All language subtitles for Interview.with.the.Vampire.S02E06.Like.the.light.by.which.God.made.the.world.before.he.made.light.1080p.AMZN.WEB-DL.DDP5.1.H.264-FLUX
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How did I get the tape?
2
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There was no postage on the package with
the tapes.
3
00:00:46,170 --> 00:00:47,170
Rashid.
4
00:00:48,430 --> 00:00:53,250
The bylaws of my co-op say only the
mailman can have the key that opens up
5
00:00:53,250 --> 00:00:55,930
all the mailboxes. So did you guys get
to my mailman?
6
00:00:57,230 --> 00:01:01,390
Huh? I usually give him a little
something for Christmas, but I mean...
7
00:01:01,390 --> 00:01:05,250
You know, I mean, if he's in on it,
then...
8
00:01:06,280 --> 00:01:08,220
I'm thinking, do I still have that
obligation?
9
00:01:10,460 --> 00:01:11,460
Rashid?
10
00:01:21,580 --> 00:01:22,700
I'm going to the bathroom.
11
00:01:25,440 --> 00:01:26,860
I'm going to make a run for it.
12
00:01:29,000 --> 00:01:32,860
Rashid, they're going to turn you into
broth bags because you couldn't hold it.
13
00:01:36,360 --> 00:01:37,360
Hello.
14
00:01:39,060 --> 00:01:42,080
They sent a chaperone. I'm sorry. Go
away.
15
00:01:43,080 --> 00:01:46,840
Rashid? He loves the handsome thing you
say. I wouldn't worry too much about
16
00:01:46,840 --> 00:01:50,580
Rashid. Oh, I've been dreaming about the
macro here.
17
00:01:53,400 --> 00:01:55,000
The two Barcelos would fit.
18
00:01:55,380 --> 00:01:56,940
If we replaced the couch.
19
00:01:57,260 --> 00:02:02,500
I assumed we would. The couch and the
table and the Antio Javelina.
20
00:02:02,820 --> 00:02:04,360
Then, then, then.
21
00:02:05,339 --> 00:02:08,560
How about DIY wallpaper with the Hockney
lemons?
22
00:02:09,199 --> 00:02:11,360
Like we're a Ferndale hotel lobby?
23
00:02:13,960 --> 00:02:17,100
Okay. What do you think we should do
with the wall?
24
00:02:17,420 --> 00:02:19,000
How big is the Talamasca?
25
00:02:19,940 --> 00:02:21,320
Who funds you guys?
26
00:02:21,620 --> 00:02:23,120
Do you work with nation states?
27
00:02:23,920 --> 00:02:25,120
That's why you called me here?
28
00:02:26,440 --> 00:02:28,640
You had pictures of me in 1973.
29
00:02:29,220 --> 00:02:30,220
Pictures of them?
30
00:02:30,480 --> 00:02:32,080
You were a fly on the windshield.
31
00:02:32,440 --> 00:02:33,500
Can you protect me?
32
00:02:34,810 --> 00:02:36,350
Trump being killed? No.
33
00:02:36,670 --> 00:02:39,690
We're particularly poor at keeping our
assets alive.
34
00:02:39,990 --> 00:02:40,929
I'm not an asset.
35
00:02:40,930 --> 00:02:45,450
You messaged me, I showed up. The
mackerel was better last time.
36
00:02:45,670 --> 00:02:46,710
I want to get out alive.
37
00:02:47,490 --> 00:02:49,050
You want a book.
38
00:02:50,190 --> 00:02:54,450
I want both. You fear Armand.
39
00:02:55,270 --> 00:02:56,830
You should fear the other one.
40
00:02:57,490 --> 00:03:00,130
What about a selection of Fred Steins?
41
00:03:00,810 --> 00:03:01,810
Tastefully framed.
42
00:03:02,380 --> 00:03:05,160
They've been sitting in my albums all
this time. Seems a waste.
43
00:03:06,620 --> 00:03:11,560
Or better not to have so tangible a
reminder of Paris up on our walls.
44
00:03:11,960 --> 00:03:16,560
An interview about Paris is a more
tangible reminder of Paris than a few
45
00:03:16,560 --> 00:03:17,560
photographs.
46
00:03:19,440 --> 00:03:21,020
Leave it there, then.
47
00:03:22,140 --> 00:03:24,160
Wait for Revelation to enter the room.
48
00:03:26,440 --> 00:03:27,980
We can help you find a publisher.
49
00:03:28,180 --> 00:03:32,680
I have a publisher. Your publisher will
get a phone call before you turn it in.
50
00:03:32,880 --> 00:03:37,160
They will pay you handsomely for your
manuscript and bury it. You won't even
51
00:03:37,160 --> 00:03:38,160
see a galley proof.
52
00:03:38,940 --> 00:03:42,420
It's all going to come out soon enough,
and there's a number of us in the order
53
00:03:42,420 --> 00:03:47,760
who think better it happens with Daniel
Malloy in paperback than the bumbling
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00:03:47,760 --> 00:03:49,100
governments of the world.
55
00:03:50,930 --> 00:03:54,950
What's the ask? My superiors have a
list, a few hundred questions they'd
56
00:03:54,950 --> 00:04:00,730
like you to weave into your interview,
and I'm professionally charged to press
57
00:04:00,730 --> 00:04:03,030
you to include them. And apart from your
charge?
58
00:04:03,310 --> 00:04:04,770
I think it would be disastrous.
59
00:04:05,210 --> 00:04:10,570
I think you've been masterful. I think
if I could swap bodies with you, I'd be
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00:04:10,570 --> 00:04:11,690
running the order by now.
61
00:04:15,890 --> 00:04:17,529
How's the soap, Agent Rashid?
62
00:04:18,670 --> 00:04:20,089
We should be returning now.
63
00:04:20,589 --> 00:04:23,310
Mr. Malloy would like to stay alive,
Rashid.
64
00:04:23,890 --> 00:04:27,290
Then perhaps he should have thrown the
tapes away when he found them in his
65
00:04:27,290 --> 00:04:28,290
mailbox.
66
00:04:31,310 --> 00:04:33,910
Oh, that's very kind of you. Thank you.
67
00:04:35,370 --> 00:04:36,370
I'm leaving you.
68
00:04:37,550 --> 00:04:39,130
I wish to tell you that now.
69
00:04:40,530 --> 00:04:41,610
I thought as much.
70
00:04:42,810 --> 00:04:45,810
And I thought as well that you'd make a
flowery announcement.
71
00:04:48,490 --> 00:04:51,550
Tell me what a monster I am, what a
vulgar fiend.
