All language subtitles for Interview.with.the.Vampire.S02E06.Like.the.light.by.which.God.made.the.world.before.he.made.light.1080p.AMZN.WEB-DL.DDP5.1.H.264-FLUX

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian Download
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:36,170 --> 00:00:37,310 How did I get the tape? 2 00:00:40,450 --> 00:00:44,310 There was no postage on the package with the tapes. 3 00:00:46,170 --> 00:00:47,170 Rashid. 4 00:00:48,430 --> 00:00:53,250 The bylaws of my co-op say only the mailman can have the key that opens up 5 00:00:53,250 --> 00:00:55,930 all the mailboxes. So did you guys get to my mailman? 6 00:00:57,230 --> 00:01:01,390 Huh? I usually give him a little something for Christmas, but I mean... 7 00:01:01,390 --> 00:01:05,250 You know, I mean, if he's in on it, then... 8 00:01:06,280 --> 00:01:08,220 I'm thinking, do I still have that obligation? 9 00:01:10,460 --> 00:01:11,460 Rashid? 10 00:01:21,580 --> 00:01:22,700 I'm going to the bathroom. 11 00:01:25,440 --> 00:01:26,860 I'm going to make a run for it. 12 00:01:29,000 --> 00:01:32,860 Rashid, they're going to turn you into broth bags because you couldn't hold it. 13 00:01:36,360 --> 00:01:37,360 Hello. 14 00:01:39,060 --> 00:01:42,080 They sent a chaperone. I'm sorry. Go away. 15 00:01:43,080 --> 00:01:46,840 Rashid? He loves the handsome thing you say. I wouldn't worry too much about 16 00:01:46,840 --> 00:01:50,580 Rashid. Oh, I've been dreaming about the macro here. 17 00:01:53,400 --> 00:01:55,000 The two Barcelos would fit. 18 00:01:55,380 --> 00:01:56,940 If we replaced the couch. 19 00:01:57,260 --> 00:02:02,500 I assumed we would. The couch and the table and the Antio Javelina. 20 00:02:02,820 --> 00:02:04,360 Then, then, then. 21 00:02:05,339 --> 00:02:08,560 How about DIY wallpaper with the Hockney lemons? 22 00:02:09,199 --> 00:02:11,360 Like we're a Ferndale hotel lobby? 23 00:02:13,960 --> 00:02:17,100 Okay. What do you think we should do with the wall? 24 00:02:17,420 --> 00:02:19,000 How big is the Talamasca? 25 00:02:19,940 --> 00:02:21,320 Who funds you guys? 26 00:02:21,620 --> 00:02:23,120 Do you work with nation states? 27 00:02:23,920 --> 00:02:25,120 That's why you called me here? 28 00:02:26,440 --> 00:02:28,640 You had pictures of me in 1973. 29 00:02:29,220 --> 00:02:30,220 Pictures of them? 30 00:02:30,480 --> 00:02:32,080 You were a fly on the windshield. 31 00:02:32,440 --> 00:02:33,500 Can you protect me? 32 00:02:34,810 --> 00:02:36,350 Trump being killed? No. 33 00:02:36,670 --> 00:02:39,690 We're particularly poor at keeping our assets alive. 34 00:02:39,990 --> 00:02:40,929 I'm not an asset. 35 00:02:40,930 --> 00:02:45,450 You messaged me, I showed up. The mackerel was better last time. 36 00:02:45,670 --> 00:02:46,710 I want to get out alive. 37 00:02:47,490 --> 00:02:49,050 You want a book. 38 00:02:50,190 --> 00:02:54,450 I want both. You fear Armand. 39 00:02:55,270 --> 00:02:56,830 You should fear the other one. 40 00:02:57,490 --> 00:03:00,130 What about a selection of Fred Steins? 41 00:03:00,810 --> 00:03:01,810 Tastefully framed. 42 00:03:02,380 --> 00:03:05,160 They've been sitting in my albums all this time. Seems a waste. 43 00:03:06,620 --> 00:03:11,560 Or better not to have so tangible a reminder of Paris up on our walls. 44 00:03:11,960 --> 00:03:16,560 An interview about Paris is a more tangible reminder of Paris than a few 45 00:03:16,560 --> 00:03:17,560 photographs. 46 00:03:19,440 --> 00:03:21,020 Leave it there, then. 47 00:03:22,140 --> 00:03:24,160 Wait for Revelation to enter the room. 48 00:03:26,440 --> 00:03:27,980 We can help you find a publisher. 49 00:03:28,180 --> 00:03:32,680 I have a publisher. Your publisher will get a phone call before you turn it in. 50 00:03:32,880 --> 00:03:37,160 They will pay you handsomely for your manuscript and bury it. You won't even 51 00:03:37,160 --> 00:03:38,160 see a galley proof. 52 00:03:38,940 --> 00:03:42,420 It's all going to come out soon enough, and there's a number of us in the order 53 00:03:42,420 --> 00:03:47,760 who think better it happens with Daniel Malloy in paperback than the bumbling 54 00:03:47,760 --> 00:03:49,100 governments of the world. 55 00:03:50,930 --> 00:03:54,950 What's the ask? My superiors have a list, a few hundred questions they'd 56 00:03:54,950 --> 00:04:00,730 like you to weave into your interview, and I'm professionally charged to press 57 00:04:00,730 --> 00:04:03,030 you to include them. And apart from your charge? 58 00:04:03,310 --> 00:04:04,770 I think it would be disastrous. 59 00:04:05,210 --> 00:04:10,570 I think you've been masterful. I think if I could swap bodies with you, I'd be 60 00:04:10,570 --> 00:04:11,690 running the order by now. 61 00:04:15,890 --> 00:04:17,529 How's the soap, Agent Rashid? 62 00:04:18,670 --> 00:04:20,089 We should be returning now. 63 00:04:20,589 --> 00:04:23,310 Mr. Malloy would like to stay alive, Rashid. 64 00:04:23,890 --> 00:04:27,290 Then perhaps he should have thrown the tapes away when he found them in his 65 00:04:27,290 --> 00:04:28,290 mailbox. 66 00:04:31,310 --> 00:04:33,910 Oh, that's very kind of you. Thank you. 67 00:04:35,370 --> 00:04:36,370 I'm leaving you. 68 00:04:37,550 --> 00:04:39,130 I wish to tell you that now. 69 00:04:40,530 --> 00:04:41,610 I thought as much. 70 00:04:42,810 --> 00:04:45,810 And I thought as well that you'd make a flowery announcement. 