Original subtitles

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

[MUSIC PLAYING]

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

(music)

Huh?

Brighs Santa groups, I am.

Oh, either, Santa.

Why, can't you remember how we met them?

Boy, I come to here.

[BOTH MUMBLING]

Almost terrifying words and tutorials.

But they help by laying me down to sleep.

Just thinking.

Where the Lord, myself?

Yeah, but then the night's my part.

If I should die before I want--

Who else should die, pray the Lord, myself, to take?

Are you too alright?

You're a new church.

Troat slashed.

Come on, I was awful awful awful awful awful.

Did you say you could have been killed?

Something I was ago.

But we're here.

I wonder what this is.

Happy to bribe the sun, we'll shine gone.

Chaos control.

Chaos control.

You like, you like?

[APPLAUSE]

[APPLAUSE]

I heard you were trying to save.

I told them.

We were having a wonderful evening last night.

A friend we hadn't seen in many years

came by for dinner.

Jeffrey Miller from South Africa.

Oh, don't say that so, poor tantis.

Jeffrey, from South Africa.

Don't be gone, God.

Could I have a scar?

No, just something large.

Jeffrey was in New York briefly on business.

And he asked us to ask him for dinner.

Listen.

That's wrong.

It always amazes me when New York is set quiet.

Oh, well, with the kids away, we get used to the lower noise

motion.

Jeffrey is king my disridge.

Literally, gold mines.

70,000 workers in one gold mine alone.

My money's always short of cash.

Because his government won't let its people work.

It's white people.

It's white people.

Take out any money.

So it's like taking in a war, baby.

When he called, it was like a boat from the blue.

As I had a deal coming up, I'm a short part.

Two million.

I think it was his super-feast.

I hate when you use the word superb for the whales.

I mean, he needed two million.

And we hadn't seen Jeffrey in a long time.

And while Jeffrey might not have the price of a dinner,

he might easily have two million dogs.

It's the awful thing about having truly rich folk for a friend.

Yeah, well, let's face it, the money does get in the way.

Oh, I'll take that one.

Having a rich friend is like drowning in your friend makes life.

Only in a friend gets very touching if you say one word.

I vote.

No, that is two words.

We were afraid that our South African friend

might say that we were only loving him because of his life.

Now we weren't sucking up.

We liked Jeffrey.

Shouldn't we not on your life?

But it was hardly a lifeboat even.

14?

That when Jeffrey called and asked us to pick him for dinner,

he made a sudden pattern in life with a tealie.

I want to go to banks.

Why do you stay in South Africa?

One has to stay there to educate the black workers.

And we'll never be successful when they kill us.

Oh.

We could be planning the revolution that will destroy you.

Putting your life on the line.

You don't think you might like that.

I wish you'd come and visit.

Oh, but we visit you.

Is it in your gorgeous house?

Planning visits to the townships.

Demanding.

Visit the poorest of the poor.

Oh, are you sure they're the worst off?

I mean, we've come all this way.

I mean, we don't want to see people just mildly victimized

by apartheid.

We demand shock.

You know, it doesn't seem right, sitting on the east side,

talking about revolution.

Only small murky cafes for Pippyla Mokolio.

No, no.

La pastonaria.

We'll go to South Africa and build barricades

and lean against them singing.

And the people will follow.

Follow, follow, follow.

What is that song?

It's our role in history.

And we offer ourselves up to it.

It's your role in history.

It's not our role.

The fantastic.

Follow, follow, follow, follow.

A role in history to say that so easily.

To read the people.

They collect the lens, they strike in shipyard workers.

Gorbachev, urging on the striking coal miners.

Praise striking coal miners.

I always picture these very striking coal miners,

not only the full fish.

I love it.

Why is there a statue of a husky?

I'm going to drink before we--

Oh, where shall we?

God, the restaurants in New York is like Florence

in the 16th century.

Genius on every corner.

No, there's good statue on.

Who now?

No.

The side faders screwed up the sign.

Instead of branding the hone and walk,

we painted the human walk.

We said it to the times.

They have a joke page and things around New York.

They send you a bottle of champagne.

And we wore it on edition, but all I could think was

$2 million to get a dollar.

It's like when people say don't think about elephants.

And all you can think about is elephants.

$2 million to make a dollar.

I don't think about elephants, so.

Elephant.

Louis is a data manifesto.

How about this is Anne?

And that's what careful.

It'll be sold and never seen again.

Mid-period landscape of a dark green forest.

In the far distance, you see the sunlight.

One of his first uses of a pear color being forced to carry

the weight of the picture.

The experiment that would pay off in the apples.

First of color has to carry so much.

Japanese don't like anything about it,

except it's a zazan.

I'm so sorry to bother you, but I've been hurt

and I've lost everything.

I didn't know where to go.

We get children.

I'm a friend of your children.

He mentioned our kids' names.

And the school they go to.

Harvard.

You can say Harvard.

I don't want to get into life.

I was mugged out there in Central Park.

By the statue of that Alaskan Husky,

I was standing there trying to figure out

why there was a statue of a dog who saved lives in the Yukon

in the middle of Central Park.

When I was standing there trying to puzzle it out.

Are you OK?

Oh, wow.

I took my money and my briefcase.

I said my thesis is in there.

Sure, she isn't bleeding.

He's bleeding.

Oh.

I get this way around blood.

Oh, no, no, no, no.

Not on the run, please.

Yeah, you get the doctor.

No.

I'll survive.

No doctors, please.

All right, Eddie, we'll call you.

Thank you, Eddie.

No.

I don't mind the money, but in this age of mechanical reproduction,

I managed to get the only copy of my thesis.

Rosa, where is the first aid for?

The Red Cross advises, press edges of one

firmly together, wash area before it.

Yes, I'm doing that.

Ah!

Hold on.

We's only God.

It's feeding wonderful seeing you.

Oh, no, no, no.

Stay, stay.

No, no, no.

My time is so short before I leave a meeting.

Who have you seen the new book on, says, huh?

No, man, may I use the fit?

Oh, yeah, absolutely.

The lady.

So I ran down the hall.

The entire host.

Oh, no.

Got the book on, says, and got the gauze from the kitchen.

Gave this a zan to plan who wanted the gauze

and the gauze to Jeffrey who wanted, says it.

Pizza?

$2 million, 2 million.

Oh, no.

It's a lovely book.

I'll get a clean shirt.

Please stay.

And peace was restored.

And then your children said you were kind.

All the kids were sitting around the dorm one night

and dashing the shit out of their parents.

But your kids were silent.

They said, no, not our parents, not fled and weezed.

Not the kid ridges.

The kid ridges are kind.

So after the mug is left, I looked up.

So all these Fifth Avenue apartments, Mrs. O'Nasas lives

there.

I know the Babcock's lip over there.

The Ocken Closhes lived there.

But you lived here.

I came here.

Can you believe what the kids said?

Well, he mentioned our kids' names.

Oh, we can mention our kids' names.

Our children are not going to sue us for mentioning their names.

I love them.

Talbot and Woody mean the world to me.

Woody, let you call him Woody.

Nobody's calling him Woody and ears.

They describe this apartment in detail.

Oh, this is a Kandinsky.

A double one painted a night aside.

Marcy?

Yes, of course.

Extraordinary.

What makes it exceptional is that Kandinsky painted on either side

of the canvas into radically different styles, one wild

and vivid, the other somber and geometric.

My god.

We flip it around for variety.

Chaos control.

Chaos control.

You like?

You like?

It's wonderful.

A silly Kandinsky.

For one 1866 Moscow, Blue Ratter exhibition, 1914,

he said it is clear that the choice of object that

is one of the elements in the harmony of form

must be decided only by a corresponding vibration

in the human soul.

Died in 1944, France.

Everything is just the way they said it would be.

Did you bitch your petals?

As a matter of fact, no.

Your kids and I, we both liked our parents.

Wait.

Love our parents.

Am I getting in the way here?

I'm sorry.

I burst into your hysterical blood.

No, no, no, no, no.

Really, I didn't mean to be--

No, no, no, no.

Tell us about our children.

Three, two at Harvard and the girl at Grotton.

How is Harvard?

Well, fine.

It's just there.

Everyone's in a constant state of luxurious despair

and constant discovery in paralysis.

We asked him where home was.

Our quest, he said.

Oh, although I've lived all over, my folks are divorced.

He's remarried.

Actually, he's doing a movie.

He's in the movies?

He's directing this, and what he does, Eric.

Really?

Um, what's he directing?

Cat.

Someone is directing a film of cats?

Don't be snooty.

Well, you've seen it to your salient?

Yes, here's a girl.

It was a benefit for some school.

A disease, what?

Surely they can't make the movie of cats.

No, of course they can.

Well, they're going to try.

My father will be here.

Oh, auditioning.

Cats?

[LAUGHS]

He's going to use people.

What a courageous stand.

They thought of lots of ways to go.

Animation.

Animation would be nice.

But he found a better way.

But as a matter of fact, he turned it down at first.

He went to tell the producers as a courtesy,

all the reasons why you couldn't make a movie of cats.

