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1
00:00:30,664 --> 00:00:32,534
(thud)
2
00:00:37,871 --> 00:00:41,441
(electricity crackles)
3
00:00:43,911 --> 00:00:45,911
(whooshing sound, click)
4
00:00:45,912 --> 00:00:47,912
HELLO?
5
00:00:47,914 --> 00:00:51,094
(ghostly laugh)
6
00:00:52,853 --> 00:00:54,493
WHAT THE HELL?
7
00:01:05,932 --> 00:01:08,742
I APPRECIATE YOUR PEOPLE
COMING IN ON THIS, AGENT LISBON.
8
00:01:08,736 --> 00:01:12,466
HAVEN'T HANDLED MANY HOMICIDES--
NONE, IN FACT.
9
00:01:12,472 --> 00:01:14,542
FRANKLY, I'M LOOKING
TO LEARN FROM YOU.
10
00:01:14,542 --> 00:01:16,542
NOT A PROBLEM,
DEPUTY FISHER.
11
00:01:16,543 --> 00:01:18,753
SMALL TOWN.
WE DON'T GET MUCH TROUBLE.
12
00:01:18,745 --> 00:01:20,745
WELL, THAT'S A SHAME.
13
00:01:20,748 --> 00:01:22,748
TROUBLE'S YOUR BUSINESS.
14
00:01:22,750 --> 00:01:24,480
YOU COULD SAY.
15
00:01:24,484 --> 00:01:26,494
VICTIM'S ALAN FOSTER--
16
00:01:26,486 --> 00:01:29,456
43 YEARS OLD,
MARRIED, NO CHILDREN.
17
00:01:29,456 --> 00:01:31,956
ARCHITECT. HE BOUGHT THE HOUSE
A FEW MONTHS BACK,
18
00:01:31,959 --> 00:01:34,299
SAID HE WAS GONNA REHAB IT.
19
00:01:34,295 --> 00:01:36,855
WAS THE WIFE
WITH HIM LAST NIGHT?
20
00:01:36,864 --> 00:01:40,804
NO, SHE WAS IN THE CITY. THEY
HAVE A HOUSE IN SAN FRANCISCO.
21
00:01:40,801 --> 00:01:43,641
I SENT A MAN TO BREAK THE NEWS.
WAS ANYBODY ELSE
IN THE HOUSE WITH HIM?
22
00:01:43,637 --> 00:01:45,937
NOBODY AS FAR AS WE CAN TELL.
I DON'T KNOW WHAT TO SAY.
23
00:01:45,938 --> 00:01:48,538
THE HOUSE WAS LOCKED UP TIGHTER
THAN A DRUM WHEN I GOT HERE.
24
00:01:48,542 --> 00:01:50,742
TOOK ME HALF AN HOUR
JUST TO SHUT OFF THE ALARM.
CHO, CHECK THE ALARM SYSTEM.
25
00:01:50,743 --> 00:01:53,313
EITHER THE VICTIM
LET SOMEBODY IN,
26
00:01:53,313 --> 00:01:56,723
OR THEY BROKE IN SOMEPLACE.
IT'S A SHAME.
FOSTER SEEMED LIKE A NICE GUY.
27
00:01:56,716 --> 00:01:59,586
WHOA, THAT'S A LIE.
YOU DIDN'T LIKE HIM ONE BIT.
28
00:01:59,587 --> 00:02:04,557
W--I-I DIDN'T SAY THAT.
YES, YOU DID. YOU THOUGHT HE
WAS RICH, ARROGANT, PRETENTIOUS,
29
00:02:04,557 --> 00:02:07,887
AN INTERLOPER. HE WORE THOSE
TRENDY ARCHITECT'S GLASSES.
30
00:02:07,894 --> 00:02:09,904
(chuckles) DID YOU KILL HIM?
31
00:02:09,896 --> 00:02:12,026
DID I...
HMM?
32
00:02:12,032 --> 00:02:13,372
HMM?
33
00:02:13,366 --> 00:02:17,036
(chuckles) NO.
34
00:02:17,037 --> 00:02:18,367
NO.
35
00:02:19,639 --> 00:02:23,239
WHAT KIND OF QUESTION
IS THAT?
36
00:02:25,212 --> 00:02:27,382
(grunts)
37
00:02:29,682 --> 00:02:33,052
HE'S GOT SOMETHING
IN HIS HAND.
38
00:02:33,052 --> 00:02:36,622
JANE! GLOVES.
RIGHT.
39
00:02:42,596 --> 00:02:47,436
(Lisbon) A BRASS BUTTON
WITH THE LETTER "B"?
40
00:02:47,435 --> 00:02:49,835
THAT MEAN SOMETHING TO YOU,
DEPUTY?
41
00:02:49,836 --> 00:02:52,366
NO.
42
00:02:54,474 --> 00:02:55,814
WHAT'S THIS GUY'S PROBLEM?
43
00:02:55,808 --> 00:02:59,548
THAT WOULD TAKE
WAY TOO LONG TO ANSWER.
44
00:02:59,546 --> 00:03:00,976
LET'S TAKE A LOOK INSIDE.
45
00:03:00,980 --> 00:03:02,680
OKAY. IT'S THIS WAY.
46
00:03:12,893 --> 00:03:18,573
CLEAR SIGNS OF STRUGGLE
RULES OUT SUICIDE.
47
00:03:18,566 --> 00:03:22,536
THAT, AND SUICIDES USUALLY OPEN
THE WINDOW BEFORE THEY JUMP.
48
00:03:25,072 --> 00:03:27,682
WHAT'S TROUBLING YOU,
FISHER?
49
00:03:27,675 --> 00:03:29,705
WHAT? NOTHING.
WHAT ARE YOU TALKING ABOUT?
50
00:03:29,710 --> 00:03:33,380
THAT BUTTON MADE YOUR PUPILS
DILATE. NOW YOU'VE GONE PALE.
51
00:03:33,381 --> 00:03:35,781
WHAT'S UP, FISHER?
WHAT'S TROUBLING YOU?
52
00:03:35,783 --> 00:03:39,223
WELL, IT OCCURRED TO ME
THAT THE BUTTON
53
00:03:39,218 --> 00:03:41,018
COULD STAND FOR "BECKWORTH,"
54
00:03:41,021 --> 00:03:44,791
AND I GOT A LITTLE CHILL,
THAT'S ALL.
WHO'S BECKWORTH?
55
00:03:44,792 --> 00:03:46,592
WALTER BECKWORTH.
56
00:03:46,593 --> 00:03:49,133
HE WAS THE ORIGINAL OWNER
OF THIS HOUSE--BUILT IT.
57
00:03:49,128 --> 00:03:53,998
DIED 80-SOMETHING YEARS AGO.
PEOPLE SAY HE HAUNTS THE PLACE.
58
00:03:54,001 --> 00:03:56,201
I'VE HEARD THE STORIES
SINCE I WAS A KID,
59
00:03:56,203 --> 00:03:59,273
BUT NOBODY BELIEVES THEM.
RIGHT.
60
00:03:59,272 --> 00:04:02,582
GUY FROM THE SECURITY COMPANY
RAN THE ALARM HISTORY.
61
00:04:02,575 --> 00:04:04,005
IT'S BEEN ARMED
FROM 6:00 LAST NIGHT
62
00:04:04,010 --> 00:04:06,710
UNTIL THE DEPUTIES
TURNED IT OFF THIS MORNING.
63
00:04:06,713 --> 00:04:08,723
NO ALARMS
OR INTERRUPTIONS OF SERVICE.
64
00:04:08,716 --> 00:04:12,246
AS FAR AS I CAN TELL, NO ONE'S
ENTERED OR LEFT THIS BUILDING
65
00:04:12,252 --> 00:04:16,992
EXCEPT THE VICTIM.
BUT THAT'S IMPOSSIBLE.
ISN'T IT?
66
00:04:16,990 --> 00:04:18,960
SPOOKY.
67
00:04:18,959 --> 00:04:31,469
**
68
00:04:31,471 --> 00:04:33,811
BUT IT MAKES ME FEEL BETTER
AT THE END OF THE DAY.
69
00:04:33,807 --> 00:04:35,437
I SEE PEOPLE SMILING
BECAUSE OF WHAT I'VE DONE.
70
00:04:35,442 --> 00:04:38,082
THERE'S SOMETHING,
I DON'T KNOW, JOYOUS IN IT.
71
00:04:38,077 --> 00:04:42,817
HOW OFTEN DO WE SEE PEOPLE
SMILE IN THIS JOB?
LEAVING OUT CRAZY? NEVER.
THE CORONER TOOK FOSTER'S BODY.
72
00:04:42,816 --> 00:04:44,686
I'M GONNA GET HIS WIFE
AND BRING HER TO THE OFFICE.
73
00:04:44,685 --> 00:04:47,585
LISBON AND JANE
ARE UP ON THE PORCH.
OKAY, THANKS.
74
00:04:47,588 --> 00:04:49,118
SHE'S VOLUNTEERING
AT A HOMELESS KITCHEN.
75
00:04:49,122 --> 00:04:51,062
THAT'S COOL.
76
00:04:51,057 --> 00:04:54,887
THERE'S A MAN THERE.
I THINK SHE'S, UH, YOU KNOW.
BANGING A HOMELESS GUY?
77
00:04:54,894 --> 00:04:57,834
NO! A VOLUNTEER. A CHEF.
AND SHE'S NOT--
78
00:04:57,831 --> 00:05:02,401
I DON'T KNOW. NOT YET...
MAYBE... I THINK...
79
00:05:02,403 --> 00:05:05,573
I DON'T... NO.
80
00:05:05,572 --> 00:05:08,842
DUDE, YOU NEED COUNSELING.
81
00:05:15,815 --> 00:05:17,785
SOMEHOW THE KILLER
GOT INTO THE HOUSE
82
00:05:17,785 --> 00:05:20,445
WITHOUT TRIPPING THE ALARM
OR TURNING IT OFF.
83
00:05:20,454 --> 00:05:23,864
SO THE KILLER DIDN'T COME
THROUGH THE FRONT DOOR.
PROBABLY FOUND SOME KIND
OF HOLE IN THE SYSTEM.
84
00:05:23,856 --> 00:05:25,826
CHECK THE GROUNDS
AND INSIDE THE HOUSE.
85
00:05:25,826 --> 00:05:27,956
FIND OUT HOW THEY GOT IN.
ON IT.
86
00:05:27,961 --> 00:05:31,201
GRACE, YOU'RE THE SPIRITUAL
SORT. DO YOU BELIEVE IN GHOSTS?
87
00:05:31,197 --> 00:05:32,997
I BELIEVE THE SPIRIT
SURVIVES DEATH,
88
00:05:33,000 --> 00:05:35,740
AND A TROUBLED SPIRIT
CAN MAKE ITSELF KNOWN.
