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-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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Connie Chung:
CONGRESSMAN CONDIT,
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DO YOU KNOW WHAT HAPPENED
TO CHANDRA LEVY?
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NO. I DO NOT.
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DID YOU HAVE ANYTHING TO DO
WITH HER DISAPPEARANCE?
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NO. I DIDN'T.
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DID YOU SAY ANYTHING,
OR DO ANYTHING,
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THAT COULD'VE CAUSED HER
TO DROP OUT OF SIGHT?
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YOU KNOW, CHANDRA AND I
NEVER HAD A CROSS WORD.
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[ INHALES ]
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DO YOU HAVE ANY IDEA
IF THERE WAS ANYONE
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WHO WANTED TO HARM HER?
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NO.
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00:00:28,967 --> 00:00:31,433
DID YOU CAUSE
ANY TO HARM HER?
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00:00:31,433 --> 00:00:32,800
NO.
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00:00:32,800 --> 00:00:34,467
DID YOU KILL CHANDRA LEVY?
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I DID NOT.
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[ SUSPENSEFUL CHORD STRIKES ]
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Narrator:
IT'S ONE OF THE MOST
BAFFLING DISAPPEARANCES
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00:00:40,733 --> 00:00:42,433
IN RECENT HISTORY.
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00:00:42,433 --> 00:00:43,600
SO MUCH INTRIGUE.
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POWER MEETS BEAUTY.
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00:00:45,767 --> 00:00:48,633
WHAT'S GOING ON
BEHIND CLOSED DOORS?
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00:00:48,633 --> 00:00:52,000
NOW, IN THE SECOND OF THIS
THREE-PART SPECIAL,
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00:00:52,000 --> 00:00:54,333
THE LEVYS' PRIVATE
INVESTIGATOR EMBARKS
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00:00:54,333 --> 00:00:56,400
ON A PERILOUS SEARCH
FOR CHANDRA.
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00:00:56,400 --> 00:00:58,633
HE SAID, "YOU DON'T KNOW
WHO YOU'RE DEALING WITH.
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00:00:58,633 --> 00:01:00,067
[ SINISTER MUSIC PLAYS ]
THESE PEOPLE WILL KILL ME.
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I CAN'T GET INVOLVED."
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A GRUESOME DISCOVERY
IN AN URBAN OASIS.
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00:01:04,467 --> 00:01:06,633
Palmer:
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00:01:09,933 --> 00:01:13,133
SOMETHING DIABOLICAL
IS GOING ON THERE.
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A NEW SUSPECT EMERGES.
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HE GIVES
ALL THE INDICATIONS
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THAT HE WAS
A SERIAL PREDATOR.
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AND, LATER, A MYSTERIOUS
FIGURE OPENS OLD WOUNDS.
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IS IT POSSIBLE
THAT THIS WOMAN ALLOWED
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THE KILLER TO WALK FREE?
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[ OMINOUS CHORD STRIKES ]
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Alexander:
THIS TRULY WAS THE CRAZIEST CASE
EVER TO HIT WASHINGTON, DC.
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Dimond:
WHO KILLED CHANDRA LEVY?
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Doyle: THE STORY GOES
FROM ZERO TO 60 VERY QUICKLY.
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Dimond:
WHY IS A 53-YEAR-OLD CONGRESSMAN
CALLING A YOUNG INTERN?
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00:01:47,067 --> 00:01:48,600
Chung:
DID YOU KILL CHANDRA LEVY?
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00:01:48,600 --> 00:01:50,200
I DID NOT.
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00:01:50,200 --> 00:01:53,600
Grimm:
THEY SIMPLY FOUND BONES
IN A PARK ALMOST A YEAR AFTER.
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Alexander:
THERE WERE NO EYEWITNESSES.
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THERE WAS
NO MURDER WEAPON.
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Dimond:
THEY'D FINALLY PUT IT
ALL TOGETHER,
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AND IT POINTED TO ONE MAN:
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INGMAR GUANDIQUE.
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Grimm:
MR. MORALES WAS A JAILHOUSE
SNITCH, A RAT.
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00:02:07,133 --> 00:02:10,067
Velez-Mitchell:
THIS CASE THAT TOOK
SO MANY YEARS TO BUILD
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HAS COLLAPSED OVERNIGHT.
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[ DISTORTED TUNE PLAYS ]
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Susan:
IT'S THE WORST THING
A MOTHER COULD EVER FACE.
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**
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[ SUSPENSEFUL MUSIC PLAYS ]
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Narrator:
IT'S BEEN MONTHS SINCE
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WASHINGTON, DC INTERN
CHANDRA LEVY
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DISAPPEARED WITHOUT A TRACE.
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BACK IN CALIFORNIA,
HER PARENTS' MINDS ARE RACING.
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[crying] WE JUST WANT
OUR DAUGHTER HOME ALIVE.
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WE'RE NOT SURE WHETHER
THAT'S POSSIBLE OR NOT,
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00:02:37,400 --> 00:02:39,533
AND WE WANT HER HOME.
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00:02:39,533 --> 00:02:43,067
IT'S NOT LIKE HER NOT TO CALL
OR BE IN TOUCH.
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[ MELANCHOLY TUNE PLAYS ]
MAYBE SHE RAN OFF,
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HAD A SCHIZOPHRENIC EPISODE,
OR SOMETHING LIKE THAT.
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I MEAN, YOU THINK
OF ALL THOSE THINGS.
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THERE'S A REASON
WHY SHE DIDN'T TURN UP.
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YOU KNOW, WE ALL THOUGHT MAYBE
SHE'D BE SEEN SOMEWHERE.
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YOU THINK,
"WELL, SHE'S HIDING."
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WE HAD HOPE,
BUT IT WAS SCARY AS HELL.
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00:03:01,167 --> 00:03:04,800
Narrator:
POLICE HAVE SOUGHT ANSWERS FROM
A POWERFUL PERSON OF INTEREST:
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UNITED STATES CONGRESSMAN
GARY CONDIT.
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THE CONGRESSMAN
AND CHANDRA LEVY
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HAVE HAD AN AFFAIR.
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BUT, DESPITE EVIDENCE,
CONDIT HAS DENIED
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ANY ROMANTIC INVOLVEMENT
WITH CHANDRA.
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00:03:16,600 --> 00:03:19,067
HE'S BEING VERY EVASIVE
AND, OF COURSE,
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THAT MAKES THE POLICE
ALL THAT MORE SUSPICIOUS,
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AND THEY THINK MAYBE GARY CONDIT
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HAD SOMETHING TO DO
WITH HER DISAPPEARANCE.
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00:03:27,267 --> 00:03:29,133
[ EERIE MUSIC PLAYS ]
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00:03:29,133 --> 00:03:32,267
Narrator:
A MASSIVE SEARCH EFFORT
IS UNDERWAY.
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00:03:32,267 --> 00:03:34,467
WE HAVE TO FIND HER.
WE HAVE TO ANSWER THE QUESTION
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"WHAT HAPPENED TO CHANDRA LEVY?"
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UNTIL WE CAN DO THAT,
I'M NOT REAL HAPPY
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00:03:38,067 --> 00:03:40,067
WITH WHERE WE ARE RIGHT NOW,
BUT I KNOW THAT OUR PEOPLE
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00:03:40,067 --> 00:03:42,767
ARE WORKING AS HARD
AS THEY POSSIBLY CAN.
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00:03:42,767 --> 00:03:48,167
WE REALLY HADN'T FOUND EVIDENCE
OF WHERE CHANDRA WAS.
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00:03:48,167 --> 00:03:50,833
Narrator:
INVESTIGATORS HAVE BEEN
TRYING TO GAIN ACCESS
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00:03:50,833 --> 00:03:53,200
TO A VALUABLE SOURCE
OF INFORMATION
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00:03:53,200 --> 00:03:54,967
THEY SEIZED WEEKS AGO.
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00:03:54,967 --> 00:03:57,133
WHEN THEY SEARCH
CHANDRA'S APARTMENT
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00:03:57,133 --> 00:03:59,067
AND THEY ZERO IN
ON HER COMPUTER,
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00:03:59,067 --> 00:04:03,100
THEY START TO FIDDLE AROUND
WITH IT, AND IT CRASHES.
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00:04:03,100 --> 00:04:05,833
THE ENTIRE COMPUTER
WAS CORRUPTED.
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00:04:05,833 --> 00:04:09,900
Narrator:
NOW, FORENSIC TECHNICIANS
FINALLY HAVE CHANDRA'S LAPTOP
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UP AND RUNNING.
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WE WERE ABLE TO OBTAIN
FORENSIC ANALYSIS
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AND GARNER INFORMATION
OFF OF THE COMPUTER.
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00:04:17,067 --> 00:04:19,433
Trainum:
THE EXPERTS WERE ABLE
TO GET IN THERE
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00:04:19,433 --> 00:04:21,500
AND FIND OUT WHAT SHE HAD
SEARCHED RIGHT BEFORE
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00:04:21,500 --> 00:04:23,700
SHE HAD LAST TURNED
HER COMPUTER OFF.
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00:04:23,700 --> 00:04:25,767
THIS WAS A BIG DEAL.
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00:04:25,767 --> 00:04:27,733
IT SHOWS WHAT SHE WAS DOING
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00:04:27,733 --> 00:04:30,867
IN THE HOURS
BEFORE HER DISAPPEARANCE.
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00:04:30,867 --> 00:04:33,333
Narrator:
THE ANALYSIS FINDS THAT,
ON MAY 1st,
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THE DAY SHE WAS LAST HEARD FROM,
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CHANDRA LOGGED ON
TO THE INTERNET AT 10:27 AM
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AND VISITED SEVERAL WEBSITES.
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00:04:41,567 --> 00:04:43,933
THEY LOOK AT WHAT
SHE'S BEEN SEARCHING
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00:04:43,933 --> 00:04:47,233
AND THEY DISCOVER, ON MAY 1st,
AMONG THE SITES SHE VISITED
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00:04:47,233 --> 00:04:49,967
WAS CONGRESSMAN CONDIT'S
HOMEPAGE.
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00:04:49,967 --> 00:04:52,833
Narrator:
BUT IT'S ONE OF THE LAST
SEARCHES CHANDRA ENTERED
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00:04:52,833 --> 00:04:55,367
THAT PIQUES
INVESTIGATORS' INTEREST.
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00:04:55,367 --> 00:04:58,633
THEY FOUND A SEARCH
FOR THE PIERCE-KLINGLE MANSION
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00:04:58,633 --> 00:05:00,300
IN ROCK CREEK PARK.
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00:05:00,300 --> 00:05:03,767
Narrator:
ROCK CREEK PARK IS
A NEARLY-2,000-ACRE WOODLAND
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00:05:03,767 --> 00:05:06,133
THAT BISECTS WASHINGTON.
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00:05:06,133 --> 00:05:09,600
IT'S LIKE A FOREST
IN THE MIDDLE OF THE CITY.
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00:05:09,600 --> 00:05:12,067
THE PIERCE-KLINGLE MANSION
IS A LANDMARK
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00:05:12,067 --> 00:05:14,233
WITHIN THE ROCK CREEK PARK.
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00:05:14,233 --> 00:05:16,367
THAT'S A PERFECT PLACE
TO MEET SOMEONE
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00:05:16,367 --> 00:05:18,767
IN THIS BIG, HUGE EXPANSE.
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00:05:18,767 --> 00:05:22,167
Narrator:
CHANDRA'S APARTMENT IS ONLY
2 MILES FROM THE PARK,
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00:05:22,167 --> 00:05:25,133
BUT HER INTEREST
IN THE MANSION IS A MYSTERY.
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00:05:25,133 --> 00:05:29,400
WE JUST WEREN'T SURE HOW IT
PLAYED IN, BUT IT WAS A LEAD
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00:05:29,400 --> 00:05:33,500
AND, WHEN YOU HAVE NO LEADS,
YOU'LL FOLLOW ANYTHING.
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00:05:33,500 --> 00:05:36,933
Narrator:
POLICE GATHER REINFORCEMENTS
AND RUSH TO THE LARGE,
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00:05:36,933 --> 00:05:40,367
URBAN PARKLAND TO LOOK
FOR ANY SIGNS OF CHANDRA.
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00:05:40,367 --> 00:05:43,300
ROCK CREEK PARK IS NOT
YOUR TYPICAL URBAN PARK.
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00:05:43,300 --> 00:05:45,500
IT'S GOT A HUGE CREEK
RUNNING THROUGH IT.
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00:05:45,500 --> 00:05:50,567
IT'S GOT ROCKY AREAS AND AREAS
THAT ARE JUST PURE WILDERNESS.
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00:05:50,567 --> 00:05:52,933
IT IS EXTREMELY DIFFICULT
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00:05:52,933 --> 00:05:56,667
TO DO A COMPLETE SEARCH
OF EVERY SINGLE INCH OF IT.
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00:05:56,667 --> 00:05:59,733
WHAT WE'RE LOOKIN' FOR
IS OBVIOUSLY ANYTHING SUSPICIOUS
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00:05:59,733 --> 00:06:03,533
IN AREAS THAT WOULD NOT BE
ACCESSIBLE TO THE NAKED EYE
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00:06:03,533 --> 00:06:06,467
AND, IF SOMEONE ACCIDENTALLY
FELL OFF THAT LEDGE,
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00:06:06,467 --> 00:06:08,567
THEY MIGHT NOT BE FOUND
FOR A WHILE.
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00:06:08,567 --> 00:06:12,067
TO THE EXTENT THAT WE SEARCHED
THAT PARK, TO MY RECOLLECTION,
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00:06:12,067 --> 00:06:14,133
WE HAD NEVER DONE THAT BEFORE.
