Original subtitles

(ACI opening theme)

(fast paced electronic music)

(multiple reporters talking over each other)

- [Man] Here's our problem.

- Jack Wilder.

(multiple reporters talking over each other)

This needs to be resolved, now.

The stakes have never been higher.

If a gold deposit this large was ever found,

it will destroy us.

Give it everything we've got.

Grissom must not fail.

(mid tempo guitar music)

- [Woman] We've seen first hand what these guys can do.

- There's a big operation behind this guy

and he said he's working for someone.

- Who?

- Well that's the question of the day.

- So you found the calendar, and what now?

- There's something else that we found.

A clue possibly.

- We saw an image of a condor replacing one

of the symbols on a shoreline.

It looked like the candelabra in Paracas.

- A condor?

- The Quechua prophecies.

- Then we must go to Paracas tonight.

- Well wait, not so fast.

Jack identified a hidden message in he calendar.

- To enter the city of gold, he must have the 200 keys.

It's a riddle, it has to be.

- When I was working at the archive room at the university

I saw this symbol from Pizarro's collection.

We have to get access into that room.

- And what do you expect to find?

- Something overlooked, anything.

- With all due respect, director,

you get us access to the archive room,

and I'll take us the distance.

- Alright.

I will call Professor Tello tonight.

(speaks foreign language)

- Thank you.

- All that aside, tonight you get some rest.

- Of course.

- [Director] And please, be careful.

(upbeat salsa music plays)

(clapping)

- Good job.

- We always come here.

- You don't like this place?

- No, no, I do.

Thank you by the way.

- You're welcome, by the way.

For anything special?

- For Ricardo.

I know how you feel about suits.

But Ricardo's an exception.

- The jury's still out.

- You can trust him.

- There's only one rule in this business

that I actually obey, and that's trust no one.

- This isn't a business.

This is about our roots.

We have this proverb here in Peru.

Without our roots we cannot flourish.

- How'd this get so serious?

(mid tempo salsa music)

- What are you doing?

- What do you mean what am I doing?

Let's dance.

(mid tempo salsa music)

(mid tempo salsa music)

(fast paced salsa music)

(slow suspenseful music)

- Did you find him?

- Not yet.

He's after El Dorado.

It won't be easy.

- It never is.

I am a believer of this theory.

There is a city of gold out there,

hidden by the Inca, waiting to be found.

That is just the kind of fortune I need to get my hands on.

What are you waiting for?

(speaks foreign language)

(speaks foreign language)

- My name is Sam Grissom.

- I know who you are.

- Don't complicate this.

Jack Wilder.

How much?

- My price?

- Well everyone has one, right?

What, you don't like money?

- You have a wrong impression of me and the Peruvian people.

We won't be bought or bullied.

- I don't have a problem with the people of Peru.

I have a problem with you.

Where is he?

- Now, you show me a gun?

(speaks foreign language)

You have nothing to gain by killing me.

- Maybe.

Maybe, but it would send a good message to

anyone thinking of not cooperating with me.

- I have nothing to say to you.

(speaks foreign language)

If you want to kill me, do it now.

(speaks foreign language)

Get out!

- I like that.

(gun shot)

Lose the body.

- Don't worry.

- Hey, Rob, you hungry?

- Yeah, ceviche?

(mid tempo suspenseful music)

- [Man] Jack!

- Hey.

- You miss me?

- [Jack] You're hard to miss.

- [Gordon] I see you couldn't do this without me.

- Hey.

- Wow, kissing buddies now, huh?

What have you two been up to?

- You bring your computer?

- Yes I did.

But I need you to promise me one thing,

no more gun battles.

- Look when we're done here, you're a free agent.

- [Gordon] Promise.

Promise me, Jack.

- Alright, okay stop.

Cut it out.

- [Gordon] I want a promise from you, Jack.

- [Maria] Dr. Tello.

- Maria.

(speaks foreign language)

(speaks foreign language)

It's a pleasure.

- Thank you.

- Gordon Rayes.

- Hola, it's nice to meet you.

Okay, are you ready?

- [Maria] Yeah.

- Come here.

(speaks foreign language)

You can see it hasn't changed too much.

Look behind me.

Your friends miss you.

(speaks foreign language)

You know your way around.

(speaks foreign language)

I don't need to remind you,

but these documents are very very fragile.

- Nothing leaves the room.

