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1
00:01:01,438 --> 00:01:02,688
[CHARLES WHISTLES]
2
00:01:02,689 --> 00:01:03,815
Charles: JACK!
3
00:01:16,661 --> 00:01:17,746
HERE, BOY.
4
00:01:22,292 --> 00:01:24,252
THAT'S-A-BOY.
GOOD, JACK.
5
00:01:27,630 --> 00:01:28,798
DO YOU WANT
TO SEE?
6
00:01:44,063 --> 00:01:47,399
OOH, CARRIE, WHERE DO YOU
THINK YOU'RE GOING?
7
00:01:47,400 --> 00:01:49,902
MARY! LAURA!
COME TO BREAKFAST.
8
00:01:49,903 --> 00:01:51,236
ALL RIGHT, MA.
9
00:01:51,237 --> 00:01:52,905
LAURA.
10
00:01:52,906 --> 00:01:55,282
HURRY UP!
YOU HEARD MA.
11
00:01:55,283 --> 00:01:58,368
DON'T YOU DARE MAKE US
LATE FOR SCHOOL...
12
00:01:58,369 --> 00:02:00,329
NOT ON
THE VERY FIRST DAY.
13
00:02:00,330 --> 00:02:01,498
I'M NOT GOING.
14
00:02:07,045 --> 00:02:08,086
IT'S A FINE MORNING.
15
00:02:08,087 --> 00:02:09,171
ISN'T IT?
16
00:02:09,172 --> 00:02:10,214
GOOD MORNING, MA.
17
00:02:10,215 --> 00:02:11,215
MARY.
18
00:02:11,216 --> 00:02:12,257
MORNING, PA.
19
00:02:12,258 --> 00:02:13,467
MORNING, MARY.
HAVE A GOOD SLEEP?
20
00:02:13,468 --> 00:02:14,427
YEAH.
21
00:02:14,428 --> 00:02:15,428
IS LAURA NEARLY READY?
22
00:02:15,429 --> 00:02:16,888
SHE SAYS
SHE'S NOT GOING.
23
00:02:19,933 --> 00:02:21,643
NOW, DON'T WORRY.
I'LL SEE TO IT.
24
00:02:41,663 --> 00:02:44,331
WHAT'S THE MATTER,
HALF-PINT?
25
00:02:44,332 --> 00:02:45,625
I DON'T WANT TO GO.
26
00:02:54,467 --> 00:02:57,928
IT'S KIND OF HARD FOR ME TO HEAR YOU
WITH THOSE COVERS ALL OVER YOUR HEAD.
27
00:02:57,929 --> 00:03:00,723
I DON'T WANT TO GO.
I WANT TO STAY HERE.
28
00:03:03,142 --> 00:03:06,186
WELL, I WISH
YOU COULD STAY.
29
00:03:06,187 --> 00:03:08,856
YOU KNOW, I MADE
A PROMISE TO YOUR MA.
30
00:03:08,857 --> 00:03:11,149
TOLD HER ONCE WE GOT SETTLED,
IF WE WERE NEAR A SCHOOL,
31
00:03:11,150 --> 00:03:13,694
YOU AND YOUR SISTER
WOULD GO.
32
00:03:13,695 --> 00:03:15,946
BUT YOU NEED ME HERE.
33
00:03:15,947 --> 00:03:18,323
WHO'S GOING TO HELP YOU
WITH THE FISH TRAPS?
34
00:03:18,324 --> 00:03:20,200
WHO'S GOING TO
TAKE CARE OF JACK?
35
00:03:20,201 --> 00:03:23,453
YOU'RE GOING TO
HAVE TIME FOR ALL THAT.
36
00:03:23,454 --> 00:03:24,788
YOU WOULDN'T WANT ME
TO BREAK A PROMISE
37
00:03:24,789 --> 00:03:27,040
I MADE TO YOUR MA,
WOULD YOU?
38
00:03:27,041 --> 00:03:28,876
NO, PA.
39
00:03:28,877 --> 00:03:30,836
OK.
40
00:03:30,837 --> 00:03:32,671
THAT'S MY GIRL.
41
00:03:32,672 --> 00:03:34,047
NOW, YOU HURRY UP
AND GET DRESSED.
42
00:03:34,048 --> 00:03:35,341
BREAKFAST IS
GOING TO GET COLD.
43
00:03:40,513 --> 00:03:41,890
TELL YOU SOMETHING
YOU DON'T KNOW.
44
00:03:43,683 --> 00:03:46,643
YOU'RE GOING
TO LIKE SCHOOL.
45
00:03:46,644 --> 00:03:47,770
YES, PA.
46
00:03:49,939 --> 00:03:53,901
LET'S HAVE ANOTHER
LOOK AT THOSE HANDS.
47
00:03:53,902 --> 00:03:56,278
IT'S FINE. OH,
YOURS, TOO, CARRIE,
48
00:03:56,279 --> 00:03:57,863
SPIC AND SPAN.
49
00:03:57,864 --> 00:03:59,531
MA, MY NECK HURTS.
50
00:03:59,532 --> 00:04:02,117
WHAT?
MARY SCRATCHED SO HARD,
51
00:04:02,118 --> 00:04:04,161
SHE LIKELY TOOK
THE SKIN CLEAN OFF.
52
00:04:04,162 --> 00:04:05,913
YOU'RE BIG ENOUGH
TO DO YOUR OWN SCRUBBING,
53
00:04:05,914 --> 00:04:07,039
ONLY YOU WON'T.
54
00:04:07,040 --> 00:04:09,333
I DON'T LIKE
BEING BIG.
55
00:04:09,334 --> 00:04:11,002
I WISH I WAS CARRIE.
56
00:04:13,338 --> 00:04:17,215
MA... YOU THINK
THEY'LL LIKE US?
57
00:04:17,216 --> 00:04:19,468
WHAT KIND OF A FOOLISH
QUESTION IS THAT?
58
00:04:19,469 --> 00:04:21,470
OF COURSE
THEY'LL LIKE YOU.
59
00:04:21,471 --> 00:04:25,265
YOU JUST BE FRIENDLY
AND MIND YOUR MANNERS.
60
00:04:25,266 --> 00:04:27,684
NOW, LET ME HAVE
A BETTER LOOK AT YOU.
61
00:04:27,685 --> 00:04:28,770
TURN AROUND.
62
00:04:33,733 --> 00:04:36,401
YOU GIRLS ARE
SPROUTING UP SO FAST.
63
00:04:36,402 --> 00:04:37,569
THERE'S NOTHING LEFT
OF THOSE HEMS
64
00:04:37,570 --> 00:04:38,780
FOR ME TO LET DOWN.
65
00:04:40,031 --> 00:04:42,866
WELL, YOU'RE
FRESH AND CLEAN,
66
00:04:42,867 --> 00:04:45,410
AND YOU'RE
STARTING SCHOOL.
67
00:04:45,411 --> 00:04:46,746
THAT'S THE IMPORTANT THING.
68
00:04:49,248 --> 00:04:50,248
MA?
69
00:04:50,249 --> 00:04:51,375
HMM?
70
00:04:51,376 --> 00:04:53,710
HOW LONG IS ALL THIS
LEARNING GOING TO TAKE?
71
00:04:53,711 --> 00:04:55,295
[CHUCKLES]
72
00:04:55,296 --> 00:04:58,423
WE START LEARNING
WHEN WE'RE BORN, LAURA.
73
00:04:58,424 --> 00:05:02,303
AND IF WE'RE WISE, WE DON'T STOP
UNTIL THE LORD CALLS US HOME.
74
00:05:04,389 --> 00:05:06,264
THAT LONG?
75
00:05:06,265 --> 00:05:07,766
COME.
76
00:05:07,767 --> 00:05:09,686
I HAVE SOMETHING
SPECIAL FOR YOU TWO.
77
00:05:25,118 --> 00:05:28,120
MY SCHOOLBOOKS
ARE YOURS NOW.
78
00:05:28,121 --> 00:05:29,454
YOU TAKE GOOD
CARE OF THEM.
79
00:05:29,455 --> 00:05:30,706
WE WILL, MA.
80
00:05:30,707 --> 00:05:34,126
WELL, TIME
TO GET STARTED.
81
00:05:34,127 --> 00:05:36,211
NOW, LAURA, YOU TAKE
THE LUNCH PAIL.
82
00:05:36,212 --> 00:05:38,839
REMEMBER TO BRING IT
HOME... AND THE CLOTH.
83
00:05:38,840 --> 00:05:39,966
Laura: I WILL.
84
00:05:41,968 --> 00:05:45,429
WELL, EVERYBODY'S
ALL SET FOR SCHOOL.
85
00:05:45,430 --> 00:05:46,930
NOW, NO DAWDLIN'.
86
00:05:46,931 --> 00:05:48,807
I DON'T WANT YOU TO BE LATE
THE FIRST DAY, ALL RIGHT?
87
00:05:48,808 --> 00:05:49,808
BE GOOD GIRLS.
88
00:05:49,809 --> 00:05:50,809
WE WILL, MA.
89
00:05:50,810 --> 00:05:52,311
ON YOUR WAY.
HAVE A GOOD TIME.
90
00:06:01,904 --> 00:06:03,031
BYE, MA.
91
00:06:04,657 --> 00:06:07,117
GOOD-BYE, PA.
92
00:06:07,118 --> 00:06:08,453
BYE, CARRIE.
93
00:06:15,001 --> 00:06:17,628
A LOT OF GOOD-BYES FOR SOMEBODY
WHO'S GOING TO BE HOME FOR SUPPER.
94
00:06:21,716 --> 00:06:23,592
HA HA HA!
95
00:06:23,593 --> 00:06:25,260
HEY, YOU HOLD IT,
YOUNG LADY!
96
00:06:25,261 --> 00:06:27,472
WE GET TO HOLD ON TO YOU
FOR A COUPLE OF YEARS YET.
97
00:06:30,975 --> 00:06:32,101
THERE THEY GO.
98
00:06:38,399 --> 00:06:40,401
CHARLES,
THEY LOOK SO SMALL.
99
00:06:42,695 --> 00:06:43,988
STOP WORRYING.
100
00:07:05,927 --> 00:07:07,220
COME ON, LAURA.
101
00:07:28,074 --> 00:07:29,951
COME ON. YOU'RE
GONNA MAKE US LATE.
102
00:07:46,175 --> 00:07:48,135
[CHILDREN PLAYING
AND SHOUTING]
103
00:07:48,136 --> 00:07:49,595
Mary: LAURA, COME ON.
