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1
00:01:14,908 --> 00:01:16,910
[JAZZ PLAYING]
2
00:01:16,977 --> 00:01:18,479
SORRY!
3
00:01:18,546 --> 00:01:19,380
HELLO, MOM?
4
00:01:19,447 --> 00:01:21,615
IT'S NICKIE,
YOUR SON NICKIE.
5
00:01:21,682 --> 00:01:23,617
SO MUCH NOISE?
6
00:01:23,684 --> 00:01:25,719
THERE'S NO NOISE HERE,
MOM.
7
00:01:25,786 --> 00:01:29,390
HEY, LOOK, MOM,
I HAVE AN EXAM TOMORROW
IN ROMAN JURISPRUDENCE.
8
00:01:29,457 --> 00:01:31,559
ROMAN LAW.
9
00:01:31,625 --> 00:01:32,760
R-O-M-A--
10
00:01:32,826 --> 00:01:35,429
LOOK, MOM, I'LL EXPLAIN IT
TO YOU TOMORROW.
11
00:01:35,496 --> 00:01:37,598
NO, MOM,
I CAN'T BE HOME FOR DINNER.
12
00:01:37,665 --> 00:01:38,799
WHAT, MOM?
13
00:01:38,866 --> 00:01:41,635
I SAID ROMAN LAW, MOM.
YOU SEE, THE ITALIANS--
14
00:01:41,702 --> 00:01:44,638
LOOK, MOM, I'LL EXPLAIN IT
TO YOU TOMORROW.
15
00:01:44,705 --> 00:01:46,507
GOOD-BYE!
16
00:01:46,574 --> 00:01:48,609
TAKE IT AWAY, SISTER!
IT'S ALL YOURS NOW.
17
00:01:48,676 --> 00:01:50,911
Man: WHAT DO YOU MEAN THEY SENT
THE FOOD BACK? NOT IN MY PLACE!
18
00:01:50,978 --> 00:01:53,046
DIDN'T YOU TELL 'EM THIS WAS
THE BEST JOINT IN ST. LOUIS?
19
00:01:53,113 --> 00:01:54,548
THEY'LL EAT IT
AND LIKE IT!
20
00:01:58,819 --> 00:02:01,422
HI-YA,
JIGGER! HI-YA!
21
00:02:01,489 --> 00:02:03,391
SPIT IT OUT FOR ME,
KID, MEAN AND LOW!
22
00:02:03,457 --> 00:02:04,958
HEY! YOU'RE
WITH ME!
23
00:02:05,025 --> 00:02:07,528
LISTEN, STU,
IT'S BAD ENOUGH I HAVE
TO DANCE WITH YOU,
24
00:02:07,595 --> 00:02:08,796
I DON'T HAVE
TO LOOK AT YOU, TOO.
25
00:02:08,862 --> 00:02:10,130
I DON'T LIKE
THAT GUY,
26
00:02:10,198 --> 00:02:11,932
AND I DON'T
LIKE HIS MUSIC.
27
00:02:11,999 --> 00:02:13,201
HEY, I DON'T
LIKE YOU,
28
00:02:13,267 --> 00:02:14,702
AND I DON'T LIKE
YOUR MUSIC!
29
00:02:14,768 --> 00:02:16,103
AW, DON'T BE
LIKE THAT!
30
00:02:16,170 --> 00:02:17,271
Man: THAT'S WONDERFUL, JIGGER!
THAT'S TERRIFIC!
31
00:02:17,338 --> 00:02:18,639
COME ON,
NOW MY FAVORITE!
32
00:02:18,706 --> 00:02:20,574
BOOG IT, JIGGER,
BOOG IT FOR ME, BOY!
33
00:02:20,641 --> 00:02:22,109
HEY, CRACKPOT, YOU'RE
NOT SUPPOSED TO BE HERE.
34
00:02:22,176 --> 00:02:24,645
PLEASE, JIGGER, COME ON,
JUST ONCE! FOR ME!
35
00:02:42,763 --> 00:02:45,032
BOY, I COULD LISTEN
TO HIM BEAT OUT
THOSE BLUES FOR HOURS!
36
00:02:45,098 --> 00:02:47,134
THE BOSS CATCHES YOU HERE,
HE'LL BEAT 'EM OUT
ON YOUR HEAD!
37
00:02:47,201 --> 00:02:48,636
AW, JIGGER,
YOU'RE WASTING
YOUR TIME HERE.
38
00:02:48,702 --> 00:02:50,504
YOU COULD HAVE
A BAND OF YOUR OWN.
39
00:02:50,571 --> 00:02:52,706
YOU ON THE PIANO,
PEPPI ON THE DRUMS,
ME ON THE CLARINET,
40
00:02:52,773 --> 00:02:55,909
AND MAYBE A FEW GUYS
THAT FEEL THE SAME WAY
ABOUT MUSIC THAT WE DO.
41
00:02:55,976 --> 00:02:57,010
I'M GOOD, JIGGER.
42
00:02:57,077 --> 00:02:58,246
YOU KNOW I'M GOOD,
DON'T YOU?
43
00:02:58,312 --> 00:03:00,848
LIGHT ME A CIGARETTE,
WILL YOU, KID?
44
00:03:00,914 --> 00:03:02,816
OK, HERE'S YOUR BUTT.
45
00:03:05,786 --> 00:03:07,321
HE DON'T LIKE ME.
46
00:03:07,388 --> 00:03:08,756
AW, HE LIKES YOU.
47
00:03:08,822 --> 00:03:10,157
HEY JIGGER,
YOU'RE BREAKING
NICKIE'S HEART.
48
00:03:10,224 --> 00:03:11,191
HE'S WORRIED YOU
DON'T LIKE HIM NO MORE.
49
00:03:11,259 --> 00:03:12,393
SURE, I LIKE YOU, KID.
50
00:03:12,460 --> 00:03:13,927
THEN WHY DON'T
YOU LISTEN TO ME?
51
00:03:13,994 --> 00:03:15,128
I'M LISTENING.
52
00:03:15,195 --> 00:03:16,330
I DON'T WANNA BE
A LAWYER, JIGGER.
53
00:03:16,397 --> 00:03:17,931
I GOT 3 BROTHERS
WHO ARE LAWYERS--
54
00:03:17,998 --> 00:03:19,199
THAT'S ENOUGH
FOR ONE FAMILY.
55
00:03:19,267 --> 00:03:20,701
MY MOM OUGHT TO BE
SATISFIED WITH THAT.
56
00:03:20,768 --> 00:03:22,636
ALL I WANNA DO
IS TO PLAY
THE CLARINET.
57
00:03:22,703 --> 00:03:24,472
Man: HEY, YOU!
CAN THAT MUSIC!
58
00:03:24,538 --> 00:03:26,540
CAN IT, I SAID!
I GOT A REQUEST!
59
00:03:26,607 --> 00:03:30,077
DO YOU KNOW,
* I'M FOREVER BLOWIN'
BUBBLES *
60
00:03:30,143 --> 00:03:32,012
LOOK, YOU JUKEBUG,
IF YOU DON'T PLAY
61
00:03:32,079 --> 00:03:33,481
I'M FOREVER
BLOWIN' BUBBLES,
62
00:03:33,547 --> 00:03:35,082
I'LL STUFF YOUR HEAD
INTO THAT PIANO,
63
00:03:35,148 --> 00:03:36,116
AND I MEAN IT!
64
00:03:36,183 --> 00:03:37,551
HEY, NICKIE,
65
00:03:37,618 --> 00:03:38,852
GET JOE, GET THE BOSS.
THERE'S GONNA BE TROUBLE!
66
00:03:38,919 --> 00:03:40,654
I KNOW JIGGER
WHEN HE'S QUIET LIKE THIS.
67
00:03:40,721 --> 00:03:42,623
PRETTY SOON, HIS LEFT HAND
IS GONNA PLAY A TREMELO.
68
00:03:42,690 --> 00:03:44,458
THEN THERE'S GONNA BE
A BIG FIGHT AND SOMEBODY'S
GONNA GET HURT!
69
00:03:44,525 --> 00:03:45,693
HURRY!
70
00:03:47,728 --> 00:03:49,363
HEY, JOE!
YOU BETTER COME QUICK!
71
00:03:49,430 --> 00:03:50,398
OH, YOU AGAIN,
72
00:03:50,464 --> 00:03:51,499
THE JAZZ CRAZY LAW STUDENT,
73
00:03:51,565 --> 00:03:52,766
THE GUY THAT
NEVER BUYS! OUT!
74
00:03:52,833 --> 00:03:54,668
LATER, LATER!
NOT NOW.
THE TREMELO!
75
00:03:54,735 --> 00:03:56,870
WHAT TREMELO?
DON'T TRY TO GIVE ME
NO DOUBLE-TALK.
76
00:03:56,937 --> 00:03:58,306
JIGGER, THE TREMELO!
THERE'S GONNA BE TROUBLE!
77
00:03:58,372 --> 00:04:00,207
THIS IS THE LAST TIME
I'LL ASK YOU!
78
00:04:00,274 --> 00:04:01,375
[WOMEN SCREAM]
79
00:04:01,442 --> 00:04:03,043
WELL, JIGGER,
HERE WE GO AGAIN!
80
00:04:03,110 --> 00:04:04,745
JIGGER HERE,
HE'S MINDING
HIS OWN BUSINESS.
81
00:04:04,812 --> 00:04:06,847
THIS DRUNK COMES OVER
AND INSULTS HIS MUSIC!
82
00:04:06,914 --> 00:04:08,316
SO HE INSULTS
HIS MUSIC.
83
00:04:08,382 --> 00:04:09,517
WHAT IS THIS,
CARNEGIE HA--
84
00:04:09,583 --> 00:04:11,785
HEY, WHAT'S
GOING ON HERE?
85
00:04:11,852 --> 00:04:14,322
I ASK THIS GUY
TO PLAY A NUMBER
FOR ME,
86
00:04:14,388 --> 00:04:15,956
AND THE FIRST THING
I KNOW, HE UP
AND SOCKS ME.
87
00:04:16,023 --> 00:04:17,024
IT'S NOT TRUE!
88
00:04:17,090 --> 00:04:18,158
IT'S ALL HIS FAULT!
89
00:04:18,225 --> 00:04:19,327
KEEP OUT OF IT!
HE STARTED IT!
90
00:04:19,393 --> 00:04:21,028
YOU, PIANO PLAYER!
LISTEN TO ME!
91
00:04:21,094 --> 00:04:22,730
HOW MANY TIMES HAVE
I TOLD YOU THE CUSTOMER
IS ALWAYS RIGHT?
92
00:04:22,796 --> 00:04:24,398
THE CUSTOMER IS ALWAYS RIGHT
EVEN IF HE SPITS IN YOUR FACE!
93
00:04:24,465 --> 00:04:25,433
YOU HEAR THAT?
94
00:04:25,499 --> 00:04:26,467
I'M THE CUSTOMER,
95
00:04:26,534 --> 00:04:27,735
I'M ALWAYS RIGHT!
96
00:04:27,801 --> 00:04:28,769
PLAY, MONKEY!
97
00:04:28,836 --> 00:04:31,672
* I'M FOREVER
BLOWIN' BUBBLES *
98
00:04:31,739 --> 00:04:32,806
HEY YOU!
99
00:04:32,873 --> 00:04:35,409
WHAT KIND OF A TONE
I CAN GET OUT OF YOU!
100
00:04:35,476 --> 00:04:38,879
[ALL YELLING]
101
00:04:41,214 --> 00:04:42,983
OPERATOR!
102
00:04:43,050 --> 00:04:44,184
OPERATOR!
103
00:04:44,251 --> 00:04:45,553
GET ME
THE POLICE STATION!
104
00:04:45,619 --> 00:04:47,955
Man, on radio:
CALLING CAR 19.
RIOT CALL.
105
00:04:48,021 --> 00:04:51,959
ST. LOUIS CAFE.
THAT IS ALL.
106
00:04:52,025 --> 00:04:54,562
[SIREN WAILS]
107
00:04:58,031 --> 00:05:00,167
HELLO, MOM?
THIS IS NICKIE.
YOUR SON, NICKIE.
108
00:05:00,233 --> 00:05:01,602
GUESS WHERE I AM,
MOM!
109
00:05:01,669 --> 00:05:02,803
YOUR NAME?
JIGGER PINE.
110
00:05:02,870 --> 00:05:04,171
NO, MOM,
YOU'RE WRONG!
I'M IN--
111
00:05:04,237 --> 00:05:05,506
[WHISPERING]
I'm in jail!
112
00:05:05,573 --> 00:05:06,940
OCCUPATION?
MUSICIAN.
113
00:05:07,007 --> 00:05:07,841
HEY, MOM! MOM!
114
00:05:07,908 --> 00:05:09,076
WHAT'S THE MATTER,
NICKIE?
115
00:05:09,142 --> 00:05:10,110
SHE HANG UP ON YOU?
116
00:05:10,177 --> 00:05:11,144
NO, I THINK
SHE FAINTED!
117
00:05:11,211 --> 00:05:12,179
HELLO, MOM?
118
00:05:12,245 --> 00:05:13,213
AGE?
28.
119
00:05:13,280 --> 00:05:14,415
NO, MOM,
I'M NOT KIDDING.
120
00:05:14,482 --> 00:05:15,649
I'M REALLY IN JAIL.
I GOT INTO A FIGHT.
121
00:05:15,716 --> 00:05:17,084
LAST KNOWN RESIDENCE?
EVANSTON HOTEL.
122
00:05:17,150 --> 00:05:18,886
HEY, LOOK, MOM.
I KNOW I SAID
I WAS STUDYING.
123
00:05:18,952 --> 00:05:21,755
MOM, I'LL EXPLAIN
IT ALL TO YOU WHEN
YOU GET DOWN HERE.
124
00:05:21,822 --> 00:05:23,357
THE CLARK AVENUE
POLICE STATION.
125
00:05:23,424 --> 00:05:25,058
AND, MOM, BRING PLENTY
OF MONEY DOWN WITH YOU.
126
00:05:25,125 --> 00:05:27,861
WELL--WELL,
YOU SEE, I'M HERE
WITH SOME FRIENDS.
127
00:05:27,928 --> 00:05:28,996
OK!
128
00:05:29,062 --> 00:05:30,263
HEY, BOYS,
WELL BE OUT OF HERE
IN AN HOUR.
129
00:05:30,330 --> 00:05:31,298
I KNOW MY MOM.
130
00:05:31,365 --> 00:05:32,666
Man:
THIS WAY.
131
00:05:32,733 --> 00:05:33,901
I'M COMING,
SWEETHEART
I'M COMING.
132
00:05:33,967 --> 00:05:35,168
ALL RIGHT,
THAT'S ALL.
TAKE THEM AWAY.
133
00:05:35,235 --> 00:05:36,336
WELL, WHAT DID
I TELL YOU, BOYS?
134
00:05:36,404 --> 00:05:37,471
DID I GET YOU
OUT OF HERE, HUH?
135
00:05:37,538 --> 00:05:39,306
ST. LOUIS
FROM A JAIL WINDOW.
136
00:05:39,373 --> 00:05:41,074
YOU KNOW, THIS IS
THE FIRST TIME I'VE HAD
A GOOD LOOK AT THIS JOINT
137
00:05:41,141 --> 00:05:42,443
SINCE WE GOT HERE.
138
00:05:42,510 --> 00:05:43,577
WE'VE SEEN
A LOT OF TOWNS
IN THIS COUNTRY
139
00:05:43,644 --> 00:05:44,645
FROM JAIL WINDOWS,
HUH, JIGGER?
140
00:05:44,712 --> 00:05:46,414
Nickie: WELL,
FROM NOW ON,
141
00:05:46,480 --> 00:05:48,215
YOU GUYS ARE GONNA HAVE
AN AWFULLY TOUGH TIME
GETTING RID OF ME.
142
00:05:48,281 --> 00:05:51,151
HEY, YOU!
AM I SEEING DOUBLE,
OR IS THAT JIGGER PINE?
143
00:05:51,218 --> 00:05:52,586
PETE! PETE!
144
00:05:52,653 --> 00:05:55,322
JIGGER! I WAS ASLEEP
WHEN I HEARD YOUR VOICE.
145
00:05:55,389 --> 00:05:56,890
I THOUGHT I WAS HAVING
A PLEASANT DREAM.
146
00:05:56,957 --> 00:05:59,192
WHY, YOU OLD SON OF A GUN,
AM I GLAD TO SEE YOU!
147
00:05:59,259 --> 00:06:00,327
HEY, PEPPI, NICKIE.
THIS IS PETE.
148
00:06:00,394 --> 00:06:01,662
MY FRIEND PETE.
Peppi: HI.
149
00:06:01,729 --> 00:06:02,696
WE PLAYED 16 WEEKS
TOGETHER ONCE,
150
00:06:02,763 --> 00:06:03,797
HOW ARE YOU?
IN DUBUQUE.
151
00:06:03,864 --> 00:06:05,032
HE SLAPS
THE GREATEST
DOGHOUSE
152
00:06:05,098 --> 00:06:06,099
YOU EVER HEARD.
AH!
153
00:06:06,166 --> 00:06:07,200
Man: QUIET!
PIPE DOWN!
154
00:06:07,267 --> 00:06:08,536
HEY, WHAT ARE
YOU DOING HERE?
155
00:06:08,602 --> 00:06:10,471
OH, WE GOT KICKED OUT
OF SOME 2-BY-4 CAFE.
156
00:06:10,538 --> 00:06:11,539
HOW ABOUT YOU?
157
00:06:11,605 --> 00:06:12,806
AH, IT'S LIKE
HOME TO ME.
158
00:06:12,873 --> 00:06:14,274
NO SOONER DO
I GET OUT OF HERE,
159
00:06:14,341 --> 00:06:15,509
THEN THAT EX-WIFE
OF MINE SICS
THE BLOODHOUNDS ON ME,
160
00:06:15,576 --> 00:06:16,744
AND IN I AM AGAIN.
161
00:06:16,810 --> 00:06:18,045
OH, THINGS HAVE BEEN
BREAKING GREAT.
162
00:06:18,111 --> 00:06:19,246
I JUST LOST ANOTHER JOB,
163
00:06:19,312 --> 00:06:20,481
MY BASS FIDDLE
IS IN HOCK,
164
00:06:20,548 --> 00:06:22,249
I GOT KIDNEY TROUBLE,
165
00:06:22,315 --> 00:06:23,884
I NEED 25 BUCKS
TO SPRING ME FROM
THIS STINKIN' JUG.
166
00:06:23,951 --> 00:06:25,118
SURE, EVERYTHING
IS ROSY-POSY.
YOU GOT A BUTT?
167
00:06:25,185 --> 00:06:26,554
SURE.
LISTEN, JIGGER.
168
00:06:26,620 --> 00:06:27,721
YOU SAY
YOUR FRIEND HERE
PLAYS A GREAT BASS,
169
00:06:27,788 --> 00:06:28,756
WELL, MAYBE
THIS IS IT.
170
00:06:28,822 --> 00:06:29,990
MAYBE THIS IS
HOW WE START.
171
00:06:30,057 --> 00:06:31,091
START WHAT?
172
00:06:31,158 --> 00:06:32,359
AW, THIS WHACK IS ALWAYS
POUNDING ON ONE THING.
173
00:06:32,426 --> 00:06:34,027
HE COMES INTO THE CAFE
ONE NIGHT,
174
00:06:34,094 --> 00:06:35,596
AND EVER SINCE THEN,
I HAVEN'T BEEN ABLE
TO GET RID OF HIM.
175
00:06:35,663 --> 00:06:36,630
EVERY NIGHT,
HE KEEPS HYPING ME
IN THE ARM
176
00:06:36,697 --> 00:06:37,931
ABOUT COMING
TO THE BAND.
177
00:06:37,998 --> 00:06:39,567
IT DON'T HAVE TO BE
A BIG BAND, JIGGER.
178
00:06:39,633 --> 00:06:40,601
WE'LL CAN START OUT
WITH MAYBE
4 OR 5 PIECES,
179
00:06:40,668 --> 00:06:41,735
BUT MAYBE WE
CAN CONNECT,
180
00:06:41,802 --> 00:06:42,903
GROW REAL BIG,
HIT THE JACKPOT!
181
00:06:42,970 --> 00:06:44,438
SAY, THAT DON'T
SOUND SO WORSE.
182
00:06:44,505 --> 00:06:45,539
I BET I CAN RATTLE OFF
A HUNDRED NAME BANDS
183
00:06:45,606 --> 00:06:46,874
STARTED OFF
JUST LIKE THIS:
184
00:06:46,940 --> 00:06:48,576
A COUPLE OF GUYS
GET TOGETHER--
185
00:06:48,642 --> 00:06:51,044
JIGGER,
MAYBE NICKIE IS RIGHT.
WITH YOU WE COULD!
186
00:06:51,111 --> 00:06:52,145
NO, WE COULDN'T.
187
00:06:52,212 --> 00:06:53,781
WHY? WHY NOT?
188
00:06:53,847 --> 00:06:55,483
WELL, IT'S GOTTA BE
OUR KIND OF MUSIC,
OUR KIND OF BAND.
189
00:06:55,549 --> 00:06:56,984
JIGGER--
YOU KNOW WHAT
I MEAN, PEPPI.
190
00:06:57,050 --> 00:06:58,519
LOOK, WHAT YOU
GOT ON YOUR MIND
TAKES A LONG TIME.
191
00:06:58,586 --> 00:07:00,153
WELL, IT'LL
HAVE TO WAIT.
192
00:07:00,220 --> 00:07:01,689
YOU THINK I
NEVER THOUGHT ABOUT
STARTING A BAND BEFORE?
193
00:07:01,755 --> 00:07:03,123
I THOUGHT ABOUT IT
LOTS OF TIMES.
194
00:07:03,190 --> 00:07:04,725
I'M ALWAYS THINKING
ABOUT IT.
195
00:07:04,792 --> 00:07:06,494
BUT IT'S GOTTA BE
OUR KIND OF MUSIC,
OUR KIND OF BAND.
196
00:07:06,560 --> 00:07:08,261
THE SONGS WE'VE HEARD
SINCE WE'RE KNOCKING
AROUND THIS COUNTRY--
197
00:07:08,328 --> 00:07:09,963
BLUES, REAL BLUES,
THE KIND THAT
COME OUT OF PEOPLE.
198
00:07:10,030 --> 00:07:12,900
REAL PEOPLE, THEIR HOPES
AND THEIR DREAMS,
199
00:07:12,966 --> 00:07:14,568
WHAT THEY'VE GOT
AND WHAT THEY WANT.
200
00:07:14,635 --> 00:07:16,369
THE WHOLE USA
IN ONE CHORUS!
THE WHOLE USA.
201
00:07:16,436 --> 00:07:17,971
AND THAT BAND--
202
00:07:18,038 --> 00:07:19,507
THAT AIN'T GUYS JUST
BLOWIN' AND POUNDIN'
AND SCRAPIN',
203
00:07:19,573 --> 00:07:20,908
THAT'S 5 GUYS,
NO MORE,
204
00:07:20,974 --> 00:07:23,310
WHO FEEL, PLAY, LIVE,
EVEN THINK THE SAME WAY.
205
00:07:23,376 --> 00:07:24,478
THAT AIN'T A BAND--
IT'S A UNIT!
206
00:07:24,545 --> 00:07:26,714
IT'S ONE GUY
MULTIPLIED 5 TIMES.
207
00:07:26,780 --> 00:07:28,949
IT'S A UNIT THAT EVEN BREATHES
ON THE SAME BEAT.
208
00:07:29,016 --> 00:07:31,018
IT'S GOT A KICK ALL ITS OWN
AND A STYLE THAT'S THEIRS
209
00:07:31,084 --> 00:07:32,352
AND NOBODY ELSE'S.
210
00:07:32,419 --> 00:07:34,421
IT'S LIKE A HAND IN A GLOVE,
5 FINGERS,
211
00:07:34,488 --> 00:07:36,957
EACH THAT FITS
SLICK AND QUICK.
212
00:07:37,024 --> 00:07:38,425
WHY CAN'T
WE HAVE THAT,
HUH, JIGGER?
213
00:07:38,492 --> 00:07:40,227
AW, TICKY IS GETTING
WHAT I WANT.
214
00:07:40,293 --> 00:07:41,562
WE'VE GOT YEARS
TO BURN.
215
00:07:41,629 --> 00:07:42,796
LISTEN, JIGGER,
JUST SAY THE WORD!
216
00:07:42,863 --> 00:07:44,665
JUST SAY,
"ME, JIGGER PINE,
217
00:07:44,732 --> 00:07:46,433
"I THINK THESE FELLAS
HERE--THEY'RE JUST WHAT
I'VE BEEN LOOKING FOR."
218
00:07:46,500 --> 00:07:47,735
AND IF YOU DON'T THINK
SO, YOU SAY THAT, TOO.
219
00:07:47,801 --> 00:07:48,869
DON'T GET YOURSELF
ALL STEAMED UP, PEPPI.
220
00:07:48,936 --> 00:07:50,237
BEFORE, WHEN YOU
TOLD ME THIS,
221
00:07:50,303 --> 00:07:51,338
I DIDN'T BELIEVE
WE COULD DO IT,
222
00:07:51,404 --> 00:07:52,540
BUT NOW--
NOW I GOT A HUNCH!
223
00:07:52,606 --> 00:07:53,641
TAKE IT EASY.
REMEMBER YOUR CHEST.
224
00:07:53,707 --> 00:07:54,775
OH, FORGET
THE CHEST!
225
00:07:54,842 --> 00:07:55,876
MAYBE RIGHT HERE
IN THIS JAIL,
226
00:07:55,943 --> 00:07:57,144
A DREAM YOU GOT
HAD SPAWNED!
227
00:07:57,210 --> 00:07:58,211
YOU'RE NOT WRONG
ABOUT US!
228
00:07:58,278 --> 00:07:59,312
WE'LL DO ANYTHING
YOU SAY,
229
00:07:59,379 --> 00:08:00,347
ALL YOU GOTTA DO
IS TELL US!
230
00:08:00,413 --> 00:08:01,381
[COUGHING]
231
00:08:01,448 --> 00:08:03,584
PEPPI! PEPPI!
232
00:08:03,651 --> 00:08:05,686
WE'RE GONNA HAVE THAT BAND,
PEPPI, AND YOU'RE GONNA
BE THE DRUMMER BOY, PEP--
233
00:08:05,753 --> 00:08:06,920
Man: HEY, QUIET!
LET A GUY SLEEP!
234
00:08:06,987 --> 00:08:07,988
YELL FOR A DOCTOR!
235
00:08:08,055 --> 00:08:09,056
YEAH.
236
00:08:09,122 --> 00:08:10,290
A DOCTOR! A DOCTOR!
237
00:08:10,357 --> 00:08:11,525
Man:
AW, SHUT UP,
WOULD YOU?
238
00:08:11,592 --> 00:08:12,726
SOMEBODY GET A DOCTOR!
Man: SHUT UP!
239
00:08:12,793 --> 00:08:14,461
A DOCTOR!
WE GOTTA HAVE A DOCTOR!
240
00:08:14,528 --> 00:08:16,664
WHAT'S THE MATTER
WITH THAT WHITE BOY?
HAS HE GOT THE MISERIES?
241
00:08:16,730 --> 00:08:18,265
OH, OFFICER!
WHAT'S GOING ON HERE?
242
00:08:18,331 --> 00:08:20,267
MY FRIEND PEPPI
HERE JUST FAINTED.
PLEASE GET A DOCTOR!
243
00:08:20,333 --> 00:08:21,569
OK, KEEP
YOUR SHIRT ON.
244
00:08:21,635 --> 00:08:22,770
AND HURRY!
WILL YOU PLEASE HURRY?
245
00:08:22,836 --> 00:08:23,804
WE'RE GONNA HAVE
THAT UNIT, PEPPI!
246
00:08:23,871 --> 00:08:25,138
ANYTHING YOU SAY,
PEPPI!
247
00:08:25,205 --> 00:08:27,274
ONLY OPEN YOUR EYES!
PLEASE OPEN YOUR EYES!
248
00:08:27,340 --> 00:08:29,009
ARE YOU ALL RIGHT?
249
00:08:29,076 --> 00:08:30,578
I'M ALL RIGHT.
250
00:08:30,644 --> 00:08:33,080
DON'T WORRY,
I'M MUCH BETTER NOW.
251
00:08:33,146 --> 00:08:36,750
WE ALL GOT THE MISERIES
IN THE END. ALL OF US.
252
00:08:36,817 --> 00:08:39,086
DON'T MAKE NO DIFFERENCE
WHAT YOU'RE IN FOR,
253
00:08:39,152 --> 00:08:41,454
DON'T MAKE NO DIFFERENCE
WHERE THE JAIL IS,
254
00:08:41,521 --> 00:08:43,757
IT COMES NIGHT,
YOU START TO THINKIN',
255
00:08:43,824 --> 00:08:45,492
THEN THE MISERIES GET YOU.
256
00:08:45,559 --> 00:08:46,560
SURE DOES.
257
00:08:46,627 --> 00:08:47,861
THAT'S WHY
WE'RE ALL HERE.
258
00:08:47,928 --> 00:08:49,396
Man:
HUSH YOUR MOUTH, MAN!
259
00:08:49,462 --> 00:08:51,832
* MY MAMA
DONE TOLD ME *
260
00:08:51,899 --> 00:08:54,134
* WHEN I WAS
IN KNEE PANTS *
261
00:08:54,201 --> 00:08:57,738
* MY MAMA DONE TOLD ME,
SON *
262
00:08:57,805 --> 00:08:59,573
* OH, SHE SAID *
263
00:08:59,640 --> 00:09:02,209
* A WOMAN'LL
SWEET TALK *
264
00:09:02,275 --> 00:09:04,745
* AND GIVE YOU
THE BIG EYE *
265
00:09:04,812 --> 00:09:09,382
* BUT WHEN THAT
SWEET TALKIN'S DONE *
266
00:09:09,449 --> 00:09:11,318
* A WOMAN'S A TWO-FACE *
267
00:09:11,384 --> 00:09:17,625
* A WORRISOME THING,
LEAVE YOU TO SING THE BLUES *
268
00:09:17,691 --> 00:09:19,392
* IN THE NIGHT *
269
00:09:19,459 --> 00:09:21,394
YOU HEAR THAT, PEPPI?
IT'S GREAT.
270
00:09:21,461 --> 00:09:22,663
SURE IS,
JIGGER.
271
00:09:22,730 --> 00:09:24,097
THAT'S THE REAL MISERY,
AIN'T IT BOYS?
272
00:09:24,164 --> 00:09:25,332
YOU COULD SURE
BEAT THAT OUT,
COULDN'T YOU, JIGGER?
273
00:09:25,398 --> 00:09:26,399
WE ALL COULD.
274
00:09:26,466 --> 00:09:28,235
WE ALL WILL.
275
00:09:28,301 --> 00:09:30,437
BOY, THAT'S THE BLUES.
THE REAL LOWDOWN
NEW ORLEANS BLUES.
276
00:09:30,503 --> 00:09:34,174
* NOW THE RAINS
ARE FALLIN' *
277
00:09:34,241 --> 00:09:36,243
* HEAR THAT TRAIN
A-CALLIN' *
278
00:09:36,309 --> 00:09:38,411
* WHOO-EE *
279
00:09:38,478 --> 00:09:40,881
* MY MAMA
DONE TOLD ME *
280
00:09:40,948 --> 00:09:44,417
* HEAR THAT
LONESOME WHISTLE *
281
00:09:44,484 --> 00:09:46,586
* BLOWIN' 'CROSS
THE TRESTLE *
282
00:09:46,654 --> 00:09:48,889
* WHOO-EE *
283
00:09:48,956 --> 00:09:50,590
* MY MAMA
DONE TOLD ME *
284
00:09:50,658 --> 00:09:53,727
* A-WHOO-EE-DA-WHOO-EE *
285
00:09:53,794 --> 00:09:56,496
* OL' CLICKETY-CLACK'S
A-ECHOIN' BACK *
286
00:09:56,563 --> 00:10:01,501
* THE BLUES IN THE NIGHT *
287
00:10:01,568 --> 00:10:04,137
[TRAIN WHISTLE]
288
00:10:04,204 --> 00:10:06,940
Chorus:
* FROM NATCHEZ TO MOBILE *
289
00:10:07,007 --> 00:10:09,609
* FROM MEMPHIS TO ST. JOE *
290
00:10:09,677 --> 00:10:15,082
* WHEREVER THE 4 WINDS BLOW *
291
00:10:15,148 --> 00:10:17,484
* I'VE BEEN IN
SOME BIG TOWNS *
292
00:10:17,550 --> 00:10:21,121
* AND HEARD ME
SOME BIG TALK *
293
00:10:21,188 --> 00:10:26,326
* BUT THERE IS
ONE THING I KNOW *
294
00:10:26,393 --> 00:10:28,962
* A WOMAN'S A TWO-FACE *
295
00:10:29,029 --> 00:10:31,398
* A WORRISOME THING
WHO'LL LEAVE YOU TO SING *
296
00:10:31,464 --> 00:10:37,237
* THE BLUES IN THE NIGHT *
297
00:10:37,304 --> 00:10:39,339
[TRUMPET PLAYS]
298
00:10:49,316 --> 00:10:52,385
ALL RIGHT, ALL RIGHT,
THAT'S ENOUGH.