72
00:04:51,770 --> 00:04:56,090
I make no judgment of you. I am not
interested in you. I'm interested in my
73
00:04:56,090 --> 00:04:57,950
own vampire nature now.
74
00:04:58,190 --> 00:04:59,310
What do you think a vampire is?
75
00:04:59,910 --> 00:05:01,650
I don't pretend to know.
76
00:05:03,470 --> 00:05:08,550
What is it? A flaccid, full-length play
based on nothing other than the
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00:05:08,550 --> 00:05:13,190
superficial observations of the vampire
Sam, his meditation on vampiric
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00:05:13,190 --> 00:05:14,530
existence and enduring.
79
00:05:14,810 --> 00:05:19,600
Great. I remember you racing back from
rehearsals to tell me how ambitious the
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00:05:19,600 --> 00:05:20,399
conceit was.
81
00:05:20,400 --> 00:05:23,220
Well, I was following your advice,
wasn't I? I didn't want to bring the
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00:05:23,220 --> 00:05:27,100
work's anxieties into our home. Or
you're recalling the events with bias
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00:05:27,100 --> 00:05:29,560
because of the machinations surrounding
it.
84
00:05:32,320 --> 00:05:36,080
Lead with a velvet glove instead of a
nine gauntlet was the advice.
85
00:05:36,380 --> 00:05:38,700
Indulge the buffoon. Were my words.
86
00:05:39,060 --> 00:05:41,780
Feed Santiago his own ego back to him.
87
00:05:42,760 --> 00:05:44,560
And smother mutiny with praise.
88
00:05:45,710 --> 00:05:52,450
What does it mean to die when you can
live until the end of the world?
89
00:05:54,190 --> 00:05:57,150
What is the end of the world, except a
phrase?
90
00:05:57,710 --> 00:06:02,650
I have lived now in two centuries,
seeing the illusions of one utterly
91
00:06:02,650 --> 00:06:07,970
shattered by the other. Been eternally
young and eternally ancient.
92
00:06:08,430 --> 00:06:14,270
Living moment to moment in a way that
made me picture a silver clock.
93
00:06:22,640 --> 00:06:27,240
It's quite lovely, Sam.
94
00:06:28,120 --> 00:06:30,300
Even more what you're doing with it,
Santiago.
95
00:06:32,360 --> 00:06:33,360
Thank you, Matt.
96
00:06:42,990 --> 00:06:47,370
What does it mean to die when you can
live until the end of the world?
97
00:06:47,630 --> 00:06:50,970
I thought I was being clever, nailing
him to the stage.
98
00:06:51,190 --> 00:06:52,350
And what is the end of the world?
99
00:06:53,970 --> 00:06:55,010
Except a phrase.
100
00:06:55,370 --> 00:06:57,270
My eyes on him till curfew every night.
101
00:06:57,470 --> 00:07:01,950
I have lived now in two centuries. But
the play had no roles for women, and
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00:07:01,950 --> 00:07:04,810
petulant members of the coven were free
to roam the night.
103
00:07:05,030 --> 00:07:06,770
I walked by the theatre a fortnight ago.
104
00:07:07,810 --> 00:07:11,810
I thought that it was dark. Yes, the
theatre is updating its repertoire.
105
00:07:12,750 --> 00:07:13,750
Isn't that exciting?
106
00:07:13,930 --> 00:07:18,930
For those with roles in the updated
repertoire, it's treacherously exciting.
107
00:07:19,270 --> 00:07:22,810
It's why we sit across from you this
evening, Pierre Roger.
108
00:07:23,290 --> 00:07:29,170
Monsieur Leonco, the gentleman whose
wealth has made our sacred arts possible
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00:07:29,170 --> 00:07:31,250
for the last 150 years.
110
00:07:32,010 --> 00:07:34,850
Maître wishes to invite him to attend
the premiere.
111
00:07:35,450 --> 00:07:37,170
Ah, a lovely mission.
112
00:07:37,910 --> 00:07:41,210
Of course, the difficulty is the...
113
00:07:42,280 --> 00:07:46,120
Communications with your esteemed patron
occur only one way.
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00:07:46,340 --> 00:07:48,420
Ask him when was the last time they were
in communication.
115
00:07:48,940 --> 00:07:52,340
Maybe ask when was the last time you
spoke with him.
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00:07:52,740 --> 00:07:53,740
Hard to say.
117
00:07:54,400 --> 00:07:55,920
Communications are irregular.
118
00:07:56,300 --> 00:07:58,740
Has there been a lapse in communication?
119
00:07:59,160 --> 00:08:02,760
There hasn't been a lapse in
communication, has there? On that point,
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00:08:02,920 --> 00:08:05,740
I haven't been authorized to devote. Get
on with it.
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00:08:06,280 --> 00:08:10,500
The day, the hour, the minute you last
spoke with.
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00:08:15,320 --> 00:08:20,080
Telegram. New Orleans, Louisiana, early
February 1940.
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00:08:22,680 --> 00:08:24,740
Illuminated by light.
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00:08:24,980 --> 00:08:28,260
In retrospect, the buffoon was in the
audience.
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00:08:28,540 --> 00:08:35,260
Like the light by which God made the
world before he made light. Scribbling
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00:08:35,260 --> 00:08:39,340
in the margins, oblivious to the
conspiracy uniting around him.
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00:08:42,059 --> 00:08:48,760
The precision of a clock in a room as
vast as the universe.
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00:08:56,840 --> 00:08:58,200
Bravo! Bravo!
129
00:08:58,500 --> 00:09:00,600
Bravo! Bravo! Bravo!
130
00:09:00,920 --> 00:09:02,540
Really? Yes.
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00:09:02,740 --> 00:09:05,500
You were an ancient vampire. You could
read any mind you want.
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00:09:05,820 --> 00:09:06,820
I was enough.
133
00:09:07,920 --> 00:09:11,120
You buy that? I buy that he'd been in
power.
134
00:09:11,580 --> 00:09:12,580
A long time.
135
00:09:13,320 --> 00:09:14,480
You can get lazy.
136
00:09:14,940 --> 00:09:15,940
It was love.
137
00:09:17,300 --> 00:09:18,300
Okay.
138
00:09:19,040 --> 00:09:20,040
And love.
139
00:09:20,280 --> 00:09:22,500
He was loving in those days. Sure.
140
00:09:23,720 --> 00:09:24,720
Love.
141
00:09:25,480 --> 00:09:30,740
Rashid, did you and Mr. Malloy talk to
anyone during dinner? Just the chef when
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00:09:30,740 --> 00:09:31,659
ordering her.
143
00:09:31,660 --> 00:09:34,720
Were you with Mr. Malloy the entire
dinner? He used the restroom for
144
00:09:34,720 --> 00:09:38,100
approximately five minutes. Had a piece
of halibut that still wanted to swim.