- Okay, Maria, okay, okay.

- Please don't turn this into a dig site.

Have some grace.

- As you wish.

- Is there good connection in here?

- I don't know, log on and see.

- Do you know what you're looking for?

- Brazilian fire porn, right?

Chill, it's not the first time I've jacked

on the college computer system.

- Okay, just give me one second.

- Alright.

- Okay, it should be...

Here it is.

This is part of them.

(beeping)

Almost there.

- Come on, Rayes, where are you?

Hello, Gordon Rayes.

- How about you make yourself useful?

(dramatic quick tempo music)

- [Man] We got him.

I'll inform General Mata.

- Let's roll.

(speaking foreign language)

- Okay.

This is it.

- Brains, too.

Aren't I the lucky one?

Here, take a look at this.

These dates, 1537, 1532.

These are degrees of latitude and longitude.

- This symbol's from the ancient city near La Bamba.

It was the largest native city Pizarro encountered.

No signs of life or pottery,

or animal bones or human bones.

- Check this out.

- Quipu necklace.

- The only evidence of the Incan language.

Each one of these strands has data embedded in the knots.

- This one worn by Atahualpa himself.

- Maria, look.

- The only one of its kind to have 200 knots.

200 knots.

- 200 keys.

- [Gordon] Dudes.

- What's wrong?

- I got a system failure here.

- Give me that.

- Jack, what are you doing?

- Jack, no.

We promised we weren't going to take anything.

- [Gordon] That's not good.

- Grab whatever you can and let's get the hell out of here.

- Relax, Gordon, it's probably not

a bunch of hairy dudes with guns, maybe it's something else.

- Let's go, let's go, let's go.

(speaks foreign language)

- [Gordon] Come on, come on guys.

Now what?

- Stand back.

(speaks foreign language)

- [Maria] Jack!

- It's alright.

(speaks foreign language)

- Seriously, dude?

- Seriously.

(quick paced dramatic music)

Perfect, I'll lower you down.

- Wait, you're kidding me, right?

No, no. - Here we go.

Here we go.

- No, Jack, no.

- You'll be fine.

Just get down to the next level.

(speaks foreign language)

- Alright, Gordon, you're next.

- [Maria] Hurry.

- This is crazy.

I hate you so much.

- Just hurry up.

(speaks foreign language)

(gun shots)

Fuck.

- [Maria] You got it, you got it.

(fast dramatic music)

- [Jack] Last one, guys.

(fast dramatic music)

Go, go, go.

(speaks foreign language)

(gun shots)

(speaks foreign language)

(gun shots)

(fast dramatic music)

(yelling)

(grunting)

- Alright, come on, we gotta jump.

Let's go.

(crash)

- You okay?

Come on, let's go.

(shouting)

- Where's the car?

- We had to park it down the street because of the festival.

- What festival?

- That one.

Let's go.

(mid tempo dramatic music)

Excuse me, excuse me.

(speaks foreign language)

(dramatic music)

Excuse me.

(fast paced dramatic music)

(shouting)

- There's the car, there's the car.

- Let's go, let's go, let's go.

Do it.

(shouting)

(car tires screech)

(whistle)

(motorcycles rev)

- Damn it.

(fast paced dramatic music)

What are you doing?

- Calling Ricardo for help.

Hey!

- No phones.

- Watch the road, please.

(screeching)

(fast paced dramatic music)

- I say, clear the decks and see who's left standing.

I followed your plan, I did what you wanted to do,

now please, stick with me on this, okay?

- Yeah, I'll just get out right here.

(screeching)

- I can lose them, I can lose them.

- Oh, I don't want to be here.

(horns honking)

(screeching)

Lose these guys.

- [Maria] Jack, slow.

Slow down.

(screeching)

- Okay.

Oh, God, that hurt.

- Watch out!

- [Gordon] Dude!

That was awesome.

(motorcycle revving)

(screeching)

(yelling)

- That was awesome, did you guys see that?

(screeching)

If I could just get my heart back in my chest,

I'd be golden.

- Gordon, I need a favor.

- Yeah, and I need a new pair of underwear.

- I need you to get us a room where it's friendly,

anonymous, you know the game.

- You mean like code names?

- Yes, Gordon.

I'm gonna ditch the car.

- Well, look at this.

Look at this beautiful history,

and you're keeping it all to yourself, huh?