104
00:08:00,606 --> 00:08:02,607
KICK IT
OVER HERE, QUICK!
105
00:08:02,608 --> 00:08:03,900
GO AHEAD, LAURA.
106
00:08:03,901 --> 00:08:04,901
UH-UH. YOU FIRST.
107
00:08:04,902 --> 00:08:06,361
WHY ME?
108
00:08:06,362 --> 00:08:09,114
'CAUSE YOU'RE ALWAYS
BRAGGING ABOUT BEING OLDEST.
109
00:08:09,115 --> 00:08:11,867
IT'S YOUR PLACE
TO GO FIRST.
110
00:08:11,868 --> 00:08:13,035
WE'LL GO TOGETHER.
111
00:08:34,473 --> 00:08:36,016
FROM THE SOUND
OF YOU,
112
00:08:36,017 --> 00:08:38,310
WE FIGURED WE'D COME INTO A
FLOCK OF PRAIRIE CHICKENS.
113
00:08:38,311 --> 00:08:39,394
LAURA!
114
00:08:39,395 --> 00:08:42,147
SNIPES YOURSELVES...
LONG-LEGGED SNIPES.
115
00:08:42,148 --> 00:08:43,857
Children:
♪ SNIPES, SNIPES ♪
116
00:08:43,858 --> 00:08:45,692
♪ LONG-LEGGED SNIPES ♪
117
00:08:45,693 --> 00:08:49,446
♪ SNIPES, SNIPES,
LONG-LEGGED SNIPES ♪
118
00:08:49,447 --> 00:08:51,531
♪ SNIPES, SNIPES... ♪
119
00:08:51,532 --> 00:08:54,367
YOU STOP BEING MEAN TO THEM,
OR I'LL TELL MAMA ON YOU.
120
00:08:54,368 --> 00:08:55,410
GO AHEAD,
CHRISTY.
121
00:08:55,411 --> 00:08:56,704
SEE IF I CARE!
122
00:09:05,421 --> 00:09:07,048
COUNTRY GIRLS.
123
00:09:22,605 --> 00:09:24,732
[CHILDREN TALKING]
124
00:09:36,327 --> 00:09:37,619
[TAPPING]
125
00:09:37,620 --> 00:09:38,662
SETTLE DOWN, CHILDREN.
126
00:09:38,663 --> 00:09:39,747
SETTLE DOWN.
127
00:09:45,586 --> 00:09:47,004
Teacher: WON'T YOU
COME IN, GIRLS?
128
00:10:11,487 --> 00:10:14,489
YOU MUST BE THE NEW GIRLS
FROM PLUM CREEK, AREN'T YOU?
129
00:10:14,490 --> 00:10:15,657
YES, MA'AM.
130
00:10:15,658 --> 00:10:17,075
I'M MISS BEADLE.
131
00:10:17,076 --> 00:10:20,036
I'M MARY INGALLS, MA'AM,
AND THAT'S LAURA.
132
00:10:20,037 --> 00:10:21,871
Miss Beadle: I'M VERY PLEASED
TO MEET YOU,
133
00:10:21,872 --> 00:10:23,581
AND I'LL PUT YOUR NAME
IN THIS REGISTER,
134
00:10:23,582 --> 00:10:25,334
AND THAT WILL
MAKE IT OFFICIAL.
135
00:10:31,257 --> 00:10:33,217
WE HAVE
OUR OWN BOOKS.
136
00:10:35,344 --> 00:10:36,928
THEY BELONGED TO MA.
137
00:10:36,929 --> 00:10:39,348
OH, I CAN SEE SHE TOOK
FINE CARE OF THEM.
138
00:10:41,392 --> 00:10:44,145
NOW, HOW MUCH SCHOOLING
HAVE YOU GIRLS HAD?
139
00:10:46,397 --> 00:10:48,106
NONE.
140
00:10:48,107 --> 00:10:49,317
BUT I CAN READ.
141
00:10:56,532 --> 00:10:59,284
[SOFTLY] I CAN'T, BUT
I KNOW THE ALPHABET.
142
00:10:59,285 --> 00:11:02,078
I THOUGHT
YOU OUGHT TO KNOW.
143
00:11:02,079 --> 00:11:03,413
THANK YOU, LAURA.
144
00:11:03,414 --> 00:11:05,832
AND DON'T YOU WORRY.
YOU'LL LEARN FAST.
145
00:11:05,833 --> 00:11:08,209
AND I'LL HELP YOU EVERY
SPARE MINUTE I CAN.
146
00:11:08,210 --> 00:11:09,378
THANK YOU.
147
00:11:12,506 --> 00:11:14,132
CHILDREN...
148
00:11:14,133 --> 00:11:16,718
I'D LIKE YOU TO WELCOME
2 NEW STUDENTS.
149
00:11:16,719 --> 00:11:18,887
THIS IS MARY
AND LAURA INGALLS.
150
00:11:18,888 --> 00:11:20,181
Children, weakly:
HELLO.
151
00:11:23,267 --> 00:11:26,144
NOW, I WOULDN'T CALL
THAT MUCH OF A WELCOME.
152
00:11:26,145 --> 00:11:28,980
WE'D LIKE TO HEAR YOU SAY,
"GOOD MORNING, MARY..."
153
00:11:28,981 --> 00:11:32,025
Children:
GOOD MORNING, MARY.
154
00:11:32,026 --> 00:11:33,110
AND...
155
00:11:34,820 --> 00:11:36,697
Children:
GOOD MORNING, LAURA.
156
00:11:38,772 --> 00:11:40,492
THERE'S A NICE PLACE FOR
YOU RIGHT UP FRONT.
157
00:11:40,493 --> 00:11:42,703
THAT WAY, YOU CAN SIT TOGETHER
AND SHARE YOUR BOOKS.
158
00:11:47,166 --> 00:11:48,750
DID YOU
BRING A SLATE?
159
00:11:48,751 --> 00:11:50,293
NO, MA'AM.
160
00:11:50,294 --> 00:11:52,962
WELL, YOU CAN'T LEARN TO WRITE
PROPERLY WITHOUT A SLATE.
161
00:11:52,963 --> 00:11:54,090
I'LL LEND YOU MINE.
162
00:11:55,216 --> 00:11:56,842
Nellie:
COUNTRY GIRLS.
163
00:12:01,305 --> 00:12:03,515
Miss Beadle:
HERE YOU Go.
164
00:12:03,516 --> 00:12:04,808
THANK YOU,
MISS BEADLE.
165
00:12:04,809 --> 00:12:06,226
YOU'RE WELCOME.
166
00:12:06,227 --> 00:12:07,352
NOW, LAURA,
I'D LIKE YOU TO TURN
167
00:12:07,353 --> 00:12:09,229
TO THE FIRST PAGE
IN YOUR SPELLER.
168
00:12:09,230 --> 00:12:10,355
LET'S SEE
HOW MANY NEW WORDS
169
00:12:10,356 --> 00:12:12,232
YOU CAN TAKE HOME
WITH YOU TONIGHT.
170
00:12:12,233 --> 00:12:13,359
YES, MA'AM!
171
00:12:18,406 --> 00:12:21,908
ALL RIGHT, CLASS. TODAY WE'RE
GOING TO START WITH SUMS.
172
00:12:21,909 --> 00:12:25,245
[CHILDREN GROAN]
173
00:12:25,246 --> 00:12:26,663
Miss Beadle:
WILLIE?
174
00:12:26,664 --> 00:12:28,123
YES, MA'AM?
175
00:12:28,124 --> 00:12:29,500
BY 3s, PLEASE, WILLIE.
176
00:12:44,056 --> 00:12:45,473
MA'AM?
177
00:12:45,474 --> 00:12:48,518
HOW'S HE EVER GONNA GET ALL
THOSE NUMBERS OFF AGAIN?
178
00:12:48,519 --> 00:12:50,646
[CHILDREN LAUGH]
179
00:12:52,773 --> 00:12:53,941
SILENCE!
180
00:12:55,151 --> 00:12:57,278
THERE WILL BE SILENCE
IN THIS CLASSROOM.
181
00:13:02,741 --> 00:13:05,160
WILLIE, LAURA HAS
ASKED A QUESTION.
182
00:13:05,161 --> 00:13:06,954
WILL YOU PLEASE
DEMONSTRATE THE ANSWER?
183
00:13:13,878 --> 00:13:15,462
MARY, LOOK.
184
00:13:15,463 --> 00:13:17,881
IT'S CLEAN
AS A WHISTLE.
185
00:13:17,882 --> 00:13:19,757
WHAT DID I TELL YOU?
186
00:13:19,758 --> 00:13:21,426
COUNTRY GIRLS.
187
00:13:21,427 --> 00:13:23,845
DON'T EVEN KNOW
WHAT A BLACKBOARD IS.
188
00:13:23,846 --> 00:13:24,930
NELLIE.
189
00:13:34,398 --> 00:13:40,570
Laura: C-A-T, CAT.
190
00:13:40,571 --> 00:13:41,655
MM-HMM.
191
00:13:44,116 --> 00:13:49,579
B-A-T, BAT.
192
00:13:49,580 --> 00:13:50,664
RIGHT.
193
00:13:52,791 --> 00:13:57,171
M-A-T, MAT.
194
00:13:59,965 --> 00:14:05,053
P-A-T, PAT.
195
00:14:05,054 --> 00:14:05,971
GOOD.
196
00:14:05,972 --> 00:14:07,889
I LEARNED
THE WHOLE FIRST ROW.
197
00:14:07,890 --> 00:14:10,892
HEY, HOW ABOUT IF I GIVE YOU ONE
THAT ISN'T EVEN ON THAT FIRST ROW?
198
00:14:10,893 --> 00:14:12,018
LET ME SEE.
WHAT'S A GOOD WORD?
199
00:14:12,019 --> 00:14:13,854
HOW ABOUT RAT?
200
00:14:16,899 --> 00:14:18,067
RAT.
201
00:14:21,862 --> 00:14:28,618
R...A... T, RAT.
202
00:14:28,619 --> 00:14:30,036
PERFECT.
203
00:14:30,037 --> 00:14:32,247
I'D SAY THAT WAS
A FINE DAY'S WORK.
204
00:14:32,248 --> 00:14:34,582
IT SEEMS TO ME YOU
KIND OF LIKE SCHOOL, HUH?
205
00:14:34,583 --> 00:14:36,501
OH, I DO, PA.
206
00:14:36,502 --> 00:14:39,087
AND YOU SHOULD
JUST SEE MISS BEADLE.
