All language subtitles for Heart.Of.A.Dog.2015.LIMITED.720p.BluRay.x264-RedBlade_track3_eng

This is my dream body,

the one I use to walk around in my dreams.

Ln this dream, I’m in a hospital bed.

It's like a scene from a movie
you've seen a million times.

The doctor is holding a small pink bundle.

And he leans over the bed,
and he hands me the bundle.

"It's a girl," he says.

"Isn't she beautiful? Look."

And wrapped in the bundle,
I see the little face of my dog,

a small rat terrier named Lolabelle.

And no one says anything like,

"You know, this is not a human baby.

You just gave birth to a dog."

But I’m so happy.

I put my head to her forehead
and look into her eyes.

And it's almost a perfect moment,

except that the joy is mixed
with quite a lot of guilt.

Because the truth was

I had engineered this whole thing.

I had arranged to have Lolabelle
sewn into my stomach

so that I could then "give birth" to her.

And this had been really hard to do.

Lolabelle wasn't a puppy.

She was a full-grown dog,
and she had really struggled.

And she kept barking
and trying to get out,

and the surgeons kept trying
to push her back in

and sew things up.

Lt was really a mess,
and I felt really bad about it,

but it was just the way,
you know, things had to be.

Anyway, I kissed her on the head,

and I said, "Hello, little bonehead.

I'll love you forever."

(train clattering on tracks)

LAURIE: I’m standing in the room

where she was dying.

She's talking in a high new voice

I've never heard before.

'Why are there so many animals
on the ceiling now?" she says.

What are the very last things
you say in your life?

What are the last things you say
before you turn into dirt?

When my mother died,
she was talking to the animals

that had gathered on the ceiling.

She spoke to them tenderly.

"All you animals," she said.

Her last words, all scattered.

Different trains,

places she'd always meant to go.

"Don't forget you're in the hospital,"

we kept saying.

She holds up her hand. "Thanks so much.

No, the pleasure is all mine."

She tries again. "It's been my privilege
and my-my honor

to be part of this experiment,

this-this experience with you
and your - and your family.

And-And it's - it's been -

It's been -

Tell the animals," she said.

"Tell all the animals."

ls it a pilgrimage?

Towards what?

Which way do we face?

Thank you so much

for having me.

LAURIE: As a child,
I was a kind of a sky worshipper.

This was the Midwest,

and the sky was so vast,
it was most of the world.

I knew I had come from there

and that, someday, I would go back.

What are days for?

To wake us up,

to put between the endless nights.

What are nights for?

To fall through time

into another world.

I live in downtown Manhattan
next to the West Side Highway.

Ln September 2001 ,
after the Trade Center fell,

everything was covered with white ash.

For months, lines of trucks
moved up the highway,

carrying the twisted metal debris
from the towers.

Out at the end of the pier,

there's a strange,
Assyrian-looking building.

And during this time,

FBI speedboats began to dock out there.

Lt was the beginning of the time

when cameras began to appear everywhere.

And everything was so loud
and such a mess.

I tried to get out of town
as much as I could.

I decided to go to California,
up to the northern mountains -

-(slide projector clicking)
-with my dog, Lolabelle.

The idea was to take a trip
and spend some time with her

and do a kind of experiment

to see if I could learn to talk with her.

I’d heard that rat terriers

could understand about 500 words,

and I wanted to see which ones they were.

Lt was February,

and the mountains were covered
with tiny wildflowers.

And such a huge tall sky

and very thin, pale blue air

and hawks circling.

Every morning,
we walked down to the ocean,

which took most of the day.

And what happened was, more or less,

beauty got in the way of the experiment.

Lt was just so beautiful up there

that I forgot the whole project really.

Lt just slipped my mind.

Most days, the walk to the ocean
took several hours,

and we would just goof around and lie down

and have snacks of carrots.

Now, rat terriers are bred
to protect borders,

so Lolabelle was always on the job.