71 00:04:48,490 --> 00:04:51,550 Tell me what a monster I am, what a vulgar fiend. 72 00:04:51,770 --> 00:04:56,090 I make no judgment of you. I am not interested in you. I'm interested in my 73 00:04:56,090 --> 00:04:57,950 own vampire nature now. 74 00:04:58,190 --> 00:04:59,310 What do you think a vampire is? 75 00:04:59,910 --> 00:05:01,650 I don't pretend to know. 76 00:05:03,470 --> 00:05:08,550 What is it? A flaccid, full-length play based on nothing other than the 77 00:05:08,550 --> 00:05:13,190 superficial observations of the vampire Sam, his meditation on vampiric 78 00:05:13,190 --> 00:05:14,530 existence and enduring. 79 00:05:14,810 --> 00:05:19,600 Great. I remember you racing back from rehearsals to tell me how ambitious the 80 00:05:19,600 --> 00:05:20,399 conceit was. 81 00:05:20,400 --> 00:05:23,220 Well, I was following your advice, wasn't I? I didn't want to bring the 82 00:05:23,220 --> 00:05:27,100 work's anxieties into our home. Or you're recalling the events with bias 83 00:05:27,100 --> 00:05:29,560 because of the machinations surrounding it. 84 00:05:32,320 --> 00:05:36,080 Lead with a velvet glove instead of a nine gauntlet was the advice. 85 00:05:36,380 --> 00:05:38,700 Indulge the buffoon. Were my words. 86 00:05:39,060 --> 00:05:41,780 Feed Santiago his own ego back to him. 87 00:05:42,760 --> 00:05:44,560 And smother mutiny with praise. 88 00:05:45,710 --> 00:05:52,450 What does it mean to die when you can live until the end of the world? 89 00:05:54,190 --> 00:05:57,150 What is the end of the world, except a phrase? 90 00:05:57,710 --> 00:06:02,650 I have lived now in two centuries, seeing the illusions of one utterly 91 00:06:02,650 --> 00:06:07,970 shattered by the other. Been eternally young and eternally ancient. 92 00:06:08,430 --> 00:06:14,270 Living moment to moment in a way that made me picture a silver clock. 93 00:06:22,640 --> 00:06:27,240 It's quite lovely, Sam. 94 00:06:28,120 --> 00:06:30,300 Even more what you're doing with it, Santiago. 95 00:06:32,360 --> 00:06:33,360 Thank you, Matt. 96 00:06:42,990 --> 00:06:47,370 What does it mean to die when you can live until the end of the world? 97 00:06:47,630 --> 00:06:50,970 I thought I was being clever, nailing him to the stage. 98 00:06:51,190 --> 00:06:52,350 And what is the end of the world? 99 00:06:53,970 --> 00:06:55,010 Except a phrase. 100 00:06:55,370 --> 00:06:57,270 My eyes on him till curfew every night. 101 00:06:57,470 --> 00:07:01,950 I have lived now in two centuries. But the play had no roles for women, and 102 00:07:01,950 --> 00:07:04,810 petulant members of the coven were free to roam the night. 103 00:07:05,030 --> 00:07:06,770 I walked by the theatre a fortnight ago. 104 00:07:07,810 --> 00:07:11,810 I thought that it was dark. Yes, the theatre is updating its repertoire. 105 00:07:12,750 --> 00:07:13,750 Isn't that exciting? 106 00:07:13,930 --> 00:07:18,930 For those with roles in the updated repertoire, it's treacherously exciting. 107 00:07:19,270 --> 00:07:22,810 It's why we sit across from you this evening, Pierre Roger. 108 00:07:23,290 --> 00:07:29,170 Monsieur Leonco, the gentleman whose wealth has made our sacred arts possible 109 00:07:29,170 --> 00:07:31,250 for the last 150 years. 110 00:07:32,010 --> 00:07:34,850 Maître wishes to invite him to attend the premiere. 111 00:07:35,450 --> 00:07:37,170 Ah, a lovely mission. 112 00:07:37,910 --> 00:07:41,210 Of course, the difficulty is the... 113 00:07:42,280 --> 00:07:46,120 Communications with your esteemed patron occur only one way. 114 00:07:46,340 --> 00:07:48,420 Ask him when was the last time they were in communication. 115 00:07:48,940 --> 00:07:52,340 Maybe ask when was the last time you spoke with him. 116 00:07:52,740 --> 00:07:53,740 Hard to say. 117 00:07:54,400 --> 00:07:55,920 Communications are irregular. 118 00:07:56,300 --> 00:07:58,740 Has there been a lapse in communication? 119 00:07:59,160 --> 00:08:02,760 There hasn't been a lapse in communication, has there? On that point, 120 00:08:02,920 --> 00:08:05,740 I haven't been authorized to devote. Get on with it. 121 00:08:06,280 --> 00:08:10,500 The day, the hour, the minute you last spoke with. 122 00:08:15,320 --> 00:08:20,080 Telegram. New Orleans, Louisiana, early February 1940. 123 00:08:22,680 --> 00:08:24,740 Illuminated by light. 124 00:08:24,980 --> 00:08:28,260 In retrospect, the buffoon was in the audience. 125 00:08:28,540 --> 00:08:35,260 Like the light by which God made the world before he made light. Scribbling 126 00:08:35,260 --> 00:08:39,340 in the margins, oblivious to the conspiracy uniting around him. 127 00:08:42,059 --> 00:08:48,760 The precision of a clock in a room as vast as the universe. 128 00:08:56,840 --> 00:08:58,200 Bravo! Bravo! 129 00:08:58,500 --> 00:09:00,600 Bravo! Bravo! Bravo! 130 00:09:00,920 --> 00:09:02,540 Really? Yes. 131 00:09:02,740 --> 00:09:05,500 You were an ancient vampire. You could read any mind you want. 132 00:09:05,820 --> 00:09:06,820 I was enough. 133 00:09:07,920 --> 00:09:11,120 You buy that? I buy that he'd been in power. 