GIVE ME THE HORN.
299
00:10:52,452 --> 00:10:53,553
HOLD ON
JUST A SECOND.
300
00:10:53,620 --> 00:10:55,022
AFTER ALL, BARNEY,
IT'S MY HORN.
301
00:10:55,088 --> 00:10:57,090
THE LEAST YOU
CAN DO IS LET ME
PRACTICE ON IT.
302
00:10:57,157 --> 00:10:59,459
LISTEN, YOU, I LOANED YOU
8 BUCKS ON THAT TWISTED
CUSPIDOR, DIDN'T I?
303
00:10:59,526 --> 00:11:01,261
YEAH, YEAH.
304
00:11:01,328 --> 00:11:02,730
WHEN YOU GIVE ME
THE 8 BUCKS, YOU CAN
DO ANYTHING YOU WANT WITH IT.
305
00:11:02,796 --> 00:11:04,364
YOU CAN EVEN USE IT
TO GARGLE OUT OF.
306
00:11:04,431 --> 00:11:06,266
NOW GIVE ME THE HORN
BEFORE I TWIST IT
AROUND YOUR NECK!
307
00:11:06,333 --> 00:11:08,435
ALL RIGHT, ALL RIGHT.
I YIELD TO BRUTE FORCE.
308
00:11:08,501 --> 00:11:10,537
Man: COME ON, LEO,
HOW ABOUT FINISHING THE GAME?
309
00:11:10,603 --> 00:11:11,905
OK. THE WORLD,
MY FRIENDS,
310
00:11:11,972 --> 00:11:13,640
AS IT IS NOW CONSTITUTED,
STINKS.
311
00:11:13,707 --> 00:11:16,476
TO PROVE MY POINT,
I OFFER YOU THE CASE
OF BARNEY AND MYSELF.
312
00:11:16,543 --> 00:11:19,379
ON THE ONE HAND, A FINE,
SENSITIVE MUSICIAN. AN ARTIST.
313
00:11:19,446 --> 00:11:21,949
ON THE OTHER HAND,
A DUBIOUS INDIVIDUAL
NAMED BARNEY.
314
00:11:22,015 --> 00:11:23,283
A THROWBACK
TO THE STONEAGE.
315
00:11:23,350 --> 00:11:25,218
A STONE IN HIS HEAD,
A STONE IN HIS HEART,
316
00:11:25,285 --> 00:11:27,755
A CROSS BETWEEN A GORILLA
AND A SNAKE.
317
00:11:27,821 --> 00:11:29,890
Man: LISTEN,
YOU LOUDMOUTH--
318
00:11:29,957 --> 00:11:31,725
NOW, NOW, BARNEY,
THERE'S NOTHING TO
GET SORE ABOUT.
319
00:11:31,792 --> 00:11:33,761
MY REMARKS ARE
STRICTLY IN PER--
320
00:11:33,827 --> 00:11:34,795
WELL I'LL--
321
00:11:34,862 --> 00:11:35,829
HELLO, CHISELER.
322
00:11:35,896 --> 00:11:37,530
GLAD TO SEE YOU,
TOO.
323
00:11:37,597 --> 00:11:39,900
3 YEARS AGO, WHEN WE PLAYED
THAT RATHOLE IN DES MOINES,
324
00:11:39,967 --> 00:11:41,534
YOU PUT THE "B" ON ME
FOR 5 BUCKS. HOW ABOUT IT?
325
00:11:41,601 --> 00:11:43,370
HOW DO YOU LIKE THIS GUY?
I HAVEN'T SEEN HIM
FOR 3 YEARS.
326
00:11:43,436 --> 00:11:45,505
THE FIRST THING
HE THINKS ABOUT IS
A MEASLY 5 BUCKS.
327
00:11:45,572 --> 00:11:46,874
WHY DON'T YOU
ASK ME HOW I AM,
328
00:11:46,940 --> 00:11:48,141
HOW I FEEL,
WHAT I'VE BEEN DOING?
329
00:11:48,208 --> 00:11:49,342
HOW ARE YOU?
330
00:11:49,409 --> 00:11:50,744
HOW DO YOU FEEL?
WHAT HAVE YOU
BEEN DOING?
331
00:11:50,811 --> 00:11:52,012
HAVE YOU GOT
THE 5 BUCKS?
NO.
332
00:11:52,079 --> 00:11:53,446
HAVE YOU GOT
A JOB?
NO.
333
00:11:53,513 --> 00:11:54,547
DO YOU WANT TO
GO TO WORK?
334
00:11:54,614 --> 00:11:55,582
I DON'T WANT TO,
BUT I HAVE TO.
335
00:11:55,648 --> 00:11:56,716
WE'RE STARTING
A UNIT.
336
00:11:56,784 --> 00:11:57,951
YOU AND 10,000
OTHER MUSICIANS.
337
00:11:58,018 --> 00:11:59,186
THIS UNIT IS GONNA
BE DIFFERENT!
338
00:11:59,252 --> 00:12:00,220
YEAH, WHY?
339
00:12:00,287 --> 00:12:01,254
BECAUSE WE'RE GREAT!
340
00:12:01,321 --> 00:12:02,155
YOU AIN'T MODEST.
341
00:12:02,222 --> 00:12:03,791
HEY, LOOK,
WHY SHOULD WE LIE?
342
00:12:03,857 --> 00:12:05,558
I'M HERE TO SAY
THIS BOY PLAYS
THE MUSIC BOX
343
00:12:05,625 --> 00:12:06,593
IN THE MOST
TERRIFIC FASHION.
344
00:12:06,659 --> 00:12:07,627
AND I MEAN TERRIFIC.
345
00:12:07,694 --> 00:12:08,829
YOU'RE HERE TO SAY?
346
00:12:08,896 --> 00:12:10,697
THAT'S RIGHT.
347
00:12:10,764 --> 00:12:12,499
YOU MATCH HIS STYLE
AND OUR UNIQUE METHODS
OF PRESENTATION,
348
00:12:12,565 --> 00:12:14,434
AND WE GOT THE MAKINGS OF
A GREAT LITTLE BAND,
349
00:12:14,501 --> 00:12:15,502
AND I KNOW!
350
00:12:15,568 --> 00:12:16,770
YOU KNOW, EH?
351
00:12:16,837 --> 00:12:18,005
YES, I KNOW. YOU SEE,
I'M A STUDENT OF JAZZ.
352
00:12:18,071 --> 00:12:19,272
A WHAT?
353
00:12:19,339 --> 00:12:20,941
A STUDENT OF JAZZ.
I KNOW THE ANATOMY
OF SWING.
354
00:12:21,008 --> 00:12:22,675
NOT ONLY MUSICALLY,
BUT THEORETICALLY.
355
00:12:22,742 --> 00:12:24,711
I'VE READ EVERYTHING
FROM LE JAZZ HOT
TODOWNBEAT.
356
00:12:24,778 --> 00:12:26,213
AH, YOU'LL FIND OUT
FOR YOURSELF.
357
00:12:26,279 --> 00:12:28,181
AS THE LATINS SAY,
RES IPSI LOCA TUA.
358
00:12:28,248 --> 00:12:29,416
WHAT'S THAT?
359
00:12:29,482 --> 00:12:30,851
WELL, ON THE SIDE,
I'M A STUDENT
OF THE LAW.
360
00:12:30,918 --> 00:12:32,719
MOSTLY,
I PLAY THE CLARINET.
361
00:12:32,786 --> 00:12:33,921
YEAH? HOW DO YOU
DO ON A HARP?
362
00:12:33,987 --> 00:12:35,388
WELL, AS
A MATTER OF FACT,
363
00:12:35,455 --> 00:12:36,790
THE POSSIBILITIES
OF THE HARP
FOR SWING MUSIC
364
00:12:36,857 --> 00:12:38,525
HAVE NEVER BEEN
FULLY EXPLOITED.
365
00:12:38,591 --> 00:12:40,427
OH, LEO! LEO!
366
00:12:40,493 --> 00:12:43,196
OH, THAT'S THE WIFE.
HEY, HOLD THIS FOR ME,
WILL YOU, BUD?
367
00:12:43,263 --> 00:12:44,597
STICK AROUND, PETE.
I'LL BE RIGHT BACK.
368
00:12:44,664 --> 00:12:46,233
HEY, DON'T GO
TOO FAR OFF.
369
00:12:46,299 --> 00:12:47,801
WE HAVE SOME VERY IMPORTANT
DECISIONS TO MAKE.
370
00:12:47,868 --> 00:12:49,269
HELLO, BABY,
WHAT ARE YOU
DOING DOWN HERE?
371
00:12:49,336 --> 00:12:50,904
HOW MANY TIMES
I TELL YOU
I DON'T WANT YOU
372
00:12:50,971 --> 00:12:52,339
COMING DOWN TO
THE POOL ROOM
LOOKING FOR ME?
373
00:12:52,405 --> 00:12:53,673
ALL RIGHT, I FORGIVE
YOU THIS TIME.
OH, BUT--
374
00:12:53,740 --> 00:12:55,008
MAKE WITH THE LIPS.
375
00:12:55,075 --> 00:12:56,676
COME ON, BABY,
GO INTO YOUR SONG.
376
00:12:56,743 --> 00:12:57,710
NOW?
377
00:12:57,777 --> 00:12:59,346
YEAH, NOW.
MAKE IT LOUD.
378
00:12:59,412 --> 00:13:02,149
I GOT GREAT NEWS
FOR YOU, BABY,
WE GOT A JOB!
379
00:13:02,215 --> 00:13:04,151
A JOB? CHARACTER, BABY.
YOU'RE WONDERFUL!
380
00:13:04,217 --> 00:13:06,553
OH, I ALWAYS KNEW
I COULD DEPEND ON YOU!
381
00:13:06,619 --> 00:13:08,055
CONTINUE, CLARK.
382
00:13:08,121 --> 00:13:09,823
YEAH, IT'S A 5-PIECE
RADIO RECORDING
FOR 50 BUCKS
383
00:13:09,890 --> 00:13:10,924
WITH ME
ON THE VOCAL!
384
00:13:10,991 --> 00:13:11,959
DID YOU HEAR THAT,
BARNEY?
385
00:13:12,025 --> 00:13:12,993
LET ME HAVE MY HORN,
WILL YOU?
386
00:13:13,060 --> 00:13:14,828
8 BUCKS ON THE LINE.
387
00:13:14,895 --> 00:13:16,396
WE GET THE MOOLA
FOR THE JOB AS SOON AS
WE FINISH PLAYING.
388
00:13:16,463 --> 00:13:17,797
NOW, COME ON, BARNEY,
COOPERATE, WON'T YOU?
389
00:13:17,865 --> 00:13:19,066
ALL RIGHT,
I'LL TRUST YOU FOR HALF.
390
00:13:19,132 --> 00:13:20,600
GIVE ME 4 BUCKS,
YOU CAN HAVE THE HORN.
391
00:13:20,667 --> 00:13:22,102
LISTEN, DREAMFACE,
I GOT US A JOB,
392
00:13:22,169 --> 00:13:23,470
AND WITHOUT HIS HORN,
WE DON'T COLLECT.
393
00:13:23,536 --> 00:13:24,671
HOLD IT, BABY,
I GOT AN IDEA.
394
00:13:24,737 --> 00:13:25,705
HEY, UH, PIANO!
395
00:13:25,772 --> 00:13:27,407
THE NAME IS JIGGER.
396
00:13:27,474 --> 00:13:28,775
TO ME, NAMES AIN'T
IMPORTANT. YOU GOT
ANY MOOLA ON YOU?
397
00:13:28,842 --> 00:13:29,809
YEAH, ABOUT 5 BUCKS
BETWEEN US. WHY?
398
00:13:29,877 --> 00:13:31,444
THE ANSWER IS NO!
399
00:13:31,511 --> 00:13:33,613
YOU'LL GET IT BACK
AS SOON AS I FINISH
PLAYING THIS JOB.
400
00:13:33,680 --> 00:13:35,148
I'M A DIFFERENT GUY NOW.
401
00:13:35,215 --> 00:13:37,550
I'M REFORMED.
I TURNED HONEST,
DIDN'T I, CHARACTER?
402
00:13:37,617 --> 00:13:38,585
DIDN'T I,
CHARACTER?
403
00:13:38,651 --> 00:13:39,819
YEAH,
HE TURNED HONEST.
404
00:13:39,887 --> 00:13:40,888
IF YOU WAS WEARING
A HALO AND WINGS--
405
00:13:40,954 --> 00:13:42,255
GIVE HIM THE 4 BUCKS.
406
00:13:42,322 --> 00:13:43,723
HEY LISTEN,
JIGGER...
YEAH!
407
00:13:43,790 --> 00:13:45,425
3 1/2 OF THIS 5 BUCKS
IS FOR BUS FARE.
408
00:13:45,492 --> 00:13:48,295
WE GOTTA GET TO THAT
BARNDANCE BY 10:00.
IT'S OVER 50 MILES!
409
00:13:48,361 --> 00:13:50,998
I KNOW THIS GUY.
HE'S A SNAKE.
DON'T TRUST HIM.
410
00:13:51,064 --> 00:13:52,799
LOOK, I'M
THE BUSINESS MANAGER
OF THIS OUTFIT,
411
00:13:52,866 --> 00:13:54,801
AND IT IS
MY JUDGMENT
TO SAY NO.
412
00:13:54,868 --> 00:13:57,704
GIVE HIM THE 4 BUCKS.
THE GUY IS A MUSICIAN.
HE NEEDS HIS HORN.
413
00:13:57,770 --> 00:13:59,306
YEAH. YEAH.
414
00:13:59,372 --> 00:14:02,409
OK, SWEETHEART,
BUT THIS 4 BUCKS
HAD BETTER COME BACK!
415
00:14:02,475 --> 00:14:05,712
COME ON, COME ON,
AS THE LATINS SAY,
"SHELL OUT!"
416
00:14:05,778 --> 00:14:06,880
FRANKLY,
THIS HURTS.
417
00:14:06,947 --> 00:14:08,348
THANK YOU.
418
00:14:08,415 --> 00:14:09,816
HERE'S YOUR DOUGH,
GREEDYPUSS.
GIVE ME MY HORN.
419
00:14:09,883 --> 00:14:12,219
OK, WISEGUY,
BLOW YOUR BRAINS OUT.
420
00:14:12,285 --> 00:14:13,786
THAT LEAVES US
A BUCK TO EAT ON
421
00:14:13,853 --> 00:14:15,522
INSTEAD OF
A BUCK AND A HALF.
422
00:14:15,588 --> 00:14:16,856
FOOD?
423
00:14:16,924 --> 00:14:18,959
[JAZZ PLAYING]
424
00:14:30,470 --> 00:14:32,639
HEY, JIGGER,
WHAT A TOWN
THIS NEW ORLEANS IS!
425
00:14:32,705 --> 00:14:33,673
JUST LISTEN
TO THOSE BOYS!
426
00:14:33,740 --> 00:14:34,807
SHUT UP,
WILL YOU?
427
00:14:34,874 --> 00:14:35,842
HEY, TRUMPET,
WHAT DO YOU SAY?
428
00:14:35,909 --> 00:14:37,477
CAN'T YOU SEE
I'M BUSY?
429
00:14:37,544 --> 00:14:38,912
FOR MY DOUGH, I'D
RATHER HAVE BETTER
FOOD AND LESS MUSIC.
430
00:14:38,979 --> 00:14:42,115
I'D TRADE 'EM ALL
FOR A GOOD T-BONE.
431
00:15:07,774 --> 00:15:09,176
BOY, THEY'RE
WONDERFUL.
432
00:15:09,242 --> 00:15:10,743
THAT'S WHAT
I MEAN, JIGGER,
THAT KIND OF BEAT.
433
00:15:10,810 --> 00:15:11,911
GOSH, TO BE ABLE
TO PLAY LIKE THAT!
434
00:15:11,979 --> 00:15:13,513
THEY'RE NOT
SO HOT.
435
00:15:13,580 --> 00:15:15,415
YOU BEEN SHOOTING
YOUR MOUTH OFF ABOUT
A LOT OF THINGS.
436
00:15:15,482 --> 00:15:17,217
I REPEAT,
THEY'RE NOT
SO HOT.
437
00:15:17,284 --> 00:15:18,851
I COULD STEP IN
THE MIDDLE OF THAT
AND PICK UP THE BEAT
438
00:15:18,918 --> 00:15:20,053
AND BLOW 'EM
ALL RIGHT OUT
OF THE JOINT.
439
00:15:20,120 --> 00:15:21,254
WHY DON'T YOU DO IT?
440
00:15:21,321 --> 00:15:23,256
HUH? WELL, I DON'T
PLAY FOR DARES.
441
00:15:23,323 --> 00:15:25,392
I GET PAID FOR
BLOWING MY HORN.
I'M A PROFESSIONAL.
442
00:15:25,458 --> 00:15:27,694
I'M BEGINNING TO
THINK YOU'RE A PHONY.
LET'S SEE YOU DO IT.
443
00:15:27,760 --> 00:15:29,862
YEAH?
444
00:15:29,929 --> 00:15:31,531
OK.
445
00:15:34,101 --> 00:15:36,203
NOT TOO MUCH APPLAUSE
WHEN I FINISH.
446
00:16:01,694 --> 00:16:02,929
ANYBODY GOT
A CIGARETTE?
447
00:16:02,996 --> 00:16:04,197
Pete: YOU'RE
THE FIRST GUY
THAT EVER
448
00:16:04,264 --> 00:16:05,632
MADE HIM PLAY
FOR NOTHING,
JIGGER.
449
00:16:05,698 --> 00:16:06,933
HEY, YOU'RE OK.
450
00:16:07,000 --> 00:16:08,101
NEXT TIME I TELL YOU
I CAN DO SOMETHING,
451
00:16:08,168 --> 00:16:09,636
YOU BETTER TAKE
MY WORD FOR IT.
452
00:16:09,702 --> 00:16:11,104
YEAH,
MAYBE I WILL.
453
00:16:11,171 --> 00:16:12,772
COME ON, CHARACTER,
LET'S GET GOING.
454
00:16:12,839 --> 00:16:13,973
SO LONG, BOYS,
455
00:16:14,041 --> 00:16:15,042
NEXT TIME YOU COME
TO NEW ORLEANS,
456
00:16:15,108 --> 00:16:16,143
DON'T BOTHER
TO LOOK ME UP.
457
00:16:16,209 --> 00:16:17,244
HUH?
HEY, WAIT
A MINUTE!
458
00:16:17,310 --> 00:16:18,278
WHAT ABOUT
THAT RECORDING?
459
00:16:18,345 --> 00:16:19,546
WHAT ABOUT
OUR 4 BUCKS?
460
00:16:19,612 --> 00:16:21,348
WELL, IT'S
A FUNNY THING.
YOU SEE--
461
00:16:21,414 --> 00:16:23,816
IF YOU'RE GONNA SAY WHAT
I THINK YOU'RE GONNA SAY--
462
00:16:23,883 --> 00:16:25,018
YOU'RE
A MIND-READER,
PETE.
463
00:16:25,085 --> 00:16:26,386
YOU MEAN,
THERE'S NO JOB?
464
00:16:26,453 --> 00:16:27,954
WE'RE NOT
GONNA GO TO WORK
LIKE YOU SAID?
465
00:16:28,021 --> 00:16:29,022
YOU MEAN TO SAY
HE TOOK OUR
LAST DOUGH?
466
00:16:29,089 --> 00:16:30,657
LET ME AT HIM!
HEY, BOYS--
467
00:16:30,723 --> 00:16:31,824
WAIT A MINUTE,
YOU GUYS ARE
468
00:16:31,891 --> 00:16:33,126
TAKING THIS THING
TOO SERIOUSLY.
469
00:16:33,193 --> 00:16:34,661
OH, LEO, IF YOU GOT
A CRACK IN THE NOSE
470
00:16:34,727 --> 00:16:35,728
COMING TO YOU, TAKE IT.
471
00:16:35,795 --> 00:16:36,796
SISTER,
HE'S GONNA GET IT.
472
00:16:36,863 --> 00:16:38,131
PETE,
LEAVE HIM ALONE.
473
00:16:38,198 --> 00:16:39,299
ANY GUY CAN
PLAY THE HORN
THE WAY HE DOES
474
00:16:39,366 --> 00:16:40,667
CAN OWE ME
400 BUCKS.
475
00:16:40,733 --> 00:16:43,503
AW, JIGGER--
OK.
476
00:16:43,570 --> 00:16:44,937
JIGGER!
477
00:16:45,004 --> 00:16:46,839
HEY, WAIT A MINUTE, BABY.
TAKE IT EASY.
478
00:16:46,906 --> 00:16:48,841
AFTER ALL, HOW FAR
CAN GRATITUDE GO?
479
00:16:48,908 --> 00:16:50,443
[LAUGHTER]
480
00:16:55,982 --> 00:16:58,618
* FROM NATCHEZ TO MOBILE *
481
00:18:15,128 --> 00:18:16,296
HEY, CHARACTER!
482
00:18:16,363 --> 00:18:17,697
* HI DIDDLE-DEE
DUM DUM DUM *
483
00:18:17,764 --> 00:18:19,599
* SO WHAT IF WE'RE
BUSTED, CHUM? *
484
00:18:19,666 --> 00:18:21,234
* HANG ON TO
YOUR LIDS, KIDS *
485
00:18:21,301 --> 00:18:23,203
* HERE WE GO AGAIN,
YEAH, MA'AM *
486
00:18:23,270 --> 00:18:24,871
* SO WHAT IF WE'RE
ON THE CUFF *
487
00:18:24,937 --> 00:18:27,073
* AND FRESH OUT
OF THINGS AND STUFF? *
488
00:18:27,140 --> 00:18:28,575
* HANG ON TO
YOUR LIDS, KIDS *
489
00:18:28,641 --> 00:18:30,143
All: * HERE WE GO AGAIN *
490
00:18:30,210 --> 00:18:33,846
* WHY SAY THAT
WE'RE ON THE ROPES? *
491
00:18:33,913 --> 00:18:35,982
* I SAY *
* WHAT DO
YOU SAY, GIRL? *
492
00:18:36,048 --> 00:18:38,117
* HANG ON TO
YOUR HOPES, DOPES *
493
00:18:38,185 --> 00:18:39,752
* SO WHAT IF
WE'RE IN A SPIN *
494
00:18:39,819 --> 00:18:41,354
* THAT'S REALLY
WHERE WE CAME IN *
495
00:18:41,421 --> 00:18:43,122
* WE'RE LIVING,
AND IF THAT AIN'T TIN, *
496
00:18:43,190 --> 00:18:45,024
* HANG ON TO
YOUR LIDS, KIDS *
497
00:18:45,091 --> 00:18:47,093
* HERE WE GO AGAIN *
498
00:18:47,160 --> 00:18:48,628
* HI DIDDELY DUM DUM DUM *
499
00:18:48,695 --> 00:18:50,530
* MOVE OVER THERE,
HERE WE COME *
500
00:18:50,597 --> 00:18:52,365
HANG ON TO YOUR
CAPIES, CHAPIES!
501
00:18:52,432 --> 00:18:53,733
* HERE WE GO AGAIN *
502
00:18:53,800 --> 00:18:55,202
HOLD SOLID!
503
00:18:55,268 --> 00:18:56,636
* SO MAYBE WE
GOT NO MOVES *
UMM-HMM!
504
00:18:56,703 --> 00:18:58,338
* SOME CARS ARE
THE SAME WAY, TOO *
OHH!
505
00:18:58,405 --> 00:18:59,772
HANG ON TO
YOUR TOPS, POPS!
506
00:18:59,839 --> 00:19:00,940
* HERE WE GO AGAIN *
507
00:19:01,007 --> 00:19:02,342
RIGHT TURN!
508
00:19:02,409 --> 00:19:04,944
* WHY CRY WHEN
WE HIT THE CURB *
509
00:19:05,011 --> 00:19:06,112
* WE CRY *
510
00:19:06,179 --> 00:19:07,314
GIVE IT, BOY!
511
00:19:07,380 --> 00:19:09,249
HANG ON TO YOUR TURB,
HERB, BABY!
512
00:19:09,316 --> 00:19:11,218
BEN FRANKLIN ONCE
SAID IT ALL!
WHAT'D HE SAY, BOY?
513
00:19:11,284 --> 00:19:12,452
DIVIDED, WE'VE
GOT TO FALL!
514
00:19:12,519 --> 00:19:14,354
* UNITED,
WE'LL HAVE A BALL *
515
00:19:14,421 --> 00:19:15,988
* HANG ON TO
YOUR LIDS, KIDS *
516
00:19:16,055 --> 00:19:17,524
* HERE WE GO AGAIN *
517
00:19:23,563 --> 00:19:25,164
* HERE WE GO AGAIN *
518
00:19:25,232 --> 00:19:28,167
ALL RIGHT, FELLAS, LET'S TRY IT
AGAIN FROM THE SECOND CHORUS.
519
00:19:28,235 --> 00:19:29,836
TAKE IT EASY,
JIGGER,
520
00:19:29,902 --> 00:19:31,471
IT TAKES ENERGY
TO BLOW THIS HORN.
I'M HUNGRY!
521
00:19:31,538 --> 00:19:33,306
OK, FORGET
ALL ABOUT IT.
TIME OUT FOR LUNCH.
522
00:19:33,373 --> 00:19:35,141
HEY, CHARACTER,
WHAT'S ON THE MENU?!
523
00:19:35,208 --> 00:19:36,609
THE MENU,
MY FRIENDS,
524
00:19:36,676 --> 00:19:37,844
IS IN STRICT ACCORDS
WITH THE STATE
OF OUR PURSE.
525
00:19:37,910 --> 00:19:39,212
SPEAKING
OF OUR PURSE,
526
00:19:39,279 --> 00:19:40,480
HOW'D WE MAKE OUT
IN THAT LAST TOWN?
527
00:19:40,547 --> 00:19:42,048
WE PLAYED TO A TUNE
OF EXACTLY $7.43.
528
00:19:42,114 --> 00:19:44,251
THAT'S JUST ROSY POSY,
VERY ROSY POSY.
529
00:19:44,317 --> 00:19:45,285
HEY, WE'RE
IMPROVING.
530
00:19:45,352 --> 00:19:46,419
I CAN REMEMBER
SOME TOWNS
531
00:19:46,486 --> 00:19:47,654
WE DIDN'T GET
PAID OFF AT ALL.
532
00:19:47,720 --> 00:19:49,121
COME ON, DIVIDE,
MAKE WITH THE MOOLA.
533
00:19:49,188 --> 00:19:50,490
HEY, CHARACTER,
HOW 'BOUT THAT COFFEE?
534
00:19:50,557 --> 00:19:51,658
IT'LL BE READY
IN A MINUTE.
535
00:19:51,724 --> 00:19:53,192
IN THE MEANTIME,
SOMEBODY OPEN--
536
00:19:53,260 --> 00:19:55,027
WHAT'S THE MATTER,
BABY?
537
00:19:55,094 --> 00:19:56,162
NOTHING, JUST THE
ROCK OF THIS TRAIN
538
00:19:56,229 --> 00:19:57,364
MAKES ME
A LITTLE DIZZY.
539
00:19:57,430 --> 00:19:58,531
YEAH, WELL, DON'T
THINK ABOUT IT.
540
00:19:58,598 --> 00:20:00,300
MY STOMACH'S DOING
NIP-UPS, TOO.
541
00:20:00,367 --> 00:20:01,901
WHAT'S THE MATTER
WITH THE KID?
542
00:20:01,968 --> 00:20:03,370
WHY DON'T YOU
LIE DOWN, CHARACTER,
YOU'LL FEEL BETTER.
543
00:20:03,436 --> 00:20:05,204
OH, I'LL BE
ALL RIGHT
IN A MINUTE.
544
00:20:05,272 --> 00:20:06,339
YOU GONNA
BREAK IT
TO LEO?
545
00:20:06,406 --> 00:20:07,674
OH, I CAN'T,
JIGGER.
546
00:20:07,740 --> 00:20:09,208
OH, I THINK YOU
GOT LEO ALL WRONG.
547
00:20:09,276 --> 00:20:10,310
HE'S WACKY
IN A LOT OF WAYS,
548
00:20:10,377 --> 00:20:11,678
BUT HE'S
A PRETTY DECENT GUY.
549
00:20:11,744 --> 00:20:13,079
I NEVER HEARD
YOU SAY ANYTHING
550
00:20:13,145 --> 00:20:15,214
DIFFERENT ABOUT
ANYONE, JIGGER.
551
00:20:15,282 --> 00:20:16,683
BUT YOU KNOW HOW
LEO'S ALWAYS TALKING
552
00:20:16,749 --> 00:20:18,885
ABOUT HOW HE
DOESN'T WANT ANY
RESPONSIBILITIES.
553
00:20:18,951 --> 00:20:20,219
HE WANTS
TO FEEL FREE,
554
00:20:20,287 --> 00:20:22,088
AND IF I TOLD
HIM I WAS
GONNA HAVE--
555
00:20:22,154 --> 00:20:23,656
WELL, I COULDN'T
TELL HIM, JIGGER.
556
00:20:23,723 --> 00:20:25,157
WELL, IF THAT'S ALL,
IF YOU WANT ME TO,
I'LL TELL HIM.
557
00:20:25,224 --> 00:20:26,393
OH, NO,
JIGGER, DON'T.
558
00:20:26,459 --> 00:20:27,494
YOU DON'T
KNOW LEO
THE WAY I DO.
559
00:20:27,560 --> 00:20:29,228
HE'S LIABLE TO
TAKE A POWDER.
560
00:20:29,296 --> 00:20:30,363
AND I DON'T
WANT THIS UNIT
TO BREAK UP,
561
00:20:30,430 --> 00:20:31,598
IT MEANS
TOO MUCH TO YOU.
562
00:20:31,664 --> 00:20:33,766
IT DOESN'T MEAN
A LOT TO ALL OF US?
563
00:20:33,833 --> 00:20:36,569
YEAH, YOU GOT
NO IDEA
HOW MUCH.
564
00:20:36,636 --> 00:20:38,070
YOU KNOW, UP
TO 8 MONTHS AGO,
565
00:20:38,137 --> 00:20:39,472
BEFORE WE
STARTED THIS,
566
00:20:39,539 --> 00:20:41,374
ME AND LEO WERE
WALKING AROUND
IN CIRCLES.
567
00:20:41,441 --> 00:20:43,543
GOING NOWHERE
AND GETTING
THERE FAST.
568
00:20:43,610 --> 00:20:45,812
NOW FOR THE FIRST
TIME WE BELONG
TO SOMETHING,
569
00:20:45,878 --> 00:20:48,080
GOT SOMEWHERE TO GO
AND SOMEONE TO GO
THERE WITH.
570
00:20:48,147 --> 00:20:50,550
I GOT A FEELING
IF I EVER LOST THAT
I'D BE SUNK.
571
00:20:50,617 --> 00:20:51,984
WHY SHOULD
YOU LOSE IT?
572
00:20:52,051 --> 00:20:53,720
OH, I DON'T
KNOW, JIGGER,
573
00:20:53,786 --> 00:20:56,022
BUT SOMEHOW
I GOT A FEELING
THAT MAYBE--
574
00:20:56,088 --> 00:20:58,625
MAYBE THINGS
MIGHT NOT WORK OUT
THE WAY THEY SHOULD.
575
00:20:58,691 --> 00:21:00,727
AW, THEY'LL WORK OUT.
WE'LL MAKE 'EM WORK OUT.
576
00:21:00,793 --> 00:21:02,529
WILL YOU,
JIGGER?
SURE,
CHARACTER.
577
00:21:02,595 --> 00:21:04,230
YOU REMEMBER
WHAT YOU SAID BEFORE
ABOUT NOT BEING ALONE?
