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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,733 --> 00:00:03,733 -- Captions by VITAC -- www.vitac.com 2 00:00:03,733 --> 00:00:05,633 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 3 00:00:05,633 --> 00:00:06,900 Connie Chung: CONGRESSMAN CONDIT, 4 00:00:06,900 --> 00:00:10,067 DO YOU KNOW WHAT HAPPENED TO CHANDRA LEVY? 5 00:00:10,067 --> 00:00:11,467 NO. I DO NOT. 6 00:00:11,467 --> 00:00:13,933 DID YOU HAVE ANYTHING TO DO WITH HER DISAPPEARANCE? 7 00:00:13,933 --> 00:00:15,133 NO. I DIDN'T. 8 00:00:15,133 --> 00:00:17,167 DID YOU SAY ANYTHING, OR DO ANYTHING, 9 00:00:17,167 --> 00:00:19,500 THAT COULD'VE CAUSED HER TO DROP OUT OF SIGHT? 10 00:00:19,500 --> 00:00:22,100 YOU KNOW, CHANDRA AND I NEVER HAD A CROSS WORD. 11 00:00:22,100 --> 00:00:23,567 [ INHALES ] 12 00:00:23,567 --> 00:00:25,667 DO YOU HAVE ANY IDEA IF THERE WAS ANYONE 13 00:00:25,667 --> 00:00:27,667 WHO WANTED TO HARM HER? 14 00:00:27,667 --> 00:00:28,967 NO. 15 00:00:28,967 --> 00:00:31,433 DID YOU CAUSE ANY TO HARM HER? 16 00:00:31,433 --> 00:00:32,800 NO. 17 00:00:32,800 --> 00:00:34,467 DID YOU KILL CHANDRA LEVY? 18 00:00:34,467 --> 00:00:36,833 I DID NOT. 19 00:00:36,833 --> 00:00:38,267 [ SUSPENSEFUL CHORD STRIKES ] 20 00:00:38,267 --> 00:00:40,733 Narrator: IT'S ONE OF THE MOST BAFFLING DISAPPEARANCES 21 00:00:40,733 --> 00:00:42,433 IN RECENT HISTORY. 22 00:00:42,433 --> 00:00:43,600 SO MUCH INTRIGUE. 23 00:00:43,600 --> 00:00:45,767 POWER MEETS BEAUTY. 24 00:00:45,767 --> 00:00:48,633 WHAT'S GOING ON BEHIND CLOSED DOORS? 25 00:00:48,633 --> 00:00:52,000 NOW, IN THE SECOND OF THIS THREE-PART SPECIAL, 26 00:00:52,000 --> 00:00:54,333 THE LEVYS' PRIVATE INVESTIGATOR EMBARKS 27 00:00:54,333 --> 00:00:56,400 ON A PERILOUS SEARCH FOR CHANDRA. 28 00:00:56,400 --> 00:00:58,633 HE SAID, "YOU DON'T KNOW WHO YOU'RE DEALING WITH. 29 00:00:58,633 --> 00:01:00,067 [ SINISTER MUSIC PLAYS ] THESE PEOPLE WILL KILL ME. 30 00:01:00,067 --> 00:01:01,867 I CAN'T GET INVOLVED." 31 00:01:01,867 --> 00:01:04,467 A GRUESOME DISCOVERY IN AN URBAN OASIS. 32 00:01:04,467 --> 00:01:06,633 Palmer: 33 00:01:09,933 --> 00:01:13,133 SOMETHING DIABOLICAL IS GOING ON THERE. 34 00:01:13,133 --> 00:01:15,300 A NEW SUSPECT EMERGES. 35 00:01:15,300 --> 00:01:16,600 HE GIVES ALL THE INDICATIONS 36 00:01:16,600 --> 00:01:18,800 THAT HE WAS A SERIAL PREDATOR. 37 00:01:18,800 --> 00:01:23,567 AND, LATER, A MYSTERIOUS FIGURE OPENS OLD WOUNDS. 38 00:01:23,567 --> 00:01:26,167 IS IT POSSIBLE THAT THIS WOMAN ALLOWED 39 00:01:26,167 --> 00:01:28,067 THE KILLER TO WALK FREE? 40 00:01:28,067 --> 00:01:31,633 [ OMINOUS CHORD STRIKES ] 41 00:01:31,633 --> 00:01:37,067 Alexander: THIS TRULY WAS THE CRAZIEST CASE EVER TO HIT WASHINGTON, DC. 42 00:01:37,067 --> 00:01:39,567 Dimond: WHO KILLED CHANDRA LEVY? 43 00:01:39,567 --> 00:01:42,400 Doyle: THE STORY GOES FROM ZERO TO 60 VERY QUICKLY. 44 00:01:42,400 --> 00:01:47,067 Dimond: WHY IS A 53-YEAR-OLD CONGRESSMAN CALLING A YOUNG INTERN? 45 00:01:47,067 --> 00:01:48,600 Chung: DID YOU KILL CHANDRA LEVY? 46 00:01:48,600 --> 00:01:50,200 I DID NOT. 47 00:01:50,200 --> 00:01:53,600 Grimm: THEY SIMPLY FOUND BONES IN A PARK ALMOST A YEAR AFTER. 48 00:01:53,600 --> 00:01:55,833 Alexander: THERE WERE NO EYEWITNESSES. 49 00:01:55,833 --> 00:01:57,333 THERE WAS NO MURDER WEAPON. 50 00:01:57,333 --> 00:01:59,333 Dimond: THEY'D FINALLY PUT IT ALL TOGETHER, 51 00:01:59,333 --> 00:02:00,900 AND IT POINTED TO ONE MAN: 52 00:02:00,900 --> 00:02:03,167 INGMAR GUANDIQUE. 53 00:02:03,167 --> 00:02:07,133 Grimm: MR. MORALES WAS A JAILHOUSE SNITCH, A RAT. 54 00:02:07,133 --> 00:02:10,067 Velez-Mitchell: THIS CASE THAT TOOK SO MANY YEARS TO BUILD 55 00:02:10,067 --> 00:02:11,500 HAS COLLAPSED OVERNIGHT. 56 00:02:11,500 --> 00:02:13,733 [ DISTORTED TUNE PLAYS ] 57 00:02:13,733 --> 00:02:16,433 Susan: IT'S THE WORST THING A MOTHER COULD EVER FACE. 58 00:02:16,433 --> 00:02:19,167 ** 59 00:02:19,167 --> 00:02:21,233 [ SUSPENSEFUL MUSIC PLAYS ] 60 00:02:21,233 --> 00:02:22,500 Narrator: IT'S BEEN MONTHS SINCE 61 00:02:22,500 --> 00:02:25,067 WASHINGTON, DC INTERN CHANDRA LEVY 62 00:02:25,067 --> 00:02:27,800 DISAPPEARED WITHOUT A TRACE. 63 00:02:27,800 --> 00:02:31,700 BACK IN CALIFORNIA, HER PARENTS' MINDS ARE RACING. 64 00:02:31,700 --> 00:02:34,267 [crying] WE JUST WANT OUR DAUGHTER HOME ALIVE. 65 00:02:34,267 --> 00:02:37,400 WE'RE NOT SURE WHETHER THAT'S POSSIBLE OR NOT, 66 00:02:37,400 --> 00:02:39,533 AND WE WANT HER HOME. 67 00:02:39,533 --> 00:02:43,067 IT'S NOT LIKE HER NOT TO CALL OR BE IN TOUCH. 68 00:02:43,067 --> 00:02:44,533 [ MELANCHOLY TUNE PLAYS ] MAYBE SHE RAN OFF, 69 00:02:44,533 --> 00:02:47,500 HAD A SCHIZOPHRENIC EPISODE, OR SOMETHING LIKE THAT. 70 00:02:47,500 --> 00:02:49,300 I MEAN, YOU THINK OF ALL THOSE THINGS. 71 00:02:49,300 --> 00:02:51,733 THERE'S A REASON WHY SHE DIDN'T TURN UP. 72 00:02:51,733 --> 00:02:54,700 YOU KNOW, WE ALL THOUGHT MAYBE SHE'D BE SEEN SOMEWHERE. 73 00:02:54,700 --> 00:02:56,600 YOU THINK, "WELL, SHE'S HIDING." 74 00:02:56,600 --> 00:03:01,167 WE HAD HOPE, BUT IT WAS SCARY AS HELL. 75 00:03:01,167 --> 00:03:04,800 Narrator: POLICE HAVE SOUGHT ANSWERS FROM A POWERFUL PERSON OF INTEREST: 76 00:03:04,800 --> 00:03:07,700 UNITED STATES CONGRESSMAN GARY CONDIT. 77 00:03:07,700 --> 00:03:09,167 THE CONGRESSMAN AND CHANDRA LEVY 78 00:03:09,167 --> 00:03:10,967 HAVE HAD AN AFFAIR. 79 00:03:10,967 --> 00:03:13,667 BUT, DESPITE EVIDENCE, CONDIT HAS DENIED 80 00:03:13,667 --> 00:03:16,600 ANY ROMANTIC INVOLVEMENT WITH CHANDRA. 81 00:03:16,600 --> 00:03:19,067 HE'S BEING VERY EVASIVE AND, OF COURSE, 82 00:03:19,067 --> 00:03:22,433 THAT MAKES THE POLICE ALL THAT MORE SUSPICIOUS, 83 00:03:22,433 --> 00:03:24,333 AND THEY THINK MAYBE GARY CONDIT 84 00:03:24,333 --> 00:03:27,267 HAD SOMETHING TO DO WITH HER DISAPPEARANCE. 85 00:03:27,267 --> 00:03:29,133 [ EERIE MUSIC PLAYS ] 86 00:03:29,133 --> 00:03:32,267 Narrator: A MASSIVE SEARCH EFFORT IS UNDERWAY. 87 00:03:32,267 --> 00:03:34,467 WE HAVE TO FIND HER. WE HAVE TO ANSWER THE QUESTION 88 00:03:34,467 --> 00:03:35,800 "WHAT HAPPENED TO CHANDRA LEVY?" 89 00:03:35,800 --> 00:03:38,067 UNTIL WE CAN DO THAT, I'M NOT REAL HAPPY 90 00:03:38,067 --> 00:03:40,067 WITH WHERE WE ARE RIGHT NOW, BUT I KNOW THAT OUR PEOPLE 91 00:03:40,067 --> 00:03:42,767 ARE WORKING AS HARD AS THEY POSSIBLY CAN. 92 00:03:42,767 --> 00:03:48,167 WE REALLY HADN'T FOUND EVIDENCE OF WHERE CHANDRA WAS. 93 00:03:48,167 --> 00:03:50,833 Narrator: INVESTIGATORS HAVE BEEN TRYING TO GAIN ACCESS 94 00:03:50,833 --> 00:03:53,200 TO A VALUABLE SOURCE OF INFORMATION 95 00:03:53,200 --> 00:03:54,967 THEY SEIZED WEEKS AGO. 96 00:03:54,967 --> 00:03:57,133 WHEN THEY SEARCH CHANDRA'S APARTMENT 97 00:03:57,133 --> 00:03:59,067 AND THEY ZERO IN ON HER COMPUTER, 98 00:03:59,067 --> 00:04:03,100 THEY START TO FIDDLE AROUND WITH IT, AND IT CRASHES. 99 00:04:03,100 --> 00:04:05,833 THE ENTIRE COMPUTER WAS CORRUPTED. 100 00:04:05,833 --> 00:04:09,900 Narrator: NOW, FORENSIC TECHNICIANS FINALLY HAVE CHANDRA'S LAPTOP 101 00:04:09,900 --> 00:04:11,100 UP AND RUNNING. 102 00:04:11,100 --> 00:04:14,267 WE WERE ABLE TO OBTAIN FORENSIC ANALYSIS 103 00:04:14,267 --> 00:04:17,067 AND GARNER INFORMATION OFF OF THE COMPUTER. 104 00:04:17,067 --> 00:04:19,433 Trainum: THE EXPERTS WERE ABLE TO GET IN THERE 105 00:04:19,433 --> 00:04:21,500 AND FIND OUT WHAT SHE HAD SEARCHED RIGHT BEFORE 106 00:04:21,500 --> 00:04:23,700 SHE HAD LAST TURNED HER COMPUTER OFF. 107 00:04:23,700 --> 00:04:25,767 THIS WAS A BIG DEAL. 108 00:04:25,767 --> 00:04:27,733 IT SHOWS WHAT SHE WAS DOING 109 00:04:27,733 --> 00:04:30,867 IN THE HOURS BEFORE HER DISAPPEARANCE. 110 00:04:30,867 --> 00:04:33,333 Narrator: THE ANALYSIS FINDS THAT, ON MAY 1st, 111 00:04:33,333 --> 00:04:35,400 THE DAY SHE WAS LAST HEARD FROM, 112 00:04:35,400 --> 00:04:38,900 CHANDRA LOGGED ON TO THE INTERNET AT 10:27 AM 113 00:04:38,900 --> 00:04:41,567 AND VISITED SEVERAL WEBSITES. 114 00:04:41,567 --> 00:04:43,933 THEY LOOK AT WHAT SHE'S BEEN SEARCHING 115 00:04:43,933 --> 00:04:47,233 AND THEY DISCOVER, ON MAY 1st, AMONG THE SITES SHE VISITED 116 00:04:47,233 --> 00:04:49,967 WAS CONGRESSMAN CONDIT'S HOMEPAGE. 117 00:04:49,967 --> 00:04:52,833 Narrator: BUT IT'S ONE OF THE LAST SEARCHES CHANDRA ENTERED 118 00:04:52,833 --> 00:04:55,367 THAT PIQUES INVESTIGATORS' INTEREST. 