145
00:09:38,280 --> 00:09:39,640
You were not to leave Mr. Malloy alone?
146
00:09:39,860 --> 00:09:42,520
He didn't. Stood by the hand dryer like
a creep.
147
00:09:43,100 --> 00:09:46,200
Why do you ask, love?
148
00:09:55,740 --> 00:09:58,540
Diaries are friends of last resort.
149
00:09:59,320 --> 00:10:02,220
I have found one not made of paper and
glue.
150
00:10:02,480 --> 00:10:04,120
Fuck these vampires.
151
00:10:06,880 --> 00:10:10,020
That's her last entry, unless you're
sitting on more of those ripped-out
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00:10:10,020 --> 00:10:11,020
pages.
153
00:10:12,220 --> 00:10:13,720
You have everything we have.
154
00:10:14,800 --> 00:10:18,240
Unless you're sitting on something
behind your encrypted laptop.
155
00:10:19,240 --> 00:10:22,160
Madeline, Claudia's immortal beloved.
156
00:10:23,200 --> 00:10:24,440
Not yet immortal.
157
00:10:25,070 --> 00:10:28,390
Note to self, everything related to
Claudia from this point forward is
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00:10:28,390 --> 00:10:29,850
without written corroboration.
159
00:10:30,650 --> 00:10:32,630
Just our memories of her.
160
00:10:34,770 --> 00:10:36,410
However porous they come.
161
00:10:40,250 --> 00:10:43,430
A little more vermouth next time,
Rashid? I can make another.
162
00:10:43,710 --> 00:10:44,710
No, it's good.
163
00:10:45,150 --> 00:10:46,550
It's just his were better.
164
00:11:34,030 --> 00:11:35,810
Go on, make your way down, very
ingenious!
165
00:11:36,050 --> 00:11:37,270
Stop going backwards!
166
00:11:37,590 --> 00:11:38,870
We're stopping coming back, okay?
167
00:12:11,820 --> 00:12:12,820
Okay, you see?
168
00:12:28,120 --> 00:12:29,360
Write everything you want.
169
00:12:30,700 --> 00:12:31,700
See you, son.
170
00:12:47,820 --> 00:12:49,420
We'll see if this gives an alarm.
171
00:14:30,380 --> 00:14:31,380
You going to run?
172
00:14:34,400 --> 00:14:35,400
Don't.
173
00:14:37,200 --> 00:14:38,139
Don't run.
174
00:14:38,140 --> 00:14:41,500
A lot of noise just happened.
175
00:14:42,420 --> 00:14:43,420
Miller Paris.
176
00:14:43,760 --> 00:14:44,760
I got to clean up.
177
00:14:45,140 --> 00:14:50,820
I can do it fast. I can do it right. But
if I don't clean up,
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00:14:50,900 --> 00:14:54,180
you could be in some trouble.
179
00:15:10,160 --> 00:15:11,160
That's good.
180
00:15:12,900 --> 00:15:13,900
Sit down.
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00:15:16,860 --> 00:15:22,480
I'm going to clean up.
182
00:15:25,340 --> 00:15:26,400
And then we can talk.
183
00:15:30,440 --> 00:15:31,440
Vampire.
184
00:15:45,960 --> 00:15:47,180
Where's the light switch?
185
00:15:56,940 --> 00:16:02,820
Thank you.
186
00:16:17,320 --> 00:16:18,320
Top of the morning.
187
00:16:21,380 --> 00:16:22,460
I got that vault.
188
00:16:23,920 --> 00:16:29,080
Different brushes, hands, things,
rubbing, scratching, gestures of
189
00:16:29,080 --> 00:16:34,900
anxiety, but then the blues, like little
cigar ends, like
190
00:16:34,900 --> 00:16:37,320
portals to the sky beyond.
191
00:16:37,700 --> 00:16:38,780
Like he got sick on the canvas?
192
00:16:39,140 --> 00:16:41,820
Watch. I'll spell it for five times the
price in a year.
193
00:16:42,860 --> 00:16:44,760
30 times if he keeps drinking and dies.
194
00:16:44,980 --> 00:16:45,980
And what then?
195
00:16:46,140 --> 00:16:47,880
Reinvest. More Vols?
196
00:16:48,800 --> 00:16:54,980
More Vols. More Mathieu, Solage, real
estate, dividends, stocks with compound
197
00:16:54,980 --> 00:16:55,980
interest.
198
00:16:56,400 --> 00:16:57,400
Maybe a plane.
199
00:16:58,220 --> 00:17:00,200
And who is going to fly your plane?
200
00:17:00,540 --> 00:17:01,540
I'll fly it.
201
00:17:01,680 --> 00:17:05,560
The first vampire capitalist, the first
vampire pilot.
202
00:17:05,760 --> 00:17:06,760
Why not?
203
00:17:07,040 --> 00:17:08,119
Take off your clothes.
204
00:17:09,819 --> 00:17:13,780
I am going through Sam's new papers.
Clothes off, face down, in the coffin.
205
00:17:13,980 --> 00:17:15,359
You can read them to me while I fuck
you.
206
00:17:45,070 --> 00:17:48,470
Probably really shallow now, but not
insightful.
207
00:17:49,190 --> 00:17:50,650
Human death and all this variety.
208
00:17:53,330 --> 00:17:54,570
What's blood taste like?
209
00:17:54,870 --> 00:17:56,010
You've bit your lip before.
210
00:17:56,350 --> 00:17:57,350
No.
211
00:17:58,770 --> 00:18:00,290
What's it like to drink blood?
212
00:18:01,610 --> 00:18:04,270
Is it like drinking life itself?
213
00:18:05,570 --> 00:18:06,570
Warm?
214
00:18:07,230 --> 00:18:11,570
Thick? It's not the answer to life's
mystery. It's food.
215
00:18:11,850 --> 00:18:12,850
I need it.
216
00:18:22,920 --> 00:18:24,320
I watch it fly along your veins.
217
00:18:33,980 --> 00:18:34,980
Thank you, babe.
218
00:18:37,820 --> 00:18:39,200
No. Why not?
219
00:18:39,440 --> 00:18:42,240
No. Why not? Because once she starts,
you can't stop her.
220
00:18:44,600 --> 00:18:46,720
This a dressmaker? You're supposed to
run out of time?
221
00:18:48,900 --> 00:18:50,780
Um, yes, I'm the forbidden friend.
222
00:18:51,280 --> 00:18:55,300
Madeline, this is Louie. Louie. She's
reading one of your diaries in my
223
00:18:55,300 --> 00:18:59,040
coffin. I won't touch her. She says
another word, I'll break her arms and
224
00:18:59,040 --> 00:19:00,540
throw her out the window. Pull up her
chair.
