All language subtitles for The.98th.Annual.Academy.Awards.The.Oscars.Red.Carpet.Show.2026.720p.WEB.h264-EDITH.English

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified) Download
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,570 --> 00:00:07,808 ♪ 2 00:00:07,808 --> 00:00:08,675 >>> IT WAS ONE AMAZING YEAR FOR 3 00:00:08,675 --> 00:00:12,179 MOVIES. 4 00:00:12,179 --> 00:00:15,382 FILLED WITH ONE BLOCKBUSTER, ONE 5 00:00:15,382 --> 00:00:17,751 MASTERPIECE, ONE CAREER-DEFINING 6 00:00:17,751 --> 00:00:18,652 PERFORMANCE AFTER ANOTHER. 7 00:00:18,652 --> 00:00:26,827 AND IT'S ALL RIGHT HERE. 8 00:00:26,827 --> 00:00:28,862 THIS IS THE OSCARS RED CARPET 9 00:00:28,862 --> 00:00:31,098 SHOW. 10 00:00:31,098 --> 00:00:31,665 HELLO, EVERYONE, I'M TAMRON 11 00:00:31,665 --> 00:00:31,865 HALL. 12 00:00:31,865 --> 00:00:34,701 I'M THRILLED TO BE OUT HERE 13 00:00:34,701 --> 00:00:37,004 WELCOMING ALL OF THE DEMON 14 00:00:37,004 --> 00:00:39,072 HUNTERS, SINNERS, AND 15 00:00:39,072 --> 00:00:39,940 CINEMATOGRAPHERS TO THE PARTY OF 16 00:00:39,940 --> 00:00:40,607 THE YEAR. 17 00:00:40,607 --> 00:00:42,409 AND JOINING ME IS THE SMOKE TO 18 00:00:42,409 --> 00:00:45,846 MY STACK, THE SENSEI TO MY BOB, 19 00:00:45,846 --> 00:00:46,346 JESSE PALMER. 20 00:00:46,346 --> 00:00:48,815 >> HEY, THANKS, TAMRON. 21 00:00:48,815 --> 00:00:51,084 UNLIKE SENSEI, I PROMISE NOT TO 22 00:00:51,084 --> 00:00:54,454 HAVE ANY SMALL BEERS, EVEN IF I 23 00:00:54,454 --> 00:00:55,956 AM ALREADY STARSTRUCK, THOUGH, 24 00:00:55,956 --> 00:00:58,926 BY WHO I HAVE WITH ME. 25 00:00:58,926 --> 00:01:00,561 THANK YOU SO MUCH FOR STOPPING 26 00:01:00,561 --> 00:01:00,727 BY. 27 00:01:00,727 --> 00:01:02,229 >> THANKS FOR HAVING ME. 28 00:01:02,229 --> 00:01:03,931 >> WE'RE KICKING OFF THIS RED 29 00:01:03,931 --> 00:01:05,498 CARPET SHOW NOW WITH A BANG THAT 30 00:01:05,498 --> 00:01:06,366 YOU'RE HERE. 31 00:01:06,366 --> 00:01:08,869 CONGRATULATIONS, NOMINATED FOR 32 00:01:08,869 --> 00:01:09,570 BEST ACTRESS. 33 00:01:09,570 --> 00:01:10,504 YOU WERE PHENOMENAL. 34 00:01:10,504 --> 00:01:13,974 I KNOW IT'S YOUR FIRST OSCAR 35 00:01:13,974 --> 00:01:15,576 NOMINATION, SWAS WELL. 36 00:01:15,576 --> 00:01:16,677 HOW DID YOU CELEBRATE? 37 00:01:16,677 --> 00:01:18,478 >> I WAS IN AUSTRALIA WITH MY 38 00:01:18,478 --> 00:01:19,980 PARENTS, AND WE WERE IN THE 39 00:01:19,980 --> 00:01:22,749 MIDDLE OF THE NIGHT, AND I WAS 40 00:01:22,749 --> 00:01:24,551 HALF ASLEEP, KNOWING THEY WOULD 41 00:01:24,551 --> 00:01:26,587 CALL IF IT HAPPENED, AND WE JUST 42 00:01:26,587 --> 00:01:27,421 STARTED SCREAMING. 43 00:01:27,421 --> 00:01:30,090 IT WAS LIKE, 1:00 A.M. 44 00:01:30,090 --> 00:01:31,725 IT WAS AMAZING. 45 00:01:31,725 --> 00:01:33,460 >> SUCH A TREMENDOUS ACHIEVEMENT 46 00:01:33,460 --> 00:01:34,761 AND LONG OVERDUE. 47 00:01:34,761 --> 00:01:35,996 WATCHING THIS FILM IS 48 00:01:35,996 --> 00:01:36,797 INCREDIBLE, BECAUSE YOUR 49 00:01:36,797 --> 00:01:41,134 CHARACTER REALLY IS A FORCE. 50 00:01:41,134 --> 00:01:41,668 FLF 51 00:01:41,668 --> 00:01:43,370 THERE WAS AN AMAZING, EMOTIONAL 52 00:01:43,370 --> 00:01:44,871 ARC THAT YOU HAD TO EXPLORE. 53 00:01:44,871 --> 00:01:47,007 WHAT DID YOU LEARN ABOUT 54 00:01:47,007 --> 00:01:47,341 YOURSELF? 55 00:01:47,341 --> 00:01:49,476 >> THE ROLE WAS A GIFT, AND IT'S 56 00:01:49,476 --> 00:01:53,280 AN EXAMINATION OF PARENTHOOD, SO 57 00:01:53,280 --> 00:01:55,215 YOU REFLECT ON YOUR OWN 58 00:01:55,215 --> 00:01:56,750 LIMITATIONS AND YOUR OWN 59 00:01:56,750 --> 00:01:57,050 EXPERIENCE. 60 00:01:57,050 --> 00:01:59,219 BUT IT WAS AN INCREDIBLE GIFT, 61 00:01:59,219 --> 00:02:01,455 THIS PART. 62 00:02:01,455 --> 00:02:03,890 SO I'M FOREVER GRATEFUL. 63 00:02:03,890 --> 00:02:05,592 >> A VERY SPECIAL NIGHT FOR YOU 64 00:02:05,592 --> 00:02:05,826 TONIGHT. 65 00:02:05,826 --> 00:02:08,461 A LOT OF FRIENDS AND FAMILY, 66 00:02:08,461 --> 00:02:10,997 INCLUDING A BRAND NEW FAMILY 67 00:02:10,997 --> 00:02:11,298 PET. 68 00:02:11,298 --> 00:02:16,103 YOU GOT A BEARDED DRAGON. 69 00:02:16,103 --> 00:02:17,804 TAMRON, OVER TO YOU. 70 00:02:17,804 --> 00:02:24,878 >> I'M HERE WITH ZOE ZALDANYA. 71 00:02:24,878 --> 00:02:26,880 A YEAR AGO YOU WALKED AWAY WITH 72 00:02:26,880 --> 00:02:27,848 YOUR OSCAR. 73 00:02:27,848 --> 00:02:29,249 TELL ME WHAT THIS YEAR HAS BEEN 74 00:02:29,249 --> 00:02:30,384 LIKE FOR YOU. 75 00:02:30,384 --> 00:02:32,285 >> IT'S BEEN BEAUTIFUL, BUT BACK 76 00:02:32,285 --> 00:02:33,954 TO NORMAL, WHERE YOU WIN 77 00:02:33,954 --> 00:02:35,689 SOMETHING AND YOU GIVE YOURSELF 78 00:02:35,689 --> 00:02:36,523 THAT CREDIT. 79 00:02:36,523 --> 00:02:38,592 BUT THE NEXT DAY YOU GO TAKE THE 80 00:02:38,592 --> 00:02:40,861 KIDS TO SCHOOL AND YOU STUDY 81 00:02:40,861 --> 00:02:43,030 YOUR LINES AND VISIT YOUR 82 00:02:43,030 --> 00:02:43,330 PARENTS. 