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00:06:14,133 --> 00:06:16,533
THERE'S AN EXHAUSTIVE SEARCH,
146
00:06:16,533 --> 00:06:20,133
BUT THEY FAIL TO FIND
ANYTHING CONCLUSIVE.
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00:06:20,133 --> 00:06:21,900
Narrator:
AFTER MONTHS OF SEARCHING,
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00:06:21,900 --> 00:06:24,233
THE LEVY FAMILY
IS DEEPLY FRUSTRATED
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00:06:24,233 --> 00:06:26,800
BY THE STATE
OF THE INVESTIGATION.
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00:06:26,800 --> 00:06:29,800
WE COULDN'T JUST TRUST THE
POLICE COULD DO ALL THE WORK.
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00:06:29,800 --> 00:06:31,133
IT WAS A LOT OF WORK.
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00:06:31,133 --> 00:06:34,433
WE NEEDED TO FIND
AS MUCH AS WE CAN.
153
00:06:34,433 --> 00:06:38,733
WE NEEDED SOMEONE OUT THERE THAT
COULD DO MORE INVESTIGATION,
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00:06:38,733 --> 00:06:41,200
SO WE HAD PRIVATE INVESTIGATORS.
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00:06:41,200 --> 00:06:43,600
[ SUSPENSEFUL FLOURISH PLAYS ]
MY NAME IS JOE McCANN.
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00:06:43,600 --> 00:06:46,900
I WAS A HOMICIDE DETECTIVE
AND THEN A PRIVATE INVESTIGATOR.
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00:06:46,900 --> 00:06:48,700
I WAS BROUGHT
INTO THE LEVY INVESTIGATION
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00:06:48,700 --> 00:06:52,300
BY THE LAW FIRM THAT REPRESENTED
THE LEVY FAMILY.
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00:06:52,300 --> 00:06:55,200
Narrator:
McCANN HAS NEVER CONDUCTED
A TELEVISED INTERVIEW
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00:06:55,200 --> 00:06:56,600
ON THE SUBJECT.
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00:06:56,600 --> 00:06:59,400
NOW, HE OFFERS US
EXCLUSIVE INSIGHT
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00:06:59,400 --> 00:07:02,333
INTO HIS DOGGED
PURSUIT OF CHANDRA.
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00:07:02,333 --> 00:07:05,300
WE SET UP
OUR OWN 800 NUMBER.
164
00:07:05,300 --> 00:07:07,433
LEADS ARE COMIN' IN
ALL THE TIME
165
00:07:07,433 --> 00:07:11,233
AND TOOK US DOWN MANY,
MANY DIFFERENT PATHS.
166
00:07:11,233 --> 00:07:13,600
AFTER A MONTH OF SORTING
THROUGH TIPS,
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00:07:13,600 --> 00:07:16,467
McCANN HEARS A TALE
THAT INTRIGUES HIM.
168
00:07:16,467 --> 00:07:20,533
THIS ONE PARTICULAR NIGHT,
IT'S JUST ME AND MY PARTNER.
169
00:07:20,533 --> 00:07:22,900
THE 800 NUMBER RINGS.
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00:07:22,900 --> 00:07:24,267
WE ANSWER THE PHONE.
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00:07:24,267 --> 00:07:26,767
THERE'S A GENTLEMAN ON THE
OTHER END OF THE PHONE
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00:07:26,767 --> 00:07:28,967
WHO DOESN'T WANNA
GIVE US HIS NAME,
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00:07:28,967 --> 00:07:30,767
BUT HE'S GOT THIS STORY TO TELL
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00:07:30,767 --> 00:07:34,100
ABOUT CHANDRA BEING
IN CALIFORNIA
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00:07:34,100 --> 00:07:37,267
AND, AS WE LISTENED TO IT,
IT DID SOUND CREDIBLE.
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00:07:37,267 --> 00:07:39,600
SO WE STARTED TO FOCUS ON THIS.
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00:07:39,600 --> 00:07:43,367
Narrator:
THE TIP RELATES TO A SIMMERING
RUMOR THAT'S BEEN CIRCULATING.
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00:07:43,367 --> 00:07:46,933
SOON AFTER CHANDRA DISAPPEARED,
SCUTTLEBUTT SUGGESTED
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00:07:46,933 --> 00:07:49,267
THAT SHE MIGHT'VE, INDEED,
BEEN PREGNANT.
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00:07:49,267 --> 00:07:51,433
NOW, THIS WAS NEVER
SUBSTANTIATED
181
00:07:51,433 --> 00:07:53,733
AND NO ONE KNEW
WHO STARTED THE RUMOR,
182
00:07:53,733 --> 00:07:59,067
BUT FOREVER IT HAS LONG HOVERED
OVER THIS MOST SORDID CASE.
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00:07:59,067 --> 00:08:02,300
Narrator:
WHILE HE IS SORT OF DETAILS,
THE TIPSTER PUTS FORTH
184
00:08:02,300 --> 00:08:05,633
A BIZARRE, AND SEEMINGLY
OUTRAGEOUS, CLAIM:
185
00:08:05,633 --> 00:08:08,833
HE HAS FIRSTHAND KNOWLEDGE
THAT CHANDRA GOT INVOLVED
186
00:08:08,833 --> 00:08:11,900
WITH AN UNNAMED GANG
IN CALIFORNIA.
187
00:08:11,900 --> 00:08:14,233
HE SAID, "YOU DON'T KNOW
WHO YOU'RE DEALING WITH.
188
00:08:14,233 --> 00:08:17,767
THESE PEOPLE WILL KILL ME.
I CAN'T GET INVOLVED."
189
00:08:17,767 --> 00:08:20,667
MY PARTNER HUNG IN THERE
AND HE FINALLY GOT HIM TO SAY,
190
00:08:20,667 --> 00:08:22,967
"OKAY. COME OUT AND MEET ME."
191
00:08:22,967 --> 00:08:26,133
JUST THE FACT THAT THIS GUY
WAS SO RELUCTANT TO MEET WITH US
192
00:08:26,133 --> 00:08:27,267
AND THERE WAS A REWARD
193
00:08:27,267 --> 00:08:30,067
TOLD US THAT MAYBE THERE IS
SOMETHING TO IT.
194
00:08:30,067 --> 00:08:33,833
Narrator:
McCANN AND HIS PARTNER
FLY OUT WEST.
195
00:08:33,833 --> 00:08:35,667
McCann:
WE MEET HIM IN THE LOBBY
OF THE HOTEL.
196
00:08:35,667 --> 00:08:36,800
HE'S SCARED TO DEATH.
197
00:08:36,800 --> 00:08:38,567
HE TELLS US THIS VERY
ELABORATE STORY,
198
00:08:38,567 --> 00:08:42,900
THAT HE WAS HIRED BY SEVERAL
PEOPLE TO RENT AN RV
199
00:08:42,900 --> 00:08:46,067
AND MEET THEM
AND SOMEBODY ELSE IN NEVADA.
200
00:08:46,067 --> 00:08:48,400
HE SAYS THEY ALL SHOW UP
WITH A YOUNG LADY.
201
00:08:48,400 --> 00:08:52,267
HE RECOGNIZES HER
AS CHANDRA LEVY.
202
00:08:52,267 --> 00:08:53,767
Narrator:
ACCORDING TO THE TIPSTER,
203
00:08:53,767 --> 00:08:57,467
SHE WAS TAKEN TO A NEARBY
MOUNTAIN IN THE RV.
204
00:08:57,467 --> 00:09:02,400
THERE, CHANDRA ENDURED
A PREGNANCY-RELATED PROCEDURE,
205
00:09:02,400 --> 00:09:05,133
BUT, IT DIDN'T GO AS PLANNED.
206
00:09:05,133 --> 00:09:08,300
DURING THIS EVENT,
SHE DIES,
207
00:09:08,300 --> 00:09:12,667
AND THEY WIND UP BURYING HER
IN THE DESERT IN CALIFORNIA.
208
00:09:12,667 --> 00:09:16,067
A STUNNED McCANN IS LEFT
WITH COUNTLESS QUESTIONS.
209
00:09:16,067 --> 00:09:20,267
EXACTLY HOW AND WHY DID
THIS SCENARIO COME TO PASS?
210
00:09:20,267 --> 00:09:21,733
BUT AS HE PRESSES HIM,
211
00:09:21,733 --> 00:09:24,733
THE TIPSTER FEARS
HE'S SAID TOO MUCH.
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00:09:24,733 --> 00:09:26,067
McCann:
HE DOESN'T WANNA TALK ANYMORE.
213
00:09:26,067 --> 00:09:28,100
HE SAYS, "LOOK. I'LL FINISH
THE STORY UP TOMORROW.
214
00:09:28,100 --> 00:09:30,067
JUST GET ME HOME."
215
00:09:30,067 --> 00:09:32,333
AND THEN WE FOLLOW UP
ON HIS LEADS.
216
00:09:32,333 --> 00:09:34,667
[ SUSPENSEFUL MUSIC PLAYS ]
217
00:09:34,667 --> 00:09:37,200
Narrator:
McCANN AND HIS PARTNER HEAD
TO THE MOUNTAINS
218
00:09:37,200 --> 00:09:39,267
WHERE CHANDRA SUPPOSEDLY DIED
219
00:09:39,267 --> 00:09:42,300
AND TALK TO PEOPLE
WHO LIVE NEAR THE SCENE.
220
00:09:42,300 --> 00:09:45,200
BUT THEY COME UP EMPTY-HANDED.
221
00:09:45,200 --> 00:09:48,800
BY THE END OF THE DAY,
I'M CONVINCED THAT THIS GUY IS
222
00:09:48,800 --> 00:09:52,633
TELLING A STORY
AND IT'S NOT A VERY TRUE STORY.
223
00:09:52,633 --> 00:09:56,100
SO I GO BACK TO CONFRONT HIM
AND I SAY TO HIM,
224
00:09:56,100 --> 00:09:59,267
"HOW MUCH DID THESE GUYS
PAY YOU TO RENT THIS VAN?"
225
00:09:59,267 --> 00:10:02,033
HE SAYS, "THEY GAVE ME $10,000."
226
00:10:02,033 --> 00:10:03,967
WELL, I KNEW THAT THIS GUY
IS NOT SOMEBODY
227
00:10:03,967 --> 00:10:06,067
WHO'S GONNA HAVE $2 ON HIM.
228
00:10:06,067 --> 00:10:09,200
SO I SAY TO HIM,
"SHOW ME THE MONEY,"
229
00:10:09,200 --> 00:10:13,200
AND, WITH THAT, THIS GUY
WAS LIVING IN A LITTLE TRAILER,
230
00:10:13,200 --> 00:10:14,900
BREAKS OUT A BAG,
231
00:10:14,900 --> 00:10:17,567
AND ALL I CAN SEE
IS THE HUNDREDS.
232
00:10:17,567 --> 00:10:20,000
THERE'S THOUSANDS
OF DOLLARS IN THERE.
233
00:10:20,000 --> 00:10:22,433
HOW DOES A GUY LIKE THAT
GET THIS MONEY?
234
00:10:22,433 --> 00:10:25,033
THERE MUST BE SOMETHING
TO THE STORY.
235
00:10:25,033 --> 00:10:29,633
Narrator:
THEN, McCANN SEARCHES THE DESERT
FOR THE ALLEGED BURIAL SPOT.
236
00:10:29,633 --> 00:10:31,533
HE FINDS NOTHING.
237
00:10:31,533 --> 00:10:35,367
I WORK A LITTLE MORE
AND I'M STILL CONVINCED IT'S BS.
238
00:10:35,367 --> 00:10:36,700
THERE'S NOTHING TO IT.
239
00:10:36,700 --> 00:10:38,100
END OF STORY.
240
00:10:38,100 --> 00:10:40,467
EXCEPT, WHAT REALLY HAPPENED?
241
00:10:40,467 --> 00:10:42,833
Narrator: A TRUSTED SOURCE
REVEALS TO McCANN
242
00:10:42,833 --> 00:10:46,300
HOW THE INFORMANT MANAGED
TO GET HIS HANDS ON THE MONEY.
243
00:10:46,300 --> 00:10:48,900
THIS GUY, WHO I MET
IN CALIFORNIA,
244
00:10:48,900 --> 00:10:50,700
IS A FLIMFLAM ARTIST.
245
00:10:50,700 --> 00:10:53,667
HE WAS JUST LOOKIN'
FOR 15 MINUTES OF FAME.
246
00:10:53,667 --> 00:10:56,133
SOMEBODY NOTIFIED A NEWSPAPER
THAT I WAS GONNA BE
247
00:10:56,133 --> 00:10:58,800
IN CALIFORNIA,
AND WHAT I WAS DOING.
248
00:10:58,800 --> 00:11:01,933
SOMEHOW OR ANOTHER,
THEY BEAT ME THERE.
249
00:11:01,933 --> 00:11:05,767
SO WHAT HAPPENED WAS,
THE NEWSPAPER GOT TO HIM FIRST.
250
00:11:05,767 --> 00:11:07,433
THEY HEARD HIS STORY.
251
00:11:07,433 --> 00:11:09,767
THEY PAID HIM THE MONEY.
252
00:11:09,767 --> 00:11:12,300
HE COST JUST A LOT OF EFFORT,
253
00:11:12,300 --> 00:11:15,500
AND SO I WAS PRETTY ANNOYED,
PISSED OFF AT HIM.
254
00:11:15,500 --> 00:11:16,667
THERE WAS JUST NOTHING.