225
00:19:01,160 --> 00:19:02,740
Let's start again.
226
00:19:03,760 --> 00:19:06,040
I'd like a couple months.
227
00:19:06,280 --> 00:19:09,420
Louie. When you don't tear things down.
This is Madeline. Or fuck things up. I
228
00:19:09,420 --> 00:19:11,400
had you covered. Don't be that laugh at
the dress I wore a while back.
229
00:19:11,680 --> 00:19:15,880
She's funny, she's blunt, and it's a
long story, but I killed in front of
230
00:19:15,880 --> 00:19:16,880
her.
231
00:19:18,410 --> 00:19:20,970
And she sat in the corner and watched
while I bundled up bodies.
232
00:19:21,170 --> 00:19:22,069
Didn't cry.
233
00:19:22,070 --> 00:19:23,070
Didn't get flustered.
234
00:19:23,770 --> 00:19:25,130
Since then, we've been talking.
235
00:19:26,550 --> 00:19:27,550
Is it romantic?
236
00:19:28,170 --> 00:19:29,730
No. No, not yet.
237
00:19:35,810 --> 00:19:39,090
You were the thoughts, now you're
Armand's. Or Armand is mine.
238
00:19:41,830 --> 00:19:43,950
I've been a third all my life.
239
00:19:44,450 --> 00:19:47,390
Not saying that to fight, just saying
that it's true.
240
00:19:48,590 --> 00:19:55,510
I feel like I get to pick one thing for
myself, and it's her,
241
00:19:55,630 --> 00:19:59,110
a weird white lady I met by
happenstance.
242
00:20:19,630 --> 00:20:20,630
You want a companion?
243
00:20:25,850 --> 00:20:26,850
She does.
244
00:20:28,750 --> 00:20:29,750
Yes.
245
00:20:36,970 --> 00:20:39,050
Last time I tried those young boys.
246
00:20:39,570 --> 00:20:42,690
Back in... They all died, Louie.
247
00:20:43,230 --> 00:20:44,230
I'm too small.
248
00:20:45,630 --> 00:20:47,010
I never made one before.
249
00:20:47,270 --> 00:20:48,630
I'm not sure if I can... No.
250
00:20:49,020 --> 00:20:50,020
Not you.
251
00:20:50,080 --> 00:20:53,660
Not... Not Lestat's blood. I wouldn't
want that for anyone. Not good enough
252
00:20:53,660 --> 00:20:54,439
for us.
253
00:20:54,440 --> 00:20:55,620
Not good enough for her.
254
00:20:57,060 --> 00:21:01,120
She swore an oath, trampled on the laws,
and I am to reward her for it?
255
00:21:01,660 --> 00:21:03,660
To every vampire a dressmaker?
256
00:21:04,040 --> 00:21:07,180
They'll bitch at the moon, mock you in
their coffins, but you never fit in.
257
00:21:07,680 --> 00:21:08,680
They won't miss her.
258
00:21:09,080 --> 00:21:10,680
You think you're happy with me now?
259
00:21:11,160 --> 00:21:14,840
Can you imagine me without the burden of
her?
260
00:21:17,680 --> 00:21:19,000
Paris is yours, Major.
261
00:21:19,200 --> 00:21:20,640
I ask for this.
262
00:21:21,760 --> 00:21:22,760
Respectfully.
263
00:21:25,360 --> 00:21:27,340
Respect comes without a field.
264
00:21:27,760 --> 00:21:30,480
You're a manipulator, Claudia de
Leoncourt.
265
00:21:30,780 --> 00:21:31,780
No.
266
00:21:38,020 --> 00:21:44,320
Close your minds.
267
00:21:45,320 --> 00:21:46,320
Both of you.
268
00:21:46,960 --> 00:21:48,680
I'll know it if you haven't.
269
00:22:02,060 --> 00:22:08,540
They always think they're different.
270
00:22:10,100 --> 00:22:11,100
Stronger.
271
00:22:11,640 --> 00:22:12,640
Superior.
272
00:22:16,090 --> 00:22:17,690
Jusqu'à ce que la solitude arrive.
273
00:22:18,770 --> 00:22:20,470
Monsieur, ça fait longtemps que je suis
toute sale.
274
00:22:21,470 --> 00:22:22,730
Tu feras un monstre.
275
00:22:25,950 --> 00:22:28,490
Si tu fais de moi un monstre, tu feras
comme Transformer en ce que je suis
276
00:22:28,490 --> 00:22:29,490
déjà.
277
00:22:52,639 --> 00:22:54,680
Without the burden of me.
278
00:22:55,220 --> 00:22:56,960
I said it to get him through the door.
279
00:23:02,440 --> 00:23:03,960
Did you mean it?
280
00:23:04,800 --> 00:23:05,800
Does it matter?
281
00:23:06,320 --> 00:23:07,360
I got the result.
282
00:23:09,960 --> 00:23:12,300
Getting results, Louis Delac.
283
00:23:14,440 --> 00:23:16,460
Is that what you found when you went
looking for yourself?
284
00:23:17,100 --> 00:23:18,200
Shortcut to the end of things?
285
00:23:20,320 --> 00:23:21,620
That's your nerves talking now.
286
00:23:30,320 --> 00:23:32,660
Tu vas manger des humains comme tu
manges ta pomme.
287
00:23:33,420 --> 00:23:34,420
Une part nuit.
288
00:23:34,680 --> 00:23:38,640
Aucune pitié pour l'enfant, la mère,
l'invalide.
289
00:23:38,940 --> 00:23:40,680
Je suis un humain et j'aime ma
nourriture.
290
00:23:42,000 --> 00:23:45,040
Quand je serai un vampire, est-ce que
j'aimerai ma nourriture?
291
00:23:45,800 --> 00:23:47,320
Comment choisiras-tu qui tu es?
292
00:23:47,680 --> 00:23:49,840
Je tuerai sur les bords. Les faibles
d'abord.
293
00:23:51,680 --> 00:23:54,100
Et occasionnellement, je me livrerai à
mes appétits.
294
00:23:54,880 --> 00:23:57,800
Et quand on est dernier vesti, toute une
époque auront disparu.
295
00:24:05,260 --> 00:24:06,740
There's been a war.
296
00:24:09,260 --> 00:24:13,180
He thinks there's something left of my
era.
297
00:24:15,540 --> 00:24:16,700
He's going to say yes.
298
00:24:19,460 --> 00:24:21,520
You're stronger. I can feel it.
299
00:24:22,220 --> 00:24:23,220
I am.
