,172 --> 01:03:15,630 I have to see Fabio. I need to talk to him. 700 01:03:15,797 --> 01:03:16,963 He'll tell me what to do. 701 01:03:17,130 --> 01:03:20,213 - Call him in Spoleto. - No. I can't stay here, like this. 702 01:03:20,380 --> 01:03:22,255 - Without him. - Who will take you? 703 01:03:22,422 --> 01:03:23,713 Allow me to. 704 01:03:23,880 --> 01:03:26,338 What would you do with all those people? 705 01:03:26,505 --> 01:03:28,755 We're under siege. 706 01:04:21,838 --> 01:04:23,297 They tricked us! 707 01:04:23,463 --> 01:04:24,672 I don't believe it! 708 01:04:44,213 --> 01:04:45,838 - That's not it. - lt is. 709 01:04:52,297 --> 01:04:54,088 You sing very well, Gricha. 710 01:04:54,255 --> 01:04:55,380 I learnt at home. 711 01:04:55,547 --> 01:04:58,338 My second wife was a Viennese singer. 712 01:04:59,047 --> 01:05:01,838 An admirable singer, but a dreadful pain in the neck. 713 01:05:05,297 --> 01:05:07,172 Will you take my mother to Italy? 714 01:05:07,338 --> 01:05:08,588 If I marry her. 715 01:05:08,755 --> 01:05:11,130 Oh yes, marry her, that would be good. 716 01:05:14,380 --> 01:05:16,047 - Gricha? -Yes? 717 01:05:16,755 --> 01:05:18,838 - I'm nervous. - Oh. 718 01:07:22,755 --> 01:07:24,797 No, guys. That's not right. 719 01:07:24,963 --> 01:07:26,463 It's much too violent. 720 01:07:26,838 --> 01:07:28,005 Let's do it again. 721 01:07:28,172 --> 01:07:30,463 Grab him. Firmly. 722 01:07:30,630 --> 01:07:31,713 That's it. 723 01:07:31,880 --> 01:07:33,547 You come like this. 724 01:07:34,047 --> 01:07:35,130 Is that better? 725 01:07:36,547 --> 01:07:37,797 Let's start over. 726 01:07:39,505 --> 01:07:40,588 Good evening. 727 01:07:40,838 --> 01:07:41,922 Good evening. 728 01:08:11,130 --> 01:08:12,505 I came, Fabio. 729 01:08:12,672 --> 01:08:14,547 - I couldn't wait. - You did right. 730 01:08:14,713 --> 01:08:16,838 - I had to come. - You did right. 731 01:08:17,255 --> 01:08:18,547 You're going to keep me with you? 732 01:08:18,713 --> 01:08:20,963 Of course I will, Jill. 733 01:08:25,505 --> 01:08:26,588 Gricha! 734 01:08:29,380 --> 01:08:31,672 Maxime is not a bad guy. He's just doing his job. 735 01:08:31,838 --> 01:08:33,630 But I don't want to do that anymore. 736 01:08:33,797 --> 01:08:36,797 I'll talk to him. I'll go and see him once the play is over. 737 01:08:47,005 --> 01:08:49,630 The concert is over. You can come in now. 738 01:08:49,880 --> 01:08:52,338 - Who are these people? - A father and daughter. 739 01:08:52,505 --> 01:08:55,963 He rents out part of the mansion to musicians and actors. 740 01:08:57,505 --> 01:08:58,797 Good evening. 741 01:09:00,672 --> 01:09:02,005 Well, I never! 742 01:09:02,172 --> 01:09:05,213 He doesn't agree with his daughter's choice of career. 743 01:09:47,047 --> 01:09:49,505 What about your room? Where is it? 744 01:09:49,755 --> 01:09:51,755 On the other side. 745 01:09:51,922 --> 01:09:53,630 Oh, it's pretty. 746 01:10:42,380 --> 01:10:43,755 Fabio! 747 01:10:56,672 --> 01:10:58,005 Turn. 748 01:11:00,172 --> 01:11:01,338 - Edmond. -Yes? 749 01:11:01,505 --> 01:11:03,172 Where is the staircase? 