83 00:02:43,330 --> 00:02:44,665 LIFE REALLY CONTINUED. 84 00:02:44,665 --> 00:02:46,466 I DID DO SOMETHING REALLY 85 00:02:46,466 --> 00:02:47,701 UNEXPECTED THAT I HAD BEEN 86 00:02:47,701 --> 00:02:49,369 MISSING FOR A VERY LONG TIME. 87 00:02:49,369 --> 00:02:51,238 I'VE BEEN TAKING A LOT MORE 88 00:02:51,238 --> 00:02:51,438 NAPS. 89 00:02:51,438 --> 00:02:53,340 >> WITH BOYS, YOU HAVE TIME TO 90 00:02:53,340 --> 00:02:53,540 NAP? 91 00:02:53,540 --> 00:02:54,341 >> YES, YES. 92 00:02:54,341 --> 00:02:55,676 >> THAT'S IMPRESSIVE. 93 00:02:55,676 --> 00:02:57,344 >> WHEN THEY'RE LEARNING AND 94 00:02:57,344 --> 00:02:59,413 BUSY, THAT'S MY TIME TO SORT OF 95 00:02:59,413 --> 00:03:01,348 SIT BACK AND EITHER READ A BOOK 96 00:03:01,348 --> 00:03:03,750 OR TAKE A LITTLE 20-MINUTE NAP. 97 00:03:03,750 --> 00:03:05,052 IT'S BEEN INCREDIBLE. 98 00:03:05,052 --> 00:03:07,487 >> YOU NOW HAVE TAKEN THE HEARTS 99 00:03:07,487 --> 00:03:10,891 OF EVERY PARENT AROUND. 100 00:03:10,891 --> 00:03:12,926 "AVATAR" AND "NASH" NOMINATED 101 00:03:12,926 --> 00:03:14,628 FOR BEST COSTUME DESIGN. 102 00:03:14,628 --> 00:03:15,696 WHAT WAS IT LIKE WORKING WITH 103 00:03:15,696 --> 00:03:16,963 SUCH A TALENTED TEAMSOME 104 00:03:16,963 --> 00:03:20,600 >> IT'S AMAZING. 105 00:03:20,600 --> 00:03:22,002 I ALWAYS FELT THESE 106 00:03:22,002 --> 00:03:23,403 INSECURITIES, I'VE NEVER GONE TO 107 00:03:23,403 --> 00:03:25,105 COLLEGE TO DO WHAT I DO, BUT 108 00:03:25,105 --> 00:03:26,907 EVERY FILM I'VE BEEN A PART OF 109 00:03:26,907 --> 00:03:28,675 HAS GIVEN ME THAT EDUCATION AND 110 00:03:28,675 --> 00:03:31,011 GIVEN ME THAT EXPOSURE TO 111 00:03:31,011 --> 00:03:32,679 INCREDIBLE ARTISTS AND TO 112 00:03:32,679 --> 00:03:36,049 COLLABORATE WITH A WONDERFUL 113 00:03:36,049 --> 00:03:37,584 COMMUNITY, TO SEE THEM BEING 114 00:03:37,584 --> 00:03:38,652 RECOGNIZED FOR THEIR WORK IT 115 00:03:38,652 --> 00:03:40,053 ALMOST FEELS LIKE IT'S THE GIFT 116 00:03:40,053 --> 00:03:41,421 THAT KEEPS ON GIVING. 117 00:03:41,421 --> 00:03:43,090 >> AND A GIFT TO THE FAMILY. 118 00:03:43,090 --> 00:03:44,524 I CAN'T WAIT TO SEE YOU. 119 00:03:44,524 --> 00:03:46,259 YOU LOOK BEAUTIFUL. 120 00:03:46,259 --> 00:03:47,594 >> THANK YOU SO MUCH. 121 00:03:47,594 --> 00:03:49,596 >> JOINED NOW BY DAMSON IDRIS, 122 00:03:49,596 --> 00:03:53,533 WHO SCORES IN "F1" UP FOR 123 00:03:53,533 --> 00:03:54,935 MULTIPLE NOMINATIONS, INCLUDING 124 00:03:54,935 --> 00:03:55,702 BEST FILM. 125 00:03:55,702 --> 00:03:57,671 THANK YOU FOR STOPPING BY. 126 00:03:57,671 --> 00:03:59,773 TALK ABOUT BLESSED, BECAUSE THE 127 00:03:59,773 --> 00:04:02,442 FILM HAS JUST BEEN SO WELL 128 00:04:02,442 --> 00:04:03,143 RECEIVED GLOBALLY. 129 00:04:03,143 --> 00:04:05,479 WHAT HAS IT BEEN LIKE WORKING ON 130 00:04:05,479 --> 00:04:06,646 A FILM LIKE THAT? 131 00:04:06,646 --> 00:04:10,851 >> IT TOOK TWO YEARS TO SHOOT 132 00:04:10,851 --> 00:04:12,419 FOR JOE AND JERRY AND EVERYONE 133 00:04:12,419 --> 00:04:13,687 ELSE, FOUR YEARS TO COMPLETE. 134 00:04:13,687 --> 00:04:16,490 I SURVIVED A STRIKE, I SURVIVED 135 00:04:16,490 --> 00:04:18,291 DRIVING 180 MILES PER HOUR AND 136 00:04:18,291 --> 00:04:19,926 STANDING NEXT TO BRAD PITT AND 137 00:04:19,926 --> 00:04:20,961 NOT LOOKING STUPID. 138 00:04:20,961 --> 00:04:22,896 >> YOU HAD TO OVERCOME A LOT. 139 00:04:22,896 --> 00:04:24,664 I'VE GOT TO SAY, VISUALLY, ONE 140 00:04:24,664 --> 00:04:26,733 OF THE MOST STUNNING FILMS I'VE 141 00:04:26,733 --> 00:04:28,101 EVER SEEN. 142 00:04:28,101 --> 00:04:30,370 SPEAKING OF VISUALS, I WANTED TO 143 00:04:30,370 --> 00:04:32,672 ASK YOU ABOUT THE BROACH. 144 00:04:32,672 --> 00:04:34,708 >> THIS IS IDRIS. 145 00:04:34,708 --> 00:04:39,679 I MADE IT AS AN HOMAGE TO MY 146 00:04:39,679 --> 00:04:39,913 MOTHER. 147 00:04:39,913 --> 00:04:47,954 THIS RIGHT HERE IS ENGRAVED WITH 148 00:04:47,954 --> 00:04:52,993 F1, A BLUE DIAMOND, 18 CARAT 149 00:04:52,993 --> 00:04:53,193 GOLD. 150 00:04:53,193 --> 00:04:55,462 >> NOT CHEAP. 151 00:04:55,462 --> 00:04:55,929 >> YOU CAN AFFORD IT. 152 00:04:55,929 --> 00:04:57,931 >> WE SAY IN SPORTS, LOOK GOOD, 153 00:04:57,931 --> 00:05:00,100 FEEL GOOD, PLAY GOOD. 154 00:05:00,100 --> 00:05:01,501 AND HE'S BUILT FOR SPEED. 155 00:05:01,501 --> 00:05:04,437 THANK YOU FOR STOPPING BY. 156 00:05:04,437 --> 00:05:04,738 CONGRATS. 157 00:05:04,738 --> 00:05:07,307 >> I'M HERE WITH ELLE FANNING. 158 00:05:07,307 --> 00:05:08,742 CONGRATULATIONS, YOUR FIRST 159 00:05:08,742 --> 00:05:10,110 OSCAR NOMINATION. 