She would trot in front of me
on the trail,

doing a little advance work,
a little surveillance.

Now, occasionally,
out of the corner of my eye,

I’d see some hawks circling
in this very lazy way,

way up in the sky.

And then one morning,
suddenly - for no reason -

they came swooping down
right in front of me.

Dropping down through the air,

their claws wide open,
right on top of Lolabelle.

And then they swooped back up
and dropped back down.

I realized that they were in the middle
of changing their plan.

This little white thing
that had looked like

a tiny white bunny from 2,000 feet up

was turning out to be
just a little too big

to grab by the neck.

And they were making their calculations,

figuring it out.

And then I saw Lolabelle's face.

And she had this brand-new expression.

First was the realization
that she was prey

and that these birds had come to kill her.

And second was a whole new thought.

Lt was the realization
that they could come

from the air.

"I mean, I never thought of that.

A whole 1 80 more degrees
that I’m now responsible for.

It's not just the stuff down here -

the dirt, the paths,
the roots, the trees -

but all this too."

And the rest of the time
we were in the mountains,

she just kept looking over her shoulder

and trotting along
with her head in the air,

her eyes scanning the thin sky

like there's something wrong

with the air.

And I thought,
where have I seen this look before?

And then I realized it was the same look

on the faces of my neighbors in New York

in the days right after 9/1 1 ,

when they suddenly realized,

first, that they could come

from the air.

And, second, that it would
be that way from now on.

And we had passed through a door,

and we would never be going

back.

LAURIE: What is the name
of those things you see

when you close your eyes?

I think it's "phosphenes" -

the reddish patterns,
the little stripes and dots

and blurry little lines
you see floating around

when you close your eyes.

And no one really knows
what they are or what they're for.

Sometimes they seem to be
brought on by sound

or random electrical magnetic firing.

(electricity crackling)

Sometimes phosphenes are called
prisoner's cinema -

some kind of eternal, plotless
avant-garde animated movie.

Or maybe they're just screen savers -

holding patterns that just sit there

so your brain won't fall asleep.

♪♪ (woman singing, indistinct)

♪♪ (man singing, indistinct)

LAURIE: When Lolabelle got old,
she went blind.

She wouldn't move. She froze in place.

The only place she would run
was on the edge of the ocean

because she knew there would be
nothing to run into there.

And so she went running full speed

into total darkness.

Around this time, her trainer, Elisabeth,

decided to teach Lolabelle to paint.

And so Lolabelle began making
several paintings every day -

bright-red abstract works.

And she would scratch
on these plastic sheets

using static electricity.

She also made small sculptures

by pressing her paw
into lumps of Plasticine.

She made a huge number of these things,

and I didn't really know
what to do with them.

I thought maybe they could
be snack trays or

little clogs,

like the ones Japanese dogs
might wear in the rain.

You know, we could sell them
on the Web site.

-♪♪ (art rock)
-MAN.. ♪ Hey ♪

♪ Hey ♪

Lolabelle sat in the studio with me

through lots of different record projects.

Rat terriers have really good hearing,

especially in the upper registers.

And they never seem to get bored.

"Hey, let's listen to that cello track
for the 70th time."

"Great idea."

♪ Hey ♪

"Let's do that."

♪ Hey ♪

Some trainers say that in order
to understand your breed,

you have to imagine what
their voices would sound like

and what they'd say to you
when you give them a command.

So give a command to a German shepherd,

and he'd say, "Right, boss.

No problem. Consider it done."

Give a command to a poodle,
and it's, "Please love me.

I'll do anything if you just love me."

But give a command to a terrier,

and they say, "Um, is it gonna be fun?

Because if it's not gonna be fun,

I’m just not interested."

(police radio chatter)

Lt was so strange the way it happened.

Almost overnight,

there were soldiers
everywhere in the city.

Where there used to be
just maybe one policeman,

now there were groups of soldiers

with machine guns and riot gear.

