1 00:00:36,170 --> 00:00:37,310 How did I get the tape? 2 00:00:40,450 --> 00:00:44,310 There was no postage on the package with the tapes. 3 00:00:46,170 --> 00:00:47,170 Rashid. 4 00:00:48,430 --> 00:00:53,250 The bylaws of my co-op say only the mailman can have the key that opens up 5 00:00:53,250 --> 00:00:55,930 all the mailboxes. So did you guys get to my mailman? 6 00:00:57,230 --> 00:01:01,390 Huh? I usually give him a little something for Christmas, but I mean... 7 00:01:01,390 --> 00:01:05,250 You know, I mean, if he's in on it, then... 8 00:01:06,280 --> 00:01:08,220 I'm thinking, do I still have that obligation? 9 00:01:10,460 --> 00:01:11,460 Rashid? 10 00:01:21,580 --> 00:01:22,700 I'm going to the bathroom. 11 00:01:25,440 --> 00:01:26,860 I'm going to make a run for it. 12 00:01:29,000 --> 00:01:32,860 Rashid, they're going to turn you into broth bags because you couldn't hold it. 13 00:01:36,360 --> 00:01:37,360 Hello. 14 00:01:39,060 --> 00:01:42,080 They sent a chaperone. I'm sorry. Go away. 15 00:01:43,080 --> 00:01:46,840 Rashid? He loves the handsome thing you say. I wouldn't worry too much about 16 00:01:46,840 --> 00:01:50,580 Rashid. Oh, I've been dreaming about the macro here. 17 00:01:53,400 --> 00:01:55,000 The two Barcelos would fit. 18 00:01:55,380 --> 00:01:56,940 If we replaced the couch. 19 00:01:57,260 --> 00:02:02,500 I assumed we would. The couch and the table and the Antio Javelina. 20 00:02:02,820 --> 00:02:04,360 Then, then, then. 21 00:02:05,339 --> 00:02:08,560 How about DIY wallpaper with the Hockney lemons? 22 00:02:09,199 --> 00:02:11,360 Like we're a Ferndale hotel lobby? 23 00:02:13,960 --> 00:02:17,100 Okay. What do you think we should do with the wall? 24 00:02:17,420 --> 00:02:19,000 How big is the Talamasca? 25 00:02:19,940 --> 00:02:21,320 Who funds you guys? 26 00:02:21,620 --> 00:02:23,120 Do you work with nation states? 27 00:02:23,920 --> 00:02:25,120 That's why you called me here? 28 00:02:26,440 --> 00:02:28,640 You had pictures of me in 1973. 29 00:02:29,220 --> 00:02:30,220 Pictures of them? 30 00:02:30,480 --> 00:02:32,080 You were a fly on the windshield. 31 00:02:32,440 --> 00:02:33,500 Can you protect me? 32 00:02:34,810 --> 00:02:36,350 Trump being killed? No. 33 00:02:36,670 --> 00:02:39,690 We're particularly poor at keeping our assets alive. 34 00:02:39,990 --> 00:02:40,929 I'm not an asset. 35 00:02:40,930 --> 00:02:45,450 You messaged me, I showed up. The mackerel was better last time. 36 00:02:45,670 --> 00:02:46,710 I want to get out alive. 37 00:02:47,490 --> 00:02:49,050 You want a book. 38 00:02:50,190 --> 00:02:54,450 I want both. You fear Armand. 39 00:02:55,270 --> 00:02:56,830 You should fear the other one. 40 00:02:57,490 --> 00:03:00,130 What about a selection of Fred Steins? 41 00:03:00,810 --> 00:03:01,810 Tastefully framed. 42 00:03:02,380 --> 00:03:05,160 They've been sitting in my albums all this time. Seems a waste. 43 00:03:06,620 --> 00:03:11,560 Or better not to have so tangible a reminder of Paris up on our walls. 44 00:03:11,960 --> 00:03:16,560 An interview about Paris is a more tangible reminder of Paris than a few 45 00:03:16,560 --> 00:03:17,560 photographs. 46 00:03:19,440 --> 00:03:21,020 Leave it there, then. 47 00:03:22,140 --> 00:03:24,160 Wait for Revelation to enter the room. 48 00:03:26,440 --> 00:03:27,980 We can help you find a publisher. 49 00:03:28,180 --> 00:03:32,680 I have a publisher. Your publisher will get a phone call before you turn it in. 50 00:03:32,880 --> 00:03:37,160 They will pay you handsomely for your manuscript and bury it. You won't even 51 00:03:37,160 --> 00:03:38,160 see a galley proof. 52 00:03:38,940 --> 00:03:42,420 It's all going to come out soon enough, and there's a number of us in the order 53 00:03:42,420 --> 00:03:47,760 who think better it happens with Daniel Malloy in paperback than the bumbling 54 00:03:47,760 --> 00:03:49,100 governments of the world. 55 00:03:50,930 --> 00:03:54,950 What's the ask? My superiors have a list, a few hundred questions they'd 56 00:03:54,950 --> 00:04:00,730 like you to weave into your interview, and I'm professionally charged to press 57 00:04:00,730 --> 00:04:03,030 you to include them. And apart from your charge? 58 00:04:03,310 --> 00:04:04,770 I think it would be disastrous. 59 00:04:05,210 --> 00:04:10,570 I think you've been masterful. I think if I could swap bodies with you, I'd be 60 00:04:10,570 --> 00:04:11,690 running the order by now. 61 00:04:15,890 --> 00:04:17,529 How's the soap, Agent Rashid? 62 00:04:18,670 --> 00:04:20,089 We should be returning now. 63 00:04:20,589 --> 00:04:23,310 Mr. Malloy would like to stay alive, Rashid. 64 00:04:23,890 --> 00:04:27,290 Then perhaps he should have thrown the tapes away when he found them in his 65 00:04:27,290 --> 00:04:28,290 mailbox. 66 00:04:31,310 --> 00:04:33,910 Oh, that's very kind of you. Thank you. 67 00:04:35,370 --> 00:04:36,370 I'm leaving you. 68 00:04:37,550 --> 00:04:39,130 I wish to tell you that now. 69 00:04:40,530 --> 00:04:41,610 I thought as much. 70 00:04:42,810 --> 00:04:45,810 And I thought as well that you'd make a flowery announcement. 71 00:04:48,490 --> 00:04:51,550 Tell me what a monster I am, what a vulgar fiend. 