89
00:05:35,735 --> 00:05:38,865
OH, COME ON. YOU DON'T SERIOUSLY
THINK THERE'S A GHOST HERE.
90
00:05:38,872 --> 00:05:40,712
MEH. I DON'T KNOW.
91
00:05:40,707 --> 00:05:43,377
IF YOU SEE ONE, LET ME KNOW.
92
00:05:48,781 --> 00:05:51,951
HOW LONG HAD YOUR HUSBAND BEEN
STAYING AT BECKWORTH MANSION,
93
00:05:51,951 --> 00:05:53,521
MRS. FOSTER?
94
00:05:53,521 --> 00:05:55,521
OFF AND ON
FOR ABOUT THREE WEEKS,
95
00:05:55,523 --> 00:05:57,293
SINCE WE CLOSED ON IT.
96
00:05:57,290 --> 00:05:59,090
WHY? IT'S PRETTY RUN-DOWN.
97
00:05:59,091 --> 00:06:01,531
TO GET A FEEL FOR THE HOUSE
BEFORE HE WORKED ON IT.
98
00:06:01,528 --> 00:06:03,828
HE SAID YOU SHOULD SPEND
A MONTH IN A HOUSE
99
00:06:03,831 --> 00:06:06,171
BEFORE YOU THOUGHT
ABOUT CHANGING IT.
100
00:06:06,165 --> 00:06:07,665
HE'S CONSCIENTIOUS THAT WAY...
101
00:06:07,668 --> 00:06:12,738
(voice breaking)
OR WAS CONSCIENTIOUS THAT WAY.
102
00:06:12,740 --> 00:06:15,640
(crying softly)
WE CAN TAKE A BREAK
IF YOU'D LIKE.
103
00:06:15,643 --> 00:06:18,513
NO, NO, NO. LET'S--
LET'S JUST GET THROUGH IT.
104
00:06:18,512 --> 00:06:21,582
SO YOU WERE AT HOME THE NIGHT
OF YOUR HUSBAND'S MURDER?
YES.
105
00:06:21,581 --> 00:06:24,581
WE HAVE TO ASK--IS THERE
ANYONE WHO CAN VERIFY THAT?
106
00:06:24,584 --> 00:06:26,654
UM, NO, I WAS ALONE.
107
00:06:26,653 --> 00:06:29,793
ALAN HAD BEEN
AT THE MANSION ALL WEEK.
108
00:06:29,790 --> 00:06:32,160
WAS IT COMMON FOR YOU AND YOUR
HUSBAND TO BE APART THAT LONG?
109
00:06:32,158 --> 00:06:35,498
IT WAS NOT UNCOMMON
WHEN HE STARTED A PROJECT.
110
00:06:35,495 --> 00:06:37,625
HE GOT IMMERSED.
111
00:06:37,630 --> 00:06:39,770
WHO MIGHT HAVE WANTED
TO HURT YOUR HUSBAND?
112
00:06:39,766 --> 00:06:41,996
OH, I CAN TELL YOU
WHO WAS ANGRY WITH HIM--
113
00:06:42,002 --> 00:06:43,842
VICTORIA ABNER.
114
00:06:43,836 --> 00:06:47,876
WHO'S SHE?
SHE'S THIS HIPPIE-DIPPY WOMAN
WHO LIVES IN TOWN,
115
00:06:47,875 --> 00:06:50,475
AND SHE WEAVES LINENS
AND RUGS.
116
00:06:50,478 --> 00:06:52,678
SHE USED TO OWN BECKWORTH.
117
00:06:52,680 --> 00:06:55,380
SHE'S A DESCENDANT
OF THE MAN WHO BUILT IT.
118
00:06:55,382 --> 00:06:58,192
SHE RESENTED YOUR HUSBAND
FOR BUYING THE PLACE?
119
00:06:58,185 --> 00:06:59,985
BUT NOT AT FIRST.
120
00:06:59,987 --> 00:07:02,657
THERE WERE TAX ISSUES
THAT CAME WITH THE PROPERTY,
121
00:07:02,656 --> 00:07:04,886
SO WE THOUGHT SHE'D BE GLAD
TO BE RID OF IT.
122
00:07:04,891 --> 00:07:07,231
BUT... (sniffles)
ABOUT A WEEK AFTER WE CLOSED,
123
00:07:07,226 --> 00:07:10,026
SHE JUST BLEW UP, CLAIMED
THAT ALAN STOLE THE HOUSE.
124
00:07:10,029 --> 00:07:11,799
IT WAS VICIOUS.
125
00:07:11,798 --> 00:07:14,298
DID SHE EVER THREATEN
YOUR HUSBAND?
126
00:07:14,300 --> 00:07:16,470
SHE SENT SOME
PRETTY SCARY E-MAILS.
127
00:07:16,470 --> 00:07:17,940
(knocks rhythmically)
128
00:07:19,540 --> 00:07:21,680
EXCUSE ME.
129
00:07:23,375 --> 00:07:26,175
(Cho) WE NEED TO SEE
THOSE E-MAILS.
130
00:07:26,178 --> 00:07:27,978
WHAT?
131
00:07:27,980 --> 00:07:29,980
WALTER BECKWORTH
WAS KILLED IN 1928--
132
00:07:29,983 --> 00:07:32,253
FIGHT OVER A WOMAN.
YOU KNOW HOW?
133
00:07:32,252 --> 00:07:34,092
NOW, AND I DON'T CARE.
134
00:07:34,086 --> 00:07:36,686
HE WAS THROWN OUT OF
THE EXACT SAME WINDOW
135
00:07:36,689 --> 00:07:38,829
THAT ALAN FOSTER WAS
THROWN OUT OF. COINCIDENCE?
136
00:07:38,826 --> 00:07:40,486
YES.
137
00:07:40,494 --> 00:07:43,804
YEAH. WELL, IT'S ALL HERE.
IS THAT, UH, FOSTER'S WIDOW?
MM-HMM.
138
00:07:43,797 --> 00:07:46,627
I NEED TO TALK TO HER.
139
00:07:46,634 --> 00:07:48,404
MRS. FOSTER? PATRICK JANE.
140
00:07:48,401 --> 00:07:51,941
DID YOUR HUSBAND SEE OR HEAR
ANYTHING ODD AT THE MANSION--
141
00:07:51,939 --> 00:07:54,739
STRANGE SIGHTINGS,
UNUSUAL NOISES, APPARITIONS?
142
00:07:54,742 --> 00:07:58,852
AS A MATTER OF FACT, ALAN DID
MENTION SOME STRANGE THINGS.
143
00:07:58,846 --> 00:08:02,276
WHAT KIND OF THINGS?
UM, IN THE LAST WEEK OR SO
144
00:08:02,281 --> 00:08:04,481
HE HEARD SOME NOISES AT NIGHT,
LIKE GROANS.
145
00:08:04,483 --> 00:08:07,493
HE SAID SOMETIMES IT LOOKED
LIKE THINGS WERE BEING MOVED.
146
00:08:07,487 --> 00:08:11,627
I KNOW IT'S A LITTLE CREEPY,
BUT ALAN WASN'T TOO BOTHERED.
147
00:08:11,625 --> 00:08:13,625
HE WAS USED TO OLD HOUSES.
148
00:08:13,627 --> 00:08:15,997
WHAT DOES THIS HAVE TO DO
WITH HOW HE DIED?
149
00:08:15,995 --> 00:08:18,665
VICTORIA ABNER HAS NO ARRESTS,
BUT THREE YEARS AGO
150
00:08:18,665 --> 00:08:20,665
A NEIGHBOR TOOK OUT
A RESTRAINING ORDER
151
00:08:20,668 --> 00:08:22,998
AGAINST HER--SOME ARGUMENT
ABOUT THE NEIGHBOR'S DOG.
152
00:08:23,002 --> 00:08:25,402
VICTORIA GOT A LITTLE
IN-YOUR-FACE ABOUT IT.
153
00:08:25,404 --> 00:08:27,214
GO AND SEE HOW MAD
SHE REALLY WAS
154
00:08:27,206 --> 00:08:29,636
ABOUT FOSTER BUYING
THE MANSION.
OKAY.
155
00:08:29,643 --> 00:08:31,643
AND BE SURE TO ASK
ABOUT THE GHOST, TOO.
156
00:08:31,644 --> 00:08:34,184
DO NOT ASK ABOUT GHOSTS.
157
00:08:34,181 --> 00:08:36,481
DON'T YOU THINK I KNOW
WHAT YOU'RE DOING?
158
00:08:36,482 --> 00:08:37,922
NO GHOSTS.
159
00:08:37,918 --> 00:08:40,248
THE GHOST HAS SOMETHING TO DO
WITH FOSTER'S DEATH.
160
00:08:40,253 --> 00:08:43,063
NO, IT DOESN'T,
BECAUSE GHOSTS DON'T EXIST.
161
00:08:43,056 --> 00:08:46,686
DON'T EXIST IN YOUR MIND,
BUT IF YOU BELIEVE THEY EXIST,
162
00:08:46,693 --> 00:08:49,163
THEN THEY EXIST.
163
00:08:52,566 --> 00:08:53,866
ANYTHING?
164
00:08:53,866 --> 00:08:55,936
NO PRY MARKS ON ANY
OF THE FRAMES SO FAR,
165
00:08:55,936 --> 00:08:58,636
NO FOOTPRINTS
UNDER THE WINDOWS.
166
00:08:58,639 --> 00:09:00,739
I DON'T SEE ANY SIGN
OF FORCED ENTRY.
167
00:09:00,740 --> 00:09:02,840
MAYBE IT WAS A GHOST.
168
00:09:02,842 --> 00:09:04,752
GHOSTS DON'T THROW
200-POUND MEN OUT WINDOWS.
169
00:09:04,745 --> 00:09:06,705
WHAT DO GHOSTS DO?
170
00:09:06,714 --> 00:09:10,184
I HAVE NO IDEA.
LET'S CHECK THE OTHER SIDE.
171
00:09:14,788 --> 00:09:19,628
SO YOU GONNA KEEP VOLUNTEERING
AT THE, UH, KITCHEN?
172
00:09:19,626 --> 00:09:20,956
OH, YEAH.
173
00:09:20,961 --> 00:09:23,461
MAKING A LOT OF NEW FRIENDS,
I EXPECT.
174
00:09:23,462 --> 00:09:25,032
I AM.
175
00:09:25,032 --> 00:09:27,502
YEAH, THAT'S THE GREAT THING
ABOUT DOING VOLUNTEER WORK.
176
00:09:27,500 --> 00:09:30,170
YOU MEET SO MANY NEW PEOPLE
THAT HAVE THE SAME KIND
177
00:09:30,169 --> 00:09:32,339
OF VALUES
AND INTERESTS AS YOU.
178
00:09:32,338 --> 00:09:34,908
RIGHT.
HEY, LOOK AT THAT.
179
00:09:34,908 --> 00:09:38,248
WHAT?