207
00:14:39,088 --> 00:14:42,507
SHE'S THE BEST TEACHER
IN THE WHOLE WORLD,
208
00:14:42,508 --> 00:14:45,009
AND SHE SMILES
ALL THE TIME,
209
00:14:45,010 --> 00:14:47,845
AND SHE SMELLS
AS GOOD AS SHE LOOKS.
210
00:14:47,846 --> 00:14:49,556
I CAME RIGHT OUT
AND ASKED,
211
00:14:49,557 --> 00:14:52,850
AND SHE TOLD ME SHE WEARS
SOMETHING CALLED LEMON VERBENA.
212
00:14:52,851 --> 00:14:54,060
HMM.
213
00:14:54,061 --> 00:14:58,481
SHE'S THE MOST BEAUTIFUL
LADY I EVER SAW...
214
00:14:58,482 --> 00:15:00,358
EXCEPT FOR MA,
OF COURSE.
215
00:15:00,359 --> 00:15:03,361
WELL, I MUST SAY SHE MUST
BE SOMETHING SPECIAL
216
00:15:03,362 --> 00:15:05,905
TO BE EVEN CLOSE
TO YOUR MA.
217
00:15:05,906 --> 00:15:06,865
CHARLES!
218
00:15:06,865 --> 00:15:07,825
Charles: HOW ABOUT
YOU, MARY?
219
00:15:07,826 --> 00:15:09,075
DID YOU LIKE
SCHOOL TODAY?
220
00:15:09,076 --> 00:15:11,035
THERE'S A REAL NICE
GIRL NAMED CHRISTY.
221
00:15:11,036 --> 00:15:13,246
SHE'LL PROBABLY BE
MY BEST FRIEND.
222
00:15:13,247 --> 00:15:14,330
GOOD.
223
00:15:14,331 --> 00:15:16,124
ANYBODY IN PARTICULAR
YOU LIKE, LAURA?
224
00:15:16,125 --> 00:15:18,668
SOMEONE IN PARTICULAR
I DON'T LIKE...
225
00:15:18,669 --> 00:15:19,961
THAT SNIPPY
NELLIE OLESON.
226
00:15:19,962 --> 00:15:21,170
LAURA!
227
00:15:21,171 --> 00:15:24,716
YOU KNOW WHAT SHE CALLED US?
COUNTRY GIRLS.
228
00:15:24,717 --> 00:15:25,883
WELL, YOU ARE
COUNTRY GIRLS.
229
00:15:25,884 --> 00:15:27,385
THERE'S NOTHING BAD
ABOUT THAT.
230
00:15:27,386 --> 00:15:29,387
THERE IS THE WAY
SHE SAID IT.
231
00:15:29,388 --> 00:15:31,347
"LOOK AT
THE COUNTRY GIRLS!"
232
00:15:31,348 --> 00:15:34,392
MADE ME SO MAD, I WANTED
TO SMACK HER GOOD.
233
00:15:34,393 --> 00:15:37,395
NOW, JUST A MINUTE. I DON'T WANT
TO HEAR YOU TALKING LIKE THAT.
234
00:15:37,396 --> 00:15:40,481
YOU GO TO SCHOOL
TO LEARN, NOT TO FIGHT.
235
00:15:40,482 --> 00:15:41,774
PART OF WHAT YOU
HAVE TO LEARN
236
00:15:41,775 --> 00:15:43,735
IS HOW TO GET ON
WITH OTHERS.
237
00:15:43,736 --> 00:15:46,404
ALL RIGHT.
I'LL TRY.
238
00:15:46,405 --> 00:15:50,116
NOW, YOUNG LADY, YOU'RE GOING
TO DO A LOT MORE THAN JUST TRY.
239
00:15:50,117 --> 00:15:52,869
REMEMBER, LAURA,
DO UNTO OTHERS...
240
00:15:52,870 --> 00:15:53,870
THAT'S RIGHT.
241
00:15:53,871 --> 00:15:55,830
AND THAT MEANS
NO NAME-CALLING,
242
00:15:55,831 --> 00:15:58,416
NO FIGHTING,
AND NO TEASING.
243
00:15:58,417 --> 00:16:00,043
UNDERSTOOD?
244
00:16:00,044 --> 00:16:01,128
YES, SIR.
245
00:16:02,546 --> 00:16:03,631
ALL RIGHT.
246
00:16:05,799 --> 00:16:07,967
HERE.
247
00:16:07,968 --> 00:16:09,427
YOU TAKE THAT IN TO
OLESON'S STORE TOMORROW
248
00:16:09,428 --> 00:16:11,387
AND BUY YOURSELVES
A SLATE.
249
00:16:11,388 --> 00:16:14,015
YOU OUGHT TO HAVE ENOUGH LEFT
OVER FOR A PAPER TABLET.
250
00:16:14,016 --> 00:16:16,559
OH, PA, THANK YOU!
251
00:16:16,560 --> 00:16:19,437
Laura: THANK YOU.
252
00:16:19,438 --> 00:16:21,606
THEN YOU'RE
NOT MAD AT ME?
253
00:16:21,607 --> 00:16:24,817
WELL, NOT YET,
BUT I WILL BE
254
00:16:24,818 --> 00:16:26,653
IF YOU TWO ARE
NOT UP IN BED
255
00:16:26,654 --> 00:16:28,655
QUICKER THAN
I CAN SAY JACK...
256
00:16:28,656 --> 00:16:29,823
ROBINSON!
ROBINSON!
257
00:16:38,203 --> 00:16:40,083
IT'S HARD TO BELIEVE THAT'S
THE SAME LITTLE GIRL
258
00:16:40,084 --> 00:16:42,835
WE COULD HARDLY GET OUT
OF BED THIS MORNING.
259
00:16:42,836 --> 00:16:44,545
I HOPED
SHE'D LIKE IT,
260
00:16:44,546 --> 00:16:45,630
BUT I DIDN'T
KNOW.
261
00:16:45,631 --> 00:16:47,215
OH, SHE'LL BE FINE.
262
00:16:47,216 --> 00:16:50,301
SURE WAS FEISTY ABOUT THAT
NELLIE OLESON, WASN'T SHE?
263
00:16:50,302 --> 00:16:51,469
I WONDER WHY.
264
00:16:51,470 --> 00:16:52,929
YOU HAVEN'T
MET HER MOTHER.
265
00:16:52,930 --> 00:16:54,472
HAVE YOU?
MM-HMM.
266
00:16:54,473 --> 00:16:56,808
Laura: PA?
267
00:16:56,809 --> 00:17:00,228
HAT. H-A-T.
268
00:17:00,229 --> 00:17:01,646
HAT.
269
00:17:01,647 --> 00:17:04,065
B-E-D. BED.
270
00:17:04,066 --> 00:17:05,192
GOOD NIGHT, PA.
271
00:17:06,694 --> 00:17:07,945
GOOD NIGHT, LAURA.
272
00:17:15,244 --> 00:17:16,619
WHAT YOU DOING?
273
00:17:16,620 --> 00:17:19,289
FAT. F-A-T.
FAT.
274
00:17:48,027 --> 00:17:49,027
GOOD MORNING.
275
00:17:49,028 --> 00:17:50,194
Girls: GOOD MORNING.
276
00:17:50,195 --> 00:17:53,030
I'LL BE WITH YOU
IN A MINUTE, GIRLS.
277
00:17:53,031 --> 00:17:54,615
YOU SURE YOU GOT
THE MONEY, MARY?
278
00:17:54,616 --> 00:17:56,868
IT'S IN MY POCKET... RIGHT
WHERE MA PINNED IT.
279
00:17:56,869 --> 00:17:57,953
[DOOR CLOSES]
280
00:17:59,955 --> 00:18:01,873
♪ SNIPES, SNIPES,
LONG-LEGGED SNIPES ♪
281
00:18:01,874 --> 00:18:03,040
WILLIE, NELLIE... YOU TWO
GET ON OUT OF HERE NOW.
282
00:18:03,041 --> 00:18:04,917
THIS STORE IS
NOT A PLAYHOUSE.
283
00:18:04,918 --> 00:18:06,920
WILLIE, DO YOU
HEAR ME? OUT!
284
00:18:11,508 --> 00:18:14,218
WELL, NOW, WHAT CAN
I DO FOR YOU TODAY?
285
00:18:14,219 --> 00:18:15,887
WE'D LIKE A SLATE,
MR. OLESON,
286
00:18:15,888 --> 00:18:18,306
AND A PAPER TABLET
FOR SCHOOL, PLEASE.
287
00:18:18,307 --> 00:18:19,600
I'VE GOT JUST
WHAT YOU NEED.
288
00:18:22,644 --> 00:18:24,854
THOSE ARE MINE!
289
00:18:24,855 --> 00:18:26,731
GO AHEAD.
KEEP IT.
290
00:18:26,732 --> 00:18:29,525
IT'S ALL OU RS,
ANYWAY.
291
00:18:29,526 --> 00:18:32,862
WE CAN HAVE AS MUCH
CANDY AS WE WANT.
292
00:18:32,863 --> 00:18:34,031
HERE WE ARE.
293
00:18:40,078 --> 00:18:42,997
PA SAID THAT WOULD BE
ENOUGH TO PAY FOR THE BOTH.
294
00:18:42,998 --> 00:18:44,415
AND HE WAS RIGHT,
295
00:18:44,416 --> 00:18:46,083
BUT YOU'LL NEED
A SLATE PENCIL,
296
00:18:46,084 --> 00:18:47,960
UNLESS YOU
ALREADY HAVE ONE.
297
00:18:47,961 --> 00:18:49,545
NO, SIR,
WE DON'T.
298
00:18:49,546 --> 00:18:51,964
WELL, THAT WILL BE
ANOTHER PENNY.
299
00:18:51,965 --> 00:18:55,092
I DON'T THINK THE COUNTRY
GIRLS HAVE ANOTHER PENNY.
300
00:18:55,093 --> 00:18:56,427
WHAT DO YOU THINK,
WILLIE?
301
00:18:56,428 --> 00:18:58,012
I'M TELLING YOU TWO
FOR THE LAST TIME.
302
00:18:58,013 --> 00:18:59,306
NOW YOU GET ON
OUT OF HERE!
303
00:19:05,896 --> 00:19:08,523
WELL, IF YOU WEREN'T
PLANNING ON BUYING A PENCIL,
304
00:19:08,524 --> 00:19:10,817
I IMAGINE YOU'RE
A LITTLE SHORT.