119 00:04:55,367 --> 00:04:58,633 THEY FOUND A SEARCH FOR THE PIERCE-KLINGLE MANSION 120 00:04:58,633 --> 00:05:00,300 IN ROCK CREEK PARK. 121 00:05:00,300 --> 00:05:03,767 Narrator: ROCK CREEK PARK IS A NEARLY-2,000-ACRE WOODLAND 122 00:05:03,767 --> 00:05:06,133 THAT BISECTS WASHINGTON. 123 00:05:06,133 --> 00:05:09,600 IT'S LIKE A FOREST IN THE MIDDLE OF THE CITY. 124 00:05:09,600 --> 00:05:12,067 THE PIERCE-KLINGLE MANSION IS A LANDMARK 125 00:05:12,067 --> 00:05:14,233 WITHIN THE ROCK CREEK PARK. 126 00:05:14,233 --> 00:05:16,367 THAT'S A PERFECT PLACE TO MEET SOMEONE 127 00:05:16,367 --> 00:05:18,767 IN THIS BIG, HUGE EXPANSE. 128 00:05:18,767 --> 00:05:22,167 Narrator: CHANDRA'S APARTMENT IS ONLY 2 MILES FROM THE PARK, 129 00:05:22,167 --> 00:05:25,133 BUT HER INTEREST IN THE MANSION IS A MYSTERY. 130 00:05:25,133 --> 00:05:29,400 WE JUST WEREN'T SURE HOW IT PLAYED IN, BUT IT WAS A LEAD 131 00:05:29,400 --> 00:05:33,500 AND, WHEN YOU HAVE NO LEADS, YOU'LL FOLLOW ANYTHING. 132 00:05:33,500 --> 00:05:36,933 Narrator: POLICE GATHER REINFORCEMENTS AND RUSH TO THE LARGE, 133 00:05:36,933 --> 00:05:40,367 URBAN PARKLAND TO LOOK FOR ANY SIGNS OF CHANDRA. 134 00:05:40,367 --> 00:05:43,300 ROCK CREEK PARK IS NOT YOUR TYPICAL URBAN PARK. 135 00:05:43,300 --> 00:05:45,500 IT'S GOT A HUGE CREEK RUNNING THROUGH IT. 136 00:05:45,500 --> 00:05:50,567 IT'S GOT ROCKY AREAS AND AREAS THAT ARE JUST PURE WILDERNESS. 137 00:05:50,567 --> 00:05:52,933 IT IS EXTREMELY DIFFICULT 138 00:05:52,933 --> 00:05:56,667 TO DO A COMPLETE SEARCH OF EVERY SINGLE INCH OF IT. 139 00:05:56,667 --> 00:05:59,733 WHAT WE'RE LOOKIN' FOR IS OBVIOUSLY ANYTHING SUSPICIOUS 140 00:05:59,733 --> 00:06:03,533 IN AREAS THAT WOULD NOT BE ACCESSIBLE TO THE NAKED EYE 141 00:06:03,533 --> 00:06:06,467 AND, IF SOMEONE ACCIDENTALLY FELL OFF THAT LEDGE, 142 00:06:06,467 --> 00:06:08,567 THEY MIGHT NOT BE FOUND FOR A WHILE. 143 00:06:08,567 --> 00:06:12,067 TO THE EXTENT THAT WE SEARCHED THAT PARK, TO MY RECOLLECTION, 144 00:06:12,067 --> 00:06:14,133 WE HAD NEVER DONE THAT BEFORE. 145 00:06:14,133 --> 00:06:16,533 THERE'S AN EXHAUSTIVE SEARCH, 146 00:06:16,533 --> 00:06:20,133 BUT THEY FAIL TO FIND ANYTHING CONCLUSIVE. 147 00:06:20,133 --> 00:06:21,900 Narrator: AFTER MONTHS OF SEARCHING, 148 00:06:21,900 --> 00:06:24,233 THE LEVY FAMILY IS DEEPLY FRUSTRATED 149 00:06:24,233 --> 00:06:26,800 BY THE STATE OF THE INVESTIGATION. 150 00:06:26,800 --> 00:06:29,800 WE COULDN'T JUST TRUST THE POLICE COULD DO ALL THE WORK. 151 00:06:29,800 --> 00:06:31,133 IT WAS A LOT OF WORK. 152 00:06:31,133 --> 00:06:34,433 WE NEEDED TO FIND AS MUCH AS WE CAN. 153 00:06:34,433 --> 00:06:38,733 WE NEEDED SOMEONE OUT THERE THAT COULD DO MORE INVESTIGATION, 154 00:06:38,733 --> 00:06:41,200 SO WE HAD PRIVATE INVESTIGATORS. 155 00:06:41,200 --> 00:06:43,600 [ SUSPENSEFUL FLOURISH PLAYS ] MY NAME IS JOE McCANN. 156 00:06:43,600 --> 00:06:46,900 I WAS A HOMICIDE DETECTIVE AND THEN A PRIVATE INVESTIGATOR. 157 00:06:46,900 --> 00:06:48,700 I WAS BROUGHT INTO THE LEVY INVESTIGATION 158 00:06:48,700 --> 00:06:52,300 BY THE LAW FIRM THAT REPRESENTED THE LEVY FAMILY. 159 00:06:52,300 --> 00:06:55,200 Narrator: McCANN HAS NEVER CONDUCTED A TELEVISED INTERVIEW 160 00:06:55,200 --> 00:06:56,600 ON THE SUBJECT. 161 00:06:56,600 --> 00:06:59,400 NOW, HE OFFERS US EXCLUSIVE INSIGHT 162 00:06:59,400 --> 00:07:02,333 INTO HIS DOGGED PURSUIT OF CHANDRA. 163 00:07:02,333 --> 00:07:05,300 WE SET UP OUR OWN 800 NUMBER. 164 00:07:05,300 --> 00:07:07,433 LEADS ARE COMIN' IN ALL THE TIME 165 00:07:07,433 --> 00:07:11,233 AND TOOK US DOWN MANY, MANY DIFFERENT PATHS. 166 00:07:11,233 --> 00:07:13,600 AFTER A MONTH OF SORTING THROUGH TIPS, 167 00:07:13,600 --> 00:07:16,467 McCANN HEARS A TALE THAT INTRIGUES HIM. 168 00:07:16,467 --> 00:07:20,533 THIS ONE PARTICULAR NIGHT, IT'S JUST ME AND MY PARTNER. 169 00:07:20,533 --> 00:07:22,900 THE 800 NUMBER RINGS. 170 00:07:22,900 --> 00:07:24,267 WE ANSWER THE PHONE. 171 00:07:24,267 --> 00:07:26,767 THERE'S A GENTLEMAN ON THE OTHER END OF THE PHONE 172 00:07:26,767 --> 00:07:28,967 WHO DOESN'T WANNA GIVE US HIS NAME, 173 00:07:28,967 --> 00:07:30,767 BUT HE'S GOT THIS STORY TO TELL 174 00:07:30,767 --> 00:07:34,100 ABOUT CHANDRA BEING IN CALIFORNIA 175 00:07:34,100 --> 00:07:37,267 AND, AS WE LISTENED TO IT, IT DID SOUND CREDIBLE. 176 00:07:37,267 --> 00:07:39,600 SO WE STARTED TO FOCUS ON THIS. 177 00:07:39,600 --> 00:07:43,367 Narrator: THE TIP RELATES TO A SIMMERING RUMOR THAT'S BEEN CIRCULATING. 178 00:07:43,367 --> 00:07:46,933 SOON AFTER CHANDRA DISAPPEARED, SCUTTLEBUTT SUGGESTED 179 00:07:46,933 --> 00:07:49,267 THAT SHE MIGHT'VE, INDEED, BEEN PREGNANT. 180 00:07:49,267 --> 00:07:51,433 NOW, THIS WAS NEVER SUBSTANTIATED 181 00:07:51,433 --> 00:07:53,733 AND NO ONE KNEW WHO STARTED THE RUMOR, 182 00:07:53,733 --> 00:07:59,067 BUT FOREVER IT HAS LONG HOVERED OVER THIS MOST SORDID CASE. 183 00:07:59,067 --> 00:08:02,300 Narrator: WHILE HE IS SORT OF DETAILS, THE TIPSTER PUTS FORTH 184 00:08:02,300 --> 00:08:05,633 A BIZARRE, AND SEEMINGLY OUTRAGEOUS, CLAIM: 185 00:08:05,633 --> 00:08:08,833 HE HAS FIRSTHAND KNOWLEDGE THAT CHANDRA GOT INVOLVED 186 00:08:08,833 --> 00:08:11,900 WITH AN UNNAMED GANG IN CALIFORNIA. 187 00:08:11,900 --> 00:08:14,233 HE SAID, "YOU DON'T KNOW WHO YOU'RE DEALING WITH. 188 00:08:14,233 --> 00:08:17,767 THESE PEOPLE WILL KILL ME. I CAN'T GET INVOLVED." 189 00:08:17,767 --> 00:08:20,667 MY PARTNER HUNG IN THERE AND HE FINALLY GOT HIM TO SAY, 190 00:08:20,667 --> 00:08:22,967 "OKAY. COME OUT AND MEET ME." 191 00:08:22,967 --> 00:08:26,133 JUST THE FACT THAT THIS GUY WAS SO RELUCTANT TO MEET WITH US 192 00:08:26,133 --> 00:08:27,267 AND THERE WAS A REWARD 193 00:08:27,267 --> 00:08:30,067 TOLD US THAT MAYBE THERE IS SOMETHING TO IT. 194 00:08:30,067 --> 00:08:33,833 Narrator: McCANN AND HIS PARTNER FLY OUT WEST. 195 00:08:33,833 --> 00:08:35,667 McCann: WE MEET HIM IN THE LOBBY OF THE HOTEL. 196 00:08:35,667 --> 00:08:36,800 HE'S SCARED TO DEATH. 197 00:08:36,800 --> 00:08:38,567 HE TELLS US THIS VERY ELABORATE STORY, 198 00:08:38,567 --> 00:08:42,900 THAT HE WAS HIRED BY SEVERAL PEOPLE TO RENT AN RV 199 00:08:42,900 --> 00:08:46,067 AND MEET THEM AND SOMEBODY ELSE IN NEVADA. 200 00:08:46,067 --> 00:08:48,400 HE SAYS THEY ALL SHOW UP WITH A YOUNG LADY. 201 00:08:48,400 --> 00:08:52,267 HE RECOGNIZES HER AS CHANDRA LEVY. 202 00:08:52,267 --> 00:08:53,767 Narrator: ACCORDING TO THE TIPSTER, 203 00:08:53,767 --> 00:08:57,467 SHE WAS TAKEN TO A NEARBY MOUNTAIN IN THE RV. 204 00:08:57,467 --> 00:09:02,400 THERE, CHANDRA ENDURED A PREGNANCY-RELATED PROCEDURE, 205 00:09:02,400 --> 00:09:05,133 BUT, IT DIDN'T GO AS PLANNED. 206 00:09:05,133 --> 00:09:08,300 DURING THIS EVENT, SHE DIES, 207 00:09:08,300 --> 00:09:12,667 AND THEY WIND UP BURYING HER IN THE DESERT IN CALIFORNIA. 208 00:09:12,667 --> 00:09:16,067 A STUNNED McCANN IS LEFT WITH COUNTLESS QUESTIONS. 209 00:09:16,067 --> 00:09:20,267 EXACTLY HOW AND WHY DID THIS SCENARIO COME TO PASS? 210 00:09:20,267 --> 00:09:21,733 BUT AS HE PRESSES HIM, 211 00:09:21,733 --> 00:09:24,733 THE TIPSTER FEARS HE'S SAID TOO MUCH. 212 00:09:24,733 --> 00:09:26,067 McCann: HE DOESN'T WANNA TALK ANYMORE. 213 00:09:26,067 --> 00:09:28,100 HE SAYS, "LOOK. I'LL FINISH THE STORY UP TOMORROW. 214 00:09:28,100 --> 00:09:30,067 JUST GET ME HOME." 215 00:09:30,067 --> 00:09:32,333 AND THEN WE FOLLOW UP ON HIS LEADS. 216 00:09:32,333 --> 00:09:34,667 [ SUSPENSEFUL MUSIC PLAYS ] 217 00:09:34,667 --> 00:09:37,200 Narrator: McCANN AND HIS PARTNER HEAD TO THE MOUNTAINS 218 00:09:37,200 --> 00:09:39,267 WHERE CHANDRA SUPPOSEDLY DIED 219 00:09:39,267 --> 00:09:42,300 AND TALK TO PEOPLE WHO LIVE NEAR THE SCENE. 220 00:09:42,300 --> 00:09:45,200 BUT THEY COME UP EMPTY-HANDED. 221 00:09:45,200 --> 00:09:48,800 BY THE END OF THE DAY, I'M CONVINCED THAT THIS GUY IS 222 00:09:48,800 --> 00:09:52,633 TELLING A STORY AND IT'S NOT A VERY TRUE STORY. 223 00:09:52,633 --> 00:09:56,100 SO I GO BACK TO CONFRONT HIM AND I SAY TO HIM, 224 00:09:56,100 --> 00:09:59,267 "HOW MUCH DID THESE GUYS PAY YOU TO RENT THIS VAN?" 225 00:09:59,267 --> 00:10:02,033 HE SAYS, "THEY GAVE ME $10,000." 226 00:10:02,033 --> 00:10:03,967 WELL, I KNEW THAT THIS GUY IS NOT SOMEBODY 227 00:10:03,967 --> 00:10:06,067 WHO'S GONNA HAVE $2 ON HIM. 228 00:10:06,067 --> 00:10:09,200 SO I SAY TO HIM, "SHOW ME THE MONEY," 229 00:10:09,200 --> 00:10:13,200 AND, WITH THAT, THIS GUY WAS LIVING IN A LITTLE TRAILER, 230 00:10:13,200 --> 00:10:14,900 BREAKS OUT A BAG, 231 00:10:14,900 --> 00:10:17,567 AND ALL I CAN SEE IS THE HUNDREDS. 