578
00:21:04,297 --> 00:21:06,265
WELL, THAT'S IT,
CHARACTER, YOU'RE NOT.
579
00:21:06,333 --> 00:21:07,800
WHENEVER
THE GOING GETS TOUGH,
JUST SING OUT,
580
00:21:07,867 --> 00:21:08,935
AND I'LL BE THERE.
581
00:21:09,001 --> 00:21:10,202
I KNOW YOU WILL.
582
00:21:10,269 --> 00:21:11,237
AND REMEMBER,
NO MATTER WHAT HAPPENS,
583
00:21:11,304 --> 00:21:12,271
STAY IN THE GROOVE,
WILL YOU?
584
00:21:12,339 --> 00:21:13,340
I'M BACK
IN IT NOW.
585
00:21:13,406 --> 00:21:14,707
[TRAIN WHISTLE]
586
00:21:14,774 --> 00:21:16,543
WE'RE COMING INTO A TOWN.
I BETTER CLOSE THE DOOR.
587
00:21:20,279 --> 00:21:22,515
HEY, BUDDY, GRAB
AHOLD OF MY ARM!
588
00:21:30,357 --> 00:21:31,858
CLOSE THAT DOOR.
589
00:21:33,360 --> 00:21:35,528
I SAID CLOSE
THE DOOR!
590
00:21:42,869 --> 00:21:46,205
HEY, WHERE'S THIS
RATTLER HEADED FOR?
591
00:21:46,272 --> 00:21:48,274
PITTSBURGH,
I GUESS.
592
00:21:48,341 --> 00:21:50,276
HEY, JIGGER, HOW 'BOUT
A CHEESE SANDWICH, HUH?
593
00:21:50,343 --> 00:21:52,078
HAVE SOME BEER,
FELLA.
594
00:21:53,580 --> 00:21:54,981
OK, I GUESS
WE'RE OUT OF TOWN.
595
00:21:55,047 --> 00:21:56,349
YOU CAN OPEN
THE DOOR NOW.
596
00:21:56,416 --> 00:21:58,918
THERE'S NO AIR
IN THIS CRATE.
597
00:22:04,190 --> 00:22:06,593
HEY, BUDDY, WHY
DON'T YOU GO OVER
AND GRAB A BITE.
598
00:22:10,062 --> 00:22:11,564
HERE.
599
00:22:13,733 --> 00:22:15,468
WHERE YOU HEADED
FOR, BUDDY?
600
00:22:16,369 --> 00:22:18,237
NONE OF
YOUR BUSINESS.
601
00:22:18,304 --> 00:22:19,506
NO, I GUESS
IT AIN'T.
602
00:22:19,572 --> 00:22:20,540
GIMMIE ANOTHER ONE,
WILL YOU, PEPPY?
603
00:22:20,607 --> 00:22:21,841
SURE.
HEY, NICKIE,
604
00:22:21,908 --> 00:22:23,576
YOU WERE JUST GONNA
DIVVY UP THE MOOLA.
605
00:22:23,643 --> 00:22:25,244
OH, YEAH. IT'S $1.40
APIECE FOR EACH
OF YOU GUYS--
606
00:22:25,311 --> 00:22:26,646
ALL EXCEPT ME.
WHY EXCEPT YOU?
607
00:22:26,713 --> 00:22:29,181
WELL, I TELEPHONED
MY MOM LONG DISTANCE.
608
00:22:29,248 --> 00:22:30,316
Man: HEY, YOU.
609
00:22:30,383 --> 00:22:31,784
HAND OVER
THAT DOUGH.
610
00:22:33,420 --> 00:22:36,322
COME ON, COME ON,
HAND IT OVER!
611
00:22:36,389 --> 00:22:38,625
[TRAIN WHISTLE]
612
00:22:50,537 --> 00:22:53,606
[BELLS RINGING]
613
00:23:03,816 --> 00:23:05,652
[TRAIN STOPS]
614
00:23:14,961 --> 00:23:16,529
OH, IT'S YOU.
615
00:23:16,596 --> 00:23:19,231
STILL RIDING THE
BOXCARS, EH, BOYS?
616
00:23:19,298 --> 00:23:20,833
HOW ARE YOU?
FINE,
HOW ARE YOU?
617
00:23:20,900 --> 00:23:22,702
FINE.
LAST TIME I SAW
YOU WAS ABOUT
3 MONTHS AGO.
618
00:23:22,769 --> 00:23:23,870
ARE YOU GONNA
KICK US OFF?
619
00:23:23,936 --> 00:23:25,638
NO, YOU CAN RIDE
THROUGH ANYTIME.
620
00:23:25,705 --> 00:23:27,474
ONLY DON'T TOOT
THOSE HORNS
SO LOUD.
621
00:23:27,540 --> 00:23:30,443
LAST TIME,
YOU NEARLY
LOST ME MY JOB.
622
00:23:30,510 --> 00:23:33,079
WELL, SO LONG.
SO LONG.
GOOD-BYE.
623
00:23:33,145 --> 00:23:34,847
WELL,
HE'S A NICE...
624
00:23:53,466 --> 00:23:54,867
HEY, YOU.
625
00:23:54,934 --> 00:23:56,803
[MOANS]
626
00:23:56,869 --> 00:23:59,038
HEY, YOU, I'M
TALKING TO YOU!
627
00:24:00,507 --> 00:24:01,608
YEAH, WHAT
DO YOU WANT?
628
00:24:01,674 --> 00:24:03,342
YOU GUYS COULD
HAVE TURNED ME IN.
629
00:24:03,409 --> 00:24:04,544
WHY SHOULD WE?
630
00:24:04,611 --> 00:24:07,246
WELL,
I STUCK YOU UP
FOR $5.60.
631
00:24:07,313 --> 00:24:08,781
IT'S ONLY MONEY.
632
00:24:08,848 --> 00:24:10,449
SURE, IF YOU'D
TRIED TO TAKE OUR
INSTRUMENTS AWAY,
633
00:24:10,517 --> 00:24:11,918
WE'D HAVE BEATEN
YOUR BRAINS OUT.
634
00:24:11,984 --> 00:24:13,653
FORGET IT.
WE'VE BEEN BROKE
AND HUNGRY, TOO.
635
00:24:13,720 --> 00:24:16,122
YOU PROBABLY NEED
IT MORE THAN WE DO.
GOOD NIGHT.
636
00:24:18,357 --> 00:24:19,692
HEY, YOU GUYS.
637
00:24:19,759 --> 00:24:21,694
HEY, LOOK, MISTER,
WE WANT TO SLEEP.
638
00:24:21,761 --> 00:24:22,762
FOR CRYING
OUT LOUD!
639
00:24:22,829 --> 00:24:24,130
WHAT DO YOU
WANT NOW?
640
00:24:24,196 --> 00:24:25,431
YOU KNOW WHAT?
641
00:24:25,498 --> 00:24:26,966
WHAT?
642
00:24:27,033 --> 00:24:28,234
I LIKE YOU.
643
00:24:36,308 --> 00:24:38,077
Jigger: DON'T SAY ANYTHING
ABOUT THE NAME OF THE PLACE,
644
00:24:38,144 --> 00:24:39,612
BUT I GUESS THIS IS WHERE
HE WANTED TO MEET US.
645
00:24:39,679 --> 00:24:41,113
Leo: THE JUNGLE.
646
00:24:41,180 --> 00:24:42,448
I WONDER WHAT KIND
OF ANIMALS THEY
GOT IN THERE.
647
00:24:42,515 --> 00:24:43,550
FROM THE LOOKS
OF THE JOINT,
648
00:24:43,616 --> 00:24:45,117
I'D SAY IT
WAS TERMITES.
649
00:24:45,184 --> 00:24:46,452
WELL, ANYWAY,
IT AIN'T FAR
FROM NEW YORK.
650
00:24:46,519 --> 00:24:47,654
SUPPOSE WE'LL
EVER GET THERE?
651
00:24:47,720 --> 00:24:48,988
IT DON'T LOOK LIKE
MUCH OF A SWIM.
652
00:24:49,055 --> 00:24:50,623
Leo: YEAH? WELL, IF
WORSE COMES TO WORSE,
653
00:24:50,690 --> 00:24:51,924
WE CAN ALWAYS USE
YOUR BASS FIDDLE
FOR A RAFT
654
00:24:51,991 --> 00:24:53,593
AND PADDLE ACROSS
WITH THE BOW.
655
00:24:53,660 --> 00:24:55,061
WE DON'T HAVE
TO GET TO NEW YORK.
656
00:24:55,127 --> 00:24:56,729
IF DEL DAVIS'
IDEA WORKS OUT,
WE LAND THE JOB,
657
00:24:56,796 --> 00:24:57,797
NEW YORK'S GONNA
COME OVER HERE
TO HEAR US PLAY.
658
00:24:57,864 --> 00:24:59,165
ISN'T THAT RIGHT,
JIGGER?
659
00:24:59,231 --> 00:25:00,933
SURE, THE WHOLE WORLD'S
GONNA HEAR US PLAY.
660
00:25:01,000 --> 00:25:02,535
Leo: HEY, YOU BETTER BUTTON
YOUR COATS--KIND OF CHILLY.
661
00:25:02,602 --> 00:25:04,637
Jigger: WELL, BOYS,
HERE WE GO AGAIN.
662
00:25:04,704 --> 00:25:06,438
Leo: YEAH,
HERE WE GO AGAIN.
663
00:25:06,505 --> 00:25:07,940
[WHISTLING HERE WE GO AGAIN]
664
00:25:13,279 --> 00:25:16,048
* HERE WE GO AGAIN *
665
00:25:16,115 --> 00:25:17,750
[WHISTLING THE TUNE]
666
00:25:24,456 --> 00:25:26,425
HEY, WHAT KIND
OF ROADHOUSE
IS THIS?
667
00:25:26,492 --> 00:25:27,493
NOT EVEN
A CUSTOMER.
668
00:25:27,560 --> 00:25:28,595
NOT EVEN
A WAITER.
669
00:25:28,661 --> 00:25:29,962
NOT EVEN
A TERMITE.
670
00:25:30,029 --> 00:25:31,297
I TOLD YOU, YOU
NEVER SHOULD
HAVE TRUSTED
671
00:25:31,363 --> 00:25:32,531
THAT GUY
IN THE FIRST
PLACE.
672
00:25:32,599 --> 00:25:34,066
YEAH, SO YOU MEET
A LUG IN A BOXCAR,
673
00:25:34,133 --> 00:25:36,102
AND HE GIVES YOU
A SONG AND DANCE
ABOUT A ROADHOUSE.
674
00:25:36,168 --> 00:25:37,236
I STILL TRUST HIM.
675
00:25:37,303 --> 00:25:38,404
YEAH, YOU ONCE
TRUSTED ME, TOO.
676
00:25:38,470 --> 00:25:39,505
SHUT UP, LEO.
677
00:25:39,572 --> 00:25:40,573
HEY, LOOK, BOYS,
678
00:25:40,640 --> 00:25:42,041
I THINK WE
GOT COMPETITION.
679
00:25:42,108 --> 00:25:43,743
"SONGS UNIQUE."
680
00:25:43,810 --> 00:25:46,045
I WONDER WHAT KIND
OF A CANARY THAT IS?
681
00:25:47,246 --> 00:25:50,316
OUT OF TUNE. [WHISTLES]
WAY OUT OF TUNE.
682
00:25:52,785 --> 00:25:55,054
* HI DIDDELY LE DUM DUM DUM *
683
00:25:55,121 --> 00:25:57,056
* SO WHAT IF
WE'RE ON THE THUMB *
684
00:25:57,123 --> 00:25:59,626
* HANG ON TO YOUR LIDS, KIDS *
685
00:25:59,692 --> 00:26:01,594
* HERE WE GO AGAIN *
686
00:26:17,710 --> 00:26:18,945
Man: HEY, YOU.
687
00:26:19,011 --> 00:26:20,713
WHAT'S GOING ON HERE?
WHAT DO YOU WANT?
688
00:26:20,780 --> 00:26:24,216
OH, WE HAD
AN APPOINTMENT
TO MEET A GUY HERE.
689
00:26:24,283 --> 00:26:27,820
FELLA NAMED DEL DAVIS
TOLD US TO ASK
FOR SAM PARYAS.
690
00:26:27,887 --> 00:26:29,588
WHO?
691
00:26:29,656 --> 00:26:31,223
WHO DO YOU SAY TOLD
YOU TO COME HERE?
692
00:26:31,290 --> 00:26:32,725
A FELLA NAMED
DEL DAVIS.
693
00:26:32,792 --> 00:26:34,593
WE MET HIM BEATING
OUR WAY EAST IN A BOXCAR.
694
00:26:34,661 --> 00:26:36,963
WELL, I THINK YOU
MADE A MISTAKE,
BUDDY.
695
00:26:37,029 --> 00:26:38,597
I DON'T KNOW
NO DEL DAVIS.
696
00:26:38,665 --> 00:26:40,099
YOU GOT
THE WRONG PLACE.
697
00:26:40,166 --> 00:26:41,333
Man: NOW, SAM,
698
00:26:41,400 --> 00:26:43,736
NOW, SAM, YOU
KNEW THEY GOT
THE RIGHT PLACE.
699
00:26:43,803 --> 00:26:45,437
HELLO, KIDS.
HIYA, DEL.
700
00:26:45,504 --> 00:26:46,572
GLAD YOU GOT
MY MESSAGE STRAIGHT.
701
00:26:46,639 --> 00:26:47,807
I'M SORRY TO KEEP
YOU WAITING.
702
00:26:47,874 --> 00:26:49,341
OH, YOU MUSTN'T
MIND SAM, YOU KNOW,
703
00:26:49,408 --> 00:26:50,509
HE'S A GREAT KIDDER.
704
00:26:50,576 --> 00:26:52,144
HA! ALWAYS WITH
THE DOUBLE TALK.
705
00:26:52,211 --> 00:26:53,579
YOU NEVER GET
A STRAIGHT ANSWER
OUT OF HIM.
706
00:26:53,646 --> 00:26:54,947
WELL, SAM,
707
00:26:55,014 --> 00:26:56,548
IT'S A NICE
PLACE YOU GOT HERE.
708
00:26:56,615 --> 00:26:58,818
A LITTLE CRUMMY-LOOKING,
BUT IT'S HOMEY, SECLUDED,
709
00:26:58,885 --> 00:27:01,453
YET NOT TOO FAR
FROM THINGS.
710
00:27:01,520 --> 00:27:03,489
YEAH, SAM, YOU
ALWAYS HAD AN EYE
FOR GOOD SPOTS.
711
00:27:03,555 --> 00:27:05,157
NOW, LOOK, DEL--
LATER, LATER, SAM.
712
00:27:05,224 --> 00:27:07,559
I'M HUNGRY.
SURE MY FRIENDS
ARE, TOO.
713
00:27:07,626 --> 00:27:09,295
AIN'T YOU, KIDS?
YEAH. SURE.
714
00:27:09,361 --> 00:27:10,629
IS THAT THE KITCHEN?
YEAH.
715
00:27:10,697 --> 00:27:12,431
COME ON,
LET'S GO, HUH?
716
00:27:12,498 --> 00:27:16,035
AIN'T IT WONDERFUL
TO HAVE FRIENDS LIKE THAT
ALL OVER THE COUNTRY?
717
00:27:16,102 --> 00:27:18,237
WELL, THEY GOT
QUITE A KITCHEN.
718
00:27:18,304 --> 00:27:19,605
[INDISTINCT TALKING]
719
00:27:19,672 --> 00:27:23,409
Del: COME ON, KIDS,
DIG IN, HELP YOURSELF.
720
00:27:23,475 --> 00:27:27,146
COME ON, SAM,
DON'T STAND AROUND,
WE'RE THIRSTY, TOO.
721
00:27:27,213 --> 00:27:28,614
ALL RIGHT.
722
00:27:28,681 --> 00:27:30,416
WELL,
LOOK WHO'S HERE.
723
00:27:30,482 --> 00:27:32,785
SO THEY STILL
GOT YOU HANGING
AROUND, BRAD.
724
00:27:32,852 --> 00:27:35,121
WELL, WELL, WELL...
725
00:27:35,187 --> 00:27:37,489
YOU SHOULDN'T
SURPRISE US
LIKE THIS, DEL.
726
00:27:37,556 --> 00:27:39,458
YOU COULD OF AT LEAST
SENT US A PENNY POSTCARD,
EH, SAM?
727
00:27:39,525 --> 00:27:40,960
SHUT THAT BIG
TRAP OF YOURS.
728
00:27:41,027 --> 00:27:42,461
BOYS, I WANT YOU
TO MEET ANOTHER
FRIEND OF MINE.
729
00:27:42,528 --> 00:27:44,797
LAST TIME I KNEW
HIM HIS NAME WAS
AMES--BRAD AMES.
730
00:27:44,864 --> 00:27:46,198
YOU HAVEN'T
CHANGED THAT,
HAVE YOU?
731
00:27:46,265 --> 00:27:47,633
Woman: BRAD!
732
00:27:47,700 --> 00:27:49,268
WHERE DO YOU--
733
00:27:51,470 --> 00:27:52,805
HELLO, KAY.
734
00:27:52,872 --> 00:27:54,606
I HAD A TOUGH TIME
FINDING YOU.
735
00:27:54,673 --> 00:27:57,143
STILL SOME
CRATES OUTSIDE.
736
00:27:57,209 --> 00:27:58,811
DON'T EXPECT ME
TO BRING 'EM IN, DO YA?
737
00:27:58,878 --> 00:27:59,946
Brad:
ALL RIGHT, KAY.
738
00:28:00,012 --> 00:28:01,748
STILL SHARP
AS A WHIP.
739
00:28:01,814 --> 00:28:03,816
YOU KNOW, SHE'S REALLY
A GOOD-LOOKING DAME
WHEN'S SHE'S DRESSED UP?
740
00:28:03,883 --> 00:28:05,852
SHE'S GOT CLASS,
STYLE, VERSATILE,
741
00:28:05,918 --> 00:28:07,353
SHE DOES ANYTHING,
EVEN SINGS.
742
00:28:07,419 --> 00:28:09,555
CAN I HELP YOU?
THANKS, I'LL
DO IT MYSELF.
743
00:28:09,621 --> 00:28:12,224
MY INTUITION TELLS ME
THAT'S THE SONG'S
UNIQUE DAME.
744
00:28:12,291 --> 00:28:14,526
MY INTUITION TELLS ME
WE NEVER SHOULD
HAVE COME HERE.
745
00:28:14,593 --> 00:28:15,995
WELL, I'M
NOT SO SURE.
746
00:28:16,062 --> 00:28:17,496
WHAT DO YOU SAY,
JIGGER?
747
00:28:17,563 --> 00:28:18,831
Del: YEAH, BOY,
SHE'S REALLY GOT
A LOT OF TALENT.
748
00:28:18,898 --> 00:28:20,332
WAIT TILL YOU
GET TO KNOW HER.
749
00:28:20,399 --> 00:28:22,802
AND ESPECIALLY WAIT
TILL YOU HEAR HER.
AND HIM--
750
00:28:22,869 --> 00:28:24,270
HE ACCOMPANIES HER
ON THE PIANO.
751
00:28:24,336 --> 00:28:26,773
HE PLAYS JUST
AS BAD AS SHE SINGS.
HA HA HA HA!
752
00:28:26,839 --> 00:28:28,074
AH, WHAT'S
A MATTER, KAY,
753
00:28:28,140 --> 00:28:29,675
AIN'T YOU
GOT NOTHING
TO SAY TO ME?
754
00:28:29,742 --> 00:28:31,210
AREN'T YOU GLAD WE'RE
BACK TOGETHER AGAIN!
755
00:28:31,277 --> 00:28:33,012
ONE BIG HAPPY FAMILY.
756
00:28:33,079 --> 00:28:35,547
LIVING UNDER
THE SAME ROOF,
EATING THE SAME FOOD--
757
00:28:35,614 --> 00:28:36,949
HOW LONG YOU
GONNA STAY?!
758
00:28:37,016 --> 00:28:39,185
OH, I DON'T KNOW,
MAYBE A DAY,
MONTH, YEAR.
759
00:28:39,251 --> 00:28:40,686
THESE PEOPLE--WHAT
DO THEY WANT HERE?
760
00:28:40,753 --> 00:28:41,954
THEY'RE MY FRIENDS.
761
00:28:42,021 --> 00:28:43,389
YOU MEAN THEY'RE
GONNA STAY HERE, TOO?
762
00:28:43,455 --> 00:28:44,556
MM-HMM.
FOR HOW LONG?
763
00:28:44,623 --> 00:28:45,691
OH, AS LONG
AS THEY WANT.
764
00:28:45,758 --> 00:28:47,026
Sam: NOW, WAIT
A MINUTE, DEL.
765
00:28:47,093 --> 00:28:48,427
DON'T YOU THINK
IT'LL BE CROWDED--
SHUT UP.
766
00:28:48,494 --> 00:28:49,661
I DON'T WANT 'EM HERE.
I DON'T WANT ANYONE HERE.
767
00:28:49,728 --> 00:28:50,696
THIS IS MY PLACE!
768
00:28:50,763 --> 00:28:51,764
YOU MEAN
IT WAS YOUR PLACE.
769
00:28:51,831 --> 00:28:52,799
JUST LIKE THAT?
770
00:28:52,865 --> 00:28:54,000
MM-HMM,
JUST LIKE THAT.
771
00:28:54,066 --> 00:28:55,835
SO, YOU COME IN HERE,
JUST LIKE THAT,
772
00:28:55,902 --> 00:28:57,603
FRESH AS A DAISY.
773
00:28:57,669 --> 00:28:59,105
WHAT DO YOU THINK
MY LIFE HAS BEEN LIKE
SINCE YOU'VE BEEN AWAY?!
774
00:28:59,171 --> 00:29:00,139
HOW EASY DO YOU THINK
IT'S BEEN FOR ME,
775
00:29:00,206 --> 00:29:01,173
TRYING TO MAKE
A GO OF IT,
776
00:29:01,240 --> 00:29:02,408
TAKING CARE
OF THAT CRIPPLE?!
777
00:29:02,474 --> 00:29:03,675
TRAVELING WITH THAT
778
00:29:03,742 --> 00:29:04,877
LAME-BRAIN STOOGE
YOU LEFT BEHIND YOU!
779
00:29:04,944 --> 00:29:06,012
YOU THINK IT'S
BEEN TOUGH FOR YOU?!
780
00:29:06,078 --> 00:29:07,513
HEY, DEL--
SO YOU SAT IN JAIL!
781
00:29:07,579 --> 00:29:09,248
SHUT YOUR MOUTH!
DOES THAT MAKE
A HERO OUT OF YOU?
782
00:29:09,315 --> 00:29:11,417
SAM, GET HER OUT
OF HER, WILL YA?!
LEAVE ME ALONE!
783
00:29:11,483 --> 00:29:13,085
SHE'LL BE ALL RIGHT, DEL,
YOU WON'T SAY ANY MORE,
WILL YOU, KAY?
784
00:29:13,152 --> 00:29:15,121
NOW LISTEN, THE SOONER
YOU GET IT THROUGH YOUR HEAD
785
00:29:15,187 --> 00:29:16,989
THAT WHAT WANT AROUND HERE
DOESN'T MATTER ANYMORE
THE BETTER FOR YOU.
786
00:29:17,056 --> 00:29:18,057
NOW GET OUT OF HERE.
787
00:29:18,124 --> 00:29:19,425
I'LL GO OUT
BY MYSELF!
788
00:29:19,491 --> 00:29:20,459
FRED!
YEAH?
789
00:29:20,526 --> 00:29:21,693
YOU STAY HERE.
BUT, DEL--
790
00:29:21,760 --> 00:29:22,929
SAM, YOU BETTER HAVE
A TALK WITH HER.
791
00:29:22,995 --> 00:29:24,063
LET ME TALK TO HER.
I CAN HANDLE IT.
792
00:29:24,130 --> 00:29:25,597
YOU KNOW THE WAY
SAM IS.
793
00:29:25,664 --> 00:29:27,199
WHAT ARE YOU
WAITING AROUND FOR?
794
00:29:30,369 --> 00:29:32,972
SORRY, FOLKS,
JUST A LITTLE MISUNDERSTANDING.
795
00:29:33,039 --> 00:29:34,773
HAPPENS IN
THE BEST OF FAMILIES.
796
00:29:34,841 --> 00:29:36,375
LOOK, KIDS, I THINK
WE BETTER SCRAM.
797
00:29:36,442 --> 00:29:38,610
NO, SIT DOWN,
SIT DOWN.
798
00:29:38,677 --> 00:29:39,979
THERE'S NOTHING
TO BE WORRIED ABOUT.
799
00:29:40,046 --> 00:29:42,114
DON'T FORGET DEL DAVIS
IS TAKING CARE OF YOU.
800
00:29:42,181 --> 00:29:43,449
HEY, BRAD,
801
00:29:43,515 --> 00:29:44,783
YOU HANG AROUND
A WHILE.
802
00:29:44,851 --> 00:29:46,052
AS SOON AS WE
FINISH THIS GRUB,
803
00:29:46,118 --> 00:29:49,088
YOU CAN SHOW MY FRIENDS
TO THEIR ROOM.
804
00:29:49,155 --> 00:29:51,090
Brad: NOW HERE YOU ARE.
DON'T EXPECT TOO MUCH.
805
00:29:51,157 --> 00:29:52,658
I DON'T THINK
YOU'RE GONNA LIKE IT.
806
00:29:52,724 --> 00:29:54,626
AT LEAST
I HOPE NOT.
807
00:29:54,693 --> 00:29:56,262
JIGGER, THIS PLACE
GIVES ME THE CREEPS.
808
00:29:56,328 --> 00:29:57,596
MAYBE WE BETTER
GET OUT OF HERE.
809
00:29:57,663 --> 00:29:58,630
TAKE IT EASY,
CHARACTER,
810
00:29:58,697 --> 00:29:59,765
A JOB'S A JOB.
811
00:29:59,832 --> 00:30:00,933
THE JUNGLE--
NEVER HAVE I SEEN
812
00:30:01,000 --> 00:30:02,268
A PLACE MORE
APPROPRIATELY NAMED.
813
00:30:02,334 --> 00:30:03,903
WELL, WHAT ARE
YOU WAITING FOR?
814
00:30:03,970 --> 00:30:05,071
YOU DON'T EXPECT ME
TO CARRY YOU IN,
DO YOU?
815
00:30:05,137 --> 00:30:06,105
Jigger: COME ON,
KIDS, LET'S GO.
816
00:30:06,172 --> 00:30:07,539
YOUR ROOMS
ARE UPSTAIRS.
817
00:30:07,606 --> 00:30:08,941
HEY, IF YOU WANT
THAT PIANO DEL
PROMISED YOU,
818
00:30:09,008 --> 00:30:10,977
YOU CAN DRAG IT
IN HERE YOURSELF.
819
00:30:11,043 --> 00:30:12,811
HEY, BUDDY.
WHAT?
820
00:30:12,879 --> 00:30:14,046
THAT DAME.
821
00:30:14,113 --> 00:30:15,681
WHAT ABOUT HER?
I WAS GONNA ASK YOU,
822
00:30:15,747 --> 00:30:17,216
SHE KINDA FLARES UP,
DON'T SHE?
YEAH, IF YOU THINK SO.
823
00:30:17,283 --> 00:30:19,018
WELL, I DON'T MIND.
I THINK THAT ANY DAME
824
00:30:19,085 --> 00:30:20,452
THAT LOOKS LIKE HER
OUGHT TO FLARE UP
ONCE IN A WHILE.
825
00:30:20,519 --> 00:30:21,820
GIVES YOU STYLE,
CLASS, YOU KNOW
WHAT I MEAN?
826
00:30:21,888 --> 00:30:22,955
Character: LEO,
ARE YOU COMING?
827
00:30:23,022 --> 00:30:24,290
YEAH, I'LL BE
RIGHT UP, HONEY.
828
00:30:24,356 --> 00:30:26,592
TAKE THAT COMPLIMENT
FROM ME TO HER.
829
00:30:32,364 --> 00:30:35,201
7. YOU HAVEN'T
LOST THE TOUCH, DEL,
YOU HAVEN'T CHANGED A BIT.
830
00:30:35,267 --> 00:30:36,802
SURE, WE CAN FIX UP
THIS RAT HOLE.
831
00:30:36,869 --> 00:30:38,470
THAT BAND'LL
FIT IN PERFECT.
832
00:30:38,537 --> 00:30:40,639
THIS IS A GOOD SPOT.
I GOTTA GIVE YOU
CREDIT FOR THAT.
833
00:30:40,706 --> 00:30:42,975
WE'LL DRAW THE MONEY
GUYS INSTEAD OF
THE NICKEL NURSES.
834
00:30:43,042 --> 00:30:44,810
I'M GONNA
PUT THIS JOINT
ON A PAYING BASIS.
835
00:30:44,877 --> 00:30:45,945
DEL, THAT'LL
TAKE MONEY.
836
00:30:46,012 --> 00:30:46,979
TAKE IT OUT OF THE
DOUGH YOU OWE ME.
837
00:30:47,046 --> 00:30:48,714
THAT'S ALL GONE.
838
00:30:48,780 --> 00:30:51,918
I OUGHT TO KICK
YOUR TEETH OUT, YOU
DOUBLE-CROSSING JERK.
839
00:30:51,984 --> 00:30:53,152
I'LL GET THE MONEY, DEL.
YOU DON'T HAVE TO WORRY.
840
00:30:53,219 --> 00:30:54,820
7 AGAIN!
STILL GOT MY TOUCH.
841
00:30:54,887 --> 00:30:55,955
WHERE DO I SLEEP?
842
00:30:56,022 --> 00:30:57,356
KAY SAID YOU
CAN HAVE MY ROOM.
843
00:30:57,423 --> 00:30:58,690
DOWN THE HALL,
THE FIRST DOOR
ON THE RIGHT.
844
00:30:58,757 --> 00:31:01,693
AND, DEL--
845
00:31:01,760 --> 00:31:03,695
YEAH,
WHAT DO YOU WANT?
846
00:31:03,762 --> 00:31:04,830
NO HARD FEELINGS,
DEL.
847
00:31:04,897 --> 00:31:07,533
NO, SAM.
848
00:31:07,599 --> 00:31:09,468
NO HARD FEELINGS.
849
00:31:16,275 --> 00:31:17,809
DEL.
850
00:31:17,876 --> 00:31:19,211
YOU OUGHTA HAVE
A LOT TO SAY.
851
00:31:19,278 --> 00:31:20,146
LISTEN, DEL,
852
00:31:20,212 --> 00:31:21,213
I AIN'T IN THE
MOOD TO LISTEN.
853
00:31:21,280 --> 00:31:22,381
I LOST MY HEAD
DOWNSTAIRS.
854
00:31:22,448 --> 00:31:23,682
I DIDN'T KNOW
WHAT I WAS SAYING.
855
00:31:23,749 --> 00:31:25,151
HONEST, I DIDN'T--
I'M TIRED.
856
00:31:25,217 --> 00:31:26,418
IT'S A LONG TIME
SINCE I HAD A GOOD
NIGHT SLEEP.
857
00:31:26,485 --> 00:31:28,020
WE WAITED FOR YOU,
BUT IT GOT TOO HOT.
858
00:31:28,087 --> 00:31:29,321
EVERY DAY THE COPS
COME ROUND.
859
00:31:29,388 --> 00:31:30,856
WRITE IT. WRITE IT OUT
AND MAIL IT TO ME,
860
00:31:30,923 --> 00:31:32,024
I'LL READ IT
IN THE MORNING.
861
00:31:32,091 --> 00:31:33,225
THEY KEPT ASKING
QUESTIONS.
862
00:31:33,292 --> 00:31:34,760
WE COULDN'T STAY THERE
ANY LONGER.
863
00:31:34,826 --> 00:31:36,828
ME, I COULDN'T
STAY IN THAT CELL
ANY LONGER EITHER.
864
00:31:36,895 --> 00:31:38,064
YOU BROKE OUT?
865
00:31:38,130 --> 00:31:40,032
NO, I SADDLED A PIGEON
AND FLEW OUT.
866
00:31:40,099 --> 00:31:41,233
WE WERE SCARED TO GET
IN TOUCH WITH YOU.
867
00:31:41,300 --> 00:31:42,834
TWO MONTHS I BEEN
LOOKING FOR YOU.