72 00:04:51,770 --> 00:04:56,090 I make no judgment of you. I am not interested in you. I'm interested in my 73 00:04:56,090 --> 00:04:57,950 own vampire nature now. 74 00:04:58,190 --> 00:04:59,310 What do you think a vampire is? 75 00:04:59,910 --> 00:05:01,650 I don't pretend to know. 76 00:05:03,470 --> 00:05:08,550 What is it? A flaccid, full-length play based on nothing other than the 77 00:05:08,550 --> 00:05:13,190 superficial observations of the vampire Sam, his meditation on vampiric 78 00:05:13,190 --> 00:05:14,530 existence and enduring. 79 00:05:14,810 --> 00:05:19,600 Great. I remember you racing back from rehearsals to tell me how ambitious the 80 00:05:19,600 --> 00:05:20,399 conceit was. 81 00:05:20,400 --> 00:05:23,220 Well, I was following your advice, wasn't I? I didn't want to bring the 82 00:05:23,220 --> 00:05:27,100 work's anxieties into our home. Or you're recalling the events with bias 83 00:05:27,100 --> 00:05:29,560 because of the machinations surrounding it. 84 00:05:32,320 --> 00:05:36,080 Lead with a velvet glove instead of a nine gauntlet was the advice. 85 00:05:36,380 --> 00:05:38,700 Indulge the buffoon. Were my words. 86 00:05:39,060 --> 00:05:41,780 Feed Santiago his own ego back to him. 87 00:05:42,760 --> 00:05:44,560 And smother mutiny with praise. 88 00:05:45,710 --> 00:05:52,450 What does it mean to die when you can live until the end of the world? 89 00:05:54,190 --> 00:05:57,150 What is the end of the world, except a phrase? 90 00:05:57,710 --> 00:06:02,650 I have lived now in two centuries, seeing the illusions of one utterly 91 00:06:02,650 --> 00:06:07,970 shattered by the other. Been eternally young and eternally ancient. 92 00:06:08,430 --> 00:06:14,270 Living moment to moment in a way that made me picture a silver clock. 93 00:06:22,640 --> 00:06:27,240 It's quite lovely, Sam. 94 00:06:28,120 --> 00:06:30,300 Even more what you're doing with it, Santiago. 95 00:06:32,360 --> 00:06:33,360 Thank you, Matt. 96 00:06:42,990 --> 00:06:47,370 What does it mean to die when you can live until the end of the world? 97 00:06:47,630 --> 00:06:50,970 I thought I was being clever, nailing him to the stage. 98 00:06:51,190 --> 00:06:52,350 And what is the end of the world? 99 00:06:53,970 --> 00:06:55,010 Except a phrase. 100 00:06:55,370 --> 00:06:57,270 My eyes on him till curfew every night. 101 00:06:57,470 --> 00:07:01,950 I have lived now in two centuries. But the play had no roles for women, and 102 00:07:01,950 --> 00:07:04,810 petulant members of the coven were free to roam the night. 103 00:07:05,030 --> 00:07:06,770 I walked by the theatre a fortnight ago. 104 00:07:07,810 --> 00:07:11,810 I thought that it was dark. Yes, the theatre is updating its repertoire. 105 00:07:12,750 --> 00:07:13,750 Isn't that exciting? 106 00:07:13,930 --> 00:07:18,930 For those with roles in the updated repertoire, it's treacherously exciting. 107 00:07:19,270 --> 00:07:22,810 It's why we sit across from you this evening, Pierre Roger. 108 00:07:23,290 --> 00:07:29,170 Monsieur Leonco, the gentleman whose wealth has made our sacred arts possible 109 00:07:29,170 --> 00:07:31,250 for the last 150 years. 110 00:07:32,010 --> 00:07:34,850 Maître wishes to invite him to attend the premiere. 111 00:07:35,450 --> 00:07:37,170 Ah, a lovely mission. 112 00:07:37,910 --> 00:07:41,210 Of course, the difficulty is the... 113 00:07:42,280 --> 00:07:46,120 Communications with your esteemed patron occur only one way. 114 00:07:46,340 --> 00:07:48,420 Ask him when was the last time they were in communication. 115 00:07:48,940 --> 00:07:52,340 Maybe ask when was the last time you spoke with him. 116 00:07:52,740 --> 00:07:53,740 Hard to say. 117 00:07:54,400 --> 00:07:55,920 Communications are irregular. 118 00:07:56,300 --> 00:07:58,740 Has there been a lapse in communication? 119 00:07:59,160 --> 00:08:02,760 There hasn't been a lapse in communication, has there? On that point, 120 00:08:02,920 --> 00:08:05,740 I haven't been authorized to devote. Get on with it. 121 00:08:06,280 --> 00:08:10,500 The day, the hour, the minute you last spoke with. 122 00:08:15,320 --> 00:08:20,080 Telegram. New Orleans, Louisiana, early February 1940. 123 00:08:22,680 --> 00:08:24,740 Illuminated by light. 124 00:08:24,980 --> 00:08:28,260 In retrospect, the buffoon was in the audience. 125 00:08:28,540 --> 00:08:35,260 Like the light by which God made the world before he made light. Scribbling 126 00:08:35,260 --> 00:08:39,340 in the margins, oblivious to the conspiracy uniting around him. 127 00:08:42,059 --> 00:08:48,760 The precision of a clock in a room as vast as the universe. 128 00:08:56,840 --> 00:08:58,200 Bravo! Bravo! 129 00:08:58,500 --> 00:09:00,600 Bravo! Bravo! Bravo! 130 00:09:00,920 --> 00:09:02,540 Really? Yes. 131 00:09:02,740 --> 00:09:05,500 You were an ancient vampire. You could read any mind you want. 132 00:09:05,820 --> 00:09:06,820 I was enough. 133 00:09:07,920 --> 00:09:11,120 You buy that? I buy that he'd been in power. 