232 00:10:17,567 --> 00:10:20,000 THERE'S THOUSANDS OF DOLLARS IN THERE. 233 00:10:20,000 --> 00:10:22,433 HOW DOES A GUY LIKE THAT GET THIS MONEY? 234 00:10:22,433 --> 00:10:25,033 THERE MUST BE SOMETHING TO THE STORY. 235 00:10:25,033 --> 00:10:29,633 Narrator: THEN, McCANN SEARCHES THE DESERT FOR THE ALLEGED BURIAL SPOT. 236 00:10:29,633 --> 00:10:31,533 HE FINDS NOTHING. 237 00:10:31,533 --> 00:10:35,367 I WORK A LITTLE MORE AND I'M STILL CONVINCED IT'S BS. 238 00:10:35,367 --> 00:10:36,700 THERE'S NOTHING TO IT. 239 00:10:36,700 --> 00:10:38,100 END OF STORY. 240 00:10:38,100 --> 00:10:40,467 EXCEPT, WHAT REALLY HAPPENED? 241 00:10:40,467 --> 00:10:42,833 Narrator: A TRUSTED SOURCE REVEALS TO McCANN 242 00:10:42,833 --> 00:10:46,300 HOW THE INFORMANT MANAGED TO GET HIS HANDS ON THE MONEY. 243 00:10:46,300 --> 00:10:48,900 THIS GUY, WHO I MET IN CALIFORNIA, 244 00:10:48,900 --> 00:10:50,700 IS A FLIMFLAM ARTIST. 245 00:10:50,700 --> 00:10:53,667 HE WAS JUST LOOKIN' FOR 15 MINUTES OF FAME. 246 00:10:53,667 --> 00:10:56,133 SOMEBODY NOTIFIED A NEWSPAPER THAT I WAS GONNA BE 247 00:10:56,133 --> 00:10:58,800 IN CALIFORNIA, AND WHAT I WAS DOING. 248 00:10:58,800 --> 00:11:01,933 SOMEHOW OR ANOTHER, THEY BEAT ME THERE. 249 00:11:01,933 --> 00:11:05,767 SO WHAT HAPPENED WAS, THE NEWSPAPER GOT TO HIM FIRST. 250 00:11:05,767 --> 00:11:07,433 THEY HEARD HIS STORY. 251 00:11:07,433 --> 00:11:09,767 THEY PAID HIM THE MONEY. 252 00:11:09,767 --> 00:11:12,300 HE COST JUST A LOT OF EFFORT, 253 00:11:12,300 --> 00:11:15,500 AND SO I WAS PRETTY ANNOYED, PISSED OFF AT HIM. 254 00:11:15,500 --> 00:11:16,667 THERE WAS JUST NOTHING. 255 00:11:16,667 --> 00:11:20,233 THERE WAS REALLY NOTHING ABOUT CHANDRA. 256 00:11:20,233 --> 00:11:21,567 Narrator: ACCORDING TO McCANN, 257 00:11:21,567 --> 00:11:24,267 THE INCIDENT WAS JUST ANOTHER EXAMPLE OF THE PUBLIC 258 00:11:24,267 --> 00:11:27,267 AND THE MEDIA'S FASCINATION WITH THE CASE. 259 00:11:27,267 --> 00:11:30,067 IMPORTANT NEW QUESTIONS IN THE CASE OF CHANDRA LEVY. 260 00:11:30,067 --> 00:11:31,467 MISSING INTERN CHANDRA LEVY. 261 00:11:31,467 --> 00:11:34,633 THE 24-YEAR-OLD WOMAN DISAPPEARED WITHOUT A TRACE. 262 00:11:34,633 --> 00:11:37,867 Larry King: WILL CHANDRA LEVY EVER BE FOUND? 263 00:11:37,867 --> 00:11:42,400 A LOT OF PEOPLE WHO FOLLOWED IT REMEMBER HOW CRAZY IT WAS. 264 00:11:42,400 --> 00:11:44,967 YOU COULDN'T PICK UP A NEWSPAPER, A MAGAZINE, 265 00:11:44,967 --> 00:11:46,467 LISTEN TO A TV SHOW. 266 00:11:46,467 --> 00:11:48,167 THE MEDIA WAS TALKING ABOUT IT. 267 00:11:48,167 --> 00:11:49,567 IT WAS EVERY DAY. 268 00:11:49,567 --> 00:11:50,700 IT WAS EVERY NIGHT. 269 00:11:50,700 --> 00:11:52,333 IT WAS NONSTOP. 270 00:11:52,333 --> 00:11:54,967 Narrator: AS THE NEWS CYCLE CONTINUES TO SPIN, 271 00:11:54,967 --> 00:12:00,700 BOTH McCANN AND POLICE WORK TO CULTIVATE NEW LEADS. 272 00:12:00,700 --> 00:12:04,567 BUT IN LATE 2001, EVERYTHING CHANGES. 273 00:12:04,567 --> 00:12:06,267 [ SUSPENSEFUL MUSIC PLAYS ] [ FLAMES CRACKLING ] 274 00:12:06,267 --> 00:12:11,167 SO JUST AS THE LEVY-CONDIT STORY WAS PEAKING, 275 00:12:11,167 --> 00:12:15,100 IT WAS ECLIPSED BY AN EVEN MORE SHOCKING EVENT, 276 00:12:15,100 --> 00:12:19,133 AND THAT WAS THE TERRORIST ATTACK ON SEPTEMBER 11th. 277 00:12:19,133 --> 00:12:22,633 ** 278 00:12:22,633 --> 00:12:27,600 ONCE THE TWIN TOWERS FELL, ONCE THE PENTAGON WAS BREACHED, 279 00:12:27,600 --> 00:12:30,300 ONCE THE PLANE CRASHED IN PENNSYLVANIA, 280 00:12:30,300 --> 00:12:33,100 EVERYONE'S ATTENTION WAS DIVERTED. 281 00:12:33,100 --> 00:12:36,367 I CAME TO THE QUICK REALIZATION THAT THE STORY 282 00:12:36,367 --> 00:12:39,100 ABOUT CHANDRA LEVY IS NO LONGER A STORY. 283 00:12:39,100 --> 00:12:42,267 REPORTERS, LIKE MYSELF, STOPPED PAYING ATTENTION ALTOGETHER 284 00:12:42,267 --> 00:12:44,133 BECAUSE, NOW, WE'RE AT WAR 285 00:12:44,133 --> 00:12:48,767 AND WHAT WAS THE LOSS OF ONE CHILD IN THAT SCOPE OF THINGS? 286 00:12:48,767 --> 00:12:50,967 WE DIDN'T GET THE MEDIA ATTENTION ANYMORE, 287 00:12:50,967 --> 00:12:52,733 AND THERE GO A LOT OF THE LEADS. 288 00:12:52,733 --> 00:12:54,800 SO THINGS START TO DRY UP. 289 00:12:54,800 --> 00:12:57,767 Narrator: FROM McCANN'S COUNTERPARTS AT METRO PD, 290 00:12:57,767 --> 00:13:00,467 THEIR PRIORITIES HAVE NOW SHIFTED. 291 00:13:00,467 --> 00:13:04,100 DC POLICE WAS FOCUSED ON STOPPING ATTACKS. 292 00:13:04,100 --> 00:13:06,367 THERE WERE NO INVESTIGATIVE RESOURCES LEFT 293 00:13:06,367 --> 00:13:10,567 FOR THE DEPARTMENT TO FOCUS ON THIS MISSING-GIRL CASE. 294 00:13:10,567 --> 00:13:14,267 Narrator: AS MONTHS TO BY, THE CASE GOES COLD. 295 00:13:14,267 --> 00:13:17,333 FOR OUR FAMILY, WE WERE SHOCKED. 296 00:13:17,333 --> 00:13:21,067 BUT WE WERE NOT EMOTIONAL, LIKE MOST PEOPLE, 297 00:13:21,067 --> 00:13:24,233 'CAUSE WE'VE ALREADY FELT 9/11 HAPPEN TO US. 298 00:13:24,233 --> 00:13:26,600 ** 299 00:13:26,600 --> 00:13:29,100 AND THEN, MAY 2002, 300 00:13:29,100 --> 00:13:32,133 A MAN WALKING HIS DOG IN ROCK CREEK PARK 301 00:13:32,133 --> 00:13:34,900 SPOTS SOMETHING ON THE GROUND 302 00:13:34,900 --> 00:13:39,433 AND HE GOES DOWN INTO THE RAVINE TO CHECK IT OUT. 303 00:13:39,433 --> 00:13:41,667 HE IS ABSOLUTELY FLABBERGASTED. 304 00:13:41,667 --> 00:13:43,067 [ DISTORTED TUNE PLAYS ] 305 00:13:43,067 --> 00:13:45,567 AND THE FIRST THING HE DOES IS CALL THE PARK POLICE. 306 00:13:45,567 --> 00:13:47,700 ** 307 00:13:49,633 --> 00:13:50,733 Dispatcher: MM-HMM. 308 00:13:55,533 --> 00:13:58,400 ** 309 00:14:00,833 --> 00:14:02,600 Narrator: IN MAY 2002, 310 00:14:02,600 --> 00:14:06,900 ONE YEAR AFTER DC INTERN CHANDRA LEVY GOES MISSING, 311 00:14:06,900 --> 00:14:09,667 A MAN WALKING HIS DOG IN ROCK CREEK PARK 312 00:14:09,667 --> 00:14:12,200 MAKES A GRUESOME DISCOVERY. [ SUSPENSEFUL MUSIC PLAYS ] 313 00:14:12,200 --> 00:14:14,100 Palmer: 314 00:14:17,500 --> 00:14:19,333 Dispatcher: 315 00:14:19,333 --> 00:14:21,900 Palmer: 316 00:14:21,900 --> 00:14:23,133 ** 317 00:14:23,133 --> 00:14:27,133 Narrator: THE METRO PD SPRING INTO ACTION. 318 00:14:27,133 --> 00:14:29,833 HERE IS A SKULL FOUND IN THE PARK 319 00:14:29,833 --> 00:14:32,633 WHERE THEY BELIEVE THAT CHANDRA HAD GONE MISSING 320 00:14:32,633 --> 00:14:36,500 AND SO EVERYBODY GOES DEFCON 1. 321 00:14:36,500 --> 00:14:37,567 THE POLICE ARRIVE. 322 00:14:37,567 --> 00:14:40,767 THEY SEALED OFF A VERY LARGE AREA 323 00:14:40,767 --> 00:14:43,433 AND THAT BECAME THEIR CRIME SCENE. 324 00:14:43,433 --> 00:14:44,667 I WAS IN THE NEWSROOM 325 00:14:44,667 --> 00:14:48,200 WHEN THE NEWS CAME THAT THERE WERE REMAINS FOUND. 326 00:14:48,200 --> 00:14:50,567 INSTANTLY, THE MEDIA CAME FLOODING BACK 327 00:14:50,567 --> 00:14:53,900 TO THE ROCK CREEK PARK SCENE, WHERE INVESTIGATORS 328 00:14:53,900 --> 00:14:57,800 BEHIND YELLOW TAPE WENT ABOUT THEIR WORK. 329 00:14:57,800 --> 00:14:59,833 WHEN YOU'RE LOOKING AT THE SCENE, 330 00:14:59,833 --> 00:15:01,767 BONES ARE SCATTERED EVERYWHERE, 331 00:15:01,767 --> 00:15:03,767 AND THAT'S NORMAL FOR THIS SORT OF SCENE. 332 00:15:03,767 --> 00:15:07,100 IF THERE'S A BODY THAT'S OUT IN THE ELEMENTS, 333 00:15:07,100 --> 00:15:09,133 IT BEGINS TO DECOMPOSE 334 00:15:09,133 --> 00:15:13,500 AND THEN ANIMALS AND OTHER SCAVENGERS ATTACK THE BODY. 335 00:15:13,500 --> 00:15:17,100 AS THEY'RE SYSTEMATICALLY SEARCHING THE AREA, 336 00:15:17,100 --> 00:15:21,067 THEY BEGIN TO FIND VARIOUS ITEMS OF CLOTHING. 337 00:15:21,067 --> 00:15:24,967 THIS TRAGIC SCENE IS FILLED WITH PERSONAL EFFECTS: 338 00:15:24,967 --> 00:15:26,233 SUNGLASSES, 339 00:15:26,233 --> 00:15:30,133 A USC ATHLETIC T-SHIRT TURNED INSIDE OUT, 340 00:15:30,133 --> 00:15:31,533 A RUNNING SHOE, 341 00:15:31,533 --> 00:15:32,900 AND BLACK RUNNING TIGHTS 342 00:15:32,900 --> 00:15:34,433 THAT ARE INSIDE OUT 343 00:15:34,433 --> 00:15:35,533 AND KNOTTED. 344 00:15:35,533 --> 00:15:39,400 [ OMINOUS CHORD STRIKES ] 345 00:15:39,400 --> 00:15:42,167 Narrator: TO IDENTIFY THE SKELETONIZED REMAINS, 346 00:15:42,167 --> 00:15:45,933 INVESTIGATORS FOCUS ON THE SKULL. 347 00:15:45,933 --> 00:15:50,367 THEY ACTUALLY TAKE THE SKULL TO THE MEDICAL EXAMINER'S OFFICE 348 00:15:50,367 --> 00:15:54,733 WITH RED LIGHTS AND SIREN, THEY WERE IN SUCH A HURRY. 349 00:15:54,733 --> 00:15:57,667 THE MEDICAL EXAMINER HAD ALREADY OBTAINED 350 00:15:57,667 --> 00:16:00,067 CHANDRA'S DENTAL RECORDS, 351 00:16:00,067 --> 00:16:03,500 SO HE WAS ABLE TO MATCH UP THE VARIOUS FILLINGS, 352 00:16:03,500 --> 00:16:06,700 MADE A POSITIVE IDENTIFICATION THAT IT WAS CHANDRA. 