THE LOCK ON THE DOOR--
LOOKS NEW.
180
00:09:38,245 --> 00:09:40,045
SOMEONE CUT IT OPEN.
181
00:09:44,551 --> 00:09:48,251
WELL, IF THEY HAVEN'T STARTED
WORK ON THE HOUSE YET...
182
00:09:48,254 --> 00:09:55,934
HMM.
183
00:09:55,928 --> 00:09:59,728
ALL THE POWER TOOLS
ARE MISSING.
184
00:10:01,769 --> 00:10:03,669
WHAT'S THERE?
185
00:10:03,671 --> 00:10:05,811
YOU THINK GHOSTS
SMOKE FILTERED?
186
00:10:05,806 --> 00:10:08,136
BOSS, SOMEONE BROKE
INTO A STORAGE AREA,
187
00:10:08,140 --> 00:10:10,840
STOLE A WHOLE BUNCH
OF EQUIPMENT AND SUPPLIES.
188
00:10:10,844 --> 00:10:13,314
MAYBE THEY BROKE
INTO THE HOUSE, TOO.
189
00:10:29,763 --> 00:10:31,763
CAN I HELP YOU?
190
00:10:31,764 --> 00:10:35,774
I SEE YOU SPECIALIZE
IN LOCAL HISTORY.
191
00:10:35,769 --> 00:10:37,239
MR...
192
00:10:37,236 --> 00:10:39,836
RAIMEY. PHILIP RAIMEY.
YES, AND YOU ARE?
193
00:10:39,840 --> 00:10:41,980
LOOKING FOR INFORMATION
ON WALTER BECKWORTH.
194
00:10:41,975 --> 00:10:43,975
ARE YOU WITH THE POLICE?
195
00:10:43,976 --> 00:10:46,776
HERE ABOUT
THE FOSTER INCIDENT?
196
00:10:46,779 --> 00:10:48,779
YES, BUT DON'T TELL ANYONE.
197
00:10:48,782 --> 00:10:51,282
PATRICK JANE.
198
00:10:51,283 --> 00:10:54,523
WELL, MR. JANE, IF IT'S
BECKWORTH YOU'RE INTERESTED IN,
199
00:10:54,520 --> 00:10:57,260
YOU'VE COME
TO THE RIGHT PLACE.
200
00:10:59,726 --> 00:11:01,726
THANK YOU.
201
00:11:01,729 --> 00:11:03,859
GREAT STORE.
202
00:11:03,864 --> 00:11:06,634
AGENT CHO, OF COURSE
I WAS ANGRY WITH FOSTER.
203
00:11:06,633 --> 00:11:09,573
IF SOMEONE STOLE YOUR HOME,
WOULDN'T YOU BE ANGRY AS WELL?
204
00:11:09,568 --> 00:11:12,338
HE BOUGHT THE HOUSE,
MRS. ABNER...
YOU DON'T UNDERSTAND.
205
00:11:12,339 --> 00:11:14,469
A HOUSE YOU HAVEN'T LIVED IN
SINCE YOU WERE A CHILD.
THAT'S NOT THE POINT.
206
00:11:14,474 --> 00:11:17,184
SORRY. I DIDN'T KNOW
YOU WERE WITH SOMEBODY.
207
00:11:17,177 --> 00:11:19,547
OH, THIS IS MY NEPHEW DREW.
208
00:11:19,546 --> 00:11:24,276
AGENT CHO IS ASKING QUESTIONS
ABOUT ALAN FOSTER.
209
00:11:24,283 --> 00:11:26,393
HE WANTS TO KNOW
WHY I WAS SO UPSET
210
00:11:26,385 --> 00:11:28,685
WITH THE MAN
WHO STOLE BECKWORTH.
211
00:11:28,687 --> 00:11:31,987
IT IS A COMPLICATED ISSUE.
NO, IT'S NOT THAT COMPLICATED.
212
00:11:31,991 --> 00:11:34,731
THERE ARE MANY FACTORS
TO BE CONSIDERED--
213
00:11:34,727 --> 00:11:36,397
ECONOMIC AND EMOTIONAL.
214
00:11:36,395 --> 00:11:39,865
MY NEPHEW IS A LAWYER.
HE'S VERY SENSIBLE.
215
00:11:39,866 --> 00:11:41,866
THAT'S GOOD,
BECAUSE I'M NOT.
216
00:11:41,869 --> 00:11:43,869
THERE ARE NO FACTORS
TO CONSIDER.
217
00:11:43,870 --> 00:11:45,970
FOSTER WAS A THIEF AND A LIAR.
(sighs)
218
00:11:45,972 --> 00:11:48,112
YOU COULDN'T AFFORD
THE TAXES ON THE HOUSE.
219
00:11:48,107 --> 00:11:50,637
YOU WERE GRATEFUL WHEN
HE FIRST PURCHASED IT.
220
00:11:50,643 --> 00:11:53,683
WHAT CHANGED YOUR MIND?
YOU HAVE A VERY GOOD AURA.
221
00:11:53,679 --> 00:11:55,549
THANK YOU.
222
00:11:55,548 --> 00:11:58,718
EXCELLENT COLOR--DEEP RED...
223
00:11:58,717 --> 00:12:01,647
GROUNDED, REALISTIC.
224
00:12:01,653 --> 00:12:05,663
AND FOSTER'S AURA WAS PINK,
225
00:12:05,658 --> 00:12:08,258
DIRTY PINK.
226
00:12:08,260 --> 00:12:10,230
THAT'S DISHONESTY,
FECKLESSNESS.
227
00:12:10,230 --> 00:12:13,500
WHEN HE CAME TO ME, HE SAID
HE WANTED TO PRESERVE BECKWORTH.
228
00:12:13,500 --> 00:12:15,170
HE LIED TO ME.
229
00:12:15,168 --> 00:12:18,138
HE WANTED TO GUT IT--
MY CHILDHOOD HOME,
230
00:12:18,138 --> 00:12:20,138
AND I COULDN'T LET HIM
DO THAT.
231
00:12:20,139 --> 00:12:23,079
LOOK, AGENT, THE BECKWORTH
MANSION IS UNDERSTANDABLY
232
00:12:23,076 --> 00:12:25,076
A VERY EMOTIONAL SUBJECT
FOR MY FAMILY,
233
00:12:25,077 --> 00:12:27,747
BUT WHATEVER SHE MAY
HAVE FELT OR SAID,
234
00:12:27,746 --> 00:12:30,046
MY AUNT IS INCAPABLE
OF HURTING ANYBODY.
235
00:12:30,049 --> 00:12:32,489
WHERE WERE YOU LAST NIGHT?
236
00:12:32,485 --> 00:12:34,285
IN MY HOME,
237
00:12:34,287 --> 00:12:37,457
IN MY BED,
NOT KILLING ALAN FOSTER.
238
00:12:37,456 --> 00:12:38,826
WHAT ABOUT YOU?
239
00:12:38,826 --> 00:12:41,126
I WAS HERE.
I'VE BEEN STAYING WITH MY AUNT
240
00:12:41,128 --> 00:12:43,958
ON AND OFF EVER SINCE SHE WAS
FORCED TO SELL THE PLACE.
241
00:12:43,963 --> 00:12:46,573
HE'S BEEN HELPING ME OUT
WITH MY LEGAL THINGS.
242
00:12:46,566 --> 00:12:51,066
I'D BE LOST WITHOUT HIM.
TAX LIENS AND ESCROW--
NOTHING TOO COMPLICATED.
243
00:12:51,071 --> 00:12:52,711
(cell phone rings)
244
00:12:52,705 --> 00:12:54,505
EXCUSE ME.
245
00:12:54,506 --> 00:12:56,706
(ring)
246
00:12:56,709 --> 00:12:58,139
CHO.
247
00:12:58,144 --> 00:13:01,684
CHO, DID YOU ASK
ABOUT THE GHOST?
248
00:13:01,681 --> 00:13:04,051
NO, YOU HEARD LISBON.
249
00:13:04,051 --> 00:13:05,321
UGH.
250
00:13:05,317 --> 00:13:07,587
(lowered voice) I AM TALKING
TO THE LOCAL HISTORIAN.
251
00:13:07,586 --> 00:13:10,086
APPARENTLY, BECKWORTH WAS DEEPLY
INVOLVED IN SPIRITUALISM.
252
00:13:10,090 --> 00:13:12,130
LIKED TO EXPLORE
THE WORLD BEYOND,
253
00:13:12,125 --> 00:13:14,425
HELD SéANCES
AND ALL THAT KIND OF MALARKEY.
254
00:13:14,427 --> 00:13:16,797
(normal voice) SO GHOSTS
ARE RELEVANT, MY FRIEND.
255
00:13:16,796 --> 00:13:19,096
THIS IS VERY IMPORTANT.
256
00:13:19,099 --> 00:13:20,769
Cho?
257
00:13:20,767 --> 00:13:22,697
DON'T LEAVE ME HANGING.
258
00:13:22,701 --> 00:13:26,411
MA'AM, DO YOU KNOW ANYTHING
ABOUT A GHOST AT THE MANSION?
259
00:13:26,405 --> 00:13:27,765
OF COURSE.
260
00:13:27,774 --> 00:13:30,884
THAT'S THE SPIRIT OF
MY GRANDFATHER WALTER BECKWORTH.
261
00:13:30,878 --> 00:13:34,878
HE USED TO VISIT ME
WHEN I WAS A CHILD.
SHE SAYS THERE'S A GHOST.
262
00:13:34,881 --> 00:13:38,721
THANK YOU.
NO SURPRISE THERE.
263
00:13:38,717 --> 00:13:40,887
(sniffs) MMM. CLOVER HONEY?
264
00:13:40,888 --> 00:13:42,818
YES,
AS A MATTER OF FACT IT IS.
265
00:13:42,822 --> 00:13:45,832
Mmm.
266
00:13:45,825 --> 00:13:48,525
JANE?
MM. SORRY.
267
00:13:48,528 --> 00:13:51,868
UH, MR. RAIMEY SAYS THERE'S
ALSO A HIDDEN TREASURE THERE.
268
00:13:51,865 --> 00:13:53,665
RUMORED TREASURE,
PURELY RUMORED.
269
00:13:53,665 --> 00:13:57,795
RUMORED TREASURE--SOME FORTUNE
BECKWORTH HID IN THE HOUSE.
270
00:13:57,803 --> 00:13:59,813
Does Abner know
anything about that?
271
00:13:59,806 --> 00:14:01,566
BECKWORTH'S TREASURE?
272
00:14:01,573 --> 00:14:03,113
OH, YES.
273
00:14:03,110 --> 00:14:05,780
EVERYBODY IN THE FAMILY
KNEW THAT THERE WAS
274
00:14:05,778 --> 00:14:07,708
A GREAT, MYTHIC TREASURE.
275
00:14:07,714 --> 00:14:10,984
We gave up looking for it
years ago. It was a fraud.