And in going through all the reasons why you couldn't

make a movie of cats, he suddenly saw how you could make

a movie of cats.

Eureka in the bathtub.

No one will.

Maybe ask who?

He was then.

We pulled up ever so slightly.

Pulled up closer.

And he told us.

He named the greatest black star in movies.

No names.

No names.

We're trying to keep this abstract plus libel.

Sydney Poitier.

There, I don't care.

You have to have truth.

Let's talk to others in lawyer.

And it's terrified of libel.

I'm not.

Sydney Poitier, the future Jackie Robbins in a films,

was born the 24th of February 1927 in Miami

during a visit his parents made to Florida.

Lately?

To sell tomatoes they had grown on their farm in the Bahamas.

He grew up on Cat Island so poor they didn't even

own dirt he had said.

Neglected by his family, my father would sit on the shore.

And as he's told me many times, conjure up the kind of worlds

that were on the other side and what I do in them.

He arrived in New York City from the Bahamas

in the winter of 1943 at the age of 15 and a half

and lived in the Pei toilet of the bus station

across from the old Madison Square Garden

at 50th and 8th Avenue.

He moved to the roof of the Brill building, commonly known

as Tin Pan Alley, washed dishes at a turf restaurant

for $4.11 a night.

He taught himself to read by reading the newspaper.

In the black newspaper, the theater page

was opposite the one-hat page.

Among his 42 films are, no way out, 1950,

cried the beloved country, 1952, Blackboard Jungle, 1955.

The Defied, once 1958.

Raising in the Sun, 1961, Lillie's of the Field, 1963.

In the heat of the night, 1967,

to serve with love, 1967, shoot to kill 1988.

And of course.

Yes, there's coming.

[LAUGHTER]

He won the Oscar for Lillie's of the Field

and was twice named top mailbox officer in the country.

My father made no films from 1977 to 1987,

but worked as director and author.

Dad said to me once, I still don't fully understand

how all this came about in the sequence it came about.

Oh, Dad's not until tomorrow at the Sherry.

I came down from Cambridge.

I thought I'd stay at some flea bag for adventure,

or well, down and out.

Well, I don't really know New York.

I know Rome and Paris and Los Angeles a lot better.

Well, we are going out to dinner.

You all come.

Out to dinner.

Out to dinner.

The New Italian look cheery.

Good.

Good.

Made reservation.

They wrap up ravioli, and I saw it water tap.

Six and a plate for a few hundred dollars.

But why go out to dinner?

Because we have reservations.

Oh, my God, what time is it?

We lost the reservations.

And there's not a damn thing in the house.

And at 16th century, Florence, Virginia's on every block.

Now, don't walk.

Wait, you must have something in the frozen stick

from the ice age.

Why spend $100 on a bowl of rice?

Well, let me answer the kitchen.

Cooking calms me.

What I'd like to do is calm down.

Pay back your kids to what Harvard, the daughter,

Grotton, who've been wonderful to me.

They've never mentioned you.

You want to be supposed to say we've become friends

with the son of Sidney Poquier,

barrier breaker of the '50s and '60s.

Your father means a great deal in South Africa.

Well, I'm glad of that.

Dad and I went to Russia once to a film festival.

He was truly amazed how much his presence meant.

Oh, no.

Tell our stories of movie stars tying up their children,

being cruel.

And I wish you wish.

If I wanted to write a book about them, I really

can't. No one would want to read it.

He's decent and I admire him.

Oh, he's married to an actress.

She was saying, oh, no.

Oh, she's white.

Am I right?

That is not my mother.

That's his second wife.

He met Joanna making the lost man.

And left my mother.

It stuck by him in the lean years.

I had just been born.

The lost man is the only film of my father's.

I can't bring myself to see.

I'm so sorry.

We didn't mean--

No, no, no, no.

We're all good friends now.

His kids from that marriage and us, the old kids.

I'd love to get into that kitchen.

What should we do?

His javri's only night in New York.

I vote staying.

Oh, good.

We wowed into the kitchen.

And we watched him call--

We watched him call.

Get in the shop.

He did a sort of wizardry.

Leftovers on his head.

His caters?

I don't want to finish all of them.

Each of our sons are right to modest.

It was wonderful.

So you're from?

True Hamnish book.

My dad took me to a movie shot in South Africa.

The camera moves from this vile riding in the streets

to a villa where people picked a lunge on a terrace.

He only rides at the flowers and the birds.

Gorgeous plumage and petals.

I didn't understand.

That said to me, you meet

these young blacks who are having a terrible time.

They've had a totally inadequate education.

And yet in 76 the year, the Soweto riots,

it took on a tremendous political responsibility.

Just makes you wonder at the maturity that's in them.

I mean, it makes you realize that the crummy childhood

theory that everything can be blamed in a Freudian fashion

on the fact that you've had a bad upbringing just

doesn't hold water.

[BLANK_AUDIO]

What about being black in America?

Well, my problem is I've never felt American.

I grew up in Switzerland, boarding school, villa Rosé.

There's a boarding school in Switzerland that will take you at age 18 months.

[LAUGHTER]

No, no, no, no, that's not me.

I've never felt people like me for my connection.

Movie star kid problems with none of those.

I never knew I was black in that racist way until I was 16, came back here.

Very, very protected.

White servants.

After the divorce, we moved to Switzerland.

My mother brother and I.

I don't feel American.

I don't even feel black.

I suppose that's very lucky for me.

But even though Freud says there's no such thing as luck,

just what you made.

Does Freud say that?

Well, I think we're lucky having this dinner.

Plan the weed in the dining room.

Dining room.

[BLANK_AUDIO]

Don't look at the sewing.

[BLANK_AUDIO]

So is everything okay?

Oh, yes, this is the best posture I've ever tasted.

My father insisted we learn to cook.

He's from Jamaica, isn't he?

There's a taster of the islands.

Yes, yes, before he made it, he ran for restaurants in Harlem.

You, sir, have good butts.

You see, good butts.

I've never been complimented on my butts.

[LAUGH]

I'm going to stop it.

What about you?

Oh, no, no, no.

The cook never eats.

What do I do?

Never do this more for us.

It's such a treat to eat at home.

We go out every night.

We'll have to.

Business.

I need to clap your major yet.

You are like all parents.

What's your major?

Every now.

Harvard has almost great titles.

The students give the course of the--

The Holocaust and ethics?

Progen Dutch.

[LAUGH]

A toast to you.

Oh, no, no.

Two cats.

Okay, yes, two cats.

[LAUGH]

Oh.

[BLANK_AUDIO]

Oh, isn't this the finest time?

[BLANK_AUDIO]

Hello?

Hello?

Hello?

Seconds?

Oh, no.

[LAUGH]

[BLANK_AUDIO]

I learned the question.

What's he like?

Oh, let's not be starfuckers.

I'm a star.

Well, you know my father, he's perfect.

So confident, in control, and I used to wonder how could I ever possibly live up to him.

And then one night, when I was 16, we were at the Cannes Film Festival of All Places.

I looked up and said to him, wow, dad.

This is all so easy for you.

Why did I say that?

[LAUGH]

He sat me down and sat me straight.

Actually, he was a relief for me to know that my father was no Superman.

That he has problems.

And there are moments in his life when he's scared.

And yet, sometimes life is whipping his tail.

And he doesn't feel like he's going to be able to get through the day.

That's refreshing news for me.

Because I have times like that myself.

I just love the kids so much.

I wanted to reach out to him.

And then we asked him what his thesis was on.

The one that was stepped.

Well, a substitute teacher out on Long Island was dropped from his job for fighting with the student.

Few weeks later, he returned to the classroom, shot the student unsuccessfully,

held the class hostage, and then shot himself.

Successfully, this fact caught my eye.

Last sentence, times, a neighbor described the teacher as a nice boy.

Always reading, "Cacher in the Rye."

This nitwit Chapman, who shot John Lennon, said he did it because he wanted to draw the attention of the world to catch her in the rye.

And the reading of this book would be his defense.

Young Hinckley, the Wiz kid who shot Reagan and his press secretary, said if you want my defense,

all you have to do is read, "Cacher in the Rye."

[LAUGHTER]

I haven't read it in years.

Well, I borrowed a copy from a young friend of mine because I wanted to see what she had underlined.

And I read this book to find out why this touching, beautiful, sensitive story published in July 1951 had turned into this manifesto of hate.

I started reading.

It's exactly as I remembered.

Everybody's a phony.

Page two, my brothers in Hollywood being a prostitute.

Page three, what a phony slob his father was.

Page nine, people never notice anything.

Then on page 22, my hair stood up.

Well, remember Holden called "Feel the definitive sensitive youth wearing his red hunters cap?"

A deer hunter's cap?

Like hell it is.

I sort of closed one eye like I was taking aim at it.

This is a people shooting hat.

I shoot people in this hat.

This book is preparing people for bigger moments in their lives than I had ever dreamed of.

Then on page 89, I'd rather push a guy out the window or chop his head off with an axe than sock him in the jaw.