868
00:31:42,901 --> 00:31:44,370
TWO MONTHS OF
HITCHING FREIGHTS,
869
00:31:44,436 --> 00:31:46,338
STEALING CARS,
SLEEPING UNDER BRIDGES,
870
00:31:46,405 --> 00:31:47,606
DUCKING COPS.
871
00:31:47,673 --> 00:31:49,208
AND ONLY ONE THING WAS
ON MY MIND THAT WHOLE TIME.
872
00:31:49,275 --> 00:31:51,377
TO PAY YOU AND SAM OFF
PERSONALLY.
873
00:31:51,443 --> 00:31:53,912
AND IT'S STILL
ON MY MIND, TOO.
874
00:31:55,347 --> 00:31:58,050
DEL, YOU CAN
TRUST ME, DEL.
875
00:31:58,117 --> 00:31:59,785
I SAID TO SAM WHEN
WE FOUND THIS PLACE,
876
00:31:59,851 --> 00:32:01,253
I SAYS,
DEL'LL LIKE THIS.
877
00:32:01,320 --> 00:32:02,754
THIS IS JUST LIKE THE PLACE
WE HAD IN CALIFORNIA.
878
00:32:02,821 --> 00:32:04,090
OH, YOU...
879
00:32:04,156 --> 00:32:05,257
IF SAM TOLD YOU
DIFFERENT,
HE'S LYING!
880
00:32:05,324 --> 00:32:06,525
WHO DO YOU THINK
YOU'RE KIDDING?
881
00:32:06,592 --> 00:32:08,527
I TAKE THE RAP FOR
THAT JOB IN FRISCO.
882
00:32:08,594 --> 00:32:10,997
I GET 10 YEARS,
SO YOU AND SAM
GET MY SHARE.
883
00:32:11,063 --> 00:32:12,698
[MOCKINGINGLY]
POOR, DEL,
A 10-YEAR RAP.
884
00:32:12,764 --> 00:32:13,899
HE'S GOT NOW USE
FOR MONEY THERE.
885
00:32:13,966 --> 00:32:16,402
HO HO!
I KNOW YOU, YOU...
886
00:32:16,468 --> 00:32:18,437
SURE, IN A LITTLE WHILE,
YOU'LL FREEZE SAM OUT,
887
00:32:18,504 --> 00:32:20,839
THEN YOU'LL BE
RIDING HIGH LIKE
YOU ALWAYS WANTED TO,
888
00:32:20,906 --> 00:32:22,641
YOU AND THAT CRIPPLED
STOOGE OF YOURS.
889
00:32:22,708 --> 00:32:26,778
WHY HE NEVER KNOCKED
YOU OFF BEFORE THIS I
COULD NEVER FIGURE OUT.
890
00:32:26,845 --> 00:32:29,381
SAY, MAYBE I CAN
TALK HIM INTO IT, EH?
891
00:32:30,749 --> 00:32:31,984
NOW DON'T GET SORE,
BABY,
892
00:32:32,051 --> 00:32:34,253
THAT WON'T GET YOU
ANYPLACE WITH ME.
893
00:32:34,320 --> 00:32:37,089
GO ON, GET OUT
OF HERE--BEAT IT.
894
00:32:40,359 --> 00:32:41,994
DEL,
895
00:32:42,061 --> 00:32:44,896
COUPLE OF YEARS AGO
IF YOU'D OF SAID DEL
THAT WAY TO ME,
896
00:32:44,963 --> 00:32:47,366
YOU COULD HAVE WROTE
YOUR OWN TICKET,
BUT NOT NOW ANYMORE.
897
00:32:47,433 --> 00:32:49,835
I AIN'T LIKE BRAD.
I GET THINGS OUT OF MY
SYSTEM ONCE AND FOR ALL.
898
00:32:49,901 --> 00:32:52,504
NOW LIKE I TOLD YOU,
I'M TIRED. I WANNA
GET SOME SLEEP.
899
00:32:57,376 --> 00:32:58,210
Brad: KAY.
900
00:32:58,277 --> 00:32:59,578
YOU SPYING
ON ME AGAIN?
901
00:32:59,645 --> 00:33:00,646
I WAS WORRIED
ABOUT YOU.
902
00:33:00,712 --> 00:33:01,813
WORRY
ABOUT YOURSELF.
903
00:33:01,880 --> 00:33:03,249
HE DIDN'T HURT YOU,
DID HE, KAY?
904
00:33:06,518 --> 00:33:08,654
IF I THOUGHT HE OR SAM
PUT A HAND ON YOU, I--
905
00:33:08,720 --> 00:33:11,457
GET ME A DRINK.
YEAH...YEAH,
KAY, RIGHT AWAY.
906
00:33:11,523 --> 00:33:13,292
I PUT 'EM IN THE ROOMS
OVER THE GARAGE.
907
00:33:13,359 --> 00:33:15,061
YOU PUT WHO
IN THE GARAGE?
908
00:33:15,127 --> 00:33:16,295
THAT JAZZ BAND.
WHO?
909
00:33:16,362 --> 00:33:17,663
THOSE PEOPLE DEL
BROUGHT WITH HIM.
910
00:33:17,729 --> 00:33:18,864
I SAID GET
ME A DRINK.
911
00:33:18,930 --> 00:33:20,966
AW, JUST
A SHORT ONE, KAY?
NO.
912
00:33:21,033 --> 00:33:22,768
[JAZZ MUSIC PLAYING]
913
00:33:25,604 --> 00:33:27,873
WHAT GOES ON?
914
00:33:27,939 --> 00:33:29,007
OH, IT'S THAT BAND.
915
00:33:29,075 --> 00:33:30,509
GUESS THEY MUST
BE PRACTICING.
916
00:33:30,576 --> 00:33:31,843
WHO ARE THEY ANYWAY?
917
00:33:31,910 --> 00:33:33,011
WHAT'S WHAT BETWEEN
THEM AND DEL?
918
00:33:33,079 --> 00:33:34,046
WHAT DO THEY GOT
ON HIM?
919
00:33:34,113 --> 00:33:35,581
OH, I DON'T KNOW.
920
00:33:35,647 --> 00:33:37,316
DEL JUST KEEPS ON TALKING
ABOUT HOW MUCH HE LIKES 'EM.
921
00:33:37,383 --> 00:33:38,984
THEY SAY
ANYTHING ABOUT ME?
922
00:33:39,051 --> 00:33:41,087
YEAH, THERE WAS ONE OF 'EM
THAT TALKED ABOUT YOU.
WHICH ONE?
923
00:33:41,153 --> 00:33:42,388
THE TALL ONE,
THE TRUMPET PLAYER,
924
00:33:42,454 --> 00:33:43,989
I THINK THEY
CALL HIM LEO.
925
00:33:44,056 --> 00:33:46,024
HE SEEMED KIND
OF INTERESTED IN YOU.
YEAH?
926
00:33:46,092 --> 00:33:48,160
I DON'T THINK
DEL'S GONNA LIKE IT.
927
00:33:48,227 --> 00:33:49,795
OR MAYBE DEL DON'T
CARE ANYMORE, HUH?
928
00:33:49,861 --> 00:33:52,498
WHAT GOES ON BETWEEN
ME AND DEL IS NONE
OF YOUR BUSINESS.
929
00:33:52,564 --> 00:33:54,533
I TOLD YOU THAT
A LONG TIME AGO.
930
00:33:54,600 --> 00:33:56,535
OK, DON'T GET SORE.
931
00:33:56,602 --> 00:33:58,337
SMALL-TIME GAMBLER.
932
00:33:58,404 --> 00:34:01,173
THAT'S ALL HE EVER WAS.
THAT'S ALL HE EVER WILL BE.
933
00:34:01,240 --> 00:34:02,941
I NEVER CARED
FOR HIM ANYWAY.
934
00:34:03,008 --> 00:34:04,176
NOW YOU DO,
DON'T YOU, KAY?
935
00:34:04,243 --> 00:34:05,277
HOW MANY TIMES
HAVE I--
936
00:34:05,344 --> 00:34:07,012
BUT YOU CAN'T
HAVE HIM, HUH?
937
00:34:07,079 --> 00:34:08,347
YOU'RE SURE?
938
00:34:08,414 --> 00:34:11,883
DEL'S LIKE YOU, KAY,
ONLY HARDER.
939
00:34:11,950 --> 00:34:12,984
WHAT'D YOU SAY
HIS NAME WAS?
940
00:34:13,051 --> 00:34:14,186
WHOSE NAME?
941
00:34:14,253 --> 00:34:15,521
THE TRUMPET PLAYER.
942
00:34:15,587 --> 00:34:18,190
OH, UH, LEO, I
THINK THEY CALL HIM.
943
00:34:18,257 --> 00:34:20,025
HMM, IS THAT SO?
944
00:34:20,092 --> 00:34:21,627
AND WHAT DID
HE SAY ABOUT ME?
945
00:34:21,693 --> 00:34:22,828
NOTHING
IN PARTICULAR.
946
00:34:22,894 --> 00:34:23,895
IT'S THE WAY
HE SAID IT.
947
00:34:23,962 --> 00:34:25,063
NOT THAT
I BLAME HIM.
948
00:34:25,131 --> 00:34:26,132
GIVE ME
A CIGARETTE.
949
00:34:26,198 --> 00:34:27,366
HERE, HERE, KAY.
950
00:34:27,433 --> 00:34:30,202
YOU SAID BEFORE
DEL WOULDN'T LIKE IT.
951
00:34:30,269 --> 00:34:32,003
MAYBE YOU'RE RIGHT.
952
00:34:32,070 --> 00:34:33,405
MAYBE HE WON'T.
953
00:34:33,472 --> 00:34:36,975
Character:
* SOMEWHERE, SOMEDAY *
954
00:34:37,042 --> 00:34:39,044
* WE'LL BE CLOSE TOGETHER *
955
00:34:39,111 --> 00:34:41,247
* WAIT AND SEE *
956
00:34:41,313 --> 00:34:45,050
* OH, BUT AWAY *
957
00:34:45,117 --> 00:34:49,087
* THIS TIME
THE DREAM'S ON ME *
958
00:34:49,155 --> 00:34:51,056
* YOU'LL TAKE MY HAND *
959
00:34:51,123 --> 00:34:52,658
WHO'S THAT SINGING?
960
00:34:52,724 --> 00:34:55,761
THAT'S HIS WIFE--
THE TRUMPET PLAYER.
961
00:34:55,827 --> 00:34:56,995
THEY'RE MARRIED.
962
00:34:57,062 --> 00:34:58,130
OH, THEY'RE MARRIED.
963
00:34:58,197 --> 00:34:59,498
WELL, THEY TALK
LIKE THEY WAS.
964
00:34:59,565 --> 00:35:01,400
* AND YOU LOOK AT ME *
965
00:35:01,467 --> 00:35:03,435
GOOD NIGHT, BRAD,
I'LL SEE YOU TOMORROW.
966
00:35:03,502 --> 00:35:04,736
OK.
967
00:35:04,803 --> 00:35:11,443
* AS THINGS STAND
THIS TIME THE DREAM'S ON ME *
968
00:35:11,510 --> 00:35:15,447
* IT WOULD BE FUN *
969
00:35:15,514 --> 00:35:19,585
* TO BE CERTAIN
THAT I'M THE ONE *
970
00:35:19,651 --> 00:35:22,788
* TO KNOW
THAT I AT LEAST *
971
00:35:22,854 --> 00:35:27,526
* SUPPLY THE SHOULDER
YOU CRY UPON *
972
00:35:27,593 --> 00:35:31,463
* TO SEE YOU THROUGH *
973
00:35:31,530 --> 00:35:35,434
* TILL YOU'RE EVERYTHING
YOU WANT TO HEAR *
974
00:35:35,501 --> 00:35:38,136
* IT CAN COME TRUE *
975
00:35:38,204 --> 00:35:43,409
* BUT THIS TIME
THE DREAM'S ON ME *
976
00:35:47,179 --> 00:35:49,615
HEY, CHARACTER.
977
00:35:49,681 --> 00:35:51,283
COME HERE.
978
00:35:54,186 --> 00:35:55,254
YES, JIGGER.
979
00:35:55,321 --> 00:35:56,355
I JUST WANNA SAY,
CHARACTER--
980
00:35:56,422 --> 00:35:57,589
LIKE I TOLD YOU
ONCE BEFORE,
981
00:35:57,656 --> 00:35:59,191
THAT YOU'RE
NOT ALONE.
982
00:35:59,258 --> 00:36:00,759
REMEMBER
THAT YOU'RE
ONE OF US.
983
00:36:00,826 --> 00:36:02,127
NO MATTER WHAT
HAPPENS, JUST KEEP
SAYING TO YOURSELF,
984
00:36:02,194 --> 00:36:03,195
"I'LL NEVER BE ALONE
985
00:36:03,262 --> 00:36:04,330
IF I STAY
IN THE GROOVE."
986
00:36:04,396 --> 00:36:05,631
I KNOW WHAT
YOU MEAN, JIGGER.
987
00:36:14,206 --> 00:36:15,474
TWO SCOTCH, 3 BOURBONS,
988
00:36:15,541 --> 00:36:17,643
AND A BOTTLE OF FIZZ
WATER FOR UPSTAIRS.
989
00:36:17,709 --> 00:36:19,144
TEX, HOW'S IT
GOING UP THERE?
990
00:36:19,211 --> 00:36:20,746
BOTH THE CRAPS TABLES
ARE IN ACTION.
991
00:36:20,812 --> 00:36:21,847
BIG GAME?
992
00:36:21,913 --> 00:36:23,148
TOO BIG FOR YOU.
993
00:36:23,215 --> 00:36:24,783
IS DEL
IN THE BACK ROOM?
YEAH.
994
00:36:24,850 --> 00:36:25,851
HOW ABOUT
THE SCOTCH?
995
00:36:25,917 --> 00:36:27,853
COMING UP.
COMING UP.
996
00:36:27,919 --> 00:36:28,920
SAM...
997
00:36:28,987 --> 00:36:30,088
WHADDA YOU WANT?
998
00:36:30,155 --> 00:36:31,122
HOW ABOUT
A SAWBUCK
TILL MONDAY?
999
00:36:31,189 --> 00:36:32,358
NO DICE.
I'LL TAKE A FIN.
1000
00:36:32,424 --> 00:36:33,459
YOU WANNA GET
IN THAT GAME UPSTAIRS.
1001
00:36:33,525 --> 00:36:34,660
NOT WITH MY DOUGH,
YOU DON'T.
1002
00:36:34,726 --> 00:36:36,061
COME ON, SAM.
YOU'LL GET IT BACK.
1003
00:36:36,127 --> 00:36:37,429
I WANNA GAMBLE,
I'LL DO IT MYSELF.
1004
00:36:37,496 --> 00:36:39,164
NOW, WILL YOU DO ME
ANOTHER FAVOR?
SURE.
1005
00:36:39,231 --> 00:36:40,466
TAKE THE NEXT NUMBER
FOR ME?
1006
00:36:40,532 --> 00:36:42,167
I GOTTA SEE DEL.
IT'S KIND OF IMPORTANT.
1007
00:36:42,234 --> 00:36:43,669
ALL RIGHT.
1008
00:36:43,735 --> 00:36:46,972
REMEMBER, KID--
STAY IN THE GROOVE.
1009
00:36:52,944 --> 00:36:54,513
JIGGER.
JUST A MINUTE.
1010
00:36:54,580 --> 00:36:55,747
IF YOU'RE GOING
UPSTAIRS TO GAMBLE--
1011
00:36:55,814 --> 00:36:57,716
NO, BRAD,
I'M NOT GONNA
GAMBLE.
1012
00:36:57,783 --> 00:36:58,684
AW, THAT'S TOO BAD.
1013
00:36:58,750 --> 00:37:00,352
HAD A LITTLE
PROPOSITION FOR YOU.
1014
00:37:00,419 --> 00:37:01,720
I THOUGHT WE'D GO HALVES.
I'M LUCKY WITH THE DICE.
1015
00:37:01,787 --> 00:37:02,988
SORRY.
JIGGER.
1016
00:37:03,054 --> 00:37:04,856
WOULD YOU LEND ME
SOME MONEY?
1017
00:37:04,923 --> 00:37:06,758
I FIGURE I GOT
A LUCKY STREAK COMING ON.
1018
00:37:06,825 --> 00:37:08,894
YOU KNOW, ONE
OF THESE DAYS I'M GONNA
HAVE ENOUGH DOUGH TO--
1019
00:37:08,960 --> 00:37:10,228
AW, FORGET IT.
1020
00:37:10,296 --> 00:37:11,397
I KNOW HOW YOU GUYS
FEEL ABOUT ME.
1021
00:37:11,463 --> 00:37:12,898
WHY SHOULD YOU
LEND ME ANY MONEY?
1022
00:37:12,964 --> 00:37:14,232
HOW MUCH
DO YOU WANT?
1023
00:37:14,300 --> 00:37:15,567
OH, I DUNNO.
10 BUCKS.
1024
00:37:15,634 --> 00:37:17,202
ALL I GOT IS 6,
BUT YOU CAN
HAVE THAT.
1025
00:37:17,269 --> 00:37:18,304
I HOPE YOU WIN.
1026
00:37:18,370 --> 00:37:19,705
THANKS, JIGGER.
1027
00:37:19,771 --> 00:37:21,707
I THINK
HE REALLY MEANS THAT.
1028
00:37:21,773 --> 00:37:24,209
BRAD! BRAD, WHY
AREN'T YOU AROUND HERE
WHEN I NEED YOU?
1029
00:37:24,276 --> 00:37:26,512
I'M COMING,
SAM, I'M COMING.
1030
00:37:26,578 --> 00:37:29,014
Man: AND
YOUR BETS, PLEASE.
1031
00:37:31,817 --> 00:37:33,218
Man:
COME ON, LEO!
1032
00:37:33,285 --> 00:37:34,520
YEAH!
1033
00:37:34,586 --> 00:37:35,854
AND HE THREW A 7.
THAT'S LUCKY.
1034
00:37:35,921 --> 00:37:36,922
LET HER RIDE.
1035
00:37:36,988 --> 00:37:37,956
HERE ARE THE DICE, LEO.
1036
00:37:38,023 --> 00:37:38,990
WHO'LL RIDE
WITH THE WINNER?
1037
00:37:39,057 --> 00:37:40,025
THAT MAKES IT
3 IN A ROW.
1038
00:37:40,091 --> 00:37:41,059
NOW, COME ON.
7-11.
1039
00:37:41,126 --> 00:37:42,127
WATCH ME, BABY.
1040
00:37:42,193 --> 00:37:43,161
LOOK WHO'S HERE.
1041
00:37:43,228 --> 00:37:45,297
HUH? WELL,
HELLO, GENIUS.
1042
00:37:45,364 --> 00:37:46,332
HERE WE GO.
1043
00:37:46,398 --> 00:37:47,366
TIME GO TO SCHOOL,
TEACHER?
1044
00:37:47,433 --> 00:37:48,934
ACEY-ACEY,
SNAKE EYES.
1045
00:37:49,000 --> 00:37:50,369
THAT'S TOO BAD,
YOU LOSE.
1046
00:37:50,436 --> 00:37:51,637
I SHOULD HAVE
KNOWN YOU'D BRING ME
BAD LUCK.
1047
00:37:51,703 --> 00:37:52,871
HEY, BABY, PUT THIS
ON THE LINE FOR ME,
1048
00:37:52,938 --> 00:37:53,705
AND LAY IT
DOWN GENTLY,
1049
00:37:53,772 --> 00:37:54,940
BECAUSE THAT'S
ALL THERE IS.
1050
00:37:55,006 --> 00:37:56,041
LEO.
1051
00:37:56,107 --> 00:37:57,343
I KNOW, I KNOW,
1052
00:37:57,409 --> 00:37:58,377
THE BOYS ARE
WAITIN', MY WIFE
IS SUFFERING.
1053
00:37:58,444 --> 00:37:59,411
COME ON, NOW,
COME ON.
1054
00:37:59,478 --> 00:38:00,479
Dealer: AND HE
ROLLED A 5.
1055
00:38:00,546 --> 00:38:01,647
YOU COMING
DOWN, LEO?
1056
00:38:01,713 --> 00:38:02,781
WHEN I GET
THROUGH
WITH THIS ROLL.
1057
00:38:02,848 --> 00:38:04,049
Dealer:
5's THE CALL.
5's EASY,
1058
00:38:04,115 --> 00:38:05,116
ISN'T IT, HONEY?
COME ON, DICE,
1059
00:38:05,183 --> 00:38:06,184
COME ON FOR LEO,
THAT'S IT.
1060
00:38:06,251 --> 00:38:07,218
COME ON--
1061
00:38:07,285 --> 00:38:08,253
AND HE'S
SEVENED OUT.
1062
00:38:08,320 --> 00:38:09,588
NEXT MAN.
1063
00:38:09,655 --> 00:38:10,822
WELL, THAT'S IT,
16 BUCKS DOWN
THE DRAINPIPE.
1064
00:38:10,889 --> 00:38:11,857
YOU HAPPY NOW?
1065
00:38:11,923 --> 00:38:13,124
NOW,
LISTEN, LEO.
1066
00:38:13,191 --> 00:38:14,426
ALL RIGHT, ALL RIGHT,
MY PUBLIC'S
CLAMORING FOR ME,
1067
00:38:14,493 --> 00:38:15,461
YOU KNOW HOW IT IS
WITH US ARTISTS.
1068
00:38:15,527 --> 00:38:16,528
I'LL SEE YOU LATER.
1069
00:38:16,595 --> 00:38:17,763
AND HE THREW A 6.
1070
00:38:17,829 --> 00:38:19,264
DON'T YOU PLAY
IN THE SAME BAND?
1071
00:38:19,331 --> 00:38:20,799
I'D LIKE TO HAVE
A FEW WORDS WITH YOU.
1072
00:38:20,866 --> 00:38:21,900
NOW, TEACHER?
1073
00:38:21,967 --> 00:38:23,201
WHAT I HAVE TO SAY
WON'T TAKE VERY LONG.
1074
00:38:23,268 --> 00:38:24,302
WE GOT
SOME FRESH DICE,
1075
00:38:24,370 --> 00:38:25,771
NICE 'N HOT--
THROW 'EM IN.
1076
00:38:25,837 --> 00:38:27,105
ALWAYS GIVE
THE FOLKS A RUN
FOR THEIR MONEY.
1077
00:38:27,172 --> 00:38:28,139
THAT'S WHAT
I BELIEVE.
1078
00:38:28,206 --> 00:38:29,174
HERE YOU ARE,
GENTLEMEN,
1079
00:38:29,240 --> 00:38:30,208
TAKE YOUR CHOICE.
1080
00:38:30,275 --> 00:38:31,843
LET'S GET AWAY
FROM HERE.
1081
00:38:31,910 --> 00:38:33,545
Dealer:
6 TO THE POINT.
THEY DO OR THEY DON'T?
1082
00:38:33,612 --> 00:38:35,146
I'LL TAKE THE GAME
WHAT'S THE POINT?
6.
1083
00:38:35,213 --> 00:38:36,715
6 IS THE POINT.
1084
00:38:36,782 --> 00:38:38,216
YOU KNOW THIS
IS THE FIRST TIME
YOU'VE SPOKEN TO ME
1085
00:38:38,283 --> 00:38:39,317
SINCE YOU'VE
BEEN HERE.
1086
00:38:39,385 --> 00:38:40,619
LOOK, LEO'S MARRIED.
1087
00:38:40,686 --> 00:38:41,653
YOU RUN
LEO'S LIFE?
I RUN THIS BAND.
1088
00:38:41,720 --> 00:38:42,988
IS THAT
THE SAME THING?
1089
00:38:43,054 --> 00:38:44,423
WE ALL CAME UP
TOGETHER,
THE HARD WAY--
1090
00:38:44,490 --> 00:38:45,791
I WOULDN'T KNOW
ANYTHING ABOUT THAT.
1091
00:38:45,857 --> 00:38:47,158
IT'S KIND
OF IMPORTANT
WE STICK TOGETHER.
1092
00:38:47,225 --> 00:38:48,527
CHARACTER'S
LEO'S WIFE.
1093
00:38:48,594 --> 00:38:50,228
SHE'S BEEN
KICKED AROUND
THE WAY WE WERE.
1094
00:38:50,295 --> 00:38:51,863
SWEATED TO GET HERE,
CULTIVATED HER VOICE
ON ONE MEAL A DAY--
1095
00:38:51,930 --> 00:38:53,832
THERE'VE BEEN
TIMES WHEN I GOT
ALONG ON LESS.
1096
00:38:53,899 --> 00:38:56,101
YOU SEEM TO THINK
IT'S A SPECIAL PRIVILEGE
TO GET KICKED AROUND.
1097
00:38:56,167 --> 00:38:58,804
YOU'RE LUCKY,
YOU GOT FRIENDS,
YOU GOT TALENT.
1098
00:38:58,870 --> 00:39:00,338
DON'T YOU THINK
I'D LIKE TO BE ABLE
TO SING LIKE WHATSHERNAME,
1099
00:39:00,406 --> 00:39:01,773
AND GET A CHANCE
TO DO SOMETHING?
1100
00:39:01,840 --> 00:39:03,809
I'M SORRY.
1101
00:39:03,875 --> 00:39:05,176
WELL, WHAT DO YOU
WANT ME TO DO?
1102
00:39:05,243 --> 00:39:06,478
I WANT YOU TO KEEP
AWAY FROM LEO.
1103
00:39:06,545 --> 00:39:07,979
HE RUNS AFTER ME,
I DON'T RUN AFTER HIM.
1104
00:39:08,046 --> 00:39:09,481
ONE WAY OR
THE OTHER, MAKES
NO DIFFERENCE TO ME.
1105
00:39:09,548 --> 00:39:10,582
ALL I KNOW IS YOU'RE
BUSTING UP THE UNIT.
1106
00:39:10,649 --> 00:39:12,017
IS THAT ALL
YOU CARE ABOUT?
1107
00:39:12,083 --> 00:39:13,318
YEAH,
THAT'S ABOUT ALL.
1108
00:39:13,385 --> 00:39:15,153
WHAT KIND OF A DAME
PUSHED YOU AROUND?
1109
00:39:15,220 --> 00:39:16,388
WHAT'S THAT GOT
TO DO WITH THIS?
1110
00:39:16,455 --> 00:39:17,823
WHY HAVEN'T YOU SPOKEN
TO ME BEFORE?
1111
00:39:17,889 --> 00:39:20,025
WHAT STOPPED YOU?
YOUR PIANO?
1112
00:39:20,091 --> 00:39:21,092
Man:
HEY, JIGGER.
1113
00:39:21,159 --> 00:39:22,293
THEY WANT YOU
DOWNSTAIRS.
1114
00:39:22,360 --> 00:39:23,328
ALL RIGHT,
I'M COMING.
1115
00:39:23,395 --> 00:39:24,763
JIGGER.
1116
00:39:24,830 --> 00:39:26,998
NEXT TIME YOU
SEE ME, WILL YOU
DO ME A FAVOR?
1117
00:39:27,065 --> 00:39:29,468
WILL YOU
AT LEAST SMILE?
1118
00:39:29,535 --> 00:39:31,036
Dealer:
6, AND A 6.
1119
00:39:31,102 --> 00:39:32,571
BOX, GUYS.
HE'S COMIN' OUT
1120
00:39:32,638 --> 00:39:33,939
IN A FRESH NUMBER,
FOLKS.
1121
00:39:34,005 --> 00:39:36,341
GET YOUR BETS DOWN.
EVERYBODY READY? HE'S--
1122
00:39:36,408 --> 00:39:38,143
6 AND A 4,
A 10...
1123
00:39:40,211 --> 00:39:42,548
* YOU CAN TELL ME
LOVE'S A PHONY *
1124
00:39:42,614 --> 00:39:44,015
* A LOT OF BALONEY *
1125
00:39:44,082 --> 00:39:47,018
* BUT WAIT TILL IT
HAPPENS TO YOU *
1126
00:39:47,085 --> 00:39:51,056
* YOU CAN TELL ME I'M A DILLY
WHO'S JUST BEIN' SILLY *
1127
00:39:51,122 --> 00:39:53,725
* BUT WAIT
'TIL IT HAPPENS TO YOU *
1128
00:39:53,792 --> 00:39:57,796
* YOU CAN GIVE ME GOOD ADVICE
ABOUT PAYIN' THE PRICE *
1129
00:39:57,863 --> 00:40:01,399
* AND I'D BETTER FORGET IT,
YOU SAY *
1130
00:40:01,467 --> 00:40:03,168
* YOU'RE TALKING
THROUGH YOUR HAT... *
1131
00:40:10,609 --> 00:40:12,711
THAT'S WHAT I LIKE,
CONVERSATION WITH MY MEALS.
1132
00:40:12,778 --> 00:40:14,846
WHAT'S THE MATTER
WITH YOU GUYS,
YOU GOT LOCKJAW?
1133
00:40:14,913 --> 00:40:16,081
YOU KNOW WHAT I'D
LIKE TO DO TO YOU,
DON'T YOU?
1134
00:40:16,147 --> 00:40:17,449
OH, YEAH, I KNOW.
1135
00:40:17,516 --> 00:40:19,017
PETE THE STRONGMAN,
ALWAYS WITH THE MUSCLES.
1136
00:40:19,084 --> 00:40:20,486
I AIN'T TELLING YOU
ANYTHING WITH MUSCLES.
1137
00:40:20,552 --> 00:40:21,587
I'M TELLING YOU, LEO,
YOU'RE NO GOOD.
1138
00:40:21,653 --> 00:40:23,021
JUST PLAIN NO GOOD.
1139
00:40:23,088 --> 00:40:24,990
AND WHAT HE SAYS,
I SAY--ONLY
TWICE AS LOUD.
1140
00:40:25,056 --> 00:40:26,958
OH, WHY DON'T YOU
LEAVE HIM ALONE?
1141
00:40:27,025 --> 00:40:28,460
IT'S NONE OF YOUR
BUSINESS, IT'S
BETWEEN ME AND HIM.
1142
00:40:28,527 --> 00:40:29,895
YOU'RE GONNA GO
TO BAT
FOR THAT JERK
1143
00:40:29,961 --> 00:40:31,697
AFTER THE WAY
HE'S BEEN
HORSIN' YOU AROUND?
1144
00:40:31,763 --> 00:40:33,231
NOW LISTEN, YOU LAY OFF.
SHE'S STILL MY WIFE,
NOT YOURS.
1145
00:40:33,298 --> 00:40:35,467
JIGGER, WHY DON'T
YOU SAY SOMETHING?
YOU TELL HIM.
1146
00:40:35,534 --> 00:40:36,902
GEE, LEO--
1147
00:40:36,968 --> 00:40:38,269
WHY COULDN'T
YOU HAVE BEEN
A LEGITIMATE GUY?
1148
00:40:38,336 --> 00:40:39,404
WHERE'RE
YOU GOING,
CHARACTER?
1149
00:40:39,471 --> 00:40:40,506
OH, PLEASE, JIGGER,
LET ME GO.
1150
00:40:40,572 --> 00:40:41,840
I DON'T WANNA
BREAK THIS UP.
1151
00:40:41,907 --> 00:40:43,241
I CAN GET
ANOTHER JOB.
I'LL GET ALONG.
1152
00:40:43,308 --> 00:40:44,743
LISTEN, CHARACTER,
YOU'RE STAYING.
1153
00:40:44,810 --> 00:40:46,512
YOU'RE PART
OF OUR UNIT, AND
I WANT YOU TO STAY.
1154
00:40:46,578 --> 00:40:48,279
WHADDA YOU MEAN,
YOU WANT HER TO STAY?
LET ME TELL YOU SOMETHING.
1155
00:40:48,346 --> 00:40:49,848
WE'RE SICK AND TIRED
OF DOING WHAT YOU
WANT US TO DO,
1156
00:40:49,915 --> 00:40:51,917
ORDERING US AROUND
LIKE A LOT OF SCHOOLGIRLS.
1157
00:40:51,983 --> 00:40:53,852
SURE IT'S OK FOR YOU,
YOU GOT CHORDS IN YOUR HEART
INSTEAD OF FEELINGS.
1158
00:40:53,919 --> 00:40:56,488
OK. ARRANGE MY MUSIC,
BUT DON'T TRY
TO ARRANGE MY LIFE FOR ME.
1159
00:40:56,555 --> 00:40:58,056
SO I HAD A FEW DRINKS
AND A COUPLE OF LAUGHS.
1160
00:40:58,123 --> 00:40:59,124
DID ANYBODY
GET HURT?
1161
00:40:59,190 --> 00:41:00,526
YOU ALL
THROUGH?