353 00:16:06,700 --> 00:16:08,967 [ MELANCHOLY TUNE PLAYS ] 354 00:16:08,967 --> 00:16:12,233 WELL, AFTER THEY IDENTIFIED HER, THEY CALLED US UP AND TOLD US. 355 00:16:12,233 --> 00:16:14,233 THAT WAS JUST REALLY BAD. I MEAN, JUST -- 356 00:16:14,233 --> 00:16:17,433 -IT WAS HORRIBLE. -AS BAD AS ANYTHING CAN BE. 357 00:16:17,433 --> 00:16:19,967 I'M POST-TRAUMATIC STRESS. 358 00:16:19,967 --> 00:16:24,733 IT'S THE WORST THING A MOTHER COULD EVER FACE. 359 00:16:24,733 --> 00:16:28,133 THE MINUTE THAT BODY WAS FOUND, I THOUGHT OF THEM 360 00:16:28,133 --> 00:16:32,067 AND THE TRAVAILS AND TROUBLES AND ANXIETY 361 00:16:32,067 --> 00:16:34,133 THEY HAD GONE THROUGH FOR SO LONG. 362 00:16:34,133 --> 00:16:38,500 FINALLY, THEY HAD CHANDRA BACK, BUT SHE WAS DEAD. 363 00:16:38,500 --> 00:16:42,667 IT WAS A GUT PUNCH BECAUSE, EVEN THOUGH YOU KNOW THIS CASE 364 00:16:42,667 --> 00:16:44,933 IS PROBABLY GONNA END THAT WAY, 365 00:16:44,933 --> 00:16:50,067 WHEN YOU'RE CONFRONTED WITH THAT REALITY, IT'S STILL SHOCKING. 366 00:16:50,067 --> 00:16:52,433 Narrator: NOW, IT'S UP TO THE MEDICAL EXAMINER 367 00:16:52,433 --> 00:16:55,967 TO DETERMINE EXACTLY HOW CHANDRA DIED. 368 00:16:55,967 --> 00:16:59,300 FINDING A BODY IS MORE IMPORTANT THAN AN EYEWITNESS 369 00:16:59,300 --> 00:17:01,333 BECAUSE THE BODY DOESN'T LIE. 370 00:17:01,333 --> 00:17:06,100 THE BODY IS GONNA TELL THE MANNER AND MEANS OF DEATH. 371 00:17:06,100 --> 00:17:07,767 Narrator: IT WON'T BE EASY. 372 00:17:07,767 --> 00:17:11,233 TIME AND THE ELEMENTS HAVE TAKEN A TOLL. 373 00:17:11,233 --> 00:17:12,433 IT'S OVER A YEAR 374 00:17:12,433 --> 00:17:15,233 BEFORE CHANDRA LEVY'S REMAINS ARE FOUND 375 00:17:15,233 --> 00:17:18,833 AND, BECAUSE THEY'RE SKELETON REMAINS, AT THIS POINT, 376 00:17:18,833 --> 00:17:21,533 THERE'S VERY LITTLE THEY CAN FIND OUT. 377 00:17:21,533 --> 00:17:24,067 THERE WAS NO SOFT TISSUE TO SHOW A STAB WOUND. 378 00:17:24,067 --> 00:17:26,133 THERE WAS NO BULLET IN THE HEAD. 379 00:17:26,133 --> 00:17:28,367 THERE WASN'T ANYTHING LEFT OF HER THROAT 380 00:17:28,367 --> 00:17:30,967 TO DETERMINE THAT SHE MIGHT'VE BEEN STRANGLED. 381 00:17:30,967 --> 00:17:34,467 THERE WAS NO WAY TO TELL EXACTLY HOW SHE DIED. 382 00:17:34,467 --> 00:17:36,867 [ SUSPENSEFUL MUSIC PLAYS ] 383 00:17:36,867 --> 00:17:37,667 [ SINISTER MUSIC PLAYS ] Narrator: POLICE ARE ABLE 384 00:17:37,667 --> 00:17:39,500 TO DRAW SOME CONCLUSIONS, 385 00:17:39,500 --> 00:17:42,333 BASED ON THE ITEMS COLLECTED AT THE SCENE. 386 00:17:42,333 --> 00:17:43,767 WHEN THEY FOUND HER LEGGINGS, 387 00:17:43,767 --> 00:17:47,333 THERE WERE LIKE KNOTS AND LOOPS IN THE LEGS. 388 00:17:47,333 --> 00:17:49,200 IF SHE FELL DOWN THAT RAVINE 389 00:17:49,200 --> 00:17:51,167 AND KNOCKED HER HEAD AND DIED BY ACCIDENT, 390 00:17:51,167 --> 00:17:53,700 THERE'S NO REASON TO REMOVE YOUR PANTS. 391 00:17:53,700 --> 00:17:55,400 Narrator: THE KNOTS IN THE RUNNING TIGHTS 392 00:17:55,400 --> 00:17:58,533 LEAD INVESTIGATORS TO A GRIM CONCLUSION. 393 00:17:58,533 --> 00:18:01,300 THE WAY THAT THEY WERE TIED INDICATED THAT, POSSIBLY, 394 00:18:01,300 --> 00:18:05,133 THEY WERE USED AS A WAY TO BIND SOMEBODY. 395 00:18:05,133 --> 00:18:07,367 SOMETHING VERY, VERY 396 00:18:07,367 --> 00:18:11,100 SINISTER AND DIABOLICAL IS GOING ON THERE. 397 00:18:11,100 --> 00:18:13,100 THAT DEFINITELY WAS EVIDENCE 398 00:18:13,100 --> 00:18:15,600 THAT SHE HAD BEEN SEXUALLY ASSAULTED. 399 00:18:15,600 --> 00:18:18,733 Narrator: THE METRO PD ANNOUNCE THEIR FINDINGS. 400 00:18:18,733 --> 00:18:22,633 WE KNOW THE MANNER OF DEATH WAS HOMICIDE. 401 00:18:22,633 --> 00:18:25,067 QUESTIONS STILL REMAIN: HOW DID SHE GET THERE? 402 00:18:25,067 --> 00:18:27,300 WAS SHE GOING TO SEE SOMEONE WHEN SHE GOT THERE? 403 00:18:27,300 --> 00:18:29,200 WAS SHE JUST OUT FOR A WALK? 404 00:18:29,200 --> 00:18:33,600 THOSE ARE THE KINDS OF QUESTIONS THAT HAVE TO BE ANSWERED. 405 00:18:33,600 --> 00:18:35,700 Monroe: NOW, WE'RE BACK TO SQUARE ONE. 406 00:18:35,700 --> 00:18:39,267 WE HAVE AN UNSOLVED MURDER OF A YOUNG LADY 407 00:18:39,267 --> 00:18:42,800 WHO CAME TO WASHINGTON TO LIVE HER DREAM, 408 00:18:42,800 --> 00:18:45,567 AND HER DREAMS DIED HERE. 409 00:18:45,567 --> 00:18:50,133 NOW, POLICE HAVE TO FIGURE OUT "WHO KILLED CHANDRA LEVY?" 410 00:18:50,133 --> 00:18:52,067 WAS IT CONGRESSMAN CONDIT? 411 00:18:52,067 --> 00:18:53,300 [ MELANCHOLY TUNE PLAYS ] 412 00:18:53,300 --> 00:18:54,767 Narrator: WITH RENEWED PURPOSE, 413 00:18:54,767 --> 00:18:58,867 INVESTIGATORS REVISIT THEIR FIRST PERSON OF INTEREST. 414 00:18:58,867 --> 00:19:01,433 THERE WERE THEORIES ABOUNDING. 415 00:19:01,433 --> 00:19:04,867 CONDIT, PERHAPS, DID SOMETHING TO MAKE THIS GIRL DISAPPEAR 416 00:19:04,867 --> 00:19:07,900 BECAUSE HE WAS HAVING A SEXUAL AFFAIR WITH HER. 417 00:19:07,900 --> 00:19:09,633 Trainum: THERE WAS A LOT OF THEORIES. 418 00:19:09,633 --> 00:19:13,667 ONE WAS, SHE WAS MEETING GARY CONDIT IN ROCK CREEK PARK. 419 00:19:13,667 --> 00:19:16,733 EVERY STATEMENT, EVERY ACTION, 420 00:19:16,733 --> 00:19:21,467 OF GARY CONDIT'S LIFE COMES UNDER SCRUTINY. 421 00:19:21,467 --> 00:19:25,433 Narrator: ESPECIALLY HIS WHEREABOUTS ON THE DAY CHANDRA WENT MISSING. 422 00:19:25,433 --> 00:19:29,067 GARY CONDIT HAS AN ALIBI FOR THE DAY THAT CHANDRA DISAPPEARS. 423 00:19:29,067 --> 00:19:31,333 HE'S TAKING CARE OF BUSINESS. 424 00:19:31,333 --> 00:19:34,167 HE WAS SITTING DOWN WITH VICE PRESIDENT DICK CHENEY, 425 00:19:34,167 --> 00:19:37,933 TALKING ABOUT ENERGY POLICY, OVER AT THE WHITE HOUSE. 426 00:19:37,933 --> 00:19:39,967 Velez-Mitchell: THEY DO SOME CHECKING. THEY TALK TO HIS STAFF. 427 00:19:39,967 --> 00:19:43,633 I MEAN, MEETING WITH THE VICE PRESIDENT OF THE UNITED STATES?! 428 00:19:43,633 --> 00:19:46,233 THAT CERTAINLY COULD BE CONFIRMED. 429 00:19:46,233 --> 00:19:48,667 THEN HE'S AT THE OFFICE AND THEN HE GOES TO THE DOCTOR'S. 430 00:19:48,667 --> 00:19:49,767 AT THIS POINT, 431 00:19:49,767 --> 00:19:53,533 CONGRESSMAN CONDIT'S ALIBI CHECKS OUT. 432 00:19:53,533 --> 00:19:56,200 Narrator: AND A CLOSER EXAMINATION OF THE EVIDENCE 433 00:19:56,200 --> 00:19:58,633 LEADS TO ANOTHER DEAD END. 434 00:19:58,633 --> 00:20:01,267 AT THIS POINT, NOTHING ON THE CRIME SCENE 435 00:20:01,267 --> 00:20:05,233 ALLOWED THE INVESTIGATORS TO LINK THIS CASE TO GARY CONDIT. 436 00:20:05,233 --> 00:20:06,700 THEY DON'T HAVE ANY EVIDENCE 437 00:20:06,700 --> 00:20:09,367 TO LINK HIM TO CHANDRA LEVY'S MURDER. 438 00:20:09,367 --> 00:20:11,567 MAYBE IT'S SOMEBODY ELSE. 439 00:20:11,567 --> 00:20:15,100 THE PRESSURE STARTED TO BUILD AND BUILD AND BUILD. 440 00:20:15,100 --> 00:20:17,800 POLICE HAD TO DO SOMETHING. 441 00:20:17,800 --> 00:20:21,267 Narrator: INVESTIGATORS BEGIN TO WONDER IF THE LOCATION OF THE CRIME 442 00:20:21,267 --> 00:20:23,733 IS THE KEY TO SOLVING IT. 443 00:20:23,733 --> 00:20:25,633 SO, TO DEVELOP NEW LEADS, 444 00:20:25,633 --> 00:20:29,267 THEY TURN TO A SPECIALIZED CRIMINOLOGIST. 445 00:20:29,267 --> 00:20:30,567 I'M DR. KIM ROSSMO. 446 00:20:30,567 --> 00:20:32,733 I'M THE GEOGRAPHIC PROFILER WHO WAS BROUGHT ON 447 00:20:32,733 --> 00:20:34,167 TO ASSIST IN THE INVESTIGATION 448 00:20:34,167 --> 00:20:36,733 IN THE CHANDRA LEVY DISAPPEARANCE AND MURDER. 449 00:20:36,733 --> 00:20:38,700 I GOT A CALL FROM DETECTIVE TRAINUM 450 00:20:38,700 --> 00:20:40,467 AND HE SAID THAT HE WANTED TO SEE 451 00:20:40,467 --> 00:20:44,133 IF I MIGHT BE ABLE TO PROVIDE ANY SORT OF PERSPECTIVE. 452 00:20:44,133 --> 00:20:47,000 KIM'S REALLY GOOD AT LOOKING AT A CRIME SCENE 453 00:20:47,000 --> 00:20:50,600 AND HELPING YOU UNDERSTAND WHAT IS IT ABOUT THE SCENE 454 00:20:50,600 --> 00:20:52,367 THAT KIND OF CONTRIBUTED TO THE CRIME 455 00:20:52,367 --> 00:20:54,867 OCCURRING AT THAT LOCATION? 456 00:20:54,867 --> 00:20:57,367 Narrator: ROSSMO CONDUCTS A HOLISTIC EXAMINATION 457 00:20:57,367 --> 00:21:00,500 OF CRIMINAL ACTIVITY IN ROCK CREEK PARK. 458 00:21:00,500 --> 00:21:03,333 FOR ME, ONE OF THE MOST IMPORTANT EARLY QUESTIONS WAS, 459 00:21:03,333 --> 00:21:06,700 "HOW COMMON ARE THESE ATTACKS IN ROCK CREEK PARK?" 460 00:21:06,700 --> 00:21:09,533 WE TOOK A LOOK AT THE DATA FROM THE PARK'S POLICE 461 00:21:09,533 --> 00:21:12,600 ABOUT THEIR CRIMES IN THE 18-MONTH PERIOD 462 00:21:12,600 --> 00:21:14,900 LEADING UP TO THERE AND IT WAS VERY CLEAR 463 00:21:14,900 --> 00:21:19,200 THAT CRIMES OF THIS NATURE WERE JUST SO RARE. 464 00:21:19,200 --> 00:21:20,633 Narrator: BUT ROSSMO DISCOVERS 465 00:21:20,633 --> 00:21:22,767 SOME INTRIGUING INCIDENTS. 