I hate fistfights.

What scares me most is the other guy's face.

I have finished the book.

It's a touching story.

The comic, because the boy wants to do so much and can't do anything, hates all phoniness and only lies to others,

wants everyone to like him, but is only hateful and is completely self-involved.

In other words, it's a pretty accurate picture of a male adolescent.

And what alarms me about the book?

Not the book so much as the aura about it is this.

The book is primarily about paralysis.

The boy can't function.

And at the end, before he can run away and start a new life, it starts to rain.

And he folds.

Now, there's nothing wrong in writing about emotional and intellectual paralysis.

It may indeed thanks to a check-off and Samuel Beckett be the great modern theme.

The extraordinary last lines of waiting for Gudell.

Let's go.

Yes.

Let's go.

Stage directions.

They do not move.

But the aura around this book of Salinger is which perhaps should be read by everyone but young man is this.

It mirrors like a fun house mirror and amplifies like a distorted speaker, one of the great tragedies of our times.

The death of the imagination.

Because what else is paralysis?

The imagination has been so debased that imagination being imaginative,

rather than being the linchpin of our existence now stands as a synonym for something outside ourselves.

Like science fiction or some new use for tangerine slices on raw pork chops.

What an imaginative some are recipe.

And Star Wars.

So imaginative.

And Star Trek.

So imaginative.

And Lord of the Rings.

All those dwarves.

So imaginative.

The imagination has moved out of the realm of being our link.

We are our most personal link with our inner lives in the world outside that world.

This world we share.

What is schizophrenia but a horrifying state where what's in here doesn't match up with what's out there?

Why has imagination become a synonym for style?

I believe the imagination is the passport that we create to help take us into the real world.

I believe the imagination is merely another phrase for what is most uniquely us.

Jung says, "The greatest sin is to be unconscious.

Our boy Holden says what scares me most is the other guy's face.

It wouldn't be so bad if you could both be blindfolded."

Most of the time the faces that we face are not the other guys, but our own faces.

And it is the worst kind of yellowness to be so scared of yourself that you put blindfold on rather than

deal with yourself.

To face ourselves.

That's the hard thing.

The imagination.

That's God's gift to make the act of self-examination bearable.

Well, indeed.

I hope your muggers read every word.

I'm going to buy a copy of Catch from the Ride.

They're important and read it.

Cover and recover.

I'll test you.

Look, I should be going.

Where would you stay?

Oh, no, not some flea bag.

No, no, no.

I get into the show tomorrow morning.

This is not so far off.

I can walk around.

I don't think they'll mug me twice in one evening.

You'll stay here tonight.

No, I have to be at the hotel.

It's 7 a.m. sharp.

We'll get you up.

Or dad will have a fit.

I'm at 6.15, which is any moment now.

I'll leave that wedding in Milbrook.

I'll leave this in the lounge for the day.

If you keep baying over the edge.

Look, if it's any problem, I'll give you a problem.

The only problem is if you leave.

6.15?

I'll tip to a.

And we want to be in a cap.

Oh, plan.

It's done.

I'll flop back with my wife.

Well, what's she both of you?

Actually, you're not.

Dad said I could be in charge of being a child.

I said I could be in charge of the extras.

And now you just be extras.

That's all I can promise.

In cat suits?

No, you can be humans.

That's very important.

It has to be in our contract.

We are humans.

We haven't got any business done tonight.

I forget it.

It was just an evening at home.

Whatever you do, don't think about elephant.

Did I intrude?

No, no, no.

I'm not sure how long it is.

I'm doing business.

I won't get to the elevator.

We embraced and planned in Jeffrey left.

Well, let me clean up.

Oh, no, no, please leave it.

Nobody comes in on Sunday.

No, you're fine.

I'll be in on Tuesday.

You'll have every bug in prison.

No, please let me--

No.

You watch.

It gives me a thrill to be looked at.

Where you at?

Where you at?

He's in.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

He's in for too many.

Yeah, he's in.

He's in for too many.

Oh, we did it.

Oh, we did it.

Oh, we did it.

Oh, we did it.

Oh, break all those dishes.

$2 million.

$2 million.

$2 million.

And the Japanese will go to 10.

Go to 10.

10 million.

Do we all young go to 10 and we poured up nothing.

Nothing.

Wildest dreams.

Oh, God.

Money.

To take $2 million.

No, no.

It's just walking around when I don't need it.

What if your father's plane is late?

A video of the percent condition is $50.

I wouldn't want my my kids stuck in a street without a nickel.

You kids said you were an art dealer, but you don't have a gallery.

Okay.

Okay.

Okay.

Okay.

Some people want to sell privately, not go through a gallery.

Divorce taxes for police.

They'll come to me looking for a certain school of pain.

Modern impressionist renaissance.

I want museums to know where it is.

Japanese.

I've got Japanese looking for a Suzanne.

I have a syndicate that will buy the painting.

And there's this great second devil's agent coming up for sale in a very messy divorce.

Why?

Doesn't want happy to know she owns a Suzanne.

I needed an extra $2 million.

Jeffrey called.

We invited him for dinner.

Tonight was a very nervous, very casual, very big thing.

Oh, boy.

I couldn't tell.

All that better.

I'm glad I helped.

Oh.

You were wonderful.

I'm so pleased I was wonderful.

All this and a pink shirt.

Oh, please, please.

Look at the time.

We should say our goodnight.

Christ, we're grateful.

I want my father to meet you.

How do we love to bring him up for dinner?

Oh, good.

I can see how easy it is.

Sure.

You've called us the cooking.

Well, this is it.

Goodnight.

Goodnight.

Goodnight.

Goodnight.

I want to get down on my knees.

Thank God.

Money.

Who said when artists dream, they dream of money.

God, I would be such an artist.

[LAUGHTER]

Bravo.

Bravo.

Bravo.

Oh, God.

I don't want to lose our life here.

I don't want to hold a bit to pile up in pressure.

It won't.

We're safe.

For a while.

There are lost in ways.

If I hadn't gotten this money, I would have lost to say,

"Zan, it would have gone.

I had nowhere to find it."

Why don't you tell me how much these things paint?

You wait until the last minute.

I don't want to worry.

Not worry, me.

I'm your partner.

There is a God.

His name is?

Jeff Regan.

(laughing)

(piano music)

(bell chimes)

- I know I had the strangest dream.

I dreamt of cats.

(buzzing)

The movie.

- Yeah.

- Oh, I'm worried.

Is it right to make a movie of cats?

- I'll tell you why there has to be a movie of cats, Wiza.

May I call you Wiza?

- Oh.

- I have no illusions about the merits of cats,

but the world has been too heavy with all the right to libraries,

to protect the lives of the unborn,

constitutional amendments, marches,

when does life begin?

Or the converse, the end of life, the right to die.

Why is life at this point in the 20th century,

so focused upon the very beginning of life

and the very end of life?

What about the 80 years we have to live

between those two inexorable bookends?

- And you can get all that into cats?

- We're going to try.

- Thank you.

Thank you.

- Thank you, Michelle.

- This is what I dreamed.

I didn't dream so much as realize this.

I feel so close to the paintings.

I'm not just selling like pieces of meat.

And I remembered why I loved paintings

in the first place.

What had got me into this.

I thought, dream.

Remember how easy it is for a painter to lose a painting.

Paint some paints works on a canvas for months.

And then one day he loses it, loses the structure,

loses the sense of it.

He loses the painting.

I remember it asking my kid's second grade teacher,

why are all your students' geniuses?

Look at the first grade.

Bloches of green and black, the third grade camouflage.

But you are great, the second grade.

My teeth isn't everyone.

You've made my child a motif.

Let me study with you.

Let me into the second grade.

What is your secret?

- I don't have any secret.

I just know when to take their drawings away from them.

- I dreamt of color.

I dreamt of our sons pink shirt.

I dreamt of pink sandalas.

And the new van go with the museum of modern art cut.

And the irises sold for $53.9 million.

Wishing a van go with mine, I looked at my English hand-blasted shoes

and such a van goes tragic shoes.

And remembered me as I was a painter losing a painting.

- So this morning, I sat in the kitchen

and I was happily doing the crossword puzzle in it.

And yeah, everybody does it in aid.

I remember at one person, and I said,

"It's in the kitchen."

Anyway, I sat there happily doing the puzzle.

I looked at the time, and it was nearly seven,

and pull out to meet his father.

And I didn't want him to be late.

Paul?

Paul, are you okay?

- Uh.

- Paul?

- Shh!

- What the fuck is going on here?

What the fuck are you?

What the fuck?

(screaming)

(screaming)

- Oh!

- Oh!

- Oh!

Oh!

Oh!

God, there's someone in the house.

- There's someone in the house.

(screaming)

- Yes, Paul.

- Frank?

I need help with you, right away.

(door slams)

- Hey, how you doing?

- Fine, go on.

- Ho, ho, ho, ho.

Nice stuff.

Fancy, ho, man.

- Oh, yeah, for me.

- Oh.

I can explain.

- You went out after we were asleep

and picked up this thing.