134 00:09:11,580 --> 00:09:12,580 A long time. 135 00:09:13,320 --> 00:09:14,480 You can get lazy. 136 00:09:14,940 --> 00:09:15,940 It was love. 137 00:09:17,300 --> 00:09:18,300 Okay. 138 00:09:19,040 --> 00:09:20,040 And love. 139 00:09:20,280 --> 00:09:22,500 He was loving in those days. Sure. 140 00:09:23,720 --> 00:09:24,720 Love. 141 00:09:25,480 --> 00:09:30,740 Rashid, did you and Mr. Malloy talk to anyone during dinner? Just the chef when 142 00:09:30,740 --> 00:09:31,659 ordering her. 143 00:09:31,660 --> 00:09:34,720 Were you with Mr. Malloy the entire dinner? He used the restroom for 144 00:09:34,720 --> 00:09:38,100 approximately five minutes. Had a piece of halibut that still wanted to swim. 145 00:09:38,280 --> 00:09:39,640 You were not to leave Mr. Malloy alone? 146 00:09:39,860 --> 00:09:42,520 He didn't. Stood by the hand dryer like a creep. 147 00:09:43,100 --> 00:09:46,200 Why do you ask, love? 148 00:09:55,740 --> 00:09:58,540 Diaries are friends of last resort. 149 00:09:59,320 --> 00:10:02,220 I have found one not made of paper and glue. 150 00:10:02,480 --> 00:10:04,120 Fuck these vampires. 151 00:10:06,880 --> 00:10:10,020 That's her last entry, unless you're sitting on more of those ripped-out 152 00:10:10,020 --> 00:10:11,020 pages. 153 00:10:12,220 --> 00:10:13,720 You have everything we have. 154 00:10:14,800 --> 00:10:18,240 Unless you're sitting on something behind your encrypted laptop. 155 00:10:19,240 --> 00:10:22,160 Madeline, Claudia's immortal beloved. 156 00:10:23,200 --> 00:10:24,440 Not yet immortal. 157 00:10:25,070 --> 00:10:28,390 Note to self, everything related to Claudia from this point forward is 158 00:10:28,390 --> 00:10:29,850 without written corroboration. 159 00:10:30,650 --> 00:10:32,630 Just our memories of her. 160 00:10:34,770 --> 00:10:36,410 However porous they come. 161 00:10:40,250 --> 00:10:43,430 A little more vermouth next time, Rashid? I can make another. 162 00:10:43,710 --> 00:10:44,710 No, it's good. 163 00:10:45,150 --> 00:10:46,550 It's just his were better. 164 00:11:34,030 --> 00:11:35,810 Go on, make your way down, very ingenious! 165 00:11:36,050 --> 00:11:37,270 Stop going backwards! 166 00:11:37,590 --> 00:11:38,870 We're stopping coming back, okay? 167 00:12:11,820 --> 00:12:12,820 Okay, you see? 168 00:12:28,120 --> 00:12:29,360 Write everything you want. 169 00:12:30,700 --> 00:12:31,700 See you, son. 170 00:12:47,820 --> 00:12:49,420 We'll see if this gives an alarm. 171 00:14:30,380 --> 00:14:31,380 You going to run? 172 00:14:34,400 --> 00:14:35,400 Don't. 173 00:14:37,200 --> 00:14:38,139 Don't run. 174 00:14:38,140 --> 00:14:41,500 A lot of noise just happened. 175 00:14:42,420 --> 00:14:43,420 Miller Paris. 176 00:14:43,760 --> 00:14:44,760 I got to clean up. 177 00:14:45,140 --> 00:14:50,820 I can do it fast. I can do it right. But if I don't clean up, 178 00:14:50,900 --> 00:14:54,180 you could be in some trouble. 179 00:15:10,160 --> 00:15:11,160 That's good. 180 00:15:12,900 --> 00:15:13,900 Sit down. 181 00:15:16,860 --> 00:15:22,480 I'm going to clean up. 182 00:15:25,340 --> 00:15:26,400 And then we can talk. 183 00:15:30,440 --> 00:15:31,440 Vampire. 184 00:15:45,960 --> 00:15:47,180 Where's the light switch? 185 00:15:56,940 --> 00:16:02,820 Thank you. 186 00:16:17,320 --> 00:16:18,320 Top of the morning. 187 00:16:21,380 --> 00:16:22,460 I got that vault. 188 00:16:23,920 --> 00:16:29,080 Different brushes, hands, things, rubbing, scratching, gestures of 189 00:16:29,080 --> 00:16:34,900 anxiety, but then the blues, like little cigar ends, like 190 00:16:34,900 --> 00:16:37,320 portals to the sky beyond. 191 00:16:37,700 --> 00:16:38,780 Like he got sick on the canvas? 192 00:16:39,140 --> 00:16:41,820 Watch. I'll spell it for five times the price in a year. 193 00:16:42,860 --> 00:16:44,760 30 times if he keeps drinking and dies. 194 00:16:44,980 --> 00:16:45,980 And what then? 195 00:16:46,140 --> 00:16:47,880 Reinvest. More Vols? 196 00:16:48,800 --> 00:16:54,980 More Vols. More Mathieu, Solage, real estate, dividends, stocks with compound 197 00:16:54,980 --> 00:16:55,980 interest. 198 00:16:56,400 --> 00:16:57,400 Maybe a plane. 199 00:16:58,220 --> 00:17:00,200 And who is going to fly your plane? 200 00:17:00,540 --> 00:17:01,540 I'll fly it. 201 00:17:01,680 --> 00:17:05,560 The first vampire capitalist, the first vampire pilot. 202 00:17:05,760 --> 00:17:06,760 Why not? 203 00:17:07,040 --> 00:17:08,119 Take off your clothes. 204 00:17:09,819 --> 00:17:13,780 I am going through Sam's new papers. Clothes off, face down, in the coffin. 205 00:17:13,980 --> 00:17:15,359 You can read them to me while I fuck you. 206 00:17:45,070 --> 00:17:48,470 Probably really shallow now, but not insightful. 207 00:17:49,190 --> 00:17:50,650 Human death and all this variety. 208 00:17:53,330 --> 00:17:54,570 What's blood taste like? 209 00:17:54,870 --> 00:17:56,010 You've bit your lip before. 210 00:17:56,350 --> 00:17:57,350 No. 211 00:17:58,770 --> 00:18:00,290 What's it like to drink blood? 212 00:18:01,610 --> 00:18:04,270 Is it like drinking life itself? 213 00:18:05,570 --> 00:18:06,570 Warm? 214 00:18:07,230 --> 00:18:11,570 Thick? It's not the answer to life's mystery. It's food. 215 00:18:11,850 --> 00:18:12,850 I need it. 216 00:18:22,920 --> 00:18:24,320 I watch it fly along your veins. 