160 00:05:10,110 --> 00:05:11,978 >> I CAN'T BELIEVE IT. 161 00:05:11,978 --> 00:05:14,314 I STILL CAN'T BELIEVE IT. 162 00:05:14,314 --> 00:05:15,949 I'M ABOUT TO BURST INTO TEARS 163 00:05:15,949 --> 00:05:18,251 RIGHT NOW. 164 00:05:18,251 --> 00:05:19,553 >> YOU ARE WALKING IN. 165 00:05:19,553 --> 00:05:20,620 >> AND IT'S REAL. 166 00:05:20,620 --> 00:05:22,622 MY HEART IS POUNDING RIGHT NOW. 167 00:05:22,622 --> 00:05:25,926 YOU KNOW, I BROUGHT MY MOM, MY 168 00:05:25,926 --> 00:05:27,828 BOYFRIEND, AND SHE GETS TO SIT 169 00:05:27,828 --> 00:05:28,562 WITH ME. 170 00:05:28,562 --> 00:05:30,697 SHE'S NEVER BEEN TO THE OSCARS 171 00:05:30,697 --> 00:05:31,264 BEFORE. 172 00:05:31,264 --> 00:05:34,301 MY FIRST TIME WAS ONLY LAST 173 00:05:34,301 --> 00:05:36,036 YEAR, BUT IT WASN'T AS A 174 00:05:36,036 --> 00:05:36,303 NOMINEE. 175 00:05:36,303 --> 00:05:38,505 SO I'M JUST VERY GRATEFUL. 176 00:05:38,505 --> 00:05:40,106 >> I LOVE YOU WE ARE WITH YOUR 177 00:05:40,106 --> 00:05:40,907 BOYFRIEND AND MOM. 178 00:05:40,907 --> 00:05:43,176 THE MOVIE IS ABOUT WHAT WE HOLD 179 00:05:43,176 --> 00:05:44,911 ONTO, THE THINGS THAT WE VALUE, 180 00:05:44,911 --> 00:05:46,279 THE THINGS THAT REALLY MATTER IN 181 00:05:46,279 --> 00:05:47,047 OUR LIVES. 182 00:05:47,047 --> 00:05:49,382 WHAT DID YOU TAKE AWAY FROM THAT 183 00:05:49,382 --> 00:05:50,250 STORY? 184 00:05:50,250 --> 00:05:52,986 >> THIS FILM "SENTIMENTAL VALUE" 185 00:05:52,986 --> 00:05:54,821 IS SO DEAR TO MY HEART. 186 00:05:54,821 --> 00:05:59,292 I HAD SUCH A KIND OF CATHARTIC 187 00:05:59,292 --> 00:06:02,529 EXPERIENCE WHILE FILMING IT. 188 00:06:02,529 --> 00:06:06,333 JOACHIM TRIER IS A GENIUS, AND 189 00:06:06,333 --> 00:06:08,301 HE PULLS THESE EMOTIONS OUT OF 190 00:06:08,301 --> 00:06:10,937 YOU THAT YOU KNEW YOU HAD BUT 191 00:06:10,937 --> 00:06:12,339 LYING DORMANT FOR A WHILE. 192 00:06:12,339 --> 00:06:14,207 HE'S ABLE TO BRING THEM OUT OF 193 00:06:14,207 --> 00:06:15,642 YOU, AND JUST SUCH A PERSONAL 194 00:06:15,642 --> 00:06:18,044 PIECE OF ART FOR ALL OF US. 195 00:06:18,044 --> 00:06:19,880 WE'RE ALL NOMINATED, SO IT'S 196 00:06:19,880 --> 00:06:21,615 KIND OF OUR LAST CELEBRATION. 197 00:06:21,615 --> 00:06:26,186 I AM A VERY SENTIMENTAL PERSON. 198 00:06:26,186 --> 00:06:29,356 EVEN TODAY GETTING READY, I'M 199 00:06:29,356 --> 00:06:31,124 KEEPING TISSUES, YOU KNOW WHAT I 200 00:06:31,124 --> 00:06:31,391 MEAN? 201 00:06:31,391 --> 00:06:34,027 >> YOU HAVE TO TALK ABOUT THE 202 00:06:34,027 --> 00:06:34,361 DRESS. 203 00:06:34,361 --> 00:06:38,498 IT IS STUNNING. 204 00:06:38,498 --> 00:06:39,966 >> I WANTED TO LOOK LIKE MYSELF, 205 00:06:39,966 --> 00:06:41,902 BUT TIMELESS. 206 00:06:41,902 --> 00:06:44,337 THIS IS DESIGNED BY MY FRIEND, 207 00:06:44,337 --> 00:06:47,607 SARAH BURTON, AND THIS IS 208 00:06:47,607 --> 00:06:50,777 WISTERIA, IT'S FROM 1903, SO 209 00:06:50,777 --> 00:06:53,313 IT'S AN ARCHIVAL PIECE. 210 00:06:53,313 --> 00:06:55,415 THIS IS WISTERIA ON THE DRESS, 211 00:06:55,415 --> 00:06:55,682 TOO. 212 00:06:55,682 --> 00:06:57,350 >> WELL, CONGRATULATIONS. 213 00:06:57,350 --> 00:06:58,084 GOOD LUCK TONIGHT. 214 00:06:58,084 --> 00:06:59,185 >> THANK YOU SO MUCH. 215 00:06:59,185 --> 00:07:00,687 >> THANK YOU, ELLE. 216 00:07:00,687 --> 00:07:02,422 >> THIS IS SO EXCITING, BECAUSE 217 00:07:02,422 --> 00:07:03,456 I CAN'T REMEMBER A YEAR WHEN 218 00:07:03,456 --> 00:07:05,659 EVERY SINGLE CATEGORY WAS THIS 219 00:07:05,659 --> 00:07:05,859 CLOSE. 220 00:07:05,859 --> 00:07:07,527 IN FACT, THE ONLY THING I'M 221 00:07:07,527 --> 00:07:09,496 CERTAIN I GOT RIGHT ON MY BALLOT 222 00:07:09,496 --> 00:07:10,697 WAS MY NAME. 223 00:07:10,697 --> 00:07:13,533 BUT CAN YOU PREDICT WHO IS 224 00:07:13,533 --> 00:07:14,734 WINNING BIG TONIGHT? 225 00:07:14,734 --> 00:07:19,472 PLAY FOR A CHANCE TO WIN A TRIP 226 00:07:19,472 --> 00:07:22,309 FOR TWO, PLUS $5,000 PLUS 227 00:07:22,309 --> 00:07:22,609 MERCHANDISE. 228 00:07:22,609 --> 00:07:24,611 WHO KNOWS, MAYBE I'LL BE TALKING 229 00:07:24,611 --> 00:07:25,245 TO ONE OF YOUR PICKS LIVE RIGHT 230 00:07:25,245 --> 00:07:28,615 AFTER THIS. 231 00:07:28,615 --> 00:07:30,984 >> TONIGHT, WE GATHER TO HONOR 232 00:07:30,984 --> 00:07:31,918 THE TONGVA PEOPLE. 233 00:07:31,918 --> 00:07:33,420 WE HONOR AND PAY OUR RESPECTS TO 234 00:07:33,420 --> 00:07:34,287 INDIGENOUS COMMUNITIES AROUND 235 00:07:34,287 --> 00:07:35,155 THE WORLD. 236 00:07:35,155 --> 00:07:36,856 THE ORIGINAL STORYTELLERS AND 237 00:07:36,856 --> 00:07:38,191 THE FOUNDATION OF OUR GLOBAL 238 00:07:38,191 --> 00:07:39,125 FILM MAKING COMMUNITY. 239 00:07:45,699 --> 00:07:47,734 >>> WELCOME BACK TO THE RED 240 00:07:47,734 --> 00:07:48,134 CARPET. 241 00:07:48,134 --> 00:07:49,869 OKAY, I'M STANDING HERE WITH 242 00:07:49,869 --> 00:07:52,172 SOMEONE WHO IS GOING TO WIN ME 243 00:07:52,172 --> 00:07:59,646 SOME SERIOUS BROWNIE POINTS WITH 244 00:07:59,646 --> 00:08:00,013 MY BRAZIL WIFE. 245 00:08:00,013 --> 00:08:00,714 HOW IS YOUR PORTUGUESE? 