276
00:14:10,984 --> 00:14:12,994
IF IT WASN'T, DO YOU THINK
I'D BE LIVING HERE?
277
00:14:12,985 --> 00:14:14,955
SHE SAYS NO TREASURE.
278
00:14:14,955 --> 00:14:17,815
HMM. GOT IT. THANK YOU.
279
00:14:17,823 --> 00:14:19,463
OKAY.
280
00:14:19,458 --> 00:14:21,828
NO TREASURE.
281
00:14:21,827 --> 00:14:23,957
CLOVER HONEY.
282
00:14:25,899 --> 00:14:27,829
AH.
283
00:14:27,833 --> 00:14:32,043
WELL... (clears throat)
THANK YOU.
284
00:14:32,038 --> 00:14:34,438
IF THERE IS ANYTHING ELSE
I CAN DO...
285
00:14:34,441 --> 00:14:36,441
WELL,
THERE IS ONE MORE THING.
286
00:14:36,442 --> 00:14:38,412
HOW DID BECKWORTH
MAKE HIS MONEY?
287
00:14:38,411 --> 00:14:41,311
OH, HE WAS A BOOTLEGGER--
VERY SUCCESSFUL ONE.
288
00:14:41,313 --> 00:14:44,823
IT'S IN, UH, THAT ONE,
THE SECOND FROM THE BOTTOM.
289
00:14:44,817 --> 00:14:46,817
OKAY. THANK YOU.
290
00:14:46,818 --> 00:14:49,058
UH, DID YOU EVER
CROSS PATHS WITH FOSTER?
291
00:14:49,056 --> 00:14:50,886
ONCE OR TWICE.
292
00:14:50,889 --> 00:14:54,429
HE SEEMED PLEASANT ENOUGH.
NEVER PAID VERY MUCH ATTENTION.
293
00:14:54,427 --> 00:14:57,497
YOU DECEITFUL
OLD BAG OF BONES.
EXCUSE ME?
294
00:14:57,496 --> 00:14:59,596
YOU HEARD ME.
295
00:15:01,100 --> 00:15:04,100
(Rigsby) NOTHING ON
THE EXTERIOR OF THE HOUSE.
296
00:15:04,104 --> 00:15:06,114
LET'S CHECK INSIDE.
297
00:15:06,105 --> 00:15:07,765
THAT'S WEIRD.
298
00:15:07,774 --> 00:15:09,114
WHAT?
299
00:15:09,109 --> 00:15:11,239
THOUGHT THIS WAS SHUT.
300
00:15:17,683 --> 00:15:19,693
(rattling sound)
301
00:15:19,686 --> 00:15:21,586
DID YOU HEAR THAT?
302
00:15:21,587 --> 00:15:23,387
YEAH. SOMEONE'S UPSTAIRS.
303
00:15:23,389 --> 00:15:25,689
I THOUGHT EVERYBODY LEFT.
304
00:15:29,729 --> 00:15:31,399
HELLO?
305
00:15:38,804 --> 00:15:42,544
(footsteps)
306
00:15:42,542 --> 00:15:45,852
(lowers voice)
IT CAME FROM IN THERE.
307
00:15:45,845 --> 00:15:47,975
(crunch)
308
00:15:52,019 --> 00:15:54,619
(electricity crackling)
309
00:15:54,620 --> 00:15:57,660
OLD WIRING, I GUESS.
310
00:15:57,657 --> 00:15:58,887
WHAT WAS THAT?
311
00:15:58,890 --> 00:16:00,890
CBI. COME OUT.
312
00:16:00,893 --> 00:16:03,033
(ghostly laugh)
313
00:16:06,732 --> 00:16:08,742
POLICE. WHOEVER YOU ARE,
COME OUT OF THE ROOM
314
00:16:08,735 --> 00:16:12,435
WITH YOUR HANDS
ABOVE YOUR HEAD.
(wind gusting)
315
00:16:19,645 --> 00:16:22,545
(moaning)
316
00:16:24,017 --> 00:16:25,777
(wind gusting)
317
00:16:25,784 --> 00:16:27,754
JANE?
318
00:16:34,594 --> 00:16:37,664
WHERE'D HE GO?
HOW'D HE DO THAT?
319
00:16:37,663 --> 00:16:40,603
IT'S EASY.
(gasps)
320
00:16:40,600 --> 00:16:42,630
I'LL SHOW YOU.
321
00:16:42,634 --> 00:16:45,744
AH, YOU SEE?
322
00:16:45,738 --> 00:16:48,338
IT'S ALL SWITCHES.
323
00:16:48,341 --> 00:16:50,741
(electricity crackling)
324
00:16:52,511 --> 00:16:55,651
THERE'S A SYSTEM OF PIPES
THAT CARRY SOUND
325
00:16:55,648 --> 00:16:58,648
THROUGHOUT THE HOUSE.
(laughs evilly, voice echoes)
326
00:16:58,650 --> 00:17:01,490
(voice reverberating) HELLO?
YEAH. IT'S ALL FAKE--
327
00:17:01,488 --> 00:17:05,158
BECAUSE, MY CREDULOUS VAN PELT,
SPIRITS ARE SMOKE AND MIRRORS,
328
00:17:05,157 --> 00:17:06,957
AND THAT'S ALL
THAT THEY ARE.
329
00:17:06,959 --> 00:17:10,899
AND THE GHOST?
HOW DID YOU DO THAT?
AH, THE PIèCE DE RéSISTANCE.
330
00:17:10,896 --> 00:17:13,166
IF YOU COULD STAND IN
THE CORNER, MY FRIEND RIGSBY,
331
00:17:13,165 --> 00:17:16,765
AND, GRACE, IF YOU COULD TAKE
YOUR PLACE OUT BY THE DOORS.
332
00:17:16,769 --> 00:17:18,569
PEPPER'S GHOST.
333
00:17:18,570 --> 00:17:22,910
IT'S AN OLD CONJURER'S TRICK--
A SIMPLE OPTICAL ILLUSION.
334
00:17:22,909 --> 00:17:25,279
ALL YOU NEED IS
A SHEET OF GLASS
335
00:17:25,278 --> 00:17:28,208
THAT SLIDES OUT OF THE WALL...
336
00:17:28,214 --> 00:17:30,824
(sliding)
337
00:17:30,817 --> 00:17:32,317
IT'S A REFLECTION?
338
00:17:32,318 --> 00:17:35,048
AND LIGHTING.
339
00:17:40,727 --> 00:17:43,897
(chuckles)
340
00:17:43,895 --> 00:17:45,825
AND OFF.
341
00:17:45,832 --> 00:17:50,842
BECKWORTH HAD ALL THIS BUILT
JUST SO HE COULD HOLD SéANCES?
342
00:17:50,836 --> 00:17:52,766
SO HE COULD AMAZE
AND TERRIFY HIS GUESTS
343
00:17:52,771 --> 00:17:55,741
WITH HIS MASTERY OF THE OCCULT,
AND IT'S BEEN USED RECENTLY.
344
00:17:55,741 --> 00:17:57,741
SOMEONE HAS CLEANED
THE DUST OFF.
345
00:17:57,743 --> 00:18:00,413
SO SOMEBODY WAS
TRYING TO SCARE FOSTER.
MM-HMM.
346
00:18:00,413 --> 00:18:02,623
WHY?
AND HOW DID THEY GET
IN THE HOUSE?
347
00:18:02,615 --> 00:18:05,585
THE ALARM WOULD HAVE
BEEN ON THE WHOLE TIME.
COME WITH ME.
348
00:18:05,585 --> 00:18:07,745
BECKWORTH WAS A BOOTLEGGER
DURING PROHIBITION,
349
00:18:07,753 --> 00:18:10,763
WHICH MEANT HE HAD TO SMUGGLE
LIQUOR INTO THE HOUSE
350
00:18:10,757 --> 00:18:12,557
AND HIDE IT SOMEPLACE
351
00:18:12,558 --> 00:18:14,558
THE AUTHORITIES
COULDN'T FIND IT.
352
00:18:14,560 --> 00:18:17,200
THIS HOUSE IS RIDDLED
WITH SECRET PASSAGES.
353
00:18:17,196 --> 00:18:19,866
INCLUDING ONES
THAT LEAD OUTSIDE?
354
00:18:22,469 --> 00:18:24,399
(click)
355
00:18:27,773 --> 00:18:29,883
VOILà.
356
00:18:29,875 --> 00:18:32,005
HEAD DOWN. TAKE A LOOK.
357
00:18:32,010 --> 00:18:33,850
I'LL CHECK THE OUTSIDE WALLS.
358
00:18:33,846 --> 00:18:35,946
NO DOUBT ONE OF US WILL
FIND THE SECRET PASSAGE.
359
00:18:35,948 --> 00:18:38,248
AFTER YOU.
360
00:18:38,250 --> 00:18:40,390
OH, THANK YOU.
361
00:18:46,826 --> 00:18:49,726
**
362
00:18:55,835 --> 00:18:57,135
JEB HAAS?
363
00:18:57,135 --> 00:18:58,735
WHO WANTS TO KNOW?
364
00:18:58,738 --> 00:19:02,038
AGENT LISBON, CBI.
PRETTY LITTLE THING LIKE YOU?
365
00:19:02,040 --> 00:19:05,910
I HAVE SOME QUESTIONS FOR YOU
REGARDING ALAN FOSTER'S MURDER.
366
00:19:05,912 --> 00:19:08,622
I GOT NOTHING TO TELL YOU.
367
00:19:08,615 --> 00:19:11,615
LOOKS LIKE THERE WERE SOME
CONSTRUCTION SUPPLIES STOLEN
368
00:19:11,617 --> 00:19:13,617
AROUND
THE TIME OF THE MURDER.
369
00:19:13,619 --> 00:19:15,619
DEPUTY FISHER SAYS
YOU'RE THE LOCAL THIEF
370
00:19:15,622 --> 00:19:17,722
MOST LIKELY TO STEAL
THAT KIND OF STUFF.
371
00:19:17,723 --> 00:19:20,233
FISHER SENT YOU?
THAT SON OF A BITCH.
372
00:19:20,227 --> 00:19:22,027
I DON'T KNOW
WHAT HE TOLD YOU,
373
00:19:22,028 --> 00:19:25,428
BUT, UM, I DON'T KNOW ANYTHING
ABOUT A BREAK-IN OR ANY MURDER.
374
00:19:25,432 --> 00:19:28,002
THEN YOU WON'T MIND COMING
DOWN TO THE STATION WITH ME.
375
00:19:28,000 --> 00:19:32,840
WHAT IF I DON'T WANT TO GO?
SIR, THIS DOESN'T HAVE
TO BE DIFFICULT.
376
00:19:32,838 --> 00:19:35,708
**
377
00:19:42,949 --> 00:19:44,879
YOU OKAY?