466 00:21:22,767 --> 00:21:25,867 WE SAW TWO ATTACKS ON FEMALE JOGGERS 467 00:21:25,867 --> 00:21:30,833 IN THE SHORT TIME PERIOD FOLLOWING LEVY'S DISAPPEARANCE. 468 00:21:30,833 --> 00:21:32,300 Narrator: IN SEARCH OF A PATTERN, 469 00:21:32,300 --> 00:21:36,700 ROSSMO PORES OVER THE DETAILS OF THESE TWO CASES. 470 00:21:36,700 --> 00:21:39,733 Dimond: ON MAY 14th, A YOUNG WOMAN NAMED HALLE SHILLING 471 00:21:39,733 --> 00:21:42,100 DECIDED TO GO FOR A RUN IN ROCK CREEK PARK. 472 00:21:42,100 --> 00:21:43,967 IT WAS IN THE EARLY EVENING. 473 00:21:43,967 --> 00:21:46,400 SHE WAS A YOUNG STUDENT, JOURNALISM STUDENT, 474 00:21:46,400 --> 00:21:48,367 TRYING TO GET HER MASTER'S. 475 00:21:48,367 --> 00:21:51,367 WHEN SHE GOT TO THE PARK, SHE NOTICED A HISPANIC MAN 476 00:21:51,367 --> 00:21:56,433 SITTING IN THE PARKING LOT AND SHE TOOK OFF FOR HER RUN. 477 00:21:56,433 --> 00:21:58,367 SHE KEPT LOOKING BACK OVER HER SHOULDER 478 00:21:58,367 --> 00:22:01,467 AND SHE NOTICED HE WAS BEHIND HER. 479 00:22:01,467 --> 00:22:05,333 Narrator: SHILLING GROWS FEARFUL OF THE LOOMING STRANGER. 480 00:22:05,333 --> 00:22:07,433 Dimond: SHE WOULD SPEED UP AND SLOW DOWN, 481 00:22:07,433 --> 00:22:10,100 BUT HE WAS ALWAYS RIGHT THERE. 482 00:22:10,100 --> 00:22:11,733 AND THEN, SUDDENLY, 483 00:22:11,733 --> 00:22:13,133 HE GRABBED HER. 484 00:22:13,133 --> 00:22:16,467 HE THREW HER DOWN INTO THE FOREST. 485 00:22:16,467 --> 00:22:19,367 HALLE DESCRIBES FIGHTING FOR HER LIFE. 486 00:22:19,367 --> 00:22:21,933 [ SUSPENSEFUL MUSIC PLAYS ] 487 00:22:21,933 --> 00:22:23,267 BUT WHAT HE DIDN'T KNOW IS 488 00:22:23,267 --> 00:22:26,267 SHE HAD TAKEN SOME SELF-DEFENSE CLASSES. 489 00:22:26,267 --> 00:22:29,600 SHE WAS ABLE TO ACTUALLY PUT HER FINGERNAILS 490 00:22:29,600 --> 00:22:32,400 INSIDE HIS MOUTH, INTO HIS SOFT PALATE, 491 00:22:32,400 --> 00:22:34,267 AND THAT WAS A BREAK SHE NEEDED. 492 00:22:34,267 --> 00:22:35,700 HE LOOSENED HIS GRIP 493 00:22:35,700 --> 00:22:38,333 AND SHE GOT UP AND RAN OUT OF THE PARK, 494 00:22:38,333 --> 00:22:42,633 AND SHE RAN STRAIGHT TO THE POLICE AND REPORTED THE ATTACK. 495 00:22:42,633 --> 00:22:45,600 Narrator: THE ASSAILANT GETS AWAY. 496 00:22:45,600 --> 00:22:49,767 AND, SOON, ANOTHER WOMAN ENDURES A SIMILAR ENCOUNTER. 497 00:22:49,767 --> 00:22:52,533 ABOUT A MONTH AND A HALF AFTER HALLE SHILLING'S ATTACK, 498 00:22:52,533 --> 00:22:54,767 CHRISTY WIEGAND AND HER FIANCé 499 00:22:54,767 --> 00:22:57,700 GO TO ROCK CREEK PARK FOR A RUN. 500 00:22:57,700 --> 00:23:01,067 AS IS USUAL, HE PULLS AHEAD OF HER. 501 00:23:01,067 --> 00:23:05,500 SHE SEES HIM ON THE ROAD AHEAD AND THEN FINALLY HE DISAPPEARS. 502 00:23:05,500 --> 00:23:09,067 [ OMINOUS MUSIC CLIMBS ] 503 00:23:09,067 --> 00:23:13,067 AT THAT POINT, SHE REALIZES THERE IS SOMEBODY BEHIND HER. 504 00:23:13,067 --> 00:23:17,600 THERE IS A YOUNG HISPANIC MAN, GAINING ON HER. 505 00:23:17,600 --> 00:23:19,400 Narrator: WITH NO ONE ELSE ON THE TRAIL, 506 00:23:19,400 --> 00:23:24,200 WIEGAND ATTEMPTS TO OUTRUN THE PURSUER. 507 00:23:24,200 --> 00:23:26,733 Dimond: ALL OF A SUDDEN, SHE'S GRABBED FROM BEHIND. 508 00:23:26,733 --> 00:23:30,067 THEY FALL DOWN INTO A RAVINE. 509 00:23:30,067 --> 00:23:33,467 SHE SEES A KNIFE IN HIS HAND. 510 00:23:33,467 --> 00:23:37,400 HE PUTS HIS HAND OVER HER MOUTH SO SHE CANNOT SCREAM. 511 00:23:37,400 --> 00:23:40,100 SHE IS FIGHTING FOR HER LIFE. 512 00:23:40,100 --> 00:23:43,267 HE DOESN'T TAKE HER EXPENSIVE ENGAGEMENT RING, 513 00:23:43,267 --> 00:23:45,533 HE DOESN'T TRY TO TAKE HER WALKMAN, 514 00:23:45,533 --> 00:23:48,267 AND SHE IS SURE SHE IS ABOUT TO BE KILLED. 515 00:23:48,267 --> 00:23:52,700 Narrator: IN SHOCK, SHE INSTINCTUALLY STRUGGLES WITH THE ATTACKER. 516 00:23:52,700 --> 00:23:57,133 MIRACULOUSLY, SHE BREAKS THE GRIP OF THIS ASSAILANT, 517 00:23:57,133 --> 00:23:59,800 SCRAMBLES BACK UP, 518 00:23:59,800 --> 00:24:03,267 AND REPORTS THE ATTACK TO THE FIRST PERSON SHE SEES. 519 00:24:03,267 --> 00:24:05,733 CHRISTY WIEGAND GIVES A REALLY GOOD DESCRIPTION 520 00:24:05,733 --> 00:24:06,933 OF HER ATTACKER. 521 00:24:06,933 --> 00:24:08,633 HE'S YOUNG. HE'S HISPANIC. 522 00:24:08,633 --> 00:24:12,333 HE'S WEARING A WHITE TANK TOP, BAGGY SHORTS. 523 00:24:12,333 --> 00:24:17,333 Narrator: PARK POLICE IMMEDIATELY RESPOND AND SEARCH THE SURROUNDING AREA. 524 00:24:17,333 --> 00:24:19,567 THIS IS A SECOND ATTACK IN 6 WEEKS. 525 00:24:19,567 --> 00:24:21,733 THE PARK POLICE ARE WORRIED. 526 00:24:21,733 --> 00:24:23,600 THEY SEARCH ALL THE RAVINES, 527 00:24:23,600 --> 00:24:26,433 EVERYWHERE OFF THE JOGGING TRACKS, 528 00:24:26,433 --> 00:24:29,767 AND THEY FINALLY FIND A YOUNG HISPANIC MAN 529 00:24:29,767 --> 00:24:32,767 CROUCHED IN THE BUSHES, HIDING. 530 00:24:32,767 --> 00:24:36,633 Narrator: POLICE ARREST THE SUSPECT AND BRING HIM IN FOR QUESTIONING. 531 00:24:36,633 --> 00:24:38,500 THIS MAN IS INGMAR GUANDIQUE, 532 00:24:38,500 --> 00:24:43,433 A SALVADORAN NATIVE WHO HAD COME TO THE UNITED STATES ILLEGALLY. 533 00:24:43,433 --> 00:24:48,300 Trainum: WHEN THEY ASK HIM ABOUT THE ATTACK, HE DENIED IT. 534 00:24:48,300 --> 00:24:53,067 BUT THEY USED A DIFFERENT TACK, AND ASKED HIM IF MAYBE HE JUST 535 00:24:53,067 --> 00:24:56,767 ACCIDENTALLY BRUSHED UP AGAINST SOMEBODY IN THE WOODS. 536 00:24:56,767 --> 00:24:59,900 HE GAVE THEM THIS STORY ABOUT, OH, YEAH, 537 00:24:59,900 --> 00:25:01,800 HE WAS RUNNING OR JOGGING IN THE WOODS 538 00:25:01,800 --> 00:25:04,667 AND COLLIDED WITH A WOMAN BY ACCIDENT 539 00:25:04,667 --> 00:25:06,967 AND SO THEY KNEW THAT, AT THAT POINT, 540 00:25:06,967 --> 00:25:09,067 THAT THEY HAD THE RIGHT GUY. 541 00:25:09,067 --> 00:25:11,067 Narrator: BOTH WIEGAND AND SHILLING 542 00:25:11,067 --> 00:25:14,533 IDENTIFY GUANDIQUE AS THEIR ASSAILANT. 543 00:25:14,533 --> 00:25:17,600 HE EVENTUALLY PLEADED GUILTY TO ATTEMPTED ROBBERY 544 00:25:17,600 --> 00:25:20,933 AND WAS SENTENCED TO 10 YEARS IN PRISON. 545 00:25:20,933 --> 00:25:24,300 Narrator: AFTER REVIEWING THESE CASES, ROSSMO IS ASTOUNDED 546 00:25:24,300 --> 00:25:27,267 BY THE SIMILARITIES TO CHANDRA'S MURDER. 547 00:25:27,267 --> 00:25:28,567 WE TOOK A LOOK AT 548 00:25:28,567 --> 00:25:30,867 ALL THE DIFFERENT BITS OF INFORMATION THAT WE HAVE. 549 00:25:30,867 --> 00:25:35,267 WE TOOK A LOOK AT THE LOCATION WHERE CHANDRA'S BODY WAS FOUND 550 00:25:35,267 --> 00:25:36,800 AND THEN WE LOOKED AT THE LOCATIONS 551 00:25:36,800 --> 00:25:40,267 WHERE THE ATTACKS ON THE TWO FEMALE JOGGERS HAD OCCURRED. 552 00:25:40,267 --> 00:25:42,233 THERE'S NO ONE ELSE AROUND. 553 00:25:42,233 --> 00:25:44,467 ATTACKS LIKE THAT IN THE PARK ARE REALLY RARE 554 00:25:44,467 --> 00:25:45,500 AND, WHEN YOU'VE GOT THREE OF THEM 555 00:25:45,500 --> 00:25:47,733 IN A VERY SHORT TIME PERIOD, 556 00:25:47,733 --> 00:25:52,333 THAT CALLS FOR THEM TO BE LOOKED AT AS BEING CONNECTED CRIMES. 557 00:25:52,333 --> 00:25:55,167 Narrator: THE DETAILS OF GUANDIQUE'S CIRCUMSTANCES 558 00:25:55,167 --> 00:25:57,900 ALSO RAISE ROSSMO'S SUSPICIONS. 559 00:25:57,900 --> 00:26:02,167 WE KNOW THAT HE LIVED JUST TO THE EAST OF ROCK CREEK PARK 560 00:26:02,167 --> 00:26:07,200 AND THERE WERE NO SIMILAR ATTACKS AFTER THEY ARREST HIM. 561 00:26:07,200 --> 00:26:10,167 IT MADE GUANDIQUE STAND OUT LIKE A NEON SIGN. 562 00:26:10,167 --> 00:26:13,067 HE HAD TO BE CONSIDERED A VIABLE SUSPECT 563 00:26:13,067 --> 00:26:15,933 AND NEEDED TO BE EXPLORED FURTHER. 564 00:26:15,933 --> 00:26:19,567 Narrator: POLICE FOCUS IN ON THEIR INCARCERATED SUSPECT. 565 00:26:19,567 --> 00:26:21,367 GUANDIQUE'S ALREADY IN PRISON. 566 00:26:21,367 --> 00:26:24,200 HE'S SERVING TIME FOR THE FIRST TWO ATTACKS, 567 00:26:24,200 --> 00:26:26,333 BUT THE INVESTIGATORS WERE LOOKING FOR 568 00:26:26,333 --> 00:26:29,100 ANY KIND OF CONNECTION, ANY KIND OF EVIDENCE, 569 00:26:29,100 --> 00:26:31,500 THAT MIGHT LINK HIM TO CHANDRA. 570 00:26:31,500 --> 00:26:34,567 INGMAR GUANDIQUE IS THE BIGGEST BREAK IN THIS CASE 571 00:26:34,567 --> 00:26:36,100 IN A VERY LONG TIME. 572 00:26:36,100 --> 00:26:37,367 IT'S ALL COMING TOGETHER. 