246 00:08:00,714 --> 00:08:02,082 >> I'M PRACTICING IT. 247 00:08:02,082 --> 00:08:02,582 [ SPEAKING IN A GLOBAL 248 00:08:02,582 --> 00:08:04,818 LANGUAGE ] 249 00:08:04,818 --> 00:08:06,052 >> CONGRATULATIONS TO YOU, AS 250 00:08:06,052 --> 00:08:07,287 WELL, BECAUSE I KNOW THIS IS 251 00:08:07,287 --> 00:08:08,555 YOUR FIRST OSCAR NOMINATION. 252 00:08:08,555 --> 00:08:09,255 >> YES. 253 00:08:09,255 --> 00:08:11,057 >> HOW DOES IT FEEL TO BE HERE 254 00:08:11,057 --> 00:08:11,291 TONIGHT? 255 00:08:11,291 --> 00:08:13,960 >> IT FEELS GREAT, ALL THE 256 00:08:13,960 --> 00:08:15,295 ATTENTION THAT THIS FILM IS 257 00:08:15,295 --> 00:08:16,096 RECEIVING IS AMAZING. 258 00:08:16,096 --> 00:08:18,999 IT FEELS LIKE THIS IS THE TOP OF 259 00:08:18,999 --> 00:08:22,168 THE WHOLE JOURNEY THAT WE'VE 260 00:08:22,168 --> 00:08:24,571 BEEN GOING THROUGH THESE CANNES. 261 00:08:24,571 --> 00:08:26,373 >> FIRST BRAZILIAN EVER TO BE UP 262 00:08:26,373 --> 00:08:27,607 FOR BEST ACTOR. 263 00:08:27,607 --> 00:08:29,542 HOW ARE YOUR FRIENDS AND FAMILY 264 00:08:29,542 --> 00:08:29,843 CELEBRATING? 265 00:08:29,843 --> 00:08:32,044 >> ALL THE BRAZILIANS HERE. 266 00:08:32,044 --> 00:08:34,381 I THINK HERE TONIGHT, THERE'S 267 00:08:34,381 --> 00:08:35,782 LIKE A HUNDRED BRAZILIANS, 268 00:08:35,782 --> 00:08:36,850 PEOPLE FROM THE CREW AND THE 269 00:08:36,850 --> 00:08:38,985 CAST AND FRIENDS OF OURS HAVE 270 00:08:38,985 --> 00:08:39,184 CAME. 271 00:08:39,184 --> 00:08:40,587 AND THE PEOPLE IN BRAZIL ARE 272 00:08:40,587 --> 00:08:41,453 VERY EXCITED. 273 00:08:41,453 --> 00:08:43,456 >> SO MANY PEOPLE CHEERING YOU 274 00:08:43,456 --> 00:08:43,623 ON. 275 00:08:43,623 --> 00:08:45,158 YOU GOT TO WORK WITH AN 276 00:08:45,158 --> 00:08:46,626 OUTSTANDING CAST IN THIS FILM. 277 00:08:46,626 --> 00:08:49,662 I WANT TO ASK YOU ABOUT TONYA 278 00:08:49,662 --> 00:08:51,464 MARY, 79-YEAR-OLD, NOT A LOT OF 279 00:08:51,464 --> 00:08:53,066 ACTING EXPERIENCE, BUT SHE WAS 280 00:08:53,066 --> 00:08:54,501 ABSOLUTELY INCREDIBLE. 281 00:08:54,501 --> 00:08:56,436 >> SHE BECAME A BIG STAR IN 282 00:08:56,436 --> 00:08:58,038 BRAZIL, WHICH I'M VERY HAPPY FOR 283 00:08:58,038 --> 00:08:58,605 HER. 284 00:08:58,605 --> 00:09:06,346 SHE'S NOW 78, I THINK. 285 00:09:06,346 --> 00:09:07,514 IT WAS SO COOL. 286 00:09:07,514 --> 00:09:08,982 SHE'S A LOVELY PERSON AND 287 00:09:08,982 --> 00:09:12,118 AMAZING ACTRESS. 288 00:09:12,118 --> 00:09:13,820 AND ACTING IS SOMETHING THAT CAN 289 00:09:13,820 --> 00:09:15,789 HAPPEN TO ANYONE AT ANY TIME. 290 00:09:15,789 --> 00:09:17,357 AND SHE'S JUST DOING GREAT. 291 00:09:17,357 --> 00:09:19,225 >> SHE'S LUCKY TO WORK WITH YOU, 292 00:09:19,225 --> 00:09:19,692 AS WELL. 293 00:09:19,692 --> 00:09:20,860 I KNOW EVERYBODY AROUND THE 294 00:09:20,860 --> 00:09:22,128 WORLD IS CHEERING YOU ON. 295 00:09:22,128 --> 00:09:23,963 MY WIFE AND I INCLUDING. 296 00:09:23,963 --> 00:09:25,532 >> WHERE IS SHE FROM? 297 00:09:25,532 --> 00:09:28,001 >> SHE'S FROM -- 298 00:09:28,001 --> 00:09:29,069 CONGRATULATIONS AND GOOD LUCK. 299 00:09:29,069 --> 00:09:29,803 >> THANK YOU. 300 00:09:29,803 --> 00:09:31,104 GOOD SEEING YOU. 301 00:09:31,104 --> 00:09:34,074 >> I'M HERE WITH AMY MADIGAN. 302 00:09:34,074 --> 00:09:34,941 CONGRATULATIONS ON THE 303 00:09:34,941 --> 00:09:35,241 NOMINATION. 304 00:09:35,241 --> 00:09:35,642 >> THANK YOU. 305 00:09:35,642 --> 00:09:37,677 >> PERHAPS ONE OF THE MOST 306 00:09:37,677 --> 00:09:40,213 UNIQUE CHARACTERS IN THE HISTORY 307 00:09:40,213 --> 00:09:41,881 OF HORROR. 308 00:09:41,881 --> 00:09:43,016 HOW DO YOU DESCRIBE THIS ENERGY 309 00:09:43,016 --> 00:09:45,051 AROUND THIS FILM THAT WE NEVER 310 00:09:45,051 --> 00:09:45,952 REALLY SAW COMING? 311 00:09:45,952 --> 00:09:47,020 >> YOU KNOW WHAT? 312 00:09:47,020 --> 00:09:49,789 WE DIDN'T SEE IT COMING EITHER. 313 00:09:49,789 --> 00:09:52,258 PEOPLE REALLY ENJOY THIS FILM 314 00:09:52,258 --> 00:09:54,394 AND WE THOUGHT THEY WOULD LIKE 315 00:09:54,394 --> 00:09:55,261 AUNT GLADYS. 316 00:09:55,261 --> 00:09:57,363 I THINK PEOPLE IDENTIFY WITH HER 317 00:09:57,363 --> 00:09:58,331 IN A STRANGE WAY. 318 00:09:58,331 --> 00:10:00,500 SHE'S A WOMAN WITH A MISSION AND 319 00:10:00,500 --> 00:10:02,335 FIGHTING FOR HER SURVIVAL. 320 00:10:02,335 --> 00:10:03,970 >> THERE'S SOME REMARKABLE CAST 321 00:10:03,970 --> 00:10:04,838 IN THIS, AS WELL. 322 00:10:04,838 --> 00:10:07,774 WHAT DID YOU LEARN FROM THEM? 323 00:10:07,774 --> 00:10:08,675 >> ARE YOU KIDDING ME? 324 00:10:08,675 --> 00:10:10,143 THE LITTLE BOY THAT I WORKED 325 00:10:10,143 --> 00:10:11,244 WITH IS FANTASTIC. 326 00:10:11,244 --> 00:10:13,546 AND THE CAST, I MEAN, IT WAS A 327 00:10:13,546 --> 00:10:14,347 SUBLIME EXPERIENCE. 328 00:10:14,347 --> 00:10:15,949 I KNOW THAT PEOPLE SAY THAT, BUT 329 00:10:15,949 --> 00:10:17,750 I REALLY MEAN THAT FROM MY 330 00:10:17,750 --> 00:10:18,118 HEART. 