378
00:19:44,884 --> 00:19:46,924
YEAH, YEAH. YOU?
379
00:19:55,461 --> 00:19:57,601
HEY, LOOK AT THAT.
380
00:19:57,596 --> 00:20:00,226
WINE CELLAR.
WONDER IF ANY OF IT'S
STILL GOOD.
381
00:20:00,232 --> 00:20:02,302
I DOUBT IT.
382
00:20:02,301 --> 00:20:03,801
(creaking)
383
00:20:03,803 --> 00:20:06,243
WHAT WAS THAT?
EH, PROBABLY RATS.
384
00:20:06,239 --> 00:20:08,639
OH, GOD, NO. I HATE RATS.
385
00:20:08,641 --> 00:20:11,611
IT'S JUST A GHOST THEN.
YOU DON'T BELIEVE IN GHOSTS.
386
00:20:11,611 --> 00:20:13,911
YEAH, BUT YOU DO.
WAIT UPSTAIRS, IF YOU LIKE.
387
00:20:13,913 --> 00:20:15,913
I'LL TAKE THIS ONE.
388
00:20:15,914 --> 00:20:17,854
OH, THANKS. THAT'S OKAY.
389
00:20:21,153 --> 00:20:23,993
SAME NIGHT THAT FOSTER
WAS KILLED,
390
00:20:23,990 --> 00:20:26,890
YOU BROKE INTO HIS POOL HOUSE
AND STOLE A FEW THOUSAND DOLLARS
391
00:20:26,893 --> 00:20:29,433
WORTH OF TOOLS AND EQUIPMENT.
WE KNOW BECAUSE WE FOUND
392
00:20:29,429 --> 00:20:31,759
SOME OF THE STOLEN EQUIPMENT
IN YOUR VEHICLE,
393
00:20:31,763 --> 00:20:33,403
AND WE FOUND THIS CIGARETTE BUTT
IN THE POOL HOUSE.
394
00:20:33,400 --> 00:20:36,340
IT'LL DEFINITELY HAVE
YOUR D.N.A. ON IT.
395
00:20:36,336 --> 00:20:38,536
EVERYBODY KNOWS
THAT PLACE IS ALL WIRED UP
396
00:20:38,538 --> 00:20:40,538
WITH SOME FANCY ALARM SYSTEM.
397
00:20:40,539 --> 00:20:42,539
I DIDN'T KILL ANYBODY.
398
00:20:42,541 --> 00:20:45,441
I NEVER SAW FOSTER, AND I
NEVER WENT INTO HIS HOUSE.
399
00:20:45,444 --> 00:20:47,784
NICE IF YOU COULD
PROVE THAT.
I CAN'T,
400
00:20:47,779 --> 00:20:50,979
BUT I DO HAVE SOME PARTICULAR
INFORMATION ON THAT EVENING--
401
00:20:50,982 --> 00:20:53,752
INFORMATION THAT YOU WANT.
402
00:20:53,752 --> 00:20:54,892
OKAY.
403
00:20:54,886 --> 00:20:57,916
UNH-UNH. NOT UNTIL I GET
A DEAL ON THE THEFT
404
00:20:57,923 --> 00:20:59,933
AND THE BREAKING
AND ENTERING CHARGES--
405
00:20:59,925 --> 00:21:03,695
A GOOD ONE, TOO.
YOU WANT A DEAL? OKAY.
406
00:21:03,695 --> 00:21:06,195
AND JUST TO BE CLEAR,
IS THIS A DEAL FOR THE THEFT
407
00:21:06,198 --> 00:21:10,168
AND THE B&E ALONE,
OR THE TAX EVASION AS WELL?
WHAT?
408
00:21:10,169 --> 00:21:11,969
ACCORDING
TO YOUR I.R.S. RECORDS,
409
00:21:11,971 --> 00:21:14,311
YOU HAVEN'T FILED
A TAX RETURN SINCE 2002.
410
00:21:14,307 --> 00:21:17,177
UNLESS YOU HAVEN'T EARNED A DIME
IN INCOME IN SEVEN YEARS,
411
00:21:17,175 --> 00:21:19,375
YOU'RE FACING SOME PRETTY
SERIOUS TAX EVASION CHARGES.
412
00:21:19,378 --> 00:21:23,518
DO YOU HAVE ANY IDEA HOW MUCH
PRISON TIME THAT CARRIES?
PRISON TIME?
413
00:21:23,516 --> 00:21:26,816
SERIOUS TIME, MASSIVE FINES.
414
00:21:26,818 --> 00:21:29,318
I'M GONNA LET YOU
THINK ABOUT IT.
415
00:21:31,590 --> 00:21:34,030
WHEN I WAS LOADING STUFF
OUT OF THE POOL HOUSE,
416
00:21:34,026 --> 00:21:36,186
I SAW A CAR IN THE WOODS--
417
00:21:36,194 --> 00:21:37,834
A BLACK BMW.
418
00:21:37,829 --> 00:21:39,899
THERE WAS SOMEBODY SITTING
IN THE DRIVER'S SEAT--
419
00:21:39,898 --> 00:21:41,228
FOSTER'S WIFE.
420
00:21:41,232 --> 00:21:42,972
LILLIAN FOSTER?
421
00:21:42,969 --> 00:21:45,769
I'VE SEEN HER IN TOWN.
SHE SAT THERE THE WHOLE TIME.
422
00:21:45,771 --> 00:21:48,811
SHE NEVER EVEN NOTICED ME.
SHE JUST STARED AT THE HOUSE.
423
00:21:48,807 --> 00:21:51,137
WAS SHE STILL THERE
WHEN YOU LEFT?
424
00:21:51,143 --> 00:21:53,413
YES.
425
00:21:55,981 --> 00:21:57,351
SO YOU'LL DO SOMETHING--
426
00:21:57,349 --> 00:22:00,649
I MEAN, ABOUT THE TAX THING?
427
00:22:00,653 --> 00:22:03,593
DON'T WORRY.
I WAS LYING ABOUT THAT.
428
00:22:03,589 --> 00:22:06,729
(door closes)
429
00:22:10,896 --> 00:22:13,526
(clicking)
430
00:22:13,532 --> 00:22:15,542
WHAT'S WRONG WITH IT?
431
00:22:15,535 --> 00:22:17,365
I DON'T KNOW.
MAYBE THE BATTERIES.
432
00:22:17,369 --> 00:22:19,369
DON'T HIT IT.
433
00:22:19,372 --> 00:22:21,342
FINE. YOU FIX IT THEN.
434
00:22:21,339 --> 00:22:23,339
LET'S JUST USE MINE.
435
00:22:23,342 --> 00:22:24,682
(screams)
436
00:22:24,676 --> 00:22:26,506
WHAT? WHAT? WHAT?
437
00:22:26,512 --> 00:22:29,352
OH! OH, I FELT SOMETHING
CRAWLING UP MY LEG.
OH! IS IT STILL THERE?
438
00:22:29,347 --> 00:22:31,717
NO.
IT WAS PROBABLY JUST A GHOST.
439
00:22:31,718 --> 00:22:32,918
(chuckles)
440
00:22:37,155 --> 00:22:38,915
GRACE?
441
00:22:38,924 --> 00:22:40,934
YES?
442
00:22:40,926 --> 00:22:43,956
I...
443
00:22:43,962 --> 00:22:45,772
NEVER MIND.
444
00:22:45,765 --> 00:22:47,195
(mutters) NEVER MIND.
445
00:22:47,199 --> 00:22:49,899
MAYBE WE SHOULD KEEP GOING.
446
00:22:49,902 --> 00:22:51,002
YEAH.
447
00:22:51,002 --> 00:22:52,842
GRACE, I LOVE YOU.
448
00:22:52,838 --> 00:22:56,778
I'VE LOVED YOU FROM
THE FIRST MOMENT I MET YOU.
449
00:22:56,776 --> 00:22:59,876
SCREW THE RULES.
SCREW THE CBI. I NEED YOU.
450
00:22:59,878 --> 00:23:01,248
I, UH...
451
00:23:01,247 --> 00:23:02,707
THAT'S, UM...
452
00:23:02,714 --> 00:23:05,924
UNLESS YOU STOP ME,
I'M GONNA KISS YOU NOW.
453
00:23:05,917 --> 00:23:08,087
(rattling sound)
454
00:23:08,086 --> 00:23:11,016
EUREKA!
455
00:23:11,022 --> 00:23:12,892
FOUND IT!
456
00:23:15,728 --> 00:23:19,098
GOOD WORK. YEAH, WE'LL MEET YOU
BACK AT THE OFFICE
457
00:23:19,097 --> 00:23:23,797
AFTER WE PICK UP LILLIAN FOSTER.
WE'RE OUTSIDE HER HOUSE NOW.
458
00:23:23,803 --> 00:23:28,273
JANE SAYS HE FOUND ANOTHER
ENTRANCE TO THE MANSION.
I KNEW THERE HAD
TO BE ANOTHER WAY IN.
459
00:23:28,273 --> 00:23:30,543
(Lillian) HOW DARE YOU
COME HERE, YOU CRAZY BITCH!
460
00:23:30,542 --> 00:23:33,452
MY HUSBAND JUST DIED!
IS THAT VICTORIA ABNER
AND HER NEPHEW?
461
00:23:33,445 --> 00:23:35,575
(Cho) WHAT ARE THEY DOING HERE?
IT SEEMED LIKE
A GOOD IDEA TO ME.
462
00:23:35,582 --> 00:23:38,592
HAVE YOU NO SHAME?
MRS. FOSTER, IF YOU COULD
JUST PLEASE CALM DOWN.
463
00:23:38,585 --> 00:23:41,045
YOU KNOW WHAT YOU ARE?
YOU'RE A VULTURE.
464
00:23:41,052 --> 00:23:44,522
YOU'RE A CRAZY,
OBSESSED OLD VULTURE!
THAT MANSION IS MINE.
IT BELONGS TO MY FAMILY.
465
00:23:44,523 --> 00:23:47,733
I WILL BURN IT DOWN BEFORE
YOU STEP FOOT IN THAT PLACE!
LADY,
YOU NEED PSYCHIATRIC HELP.
466
00:23:47,727 --> 00:23:50,057
OH, YEAH?
HEY!
467
00:23:50,061 --> 00:23:53,631
(both shouting indistinctly)
HEY! BREAK IT UP!
468
00:23:53,633 --> 00:23:55,433
AAH!
GET HER OFF OF ME NOW!
469
00:23:55,433 --> 00:23:58,443
WHAT THE HELL IS
THE MATTER WITH YOU?!
COME ON. COME ON.
470
00:23:58,436 --> 00:24:00,636
YOU HAVE NO CLASS!
YOU'RE THE ONE
THAT CAME TO MY HOUSE!
471
00:24:00,640 --> 00:24:02,640
(both shouting indistinctly)
472
00:24:02,642 --> 00:24:05,612
YOU COME TO MY HOUSE--
OH, YEAH, I'M THE CRAZY BITCH?