- Hey, listen, when people like you come to this country,

they tend to remove things that don't belong to them.

- Is that right?

Relax, relax.

Be smart, you tell me why they came here

and what they found.

- I'm going to tell you everything.

Yes.

- Are you still gonna be able to salsa?

Look, I'm trying every possible way

to get us through this alive, okay?

- So we're on our own again?

- If I thought it was safe to leave you and Gordon behind,

I'd go it alone.

I know you didn't ask for any of this.

But,

we can't fool ourselves, okay?

These guys are well equipped, well organized,

and connected, it's not like they're gonna stop.

We're so close, Maria, no one's ever been this close before.

- Don't you think there's a reason for that?

- It's because we're that good.

- Stupid hotel, charging me to make print outs.

You know hotels are the same everywhere you go.

Oh, hey.

Perverts.

I was able to link the coordinates you found

with current GPS mapping.

Now I just need to match it up with the university's data.

- Well the clock's ticking,

the next move is in your hands, Gordo.

- Cool, no pressure.

- You call this a battle plan, Colonel?

This has become quite a mess.

And now you've taken it to the streets?

- Well that was there before I came in, General.

- When the people start demanding justice

and they want a face,

I'm gonna give it to them.

- That's not a good idea.

- Why not?

- Well it's not good for my line of work and you know it.

- [General] Do I look like I care

if it's good for your job or not?

- You should care.

- I want what was promised to me.

- Promised? I promised nothing.

- You promised me a city of gold,

and that we were gonna go 50/50.

- What do you want, a guarantee?

- Yes, I want a guarantee.

I've given you 100%, what have you given me, nothing.

- More money, more men, and more equipment,

what more do you want, General?

- Less blood, less blood on my people.

Everywhere you go you spill my people's blood.

What you don't think I look around

and I know that there's somebody with power behind this

and deep pockets.

- There's always a man with power and deep pockets

or else you and I would be out of a job.

- I entered this relationship to enhance my life,

not to ruin it.

I'm gonna let you continue this operation.

But this is the last time I hear

that we're looking for gold.

The next time I just want to hear it's been found.

- You'll get it.

- He's crazy.

- What, you were listening to him?

- Doesn't he realize how many great minds

have searched for the city of gold?

It can't be found overnight.

- We'll let him think he's in control,

for now.

- It's safe to say that this is

not part of the museum's collection.

- How safe?

- I used to dream of wearing each one from the collection,

this was not part of my fantasy.

- 200 knots, 200 keys, wherever that is, we need to find it.

- We don't even know if this still exists.

- Hey, little miss sunshine, what do you got?

- Raise your hand if you want to see brilliance.

Huh? No?

Okay, fine.

You were right, Maria.

Because of all the earthquake activity in Peru

the university poured tons of dough

into subterranean research.

We now have these detailed maps of

the areas that match our symbols.

But wait, there's more.

The candelabra in Paracas, check it out.

- Nice.

- Yeah, these dark areas, they represent fill zones,

or pockets of what are essentially

underground veins of erosion or--

- Caves.

- Okay.

Looking at these dark zones under the candelabra.

- I can probably get you a closer look.

Hold please.

- What are we missing?

Hey, did you guys see this?

- What?

- Atahualpa gave the necklace to Pizarro,

telling him that it would give him great power.

- According to this he insisted on being buried with it

as protection.

- Whoa, we're not gonna find the body

of Francisco Pizarro, are we?

- No, no, no, no, he's body's on display in Lima,

it's been a tourist attraction for years,

but his head, that is a different story.

- His assassin stabbed him in the throat

and then buried his head next to the tomb of Atahualpa.

So they could settle their score in the afterlife.

- The Necropolis.

- The secret city.

- Where Atahualpa's buried.

Oh my god, okay.

Let's gear up, I'll get us a ride.

- Wait, wait, wait, Jack, Jack.

Jack.

What about Ricardo?

- We've been through this.

- Jack!

You don't understand.

He's never called, after all this chaos, nothing.

I'm just scared something happened to him.

- Look, you might be right, but we don't know for sure,

so let's just get to the Necropolis first

and we'll see what's there, okay?

- No.

Now that we have this information,

let's just do things the right way and go to the ministry.

- Okay, okay.

You make the call.

Just don't tell him where we are.

(gun clicks)

- Hello, Jack.

Down.

- Shit.