305
00:19:10,818 --> 00:19:12,485
YOU JUST TAKE IT ALONG
WITH YOU ANYHOW,
306
00:19:12,486 --> 00:19:15,738
AND TELL YOUR PA TO PAY ME THE
NEXT TIME HE COMES INTO TOWN.
307
00:19:15,739 --> 00:19:18,449
NO, SIR.
CASH ON THE BARREL.
308
00:19:18,450 --> 00:19:21,327
PA MAKES THAT
A STRICT RULE.
309
00:19:21,328 --> 00:19:22,745
AND IT'S A GOOD ONE,
310
00:19:22,746 --> 00:19:26,207
THOUGH MOST FOLKS FIND
IT HARD TO LIVE BY.
311
00:19:26,208 --> 00:19:28,084
WE THANK YOU ANYWAY,
MR. OLESON.
312
00:19:28,085 --> 00:19:29,168
YOU'RE WELCOME,
GIRLS.
313
00:19:29,169 --> 00:19:30,169
BYE-BYE.
314
00:19:30,170 --> 00:19:32,256
BYE.
315
00:19:47,813 --> 00:19:52,024
THAT NELLIE OLESON'S THE
MEANEST GIRL I EVER DID SEE.
316
00:19:52,025 --> 00:19:54,652
I COULD NEVER
BE THAT MEAN.
317
00:19:54,653 --> 00:19:56,153
I COULD.
318
00:19:56,154 --> 00:19:57,321
MEANER...
319
00:19:57,322 --> 00:20:00,491
IF MA AND PA
WOULD LET ME.
320
00:20:00,492 --> 00:20:03,786
WE DO NEED
A SLATE PENCIL, LAURA.
321
00:20:03,787 --> 00:20:05,746
PA GAVE US
SO MUCH ALREADY.
322
00:20:05,747 --> 00:20:07,498
WE CAN'T
ASK FOR MORE.
323
00:20:07,499 --> 00:20:08,584
NO.
324
00:20:11,128 --> 00:20:14,255
OUR CHRISTMAS PENNIES!
WE STILL HAVE THOSE.
325
00:20:14,256 --> 00:20:17,174
I COULD USE MINE TO BUY THE
PENCIL, AND WE'D SHARE IT.
326
00:20:17,175 --> 00:20:19,677
AND YOU COULD OWN
HALF MY PENNY.
327
00:20:19,678 --> 00:20:21,263
COME ON. WE'LL
BE LATE FOR SCHOOL.
328
00:20:46,371 --> 00:20:47,998
THAT'S VERY GOOD,
LAURA.
329
00:20:55,213 --> 00:20:59,383
"HOW...
330
00:20:59,384 --> 00:21:00,843
"WOU...
331
00:21:00,844 --> 00:21:02,845
VVOU L..."
332
00:21:02,846 --> 00:21:04,013
THE "L" IS SILENT.
333
00:21:04,014 --> 00:21:06,349
I KNOW IT'S
CONFUSING, BUT...
334
00:21:06,350 --> 00:21:07,558
"WOOED."
335
00:21:07,559 --> 00:21:09,685
"HOW..."
336
00:21:09,686 --> 00:21:10,728
"WOULD."
337
00:21:10,729 --> 00:21:12,730
THAT'S RIGHT.
THAT'S RIGHT.
338
00:21:12,731 --> 00:21:15,983
"HOW WOULD...
339
00:21:15,984 --> 00:21:19,112
YE-OO..."
340
00:21:22,157 --> 00:21:23,784
"You"!
YEAH.
341
00:21:25,577 --> 00:21:28,537
"HOW WOULD YOU..."
342
00:21:28,538 --> 00:21:29,705
"LICKY"?
343
00:21:29,706 --> 00:21:32,875
NO. "I."
344
00:21:32,876 --> 00:21:33,835
"LIKE."
345
00:21:33,836 --> 00:21:35,920
THAT'S RIGHT.
346
00:21:35,921 --> 00:21:37,254
WHAT ABOUT THE "E"?
347
00:21:37,255 --> 00:21:39,215
WELL, YOU DON'T...
IT'S SILENT.
348
00:21:39,216 --> 00:21:41,425
LIKE THE "L"?
THAT'S RIGHT.
349
00:21:41,426 --> 00:21:42,469
OH.
350
00:21:47,391 --> 00:21:49,476
[No AUDIO]
351
00:22:00,529 --> 00:22:02,863
Laura, narrating:
IF I HAD A REMEMBRANCE BOOK,
352
00:22:02,864 --> 00:22:06,075
THERE'S ONE THING I'D WANT
TO PUT IN IT ABOUT SCHOOL.
353
00:22:06,076 --> 00:22:09,370
MA AND PA WERE RIGHT.
IT WAS FUN.
354
00:22:09,371 --> 00:22:11,414
ESPECIALLY WHEN ALL
THE DIFFERENT LETTERS
355
00:22:11,415 --> 00:22:13,708
STARTED TURNING INTO WORDS.
356
00:22:13,709 --> 00:22:16,752
BUT LEARNING TO WRITE
WAS ONE OF THE HARDEST THINGS
357
00:22:16,753 --> 00:22:18,338
I EVER HOPED TO DO.
358
00:22:23,385 --> 00:22:26,512
RECESS WAS SUPPOSED
TO BE THE MOST FUN,
359
00:22:26,513 --> 00:22:32,727
ONLY NELLIE OLESON WOULDN'T EVER LET US
PLAY ANYTHING BUT RING AROUND THE ROSY.
360
00:22:32,728 --> 00:22:35,354
CAN'T WE PLAY
SOMETHING ELSE?
361
00:22:35,355 --> 00:22:36,647
Children:
♪ RING AROUND THE ROSY... ♪
362
00:22:36,648 --> 00:22:38,149
Laura, narrating:
I DIDN'T WANT To,
363
00:22:38,150 --> 00:22:40,609
BUT MA SAID,
"DO UNTO OTHERS..."
364
00:22:40,610 --> 00:22:42,319
I COULDN'T HELP WONDERING
365
00:22:42,320 --> 00:22:45,741
WHEN NELLIE'S MA WOULD GET AROUND
TO TELLING HER THE SAME THING.
366
00:22:47,284 --> 00:22:48,993
THERE WE ARE,
MRS. GRANDY.
367
00:22:48,994 --> 00:22:50,619
DID YOU SAY
60 CENTS?
368
00:22:50,620 --> 00:22:52,413
THAT'S RIGHT.
369
00:22:52,414 --> 00:22:53,331
THANK YOU.
370
00:22:53,332 --> 00:22:54,749
GIVE MY BEST
TO ELI,
371
00:22:54,750 --> 00:22:57,543
AND TELL HIM NOT TO MAKE
HIMSELF SUCH A STRANGER, HMM?
372
00:22:57,544 --> 00:22:59,545
THANK YOU, NELS.
IWILL.
373
00:22:59,546 --> 00:23:00,588
GOOD DAY,
MRS. GRAN DY.
374
00:23:00,589 --> 00:23:01,757
GOOD DAY, NELS.
375
00:23:04,301 --> 00:23:05,469
GOOD DAY.
376
00:23:14,770 --> 00:23:15,770
HELLO.
377
00:23:15,771 --> 00:23:16,688
OH!
378
00:23:16,689 --> 00:23:18,022
I'M MRS. INGALLS.
379
00:23:18,023 --> 00:23:19,648
HOW DO YOU DO,
MRS. INGALLS?
380
00:23:19,649 --> 00:23:21,567
I BELIEVE MY HUSBAND
SPOKE WITH YOU.
381
00:23:21,568 --> 00:23:23,360
YES, YES.
YES, INDEED.
382
00:23:23,361 --> 00:23:25,738
FRESH EGGS.
HE SAID YOU BUY THEM.
383
00:23:25,739 --> 00:23:27,239
YES, WE DO.
384
00:23:27,240 --> 00:23:28,533
Woman: I Do THE BUYING.
385
00:23:33,080 --> 00:23:35,206
MRS. INGALLS,
MY WIFE.
386
00:23:35,207 --> 00:23:36,624
HOW DO YOU DO,
MRS. OLESON?
387
00:23:36,625 --> 00:23:40,753
WELL, NELLIE'S TOLD ME
ABOUT YOUR, UH, GIRLS.
388
00:23:40,754 --> 00:23:42,046
ALL GOOD, I HOPE.
389
00:23:42,047 --> 00:23:43,881
HOW MANY
DO WE HAVE HERE?
390
00:23:43,882 --> 00:23:44,966
3 DOZEN.
391
00:23:50,555 --> 00:23:52,264
BROWN?
392
00:23:52,265 --> 00:23:53,933
THESE EGGS
ARE BROWN.
393
00:23:53,934 --> 00:23:55,602
THEY DON'T BRING
AS MUCH AS WHITE.
394
00:23:58,563 --> 00:24:01,565
7 OF THEM
ARE DOUBLE YOLKS.
395
00:24:01,566 --> 00:24:04,236
BROWN EGGS GET
4 CENTS LESS A DOZEN.
396
00:24:10,367 --> 00:24:13,619
ALL RIGHT. 4 CENTS
LESS FOR THE BROWN.
397
00:24:13,620 --> 00:24:14,704
AH.
398
00:24:21,753 --> 00:24:23,671
[WHIMPERING]
399
00:24:23,672 --> 00:24:27,008
HEY, JACK. THERE YOU GO.
GO ON, BOY.
400
00:24:42,482 --> 00:24:44,233
PRETTY QUIET TONIGHT.
401
00:24:44,234 --> 00:24:45,484
YES. HASN'T BEEN
A WORD OUT OF THEM
402
00:24:45,485 --> 00:24:47,778
FOR MORE
THAN AN HOUR.
403
00:24:47,779 --> 00:24:48,947
I WAS TALKING
ABOUT YOU.
404
00:24:51,908 --> 00:24:53,451
I MET MRS. OLESON
TODAY.
405
00:24:55,620 --> 00:24:56,663
OH.
406
00:24:58,434 --> 00:24:59,874
IF NELLIE'S ANYTHING
LIKE HER MOTHER,
407
00:24:59,875 --> 00:25:02,210
I CAN UNDERSTAND WHY
LAURA'S BEEN SO UPSET.
408
00:25:04,963 --> 00:25:06,463
DO YOU KNOW
WHAT SHE TOLD ME?
409
00:25:06,464 --> 00:25:07,673
MM-MMM-
410
00:25:07,674 --> 00:25:10,843
SHE TOLD ME BROWN EGGS
BRING LESS THAN WHITE.