1162
00:41:00,592 --> 00:41:01,793
WHAT ARE YOU
TRYING TO ARGUE
WITH HIM FOR?
1163
00:41:01,860 --> 00:41:02,994
THE MUSCLER
WANTS TO GO,
LET HIM GO.
1164
00:41:03,061 --> 00:41:04,262
WE NEVER SHOULD
HAVE TAKEN
HIM ALONG
1165
00:41:04,329 --> 00:41:06,064
IN THE FIRST
PLACE.
1166
00:41:06,131 --> 00:41:07,599
NO, I WON'T LET HIM
GO. I THINK HE'S JUST
SHOOTIN' OFF HIS MOUTH.
1167
00:41:07,666 --> 00:41:08,867
YOU THINK I WANNA SEE
THIS UNIT BUSTED UP,
1168
00:41:08,934 --> 00:41:10,669
AFTER THE WAY
WE'VE BEEN
WORKING--
1169
00:41:10,736 --> 00:41:11,837
DRAGGING OURSELVES
THROUGH A WRINGER
TO PLAY TOGETHER?
1170
00:41:11,903 --> 00:41:13,138
LISTEN, LEO,
YOU WALK
OUT OF HERE,
1171
00:41:13,204 --> 00:41:14,372
AND I'LL BREAK
EVERY BONE
IN YOUR BODY,
1172
00:41:14,439 --> 00:41:15,406
SO HELP ME,
I WILL.
1173
00:41:15,473 --> 00:41:16,542
YEAH? MAYBE
I BETTER--
1174
00:41:16,608 --> 00:41:17,776
LEO! DON'T!
PLEASE, DON'T.
1175
00:41:17,843 --> 00:41:18,610
CHARACTER!
1176
00:41:18,677 --> 00:41:19,678
CHARACTER,
WHAT'S THE MATTER?
1177
00:41:19,745 --> 00:41:21,046
PETE, QUICK,
A GLASS OF WATER.
1178
00:41:21,112 --> 00:41:23,048
WHAT'S THE MATTER, BABY?
SOMEBODY OPEN THAT WINDOW.
1179
00:41:23,114 --> 00:41:24,883
I DIDN'T MEAN IT,
I WOULDN'T HAVE DONE IT,
HONEST I WOULDN'T, BABY.
1180
00:41:24,950 --> 00:41:26,451
YOU KNOW ME,
HALF THE TIME I DON'T
KNOW WHAT I'M SAYING.
1181
00:41:26,518 --> 00:41:27,719
SHE'LL BE ALL RIGHT,
SHE'S JUST A SICK GIRL.
1182
00:41:27,786 --> 00:41:28,920
SICK?
WHAT'S THE MATTER
WITH HER?
1183
00:41:28,987 --> 00:41:30,155
SHE'S GOING
TO HAVE A KID.
1184
00:41:30,221 --> 00:41:31,723
YOU FEEL
BETTER, BABY?
1185
00:41:31,790 --> 00:41:32,924
OH, GEE, I'M GLAD.
HERE, HAVE ANOTHER
DRINK OF WATER.
1186
00:41:32,991 --> 00:41:34,459
WHAT'RE YOU SAYING?
WHO'S GONNA--
1187
00:41:34,526 --> 00:41:37,162
IS THIS ON THE LEVEL,
CHARACTER?
1188
00:41:37,228 --> 00:41:39,164
YOU DON'T MEAN
YOU'RE GONNA--
1189
00:41:39,230 --> 00:41:40,498
IT AIN'T TRUE--
IT AIN'T.
1190
00:41:40,566 --> 00:41:42,467
YES, LEO.
I WISH IT WASN'T,
BUT IT IS.
1191
00:41:42,534 --> 00:41:44,502
WHADDA YOU MEAN,
YOU WISH IT WASN'T?
1192
00:41:44,570 --> 00:41:46,237
AIN'T I ENTITLED
TO A KID, TOO?
1193
00:41:46,304 --> 00:41:47,405
WHAT ARE YOU
WORRIED ABOUT?
1194
00:41:47,472 --> 00:41:48,506
THIS IS GREAT,
THIS IS MARVELOUS.
1195
00:41:48,574 --> 00:41:49,641
WE'RE GONNA
HAVE A KID.
1196
00:41:49,708 --> 00:41:50,776
SHUT UP, WHADDA
YOU MEAN, WE?
1197
00:41:50,842 --> 00:41:51,810
OH, WAIT'LL
I CALL UP MY MOMMA
1198
00:41:51,877 --> 00:41:53,211
AND TELL HER
ABOUT THIS.
1199
00:41:53,278 --> 00:41:54,913
SHE'LL TELL YOU
JUST WHAT TO DO,
CHARACTER.
1200
00:41:54,980 --> 00:41:56,281
THIS KID'S GONNA
BE AN EXTRA SPECIAL
KIND OF KID.
1201
00:41:56,347 --> 00:41:57,549
SHE'S GONNA PLAY
ALL INSTRUMENTS.
1202
00:41:57,616 --> 00:41:58,717
BOY, DOES THIS CALL
FOR A CELEBRATION.
1203
00:41:58,784 --> 00:42:00,586
I'M BUYING THE DRINKS.
1204
00:42:00,652 --> 00:42:02,988
YEAH? YOU KNOW,
THE WORLD AS IT IS NOW
CONSTITUTED STINKS.
1205
00:42:03,054 --> 00:42:05,156
ON THE ONE HAND,
YOU HAVE A BUNCH
OF SWELL GUYS LIKE YOU,
1206
00:42:05,223 --> 00:42:06,992
ON THE OTHER HAND,
YOU HAVE A GUY LIKE ME,
1207
00:42:07,058 --> 00:42:08,660
THE LAST OF A LONG
LINE OF HEELS--
1208
00:42:08,727 --> 00:42:10,195
LEO THE RAT, A CROSS
BETWEEN A JERK AND A--
1209
00:42:10,261 --> 00:42:11,262
ALL RIGHT, LEO.
1210
00:42:11,329 --> 00:42:12,497
IT'S OVER NOW.
1211
00:42:12,564 --> 00:42:14,132
NO, NO, WAIT A MINUTE,
BABY, NOT YET.
1212
00:42:14,199 --> 00:42:16,034
YOU KNOW, PETE,
YOU SAID YOU'VE BEEN
SAVING ONE UP FOR ME
1213
00:42:16,101 --> 00:42:17,402
FOR A LONG TIME.
1214
00:42:17,468 --> 00:42:19,204
I THINK YOU'D BETTER
LET ME HAVE IT,
DO ME SOME GOOD.
1215
00:42:19,270 --> 00:42:22,808
YEAH.
I THINK SO, TOO.
1216
00:42:24,910 --> 00:42:26,645
OH, LEO,
ARE YOU HURT?
1217
00:42:26,712 --> 00:42:28,513
NO, BABY, I--
I FEEL BETTER ALREADY.
1218
00:42:28,580 --> 00:42:29,915
MUCH BETTER.
1219
00:42:29,981 --> 00:42:31,349
Sam: HEY,
WHAT'S THE MATTER
WITH YOU GUYS?
1220
00:42:31,416 --> 00:42:32,718
DON'T YOU WORK
HERE ANYMORE?
1221
00:42:32,784 --> 00:42:35,020
OUR POLICY IS
CONTINUOUS ENTERTAINMENT.
1222
00:42:35,086 --> 00:42:36,588
KAY'S BEEN FINISHED
FOR 5 MINUTES.
1223
00:42:36,655 --> 00:42:38,489
WE'RE COMIN',
MASSAH SAM,
WE'RE COMIN'.
1224
00:42:38,556 --> 00:42:39,825
COME ON, KIDS,
LET'S GET GOING.
1225
00:42:40,726 --> 00:42:41,727
YOU HAPPY,
JIGGER?
1226
00:42:41,793 --> 00:42:43,128
WE'RE IN
THE GROOVE AGAIN.
1227
00:42:43,194 --> 00:42:46,231
SURE, CHARACTER,
WE'RE IN THE GROOVE
AGAIN.
1228
00:42:46,297 --> 00:42:47,332
HA HA HA.
1229
00:42:47,398 --> 00:42:49,034
IT'S A SCREAM,
IT'S A SCREAM.
1230
00:42:49,100 --> 00:42:52,237
WE'RE CLOSING
NOW, THAT'LL
BE $2.75.
1231
00:42:52,303 --> 00:42:53,538
OK,
HERE'S MINE.
1232
00:42:53,605 --> 00:42:55,240
KEEP THE CHANGE, JOE.
1233
00:42:55,306 --> 00:42:56,708
KEEP THE CHANGE,
SHE SAYS...
1234
00:42:56,775 --> 00:42:58,543
SHE KILLS ME...
1235
00:42:58,610 --> 00:43:00,545
COME ON, NOW.
THE MAN SAYS
HE'S CLOSING UP.
1236
00:43:00,612 --> 00:43:01,980
GOOD NIGHT,
HANDSOME!
1237
00:43:02,047 --> 00:43:04,249
GOOD NIGHT,
HON.
SHE MEANS ME.
1238
00:43:04,315 --> 00:43:05,450
HA HA HA.
1239
00:43:05,516 --> 00:43:06,517
GOOD NIGHT,
BEAUTIFUL.
1240
00:43:06,584 --> 00:43:07,619
COME ON.
1241
00:43:07,686 --> 00:43:10,355
[SINGING]
1242
00:43:10,421 --> 00:43:11,556
HA HA HA.
1243
00:43:11,623 --> 00:43:13,058
[KA-CHING]
1244
00:43:13,124 --> 00:43:15,260
GAME STILL GOING
UPSTAIRS, SAM?
1245
00:43:15,326 --> 00:43:16,561
IT'S JUST ABOUT
BREAKIN' UP.
1246
00:43:16,628 --> 00:43:18,263
IS DEL UP THERE YET?
1247
00:43:18,329 --> 00:43:19,497
YEAH.
1248
00:43:19,564 --> 00:43:21,266
DID HE SAY ANYTHING
TO YOU ABOUT ME?
1249
00:43:21,332 --> 00:43:23,268
NO. WHY?
1250
00:43:23,334 --> 00:43:24,670
JUST ASKED.
1251
00:43:24,736 --> 00:43:26,571
WE'RE DOING ALL RIGHT
TONIGHT, AIN'T WE, SAM?
1252
00:43:26,638 --> 00:43:28,039
YOU MEAN, DEL
DID ALL RIGHT.
1253
00:43:28,106 --> 00:43:29,107
TOO BAD.
1254
00:43:29,174 --> 00:43:30,175
WHAT'S TOO BAD?
1255
00:43:30,241 --> 00:43:32,277
WE COULD
RUN THIS PLACE
WITHOUT DEL.
1256
00:43:32,343 --> 00:43:33,578
WHAT'RE YOU
TALKING ABOUT?
1257
00:43:33,645 --> 00:43:35,280
YOU COUNT THIS KIND
OF MONEY OUT,
1258
00:43:35,346 --> 00:43:36,414
AND YOU SAY
TO YOURSELF,
1259
00:43:36,481 --> 00:43:37,582
"IT COULD BE MINE--"
AND YOURS.
1260
00:43:37,649 --> 00:43:38,817
IT'S SO EASY, TOO.
1261
00:43:38,884 --> 00:43:41,119
A TELEPHONE
CALL.
YOU'RE CRAZY.
1262
00:43:41,186 --> 00:43:42,587
YOU JUST SAY,
1263
00:43:42,654 --> 00:43:44,089
"THIS DEL DAVIS,
HE'S WANTED
IN 'FRISCO."
1264
00:43:44,155 --> 00:43:46,291
THEY COME UP
IN A CAR
IN 5 MINUTES.
1265
00:43:46,357 --> 00:43:47,358
THEY TAKE HIM AWAY.
1266
00:43:47,425 --> 00:43:49,260
IT COULD HAPPEN
LIKE THIS.
1267
00:43:49,327 --> 00:43:50,328
A TELEPHONE CALL.
1268
00:43:50,395 --> 00:43:51,496
SHUT UP.
1269
00:43:51,562 --> 00:43:52,831
REHEARSAL TOMORROW
AT 11:00, BOYS.
1270
00:43:52,898 --> 00:43:55,100
CAN'T WE HAVE
TOMORROW OFF?
I'M TIRED.
1271
00:43:55,166 --> 00:43:57,302
GEE, I THOUGHT
THE BAR WAS CLOSED.
1272
00:43:57,368 --> 00:44:00,939
MY NAME IS KAY,
REMEMBER?
1273
00:44:01,006 --> 00:44:03,608
LOOKS LIKE EVERYTHING'S
ALL STRAIGHTENED OUT,
HMM?
1274
00:44:03,675 --> 00:44:05,443
GOOD NIGHT, KAY.
JIGGER.
1275
00:44:05,510 --> 00:44:07,412
YEAH.
1276
00:44:07,478 --> 00:44:08,546
WHERE'S THAT SMILE
YOU PROMISED ME?
1277
00:44:08,613 --> 00:44:09,815
WE'RE STILL FRIENDS,
AIN'T WE?
1278
00:44:09,881 --> 00:44:11,249
LOOK, KAY,
THE BOYS ARE
WAITIN' FOR ME.
1279
00:44:11,316 --> 00:44:12,684
A COUPLE OF HOURS
MAKES A DIFFERENCE,
DON'T IT?
1280
00:44:12,751 --> 00:44:14,319
I AIN'T CHANGED,
AM I?
1281
00:44:14,385 --> 00:44:15,787
I STILL LOOK
THE SAME.
1282
00:44:15,854 --> 00:44:17,622
COME ON, JIGGER,
LET'S HAVE A DRINK.
1283
00:44:17,689 --> 00:44:18,690
JUST A LITTLE ONE.
1284
00:44:18,757 --> 00:44:19,758
Man:
LEAVE ME ALONE!
1285
00:44:19,825 --> 00:44:21,659
Del:
BRAD, COME BACK HERE!
1286
00:44:21,727 --> 00:44:23,128
NO! NO,
I WON'T COME BACK.
1287
00:44:23,194 --> 00:44:25,530
HOLD HIM THERE!
DON'T LET HIM
GET AWAY!
1288
00:44:25,596 --> 00:44:27,098
[WHIMPERING]
1289
00:44:30,135 --> 00:44:31,369
DON'T LET HIM
HIT ME AGAIN.
1290
00:44:31,436 --> 00:44:32,637
I DIDN'T THINK
I'D LOSE, KAY.
1291
00:44:32,704 --> 00:44:34,039
DON'T LET HIM
HIT ME AGAIN,
PLEASE, KAY.
1292
00:44:34,105 --> 00:44:35,273
TELL HIM, TELL HIM!
TELL HIM I WON'T
DO IT AGAIN.
1293
00:44:35,340 --> 00:44:36,307
TELL HIM YOURSELF.
1294
00:44:36,374 --> 00:44:37,342
KAY, PLEASE,
PLEASE--DEL.
1295
00:44:37,408 --> 00:44:38,744
DEL, DON'T, PLEASE.
1296
00:44:38,810 --> 00:44:40,812
I TOLD YOU, TIME
AND TIME AGAIN,
1297
00:44:40,879 --> 00:44:41,947
TO KEEP AWAY FROM
THAT CRAP TABLE.
1298
00:44:42,013 --> 00:44:43,281
DEL, I DIDN'T
THINK I'D LOSE.
1299
00:44:43,348 --> 00:44:44,682
I HAD TO PAY OFF
FOR YOU--
60 SMACKERS,
1300
00:44:44,750 --> 00:44:45,984
YOU DIRTY LITTLE--
1301
00:44:46,051 --> 00:44:47,385
DEL, I PROMISE
IT WON'T HAPPEN AGAIN.
1302
00:44:47,452 --> 00:44:49,020
LISTEN, DEL,
DON'T TAKE IT OUT
ON THE POOR GUY.
1303
00:44:49,087 --> 00:44:50,255
HE DON'T KNOW
WHAT HE'S DOING
MOST OF THE TIME.
1304
00:44:50,321 --> 00:44:51,289
LEAVE HIM ALONE.
1305
00:44:51,356 --> 00:44:52,323
GET OUT
OF THE WAY.
1306
00:44:52,390 --> 00:44:53,959
I SAID LEAVE
HIM ALONE!
LISTEN!
1307
00:44:55,193 --> 00:44:56,561
IT'S A LUCKY THING
FOR YOU, JIGGER,
I LIKE YOU.
1308
00:44:56,627 --> 00:44:57,595
DON'T LET HIM
HIT ME AGAIN,
JIGGER.
1309
00:44:57,662 --> 00:44:58,663
HE WON'T
HIT YOU AGAIN.
1310
00:44:58,730 --> 00:44:59,998
ALL RIGHT, THIS ONCE,
1311
00:45:00,065 --> 00:45:01,366
NOW GO ON,
GET OUT OF HERE.
1312
00:45:01,432 --> 00:45:02,433
GET OUT OF HERE!
1313
00:45:02,500 --> 00:45:04,369
YOU--!
1314
00:45:04,435 --> 00:45:05,703
HEY, YOU.
1315
00:45:05,771 --> 00:45:07,372
THAT JERK
BELONGS TO YOU.
1316
00:45:07,438 --> 00:45:09,174
KEEP HIM
OUT OF MY WAY.
1317
00:45:09,240 --> 00:45:10,708
NOW, LISTEN, JIGGER,
YOU'RE MY FRIEND.
1318
00:45:10,776 --> 00:45:11,843
THAT'S WHY
I TELL YOU THIS,
1319
00:45:11,910 --> 00:45:12,878
DON'T MAKE
SUCH MISTAKES AGAIN.
1320
00:45:12,944 --> 00:45:13,912
JUST STICK
TO YOUR MUSIC,
1321
00:45:13,979 --> 00:45:15,346
KEEP OUT
OF MY BUSINESS.
1322
00:45:15,413 --> 00:45:17,015
WHAT'S THE MATTER,
BOYS, YOU'RE
GOING ALREADY?
1323
00:45:17,082 --> 00:45:18,683
IT WAS A LITTLE ROUGH
UP THERE TONIGHT.
1324
00:45:18,750 --> 00:45:20,018
GETTIN' LATE,
DEL.
1325
00:45:20,085 --> 00:45:21,820
CAN'T BE LUCKY
ALL THE TIME, YOU KNOW.
1326
00:45:21,887 --> 00:45:23,054
IT'S THE WAY
I MAKE MY LIVING.
1327
00:45:23,121 --> 00:45:24,389
SO LONG.
1328
00:45:24,455 --> 00:45:25,690
HERE'S TO YOU,
JIGGER.
1329
00:45:25,757 --> 00:45:27,692
YOU DID ALL RIGHT.
1330
00:45:27,759 --> 00:45:29,861
HEY, JIGGER.
1331
00:45:29,928 --> 00:45:31,729
JIGGER,
WHERE'RE YOU GOING?
1332
00:45:31,797 --> 00:45:35,366
HOW ABOUT THAT DRINK?
JIGGER!
1333
00:45:37,268 --> 00:45:39,204
JIGGER.
YOU WEREN'T
A-SCARED OF HIM.
1334
00:45:39,270 --> 00:45:42,774
WHAT ARE YOU
SCARED OF ME FOR?
1335
00:45:42,841 --> 00:45:45,243
JIGGER...
1336
00:45:45,310 --> 00:45:46,344
JIGGER!
1337
00:45:48,914 --> 00:45:51,049
WHAT ARE YOU GUYS
SO NERVOUS ABOUT?
1338
00:45:51,116 --> 00:45:52,717
MY MOM HAD 5,
AND SHE TOLD ME
1339
00:45:52,784 --> 00:45:55,720
THAT EVERY ONE WAS
A CINCH--EXCEPT ME.
1340
00:45:55,787 --> 00:45:58,023
YOU CAN
COME IN NOW.
1341
00:46:00,125 --> 00:46:01,592
WELL,
WHERE IS SHE?
1342
00:46:01,659 --> 00:46:02,727
OH, SHE'LL
BE RIGHT OUT.
1343
00:46:02,794 --> 00:46:04,029
HERE SHE COMES.
1344
00:46:04,095 --> 00:46:05,730
BABY,
HOW DO YOU FEEL?
1345
00:46:05,797 --> 00:46:07,298
GOSH, I'VE BEEN
SO WORRIED ABOUT YOU.
1346
00:46:07,365 --> 00:46:08,900
SIT DOWN, CHARACTER,
YOU BETTER STAY OFF YOUR FEET.
1347
00:46:08,967 --> 00:46:09,968
YOU GOTTA
WATCH YOUR DIET,
CHARACTER.
1348
00:46:10,035 --> 00:46:11,436
GET PLENTY
OF REST, BABY--
1349
00:46:11,502 --> 00:46:13,238
AND STAIRS--HOW
ABOUT GOING UP
AND DOWN STAIRS?
1350
00:46:13,304 --> 00:46:14,739
WHICH ONE OF YOU
IS THE HUSBAND?
1351
00:46:14,806 --> 00:46:16,741
OH, DOC, HOW IS SHE?
HOW ARE YOU?
1352
00:46:16,808 --> 00:46:18,243
I'VE HEARD
OF QUINTUPLETS--
1353
00:46:18,309 --> 00:46:20,545
DOC, THIS IS
THE FATHER,
RIGHT HERE...
1354
00:46:20,611 --> 00:46:23,448
NOW, DOC, YOU GOTTA
TELL ME, NO MATTER
IF IT'S THE WORST.
1355
00:46:23,514 --> 00:46:24,916
SHE'S GOING
TO HAVE A BABY.
1356
00:46:24,983 --> 00:46:26,051
OH, YEAH,
THAT I KNOW.
1357
00:46:26,117 --> 00:46:27,785
SHE MUST TAKE
CARE OF HERSELF.
1358
00:46:27,853 --> 00:46:29,220
THE NURSE
OUTSIDE'LL
1359
00:46:29,287 --> 00:46:30,488
GIVE YOU A LIST
OF THINGS THAT
SHE HAS TO DO,
1360
00:46:30,555 --> 00:46:31,756
AND, WHEN
THE TIME COMES,
1361
00:46:31,823 --> 00:46:33,458
THE BABY'LL
BE BORN.
1362
00:46:33,524 --> 00:46:34,492
THAT'S
ABOUT ALL.
1363
00:46:34,559 --> 00:46:35,593
OH, UH,
ONE MORE THING.
1364
00:46:35,660 --> 00:46:38,463
I WANT HER
TO STOP WORKING.
1365
00:46:38,529 --> 00:46:39,931
STOP WORKING?
1366
00:46:39,998 --> 00:46:42,733
OH, NOT RIGHT NOW.
IN ABOUT
A MONTH OR SO.
1367
00:46:42,800 --> 00:46:44,769
BUT, DOCTOR,
SINGING ISN'T WORKING.
1368
00:46:44,836 --> 00:46:45,871
I'M AFRAID IT IS.
1369
00:46:45,937 --> 00:46:46,905
THERE'S A GREAT DEAL
OF STRAIN.
1370
00:46:46,972 --> 00:46:47,939
YOU HAVE TO KEEP
LATE HOURS.
1371
00:46:48,006 --> 00:46:49,374
BUT, LISTEN--
1372
00:46:49,440 --> 00:46:51,642
THAT'S JUST LIKE
ASKING ME TO STOP
BREATHING.
1373
00:46:51,709 --> 00:46:52,810
OH, YOU DON'T
KNOW, DOC.
1374
00:46:52,878 --> 00:46:55,280
JIGGER, YOU
EXPLAIN IT TO HIM.
1375
00:46:55,346 --> 00:46:57,916
TELL HIM
WHAT IT MEANS
FOR ME TO SING.
1376
00:46:57,983 --> 00:46:59,150
TELL HIM THE WAY
WE WORK TOGETHER,
1377
00:46:59,217 --> 00:47:00,485
THAT YOU CAN'T
DO WITHOUT ME.
1378
00:47:00,551 --> 00:47:02,820
WELL, THE FACT
IS WE CAN'T,
CHARACTER...
1379
00:47:02,888 --> 00:47:04,655
I GUESS
WE'VE GOT TO.
1380
00:47:04,722 --> 00:47:05,891
TO TRAIN A GIRL
IN 4 WEEKS,
1381
00:47:05,957 --> 00:47:07,058
THAT'S A JOB,
FOR OUR KIND OF MUSIC.
1382
00:47:07,125 --> 00:47:08,593
YOU JUST CAN'T
STEP IN AND SING.
1383
00:47:08,659 --> 00:47:10,361
THERE'S A GIRL
I HEARD UP IN HARLEM
THE OTHER NIGHT,
1384
00:47:10,428 --> 00:47:11,829
SHE'S GOT THE SAME
KIND OF BEAT THAT
CHARACTER'S GOT.
1385
00:47:11,897 --> 00:47:13,498
NOBODY'S GOT
WHAT CHARACTER'S GOT.
1386
00:47:13,564 --> 00:47:14,665
YEAH, COME
TO THINK OF IT,
1387
00:47:14,732 --> 00:47:15,833
SHE'S NOT AS GOOD
AS CHARACTER.
1388
00:47:15,901 --> 00:47:16,868
WELL, I'LL GO
TO ANOTHER DOCTOR.
1389
00:47:16,935 --> 00:47:18,303
YOU'LL DO
WHAT HE SAYS.
1390
00:47:18,369 --> 00:47:19,570
HEY, MAYBE WE COULD
DO WITHOUT A SINGER,
1391
00:47:19,637 --> 00:47:20,705
TILL WE GET THIS BABY.
1392
00:47:20,771 --> 00:47:21,772
WE CAN'T DO
WITHOUT A SINGER.
1393
00:47:21,839 --> 00:47:23,474
THEY'LL MISS IT,
YOU DOPE.
1394
00:47:23,541 --> 00:47:24,976
WE WON'T HAVE TO DO
WITHOUT A SINGER.
I'VE MADE UP MY MIND.
1395
00:47:25,043 --> 00:47:26,511
THE DOCTOR'S WRONG,
AND I'M GONNA WORK--
1396
00:47:26,577 --> 00:47:28,146
NO!
POSITIVELY, NO.
1397
00:47:28,213 --> 00:47:29,814
WAIT A MINUTE,
UNTIL WE FIND OUT
WHAT JIGGER'S GOTTA SAY.
1398
00:47:29,881 --> 00:47:31,149
JIGGER, YOU HAVEN'T
SAID ANYTHING SO FAR.
1399
00:47:31,216 --> 00:47:32,817
WHADDA YA THINK?
HUH?
1400
00:47:32,884 --> 00:47:34,152
WE'RE TALKING
ABOUT CHARACTER,
1401
00:47:34,219 --> 00:47:35,820
GETTING
ANOTHER SINGER,
WHADDA YA SAY?
1402
00:47:35,887 --> 00:47:38,423
OH, I...
WELL, LOOK, FELLOWS,
I GOT AN IDEA.
1403
00:47:38,489 --> 00:47:39,790
IDEA, HUH?
1404
00:47:39,857 --> 00:47:41,692
YEAH. MAYBE
IT'LL WORK OUT.
WHAT IS IT?
1405
00:47:41,759 --> 00:47:42,961
WELL, I DON'T WANT YOU
TO JUMP DOWN MY THROAT
WHEN I POP THIS.
1406
00:47:43,028 --> 00:47:44,262
I WANT YOU
TO LISTEN TO ME.
1407
00:47:44,329 --> 00:47:46,197
COME ON, COME ON,
GIVE OUT, WHAT IS IT?
1408
00:47:46,264 --> 00:47:47,065
YEAH, WHAT?
1409
00:47:47,132 --> 00:47:48,299
WELL,
IT'S LIKE THIS.
1410
00:47:48,366 --> 00:47:49,834
I'VE BEEN THINKING
A LOT ABOUT THIS,
1411
00:47:49,901 --> 00:47:50,868
AND I WANT YOU GUYS
TO THINK ABOUT IT, TOO.
1412
00:47:50,936 --> 00:47:51,903
COME ON,
BUDDHA, SPEAK.
1413
00:47:51,970 --> 00:47:53,471
WELL, HOW ABOUT--
1414
00:47:53,538 --> 00:47:56,041
HOW ABOUT PUTTING
KAY IN THE BAND?
1415
00:47:56,942 --> 00:47:58,977
ARE YOU KIDDING?
1416
00:47:59,044 --> 00:48:01,346
ALL RIGHT, ALL RIGHT,
I KNOW SHE AIN'T PERFECT,
BUT I CAN WORK WITH HER.
1417
00:48:01,412 --> 00:48:03,648
AFTER ALL,
WE GOT 4 WEEKS,
CHARACTER'LL HELP.
1418
00:48:03,714 --> 00:48:06,351
WELL, THAT DOESN'T SEEM
LIKE SUCH A CRAZY IDEA.
1419
00:48:06,417 --> 00:48:07,752
WHY NOT?
I'LL GO OVER
THE ARRANGEMENTS WITH HER.
1420
00:48:07,818 --> 00:48:08,819
I'M WILLING
TO HELP.
1421
00:48:08,886 --> 00:48:09,854
WELL, I THINK
SHE'S GOT TALENT.
1422
00:48:09,921 --> 00:48:10,888
WHAT DO YOU SAY?
1423
00:48:10,956 --> 00:48:12,890
I SAY
SHE STINKS.
1424
00:48:12,958 --> 00:48:14,492
JIGGER,
YOU CAN'T
MEAN THIS.
1425
00:48:14,559 --> 00:48:15,860
YEAH, JIGGER,
WHAT'S THE MATTER?
WHAT HAPPENED TO YOU?
1426
00:48:15,927 --> 00:48:17,028
TO LOSE YOUR FEELING
FOR MUSIC,
1427
00:48:17,095 --> 00:48:18,329
TO MAKE YOURSELF
BELIEVE, JIGGER,
1428
00:48:18,396 --> 00:48:19,564
THAT SHE'S GOT EVEN
ONE DROP OF TALENT--
1429
00:48:19,630 --> 00:48:20,598
I'LL MAKE HER
HAVE TALENT,
1430
00:48:20,665 --> 00:48:21,699
I'LL WORK WITH HER.
1431
00:48:21,766 --> 00:48:23,034
SHE'S GONNA SPOIL
EVERYTHING,
1432
00:48:23,101 --> 00:48:24,102
EVERYTHING WE'VE
WORKED FOR--
LIVED FOR.
1433
00:48:24,169 --> 00:48:25,303
SHE WON'T
SPOIL ANYTHING.
1434
00:48:25,370 --> 00:48:26,537
WHY DON'T
YOU GUYS
GIVE ME TIME
1435
00:48:26,604 --> 00:48:27,638
TO WORK IT OUT
WITH HER?
1436
00:48:27,705 --> 00:48:28,773
I KNOW SHE'LL
COME THROUGH.
1437
00:48:28,839 --> 00:48:30,241
OK, JIGGER.
THIS IS YOUR IDEA.
1438
00:48:30,308 --> 00:48:31,376
YES, THIS IS
MY IDEA--ALL RIGHT,
I'LL SHOW YOU.
1439
00:48:31,442 --> 00:48:33,078
WHEN I GET THROUGH
WORKING WITH HER,
1440
00:48:33,144 --> 00:48:34,745
SHE'LL SING GOOD ENOUGH
FOR YOU GUYS
OR ANYBODY ELSE.
1441
00:48:34,812 --> 00:48:37,115
I'LL SHOW YOU
HOW WRONG YOU ARE,
AND HOW RIGHT I AM.
1442
00:48:38,016 --> 00:48:40,986
* SOMEWHERE, SOME DAY--*
1443
00:48:41,052 --> 00:48:43,688
NO, NO, NO.
CAN'T YOU HEAR
THAT NOTE?
1444
00:48:43,754 --> 00:48:48,426
* WE'LL BE CLOSE TOGETHER
WAIT AND SEE *
1445
00:48:48,493 --> 00:48:50,361
OH, COME ON, KAY,
TAKE IT AGAIN,
YOU STARTED LATE.
1446
00:48:50,428 --> 00:48:53,398
* SOMEWHERE,
SOME DAY *
1447
00:48:53,464 --> 00:48:56,767
* WE'LL BE CLOSE TOGETHER
WAIT AND SEE *
1448
00:48:56,834 --> 00:48:59,370
* OH, BY THE WAY *
1449
00:49:02,007 --> 00:49:04,909
Jigger: COME ON, KAY,
YOU AIN'T TOO TIRED.
1450
00:49:04,976 --> 00:49:06,611
* THIS TIME
THE DREAM'S ON ME *
1451
00:49:06,677 --> 00:49:08,146
NO, NO. HIT IT.