Almost immediately, it became normal.

They began to blend in.

Nobody talked to them,

but they were everywhere, like ghosts.

And I thought,
when did that start to happen?

We're trying to prevent it from happening

instead of having to deal
with it afterwards.

So Homeland Security began to breed dogs.

When the puppies were 1 3 weeks old,

they were sent to prisons
to be trained by prisoners.

The smartest dogs were
drafted to work with police

on patrols and on bomb-sniffing squads.

The Homeland Security slogan,

"If you see something, say something,"

sounds like something

the Austrian philosopher
Wittgenstein might say.

And his books are full
of cryptic sentences about logic

and about how language has the power

to actually create the world.

If you can't talk about it, he says,

it just doesn't exist.

After the "see something,
say something" slogan

had been around for a while,

someone from Homeland Security
must have had second thoughts

about asking people to report
on each other all the time.

I would have loved to have been

at that Homeland Security
PR brainstorming session

when they decided to add
this phrase to their slogan.

(man speaking foreign language)

(horns honking)

There are so many trucks
in my neighborhood now

carrying information and data

on the way to secure storage areas.

Iron Mountain started
as a network of caves

for growing mushrooms

and gradually turned into
a bomb-resistant storage facility

for corporate documents.

After World War ll,

the company began inventing new identities

for Jewish immigrants
who arrived with nothing -

no papers or, at most,
their old library cards.

So Iron Mountain created all sorts
of new documents for them,

and they became instant Americans.

(dogs yelping, barking)

Lolabelle was a mall dog.

She came from one
of the high-speed puppy mills

that breed dogs in batches
and then sell them in malls.

She was bought by a couple
who were in the middle of a divorce.

(shouting, arguing)

And no one could take her.

The woman didn't want her,

and the husband didn't want her.

And the boy wanted her, but -

Nobody really wanted the boy.

And so the man took Lolabelle
with him to Canada,

where he spent a month camping and crying

and thinking it all through
and talking to himself.

And Lolabelle rode
up on the bow of the kayak,

perched on the front leading the way

as the man paddled along

and tried to figure out
what to do with his life,

how to go on.

And I think that was where she learned

the great skill of empathy.

And also where she learned

what our meditation teacher
keeps telling us.

And he says, "You should try
to learn how to feel sad

without being sad."

Which is actually really hard to do -

to feel sad without actually

being sad.

(traffic passing)

Terriers are really adaptable
and very social.

So Lolabelle immediately fit
right in into the West Village.

(sniffing)

Within a week or two,
she seemed to know everyone -

Kurt, who has the Austrian restaurant
on the corner,

our neighbor Julian,
the painter who lives across the street,

and lots of people
who were total strangers to us.

She had a tab in several stores,

and, on most walks, she would drop in

to pick up a treat or a toy.

(dog panting)

The West Village has the highest
density of dogs in the city.

Lots of the dogs are chasing birds
and barking at cars.

But, weirdly, there are
almost no collisions.

Pretty much everybody manages
to stay out of the way.

Dogs see mostly blues and greens.

Their eyesight is very blurry

and gets combined
with their sense of smell,

which is hard for humans to imagine

since we lost most of our ability
to navigate by smell

when we began walking upright
so far from the ground.

(bicycle bell rings)

So many things are being recorded -

numbers, locations, names,

dates, times, directions.

Massive amounts of data
are being collected and stored.

And what kind of information is this?

Fragmented conversations

full of jump cuts and distortions.

And what are the stories that emerge
from these fragments?

And why are they being collected?

And it's only when you commit a crime

that the data is put together

and your story is reconstructed,
backwards.

A portrait of you made up of data trails -

the places you went,
the things you bought,

the pictures you took,
the e-mails you sent.

And like Kierkegaard said,

"Life can only be understood backwards;

but it must be lived forwards."

The new headquarters
of the National Security Agency

is finally almost finished.