134 00:09:11,580 --> 00:09:12,580 A long time. 135 00:09:13,320 --> 00:09:14,480 You can get lazy. 136 00:09:14,940 --> 00:09:15,940 It was love. 137 00:09:17,300 --> 00:09:18,300 Okay. 138 00:09:19,040 --> 00:09:20,040 And love. 139 00:09:20,280 --> 00:09:22,500 He was loving in those days. Sure. 140 00:09:23,720 --> 00:09:24,720 Love. 141 00:09:25,480 --> 00:09:30,740 Rashid, did you and Mr. Malloy talk to anyone during dinner? Just the chef when 142 00:09:30,740 --> 00:09:31,659 ordering her. 143 00:09:31,660 --> 00:09:34,720 Were you with Mr. Malloy the entire dinner? He used the restroom for 144 00:09:34,720 --> 00:09:38,100 approximately five minutes. Had a piece of halibut that still wanted to swim. 145 00:09:38,280 --> 00:09:39,640 You were not to leave Mr. Malloy alone? 146 00:09:39,860 --> 00:09:42,520 He didn't. Stood by the hand dryer like a creep. 147 00:09:43,100 --> 00:09:46,200 Why do you ask, love? 148 00:09:55,740 --> 00:09:58,540 Diaries are friends of last resort. 149 00:09:59,320 --> 00:10:02,220 I have found one not made of paper and glue. 150 00:10:02,480 --> 00:10:04,120 Fuck these vampires. 151 00:10:06,880 --> 00:10:10,020 That's her last entry, unless you're sitting on more of those ripped-out 152 00:10:10,020 --> 00:10:11,020 pages. 153 00:10:12,220 --> 00:10:13,720 You have everything we have. 154 00:10:14,800 --> 00:10:18,240 Unless you're sitting on something behind your encrypted laptop. 155 00:10:19,240 --> 00:10:22,160 Madeline, Claudia's immortal beloved. 156 00:10:23,200 --> 00:10:24,440 Not yet immortal. 157 00:10:25,070 --> 00:10:28,390 Note to self, everything related to Claudia from this point forward is 158 00:10:28,390 --> 00:10:29,850 without written corroboration. 159 00:10:30,650 --> 00:10:32,630 Just our memories of her. 160 00:10:34,770 --> 00:10:36,410 However porous they come. 161 00:10:40,250 --> 00:10:43,430 A little more vermouth next time, Rashid? I can make another. 162 00:10:43,710 --> 00:10:44,710 No, it's good. 163 00:10:45,150 --> 00:10:46,550 It's just his were better. 164 00:11:34,030 --> 00:11:35,810 Go on, make your way down, very ingenious! 165 00:11:36,050 --> 00:11:37,270 Stop going backwards! 166 00:11:37,590 --> 00:11:38,870 We're stopping coming back, okay? 167 00:12:11,820 --> 00:12:12,820 Okay, you see? 168 00:12:28,120 --> 00:12:29,360 Write everything you want. 169 00:12:30,700 --> 00:12:31,700 See you, son. 170 00:12:47,820 --> 00:12:49,420 We'll see if this gives an alarm. 171 00:14:30,380 --> 00:14:31,380 You going to run? 172 00:14:34,400 --> 00:14:35,400 Don't. 173 00:14:37,200 --> 00:14:38,139 Don't run. 174 00:14:38,140 --> 00:14:41,500 A lot of noise just happened. 175 00:14:42,420 --> 00:14:43,420 Miller Paris. 176 00:14:43,760 --> 00:14:44,760 I got to clean up. 177 00:14:45,140 --> 00:14:50,820 I can do it fast. I can do it right. But if I don't clean up, 178 00:14:50,900 --> 00:14:54,180 you could be in some trouble. 179 00:15:10,160 --> 00:15:11,160 That's good. 180 00:15:12,900 --> 00:15:13,900 Sit down. 181 00:15:16,860 --> 00:15:22,480 I'm going to clean up. 182 00:15:25,340 --> 00:15:26,400 And then we can talk. 183 00:15:30,440 --> 00:15:31,440 Vampire. 184 00:15:45,960 --> 00:15:47,180 Where's the light switch? 185 00:15:56,940 --> 00:16:02,820 Thank you. 186 00:16:17,320 --> 00:16:18,320 Top of the morning. 187 00:16:21,380 --> 00:16:22,460 I got that vault. 188 00:16:23,920 --> 00:16:29,080 Different brushes, hands, things, rubbing, scratching, gestures of 189 00:16:29,080 --> 00:16:34,900 anxiety, but then the blues, like little cigar ends, like 190 00:16:34,900 --> 00:16:37,320 portals to the sky beyond. 191 00:16:37,700 --> 00:16:38,780 Like he got sick on the canvas? 192 00:16:39,140 --> 00:16:41,820 Watch. I'll spell it for five times the price in a year. 193 00:16:42,860 --> 00:16:44,760 30 times if he keeps drinking and dies. 194 00:16:44,980 --> 00:16:45,980 And what then? 195 00:16:46,140 --> 00:16:47,880 Reinvest. More Vols? 196 00:16:48,800 --> 00:16:54,980 More Vols. More Mathieu, Solage, real estate, dividends, stocks with compound 197 00:16:54,980 --> 00:16:55,980 interest. 198 00:16:56,400 --> 00:16:57,400 Maybe a plane. 199 00:16:58,220 --> 00:17:00,200 And who is going to fly your plane? 200 00:17:00,540 --> 00:17:01,540 I'll fly it. 201 00:17:01,680 --> 00:17:05,560 The first vampire capitalist, the first vampire pilot. 202 00:17:05,760 --> 00:17:06,760 Why not? 203 00:17:07,040 --> 00:17:08,119 Take off your clothes. 204 00:17:09,819 --> 00:17:13,780 I am going through Sam's new papers. Clothes off, face down, in the coffin. 205 00:17:13,980 --> 00:17:15,359 You can read them to me while I fuck you. 206 00:17:45,070 --> 00:17:48,470 Probably really shallow now, but not insightful. 207 00:17:49,190 --> 00:17:50,650 Human death and all this variety. 208 00:17:53,330 --> 00:17:54,570 What's blood taste like? 209 00:17:54,870 --> 00:17:56,010 You've bit your lip before. 210 00:17:56,350 --> 00:17:57,350 No. 211 00:17:58,770 --> 00:18:00,290 What's it like to drink blood? 212 00:18:01,610 --> 00:18:04,270 Is it like drinking life itself? 213 00:18:05,570 --> 00:18:06,570 Warm? 214 00:18:07,230 --> 00:18:11,570 Thick? It's not the answer to life's mystery. It's food. 215 00:18:11,850 --> 00:18:12,850 I need it. 216 00:18:22,920 --> 00:18:24,320 I watch it fly along your veins. 217 00:18:33,980 --> 00:18:34,980 Thank you, babe. 218 00:18:37,820 --> 00:18:39,200 No. Why not? 219 00:18:39,440 --> 00:18:42,240 No. Why not? Because once she starts, you can't stop her. 220 00:18:44,600 --> 00:18:46,720 This a dressmaker? You're supposed to run out of time? 221 00:18:48,900 --> 00:18:50,780 Um, yes, I'm the forbidden friend. 