255
00:11:16,667 --> 00:11:20,233
THERE WAS REALLY NOTHING
ABOUT CHANDRA.
256
00:11:20,233 --> 00:11:21,567
Narrator:
ACCORDING TO McCANN,
257
00:11:21,567 --> 00:11:24,267
THE INCIDENT WAS JUST
ANOTHER EXAMPLE OF THE PUBLIC
258
00:11:24,267 --> 00:11:27,267
AND THE MEDIA'S FASCINATION
WITH THE CASE.
259
00:11:27,267 --> 00:11:30,067
IMPORTANT NEW QUESTIONS
IN THE CASE OF CHANDRA LEVY.
260
00:11:30,067 --> 00:11:31,467
MISSING INTERN CHANDRA LEVY.
261
00:11:31,467 --> 00:11:34,633
THE 24-YEAR-OLD WOMAN
DISAPPEARED WITHOUT A TRACE.
262
00:11:34,633 --> 00:11:37,867
Larry King:
WILL CHANDRA LEVY EVER BE FOUND?
263
00:11:37,867 --> 00:11:42,400
A LOT OF PEOPLE WHO FOLLOWED IT
REMEMBER HOW CRAZY IT WAS.
264
00:11:42,400 --> 00:11:44,967
YOU COULDN'T PICK UP
A NEWSPAPER, A MAGAZINE,
265
00:11:44,967 --> 00:11:46,467
LISTEN TO A TV SHOW.
266
00:11:46,467 --> 00:11:48,167
THE MEDIA WAS TALKING ABOUT IT.
267
00:11:48,167 --> 00:11:49,567
IT WAS EVERY DAY.
268
00:11:49,567 --> 00:11:50,700
IT WAS EVERY NIGHT.
269
00:11:50,700 --> 00:11:52,333
IT WAS NONSTOP.
270
00:11:52,333 --> 00:11:54,967
Narrator:
AS THE NEWS CYCLE
CONTINUES TO SPIN,
271
00:11:54,967 --> 00:12:00,700
BOTH McCANN AND POLICE WORK
TO CULTIVATE NEW LEADS.
272
00:12:00,700 --> 00:12:04,567
BUT IN LATE 2001,
EVERYTHING CHANGES.
273
00:12:04,567 --> 00:12:06,267
[ SUSPENSEFUL MUSIC PLAYS ]
[ FLAMES CRACKLING ]
274
00:12:06,267 --> 00:12:11,167
SO JUST AS THE LEVY-CONDIT
STORY WAS PEAKING,
275
00:12:11,167 --> 00:12:15,100
IT WAS ECLIPSED BY
AN EVEN MORE SHOCKING EVENT,
276
00:12:15,100 --> 00:12:19,133
AND THAT WAS THE TERRORIST
ATTACK ON SEPTEMBER 11th.
277
00:12:19,133 --> 00:12:22,633
**
278
00:12:22,633 --> 00:12:27,600
ONCE THE TWIN TOWERS FELL,
ONCE THE PENTAGON WAS BREACHED,
279
00:12:27,600 --> 00:12:30,300
ONCE THE PLANE CRASHED
IN PENNSYLVANIA,
280
00:12:30,300 --> 00:12:33,100
EVERYONE'S ATTENTION
WAS DIVERTED.
281
00:12:33,100 --> 00:12:36,367
I CAME TO THE QUICK REALIZATION
THAT THE STORY
282
00:12:36,367 --> 00:12:39,100
ABOUT CHANDRA LEVY
IS NO LONGER A STORY.
283
00:12:39,100 --> 00:12:42,267
REPORTERS, LIKE MYSELF, STOPPED
PAYING ATTENTION ALTOGETHER
284
00:12:42,267 --> 00:12:44,133
BECAUSE, NOW, WE'RE AT WAR
285
00:12:44,133 --> 00:12:48,767
AND WHAT WAS THE LOSS OF ONE
CHILD IN THAT SCOPE OF THINGS?
286
00:12:48,767 --> 00:12:50,967
WE DIDN'T GET THE MEDIA
ATTENTION ANYMORE,
287
00:12:50,967 --> 00:12:52,733
AND THERE GO A LOT OF THE LEADS.
288
00:12:52,733 --> 00:12:54,800
SO THINGS START TO DRY UP.
289
00:12:54,800 --> 00:12:57,767
Narrator:
FROM McCANN'S COUNTERPARTS
AT METRO PD,
290
00:12:57,767 --> 00:13:00,467
THEIR PRIORITIES
HAVE NOW SHIFTED.
291
00:13:00,467 --> 00:13:04,100
DC POLICE WAS FOCUSED
ON STOPPING ATTACKS.
292
00:13:04,100 --> 00:13:06,367
THERE WERE NO INVESTIGATIVE
RESOURCES LEFT
293
00:13:06,367 --> 00:13:10,567
FOR THE DEPARTMENT TO FOCUS
ON THIS MISSING-GIRL CASE.
294
00:13:10,567 --> 00:13:14,267
Narrator:
AS MONTHS TO BY,
THE CASE GOES COLD.
295
00:13:14,267 --> 00:13:17,333
FOR OUR FAMILY,
WE WERE SHOCKED.
296
00:13:17,333 --> 00:13:21,067
BUT WE WERE NOT EMOTIONAL,
LIKE MOST PEOPLE,
297
00:13:21,067 --> 00:13:24,233
'CAUSE WE'VE ALREADY FELT
9/11 HAPPEN TO US.
298
00:13:24,233 --> 00:13:26,600
**
299
00:13:26,600 --> 00:13:29,100
AND THEN, MAY 2002,
300
00:13:29,100 --> 00:13:32,133
A MAN WALKING HIS DOG
IN ROCK CREEK PARK
301
00:13:32,133 --> 00:13:34,900
SPOTS SOMETHING ON THE GROUND
302
00:13:34,900 --> 00:13:39,433
AND HE GOES DOWN INTO THE RAVINE
TO CHECK IT OUT.
303
00:13:39,433 --> 00:13:41,667
HE IS ABSOLUTELY FLABBERGASTED.
304
00:13:41,667 --> 00:13:43,067
[ DISTORTED TUNE PLAYS ]
305
00:13:43,067 --> 00:13:45,567
AND THE FIRST THING HE DOES
IS CALL THE PARK POLICE.
306
00:13:45,567 --> 00:13:47,700
**
307
00:13:49,633 --> 00:13:50,733
Dispatcher: MM-HMM.
308
00:13:55,533 --> 00:13:58,400
**
309
00:14:00,833 --> 00:14:02,600
Narrator:
IN MAY 2002,
310
00:14:02,600 --> 00:14:06,900
ONE YEAR AFTER DC INTERN
CHANDRA LEVY GOES MISSING,
311
00:14:06,900 --> 00:14:09,667
A MAN WALKING HIS DOG
IN ROCK CREEK PARK
312
00:14:09,667 --> 00:14:12,200
MAKES A GRUESOME DISCOVERY.
[ SUSPENSEFUL MUSIC PLAYS ]
313
00:14:12,200 --> 00:14:14,100
Palmer:
314
00:14:17,500 --> 00:14:19,333
Dispatcher:
315
00:14:19,333 --> 00:14:21,900
Palmer:
316
00:14:21,900 --> 00:14:23,133
**
317
00:14:23,133 --> 00:14:27,133
Narrator:
THE METRO PD
SPRING INTO ACTION.
318
00:14:27,133 --> 00:14:29,833
HERE IS A SKULL
FOUND IN THE PARK
319
00:14:29,833 --> 00:14:32,633
WHERE THEY BELIEVE
THAT CHANDRA HAD GONE MISSING
320
00:14:32,633 --> 00:14:36,500
AND SO EVERYBODY GOES DEFCON 1.
321
00:14:36,500 --> 00:14:37,567
THE POLICE ARRIVE.
322
00:14:37,567 --> 00:14:40,767
THEY SEALED OFF
A VERY LARGE AREA
323
00:14:40,767 --> 00:14:43,433
AND THAT BECAME
THEIR CRIME SCENE.
324
00:14:43,433 --> 00:14:44,667
I WAS IN THE NEWSROOM
325
00:14:44,667 --> 00:14:48,200
WHEN THE NEWS CAME THAT
THERE WERE REMAINS FOUND.
326
00:14:48,200 --> 00:14:50,567
INSTANTLY, THE MEDIA
CAME FLOODING BACK
327
00:14:50,567 --> 00:14:53,900
TO THE ROCK CREEK PARK SCENE,
WHERE INVESTIGATORS
328
00:14:53,900 --> 00:14:57,800
BEHIND YELLOW TAPE
WENT ABOUT THEIR WORK.
329
00:14:57,800 --> 00:14:59,833
WHEN YOU'RE LOOKING
AT THE SCENE,
330
00:14:59,833 --> 00:15:01,767
BONES ARE SCATTERED EVERYWHERE,
331
00:15:01,767 --> 00:15:03,767
AND THAT'S NORMAL
FOR THIS SORT OF SCENE.
332
00:15:03,767 --> 00:15:07,100
IF THERE'S A BODY
THAT'S OUT IN THE ELEMENTS,
333
00:15:07,100 --> 00:15:09,133
IT BEGINS TO DECOMPOSE
334
00:15:09,133 --> 00:15:13,500
AND THEN ANIMALS AND OTHER
SCAVENGERS ATTACK THE BODY.
335
00:15:13,500 --> 00:15:17,100
AS THEY'RE SYSTEMATICALLY
SEARCHING THE AREA,
336
00:15:17,100 --> 00:15:21,067
THEY BEGIN TO FIND
VARIOUS ITEMS OF CLOTHING.
337
00:15:21,067 --> 00:15:24,967
THIS TRAGIC SCENE IS FILLED
WITH PERSONAL EFFECTS:
338
00:15:24,967 --> 00:15:26,233
SUNGLASSES,
339
00:15:26,233 --> 00:15:30,133
A USC ATHLETIC T-SHIRT
TURNED INSIDE OUT,
340
00:15:30,133 --> 00:15:31,533
A RUNNING SHOE,
341
00:15:31,533 --> 00:15:32,900
AND BLACK RUNNING TIGHTS
342
00:15:32,900 --> 00:15:34,433
THAT ARE INSIDE OUT
343
00:15:34,433 --> 00:15:35,533
AND KNOTTED.
344
00:15:35,533 --> 00:15:39,400
[ OMINOUS CHORD STRIKES ]
345
00:15:39,400 --> 00:15:42,167
Narrator:
TO IDENTIFY THE
SKELETONIZED REMAINS,
346
00:15:42,167 --> 00:15:45,933
INVESTIGATORS FOCUS
ON THE SKULL.
347
00:15:45,933 --> 00:15:50,367
THEY ACTUALLY TAKE THE SKULL
TO THE MEDICAL EXAMINER'S OFFICE
348
00:15:50,367 --> 00:15:54,733
WITH RED LIGHTS AND SIREN,
THEY WERE IN SUCH A HURRY.
349
00:15:54,733 --> 00:15:57,667
THE MEDICAL EXAMINER
HAD ALREADY OBTAINED
350
00:15:57,667 --> 00:16:00,067
CHANDRA'S DENTAL RECORDS,
351
00:16:00,067 --> 00:16:03,500
SO HE WAS ABLE TO MATCH UP
THE VARIOUS FILLINGS,
352
00:16:03,500 --> 00:16:06,700
MADE A POSITIVE IDENTIFICATION
THAT IT WAS CHANDRA.
353
00:16:06,700 --> 00:16:08,967
[ MELANCHOLY TUNE PLAYS ]
354
00:16:08,967 --> 00:16:12,233
WELL, AFTER THEY IDENTIFIED HER,
THEY CALLED US UP AND TOLD US.
355
00:16:12,233 --> 00:16:14,233
THAT WAS JUST REALLY BAD.
I MEAN, JUST --
356
00:16:14,233 --> 00:16:17,433
-IT WAS HORRIBLE.
-AS BAD AS ANYTHING CAN BE.
357
00:16:17,433 --> 00:16:19,967
I'M POST-TRAUMATIC STRESS.
358
00:16:19,967 --> 00:16:24,733
IT'S THE WORST THING
A MOTHER COULD EVER FACE.
359
00:16:24,733 --> 00:16:28,133
THE MINUTE THAT BODY WAS FOUND,
I THOUGHT OF THEM
360
00:16:28,133 --> 00:16:32,067
AND THE TRAVAILS
AND TROUBLES AND ANXIETY
361
00:16:32,067 --> 00:16:34,133
THEY HAD GONE THROUGH
FOR SO LONG.
362
00:16:34,133 --> 00:16:38,500
FINALLY, THEY HAD CHANDRA BACK,
BUT SHE WAS DEAD.
363
00:16:38,500 --> 00:16:42,667
IT WAS A GUT PUNCH BECAUSE,
EVEN THOUGH YOU KNOW THIS CASE
364
00:16:42,667 --> 00:16:44,933
IS PROBABLY GONNA
END THAT WAY,
365
00:16:44,933 --> 00:16:50,067
WHEN YOU'RE CONFRONTED WITH THAT
REALITY, IT'S STILL SHOCKING.
366
00:16:50,067 --> 00:16:52,433
Narrator:
NOW, IT'S UP TO THE
MEDICAL EXAMINER
367
00:16:52,433 --> 00:16:55,967
TO DETERMINE EXACTLY
HOW CHANDRA DIED.
368
00:16:55,967 --> 00:16:59,300
FINDING A BODY IS MORE IMPORTANT
THAN AN EYEWITNESS
369
00:16:59,300 --> 00:17:01,333
BECAUSE THE BODY DOESN'T LIE.