411
00:25:10,844 --> 00:25:12,011
MUST BE SOMETHING
PECULIAR TO MINNESOTA.
412
00:25:12,012 --> 00:25:13,512
I NEVER HEARD
OF THAT BEFORE.
413
00:25:13,513 --> 00:25:16,682
YOU NEVER HEARD IT BEFORE
'CAUSE IT ISN'T TRUE.
414
00:25:16,683 --> 00:25:19,518
SHE PAID ME 4 CENTS LESS
A DOZEN FOR THE BROWN,
415
00:25:19,519 --> 00:25:20,811
AND THEN SHE TURNED
AROUND AND SOLD THEM
416
00:25:20,812 --> 00:25:22,438
FOR EXACTLY THE SAME
AS THE WHITE.
417
00:25:22,439 --> 00:25:24,815
I WAS BUYING THIS THREAD.
I HEARD HER DO IT.
418
00:25:24,816 --> 00:25:26,442
I'LL TALK TO HER HUSBAND.
HE'S A FAIR MAN.
419
00:25:26,443 --> 00:25:30,738
NO. IF YOU DO THAT,
SHE WON'T BUY ANY EGGS.
420
00:25:30,739 --> 00:25:33,032
WE NEED THE MONEY.
421
00:25:33,033 --> 00:25:34,116
[SIGHS]
422
00:25:34,117 --> 00:25:35,993
I'LL HANDLE IT.
423
00:25:35,994 --> 00:25:38,621
WANT TO FIGHT
YOUR OWN BATTLES, HUH?
424
00:25:38,622 --> 00:25:40,456
THIS ONE.
425
00:25:40,457 --> 00:25:41,665
AND, CHARLES,
I INTEND TO WIN.
426
00:25:41,666 --> 00:25:42,876
[JACK BARKS]
427
00:25:46,838 --> 00:25:49,257
JUST REMEMBER...
DO UNTO OTHERS...
428
00:25:52,928 --> 00:25:56,223
[DOOR OPENS AND CLOSES]
429
00:26:03,188 --> 00:26:05,648
♪ RING AROUND THE ROSY ♪
430
00:26:05,649 --> 00:26:07,691
♪ POCKETFUL OF POSIES ♪
431
00:26:07,692 --> 00:26:11,696
♪ ASHES, ASHES,
WE ALL FALL DOWN ♪
432
00:26:13,823 --> 00:26:16,575
COME ON, LAURA.
DON'T YOU WANT TO PLAY?
433
00:26:16,576 --> 00:26:20,246
WHY DO WE ALWAYS HAVE TO
PLAY RING AROUND THE ROSY?
434
00:26:20,247 --> 00:26:21,997
BECAUSE I SAY SO.
435
00:26:21,998 --> 00:26:24,041
♪ RING AROUND THE ROSY ♪
436
00:26:24,042 --> 00:26:25,542
Laura: ♪ UNCLE JOHN
IS SICK A-BED ♪
437
00:26:25,543 --> 00:26:27,253
♪ WHAT SHALL WE
SEND HIM? ♪
438
00:26:27,254 --> 00:26:29,380
♪ PIECE OF PIE,
A PIECE OF CAKE ♪
439
00:26:29,381 --> 00:26:33,384
♪ UNCLE JOHN IS SICK A-BED,
WHAT SHALL WE SEND HIM? ♪
440
00:26:33,385 --> 00:26:35,220
LAURA INGALLS,
YOU STOP THAT!
441
00:26:36,554 --> 00:26:38,889
♪ APPLE AND DUMPLING ♪
442
00:26:38,890 --> 00:26:40,891
WHAT SHALL WE
SEND IT IN?
443
00:26:40,892 --> 00:26:42,393
STOP!
444
00:26:42,394 --> 00:26:45,354
YOU HAVE IT YOUR WAY EVERY
SINGLE DAY, NELLIE.
445
00:26:45,355 --> 00:26:48,399
WELL, TODAY, I WANT
TO PLAY UNCLE JOHN!
446
00:26:48,400 --> 00:26:51,026
RING AROUND THE ROSY!
447
00:26:51,027 --> 00:26:52,195
UNCLE JOHN!
448
00:26:54,197 --> 00:26:56,573
YOU WANT TO FIGHT,
I'LL FIGHT!
449
00:26:56,574 --> 00:26:59,619
YOU WANT TO PLAY, WE'RE
PLAYING UNCLE JOHN!
450
00:27:01,997 --> 00:27:04,081
GO ON. GO AHEAD.
451
00:27:04,082 --> 00:27:06,834
SO I DID WHAT YOU SAID
I SHOULDN'T.
452
00:27:06,835 --> 00:27:09,586
THAT IS,
I DID UNTO NELLIE,
453
00:27:09,587 --> 00:27:13,048
BUT NOT WHAT
YOU HAD IN MIND.
454
00:27:13,049 --> 00:27:16,427
I'M SORRY FOR GOING
AGAINST YOU.
455
00:27:16,428 --> 00:27:18,178
SEEMS LIKE IT KEPT
BUILDING UP INSIDE ME
456
00:27:18,179 --> 00:27:20,889
RIGHT FROM
THAT FIRST DAY.
457
00:27:20,890 --> 00:27:22,224
[SIGHS]
458
00:27:22,225 --> 00:27:24,810
WELL, AT LEAST YOU DID ONE
THING RIGHT, HALF-PINT.
459
00:27:24,811 --> 00:27:26,020
I DID?
460
00:27:26,021 --> 00:27:30,107
MM-HMM. YOU CAME TO US
AND TOLD US ON YOUR OWN.
461
00:27:30,108 --> 00:27:33,736
YOUR MA AND I DIDN'T HAVE TO
HEAR IT FROM SOMEBODY ELSE.
462
00:27:33,737 --> 00:27:36,196
NOW WHAT DO YOU THINK
WE OUGHT TO DO ABOUT IT?
463
00:27:36,197 --> 00:27:38,282
WHATEVER YOU THINK'S
BEST, PA,
464
00:27:38,283 --> 00:27:39,826
BUT SHE DID START IT.
465
00:27:45,832 --> 00:27:49,918
YOU THOUGHT YOU HAD GOOD
REASON FOR WHAT YOU DID.
466
00:27:49,919 --> 00:27:51,045
AND THIS TIME,
JUST FOR ONCE,
467
00:27:51,046 --> 00:27:53,380
I'M INCLINED TO
AGREE WITH YOU.
468
00:27:53,381 --> 00:27:55,591
THE IMPORTANT THING IS, ARE
YOU GOING TO DO IT AGAIN?
469
00:27:55,592 --> 00:27:58,385
NO, PA.
470
00:27:58,386 --> 00:27:59,928
THAT A PROMISE?
471
00:27:59,929 --> 00:28:01,014
PROMISE.
472
00:28:03,099 --> 00:28:05,434
ALL RIGHT. WE WON'T
SAY ANY MORE ABOUT IT.
473
00:28:05,435 --> 00:28:06,519
OFF TO BED.
474
00:28:15,820 --> 00:28:19,698
HALF-PINT, DON'T FORGET NOW.
YOU MADE A PROMISE.
475
00:28:19,699 --> 00:28:21,742
YOU WON'T DO IT AGAIN.
476
00:28:21,743 --> 00:28:23,911
OH, NO, PA. IWON'T.
477
00:28:23,912 --> 00:28:25,579
I WON'T HAVE TO.
478
00:28:25,580 --> 00:28:27,123
NELLIE'S SCARED
OF ME NOW.
479
00:28:35,715 --> 00:28:37,424
CHARLES, YOU WERE
MUCH TOO EASY ON HER.
480
00:28:37,425 --> 00:28:39,885
SHE'S NOT THE LEAST BIT
SORRY FOR WHAT SHE DID.
481
00:28:39,886 --> 00:28:43,013
YOU HEARD WHAT THE CHILD SAID.
IT WAS NELLIE'S FAULT.
482
00:28:43,014 --> 00:28:44,807
THE BIBLE SAYS
TURN THE OTHER CHEEK.
483
00:28:44,808 --> 00:28:46,767
I THINK THAT'S SOMETIMES
EASIER SAID THAN DONE,
484
00:28:46,768 --> 00:28:49,229
OR WE'D ALL BE WEARING
HALOS INSTEAD OF HOMESPUN.
485
00:28:52,941 --> 00:28:55,401
[PLAYING SLOW TUNE]
486
00:28:55,402 --> 00:28:57,278
YOU'RE AS BAD
AS SHE IS.
487
00:29:00,240 --> 00:29:02,325
WELL, AT LEAST SHE
COMES BY IT HONESTLY.
488
00:29:38,403 --> 00:29:39,570
MORNING,
MRS. INGALLS.
489
00:29:39,571 --> 00:29:42,906
GOOD MORNING,
MR. OLESON.
490
00:29:42,907 --> 00:29:45,284
WELL, I EXPECT YOU'RE
HERE TO APOLOGIZE
491
00:29:45,285 --> 00:29:47,870
FOR WHAT HAPPENED
YESTERDAY AT THE SCHOOL.
492
00:29:47,871 --> 00:29:49,873
I'M HERE TO SELL EGGS,
MRS. OLESON.
493
00:29:52,083 --> 00:29:53,250
HMM.
494
00:29:53,251 --> 00:29:55,919
I MIGHT HAVE
EXPECTED AS MUCH.
495
00:29:55,920 --> 00:29:58,547
LET ME TELL YOU SOMETHING, MRS.
INGALLS.
496
00:29:58,548 --> 00:30:00,924
YOUR DAUGHTER LAURA
IS A TROUBLEMAKER,
497
00:30:00,925 --> 00:30:02,926
AND YOU'D BEST
TAKE HER IN HAND.
498
00:30:02,927 --> 00:30:04,761
STARTING FIGHTS
IN THE SCHOOLYARD
499
00:30:04,762 --> 00:30:07,347
AND PUSHING OTHER
CHILDREN AROUND!
500
00:30:07,348 --> 00:30:10,225
NELLIE APPARENTLY HAS HER
OWN VERSION OF THE TRUTH.
501
00:30:10,226 --> 00:30:11,977
IF YOU'D CARE TO QUESTION
THE OTHER CHILDREN...
502
00:30:11,978 --> 00:30:14,272
BROWN EGGS ARE STILL
4 CENTS LESS.
503
00:30:19,944 --> 00:30:21,945
YOU DIDN'T BRING
ANY BROWN EGGS.