- Got this thing into our house thing,

standing out, God of my house.

- Stop, Randy.

Might have a gun.

- A gun?

- Yeah, might have a gun.

I might have a knife.

- Oh, my God.

(screaming)

- No, no, no, no.

- Oh, God!

- Oh, God!

- He's the guy.

Oh, God!

- Oh, God!

- Yeah, yeah, yeah.

- Take your clothes and go back to sleep in the dark.

- Take it easy with my pants.

- Shit.

Fuck!

- Oh, my God.

Oh, my God.

Please, don't tell my father.

I haven't told him.

I got so lonely and so afraid my dad's gun.

- Don't let me hurt you.

- I spent it.

You had so much.

I couldn't be alone.

- Get out.

- Get out.

- Everything all right.

- That's of course everything's all right.

- Just make sure they leave by the back door.

I'm so sorry.

(gunshot)

- Oh, shit.

- Oh, my God.

- God.

- Is everything gone?

- Oh, God.

- Look, I'm shaking.

- I wouldn't know if anything's gone.

- Calm down.

- What a big kill.

Oh, my God, the candles keep--

- The candles keep the--

- Oh, there it is.

- Oh, it's over.

- You think well.

- You think about things.

- No, no, no, no, no.

- That's the crap.

Silver jaguar.

- Oh, slashed.

- Threwed slashed.

- There's the day gone.

- Oh, the breaded died happy and then murder.

- We have all good enough.

- They're lies.

And that's that.

- Well, it's not.

- I think we've got to tell if someone else was here.

- Didn't all right.

(phone ringing)

- No, don't, don't, don't, don't, don't,

we got that phone at him.

(phone ringing)

- Hello.

- Flanders?

- Yeah, free.

- I've been thinking those jips really want the sassar.

They'll pay.

You can depend on me for an additional ever call of 250.

- 250,000?

- And I was thinking for South Africa,

what about a black American fountain festival?

- With this spike, Lee, you have not.

- And of course, get Cartier Down

and it's gonna be the president of the jury.

- And I know, cause be.

- And I love this Eddie Murphy.

And my wife, she went fishing with Diana Ross.

- And her new Norwegian husband.

- And also, they must have some new blacks.

- It sounds a wonderful idea.

- Our core ports here at the Sherry.

- No, no, no, we'll call.

They're calling my plane.

And again, last night.

- No need to thank.

See you shortly.

- The banks?

- My lawyers.

- The mayor, sir.

- Exactly.

- Safe trip.

- Thank you.

- And here we are.

Safe.

(gentle music)

(gentle music)

(gentle music)

- We have a story to tell here.

- Whoa.

- Do we have a story to tell you?

- Do you have a story first, okay?

- But did your story happen Saturday night?

We're still zombies.

- We win.

Our story happened Friday night.

So we go first.

- Our two and their son are at Harvard together.

- We're going to be in the movies.

- We are going to be in the movie of cats.

(laughing)

- You tell your story first.

- Friday night, we were home.

The doorbell rang.

- I am not impressed, but it is the son of you.

- You got it.

- The kid was mugged.

We had to go out.

We loved him.

He was so charming.

His father was taking the red eye.

He couldn't get into the hotel till seven a.m.

He stayed with us.

- Middle of the night, we heard somebody screaming.

Birdler, Birdler!

We came out in the hall.

Paul is chasing this naked blonde thief.

- You found the car in there?

Blunt thief runs out.

Your arms go off.

In the kids saved our lives.

- That was no birdler.

- You had another house guest.

- Oh, we feel so guilty.

- Yeah, I mean, Paul could have been killed by that intruder.

He was very understanding.

- Was anything missing from your house?

- Nothing.

- Did you have fallen in money?

- $25 till his father arrived?

- We told them our story.

- Oh!

Have you told you a kid?

Couldn't get through.

- We could go back to our place and phone.

- Hello.

- Sherry Netherlands?

- I know who speaks.

- She gave the name.

- No, I'm not a fan.

- A fan, call.

Sydney party must be registered.

His son is a friend of one of our...

- Oh.

- He's there under another name.

- That's a good reason.

- Uh...

- Hello, sir.

- Hello, sir.

- Is that how you work?

- I'm not sure how you work.

- I'd go up and use the name Harriet Brown.

- You tracked down celebrities.

- I'm not sure how you must have known she was credit garb.

- Well, I'd like to know how one we get in touch with.

- Oh.

- No, no, I'm not a press agent.

No, I'm not with anyone.

What in my husband?

- Landers get rich.

- Oh.

- Well, every disservice is not given information on--

- Try the public library.

- Try who?

- Whoo-hoo.

- Thank you for a wonderful time.

- All, watch.

- A pot of jam.

- A pot of jam.

- Cheek!

- I think we should go to the police.

- What if a charge became into our house?

- He cooked his dinner.

- He told us the story of catch-up in the wrong--

- He said he was the son of Sidney Poitier.

- Sidney Poitier.

- You got it.

- Was he?

- We don't know.

- We gained $50.

- We gained $25.

- He picked up a husband.

- He left.

- He chased the broker out of our house.

- He didn't steal anything.

- We looked and looked.

- Talk to that.

- Nothing?

- Granted, this does not seem major now.

- We are very busy.

You can't chuck us out.

Come up with some charges, then I can do something.

- You threw us another chapter.

- Our kids came down from Harvard.

- Come on.

- Come on.

- You're still in the middle of the street.

- Shut up, Miss Hugh.

- I'm not going to eat you.

- The details we knew.

- How would you know about the painting?

- Well, I think it's the very fine-condent sketch.

- What do we do with it?

- That's the last thing that you're doing.

- And then we're going to let you know this film.

- He has this wild quality, a real elegance,

and a real concern, and a real consideration.

- Mommy should have let him stay.

He should have divorced all your children

and just let this dreamboat stay.

- Plus, he sent you flowers.

- And jam.

- Ooh.

- If only we could just get in touch with his father.

To find out if there's any truth in it.

- So who knows, Sidney Poitier, we could just call him up

and ask him.

- I've offended just the article I bet he could.

- What friend?

- It's nobody.

- No, what I know?

- Nobody.

- Nobody.

- Nobody.

- Nobody.

- Nobody.

- Nobody is going on anywhere I do not want an item.

- I don't know.

- I don't know.

- I don't know.

- Mom, dad, please.

- Please.

- Please.

- I'm not leaving.

- I'm not leaving.

- No, no, no.

- He's not leaving.

- He's not leaving.

- He's not leaving.

- He's not leaving.

- He's not leaving.

- You're not leaving.

- When you see your little sister, don't tell her

that Paul and the hustler used her bed.

- You put him in that bed.

I'm not getting involved in any conspiracy.

- It's not how conspiracy.

- It's not how I'm overwhelmed.

It's a family.

[door slams]

- The imagination.

It's there to sort out your nightmare,

to show you the exit from the maze of your nightmare,

to transform the nightmare into dreams that become your bed rock.

If we do not listen to that voice, it dies.

It shrivels.

It vanishes.

The imagination is not our escape.

On the contrary, the imagination is the place we are all

trying to get to.

[door slams]

[screams]

[screams]

[phone rings]

[phone rings]

- Hello?

I had a call that might interest you.

And a new character entered our story.

[music]

- Well, it was really quite extraordinary.

In very unusual, I was seeing a patient.

- After five, there's a friend of his sons here.

He's hurt.

- Hi, hi.

- Hi, I was loved.

- Yes, please come.

- He was more scared than hurt.

An iphone.

A few bruises.

- I don't know how to thank you, Dr.

- I would not be silly.

My father will be here tomorrow.

- He's wearing a mornier pants.

- Yes.

And this man had been a matinee at a lit my youth.

Somebody who had really forged a head and made new paths for blacks

just by the strength of his own talent.

Strangely, I had identified with him before I started medical school.

I mean, I'm a Jew.

My grandparents were killed in the war.

And I had this sense of self-hatred fear.

And this kid's father, the bravery of his films, gave me a direction, a confidence.

Simple as that, we're always paying off that.

Then my beeper went off, a patient in her 10th month.

For what a finally broke.

I gave the kid my keys.

Number 121.

- Thank you.

- Doug's told me all about you, Brownstone.

- All right.

- How you got it at a great price?

- They've been murdered in it and for a while people thought it had a curse.

- But you, sir, were a scientific man.

- And were courageous.

- Well, yes.

- I'm not courageous.

- Very courageous.

- I ran off to the delivery room.

Twins, two boys.

I thought of my son.

I dialed my boy at Dartmouth.

Amazingly, he was in his room doing what I had to ask.

So you've accused me of having no interest in your life, of not doing for your friends,

being a rotten father.

Well, this should make you very happy.

The son of whom?

Dad, I never heard of him.

Dad is usual.

You're a real curtain.

You gave him the keys.

You gave a complete stranger who happens to mention my name, the keys to our house?

Dad sometimes is so obvious to me why Mom left.

I'm so embarrassed to know you.

You gave the keys to a stranger who shows up at your office?

Mother told me you beat her.