This huge data center in Utah
collects information

and has clearance to bug the systems
of individual citizens

and to engage in sabotage
using subversive software.

The United States is the first country

in the history of the world

to collect and store information
about its own citizens

on this scale.

Until now, records were mostly accounts

of the lives of kings and pharaohs

who also stored their records
in massive desert complexes.

A lot of the information
is stored in the cloud.

But the likelihood that your story

is going to get mixed up
with someone else's story

is extremely high.

♪♪ (woman singing, indistinct)

(voices whispering)

♪ Hey ♪

WOMAN.. ♪ Some call me beauty ♪

♪ Some call me pain ♪

I remember the first time I realized

that some people live in different worlds.

I’d be walking to school and I’d look up,

and there was Moses
hanging by his tool belt.

Every day, no matter what the weather,

Moses would climb up the telephone poles

and attach his belt to them

and open the phone boxes

and move the lines around.

Sometimes he'd take out his tools
and do some hammering.

Ln the winter,
you could see him really well

outlined against the bright sky,

hammering and spinning
around and round up there.

Now, Moses did not work
for the phone company.

He just lived in another world,

a kind of dream world of trees
and circuits and electronics.

(voices whispering in telephone lines)

But everyone in town
made a point of thanking him

for fixing their phones.

The men would be walking home
from the train station

in the evening, and they'd yell,

"Hey, Moe! Good job on the phones."

"The reception on my line
is really great now."

"Nice job. Clear. Thanks a lot."

As a child, I had a hobby
of making colonial newspapers -

just inventing things
that happened in colonial times

and printing them and handing them out
to the neighbors.

I also had a hobby
of trying to imagine things

that had never happened
in the history of the world.

For some reason,
this was really important to me.

So I’d go out into the woods
and make a fort

and roll oak leaves
into oak-leaf cigarettes

and crawl into the fort
and smoke the cigarettes

and think up various improbable events.

For example,
a man is walking along a road,

and just as he looks up into the sky,

which is filled with dense swirling snow,

a duck flying above him has a heart attack

and falls right on top of the man
and kills him.

Things like that.

Sometimes these thoughts
would lead to questions like,

is it true that on Mars
the cliffs are 40 miles high?

Or what if everything just stopped -

the tides and the waves and

what if the sky froze?

What then?

Say, are you perhaps made of glass?

To live in the gap
between the moment that is expiring

and the one that is arising,

luminous and empty.

The real city falling through your mind
in glittering pieces.

And when you close your eyes,
what do you see?

Nothing?

Now open them.

WOMAN: Good girl. What a good girl!

Thank you.

Wow. Lolie!

LAURIE: When Lolabelle went blind,

Elisabeth decided it was time
for her to learn piano.

So we set up some keyboards on the floor,

and she would run over
and turn them on and start to play.

Lolabelle played every day for two years,

and she got reasonably good.

-♪♪ (rhythm track: pop)
-♪♪ (plunking notes)

(barking)

(low growl)

She was trained with a little clicker

that Elisabeth used.

-♪♪ (continues)
-(barking)

♪♪♪♪

She also played more experimental music,

and she used some of the same programs
and samples that I use.

♪♪ (synthesizer: ethereal)

(barking)

♪♪ (synthesizer continues)

(barking)

She also did a lot of benefit concerts
for other animals

and for various animal rights
organizations.

-♪♪ (rhythm track: pop)
-♪♪ (plunking notes)

(audience laughing)

♪♪ (plunking notes)

♪♪ (organ: "O Tannenbaum")

She also made a Christmas record,

which was... pretty good.

♪♪♪♪

One of my favorite paintings is by Goya,

and it doesn't look like
his other work at all.

It's a huge gold void.

Except, at the bottom,
there's a little dog,

and you see only his head.

And he seems to be climbing a steep hill,

or maybe he's swimming by himself
in a gold ocean.

(Lolabelle barking)

When Lolabelle got very sick,
we took her to the hospital.