504
00:30:21,946 --> 00:30:24,823
OH, MY HUSBAND SOLD THEM
TO THE MEN AT HANSON'S MILL
505
00:30:24,824 --> 00:30:26,826
FOR 3 CENTS MORE
THAN YOU PAID ME.
506
00:30:28,453 --> 00:30:30,370
THAT'S GRATITUDE.
507
00:30:30,371 --> 00:30:34,124
NO. THAT'S
GOOD BUSINESS.
508
00:30:34,125 --> 00:30:37,461
MAYBE THEY'LL BUY
YOUR WHITE EGGS AS WELL.
509
00:30:37,462 --> 00:30:41,965
AS A MATTER OF FACT, MY HUSBAND
SAID THEY'D BE GLAD TO GET THEM.
510
00:30:41,966 --> 00:30:43,468
GOOD DAY, MRS. OLESON.
511
00:30:45,053 --> 00:30:48,347
NOW, MRS. INGALLS...
512
00:30:48,348 --> 00:30:50,474
I'M A VERY BUSY WOMAN,
513
00:30:50,475 --> 00:30:53,143
TOO BUSY TO QUIBBLE
OVER PENNIES.
514
00:30:53,144 --> 00:30:56,897
UM, WE'LL BUY
YOUR BROWN EGGS,
515
00:30:56,898 --> 00:30:58,274
SAME PRICE
AS THE WHITE.
516
00:31:07,408 --> 00:31:09,326
IF IT'S YARD GOODS
YOU'RE AFTER, MRS. INGALLS,
517
00:31:09,327 --> 00:31:13,705
YOU'LL FIND THIS IS
MORE TO YOUR NEEDS.
518
00:31:13,706 --> 00:31:15,082
THANK YOU,
MRS. OLESON.
519
00:31:15,083 --> 00:31:16,042
MM-HMM.
520
00:31:16,043 --> 00:31:17,918
I PREFER THIS.
521
00:31:17,919 --> 00:31:19,461
WON'T WEAR WELL.
522
00:31:19,462 --> 00:31:23,799
COUNTRY FOLK HAVE TO THINK
MORE ON THE PRACTICAL.
523
00:31:23,800 --> 00:31:25,842
I'LL TAKE THE BLUE.
524
00:31:25,843 --> 00:31:27,553
IT WILL BE A MISTAKE.
525
00:31:27,554 --> 00:31:29,721
THEN IT WILL BE
MY MISTAKE.
526
00:31:29,722 --> 00:31:31,056
I BELIEVE
IT'S CUSTOMARY
527
00:31:31,057 --> 00:31:33,601
TO LET THE BUYER DO THE CHOOSING, MRS.
OLESON.
528
00:31:35,395 --> 00:31:38,105
THAT'S QUITE
ALL RIGHT.
529
00:31:38,106 --> 00:31:39,691
I BEG YOUR PARDON.
530
00:31:41,025 --> 00:31:43,402
I'LL TAKE A DRESS
LENGTH, PLEASE.
531
00:31:43,403 --> 00:31:45,237
WELL, IT DOES
COME DEAR,
532
00:31:45,238 --> 00:31:47,489
BUT THERE'S NOT A FINER PIECE
OF GOODS IN THE STORE.
533
00:31:47,490 --> 00:31:49,408
[DOOR SLAMS]
534
00:31:49,409 --> 00:31:51,536
IT'S GOING TO LOOK RIGHT
SMART ON YOU, MRS. INGALLS.
535
00:31:59,377 --> 00:32:02,671
DON'T TOUCH, LAURA!
YOU'LL GET IT ALL GRUBBY.
536
00:32:02,672 --> 00:32:04,298
[SIGH] I DON'T KNOW
WHAT POSSESSED ME,
537
00:32:04,299 --> 00:32:07,259
SPENDING SO MUCH
MONEY ON MYSELF.
538
00:32:07,260 --> 00:32:11,179
IF MRS. OLESON JUST HADN'T GONE
ON SO ABOUT COUNTRY FOLKS,
539
00:32:11,180 --> 00:32:14,391
AS IF ALL WE'RE FIT
TO WEAR IS FLOUR SACKS.
540
00:32:14,392 --> 00:32:15,642
I'M GLAD
YOU BOUGHT IT.
541
00:32:15,643 --> 00:32:16,561
SO AM I.
542
00:32:16,562 --> 00:32:17,729
Charles:
So AM I.
543
00:32:21,733 --> 00:32:25,027
PRIDE GOETH
BEFORE A FALL.
544
00:32:25,028 --> 00:32:27,696
I'LL JUST TAKE IT BACK
AND SEE IF MR. OLESON
545
00:32:27,697 --> 00:32:28,990
WILL GIVE ME
THE MONEY ON IT.
546
00:32:31,849 --> 00:32:33,410
CAROLINE, WHY DO YOU
THINK THE GOOD LORD
547
00:32:33,411 --> 00:32:35,120
WENT TO ALL THAT TROUBLE
OF MAKING YOU SO PRETTY
548
00:32:35,121 --> 00:32:36,998
IF HE DIDN'T WANT YOU
TO HAVE A NEW BLUE DRESS?
549
00:32:39,083 --> 00:32:41,126
YOU'LL BE BEAUTIFUL, MA.
550
00:32:41,127 --> 00:32:43,503
I CAN'T WAIT
TILL EVERYONE SEES YOU.
551
00:32:43,504 --> 00:32:47,090
THEY'RE GOING TO THINK THEY'RE
LOOKING AT A PIECE OF HEAVEN.
552
00:32:47,091 --> 00:32:48,425
IF THEY DON'T
THINK THAT ALREADY,
553
00:32:48,426 --> 00:32:49,676
I CAN'T SAY MUCH
FOR THEIR JUDGMENT
554
00:32:49,677 --> 00:32:50,845
OR THEIR EYESIGHT.
555
00:32:52,055 --> 00:32:54,265
OH! WHAT AM I
GOING TO DO WITH YOU?
556
00:32:58,728 --> 00:33:01,147
WHAT AM I GOING TO DO
WITH THE LOT OF YOU?
557
00:33:09,280 --> 00:33:11,281
Laura, narrating:
MA GATHERED ENOUGH EGGS
558
00:33:11,282 --> 00:33:12,658
TO WALK US INTO TOWN
559
00:33:12,659 --> 00:33:15,369
TWO OR 3 TIMES EVERY WEEK.
560
00:33:15,370 --> 00:33:16,953
SOMETIMES, SHE'D TELL US ABOUT
561
00:33:16,954 --> 00:33:19,164
WHEN SHE WAS A LITTLE GIRL.
562
00:33:19,165 --> 00:33:21,541
I TRIED SCRUNCHING HER
DOWN IN MY MIND,
563
00:33:21,542 --> 00:33:25,671
SO AS I COULD SEE HER
ALL BAREFOOT, PIGTAILS FLYING,
564
00:33:25,672 --> 00:33:27,506
BUT IT NEVER DID WORK.
565
00:33:27,507 --> 00:33:29,883
SHE KEPT RIGHT ON BEING MOM,
566
00:33:29,884 --> 00:33:31,385
WHICH WAS ALL RIGHT,
567
00:33:31,386 --> 00:33:36,306
SINCE WE LOVED HER A WHOLE LOT
JUST THE WAY SHE WAS.
568
00:33:36,307 --> 00:33:37,849
ARITHMETIC WAS EASY,
569
00:33:37,850 --> 00:33:39,851
AND I LIKED READING MOST OF ALL,
570
00:33:39,852 --> 00:33:43,563
BUT WRITING... I DIDN'T
THINK I'D EVER LEARN
571
00:33:43,564 --> 00:33:46,525
TO PUT DOWN BIG WORDS
THE WAY MARY DID,
572
00:33:46,526 --> 00:33:48,444
NOT EVEN WITH MA TO HELP ME.
573
00:33:51,364 --> 00:33:52,406
WAIT UP, MARY!
574
00:33:52,407 --> 00:33:53,907
DON'T TELL
TILL I GET THERE!
575
00:33:53,908 --> 00:33:55,117
MA! MA!
576
00:33:55,118 --> 00:33:56,910
Caroline:
WHAT'S THE MATTER?
577
00:33:56,911 --> 00:33:58,495
WHERE'S PA?
578
00:33:58,496 --> 00:33:59,996
WHAT'S GOING ON
DOWN THERE?
579
00:33:59,997 --> 00:34:01,832
Laura: WE'RE GOING To
HAVE A VISITORS' DAY.
580
00:34:01,833 --> 00:34:03,875
PRACTICALLY EVERYBODY
IN TOWN WILL BE THERE.
581
00:34:03,876 --> 00:34:06,795
YOU AND MA AND ALL THE
PARENTS AND ALL THE KIDS.
582
00:34:06,796 --> 00:34:08,714
YOU GET TO SEE WHERE
MARY AND ME SIT.
583
00:34:08,715 --> 00:34:10,507
Mary: WE ALL HAVE To WRITE
WHAT THEY CALL AN ESSAY
584
00:34:10,508 --> 00:34:14,177
ABOUT ANYTHING WE WANT AND STAND
UP IN FRONT AND READ IT OUT LOUD.
585
00:34:14,178 --> 00:34:16,346
AND YOU COULD WEAR
YOUR NEW BLUE DRESS.
586
00:34:16,347 --> 00:34:18,140
YOU BETTER GET
STARTED ON THAT, MA.
587
00:34:18,141 --> 00:34:19,683
IT'S THE END
OF THIS WEEK.
588
00:34:19,684 --> 00:34:22,352
YOU TWO BETTER GET BUSY
ON YOUR ESSAYS RIGHT NOW.
589
00:34:22,353 --> 00:34:23,896
WE WILL.
COME ON!
590
00:34:27,775 --> 00:34:31,738
AND WAIT TILL YOU SMELL
MISS BEADLE'S LEMON VERBENA!
591
00:34:40,455 --> 00:34:42,164
Laura, narrating:
MA AND MARY AND ME
592
00:34:42,165 --> 00:34:45,292
WORKED HARD AND STEADY
THAT WHOLE WEEK,
593
00:34:45,293 --> 00:34:47,919
BUT BEFORE WE KNEW IT,
TIME WAS UP.
594
00:34:47,920 --> 00:34:51,006
VISITORS' DAY
WAS THE NEXT MORNING.
595
00:34:51,007 --> 00:34:53,592
MA'S DRESS
WAS PRETTY NEAR DONE,
596
00:34:53,593 --> 00:34:56,720
AND SO WAS MARY'S ESSAY.