My mom told me you were rotten, loving you, drank so much.

Your body's mother cheap white wine.

Mom said sleeping with you was sleeping with a solid, made of bad dressing.

Why are you out of prison, me, to this world?

There are two sides to every story.

You're an idiot.

You're an idiot.

I went home courageously.

With a policeman.

Rest him.

Pardon?

Breaking and entering.

Breaking and entering.

You're an imposter.

You're an imposter.

You're honor.

Your eminence.

Doctor Fine gave me the keys to his brown stone.

Isn't that so?

My son doesn't--

This man gave me the keys to his house.

Isn't that so?

Did you give him the keys to your house?

Yes, but under false pretenses.

This fucking black kid, who I got, it comes into my office.

I've taken this much brandy, but can pour the rest back into the bottle.

I've used the electricity listening to music, but I think you'll find nothing's been

taken from the house.

Excuse me.

I want you to rest this fraud.

I'm sorry.

Stop him.

A creep.

A creep.

Now, why do you mind the left?

You.

Two sides.

Every story.

We decided to get the copiest and new party as owed a biographer.

So, we go down to the stranded bookstore.

Eight miles of books.

Five here, there are four inches.

I found it.

This life by Sidney Poitier.

Back in New York with Anita and the children, I became aware that our marriage were working

on some levels was falling apart in other fundamental areas.

Now, there's a picture of him and his four daughters.

No sons.

No sons.

Imagine I was a prize.

Shall we?

This kid bulldozing his way into our lives.

Let him in our lives.

I run a foundation, you're a dealer, you're a doctor.

I think we'd be satisfied with our achievements.

I guess that Christy would ask what do we all have in the common.

I'm saying it's the common thread looking us all.

It's an overwhelming need to be in the movie of cats.

We're in our kids struggling through their lives.

I don't want to know anything about the spillover of your lives.

What were you having with common?

Is our children went to boarding school together?

Why would we never met?

Well, his mother had custody.

I lived at West.

After Doug graduated high school, she moved West.

I moved East.

I think we should drop it right here.

Are you afraid Venice mixed up in this rod?

I don't want to know too much about our kids.

Do you think Venice is hiding things from us?

I tell you I'm getting to the bottom of this.

My son has no involvement with any black frauds.

Doug, do you said something about crack?

No, that's what I left out.

No proof.

Good God, no proof.

We'll take a vote.

Do we pursue this to the end no matter what we find out about our kids?

I vote yes.

I do.

I trust Doug.

No.

Yes.

Listen to this last page.

We have hidden too much from our modern children.

When we were scared, we tend not to let them know.

They see the bravest toughest and most impenetrable

visits that we can muster precisely at those times when we are most afraid.

We called it making it better for our children, protecting them from what?

The truth is what we were protecting those little people from.

[MUSIC]

But what did you do next?

We went to Harvard.

You had to enlist our children.

[MUSIC]

It's obviously someone you went to high school with,

since you built a different college.

Doug, I just want to tell you how I appreciate your coming here.

Dad, spare me.

He knows the details of our lives.

Who are your high school?

Part of your group has become homosexual or is deep-ended.

That's like about 15 people.

I don't want to know.

Well, I find it really insulting that you assume it has to be a guy.

I mean, this movie star son could have had a relationship with a girl in high school, right?

That's why I'm going to Afghanistan to climb mountains.

Not climbing mountains.

We have not invested all this money and you to scale a face of K2.

Is that all I am?

An investment?

You don't have to do that.

Track down everyone in your class.

Male, female, whatever.

Not just homosexuals.

Truck addicts.

A kid could be a drug dealer.

Why do you look at me when you say that?

You think I'm an addict?

A drug pusher?

You know, I really resent the accusations.

No one is accusing me of anything.

I don't want to know.

Nobody is accusing anyone of anything.

I'm asking you to go on a detective search.

Find out from your high school class if anyone has met a black kid pretending to be a movie star son.

He promised you parts and cats.

It wasn't just that.

It was fun.

You went to cats.

You said it wasn't all time low in a lifetime of theater going.

Phil, there's a different video.

You said "escalisted" by the way.

I think that was Starlight Express.

Maybe you'll make a movie of starlight express.

You can all be on roller skates.

This is so humility.

Don't put that in.

So crazy.

It's not crazy.

Talk about shit.

It's odd to remember.

You loved cats.

I hate it.

Here is a copy of your ear book.

Just get the phone number.

Is it everyone in your class?

How can I get in touch with anyone from high school?

I doubt.

Throw them.

You graduated last year.

You got a proposal to my phone.

Never.

This is the crazy part.

This is the crazy part.

You're always on the phone.

Now I ask you to make calls all over the country.

You become register.

This is the entire McCarthy period.

I just want to get one thing straight.

You gave him a peanut gallery.

You gave him my pink shirt.

You gave a complete stranger.

My pink shirt.

That shirt was a Christmas present from you.

I treasure that shirt.

I love that shirt.

My collar is grown to full sights from weightlifting.

You saw that my arms are grown.

You saw that my neck had grown and you bought me that shirt for my new body.

I love that shirt.

My first shirt for my new body and you gave that shirt away.

I can't believe you.

I hate this life that I hate you.

You nerve anything from me.

You have done anything which I don't fly.

I'm only this pathetic extension of your eighth-right personality.

Social Darwinism pushed beyond all limits.

You gave them my pink shirt.

You want me to be everything you weren't?

You said "drugs" and looked at me?

Oh, God.

I know the feel.

When the children turn.

Well, at least we inspired the kids to take an action.

They went on a hunt.

It was a year before.

Oh, you're so close to the right one.

Oh, you're a great one, right?

Oh, my God!

You're a great one.

Well, yeah, well, I'll never let you go.

I'll never let you go.

Oh, no, no, no, no, no, no, no, no.

Oh, my God.

Trent Conway.

Trent Conway.

Trent Conway.

Trent Conway.

It was Beedie Oz.

Trent Conway.

What'd he say to my teeth?

So I went to MIT and he was there in his computer room.

And I just pressed him and pressed him and pressed him.

Yes, I knew Paul.

I had this strapped to me.

But what happened between you?

It was... it was...

It was a rainy night in Boston.

He was in a doorway.

I met him.

And I took him back to my place.

What's this?

My dressbook.

Hey, you know.

All these names and addresses.

Tell me about these people.

This is where I want it to be.

Right here.

Tell me about these people, man.

I just want to look at you.

Sorry.

These are rich people.

No.

Hanted mouth on a higher plateau.

And I got to be rough to be with rich people.

Got to have money.

You know, you got to buy in them and present tonight,

thing all the time.

Not at all.

I mean, wish people do something nice for you.

You give them a pot of jam.

That's what pots are jamming for.

Orange, grapefruit, strawberry.

But fancy.

And they have entire stores filled with fancy pots of jam.

Wrapped in cloth.

English or French?

Yeah, I tell you what I'm going to do.

I pick a name.

You tell me anything about them.

Where they live, secrets, everything.

And very name.

You get a piece of my clothes.

All right.

I'm going to be here to reach.

Talbot and Woodrow.

Talbot called Tess was an erectic.

It was in a hospital for a while.

Oh, really?

No.

Woodrow known as Woody has barbells for brains.

They parents.

There's a dog named Flan for Flanders, Kittridge.

Rhode Island, I believe.

New port.

But not along the ocean.

The street behind the ocean.

He's an art dealer.

They have a condensed key.

Can Wesky?

A condensed key.

A double-sided condensed key.

I feel like she's a hot.

I don't want you to leave me, Paul.

Now, I go through my address book, and I'll tell you about family after family.

You'll never not fit in again.

We'll even give you a new identity.

I'll make you the most sought after young men in the east.

And then one day, I'll come into one of these homes.

And you'll be there.

And I'll be presented to you.

And I'll pretend to meet you for the first time.

And our friendship will be witnessed by my friends.

And our parents' friends.

And if it all happens under their noses,

they can't judge me.

And they can't disparage you.

I'll make you a guest in their houses.

Now ask me another name.

I'd like to try for the shirt.

[

[ Pause ]

[ Pause ]

As an over-the-day.

Paul stayed with me for three months.

You remember a little Trent Conway?

They could get a hold of his address book with our names in it.

Yeah, that could be there.

[ Laughter ]

Now this is the way you must speak.

You're my accent.

You're my voice.

Now you never say you're going horseback riding.

Oh.

You say you're going riding.

And don't say catch.

Say sofa.

And you, you say bar.

A little bottle of beer.

It's a bottle.

A bottle of beer.

A bottle of beer.

A bottle of beer.

A bottle of beer.

A bottle of beer.

A bottle of beer.

[ Pause ]

We went through the address book later by letter.

Paul vanished by the hours.

He took the address book with him.

Well, he's already been in all your houses.

Maybe I will meet him again.

I sure would like to.

His past, his real name?

I don't know anything about him.

It was a rainy night in Boston.

He was in a doorway.

That's all.

He took stuff from you?

Besides the address book.

He took my stereo, my sport jacket, my word processor.