We spent a lot of time with vets,

and they always wanted
to give you this speech

they'd prepared about pain,

which was, "Of course you don't
want her to be in pain.

And so we just give her a shot
and put her to sleep

and then another shot,
and she stops breathing."

And every time they would say that,
I would say,

"Listen, I know you want to say this,

but we're not going to do this,
so never mind."

But they would still try
to give the speech anyway.

I was really worried about this,

so I called our Buddhist teacher,

and he said, "Animals are like people.

They approach death,
and then they back away.

And it's a process,

and you don't have the right
to take that from them."

He said, "You should just go
and get her from the hospital

and bring her home."

Pretty much exactly what
your Jewish grandmother would say.

Get some good tranquilizers,

get some good food and bring her home.

(chuckling)

So we went to the hospital
and we took Lolabelle home.

We stayed with her for three days

as her breath slowed and then stopped.

We had learned to love Lola
as she loved us,

with a tenderness we didn't know we had.

The thing that's forbidden
by the Tibetan Book of the Dead

is crying.

Crying is not allowed

because it's supposedly
confusing to the dead,

and you don't want to summon them back,

because they actually can't come back.

So, no crying.

When Lolabelle died, our teacher said,

"Every time you think of her,

give something away or do something kind."

And I said,

"Then I’d be giving things away nonstop."

And he said,

"So?"

And it took me so long to figure it out,

because death is so often about regrets

or guilt.

'Why didn't I call her?
Why didn't I say that?"

It's more about you
than the person who died.

But finally I saw it -

the connection between love and death

and that the purpose of death

is the release of love.

Gordon Matta-Clark died young.

And he died in an amazing way.

Gordon was a good friend of mine,

and he was a sculptor.

One of his most well-known works
was called Splitting,

in which he sawed
a suburban house in half.

He was a minimalist,

and there was a lot of advanced theory

about why he cut houses in half,

although none of the theories

talked about his parents' divorce

or what happened one day

when his twin brother jumped to his death

out of Gordon's window.

When Gordon got sick,

he decided to make his death very social,

and so he invited his friends
to come to the hospital.

And he had only 24 hours left to live -

the length of time that his system
was breaking down.

And he decided to spend this time

reading to his friends.

MAN: They say that the object

is the medium through which the light -

And when he died,

there were two lamas
on either side of him.

And when he stopped breathing,

they began shouting into his ear.

The Tibetans believe that hearing
is the last sense to go.

So after the heart stops
and your brain flatlines

and the eyes go dark,

the hammers in the ears are still working.

So they shout instructions
from the Tibetan Book of the Dead,

also called the Great Liberation
Through Hearing,

and they yelled, "Gordon! You're dead!

You're dead now!"

And then they say, "You see two lights,

and one is near you and one is far away.

Don't go to the near one.
Go to the one that's far away,"

and so on and so on and so on.

I've seen three ghosts in my life now.

And the first was Gordon.

A few hours after he died,

he appeared on the back porch
of the commune I was living in.

"Every love story

is a ghost story" -

(voice whispering)

said David Foster Wallace.

After death,

according to the Tibetan Book of the Dead,

all creatures then spend
49 days in the bardo.

And the bardo isn't a place.

It's more like a process
that lasts 49 days

as the mind dissolves

and, as the Tibetans believe,

the consciousness
or, let's say, the energy,

prepares to take another life form.

Leap.

All goes to darkness,

and the next thing you see
is your next life.

A slow awakening to this world

or another world.

Now you are in another form,
without a body.

Recognize this.

The cities, the mountains,

the rooms, the trees,

the trains -

Optical illusions.

Not there.

Like dreams made of nothing.

Things you loved as living things

move with a different speed.

They disappear.

Echo. Repeat.

Anger turned to liberation,

earth into water,

water into fire,

fire into air,

air into consciousness.

The many days of silence and loneliness.

You are not alone in leaving this world.