331 00:10:18,118 --> 00:10:19,853 IT WAS GREAT, BEGINNING, MIDDLE 332 00:10:19,853 --> 00:10:20,386 AND END. 333 00:10:20,386 --> 00:10:23,556 >> I LOVE THAT YOU USE SUBLIME 334 00:10:23,556 --> 00:10:25,325 EXPERIENCE WHEN FILMING HORROR. 335 00:10:25,325 --> 00:10:27,026 WHAT IS IT ABOUT THE GENRE? 336 00:10:27,026 --> 00:10:29,762 >> IT USED TO BE LOOKED AT A 337 00:10:29,762 --> 00:10:31,231 LITTLE DIFFERENT, BUT THOSE DAYS 338 00:10:31,231 --> 00:10:31,998 ARE GONE. 339 00:10:31,998 --> 00:10:33,900 YOU STILL NEED A REALLY GOOD 340 00:10:33,900 --> 00:10:36,369 STORY, REALLY GOOD ACTORS AND 341 00:10:36,369 --> 00:10:36,636 DIRECTORS. 342 00:10:36,636 --> 00:10:38,171 THAT MAKES ME HAPPY. 343 00:10:38,171 --> 00:10:41,074 >> IT MAKES ME HAPPY THAT YOU'RE 344 00:10:41,074 --> 00:10:41,341 NOMINATED. 345 00:10:41,341 --> 00:10:42,275 >> THANK YOU SO MUCH. 346 00:10:42,275 --> 00:10:43,576 AND YOU LOOK BEAUTIFUL. 347 00:10:43,576 --> 00:10:45,812 >> SO DO YOU! 348 00:10:45,812 --> 00:10:52,719 >> PINCH ME, I'M HERE WITH WUNMI 349 00:10:52,719 --> 00:10:52,952 MOSAKU. 350 00:10:52,952 --> 00:10:53,520 >> THANK YOU. 351 00:10:53,520 --> 00:10:56,222 >> THANK YOU FOR BEING HERE. 352 00:10:56,222 --> 00:10:58,158 YOU'RE NOMINATED FOR BEST 353 00:10:58,158 --> 00:11:00,059 SUPPORTING ACTRESS IN "SINNERS." 354 00:11:00,059 --> 00:11:04,564 I HEARD THAT YOU ONLY READ ONE 355 00:11:04,564 --> 00:11:05,965 SCENE BEFORE THE DIRECTOR SIGNED 356 00:11:05,965 --> 00:11:06,132 ON. 357 00:11:06,132 --> 00:11:10,537 >> NO, I SIGNED ON IN MY HEART. 358 00:11:10,537 --> 00:11:12,505 THEY OFFERED ME THE ROLE WHEN I 359 00:11:12,505 --> 00:11:14,340 HAD A CHEMISTRY MEET WITH 360 00:11:14,340 --> 00:11:14,941 MICHAEL. 361 00:11:14,941 --> 00:11:16,342 THEY OFFERED IT TO ME IN THE 362 00:11:16,342 --> 00:11:18,211 ROOM AND I SAID YES. 363 00:11:18,211 --> 00:11:20,680 >> SO YOU WEREN'T EMOTIONALLY 364 00:11:20,680 --> 00:11:21,581 CHEATING JUST QUITE YET. 365 00:11:21,581 --> 00:11:22,549 >> NO, NO. 366 00:11:22,549 --> 00:11:24,784 >> I HEAR THAT YOU HAD TO DO A 367 00:11:24,784 --> 00:11:27,220 LOT OF HOMEWORK, HOODOO AND 368 00:11:27,220 --> 00:11:28,988 LEARNING ABOUT HOODOO HISTORY 369 00:11:28,988 --> 00:11:29,956 AND TRADITION. 370 00:11:29,956 --> 00:11:32,392 WHAT IS SOME OF THE MORE 371 00:11:32,392 --> 00:11:33,560 INTERESTING STUFF YOU LEARNED? 372 00:11:33,560 --> 00:11:37,497 >> I NEVER HEARD THE HOODOO 373 00:11:37,497 --> 00:11:38,064 BEFORE. 374 00:11:38,064 --> 00:11:40,066 I HAD HEARD VOODOO, AND LEARNING 375 00:11:40,066 --> 00:11:40,867 THE DIFFERENCE. 376 00:11:40,867 --> 00:11:43,336 HOODOO IS A GENERATION 377 00:11:43,336 --> 00:11:46,039 DERIVATIVE OF THE TRADITIONAL 378 00:11:46,039 --> 00:11:46,739 EUROPE SPIRITUAL SYSTEM. 379 00:11:46,739 --> 00:11:50,176 SO I HAD NO IDEA ABOUT ANY OF 380 00:11:50,176 --> 00:11:52,412 THIS, AND JUST THE HERBAL KIND 381 00:11:52,412 --> 00:11:55,014 OF ROOT SYSTEM, THE SPIRITUAL 382 00:11:55,014 --> 00:11:57,317 DIVINE CONNECTION, AND THE 383 00:11:57,317 --> 00:12:00,119 EARTHY AND GROUNDED IN LIKE WHAT 384 00:12:00,119 --> 00:12:02,822 WE HAVE IN OUR LAND AND 385 00:12:02,822 --> 00:12:04,257 INDIGENOUS MEDICINES AND 386 00:12:04,257 --> 00:12:05,892 EVERYTHING, BUT ALSO THIS 387 00:12:05,892 --> 00:12:07,594 SPIRITUAL CONNECTION OF THE 388 00:12:07,594 --> 00:12:07,860 ANCESTORS. 389 00:12:07,860 --> 00:12:10,063 >> YOU BRING IT TO LIFE. 390 00:12:10,063 --> 00:12:12,765 CONGRATULATIONS ARE IN ORDER TO 391 00:12:12,765 --> 00:12:13,366 YOU BECAUSE OF THE NOMINATION 392 00:12:13,366 --> 00:12:15,001 AND ALSO ON BABY NUMBER TWO. 393 00:12:15,001 --> 00:12:15,902 >> THANK YOU. 394 00:12:15,902 --> 00:12:17,337 >> THANK YOU SO MUCH FOR 395 00:12:17,337 --> 00:12:17,737 STOPPING BY. 396 00:12:17,737 --> 00:12:18,304 >> THANK YOU FOR HAVING ME. 397 00:12:18,304 --> 00:12:20,273 THANK YOU. 398 00:12:20,273 --> 00:12:22,976 >> I'M HERE WITH ETHAN HAWKE. 399 00:12:22,976 --> 00:12:24,244 CONGRATULATIONS ON YOUR 400 00:12:24,244 --> 00:12:26,179 NOMINATION, A FIRST IN THE BEST 401 00:12:26,179 --> 00:12:27,614 ACTOR CATEGORY. 402 00:12:27,614 --> 00:12:28,514 HOW ARE YOU FEELING? 403 00:12:28,514 --> 00:12:30,183 >> PRETTY GOOD. 404 00:12:30,183 --> 00:12:31,618 I'VE ONLY BEEN DOING THIS JOB 405 00:12:31,618 --> 00:12:32,585 ABOUT 40 YEARS. 406 00:12:32,585 --> 00:12:34,420 IT'S ABOUT TIME I MADE IT TO THE 407 00:12:34,420 --> 00:12:34,954 BIG SHOW. 408 00:12:34,954 --> 00:12:37,423 >> I CAN TELL YOU THIS 409 00:12:37,423 --> 00:12:40,026 TRANSFORMATION WAS REMARKABLE. 410 00:12:40,026 --> 00:12:42,262 BOTH PHYSICALLY, EMOTIONALLY, A 411 00:12:42,262 --> 00:12:45,265 CHARACTER MUCH SHORTER THAN 412 00:12:45,265 --> 00:12:45,531 YOURSELF. 