And my laser printer.

And my skis.

And my TV.

Well, you press charges?

No.

It's a felony.

Why do they want to find them?

They say to help him.

If there's a crime, the cops will get involved.

Look, Tess, we really must keep in touch.

We're really good friends for a brief bit in school.

I mean, really good.

Won't you press charges?

Oh, please.

[ Pause ]

Can you believe it?

Paul learned all that in three months.

Three months.

What have thought it?

Tran Conway, the Henry Eggens of our time.

[ Laughs ]

Paul must have looked at all those names in that address book.

And said, "I am Columbus.

I am a Jell-N.

I will sail into this new world."

[ Pause ]

I read somewhere that everybody on this planet is separated

by only six other people.

Six degrees of separation between us and everyone else on this planet.

The President of the United States of Gondelier and Venice

just fill in the names.

I find that extremely comforting that we're so close,

but I also find I like Chinese water torture that we're so close

because you have to find the right six people

to make the connection.

It's not just big names, it's anyone.

A native and a rainforest of Tiro Delfwagon and Eskimo.

I am bound on your path to everyone on this planet

by a trail of six people.

It's a profound thought that Paul found us

how to find the man who Sonny claims to be or perhaps is

when they were down it.

However, everyone is a new door opening into other worlds.

Six degrees of separation between us and everyone else on this planet.

But to find the right six people.

Hi, we side!

Hi, dear John!

I'm still going to Rome, leaving tomorrow.

Are you going to see the Sistine Chapel?

Oh, we can't.

It's close.

When in Rome.

You must know these people.

Oh!

Oh, I wonder why.

Oh, I've always wanted to go to each other.

We'll call them "diffdasunds" we get in.

Thank you.

That's why we love you.

[music]

Rome is always remarkable, but to see the Sistine Chapel

The standard that they're at top of the scaffold is.

The colors are vibrant.

We went to Rome on business, but thanks to Michelangelo.

I think I have a buyer for that piece.

I don't think I want to sell.

They restored the chapel after all these years.

They've taken off years of smoke contourists.

Now it's brand new.

It's staggering.

But what happened to Sidney Poitier's son?

Oh, we put all of that out of our heads.

The package would be much more lucrative for you if you could include that piece.

I've heard so many stories.

Not why.

These stole Marian jewelry?

No, never.

Can we get down to business, please?

Good day.

Oh.

All right.

I am humiliated, but what the hell?

The day after we came back from Rome, we were stepping out of a taxi from lunch.

Our door man, whom we did very well at Christmas, and any time he does anything nice for us,

our door man, spit at my husband, Jay Flanders-Kitch.

I mean, he's been at him.

Thank you, Marius.

Oh.

Darling, may not need to know every detail.

You son, I know all about you son.

What about my son?

Not a little shit that lives here, the other son.

The seathead son?

The Negro son, you jedi.

You grow son.

The blacks son, you make living center part where you call a vanting around Rome.

Do you have a black son?

No.

This is how rumors get started and set in cement.

The girl told me everything.

Oh, she wants her money.

Oh, I'm keeping it in the safe place.

Come, come, come.

The next chapter.

My boyfriend and I took a picnic into the park.

So do they have any black people in Utah?

Maybe too.

I saw them once too lucky.

Yeah, the Mormons brought in too.

Do you think it'll hurt me?

What a hurt you.

My resemblance to live all men.

She won the All-State Competition for comedy and drama.

Really?

My car.

The quality of mercy is not strained.

It droplets like the gentle rain from heaven.

Oh.

Yeah.

And we study and we wait tables.

Because you have to have technique.

Well, like the painters, it says on, looks for the rules behind the spontaneity of impressionism.

It says, that's how it feels.

We don't know anything about painting.

My dad loves painting.

He has a Kandinsky, but he loves his animals.

But he lives up there.

What?

Yeah, cow, six windows down.

On the corner.

John Flender's Kitridge.

His children's calling "Flan."

I was the child of Flan's hippie days.

His radical days.

He went down south as a freedom archer to register black voters.

You did?

No.

Can't you just see me marching down south for freedom now?

Yeah.

Yes, I can.

His friends were killed.

He met my mother, registered her, married her in a fit of sentimental righteousness, knocked her up with me, and came back here and abandoned her.

You didn't.

Flan, shame.

He's now a fancy art dealer.

Won't see me.

The new wife, the white wife, the Louisa Kitridge, call me "Weasel wife."

The mother of the new children wife.

Your brothers and sisters.

They go to Ann Dover and Exeter and Harvard and Yale.

The awful thing is my father started out good.

My mother says there's a good man inside Jay Flender's Kitridge.

There is, darling.

There is.

Flan thinks he's part of some sinister plot.

No, it's all too creepy.

I don't even like to talk about it.

You would see if he's that good.

He can't forget you entirely.

I call him and he hangs up.

Go to his office.

He doesn't have an office.

He works out of there.

They won't even let me in the elevator.

Trust up as a messenger.

Say you got a masterpiece for him.

They got the Mona Leifen, the truck.

I don't want to embarrass him.

Oh, this is so fucking tacky.

You two love each other?

Mine.

That's good.

He's your nice kids.

Yeah, they work for a living.

I hope we can meet again.

Yeah.

Hey, where do you live?

Live.

I'm home.

You don't live in the streets.

You guys are such assholes.

Where would I live?

You can stay with us.

Would you ever have a railroad flight in a tenement?

It's over roller disco.

The last of the roller disco.

But it's quiet by 5 a.m.

and a great narrow space.

We could give you the couch.

The tub is in the kitchen, but there's lots of stuff.

Hello.

Hello.

Hello.

Hello.

Hello.

He opened up a whole new world to us.

[BLANK_AUDIO]

It's all anybody wants, isn't it?

No world.

[BLANK_AUDIO]

You say you're going riding.

Riding.

I'd never say couch.

It's sofa.

So fast.

So fast.

You say bottle.

It's bottle.

Bottle of beer.

Bottle of beer.

Bottle of beer.

Bottle of beer.

Bottle of beer.

Oh, see?

Bottle of beer.

[LAUGH]

And never be afraid of rich people.

You know what they love?

A fancy pot of jam.

Really, that's all.

Get yourself a patron.

That's what you need.

But you shouldn't be waiting tables.

You're going to wake up one day and the temporary job you picked up just to stay

alive is going to be your full-time life.

[BLANK_AUDIO]

You stayed with them for two or three weeks.

The sunkus heels in.

[BLANK_AUDIO]

I'm moving out of here.

My father answered my letter.

He's going to give me a thousand dollars and that's just for starters.

He sold his sizzan to the Japanese and made millions.

Now he would give me money without her knowing it.

[LAUGH]

I knew it.

I'm going to give you the money to put on any play you want.

And agents will come and see you and you'll be discovered.

And when you ask us both of you, you'll look in the camera.

And thank me.

I want to thank Paul Kitridge.

Thanks, Paul.

[LAUGH]

One hitch.

I'm going to meet him in Maine.

He's visiting his parents in dark harbor.

My grandparents whom I've never met.

He's finally going to tell my grandparents about me.

Can you just see the look on my parents' face of a black kid showed up?

Hi, Grandma.

[LAUGH]

My grandparents are dead.

[LAUGH]

He's going to give me money.

I can go back home.

Get my mom with that beauty pile.

She's won it all her life.

One problem.

How am I going to get to Maine?

The wife checks all the bills.

Where the hell am I going to get $250 to get to Maine?

[BLANK_AUDIO]

How long would you need it for her?

I'll be gone a week.

I can wire it back to you.

You lend it to him for me.

He can if something happens.

He's just like a stepmother.

These women holding onto all the purse strats.

No.

We worked too hard to save that.

[BLANK_AUDIO]

I'm sorry, Paul.

We just can't.

No problem.

I understand.

How many people have to work?

Sure.

Your dad loves you.

Who get you to take it up there?

He does.

It'll work out.

[BLANK_AUDIO]

Hey, posture, stand up straight.

Don't slump.

Attitudes of defeat.

The girl worked just to stay alive.

She was one of those armies of young people who come in the art field with dreams.

Stand up on a treadmill working and working.

We're getting what they wanted and why they came here.

There must be some mistake.

It's his mic joint account.

Can you see the numbers in the screen?

Come on.

You're not right.

That's my name and his name.

My joint account.

[BLANK_AUDIO]

What whole clothes is the account?

I was furious.

I can't tell you how furious I was.

Then I went home to my luxurious penthouse.

And I waited for hours.

[BLANK_AUDIO]

Where's the money?

All right.

Just let me explain.

Paul found some extra money of his own.

[BLANK_AUDIO]

So he took me to the Rainbow Room.

He would have treated you when you had to work.

[BLANK_AUDIO]

We read at these Duxedos.

Thank you.

Isn't it a gas?

How do we get this stable?

Stick with me, babe.

I know the right names to drop.

He's gonna give us some money back.

And then I'm taking you to the Rainbow Room.

All right, matches.

[BLANK_AUDIO]

Is that that expensive for what you get?