300
00:24:23,840 --> 00:24:24,900
It's harder too.
301
00:24:26,720 --> 00:24:28,140
But you got to give up something.
302
00:24:28,890 --> 00:24:29,890
To get something?
303
00:24:33,990 --> 00:24:35,050
He's going to say yes.
304
00:24:59,520 --> 00:25:00,760
La Gestapo est venue le chercher.
305
00:25:02,660 --> 00:25:05,300
On a entendu un coup de feu quand la
voiture a tourné au camp de la rue.
306
00:25:06,080 --> 00:25:09,480
Et la femme qui habitait plus bas,
allait mort de faim dans sa chambre,
307
00:25:09,640 --> 00:25:13,240
portait des vêtements très chics,
devenait de plus en plus maigre jusqu'à
308
00:25:13,240 --> 00:25:15,960
ce qu'un jour, je regarde contre sa
porte et elle était là.
309
00:25:19,100 --> 00:25:20,360
Parce qu'elle avait des vêtements chics.
310
00:25:21,620 --> 00:25:24,660
Parfois je le voyais dans leurs yeux,
comme si c'était sur le point d
311
00:25:24,660 --> 00:25:25,660
'abandonner.
312
00:25:25,780 --> 00:25:26,900
Et moi j'ai survécu.
313
00:25:27,280 --> 00:25:28,540
Moi j'ai suivi mes intents.
314
00:25:29,260 --> 00:25:30,380
I found the love I needed.
315
00:25:31,820 --> 00:25:33,340
Even when it was a dangerous love.
316
00:25:36,240 --> 00:25:37,380
An eye with an eye.
317
00:25:54,520 --> 00:25:58,320
And what will you do in a few decades?
318
00:26:24,760 --> 00:26:28,080
He said no. I said I would not do it.
319
00:26:28,430 --> 00:26:32,150
Metzger in the bedroom, Metzger only
when it's hot or convenient.
320
00:26:32,510 --> 00:26:34,070
That's how I took it. I had reasoning.
321
00:26:34,370 --> 00:26:35,370
What was it?
322
00:26:37,950 --> 00:26:39,350
He had never made one.
323
00:26:40,910 --> 00:26:46,770
What? I have never made a vampire. You
were a 500-year-old vampire. You led the
324
00:26:46,770 --> 00:26:48,910
Parisian coven for two centuries.
325
00:26:49,250 --> 00:26:53,490
And he hadn't told me. I did, once. He
didn't hear it. He didn't? No.
326
00:26:54,750 --> 00:26:57,330
The idea repulsed me, repulsed.
327
00:26:57,680 --> 00:27:01,960
Me. Well, at least we can agree it was a
disingenuous act. I went in there open
328
00:27:01,960 --> 00:27:04,600
-minded. You walked into Madden,
outrageous. What's your mind made up?
329
00:27:05,500 --> 00:27:06,500
Louis' opinion.
330
00:27:07,780 --> 00:27:08,780
Claudia's opinion.
331
00:27:09,780 --> 00:27:11,360
Let's see, let's see.
332
00:27:12,540 --> 00:27:16,120
Fuck these vampires.
333
00:27:20,860 --> 00:27:25,520
What I've learned, I've learned from
draining men, reading their thoughts.
334
00:27:26,440 --> 00:27:29,800
Not from books. I never went to school
long enough as a mortal.
335
00:27:30,080 --> 00:27:32,600
You do not know your vampire nature.
336
00:27:33,180 --> 00:27:35,660
When I make a guido, Getze, he'll tell
you the same.
337
00:27:35,960 --> 00:27:37,800
What a guido never shows.
338
00:27:38,000 --> 00:27:39,380
Santiago, where is your back to the
audience?
339
00:27:40,260 --> 00:27:41,260
I've got an impulse.
340
00:27:42,700 --> 00:27:43,940
It doesn't work. Turn around.
341
00:27:44,920 --> 00:27:49,780
But if we stage it in the round... And
where shall we put the audience? Behind
342
00:27:49,780 --> 00:27:53,180
the fucking projection screen? Ooh,
what's up your ass tonight?
343
00:27:53,420 --> 00:27:54,500
Is your...
344
00:27:56,040 --> 00:27:59,380
Companion, duck up there. Chew in on
your inner bits like a hamster.
345
00:28:02,740 --> 00:28:06,700
Claudia, can you respectfully find
another object to bop?
346
00:28:10,740 --> 00:28:11,940
Always a yes, Major.
347
00:28:15,080 --> 00:28:16,380
Projections are our aesthetic.
348
00:28:16,780 --> 00:28:17,559
Or a crutch.
349
00:28:17,560 --> 00:28:18,880
I am the director directing.
350
00:28:19,220 --> 00:28:20,840
A play is a map for production.
351
00:28:21,120 --> 00:28:22,860
No, a play...
352
00:28:23,310 --> 00:28:24,310
is the script.
353
00:28:24,910 --> 00:28:27,830
And there are no mentions in this script
of projections.
354
00:28:30,190 --> 00:28:31,490
That's your cue, Sam.
355
00:28:33,810 --> 00:28:35,010
It's a work in progress.
356
00:28:36,090 --> 00:28:37,330
Oh, I see.
357
00:28:38,970 --> 00:28:43,510
Pick it up, what we left off. Well, if
it is a work in progress.
358
00:28:44,760 --> 00:28:48,920
Just ask, when the fuck is Guido
arriving on the stage, please?
359
00:28:49,200 --> 00:28:52,740
He doesn't. He can't. He mustn't. Where
are we left off, Santiago?
360
00:28:53,080 --> 00:28:55,300
Guido is hope. There can be no hope.
361
00:28:55,500 --> 00:28:57,860
You want to write poetry, write poems.
This is a stage.
362
00:28:58,340 --> 00:29:02,840
We perform plays on a stage. This you
honor in the playwright. Not prose poems
363
00:29:02,840 --> 00:29:03,920
or fucking maps.
364
00:29:04,440 --> 00:29:06,900
And plays require events, Sam.
365
00:29:07,140 --> 00:29:11,100
And there are no events in your shitty
little play. And Quang and I are fucking
366
00:29:11,100 --> 00:29:13,280
dangling up here. That can be re...
367
00:29:14,740 --> 00:29:15,740
Gustav!
368
00:29:16,260 --> 00:29:18,700
We do horror shows so we can eat people!
369
00:29:19,340 --> 00:29:20,500
You're fangless!
370
00:29:21,500 --> 00:29:23,420
I love your work, ma'am.
371
00:29:23,980 --> 00:29:25,980
Apologies. Well played, maître.