750 01:11:03,338 --> 01:11:05,630 In theory, there. But it's not in the layout. 751 01:11:05,922 --> 01:11:08,338 Couldn't we make the riser a little bigger? 752 01:11:08,505 --> 01:11:10,297 - Yes. Ask Franco. - Good. 753 01:11:10,505 --> 01:11:12,047 Let's continue, gentlemen. 754 01:11:29,088 --> 01:11:31,547 I don't understand what's going on. 755 01:11:31,963 --> 01:11:34,005 Naturally. Nothing has been built yet. 756 01:11:34,172 --> 01:11:35,797 Then why are you rehearsing? 757 01:11:35,963 --> 01:11:38,338 We always walk through it. 758 01:11:39,047 --> 01:11:41,755 - Is Theobald American? -Yes. 759 01:11:42,005 --> 01:11:44,213 German play, Italian adaptation 760 01:11:44,380 --> 01:11:45,838 - French stage manager. - Fabio. 761 01:11:46,047 --> 01:11:47,463 Do you have a minute? 762 01:11:47,963 --> 01:11:49,005 I'll be right back. 763 01:11:53,838 --> 01:11:54,880 Of course. 764 01:11:59,463 --> 01:12:00,338 Hello! 765 01:12:04,213 --> 01:12:05,547 I don't believe it! 766 01:12:07,963 --> 01:12:09,213 I really don't believe it. 767 01:12:10,838 --> 01:12:13,047 Here she is, the divine child. 768 01:12:13,672 --> 01:12:15,463 "Play the oboe, 769 01:12:15,630 --> 01:12:17,463 ring out the bagpipes!"” 770 01:12:18,963 --> 01:12:20,672 What are you doing here? 771 01:12:21,130 --> 01:12:23,297 Work and sun, 772 01:12:23,463 --> 01:12:25,588 sun and work. 773 01:12:27,922 --> 01:12:30,088 You look stunning. 774 01:12:30,297 --> 01:12:32,588 Just like my little sister with that straw hat. 775 01:12:34,213 --> 01:12:35,630 Stay, Gricha. 776 01:12:35,797 --> 01:12:37,588 This is Alain. He is a friend. 777 01:12:37,838 --> 01:12:40,380 No. I promised I'd visit our hostess. 778 01:12:41,130 --> 01:12:42,463 How are you, Jill? 779 01:12:44,755 --> 01:12:46,088 I like this square. 780 01:12:46,255 --> 01:12:47,713 I like this town. 781 01:12:47,880 --> 01:12:49,797 I like this country. 782 01:12:53,172 --> 01:12:55,422 She has been found. Jill has been found. 783 01:12:55,588 --> 01:12:57,880 - Today's gossip. - Our news of the week. 784 01:12:58,047 --> 01:13:00,047 But who is this man? 785 01:13:00,213 --> 01:13:03,213 A brilliant intellectual, and writer for Théatre Europe. 786 01:13:03,380 --> 01:13:06,297 Fabio Rinaldi, seductive and modern, 787 01:13:06,463 --> 01:13:07,797 the man of our time. 788 01:13:08,005 --> 01:13:09,630 For three weeks... 789 01:13:25,297 --> 01:13:28,213 It's the fiesta at Spoleto when she goes on a spree! 790 01:13:32,963 --> 01:13:36,797 They track her misadventure and revel in her glee! 791 01:13:38,005 --> 01:13:40,422 - That's pretty. - Take it. My gift. 792 01:13:41,463 --> 01:13:43,172 That's very kind. Thank you. 793 01:13:43,338 --> 01:13:44,755 - Are you better now? -Yes. 794 01:13:44,922 --> 01:13:45,963 -You're cured? -Yes. 795 01:13:46,130 --> 01:13:47,213 - You like Italy? - A lot. 796 01:13:47,380 --> 01:13:50,213 - And Italian men? - Congratulations! 797 01:13:50,380 --> 01:13:52,630 In Italy, she got engaged. 