413 00:12:45,531 --> 00:12:46,899 I'M TOLD THERE WERE SOME TRICKS 414 00:12:46,899 --> 00:12:48,468 OF THE TRADE USED. 415 00:12:48,468 --> 00:12:51,971 >> THE HISTORY OF CINEMA, THAT 416 00:12:51,971 --> 00:12:56,276 CAN MAKE HUMPHREY BOGART LOOK 417 00:12:56,276 --> 00:12:56,476 HUGE. 418 00:12:56,476 --> 00:12:58,211 BUT WE USED EVERY TRICK YOU 419 00:12:58,211 --> 00:13:00,213 COULD THINK OF, GOING BACK TO 420 00:13:00,213 --> 00:13:01,614 HOW BUSTER KEATON WOULD HAVE 421 00:13:01,614 --> 00:13:03,149 DONE IT, JUST MAKING THE 422 00:13:03,149 --> 00:13:05,652 FURNITURE LARGER, PUTTING ME IN 423 00:13:05,652 --> 00:13:07,720 TRENCHES, RAISING THE PAINTINGS 424 00:13:07,720 --> 00:13:08,321 UP, EVERYTHING. 425 00:13:08,321 --> 00:13:09,322 IT WAS REALLY FUN. 426 00:13:09,322 --> 00:13:11,024 >> I'VE GOT TO TALK ABOUT YOUR 427 00:13:11,024 --> 00:13:12,692 RELATIONSHIP AND PARTNERSHIP 428 00:13:12,692 --> 00:13:13,192 WITH RICHARD. 429 00:13:13,192 --> 00:13:14,761 YOU WORKED TOGETHER MANY, MANY 430 00:13:14,761 --> 00:13:14,961 TIMES. 431 00:13:14,961 --> 00:13:16,829 WHAT DOES THAT PARTNERSHIP BRING 432 00:13:16,829 --> 00:13:19,599 TO WHAT YOU ARE ABLE TO PRESENT? 433 00:13:19,599 --> 00:13:21,834 >> WELL, WHEN YOU HAVE A GREAT 434 00:13:21,834 --> 00:13:23,336 FRIEND IN YOUR LIFE, AND I THINK 435 00:13:23,336 --> 00:13:25,805 EVERYBODY KNOWS THIS, THEY MAKE 436 00:13:25,805 --> 00:13:26,706 YOU BETTER. 437 00:13:26,706 --> 00:13:29,575 THEY ELEVATE YOUR CHARACTER, AND 438 00:13:29,575 --> 00:13:31,377 YOU WANT TO BE THAT KIND OF 439 00:13:31,377 --> 00:13:31,978 FRIEND. 440 00:13:31,978 --> 00:13:33,913 I THINK WE HAVE TRIED TO DO THAT 441 00:13:33,913 --> 00:13:34,881 FOR EACH OTHER. 442 00:13:34,881 --> 00:13:38,718 HE HAS TWO OF THE BEST MOVIES 443 00:13:38,718 --> 00:13:40,787 MADE THIS YEAR THAT ARE 444 00:13:40,787 --> 00:13:41,054 BRILLIANT. 445 00:13:41,054 --> 00:13:42,889 SO WE'VE KNOWN EACH OTHER A LONG 446 00:13:42,889 --> 00:13:44,457 TIME, AND WE'RE GETTING OLDER 447 00:13:44,457 --> 00:13:46,259 AND HE KEEPS GETTING BETTER. 448 00:13:46,259 --> 00:13:47,193 >> SO DO YOU. 449 00:13:47,193 --> 00:13:48,328 >> I APPRECIATE THAT. 450 00:13:48,328 --> 00:13:50,229 >> YOU LOOK INCREDIBLE. 451 00:13:50,229 --> 00:13:51,998 >> NOT AS GOOD AS YOU. 452 00:13:51,998 --> 00:13:53,132 >> THANK YOU, ETHAN. 453 00:13:53,132 --> 00:13:55,535 >> WELL, I'M HERE WITH A BRAND 454 00:13:55,535 --> 00:13:57,870 NEW BACHELORETTE, TAYLOR FRANKIE 455 00:13:57,870 --> 00:13:59,706 PAUL, WHO HAS SOME BIG EXCITING 456 00:13:59,706 --> 00:14:00,873 "BACHELORETTE" NEWS TO ANNOUNCE. 457 00:14:00,873 --> 00:14:03,109 >> TUNE NO TONIGHT FOR A SPECIAL 458 00:14:03,109 --> 00:14:04,744 PREVIEW AFTER THE OSCARS AND 459 00:14:04,744 --> 00:14:06,112 NEXT SUNDAY AT 8:00 P.M. RIGHT 460 00:14:06,112 --> 00:14:06,946 HERE ON ABC. 461 00:14:06,946 --> 00:14:07,513 >> WE'VE GOT NOR RED CARPET 462 00:14:07,513 --> 00:14:08,214 AFTER THIS. 463 00:14:08,214 --> 00:14:08,915 >> THE OSCARS RED CARPET SHOW ON 464 00:14:08,915 --> 00:14:09,882 ABC. 465 00:14:16,923 --> 00:14:20,093 >>> I'M JOINED NOW MY OSCAR 466 00:14:20,093 --> 00:14:21,327 WINNER NICOLE KIDMAN. 467 00:14:21,327 --> 00:14:21,761 YOU LOOK FANTASTIC. 468 00:14:21,761 --> 00:14:24,464 >> THANK YOU. 469 00:14:24,464 --> 00:14:27,433 I'M ALL FEATHERY AND PINK. 470 00:14:27,433 --> 00:14:29,402 >> YOU JUST FLOATED OVER HERE. 471 00:14:29,402 --> 00:14:30,236 IT'S BEAUTIFUL. 472 00:14:30,236 --> 00:14:31,204 YOU'RE PRESENTING TONIGHT. 473 00:14:31,204 --> 00:14:32,138 >> YES. 474 00:14:32,138 --> 00:14:34,107 >> SPEAKING OF THAT, YOU HAVE A 475 00:14:34,107 --> 00:14:35,641 LOT OF FUN PROJECTS WE'RE ABOUT 476 00:14:35,641 --> 00:14:36,776 TO SEE COMING UP. 477 00:14:36,776 --> 00:14:39,112 I WANTED TO ASK YOU ABOUT 478 00:14:39,112 --> 00:14:42,148 "PRACTICAL MAGIC" WITH SAND A 479 00:14:42,148 --> 00:14:42,415 BULLOCK. 480 00:14:42,415 --> 00:14:44,384 HOW IS IT WORKING ON THAT? 481 00:14:44,384 --> 00:14:45,651 >> IT WAS FANTASTIC. 482 00:14:45,651 --> 00:14:47,653 WE DID IT OF THE SUMMER AND 483 00:14:47,653 --> 00:14:49,422 SANDY AND I ARE LIKE, ARE WE 484 00:14:49,422 --> 00:14:52,091 REALLY GOING TO DO THIS? 485 00:14:52,091 --> 00:14:54,293 SUDDENLY IT CAME TO FRUITION. 486 00:14:54,293 --> 00:14:55,795 IT WAS LIKE EVERYTHING MAGICAL 487 00:14:55,795 --> 00:14:57,163 HAPPENED, AND WE WERE THERE 488 00:14:57,163 --> 00:14:59,165 FILMING IT OVER THE SUMMER, AND 489 00:14:59,165 --> 00:15:04,404 IT'S COMING OUT SEPTEMBER -- 490 00:15:04,404 --> 00:15:06,572 >> IT'S BEEN 30 YEARS SINCE WE 491 00:15:06,572 --> 00:15:08,040 SAW IT LAST TIME, SO EVERYBODY 492 00:15:08,040 --> 00:15:10,510 IS EXCITED ABOUT THAT. 493 00:15:10,510 --> 00:15:14,380 MARGO'S GOT MONEY TROUBLES. 