597
00:34:56,721 --> 00:34:59,222
Mary: WELL,
I'M FINISHED.
598
00:34:59,223 --> 00:35:00,223
KNOW WHAT
I WROTE ABOUT?
599
00:35:00,224 --> 00:35:01,558
WHAT, DEAR?
600
00:35:01,559 --> 00:35:04,311
ABOUT PA BUILDING THE
LITTLE HOUSE ON THE PRAIRIE
601
00:35:04,312 --> 00:35:07,105
AND THE WOLVES
AND THE INDIANS
602
00:35:07,106 --> 00:35:09,566
AND HAVING TO MOVE ON
603
00:35:09,567 --> 00:35:12,235
AND HOW WE CAME
TO PLUM CREEK.
604
00:35:12,236 --> 00:35:13,487
HOW'S THAT SOUND?
605
00:35:13,488 --> 00:35:15,572
THAT SOUNDS
GOOD TO ME.
606
00:35:15,573 --> 00:35:17,574
WHAT DID YOU WRITE ABOUT, LAURA?
607
00:35:17,575 --> 00:35:20,827
MINE? MINE'S
A SURPRISE.
608
00:35:20,828 --> 00:35:22,120
WELL, THAT'S
FAIR ENOUGH.
609
00:35:22,121 --> 00:35:23,455
I'LL TELL YOU,
THAT SURPRISE
610
00:35:23,456 --> 00:35:26,124
IS GOING TO COME PRETTY
EARLY IN THE MORNING.
611
00:35:26,125 --> 00:35:28,877
IT'S ABOUT TIME FOR YOU
GIRLS TO BE GETTING TO BED.
612
00:35:28,878 --> 00:35:30,463
I KNOW IT'S TIME
FOR CARRIE AND ME.
613
00:35:32,590 --> 00:35:34,257
I'LL PUT HER TO SLEEP.
614
00:35:34,258 --> 00:35:35,300
COME ON, LAURA.
615
00:35:35,301 --> 00:35:36,427
IN A MINUTE.
616
00:35:48,856 --> 00:35:51,608
WHAT IS IT, LAURA?
617
00:35:51,609 --> 00:35:53,860
THE ESSAY?
618
00:35:53,861 --> 00:35:57,447
IT'S NOT AN ESSAY...
NOT LIKE MARY'S.
619
00:35:57,448 --> 00:36:00,283
IT'S NOT SUPPOSED
TO BE LIKE MARY'S.
620
00:36:00,284 --> 00:36:01,451
SHE'S OLDER
THAN YOU ARE.
621
00:36:01,452 --> 00:36:03,328
SHE KNOWS MORE WORDS.
622
00:36:03,329 --> 00:36:05,288
I KNOW LOTS OF
WORDS, MA.
623
00:36:05,289 --> 00:36:07,249
TROUBLE IS,
THEY'RE IN MY HEAD,
624
00:36:07,250 --> 00:36:08,792
AND I CAN'T GET
'EM DOWN ON PAPER
625
00:36:08,793 --> 00:36:10,877
LIKE THEY'RE
SUPPOSED TO BE.
626
00:36:10,878 --> 00:36:13,129
ALL I KNOW HOW TO WRITE
IS LITTLE WORDS.
627
00:36:13,130 --> 00:36:15,215
THAT'S ALL YOU'RE
SUPPOSED TO KNOW.
628
00:36:15,216 --> 00:36:17,551
YOU'RE JUST SAYING THAT
TO MAKE ME FEEL BETTER.
629
00:36:17,552 --> 00:36:21,304
I'M SAYING THAT
BECAUSE IT'S TRUE.
630
00:36:21,305 --> 00:36:23,098
MA...
631
00:36:23,099 --> 00:36:25,684
IF I WAS TO
TELL YOU SOMETHING,
632
00:36:25,685 --> 00:36:27,477
COULD YOU
KEEP IT SECRET?
633
00:36:27,478 --> 00:36:31,731
IF YOU ASK ME TO,
OF COURSE.
634
00:36:31,732 --> 00:36:33,525
I'M SCARED.
635
00:36:33,526 --> 00:36:37,237
I'M SCARED OF GETTING UP IN
FRONT OF ALL THOSE PEOPLE.
636
00:36:37,238 --> 00:36:39,990
I JUST KNOW THEY'RE
GOING TO LAUGH AT ME.
637
00:36:39,991 --> 00:36:41,534
DARLING, THEY
WON'T LAUGH.
638
00:36:43,744 --> 00:36:45,745
ALL THAT MISS BEADLE
ASKS OF YOU
639
00:36:45,746 --> 00:36:48,331
IS THAT YOU
DO YOUR BEST.
640
00:36:48,332 --> 00:36:50,792
AND AS LONG AS YOU
DO YOUR BEST, LAURA,
641
00:36:50,793 --> 00:36:53,295
WE'LL ALWAYS
BE PROUD OF YOU.
642
00:36:53,296 --> 00:36:54,713
BUT THEY
LAUGHED BEFORE,
643
00:36:54,714 --> 00:36:57,841
WHEN THEY CALLED US
LONG-LEGGED SNIPES.
644
00:36:57,842 --> 00:37:00,302
THAT WAS JUST TEASING,
645
00:37:00,303 --> 00:37:03,388
AND THAT WAS BEFORE
THEY KNEW YOU.
646
00:37:03,389 --> 00:37:06,933
BUT WHAT IF
THEY DO LAUGH?
647
00:37:06,934 --> 00:37:08,477
THEY WON'T, LAURA.
648
00:37:11,731 --> 00:37:12,982
THEY WON'T.
649
00:37:42,303 --> 00:37:43,387
CAROLINE?
650
00:37:46,307 --> 00:37:47,391
CAROLINE?
651
00:37:50,561 --> 00:37:51,978
YES?
652
00:37:51,979 --> 00:37:53,521
ARE YOU ALL RIGHT?
653
00:37:53,522 --> 00:37:56,066
EVERYTHING'S FINE,
CHARLES.
654
00:37:56,067 --> 00:37:58,234
I'M SORRY IF THE LIGHT
DISTURBED YOU.
655
00:37:58,235 --> 00:37:59,527
NO, IT'S ALL RIGHT.
656
00:37:59,528 --> 00:38:01,248
MUST BE MIDNIGHT.
WHY DON'T YOU COME TO BED?
657
00:38:02,657 --> 00:38:06,576
IWILL,
SOON AS I'M FINISHED.
658
00:38:06,577 --> 00:38:07,703
GOOD NIGHT.
659
00:38:27,264 --> 00:38:28,933
COME ON, GIRLS!
TIME FOR BREAKFAST!
660
00:38:31,310 --> 00:38:32,478
THERE WE GO.
661
00:38:34,480 --> 00:38:35,855
Mary: MORNING, PA!
662
00:38:35,856 --> 00:38:37,190
MORNING, MARY.
663
00:38:37,191 --> 00:38:39,567
SOME MILK? UH.
664
00:38:39,568 --> 00:38:40,528
Laura: MORNING, PA.
665
00:38:40,529 --> 00:38:41,778
GOOD MORNING,
SWEETIE.
666
00:38:41,779 --> 00:38:44,030
MMM, YOU LOOK PRETTY
THIS MORNING.
667
00:38:44,031 --> 00:38:44,991
MWAH. HI, DARLING.
668
00:38:44,992 --> 00:38:46,158
Caroline: GOOD MORNING!
669
00:38:59,922 --> 00:39:02,507
MA, YOU USED
YOUR YARD GOODS
670
00:39:02,508 --> 00:39:04,843
TO MAKE DRESSES FOR US.
671
00:39:04,844 --> 00:39:06,261
AND WHY NOT?
672
00:39:06,262 --> 00:39:08,722
MY BROWN DRESS
IS PERFECTLY GOOD.
673
00:39:08,723 --> 00:39:10,765
THERE.
674
00:39:10,766 --> 00:39:13,059
BESIDES, I DON'T HAVE TO GET UP
IN FRONT OF ALL THOSE PEOPLE
675
00:39:13,060 --> 00:39:14,352
LIKE YOU DO.
676
00:39:14,353 --> 00:39:16,980
WE WOULDN'T HAVE MINDED
WEARING OUR CALICOES.
677
00:39:16,981 --> 00:39:18,648
WE WOULDN'T
HAVE MINDED.
678
00:39:18,649 --> 00:39:21,818
WELL, I WOULD HAVE MINDED.
679
00:39:21,819 --> 00:39:22,986
HOW LONG ARE YOU
GOING TO MAKE ME WAIT
680
00:39:22,987 --> 00:39:24,779
TO SEE HOW
THEY LOOK ON YOU?
681
00:39:24,780 --> 00:39:27,073
I'M GOING TO PUT
MINE ON RIGHT NOW.
682
00:39:27,074 --> 00:39:29,076
I SURELY DO LOVE YOU, MA.
683
00:39:35,958 --> 00:39:37,293
YOU'RE QUITE A WOMAN, MA.
684
00:39:40,838 --> 00:39:43,965
I WANT A NEW DRESS
FOR MY DOLLY.
685
00:39:43,966 --> 00:39:48,511
HA HA HA! YOU'LL GET
ONE, SWEETHEART.
686
00:39:48,512 --> 00:39:52,182
Willie: "I HAVE BEEN RIDING
HORSES ALL OF MY DAYS.
687
00:39:52,183 --> 00:39:56,936
I LIKE RIDING HORSES
MORE THAN I LIKE..."
688
00:39:56,937 --> 00:39:59,439
[CHILDREN GIGGLING]
689
00:39:59,440 --> 00:40:02,400
"MORE THAN I LIKE...
690
00:40:02,401 --> 00:40:04,235
"I LIKE RIDING HORSES.
691
00:40:04,236 --> 00:40:08,531
"MY PA IS GOING TO
BUY ME A PONY.
692
00:40:08,532 --> 00:40:13,203
"HE WILL LET ME PICK OUT
ANY PONY IN THE TOWN...
693
00:40:13,204 --> 00:40:16,332
TO BUY FOR ME
FOR MY BIRTHDAY."
694
00:40:25,257 --> 00:40:28,093
Miss Beadle:
THANK YOU, WILLIE.
695
00:40:28,094 --> 00:40:30,262
AND NOW WE'LL HEAR
FROM NELLIE OLESON.
696
00:40:38,896 --> 00:40:40,730
"MY HOME.
697
00:40:40,731 --> 00:40:44,734
"MY HOME IS THE BEST HOUSE
IN ALL OF WALNUT GROVE.