217 00:18:33,980 --> 00:18:34,980 Thank you, babe. 218 00:18:37,820 --> 00:18:39,200 No. Why not? 219 00:18:39,440 --> 00:18:42,240 No. Why not? Because once she starts, you can't stop her. 220 00:18:44,600 --> 00:18:46,720 This a dressmaker? You're supposed to run out of time? 221 00:18:48,900 --> 00:18:50,780 Um, yes, I'm the forbidden friend. 222 00:18:51,280 --> 00:18:55,300 Madeline, this is Louie. Louie. She's reading one of your diaries in my 223 00:18:55,300 --> 00:18:59,040 coffin. I won't touch her. She says another word, I'll break her arms and 224 00:18:59,040 --> 00:19:00,540 throw her out the window. Pull up her chair. 225 00:19:01,160 --> 00:19:02,740 Let's start again. 226 00:19:03,760 --> 00:19:06,040 I'd like a couple months. 227 00:19:06,280 --> 00:19:09,420 Louie. When you don't tear things down. This is Madeline. Or fuck things up. I 228 00:19:09,420 --> 00:19:11,400 had you covered. Don't be that laugh at the dress I wore a while back. 229 00:19:11,680 --> 00:19:15,880 She's funny, she's blunt, and it's a long story, but I killed in front of 230 00:19:15,880 --> 00:19:16,880 her. 231 00:19:18,410 --> 00:19:20,970 And she sat in the corner and watched while I bundled up bodies. 232 00:19:21,170 --> 00:19:22,069 Didn't cry. 233 00:19:22,070 --> 00:19:23,070 Didn't get flustered. 234 00:19:23,770 --> 00:19:25,130 Since then, we've been talking. 235 00:19:26,550 --> 00:19:27,550 Is it romantic? 236 00:19:28,170 --> 00:19:29,730 No. No, not yet. 237 00:19:35,810 --> 00:19:39,090 You were the thoughts, now you're Armand's. Or Armand is mine. 238 00:19:41,830 --> 00:19:43,950 I've been a third all my life. 239 00:19:44,450 --> 00:19:47,390 Not saying that to fight, just saying that it's true. 240 00:19:48,590 --> 00:19:55,510 I feel like I get to pick one thing for myself, and it's her, 241 00:19:55,630 --> 00:19:59,110 a weird white lady I met by happenstance. 242 00:20:19,630 --> 00:20:20,630 You want a companion? 243 00:20:25,850 --> 00:20:26,850 She does. 244 00:20:28,750 --> 00:20:29,750 Yes. 245 00:20:36,970 --> 00:20:39,050 Last time I tried those young boys. 246 00:20:39,570 --> 00:20:42,690 Back in... They all died, Louie. 247 00:20:43,230 --> 00:20:44,230 I'm too small. 248 00:20:45,630 --> 00:20:47,010 I never made one before. 249 00:20:47,270 --> 00:20:48,630 I'm not sure if I can... No. 250 00:20:49,020 --> 00:20:50,020 Not you. 251 00:20:50,080 --> 00:20:53,660 Not... Not Lestat's blood. I wouldn't want that for anyone. Not good enough 252 00:20:53,660 --> 00:20:54,439 for us. 253 00:20:54,440 --> 00:20:55,620 Not good enough for her. 254 00:20:57,060 --> 00:21:01,120 She swore an oath, trampled on the laws, and I am to reward her for it? 255 00:21:01,660 --> 00:21:03,660 To every vampire a dressmaker? 256 00:21:04,040 --> 00:21:07,180 They'll bitch at the moon, mock you in their coffins, but you never fit in. 257 00:21:07,680 --> 00:21:08,680 They won't miss her. 258 00:21:09,080 --> 00:21:10,680 You think you're happy with me now? 259 00:21:11,160 --> 00:21:14,840 Can you imagine me without the burden of her? 260 00:21:17,680 --> 00:21:19,000 Paris is yours, Major. 261 00:21:19,200 --> 00:21:20,640 I ask for this. 262 00:21:21,760 --> 00:21:22,760 Respectfully. 263 00:21:25,360 --> 00:21:27,340 Respect comes without a field. 264 00:21:27,760 --> 00:21:30,480 You're a manipulator, Claudia de Leoncourt. 265 00:21:30,780 --> 00:21:31,780 No. 266 00:21:38,020 --> 00:21:44,320 Close your minds. 267 00:21:45,320 --> 00:21:46,320 Both of you. 268 00:21:46,960 --> 00:21:48,680 I'll know it if you haven't. 269 00:22:02,060 --> 00:22:08,540 They always think they're different. 270 00:22:10,100 --> 00:22:11,100 Stronger. 271 00:22:11,640 --> 00:22:12,640 Superior. 272 00:22:16,090 --> 00:22:17,690 Jusqu'à ce que la solitude arrive. 273 00:22:18,770 --> 00:22:20,470 Monsieur, ça fait longtemps que je suis toute sale. 274 00:22:21,470 --> 00:22:22,730 Tu feras un monstre. 275 00:22:25,950 --> 00:22:28,490 Si tu fais de moi un monstre, tu feras comme Transformer en ce que je suis 276 00:22:28,490 --> 00:22:29,490 déjà. 277 00:22:52,639 --> 00:22:54,680 Without the burden of me. 278 00:22:55,220 --> 00:22:56,960 I said it to get him through the door. 279 00:23:02,440 --> 00:23:03,960 Did you mean it? 280 00:23:04,800 --> 00:23:05,800 Does it matter? 281 00:23:06,320 --> 00:23:07,360 I got the result. 282 00:23:09,960 --> 00:23:12,300 Getting results, Louis Delac. 283 00:23:14,440 --> 00:23:16,460 Is that what you found when you went looking for yourself? 284 00:23:17,100 --> 00:23:18,200 Shortcut to the end of things? 285 00:23:20,320 --> 00:23:21,620 That's your nerves talking now. 286 00:23:30,320 --> 00:23:32,660 Tu vas manger des humains comme tu manges ta pomme. 287 00:23:33,420 --> 00:23:34,420 Une part nuit. 288 00:23:34,680 --> 00:23:38,640 Aucune pitié pour l'enfant, la mère, l'invalide. 289 00:23:38,940 --> 00:23:40,680 Je suis un humain et j'aime ma nourriture. 290 00:23:42,000 --> 00:23:45,040 Quand je serai un vampire, est-ce que j'aimerai ma nourriture? 291 00:23:45,800 --> 00:23:47,320 Comment choisiras-tu qui tu es? 292 00:23:47,680 --> 00:23:49,840 Je tuerai sur les bords. Les faibles d'abord. 293 00:23:51,680 --> 00:23:54,100 Et occasionnellement, je me livrerai à mes appétits. 294 00:23:54,880 --> 00:23:57,800 Et quand on est dernier vesti, toute une époque auront disparu. 