I'm not a bargain, but it's worth it.

[MUSIC]

Wonderful bouquet.

Okay.

The taste of wine.

Always remember the wine from the even number of years is superior to the wine from the odd number of years.

Cheers, skull, pros, and mud in your eyes.

[LAUGH]

You're just about the greatest.

You want to dance?

Elizabeth has never seen anything like here.

I wish you was.

Who do we dance with?

[MUSIC]

For guys.

Every moment in life is a learning experience.

But what good is it?

Right?

Yes.

And let this bunch of jerksy class.

I swear, nothing like this ever happened in Utah.

[MUSIC]

And I tell you, nothing like that must ever happen at the Rainbow Room, because they asked us to leave.

[MUSIC]

I'm so funny.

[LAUGH]

Around the park, sir.

We don't have any money.

There you go.

When will you learn?

Money is the one commodity you can always get.

[MUSIC]

Yeah.

[MUSIC]

[SOUND]

I'm going to have to explain to Elizabeth about the money in calm, or she gets so nervous.

Hey Paul, come on, stop there.

I was wondering if I could fuck you.

Man, I don't do things like that.

That's what makes it so nice.

You don't.

And you did.

It was fantastic.

[MUSIC]

I'm your first experience, right?

We can use this, right?

You're a fool.

Your father is right.

You are a fool.

You're your first experience.

My father is not right.

I can't have him be right.

Just, it's going to be true.

[MUSIC]

Hey.

Hey.

Hey.

Come back here.

Hey.

Hey.

Hey.

Oh.

I'm Paul.

[MUSIC]

Look at me.

Elizabeth, I didn't come here to do this or to lose that, or to be this, or to be

this, or to do this to you.

Not to you.

Look at me.

[MUSIC]

I couldn't look at him.

Spent the night thinking about having no money.

About Paul and his father.

So this morning.

[MUSIC]

Sir.

Sir.

I need to get up to see some people named Kit Rich.

Kit Rich.

Are they expecting you?

This kid, which guy has a black son who makes live in the park, who took

money from me.

Mr. Kit Rich has what?

He sent us me money.

You have to call in the right than Leonard, yes?

Quality of mercy is not strange.

Well, fuck you, quality of mercy.

It's trouble with Mr. Kit Rich's Negro son.

Come on, I think they're over here.

Don't worry.

I've been in the building that I had abandoned some mistake of my past in Central Park.

But it's too fantastic.

It was so embarrassing.

It was horrible.

There wasn't so embarrassing.

I've been fan-loves to be outraged.

I do not.

You do too.

Flying loves getting at the high budget.

And look at his cheeks down all roads.

The budget becomes him.

Too high, Dutchman.

No.

Can we get down to business?

Do we have a story for you?

Kitty and I were at the roller disco, two clients open.

I hadn't skated.

And I hate to tell you how many you--

We came outside, giddy and reeling.

You wouldn't believe what we saw.

The blood seeping out hadn't yet reached the gunner.

With losing slowly out towards the curb, the body must have just landed there in a club.

And the boy had just jumped from a bob.

He couldn't land it on us.

We just missed it by minutes.

[MUSIC PLAYING]

Greg, you've got!

Oh, Greg!

Greg!

Show press charges.

I went Paul Dent.

Rick's dead.

You bet your life on press charges.

We're very sorry.

Is there anything we can do to help?

It pulls in minutes.

We couldn't have been killed.

It's worth slash.

We wasn't going to kill us.

We haven't seen him since that night.

Find him.

We might have a case.

Find him.

How do we find him?

No, we could release papers.

I can call him a time.

Oh, let me.

I have friends at the time.

I don't know.

They'll publish the story.

Someone will say it?

And turn him in.

I'll find him.

Six to four years.

Who says New Yorkers don't have a heart?

Smart sophisticated tough New Yorkers,

such as the J. Flanders' Kitrages,

who opened their homes and pocketbooks to a young man,

learned yesterday they had been boomedoggled by a confidence man.

Now wanted to work, police.

Did you see the piece of the times?

They were in Squarm Alley.

Oh, we came off very well.

I forgot to mention your foundation.

Oh, it could wall-faint to the Empire State Building,

with all the copies of when, at May.

Come to dinner with us after.

Yeah.

Work.

Option.

Matisse.

No, Matisse on an off day.

But our people have a fair to go to Willwood.

Oh, don't tell all the family secrets.

Willwood, we're $12 billion out of which you will keep.

Not much of these days.

Oh, boy.

Bring back the 80s.

Oh, uh.

I still have to get most of it away.

But the good party, if it gives us credibility,

and let's no market, it's all over the whack.

Everything's up to everything's down.

[LAUGHTER]

Did you ever hear from Pochy's son?

Yeah.

Did you ever hear from the boy?

Oh, Mrs. Vanastor, we're here to honor your guest.

But I keep hearing about this story.

Well, I heard about it last week in Southampton.

It's amazing, isn't it?

I really took it.

You had to finally.

She can't save the world every day.

[LAUGHTER]

This is my supper, and I command you to sing.

This is lunch.

What happened?

Well, there is one last chapter, which happened the other night.

Lisa, yeah.

♪ The fatigue's still in my hand for an hour or so.

♪ The more breath of lead and the more...

So what are you wearing?

Oh, I'm totally dulled up.

The blue satin.

Have you seen it?

Darling, I have to tell you the sign I saw today.

Cruelty-free, cosmetics.

A store was selling cruelty-free cosmetics.

Well, mother, that is such a beautiful thing.

Do you realize the agony cosmetic companies put rabbits through just a test eyeshadow?

Oh, darling, I know that.

I was referring to the phrase, cruelty-free cosmetics.

Should eliminate all traces of time and say your mother.

Mother, I'm getting married.

I thought you were going to Afghanistan.

I'm going to get married, and then I'm going to Afghanistan.

One country at a time.

You're not getting married.

You're not getting married.

You're so deeply negative.

I know everyone you know, and you're not marrying any of them.

The arrogance that you would assume you know everyone I know the way that you say that.

I know everyone you know.

Well, unless you met them in the last two days, you can't hold a secret.

You never have them.

Wait, hold on, I'm gonna be sure not.

Nobody ever calls on that number.

Mother?

Hello.

Hello?

Paul?

I saw the story in the paper.

I didn't know the boy killed himself.

He gave me that money.

I didn't steal anything.

What would wait it?

What you want hold?

I'm talking to my child.

Put me on hold.

I'll be gone and you'll never hear from me again.

Yes, mother, connect.

Hello?

You have to turn yourself in.

Boy, committed suicide.

The girl is pressing charges.

You stole that money.

Turn yourself in.

Make it easy on yourself.

They're going to get you.

I'm wearing one you're trapped.

They're so brilliant.

You have such a promise.

You need help.

You help me?

What do you want me to do?

Stay with you.

That is impossible.

Why?

My husband feels you betrayed him.

Do you?

You alone attack.

I'm picking up that track off the street.

You suicidal?

Do you have AIDS?

You impacted?

I don't have it.

It's a miracle, but I don't.

Do you feel I betrayed you?

If you do, I'll hang up and never bother you again.

Where did he get him?

Traveling.

You in trouble?

Oh, I mean, more trouble.

No.

I'm the only visitor to you.

I didn't like the first people so much.

They just went out and left me alone.

I didn't like the doctor.

He was too eager to please.

And he just left me alone.

But you and your husband, we all stayed together.

What did you want from us?

We're lasting friendship.

Nobody has that.

You do.

What do you think we are?

Oh, you're going to tell me secrets.

You're not what you appear to be.

You have no secrets.

Trent Conway told me everything your kids have told them over the years.

But did our kids tell him about us?

I don't tell that.

So you don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

I don't know what they're saying.

Oh, they think you might have murdered someone.

Can you give me a hand, let's see.

Paul?

I'll call my sister.

What's that?

Hello?

Dad, we were cut off.

No, I'm getting married.

Because can you call back?

I'm getting married and I'm going to Afghanistan.

Honey, I can't talk about this.

I'm going to ruin my life and get married, throw away.

Everything you want me to be because it's the only way to hurt you.

Jesus.

Jesus.

Jesus.

Yeah.

I hear that kid on the line.

Find out where he is.

Find out where he is.

Um, um, look, why don't you come here.

Where are you?

I come there and you'll have the cops waiting.

Tell me as to trust us.

No, you have to trust us.

Why?

As we like you.

We like him.

Where is he?

Who's there?

It's, um, it's land.

Are you into night?

I could come and make a feast for you.

No, we're going out tonight.

Because you can be here when we get back.

Well, you crazy.

Tell a crook we're going out the house is empty.

Where are you going?

Sotheby's.

And the key is under the mat.

Hi.

Can I come to Sotheby?

Oh, shoot.

I've lost the detective.

Paul says hi.

Yeah, hi.

Sotheby's.

Wonderful.

I'll come.

No, no, you can.

Why?

I was helpful.

No, no, no.

You were very helpful about this, say that.

Really?

You impressed, Jeffrey.

Now, where are you exactly, son?