494 00:15:14,380 --> 00:15:17,917 WHAT CAN YOU TELL US ABOUT THAT? 495 00:15:17,917 --> 00:15:19,986 >> THIS IS MY THIRD TIME WORKING 496 00:15:19,986 --> 00:15:22,155 WITH ELLE FANNING, AND IT'S JUST 497 00:15:22,155 --> 00:15:22,922 A DELIGHT. 498 00:15:22,922 --> 00:15:25,158 THE WAY SHE BEHAVES ON AND 499 00:15:25,158 --> 00:15:27,059 OFFSET, SHE'S JUST DIVINE, AND 500 00:15:27,059 --> 00:15:30,563 SHE GLOWS, LIKE SHE LITERALLY 501 00:15:30,563 --> 00:15:31,063 GLOWS. 502 00:15:31,063 --> 00:15:34,133 >> AS YOU DO, TOO. 503 00:15:34,133 --> 00:15:35,435 WE ALL REMEMBER YOU WINNING FOR 504 00:15:35,435 --> 00:15:37,503 YOUR WORK IN "THE HOURS." 505 00:15:37,503 --> 00:15:39,605 JUST SEEING YOU IT JUST FEELS 506 00:15:39,605 --> 00:15:40,506 LIKE THE OSCARS. 507 00:15:40,506 --> 00:15:42,141 >> I'M JUST SO HAPPY TO BE HERE 508 00:15:42,141 --> 00:15:43,709 AND CELEBRATING EVERYONE IN OUR 509 00:15:43,709 --> 00:15:44,811 INDUSTRY, BECAUSE AS MUCH AS WE 510 00:15:44,811 --> 00:15:46,879 TALK ABOUT THE ACTORS AND WHO 511 00:15:46,879 --> 00:15:48,548 WINS BEST DIRECTOR AND BEST 512 00:15:48,548 --> 00:15:50,216 FILM, WE HAVE TO WORK BEHIND THE 513 00:15:50,216 --> 00:15:52,585 SCENES WITH THE PRODUCTION 514 00:15:52,585 --> 00:15:54,654 DESIGNERS, THE CINEMATOGRAPHY, 515 00:15:54,654 --> 00:15:56,189 ALL THE THINGS THAT GO INTO 516 00:15:56,189 --> 00:16:02,295 MAKING A FILM, AND THIS IS WHERE 517 00:16:02,295 --> 00:16:02,829 YOU 518 00:16:02,829 --> 00:16:04,263 YOU NEAT THEM TONIGHT. 519 00:16:04,263 --> 00:16:06,999 >> THANK YOU FOR STOPPING BY. 520 00:16:06,999 --> 00:16:13,940 >> I'M HERE WITH DEMON HUNTERS. 521 00:16:13,940 --> 00:16:14,373 CONGRATULATIONS. 522 00:16:14,373 --> 00:16:15,675 YOU'RE PERFORMING TONIGHT. 523 00:16:15,675 --> 00:16:16,809 WHAT CAN WE EXPECT? 524 00:16:16,809 --> 00:16:20,379 >> GREAT THINGS, SOMETHING 525 00:16:20,379 --> 00:16:20,680 GOLDEN. 526 00:16:20,680 --> 00:16:25,084 >> JUST A LOT OF ASIAN FACES, 527 00:16:25,084 --> 00:16:25,284 YEAH. 528 00:16:25,284 --> 00:16:28,087 >> A LOT OF FANS OF K-POP. 529 00:16:28,087 --> 00:16:30,256 HOW DO YOU THINK THIS SONG IN 530 00:16:30,256 --> 00:16:31,958 THE MOVIE CHANGED THE PERCEPTION 531 00:16:31,958 --> 00:16:35,328 OF K-POP AROUND THE WORLD? 532 00:16:35,328 --> 00:16:40,066 >> I THINK THIS MOVIE HAS 533 00:16:40,066 --> 00:16:43,936 TRULY -- I FEEL LIKE PEOPLE 534 00:16:43,936 --> 00:16:46,172 JUST -- IT'S GLOBAL AND 535 00:16:46,172 --> 00:16:46,506 UNIVERSAL. 536 00:16:46,506 --> 00:16:48,441 A COMBINATION OF SO MANY GENRES, 537 00:16:48,441 --> 00:16:51,677 SO I THINK PEOPLE ARE 538 00:16:51,677 --> 00:16:53,312 RECOGNIZING HOW FAR K-POP CAN 539 00:16:53,312 --> 00:16:55,915 REACH, IT'S NOT JUST FOR 540 00:16:55,915 --> 00:16:56,883 KOREANS, BUT THE WORLD. 541 00:16:56,883 --> 00:16:58,885 >> WHAT HAS IT BEEN LIKE 542 00:16:58,885 --> 00:17:00,086 WATCHING THE SONG ON THE CHARTS 543 00:17:00,086 --> 00:17:02,455 FOR SO LONG AND RECEIVE THING 544 00:17:02,455 --> 00:17:02,722 LOVE? 545 00:17:02,722 --> 00:17:04,924 I'M WITH MY NIECES, I'M AT WORK, 546 00:17:04,924 --> 00:17:06,959 I CAN'T GET THE SONG OUT OF MY 547 00:17:06,959 --> 00:17:09,127 HEAD, BUT IT'S LOVE BEHIND THE 548 00:17:09,127 --> 00:17:09,362 LYRICS. 549 00:17:09,362 --> 00:17:12,397 >> IT'S BEEN SUCH A JOYFUL 550 00:17:12,397 --> 00:17:12,698 EXPERIENCE. 551 00:17:12,698 --> 00:17:14,834 FOR US, THIS IS A PART OF OUR 552 00:17:14,834 --> 00:17:16,435 STORY, NOT JUST AS MUSICIANS IN 553 00:17:16,435 --> 00:17:18,003 THIS INDUSTRY, BUT AS PEOPLE ON 554 00:17:18,003 --> 00:17:20,039 THIS EARTH, YOU KNOW, FEELING 555 00:17:20,039 --> 00:17:22,275 SOMETIMES LEFT OUT OF CERTAIN 556 00:17:22,275 --> 00:17:24,076 CONVERSATIONS, SOMETIMES OUTCAST 557 00:17:24,076 --> 00:17:25,176 IN CERTAIN ROOMS. 558 00:17:25,176 --> 00:17:27,747 I THINK TO SEE THE SONG, NOT 559 00:17:27,747 --> 00:17:30,850 JUST DO WELL, BUT LIKE REALLY 560 00:17:30,850 --> 00:17:34,453 BREAK RECORDS HAS BEEN SO 561 00:17:34,453 --> 00:17:36,088 REDEMPTIVE AND HEALING FOR OUR 562 00:17:36,088 --> 00:17:36,822 INNER CHILD. 563 00:17:36,822 --> 00:17:38,658 SO WE'RE JUST GRATEFUL. 564 00:17:38,658 --> 00:17:41,994 >> I HEARD SOMEONE SAY THE SONG 565 00:17:41,994 --> 00:17:43,863 IS LIKE A BEAUTIFUL SESSION OF 566 00:17:43,863 --> 00:17:45,097 THERAPY FOR ALL OF US. 567 00:17:45,097 --> 00:17:47,333 AND I CANNOT SAY ANOTHER THING 568 00:17:47,333 --> 00:17:48,734 UNTIL I ACKNOWLEDGE THE BEAUTY 569 00:17:48,734 --> 00:17:50,303 IN FRONT OF ME. 570 00:17:50,303 --> 00:17:51,537 TRULY GOLDEN. 571 00:17:51,537 --> 00:17:53,205 GOOD LUCK ON THE PERFORMANCE, 572 00:17:53,205 --> 00:17:55,241 AND THANK YOU FOR MAKING ME THE 573 00:17:55,241 --> 00:17:56,075 MOST POPULAR PERSON IN THE 574 00:17:56,075 --> 00:17:57,877 UNIVERSE. 575 00:17:57,877 --> 00:17:58,277 THANK YOU, LADIES. 