573 00:26:37,367 --> 00:26:39,067 [ SUSPENSEFUL CHORD STRIKES ] 574 00:26:41,533 --> 00:26:42,700 Narrator: AFTER DISCOVERING 575 00:26:42,700 --> 00:26:45,933 CHANDRA LEVY'S REMAINS IN ROCK CREEK PARK, 576 00:26:45,933 --> 00:26:51,167 POLICE IDENTIFY A PROMISING SUSPECT NAMED INGMAR GUANDIQUE. 577 00:26:51,167 --> 00:26:54,067 A CONVICTED FELON, HE'S SERVING A SENTENCE 578 00:26:54,067 --> 00:26:57,133 FOR ATTACKING TWO WOMEN IN THE SAME PARK. 579 00:26:57,133 --> 00:27:00,867 POLICE TRY TO INTERVIEW FAMILY MEMBERS, ASSOCIATES, 580 00:27:00,867 --> 00:27:03,133 BUILD A TIMELINE ON HIM. 581 00:27:03,133 --> 00:27:06,067 THEY'RE ALSO LOOKING FOR ANY KIND OF EVIDENCE 582 00:27:06,067 --> 00:27:09,067 THAT MIGHT LINK HIM TO CHANDRA. 583 00:27:09,067 --> 00:27:10,867 Narrator: IN JANUARY 2000, 584 00:27:10,867 --> 00:27:16,667 HE THEN-18-YEAR-OLD SALVADORAN BEGAN HIS JOURNEY TO AMERICA. 585 00:27:16,667 --> 00:27:18,067 MY NAME IS SYLVIA MORENO. 586 00:27:18,067 --> 00:27:20,233 I'M A RETIRED NEWSPAPER JOURNALIST. 587 00:27:20,233 --> 00:27:23,433 I WORKED AT THE WASHINGTON POST FOR 11 YEARS. 588 00:27:23,433 --> 00:27:27,133 I COMMUNICATED SEVERAL TIMES WITH GUANDIQUE THROUGH LETTER. 589 00:27:27,133 --> 00:27:29,667 GUANDIQUE CAME TO THE UNITED STATES 590 00:27:29,667 --> 00:27:32,333 ILLEGALLY, FROM EL SALVADOR. 591 00:27:32,333 --> 00:27:34,567 HE MADE HIS WAY THROUGH MEXICO. 592 00:27:34,567 --> 00:27:37,133 HE SWAM ACROSS THE RIO GRANDE INTO TEXAS. 593 00:27:37,133 --> 00:27:39,067 HE MADE HIS WAY TO HOUSTON. 594 00:27:39,067 --> 00:27:43,133 AND THEN HE MADE HIS WAY TO WASHINGTON, DC. 595 00:27:43,133 --> 00:27:45,100 [ MELANCHOLY TUNE PLAYS ] HE'S GOT A FAMILY IN EL SALVADOR 596 00:27:45,100 --> 00:27:47,067 THAT'S DEEPLY IMPOVERISHED. 597 00:27:47,067 --> 00:27:48,967 HIS ROLE IN COMING TO THE UNITED STATES 598 00:27:48,967 --> 00:27:51,100 WAS TO GET A JOB, ANY KIND OF JOB, 599 00:27:51,100 --> 00:27:53,367 AND START SENDING MONEY HOME. 600 00:27:53,367 --> 00:27:58,200 Narrator: SOON AFTER ARRIVING, GUANDIQUE FINDS MODEST SUCCESS. 601 00:27:58,200 --> 00:27:59,533 Moreno: HE STARTED WORKING. 602 00:27:59,533 --> 00:28:02,667 HE WAS DOING, ESSENTIALLY, DAY-LABORER-TYPE OF JOBS: 603 00:28:02,667 --> 00:28:04,500 WORKING AT A LANDSCAPING COMPANY, 604 00:28:04,500 --> 00:28:06,300 WORKING AT A MASONRY COMPANY, 605 00:28:06,300 --> 00:28:08,167 WORKING ON A MAINTENANCE CREW. 606 00:28:08,167 --> 00:28:11,933 HE JUST DRIFTED, ESSENTIALLY, FROM JOB TO JOB, 607 00:28:11,933 --> 00:28:15,333 BUT HE FELL OFF THAT TRACK. 608 00:28:15,333 --> 00:28:18,067 Doyle: HE WAS DRINKING AND TAKING DRUGS. 609 00:28:18,067 --> 00:28:20,667 GUANDIQUE WAS A MAN WITH NOT A LOT OF PROSPECTS. 610 00:28:20,667 --> 00:28:22,367 HE WAS GOING NOWHERE. 611 00:28:22,367 --> 00:28:26,633 Narrator: IT'S NOT LONG BEFORE HIS NEW HABITS FUEL EXPLOSIVE BEHAVIOR. 612 00:28:26,633 --> 00:28:29,667 Moreno: I INTERVIEWED HIS GIRLFRIEND AND HER MOTHER. 613 00:28:29,667 --> 00:28:32,633 THEY TOLD ME HE WAS SOMEWHAT VOLATILE. 614 00:28:32,633 --> 00:28:33,967 THEY HAD FIGHTS. 615 00:28:33,967 --> 00:28:38,233 HE DID PUNCH HER ONE TIME, HIT HER IN THE FACE, 616 00:28:38,233 --> 00:28:40,167 BIT HER ABOVE HER BREAST. 617 00:28:40,167 --> 00:28:41,833 SHE HAD A BITE MARK THERE. 618 00:28:41,833 --> 00:28:43,767 AND I REMEMBER, WHEN I WAS IN THE APARTMENT, 619 00:28:43,767 --> 00:28:47,800 I SAW A HOLE IN THE WALL AND I SAID, "WHAT HAPPENED HERE?" 620 00:28:47,800 --> 00:28:49,067 AND THEY SAID, "OH, INGMAR DID THAT. 621 00:28:49,067 --> 00:28:51,633 HE GOT MAD AND HE PUNCHED THE WALL." 622 00:28:51,633 --> 00:28:54,833 I SAW, "WOW. THAT'S SOMEBODY WITH A REALLY BAD TEMPER." 623 00:28:54,833 --> 00:28:57,300 HE CAME TO MAKE A BETTER LIFE IN WASHINGTON, DC, 624 00:28:57,300 --> 00:29:01,500 BUT WHAT HE FOUND INSTEAD WAS TROUBLE. 625 00:29:01,500 --> 00:29:03,833 Narrator: INVESTIGATORS BEGIN TO PIECE TOGETHER 626 00:29:03,833 --> 00:29:06,267 A TIMELINE OF GUANDIQUE'S ACTIONS 627 00:29:06,267 --> 00:29:10,433 AROUND MAY 1st, THE DAY CHANDRA DISAPPEARED. 628 00:29:10,433 --> 00:29:12,067 DURING THE INTERVIEWS THAT OCCURRED, 629 00:29:12,067 --> 00:29:14,800 GUANDIQUE'S LANDLADY SAID THAT SHE SAW HIM 630 00:29:14,800 --> 00:29:19,067 WITH BRUISES AND SCRATCHES ON HIS FACE AROUND THAT TIME. 631 00:29:19,067 --> 00:29:21,400 SHE ASKED HIM, "WHAT HAPPENED TO YOU?" 632 00:29:21,400 --> 00:29:24,167 AND HE SAID, "OH, I GOT IN A FIGHT WITH MY GIRLFRIEND." 633 00:29:24,167 --> 00:29:27,433 BUT SHE ALSO THOUGHT HE WAS ACTING RATHER PECULIARLY 634 00:29:27,433 --> 00:29:30,767 AND, SUBSEQUENTLY, INVESTIGATORS DISCOVERED THAT 635 00:29:30,767 --> 00:29:33,433 HE HAD NOT GONE TO WORK ON MAY 1st. 636 00:29:33,433 --> 00:29:34,933 THIS IS A BIG BREAKTHROUGH FOR COPS 637 00:29:34,933 --> 00:29:38,067 BECAUSE THE HISTORY OF VIOLENCE, THE NOT SHOWING UP FOR WORK, 638 00:29:38,067 --> 00:29:39,467 HAVING THE SCRATCHES ON HIS FACE 639 00:29:39,467 --> 00:29:41,800 THE SAME DAY THAT CHANDRA DISAPPEARS? 640 00:29:41,800 --> 00:29:44,800 IT WAS A STUNNER FOR EVERYONE. 641 00:29:44,800 --> 00:29:46,733 Narrator: TO FURTHER BUILD THEIR CASE, 642 00:29:46,733 --> 00:29:49,733 INVESTIGATORS VISIT GUANDIQUE IN PRISON. 643 00:29:49,733 --> 00:29:53,100 HE SEEMS LIKE, FOR POLICE, THE PERFECT SUSPECT, 644 00:29:53,100 --> 00:29:56,400 BUT, IN AN INTERVIEW IN PRISON, GUANDIQUE CLAIMS HE HAD NOTHING 645 00:29:56,400 --> 00:29:59,767 TO DO WITH CHANDRA'S MURDER, BUT, COPS HAVE TO SETTLE THIS, 646 00:29:59,767 --> 00:30:02,000 SO THEY GIVE HIM A POLYGRAPH. 647 00:30:02,000 --> 00:30:05,333 Narrator: WITH THE HELP OF A TRANSLATOR, POLICE PRESS GUANDIQUE 648 00:30:05,333 --> 00:30:08,767 ABOUT MAY 1st AND CHANDRA'S MURDER. 649 00:30:08,767 --> 00:30:11,967 THE RESULTS ARE SURPRISING. 650 00:30:11,967 --> 00:30:15,333 MR. GUANDIQUE SUCCESSFULLY PASSES THE POLYGRAPH, 651 00:30:15,333 --> 00:30:20,067 BUT IT'S STILL NOT SATISFACTORY TO SOME INVESTIGATORS. 652 00:30:20,067 --> 00:30:21,567 HERE'S THE PROBLEM: 653 00:30:21,567 --> 00:30:23,633 HE DOESN'T SPEAK VERY MUCH ENGLISH 654 00:30:23,633 --> 00:30:27,233 AND THE POLYGRAPH EXAMINER USED A TRANSLATOR, 655 00:30:27,233 --> 00:30:29,433 WHICH COULD SKEW THE RESULTS! 656 00:30:29,433 --> 00:30:33,933 SO, IN ESSENCE, WHO KNOWS?! 657 00:30:33,933 --> 00:30:37,500 Narrator: THE CASE AGAINST GUANDIQUE IS AT A STANDSTILL. 658 00:30:37,500 --> 00:30:39,633 THEY STILL DON'T HAVE ENOUGH EVIDENCE 659 00:30:39,633 --> 00:30:42,567 TO LINK HIM TO CHANDRA LEVY'S MURDER. 660 00:30:42,567 --> 00:30:44,833 THEY HAVE A GREAT CIRCUMSTANTIAL CASE, 661 00:30:44,833 --> 00:30:46,900 BUT THE GOVERNMENT DOESN'T FEEL LIKE IT HAS ENOUGH 662 00:30:46,900 --> 00:30:50,700 TO GET OVER THE HURDLE OF BEYOND A REASONABLE DOUBT. 663 00:30:50,700 --> 00:30:55,467 THE INVESTIGATION JUST KIND OF LIKE DIES OFF. 664 00:30:55,467 --> 00:30:59,467 Narrator: ONCE AGAIN, THE INVESTIGATION INTO THE MURDER OF CHANDRA LEVY 665 00:30:59,467 --> 00:31:01,200 GOES COLD. 666 00:31:01,200 --> 00:31:03,600 WITH INGMAR OUT OF THE PICTURE, THERE ARE NO GOOD LEADS. 667 00:31:03,600 --> 00:31:05,967 UNTIL ANOTHER SUSPECT COMES ALONG: 668 00:31:05,967 --> 00:31:07,967 ALBERT COOK. 669 00:31:07,967 --> 00:31:10,700 COOK IS THIS VERY LARGE MAN 670 00:31:10,700 --> 00:31:15,533 WHO WAS CAUGHT ASSAULTING A WOMAN WALKING PAST HIS HOUSE. 671 00:31:15,533 --> 00:31:19,067 Narrator: THE 26-YEAR-OLD COOK IS FROM ASPEN HILL, MARYLAND, 672 00:31:19,067 --> 00:31:21,100 JUST OUTSIDE WASHINGTON. 673 00:31:21,100 --> 00:31:23,133 HE HAS PREVIOUSLY BEEN CONVICTED 674 00:31:23,133 --> 00:31:27,267 OF INAPPROPRIATELY TOUCHING A WOMAN IN A SHOPPING CENTER. 675 00:31:27,267 --> 00:31:30,067 WHEN POLICE PICK HIM UP IN 2001, 676 00:31:30,067 --> 00:31:33,833 HE SUDDENLY CONFESSES TO A MURDER IN ROCK CREEK PARK. 677 00:31:33,833 --> 00:31:37,233 A 48-YEAR-OLD JOGGER, AN ASIAN AMERICAN WOMAN. 678 00:31:37,233 --> 00:31:41,267 HE ADMITS THAT HE GRABBED HER, TORTURED HER, RAPED HER, 679 00:31:41,267 --> 00:31:44,667 AND LEFT HER TO DIE IN THE PARK. 680 00:31:44,667 --> 00:31:48,867 THAT HAPPENED NOT LONG BEFORE CHANDRA LEVY GOES MISSING, 681 00:31:48,867 --> 00:31:50,833 AND THERE'S A LOT OF COMMONALITIES 682 00:31:50,833 --> 00:31:52,567 BETWEEN THIS JOGGER 683 00:31:52,567 --> 00:31:55,500 THAT ALBERT COOK BEAT AND LEFT TO DIE 684 00:31:55,500 --> 00:31:57,667 AND WHAT HAPPENED TO CHANDRA LEVY, 685 00:31:57,667 --> 00:32:01,600 WHO WAS STRIPPED NAKED AND DIED 686 00:32:01,600 --> 00:32:03,833 IN THE SAME PARK! 687 00:32:03,833 --> 00:32:05,867 Narrator: IN MAY 2002, 688 00:32:05,867 --> 00:32:09,067 COOK WAS SENTENCED TO LIFE IN PRISON FOR HIS CRIMES 689 00:32:09,067 --> 00:32:11,967 AND, NOW, INVESTIGATORS SEEK HIM OUT. 690 00:32:11,967 --> 00:32:13,533 POLICE QUESTION HIM. 691 00:32:13,533 --> 00:32:16,667 HE FREELY ADMITS TO KILLING THE JOGGER, 692 00:32:16,667 --> 00:32:18,933 BUT HE SAYS HE HAS ABSOLUTELY NOTHING TO DO 693 00:32:18,933 --> 00:32:20,867 WITH CHANDRA LEVY'S DEATH. 