222 00:18:51,280 --> 00:18:55,300 Madeline, this is Louie. Louie. She's reading one of your diaries in my 223 00:18:55,300 --> 00:18:59,040 coffin. I won't touch her. She says another word, I'll break her arms and 224 00:18:59,040 --> 00:19:00,540 throw her out the window. Pull up her chair. 225 00:19:01,160 --> 00:19:02,740 Let's start again. 226 00:19:03,760 --> 00:19:06,040 I'd like a couple months. 227 00:19:06,280 --> 00:19:09,420 Louie. When you don't tear things down. This is Madeline. Or fuck things up. I 228 00:19:09,420 --> 00:19:11,400 had you covered. Don't be that laugh at the dress I wore a while back. 229 00:19:11,680 --> 00:19:15,880 She's funny, she's blunt, and it's a long story, but I killed in front of 230 00:19:15,880 --> 00:19:16,880 her. 231 00:19:18,410 --> 00:19:20,970 And she sat in the corner and watched while I bundled up bodies. 232 00:19:21,170 --> 00:19:22,069 Didn't cry. 233 00:19:22,070 --> 00:19:23,070 Didn't get flustered. 234 00:19:23,770 --> 00:19:25,130 Since then, we've been talking. 235 00:19:26,550 --> 00:19:27,550 Is it romantic? 236 00:19:28,170 --> 00:19:29,730 No. No, not yet. 237 00:19:35,810 --> 00:19:39,090 You were the thoughts, now you're Armand's. Or Armand is mine. 238 00:19:41,830 --> 00:19:43,950 I've been a third all my life. 239 00:19:44,450 --> 00:19:47,390 Not saying that to fight, just saying that it's true. 240 00:19:48,590 --> 00:19:55,510 I feel like I get to pick one thing for myself, and it's her, 241 00:19:55,630 --> 00:19:59,110 a weird white lady I met by happenstance. 242 00:20:19,630 --> 00:20:20,630 You want a companion? 243 00:20:25,850 --> 00:20:26,850 She does. 244 00:20:28,750 --> 00:20:29,750 Yes. 245 00:20:36,970 --> 00:20:39,050 Last time I tried those young boys. 246 00:20:39,570 --> 00:20:42,690 Back in... They all died, Louie. 247 00:20:43,230 --> 00:20:44,230 I'm too small. 248 00:20:45,630 --> 00:20:47,010 I never made one before. 249 00:20:47,270 --> 00:20:48,630 I'm not sure if I can... No. 250 00:20:49,020 --> 00:20:50,020 Not you. 251 00:20:50,080 --> 00:20:53,660 Not... Not Lestat's blood. I wouldn't want that for anyone. Not good enough 252 00:20:53,660 --> 00:20:54,439 for us. 253 00:20:54,440 --> 00:20:55,620 Not good enough for her. 254 00:20:57,060 --> 00:21:01,120 She swore an oath, trampled on the laws, and I am to reward her for it? 255 00:21:01,660 --> 00:21:03,660 To every vampire a dressmaker? 256 00:21:04,040 --> 00:21:07,180 They'll bitch at the moon, mock you in their coffins, but you never fit in. 257 00:21:07,680 --> 00:21:08,680 They won't miss her. 258 00:21:09,080 --> 00:21:10,680 You think you're happy with me now? 259 00:21:11,160 --> 00:21:14,840 Can you imagine me without the burden of her? 260 00:21:17,680 --> 00:21:19,000 Paris is yours, Major. 261 00:21:19,200 --> 00:21:20,640 I ask for this. 262 00:21:21,760 --> 00:21:22,760 Respectfully. 263 00:21:25,360 --> 00:21:27,340 Respect comes without a field. 264 00:21:27,760 --> 00:21:30,480 You're a manipulator, Claudia from Leoncourt. 265 00:21:30,780 --> 00:21:31,780 No. 266 00:21:38,020 --> 00:21:44,320 Close your minds. 267 00:21:45,320 --> 00:21:46,320 Both of you. 268 00:21:46,960 --> 00:21:48,680 I'll know it if you haven't. 269 00:22:02,060 --> 00:22:08,540 They always think they're different. 270 00:22:10,100 --> 00:22:11,100 Stronger. 271 00:22:11,640 --> 00:22:12,640 Superior. 272 00:22:16,090 --> 00:22:17,690 Until loneliness comes. 273 00:22:18,770 --> 00:22:20,470 Sir, I have been a long time all dirty. 274 00:22:21,470 --> 00:22:22,730 You will make a monster. 275 00:22:25,950 --> 00:22:28,490 If you make me a monster, you will like Transform into what I am 276 00:22:28,490 --> 00:22:29,490 already. 277 00:22:52,639 --> 00:22:54,680 Without the burden of me. 278 00:22:55,220 --> 00:22:56,960 I said it to get him through the door. 279 00:23:02,440 --> 00:23:03,960 Did you mean it? 280 00:23:04,800 --> 00:23:05,800 Does it matter? 281 00:23:06,320 --> 00:23:07,360 I got the result. 282 00:23:09,960 --> 00:23:12,300 Getting results, Louis Delac. 283 00:23:14,440 --> 00:23:16,460 Is that what you found when you went looking for yourself? 284 00:23:17,100 --> 00:23:18,200 Shortcut to the end of things? 285 00:23:20,320 --> 00:23:21,620 That's your nerves talking now. 286 00:23:30,320 --> 00:23:32,660 You're going to eat humans like you eat your apple. 287 00:23:33,420 --> 00:23:34,420 Part night. 288 00:23:34,680 --> 00:23:38,640 No pity for the child, the mother, invalidates him. 289 00:23:38,940 --> 00:23:40,680 I'm a human and I love my food. 290 00:23:42,000 --> 00:23:45,040 When I become a vampire, will Would I like my food? 291 00:23:45,800 --> 00:23:47,320 How will you choose who you are? 292 00:23:47,680 --> 00:23:49,840 I will kill around the edges. The weak first. 293 00:23:51,680 --> 00:23:54,100 And occasionally I will indulge in my appetites. 294 00:23:54,880 --> 00:23:57,800 And when we're last dressed, a whole era will have disappeared. 295 00:24:05,260 --> 00:24:06,740 There's been a war. 296 00:24:09,260 --> 00:24:13,180 He thinks there's something left of my era. 297 00:24:15,540 --> 00:24:16,700 He's going to say yes. 298 00:24:19,460 --> 00:24:21,520 You're stronger. I can feel it. 299 00:24:22,220 --> 00:24:23,220 I am. 300 00:24:23,840 --> 00:24:24,900 It's harder too. 301 00:24:26,720 --> 00:24:28,140 But you got to give up something. 