473
00:24:11,550 --> 00:24:14,020
HOW YOU FEELING,
MRS. FOSTER?
474
00:24:14,019 --> 00:24:16,059
EMBARRASSED.
475
00:24:16,055 --> 00:24:20,325
HOW'D YOU GET INTO THE RUCKUS
WITH MS. ABNER?
476
00:24:20,326 --> 00:24:23,996
SHE CAME BY TO ASK IF SHE COULD
RENT THE MANSION BACK FROM ME,
477
00:24:23,996 --> 00:24:26,926
SEEING AS HOW I WON'T
WANT TO BE LIVING THERE.
478
00:24:26,932 --> 00:24:28,772
DID SHE SAY WHY?
479
00:24:28,768 --> 00:24:30,798
I, UH, DIDN'T WAIT
TO HEAR THE DETAILS.
480
00:24:30,803 --> 00:24:33,943
SHE HAD BEEN PLAGUING US
ALL THIS TIME, AND NOW THIS?
481
00:24:33,940 --> 00:24:38,850
(sighs) I'M AFRAID
I JUST... LOST IT.
482
00:24:40,579 --> 00:24:43,919
THERE IS SOMETHING ELSE
WE WANTED TO TALK TO YOU ABOUT.
483
00:24:43,915 --> 00:24:46,615
YOU WEREN'T IN SAN FRANCISCO
484
00:24:46,618 --> 00:24:48,618
THE NIGHT OF
YOUR HUSBAND'S MURDER.
485
00:24:48,621 --> 00:24:51,761
YOU WERE AT THE MANSION.
YOU KNOW ABOUT THAT?
486
00:24:51,758 --> 00:24:55,188
WHY'D YOU LIE TO US?
I WAS ASHAMED.
487
00:24:55,193 --> 00:24:59,333
OF WHAT?
OF WHY I WAS THERE
IN THE FIRST PLACE.
488
00:24:59,330 --> 00:25:02,540
WHY WAS THAT?
SHE WAS SPYING ON HER HUSBAND.
489
00:25:02,535 --> 00:25:05,235
SHE SUSPECTED HIM
OF BEING UNFAITHFUL.
490
00:25:05,237 --> 00:25:08,137
YES. HOW DID YOU KNOW THAT?
491
00:25:08,140 --> 00:25:11,210
BECAUSE HE'S BEEN
UNFAITHFUL BEFORE?
492
00:25:13,244 --> 00:25:15,554
YES.
493
00:25:15,548 --> 00:25:17,818
HE HAD AN AFFAIR
ABOUT A YEAR AGO.
494
00:25:17,817 --> 00:25:21,687
HE WAS OUT OF TOWN.
I WAS CAUGHT UP WITH MY WORK,
495
00:25:21,688 --> 00:25:24,188
AND IT HAPPENED.
496
00:25:24,190 --> 00:25:26,560
THAT'S VERY UNDERSTANDING
OF YOU.
497
00:25:26,558 --> 00:25:28,358
OH, I WAS FURIOUS,
BELIEVE ME.
498
00:25:28,359 --> 00:25:31,729
BUT WE WORKED ON IT--
COUNSELING AND SO FORTH,
499
00:25:31,730 --> 00:25:34,730
AND I THOUGHT
I HAD MOVED ON.
500
00:25:34,733 --> 00:25:37,203
BUT I HADN'T.
501
00:25:37,202 --> 00:25:38,972
I DIDN'T TRUST HIM.
502
00:25:38,971 --> 00:25:41,771
SO WHEN ALAN TOLD ME HE WOULD
BE SPENDING THIS WEEKEND
503
00:25:41,773 --> 00:25:44,213
AT THE MANSION
AND WOULDN'T BE COMING HOME,
504
00:25:44,210 --> 00:25:48,780
I DECIDED I HAD TO GO THERE
TO CATCH HIM IN THE ACT.
505
00:25:48,780 --> 00:25:50,980
BUT NO ONE SHOWED UP.
506
00:25:50,982 --> 00:25:52,222
NO.
507
00:25:52,218 --> 00:25:56,148
I FELT SO AWFUL THAT
I LEFT WITHOUT TALKING TO HIM.
508
00:25:56,154 --> 00:25:59,794
WHAT TIME DID YOU LEAVE?
AROUND 10:00.
509
00:25:59,791 --> 00:26:02,831
IS THERE ANY WAY
TO PROVE THAT?
510
00:26:02,828 --> 00:26:05,558
UM, I BOUGHT GAS
ON THE WAY HOME.
511
00:26:05,564 --> 00:26:09,274
THE CREDIT CARD COMPANY WILL
HAVE A RECORD OF THAT, RIGHT?
512
00:26:09,268 --> 00:26:11,438
YES, WE'LL VERIFY THAT.
513
00:26:11,436 --> 00:26:15,566
I CAN'T HELP THINKING
THAT IF I'D STAYED THERE,
514
00:26:15,574 --> 00:26:17,914
IF I'D JUST GONE
AND TALKED TO ALAN,
515
00:26:17,910 --> 00:26:19,910
HE WOULD STILL BE ALIVE.
516
00:26:19,912 --> 00:26:22,752
MM, MOST LIKELY
YOU'D BOTH BE DEAD.
517
00:26:22,749 --> 00:26:26,849
WITH THE WAY THAT I FEEL,
I MIGHT PREFER THAT.
518
00:26:26,853 --> 00:26:29,493
THAT FEELING WILL PASS.
519
00:26:29,488 --> 00:26:32,188
WHAT DO YOU KNOW ABOUT THAT?
520
00:26:32,191 --> 00:26:33,861
ENOUGH.
521
00:26:38,564 --> 00:26:40,574
HOW YOU DOING, DREW?
522
00:26:40,566 --> 00:26:42,496
FINE. THANK YOU. THANKS.
523
00:26:42,500 --> 00:26:44,500
YOUR AUNT'S GONNA BE IN
WITH US A LITTLE LONGER.
524
00:26:44,502 --> 00:26:46,872
THIS FIGHT'S GONNA TAKE
SOME SORTING OUT, OKAY?
525
00:26:46,873 --> 00:26:48,883
I TRIED TO STOP IT
FROM ESCALATING.
526
00:26:48,875 --> 00:26:50,875
THAT'S WHY I WAS THERE
IN THE FIRST PLACE,
527
00:26:50,876 --> 00:26:53,136
BUT THE HOSTILITY JUST KIND
OF CAUGHT ME OFF GUARD.
528
00:26:53,144 --> 00:26:56,024
IT'LL BE UP TO YOUR AUNT
WHETHER OR NOT TO PRESS CHARGES,
529
00:26:56,015 --> 00:26:59,315
BUT YOU'RE A LAWYER.
YOU KNOW THE DEAL.
I'M NOT EXACTLY A LAWYER.
MY AUNT LIKES TO EXAGGERATE.
530
00:26:59,317 --> 00:27:00,987
I'M A PARALEGAL.
531
00:27:00,987 --> 00:27:03,287
CHO, UH, I'M SORRY.
YOU GOT A SECOND?
532
00:27:03,288 --> 00:27:06,688
SURE. WE'RE STILL GONNA
NEED A STATEMENT FROM YOU.
533
00:27:06,692 --> 00:27:09,262
EXCUSE ME FOR A SECOND.
WHAT'S UP?
534
00:27:09,260 --> 00:27:11,200
I TOLD GRACE I LOVE HER.
535
00:27:11,196 --> 00:27:13,426
WOW. OKAY. WELL DONE.
THEN WHAT HAPPENED?
536
00:27:13,432 --> 00:27:15,402
OH, NOTHING.
537
00:27:15,401 --> 00:27:18,871
JANE INTERRUPTED, AND SHE
HASN'T SAID A WORD SINCE.
SO TELL HER AGAIN.
538
00:27:18,871 --> 00:27:21,911
RIGHT, OKAY. TELL HER AGAIN.
OKAY, RIGHT.
539
00:27:24,743 --> 00:27:29,523
YOUR AURA IS FASCINATING,
MR. JANE--
540
00:27:29,515 --> 00:27:31,245
SO MANY HUES.
541
00:27:31,250 --> 00:27:32,650
THANK YOU.
542
00:27:32,651 --> 00:27:36,891
THE MANSION'S UNINHABITABLE.
WHY WOULD YOU WANT IT BACK?
543
00:27:36,888 --> 00:27:38,918
SENTIMENTAL REASONS.
544
00:27:38,924 --> 00:27:42,494
MM, NO.
NO, THAT'S NOT RIGHT.
545
00:27:42,493 --> 00:27:44,833
YOU'RE CLOSED, FURTIVE.
YOU'RE HIDING SOMETHING.
546
00:27:44,830 --> 00:27:48,200
THERE'S SOMETHING IN THAT HOUSE,
ISN'T THERE?
547
00:27:48,200 --> 00:27:50,670
SOMETHING YOU DON'T WANT
ANYONE ELSE TO FIND...
548
00:27:50,669 --> 00:27:54,269
EVIDENCE OF YOUR GUILT,
PERHAPS.
THAT'S ABSURD.
549
00:27:54,272 --> 00:27:56,642
NO. YOU'RE RIGHT.
THAT IS ABSURD.
550
00:27:56,642 --> 00:27:58,882
IT'S SOMETHING ELSE
ENTIRELY.
551
00:27:58,877 --> 00:28:02,777
AH--THE TREASURE.
552
00:28:02,781 --> 00:28:04,381
WHAT TREASURE?
553
00:28:04,383 --> 00:28:07,693
WALTER BECKWORTH'S TREASURE
HE HID IN THE MANSION.
554
00:28:07,685 --> 00:28:09,585
I WANTED MY HOUSE BACK
555
00:28:09,587 --> 00:28:11,857
BECAUSE I DIDN'T LIKE
WHAT FOSTER PLANNED FOR IT.
556
00:28:11,857 --> 00:28:15,627
HE WAS GOING TO DESTROY IT.
FOSTER HAD ONLY BEEN THERE
A FEW WEEKS.
557
00:28:15,626 --> 00:28:18,626
HOW COULD YOU HAVE KNOWN WHAT
HE WAS GONNA DO BEFORE HE DID?
558
00:28:18,630 --> 00:28:20,730
IN CONVERSATION, HE TOLD ME.
559
00:28:20,732 --> 00:28:25,742
MA'AM, WE FIND OUT YOU'RE LYING,
YOU BECOME SUSPECT NUMBER ONE.
560
00:28:29,107 --> 00:28:31,037
ALL RIGHT.
561
00:28:33,112 --> 00:28:36,212
HOW ARE YOU WITH RIDDLES?