694 00:32:20,867 --> 00:32:24,800 Narrator: POLICE THEN DISCOVER SOMETHING THAT GIVES THEM PAUSE. 695 00:32:24,800 --> 00:32:27,500 COOK WAS INTELLECTUALLY DISABLED 696 00:32:27,500 --> 00:32:30,367 AND THE CRIME THAT HE HAD BEEN CONVICTED OF PREVIOUSLY 697 00:32:30,367 --> 00:32:33,233 HAD OCCURRED NEAR HIS HOME. 698 00:32:33,233 --> 00:32:35,200 Narrator: BUT CHANDRA'S REMAINS WERE FOUND 699 00:32:35,200 --> 00:32:38,900 FAR FROM HIS HOME, ABOUT 10 MILES AWAY. 700 00:32:38,900 --> 00:32:41,500 INVESTIGATORS DETERMINE THAT, FOR COOK, 701 00:32:41,500 --> 00:32:44,600 NAVIGATING THAT DISTANCE WOULD BE A CHALLENGE. 702 00:32:44,600 --> 00:32:47,633 POLICE BELIEVED THAT IT WAS IMPLAUSIBLE TO THINK 703 00:32:47,633 --> 00:32:51,333 THAT HE WOULD'VE BEEN ABLE TO COMMIT AN ASSAULT ON CHANDRA, 704 00:32:51,333 --> 00:32:53,367 SO, ULTIMATELY, HE WAS CLEARED. 705 00:32:53,367 --> 00:32:55,700 [ OMINOUS CHORDS STRIKE ] 706 00:32:55,700 --> 00:32:58,933 Narrator: ONCE AGAIN, THE CASE LANGUISHES. 707 00:32:58,933 --> 00:33:03,967 IT WILL BE ANOTHER FIVE YEARS BEFORE NEW INFORMATION EMERGES. 708 00:33:03,967 --> 00:33:08,533 IN 2008, THE WASHINGTON POST DECIDES TO DO AN IN-DEPTH SERIES 709 00:33:08,533 --> 00:33:11,900 LOOKING INTO CHANDRA LEVY'S DISAPPEARANCE AND MURDER, 710 00:33:11,900 --> 00:33:13,833 AND, BOY, WHAT THEY FIND? 711 00:33:13,833 --> 00:33:15,767 BLOCKBUSTER. 712 00:33:15,767 --> 00:33:18,700 THEY MAY HAVE EVEN TRACKED DOWN CHANDRA'S KILLER. 713 00:33:18,700 --> 00:33:20,733 [ SUSPENSEFUL MUSIC PLAYS ] 714 00:33:23,433 --> 00:33:24,967 Narrator: IN 2008, 715 00:33:24,967 --> 00:33:26,767 THE WASHINGTON POST PUBLISHES 716 00:33:26,767 --> 00:33:32,067 A 13-PART INVESTIGATION ON THE CHANDRA LEVY CASE. 717 00:33:32,067 --> 00:33:34,400 I'M KEITH ALEXANDER, A PULITZER PRIZE-WINNING REPORTER 718 00:33:34,400 --> 00:33:36,067 WITH THE WASHINGTON POST. 719 00:33:36,067 --> 00:33:38,700 IT WAS THE FIRST TIME ANYONE FROM THE OUTSIDE 720 00:33:38,700 --> 00:33:41,833 HAD REALLY EXPOSED WHAT WAS GOING ON WITH THIS CASE 721 00:33:41,833 --> 00:33:46,100 AND SOME OF THE MISTAKES THAT LED THE CASE TO GO COLD. 722 00:33:46,100 --> 00:33:49,067 Narrator: THREE MONTHS AFTER CHANDRA DISAPPEARED, 723 00:33:49,067 --> 00:33:50,967 THE POLICE CHIEF GAVE INSTRUCTIONS 724 00:33:50,967 --> 00:33:54,700 TO SEARCH THE PARK'S ROADS AND TRAILS. 725 00:33:54,700 --> 00:33:57,433 HOWEVER, THE SEARCH WAS ONLY DONE 726 00:33:57,433 --> 00:33:59,900 LIKE 100 YARDS OFF OF ALL THE ROADWAYS, 727 00:33:59,900 --> 00:34:01,600 AND NOT THE TRAILS. 728 00:34:01,600 --> 00:34:03,633 BECAUSE THE SEARCH WAS ONLY LIMITED 729 00:34:03,633 --> 00:34:06,867 TO THAT AREA OFF THE ROADS, 730 00:34:06,867 --> 00:34:09,833 THE AREA WHERE HER BODY WAS ULTIMATELY FOUND 731 00:34:09,833 --> 00:34:11,667 WAS NOT SEARCHED. 732 00:34:11,667 --> 00:34:15,500 Narrator: IF NOT FOR THIS CONFUSION, CHANDRA MIGHT'VE BEEN FOUND 733 00:34:15,500 --> 00:34:17,100 10 MONTHS EARLIER. 734 00:34:17,100 --> 00:34:19,533 WHEN THE WASHINGTON POST ARTICLE CAME OUT, YOU KNOW, 735 00:34:19,533 --> 00:34:21,400 WE WERE HAPPY TO TALK TO THEM AND THEY BROUGHT IT OUT, 736 00:34:21,400 --> 00:34:24,267 THEY TRIED TO SOLVE IT AND GET JUSTICE DONE. 737 00:34:24,267 --> 00:34:26,867 THEY WERE ABLE TO GAIN ACCESS TO SO MUCH 738 00:34:26,867 --> 00:34:30,433 OF THE INSIDE INFORMATION ABOUT THE INVESTIGATION. 739 00:34:30,433 --> 00:34:33,467 Narrator: IN ADDITION TO EXPOSING HICCUPS IN THE SEARCH, 740 00:34:33,467 --> 00:34:36,400 THE POST POINTS TO A FORMER SUSPECT. 741 00:34:36,400 --> 00:34:38,400 THEY'D FINALLY PUT IT ALL TOGETHER, 742 00:34:38,400 --> 00:34:40,600 AND IT POINTED TO ONE MAN: 743 00:34:40,600 --> 00:34:42,567 GUANDIQUE. 744 00:34:42,567 --> 00:34:44,700 THE NEWSPAPER PRESENTS NEW EVIDENCE 745 00:34:44,700 --> 00:34:46,667 THAT HAD SLIPPED THROUGH THE CRACKS. 746 00:34:46,667 --> 00:34:49,100 THE WASHINGTON POST TRACKS DOWN A WOMAN 747 00:34:49,100 --> 00:34:52,100 WHO SAYS SHE SAW INGMAR GUANDIQUE 748 00:34:52,100 --> 00:34:55,467 IN THE PARK ON THE SAME DAY THAT CHANDRA LEVY DISAPPEARS, 749 00:34:55,467 --> 00:34:57,267 AND SHE EVEN RAN AWAY FROM HIM 750 00:34:57,267 --> 00:35:00,067 BECAUSE SHE FELT LIKE HE WAS GOING TO ATTACK HER! 751 00:35:00,067 --> 00:35:03,567 ANOTHER BOMBSHELL IS THAT, YEARS EARLIER, 752 00:35:03,567 --> 00:35:05,567 WHEN GUANDIQUE WAS ARRESTED, 753 00:35:05,567 --> 00:35:10,367 HE WAS SHOWN A FLYER OF THE THEN-MISSING CHANDRA LEVY. 754 00:35:10,367 --> 00:35:13,900 HE SAID, "OH, YEAH. I SAW HER IN THE PARK 755 00:35:13,900 --> 00:35:16,300 AND SHE'S ATTRACTIVE." 756 00:35:16,300 --> 00:35:17,833 HERE'S THE WORST PART: 757 00:35:17,833 --> 00:35:22,300 UNBELIEVABLY, PARK POLICE NEVER COMMUNICATED THAT INFORMATION 758 00:35:22,300 --> 00:35:23,967 TO METRO POLICE, WHO WERE WORKING 759 00:35:23,967 --> 00:35:26,333 CHANDRA LEVY'S DISAPPEARANCE. 760 00:35:26,333 --> 00:35:27,767 THEY HAD NO IDEA. 761 00:35:27,767 --> 00:35:30,333 NOW, THAT, TO ME, IS A SHOCKER. 762 00:35:30,333 --> 00:35:33,067 Narrator: THE POST's REPORTING IS A DAMNING INDICTMENT 763 00:35:33,067 --> 00:35:35,833 OF THE POLICE'S MISHANDLING OF THE CASE. 764 00:35:35,833 --> 00:35:39,800 Trainum: THE ERRORS ARE NOW OUT THERE FOR EVERYBODY TO SEE 765 00:35:39,800 --> 00:35:41,767 AND WE'RE EMBARRASSED. 766 00:35:41,767 --> 00:35:45,700 IT DEFINITELY CAUSED US A LOT OF PUBLIC-RELATION PROBLEMS. 767 00:35:45,700 --> 00:35:48,800 PEOPLE WONDERED WHY THERE HAD BEEN MANY MISTAKES, 768 00:35:48,800 --> 00:35:51,700 ERRORS, AND MISHAPS IN THE COURSE OF THE INVESTIGATION. 769 00:35:51,700 --> 00:35:55,367 THE WASHINGTON POST SERIES REALLY AMPS UP THE PRESSURE 770 00:35:55,367 --> 00:35:58,767 FOR POLICE TO SOLVE THIS CASE, ONCE AND FOR ALL, 771 00:35:58,767 --> 00:36:01,233 WHATEVER IT TAKES. 772 00:36:01,233 --> 00:36:04,567 WHAT THAT DID WAS THAT TOTALLY REENERGIZED THE CASE 773 00:36:04,567 --> 00:36:07,567 BECAUSE NOW THE MEDIA ATTENTION IS BACK ON THE DEPARTMENT, 774 00:36:07,567 --> 00:36:09,833 SO WE HAVE TO DO SOMETHING. 775 00:36:09,833 --> 00:36:11,200 Velez-Mitchell: AND THE CLOCK IS TICKING 776 00:36:11,200 --> 00:36:13,733 BECAUSE INGMAR GUANDIQUE'S SENTENCE IS RUNNING UP. 777 00:36:13,733 --> 00:36:15,233 HE COULD SOON BE RELEASED! 778 00:36:15,233 --> 00:36:16,867 SO THEY BETTER CHARGE HIM, 779 00:36:16,867 --> 00:36:19,700 IF THEY'RE GONNA CHARGE HIM, ASAP. 780 00:36:19,700 --> 00:36:22,067 Narrator: IN RESPONSE TO THE MOUNTING PRESSURE, 781 00:36:22,067 --> 00:36:25,067 A RISING STAR IN THE FEDERAL DEPARTMENT OF JUSTICE 782 00:36:25,067 --> 00:36:26,767 TAKES OVER THE CASE. 783 00:36:26,767 --> 00:36:29,200 Alexander: AMANDA HAINES WAS ONE OF THE MOST SENIOR HOMICIDE PROSECUTORS 784 00:36:29,200 --> 00:36:30,733 IN WASHINGTON, DC. 785 00:36:30,733 --> 00:36:34,367 SHE WAS SO GOOD, THEY PUT HER ON THE MOST DIFFICULT ASSIGNMENTS, 786 00:36:34,367 --> 00:36:36,100 AND THAT'S COLD CASES. 787 00:36:36,100 --> 00:36:39,433 AMANDA HAINES HAD A WAY OF RELATING TO THE JURY. 788 00:36:39,433 --> 00:36:42,867 SHE CAN TELL A STORY AND MAKE PEOPLE SEE THE CRIME SCENE 789 00:36:42,867 --> 00:36:47,367 AND SEE THE FINAL MOMENTS OF THE VICTIM'S LIVES. 790 00:36:47,367 --> 00:36:49,500 Narrator: THE STATE'S CASE AGAINST GUANDIQUE 791 00:36:49,500 --> 00:36:52,600 IS STILL ENTIRELY CIRCUMSTANTIAL. 792 00:36:52,600 --> 00:36:54,867 IN HOPES OF UNCOVERING NEW EVIDENCE, 793 00:36:54,867 --> 00:36:57,767 INVESTIGATORS VISIT HIM IN PRISON. 794 00:36:57,767 --> 00:37:01,833 WHEN DETECTIVES GO TO THE PRISON TO INTERVIEW INGMAR GUANDIQUE, 795 00:37:01,833 --> 00:37:03,167 THEY THOUGHT IT WAS GONNA BE JUST A REGULAR, 796 00:37:03,167 --> 00:37:05,300 NORMAL INTERVIEW, BUT WHEN THEY GOT THERE, 797 00:37:05,300 --> 00:37:06,900 THEY NOTICED SOMETHING DIFFERENT. 798 00:37:06,900 --> 00:37:08,667 THEY SAW SOMETHING THAT THEY HAD NOT EXPECTED. 