302 00:24:28,890 --> 00:24:29,890 To get something? 303 00:24:33,990 --> 00:24:35,050 He's going to say yes. 304 00:24:59,520 --> 00:25:00,760 The Gestapo came for him. 305 00:25:02,660 --> 00:25:05,300 We heard a gunshot when the car turned into street camp. 306 00:25:06,080 --> 00:25:09,480 And the woman who lived below, was going to starve to death in his room, 307 00:25:09,640 --> 00:25:13,240 wore very chic clothes, became thinner and thinner until 308 00:25:13,240 --> 00:25:15,960 what one day I look at against her door and there she was. 309 00:25:19,100 --> 00:25:20,360 Because she had chic clothes. 310 00:25:21,620 --> 00:25:24,660 Sometimes I saw it in their eyes, as if it was about to 311 00:25:24,660 --> 00:25:25,660 'give up. 312 00:25:25,780 --> 00:25:26,900 And I survived. 313 00:25:27,280 --> 00:25:28,540 I followed my intentions. 314 00:25:29,260 --> 00:25:30,380 I found the love I needed. 315 00:25:31,820 --> 00:25:33,340 Even when it was a dangerous love. 316 00:25:36,240 --> 00:25:37,380 An eye with an eye. 317 00:25:54,520 --> 00:25:58,320 And what will you do in a few decades? 318 00:26:24,760 --> 00:26:28,080 He said no. I said I would not do it. 319 00:26:28,430 --> 00:26:32,150 Metzger in the bedroom, Metzger only when it's hot or convenient. 320 00:26:32,510 --> 00:26:34,070 That's how I took it. I had reasoning. 321 00:26:34,370 --> 00:26:35,370 What was it? 322 00:26:37,950 --> 00:26:39,350 He had never made one. 323 00:26:40,910 --> 00:26:46,770 What? I have never made a vampire. You were a 500-year-old vampire. You led the 324 00:26:46,770 --> 00:26:48,910 Parisian coven for two centuries. 325 00:26:49,250 --> 00:26:53,490 And he hadn't told me. I did, once. He didn't hear it. He didn't? No. 326 00:26:54,750 --> 00:26:57,330 The idea repulsed me, repulsed. 327 00:26:57,680 --> 00:27:01,960 Me. Well, at least we can agree it was a disingenuous act. I went in there open 328 00:27:01,960 --> 00:27:04,600 -minded. You walked into Madden, outrageous. What's your mind made up? 329 00:27:05,500 --> 00:27:06,500 Louis' opinion. 330 00:27:07,780 --> 00:27:08,780 Claudia's opinion. 331 00:27:09,780 --> 00:27:11,360 Let's see, let's see. 332 00:27:12,540 --> 00:27:16,120 Fuck these vampires. 333 00:27:20,860 --> 00:27:25,520 What I've learned, I've learned from draining men, reading their thoughts. 334 00:27:26,440 --> 00:27:29,800 Not from books. I never went to school long enough as a mortal. 335 00:27:30,080 --> 00:27:32,600 You do not know your vampire nature. 336 00:27:33,180 --> 00:27:35,660 When I make a guido, Getze, he'll tell you the same. 337 00:27:35,960 --> 00:27:37,800 What a guido never shows. 338 00:27:38,000 --> 00:27:39,380 Santiago, where is your back to the audience? 339 00:27:40,260 --> 00:27:41,260 I've got an impulse. 340 00:27:42,700 --> 00:27:43,940 It doesn't work. Turn around. 341 00:27:44,920 --> 00:27:49,780 But if we stage it in the round... And where shall we put the audience? Behind 342 00:27:49,780 --> 00:27:53,180 the fucking projection screen? Ooh, what's up your ass tonight? 343 00:27:53,420 --> 00:27:54,500 Is your... 344 00:27:56,040 --> 00:27:59,380 Companion, duck up there. Chew in on your inner bits like a hamster. 345 00:28:02,740 --> 00:28:06,700 Claudia, can you respectfully find another object to bop? 346 00:28:10,740 --> 00:28:11,940 Always a yes, Major. 347 00:28:15,080 --> 00:28:16,380 Projections are our aesthetic. 348 00:28:16,780 --> 00:28:17,559 Or a crutch. 349 00:28:17,560 --> 00:28:18,880 I am the director directing. 350 00:28:19,220 --> 00:28:20,840 A play is a map for production. 351 00:28:21,120 --> 00:28:22,860 No, a play... 352 00:28:23,310 --> 00:28:24,310 is the script. 353 00:28:24,910 --> 00:28:27,830 And there are no mentions in this script of projections. 354 00:28:30,190 --> 00:28:31,490 That's your cue, Sam. 355 00:28:33,810 --> 00:28:35,010 It's a work in progress. 356 00:28:36,090 --> 00:28:37,330 Oh, I see. 357 00:28:38,970 --> 00:28:43,510 Pick it up, what we left off. Well, if it is a work in progress. 358 00:28:44,760 --> 00:28:48,920 Just ask, when the fuck is Guido arriving on the stage, please? 359 00:28:49,200 --> 00:28:52,740 He doesn't. He can't. He mustn't. Where are we left off, Santiago? 360 00:28:53,080 --> 00:28:55,300 Guido is hope. There can be no hope. 361 00:28:55,500 --> 00:28:57,860 You want to write poetry, write poems. This is a stage. 362 00:28:58,340 --> 00:29:02,840 We perform plays on a stage. This you honor in the playwright. Not prose poems 363 00:29:02,840 --> 00:29:03,920 or fucking maps. 364 00:29:04,440 --> 00:29:06,900 And plays require events, Sam. 365 00:29:07,140 --> 00:29:11,100 And there are no events in your shitty little play. And Quang and I are fucking 366 00:29:11,100 --> 00:29:13,280 dangling up here. That can be re... 367 00:29:14,740 --> 00:29:15,740 Gustav! 368 00:29:16,260 --> 00:29:18,700 We do horror shows so we can eat people! 369 00:29:19,340 --> 00:29:20,500 You're fangless! 370 00:29:21,500 --> 00:29:23,420 I love your work, ma'am. 371 00:29:23,980 --> 00:29:25,980 Apologies. Well played, maître. 