295 00:24:05,260 --> 00:24:06,740 There's been a war. 296 00:24:09,260 --> 00:24:13,180 He thinks there's something left of my era. 297 00:24:15,540 --> 00:24:16,700 He's going to say yes. 298 00:24:19,460 --> 00:24:21,520 You're stronger. I can feel it. 299 00:24:22,220 --> 00:24:23,220 I am. 300 00:24:23,840 --> 00:24:24,900 It's harder too. 301 00:24:26,720 --> 00:24:28,140 But you got to give up something. 302 00:24:28,890 --> 00:24:29,890 To get something? 303 00:24:33,990 --> 00:24:35,050 He's going to say yes. 304 00:24:59,520 --> 00:25:00,760 La Gestapo est venue le chercher. 305 00:25:02,660 --> 00:25:05,300 On a entendu un coup de feu quand la voiture a tourné au camp de la rue. 306 00:25:06,080 --> 00:25:09,480 Et la femme qui habitait plus bas, allait mort de faim dans sa chambre, 307 00:25:09,640 --> 00:25:13,240 portait des vêtements très chics, devenait de plus en plus maigre jusqu'à 308 00:25:13,240 --> 00:25:15,960 ce qu'un jour, je regarde contre sa porte et elle était là. 309 00:25:19,100 --> 00:25:20,360 Parce qu'elle avait des vêtements chics. 310 00:25:21,620 --> 00:25:24,660 Parfois je le voyais dans leurs yeux, comme si c'était sur le point d 311 00:25:24,660 --> 00:25:25,660 'abandonner. 312 00:25:25,780 --> 00:25:26,900 Et moi j'ai survécu. 313 00:25:27,280 --> 00:25:28,540 Moi j'ai suivi mes intents. 314 00:25:29,260 --> 00:25:30,380 I found the love I needed. 315 00:25:31,820 --> 00:25:33,340 Even when it was a dangerous love. 316 00:25:36,240 --> 00:25:37,380 An eye with an eye. 317 00:25:54,520 --> 00:25:58,320 And what will you do in a few decades? 318 00:26:24,760 --> 00:26:28,080 He said no. I said I would not do it. 319 00:26:28,430 --> 00:26:32,150 Metzger in the bedroom, Metzger only when it's hot or convenient. 320 00:26:32,510 --> 00:26:34,070 That's how I took it. I had reasoning. 321 00:26:34,370 --> 00:26:35,370 What was it? 322 00:26:37,950 --> 00:26:39,350 He had never made one. 323 00:26:40,910 --> 00:26:46,770 What? I have never made a vampire. You were a 500-year-old vampire. You led the 324 00:26:46,770 --> 00:26:48,910 Parisian coven for two centuries. 325 00:26:49,250 --> 00:26:53,490 And he hadn't told me. I did, once. He didn't hear it. He didn't? No. 326 00:26:54,750 --> 00:26:57,330 The idea repulsed me, repulsed. 327 00:26:57,680 --> 00:27:01,960 Me. Well, at least we can agree it was a disingenuous act. I went in there open 328 00:27:01,960 --> 00:27:04,600 -minded. You walked into Madden, outrageous. What's your mind made up? 329 00:27:05,500 --> 00:27:06,500 Louis' opinion. 330 00:27:07,780 --> 00:27:08,780 Claudia's opinion. 331 00:27:09,780 --> 00:27:11,360 Let's see, let's see. 332 00:27:12,540 --> 00:27:16,120 Fuck these vampires. 333 00:27:20,860 --> 00:27:25,520 What I've learned, I've learned from draining men, reading their thoughts. 334 00:27:26,440 --> 00:27:29,800 Not from books. I never went to school long enough as a mortal. 335 00:27:30,080 --> 00:27:32,600 You do not know your vampire nature. 336 00:27:33,180 --> 00:27:35,660 When I make a guido, Getze, he'll tell you the same. 337 00:27:35,960 --> 00:27:37,800 What a guido never shows. 338 00:27:38,000 --> 00:27:39,380 Santiago, where is your back to the audience? 339 00:27:40,260 --> 00:27:41,260 I've got an impulse. 340 00:27:42,700 --> 00:27:43,940 It doesn't work. Turn around. 341 00:27:44,920 --> 00:27:49,780 But if we stage it in the round... And where shall we put the audience? Behind 342 00:27:49,780 --> 00:27:53,180 the fucking projection screen? Ooh, what's up your ass tonight? 343 00:27:53,420 --> 00:27:54,500 Is your... 344 00:27:56,040 --> 00:27:59,380 Companion, duck up there. Chew in on your inner bits like a hamster. 345 00:28:02,740 --> 00:28:06,700 Claudia, can you respectfully find another object to bop? 346 00:28:10,740 --> 00:28:11,940 Always a yes, Major. 347 00:28:15,080 --> 00:28:16,380 Projections are our aesthetic. 348 00:28:16,780 --> 00:28:17,559 Or a crutch. 349 00:28:17,560 --> 00:28:18,880 I am the director directing. 350 00:28:19,220 --> 00:28:20,840 A play is a map for production. 351 00:28:21,120 --> 00:28:22,860 No, a play... 352 00:28:23,310 --> 00:28:24,310 is the script. 353 00:28:24,910 --> 00:28:27,830 And there are no mentions in this script of projections. 354 00:28:30,190 --> 00:28:31,490 That's your cue, Sam. 355 00:28:33,810 --> 00:28:35,010 It's a work in progress. 356 00:28:36,090 --> 00:28:37,330 Oh, I see. 357 00:28:38,970 --> 00:28:43,510 Pick it up, what we left off. Well, if it is a work in progress. 358 00:28:44,760 --> 00:28:48,920 Just ask, when the fuck is Guido arriving on the stage, please? 359 00:28:49,200 --> 00:28:52,740 He doesn't. He can't. He mustn't. Where are we left off, Santiago? 360 00:28:53,080 --> 00:28:55,300 Guido is hope. There can be no hope. 361 00:28:55,500 --> 00:28:57,860 You want to write poetry, write poems. This is a stage. 362 00:28:58,340 --> 00:29:02,840 We perform plays on a stage. This you honor in the playwright. Not prose poems 363 00:29:02,840 --> 00:29:03,920 or fucking maps. 364 00:29:04,440 --> 00:29:06,900 And plays require events, Sam. 365 00:29:07,140 --> 00:29:11,100 And there are no events in your shitty little play. And Quang and I are fucking 366 00:29:11,100 --> 00:29:13,280 dangling up here. That can be re... 367 00:29:14,740 --> 00:29:15,740 Gustav! 368 00:29:16,260 --> 00:29:18,700 We do horror shows so we can eat people! 369 00:29:19,340 --> 00:29:20,500 You're fangless! 