At first, you don't realize you're dead

but continue doing things you used to do,

looking for things you've lost,

your mind overwhelmed
by memories and plans.

What am I? What am I?

LAURIE'S VOICE (echoing):
Looking for your food bowl

and wondering what -

Recognize this.

The monkey mind, my teacher calls it,

dissolving, like moonlight,

in a cloudless sky.

Recognize this.

You can move through walls.

Recognize this as the play
of your own mind.

Leave attachment to the things you left.

Could I have done this?

Could I have said this?

WOMAN.. ...get some good food
and bring her home.

LAURIE: The long ago fears

of childhood.

WOMAN #2 (echoing): This is a nightmare.

No solid self.

The longing after your own happiness.

Trapped in your thought flow.

Wake up.

♪♪ (man singing, backwards)

Clocks have stopped.

♪♪ (continues)

Once you wore that.

Once you did that.

Everything you knew about time
slipping, repeating.

Do not be afraid.

Like all mornings.

Recognize this.

Leave behind aggression.

Leave behind

passion.

Recognize this.

WOMAN.. ♪ Some call me beauty ♪

♪ Some call me pain ♪♪

I spent the next 49 days
keeping a kind of double diary,

keeping track of what
was going on in the real world

and what was going on in the bardo.

Lots of things were going on in
the real world during that time.

On May 2, Osama bin Laden
was killed in Pakistan

in a raid called Operation Neptune Spear

led by the CIA.

On April 22, the memory unit

of the flight data recorder
from Air France 447

was recovered from the bottom
of the Atlantic Ocean.

Then on May 21 , there was a prediction

by a US religious group

that the world was going to end.

MAN: ...judgment has come.

Your world is now under judgment,

where it was not prior to May 21 .

LAURIE: On May 23, there was a retraction.

MAN: There's a big difference in the world

that we can't detect at all with our eyes,

but we can know from the Bible.

LAURIE: Strange, but after all this time -

30,000 years of human civilization -

we still have no idea why we dream.

Of course, there are lots of theories.

And one theory of SIDS,
or Sudden Infant Death Syndrome,

has to do with dreaming.

SIDS, or crib death,

is the mysterious phenomenon
of the death of a baby

who just suddenly stops breathing.

And according to the theory,
the baby dies during REM sleep,

a period when dreams of the past
are the most intense.

And these dreams are from
before the baby was born,

before the baby began to breathe.

And the dreams are so real,

the baby gets lost in them

and just

stops breathing.

And when you see an X-ray
of a child's head,

you see this second pair of teeth,

right above the baby teeth.

And this second pair of teeth

is ready to drop down into place
when the first set falls out.

Now wouldn't it be great
to have a second brain

or a reserve heart

that would just drop into place
when the first one breaks?

I want to tell you a story

about a story.

And it's about the time
I discovered that most adults

have no idea what they're talking about.

Lt was the middle of the summer
when I was 12.

And I was the kind of kid
who was always showing off.

I have seven brothers and sisters,

and I was always getting lost
in the crowd.

And so I would do practically
anything for attention.

So one day, I was at the swimming pool,

and I decided to do a flip
from the high board,

the kind of dive

when you're temporarily
magically suspended mid-air,

and everyone around the pool goes,
'Wow! That's incredible!

That's amazing!"

Now I’d never done a flip before.

But I thought, how hard could it be?

You just somersault

and straighten out
right before you hit the water.

So I did.

But I missed the pool.

And I landed

on the concrete edge

and broke my back.

I spent the next few weeks in traction

in the children's ward at the hospital.

And for quite a while,
I couldn't move or talk.

I was just sort of floating.

I was in the same trauma unit
with the kids who'd been burned,

and they were hanging
in these rotating slings,

sort of like rotisseries or spits -

machines that would
turn you around and around

so the burns could be bathed
in these cool liquids.

Then one day, one of the doctors
came to see me,

and he told me that I wouldn't
be able to walk again.

And I remember thinking,
"This guy is crazy!