You know, I was thinking maybe that's what I should do.

It is what you do in art, but making money out of art and, you know, meeting people

and not working in an office.

No, you're, you're the same, the camera side of it.

There's a whole grotty side that I could easily learn the grotty.

You have to have art history.

You have to have language.

You have to have economics.

I'm fast.

I could do it.

Do you kids want to?

No, I mean, it's not that.

It's not the sort of profession that you hand down from one jet.

What am I doing talking career counseling to you?

You embarrassed me in my building.

You stole money.

There's a warrant for your arrest.

God damn it.

God damn it.

God damn it.

I'm not.

I can't believe that he's so stupid.

Are you there for all you men?

Hang on.

I'm here.

You are.

Who are you?

What's your real name?

You let me stay with you.

I'll tell you.

Good night.

It was the happiest night I ever had.

That was the happiest night I ever had.

Oh, please.

I'm not a bullshitter.

But never a bullshit a bullshitter.

Now get rid of him, Wieser.

Oh, you look great, dear.

Not tonight's big business.

Don't forget that.

Get him off the ground.

Why?

You let me use all the parts of myself at night.

That was magical.

That sounded so interesting.

Graduation speech had brought in two years ago.

You're cooking.

Now the people's recipes.

Did you see Donald Bartholomew's obituary?

He said that collage was the art form of the 20th century.

Everything is somebody else's.

Not your children.

Not your life.

No.

You got me there.

That is mine.

That is nobody else's.

You don't sound happy.

There is so much you don't know.

You are so smart.

And so stupid.

Ever say I'm stupid.

Have some flexibility.

It's stupid not to realize what you could be.

What could I be?

So much.

If you behind me.

Perhaps you like that night.

I've thought since it used to be all your time laughing at us.

No.

They picked up that awful hustling thing to show us your content.

I was so happy I wanted to add sex to it.

Don't you do that?

No.

I'll tell you my name.

Please.

It's Paul Pottier-Kitridge.

It's a hyphenated name.

Paul?

Listen to me.

You need help.

Go to the police.

Turn yourself in.

You'll be over it all the sooner.

You can start.

You can start.

You're what?

You are life.

Will you help me?

I will help you.

But first, you have to go to the police.

You have to go to jail.

And would you send me books and polaroids up you and cassettes and letters?

Yes.

Will you visit me?

I will visit you.

And when you do, you'll wear your best clothes and knock them dead.

Oh, knock them dead.

But you have to be careful and present.

You have to use condoms.

I won't have sex in prison.

I only have sex when I'm happy.

Who go to the police?

Will you take me?

Give the name of the detective to see.

I'll be treated with care if you take me to the police.

If they don't know your special, they kill you.

Well, I don't think they kill you.

Mrs. Louisea Kitridge.

I am black.

I will deliver you to them.

A kindness and affection.

And I'll plead guilty and go to prison and serve a few months.

A few months times.

And when I get out, I'll work for you and learn.

If I want, no, we'll work all that out.

No, no, no.

I want to know now.

Yes, you'll work for us.

Learn all the trade, not just the Grady part.

Talk to bottom and live with you.

No.

Why?

Your kids are away.

You should have your own place.

Will you help me find a place?

Will you help you find a place?

I have no furniture.

Will you help you out?

I made a list of things I like that the museum.

Philadelphia, Chip and Dale.

Will you, they're not.

We have two.

Philadelphia, Jim and Dale, James.

I'd rather have one nice piece than a room full of junk.

Oh, quality always.

You'll have all that.

Philadelphia, Chip and Dale.

Now, what I have to do is go to the police.

Make it all history.

What a behind you.

Tonight.

Oh, now it can't be tonight.

I'll take you tomorrow.

I have to drink before the auction tonight.

Japanese.

Oh, Germans.

You would just like my father.

Yeah, which father?

Sydney.

Oh.

He's not your father.

We're crazy.

You're still on the phone.

We have drinks with the Japanese.

He's still that kid.

Get him out of our life.

Get him off the phone or rip the fucking line out of the wall.

Oh.

I made him a mistake.

It is not the Germans.

We will come and get you tonight.

All right.

You can tell me.

We will take you to the police.

And they will treat you with dignity.

Um, we'll take you to the police.

And they will treat you with dignity.

Um, we'll take you to the police.

Um, we'll take you to the police.

Um, we'll take you to the police.

Um, we'll take you to the police.

Um, we'll take you to the police.

We'll treat you with dignity.

Um, I'm at the corner of Sixth Avenue and Fourth Street.

But I'll meet you in the lobby of the Waverly Movie Theater.

We'll be there in half an hour.

I'll give you 15 minutes, Grace time.

We'll be there.

All.

We love you.

We's a...

I love you, we're here for kids, Richard.

Hey.

Bring a pink shirt?

[SIGHS]

We'll have a wonderful life.

[MUSIC PLAYING]

[GUNSHOTS]

We can skip the schmoozing, pick the boy up,

take him to the police, and be at Sotheby's before nine.

Sure.

The way I hadn't counted on traffic.

Perfect.

Perfect.

We promised before we were taken to the police.

I called out your best friend.

Good to take you.

All right, girl.

All right, girl.

All right, girl.

All right, girl.

Let us go with it.

All right, girl.

All right, girl.

All right, girl.

All right, girl.

All right, girl.

All right.

The Kandinsky is waiting on both sides.

[SCREAMING]

There's nothing more you can do.

I didn't think so.

The next day, we as a went to the precinct.

Detective Marino, please.

He's transferred since yesterday.

He was handling this.

He's transferred.

No, this is about an arrest.

That was made yesterday at the Waverly Movie Theater.

Hold on.

This precinct didn't do any business at the Waverly Theater.

I didn't imagine it.

I'm not saying you did.

Perhaps you can tell me which precinct did.

Hold on, hold on, hold on.

The name?

48, or a kid rich.

Are you a family?

Not exactly.

Look, the detective told me yesterday that I could go with a young man when he was

arraigned so that I could tell them that he was special.

We have no record of it.

Some other precinct must have made the arrest.

It sounds like your special friend was wanting for something else.

Like what?

Lady, how can I help you?

You don't even know your friend's name.

6, 2, 8.

He weren't family.

We didn't know Paul's name.

I went to the district attorney's office.

We weren't family.

We didn't know Paul's name.

I called a criminal court.

I wasn't family.

I didn't know Paul's name.

I read today that a young man committed suicide in

Reiper's Island prison and tied a shirt around his neck and

hanged himself.

Was it the pink shirt?

A burst of color.

Pink shirt.

Was it Paul?

We never did find out who he was.

I'm sure it wasn't him.

Yes, I agree.

He isn't an amazing.

We haven't seen the last of him believed me.

He'll be back.

He'll find a way.

The imagination.

Why does it mean so much to you?

He wanted to be us.

Everything we are in the world.

This poultry is paying our life.

He wanted it.

He stabbed himself to get into our lives.

He envied us.

We're not enough to be envied.

Like the papers said, we do have hearts.

Having a heart is not the point.

We were hardly taken and we believed him for a few hours.

He did more of a russ in a few hours and our children have to do it.

And he wanted to be your child.

Don't let that go.

He said out in that park and said that man is my father.

He's in trouble.

And we don't know how to help him.

He'll help him.

My God.

We could have been killed.

Throws slashed.

You were attracted to him.

Oh, please cut me out of that pathology right now.

Attracted by his youth, his talent,

and the embarrassing prospect of being in the movie version of cats.

That's it.

Did you put that in your time's piece?

And we turned him into an anecdote that died out on like we're doing right now.

But it wasn't experience.

I will not turn him into an anecdote.

How do we keep what happens to us?

How do we fit it into life without turning it into an anecdote?

The teeth and a punchline you'll mount over and over years to come.

Oh, that reminds me of the truth.

I tell you all about that boy.

And we become these human jukeboxes,

spilling out these anecdotes,

but it was an experience.

How do we keep the experience?

That's why I love Peter's.

It says I'm the problems he brought up then.

I'm the one who's been here.

I'm the one who's been here.

I'm the one who's been here.

I'm the one who's been here.

The problems he brought up then,

but the problems Peter's is still dealing with.

Color.

Structure.

Those are problems.

There is color in wildlife.

I'm not aware of any structure.

What are you saying, darling?

It says Anne would leave blank spaces in his canvases

if he couldn't account for the brush stroke.

Couldn't give a reason for the color.

I have a collage of on account for what brush strokes.

I am all random.

Excuse me.

We're a douche that down.

Excuse me, please.

We, uh...

What kind of behavior is this?

God, how much of your life can you account for?

Are you drunk? What's the matter with you?

Don't you realize how important she is?

What are you unhappy about?

The sis Anne's sail went through them at T-Swap's room.

We're rich.

Rich enough, next month is a bono.

These are the times I could take a knife and dig out your heart.

Answer me!

How much of your life can I account for? All of it!

I am a gambler.

We're a terrible match.

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

Candids?

Candids, he's painted on two sides.

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[music]

[BLANK_AUDIO]