798 01:15:02,505 --> 01:15:04,130 What's the matter? Are they bothering you? 799 01:15:04,297 --> 01:15:06,130 No. They're very kind. 800 01:15:06,380 --> 01:15:07,713 They just follow us. 801 01:15:08,130 --> 01:15:10,213 Look at all the presents I got. 802 01:15:13,505 --> 01:15:14,588 What about you? 803 01:15:14,755 --> 01:15:15,838 I finish in an hour. 804 01:15:16,005 --> 01:15:17,338 I'll wait for you here. 805 01:15:19,880 --> 01:15:21,297 What do we do? 806 01:15:21,463 --> 01:15:23,922 - We carry on. - We can't fire into the crowd. 807 01:15:32,463 --> 01:15:34,088 Maybe you should go inside. 808 01:15:35,130 --> 01:15:37,380 - Yes. - It will be quieter in the mansion. 809 01:15:39,172 --> 01:15:40,255 Yes. 810 01:16:20,422 --> 01:16:22,630 I've got one in my hair. 811 01:16:29,713 --> 01:16:31,797 - Ah! I won! - You did. 812 01:16:32,713 --> 01:16:33,838 21-18. 813 01:16:34,005 --> 01:16:37,255 - First to 25. - No. I lost. Rematch. 814 01:16:40,838 --> 01:16:41,880 You! 815 01:16:43,838 --> 01:16:44,922 Gricha! 816 01:16:45,088 --> 01:16:47,213 We had a wonderful walk. 817 01:16:49,922 --> 01:16:51,172 We are invited to dinner. 818 01:16:53,630 --> 01:16:55,088 Thank you, but no. 819 01:17:00,380 --> 01:17:01,755 You old Dom Juan! 820 01:17:01,922 --> 01:17:04,922 Tomorrow, I promise I'll go back to your mother. 821 01:17:05,088 --> 01:17:06,588 It will be boring without you. 822 01:17:06,755 --> 01:17:09,672 Nonsense, it's a marvellous area. 823 01:17:10,588 --> 01:17:12,463 Maybe, but I don't leave the house. 824 01:17:12,630 --> 01:17:14,172 I stay inside now. 825 01:17:14,588 --> 01:17:17,213 Fabio thinks it's better and he's right. 826 01:17:18,588 --> 01:17:20,588 It's so difficult. You need... 827 01:17:20,755 --> 01:17:22,963 special occasions like this festival. 828 01:17:23,755 --> 01:17:26,463 I wanted to stage this play because it is modern. 829 01:17:28,172 --> 01:17:30,547 It's not a psychological play, 830 01:17:30,713 --> 01:17:33,463 it explores the removal of consciousness 831 01:17:33,630 --> 01:17:35,588 and the despair of men. 832 01:17:36,005 --> 01:17:39,047 Kleist was already a critic of Bismarck's Germany. 833 01:17:40,713 --> 01:17:43,130 Kleist has a Prussian side to him. 834 01:17:43,922 --> 01:17:47,047 I don't like this play. I find it too German. 835 01:17:54,880 --> 01:17:56,588 Where did you learn German, Fabio? 836 01:17:56,797 --> 01:17:58,463 In the French Resistance. 837 01:17:58,755 --> 01:18:01,922 I was young, so I was tasked with gathering intelligence 838 01:18:02,130 --> 01:18:03,713 on the troops' movements. 839 01:18:04,047 --> 01:18:07,005 I made conversation with the Germans. 840 01:18:17,047 --> 01:18:19,755 I think you will have to do something 841 01:18:19,963 --> 01:18:21,422 for these good people. 842 01:18:26,297 --> 01:18:27,380 Okay. 843 01:19:07,797 --> 01:19:10,672 She has found a man who is genuine, 844 01:19:11,297 --> 01:19:14,005 and now all is forgiven. 845 01:19:14,505 --> 01:19:16,505 Please be quiet, Alain. 846 01:19:31,005 --> 01:19:32,755 What do I tell your mother? 847 01:19:32,963 --> 01:19:35,130 We'll be back in 8 days, after the play. 848 01:19:37,963 --> 01:19:39,838 Maybe I should take you with me. 849 01:19:43,588 --> 01:19:45,588 You're sure you want to stay? 850 01:19:52,713 --> 01:19:53,380 Jill? 851 01:19:54,630 --> 01:19:55,672 Yes? 852 01:19:56,088 --> 01:19:57,880 Let me say kiss you goodbye. 