I mean, is he even a doctor? Who knows?"

Of course I was going to walk.

I just had to concentrate,

keep trying to make contact with my feet,

convince them, will them to move.

The worst thing about this
was the volunteers

who came every afternoon to read to me.

And they'd lean over the bed
and they'd say,

"Hello, Laurie,"

really enunciating each word

as if I’d also gone deaf.

And they'd open the book.
"So, where were we? Oh, yes.

'The gray rabbit
was hopping down the road,

and guess where he went?"'

Well, nobody knows.

The farmer doesn't know.

The farmer's wife doesn't know.

Nobody knew where the rabbit had gone,

but just about everybody seemed to care.

Now before this happened,

I’d been reading books
like Tale of Two Cities

and Crime and Punishment,

so the gray rabbit stories
were kind of a slow torture.

Anyway, eventually, I did get on my feet,

and for two years
I wore a huge metal brace.

And I got very obsessed
with John F. Kennedy

because he had back problems too.

And he was the president.

Much later in my life,

when someone would ask
what my childhood was like,

sometimes I would tell them
this story about the hospital,

and it was a short way of telling them

certain things about myself -

how I had learned
not to trust certain people

and how horrible it was

to listen to long, pointless stories

like the one about the gray rabbit.

But there was always something weird
about telling this story

that made me very uneasy,
like something was missing.

Then one day,
when I was in the middle of telling it,

I was describing the little rotisseries

that the kids were hanging in.

And suddenly,

it was like I was back in the hospital,

just exactly the way it had been.

And I remembered the missing part.

Lt was the way the ward sounded

at night.

Lt was the sounds of all the children

crying and screaming.

Lt was the sounds that children make

when they're dying.

And then I remembered the rest of it.

The heavy smell of medicine,

the smell of burned skin,

how afraid I was.

And the way some of the beds
would be empty in the morning,

and the nurses would never talk about

what had happened to these kids.

They'd just go on making up the beds

and cleaning up around the ward.

And so the thing about this story

was that actually I had only
told the part about myself.

And I’d forgotten the rest of it.

I’d cleaned it up,
just the way the nurses had.

That's what I think
is the creepiest thing about stories.

You try to get to the point
you're making -

usually about yourself
or something you learned -

and you get your story,
and you hold on to it,

and every time you tell it, you forget it

more.

(computer chimes)

For two years after Lolabelle's death,

I continued to get notifications

from a Facebook account
I didn't even know she had.

One of the things I did
to try to remember her

was make huge paintings,

imagining her 49 days in the bardo.

Most of the paintings
were full of wind and noise

and chaos and half-remembered songs.

♪ You were there dressed as a cat ♪

♪ Two French girls in Mexican hats ♪

♪ Never knew you could dance like that ♪

♪ Smoke was whirling
I gave a shout ♪

♪ And that was when the fire broke out ♪

♪ I say uh-oh ♪

♪ Another fire ♪

♪ Ln dreamland ♪

♪ Just another fire ♪

♪ Ln dreamland ♪♪

They die in the winter in Chicago.

The cold takes them away.

Lt sweeps in off the lake,
and off they go.

Has done for centuries now.

Some of them died
in the stockyards in Chicago

or in backyards

full of rusted jungle gyms
and old stoves and snow.

Some in overheated houses
out in the winter woods.

Others in their duck blinds

or in their leaking boats

when they sank
in one of the icy Great Lakes.

Lt was in the winter, last winter,

when I heard that my mother was dying.

And so I had to go,
and I was kind of worried.

So I talked to Father Pierre,
who's a priest,

a converted Egyptian Jew,

a playboy who loves elegant things

and has a book collection of 30,000 books.

And he's such a smart guy, and so I said,

"Listen, I have a really big problem.

I’m going to see my mother,
and she's dying,

but I don't love her."

And Father Pierre said, "Okay.

Well, just bring her some flowers

and tell her you've always
cared about her."