372
00:29:26,660 --> 00:29:29,360
You come and read the script on stage.
It's yours for the moment.
373
00:29:30,580 --> 00:29:33,120
And around, humans on stage. Ignore him.
374
00:29:34,340 --> 00:29:35,340
He'll be back.
375
00:29:39,020 --> 00:29:41,400
The Berlin blockade ended in May.
376
00:29:41,960 --> 00:29:44,260
The Geneva Convention was agreed in
August.
377
00:29:44,620 --> 00:29:46,760
Some of the front pages from that year.
378
00:29:47,500 --> 00:29:53,680
But if you look in the filler, in the
back pages, strange crimes reported.
379
00:29:55,880 --> 00:29:59,040
A telescopic lens stolen from the
observatory at Meudon.
380
00:30:01,760 --> 00:30:05,700
A film company shooting the crime
thriller Port d'Orient delayed when its
381
00:30:05,700 --> 00:30:08,400
inventory of color film stock is
snatched.
382
00:30:09,290 --> 00:30:14,810
A gang of drunkards hanging off the side
of the Eiffel Tower, all facing south by
383
00:30:14,810 --> 00:30:17,970
southwest, all muttering in unison.
384
00:30:18,710 --> 00:30:21,030
Gone by the time police arrived by
elevator.
385
00:30:21,370 --> 00:30:23,210
Crimes all left unsolved.
386
00:30:24,170 --> 00:30:27,170
A thousand humans arrive in Paris, each
carrying a suitcase.
387
00:30:27,410 --> 00:30:28,410
What's one more vampire?
388
00:30:28,550 --> 00:30:31,330
Why are we still talking about this?
This will be behind us. I'm not
389
00:30:31,330 --> 00:30:35,350
satisfied with your answer. Those we
make ourselves will always despise us
390
00:30:35,350 --> 00:30:36,350
for it.
391
00:30:36,490 --> 00:30:37,490
Celestine is still.
392
00:30:37,940 --> 00:30:41,680
There's the Mardem, the silly plot.
393
00:30:42,880 --> 00:30:45,200
That's a tight band. And he made you and
Claudia.
394
00:30:48,260 --> 00:30:49,260
You're going to do it?
395
00:30:49,560 --> 00:30:50,560
Yes.
396
00:30:50,960 --> 00:30:51,960
When?
397
00:30:52,180 --> 00:30:53,180
Tonight.
398
00:30:54,320 --> 00:30:55,320
It's forbidden.
399
00:30:56,040 --> 00:30:57,380
Claudia does not want his blood.
400
00:30:59,120 --> 00:31:00,500
She doesn't have an alternative.
401
00:31:00,940 --> 00:31:01,940
We could fail.
402
00:31:02,120 --> 00:31:05,340
The woman could turn into one of those
drooling revenants and fall back in.
403
00:31:18,000 --> 00:31:18,899
You shouldn't do it.
404
00:31:18,900 --> 00:31:25,580
You shouldn't tell me in my mind. I
can't keep it closed any longer. I want
405
00:31:25,580 --> 00:31:26,580
you to come.
406
00:31:26,860 --> 00:31:28,000
I want you to witness.
407
00:31:30,240 --> 00:31:31,240
Why?
408
00:31:32,440 --> 00:31:35,700
Because it can be beautiful.
409
00:31:37,200 --> 00:31:39,400
We can bring one in a good way.
410
00:31:57,390 --> 00:31:58,390
It's okay.
411
00:32:01,070 --> 00:32:02,070
It's okay.
412
00:32:03,150 --> 00:32:04,490
Make sure we're not bothered.
413
00:32:05,070 --> 00:32:06,070
Yeah?
414
00:32:31,160 --> 00:32:32,920
Oh, I like this song.
415
00:32:33,940 --> 00:32:35,860
My heart is an island bird.
416
00:32:38,400 --> 00:32:39,920
I've never been to an island.
417
00:32:40,680 --> 00:32:41,680
Well, once.
418
00:32:42,980 --> 00:32:45,440
On a lake surrounded by carp.
419
00:32:46,720 --> 00:32:48,920
I don't like carp. I don't like
Chardonnay.
420
00:32:51,260 --> 00:32:52,760
It's right for my life.
421
00:32:54,460 --> 00:32:55,580
I'm going to go pay the iftar.
422
00:32:56,140 --> 00:32:57,140
Yeah, me too.
423
00:33:04,080 --> 00:33:08,340
If you get scared, you just look at that
light.
424
00:33:10,580 --> 00:33:11,800
Listen to my voice.
425
00:33:12,320 --> 00:33:13,840
I won't let anything go wrong.
426
00:33:14,700 --> 00:33:16,040
Don't worry about the blood.
427
00:33:17,880 --> 00:33:19,240
It's the blood that made you.
428
00:33:47,340 --> 00:33:53,380
Madeline welcomed my fangs, the lamb
smiling up at the wolf
429
00:33:53,380 --> 00:33:58,300
with unsettling passivity.
430
00:34:00,600 --> 00:34:03,580
She watched the lamb while I fed on her.
431
00:34:05,840 --> 00:34:08,219
That's good. That's right.
432
00:34:08,600 --> 00:34:09,960
You're turning cold now.
433
00:34:10,699 --> 00:34:11,699
Me too.
434
00:34:11,920 --> 00:34:15,400
And Claudia guided her softly down the
path.
435
00:34:16,400 --> 00:34:17,800
Down the dark path.
436
00:34:18,760 --> 00:34:20,159
Hold on to my voice.
437
00:34:58,960 --> 00:35:00,520
Drank with reverence.
438
00:35:02,120 --> 00:35:05,740
I drank with obligation.
439
00:35:10,060 --> 00:35:16,980
Disjoint fragments of Madeline's life
filled my head, carried on the
440
00:35:16,980 --> 00:35:18,440
warm current of her blood.
441
00:35:20,860 --> 00:35:24,280
The pleasures of a sly coupling.
442
00:35:29,870 --> 00:35:31,670
The joys of a sunny afternoon.
443
00:35:34,170 --> 00:35:38,350
The anguish of an unexpected death.
444
00:35:46,790 --> 00:35:52,350
The rage and humiliation of a trial by
mob.
445
00:36:03,950 --> 00:36:10,570
But amongst the pastiche of war and
desire, beauty and damage, I saw
446
00:36:10,570 --> 00:36:11,570
Claudia.
447
00:36:12,930 --> 00:36:19,470
In an impossible afternoon light she
could never survive in, Claudia,
448
00:36:19,550 --> 00:36:24,590
as Madeline perceived her, was splendid,
449
00:36:25,010 --> 00:36:30,450
rendered even more beautiful by her
beholder.