853 01:20:53,463 --> 01:20:54,880 Ah, what a jerk! 854 01:20:55,963 --> 01:20:57,297 Let's go. 855 01:20:57,797 --> 01:20:59,422 - Eight, next one. - Next one. 856 01:21:00,088 --> 01:21:01,297 What an idiot. 857 01:21:09,880 --> 01:21:11,005 Good evening. 858 01:21:14,755 --> 01:21:16,505 I'm learning how to play poker. 859 01:21:22,172 --> 01:21:24,755 These are Alain's friends, they've come from Rome. 860 01:21:26,213 --> 01:21:27,505 Let's get out of here. 861 01:21:32,505 --> 01:21:34,047 Your record player. 862 01:21:34,255 --> 01:21:35,630 You can have it. 863 01:21:41,047 --> 01:21:42,130 Alain? 864 01:21:44,713 --> 01:21:46,922 Please don't come back here. 865 01:21:49,630 --> 01:21:50,713 This is war. 866 01:21:53,213 --> 01:21:55,130 Really? But why, Fabio? 867 01:21:55,297 --> 01:21:57,755 Because I no longer want to make peace with them. 868 01:21:58,380 --> 01:22:01,005 The papers are full of more insane articles. 869 01:22:01,963 --> 01:22:05,588 - You're too accommodating. - They were just keeping me company. 870 01:22:05,755 --> 01:22:08,297 - He's a nice guy, Alain, a friend. - Yes, I know. 871 01:22:08,463 --> 01:22:10,422 We can't blame him for doing his job. 872 01:22:10,588 --> 01:22:12,380 Who should we blame? 873 01:22:13,005 --> 01:22:14,672 Of course, Alain is a nice guy. 874 01:22:14,838 --> 01:22:16,255 Everyone is nice. 875 01:22:16,422 --> 01:22:18,505 But if you keep accepting everything, 876 01:22:18,672 --> 01:22:20,088 you get stepped on. 877 01:22:20,338 --> 01:22:22,130 Don't play their game. 878 01:22:22,505 --> 01:22:25,338 You must defend and protect yourself. 879 01:22:26,838 --> 01:22:28,255 I will protect you, Jill. 880 01:23:29,547 --> 01:23:32,130 No. Look. Your hand is here. 881 01:23:32,297 --> 01:23:34,005 That's it. Like that. 882 01:23:56,088 --> 01:23:57,963 Good evening, Mr Rinaldi. 883 01:23:59,672 --> 01:24:02,338 Good news. I bought some wine. 884 01:24:02,713 --> 01:24:05,297 - Anything to eat? - Plenty. 885 01:24:06,172 --> 01:24:07,588 What did you do today? 886 01:24:08,422 --> 01:24:09,672 Nothing. 887 01:24:11,630 --> 01:24:13,088 You stayed on your own? 888 01:24:13,838 --> 01:24:14,672 Yes. 889 01:24:15,922 --> 01:24:18,172 There are guys everywhere since this morning. 890 01:24:18,338 --> 01:24:20,547 On the balconies, the roofs. 891 01:24:21,005 --> 01:24:22,297 As if it were normal. 892 01:24:22,672 --> 01:24:26,422 Don't worry. At least their strategy is clear. 893 01:24:26,630 --> 01:24:27,755 You think so? 894 01:24:29,380 --> 01:24:30,713 I am certain of it. 895 01:24:32,088 --> 01:24:34,130 Anyway, we'll be far away in 5 days. 896 01:24:34,672 --> 01:24:35,713 What are you doing? 897 01:24:36,297 --> 01:24:38,672 There are rooms on the other side of the mansion. 898 01:24:38,838 --> 01:24:40,755 It will be calmer over there. 899 01:24:46,172 --> 01:24:48,672 How many more stairs? 900 01:25:08,588 --> 01:25:09,797 Come on. 901 01:25:12,797 --> 01:25:14,005 Up we go. 902 01:25:14,338 --> 01:25:15,880 Keep going. 