370
00:17:01,333 --> 00:17:06,100
THE BODY IS GONNA TELL
THE MANNER AND MEANS OF DEATH.
371
00:17:06,100 --> 00:17:07,767
Narrator:
IT WON'T BE EASY.
372
00:17:07,767 --> 00:17:11,233
TIME AND THE ELEMENTS
HAVE TAKEN A TOLL.
373
00:17:11,233 --> 00:17:12,433
IT'S OVER A YEAR
374
00:17:12,433 --> 00:17:15,233
BEFORE CHANDRA LEVY'S
REMAINS ARE FOUND
375
00:17:15,233 --> 00:17:18,833
AND, BECAUSE THEY'RE SKELETON
REMAINS, AT THIS POINT,
376
00:17:18,833 --> 00:17:21,533
THERE'S VERY LITTLE
THEY CAN FIND OUT.
377
00:17:21,533 --> 00:17:24,067
THERE WAS NO SOFT TISSUE
TO SHOW A STAB WOUND.
378
00:17:24,067 --> 00:17:26,133
THERE WAS NO BULLET IN THE HEAD.
379
00:17:26,133 --> 00:17:28,367
THERE WASN'T ANYTHING LEFT
OF HER THROAT
380
00:17:28,367 --> 00:17:30,967
TO DETERMINE THAT SHE
MIGHT'VE BEEN STRANGLED.
381
00:17:30,967 --> 00:17:34,467
THERE WAS NO WAY TO TELL
EXACTLY HOW SHE DIED.
382
00:17:34,467 --> 00:17:36,867
[ SUSPENSEFUL MUSIC PLAYS ]
383
00:17:36,867 --> 00:17:37,667
[ SINISTER MUSIC PLAYS ]
Narrator: POLICE ARE ABLE
384
00:17:37,667 --> 00:17:39,500
TO DRAW SOME CONCLUSIONS,
385
00:17:39,500 --> 00:17:42,333
BASED ON THE ITEMS
COLLECTED AT THE SCENE.
386
00:17:42,333 --> 00:17:43,767
WHEN THEY FOUND HER LEGGINGS,
387
00:17:43,767 --> 00:17:47,333
THERE WERE LIKE KNOTS
AND LOOPS IN THE LEGS.
388
00:17:47,333 --> 00:17:49,200
IF SHE FELL DOWN THAT RAVINE
389
00:17:49,200 --> 00:17:51,167
AND KNOCKED HER HEAD
AND DIED BY ACCIDENT,
390
00:17:51,167 --> 00:17:53,700
THERE'S NO REASON
TO REMOVE YOUR PANTS.
391
00:17:53,700 --> 00:17:55,400
Narrator:
THE KNOTS IN THE RUNNING TIGHTS
392
00:17:55,400 --> 00:17:58,533
LEAD INVESTIGATORS
TO A GRIM CONCLUSION.
393
00:17:58,533 --> 00:18:01,300
THE WAY THAT THEY WERE TIED
INDICATED THAT, POSSIBLY,
394
00:18:01,300 --> 00:18:05,133
THEY WERE USED
AS A WAY TO BIND SOMEBODY.
395
00:18:05,133 --> 00:18:07,367
SOMETHING VERY, VERY
396
00:18:07,367 --> 00:18:11,100
SINISTER AND DIABOLICAL
IS GOING ON THERE.
397
00:18:11,100 --> 00:18:13,100
THAT DEFINITELY WAS EVIDENCE
398
00:18:13,100 --> 00:18:15,600
THAT SHE HAD BEEN
SEXUALLY ASSAULTED.
399
00:18:15,600 --> 00:18:18,733
Narrator: THE METRO PD
ANNOUNCE THEIR FINDINGS.
400
00:18:18,733 --> 00:18:22,633
WE KNOW THE MANNER OF DEATH
WAS HOMICIDE.
401
00:18:22,633 --> 00:18:25,067
QUESTIONS STILL REMAIN:
HOW DID SHE GET THERE?
402
00:18:25,067 --> 00:18:27,300
WAS SHE GOING TO SEE SOMEONE
WHEN SHE GOT THERE?
403
00:18:27,300 --> 00:18:29,200
WAS SHE JUST OUT FOR A WALK?
404
00:18:29,200 --> 00:18:33,600
THOSE ARE THE KINDS OF QUESTIONS
THAT HAVE TO BE ANSWERED.
405
00:18:33,600 --> 00:18:35,700
Monroe:
NOW, WE'RE BACK TO SQUARE ONE.
406
00:18:35,700 --> 00:18:39,267
WE HAVE AN UNSOLVED MURDER
OF A YOUNG LADY
407
00:18:39,267 --> 00:18:42,800
WHO CAME TO WASHINGTON
TO LIVE HER DREAM,
408
00:18:42,800 --> 00:18:45,567
AND HER DREAMS DIED HERE.
409
00:18:45,567 --> 00:18:50,133
NOW, POLICE HAVE TO FIGURE OUT
"WHO KILLED CHANDRA LEVY?"
410
00:18:50,133 --> 00:18:52,067
WAS IT CONGRESSMAN CONDIT?
411
00:18:52,067 --> 00:18:53,300
[ MELANCHOLY TUNE PLAYS ]
412
00:18:53,300 --> 00:18:54,767
Narrator:
WITH RENEWED PURPOSE,
413
00:18:54,767 --> 00:18:58,867
INVESTIGATORS REVISIT THEIR
FIRST PERSON OF INTEREST.
414
00:18:58,867 --> 00:19:01,433
THERE WERE THEORIES ABOUNDING.
415
00:19:01,433 --> 00:19:04,867
CONDIT, PERHAPS, DID SOMETHING
TO MAKE THIS GIRL DISAPPEAR
416
00:19:04,867 --> 00:19:07,900
BECAUSE HE WAS HAVING
A SEXUAL AFFAIR WITH HER.
417
00:19:07,900 --> 00:19:09,633
Trainum:
THERE WAS A LOT OF THEORIES.
418
00:19:09,633 --> 00:19:13,667
ONE WAS, SHE WAS MEETING
GARY CONDIT IN ROCK CREEK PARK.
419
00:19:13,667 --> 00:19:16,733
EVERY STATEMENT, EVERY ACTION,
420
00:19:16,733 --> 00:19:21,467
OF GARY CONDIT'S LIFE
COMES UNDER SCRUTINY.
421
00:19:21,467 --> 00:19:25,433
Narrator:
ESPECIALLY HIS WHEREABOUTS
ON THE DAY CHANDRA WENT MISSING.
422
00:19:25,433 --> 00:19:29,067
GARY CONDIT HAS AN ALIBI FOR THE
DAY THAT CHANDRA DISAPPEARS.
423
00:19:29,067 --> 00:19:31,333
HE'S TAKING CARE OF BUSINESS.
424
00:19:31,333 --> 00:19:34,167
HE WAS SITTING DOWN WITH
VICE PRESIDENT DICK CHENEY,
425
00:19:34,167 --> 00:19:37,933
TALKING ABOUT ENERGY POLICY,
OVER AT THE WHITE HOUSE.
426
00:19:37,933 --> 00:19:39,967
Velez-Mitchell:
THEY DO SOME CHECKING.
THEY TALK TO HIS STAFF.
427
00:19:39,967 --> 00:19:43,633
I MEAN, MEETING WITH THE VICE
PRESIDENT OF THE UNITED STATES?!
428
00:19:43,633 --> 00:19:46,233
THAT CERTAINLY
COULD BE CONFIRMED.
429
00:19:46,233 --> 00:19:48,667
THEN HE'S AT THE OFFICE AND THEN
HE GOES TO THE DOCTOR'S.
430
00:19:48,667 --> 00:19:49,767
AT THIS POINT,
431
00:19:49,767 --> 00:19:53,533
CONGRESSMAN CONDIT'S ALIBI
CHECKS OUT.
432
00:19:53,533 --> 00:19:56,200
Narrator:
AND A CLOSER EXAMINATION
OF THE EVIDENCE
433
00:19:56,200 --> 00:19:58,633
LEADS TO ANOTHER DEAD END.
434
00:19:58,633 --> 00:20:01,267
AT THIS POINT,
NOTHING ON THE CRIME SCENE
435
00:20:01,267 --> 00:20:05,233
ALLOWED THE INVESTIGATORS TO
LINK THIS CASE TO GARY CONDIT.
436
00:20:05,233 --> 00:20:06,700
THEY DON'T HAVE ANY EVIDENCE
437
00:20:06,700 --> 00:20:09,367
TO LINK HIM
TO CHANDRA LEVY'S MURDER.
438
00:20:09,367 --> 00:20:11,567
MAYBE IT'S SOMEBODY ELSE.
439
00:20:11,567 --> 00:20:15,100
THE PRESSURE STARTED TO BUILD
AND BUILD AND BUILD.
440
00:20:15,100 --> 00:20:17,800
POLICE HAD TO DO SOMETHING.
441
00:20:17,800 --> 00:20:21,267
Narrator:
INVESTIGATORS BEGIN TO WONDER
IF THE LOCATION OF THE CRIME
442
00:20:21,267 --> 00:20:23,733
IS THE KEY TO SOLVING IT.
443
00:20:23,733 --> 00:20:25,633
SO, TO DEVELOP NEW LEADS,
444
00:20:25,633 --> 00:20:29,267
THEY TURN TO A SPECIALIZED
CRIMINOLOGIST.
445
00:20:29,267 --> 00:20:30,567
I'M DR. KIM ROSSMO.
446
00:20:30,567 --> 00:20:32,733
I'M THE GEOGRAPHIC PROFILER
WHO WAS BROUGHT ON
447
00:20:32,733 --> 00:20:34,167
TO ASSIST IN THE INVESTIGATION
448
00:20:34,167 --> 00:20:36,733
IN THE CHANDRA LEVY
DISAPPEARANCE AND MURDER.
449
00:20:36,733 --> 00:20:38,700
I GOT A CALL FROM
DETECTIVE TRAINUM
450
00:20:38,700 --> 00:20:40,467
AND HE SAID
THAT HE WANTED TO SEE
451
00:20:40,467 --> 00:20:44,133
IF I MIGHT BE ABLE TO PROVIDE
ANY SORT OF PERSPECTIVE.
452
00:20:44,133 --> 00:20:47,000
KIM'S REALLY GOOD
AT LOOKING AT A CRIME SCENE
453
00:20:47,000 --> 00:20:50,600
AND HELPING YOU UNDERSTAND
WHAT IS IT ABOUT THE SCENE
454
00:20:50,600 --> 00:20:52,367
THAT KIND OF CONTRIBUTED
TO THE CRIME
455
00:20:52,367 --> 00:20:54,867
OCCURRING AT THAT LOCATION?
456
00:20:54,867 --> 00:20:57,367
Narrator:
ROSSMO CONDUCTS
A HOLISTIC EXAMINATION
457
00:20:57,367 --> 00:21:00,500
OF CRIMINAL ACTIVITY
IN ROCK CREEK PARK.
458
00:21:00,500 --> 00:21:03,333
FOR ME, ONE OF THE MOST
IMPORTANT EARLY QUESTIONS WAS,
459
00:21:03,333 --> 00:21:06,700
"HOW COMMON ARE THESE ATTACKS
IN ROCK CREEK PARK?"
460
00:21:06,700 --> 00:21:09,533
WE TOOK A LOOK AT THE DATA
FROM THE PARK'S POLICE
461
00:21:09,533 --> 00:21:12,600
ABOUT THEIR CRIMES
IN THE 18-MONTH PERIOD
462
00:21:12,600 --> 00:21:14,900
LEADING UP TO THERE
AND IT WAS VERY CLEAR
463
00:21:14,900 --> 00:21:19,200
THAT CRIMES OF THIS NATURE
WERE JUST SO RARE.
464
00:21:19,200 --> 00:21:20,633
Narrator:
BUT ROSSMO DISCOVERS
465
00:21:20,633 --> 00:21:22,767
SOME INTRIGUING INCIDENTS.
466
00:21:22,767 --> 00:21:25,867
WE SAW TWO ATTACKS
ON FEMALE JOGGERS
467
00:21:25,867 --> 00:21:30,833
IN THE SHORT TIME PERIOD
FOLLOWING LEVY'S DISAPPEARANCE.
468
00:21:30,833 --> 00:21:32,300
Narrator:
IN SEARCH OF A PATTERN,
469
00:21:32,300 --> 00:21:36,700
ROSSMO PORES OVER THE DETAILS
OF THESE TWO CASES.
470
00:21:36,700 --> 00:21:39,733
Dimond:
ON MAY 14th, A YOUNG WOMAN
NAMED HALLE SHILLING
471
00:21:39,733 --> 00:21:42,100
DECIDED TO GO FOR A RUN
IN ROCK CREEK PARK.
472
00:21:42,100 --> 00:21:43,967
IT WAS IN THE EARLY EVENING.
473
00:21:43,967 --> 00:21:46,400
SHE WAS A YOUNG STUDENT,
JOURNALISM STUDENT,
474
00:21:46,400 --> 00:21:48,367
TRYING TO GET HER MASTER'S.
475
00:21:48,367 --> 00:21:51,367
WHEN SHE GOT TO THE PARK,
SHE NOTICED A HISPANIC MAN
476
00:21:51,367 --> 00:21:56,433
SITTING IN THE PARKING LOT
AND SHE TOOK OFF FOR HER RUN.