372 00:29:26,660 --> 00:29:29,360 You come and read the script on stage. It's yours for the moment. 373 00:29:30,580 --> 00:29:33,120 And around, humans on stage. Ignore him. 374 00:29:34,340 --> 00:29:35,340 He'll be back. 375 00:29:39,020 --> 00:29:41,400 The Berlin blockade ended in May. 376 00:29:41,960 --> 00:29:44,260 The Geneva Convention was agreed in August. 377 00:29:44,620 --> 00:29:46,760 Some of the front pages from that year. 378 00:29:47,500 --> 00:29:53,680 But if you look in the filler, in the back pages, strange crimes reported. 379 00:29:55,880 --> 00:29:59,040 A telescopic lens stolen from the observatory at Meudon. 380 00:30:01,760 --> 00:30:05,700 A film company shooting the crime thriller Port d'Orient delayed when its 381 00:30:05,700 --> 00:30:08,400 inventory of color film stock is snatched. 382 00:30:09,290 --> 00:30:14,810 A gang of drunkards hanging off the side of the Eiffel Tower, all facing south by 383 00:30:14,810 --> 00:30:17,970 southwest, all muttering in unison. 384 00:30:18,710 --> 00:30:21,030 Gone by the time police arrived by elevator. 385 00:30:21,370 --> 00:30:23,210 Crimes all left unsolved. 386 00:30:24,170 --> 00:30:27,170 A thousand humans arrive in Paris, each carrying a suitcase. 387 00:30:27,410 --> 00:30:28,410 What's one more vampire? 388 00:30:28,550 --> 00:30:31,330 Why are we still talking about this? This will be behind us. I'm not 389 00:30:31,330 --> 00:30:35,350 satisfied with your answer. Those we make ourselves will always despise us 390 00:30:35,350 --> 00:30:36,350 for it. 391 00:30:36,490 --> 00:30:37,490 Celestine is still. 392 00:30:37,940 --> 00:30:41,680 There's the Mardem, the silly plot. 393 00:30:42,880 --> 00:30:45,200 That's a tight band. And he made you and Claudia. 394 00:30:48,260 --> 00:30:49,260 You're going to do it? 395 00:30:49,560 --> 00:30:50,560 Yes. 396 00:30:50,960 --> 00:30:51,960 When? 397 00:30:52,180 --> 00:30:53,180 Tonight. 398 00:30:54,320 --> 00:30:55,320 It's forbidden. 399 00:30:56,040 --> 00:30:57,380 Claudia does not want his blood. 400 00:30:59,120 --> 00:31:00,500 She doesn't have an alternative. 401 00:31:00,940 --> 00:31:01,940 We could fail. 402 00:31:02,120 --> 00:31:05,340 The woman could turn into one of those drooling revenants and fall back in. 403 00:31:18,000 --> 00:31:18,899 You shouldn't do it. 404 00:31:18,900 --> 00:31:25,580 You shouldn't tell me in my mind. I can't keep it closed any longer. I want 405 00:31:25,580 --> 00:31:26,580 you to come. 406 00:31:26,860 --> 00:31:28,000 I want you to witness. 407 00:31:30,240 --> 00:31:31,240 Why? 408 00:31:32,440 --> 00:31:35,700 Because it can be beautiful. 409 00:31:37,200 --> 00:31:39,400 We can bring one in a good way. 410 00:31:57,390 --> 00:31:58,390 It's okay. 411 00:32:01,070 --> 00:32:02,070 It's okay. 412 00:32:03,150 --> 00:32:04,490 Make sure we're not bothered. 413 00:32:05,070 --> 00:32:06,070 Yeah? 414 00:32:31,160 --> 00:32:32,920 Oh, I like this song. 415 00:32:33,940 --> 00:32:35,860 My heart is an island bird. 416 00:32:38,400 --> 00:32:39,920 I've never been to an island. 417 00:32:40,680 --> 00:32:41,680 Well, once. 418 00:32:42,980 --> 00:32:45,440 On a lake surrounded by carp. 419 00:32:46,720 --> 00:32:48,920 I don't like carp. I don't like Chardonnay. 420 00:32:51,260 --> 00:32:52,760 It's right for my life. 421 00:32:54,460 --> 00:32:55,580 I'm going to go pay the iftar. 422 00:32:56,140 --> 00:32:57,140 Yeah, me too. 423 00:33:04,080 --> 00:33:08,340 If you get scared, you just look at that light. 424 00:33:10,580 --> 00:33:11,800 Listen to my voice. 425 00:33:12,320 --> 00:33:13,840 I won't let anything go wrong. 426 00:33:14,700 --> 00:33:16,040 Don't worry about the blood. 427 00:33:17,880 --> 00:33:19,240 It's the blood that made you. 428 00:33:47,340 --> 00:33:53,380 Madeline welcomed my fangs, the lamb smiling up at the wolf 429 00:33:53,380 --> 00:33:58,300 with unsettling passivity. 430 00:34:00,600 --> 00:34:03,580 She watched the lamb while I fed on her. 431 00:34:05,840 --> 00:34:08,219 That's good. That's right. 432 00:34:08,600 --> 00:34:09,960 You're turning cold now. 433 00:34:10,699 --> 00:34:11,699 Me too. 434 00:34:11,920 --> 00:34:15,400 And Claudia guided her softly down the path. 435 00:34:16,400 --> 00:34:17,800 Down the dark path. 436 00:34:18,760 --> 00:34:20,159 Hold on to my voice. 437 00:34:58,960 --> 00:35:00,520 Drank with reverence. 438 00:35:02,120 --> 00:35:05,740 I drank with obligation. 439 00:35:10,060 --> 00:35:16,980 Disjoint fragments of Madeline's life filled my head, carried on the 440 00:35:16,980 --> 00:35:18,440 warm current of her blood. 441 00:35:20,860 --> 00:35:24,280 The pleasures of a sly coupling. 442 00:35:29,870 --> 00:35:31,670 The joys of a sunny afternoon. 443 00:35:34,170 --> 00:35:38,350 The anguish of an unexpected death. 444 00:35:46,790 --> 00:35:52,350 The rage and humiliation of a trial by mob. 445 00:36:03,950 --> 00:36:10,570 But amongst the pastiche of war and desire, beauty and damage, I saw 446 00:36:10,570 --> 00:36:11,570 Claudia. 447 00:36:12,930 --> 00:36:19,470 In an impossible afternoon light she could never survive in, Claudia, 448 00:36:19,550 --> 00:36:24,590 as Madeline perceived her, was splendid, 449 00:36:25,010 --> 00:36:30,450 rendered even more beautiful by her beholder. 