(mid tempo suspenseful music)

(car engine revs)

Will this take long?

Because I'm kind of in the middle of something.

What are you guys doing this far south?

Expanding your horizons, your interests?

- Cesar has flown in to see you personally.

He's very interested in your new project.

- Well tell him to join the club,

because I have every uniform in this country on my tail.

- Do you really think men like

Cesar Velazquez are afraid of that?

(speaks foreign language)

You better start practicing some respect, Jack.

(mid tempo suspenseful music)

- Any sign of him?

- No.

What did you say to him in the hallway?

- I was gonna call the ministry.

- You called Ricardo?

- He told me that I could.

- Did you get a hold of him?

- No I just got his voicemail.

Now Ricardo's missing, Jack's gone.

- This is so lame, why would he bail?

- He wouldn't do that.

Jack would not bail.

Gordo.

Gordon, come.

- Wait, wait, wait.

Come on, come on, come on, come on.

(yelling in foreign language)

Just one more floor.

They've got our stuff.

They have guns.

(shouting)

I hate this stupid hotel.

(shouting)

- Help me with this.

- What?

- [Maria] Hurry.

(shouting)

(speaks foreign language)

- Okay.

Genius, ow.

(speaks foreign language)

- Come on.

(smooch)

- We're getting good at this.

We ditched them all all over this town.

Let's find Jack.

(shouting)

I'm gonna leave this part out.

(dramatic suspenseful music)

- Jack.

You owe me an apology.

- [Jack] How do you figure?

- I allowed you and your partner Lupe Guzman

to dig on my property.

- Have you forgotten why we're here?

Who is paying for all of this?

- In exchange we had a deal

to share what I was told would be a great fortune.

Next thing I know, you're off on a new adventure.

Jack, you never said goodbye.

- I didn't think you cared.

First off let's be clear about something.

I was never partners with Lupe.

Second, you blackmailed me into this,

and third, that wasn't your property.

- If it's in Peru, it's my property.

- The project I'm on now is a solo mission.

I'm not looking for partners.

- Look at this.

All the tracks you leave behind are being destroyed.

There is something much bigger at work here.

A powerful operation, pulling the strings.

Jack, please.

Without me, you have no chance.

- Not interested.

- Hi, Jack.

- I think you know each other.

- Where's Jack?

You know the ministry's DOCE on

you is very full, Mr. Grissom.

You're not gonna get away with this.

And Mr. Del La Rosa's gonna see to it personally.

- Really?

Because I don't think Mr. Del La Rosa

is going to be doing much of anything right now.

- You're lying.

- I told him, I said it would be a good warning

to anyone thinking of not cooperating.

He didn't listen.

Greer.

Have a seat.

(lightly suspenseful music)

- You know I was wondering when you'd show up.

- I cannot let you have all the fun now can I?

When I heard what you were up to,

and more importantly, who you were up against,

I just figured you might need my help.

And considering the resources of our friend,

here, Mr. Velazco, I remembered how you

and I made him a promise.

Finding what you're after should more than compensate him

for all the trouble you have created.

- If you want me in on this,

then I have unfinished business back in the city.

- Whoa, whoa.

Why?

- Two friends I can't turn my back on,

I put them in the cross hairs

and now I need to pull them out.

- Let me guess.

One of them is a girl.

- It's nonnegotiable.

- Going back to the city is too great a risk.

- No.

(gun clicks)

- Approach me.

I will kill you right now.

- Okay, okay.

This is getting the point across.

Please?

Give me five minutes with him.

Let's take a walk, Jack.

Have you forgotten everything I told you?

- I am protecting my interests.

- Come on, Jack, who are you fooling?

For as long as I have known you,

the only thing you have lived for

is finding the city of gold, proving it exists.

And now you're willing to throw it all away for a girl?

- I won't,

and I can't...

- [Woman] He will kill you.

- So be it.

- So you want to be stubborn, okay.

What if I tell you she has been captured?

Maria Martinez and Gordon Rayes.

Caught.

At the hotel by the military

while you were on your way here.

- Where is she?

- You won't find her without me, Jack.

There's only one way out of this.

Work with me, Jack, or you and your friends

will die.

- This information you stole from the university,

what did it tell you?

- What did you do with Jack?

- You mean Jack Wilder?

I killed him.

You have nothing left.

You're amateurs, what the hell are you doing in the jungle?