477
00:21:56,433 --> 00:21:58,367
SHE KEPT LOOKING BACK
OVER HER SHOULDER
478
00:21:58,367 --> 00:22:01,467
AND SHE NOTICED
HE WAS BEHIND HER.
479
00:22:01,467 --> 00:22:05,333
Narrator:
SHILLING GROWS FEARFUL
OF THE LOOMING STRANGER.
480
00:22:05,333 --> 00:22:07,433
Dimond:
SHE WOULD SPEED UP
AND SLOW DOWN,
481
00:22:07,433 --> 00:22:10,100
BUT HE WAS ALWAYS RIGHT THERE.
482
00:22:10,100 --> 00:22:11,733
AND THEN, SUDDENLY,
483
00:22:11,733 --> 00:22:13,133
HE GRABBED HER.
484
00:22:13,133 --> 00:22:16,467
HE THREW HER DOWN
INTO THE FOREST.
485
00:22:16,467 --> 00:22:19,367
HALLE DESCRIBES FIGHTING
FOR HER LIFE.
486
00:22:19,367 --> 00:22:21,933
[ SUSPENSEFUL MUSIC PLAYS ]
487
00:22:21,933 --> 00:22:23,267
BUT WHAT HE DIDN'T KNOW IS
488
00:22:23,267 --> 00:22:26,267
SHE HAD TAKEN SOME
SELF-DEFENSE CLASSES.
489
00:22:26,267 --> 00:22:29,600
SHE WAS ABLE TO ACTUALLY
PUT HER FINGERNAILS
490
00:22:29,600 --> 00:22:32,400
INSIDE HIS MOUTH,
INTO HIS SOFT PALATE,
491
00:22:32,400 --> 00:22:34,267
AND THAT WAS A BREAK SHE NEEDED.
492
00:22:34,267 --> 00:22:35,700
HE LOOSENED HIS GRIP
493
00:22:35,700 --> 00:22:38,333
AND SHE GOT UP AND RAN
OUT OF THE PARK,
494
00:22:38,333 --> 00:22:42,633
AND SHE RAN STRAIGHT TO THE
POLICE AND REPORTED THE ATTACK.
495
00:22:42,633 --> 00:22:45,600
Narrator:
THE ASSAILANT GETS AWAY.
496
00:22:45,600 --> 00:22:49,767
AND, SOON, ANOTHER WOMAN
ENDURES A SIMILAR ENCOUNTER.
497
00:22:49,767 --> 00:22:52,533
ABOUT A MONTH AND A HALF
AFTER HALLE SHILLING'S ATTACK,
498
00:22:52,533 --> 00:22:54,767
CHRISTY WIEGAND AND HER FIANCé
499
00:22:54,767 --> 00:22:57,700
GO TO ROCK CREEK PARK
FOR A RUN.
500
00:22:57,700 --> 00:23:01,067
AS IS USUAL,
HE PULLS AHEAD OF HER.
501
00:23:01,067 --> 00:23:05,500
SHE SEES HIM ON THE ROAD AHEAD
AND THEN FINALLY HE DISAPPEARS.
502
00:23:05,500 --> 00:23:09,067
[ OMINOUS MUSIC CLIMBS ]
503
00:23:09,067 --> 00:23:13,067
AT THAT POINT, SHE REALIZES
THERE IS SOMEBODY BEHIND HER.
504
00:23:13,067 --> 00:23:17,600
THERE IS A YOUNG HISPANIC MAN,
GAINING ON HER.
505
00:23:17,600 --> 00:23:19,400
Narrator:
WITH NO ONE ELSE ON THE TRAIL,
506
00:23:19,400 --> 00:23:24,200
WIEGAND ATTEMPTS
TO OUTRUN THE PURSUER.
507
00:23:24,200 --> 00:23:26,733
Dimond:
ALL OF A SUDDEN,
SHE'S GRABBED FROM BEHIND.
508
00:23:26,733 --> 00:23:30,067
THEY FALL DOWN INTO A RAVINE.
509
00:23:30,067 --> 00:23:33,467
SHE SEES
A KNIFE IN HIS HAND.
510
00:23:33,467 --> 00:23:37,400
HE PUTS HIS HAND OVER HER MOUTH
SO SHE CANNOT SCREAM.
511
00:23:37,400 --> 00:23:40,100
SHE IS FIGHTING FOR HER LIFE.
512
00:23:40,100 --> 00:23:43,267
HE DOESN'T TAKE HER
EXPENSIVE ENGAGEMENT RING,
513
00:23:43,267 --> 00:23:45,533
HE DOESN'T TRY
TO TAKE HER WALKMAN,
514
00:23:45,533 --> 00:23:48,267
AND SHE IS SURE SHE IS
ABOUT TO BE KILLED.
515
00:23:48,267 --> 00:23:52,700
Narrator:
IN SHOCK, SHE INSTINCTUALLY
STRUGGLES WITH THE ATTACKER.
516
00:23:52,700 --> 00:23:57,133
MIRACULOUSLY, SHE BREAKS
THE GRIP OF THIS ASSAILANT,
517
00:23:57,133 --> 00:23:59,800
SCRAMBLES BACK UP,
518
00:23:59,800 --> 00:24:03,267
AND REPORTS THE ATTACK
TO THE FIRST PERSON SHE SEES.
519
00:24:03,267 --> 00:24:05,733
CHRISTY WIEGAND GIVES
A REALLY GOOD DESCRIPTION
520
00:24:05,733 --> 00:24:06,933
OF HER ATTACKER.
521
00:24:06,933 --> 00:24:08,633
HE'S YOUNG. HE'S HISPANIC.
522
00:24:08,633 --> 00:24:12,333
HE'S WEARING A WHITE TANK TOP,
BAGGY SHORTS.
523
00:24:12,333 --> 00:24:17,333
Narrator:
PARK POLICE IMMEDIATELY RESPOND
AND SEARCH THE SURROUNDING AREA.
524
00:24:17,333 --> 00:24:19,567
THIS IS A SECOND
ATTACK IN 6 WEEKS.
525
00:24:19,567 --> 00:24:21,733
THE PARK POLICE ARE WORRIED.
526
00:24:21,733 --> 00:24:23,600
THEY SEARCH ALL THE RAVINES,
527
00:24:23,600 --> 00:24:26,433
EVERYWHERE OFF
THE JOGGING TRACKS,
528
00:24:26,433 --> 00:24:29,767
AND THEY FINALLY FIND
A YOUNG HISPANIC MAN
529
00:24:29,767 --> 00:24:32,767
CROUCHED IN THE BUSHES, HIDING.
530
00:24:32,767 --> 00:24:36,633
Narrator:
POLICE ARREST THE SUSPECT AND
BRING HIM IN FOR QUESTIONING.
531
00:24:36,633 --> 00:24:38,500
THIS MAN IS INGMAR GUANDIQUE,
532
00:24:38,500 --> 00:24:43,433
A SALVADORAN NATIVE WHO HAD COME
TO THE UNITED STATES ILLEGALLY.
533
00:24:43,433 --> 00:24:48,300
Trainum:
WHEN THEY ASK HIM ABOUT
THE ATTACK, HE DENIED IT.
534
00:24:48,300 --> 00:24:53,067
BUT THEY USED A DIFFERENT TACK,
AND ASKED HIM IF MAYBE HE JUST
535
00:24:53,067 --> 00:24:56,767
ACCIDENTALLY BRUSHED UP
AGAINST SOMEBODY IN THE WOODS.
536
00:24:56,767 --> 00:24:59,900
HE GAVE THEM THIS STORY
ABOUT, OH, YEAH,
537
00:24:59,900 --> 00:25:01,800
HE WAS RUNNING
OR JOGGING IN THE WOODS
538
00:25:01,800 --> 00:25:04,667
AND COLLIDED WITH
A WOMAN BY ACCIDENT
539
00:25:04,667 --> 00:25:06,967
AND SO THEY KNEW THAT,
AT THAT POINT,
540
00:25:06,967 --> 00:25:09,067
THAT THEY HAD THE RIGHT GUY.
541
00:25:09,067 --> 00:25:11,067
Narrator:
BOTH WIEGAND AND SHILLING
542
00:25:11,067 --> 00:25:14,533
IDENTIFY GUANDIQUE
AS THEIR ASSAILANT.
543
00:25:14,533 --> 00:25:17,600
HE EVENTUALLY PLEADED GUILTY
TO ATTEMPTED ROBBERY
544
00:25:17,600 --> 00:25:20,933
AND WAS SENTENCED
TO 10 YEARS IN PRISON.
545
00:25:20,933 --> 00:25:24,300
Narrator:
AFTER REVIEWING THESE CASES,
ROSSMO IS ASTOUNDED
546
00:25:24,300 --> 00:25:27,267
BY THE SIMILARITIES
TO CHANDRA'S MURDER.
547
00:25:27,267 --> 00:25:28,567
WE TOOK A LOOK AT
548
00:25:28,567 --> 00:25:30,867
ALL THE DIFFERENT BITS
OF INFORMATION THAT WE HAVE.
549
00:25:30,867 --> 00:25:35,267
WE TOOK A LOOK AT THE LOCATION
WHERE CHANDRA'S BODY WAS FOUND
550
00:25:35,267 --> 00:25:36,800
AND THEN WE LOOKED
AT THE LOCATIONS
551
00:25:36,800 --> 00:25:40,267
WHERE THE ATTACKS ON THE TWO
FEMALE JOGGERS HAD OCCURRED.
552
00:25:40,267 --> 00:25:42,233
THERE'S NO ONE ELSE AROUND.
553
00:25:42,233 --> 00:25:44,467
ATTACKS LIKE THAT IN THE PARK
ARE REALLY RARE
554
00:25:44,467 --> 00:25:45,500
AND, WHEN YOU'VE GOT
THREE OF THEM
555
00:25:45,500 --> 00:25:47,733
IN A VERY SHORT TIME PERIOD,
556
00:25:47,733 --> 00:25:52,333
THAT CALLS FOR THEM TO BE LOOKED
AT AS BEING CONNECTED CRIMES.
557
00:25:52,333 --> 00:25:55,167
Narrator:
THE DETAILS OF GUANDIQUE'S
CIRCUMSTANCES
558
00:25:55,167 --> 00:25:57,900
ALSO RAISE ROSSMO'S SUSPICIONS.
559
00:25:57,900 --> 00:26:02,167
WE KNOW THAT HE LIVED JUST
TO THE EAST OF ROCK CREEK PARK
560
00:26:02,167 --> 00:26:07,200
AND THERE WERE NO SIMILAR
ATTACKS AFTER THEY ARREST HIM.
561
00:26:07,200 --> 00:26:10,167
IT MADE GUANDIQUE STAND OUT
LIKE A NEON SIGN.
562
00:26:10,167 --> 00:26:13,067
HE HAD TO BE CONSIDERED
A VIABLE SUSPECT
563
00:26:13,067 --> 00:26:15,933
AND NEEDED TO BE
EXPLORED FURTHER.
564
00:26:15,933 --> 00:26:19,567
Narrator:
POLICE FOCUS IN ON THEIR
INCARCERATED SUSPECT.
565
00:26:19,567 --> 00:26:21,367
GUANDIQUE'S ALREADY IN PRISON.
566
00:26:21,367 --> 00:26:24,200
HE'S SERVING TIME
FOR THE FIRST TWO ATTACKS,
567
00:26:24,200 --> 00:26:26,333
BUT THE INVESTIGATORS
WERE LOOKING FOR
568
00:26:26,333 --> 00:26:29,100
ANY KIND OF CONNECTION,
ANY KIND OF EVIDENCE,
569
00:26:29,100 --> 00:26:31,500
THAT MIGHT LINK HIM TO CHANDRA.
570
00:26:31,500 --> 00:26:34,567
INGMAR GUANDIQUE IS THE BIGGEST
BREAK IN THIS CASE
571
00:26:34,567 --> 00:26:36,100
IN A VERY LONG TIME.
572
00:26:36,100 --> 00:26:37,367
IT'S ALL COMING TOGETHER.
573
00:26:37,367 --> 00:26:39,067
[ SUSPENSEFUL CHORD STRIKES ]
574
00:26:41,533 --> 00:26:42,700
Narrator:
AFTER DISCOVERING
575
00:26:42,700 --> 00:26:45,933
CHANDRA LEVY'S REMAINS
IN ROCK CREEK PARK,
576
00:26:45,933 --> 00:26:51,167
POLICE IDENTIFY A PROMISING
SUSPECT NAMED INGMAR GUANDIQUE.
577
00:26:51,167 --> 00:26:54,067
A CONVICTED FELON,
HE'S SERVING A SENTENCE
578
00:26:54,067 --> 00:26:57,133
FOR ATTACKING TWO WOMEN
IN THE SAME PARK.
579
00:26:57,133 --> 00:27:00,867
POLICE TRY TO INTERVIEW
FAMILY MEMBERS, ASSOCIATES,
580
00:27:00,867 --> 00:27:03,133
BUILD A TIMELINE ON HIM.
581
00:27:03,133 --> 00:27:06,067
THEY'RE ALSO LOOKING
FOR ANY KIND OF EVIDENCE
582
00:27:06,067 --> 00:27:09,067
THAT MIGHT LINK HIM TO CHANDRA.
583
00:27:09,067 --> 00:27:10,867
Narrator:
IN JANUARY 2000,
584
00:27:10,867 --> 00:27:16,667
HE THEN-18-YEAR-OLD SALVADORAN
BEGAN HIS JOURNEY TO AMERICA.
585
00:27:16,667 --> 00:27:18,067
MY NAME IS SYLVIA MORENO.