450
00:36:31,850 --> 00:36:33,350
And I knew then,
451
00:36:34,600 --> 00:36:40,940
With all certainty, she would be a
better companion to Claudia than I ever
452
00:36:40,940 --> 00:36:41,940
had.
453
00:36:43,460 --> 00:36:47,560
I tore my wrist and fed her the gift.
454
00:37:16,110 --> 00:37:17,110
Did she take it?
455
00:37:20,270 --> 00:37:21,270
Yeah.
456
00:37:22,130 --> 00:37:23,270
Yeah, she is.
457
00:37:24,470 --> 00:37:27,570
They're both on their way.
458
00:37:29,070 --> 00:37:30,910
I told them to get out of town.
459
00:37:32,130 --> 00:37:33,190
They're out of town.
460
00:37:34,490 --> 00:37:39,030
And I know that because I can feel her.
461
00:37:41,350 --> 00:37:44,830
Madeline, this stranger.
462
00:37:46,990 --> 00:37:47,990
My fledgling.
463
00:37:51,470 --> 00:37:52,470
What's happened here?
464
00:37:53,350 --> 00:37:58,350
I opened my wrist back up, gagged
myself, tried to throw the blood back
465
00:37:58,350 --> 00:37:59,350
up.
466
00:38:00,110 --> 00:38:02,930
I thought I feel like I was losing
Claudia.
467
00:38:05,190 --> 00:38:06,370
I did not care.
468
00:38:09,110 --> 00:38:10,350
I finished the job.
469
00:38:12,310 --> 00:38:15,670
Claudia took my hand. We said something
about being even.
470
00:38:18,190 --> 00:38:19,190
I did not care.
471
00:38:21,290 --> 00:38:22,290
You were right.
472
00:38:24,850 --> 00:38:25,850
Give it time.
473
00:38:27,410 --> 00:38:29,970
It is a difficult one, but one worth
having.
474
00:38:33,910 --> 00:38:35,610
You'll find your way back to each other.
475
00:38:36,950 --> 00:38:37,950
What's in the suitcase?
476
00:38:39,110 --> 00:38:40,110
Some clothes.
477
00:38:41,230 --> 00:38:42,230
A few books.
478
00:38:43,270 --> 00:38:45,230
Cutting from a magnolia tree I've been
growing.
479
00:38:56,430 --> 00:38:57,430
Might have killed me.
480
00:38:59,310 --> 00:39:00,850
Hunted the three of you down.
481
00:39:01,570 --> 00:39:02,810
Caught you, burned you.
482
00:39:03,090 --> 00:39:08,110
I don't know if it will satisfy their
might be hostilities or the fur.
483
00:39:08,990 --> 00:39:10,050
Bloodless vampirical.
484
00:39:13,010 --> 00:39:14,410
You broke with the Coven?
485
00:39:16,670 --> 00:39:17,750
They gave me a choice.
486
00:39:20,490 --> 00:39:21,490
I chose.
487
00:39:21,710 --> 00:39:23,090
That's what you said to me, right?
488
00:39:23,450 --> 00:39:24,490
Standing in my blood.
489
00:39:25,000 --> 00:39:26,000
Stroking my hair?
490
00:39:27,060 --> 00:39:28,140
You know it is.
491
00:39:28,920 --> 00:39:31,640
That's my memory of it. But you were
there too.
492
00:39:32,080 --> 00:39:36,660
Maybe there's something I missed? Or
maybe there's something you put in there
493
00:39:36,660 --> 00:39:37,660
later?
494
00:39:38,080 --> 00:39:38,799
Stop it!
495
00:39:38,800 --> 00:39:39,800
Stop it.
496
00:39:40,940 --> 00:39:43,660
It's too important a moment in our story
for these games.
497
00:39:44,200 --> 00:39:46,100
Oh, is there a game being played?
498
00:39:51,000 --> 00:39:52,000
You remembered.
499
00:39:53,220 --> 00:39:57,840
What you did to yourself in San
Francisco, and you're angry that I
500
00:39:57,840 --> 00:39:58,840
erased it.
501
00:40:06,120 --> 00:40:07,120
I am.
502
00:40:07,340 --> 00:40:08,420
You have no right to be.
503
00:40:09,220 --> 00:40:10,440
You asked me to do it.
504
00:40:14,420 --> 00:40:15,860
What? He's full of shit.
505
00:40:16,400 --> 00:40:19,920
I failed, Louis, once in my life. It
wasn't in San Francisco. I will never
506
00:40:19,920 --> 00:40:22,340
ask you to do that. The pages I tore out
of Claudia's diaries.
507
00:40:22,810 --> 00:40:25,730
We did most of those together. Not all
of them. And the ones I did on my own
508
00:40:25,730 --> 00:40:28,750
were to protect me from you, Mr. Malloy.
509
00:40:30,390 --> 00:40:31,750
Why did I owe you my shame?
510
00:40:34,170 --> 00:40:38,410
Why did I owe you my one act of
cowardice?
511
00:40:40,730 --> 00:40:45,370
The series of abhorrent consequences
that followed.
512
00:40:55,020 --> 00:40:59,140
I spent the rest of my life trying to
make up for it. I'll never make up for
513
00:40:59,140 --> 00:41:00,140
it.
514
00:41:01,400 --> 00:41:02,820
But he forgave me for it.
515
00:41:04,620 --> 00:41:05,800
I didn't forgive you.
516
00:41:08,460 --> 00:41:11,720
Drugs did far more damage to your mind
than five nights in San Francisco.
517
00:41:12,180 --> 00:41:13,098
It was six.
518
00:41:13,100 --> 00:41:14,100
My point made.
519
00:41:15,540 --> 00:41:17,460
You've a sharper mind as any human that
walks.
520
00:41:23,310 --> 00:41:24,790
You want an apology, I'm sorry.
521
00:41:25,730 --> 00:41:27,570
He thought it was the right thing to do,
too.
522
00:41:28,350 --> 00:41:30,070
You were going to drain me, pal.
523
00:41:31,250 --> 00:41:32,610
Belated apology number two.
524
00:41:41,050 --> 00:41:44,250
I asked you to erase it?
525
00:41:45,490 --> 00:41:46,490
Yes.
526
00:41:48,990 --> 00:41:52,050
After you came out of a shower in our
home in Sausalito.
527
00:41:54,120 --> 00:41:55,720
Three days after we abandoned him.
528
00:42:12,800 --> 00:42:17,200
Continuing on the record, Mr. Malloy, I
was a coward.
529
00:42:23,100 --> 00:42:25,240
We've been burying our meals outside St.
Denis.
530
00:42:25,820 --> 00:42:27,560
Flowers starting to pop up on the
ground.