What did you find at the university?

Do you want him to live?

Do you?

- Put the gun away, just put the gun away and I'll tell you.

Keys.

The keys to El Dorado's what I found.

- Okay.

- Please.

It's a Quipu necklace, that's the key.

It's buried in the Necropolis.

Just please put the gun away.

- Hey, hey, hey, Quintero?

She make any sense to you?

- Yes, I know the history of the Quipu necklace.

But we're missing the biggest clue.

Where is the location of El Dorado?

- That's as far as we got.

You're gonna have to find that on your own.

- Is she telling the truth?

Is she telling the truth?

Is she telling the truth?

- We don't know.

- You're a brave one, huh?

- Do you really think that after all this I'm bluffing?

- No.

No, I don't think you are.

See that was easy, huh?

Take him.

Lead the way.

- [Jack] Okay, where are they?

- Always right to the point.

- [Lupe] They're here.

We should be able to get there in a few hours.

- Where are you getting your intel?

- The secret of my success is having people everywhere.

I found you, didn't I?

- You know you're dealing with a maniac here.

We'll need your best.

- I deal with maniacs all the time.

- The sooner we leave the sooner you will get what you want.

- This time, Jack, don't even think about trying to run.

- Let's go.

(dramatic music)

(car starts)

(dramatic music)

- General, what are you doing here?

- Do you think that you can march all over my country

without me knowing about it?

- No.

- An army without spies is like a man

that has no eyes and no ears.

- Yeah, I know what you think General,

you think there's gold here.

I'm sure there's another paper chase, just another clue.

I am sure there's something probably buried in there

and I'm sure it's government property but I need in, now.

- You tell me do this, do that,

and then at the end I get nothing?

- Not yet.

- Not yet?

I like you, Colonel.

That's why I'm telling you I think it's time

for you to leave my country before you get hurt.

(speaks foreign language)

- This is our final stop, I am sure of it.

In there is the key that opens the gate to the city of gold.

You don't want to quit now, believe me.

- Believe me, believe me.

- General.

I need in there.

Okay, we're in, let's go.

Quintero, this way.

(upbeat dramatic music)

- These are the names of all the Inca emperors.

They are all written in Quechua.

- I didn't ask you what they said, I said which one?

(speaks foreign language)

- Follow me.

- [Grissom] Is that it?

- Here it is.

- [Grissom] How do we access it?

- Open it.

Ready?

Get us in there.

I need some light, flashlight.

(speaks foreign language)

(chain clattering)

Anything?

- Nothing.

Just bones.

- She lied.

Are you really that stupid?

You set me up and you knew there was nothing.

- I didn't lie.

- Stop lying to me.

- I didn't lie to you, I told you everything we knew.

(speaks foreign language)

(speaks foreign language)

- You're thinking too much.

You need to concentrate on the reward that comes

after finding an ancient treasure.

Nothing else gives you that feeling.

Not even your precious Maria.

- Your mind games don't work on me anymore.

- Oh yes?

You have changed?

Don't kid yourself.

You and I are the same, Jack.

For some people, life is about love.

For others it's about legacy.

But for us, it's about reward.

Nothing else matters.

You know where it's hidden.

You may be bluffing the most powerful drug lord

in South America, but you are not fooling me.

Where is the location, Jack?

- Patience was never one of your virtues.

You'll know soon enough.

- You want to die. - Yes, no, no.

- Tell me something I want. - Please.

(screaming)

- I didn't lie to you.

- You don't get it do you?

You're gonna die out here.

Get them on their knees.

- I told you the truth.

- Close your eyes.

Close your eyes, close your eyes!

- General!

- Drop the gun, Colonel.

- And why would I do that General?

- Because from this distance I never miss, my friend.

- We had a deal, General.

- A deal?

Our deal was to find a city of gold

and to share the fortune, and now I find out

that your plan was the total opposite.

That's one lie too many, my friend.

You betrayed me.

- You betray yourself if you don't wise up, General.

We find that gold, the gold index will be worthless.

Think about it.

Your treasure, your gold will have nothing.

- So be it.

Drop the gun.

- Damn.

(grunts loudly)

- Getting a little impatient.

(gun clicks)

(speaks foreign language)

(shouting in foreign language)

(speaks foreign language)

(speaks foreign language)

- I know what these are.

We don't have much time.

If you want to live tell me where we need to go.