586
00:27:18,067 --> 00:27:20,233
I'M A RETIRED
NEWSPAPER JOURNALIST.
587
00:27:20,233 --> 00:27:23,433
I WORKED AT THE WASHINGTON POST
FOR 11 YEARS.
588
00:27:23,433 --> 00:27:27,133
I COMMUNICATED SEVERAL TIMES
WITH GUANDIQUE THROUGH LETTER.
589
00:27:27,133 --> 00:27:29,667
GUANDIQUE CAME
TO THE UNITED STATES
590
00:27:29,667 --> 00:27:32,333
ILLEGALLY, FROM EL SALVADOR.
591
00:27:32,333 --> 00:27:34,567
HE MADE HIS WAY THROUGH MEXICO.
592
00:27:34,567 --> 00:27:37,133
HE SWAM ACROSS THE RIO GRANDE
INTO TEXAS.
593
00:27:37,133 --> 00:27:39,067
HE MADE HIS WAY TO HOUSTON.
594
00:27:39,067 --> 00:27:43,133
AND THEN HE MADE HIS WAY
TO WASHINGTON, DC.
595
00:27:43,133 --> 00:27:45,100
[ MELANCHOLY TUNE PLAYS ]
HE'S GOT A FAMILY IN EL SALVADOR
596
00:27:45,100 --> 00:27:47,067
THAT'S DEEPLY IMPOVERISHED.
597
00:27:47,067 --> 00:27:48,967
HIS ROLE IN COMING
TO THE UNITED STATES
598
00:27:48,967 --> 00:27:51,100
WAS TO GET A JOB,
ANY KIND OF JOB,
599
00:27:51,100 --> 00:27:53,367
AND START SENDING MONEY HOME.
600
00:27:53,367 --> 00:27:58,200
Narrator:
SOON AFTER ARRIVING,
GUANDIQUE FINDS MODEST SUCCESS.
601
00:27:58,200 --> 00:27:59,533
Moreno:
HE STARTED WORKING.
602
00:27:59,533 --> 00:28:02,667
HE WAS DOING, ESSENTIALLY,
DAY-LABORER-TYPE OF JOBS:
603
00:28:02,667 --> 00:28:04,500
WORKING
AT A LANDSCAPING COMPANY,
604
00:28:04,500 --> 00:28:06,300
WORKING AT A MASONRY COMPANY,
605
00:28:06,300 --> 00:28:08,167
WORKING ON A MAINTENANCE CREW.
606
00:28:08,167 --> 00:28:11,933
HE JUST DRIFTED, ESSENTIALLY,
FROM JOB TO JOB,
607
00:28:11,933 --> 00:28:15,333
BUT HE FELL OFF THAT TRACK.
608
00:28:15,333 --> 00:28:18,067
Doyle:
HE WAS DRINKING
AND TAKING DRUGS.
609
00:28:18,067 --> 00:28:20,667
GUANDIQUE WAS A MAN
WITH NOT A LOT OF PROSPECTS.
610
00:28:20,667 --> 00:28:22,367
HE WAS GOING NOWHERE.
611
00:28:22,367 --> 00:28:26,633
Narrator:
IT'S NOT LONG BEFORE HIS NEW
HABITS FUEL EXPLOSIVE BEHAVIOR.
612
00:28:26,633 --> 00:28:29,667
Moreno:
I INTERVIEWED HIS GIRLFRIEND
AND HER MOTHER.
613
00:28:29,667 --> 00:28:32,633
THEY TOLD ME
HE WAS SOMEWHAT VOLATILE.
614
00:28:32,633 --> 00:28:33,967
THEY HAD FIGHTS.
615
00:28:33,967 --> 00:28:38,233
HE DID PUNCH HER ONE TIME,
HIT HER IN THE FACE,
616
00:28:38,233 --> 00:28:40,167
BIT HER ABOVE HER BREAST.
617
00:28:40,167 --> 00:28:41,833
SHE HAD A BITE MARK THERE.
618
00:28:41,833 --> 00:28:43,767
AND I REMEMBER,
WHEN I WAS IN THE APARTMENT,
619
00:28:43,767 --> 00:28:47,800
I SAW A HOLE IN THE WALL AND I
SAID, "WHAT HAPPENED HERE?"
620
00:28:47,800 --> 00:28:49,067
AND THEY SAID,
"OH, INGMAR DID THAT.
621
00:28:49,067 --> 00:28:51,633
HE GOT MAD
AND HE PUNCHED THE WALL."
622
00:28:51,633 --> 00:28:54,833
I SAW, "WOW. THAT'S SOMEBODY
WITH A REALLY BAD TEMPER."
623
00:28:54,833 --> 00:28:57,300
HE CAME TO MAKE A BETTER LIFE
IN WASHINGTON, DC,
624
00:28:57,300 --> 00:29:01,500
BUT WHAT HE FOUND
INSTEAD WAS TROUBLE.
625
00:29:01,500 --> 00:29:03,833
Narrator:
INVESTIGATORS BEGIN
TO PIECE TOGETHER
626
00:29:03,833 --> 00:29:06,267
A TIMELINE
OF GUANDIQUE'S ACTIONS
627
00:29:06,267 --> 00:29:10,433
AROUND MAY 1st,
THE DAY CHANDRA DISAPPEARED.
628
00:29:10,433 --> 00:29:12,067
DURING THE INTERVIEWS
THAT OCCURRED,
629
00:29:12,067 --> 00:29:14,800
GUANDIQUE'S LANDLADY
SAID THAT SHE SAW HIM
630
00:29:14,800 --> 00:29:19,067
WITH BRUISES AND SCRATCHES
ON HIS FACE AROUND THAT TIME.
631
00:29:19,067 --> 00:29:21,400
SHE ASKED HIM,
"WHAT HAPPENED TO YOU?"
632
00:29:21,400 --> 00:29:24,167
AND HE SAID, "OH, I GOT
IN A FIGHT WITH MY GIRLFRIEND."
633
00:29:24,167 --> 00:29:27,433
BUT SHE ALSO THOUGHT HE WAS
ACTING RATHER PECULIARLY
634
00:29:27,433 --> 00:29:30,767
AND, SUBSEQUENTLY,
INVESTIGATORS DISCOVERED THAT
635
00:29:30,767 --> 00:29:33,433
HE HAD NOT GONE
TO WORK ON MAY 1st.
636
00:29:33,433 --> 00:29:34,933
THIS IS A BIG
BREAKTHROUGH FOR COPS
637
00:29:34,933 --> 00:29:38,067
BECAUSE THE HISTORY OF VIOLENCE,
THE NOT SHOWING UP FOR WORK,
638
00:29:38,067 --> 00:29:39,467
HAVING THE SCRATCHES ON HIS FACE
639
00:29:39,467 --> 00:29:41,800
THE SAME DAY THAT
CHANDRA DISAPPEARS?
640
00:29:41,800 --> 00:29:44,800
IT WAS A STUNNER FOR EVERYONE.
641
00:29:44,800 --> 00:29:46,733
Narrator:
TO FURTHER BUILD THEIR CASE,
642
00:29:46,733 --> 00:29:49,733
INVESTIGATORS VISIT
GUANDIQUE IN PRISON.
643
00:29:49,733 --> 00:29:53,100
HE SEEMS LIKE, FOR POLICE,
THE PERFECT SUSPECT,
644
00:29:53,100 --> 00:29:56,400
BUT, IN AN INTERVIEW IN PRISON,
GUANDIQUE CLAIMS HE HAD NOTHING
645
00:29:56,400 --> 00:29:59,767
TO DO WITH CHANDRA'S MURDER,
BUT, COPS HAVE TO SETTLE THIS,
646
00:29:59,767 --> 00:30:02,000
SO THEY GIVE HIM A POLYGRAPH.
647
00:30:02,000 --> 00:30:05,333
Narrator:
WITH THE HELP OF A TRANSLATOR,
POLICE PRESS GUANDIQUE
648
00:30:05,333 --> 00:30:08,767
ABOUT MAY 1st
AND CHANDRA'S MURDER.
649
00:30:08,767 --> 00:30:11,967
THE RESULTS ARE SURPRISING.
650
00:30:11,967 --> 00:30:15,333
MR. GUANDIQUE SUCCESSFULLY
PASSES THE POLYGRAPH,
651
00:30:15,333 --> 00:30:20,067
BUT IT'S STILL NOT SATISFACTORY
TO SOME INVESTIGATORS.
652
00:30:20,067 --> 00:30:21,567
HERE'S THE PROBLEM:
653
00:30:21,567 --> 00:30:23,633
HE DOESN'T SPEAK
VERY MUCH ENGLISH
654
00:30:23,633 --> 00:30:27,233
AND THE POLYGRAPH EXAMINER
USED A TRANSLATOR,
655
00:30:27,233 --> 00:30:29,433
WHICH COULD SKEW THE RESULTS!
656
00:30:29,433 --> 00:30:33,933
SO, IN ESSENCE, WHO KNOWS?!
657
00:30:33,933 --> 00:30:37,500
Narrator:
THE CASE AGAINST GUANDIQUE
IS AT A STANDSTILL.
658
00:30:37,500 --> 00:30:39,633
THEY STILL DON'T HAVE
ENOUGH EVIDENCE
659
00:30:39,633 --> 00:30:42,567
TO LINK HIM
TO CHANDRA LEVY'S MURDER.
660
00:30:42,567 --> 00:30:44,833
THEY HAVE A GREAT
CIRCUMSTANTIAL CASE,
661
00:30:44,833 --> 00:30:46,900
BUT THE GOVERNMENT DOESN'T
FEEL LIKE IT HAS ENOUGH
662
00:30:46,900 --> 00:30:50,700
TO GET OVER THE HURDLE
OF BEYOND A REASONABLE DOUBT.
663
00:30:50,700 --> 00:30:55,467
THE INVESTIGATION
JUST KIND OF LIKE DIES OFF.
664
00:30:55,467 --> 00:30:59,467
Narrator:
ONCE AGAIN, THE INVESTIGATION
INTO THE MURDER OF CHANDRA LEVY
665
00:30:59,467 --> 00:31:01,200
GOES COLD.
666
00:31:01,200 --> 00:31:03,600
WITH INGMAR OUT OF THE PICTURE,
THERE ARE NO GOOD LEADS.
667
00:31:03,600 --> 00:31:05,967
UNTIL ANOTHER SUSPECT
COMES ALONG:
668
00:31:05,967 --> 00:31:07,967
ALBERT COOK.
669
00:31:07,967 --> 00:31:10,700
COOK IS THIS VERY LARGE MAN
670
00:31:10,700 --> 00:31:15,533
WHO WAS CAUGHT ASSAULTING
A WOMAN WALKING PAST HIS HOUSE.
671
00:31:15,533 --> 00:31:19,067
Narrator:
THE 26-YEAR-OLD COOK
IS FROM ASPEN HILL, MARYLAND,
672
00:31:19,067 --> 00:31:21,100
JUST OUTSIDE WASHINGTON.
673
00:31:21,100 --> 00:31:23,133
HE HAS PREVIOUSLY
BEEN CONVICTED
674
00:31:23,133 --> 00:31:27,267
OF INAPPROPRIATELY TOUCHING
A WOMAN IN A SHOPPING CENTER.
675
00:31:27,267 --> 00:31:30,067
WHEN POLICE PICK HIM UP
IN 2001,
676
00:31:30,067 --> 00:31:33,833
HE SUDDENLY CONFESSES
TO A MURDER IN ROCK CREEK PARK.
677
00:31:33,833 --> 00:31:37,233
A 48-YEAR-OLD JOGGER,
AN ASIAN AMERICAN WOMAN.
678
00:31:37,233 --> 00:31:41,267
HE ADMITS THAT HE GRABBED HER,
TORTURED HER, RAPED HER,
679
00:31:41,267 --> 00:31:44,667
AND LEFT HER TO DIE IN THE PARK.
680
00:31:44,667 --> 00:31:48,867
THAT HAPPENED NOT LONG BEFORE
CHANDRA LEVY GOES MISSING,
681
00:31:48,867 --> 00:31:50,833
AND THERE'S A LOT
OF COMMONALITIES
682
00:31:50,833 --> 00:31:52,567
BETWEEN THIS JOGGER
683
00:31:52,567 --> 00:31:55,500
THAT ALBERT COOK BEAT
AND LEFT TO DIE
684
00:31:55,500 --> 00:31:57,667
AND WHAT HAPPENED
TO CHANDRA LEVY,
685
00:31:57,667 --> 00:32:01,600
WHO WAS STRIPPED NAKED AND DIED
686
00:32:01,600 --> 00:32:03,833
IN THE SAME PARK!
687
00:32:03,833 --> 00:32:05,867
Narrator:
IN MAY 2002,
688
00:32:05,867 --> 00:32:09,067
COOK WAS SENTENCED TO LIFE
IN PRISON FOR HIS CRIMES
689
00:32:09,067 --> 00:32:11,967
AND, NOW,
INVESTIGATORS SEEK HIM OUT.
690
00:32:11,967 --> 00:32:13,533
POLICE QUESTION HIM.
691
00:32:13,533 --> 00:32:16,667
HE FREELY ADMITS
TO KILLING THE JOGGER,
692
00:32:16,667 --> 00:32:18,933
BUT HE SAYS HE HAS
ABSOLUTELY NOTHING TO DO
693
00:32:18,933 --> 00:32:20,867
WITH CHANDRA LEVY'S DEATH.
694
00:32:20,867 --> 00:32:24,800
Narrator:
POLICE THEN DISCOVER
SOMETHING THAT GIVES THEM PAUSE.