450 00:36:31,850 --> 00:36:33,350 And I knew then, 451 00:36:34,600 --> 00:36:40,940 With all certainty, she would be a better companion to Claudia than I ever 452 00:36:40,940 --> 00:36:41,940 had. 453 00:36:43,460 --> 00:36:47,560 I tore my wrist and fed her the gift. 454 00:37:16,110 --> 00:37:17,110 Did she take it? 455 00:37:20,270 --> 00:37:21,270 Yeah. 456 00:37:22,130 --> 00:37:23,270 Yeah, she is. 457 00:37:24,470 --> 00:37:27,570 They're both on their way. 458 00:37:29,070 --> 00:37:30,910 I told them to get out of town. 459 00:37:32,130 --> 00:37:33,190 They're out of town. 460 00:37:34,490 --> 00:37:39,030 And I know that because I can feel her. 461 00:37:41,350 --> 00:37:44,830 Madeline, this stranger. 462 00:37:46,990 --> 00:37:47,990 My fledgling. 463 00:37:51,470 --> 00:37:52,470 What's happened here? 464 00:37:53,350 --> 00:37:58,350 I opened my wrist back up, gagged myself, tried to throw the blood back 465 00:37:58,350 --> 00:37:59,350 up. 466 00:38:00,110 --> 00:38:02,930 I thought I feel like I was losing Claudia. 467 00:38:05,190 --> 00:38:06,370 I did not care. 468 00:38:09,110 --> 00:38:10,350 I finished the job. 469 00:38:12,310 --> 00:38:15,670 Claudia took my hand. We said something about being even. 470 00:38:18,190 --> 00:38:19,190 I did not care. 471 00:38:21,290 --> 00:38:22,290 You were right. 472 00:38:24,850 --> 00:38:25,850 Give it time. 473 00:38:27,410 --> 00:38:29,970 It is a difficult one, but one worth having. 474 00:38:33,910 --> 00:38:35,610 You'll find your way back to each other. 475 00:38:36,950 --> 00:38:37,950 What's in the suitcase? 476 00:38:39,110 --> 00:38:40,110 Some clothes. 477 00:38:41,230 --> 00:38:42,230 A few books. 478 00:38:43,270 --> 00:38:45,230 Cutting from a magnolia tree I've been growing. 479 00:38:56,430 --> 00:38:57,430 Might have killed me. 480 00:38:59,310 --> 00:39:00,850 Hunted the three of you down. 481 00:39:01,570 --> 00:39:02,810 Caught you, burned you. 482 00:39:03,090 --> 00:39:08,110 I don't know if it will satisfy their might be hostilities or the fur. 483 00:39:08,990 --> 00:39:10,050 Bloodless vampirical. 484 00:39:13,010 --> 00:39:14,410 You broke with the Coven? 485 00:39:16,670 --> 00:39:17,750 They gave me a choice. 486 00:39:20,490 --> 00:39:21,490 I chose. 487 00:39:21,710 --> 00:39:23,090 That's what you said to me, right? 488 00:39:23,450 --> 00:39:24,490 Standing in my blood. 489 00:39:25,000 --> 00:39:26,000 Stroking my hair? 490 00:39:27,060 --> 00:39:28,140 You know it is. 491 00:39:28,920 --> 00:39:31,640 That's my memory of it. But you were there too. 492 00:39:32,080 --> 00:39:36,660 Maybe there's something I missed? Or maybe there's something you put in there 493 00:39:36,660 --> 00:39:37,660 later? 494 00:39:38,080 --> 00:39:38,799 Stop it! 495 00:39:38,800 --> 00:39:39,800 Stop it. 496 00:39:40,940 --> 00:39:43,660 It's too important a moment in our story for these games. 497 00:39:44,200 --> 00:39:46,100 Oh, is there a game being played? 498 00:39:51,000 --> 00:39:52,000 You remembered. 499 00:39:53,220 --> 00:39:57,840 What you did to yourself in San Francisco, and you're angry that I 500 00:39:57,840 --> 00:39:58,840 erased it. 501 00:40:06,120 --> 00:40:07,120 I am. 502 00:40:07,340 --> 00:40:08,420 You have no right to be. 503 00:40:09,220 --> 00:40:10,440 You asked me to do it. 504 00:40:14,420 --> 00:40:15,860 What? He's full of shit. 505 00:40:16,400 --> 00:40:19,920 I failed, Louis, once in my life. It wasn't in San Francisco. I will never 506 00:40:19,920 --> 00:40:22,340 ask you to do that. The pages I tore out of Claudia's diaries. 507 00:40:22,810 --> 00:40:25,730 We did most of those together. Not all of them. And the ones I did on my own 508 00:40:25,730 --> 00:40:28,750 were to protect me from you, Mr. Malloy. 509 00:40:30,390 --> 00:40:31,750 Why did I owe you my shame? 510 00:40:34,170 --> 00:40:38,410 Why did I owe you my one act of cowardice? 511 00:40:40,730 --> 00:40:45,370 The series of abhorrent consequences that followed. 512 00:40:55,020 --> 00:40:59,140 I spent the rest of my life trying to make up for it. I'll never make up for 513 00:40:59,140 --> 00:41:00,140 it. 514 00:41:01,400 --> 00:41:02,820 But he forgave me for it. 515 00:41:04,620 --> 00:41:05,800 I didn't forgive you. 516 00:41:08,460 --> 00:41:11,720 Drugs did far more damage to your mind than five nights in San Francisco. 517 00:41:12,180 --> 00:41:13,098 It was six. 518 00:41:13,100 --> 00:41:14,100 My point made. 519 00:41:15,540 --> 00:41:17,460 You've a sharper mind as any human that walks. 520 00:41:23,310 --> 00:41:24,790 You want an apology, I'm sorry. 521 00:41:25,730 --> 00:41:27,570 He thought it was the right thing to do, too. 522 00:41:28,350 --> 00:41:30,070 You were going to drain me, pal. 523 00:41:31,250 --> 00:41:32,610 Belated apology number two. 524 00:41:41,050 --> 00:41:44,250 I asked you to erase it? 525 00:41:45,490 --> 00:41:46,490 Yes. 526 00:41:48,990 --> 00:41:52,050 After you came out of a shower in our home in Sausalito. 527 00:41:54,120 --> 00:41:55,720 Three days after we abandoned him. 528 00:42:12,800 --> 00:42:17,200 Continuing on the record, Mr. Malloy, I was a coward. 529 00:42:23,100 --> 00:42:25,240 We've been burying our meals outside St. Denis. 