562
00:28:36,214 --> 00:28:38,984
(chuckles)
563
00:28:38,984 --> 00:28:40,894
I FOUND THE CLUE
A FEW WEEKS AGO
564
00:28:40,886 --> 00:28:42,886
WHEN I BOUGHT SOME
OF BECKWORTH'S PAPERS
565
00:28:42,888 --> 00:28:45,258
AT AN ESTATE SALE.
IT WAS IN A LETTER
566
00:28:45,257 --> 00:28:48,427
TO ONE OF HIS COUSINS
JUST BEFORE HIS DEATH.
567
00:28:48,426 --> 00:28:51,856
BECKWORTH BOASTS THAT
HE'S HIDDEN HIS "GREAT TREASURE"
568
00:28:51,864 --> 00:28:54,374
WHERE NO ONE CAN FIND IT,
AND THEN HE OFFERS
569
00:28:54,365 --> 00:28:57,995
THIS CLUE--"IF FORTUNE
IS WHAT YOU SEEK SINCERE,
570
00:28:58,003 --> 00:29:00,873
THE ONLY PLACE
TO LOOK IS HERE."
571
00:29:00,873 --> 00:29:02,783
THAT'S IT?
THAT'S THE RIDDLE?
572
00:29:02,775 --> 00:29:05,235
YES.
INTERESTING.
573
00:29:05,243 --> 00:29:07,683
OF COURSE, I TOLD
MRS. ABNER RIGHT AWAY,
574
00:29:07,679 --> 00:29:10,279
BUT THE HOUSE HAD ALREADY
BEEN SOLD TO FOSTER.
WHY DIDN'T YOU
MENTION THIS BEFORE?
575
00:29:10,281 --> 00:29:13,351
WELL, IT...
IT DIDN'T SEEM RELEVANT.
576
00:29:13,352 --> 00:29:15,652
IT'S MOTIVE.
IT'S VERY RELEVANT.
577
00:29:15,653 --> 00:29:18,693
MR. RAIMEY AND MS. ABNER HAD
AGREED TO KEEP QUIET TO AVOID
578
00:29:18,690 --> 00:29:21,630
HAVING TO SHARE THE LOOT
WITH ANYONE ELSE, CORRECT?
579
00:29:21,626 --> 00:29:24,826
YES, BUT THAT DOESN'T MEAN
EITHER OF US KILLED FOSTER.
580
00:29:24,830 --> 00:29:27,170
OH, ABSOLUTELY RIGHT.
WHOEVER KILLED FOSTER
581
00:29:27,165 --> 00:29:30,235
WAS SIMPLY TRYING TO SCARE HIM
FROM THE MANSION.
582
00:29:30,236 --> 00:29:32,636
IT COULD HAVE BEEN ANYONE
THAT WANTED THE TREASURE,
583
00:29:32,637 --> 00:29:35,767
EVEN YOU, DEPUTY FISHER.
THAT'S RIGHT. I KILLED HIM.
584
00:29:35,773 --> 00:29:39,143
DID YOU?
YOU DENIED IT EARLIER.
STOP DOING THAT.
585
00:29:39,144 --> 00:29:41,814
I NEED TO SEE THIS CLUE.
WHERE'S THE LETTER?
586
00:29:48,753 --> 00:29:50,563
THANK YOU.
587
00:29:50,556 --> 00:29:53,386
(sniffs)
588
00:29:53,392 --> 00:29:55,092
WHAT?
589
00:29:55,094 --> 00:29:59,334
SMELLS GOOD. "IF FORTUNE
IS WHAT YOU SEEK SINCERE,
590
00:29:59,330 --> 00:30:04,440
THE ONLY PLACE TO LOOK
IS... HEAR."
591
00:30:04,435 --> 00:30:06,805
"HEAR"--
592
00:30:06,805 --> 00:30:09,235
IT'S SPELLED H-E-A-R.
593
00:30:09,240 --> 00:30:12,180
WELL, I ASSUMED
IT WAS A MISTAKE.
594
00:30:12,178 --> 00:30:14,908
HMM. THERE ARE NO MISTAKES.
595
00:30:14,913 --> 00:30:17,923
LET'S GO.
596
00:30:33,865 --> 00:30:35,395
(clears throat)
597
00:30:35,401 --> 00:30:38,771
AS YOU KNOW, WALTER BECKWORTH
LEFT A CODED MESSAGE
598
00:30:38,769 --> 00:30:41,409
DESCRIBING THE LOCATION
OF HIS TREASURE.
599
00:30:41,406 --> 00:30:44,176
I BROUGHT YOU ALL HERE
TO HELP ME FIND IT.
600
00:30:44,175 --> 00:30:48,775
THE WORD "HERE" IS MISSPELLED
IN THE RIDDLE.
601
00:30:48,779 --> 00:30:51,049
I DON'T BELIEVE
THAT'S A MISTAKE.
602
00:30:51,049 --> 00:30:54,049
I THINK THAT THE CLUE ITSELF
603
00:30:54,052 --> 00:30:56,062
LIES IN THAT WORD--
604
00:30:56,055 --> 00:31:01,225
"HEAR"--H-E-A-R.
605
00:31:01,227 --> 00:31:05,757
WHAT COMES TO MIND WHEN
I SAY THE WORD "HEAR"?
606
00:31:05,763 --> 00:31:08,833
NOISE.
607
00:31:08,834 --> 00:31:10,774
SOUNDS.
608
00:31:10,769 --> 00:31:14,339
EARS.
VERY GOOD. WHAT ELSE?
609
00:31:14,339 --> 00:31:16,839
MUSIC.
MUSICAL INSTRUMENTS.
610
00:31:16,842 --> 00:31:20,582
DEFINITE POSSIBILITY.
611
00:31:23,348 --> 00:31:25,378
CHO?
612
00:31:30,556 --> 00:31:32,486
UNVEIL IT.
613
00:31:50,977 --> 00:31:53,007
(exhales deeply)
614
00:31:56,382 --> 00:31:58,252
(hollow tapping)
615
00:32:01,619 --> 00:32:03,689
(solid tapping)
HMM.
616
00:32:03,689 --> 00:32:05,959
(knocks)
AHA.
617
00:32:05,958 --> 00:32:06,988
WHAT IS IT?
618
00:32:06,992 --> 00:32:09,102
YEAH, WHAT IS IT?
619
00:32:23,209 --> 00:32:25,339
BECKWORTH'S FORTUNE.
620
00:32:33,719 --> 00:32:35,289
(exhales deeply)
621
00:32:35,287 --> 00:32:37,687
(man) THERE'S NOTHING IN IT.
(man) IT'S EMPTY?
622
00:32:37,689 --> 00:32:39,489
(Patrick) WAIT.
623
00:32:47,032 --> 00:32:49,042
(Victoria) WHAT IS THAT?
624
00:32:49,035 --> 00:32:50,735
IT'S ANOTHER RIDDLE.
625
00:32:50,736 --> 00:32:52,496
WHAT DOES IT SAY?
626
00:32:52,503 --> 00:32:55,443
"TO FIND FORTUNE AND RICHES,
ONE DOESN'T NEED HELP.
627
00:32:55,441 --> 00:32:59,081
ALL ONE MUST DO
IS LOOK TO ONESELF."
628
00:33:02,847 --> 00:33:05,477
WHAT DOES IT MEAN?
629
00:33:05,483 --> 00:33:07,993
I DON'T KNOW,
BUT IT'S SPELLED CORRECTLY.
630
00:33:07,986 --> 00:33:09,916
IT MEANS
WE'RE WASTING OUR TIME.
631
00:33:09,921 --> 00:33:13,421
IT DOESN'T EVEN
MAKE ANY SENSE.
LET'S NOT RUSH TO JUDGMENT.
632
00:33:13,424 --> 00:33:15,764
BECKWORTH PROBABLY PUT IT THERE
AS A PRACTICAL JOKE.
633
00:33:15,760 --> 00:33:18,900
PRETTY LAME JOKE.
BUT THE FORTUNE
COULD STILL BE HERE.
634
00:33:18,896 --> 00:33:22,196
I JUST NEED TIME TO FIND IT.
WE'RE NOT GONNA WASTE
ANY MORE TIME.
635
00:33:22,201 --> 00:33:23,771
I'M SHUTTING THIS DOWN.
EVERYBODY OUT.
636
00:33:23,769 --> 00:33:26,669
CHO, SECURE THE PLACE
AND SET THE ALARM.
637
00:33:26,672 --> 00:33:29,342
HAVE RIGSBY AND VAN PELT
SET UP ON THE MANSION TONIGHT.
638
00:33:29,340 --> 00:33:31,280
WE'LL TAKE THE SHIFT
AFTER THEM.
639
00:33:31,277 --> 00:33:35,807
NOBODY GETS IN THIS PLACE,
ESPECIALLY JANE. UNDERSTOOD?
GOT IT. EVERYBODY OUT.
640
00:33:35,814 --> 00:33:39,684
LISBON. LISBON.
I--YOU--LISBON, THIS--
BITE ME.
WE'RE DONE FOR THE NIGHT.
641
00:33:47,425 --> 00:33:49,055
"BITE ME"?
642
00:33:49,060 --> 00:33:52,400
IT'S TOO MUCH?
UH, A SMIDGE.
643
00:33:54,665 --> 00:33:56,295
WORKED.
644
00:33:56,301 --> 00:34:00,011
IT'S FINE,
JUST A LITTLE OVER-THE-TOP.
645
00:34:00,005 --> 00:34:03,135
(crickets chirping)
646
00:34:09,081 --> 00:34:12,221
(clicking teeth)
647
00:34:20,726 --> 00:34:22,486
SO, UH, GRACE...
YES?
648
00:34:22,494 --> 00:34:25,934
I WAS WONDERING
IF WE COULD DO...
HOW DO YOU WANT
TO HANDLE THIS?
649
00:34:25,931 --> 00:34:27,101
HANDLE WHAT?
650
00:34:27,099 --> 00:34:29,599
THE STAKEOUT.
651
00:34:29,601 --> 00:34:32,171
OH. UM, RIGHT.
652
00:34:32,170 --> 00:34:35,640
LISTEN,
ABOUT THE OTHER THING,
653
00:34:35,641 --> 00:34:38,911
IT'S... I, UH...
654
00:34:38,909 --> 00:34:41,709
MAYBE IT'S NOT
THE RIGHT TIME.
655
00:34:41,713 --> 00:34:43,853
YEAH. YEAH.
656
00:34:43,849 --> 00:34:47,719
UM, WE COULD, UH, WALK...
657
00:34:47,719 --> 00:34:49,449
PATROL THE GROUNDS.
658
00:34:49,454 --> 00:34:53,264
OR MAYBE ONE OF US
COULD STAY HERE
659
00:34:53,259 --> 00:34:55,659
WHILE THE OTHER ONE PATROLS--
ALTERNATE?
660
00:34:55,661 --> 00:34:58,461
YEP, THAT'S BETTER.
I'LL, UH, I'LL GO FIRST.