695
00:32:24,800 --> 00:32:27,500
COOK WAS INTELLECTUALLY
DISABLED
696
00:32:27,500 --> 00:32:30,367
AND THE CRIME THAT HE HAD BEEN
CONVICTED OF PREVIOUSLY
697
00:32:30,367 --> 00:32:33,233
HAD OCCURRED NEAR HIS HOME.
698
00:32:33,233 --> 00:32:35,200
Narrator:
BUT CHANDRA'S REMAINS WERE FOUND
699
00:32:35,200 --> 00:32:38,900
FAR FROM HIS HOME,
ABOUT 10 MILES AWAY.
700
00:32:38,900 --> 00:32:41,500
INVESTIGATORS DETERMINE
THAT, FOR COOK,
701
00:32:41,500 --> 00:32:44,600
NAVIGATING THAT DISTANCE
WOULD BE A CHALLENGE.
702
00:32:44,600 --> 00:32:47,633
POLICE BELIEVED THAT IT WAS
IMPLAUSIBLE TO THINK
703
00:32:47,633 --> 00:32:51,333
THAT HE WOULD'VE BEEN ABLE
TO COMMIT AN ASSAULT ON CHANDRA,
704
00:32:51,333 --> 00:32:53,367
SO, ULTIMATELY, HE WAS CLEARED.
705
00:32:53,367 --> 00:32:55,700
[ OMINOUS CHORDS STRIKE ]
706
00:32:55,700 --> 00:32:58,933
Narrator: ONCE AGAIN,
THE CASE LANGUISHES.
707
00:32:58,933 --> 00:33:03,967
IT WILL BE ANOTHER FIVE YEARS
BEFORE NEW INFORMATION EMERGES.
708
00:33:03,967 --> 00:33:08,533
IN 2008, THE WASHINGTON POST
DECIDES TO DO AN IN-DEPTH SERIES
709
00:33:08,533 --> 00:33:11,900
LOOKING INTO CHANDRA LEVY'S
DISAPPEARANCE AND MURDER,
710
00:33:11,900 --> 00:33:13,833
AND, BOY, WHAT THEY FIND?
711
00:33:13,833 --> 00:33:15,767
BLOCKBUSTER.
712
00:33:15,767 --> 00:33:18,700
THEY MAY HAVE EVEN TRACKED DOWN
CHANDRA'S KILLER.
713
00:33:18,700 --> 00:33:20,733
[ SUSPENSEFUL MUSIC PLAYS ]
714
00:33:23,433 --> 00:33:24,967
Narrator: IN 2008,
715
00:33:24,967 --> 00:33:26,767
THE WASHINGTON POST
PUBLISHES
716
00:33:26,767 --> 00:33:32,067
A 13-PART INVESTIGATION
ON THE CHANDRA LEVY CASE.
717
00:33:32,067 --> 00:33:34,400
I'M KEITH ALEXANDER, A PULITZER
PRIZE-WINNING REPORTER
718
00:33:34,400 --> 00:33:36,067
WITH THE WASHINGTON POST.
719
00:33:36,067 --> 00:33:38,700
IT WAS THE FIRST TIME ANYONE
FROM THE OUTSIDE
720
00:33:38,700 --> 00:33:41,833
HAD REALLY EXPOSED WHAT WAS
GOING ON WITH THIS CASE
721
00:33:41,833 --> 00:33:46,100
AND SOME OF THE MISTAKES
THAT LED THE CASE TO GO COLD.
722
00:33:46,100 --> 00:33:49,067
Narrator:
THREE MONTHS AFTER
CHANDRA DISAPPEARED,
723
00:33:49,067 --> 00:33:50,967
THE POLICE CHIEF
GAVE INSTRUCTIONS
724
00:33:50,967 --> 00:33:54,700
TO SEARCH THE PARK'S
ROADS AND TRAILS.
725
00:33:54,700 --> 00:33:57,433
HOWEVER, THE SEARCH
WAS ONLY DONE
726
00:33:57,433 --> 00:33:59,900
LIKE 100 YARDS
OFF OF ALL THE ROADWAYS,
727
00:33:59,900 --> 00:34:01,600
AND NOT THE TRAILS.
728
00:34:01,600 --> 00:34:03,633
BECAUSE THE SEARCH
WAS ONLY LIMITED
729
00:34:03,633 --> 00:34:06,867
TO THAT AREA OFF THE ROADS,
730
00:34:06,867 --> 00:34:09,833
THE AREA WHERE HER BODY
WAS ULTIMATELY FOUND
731
00:34:09,833 --> 00:34:11,667
WAS NOT SEARCHED.
732
00:34:11,667 --> 00:34:15,500
Narrator:
IF NOT FOR THIS CONFUSION,
CHANDRA MIGHT'VE BEEN FOUND
733
00:34:15,500 --> 00:34:17,100
10 MONTHS EARLIER.
734
00:34:17,100 --> 00:34:19,533
WHEN THE WASHINGTON POST
ARTICLE CAME OUT, YOU KNOW,
735
00:34:19,533 --> 00:34:21,400
WE WERE HAPPY TO TALK TO THEM
AND THEY BROUGHT IT OUT,
736
00:34:21,400 --> 00:34:24,267
THEY TRIED TO SOLVE IT
AND GET JUSTICE DONE.
737
00:34:24,267 --> 00:34:26,867
THEY WERE ABLE TO GAIN ACCESS
TO SO MUCH
738
00:34:26,867 --> 00:34:30,433
OF THE INSIDE INFORMATION
ABOUT THE INVESTIGATION.
739
00:34:30,433 --> 00:34:33,467
Narrator:
IN ADDITION TO EXPOSING
HICCUPS IN THE SEARCH,
740
00:34:33,467 --> 00:34:36,400
THE POST POINTS
TO A FORMER SUSPECT.
741
00:34:36,400 --> 00:34:38,400
THEY'D FINALLY
PUT IT ALL TOGETHER,
742
00:34:38,400 --> 00:34:40,600
AND IT POINTED TO ONE MAN:
743
00:34:40,600 --> 00:34:42,567
GUANDIQUE.
744
00:34:42,567 --> 00:34:44,700
THE NEWSPAPER PRESENTS
NEW EVIDENCE
745
00:34:44,700 --> 00:34:46,667
THAT HAD SLIPPED
THROUGH THE CRACKS.
746
00:34:46,667 --> 00:34:49,100
THE WASHINGTON POST
TRACKS DOWN A WOMAN
747
00:34:49,100 --> 00:34:52,100
WHO SAYS SHE SAW
INGMAR GUANDIQUE
748
00:34:52,100 --> 00:34:55,467
IN THE PARK ON THE SAME DAY
THAT CHANDRA LEVY DISAPPEARS,
749
00:34:55,467 --> 00:34:57,267
AND SHE EVEN RAN AWAY FROM HIM
750
00:34:57,267 --> 00:35:00,067
BECAUSE SHE FELT LIKE
HE WAS GOING TO ATTACK HER!
751
00:35:00,067 --> 00:35:03,567
ANOTHER BOMBSHELL IS THAT,
YEARS EARLIER,
752
00:35:03,567 --> 00:35:05,567
WHEN GUANDIQUE WAS ARRESTED,
753
00:35:05,567 --> 00:35:10,367
HE WAS SHOWN A FLYER OF THE
THEN-MISSING CHANDRA LEVY.
754
00:35:10,367 --> 00:35:13,900
HE SAID, "OH, YEAH.
I SAW HER IN THE PARK
755
00:35:13,900 --> 00:35:16,300
AND SHE'S ATTRACTIVE."
756
00:35:16,300 --> 00:35:17,833
HERE'S THE WORST PART:
757
00:35:17,833 --> 00:35:22,300
UNBELIEVABLY, PARK POLICE NEVER
COMMUNICATED THAT INFORMATION
758
00:35:22,300 --> 00:35:23,967
TO METRO POLICE,
WHO WERE WORKING
759
00:35:23,967 --> 00:35:26,333
CHANDRA LEVY'S DISAPPEARANCE.
760
00:35:26,333 --> 00:35:27,767
THEY HAD NO IDEA.
761
00:35:27,767 --> 00:35:30,333
NOW, THAT, TO ME, IS A SHOCKER.
762
00:35:30,333 --> 00:35:33,067
Narrator:
THE POST's REPORTING IS
A DAMNING INDICTMENT
763
00:35:33,067 --> 00:35:35,833
OF THE POLICE'S
MISHANDLING OF THE CASE.
764
00:35:35,833 --> 00:35:39,800
Trainum:
THE ERRORS ARE NOW OUT THERE
FOR EVERYBODY TO SEE
765
00:35:39,800 --> 00:35:41,767
AND WE'RE EMBARRASSED.
766
00:35:41,767 --> 00:35:45,700
IT DEFINITELY CAUSED US A LOT
OF PUBLIC-RELATION PROBLEMS.
767
00:35:45,700 --> 00:35:48,800
PEOPLE WONDERED WHY THERE
HAD BEEN MANY MISTAKES,
768
00:35:48,800 --> 00:35:51,700
ERRORS, AND MISHAPS IN THE
COURSE OF THE INVESTIGATION.
769
00:35:51,700 --> 00:35:55,367
THE WASHINGTON POST SERIES
REALLY AMPS UP THE PRESSURE
770
00:35:55,367 --> 00:35:58,767
FOR POLICE TO SOLVE THIS CASE,
ONCE AND FOR ALL,
771
00:35:58,767 --> 00:36:01,233
WHATEVER IT TAKES.
772
00:36:01,233 --> 00:36:04,567
WHAT THAT DID WAS THAT TOTALLY
REENERGIZED THE CASE
773
00:36:04,567 --> 00:36:07,567
BECAUSE NOW THE MEDIA ATTENTION
IS BACK ON THE DEPARTMENT,
774
00:36:07,567 --> 00:36:09,833
SO WE HAVE TO DO SOMETHING.
775
00:36:09,833 --> 00:36:11,200
Velez-Mitchell:
AND THE CLOCK IS TICKING
776
00:36:11,200 --> 00:36:13,733
BECAUSE INGMAR GUANDIQUE'S
SENTENCE IS RUNNING UP.
777
00:36:13,733 --> 00:36:15,233
HE COULD SOON BE RELEASED!
778
00:36:15,233 --> 00:36:16,867
SO THEY BETTER CHARGE HIM,
779
00:36:16,867 --> 00:36:19,700
IF THEY'RE GONNA
CHARGE HIM, ASAP.
780
00:36:19,700 --> 00:36:22,067
Narrator:
IN RESPONSE TO THE
MOUNTING PRESSURE,
781
00:36:22,067 --> 00:36:25,067
A RISING STAR IN THE FEDERAL
DEPARTMENT OF JUSTICE
782
00:36:25,067 --> 00:36:26,767
TAKES OVER THE CASE.
783
00:36:26,767 --> 00:36:29,200
Alexander:
AMANDA HAINES WAS ONE OF THE
MOST SENIOR HOMICIDE PROSECUTORS
784
00:36:29,200 --> 00:36:30,733
IN WASHINGTON, DC.
785
00:36:30,733 --> 00:36:34,367
SHE WAS SO GOOD, THEY PUT HER ON
THE MOST DIFFICULT ASSIGNMENTS,
786
00:36:34,367 --> 00:36:36,100
AND THAT'S COLD CASES.
787
00:36:36,100 --> 00:36:39,433
AMANDA HAINES HAD A WAY
OF RELATING TO THE JURY.
788
00:36:39,433 --> 00:36:42,867
SHE CAN TELL A STORY AND MAKE
PEOPLE SEE THE CRIME SCENE
789
00:36:42,867 --> 00:36:47,367
AND SEE THE FINAL MOMENTS
OF THE VICTIM'S LIVES.
790
00:36:47,367 --> 00:36:49,500
Narrator: THE STATE'S CASE
AGAINST GUANDIQUE
791
00:36:49,500 --> 00:36:52,600
IS STILL
ENTIRELY CIRCUMSTANTIAL.
792
00:36:52,600 --> 00:36:54,867
IN HOPES OF UNCOVERING
NEW EVIDENCE,
793
00:36:54,867 --> 00:36:57,767
INVESTIGATORS VISIT HIM
IN PRISON.
794
00:36:57,767 --> 00:37:01,833
WHEN DETECTIVES GO TO THE PRISON
TO INTERVIEW INGMAR GUANDIQUE,
795
00:37:01,833 --> 00:37:03,167
THEY THOUGHT IT WAS GONNA BE
JUST A REGULAR,
796
00:37:03,167 --> 00:37:05,300
NORMAL INTERVIEW,
BUT WHEN THEY GOT THERE,
797
00:37:05,300 --> 00:37:06,900
THEY NOTICED
SOMETHING DIFFERENT.
798
00:37:06,900 --> 00:37:08,667
THEY SAW SOMETHING
THAT THEY HAD NOT EXPECTED.
799
00:37:08,667 --> 00:37:12,167
THEY SAW A PHOTO
OF CHANDRA LEVY IN HIS CELL,
800
00:37:12,167 --> 00:37:15,333
RIGHT BY HIS BED,
WHICH WAS VERY ODD,
801
00:37:15,333 --> 00:37:17,367
AND, AS THEY'RE TALKING
TO GUANDIQUE,
802
00:37:17,367 --> 00:37:20,067
THEY SAW SOMETHING ELSE
THAT REALLY STRUCK THEM AS ODD.