370 00:29:21,500 --> 00:29:23,420 I love your work, ma'am. 371 00:29:23,980 --> 00:29:25,980 Apologies. Well played, maître. 372 00:29:26,660 --> 00:29:29,360 You come and read the script on stage. It's yours for the moment. 373 00:29:30,580 --> 00:29:33,120 And around, humans on stage. Ignore him. 374 00:29:34,340 --> 00:29:35,340 He'll be back. 375 00:29:39,020 --> 00:29:41,400 The Berlin blockade ended in May. 376 00:29:41,960 --> 00:29:44,260 The Geneva Convention was agreed in August. 377 00:29:44,620 --> 00:29:46,760 Some of the front pages from that year. 378 00:29:47,500 --> 00:29:53,680 But if you look in the filler, in the back pages, strange crimes reported. 379 00:29:55,880 --> 00:29:59,040 A telescopic lens stolen from the observatory at Meudon. 380 00:30:01,760 --> 00:30:05,700 A film company shooting the crime thriller Port d'Orient delayed when its 381 00:30:05,700 --> 00:30:08,400 inventory of color film stock is snatched. 382 00:30:09,290 --> 00:30:14,810 A gang of drunkards hanging off the side of the Eiffel Tower, all facing south by 383 00:30:14,810 --> 00:30:17,970 southwest, all muttering in unison. 384 00:30:18,710 --> 00:30:21,030 Gone by the time police arrived by elevator. 385 00:30:21,370 --> 00:30:23,210 Crimes all left unsolved. 386 00:30:24,170 --> 00:30:27,170 A thousand humans arrive in Paris, each carrying a suitcase. 387 00:30:27,410 --> 00:30:28,410 What's one more vampire? 388 00:30:28,550 --> 00:30:31,330 Why are we still talking about this? This will be behind us. I'm not 389 00:30:31,330 --> 00:30:35,350 satisfied with your answer. Those we make ourselves will always despise us 390 00:30:35,350 --> 00:30:36,350 for it. 391 00:30:36,490 --> 00:30:37,490 Celestine is still. 392 00:30:37,940 --> 00:30:41,680 There's the Mardem, the silly plot. 393 00:30:42,880 --> 00:30:45,200 That's a tight band. And he made you and Claudia. 394 00:30:48,260 --> 00:30:49,260 You're going to do it? 395 00:30:49,560 --> 00:30:50,560 Yes. 396 00:30:50,960 --> 00:30:51,960 When? 397 00:30:52,180 --> 00:30:53,180 Tonight. 398 00:30:54,320 --> 00:30:55,320 It's forbidden. 399 00:30:56,040 --> 00:30:57,380 Claudia does not want his blood. 400 00:30:59,120 --> 00:31:00,500 She doesn't have an alternative. 401 00:31:00,940 --> 00:31:01,940 We could fail. 402 00:31:02,120 --> 00:31:05,340 The woman could turn into one of those drooling revenants and fall back in. 403 00:31:18,000 --> 00:31:18,899 You shouldn't do it. 404 00:31:18,900 --> 00:31:25,580 You shouldn't tell me in my mind. I can't keep it closed any longer. I want 405 00:31:25,580 --> 00:31:26,580 you to come. 406 00:31:26,860 --> 00:31:28,000 I want you to witness. 407 00:31:30,240 --> 00:31:31,240 Why? 408 00:31:32,440 --> 00:31:35,700 Because it can be beautiful. 409 00:31:37,200 --> 00:31:39,400 We can bring one in a good way. 410 00:31:57,390 --> 00:31:58,390 It's okay. 411 00:32:01,070 --> 00:32:02,070 It's okay. 412 00:32:03,150 --> 00:32:04,490 Make sure we're not bothered. 413 00:32:05,070 --> 00:32:06,070 Yeah? 414 00:32:31,160 --> 00:32:32,920 Oh, I like this song. 415 00:32:33,940 --> 00:32:35,860 My heart is an island bird. 416 00:32:38,400 --> 00:32:39,920 I've never been to an island. 417 00:32:40,680 --> 00:32:41,680 Well, once. 418 00:32:42,980 --> 00:32:45,440 On a lake surrounded by carp. 419 00:32:46,720 --> 00:32:48,920 I don't like carp. I don't like Chardonnay. 420 00:32:51,260 --> 00:32:52,760 It's right for my life. 421 00:32:54,460 --> 00:32:55,580 I'm going to go pay the iftar. 422 00:32:56,140 --> 00:32:57,140 Yeah, me too. 423 00:33:04,080 --> 00:33:08,340 If you get scared, you just look at that light. 424 00:33:10,580 --> 00:33:11,800 Listen to my voice. 425 00:33:12,320 --> 00:33:13,840 I won't let anything go wrong. 426 00:33:14,700 --> 00:33:16,040 Don't worry about the blood. 427 00:33:17,880 --> 00:33:19,240 It's the blood that made you. 428 00:33:47,340 --> 00:33:53,380 Madeline welcomed my fangs, the lamb smiling up at the wolf 429 00:33:53,380 --> 00:33:58,300 with unsettling passivity. 430 00:34:00,600 --> 00:34:03,580 She watched the lamb while I fed on her. 431 00:34:05,840 --> 00:34:08,219 That's good. That's right. 432 00:34:08,600 --> 00:34:09,960 You're turning cold now. 433 00:34:10,699 --> 00:34:11,699 Me too. 434 00:34:11,920 --> 00:34:15,400 And Claudia guided her softly down the path. 435 00:34:16,400 --> 00:34:17,800 Down the dark path. 436 00:34:18,760 --> 00:34:20,159 Hold on to my voice. 437 00:34:58,960 --> 00:35:00,520 Drank with reverence. 438 00:35:02,120 --> 00:35:05,740 I drank with obligation. 439 00:35:10,060 --> 00:35:16,980 Disjoint fragments of Madeline's life filled my head, carried on the 440 00:35:16,980 --> 00:35:18,440 warm current of her blood. 441 00:35:20,860 --> 00:35:24,280 The pleasures of a sly coupling. 442 00:35:29,870 --> 00:35:31,670 The joys of a sunny afternoon. 443 00:35:34,170 --> 00:35:38,350 The anguish of an unexpected death. 444 00:35:46,790 --> 00:35:52,350 The rage and humiliation of a trial by mob. 445 00:36:03,950 --> 00:36:10,570 But amongst the pastiche of war and desire, beauty and damage, I saw 446 00:36:10,570 --> 00:36:11,570 Claudia. 447 00:36:12,930 --> 00:36:19,470 In an impossible afternoon light she could never survive in, Claudia, 448 00:36:19,550 --> 00:36:24,590 as Madeline perceived her, was splendid, 449 00:36:25,010 --> 00:36:30,450 rendered even more beautiful by her beholder. 