661
00:34:58,463 --> 00:35:01,003
OH, THAT'S OKAY.
I CAN DO IT.
662
00:35:00,998 --> 00:35:02,928
I'M EASY.
663
00:35:02,934 --> 00:35:06,144
WELL, IF YOU WANT TO GO FIRST,
THAT'S FINE ALSO.
664
00:35:06,137 --> 00:35:07,867
NO, NO, NO.
665
00:35:38,804 --> 00:35:42,444
"LOOK TO ONESELF."
666
00:35:55,253 --> 00:35:57,523
(grunts)
667
00:35:57,523 --> 00:36:02,393
NO!
668
00:36:02,393 --> 00:36:05,163
NOTHING THERE, DREW.
NEVER WAS.
669
00:36:05,163 --> 00:36:08,533
YOU PLANTED
THE SECOND CLUE?
670
00:36:08,534 --> 00:36:10,544
AHA. YES.
671
00:36:10,536 --> 00:36:13,666
I DIDN'T KILL FOSTER.
672
00:36:13,672 --> 00:36:15,672
DON'T BE RIDICULOUS.
OF COURSE YOU DID.
673
00:36:15,673 --> 00:36:17,813
ONLY THE KILLER
KNEW HOW TO GET IN HERE
674
00:36:17,809 --> 00:36:21,209
VIA THE SECRET PASSAGEWAY.
YOU PROVED YOUR GUILT
JUST BY WALKING IN THE ROOM.
675
00:36:21,213 --> 00:36:24,923
WAS IT ALL JUST
FOR THE MONEY?
676
00:36:28,219 --> 00:36:31,559
JUST FOR THE MONEY?
677
00:36:31,556 --> 00:36:35,986
I SPENT YEARS LISTENING
TO MY FAMILY GO ON
678
00:36:35,994 --> 00:36:40,574
ABOUT THE BECKWORTHS
AND EVERYTHING THAT THEY HAD.
679
00:36:40,565 --> 00:36:42,725
I DIDN'T GET ANY OF IT,
680
00:36:42,733 --> 00:36:44,473
NOT ONE THING.
681
00:36:44,469 --> 00:36:48,339
AND THEN MY AUNT TOLD ME
ABOUT THE CLUE AND THE TREASURE,
682
00:36:48,340 --> 00:36:51,410
AND I THOUGHT I COULD
GET THAT FOR MYSELF.
683
00:36:51,409 --> 00:36:56,079
I COULD HAVE WHAT
I'VE DESERVED ALL MY LIFE.
684
00:36:56,081 --> 00:36:59,851
ALL I HAD TO DO WAS
GET FOSTER OUT OF THE HOUSE.
685
00:36:59,851 --> 00:37:01,591
SO YOU HAUNTED HIM.
686
00:37:01,586 --> 00:37:05,916
MY COUSIN TOLD ME
ABOUT THE, UH, EQUIPMENT
687
00:37:05,923 --> 00:37:07,733
BECKWORTH HAD BUILT IN.
688
00:37:07,726 --> 00:37:10,626
I JUST WANTED TO SCARE HIM.
689
00:37:10,628 --> 00:37:14,998
BUT FOSTER WOULDN'T
TAKE THE HINT.
690
00:37:15,000 --> 00:37:19,670
SO I HAD TO DO SOMETHING.
691
00:37:21,907 --> 00:37:24,837
(groans)
692
00:37:35,085 --> 00:37:37,755
HEY! HEY, HEY, HEY, HEY!
693
00:37:37,755 --> 00:37:40,655
(both grunting)
694
00:37:40,659 --> 00:37:42,189
(whack)
695
00:37:42,193 --> 00:37:44,803
I DIDN'T MEAN TO KILL HIM.
696
00:37:49,635 --> 00:37:52,595
OH,
I DIDN'T KNOW WHAT TO DO.
697
00:37:52,603 --> 00:37:57,243
AND THEN, UH, I REMEMBERED
THE STORIES ABOUT BECKWORTH,
698
00:37:57,242 --> 00:38:01,652
HOW HE WAS KILLED, HOW HIS GHOST
STILL HAUNTS THIS PLACE.
699
00:38:01,646 --> 00:38:03,646
SO I THREW HIM OUT THE WINDOW
700
00:38:03,648 --> 00:38:05,318
THE SAME WAY BECKWORTH
WAS KILLED.
701
00:38:05,317 --> 00:38:10,557
IT WASN'T FOSTER'S HOUSE.
IT BELONGED TO MY FAMILY.
702
00:38:10,556 --> 00:38:13,316
PUT YOUR HANDS BEHIND YOUR BACK.
703
00:38:13,324 --> 00:38:15,464
NOW.
704
00:38:17,027 --> 00:38:20,157
(handcuffs clicking)
705
00:38:20,164 --> 00:38:22,634
WHEN YOU FIRST OPENED
THE BOX UNDER THE PIANO,
706
00:38:22,634 --> 00:38:24,844
WAS THERE ANYTHING IN IT?
707
00:38:24,835 --> 00:38:26,265
MM...
708
00:38:26,271 --> 00:38:28,911
THIS.
709
00:38:28,907 --> 00:38:32,577
YOU KILLED FOSTER
FOR AN OLD KEY.
710
00:38:32,577 --> 00:38:35,577
I WONDER WHAT IT OPENS.
711
00:38:35,581 --> 00:38:38,581
OH, I KNOW WHAT IT OPENS.
WHAT?
712
00:38:41,152 --> 00:38:44,762
HE'S JUST MESSING WITH YOU.
HE'S MEAN LIKE THAT.
713
00:38:44,755 --> 00:38:46,855
COME ON.
714
00:38:53,364 --> 00:38:58,604
MR. JANE. I WAS JUST BEING
BRIEFED BY ONE OF YOUR AGENTS.
715
00:38:58,603 --> 00:39:00,613
WELL, I HOPE
THEY CONDUCTED THEMSELVES
716
00:39:00,606 --> 00:39:03,036
IN A PROFESSIONAL MANNER.
717
00:39:03,041 --> 00:39:05,581
THANK YOU FOR EVERYTHING.
718
00:39:05,577 --> 00:39:09,207
WELL, MY PLEASURE.
719
00:39:09,213 --> 00:39:11,883
DO YOU MIND A QUESTION?
720
00:39:11,882 --> 00:39:14,822
UH, NO.
721
00:39:16,554 --> 00:39:18,564
I ASKED ABOUT YOU.
722
00:39:18,556 --> 00:39:23,056
WHAT HAPPENED TO YOUR FAMILY--
I'M VERY SORRY.
723
00:39:23,061 --> 00:39:26,831
AND I THOUGHT MAYBE
IT MEANS YOU UNDERSTAND
724
00:39:26,831 --> 00:39:29,001
HOW IT FEELS
TO LOSE SOMEBODY.
725
00:39:29,000 --> 00:39:31,370
WAS THAT YOUR QUESTION?
726
00:39:33,103 --> 00:39:36,573
DO YOU THINK
THEY KNOW HOW WE FEEL?
727
00:39:36,574 --> 00:39:39,644
THE DEAD, I MEAN...
728
00:39:39,644 --> 00:39:43,514
(voice breaking)
HOW SORRY WE ARE...
729
00:39:43,514 --> 00:39:46,554
HOW WE WISH THINGS
COULD BE DIFFERENT?
730
00:39:46,552 --> 00:39:49,992
DO YOU THINK
THEY UNDERSTAND?
731
00:39:55,760 --> 00:39:56,990
NO.
732
00:40:00,831 --> 00:40:02,371
SORRY.
733
00:40:02,367 --> 00:40:04,467
(sniffles)
734
00:40:13,244 --> 00:40:15,214
CASE CLOSED PIZZA?
735
00:40:15,213 --> 00:40:18,583
CASE CLOSED PIZZA.
RIGSBY EATS ALL THE SAUSAGE
AGAIN, I'LL BE PISSED.
736
00:40:18,583 --> 00:40:20,923
ARE YOU OKAY?
737
00:40:20,918 --> 00:40:22,718
RIGHT AS RAIN.
738
00:40:22,721 --> 00:40:25,861
OH, I HAVE THE PERFECT THING
TO GO WITH THIS.
739
00:40:34,032 --> 00:40:35,972
WINE?
740
00:40:35,967 --> 00:40:38,867
JUST A LITTLE
SOMETHING SPECIAL.
741
00:40:43,608 --> 00:40:47,108
EXCUSE ME.
I NEED A GLASS. SORRY.
742
00:40:47,112 --> 00:40:49,052
SURE.
743
00:41:23,681 --> 00:41:25,921
I'M GONNA LEAVE
IN A FEW MINUTES.
744
00:41:25,916 --> 00:41:28,116
WAIT FIVE,
THEN MEET ME AT MY CAR.
745
00:41:28,119 --> 00:41:30,019
OKAY.
746
00:41:30,021 --> 00:41:31,961
OKAY.
747
00:41:37,528 --> 00:41:39,528
MMM.
748
00:41:39,530 --> 00:41:41,670
JUST A LITTLE.
749
00:41:43,902 --> 00:41:46,472
OH.
750
00:41:46,471 --> 00:41:48,171
PLEASE.
751
00:41:48,172 --> 00:41:49,642
OH, THANKS.
752
00:41:49,641 --> 00:41:51,311
MR. RIGSBY.
753
00:41:51,309 --> 00:41:54,979
CHEERS.
754
00:41:54,980 --> 00:41:56,550
CASE CLOSED.
755
00:41:56,547 --> 00:41:58,647
(all) CASE CLOSED.
756
00:41:58,650 --> 00:42:01,950
MMM. IT'S NICE.
GLAD YOU LIKE IT.
757
00:42:01,952 --> 00:42:05,392
SO WHAT WAS THE KEY TO, JANE?
THE ONE YOU FOUND IN THE BOX.
758
00:42:05,389 --> 00:42:08,189
THE KEY? BECKWORTH'S FORTUNE.
GIVE IT UP.
759
00:42:08,193 --> 00:42:11,363
WELL, JUST BECAUSE THE FORTUNE
WASN'T GOLD OR CASH
760
00:42:11,362 --> 00:42:13,362
DOESN'T MEAN IT DOESN'T EXIST.
SO WHAT WAS IT?
761
00:42:13,364 --> 00:42:15,534
BECKWORTH WAS A COLLECTOR.
HE COLLECTED HUNDREDS
762
00:42:15,532 --> 00:42:19,342
OF ONE THING--SOME OF
THE FINEST, RAREST EXAMPLES
763
00:42:19,336 --> 00:42:22,736
IN THE WORLD WORTH
TENS OF MILLIONS OF DOLLARS.
SO WHAT WAS IT?
764
00:42:22,740 --> 00:42:24,680
MMM.
WHAT?
765
00:42:24,675 --> 00:42:27,805
SMELLS GOOD.
766
00:42:35,385 --> 00:42:37,315
CHEERS.
53395
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