903 01:25:25,547 --> 01:25:26,797 It will be fine, now. 904 01:25:26,963 --> 01:25:28,880 The rehearsals will go quicker. 905 01:25:29,338 --> 01:25:32,213 We talked to the police. We won't be bothered anymore. 906 01:25:33,630 --> 01:25:35,755 The square has been closed to the public. 907 01:25:49,422 --> 01:25:50,755 I'll get the rest. 908 01:26:23,672 --> 01:26:26,880 You're doing nothing. Why don't we see you more often? 909 01:26:27,922 --> 01:26:29,713 I'd like to see you more often. 910 01:26:30,380 --> 01:26:33,797 Yes. Why don't we see you more often? 911 01:26:35,755 --> 01:26:37,380 Good evening. 912 01:26:41,088 --> 01:26:43,422 - When I'm alone... -Yes. I know. 913 01:26:46,130 --> 01:26:48,338 It's awful when you're not here. 914 01:29:55,838 --> 01:29:57,755 I need you, Fabio. 915 01:29:59,380 --> 01:30:01,130 I need your presence, 916 01:30:01,297 --> 01:30:02,963 your love. 917 01:30:04,963 --> 01:30:06,630 I can't live without it. 918 01:30:17,755 --> 01:30:19,130 I'm here to see someone. 919 01:30:19,297 --> 01:30:21,422 I'm part of the festival. I'm a dancer. 920 01:30:21,588 --> 01:30:23,838 - In Maurizio's ballet? -Yes. 921 01:30:24,005 --> 01:30:25,088 We can't go in? 922 01:30:25,588 --> 01:30:27,672 No. It's absolutely shocking, isn't it, Ben? 923 01:30:27,838 --> 01:30:28,880 Shocking. 924 01:30:29,047 --> 01:30:30,130 Where is she? 925 01:30:30,297 --> 01:30:33,088 Over there, behind closed doors. We don't see her anymore. 926 01:30:33,297 --> 01:30:36,588 - And him? - Well, he's here. 927 01:30:42,505 --> 01:30:43,838 Let me through. 928 01:30:44,005 --> 01:30:45,963 They stop performers going in, but not them. 929 01:30:46,547 --> 01:30:50,005 It's scandalous! As if journalists were interested in theatre. 930 01:31:06,130 --> 01:31:08,130 Do you have any questions? 931 01:31:11,963 --> 01:31:14,297 Do you really intend to perform the play tonight? 932 01:31:14,463 --> 01:31:15,630 Of course. 933 01:31:15,880 --> 01:31:18,547 Have current events interfered with your work? 934 01:31:18,713 --> 01:31:19,713 What events? 935 01:31:22,422 --> 01:31:24,630 Who proposed to stage this play at Spoleto? 936 01:31:24,838 --> 01:31:27,172 I can't explain all that in a few minutes. 937 01:31:27,338 --> 01:31:29,797 Is Jill still at Spoleto, Mr Rinaldi? 938 01:31:29,963 --> 01:31:31,505 Will you adapt other plays? 939 01:31:31,672 --> 01:31:33,047 Are you moving to Geneva? 940 01:31:33,213 --> 01:31:35,713 - Mr Rinaldi, just one question. - Excuse me. 941 01:31:35,963 --> 01:31:38,547 - Has Jill abandoned cinema? - Possibly. 942 01:31:39,547 --> 01:31:41,672 Will she come to the show tonight? 943 01:31:56,838 --> 01:31:58,755 Do you want her to do films again? 944 01:32:00,255 --> 01:32:02,713 - How does she do it? - Modern love, Mr Rinaldi? 945 01:32:05,255 --> 01:32:06,255 Do you want children? 946 01:32:07,297 --> 01:32:09,880 - The couple, on a physical level? - What about happiness? 