1452
00:49:08,213 --> 00:49:12,250
* TAKE MY HAND
AND YOU LOOK AT ME
ADORINGLY *
1453
00:49:12,317 --> 00:49:13,351
COME ON, RIDE IT,
KAY, RIDE IT.
1454
00:49:13,418 --> 00:49:15,120
* BUT AS THINGS
STAND *
1455
00:49:15,186 --> 00:49:17,922
* THIS TIME
THE DREAM'S ON ME *
1456
00:49:17,989 --> 00:49:19,057
YOU CAN GET IT,
LISTEN, KID...
1457
00:49:19,124 --> 00:49:20,625
I WON'T.
YOU WILL.
I CAN'T.
1458
00:49:20,691 --> 00:49:21,859
SING IT.
1459
00:49:21,926 --> 00:49:25,230
I CAN'T, I CAN'T,
I CAN'T--
1460
00:49:30,368 --> 00:49:32,637
[SCREAMING]
1461
00:49:32,703 --> 00:49:33,938
STOP IT,
STOP IT, STOP IT!
1462
00:49:34,005 --> 00:49:35,140
YOU CRAZY?
1463
00:49:35,206 --> 00:49:36,574
YEAH, FOR EVER
HAVING STARTED THIS.
1464
00:49:36,641 --> 00:49:38,443
I AM THROUGH.
ONCE AND FOR ALL,
I'M THROUGH!
1465
00:49:38,509 --> 00:49:40,278
NOW, KAY, YOU'RE
TIRED, WE WENT
TOO HARD TONIGHT.
1466
00:49:40,345 --> 00:49:41,612
WE'LL START AGAIN
IN THE MORNING.
1467
00:49:41,679 --> 00:49:42,947
YOU'LL START
IN THE MORNING
WITHOUT ME!
1468
00:49:43,014 --> 00:49:44,515
LISTEN, KAY,
A FEW MORE WEEKS--
1469
00:49:44,582 --> 00:49:46,017
A FEW MORE WEEKS--
A FEW MORE HOURS,
A FEW MORE DAYS,
1470
00:49:46,084 --> 00:49:47,085
I DON'T CARE
IF I NEVER SING
ANOTHER NOTE
1471
00:49:47,152 --> 00:49:48,319
OF THIS SONG
OF YOURS!
1472
00:49:48,386 --> 00:49:49,654
I KNOW WHAT I WANT
AND THIS AIN'T IT.
1473
00:49:49,720 --> 00:49:50,921
NOW LISTEN, KAY,
1474
00:49:50,988 --> 00:49:52,257
YOU KNOW
WHY I DID THIS,
DON'T YOU?
1475
00:49:52,323 --> 00:49:53,691
YEAH,
TO SHOW OFF IN FRONT
OF THE OTHER GUYS.
1476
00:49:53,758 --> 00:49:55,226
A MAGICIAN, WHO CAN
MAKE SOMETHING
OUT OF NOTHING.
1477
00:49:55,293 --> 00:49:56,461
LISTEN, I DID IT
FOR YOU, BECAUSE
I LOVE YOU.
1478
00:49:56,527 --> 00:49:57,828
YOU LOVE ME--
1479
00:49:57,895 --> 00:49:59,264
THERE'S A LOT OF OTHER
WAYS YOU CAN SHOW ME
HOW YOU LOVE ME.
1480
00:49:59,330 --> 00:50:00,598
KAY...
1481
00:50:00,665 --> 00:50:02,233
LISTEN, KAY.
IF YOU'LL ONLY HAVE
A LITTLE PATIENCE,
1482
00:50:02,300 --> 00:50:03,468
THEY'LL CHANGE
THEIR MINDS,
I KNOW THEY WILL.
1483
00:50:03,534 --> 00:50:04,969
WHADDA YA MEAN,
THEY--WHO ARE THEY?
1484
00:50:05,036 --> 00:50:06,571
THE BOYS. THE BAND.
1485
00:50:06,637 --> 00:50:08,139
THE BAND, I'M SICK
AND TIRED OF HEARING
ABOUT THE BAND.
1486
00:50:08,206 --> 00:50:09,274
CAN'T YOU DO
SOMETHING
1487
00:50:09,340 --> 00:50:10,341
FOR YOURSELF,
ONCE IN A WHILE?
1488
00:50:10,408 --> 00:50:11,742
I TOLD YOU
HOW IT IS WITH US.
1489
00:50:11,809 --> 00:50:12,977
YEAH, YOU TOLD ME
HOW IT IS WITH
YOU AND ME, TOO.
1490
00:50:13,044 --> 00:50:14,179
I DON'T BELIEVE IT.
1491
00:50:14,245 --> 00:50:15,713
I DON'T BELIEVE
ANYTHING YOU SAY.
1492
00:50:15,780 --> 00:50:17,014
IF YOU MEANT IT,
YOU WOULDN'T BE HERE
IN THIS JOINT,
1493
00:50:17,082 --> 00:50:18,149
HOLDING UP
THAT CRUMMY BAND.
1494
00:50:18,216 --> 00:50:19,584
YOU'D GET OUT
AND BE SOMEBODY.
1495
00:50:19,650 --> 00:50:22,487
YOU'D DO SOMETHING
FOR ME INSTEAD
OF FOR THEM.
1496
00:51:15,173 --> 00:51:16,741
HERE,
HAVE A DRINK.
1497
00:51:16,807 --> 00:51:19,043
THANKS.
1498
00:51:19,110 --> 00:51:22,079
WONDER IF YOU'D
DO ME A FAVOR.
SURE.
1499
00:51:22,147 --> 00:51:24,382
WOULD YOU MIND
PLAYING FOR ME?
1500
00:51:24,449 --> 00:51:26,751
FUNNY,
A GUY LIKE ME,
HOW I GO FOR MUSIC.
1501
00:51:26,817 --> 00:51:28,219
AND YET
I CAN'T PLAY WELL.
1502
00:51:28,286 --> 00:51:30,054
BUT THEN, I NEVER
COULD DO ANYTHING
VERY WELL,
1503
00:51:30,121 --> 00:51:32,857
EXCEPT HANG AROUND
AND WAIT.
1504
00:51:35,126 --> 00:51:36,861
[PLAYING PIANO]
1505
00:51:40,131 --> 00:51:41,766
WHEN I SEE YOU
PLAY THAT PIANO,
1506
00:51:41,832 --> 00:51:43,768
I SAY TO MYSELF,
1507
00:51:43,834 --> 00:51:45,403
"GOSH, I WISH
THAT WAS ME."
1508
00:51:45,470 --> 00:51:47,104
YOU'VE GOT
GREAT TALENT.
1509
00:51:47,172 --> 00:51:48,573
SHE'LL RUIN
THAT TALENT.
1510
00:51:48,639 --> 00:51:50,475
WHY DON'T YOU JUST
MIND YOUR OWN BUSINESS?
1511
00:51:50,541 --> 00:51:52,143
I USUALLY DO.
AS A MATTER OF FACT,
1512
00:51:52,210 --> 00:51:54,078
THAT'S ONE
OF THE FEW THINGS
I'M VERY GOOD AT.
1513
00:51:54,145 --> 00:51:55,280
LOOK, BRAD,
DON'T YOU THINK--
1514
00:51:55,346 --> 00:51:57,248
THAT NIGHT WITH DEL.
YOU HELPED ME.
1515
00:51:57,315 --> 00:51:58,783
I'D HAVE DONE
AS MUCH FOR ANYBODY.
1516
00:51:58,849 --> 00:52:00,585
NO, IT WAS
MORE THAN THAT.
1517
00:52:00,651 --> 00:52:03,087
YOU SORT OF
MADE ME FEEL
LIKE I WAS SOMEBODY.
1518
00:52:03,154 --> 00:52:05,923
THAT'S KIND
OF A NEW FEELING
FOR ME.
1519
00:52:05,990 --> 00:52:08,893
COULD YOU...
KEEP PLAYING?
1520
00:52:10,161 --> 00:52:12,197
[PLAYING PIANO]
1521
00:52:13,664 --> 00:52:17,134
FUNNY, A GUY
LIKE ME THAT'S
NOT VERY IMPORTANT.
1522
00:52:17,202 --> 00:52:18,369
I NEVER STARTED
OUT WITH ANYTHING
IN LIFE,
1523
00:52:18,436 --> 00:52:20,805
SO WHAT DID I
HAVE TO LOSE?
1524
00:52:20,871 --> 00:52:22,607
I USED TO HAVE
A RANCH--
1525
00:52:22,673 --> 00:52:24,809
YEAH, MY FATHER
LEFT IT TO ME.
1526
00:52:24,875 --> 00:52:25,943
NEVADA.
1527
00:52:26,010 --> 00:52:27,812
OH, IT WAS
NICE THERE.
1528
00:52:27,878 --> 00:52:29,113
FREE AND EASY LIFE.
1529
00:52:29,180 --> 00:52:31,048
YOU'D HAVE LIKED IT
THERE, JIGGER.
1530
00:52:31,115 --> 00:52:32,617
SPECIALLY AT NIGHT.
1531
00:52:32,683 --> 00:52:34,985
COWBOYS USED
TO MAKE UP SONGS
ABOUT THEMSELVES,
1532
00:52:35,052 --> 00:52:36,587
ABOUT THEIR WORK--
REAL SONGS,
1533
00:52:36,654 --> 00:52:38,723
THE KIND OF SONGS
YOU WOULD HAVE LIKED
TO HAVE PLAYED.
1534
00:52:38,789 --> 00:52:41,125
THAT WAS
THE BEGINNING OF
MY MUSICAL CAREER.
1535
00:52:41,192 --> 00:52:44,128
STRUMMING A GUITAR
AND HOWLIN'
AT THE MOON.
1536
00:52:44,195 --> 00:52:45,930
OH, GOSH,
IT WAS NICE.
1537
00:52:45,996 --> 00:52:50,301
I LOST THE PLACE,
SHORT TIME
AFTER I MET HER.
1538
00:52:50,368 --> 00:52:52,136
SHE WAS PART
OF A TROUPE PLAYING
1539
00:52:52,203 --> 00:52:53,838
IN A ONE-NIGHT-STAND
COMPANY.
1540
00:52:53,904 --> 00:52:55,240
I TOOK HER OUT,
1541
00:52:55,306 --> 00:52:58,008
GUESS AT FIRST
I SORT OF FELT
SORRY FOR HER.
1542
00:52:58,075 --> 00:53:00,645
THAT'S THE WAY
YOU FELT, TOO.
1543
00:53:00,711 --> 00:53:02,647
AND AFTER THAT,
IT GOT TO BE
LIKE A DISEASE.
1544
00:53:02,713 --> 00:53:03,914
LOOK, BRAD,
IT'S GETTIN' LATE.
1545
00:53:03,981 --> 00:53:05,550
THIS FOOT--
1546
00:53:05,616 --> 00:53:08,319
I GOT THROWN OFF
A HORSE IN A RODEO.
I WAS KIND OF DRUNK.
1547
00:53:08,386 --> 00:53:10,020
SHE'S THE KIND
THAT SORT OF
MAKES YOU WANT
1548
00:53:10,087 --> 00:53:11,656
TO SHOW OFF
IN FRONT OF HER.
1549
00:53:11,722 --> 00:53:13,157
WELL, I DIDN'T HAVE
VERY MUCH CHANCE.
1550
00:53:13,224 --> 00:53:14,659
I WAS TOO FULL
OF LIQUOR.
1551
00:53:14,725 --> 00:53:16,861
AND I FELL,
GOT KICKED TWICE,
1552
00:53:16,927 --> 00:53:18,396
ONCE IN THE SPINE.
1553
00:53:18,463 --> 00:53:20,865
I WASN'T MUCH GOOD
FOR ANYTHING
AFTER THAT, EXCEPT--
1554
00:53:20,931 --> 00:53:22,733
HANGING AROUND...
1555
00:53:22,800 --> 00:53:24,469
HER.
1556
00:53:25,736 --> 00:53:27,672
HAVE ANOTHER?
1557
00:53:27,738 --> 00:53:29,173
I GUESS IF IT
WASN'T FOR THIS
HERE FOOT,
1558
00:53:29,240 --> 00:53:31,175
SHE WOULDN'T EVEN
LET ME DO THAT.
1559
00:53:31,242 --> 00:53:33,678
MAYBE SHE WOULD,
AT THAT.
1560
00:53:33,744 --> 00:53:36,681
NO, I HAVEN'T GOT
ANYTHING ANYMORE
SHE WANTS.
1561
00:53:36,747 --> 00:53:39,884
I TELL YOU,
IT GIVES HER SORT OF
A FEELING OF POWER.
1562
00:53:39,950 --> 00:53:41,118
IT GIVES HER
A CHANCE
1563
00:53:41,185 --> 00:53:42,987
TO HAVE SOMEONE
AROUND SHE CAN KICK.
1564
00:53:43,053 --> 00:53:45,189
IF I THOUGHT
SHE WAS REALLY
IN LOVE WITH YOU,
1565
00:53:45,256 --> 00:53:46,457
I WOULDN'T HAVE
SAID A THING.
1566
00:53:46,524 --> 00:53:48,225
BUT SHE'S NOT,
AND I KNOW
SHE'S NOT.
1567
00:53:48,293 --> 00:53:49,894
WHAT HAPPENS
TO YOU IS
1568
00:53:49,960 --> 00:53:51,195
REALLY IMPORTANT
NOW, JIGGER.
1569
00:53:51,262 --> 00:53:52,897
NOW, BEFORE
IT'S TOO LATE.
1570
00:53:52,963 --> 00:53:55,199
GET HER OUT
OF YOUR SYSTEM.
1571
00:53:55,266 --> 00:53:58,235
I DON'T THINK
I CAN, BRAD.
1572
00:53:58,303 --> 00:54:01,205
I JUST DON'T
THINK I CAN.
1573
00:54:01,272 --> 00:54:02,907
Dealer:
8 IS THE POINT.
1574
00:54:02,973 --> 00:54:04,208
[GAMBLERS SHOUTING]
1575
00:54:04,275 --> 00:54:05,910
SHE COMES TO 5!
1576
00:54:05,976 --> 00:54:08,245
[SHOUTING]
1577
00:54:08,313 --> 00:54:10,381
KAY RIDES AGAIN!
HERE WE GO.
1578
00:54:10,448 --> 00:54:12,249
WELL, WELL, WELL.
WHAT'D YOU DO, KAY--
1579
00:54:12,317 --> 00:54:13,551
GIVE UP
YOUR MUSIC LESSONS?
1580
00:54:13,618 --> 00:54:15,553
COME ON, BABY,
ROLL THE DICE,
COME ON.
1581
00:54:15,620 --> 00:54:17,388
DON'T YOU KNOW I GOT
A RULE ANYBODY WORKS
FOR THE HOUSE DON'T PLAY?
1582
00:54:17,455 --> 00:54:19,189
I'M PLAYING
ON MY OWN MONEY.
1583
00:54:19,256 --> 00:54:20,257
THE RULE STILL GOES.
1584
00:54:20,325 --> 00:54:21,626
GIVE HER
A BREAK, DEL.
1585
00:54:21,692 --> 00:54:23,394
I DON'T WANT
ANY BREAK.
HERE'S YOUR DICE.
1586
00:54:23,461 --> 00:54:25,229
TAKE CARE
OF MY CHIPS
FOR ME, CHARLIE.
1587
00:54:25,296 --> 00:54:26,397
YOU KNOW THE RULES
THEY GOT HERE.
1588
00:54:26,464 --> 00:54:27,598
NOW, THE NEXT TIME
THIS HAPPENS,
1589
00:54:27,665 --> 00:54:28,899
YOU CAN FIND YOURSELF
ANOTHER JOB.
1590
00:54:28,966 --> 00:54:29,934
KAY.
1591
00:54:30,000 --> 00:54:30,968
WHADDA YOU WANT?
1592
00:54:31,035 --> 00:54:32,437
GET WISE
TO YOURSELF.
1593
00:54:32,503 --> 00:54:34,038
I TOLD YOU BEFORE,
IT'S EASY--
A TELEPHONE CALL.
1594
00:54:34,104 --> 00:54:36,240
YOU TALK TO HIM,
I'LL GO DOWNSTAIRS
ACROSS THE STREET.
1595
00:54:36,307 --> 00:54:37,942
IT SOUNDS SO EASY.
1596
00:54:38,008 --> 00:54:39,109
I GOTTA GO NOW.
1597
00:54:39,176 --> 00:54:41,546
BETTER MAKE
UP YOUR MIND QUICK.
1598
00:54:45,149 --> 00:54:47,251
BETTER GO DOWN
AND TELL SAM IT'S
TIME TO CLOSE UP.
1599
00:54:47,318 --> 00:54:48,719
OK, DEL.
1600
00:54:51,656 --> 00:54:52,657
DEL?
1601
00:54:52,723 --> 00:54:53,858
HMM?
1602
00:54:53,924 --> 00:54:55,960
WHY SHOULD WE KEEP FIGHTING
EACH OTHER THIS WAY?
1603
00:54:56,026 --> 00:54:56,994
WE AIN'T FIGHTING,
BABY.
1604
00:54:57,061 --> 00:54:58,329
THERE'S NO CONTEST.
1605
00:54:58,396 --> 00:54:59,797
LISTEN, DEL, YOU KNOW
HOW I FEEL ABOUT YOU.
1606
00:54:59,864 --> 00:55:01,432
YOU KNOW THERE
AIN'T NOBODY ELSE,
NEVER WILL BE.
1607
00:55:01,499 --> 00:55:02,533
WHAT ABOUT YOUR
SINGING LESSONS?
1608
00:55:02,600 --> 00:55:03,668
HE DON'T MEAN
NOTHING TO ME.
1609
00:55:03,734 --> 00:55:05,002
I'D THROW HIM OVER
IN A MINUTE.
1610
00:55:05,069 --> 00:55:06,270
YOU WANT ME
TO TELL HIM THAT?
1611
00:55:06,337 --> 00:55:07,805
I DON'T CARE NOTHING
FOR HIM. IT'S YOU.
1612
00:55:07,872 --> 00:55:09,106
OOH, IT'S ME, HUH?
1613
00:55:09,173 --> 00:55:11,609
LISTEN, DEL,
WHY DO YOU THINK
I STAY HERE SO LONG?
1614
00:55:11,676 --> 00:55:13,378
WHY DO YOU THINK I WENT
THROUGH ALL I DID?
1615
00:55:13,444 --> 00:55:15,613
WHY DO YOU THINK
I STARTED WITH THAT
TRUMPET PLAYER WITH JIGGER?
1616
00:55:15,680 --> 00:55:17,515
I'M TELLING YOU, DEL.
YOU GOTTA BELIEVE ME.
1617
00:55:17,582 --> 00:55:18,816
DEL, FOR
THE FIRST TIME--
1618
00:55:18,883 --> 00:55:20,518
WHY DON'T YOU GET WISE
TO YOURSELF, KAY?
1619
00:55:20,585 --> 00:55:21,619
IT AIN'T ME.
I KNOW THAT.
1620
00:55:21,686 --> 00:55:23,220
I KNEW THAT 3 YEARS AGO.
1621
00:55:23,287 --> 00:55:25,222
YOU WOULDA WALKED ON ME
LIKE I WANNA WALK
ON THE KID,
1622
00:55:25,289 --> 00:55:26,857
IF THERE'D BEEN ANYBODY
ELSE AROUND THAT LOOKED
ANY BETTER TO YOU.
1623
00:55:26,924 --> 00:55:28,459
I BEAT YOU TO THE PUNCH,
THAT'S ALL.
1624
00:55:28,526 --> 00:55:29,627
YOU'RE JUST LIKE ME,
KAY.
1625
00:55:29,694 --> 00:55:31,228
YOU WANT WHAT
YOU CAN'T HAVE.
1626
00:55:31,295 --> 00:55:32,530
YEAH, YEAH, IT
USED TO BE LIKE THAT,
1627
00:55:32,597 --> 00:55:33,831
BUT IT AIN'T GONNA BE
LIKE THAT NO MORE.
1628
00:55:33,898 --> 00:55:35,900
DEL, IT'S GONNA BE
DIFFERENT. YOU'LL SEE.
1629
00:55:35,966 --> 00:55:37,635
BABY, IF I THOUGHT SO,
YOU WOULDN'T HAVE TO BE
TALKING THIS WAY TO ME.
1630
00:55:37,702 --> 00:55:38,903
YOU MEAN
YOU'D TAKE ME BACK?
1631
00:55:38,969 --> 00:55:40,471
I MIGHT IF I THOUGHT
I COULD TRUST YOU.
1632
00:55:40,538 --> 00:55:41,839
YOU CAN, DEL,
YOU CAN.
1633
00:55:41,906 --> 00:55:43,273
I CAN PROVE IT TO YA.
I CAN PROVE IT TO YA.
1634
00:55:43,340 --> 00:55:44,942
AW, YOU'RE WASTING
YOUR TIME.
1635
00:55:45,009 --> 00:55:46,276
LOOK, DEL, ONLY
A COUPLE OF MINUTES AGO
SAM COMES UP TO ME--
1636
00:55:46,343 --> 00:55:47,311
SAY, DEL,
HOW'S THIS CHECK?
1637
00:55:47,378 --> 00:55:49,313
IT'S OK.
1638
00:55:49,380 --> 00:55:51,048
WHAT WERE YOU
SAYING ABOUT SAM?
1639
00:55:51,115 --> 00:55:52,182
NOTHING. NOTHING.
1640
00:55:52,249 --> 00:55:53,984
GO ON. YOU STARTED.
FINISH.
1641
00:55:54,051 --> 00:55:55,653
ALL RIGHT, MAYBE
THIS'LL PROVE IT TO YOU.
1642
00:55:55,720 --> 00:55:57,488
A COUPLE OF MINUTES AGO
SAM COMES UP TO ME.
1643
00:55:57,555 --> 00:55:59,356
HE WANTED ME TO TURN YOU IN,
TO CALL UP THE COPS.
1644
00:55:59,424 --> 00:56:00,658
JUST A TELEPHONE CALL,
HE SAYS.
1645
00:56:00,725 --> 00:56:02,359
SAM WANTED YOU
TO DO THAT?
1646
00:56:02,427 --> 00:56:03,461
YEAH, IT AIN'T
THE FIRST TIME, EITHER.
1647
00:56:03,528 --> 00:56:04,995
HE'S ASKED ME
LOTS OF TIMES.
1648
00:56:05,062 --> 00:56:06,464
BUT I DIDN'T DO IT.
I ALWAYS TALKED HIM
OUT OF IT.
1649
00:56:06,531 --> 00:56:07,598
I COULDA DONE IT,
BUT I DIDN'T DO IT.
1650
00:56:07,665 --> 00:56:09,434
YOU SEE, YOU
CAN TRUST ME, DEL.
1651
00:56:09,500 --> 00:56:11,502
YOU KNOW WHAT YOU
JUST DID FOR SAM,
DON'T YOU?
1652
00:56:11,569 --> 00:56:13,438
YOU JUST PUT HIS
NUMBER ON THE BOARD.
1653
00:56:13,504 --> 00:56:15,372
LOOK, I--I DIDN'T
MEAN IT LIKE THAT.
1654
00:56:15,440 --> 00:56:16,707
I'M GONNA GIVE YOU
A BIT OF ADVICE, KAY.
1655
00:56:16,774 --> 00:56:18,876
GET OUT OF HERE AND
DON'T EVER COME BACK.
1656
00:56:18,943 --> 00:56:21,612
DO IT FAST, KAY.
DON'T HANG AROUND
TOO LONG.
1657
00:56:35,426 --> 00:56:38,062
WHAT'S THE MATTER, DEL?
SOMETHING WRONG?
1658
00:56:38,128 --> 00:56:39,229
HERE.
1659
00:56:39,296 --> 00:56:40,364
WHAT'S THE NICKEL FOR?
1660
00:56:40,431 --> 00:56:43,534
FOR THE TELEPHONE
CALL.
1661
00:56:43,601 --> 00:56:47,237
YOU KNOW, SAM, YOU
DON'T LOOK SO GOOD.
1662
00:56:47,304 --> 00:56:48,372
YOU OUGHTA
TAKE A TRIP...
1663
00:56:48,439 --> 00:56:50,174
FOR YOUR HEALTH.
1664
00:56:54,311 --> 00:56:55,680
HEY, FELLAS!
1665
00:56:57,381 --> 00:57:00,551
HEY, FELLAS!
WHAT DO YOU KNOW?
1666
00:57:00,618 --> 00:57:02,520
SAM'S GONE! YEAH,
GONE JUST LIKE THAT.
1667
00:57:02,587 --> 00:57:03,821
MIKE THE BARTENDER
JUST TOLD ME.
1668
00:57:03,888 --> 00:57:05,055
HE GOT SICK
IN THE MIDDLE
OF THE NIGHT.
1669
00:57:05,122 --> 00:57:06,757
BAD ATTACK OR SOMETHING.
1670
00:57:06,824 --> 00:57:08,158
THOSE TWO GUYS
WORK FOR DEL HAD
TO TAKE HIM AWAY.
1671
00:57:08,225 --> 00:57:09,594
CAN YOU IMAGINE THAT?
A HEALTHY GUY LIKE SAM?
1672
00:57:09,660 --> 00:57:10,828
DEL SAYS WE MAY NEVER
SEE HIM AGAIN.
1673
00:57:10,895 --> 00:57:12,463
OK, OK, SO WE'LL
NEVER SEE HIM AGAIN.
1674
00:57:12,530 --> 00:57:13,864
WHAT DO YOU MEAN, OK?
1675
00:57:13,931 --> 00:57:17,902
A GUY DISAPPEARS
AND ALL HE SAYS IS OK.
1676
00:57:17,968 --> 00:57:19,737
HEY, PETE,
WHAT'S GOING ON UP HERE?
1677
00:57:19,804 --> 00:57:23,073
NOTHING. EVERYTHING'S
JUST ROSY POSIE.
1678
00:57:23,140 --> 00:57:24,775
JIGGER'S LEAVING,
PEPPI.
1679
00:57:24,842 --> 00:57:26,777
LEAVING?
1680
00:57:26,844 --> 00:57:28,412
WHAT DO YOU MEAN,
LEAVING?
1681
00:57:28,479 --> 00:57:30,948
WHAT'S SHE TALKING
ABOUT, JIGGER?
1682
00:57:31,015 --> 00:57:32,116
OPEN UP, WILL YA?
1683
00:57:32,182 --> 00:57:33,417
THE WORLD AS IT IS
NOW CONSTITUTED--
1684
00:57:33,484 --> 00:57:35,085
YEAH, WE KNOW.
IT STINKS.
1685
00:57:35,152 --> 00:57:37,221
FROM RAGS TO RICHES,
OUR HERO GOES
TO THE BIG CITY
1686
00:57:37,287 --> 00:57:39,456
TO MAKE HIS FORTUNE,
TO LAY AT THE FEET
OF HIS LADY FAIR,
1687
00:57:39,524 --> 00:57:41,025
AND WHAT DO YOU THINK?
1688
00:57:41,091 --> 00:57:42,259
SHE REWARDS HIM
BY KICKING HIM RIGHT
SMACK IN THE TEETH!
1689
00:57:42,326 --> 00:57:43,327
SHUT UP, LEO.
1690
00:57:43,393 --> 00:57:44,562
OH, I GET IT.
1691
00:57:44,629 --> 00:57:45,630
WHEN I WANT TO WALK OUT,
I CAN BE TOLD OFF,
1692
00:57:45,696 --> 00:57:47,331
BUT HIM--HA. THE MAESTRO.
1693
00:57:47,397 --> 00:57:48,499
Peppi:
WHAT ABOUT US?
1694
00:57:48,566 --> 00:57:50,134
WHAT DO YOU MEAN,
WHAT ABOUT US?
1695
00:57:50,200 --> 00:57:51,368
DON'T YOU REMEMBER,
PEPPI?
1696
00:57:51,435 --> 00:57:52,803
THIS AIN'T NO BAND.
THIS IS A UNIT.
1697
00:57:52,870 --> 00:57:55,305
5 BOYS THAT PLAY, LIVE,
EVEN THINK THE SAME WAY.
1698
00:57:55,372 --> 00:57:56,574
YEAH, JIGGER,
THAT'S WHAT YOU SAID.
1699
00:57:56,641 --> 00:57:57,942
ALL RIGHT,
SO HE SAID IT.
1700
00:57:58,008 --> 00:57:59,443
AND WHEN HE SAID IT,
HE MEANT IT.
1701
00:57:59,510 --> 00:58:00,745
GO AHEAD.
TELL HIM, JIGGER.
1702
00:58:00,811 --> 00:58:02,012
TELL HIM ABOUT
THE WONDERFUL JOB YOU GOT,
1703
00:58:02,079 --> 00:58:03,447
ABOUT THE REAL MUSIC
YOU'RE GONNA PLAY.
1704
00:58:03,514 --> 00:58:05,282
MONKEY ON A STICK.
MONKEY ON A STICK.
1705
00:58:05,349 --> 00:58:07,918
30 PIECE ORCHESTRA,
JIGGER IN A WHITE COAT
WITH GOLD BRAIDS.
1706
00:58:07,985 --> 00:58:09,687
MOONLIGHT IN BERMUDA,
MOONLIGHT IN KANSAS CITY,
1707
00:58:09,754 --> 00:58:10,955
MOONLIGHT IN WEEHAWKEN.
1708
00:58:11,021 --> 00:58:12,489
* WHEN I GET MY
SUMMER VACATION *
1709
00:58:12,557 --> 00:58:14,358
* YOU CAN BET
I'M GOING TO BE *
1710
00:58:14,424 --> 00:58:15,693
* FAR AWAY FROM
CIVILIZATION *
1711
00:58:15,760 --> 00:58:17,562
* IN WAIKIKI, WHOO! *
1712
00:58:17,628 --> 00:58:18,629
AND THE LEADER
GOES TAP TAP,
1713
00:58:18,696 --> 00:58:19,830
AND JIGGER GETS UP.
1714
00:58:19,897 --> 00:58:21,098
THEN JIGGER SITS
RIGHT DOWN AGAIN.
1715
00:58:21,165 --> 00:58:22,733
COME ON, SMILE, JIGGER.
PLAY, JIGGER.
1716
00:58:22,800 --> 00:58:25,435
LOUDER, JIGGER.
SOFTER, JIGGER.
1717
00:58:25,502 --> 00:58:27,004
OH, YOU'LL
LOVE IT THERE.
1718
00:58:27,071 --> 00:58:28,505
HEY, JIGGER.
1719
00:58:28,573 --> 00:58:30,741
HE'S WAITING DOWNSTAIRS
IN THE CAR FOR YOU.
1720
00:58:40,618 --> 00:58:41,986
ARE YOU COMING,
JIGGER?
1721
00:58:53,030 --> 00:58:55,299
WELL, GOOD-BYE, FELLAS.
I GUESS I'LL BE SEEING YOU.
1722
00:58:55,365 --> 00:58:56,366
JIGGER!
1723
00:58:56,433 --> 00:58:57,868
YEAH, PEPPI?
1724
00:59:00,605 --> 00:59:01,772
NOTHING.
1725
00:59:14,551 --> 00:59:16,386
YOU LUGS!
1726
00:59:16,453 --> 00:59:17,688
YOU THICK-HEADED LUGS!
1727
00:59:17,755 --> 00:59:19,189
DO YOU THINK HE WANTED
TO WALK OUT ON US?
1728
00:59:19,256 --> 00:59:21,158
DON'T YOU THINK HE WAS
RIPPED UP ENOUGH INSIDE
1729
00:59:21,225 --> 00:59:23,027
WITHOUT YOU
TURNING THE KNIFE?
1730
00:59:23,093 --> 00:59:25,029
CAN'T YOU UNDERSTAND
THAT YOU CAN BE
IN LOVE WITH SOMEONE,
1731
00:59:25,095 --> 00:59:26,563
KNOW THAT IT'S WRONG,
THAT IT'S POISON,
1732
00:59:26,631 --> 00:59:28,198
AND NOT BE ABLE TO DO
ANYTHING ABOUT IT?
1733
00:59:28,265 --> 00:59:31,501
OR HAVE YOU BLOWN OUT YOUR
BRAINS COMPLETELY BY NOW?
1734
00:59:31,568 --> 00:59:32,569
CHARACTER...
1735
00:59:32,637 --> 00:59:34,404
OH, LEAVE ME ALONE.