531
00:42:28,100 --> 00:42:31,160
Lavender, sweet iris, peony.
532
00:42:31,780 --> 00:42:34,620
Flowers growing from the dead, cold
things becoming warm.
533
00:42:35,560 --> 00:42:38,620
I saw a dead girl in your mind while you
were dying.
534
00:42:38,900 --> 00:42:40,700
Oui, Aimee, my sister.
535
00:42:42,240 --> 00:42:43,240
She the replacement?
536
00:42:45,280 --> 00:42:49,740
What? I saw the same thing that night.
We already had it out. Aimee, we used to
537
00:42:49,740 --> 00:42:51,040
call her the family idiot.
538
00:42:51,940 --> 00:42:53,060
She would eat pine cones.
539
00:42:54,760 --> 00:42:58,360
And I didn't tell her about Amy because
I didn't want her thinking she was...
540
00:42:58,360 --> 00:43:00,260
What was your what? The replacement.
What?
541
00:43:01,660 --> 00:43:04,740
To thank you for falling right back into
Daddy Lou's shoes.
542
00:43:05,420 --> 00:43:07,440
And thank you for never treating me like
a child.
543
00:43:08,080 --> 00:43:09,420
Take some lessons, Libby.
544
00:43:11,260 --> 00:43:14,620
Are you thinking of coming back to
Paris? Trash piles and men who smell
545
00:43:14,620 --> 00:43:18,140
like... We're going to Wander.
546
00:43:18,800 --> 00:43:20,440
Wander? Mm-hmm.
547
00:43:21,460 --> 00:43:23,100
Wander. This one?
548
00:43:23,520 --> 00:43:26,080
See the straight line of the next X on
the map?
549
00:43:26,360 --> 00:43:28,020
This is the X, Louis.
550
00:43:31,040 --> 00:43:32,040
All right.
551
00:43:32,440 --> 00:43:35,240
Okay, well, to finding the X.
552
00:43:37,300 --> 00:43:38,460
Stop it. Okay.
553
00:43:42,720 --> 00:43:44,020
How do you like my coffin?
554
00:43:44,780 --> 00:43:49,720
I wake up at night, and the fans aren't
trading insults.
555
00:43:49,930 --> 00:43:53,510
Estelle isn't smearing makeup all over
herself or humming off key. Singing off
556
00:43:53,510 --> 00:43:59,250
key. No one is forcing me to listen to
their gossip or solve their petty
557
00:43:59,250 --> 00:44:00,250
crisis.
558
00:44:00,530 --> 00:44:01,530
Please.
559
00:44:02,290 --> 00:44:05,070
Estelle, we didn't make it easy for you.
560
00:44:05,430 --> 00:44:06,470
I'm sorry for that.
561
00:44:09,870 --> 00:44:10,870
You're out there?
562
00:44:12,610 --> 00:44:13,970
I cannot read your mind.
563
00:44:15,530 --> 00:44:18,030
The architect of our...
564
00:44:20,140 --> 00:44:23,340
I made you. That's just the way it is.
Yes, but I feel you, Louis.
565
00:44:24,820 --> 00:44:26,820
I feel you too, Madeline.
566
00:44:29,580 --> 00:44:31,800
I told Claudia I can feel you love her.
567
00:44:32,900 --> 00:44:34,440
And we should see him once more.
568
00:44:36,300 --> 00:44:37,300
I'm glad you did.
569
00:44:38,340 --> 00:44:39,420
I'm glad we did this.
570
00:44:41,400 --> 00:44:42,620
I can feel you too.
571
00:44:45,320 --> 00:44:46,320
Through him.
572
00:44:49,900 --> 00:44:51,120
Yes, he loves you. Okay.
573
00:44:51,820 --> 00:44:54,160
Okay. Well, let's get the hell out of my
soul.
574
00:44:55,620 --> 00:44:59,300
He gets enough affection. I don't need
his head getting too big to get out the
575
00:44:59,300 --> 00:45:00,238
door.
576
00:45:00,240 --> 00:45:01,240
Take a stretch.
577
00:45:01,340 --> 00:45:02,340
Or do me another.
578
00:45:02,680 --> 00:45:03,680
Love.
579
00:45:04,240 --> 00:45:05,240
There he goes.
580
00:45:06,300 --> 00:45:08,440
Mm-hmm. There he goes.
581
00:45:09,840 --> 00:45:12,560
Will he get through the door with that
big head?
582
00:45:17,840 --> 00:45:20,080
Why don't you want him to know how much
you love him?
583
00:45:20,780 --> 00:45:21,780
That's a little personal.
584
00:46:06,090 --> 00:46:07,450
They gave him a choice.
585
00:46:10,450 --> 00:46:11,450
He chose.
586
00:46:12,490 --> 00:46:17,690
Ladies and gentlemen, mesdames et
messieurs, awful and awfulestes, and all
587
00:46:17,690 --> 00:46:19,990
those who flourish outside the divide,
welcome.
588
00:46:21,230 --> 00:46:27,970
For 150 years, we here at the Théâtre
des Vampires have shown you, you,
589
00:46:28,430 --> 00:46:33,410
your obscene predilections, your savage
desires.
590
00:46:34,860 --> 00:46:39,240
But today, we're shunting human affairs
aside.
591
00:46:39,820 --> 00:46:43,520
So if you want to kill your lover or
fuck your mother, it'll have to wait.
592
00:46:46,380 --> 00:46:52,300
Because today, we're turning our lurid
spotlight on ourselves.
593
00:46:53,440 --> 00:46:56,420
I stand before you in broad...
594
00:46:56,830 --> 00:47:03,110
daylight at this first-ever matinee at
the Théâtre des Vampires to perform for
595
00:47:03,110 --> 00:47:05,690
your salacious gratification.
596
00:47:07,230 --> 00:47:13,950
Are you ready, you filthy animals?
597
00:47:15,730 --> 00:47:21,870
The jury
598
00:47:21,870 --> 00:47:23,510
may be seated.
599
00:47:36,680 --> 00:47:40,080
Times for which this iniquitous trio
stand accused.
600
00:47:40,800 --> 00:47:46,820
The making of a vampire from a mortal
child.
601
00:47:47,860 --> 00:47:50,740
It's a minute to your interim, Mr.
Dianko.
602
00:47:54,540 --> 00:47:55,840
Mr. Dianko?
603
00:47:56,940 --> 00:47:57,960
Thank you.
604
00:48:06,250 --> 00:48:12,950
meditated murders of the vampires
Antoinette Brown and the vampire Le Dac
605
00:48:12,950 --> 00:48:14,150
de Leoncourt.
43315
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