803
00:37:20,067 --> 00:37:22,500
THEY SAW A TATTOO
OF A WOMAN ON HIS BODY,
804
00:37:22,500 --> 00:37:24,800
AND AS THEY LOOKED
AT THIS TATTOO,
805
00:37:24,800 --> 00:37:28,267
THEY BELIEVE THAT IT
RESEMBLED CHANDRA LEVY.
806
00:37:28,267 --> 00:37:29,900
Narrator:
INVESTIGATORS ARE STUNNED
807
00:37:29,900 --> 00:37:33,467
BY GUANDIQUE'S SEEMING OBSESSION
WITH THE YOUNG WOMAN.
808
00:37:33,467 --> 00:37:35,833
WHEN YOU SEE
SOMETHING LIKE THAT,
809
00:37:35,833 --> 00:37:37,967
THERE'S ALWAYS
DIFFERENT EXPLANATIONS
810
00:37:37,967 --> 00:37:39,800
THAT YOU HAVE TO CONSIDER.
811
00:37:39,800 --> 00:37:41,500
IT COULD BE BECAUSE
HE KILLED HER
812
00:37:41,500 --> 00:37:44,967
AND HE WANTED THIS MEMORY OF THE
EVENTS, FOR WHATEVER REASON.
813
00:37:44,967 --> 00:37:46,567
IT COULD BE BECAUSE HE KNOWS
814
00:37:46,567 --> 00:37:49,600
THAT HE'S BEEN UNDER
ALL THIS INVESTIGATION.
815
00:37:49,600 --> 00:37:52,400
SENSING THAT THEY INDEED
HAVE THEIR PERP,
816
00:37:52,400 --> 00:37:57,133
INVESTIGATORS ATTEMPT TO BAIT
HIM INTO SEALING THEIR CASE.
817
00:37:57,133 --> 00:38:00,433
THE INVESTIGATORS TOOK SOME
EXTRAORDINARY MEASURES,
818
00:38:00,433 --> 00:38:03,933
THAT INCLUDED SETTING UP WHAT
AMOUNTED TO A STING OPERATION,
819
00:38:03,933 --> 00:38:06,467
CREATING A FALSE PERSONA
OF AN INDIVIDUAL
820
00:38:06,467 --> 00:38:10,467
WHO WROTE LETTERS TO GUANDIQUE,
WITH AN APPARENT INTENT
821
00:38:10,467 --> 00:38:14,133
TO GET HIM TO INCRIMINATE
HIMSELF IN WRITING.
822
00:38:14,133 --> 00:38:16,467
Alexander:
ONE OF THE DETECTIVES
POSED AS A WOMAN
823
00:38:16,467 --> 00:38:19,300
WHO WAS WRITING HIM LETTERS,
TRYING TO GET HIM TO CONFESS
824
00:38:19,300 --> 00:38:22,767
ABOUT HIS INVOLVEMENT
WITH CHANDRA LEVY,
825
00:38:22,767 --> 00:38:25,900
BUT HE DENIED HAVING ANYTHING
TO DO WITH CHANDRA LEVY.
826
00:38:25,900 --> 00:38:29,433
HE NEVER REALLY CONFESSES
TO WHAT THE MURDER WAS.
827
00:38:29,433 --> 00:38:32,800
Narrator:
THEN, OUT OF NOWHERE,
A MAN APPROACHES HAINES
828
00:38:32,800 --> 00:38:35,967
AND HER FELLOW PROSECUTORS
WITH SHOCKING INFORMATION.
829
00:38:35,967 --> 00:38:40,867
IT WAS A JAILHOUSE INFORMANT WHO
CAUGHT EVERYBODY BY SURPRISE.
830
00:38:40,867 --> 00:38:42,633
Dimond:
WHO WAS THIS MAN?
831
00:38:42,633 --> 00:38:44,367
WHAT DID HE KNOW?
832
00:38:44,367 --> 00:38:46,700
COULD HE BE THE BREAK
IN THE CASE?
833
00:38:46,700 --> 00:38:48,733
[ SUSPENSEFUL MUSIC PLAYS ]
834
00:38:48,733 --> 00:38:51,333
**
835
00:38:53,067 --> 00:38:54,200
Narrator: AS PROSECUTORS
836
00:38:54,200 --> 00:38:56,333
LOOK TO INDICT
INGMAR GUANDIQUE
837
00:38:56,333 --> 00:38:58,367
FOR THE MURDER
OF CHANDRA LEVY,
838
00:38:58,367 --> 00:39:00,800
AN INFORMANT STEPS FORWARD.
839
00:39:00,800 --> 00:39:02,167
INFORMANTS ARE AN IMPORTANT PART
840
00:39:02,167 --> 00:39:04,633
OF ANY LAW ENFORCEMENT
INVESTIGATION.
841
00:39:04,633 --> 00:39:08,100
ARMANDO MORALES IS
A FRESNO, CALIFORNIA, NATIVE,
842
00:39:08,100 --> 00:39:10,567
A LIFETIME CRIMINAL
WITH A LONG RECORD
843
00:39:10,567 --> 00:39:14,533
OF VIOLENT CRIMES, GUNS,
DRUGS, AND SO ON.
844
00:39:14,533 --> 00:39:17,067
HE WAS A CELLMATE
845
00:39:17,067 --> 00:39:21,300
OF INGMAR GUANDIQUE
IN KENTUCKY IN 2006.
846
00:39:21,300 --> 00:39:23,967
ARMANDO MORALES
AND INGMAR GUANDIQUE
847
00:39:23,967 --> 00:39:26,800
BELONGED TO A SIMILAR
GANG AFFILIATION
848
00:39:26,800 --> 00:39:29,633
AND, AS A RESULT, THEY CONSIDER
THEMSELVES BROTHERS.
849
00:39:29,633 --> 00:39:30,900
THEY WERE HONEST
WITH EACH OTHER.
850
00:39:30,900 --> 00:39:33,067
THEY LOOK OUT
FOR EACH OTHER IN PRISON.
851
00:39:33,067 --> 00:39:35,433
THEY TALKED ABOUT
EVERYTHING TOGETHER.
852
00:39:35,433 --> 00:39:36,967
ACCORDING TO ARMANDO MORALES,
853
00:39:36,967 --> 00:39:38,833
ONE OF THE THINGS
THEY TALKED ABOUT
854
00:39:38,833 --> 00:39:41,233
WAS THE WHOLE CHANDRA LEVY CASE.
855
00:39:41,233 --> 00:39:43,167
Narrator:
MORALES TELLS PROSECUTORS
856
00:39:43,167 --> 00:39:46,467
THAT GUANDIQUE REVEALED
HIS DARKEST SECRET.
857
00:39:46,467 --> 00:39:48,533
HE SAID THAT GUANDIQUE
CONFESSED TO HIM
858
00:39:48,533 --> 00:39:51,200
THAT HE KILLED
CHANDRA LEVY.
859
00:39:51,200 --> 00:39:54,700
MORALES CLAIMS GUANDIQUE
ADMITTED TO THE CRIME
860
00:39:54,700 --> 00:39:57,900
TO AVOID BECOMING
A VICTIM HIMSELF.
861
00:39:57,900 --> 00:40:02,267
RAPISTS, IN PRISON, ARE OFTEN
TARGETED FOR RAPES THEMSELVES.
862
00:40:02,267 --> 00:40:05,100
THE REASON WHY HE OPENED UP,
ACCORDING TO ARMANDO MORALES,
863
00:40:05,100 --> 00:40:08,767
WAS HE WAS AFRAID THAT
THE RUMOR WOULD SPREAD
864
00:40:08,767 --> 00:40:11,333
THAT HE HAD ACTUALLY RAPED
AND KILLED CHANDRA LEVY
865
00:40:11,333 --> 00:40:14,700
AND SO HE WANTED TO MAKE IT
VERY CLEAR TO ARMANDO MORALES
866
00:40:14,700 --> 00:40:17,633
THAT HE DID NOT RAPE
CHANDRA LEVY,
867
00:40:17,633 --> 00:40:21,167
THAT HE ONLY KILLED HER.
868
00:40:21,167 --> 00:40:23,500
Narrator:
MORALES's TELLING
INCLUDES A DETAIL
869
00:40:23,500 --> 00:40:25,633
THAT INTRIGUES AUTHORITIES.
870
00:40:25,633 --> 00:40:28,400
THE INFORMANT SAID GUANDIQUE
CAME TO HIM
871
00:40:28,400 --> 00:40:31,933
AND SAID THAT HE ATTACKED
CHANDRA IN THE PARK,
872
00:40:31,933 --> 00:40:35,600
KILLED HER,
AND STOLE HER FANNY PACK.
873
00:40:35,600 --> 00:40:39,667
Narrator:
TO INVESTIGATORS, THIS IS NEW
AND PLAUSIBLE INFORMATION.
874
00:40:39,667 --> 00:40:42,467
PROSECUTORS ARE MAKING
THIS BIG DEAL, SAYING,
875
00:40:42,467 --> 00:40:44,833
"WELL, NOBODY KNEW
ABOUT THE FANNY PACK.
876
00:40:44,833 --> 00:40:47,567
HOW ELSE WOULD HE HAVE KNOWN
ABOUT SOME FANNY PACK,
877
00:40:47,567 --> 00:40:50,400
UNLESS GUANDIQUE TOLD HIM?"
878
00:40:50,400 --> 00:40:52,400
Narrator:
MORALES'S INSIDE KNOWLEDGE
879
00:40:52,400 --> 00:40:55,933
IS EXACTLY WHAT PROSECUTORS
HAVE BEEN LOOKING FOR.
880
00:40:55,933 --> 00:40:59,833
IN MAY 2009, HAINES AND HER
COLLEAGUES REMAIN CONVINCED
881
00:40:59,833 --> 00:41:02,800
THEY HAVE ENOUGH
TO FINALLY LAY CHARGES,
882
00:41:02,800 --> 00:41:04,333
AND THAT THEY DO,
883
00:41:04,333 --> 00:41:08,067
INDICTING INGMAR GUANDIQUE
WITH SEVERAL COUNTS,
884
00:41:08,067 --> 00:41:09,933
INCLUDING FIRST-DEGREE MURDER.
885
00:41:09,933 --> 00:41:12,400
NOW, THEY HAVE
CIRCUMSTANTIAL EVIDENCE
886
00:41:12,400 --> 00:41:13,600
THAT THEY THINK
IS STRONG ENOUGH
887
00:41:13,600 --> 00:41:16,767
TO SEND HIM AWAY
FOR A VERY LONG TIME.
888
00:41:16,767 --> 00:41:20,467
Narrator:
GUANDIQUE PLEADS NOT GUILTY
TO CHANDRA'S MURDER,
889
00:41:20,467 --> 00:41:24,833
WHICH SETS UP AN EPIC TRIAL
IN DC SUPERIOR COURT.
890
00:41:24,833 --> 00:41:29,967
DO PROSECUTORS
FINALLY HAVE THEIR MAN?
891
00:41:29,967 --> 00:41:34,333
NEXT TIME, ON "CHANDRA LEVY:
AN AMERICAN MURDER MYSTERY"...
892
00:41:34,333 --> 00:41:38,467
WE STILL HAVE SO MANY
UNANSWERED QUESTIONS.
893
00:41:38,467 --> 00:41:40,900
A SHOWDOWN
IN FEDERAL COURT.
894
00:41:40,900 --> 00:41:43,200
THEIR TESTIMONY
WAS CHILLING.
895
00:41:43,200 --> 00:41:45,233
SHE LOOKS HIM DIRECTLY
IN HIS FACE
896
00:41:45,233 --> 00:41:47,833
AND SHE SAYS, "EFF YOU."
897
00:41:47,833 --> 00:41:50,933
A JAILHOUSE INFORMANT
TAKES CENTER STAGE.
898
00:41:50,933 --> 00:41:53,067
ARMANDO MORALES
SOLD THE STORY
899
00:41:53,067 --> 00:41:55,400
EXTREMELY WELL
TO THE JURY.
900
00:41:55,400 --> 00:41:59,100
A MYSTERIOUS FIGURE
EMERGES FROM THE SHADOWS.
901
00:41:59,100 --> 00:42:01,867
SHE TOTALLY THROWS
902
00:42:01,867 --> 00:42:04,167
A MURDER INVESTIGATION
UPSIDE DOWN.
903
00:42:04,167 --> 00:42:08,200
WE CONSIDER CURIOUS NEW EVIDENCE
FROM CHANDRA'S FINAL DAYS...
904
00:42:08,200 --> 00:42:11,100
HOURS BEFORE SHE VANISHED,
SOMEBODY CALLED 911,
905
00:42:11,100 --> 00:42:14,067
SAYING THEY HEARD A SCREAM
COMING FROM THE VICINITY
906
00:42:14,067 --> 00:42:16,533
OF CHANDRA LEVY'S
APARTMENT.
907
00:42:16,533 --> 00:42:19,900
REVISIT THE SECRET LIFE
OF GARY CONDIT,
908
00:42:19,900 --> 00:42:24,400
AND SPEAK EXCLUSIVELY WITH THE
MAN WHO CLAIMS HE KNEW HIM BEST.
909
00:42:24,400 --> 00:42:26,433
I TRIED TO TELL THE FBI
910
00:42:26,433 --> 00:42:28,367
SOME OF THE THINGS GARY DID.
911
00:42:28,367 --> 00:42:29,867
[ SUSPENSEFUL MUSIC CLIMBS ]
THEY DIDN'T WANNA HEAR IT.
912
00:42:29,867 --> 00:42:30,900
[ OMINOUS CHORD STRIKES ]
913
00:42:30,900 --> 00:42:32,067
[ STATIC CRACKLES ]
73068
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