- Paracas, we need to go to Paracas.

(cars zoom past)

(speaks foreign language)

(speaks foreign language)

- Your two friends are in Lastrac.

- We're in good shape.

There are no more other roads west.

We will cut them off.

- They have something with them.

Something they dug up.

- What is it?

What did they find?

You don't appreciate what I did for you?

- Yeah, that's the downside to blackmail.

- Blackmail?

If it wasn't for me you would be at Cesar's feet right now

with a gun to your head.

- If it wasn't for you I wouldn't

be here in the first place.

- Oh save it.

You're getting everything you want.

And by the way, I can't keep saving you from Cesar, alright?

So you better get this into your head.

Whether you like it or not, we're in this together.

- Right.

(fast paced suspenseful music)

(shouting in foreign language)

(shouting)

- Hey hey hey.

(keys clanking)

(dramatic music)

(car engines)

(dramatic music)

(waves crashing)

(speaks foreign language)

(speaks foreign language)

(rocks rattling)

(shouting)

(glass breaks)

(gun fire)

(speaks foreign language)

(gun fire)

(shouting)

(gun fire)

(gun fire)

(loud dramatic music)

(gun shots)

- No, no, no, stop, stop, stop.

No, no, no, no.

(grunting)

Dude!

- Miss me?

- They told me you were dead.

(gun fire)

(gun fire)

(speaking foreign language)

(gun fire)

- This is so romantic.

That's coming with me.

(gun fire)

(machine gun fire)

(machine gun fire)

(grunting)

(gun fire)

- You will get your gold.

(gun fire)

(mid tempo dramatic music)

- Maria.

Let's get out of here.

(speaks foreign language)

(speaks foreign language)

Give me that bag.

There's a car, go, go.

(speaks foreign language)

(speaks foreign language)

(speaks foreign language)

(gun fire)

(explosion booms)

Go, go!

(fast paced dramatic music)

(speaking foreign language)

(speaking foreign language)

Let me take a look at that.

You know for all the fireworks

I was expecting something more.

- So listen Jack, I, um,

I sort of gave some info about location.

- No worries, Gordo.

- Ricardo's dead.

- What, how?

- Grissom.

- Where is he?

- Mata had him arrested.

They all turned against each other.

- The suits were pissed, I don't think

we have to worry about them anymore.

- Don't ever count people like Grissom out.

(lightly dramatic music)

(helicopter sputtering)

(gun fire)

(speaks foreign language)

(shouting)

(gun fire)

(gun fire)

(fast paced dramatic music)

(gun fire)

(gun shots)

(gun fire)

(gun fire)

(dramatic music)

(helicopter sputtering)

(lightly suspenseful music)

Alright, here we go.

(bright hopeful music)

Well take a look at that.

- It's a condor.

- That's right.

The last of the three creatures the Inca worshiped.

Hey, Gordon, give me a hand with this, alright?

- If this is their idea of worship

I'd hate to be on their sort of admire list.

- Wait a second.

The Quipu.

(mystical music)

(rock rumbles)

Okay.

I think that's our cue.

Let's go inside.

Here.

- Sweet, you guys have fun.

Make it a date, I'm gonna wait in the car.

The cave just sneezed in my face,

in what world is that considered a welcome gesture?

- Look, what's behind us is far worse

than what's in front of us.

It's your call.

- Wait up.

(helicopter sputtering)

- Intel have the convoy about 20 minutes away.

Hey, what about Jack Wilder?

- Forget Wilder.

I want Quintero.

That bastard made a deal with the devil.

(dramatic music)

(speaks foreign language)

(bright upbeat music)

- Got you.

Fresh from the water, vitamins and minerals for the plants,

nice place to get away.

- There's an entire city down there.

- Yeah, used to be.

- [Gordon] Well if nothing else, at least we found

the lost city of plants and animal bones.

That should impress the ladies.

- The Inca always bury their dead with supplies

for their journey for the afterlife.

- So when catastrophe would strike

they were all then prepared.

It's more like a panic room.

(bright dramatic music)

- Whoa.

Look at this.

Shall we?

Wait stop.

- What is it?

- I don't think you want to know.

Just don't step on it, okay.

- Dude, I want to know, seriously.

Just a heads up.

Is it worse than the cave sneezing in my face?

(lightly dramatic music)

- They were mining it.