1736
00:59:34,471 --> 00:59:36,340
[CRYING]
1737
00:59:40,778 --> 00:59:42,046
GOOD EVENING,
LADIES AND GENTLEMEN,
1738
00:59:42,112 --> 00:59:43,814
THIS IS GUY HEISER
GREETING YOU
1739
00:59:43,881 --> 00:59:46,083
FROM THE BANDSTAND
OF THE BEAUTIFUL
PALOMINE BALLROOM.
1740
00:59:46,150 --> 00:59:48,719
FOR OUR FIRST NUMBER,
WE PRESENT THAT
SENSATIONAL NOVELTY TUNE
1741
00:59:48,786 --> 00:59:50,287
THAT'S BEEN SWEEPING
THE COUNTRY,
1742
00:59:50,354 --> 00:59:51,856
SAYS YOU, SAYS I,
1743
00:59:51,922 --> 00:59:54,391
STARRING THE MUSICAL NIGHTS,
THE FIVE HEISER HIGHLIGHTS,
1744
00:59:54,458 --> 00:59:58,395
THE FOUR TURBULENT TROMBONES,
VOCALS BY BABY BETH BARTON,
1745
00:59:58,462 --> 01:00:00,564
AND OF COURSE,
JIGGER PINE,
1746
01:00:00,631 --> 01:00:02,633
DISCOVERY OF THE YEAR,
AT THE PIANO.
1747
01:00:02,700 --> 01:00:04,869
[MUSIC STARTS]
1748
01:00:17,347 --> 01:00:18,916
HOW'S ABOUT
A LITTLE DANCE,
BEAUTIFUL?
1749
01:00:18,983 --> 01:00:20,617
LATER.
I'M THIRSTY NOW.
1750
01:00:20,685 --> 01:00:22,186
WHAT'S THE MATTER,
BABY?
1751
01:00:22,252 --> 01:00:23,587
YOU WORRIED ABOUT
YOUR BOYFRIEND,
THE PIANO PLAYER?
1752
01:00:23,654 --> 01:00:24,922
IS HE JEALOUS?
1753
01:00:24,989 --> 01:00:26,757
I'M NOT WORRIED ABOUT
ANYTHING OR ANYBODY.
1754
01:00:26,824 --> 01:00:28,258
I'LL DO WHAT I LIKE
AND DANCE WHEN I LIKE.
1755
01:00:28,325 --> 01:00:30,460
ALL RIGHT, ALL RIGHT,
BABE. DON'T GET EXCITED.
1756
01:00:30,527 --> 01:00:31,929
JUST SAY THE WORD.
1757
01:00:31,996 --> 01:00:33,463
THAT'S ALL YOU
GOTTA DO, BABY,
IS SAY THE WORD.
1758
01:00:33,530 --> 01:00:34,631
WHERE DO WE GO
FROM HERE?
1759
01:00:34,699 --> 01:00:36,333
SHE'S NOT HAVING
ANY FUN HERE.
1760
01:00:38,836 --> 01:00:39,937
COME ON,
LET'S GO.
1761
01:00:40,004 --> 01:00:41,706
YOU GO AHEAD, LEO.
I CAN'T.
1762
01:00:41,772 --> 01:00:42,773
I'LL WAIT HERE
FOR YOU.
1763
01:00:42,840 --> 01:00:43,808
BUT, CHARACTER--
1764
01:00:43,874 --> 01:00:45,776
OK, BABY.
COME ON, GUYS.
1765
01:00:59,724 --> 01:01:01,291
I THOUGHT
YOU'D SHOW UP.
1766
01:01:01,358 --> 01:01:03,961
WHY'D YOU STAND OVER HERE
BY YOURSELF FOR, CHARACTER?
1767
01:01:04,028 --> 01:01:05,629
WHY DON'T YOU SIT
DOWN AT A TABLE?
1768
01:01:05,696 --> 01:01:07,297
I GOT A COUPLE
OF GUYS OVER THERE
1769
01:01:07,364 --> 01:01:09,133
BE TICKLED TO DEATH
TO BUY A PRETTY GIRL
LIKE YOU A DRINK.
1770
01:01:09,199 --> 01:01:11,135
MAYBE THIS PLACE
AIN'T GOOD ENOUGH
FOR YOU.
1771
01:01:11,201 --> 01:01:12,803
MAYBE YOU'D
RATHER BE BACK
IN THE JUNGLE.
1772
01:01:12,870 --> 01:01:14,972
OR DID DEL
THROW YOU OUT?
1773
01:01:15,039 --> 01:01:17,507
OH, I GET IT.
YOU'VE COME TO ASK
JIGGER FOR A JOB.
1774
01:01:17,574 --> 01:01:19,143
WE CAME HERE FOR
ONLY ONE REASON,
1775
01:01:19,209 --> 01:01:20,811
TO GET HIM BACK
WHERE HE BELONGS.
1776
01:01:20,878 --> 01:01:22,512
WHY DON'T YOU
TALK TO HIM?
1777
01:01:22,579 --> 01:01:23,680
SAY TO HIM,
"JIGGER, COME BACK.
1778
01:01:23,748 --> 01:01:25,115
"SHE AIN'T GOOD
ENOUGH FOR YOU.
1779
01:01:25,182 --> 01:01:27,384
YOU GOT
TOO MUCH TALENT.
SHE'S BAD FOR YOU."
1780
01:01:27,451 --> 01:01:28,919
LOOK, KAY.
1781
01:01:28,986 --> 01:01:30,520
WHAT'S BETWEEN
YOU AND JIGGER'S
NONE OF MY BUSINESS,
1782
01:01:30,587 --> 01:01:32,556
AND NEVER HAS BEEN,
AS LONG AS IT
STAYS PUT THAT WAY.
1783
01:01:32,622 --> 01:01:35,492
BUT WHEN IT STARTS
TAKING A GUY THAT'S GOT
WHAT HE'S GOT ON THE BALL,
1784
01:01:35,559 --> 01:01:37,527
TWISTING HIM AROUND TILL
HIS WHOLE LIFE IS MESSED UP--
1785
01:01:37,594 --> 01:01:39,363
WHAT ARE YOU SO
WORRIED ABOUT IT FOR?
1786
01:01:39,429 --> 01:01:40,664
WE'RE ALL
WORRIED ABOUT IT.
1787
01:01:40,731 --> 01:01:42,166
WAIT A MINUTE.
I AIN'T SO SURE.
1788
01:01:42,232 --> 01:01:44,534
I THINK YOU'RE
WORRIED ABOUT
SOMETHING ELSE.
1789
01:01:44,601 --> 01:01:45,903
I THINK
YOU'RE JEALOUS.
1790
01:01:45,970 --> 01:01:47,071
YOU'RE SAYING
TO YOURSELF
1791
01:01:47,137 --> 01:01:48,405
WHY AIN'T IT ME
INSTEAD OF HER?
1792
01:01:48,472 --> 01:01:49,606
I'D SLAP YOU RIGHT
IN THE MOUTH
1793
01:01:49,673 --> 01:01:51,175
IF I THOUGHT IT'D
DO YOU ANY GOOD.
1794
01:01:51,241 --> 01:01:52,676
YOU'RE SAYING TO
YOURSELF WHY AIN'T
SHE BEGGING TO ME
1795
01:01:52,743 --> 01:01:54,378
LIKE I COME
TO BEG TO HER?
1796
01:01:54,444 --> 01:01:55,645
YOU'LL BEG.
1797
01:01:55,712 --> 01:01:56,781
THERE'S NO OTHER WAY
FOR YOU TO WIND UP
1798
01:01:56,847 --> 01:01:58,682
THAN TO BEG
AND CRAWL AND CRY
1799
01:01:58,749 --> 01:02:00,550
AND BEAT YOUR BRAINS OUT
AGAINST A WALL.
1800
01:02:00,617 --> 01:02:02,052
AND WHEN YOU
DO GET TO IT,
1801
01:02:02,119 --> 01:02:04,021
WHEN YOU GET TURNED DOWN,
YOU'LL BE ALONE. I'M NOT.
1802
01:02:04,088 --> 01:02:05,722
I'LL ALWAYS HAVE JIGGER.
1803
01:02:05,790 --> 01:02:07,691
AT LEAST SO LONG
AS I WANNA HAVE HIM.
1804
01:02:07,758 --> 01:02:08,759
NO, YOU WON'T.
1805
01:02:08,826 --> 01:02:10,160
HE'LL GET OVER YOU.
1806
01:02:10,227 --> 01:02:12,029
WHAT'S BETWEEN JIGGER
AND MYSELF AND THE BOYS
1807
01:02:12,096 --> 01:02:13,197
IS SOMETHING YOU
CAN NEVER GIVE HIM,
1808
01:02:13,263 --> 01:02:14,731
BECAUSE YOU CAN'T
UNDERSTAND IT.
1809
01:02:14,799 --> 01:02:15,866
THAT'LL STAY WITH JIGGER.
YOU WON'T.
1810
01:02:15,933 --> 01:02:17,001
Man: SAY, BABY.
1811
01:02:17,067 --> 01:02:18,702
THE NIGHT'S
GETTING SHORTER.
1812
01:02:18,769 --> 01:02:20,170
I'LL BE WITH YOU
IN A SECOND.
1813
01:02:20,237 --> 01:02:21,238
GO GET MY COAT.
1814
01:02:21,305 --> 01:02:22,139
OK.
1815
01:02:22,206 --> 01:02:23,473
AND IF IT'LL MAKE
YOU HAPPY,
1816
01:02:23,540 --> 01:02:24,875
I'LL TELL YOU
SOMETHING ELSE.
1817
01:02:24,942 --> 01:02:26,877
MAYBE PRETTY SOON
YOU CAN HAVE
HIM BACK...
1818
01:02:26,944 --> 01:02:29,013
THAT IS,
IF HE WANTS TO GO.
1819
01:02:33,517 --> 01:02:34,919
* THERE MUST BE BROWNIES *
1820
01:02:34,985 --> 01:02:36,921
* AND THERE MUST BE PIXIES *
1821
01:02:36,987 --> 01:02:38,755
* AND THERE MUST BE GOBLINS *
1822
01:02:38,823 --> 01:02:40,190
* BEYOND THE BEYOND *
1823
01:02:40,257 --> 01:02:41,558
AH HA HA HA!
1824
01:02:41,625 --> 01:02:44,761
* I NEVER THOUGHT
THEY'D RESPOND, OOH OOH *
1825
01:02:44,829 --> 01:02:49,599
* BUT SOMEONE
CERTAINLY
WAVED A WAND *
1826
01:02:49,666 --> 01:02:51,635
* DO DO DO DO DO DO *
1827
01:02:51,701 --> 01:02:52,937
* DO DO DO DO WHOO *
1828
01:02:53,003 --> 01:02:54,304
* DO DO DO DO DO DO DO *
1829
01:02:54,371 --> 01:02:55,372
* DE DE DE DE DE *
1830
01:02:55,439 --> 01:02:56,773
* 'TIS SPRING TODAY *
1831
01:02:56,841 --> 01:02:58,542
* AND LOVE IS ON THE WAY,
SAYS WHO? *
1832
01:02:58,608 --> 01:02:59,609
* SAYS YOU *
1833
01:02:59,676 --> 01:03:00,777
* SAYS I *
1834
01:03:00,845 --> 01:03:02,312
* 'TIS SPRING AND SIGHS *
1835
01:03:02,379 --> 01:03:03,981
* ARE FULL OF BUTTERFLIES,
SAYS WHO? *
1836
01:03:04,048 --> 01:03:05,449
* SAYS YOU *
* SAYS I *
1837
01:03:05,515 --> 01:03:06,817
* SAYS YOU *
1838
01:03:06,884 --> 01:03:08,953
* THE DAISY DEW IS
BREAKING THROUGH *
1839
01:03:09,019 --> 01:03:11,555
* THEY'RE MAKING
QUITE A TRY *
1840
01:03:11,621 --> 01:03:14,992
* THEY'RE HOPING TO GET
A GANDER AT YOU, SAYS I *
1841
01:03:15,059 --> 01:03:17,127
* SAYS YOU *
* SAYS I *
1842
01:03:17,194 --> 01:03:18,628
* TWAS GREY, TWAS COLD *
1843
01:03:18,695 --> 01:03:19,964
* BUT NOW AS I BEHOLD *
1844
01:03:20,030 --> 01:03:22,732
* THE TREES
ALL WEAR BOUQUETS *
1845
01:03:22,799 --> 01:03:25,669
* AND WAY UP HIGH,
THE MOON'S AN APPLE PIE *
1846
01:03:25,735 --> 01:03:28,305
* THE CLOUDS ARE EGG FRAPPES *
1847
01:03:28,372 --> 01:03:31,508
* AND WITHIN THIS DREAM
OF CAKE AND CREAM *
1848
01:03:31,575 --> 01:03:33,878
* JUST WHO IS THE LORELEI? *
1849
01:03:33,944 --> 01:03:35,312
* WHY, IT'S ME *
* SAYS YOU *
1850
01:03:35,379 --> 01:03:40,317
* AND IT'S GOTTA
COME TRUE, SAYS I *
1851
01:03:40,384 --> 01:03:42,819
[FLUTE SOLO]
1852
01:03:42,887 --> 01:03:47,357
* LA LA LA LA LA
HA HA HA HA *
1853
01:03:47,424 --> 01:03:50,227
[FLUTE SOLO]
1854
01:03:50,294 --> 01:03:55,099
* LA DE LA LA LA
HA HA HA HA *
1855
01:03:56,800 --> 01:03:58,135
* TIS SPRING TODAY *
1856
01:03:58,202 --> 01:03:59,336
* AND LOVE IS ON THE WAY,
SAYS WHO? *
1857
01:03:59,403 --> 01:04:01,838
* SAYS YOU *
* SAYS I *
1858
01:04:01,906 --> 01:04:03,207
* 'TIS SPRING AND SIGHS *
1859
01:04:03,273 --> 01:04:04,674
* ARE FULL OF BUTTERFLIES,
SAYS WHO? *
1860
01:04:04,741 --> 01:04:06,443
* SAYS YOU *
* SAYS I *
1861
01:04:06,510 --> 01:04:08,913
* THE DAISY DEW
IS BREAKING THROUGH *
1862
01:04:08,979 --> 01:04:11,481
* THEY'RE MAKING
QUITE A TRY *
1863
01:04:11,548 --> 01:04:14,084
* THEY'RE HOPING TO GET
A GANDER AT YOU *
1864
01:04:14,151 --> 01:04:16,353
* SAYS I *
1865
01:04:16,420 --> 01:04:17,687
* TWAS GREY
AND TWAS COLD *
1866
01:04:17,754 --> 01:04:19,023
* BUT NOW AS I BEHOLD *
1867
01:04:19,089 --> 01:04:21,525
* THE TREES ALL
WEAR BOUQUETS *
1868
01:04:21,591 --> 01:04:24,161
* AND WAY UP HIGH
THE MOON'S AN APPLE PIE *
1869
01:04:24,228 --> 01:04:26,196
* THE CLOUDS
ARE EGG FRAPPES *
1870
01:04:26,263 --> 01:04:29,533
* WITHIN THIS DREAM
OF CAKE AND ALL THE CREAM *
1871
01:04:29,599 --> 01:04:30,867
* WHO IS THE LUCKY GUY? *
1872
01:04:30,935 --> 01:04:32,369
AH HA HA HA!
AH HA HA HA!
1873
01:04:32,436 --> 01:04:34,171
* 'TIS ME *
* AIN'T YOU *
1874
01:04:34,238 --> 01:04:35,906
* AND IT'S GOTTA
COME TRUE, SAYS I *
1875
01:04:35,973 --> 01:04:37,107
* SAYS WHO? *
* SAYS ME *
1876
01:04:37,174 --> 01:04:39,910
* SAYS YOU *
* SAYS I *
1877
01:04:39,977 --> 01:04:41,378
[APPLAUSE]
1878
01:04:41,445 --> 01:04:44,414
[MUSIC CONTINUES]
1879
01:05:04,068 --> 01:05:05,035
OH, UH...
1880
01:05:05,102 --> 01:05:06,370
YES, MISS GRANT?
1881
01:05:06,436 --> 01:05:08,405
WHAT TIME DID
MR. PINE COME IN?
1882
01:05:08,472 --> 01:05:09,739
THE USUAL TIME.
1883
01:05:09,806 --> 01:05:11,875
I SHOULD SAY ABOUT,
UM, 2:30.
1884
01:05:11,942 --> 01:05:13,043
DID HE ASK FOR ME?
1885
01:05:13,110 --> 01:05:14,744
JUST ASKED IF
YOU'D COME IN YET.
1886
01:05:14,811 --> 01:05:16,913
THANKS. GOOD NIGHT.
1887
01:05:16,981 --> 01:05:18,182
GOOD NIGHT.
1888
01:05:25,189 --> 01:05:26,923
KAY.
1889
01:05:26,991 --> 01:05:29,159
WHAT DO YOU WANT?
1890
01:05:29,226 --> 01:05:30,427
I'VE GOT
TO TALK TO YOU.
1891
01:05:30,494 --> 01:05:31,928
WHAT ABOUT?
1892
01:05:31,996 --> 01:05:33,930
WHO I WAS OUT WITH?
WHAT I WAS DOING?
1893
01:05:33,998 --> 01:05:35,699
WHY I GOT IN SO LATE?
1894
01:05:35,765 --> 01:05:37,934
YOU THINK I'M GOING
TO SIT AROUND THAT BALLROOM
1895
01:05:38,002 --> 01:05:39,236
LISTENING TO YOU PLAY
NIGHT AFTER NIGHT,
1896
01:05:39,303 --> 01:05:41,071
YOU'RE OUT OF YOUR MIND.
1897
01:05:41,138 --> 01:05:43,607
KAY, I QUIT
GUY HEISER'S BAND.
1898
01:05:43,673 --> 01:05:45,075
WHAT?
1899
01:05:45,142 --> 01:05:48,612
YEAH. TONIGHT.
AFTER THE SHOW.
1900
01:05:48,678 --> 01:05:49,779
I'D HAVE DONE IT
ANYWAY.
1901
01:05:49,846 --> 01:05:50,947
WELL, WHAT ABOUT IT?
1902
01:05:51,015 --> 01:05:52,382
KAY, I CAN'T GO ON
LIKE THIS.
1903
01:05:52,449 --> 01:05:54,084
WHEN I LEFT THE BOYS
AND ALL THAT MEANT
TO ME,
1904
01:05:54,151 --> 01:05:55,552
I DID IT BECAUSE
I WAS IN LOVE
WITH YOU.
1905
01:05:55,619 --> 01:05:57,187
'CAUSE I THOUGHT
WE COULD HAVE
A LIFE TOGETHER.
1906
01:05:57,254 --> 01:05:58,422
I'M STILL
IN LOVE WITH YOU
1907
01:05:58,488 --> 01:05:59,789
AND I STILL WANT
TO MAKE A GO OF IT,
1908
01:05:59,856 --> 01:06:01,958
BUT THIS AIN'T IT,
KAY.
1909
01:06:02,026 --> 01:06:03,293
I KNOW IT AIN'T.
1910
01:06:03,360 --> 01:06:05,495
WELL, WHAT DO YOU
WANT ME TO DO ABOUT IT?
1911
01:06:05,562 --> 01:06:07,497
KAY...
1912
01:06:07,564 --> 01:06:09,099
WHY CAN'T WE GO BACK?
1913
01:06:09,166 --> 01:06:10,934
I PROMISE YOU THE
BOYS'LL SEE IT MY WAY.
1914
01:06:11,001 --> 01:06:11,968
I KNOW THEY WILL.
1915
01:06:12,036 --> 01:06:13,170
ARE YOU CRAZY?
1916
01:06:13,237 --> 01:06:14,271
IT DOESN'T HAVE
TO BE THE JUNGLE.
1917
01:06:14,338 --> 01:06:15,339
IT COULD BE
SOMEWHERE ELSE.
1918
01:06:15,405 --> 01:06:16,940
WHERE?
RIDING THE BOX CARS?
1919
01:06:17,007 --> 01:06:19,209
SO YOU QUIT GUY HEISER.
1920
01:06:19,276 --> 01:06:20,944
WELL, MAYBE
IT'S JUST AS WELL.
1921
01:06:21,011 --> 01:06:22,212
WHY?
1922
01:06:22,279 --> 01:06:23,447
YEAH, I THINK YOU
DID THE RIGHT THING.
1923
01:06:23,513 --> 01:06:24,781
I THINK YOU OUGHTA
GO BACK TO YOUR BAND.
1924
01:06:24,848 --> 01:06:25,815
THAT'S WHERE YOU BELONG,
NOT WITH ME.
1925
01:06:25,882 --> 01:06:26,916
KAY!
1926
01:06:26,983 --> 01:06:28,085
YOU HELPED ME
OUT OF A TOUGH SPOT.
1927
01:06:28,152 --> 01:06:29,119
I WAS KINDA WORRIED
ABOUT TELLING YOU.
1928
01:06:29,186 --> 01:06:30,254
TELLING ME WHAT?
1929
01:06:30,320 --> 01:06:31,955
THAT I'M LEAVING YOU,
JIGGER.
1930
01:06:32,022 --> 01:06:33,823
KAY.
1931
01:06:33,890 --> 01:06:34,991
YOU CAN'T MEAN THAT.
1932
01:06:35,059 --> 01:06:36,126
YOU'RE JUST SORE
BECAUSE I QUIT.
1933
01:06:36,193 --> 01:06:37,394
YOU JUST CAN'T
LEAVE LIKE THAT.
1934
01:06:37,461 --> 01:06:38,995
DON'T YOU REMEMBER
JUST A FEW WEEKS AGO
1935
01:06:39,063 --> 01:06:40,030
JUST BEFORE WE LEFT
THE JUNGLE--
1936
01:06:40,097 --> 01:06:41,131
THE ONLY THINK
I REMEMBER
1937
01:06:41,198 --> 01:06:42,166
ABOUT THE JUNGLE
IS DEL DAVIS.
1938
01:06:42,232 --> 01:06:43,400
THAT'S ALL I
WANT TO REMEMBER.
1939
01:06:43,467 --> 01:06:44,634
DEL DAVIS?
1940
01:06:44,701 --> 01:06:45,869
YOU DIDN'T THINK I WAS
IN LOVE WITH YOU, DID YOU?
1941
01:06:45,935 --> 01:06:47,071
IF HE'D TAKE ME BACK,
1942
01:06:47,137 --> 01:06:48,305
I'D CRAWL ON MY HANDS
AND KNEES TO HIM.
1943
01:06:48,372 --> 01:06:49,239
DEL DAVIS.
1944
01:06:49,306 --> 01:06:50,674
EVERY TIME YOU TOOK ME
IN YOUR ARMS,
1945
01:06:50,740 --> 01:06:51,908
I'D LOOK OVER YOUR SHOULDER
AND SEE IF DEL WAS AROUND.
1946
01:06:51,975 --> 01:06:53,310
SHUT UP.
1947
01:06:53,377 --> 01:06:54,511
TO SEE IF DEL WAS JEALOUS.
TO SEE IF DEL CARED ENOUGH
1948
01:06:54,578 --> 01:06:55,879
TO CUT OUT YOUR HEART
AND TAKE ME BACK.
1949
01:06:55,945 --> 01:06:57,681
I USED TO LAUGH AT YOU.
HA HA HA!
1950
01:06:57,747 --> 01:06:59,049
KAY, STOP IT.
1951
01:06:59,116 --> 01:07:00,317
YOU WERE GONNA MAKE
A BIG SINGER OUT OF ME!
1952
01:07:00,384 --> 01:07:01,618
YOU WOULD'VE HAD
THE WORLD AT MY FEET!
1953
01:07:01,685 --> 01:07:02,819
STOP IT, I SAID.
1954
01:07:02,886 --> 01:07:04,054
YOU DIDN'T REALIZE
I WAS PLAYING YOU
FOR A CHUMP.
1955
01:07:04,121 --> 01:07:05,289
LIKE I PLAYED LEO.
1956
01:07:05,355 --> 01:07:06,523
LIKE I'LL PLAY ANYBODY
TO GET BACK TO HIM.
1957
01:07:06,590 --> 01:07:07,624
YOU!
1958
01:07:07,691 --> 01:07:09,226
YOU HEAR ME?
NOTHING'S GOING TO STOP ME.
1959
01:07:09,293 --> 01:07:10,860
WHEN I WANT SOMETHING,
NOTHING'S GONNA STOP ME!
1960
01:07:10,927 --> 01:07:14,030
IT'LL ALL BE MINE AGAIN!
DEL DAVIS, THE JUNGLE,
ALL OF IT!
1961
01:07:14,098 --> 01:07:16,633
MINE! YEAH! MINE!
1962
01:07:31,948 --> 01:07:33,049
HELLO, CY.
1963
01:07:33,117 --> 01:07:34,651
OH, THERE
YOU ARE, JACK.
1964
01:07:43,093 --> 01:07:46,096
TAKE 'EM ALL
TO THE TABLES.
1965
01:07:56,039 --> 01:07:58,074
HEY, BILL.
1966
01:07:58,142 --> 01:07:59,443
YEAH?
1967
01:07:59,509 --> 01:08:01,077
I KNOW I'M INTO YOU
FOR A COUPLE OF BUCKS--
1968
01:08:01,145 --> 01:08:02,512
WELL, WHAT DO YOU WANT?
1969
01:08:02,579 --> 01:08:04,514
A SHORT ONE.
JUST A SHORT ONE.
PLEASE, BILL.
1970
01:08:04,581 --> 01:08:07,083
HOW MANY TIMES HAVE
I TOLD YOU YOUR CREDIT'S
NO GOOD HERE ANYMORE?
1971
01:08:07,151 --> 01:08:08,452
LOOK, BILL,
I GOT A FEW LEADS.
1972
01:08:08,518 --> 01:08:10,220
I PROMISE YOU
I'LL HAVE SOME
DOUGH SOON.
1973
01:08:10,287 --> 01:08:11,921
IN A WEEK OR TWO
I'LL BE ABLE TO
CONNECT WITH A BAND,
1974
01:08:11,988 --> 01:08:13,022
A BIG NAME BAND.
1975
01:08:13,089 --> 01:08:14,558
ALL RIGHT, JIGGER.
ALL RIGHT.
1976
01:08:14,624 --> 01:08:17,093
JUST TO SHOW YOU MY HEART'S
IN THE RIGHT PLACE.
1977
01:08:17,161 --> 01:08:18,862
GEE, THANKS, BILL.
1978
01:08:20,130 --> 01:08:21,765
JIGGER.
1979
01:08:21,831 --> 01:08:22,899
PEPPI.
1980
01:08:22,966 --> 01:08:24,100
IT'S BEEN A LONG TIME.
1981
01:08:24,168 --> 01:08:25,169
LET ME LOOK
AT YOU, BOYS.
1982
01:08:25,235 --> 01:08:26,203
GOOD TO SEE YOU.
HOW DO YOU FEEL?
1983
01:08:26,270 --> 01:08:27,271
JUST TO SEE YOU AGAIN
1984
01:08:27,337 --> 01:08:28,305
MAKES ME FEEL
A LOT BETTER.
1985
01:08:28,372 --> 01:08:29,339
THAT'S RIGHT,
JIGGER.
1986
01:08:29,406 --> 01:08:30,474
AS LONG AS
WE'RE HERE,
1987
01:08:30,540 --> 01:08:31,841
HOW ABOUT GETTING
A BITE TO EAT?
1988
01:08:31,908 --> 01:08:33,076
YEAH, SURE,
I'M HUNGRY.
1989
01:08:33,143 --> 01:08:34,511
THE FOOD'S AWFULLY
GOOD HERE, JIGGER.
1990
01:08:34,578 --> 01:08:35,912
SIT DOWN, WILL YA?
WE EAT HERE
ALL THE TIME.
1991
01:08:35,979 --> 01:08:37,080
HEY, BILL, HOW
ABOUT SOME SERVICE?
1992
01:08:37,147 --> 01:08:38,148
YOU KNOW, JIGGER,
I GOT A NEW HORN.
1993
01:08:38,215 --> 01:08:39,416
WAIT TILL
YOU HEAR IT.
1994
01:08:39,483 --> 01:08:40,617
THE OLD ONE COULDN'T
STAND THE PRESSURE.
1995
01:08:40,684 --> 01:08:41,851
SAME OLD LEO,
ISN'T IT, JIGGER?
1996
01:08:41,918 --> 01:08:42,886
FULL OF BRAGGADOCIO.
1997
01:08:57,201 --> 01:08:58,735
MMM, THAT WAS SWELL.
1998
01:09:02,172 --> 01:09:03,440
WELL, YOU SEE,
I'VE BEEN AWAY.
1999
01:09:03,507 --> 01:09:05,108
OH, YOU DIDN'T MISS
ANYTHING MUCH.
2000
01:09:05,175 --> 01:09:06,576
WELL, WHEN I LEFT
THE JUNGLE--
2001
01:09:06,643 --> 01:09:08,345
YOU KNOW, WE WENT
UP TO HARLEM
THE OTHER NIGHT.
2002
01:09:08,412 --> 01:09:09,513
HAD A JAM SESSION
UP THERE, RIGHT
OUT OF THIS WORLD.
2003
01:09:09,579 --> 01:09:10,880
YEAH, YOU SHOULD'VE
BEEN THERE.
2004
01:09:10,947 --> 01:09:12,316
WE RUN 'EM CLEAR
OUT OF THE HALL.
2005
01:09:12,382 --> 01:09:13,450
LEO'S HOT LICKS HAD 'EM
TURNING ON FIRE ALARMS.
2006
01:09:13,517 --> 01:09:15,285
OH, GREAT GOING.
GREAT GOING.
2007
01:09:15,352 --> 01:09:16,720
HOW'S YOUR MOTHER,
NICKY?
2008
01:09:16,786 --> 01:09:18,355
OH, SHE'S STILL
SHOPPING AROUND
FOR DOCTORS.
2009
01:09:18,422 --> 01:09:19,556
SHE'S GOT
A NEW ONE NOW,
A NERVE SPECIALIST.
2010
01:09:19,623 --> 01:09:20,957
THANKS, PETE.
AND HOW'S CHARACTER?
2011
01:09:21,024 --> 01:09:22,292
SHE'S OK.
2012
01:09:22,359 --> 01:09:23,427
AND THE BABY.
I ALMOST FORGOT THE BABY.
2013
01:09:23,493 --> 01:09:24,628
SHE HAD THE BABY,
DIDN'T SHE?
2014
01:09:24,694 --> 01:09:26,296
YEAH, SHE HAD
THE BABY ALL RIGHT.
2015
01:09:26,363 --> 01:09:27,464
OH, THAT'S SWELL.
WHAT IS IT,
A BOY OR A GIRL?
2016
01:09:27,531 --> 01:09:28,798
BOY.
WHAT'S HIS NAME?
2017
01:09:28,865 --> 01:09:30,500
WE CALL HIM JIGGER.
2018
01:09:30,567 --> 01:09:31,735
YOU KNOW WHAT,
JIGGER?
2019
01:09:31,801 --> 01:09:33,136
IT'D BE KIND OF NICE
IF YOU SHOWED UP
2020
01:09:33,203 --> 01:09:34,304
AT THE JUNGLE
ONE OF THESE NIGHTS,
2021
01:09:34,371 --> 01:09:35,472
RUN THROUGH
A COUPLE OF NUMBERS,
2022
01:09:35,539 --> 01:09:36,940
SEE IF WE'RE STILL
IN THE GROOVE.
2023
01:09:37,006 --> 01:09:38,308
GEE, I...I AIN'T
BEEN PLAYING
VERY MUCH LATELY.
2024
01:09:38,375 --> 01:09:40,143
I'VE BEEN COMPOSING.
2025
01:09:40,210 --> 01:09:41,511
YEAH, WRITING TUNES.
I BEEN...
2026
01:09:41,578 --> 01:09:43,213
WORKING ON OUR BLUES,
TRYING TO BUILD IT UP,
2027
01:09:43,280 --> 01:09:44,314
MAKE SOMETHING BIGGER.
2028
01:09:44,381 --> 01:09:45,549
GEE, I'LL BET
IT'S GOOD.
2029
01:09:45,615 --> 01:09:47,317
LOOK, WHY DON'T
YOU PLAY IT FOR US?
2030
01:09:47,384 --> 01:09:48,518
WELL, YOU SEE, FELLAS,
IT AIN'T READY YET.
2031
01:09:48,585 --> 01:09:50,153
COME ON, JUST A PART
OF IT, JIGGER.
2032
01:09:50,220 --> 01:09:51,921
WE HAVEN'T HEARD
YOU PLAY ANYTHING
IN AN AWFUL LONG TIME.