450 00:36:31,850 --> 00:36:33,350 And I knew then, 451 00:36:34,600 --> 00:36:40,940 With all certainty, she would be a better companion to Claudia than I ever 452 00:36:40,940 --> 00:36:41,940 had. 453 00:36:43,460 --> 00:36:47,560 I tore my wrist and fed her the gift. 454 00:37:16,110 --> 00:37:17,110 Did she take it? 455 00:37:20,270 --> 00:37:21,270 Yeah. 456 00:37:22,130 --> 00:37:23,270 Yeah, she is. 457 00:37:24,470 --> 00:37:27,570 They're both on their way. 458 00:37:29,070 --> 00:37:30,910 I told them to get out of town. 459 00:37:32,130 --> 00:37:33,190 They're out of town. 460 00:37:34,490 --> 00:37:39,030 And I know that because I can feel her. 461 00:37:41,350 --> 00:37:44,830 Madeline, this stranger. 462 00:37:46,990 --> 00:37:47,990 My fledgling. 463 00:37:51,470 --> 00:37:52,470 What's happened here? 464 00:37:53,350 --> 00:37:58,350 I opened my wrist back up, gagged myself, tried to throw the blood back 465 00:37:58,350 --> 00:37:59,350 up. 466 00:38:00,110 --> 00:38:02,930 I thought I feel like I was losing Claudia. 467 00:38:05,190 --> 00:38:06,370 I did not care. 468 00:38:09,110 --> 00:38:10,350 I finished the job. 469 00:38:12,310 --> 00:38:15,670 Claudia took my hand. We said something about being even. 470 00:38:18,190 --> 00:38:19,190 I did not care. 471 00:38:21,290 --> 00:38:22,290 You were right. 472 00:38:24,850 --> 00:38:25,850 Give it time. 473 00:38:27,410 --> 00:38:29,970 It is a difficult one, but one worth having. 474 00:38:33,910 --> 00:38:35,610 You'll find your way back to each other. 475 00:38:36,950 --> 00:38:37,950 What's in the suitcase? 476 00:38:39,110 --> 00:38:40,110 Some clothes. 477 00:38:41,230 --> 00:38:42,230 A few books. 478 00:38:43,270 --> 00:38:45,230 Cutting from a magnolia tree I've been growing. 479 00:38:56,430 --> 00:38:57,430 Might have killed me. 480 00:38:59,310 --> 00:39:00,850 Hunted the three of you down. 481 00:39:01,570 --> 00:39:02,810 Caught you, burned you. 482 00:39:03,090 --> 00:39:08,110 I don't know if it will satisfy their might be hostilities or the fur. 483 00:39:08,990 --> 00:39:10,050 Bloodless vampirical. 484 00:39:13,010 --> 00:39:14,410 You broke with the Coven? 485 00:39:16,670 --> 00:39:17,750 They gave me a choice. 486 00:39:20,490 --> 00:39:21,490 I chose. 487 00:39:21,710 --> 00:39:23,090 That's what you said to me, right? 488 00:39:23,450 --> 00:39:24,490 Standing in my blood. 489 00:39:25,000 --> 00:39:26,000 Stroking my hair? 490 00:39:27,060 --> 00:39:28,140 You know it is. 491 00:39:28,920 --> 00:39:31,640 That's my memory of it. But you were there too. 492 00:39:32,080 --> 00:39:36,660 Maybe there's something I missed? Or maybe there's something you put in there 493 00:39:36,660 --> 00:39:37,660 later? 494 00:39:38,080 --> 00:39:38,799 Stop it! 495 00:39:38,800 --> 00:39:39,800 Stop it. 496 00:39:40,940 --> 00:39:43,660 It's too important a moment in our story for these games. 497 00:39:44,200 --> 00:39:46,100 Oh, is there a game being played? 498 00:39:51,000 --> 00:39:52,000 You remembered. 499 00:39:53,220 --> 00:39:57,840 What you did to yourself in San Francisco, and you're angry that I 500 00:39:57,840 --> 00:39:58,840 erased it. 501 00:40:06,120 --> 00:40:07,120 I am. 502 00:40:07,340 --> 00:40:08,420 You have no right to be. 503 00:40:09,220 --> 00:40:10,440 You asked me to do it. 504 00:40:14,420 --> 00:40:15,860 What? He's full of shit. 505 00:40:16,400 --> 00:40:19,920 I failed, Louis, once in my life. It wasn't in San Francisco. I will never 506 00:40:19,920 --> 00:40:22,340 ask you to do that. The pages I tore out of Claudia's diaries. 507 00:40:22,810 --> 00:40:25,730 We did most of those together. Not all of them. And the ones I did on my own 508 00:40:25,730 --> 00:40:28,750 were to protect me from you, Mr. Malloy. 509 00:40:30,390 --> 00:40:31,750 Why did I owe you my shame? 510 00:40:34,170 --> 00:40:38,410 Why did I owe you my one act of cowardice? 511 00:40:40,730 --> 00:40:45,370 The series of abhorrent consequences that followed. 512 00:40:55,020 --> 00:40:59,140 I spent the rest of my life trying to make up for it. I'll never make up for 513 00:40:59,140 --> 00:41:00,140 it. 514 00:41:01,400 --> 00:41:02,820 But he forgave me for it. 515 00:41:04,620 --> 00:41:05,800 I didn't forgive you. 516 00:41:08,460 --> 00:41:11,720 Drugs did far more damage to your mind than five nights in San Francisco. 517 00:41:12,180 --> 00:41:13,098 It was six. 518 00:41:13,100 --> 00:41:14,100 My point made. 519 00:41:15,540 --> 00:41:17,460 You've a sharper mind as any human that walks. 520 00:41:23,310 --> 00:41:24,790 You want an apology, I'm sorry. 521 00:41:25,730 --> 00:41:27,570 He thought it was the right thing to do, too. 522 00:41:28,350 --> 00:41:30,070 You were going to drain me, pal. 523 00:41:31,250 --> 00:41:32,610 Belated apology number two. 524 00:41:41,050 --> 00:41:44,250 I asked you to erase it? 525 00:41:45,490 --> 00:41:46,490 Yes. 526 00:41:48,990 --> 00:41:52,050 After you came out of a shower in our home in Sausalito. 527 00:41:54,120 --> 00:41:55,720 Three days after we abandoned him. 528 00:42:12,800 --> 00:42:17,200 Continuing on the record, Mr. Malloy, I was a coward. 529 00:42:23,100 --> 00:42:25,240 We've been burying our meals outside St. Denis. 530 00:42:25,820 --> 00:42:27,560 Flowers starting to pop up on the ground. 