A fortune of gold right here they wanted to lay down.

- For the Spanish?

- For the Gods.

- This is it, huh?

El Dorado.

Biggest piggy bank in the world.

- It's not a bank.

It's an insurance policy.

(loud whooshing)

(grunting)

- So, now what?

How do you suppose we protect all this?

- There's nothing to protect.

This is as far as it goes.

- What?

- Hello, Mr. Wilder.

You can put everything down now.

It's over.

- Well you finally speak the truth.

It is over.

This gold's not going anywhere.

(laughs)

- You want to make a bet with me?

The gold of course.

- Suit yourself.

The writing's right there at your feet.

- Over there.

(helicopter sputtering)

- Maybe the Gods will cut you some slack, General.

- What does it say?

(dramatic music)

- Move.

Hey, Robbie, secure this area.

I don't want anyone getting in.

I mean anyone.

- [General Mata] Come on, what does it say?

- For those who dare steal from our emperor

who lives eternal will suffer by your greed, and burn.

- And burn?

(laughs)

That is the most ridiculous superstition.

(gun shots)

(speaks foreign language)

- General, I think we should listen to this warning.

This gold is cursed.

- I have fought too hard and too

long to go home empty handed.

- I'm telling you, General, I'm demanding.

It's better if you reconsider your decision.

- You're demanding?

You dare demand what?

- Get ready to run.

- You want me to reconsider?

I'm going to take what I came here for.

I may be cursed but I'm going to be rich.

(gun shots)

(gun fire)

(gun fire)

(dramatic music)

- Hey, Quintero.

Hey, hey, before,

before you con a man like me,

(grunting)

kill me first, huh?

(thud)

- I'll keep them distracted.

Go, go, go.

(gun fire)

(lightly dramatic music)

- Are you done with that, Jack?

- I guess so.

- You're relaxed, Jack.

- When are you gonna get this through your head?

You're the bad guy in this.

You're gonna die in here, you know?

- Really?

You see the way I look at it,

the only bad guy in all of this is the gold, Jack.

But no one seems to get that.

- Maybe they're not as smart as you.

- Is this a game to you?

- Sometimes.

- Let him go.

Let him go.

We are just here for the gold, not a war.

Let us take what we want and no one else has to die.

(thud)

(gun fire)

(gun fire)

(speaks foreign language)

- It's good.

(clanking)

(gun fire)

(gagging)

(thud)

(gun fire)

(grunting)

(mid tempo dramatic music)

(clanking)

(screaming)

Hey, let's keep it fair, Jack.

(grunting)

(gun fire)

(dramatic music)

(gun fire)

- What?

- Go, sir.

- This is the power of angry Gods.

We must leave while we still can.

(speaks foreign language)

Go, go.

(speaks foreign language)

(grunting)

(speaks foreign language)

Hey, Jack.

(thud)

(gun fire)

Meanie minie.

Universe.

Should have made a deal, Jack.

(gun clicks)

Should have made a deal.

- Maybe.

(glass breaks)

(loud dramatic music)

(screaming)

(gun fire)

(screaming)

(dramatic music)

- [Maria] Jack?

(gun fire)

(gun fire)

- [Jack] Go.

(dramatic suspenseful music)

(thud)

(rocks crumbling)

(rocks crashing)

(epic bright dramatic music)

(boom)

(panting)

- What exactly did you think was behind us

that could have been any worse than that?

- I was using fear as a motivational tool.

- Yeah.

I keep falling for that.

(bright epic music)

(bright electronic music)

(salsa band singing)

- Real food.

Actually cooked, with spices and love.

(salsa band sings)

So what, they're gonna be wanted posters

all over the place with our ugly mugs on it?

- No, Cesar got captured on the way out of Paracas.

Traded all the evidence for a lighter sentence.

- Only one life in prison instead of three.

- Free agents now.

- That's a promise, by the way.

(mid tempo salsa song)

- You guys gonna finish this?

Don't worry, fat boy will eat it.

(mid tempo salsa song)

(mid tempo salsa song)

- Jack Wilder, you're an extraordinary man.

- And you are an extraordinary woman.

- Could you put treasure hunting on

the back burner for a little bit?

- I won't be done with treasure hunting

until it's done with me.

But we'll always have this.

Always.

(mid tempo salsa song)

(bright epic music)

(mid tempo epic music)

(slow tempo epic music)