2033
01:09:51,988 --> 01:09:53,857
[EVERYONE TALKING
AT ONCE]
2034
01:09:53,923 --> 01:09:55,292
GUY PLAYS IT AT NIGHT.
2035
01:09:55,359 --> 01:09:56,626
BOY, JIGGER, EVERYTHING'S
GOING TO BE ROSY POSIE
2036
01:09:56,693 --> 01:09:58,428
WHEN YOU START HITTING
THOSE IVORIES AGAIN.
2037
01:09:58,495 --> 01:09:59,963
WELL, YOU SEE, IT BEGINS
WITH OUR OLD BLUES THEME.
2038
01:10:06,303 --> 01:10:07,871
WHAT COMES AFTER THAT?
2039
01:10:07,937 --> 01:10:08,938
YOU DIDN'T FORGET,
DID YOU?
2040
01:10:09,005 --> 01:10:10,507
NO, I DIDN'T FORGET.
2041
01:10:10,574 --> 01:10:12,008
WHISTLE IT FOR ME,
WILL YOU, PEPPI?
2042
01:10:12,075 --> 01:10:15,345
[WHISTLING]
2043
01:10:15,412 --> 01:10:16,880
YEAH, I'VE GOT IT.
2044
01:10:16,946 --> 01:10:20,484
[PLAYING PIANO]
2045
01:10:23,119 --> 01:10:24,187
WHAT COMES NEXT?
2046
01:10:24,254 --> 01:10:26,290
JIGGER!
2047
01:10:27,957 --> 01:10:29,125
WHAT COMES NEXT?
2048
01:10:29,192 --> 01:10:30,727
DON'T YOU THINK
MAYBE YOU'D BETTER--
2049
01:10:30,794 --> 01:10:33,196
NO, NO, DON'T TELL ME.
I'LL GET IT.
2050
01:10:33,263 --> 01:10:34,498
IT GOES...
2051
01:10:46,643 --> 01:10:47,677
GEE...
2052
01:10:47,744 --> 01:10:50,714
I CAN HEAR IT UP HERE,
BUT IT...
2053
01:10:50,780 --> 01:10:52,516
IT WON'T COME OUT
MY FINGERS.
2054
01:10:54,518 --> 01:10:56,085
IT'S ALWAYS LIKE THAT.
2055
01:10:56,152 --> 01:10:58,922
I KEEP REACHING OUT
TO GRAB IT...
2056
01:10:58,988 --> 01:11:01,391
IT WON'T STAND STILL.
2057
01:11:01,458 --> 01:11:04,628
SOMETHING KEEPS GETTING
IN FRONT OF IT.
2058
01:11:04,694 --> 01:11:05,929
YOU KNOW...
2059
01:11:05,995 --> 01:11:08,565
I REACH OUT TO GRAB IT,
2060
01:11:08,632 --> 01:11:10,700
AND IT JUST
WON'T STAND STILL.
2061
01:11:17,341 --> 01:11:19,042
MAYBE I'LL TRY IT AGAIN.
2062
01:11:30,354 --> 01:11:31,888
[NO AUDIO]
2063
01:11:37,361 --> 01:11:38,895
I CAN'T REMEMBER.
2064
01:11:42,031 --> 01:11:43,567
Peppi: JIGGER!
2065
01:11:47,704 --> 01:11:50,540
[NO AUDIO]
2066
01:11:57,414 --> 01:11:58,982
[YELLING INDISTINCTLY]
2067
01:11:59,048 --> 01:12:00,316
FIVE FINGERS IN A GLOVE!
2068
01:12:00,384 --> 01:12:01,551
NICE AND QUICK!
2069
01:12:06,390 --> 01:12:08,091
A DEGREE IN MUSIC!
2070
01:12:13,430 --> 01:12:16,533
KID'S GOT THE MISERY!
2071
01:12:18,368 --> 01:12:20,003
[LAUGHTER]
2072
01:12:20,069 --> 01:12:21,104
HEY...
2073
01:12:27,611 --> 01:12:29,579
MONKEY ON A STICK!
MONKEY ON A STICK!
2074
01:12:38,221 --> 01:12:40,023
[WOMAN, WHISPERING]
You're still in love
with your piano.
2075
01:12:40,089 --> 01:12:41,357
Don't listen to him,
Jigger.
2076
01:12:41,425 --> 01:12:43,493
The Jungle, Jigger.
Remember the Jungle.
2077
01:12:43,560 --> 01:12:45,595
Remember the places
we've been.
2078
01:13:10,954 --> 01:13:12,989
[PIANO PLAYING]
2079
01:14:13,316 --> 01:14:14,283
OH, JIGGER.
THAT WAS SWELL.
2080
01:14:14,350 --> 01:14:15,318
THAT WAS WONDERFUL!
2081
01:14:15,384 --> 01:14:16,352
DID YOU LIKE IT,
CHARACTER?
2082
01:14:16,419 --> 01:14:17,654
DID I LIKE IT?
2083
01:14:17,721 --> 01:14:20,657
THAT'S EVERYTHING
WE'VE BEEN TALKING ABOUT.
2084
01:14:22,225 --> 01:14:23,292
SO YOU LIVIN'?
2085
01:14:23,359 --> 01:14:24,961
YEAH!
2086
01:14:25,028 --> 01:14:26,663
WANT MORE?
YEAH!
2087
01:14:26,730 --> 01:14:28,031
COME BACK TOMORROW
AND YOU'LL GET IT.
2088
01:14:28,097 --> 01:14:29,699
OH, LET'S PLAY FOR THEM.
THEY WANT TO DANCE.
2089
01:14:29,766 --> 01:14:30,967
NO, NO, NO.
THAT'S ENOUGH FOR
TONIGHT, JIGGER.
2090
01:14:31,034 --> 01:14:32,502
YEAH, YOU BETTER
TAKE IT EASY, JIGGER.
2091
01:14:32,569 --> 01:14:34,103
REMEMBER, YOU ONLY
BEEN OUT OF BED 4 DAYS.
2092
01:14:34,170 --> 01:14:35,471
IT'S MEDICINE TO ME.
MY OWN PRESCRIPTION.
LET'S HIT IT!
2093
01:14:35,539 --> 01:14:37,707
[PLAYING PIANO]
2094
01:15:02,532 --> 01:15:04,467
HEY, CHARACTER?
2095
01:15:04,534 --> 01:15:06,469
I GUESS YOU WERE RIGHT.
I AM A LITTLE TIRED.
2096
01:15:06,536 --> 01:15:07,971
WILL YOU TAKE
THIS NUMBER FOR ME?
2097
01:15:08,037 --> 01:15:09,472
I'LL BE BACK
IN A LITTLE WHILE.
2098
01:15:09,539 --> 01:15:11,107
SURE.
2099
01:15:34,598 --> 01:15:37,366
SAY, DID ANYBODY SEE...
2100
01:15:37,433 --> 01:15:38,602
WHO YOU LOOKING FOR?
2101
01:15:38,668 --> 01:15:41,871
NO. NOTHING.
2102
01:15:41,938 --> 01:15:43,539
NOBODY.
2103
01:16:11,635 --> 01:16:13,002
HELLO, JIGGER.
2104
01:16:15,071 --> 01:16:18,574
I HEARD YOU WERE SICK,
BUT YOU LOOK ALL RIGHT.
2105
01:16:18,642 --> 01:16:20,409
YOU MUST BE HAPPY NOW,
EH, JIGGER?
2106
01:16:20,476 --> 01:16:21,577
BACK WITH YOUR BAND.
2107
01:16:21,645 --> 01:16:22,612
KAY, WHAT DO YOU WANT?
2108
01:16:22,679 --> 01:16:24,714
NOTHING.
2109
01:16:24,781 --> 01:16:26,149
WHAT MAKES YOU THINK
I WANT SOMETHING?
2110
01:16:26,215 --> 01:16:28,818
[THUNDER]
2111
01:16:30,620 --> 01:16:32,889
GOT A CIGARETTE,
JIGGER?
2112
01:16:32,956 --> 01:16:34,658
STILL BACK IN
THE SAME ROOM, HUH?
2113
01:16:34,724 --> 01:16:37,426
YOU'D THINK BY THIS TIME,
DEL WOULD MOVE YOU
TO THE OTHER HOUSE.
2114
01:16:37,493 --> 01:16:38,795
KAY, WHY'D YOU
COME BACK?
2115
01:16:38,862 --> 01:16:40,730
WELL, JUST TO LOOK AROUND,
GET A FEW LAUGHS.
2116
01:16:40,797 --> 01:16:42,632
SEE IF THE PLACE
STILL LOOKS THE SAME.
2117
01:16:42,699 --> 01:16:43,833
LISTEN, KAY.
2118
01:16:43,900 --> 01:16:45,601
FOR 3 MONTHS I WAS
IN THE HOSPITAL.
2119
01:16:45,669 --> 01:16:47,170
DOC SAID I WAS
OUT OF MY MIND.
2120
01:16:47,236 --> 01:16:49,572
ONLY ONE THING KEPT
COMING CLEAR TO ME
ALL THAT TIME.
2121
01:16:49,639 --> 01:16:50,707
SOMETHING INSIDE ME
KEPT SAYING
2122
01:16:50,774 --> 01:16:51,741
DON'T LET HER DO IT
AGAIN, JIGGER.
2123
01:16:51,808 --> 01:16:52,809
DON'T LET HER.
2124
01:16:52,876 --> 01:16:54,177
[DOOR BANGING]
2125
01:16:54,243 --> 01:16:55,812
OVER HERE.
2126
01:16:57,714 --> 01:16:59,015
ALL RIGHT, BRAD,
YOU SCRAM.
2127
01:16:59,082 --> 01:17:00,283
DON'T YOU THINK I OUGHTA
GO UP WITH YOU, DEL?
2128
01:17:00,349 --> 01:17:01,785
NO. I'LL HANDLE
IT MYSELF.
2129
01:17:04,287 --> 01:17:05,288
HELLO, DEL.
2130
01:17:05,354 --> 01:17:06,756
HELLO, KID.
2131
01:17:06,823 --> 01:17:08,291
FRED SAID YOU WALKED OUT
IN THE MIDDLE OF A NUMBER.
2132
01:17:08,357 --> 01:17:09,458
IS THERE ANYTHING WRONG?
2133
01:17:09,525 --> 01:17:10,626
NO, THERE'S
NOTHING WRONG.
2134
01:17:10,694 --> 01:17:12,295
JUST A LITTLE TIRED,
THAT'S ALL.
2135
01:17:12,361 --> 01:17:13,629
OH, I SEE.
2136
01:17:13,697 --> 01:17:14,698
SAY...
2137
01:17:14,764 --> 01:17:16,766
[THUNDER]
2138
01:17:16,833 --> 01:17:18,101
ANYBODY UP HERE
WITH YOU?
2139
01:17:18,167 --> 01:17:19,969
NO. THERE'S NOBODY
UP HERE. WHY?
2140
01:17:20,036 --> 01:17:22,872
I JUST THOUGHT I HEARD
SOMEBODY TALKING TO YOU,
THAT'S ALL.
2141
01:17:22,939 --> 01:17:24,140
GUESS I WAS WRONG.
SORRY, KID.
2142
01:17:24,207 --> 01:17:25,474
HEY, DEL.
YEAH?
2143
01:17:25,541 --> 01:17:27,110
IT'S NOTHING,
BUT WOULD YOU MIND
2144
01:17:27,176 --> 01:17:28,778
TELLING THE FELLAS
IN THE BAND I'LL BE
BACK IN A MINUTE?
2145
01:17:28,845 --> 01:17:30,579
SURE. SURE.
TAKE CARE OF YOURSELF.
2146
01:17:30,646 --> 01:17:33,649
THIS WEATHER AIN'T
TOO GOOD FOR YOU AFTER
WHAT YOU BEEN THROUGH.
2147
01:17:33,717 --> 01:17:35,284
THANKS, DEL.
2148
01:17:38,922 --> 01:17:41,657
DEL!
2149
01:17:41,725 --> 01:17:43,659
YOU KNOW, I KINDA
FIGURED IT WAS YOU.
2150
01:17:43,727 --> 01:17:44,961
I GOTTA TALK TO YOU,
DEL.
2151
01:17:45,028 --> 01:17:45,995
DIDN'T I TELL YOU TO
KEEP AWAY FROM HERE?
2152
01:17:46,062 --> 01:17:47,030
TO KEEP AWAY
FROM THOSE KIDS?
2153
01:17:47,096 --> 01:17:48,264
LISTEN,
I GOTTA SEE YOU.
2154
01:17:48,331 --> 01:17:49,632
YOU HAD TO SEE ME?
2155
01:17:49,699 --> 01:17:50,967
WHY DO YOU GO
SNEAKING AROUND
BACK DOORS?
2156
01:17:51,034 --> 01:17:52,335
WHY DIDN'T YOU COME
STRAIGHT TO ME?
2157
01:17:52,401 --> 01:17:53,369
OH, I WAS SCARED.
2158
01:17:53,436 --> 01:17:54,403
ALL RIGHT. SKIP IT.
2159
01:17:54,470 --> 01:17:55,438
HOW MUCH
DO YOU NEED?
2160
01:17:55,504 --> 01:17:56,773
I DON'T NEED NO MONEY.
2161
01:17:56,840 --> 01:17:58,507
COME ON, KAY,
DON'T PUT ON
AN ACT WITH ME.
2162
01:17:58,574 --> 01:17:59,876
IT'S WRITTEN
ALL OVER YOU.
2163
01:17:59,943 --> 01:18:01,344
THE CLOTHES YOU WEAR,
THE LOOK IN YOUR EYES.
2164
01:18:01,410 --> 01:18:02,746
DEL, GIVE ME A BREAK.
2165
01:18:02,812 --> 01:18:04,680
I'M GIVING YOU A BREAK.
HOW MUCH DO YOU NEED?
2166
01:18:04,748 --> 01:18:06,315
I TOLD YOU I DON'T WANT
NO MONEY.
2167
01:18:06,382 --> 01:18:09,252
LOOK, TAKE THIS DOUGH
AND GET OUT OF HERE.
2168
01:18:10,887 --> 01:18:12,655
COME ON, KAY,
YOU'RE A SMART DAME.
2169
01:18:12,722 --> 01:18:14,023
YOU KNOW WHAT
THE SCORE IS.
2170
01:18:14,090 --> 01:18:15,524
A LITTLE REST, A LITTLE
DOUGH IN THE KITTY,
2171
01:18:15,591 --> 01:18:17,226
AND YOU'LL FEEL BETTER.
SURE.
2172
01:18:17,293 --> 01:18:19,328
YOU'LL BE ABLE TO FIND
SOME GUY THAT DON'T
KNOW YOU TOO WELL
2173
01:18:19,395 --> 01:18:20,964
THAT YOU CAN STILL
SELL A BILL OF GOODS TO.
2174
01:18:21,030 --> 01:18:24,300
HERE, I'M ALWAYS GLAD TO
HELP OUT AN OLD FRIEND.
2175
01:18:25,601 --> 01:18:28,204
DEL, DEL, YOU CAN'T GO.
YOU CAN'T!
2176
01:18:28,271 --> 01:18:30,239
OH, SHUT UP.
2177
01:18:32,776 --> 01:18:33,843
I HATE YOU.
2178
01:18:33,910 --> 01:18:35,544
I HATE THE SIGHT OF YOU.
2179
01:18:35,611 --> 01:18:36,645
WELL,
THAT'S MORE LIKE IT.
2180
01:18:36,712 --> 01:18:37,914
THAT'S MORE LIKE
THE OLD KAY.
2181
01:18:37,981 --> 01:18:40,549
YOU AIN'T GONNA
GET RID OF ME SO EASY.
2182
01:18:40,616 --> 01:18:42,718
YOU AIN'T GONNA
KICK ME AROUND!
2183
01:18:42,786 --> 01:18:44,553
YOU THINK YOU'RE
A SMART GUY, HUH?
2184
01:18:44,620 --> 01:18:46,089
I'LL SHOW YOU!
2185
01:18:46,155 --> 01:18:47,757
YOU'RE NOTHING BUT
A SMALL-TIME GAMBLER,
A NOBODY!
2186
01:18:47,824 --> 01:18:49,025
YEAH, YOU'LL BE
BEGGING TO ME.
2187
01:18:49,092 --> 01:18:51,194
BEGGING TO ME!
BEGGING FROM JAIL BARS!
2188
01:18:51,260 --> 01:18:52,862
I'LL SHOW YOU!
I SHOULD'VE DONE IT
LONG AGO,
2189
01:18:52,929 --> 01:18:54,063
WHEN I FIRST SAW YOU!
2190
01:18:54,130 --> 01:18:55,364
YOU THOUGHT I
WAS CRAZY ABOUT YOU,
2191
01:18:55,431 --> 01:18:56,699
THAT YOU COULD DO
WHAT YOU LIKE WITH ME.
2192
01:18:56,766 --> 01:18:58,167
I'LL SHOW YOU
WHAT YOU CAN DO!
2193
01:19:01,637 --> 01:19:05,408
DEL. DEL...
2194
01:19:05,474 --> 01:19:06,810
I DIDN'T MEAN IT.
2195
01:19:06,876 --> 01:19:09,145
I DIDN'T MEAN IT.
2196
01:19:09,212 --> 01:19:12,715
I DIDN'T KNOW WHAT
I WAS SAYING, DEL.
2197
01:19:12,782 --> 01:19:14,250
DON'T.
2198
01:19:14,317 --> 01:19:16,419
DON'T. DEL!
2199
01:19:16,485 --> 01:19:18,721
DON'T!
2200
01:19:18,788 --> 01:19:22,258
DEL! DON'T!
2201
01:19:22,325 --> 01:19:23,726
PLEASE!
2202
01:19:23,793 --> 01:19:25,061
AAH!
2203
01:19:25,128 --> 01:19:26,762
PLEASE, DEL, PLEASE,
I'LL DO ANYTHING!
2204
01:19:26,830 --> 01:19:27,864
ANYTHING!
ANYTHING YOU WANT!
2205
01:19:27,931 --> 01:19:29,198
DEL, ARE YOU CRAZY?
STOP IT!
2206
01:19:29,265 --> 01:19:30,433
WHAT DO YOU WANT?
2207
01:19:30,499 --> 01:19:31,868
JIGGER! JIGGER,
HE WON'T LET ME
OUT OF HERE!
2208
01:19:31,935 --> 01:19:33,202
HE WON'T LET ME
OUT OF HERE, PLEASE!
2209
01:19:33,269 --> 01:19:34,670
ALL RIGHT, JIGGER.
GO ON, GET OUT OF HERE.
2210
01:19:34,737 --> 01:19:35,738
PLEASE, HE'S GOING
TO KILL ME, JIGGER.
2211
01:19:35,805 --> 01:19:36,840
DON'T LET HIM
KILL ME!
2212
01:19:36,906 --> 01:19:37,974
I TOLD YOU ONCE BEFORE,
JIGGER.
2213
01:19:38,041 --> 01:19:39,208
DON'T BUTT IN
TO MY BUSINESS!
2214
01:19:39,275 --> 01:19:40,209
PLEASE, JIGGER!
2215
01:19:40,276 --> 01:19:41,444
IT'S ALL RIGHT, KAY.
HE WON'T HURT YOU.
2216
01:19:41,510 --> 01:19:42,545
I'M WARNING YOU, JIGGER.
2217
01:19:42,611 --> 01:19:43,746
ARE YOU CRAZY?
DROP THAT GUN.
2218
01:19:43,813 --> 01:19:45,214
GO ON,
GET OUT OF HERE!
2219
01:19:49,052 --> 01:19:51,020
AAH!
2220
01:20:51,414 --> 01:20:54,417
COME ON, NOW. COME ON.
HAND OVER THAT--
2221
01:20:54,483 --> 01:20:55,584
[GUNSHOT]
2222
01:21:24,914 --> 01:21:26,449
KAY, YOU BETTER GO.
2223
01:21:29,385 --> 01:21:31,921
GO AROUND BY THE BACK
OF THE HOUSE SO NOBODY
WILL SEE YOU.
2224
01:21:31,988 --> 01:21:34,557
DEL'S CAR'S OUT FRONT.
I'LL BE THERE IN A MINUTE.
2225
01:21:34,623 --> 01:21:35,858
WHAT?
2226
01:21:35,925 --> 01:21:38,661
DON'T STAND THERE.
I KNOW WHAT I'M DOING.
2227
01:21:38,727 --> 01:21:39,728
JIGGER--
2228
01:21:39,795 --> 01:21:41,330
DO AS I SAY.
2229
01:22:10,293 --> 01:22:11,327
Woman: YOU BETTER CALL
A SERVICE STATION.
2230
01:22:11,394 --> 01:22:12,928
IT'S ONLY
ABOUT A MILE BACK.
2231
01:22:12,996 --> 01:22:14,263
Man: MAYBE SOMEBODY
IN HERE CAN HELP US.
2232
01:22:14,330 --> 01:22:15,965
YOU WOULD GET STUCK
ON A NIGHT LIKE THIS.
2233
01:22:16,032 --> 01:22:17,366
WELL, DEAR, IT
ISN'T MY FAULT
THIS HAD TO HAPPEN.
2234
01:22:17,433 --> 01:22:18,634
Woman #2: OH, YOU GUYS,
LET'S GO IN.
2235
01:22:18,701 --> 01:22:19,702
ALL RIGHT, ALL RIGHT.
2236
01:22:34,117 --> 01:22:35,218
JIGGER,
WHAT HAPPENED?
2237
01:22:35,284 --> 01:22:36,452
YEAH, WE WERE
WORRIED ABOUT YOU.
2238
01:22:36,519 --> 01:22:37,620
NOTHING.
NOTHING.
2239
01:22:37,686 --> 01:22:38,887
YES, IT'S SOMETHING.
I CAN SEE BY YOUR FACE.
2240
01:22:38,954 --> 01:22:40,089
IT'S NOTHING,
I TELL YOU.
2241
01:22:40,156 --> 01:22:41,357
WHERE ARE YOU GOING?
I'LL BE BACK.
2242
01:22:41,424 --> 01:22:42,625
WHEN?
WILL YOU LET ME
OUT OF HERE?
2243
01:22:42,691 --> 01:22:43,926
SHE CAME BACK,
DIDN'T SHE?
2244
01:22:43,993 --> 01:22:45,628
WILL YOU LET ME
OUT OF HERE?
DIDN'T SHE?
2245
01:22:45,694 --> 01:22:46,862
LOOK, I'LL PROMISE
I'LL BE BACK IN A FEW
DAYS, MAYBE A WEEK.
2246
01:22:46,929 --> 01:22:47,930
NO, THIS TIME
IT'S FOR GOOD.
2247
01:22:47,997 --> 01:22:49,198
LET ME GET THROUGH!
2248
01:22:49,265 --> 01:22:50,266
FOR 3 MONTHS WE SAT
AROUND YOUR BED, JIGGER.
2249
01:22:50,333 --> 01:22:51,400
YOU ALMOST DIED.
PETE, LET ME GO.
2250
01:22:51,467 --> 01:22:52,468
JIGGER, PLEASE DON'T
MAKE ME HIT YOU.
2251
01:22:52,535 --> 01:22:54,037
WE'VE HAD ENOUGH
TROUBLE, JIGGER.
2252
01:22:54,103 --> 01:22:55,271
WELL, GO AHEAD.
TELL HIM, CHARACTER.
TELL HIM!
2253
01:22:55,338 --> 01:22:56,205
NO, LEO.
2254
01:22:56,272 --> 01:22:57,473
OK, THEN I'LL TELL HIM.
MY KID DIED.
2255
01:22:57,540 --> 01:22:58,674
KID--
2256
01:22:58,741 --> 01:23:00,243
YEAH, WE LIED TO YOU.
THE KID WAS BORN DEAD.
2257
01:23:00,309 --> 01:23:01,477
WE DIDN'T WANT TO MAKE
IT TOUGHER FOR YOU.
2258
01:23:01,544 --> 01:23:02,911
STOP, LEO.
2259
01:23:02,978 --> 01:23:04,613
NO, LET HIM HAVE IT.
MAYBE IT'LL DRIVE SOME
SENSE INTO HIS HEAD.
2260
01:23:04,680 --> 01:23:05,981
THE CHANCES OF HER HAVING
THAT KID WERE 100 TO 1.
2261
01:23:06,049 --> 01:23:07,216
BUT SHE KEPT
THINKING ABOUT YOU.
2262
01:23:07,283 --> 01:23:08,384
WONDERING WHAT
WAS HAPPENING TO YOU.
2263
01:23:08,451 --> 01:23:09,718
WHAT'S THE USE
OF TALKING TO HIM?
2264
01:23:09,785 --> 01:23:10,953
HE'S BECOME
LIKE BRAD.
2265
01:23:11,020 --> 01:23:12,288
YEAH, LIKE BRAD.
THAT'S WHAT YOU ARE.
2266
01:23:12,355 --> 01:23:13,522
AND THAT'S HOW
YOU'LL END UP.
2267
01:23:13,589 --> 01:23:14,690
A NOBODY. A NOTHING.
2268
01:23:14,757 --> 01:23:16,059
PLAYING IN JOINTS
LIKE YOU USED TO.
2269
01:23:16,125 --> 01:23:17,460
LIVING OFF WHAT
PEOPLE GIVE YOU.
2270
01:23:17,526 --> 01:23:19,228
THE KIND OF MUSIC
YOU PLAYED TONIGHT,
2271
01:23:19,295 --> 01:23:20,463
THE WAY YOU PLAYED IT,
YOU'RE THROWING
ALL THAT AWAY
2272
01:23:20,529 --> 01:23:21,930
AND YOU'LL NEVER
GET IT BACK, JIGGER.
2273
01:23:21,997 --> 01:23:23,699
BECAUSE YOU'LL BE
A CRIPPLE LIKE BRAD.
2274
01:23:23,766 --> 01:23:25,468
ONLY WORSE, BECAUSE
YOU'LL BE CRIPPLED
INSIDE OF YOU.
2275
01:23:25,534 --> 01:23:27,002
WELL, IT'S ALL RIGHT
FOR BRAD, JIGGER.
2276
01:23:27,070 --> 01:23:28,304
HE'S GOTTA LIVE
THAT WAY.
2277
01:23:28,371 --> 01:23:29,405
THAT'S THE WAY
HE'S GOTTA END UP.
2278
01:23:29,472 --> 01:23:32,608
BUT NOT YOU, JIGGER.
NOT YOU.
2279
01:23:49,092 --> 01:23:50,093
WHAT DO YOU WANT?
2280
01:23:50,159 --> 01:23:51,860
JIGGER WILL SEE
YOU LATER.
2281
01:23:51,927 --> 01:23:53,162
HE TOLD ME TO DRIVE
YOU TO NYACK.
2282
01:23:53,229 --> 01:23:54,897
WHERE IS JIGGER?
WHY DOESN'T HE COME?
2283
01:23:54,963 --> 01:23:57,333
I DON'T BELIEVE YOU.
I'M GOING TO WAIT HERE
UNTIL JIGGER COMES.
2284
01:23:57,400 --> 01:23:58,434
SHUT UP.
2285
01:24:12,915 --> 01:24:15,351
SURE YOU GOT IT STRAIGHT
WHEN JIGGER SAID
TO MEET HIM AT NYACK?
2286
01:24:15,418 --> 01:24:17,620
DON'T WORRY, KAY.
I KNOW EXACTLY
WHAT I'M DOING.
2287
01:24:19,088 --> 01:24:20,189
WHAT'S THE MATTER
WITH YOU?
2288
01:24:20,256 --> 01:24:21,290
YOU ALMOST WENT
OVER THE CLIFF!
2289
01:24:21,357 --> 01:24:22,558
YOU DON'T HAVE
TO WORRY, KAY.
2290
01:24:22,625 --> 01:24:23,659
WHAT IF WE DID?
2291
01:24:23,726 --> 01:24:25,261
I'D STILL BE SAVING
YOU FROM THE POLICE.
2292
01:24:25,328 --> 01:24:26,329
POLICE GOT YOU,
WHY, YOU'RE
LIABLE TO SPEND
2293
01:24:26,395 --> 01:24:27,563
THE REST OF YOUR
LIFE IN PRISON.
2294
01:24:27,630 --> 01:24:28,431
THAT WOULD BE WORSE.
2295
01:24:28,497 --> 01:24:29,698
WHAT ARE YOU
TALKING ABOUT?
2296
01:24:29,765 --> 01:24:32,034
THIS WAY
WE'LL BE TOGETHER.
2297
01:24:32,101 --> 01:24:33,202
BRAD, SLOW DOWN!
2298
01:24:33,269 --> 01:24:35,070
IT'S REALLY
AN ACT OF LOVE, KAY.
2299
01:24:35,138 --> 01:24:36,739
SO JIGGER'LL
BE ABLE TO GET
ALONG WITHOUT YOU.
2300
01:24:36,805 --> 01:24:37,973
WHAT ARE YOU
GOING TO DO?
2301
01:24:38,040 --> 01:24:39,041
AS A MATTER OF FACT,
THAT'S THE ONLY WAY
2302
01:24:39,108 --> 01:24:40,075
HE'LL EVER BE ABLE
TO GET ALONG.
2303
01:24:40,143 --> 01:24:41,144
BUT ME. I WON'T.
2304
01:24:41,210 --> 01:24:42,478
STOP THE CAR!
2305
01:24:42,545 --> 01:24:43,946
NOTHING LEFT FOR ME TO
DO BUT CRAWL AFTER THIS.
2306
01:24:44,012 --> 01:24:45,214
LET ME OUT OF HERE!
LET ME OUT OF HERE!
2307
01:24:45,281 --> 01:24:46,249
LOOK! THERE'S SOMEONE
IN THE ROAD UP AHEAD.
2308
01:24:46,315 --> 01:24:47,283
I DON'T SEE ANYONE.
2309
01:24:47,350 --> 01:24:48,917
I DO. SAM AND DEL.
2310
01:24:48,984 --> 01:24:50,085
SAM AND DEL?
YOU'RE CRAZY!
2311
01:24:50,153 --> 01:24:51,287
NO, I'M NOT.
DON'T YOU SEE THEM?
2312
01:24:51,354 --> 01:24:52,621
RIGHT AROUND THE
BEND IN THE ROAD.
2313
01:24:52,688 --> 01:24:53,856
THE EDGE OF THE CLIFF.
THEY'RE WAITING FOR US.
2314
01:24:53,922 --> 01:24:54,890
THEY'RE TRYING
TO THUMB A RIDE.
2315
01:24:54,957 --> 01:24:56,159
BRAD!
2316
01:24:56,225 --> 01:24:57,393
WHAT DO YOU SAY, KAY?
LET'S GIVE 'EM A LIFT!
2317
01:24:57,460 --> 01:24:58,694
AAH!
2318
01:25:09,205 --> 01:25:12,375
[BELL DINGING]
2319
01:25:30,326 --> 01:25:34,230
[HORN PLAYING]
2320
01:25:34,297 --> 01:25:37,366
[BAND PLAYING]
2321
01:25:45,341 --> 01:25:48,143
OH, I HAD AN IDEA
IT WAS YOU.
2322
01:25:48,211 --> 01:25:50,145
STILL RIDING THE
BOX CARS, HEY BOYS?
2323
01:25:50,213 --> 01:25:52,147
HOW ARE YOU DOING,
FELLA? WHAT'S UP?
2324
01:25:52,215 --> 01:25:53,449
SAY, WE HAVEN'T SEEN YOU
SINCE THE LAST TIME
2325
01:25:53,516 --> 01:25:54,817
WE WENT THROUGH HERE
ABOUT A YEAR AGO.
2326
01:25:54,883 --> 01:25:55,884
ARE YOU GONNA
THROW US OFF?
2327
01:25:55,951 --> 01:25:57,320
NO, NOT YOU.
2328
01:25:57,386 --> 01:25:59,455
I GOT YOU ON
MY PREFERRED LIST
OF PASSENGERS.
2329
01:25:59,522 --> 01:26:01,123
YOU CAN RIDE
THROUGH ANYTIME.
2330
01:26:01,190 --> 01:26:02,991
HOW YOU BEEN DOING?
2331
01:26:03,058 --> 01:26:04,627
OH, WE'VE BEEN
DOING OK.
2332
01:26:04,693 --> 01:26:06,128
SURE.
WE'RE RIGHT
IN THE GROOVE.
2333
01:26:06,195 --> 01:26:08,431
[GUITAR PLAYING]
2334
01:26:31,254 --> 01:26:32,855
[TRAIN WHISTLE]
159627
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