947 01:32:10,047 --> 01:32:11,755 Mr Rinaldi, does modern love... 948 01:32:14,630 --> 01:32:18,213 When her laughter opens her mouth 949 01:32:18,380 --> 01:32:22,005 And devours the unwary 950 01:32:22,172 --> 01:32:25,463 She grabs them with her teeth 951 01:32:26,547 --> 01:32:29,838 Her mouth, when she goes to bed 952 01:32:30,005 --> 01:32:33,755 Remains pink with her teeth inside 953 01:32:33,922 --> 01:32:37,672 When laughter opens her mouth 954 01:32:37,838 --> 01:32:41,880 She grabs them with her teeth 955 01:32:45,797 --> 01:32:49,588 Sidonie has more than one lover 956 01:32:49,755 --> 01:32:53,463 Whether you scold or praise her 957 01:32:53,630 --> 01:32:57,380 She doesn't care either way 958 01:32:57,547 --> 01:33:01,255 Sidonie has more than one lover 959 01:33:01,422 --> 01:33:05,213 Until she is nailed 960 01:33:05,380 --> 01:33:09,130 To the pinewood of her casket 961 01:33:09,297 --> 01:33:13,005 Whether you scold or praise her 962 01:33:13,172 --> 01:33:16,380 Sidonie will have more than one lover 963 01:33:23,422 --> 01:33:25,088 Hey! Where are you going? 964 01:33:25,255 --> 01:33:26,838 I'll be back in 15 minutes. 965 01:33:48,213 --> 01:33:51,005 You wouldn't believe how many people are in town. 966 01:33:51,172 --> 01:33:54,088 All day, they have been arriving, driving from Rome. 967 01:33:54,255 --> 01:33:55,880 What time do you start? 968 01:33:56,047 --> 01:33:57,338 At 9pm. 969 01:34:02,172 --> 01:34:03,797 Maxime is here. 970 01:34:04,630 --> 01:34:05,713 In Spoleto? 971 01:34:06,880 --> 01:34:09,338 He sent a message through one of your policemen. 972 01:34:10,088 --> 01:34:13,380 "I'm at the Hotel Dei Duchi. I hope to see you after the play." 973 01:34:13,588 --> 01:34:14,797 I'll talk to him. 974 01:34:15,338 --> 01:34:16,755 Why can't I go? 975 01:34:17,505 --> 01:34:18,963 Because I must talk to Maxime. 976 01:34:19,130 --> 01:34:20,755 What about the play? 977 01:34:20,922 --> 01:34:22,297 You don't want me to come? 978 01:34:22,463 --> 01:34:24,547 That's not true. Do what you like. 979 01:34:25,088 --> 01:34:26,380 You know what will happen. 980 01:34:26,588 --> 01:34:27,672 I have to stay here? 981 01:34:27,880 --> 01:34:29,797 They're all waiting for you to come down. 982 01:34:29,963 --> 01:34:31,213 That's why they are here. 983 01:34:31,422 --> 01:34:34,380 I don't care. Don't you get it? I don't care about them. 984 01:34:34,547 --> 01:34:37,172 I won't stay locked up here for the rest of my life! 985 01:34:37,338 --> 01:34:40,588 I've had enough of the closed doors and closed curtains. 986 01:34:40,755 --> 01:34:41,963 Jill, listen. 987 01:34:42,463 --> 01:34:45,713 I can't stay here. I can't stand this horrible room anymore! 988 01:34:45,880 --> 01:34:47,963 I want to get out! To get out! 989 01:34:48,130 --> 01:34:49,588 - Jill. - I can't do it anymore! 990 01:34:49,755 --> 01:34:51,880 It's driving me insane! 991 01:34:52,047 --> 01:34:53,130 We leave tomorrow. 992 01:34:53,338 --> 01:34:55,630 And it will be another room tomorrow. 993 01:34:55,797 --> 01:34:57,213 Leave me. Don't touch me! 994 01:34:57,380 --> 01:34:59,213 - Listen to me. - No, I won't listen 995 01:34:59,380 --> 01:35:01,088 and I don't believe you anymore. 996 01:35:01,255 --> 01:35:02,838 You're the one who locked me up. 997 01:35:03,005 --> 01:35:04,630 - Jill. - You put me in prison. 