And I thought, "I can do that.

Besides, you really don't want
to lie to someone who's dying."

But when I got there,

they were rushing her around in a gurney.

And I didn't have time to get the flowers,

and it was loud and confusing,

and there wasn't a single moment to say,

"You know, I've always cared about you."

And then all of a sudden,

she was dead.

There's a Buddhist exercise

called the mother meditation,

and you use it
when you can't feel anything.

You try to find a single moment

when your mother truly loved you

without a single reservation.

And you focus on that moment.

And then you imagine

that you've been everyone's mother

and they've been yours.

And I looked and I looked for that moment,

but it just kept slipping away.

"So which way do we go? Thanks.

No, it's been - It's been a -

It's been a privilege, and you and your -

and your family and -

And just one more question.

Did you ever really love me?"

♪ I walk accompanied by ghosts ♪

♪ My father with his diamond eyes ♪

♪ His voice life-size ♪

♪ He says, "Follow me ♪

♪ Follow me" ♪

♪ And I come sliding ♪

♪ Where I've been hiding ♪

♪ Out of the heart of a child ♪

♪ Meet me by the lake ♪

♪ I'll be there ♪

♪ I'll be there ♪♪

We lived by a lake,

and every winter it froze.

We skated everywhere.

One evening, I was coming home
from the movies,

and I was pushing
my little brothers Craig and PhiI

in a stroller.

I had decided to take them
over to the island

to look at the moon
that was just coming up.

But as we got close to the island,

the ice broke

and the stroller sank into the dark water.

And my first thought was,

"Mom's gonna kill me."

And I remember
the knitted balls on their hats

as they disappeared under the black water.

So I ripped off my jacket

and I jumped into the freezing water

and dove down and got Craig

and pulled him up
and threw him on the ice.

Then I dove down again,
but I couldn't find the stroller.

Lt had slipped down the muddy bank,

further down under the ice.

Then I dove in again,

and I finally found the stroller,

and Phil was strapped in,
and I ripped the strap off

and pulled him out
and pushed him up onto the ice.

Then I ran home, one twin under each arm,

frozen and screaming.

I ran in the door,

and I told my mother what had happened.

And she stood there and said,

'What a wonderful swimmer you are.

And I didn't know
you were such a good diver."

And when I think of her now,

I realize that was the moment
I had been trying to remember.

"Tell the animals,"

she said.

"Tell all the animals."

ls it a pilgrimage?

Towards what?

♪♪ (rock ballad)

LOU REED: ♪ She says,
What do you call love? ♪

♪ Well, I call it Harry ♪

♪ Oh, please
I’m being serious ♪

♪ What do you call love? ♪

♪ Well, I don't call it family
and I don't call it lust ♪

♪ And as we all know,
marriage isn't a must ♪

♪ And I suppose in the end,
it's a matter of trust ♪

♪ If I had to ♪

♪ I’d call love time ♪

♪ She said,
What do you call love? ♪

♪ Can't you be more specific? ♪

♪ What do you call love? ♪

♪ ls it more than
the heart's hieroglyphic? ♪

♪ Well, for me,
time has no meaning ♪

♪ No future, no past ♪

♪ And when you're in love ♪

♪ You don't have to ask ♪

♪ There's never enough time ♪

♪ To hold love in your grasp ♪

♪ Turning time around ♪

♪ That is what love is ♪

♪ Turning time around ♪

♪ Yes, that is what love is ♪

♪ My time is your time ♪

♪ When you're in love ♪

♪ And time is what ♪

♪ You never have enough of ♪

♪ You can't see or hold it ♪

♪ It's exactly like love ♪

♪ Turning time around ♪

♪ Well, I gotta have it ♪

♪ I got to, got to, got to have it ♪

♪ Turning, turning time around ♪

♪ Got to have it
Turning time around ♪

♪ Turning, turning time around ♪

♪ Turning time around ♪♪

♪♪ (fades)