799 00:37:08,667 --> 00:37:12,167 THEY SAW A PHOTO OF CHANDRA LEVY IN HIS CELL, 800 00:37:12,167 --> 00:37:15,333 RIGHT BY HIS BED, WHICH WAS VERY ODD, 801 00:37:15,333 --> 00:37:17,367 AND, AS THEY'RE TALKING TO GUANDIQUE, 802 00:37:17,367 --> 00:37:20,067 THEY SAW SOMETHING ELSE THAT REALLY STRUCK THEM AS ODD. 803 00:37:20,067 --> 00:37:22,500 THEY SAW A TATTOO OF A WOMAN ON HIS BODY, 804 00:37:22,500 --> 00:37:24,800 AND AS THEY LOOKED AT THIS TATTOO, 805 00:37:24,800 --> 00:37:28,267 THEY BELIEVE THAT IT RESEMBLED CHANDRA LEVY. 806 00:37:28,267 --> 00:37:29,900 Narrator: INVESTIGATORS ARE STUNNED 807 00:37:29,900 --> 00:37:33,467 BY GUANDIQUE'S SEEMING OBSESSION WITH THE YOUNG WOMAN. 808 00:37:33,467 --> 00:37:35,833 WHEN YOU SEE SOMETHING LIKE THAT, 809 00:37:35,833 --> 00:37:37,967 THERE'S ALWAYS DIFFERENT EXPLANATIONS 810 00:37:37,967 --> 00:37:39,800 THAT YOU HAVE TO CONSIDER. 811 00:37:39,800 --> 00:37:41,500 IT COULD BE BECAUSE HE KILLED HER 812 00:37:41,500 --> 00:37:44,967 AND HE WANTED THIS MEMORY OF THE EVENTS, FOR WHATEVER REASON. 813 00:37:44,967 --> 00:37:46,567 IT COULD BE BECAUSE HE KNOWS 814 00:37:46,567 --> 00:37:49,600 THAT HE'S BEEN UNDER ALL THIS INVESTIGATION. 815 00:37:49,600 --> 00:37:52,400 SENSING THAT THEY INDEED HAVE THEIR PERP, 816 00:37:52,400 --> 00:37:57,133 INVESTIGATORS ATTEMPT TO BAIT HIM INTO SEALING THEIR CASE. 817 00:37:57,133 --> 00:38:00,433 THE INVESTIGATORS TOOK SOME EXTRAORDINARY MEASURES, 818 00:38:00,433 --> 00:38:03,933 THAT INCLUDED SETTING UP WHAT AMOUNTED TO A STING OPERATION, 819 00:38:03,933 --> 00:38:06,467 CREATING A FALSE PERSONA OF AN INDIVIDUAL 820 00:38:06,467 --> 00:38:10,467 WHO WROTE LETTERS TO GUANDIQUE, WITH AN APPARENT INTENT 821 00:38:10,467 --> 00:38:14,133 TO GET HIM TO INCRIMINATE HIMSELF IN WRITING. 822 00:38:14,133 --> 00:38:16,467 Alexander: ONE OF THE DETECTIVES POSED AS A WOMAN 823 00:38:16,467 --> 00:38:19,300 WHO WAS WRITING HIM LETTERS, TRYING TO GET HIM TO CONFESS 824 00:38:19,300 --> 00:38:22,767 ABOUT HIS INVOLVEMENT WITH CHANDRA LEVY, 825 00:38:22,767 --> 00:38:25,900 BUT HE DENIED HAVING ANYTHING TO DO WITH CHANDRA LEVY. 826 00:38:25,900 --> 00:38:29,433 HE NEVER REALLY CONFESSES TO WHAT THE MURDER WAS. 827 00:38:29,433 --> 00:38:32,800 Narrator: THEN, OUT OF NOWHERE, A MAN APPROACHES HAINES 828 00:38:32,800 --> 00:38:35,967 AND HER FELLOW PROSECUTORS WITH SHOCKING INFORMATION. 829 00:38:35,967 --> 00:38:40,867 IT WAS A JAILHOUSE INFORMANT WHO CAUGHT EVERYBODY BY SURPRISE. 830 00:38:40,867 --> 00:38:42,633 Dimond: WHO WAS THIS MAN? 831 00:38:42,633 --> 00:38:44,367 WHAT DID HE KNOW? 832 00:38:44,367 --> 00:38:46,700 COULD HE BE THE BREAK IN THE CASE? 833 00:38:46,700 --> 00:38:48,733 [ SUSPENSEFUL MUSIC PLAYS ] 834 00:38:48,733 --> 00:38:51,333 ** 835 00:38:53,067 --> 00:38:54,200 Narrator: AS PROSECUTORS 836 00:38:54,200 --> 00:38:56,333 LOOK TO INDICT INGMAR GUANDIQUE 837 00:38:56,333 --> 00:38:58,367 FOR THE MURDER OF CHANDRA LEVY, 838 00:38:58,367 --> 00:39:00,800 AN INFORMANT STEPS FORWARD. 839 00:39:00,800 --> 00:39:02,167 INFORMANTS ARE AN IMPORTANT PART 840 00:39:02,167 --> 00:39:04,633 OF ANY LAW ENFORCEMENT INVESTIGATION. 841 00:39:04,633 --> 00:39:08,100 ARMANDO MORALES IS A FRESNO, CALIFORNIA, NATIVE, 842 00:39:08,100 --> 00:39:10,567 A LIFETIME CRIMINAL WITH A LONG RECORD 843 00:39:10,567 --> 00:39:14,533 OF VIOLENT CRIMES, GUNS, DRUGS, AND SO ON. 844 00:39:14,533 --> 00:39:17,067 HE WAS A CELLMATE 845 00:39:17,067 --> 00:39:21,300 OF INGMAR GUANDIQUE IN KENTUCKY IN 2006. 846 00:39:21,300 --> 00:39:23,967 ARMANDO MORALES AND INGMAR GUANDIQUE 847 00:39:23,967 --> 00:39:26,800 BELONGED TO A SIMILAR GANG AFFILIATION 848 00:39:26,800 --> 00:39:29,633 AND, AS A RESULT, THEY CONSIDER THEMSELVES BROTHERS. 849 00:39:29,633 --> 00:39:30,900 THEY WERE HONEST WITH EACH OTHER. 850 00:39:30,900 --> 00:39:33,067 THEY LOOK OUT FOR EACH OTHER IN PRISON. 851 00:39:33,067 --> 00:39:35,433 THEY TALKED ABOUT EVERYTHING TOGETHER. 852 00:39:35,433 --> 00:39:36,967 ACCORDING TO ARMANDO MORALES, 853 00:39:36,967 --> 00:39:38,833 ONE OF THE THINGS THEY TALKED ABOUT 854 00:39:38,833 --> 00:39:41,233 WAS THE WHOLE CHANDRA LEVY CASE. 855 00:39:41,233 --> 00:39:43,167 Narrator: MORALES TELLS PROSECUTORS 856 00:39:43,167 --> 00:39:46,467 THAT GUANDIQUE REVEALED HIS DARKEST SECRET. 857 00:39:46,467 --> 00:39:48,533 HE SAID THAT GUANDIQUE CONFESSED TO HIM 858 00:39:48,533 --> 00:39:51,200 THAT HE KILLED CHANDRA LEVY. 859 00:39:51,200 --> 00:39:54,700 MORALES CLAIMS GUANDIQUE ADMITTED TO THE CRIME 860 00:39:54,700 --> 00:39:57,900 TO AVOID BECOMING A VICTIM HIMSELF. 861 00:39:57,900 --> 00:40:02,267 RAPISTS, IN PRISON, ARE OFTEN TARGETED FOR RAPES THEMSELVES. 862 00:40:02,267 --> 00:40:05,100 THE REASON WHY HE OPENED UP, ACCORDING TO ARMANDO MORALES, 863 00:40:05,100 --> 00:40:08,767 WAS HE WAS AFRAID THAT THE RUMOR WOULD SPREAD 864 00:40:08,767 --> 00:40:11,333 THAT HE HAD ACTUALLY RAPED AND KILLED CHANDRA LEVY 865 00:40:11,333 --> 00:40:14,700 AND SO HE WANTED TO MAKE IT VERY CLEAR TO ARMANDO MORALES 866 00:40:14,700 --> 00:40:17,633 THAT HE DID NOT RAPE CHANDRA LEVY, 867 00:40:17,633 --> 00:40:21,167 THAT HE ONLY KILLED HER. 868 00:40:21,167 --> 00:40:23,500 Narrator: MORALES's TELLING INCLUDES A DETAIL 869 00:40:23,500 --> 00:40:25,633 THAT INTRIGUES AUTHORITIES. 870 00:40:25,633 --> 00:40:28,400 THE INFORMANT SAID GUANDIQUE CAME TO HIM 871 00:40:28,400 --> 00:40:31,933 AND SAID THAT HE ATTACKED CHANDRA IN THE PARK, 872 00:40:31,933 --> 00:40:35,600 KILLED HER, AND STOLE HER FANNY PACK. 873 00:40:35,600 --> 00:40:39,667 Narrator: TO INVESTIGATORS, THIS IS NEW AND PLAUSIBLE INFORMATION. 874 00:40:39,667 --> 00:40:42,467 PROSECUTORS ARE MAKING THIS BIG DEAL, SAYING, 875 00:40:42,467 --> 00:40:44,833 "WELL, NOBODY KNEW ABOUT THE FANNY PACK. 876 00:40:44,833 --> 00:40:47,567 HOW ELSE WOULD HE HAVE KNOWN ABOUT SOME FANNY PACK, 877 00:40:47,567 --> 00:40:50,400 UNLESS GUANDIQUE TOLD HIM?" 878 00:40:50,400 --> 00:40:52,400 Narrator: MORALES'S INSIDE KNOWLEDGE 879 00:40:52,400 --> 00:40:55,933 IS EXACTLY WHAT PROSECUTORS HAVE BEEN LOOKING FOR. 880 00:40:55,933 --> 00:40:59,833 IN MAY 2009, HAINES AND HER COLLEAGUES REMAIN CONVINCED 881 00:40:59,833 --> 00:41:02,800 THEY HAVE ENOUGH TO FINALLY LAY CHARGES, 882 00:41:02,800 --> 00:41:04,333 AND THAT THEY DO, 883 00:41:04,333 --> 00:41:08,067 INDICTING INGMAR GUANDIQUE WITH SEVERAL COUNTS, 884 00:41:08,067 --> 00:41:09,933 INCLUDING FIRST-DEGREE MURDER. 885 00:41:09,933 --> 00:41:12,400 NOW, THEY HAVE CIRCUMSTANTIAL EVIDENCE 886 00:41:12,400 --> 00:41:13,600 THAT THEY THINK IS STRONG ENOUGH 887 00:41:13,600 --> 00:41:16,767 TO SEND HIM AWAY FOR A VERY LONG TIME. 888 00:41:16,767 --> 00:41:20,467 Narrator: GUANDIQUE PLEADS NOT GUILTY TO CHANDRA'S MURDER, 889 00:41:20,467 --> 00:41:24,833 WHICH SETS UP AN EPIC TRIAL IN DC SUPERIOR COURT. 890 00:41:24,833 --> 00:41:29,967 DO PROSECUTORS FINALLY HAVE THEIR MAN? 891 00:41:29,967 --> 00:41:34,333 NEXT TIME, ON "CHANDRA LEVY: AN AMERICAN MURDER MYSTERY"... 892 00:41:34,333 --> 00:41:38,467 WE STILL HAVE SO MANY UNANSWERED QUESTIONS. 893 00:41:38,467 --> 00:41:40,900 A SHOWDOWN IN FEDERAL COURT. 894 00:41:40,900 --> 00:41:43,200 THEIR TESTIMONY WAS CHILLING. 895 00:41:43,200 --> 00:41:45,233 SHE LOOKS HIM DIRECTLY IN HIS FACE 896 00:41:45,233 --> 00:41:47,833 AND SHE SAYS, "EFF YOU." 897 00:41:47,833 --> 00:41:50,933 A JAILHOUSE INFORMANT TAKES CENTER STAGE. 898 00:41:50,933 --> 00:41:53,067 ARMANDO MORALES SOLD THE STORY 899 00:41:53,067 --> 00:41:55,400 EXTREMELY WELL TO THE JURY. 900 00:41:55,400 --> 00:41:59,100 A MYSTERIOUS FIGURE EMERGES FROM THE SHADOWS. 901 00:41:59,100 --> 00:42:01,867 SHE TOTALLY THROWS 902 00:42:01,867 --> 00:42:04,167 A MURDER INVESTIGATION UPSIDE DOWN. 903 00:42:04,167 --> 00:42:08,200 WE CONSIDER CURIOUS NEW EVIDENCE FROM CHANDRA'S FINAL DAYS... 904 00:42:08,200 --> 00:42:11,100 HOURS BEFORE SHE VANISHED, SOMEBODY CALLED 911, 905 00:42:11,100 --> 00:42:14,067 SAYING THEY HEARD A SCREAM COMING FROM THE VICINITY 906 00:42:14,067 --> 00:42:16,533 OF CHANDRA LEVY'S APARTMENT. 907 00:42:16,533 --> 00:42:19,900 REVISIT THE SECRET LIFE OF GARY CONDIT, 908 00:42:19,900 --> 00:42:24,400 AND SPEAK EXCLUSIVELY WITH THE MAN WHO CLAIMS HE KNEW HIM BEST. 909 00:42:24,400 --> 00:42:26,433 I TRIED TO TELL THE FBI 910 00:42:26,433 --> 00:42:28,367 SOME OF THE THINGS GARY DID. 911 00:42:28,367 --> 00:42:29,867 [ SUSPENSEFUL MUSIC CLIMBS ] THEY DIDN'T WANNA HEAR IT. 912 00:42:29,867 --> 00:42:30,900 [ OMINOUS CHORD STRIKES ] 913 00:42:30,900 --> 00:42:32,067 [ STATIC CRACKLES ] 73068

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