698
00:40:44,735 --> 00:40:48,363
"WE HAVE CARPETS IN EVERY
ROOM... BOUGHTEN CARPETS.
699
00:40:48,364 --> 00:40:50,073
"WE HAVE 3 SETS OF DISHES:
700
00:40:50,074 --> 00:40:52,450
"ONE FOR EVERY DAY,
ONE FOR SUNDAY,
701
00:40:52,451 --> 00:40:53,910
AND ONE FOR WHEN SOMEONE..."
702
00:40:53,911 --> 00:40:56,038
[GIGGLING]
703
00:40:59,917 --> 00:41:03,419
"...FOR SOMEONE SPECIAL AND
VERY IMPORTANT COMES TO VISIT,
704
00:41:03,420 --> 00:41:05,588
WHICH WE'VE NEVER
EVEN USED YET."
705
00:41:05,589 --> 00:41:07,091
"WE HAVE REAL
LACE CURTAINS..."
706
00:41:08,509 --> 00:41:12,011
"AND 6 GENUINE
OIL PAINTINGS AND..."
707
00:41:12,012 --> 00:41:14,098
[LAUGHTER]
708
00:41:18,894 --> 00:41:20,020
[LAUGHTER STOPS]
709
00:41:22,022 --> 00:41:23,565
"AND 6 GENUINE OIL PAINTINGS,
710
00:41:23,566 --> 00:41:26,943
"AND I HAVE MY OWN ROOM,
AND WILLIE HAS HIS OWN.
711
00:41:26,944 --> 00:41:29,154
"ALL OF OUR FURNITURE
IS BOUGHTEN, TOO,
712
00:41:29,155 --> 00:41:31,030
"AND IT COST A WHOLE LOT.
713
00:41:31,031 --> 00:41:34,117
"IF I TOLD YOU HOW MUCH,
YOU'D PROBABLY FAINT DEAD AWAY.
714
00:41:34,118 --> 00:41:36,244
"BUT MY PA,
OLESON'S MERCANTILE,
715
00:41:36,245 --> 00:41:39,455
"SAYS TALKING ABOUT HOW MUCH
THINGS COST ISN'T PROPER,
716
00:41:39,456 --> 00:41:42,041
"BUT IT COST DEAR,
I CAN TELL YOU THAT,
717
00:41:42,042 --> 00:41:44,794
"AND IT'S THE NICEST FURNITURE
OF ANY FURNITURE
718
00:41:44,795 --> 00:41:47,964
IN ANY HOUSE
IN WALNUT GROVE."
719
00:41:47,965 --> 00:41:50,050
[APPLAUSE]
720
00:41:55,389 --> 00:41:57,015
THANK YOU, NELLIE.
721
00:41:57,016 --> 00:41:59,310
AND NOW WE'LL HEAR
FROM LAURA INGALLS.
722
00:42:19,663 --> 00:42:20,873
"MY MOTHER."
723
00:42:22,208 --> 00:42:24,834
MY SISTER MARY
IS GOING TO TELL YOU
724
00:42:24,835 --> 00:42:29,005
HOW PA BROUGHT US WEST
AND HOW HARD HE WORKED,
725
00:42:29,006 --> 00:42:31,132
AND I DON'T MEAN TO TAKE
ANYTHING FROM HIM
726
00:42:31,133 --> 00:42:35,511
BY TELLING YOU
MA WORKED PLENTY HARD HERSELF.
727
00:42:35,512 --> 00:42:37,305
STILL DOES.
728
00:42:37,306 --> 00:42:40,391
SHE COOKS AND SEWS
AND CLEANS
729
00:42:40,392 --> 00:42:44,687
AND TAKES CARE OF
THE LOT OF US, PA INCLUDED.
730
00:42:44,688 --> 00:42:46,814
I REMEMBER ONCE
WHEN I WAS LITTLE,
731
00:42:46,815 --> 00:42:48,816
COMING DOWN WITH THE FEVER.
732
00:42:48,817 --> 00:42:51,986
MA SAT UP NEXT TO ME
ALL NIGHT LONG.
733
00:42:51,987 --> 00:42:55,448
I SLEPT SOME,
BUT SHE, NEVER.
734
00:42:55,449 --> 00:43:00,203
ANYTIME I'D OPEN MY EYES,
SHE'D BE THERE, SMILING,
735
00:43:00,204 --> 00:43:03,539
PUTTING A COLD CLOTH
TO MY HEAD.
736
00:43:03,540 --> 00:43:06,334
NOW WITH ME AND MARY
SPROUTING UP...
737
00:43:06,335 --> 00:43:08,253
WHICH IS WHAT MA CALLS lT...
738
00:43:08,254 --> 00:43:11,214
IF THERE'S THE LEAST
LITTLEST NOISE IN THE NIGHT,
739
00:43:11,215 --> 00:43:14,676
MA WOULD COME CLIMBING
UP THE LADDER INTO THE LOFT
740
00:43:14,677 --> 00:43:17,178
TO MAKE SURE
WE'RE ALL RIGHT.
741
00:43:17,179 --> 00:43:20,098
I RECKON THERE'S TIMES
SHE GETS BONE-TIRED,
742
00:43:20,099 --> 00:43:22,392
BUT YOU'D NEVER KNOW IT.
743
00:43:22,393 --> 00:43:24,602
HER SMILE'S
THE LAST THING I SEE
744
00:43:24,603 --> 00:43:27,272
BEFORE I CLOSE MY EYES
AT NIGHT
745
00:43:27,273 --> 00:43:31,067
AND THE FIRST THING
I WANT TO SEE IN THE MORNING.
746
00:43:31,068 --> 00:43:33,653
SHE'S BEEN SELLING EGGS
TO THE MERCANTILE
747
00:43:33,654 --> 00:43:38,074
AND SAVED ENOUGH TO BUY YARD GOODS
TO MAKE HERSELF A NEW DRESS.
748
00:43:38,075 --> 00:43:43,913
THIS MORNING, MARY AND ME FOUND OUT SHE
MADE DRESSES FOR THE TWO OF US INSTEAD.
749
00:43:43,914 --> 00:43:47,417
THAT'S BECAUSE
SHE LOVES US.
750
00:43:47,418 --> 00:43:50,336
THAT'S THE KIND
OF MOTHER MA IS,
751
00:43:50,337 --> 00:43:52,131
AND THAT'S WHY
WE LOVE HER SO MUCH.
752
00:43:53,882 --> 00:43:55,968
[APPLAUSE]
753
00:44:08,522 --> 00:44:10,607
[No AUDIO]
754
00:44:21,452 --> 00:44:23,369
YOU'RE A LUCKY MAN,
MR. INGALLS.
755
00:44:23,370 --> 00:44:24,954
WELL, THANK YOU, MR. OLESON.
756
00:44:24,955 --> 00:44:26,039
GUESS THAT'S THE ONE THING
IN THIS LIFE
757
00:44:26,040 --> 00:44:27,707
I'M ABSOLUTELY SURE OF.
758
00:44:27,708 --> 00:44:28,834
Mrs. meson". NELS!
759
00:44:32,963 --> 00:44:34,756
VERY LUCKY.
760
00:44:34,757 --> 00:44:36,758
MA'AM.
761
00:44:36,759 --> 00:44:39,135
MA, PA, WHAT
DID YOU THINK?
762
00:44:39,136 --> 00:44:40,386
DID YOU LIKE
MY ESSAY?
763
00:44:40,387 --> 00:44:42,513
I THOUGHT IT WAS
LOVELY, MARY.
764
00:44:42,514 --> 00:44:43,848
YOU MADE ME OUT
TO BE A BIT OF A HERO,
765
00:44:43,849 --> 00:44:45,559
BUT I GUESS I CAN'T
FAULT YOU FOR THAT.
766
00:44:54,943 --> 00:44:56,028
LAURA.
767
00:44:57,488 --> 00:45:00,323
WHAT YOU SAID TODAY
WAS BEAUTIFUL,
768
00:45:00,324 --> 00:45:04,077
AND I'LL TREASURE IT
AS LONG AS I LIVE,
769
00:45:04,078 --> 00:45:05,870
BUT...
770
00:45:05,871 --> 00:45:08,791
IT WASN'T WHAT YOU HAD WRITTEN
DOWN ON THE PAPER, WAS IT?
771
00:45:11,168 --> 00:45:13,878
IT'S WHAT I WOULD HAVE
WRITTEN IF I COULD.
772
00:45:13,879 --> 00:45:16,422
I KNOW THAT, DEAR,
773
00:45:16,423 --> 00:45:19,927
BUT IT WASN'T REALLY
AN ESSAY, WAS IT?
774
00:45:22,805 --> 00:45:23,889
NO, MA.
775
00:45:37,861 --> 00:45:41,697
I THINK I BETTER
GIVE IT TO MISS BEADLE.
776
00:45:41,698 --> 00:45:43,449
WHAT DO YOU THINK
SHE'LL DO?
777
00:45:43,450 --> 00:45:44,660
THAT'S UP TO
MISS BEADLE.
778
00:46:18,026 --> 00:46:19,569
AH, MRS. INGALLS!
779
00:46:19,570 --> 00:46:22,780
YOU AND YOUR HUSBAND MUST BE
VERY PROUD OF YOUR GIRLS TODAY.
780
00:46:22,781 --> 00:46:23,823
WE ARE.
781
00:46:23,824 --> 00:46:25,366
AND YOU, YOUNG LADY,
782
00:46:25,367 --> 00:46:27,285
YOU GAVE ONE OF
THE FINEST RECITATIONS
783
00:46:27,286 --> 00:46:28,704
IT'S BEEN MY PLEASURE
TO HEAR.
784
00:46:32,791 --> 00:46:35,043
LAURA WANTED YOU TO SEE
HER PAPER, MISS BEADLE.
785
00:46:36,587 --> 00:46:37,629
OH.
786
00:46:47,014 --> 00:46:49,348
YES.
787
00:46:49,349 --> 00:46:52,685
LAURA'S SPELLING
HAS IMPROVED A GREAT DEAL.
788
00:46:52,686 --> 00:46:55,938
HER PENMANSHIP
NEEDS A LITTLE IMPROVEMENT.
789
00:46:55,939 --> 00:46:58,274
BUT I THINK WITH
A LITTLE MORE HARD WORK,
790
00:46:58,275 --> 00:47:00,485
BY THE TIME
THE SCHOOL YEAR'S OUT,
791
00:47:00,486 --> 00:47:02,154
SHE'LL HAVE THAT
MASTERED AS WELL.
51417
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