576 00:17:58,277 --> 00:18:00,313 >> THANK YOU. 577 00:18:00,313 --> 00:18:03,115 >> I'M JOINED BY ONE OF THE MOST 578 00:18:03,115 --> 00:18:05,384 TALENTED PEOPLE YOU'RE SEAL HERE 579 00:18:05,384 --> 00:18:06,385 TONIGHT, KATE HUDSON. 580 00:18:06,385 --> 00:18:07,353 THANK YOU FOR STOPPING BY. 581 00:18:07,353 --> 00:18:09,055 >> THANKS FOR HAVING ME. 582 00:18:09,055 --> 00:18:10,289 >> YOU SHOULD BE EXCITED, 583 00:18:10,289 --> 00:18:12,458 BECAUSE NOT ONLY ARE YOU AN 584 00:18:12,458 --> 00:18:14,060 AMAZING ACTRESS, BUT AN 585 00:18:14,060 --> 00:18:15,428 INCREDIBLE SINGER, VERY 586 00:18:15,428 --> 00:18:15,928 ACCOMPLISHED SONGWRITER. 587 00:18:15,928 --> 00:18:18,030 >> THANK YOU. 588 00:18:18,030 --> 00:18:20,399 >> HOW DID YOU DRAW UPON THE 589 00:18:20,399 --> 00:18:23,736 EXPERIENCE AS A SINGER TO GET 590 00:18:23,736 --> 00:18:24,170 READY FOR THIS ROLE? 591 00:18:24,170 --> 00:18:25,304 >> YOU KNOW WHAT WAS REALLY NICE 592 00:18:25,304 --> 00:18:26,839 ABOUT THIS IS THE FIRST THING WE 593 00:18:26,839 --> 00:18:28,307 DID IS WE WENT INTO THE 594 00:18:28,307 --> 00:18:31,477 RECORDING STUDIO, AND IT WAS THE 595 00:18:31,477 --> 00:18:33,079 FIRST TIME I FELT MUCH MORE 596 00:18:33,079 --> 00:18:35,014 CONFIDENT IN A RECORDING STUDIO 597 00:18:35,014 --> 00:18:36,816 THAN I WOULD HAVE HAD IF I WOULD 598 00:18:36,816 --> 00:18:38,551 HAVE DONE IT TEN YEARS EARLIER. 599 00:18:38,551 --> 00:18:40,653 I THINK THE VERY REASON THAT I 600 00:18:40,653 --> 00:18:42,321 MADE THE ALBUM IS BECAUSE I 601 00:18:42,321 --> 00:18:43,589 NEEDED TO DO SOMETHING, AND 602 00:18:43,589 --> 00:18:47,526 THAT'S WHY I ENDED UP GET THING 603 00:18:47,526 --> 00:18:48,160 MOVIE. 604 00:18:48,160 --> 00:18:51,464 HUGH SAW ME MAKING THIS ALBUM 605 00:18:51,464 --> 00:18:54,700 AND HE WAS LIKE, THAT'S ART 606 00:18:54,700 --> 00:18:55,301 CLAIRE AND I WOULDN'T BE HERE 607 00:18:55,301 --> 00:18:57,570 WITHOUT THAT. 608 00:18:57,570 --> 00:18:59,905 >> THE PERFORMANCE WAS JUST 609 00:18:59,905 --> 00:19:00,506 INCREDIBLE. 610 00:19:00,506 --> 00:19:02,842 YOU'VE BEEN NOMINATED ONCE 611 00:19:02,842 --> 00:19:03,075 BEFORE. 612 00:19:03,075 --> 00:19:05,277 HOW DIFFERENT DOES IT FEEL NOW? 613 00:19:05,277 --> 00:19:06,612 >> SO DIFFERENT, IT'S SO 614 00:19:06,612 --> 00:19:06,879 DIFFERENT. 615 00:19:06,879 --> 00:19:07,613 >> HOW SO? 616 00:19:07,613 --> 00:19:11,150 >> THERE'S A LOT MORE TO DO. 617 00:19:11,150 --> 00:19:13,486 YOU KNOW, THAT WAS ALMOST THE 618 00:19:13,486 --> 00:19:16,088 '90s WHEN I WAS NOMINATED. 619 00:19:16,088 --> 00:19:18,357 NOT AS MANY THINGS, AND NOW I'VE 620 00:19:18,357 --> 00:19:20,192 HAD LIKE TWO DECADES OF A CAREER 621 00:19:20,192 --> 00:19:21,327 WITH PEOPLE AND RELATIONSHIPS 622 00:19:21,327 --> 00:19:22,695 THAT I'VE ESTABLISHED. 623 00:19:22,695 --> 00:19:24,130 PEOPLE THAT I LOVE THAT ARE HERE 624 00:19:24,130 --> 00:19:27,166 TONIGHT THAT I GET TO CELEBRATE 625 00:19:27,166 --> 00:19:30,536 AS WELL, AND SO IT JUST FEELS 626 00:19:30,536 --> 00:19:32,638 LIKE -- IT FEELS A LOT WARMER, A 627 00:19:32,638 --> 00:19:34,573 LOT COZIER, I THINK THAN IT DID 628 00:19:34,573 --> 00:19:38,477 THE FIRST TIME. 629 00:19:38,477 --> 00:19:40,312 >> YOU'RE DOING KARAOKE WITH 630 00:19:40,312 --> 00:19:42,948 HUGH JACKMAN. 631 00:19:42,948 --> 00:19:43,349 WHAT DOES HE LIKE? 632 00:19:43,349 --> 00:19:45,718 >> HE LOVES "SWEET CAROLINE." 633 00:19:45,718 --> 00:19:52,458 >> IT'S A BANGER. 634 00:19:52,458 --> 00:19:52,825 CONGRATULATIONS. 635 00:19:52,825 --> 00:19:53,426 >> THANK YOU. 636 00:19:53,426 --> 00:19:55,928 >> HAVE FUN TONIGHT. 637 00:19:55,928 --> 00:19:57,596 >>> ALL RIGHT, THE CARP SET 638 00:19:57,596 --> 00:19:59,699 CLOSING, THE SHOW IS ABOUT TO 639 00:19:59,699 --> 00:20:00,132 BEGIN. 640 00:20:00,132 --> 00:20:02,501 FILM HISTORY IS ABOUT TO BE 641 00:20:02,501 --> 00:20:03,202 WRITTEN. 642 00:20:03,202 --> 00:20:05,571 JESSE, WHO DO YOU THINK IS GOING 643 00:20:05,571 --> 00:20:07,206 TO WIN? 644 00:20:07,206 --> 00:20:09,575 >> IT'S ALMOST TIME, ONE, TWO, 645 00:20:09,575 --> 00:20:10,843 THREE, I HAVE NO IDEA. 646 00:20:10,843 --> 00:20:11,911 >> NO IDEA. 647 00:20:11,911 --> 00:20:14,080 BUT I KNOW TONIGHT WAS 648 00:20:14,080 --> 00:20:15,081 ABSOLUTELY SUBLIME. 649 00:20:15,081 --> 00:20:17,049 >> UNBELIEVABLE, SO MUCH ENERGY 650 00:20:17,049 --> 00:20:19,552 AND EXCITEMENT, YOU CAN JUST 651 00:20:19,552 --> 00:20:21,053 FEEL IT NOW BUBBLING UP AND 652 00:20:21,053 --> 00:20:22,621 GETTING READY. 653 00:20:22,621 --> 00:20:23,923 CONAN O'BRIEN ABOUT TO TAKE IT 654 00:20:23,923 --> 00:20:24,123 OVER. 655 00:20:24,123 --> 00:20:25,157 >> HERE WE GO. 656 00:20:25,157 --> 00:20:27,727 ENJOY THE OSCARS, EVERYONE. 657 00:20:35,067 --> 00:20:36,902 ♪ 39057

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.