998 01:35:04,797 --> 01:35:07,255 You said you'd protect me. But you wanted to hide me. 999 01:35:07,422 --> 01:35:09,297 It's not true and you know it. 1000 01:35:10,005 --> 01:35:12,255 You don't want me to go out or to be seen. 1001 01:35:12,422 --> 01:35:13,755 You're worse than the rest. 1002 01:35:13,922 --> 01:35:15,172 - You're horrible! - Be quiet. 1003 01:35:15,338 --> 01:35:17,005 - You're ashamed of me. - Be quiet. 1004 01:35:17,172 --> 01:35:19,172 - Say it! Say it! - Be quiet! 1005 01:35:20,380 --> 01:35:21,588 Why did you come? 1006 01:35:21,755 --> 01:35:23,838 To Spoleto? What were you thinking? 1007 01:35:24,005 --> 01:35:26,755 Spoleto, Rome, Tokyo, it's the same. Where would you put me? 1008 01:35:26,922 --> 01:35:28,922 - On a desert island? - Yes, one far away. 1009 01:35:29,547 --> 01:35:30,880 - As far away as possible. - I hate you. 1010 01:35:31,047 --> 01:35:32,672 I never want to see you again. 1011 01:35:33,047 --> 01:35:34,880 Then go! 1012 01:35:35,047 --> 01:35:36,922 Go! Disappear! I've had enough too! 1013 01:35:37,088 --> 01:35:38,755 I've had enough of you! 1014 01:35:40,338 --> 01:35:41,463 Fabio. 1015 01:36:06,880 --> 01:36:08,880 Hurry up, guys. Helmets. 1016 01:36:27,338 --> 01:36:28,338 Carla. 1017 01:36:28,505 --> 01:36:30,380 It's kind of you to come and see the play. 1018 01:36:30,547 --> 01:36:32,505 - When did you get here? - Last night. 1019 01:36:33,630 --> 01:36:35,213 You know, I know the audience here. 1020 01:36:35,380 --> 01:36:37,297 - I'm sure they'll like it. -Yes. 1021 01:36:38,505 --> 01:36:40,463 - What's wrong, Fabio? - Nothing. 1022 01:36:43,047 --> 01:36:44,213 Jill is not here? 1023 01:36:44,380 --> 01:36:45,463 No. 1024 01:36:46,880 --> 01:36:48,130 She's not coming? 1025 01:36:48,880 --> 01:36:50,047 I don't think so. 1026 01:36:50,588 --> 01:36:51,713 Why not? 1027 01:36:52,130 --> 01:36:53,505 She should come. 1028 01:36:54,630 --> 01:36:55,713 Yes. 1029 01:36:57,463 --> 01:36:58,588 She should. 1030 01:37:13,422 --> 01:37:16,172 - Are you Miss Jill? -Yes. 1031 01:37:16,338 --> 01:37:18,922 There is a call for you in my apartment. 1032 01:37:40,713 --> 01:37:43,338 Jill? Jill? Are you there? 1033 01:37:46,255 --> 01:37:47,630 Jill? Can you hear me? 1034 01:37:48,463 --> 01:37:49,713 Come, Jill. 1035 01:37:51,463 --> 01:37:53,213 I'm asking you to come. 1036 01:37:59,547 --> 01:38:00,755 Please. 1037 01:38:02,588 --> 01:38:03,922 Please. 1038 01:38:04,630 --> 01:38:05,588 It's not our fault. 1039 01:38:06,755 --> 01:38:08,338 None of this is. 1040 01:38:10,838 --> 01:38:12,380 Come, Jill. 1041 01:38:15,463 --> 01:38:16,880 Please. 1042 01:38:18,880 --> 01:38:20,005 Please! 1043 01:38:22,047 --> 01:38:23,422 No, Fabio. 1044 01:38:23,963 --> 01:38:25,588 Jill! Jill! 1045 01:38:28,630 --> 01:38:29,713 Jill! 1046 01:40:55,547 --> 01:40:56,213 Jill! 1047 01:44:13,213 --> 01:44:15,297 The End 1048 01:44:15,463 --> 01:44:17,588 Subtitles: Sophie Troyna-Martins 1049 01:44:17,755 --> 01:44:19,880 Subtitling: EVA France ST'501 70113

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