530 00:42:25,820 --> 00:42:27,560 Flowers starting to pop up on the ground. 531 00:42:28,100 --> 00:42:31,160 Lavender, sweet iris, peony. 532 00:42:31,780 --> 00:42:34,620 Flowers growing from the dead, cold things becoming warm. 533 00:42:35,560 --> 00:42:38,620 I saw a dead girl in your mind while you were dying. 534 00:42:38,900 --> 00:42:40,700 Oui, Aimee, my sister. 535 00:42:42,240 --> 00:42:43,240 She the replacement? 536 00:42:45,280 --> 00:42:49,740 What? I saw the same thing that night. We already had it out. Aimee, we used to 537 00:42:49,740 --> 00:42:51,040 call her the family idiot. 538 00:42:51,940 --> 00:42:53,060 She would eat pine cones. 539 00:42:54,760 --> 00:42:58,360 And I didn't tell her about Amy because I didn't want her thinking she was... 540 00:42:58,360 --> 00:43:00,260 What was your what? The replacement. What? 541 00:43:01,660 --> 00:43:04,740 To thank you for falling right back into Daddy Lou's shoes. 542 00:43:05,420 --> 00:43:07,440 And thank you for never treating me like a child. 543 00:43:08,080 --> 00:43:09,420 Take some lessons, Libby. 544 00:43:11,260 --> 00:43:14,620 Are you thinking of coming back to Paris? Trash piles and men who smell 545 00:43:14,620 --> 00:43:18,140 like... We're going to Wander. 546 00:43:18,800 --> 00:43:20,440 Wander? Mm-hmm. 547 00:43:21,460 --> 00:43:23,100 Wander. This one? 548 00:43:23,520 --> 00:43:26,080 See the straight line of the next X on the map? 549 00:43:26,360 --> 00:43:28,020 This is the X, Louis. 550 00:43:31,040 --> 00:43:32,040 All right. 551 00:43:32,440 --> 00:43:35,240 Okay, well, to finding the X. 552 00:43:37,300 --> 00:43:38,460 Stop it. Okay. 553 00:43:42,720 --> 00:43:44,020 How do you like my coffin? 554 00:43:44,780 --> 00:43:49,720 I wake up at night, and the fans aren't trading insults. 555 00:43:49,930 --> 00:43:53,510 Estelle isn't smearing makeup all over herself or humming off key. Singing off 556 00:43:53,510 --> 00:43:59,250 key. No one is forcing me to listen to their gossip or solve their petty 557 00:43:59,250 --> 00:44:00,250 crisis. 558 00:44:00,530 --> 00:44:01,530 Please. 559 00:44:02,290 --> 00:44:05,070 Estelle, we didn't make it easy for you. 560 00:44:05,430 --> 00:44:06,470 I'm sorry for that. 561 00:44:09,870 --> 00:44:10,870 You're out there? 562 00:44:12,610 --> 00:44:13,970 I cannot read your mind. 563 00:44:15,530 --> 00:44:18,030 The architect of our... 564 00:44:20,140 --> 00:44:23,340 I made you. That's just the way it is. Yes, but I feel you, Louis. 565 00:44:24,820 --> 00:44:26,820 I feel you too, Madeline. 566 00:44:29,580 --> 00:44:31,800 I told Claudia I can feel you love her. 567 00:44:32,900 --> 00:44:34,440 And we should see him once more. 568 00:44:36,300 --> 00:44:37,300 I'm glad you did. 569 00:44:38,340 --> 00:44:39,420 I'm glad we did this. 570 00:44:41,400 --> 00:44:42,620 I can feel you too. 571 00:44:45,320 --> 00:44:46,320 Through him. 572 00:44:49,900 --> 00:44:51,120 Yes, he loves you. Okay. 573 00:44:51,820 --> 00:44:54,160 Okay. Well, let's get the hell out of my soul. 574 00:44:55,620 --> 00:44:59,300 He gets enough affection. I don't need his head getting too big to get out the 575 00:44:59,300 --> 00:45:00,238 door. 576 00:45:00,240 --> 00:45:01,240 Take a stretch. 577 00:45:01,340 --> 00:45:02,340 Or do me another. 578 00:45:02,680 --> 00:45:03,680 Love. 579 00:45:04,240 --> 00:45:05,240 There he goes. 580 00:45:06,300 --> 00:45:08,440 Mm-hmm. There he goes. 581 00:45:09,840 --> 00:45:12,560 Will he get through the door with that big head? 582 00:45:17,840 --> 00:45:20,080 Why don't you want him to know how much you love him? 583 00:45:20,780 --> 00:45:21,780 That's a little personal. 584 00:46:06,090 --> 00:46:07,450 They gave him a choice. 585 00:46:10,450 --> 00:46:11,450 He chose. 586 00:46:12,490 --> 00:46:17,690 Ladies and gentlemen, mesdames et messieurs, awful and awfulestes, and all 587 00:46:17,690 --> 00:46:19,990 those who flourish outside the divide, welcome. 588 00:46:21,230 --> 00:46:27,970 For 150 years, we here at the Théâtre des Vampires have shown you, you, 589 00:46:28,430 --> 00:46:33,410 your obscene predilections, your savage desires. 590 00:46:34,860 --> 00:46:39,240 But today, we're shunting human affairs aside. 591 00:46:39,820 --> 00:46:43,520 So if you want to kill your lover or fuck your mother, it'll have to wait. 592 00:46:46,380 --> 00:46:52,300 Because today, we're turning our lurid spotlight on ourselves. 593 00:46:53,440 --> 00:46:56,420 I stand before you in broad... 594 00:46:56,830 --> 00:47:03,110 daylight at this first-ever matinee at the Théâtre des Vampires to perform for 595 00:47:03,110 --> 00:47:05,690 your salacious gratification. 596 00:47:07,230 --> 00:47:13,950 Are you ready, you filthy animals? 597 00:47:15,730 --> 00:47:21,870 The jury 598 00:47:21,870 --> 00:47:23,510 may be seated. 599 00:47:36,680 --> 00:47:40,080 Times for which this iniquitous trio stand accused. 600 00:47:40,800 --> 00:47:46,820 The making of a vampire from a mortal child. 601 00:47:47,860 --> 00:47:50,740 It's a minute to your interim, Mr. Dianko. 602 00:47:54,540 --> 00:47:55,840 Mr. Dianko? 603 00:47:56,940 --> 00:47:57,960 Thank you. 604 00:48:06,250 --> 00:48:12,950 meditated murders of the vampires Antoinette Brown and the vampire Le Dac 605 00:48:12,950 --> 00:48:14,150 de Leoncourt.