531 00:42:28,100 --> 00:42:31,160 Lavender, sweet iris, peony. 532 00:42:31,780 --> 00:42:34,620 Flowers growing from the dead, cold things becoming warm. 533 00:42:35,560 --> 00:42:38,620 I saw a dead girl in your mind while you were dying. 534 00:42:38,900 --> 00:42:40,700 Oui, Aimee, my sister. 535 00:42:42,240 --> 00:42:43,240 She the replacement? 536 00:42:45,280 --> 00:42:49,740 What? I saw the same thing that night. We already had it out. Aimee, we used to 537 00:42:49,740 --> 00:42:51,040 call her the family idiot. 538 00:42:51,940 --> 00:42:53,060 She would eat pine cones. 539 00:42:54,760 --> 00:42:58,360 And I didn't tell her about Amy because I didn't want her thinking she was... 540 00:42:58,360 --> 00:43:00,260 What was your what? The replacement. What? 541 00:43:01,660 --> 00:43:04,740 To thank you for falling right back into Daddy Lou's shoes. 542 00:43:05,420 --> 00:43:07,440 And thank you for never treating me like a child. 543 00:43:08,080 --> 00:43:09,420 Take some lessons, Libby. 544 00:43:11,260 --> 00:43:14,620 Are you thinking of coming back to Paris? Trash piles and men who smell 545 00:43:14,620 --> 00:43:18,140 like... We're going to Wander. 546 00:43:18,800 --> 00:43:20,440 Wander? Mm-hmm. 547 00:43:21,460 --> 00:43:23,100 Wander. This one? 548 00:43:23,520 --> 00:43:26,080 See the straight line of the next X on the map? 549 00:43:26,360 --> 00:43:28,020 This is the X, Louis. 550 00:43:31,040 --> 00:43:32,040 All right. 551 00:43:32,440 --> 00:43:35,240 Okay, well, to finding the X. 552 00:43:37,300 --> 00:43:38,460 Stop it. Okay. 553 00:43:42,720 --> 00:43:44,020 How do you like my coffin? 554 00:43:44,780 --> 00:43:49,720 I wake up at night, and the fans aren't trading insults. 555 00:43:49,930 --> 00:43:53,510 Estelle isn't smearing makeup all over herself or humming off key. Singing off 556 00:43:53,510 --> 00:43:59,250 key. No one is forcing me to listen to their gossip or solve their petty 557 00:43:59,250 --> 00:44:00,250 crisis. 558 00:44:00,530 --> 00:44:01,530 Please. 559 00:44:02,290 --> 00:44:05,070 Estelle, we didn't make it easy for you. 560 00:44:05,430 --> 00:44:06,470 I'm sorry for that. 561 00:44:09,870 --> 00:44:10,870 You're out there? 562 00:44:12,610 --> 00:44:13,970 I cannot read your mind. 563 00:44:15,530 --> 00:44:18,030 The architect of our... 564 00:44:20,140 --> 00:44:23,340 I made you. That's just the way it is. Yes, but I feel you, Louis. 565 00:44:24,820 --> 00:44:26,820 I feel you too, Madeline. 566 00:44:29,580 --> 00:44:31,800 I told Claudia I can feel you love her. 567 00:44:32,900 --> 00:44:34,440 And we should see him once more. 568 00:44:36,300 --> 00:44:37,300 I'm glad you did. 569 00:44:38,340 --> 00:44:39,420 I'm glad we did this. 570 00:44:41,400 --> 00:44:42,620 I can feel you too. 571 00:44:45,320 --> 00:44:46,320 Through him. 572 00:44:49,900 --> 00:44:51,120 Yes, he loves you. Okay. 573 00:44:51,820 --> 00:44:54,160 Okay. Well, let's get the hell out of my soul. 574 00:44:55,620 --> 00:44:59,300 He gets enough affection. I don't need his head getting too big to get out the 575 00:44:59,300 --> 00:45:00,238 door. 576 00:45:00,240 --> 00:45:01,240 Take a stretch. 577 00:45:01,340 --> 00:45:02,340 Or do me another. 578 00:45:02,680 --> 00:45:03,680 Love. 579 00:45:04,240 --> 00:45:05,240 There he goes. 580 00:45:06,300 --> 00:45:08,440 Mm-hmm. There he goes. 581 00:45:09,840 --> 00:45:12,560 Will he get through the door with that big head? 582 00:45:17,840 --> 00:45:20,080 Why don't you want him to know how much you love him? 583 00:45:20,780 --> 00:45:21,780 That's a little personal. 584 00:46:06,090 --> 00:46:07,450 They gave him a choice. 585 00:46:10,450 --> 00:46:11,450 He chose. 586 00:46:12,490 --> 00:46:17,690 Ladies and gentlemen, mesdames et messieurs, awful and awfulestes, and all 587 00:46:17,690 --> 00:46:19,990 those who flourish outside the divide, welcome. 588 00:46:21,230 --> 00:46:27,970 For 150 years, we here at the Théâtre des Vampires have shown you, you, 589 00:46:28,430 --> 00:46:33,410 your obscene predilections, your savage desires. 590 00:46:34,860 --> 00:46:39,240 But today, we're shunting human affairs aside. 591 00:46:39,820 --> 00:46:43,520 So if you want to kill your lover or fuck your mother, it'll have to wait. 592 00:46:46,380 --> 00:46:52,300 Because today, we're turning our lurid spotlight on ourselves. 593 00:46:53,440 --> 00:46:56,420 I stand before you in broad... 594 00:46:56,830 --> 00:47:03,110 daylight at this first-ever matinee at the Théâtre des Vampires to perform for 595 00:47:03,110 --> 00:47:05,690 your salacious gratification. 596 00:47:07,230 --> 00:47:13,950 Are you ready, you filthy animals? 597 00:47:15,730 --> 00:47:21,870 The jury 598 00:47:21,870 --> 00:47:23,510 may be seated. 599 00:47:36,680 --> 00:47:40,080 Times for which this iniquitous trio stand accused. 600 00:47:40,800 --> 00:47:46,820 The making of a vampire from a mortal child. 601 00:47:47,860 --> 00:47:50,740 It's a minute to your interim, Mr. Dianko. 602 00:47:54,540 --> 00:47:55,840 Mr. Dianko? 603 00:47:56,940 --> 00:47:57,960 Thank you. 604 00:48:06,250 --> 00:48:12,950 meditated murders of the vampires Antoinette Brown and the vampire Le Dac 605 00:48:12,950 --> 00:48:14,150 de Leoncourt. 43315

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.