Original subtitles

TERESA: My name is Teresa Mendoza.

I run the biggest drug empire in the Western Hemisphere.

My life wasn't supposed to be anything like this.

(SOFT DRAMATIC MUSIC)

(LOUD THUMPING)

So now that you're out of a job, comin' with us?

♪ ♪

PERSON: You don't know me, Teresa.

Guero's dead. Get out of the house now.

♪ ♪

- Stop the car. - (TIRES SCREECHING)

- (ENGINE REVVING) - (METALLIC CRASHING)

(TENSE MUSIC)

Where do I know you from?

TERESA: I was Guero's girlfriend.

I'll deliver the drugs that your mule didn't.

CAMILA: You have proven you can be relied upon

to do what I need.

JAMES: They're starting to dissolve. Come on.

You have to. Three more.

♪ ♪

I want to be part of the business.

- Would you die for me? - I'll survive for you.

JAMES: Look, you shouldn't have come back for me.

But you didn't leave me behind, and I won't forget it.

What is this? I never signed these papers.

Camila's trying to set you up

to take the fall for her business.

TERESA: My life is on the line with El Santo.

Are you aware of the word Moyocoyotzin?

It is time for you to create yourself.

TERESA: In the morning, we're gonna go back to Dallas

and take what's rightfully mine.

Everyone has the right to the throne if they can take it.

There can only be one queen.

(GUNSHOT)

TERESA: You're gonna live the rest of your life

as a fugitive from your own country.

I'm sending you into exile.

48 hours ago, we didn't have a supplier.

Now we own the corridor all the way from Sinaloa down to Phoenix.

ALL: Salud.

PERSON: Selling on the dark web,

cutting out the middleman,

and turning product into champagne.

We did it.

30,000 square feet of commercial property.

Our future.

You want to build a mall?

I want us to own legal businesses.

We won't have to work with people like Castel and Boaz.

- I'm driving? - It's your car.

- (ENGINE TURNS OVER) - Tony!

We're going to kill them all.

I'm not gonna let you give birth in handcuffs.

I don't want that either,

but that is not your decision to make.

- TERESA: What decision? - I... we...

We're pregnant.

We just took over Miami.

Why move so fast with the Russians?

TERESA: I would like you to introduce me

to your cousin, Kostya.

OKSANA: If Kostya pays you a surprise visit,

he's the last person you will ever see.

TERESA: You want me to stop selling to Kostya?

No, I want you to kill him.

We allow people like you to exist

so that when we call on you for the greater good,

you answer.

I'll take your business after I kill you

and all of your people.

But you're already dead.

(RASPS)

(SPEAKS RUSSIAN)

(SOFT DRAMATIC MUSIC)

♪ ♪

- TERESA: I love you. - I love you.

♪ ♪

TERESA: We're getting out of the business.

I'm only legit until Devon decides I'm not.

We're going to Belize.

One more thing you need to take care of.

Teresa isn't a threat.

Nobody gets out. You know what has to be done.

(TENSE MUSIC)

(GUN FIRES)

♪ ♪

(SOFT DRAMATIC MUSIC) _

SAMARA: We had just landed

a few minutes before it happened.

♪ ♪

Teresa seemed so happy.

Belize was supposed to be a new beginning.

The last thing she said before she went upstairs is...

Today is the first day of the rest of our lives.

♪ ♪

That was the last time I saw her alive.

You remember hearing the gunshot?

(GUNSHOT ECHOES)

Samara?

(SNIFFLES)

I remember a pop.

♪ ♪

The sound of glass shattering.

RAMIRO: What do you remember after the pop?

SAMARA: Screams.

POTE: Teresita!

Teresa!

(SCREAMING)

SAMARA: I'll never get them out of my head.

RAMIRO: Did you see her body?

SAMARA: She was lying on the floor.

Pote was standing over her. There was blood everywhere.

♪ ♪

(SHAKILY) Teresita.

RAMIRO: Did he say anything to you?

Teresi... (SOBBING)

SAMARA: He saw me come in and...

Get out! Get out!

SAMARA: He stayed in there, guarding her body...

until they took it away.

That was when I knew Teresa Mendoza was dead.

(MELANCHOLIC MUSIC)

♪ ♪

Synced & corrected by -robtor- www.addic7ed.com

(SOFT DRAMATIC MUSIC) ♪

Talked to George's people in Belize.

Everything is set. They're expecting us.

To George coming through for us even in death.

Salud.

♪ ♪

You know, he loved you like a sister.

We didn't get to bury him.

I know.

- He wanted to be buried at sea. - Yeah.

♪ ♪

When we die,

our ashes should go to Culiacán.

♪ ♪

(KNOCK AT DOOR)

Come in.

The police have what they need from me.

So I came to say goodbye.

What's this?

POTE: A little something to help you get on your feet.

Thank you.

What will you do now?

I'm gonna take Teresa home

and spread her ashes in the dahlia fields of Culiacán.

Isn't Mexico dangerous for you?

Yes.

But I couldn't protect her in life.

The least I could do is carry her wishes in death.

I've been around men like you my entire life.

You'll do more than carry out her wishes.

The less you know, the better.

Good luck.

You, too.

(INDISTINCT RADIO CHATTER)

(SUSPENSEFUL MUSIC)

♪ ♪

(OMINOUS NOTES)

(SPARSE EERIE MUSIC)

I love you.

(SUSPENSEFUL MUSIC)

♪ ♪

(DOOR RATTLING)

(DOOR CLOSES)

(PHONE BUZZING)

Are you okay?

Well, I'm just over here sitting in the dark,

and I grab my gun every time I hear a car go by, but...

I know you're scared.

I'm just worried about you going to Mexico.

POTE: We talked about this, Kelly Anne.

This is what Teresa wanted.

This is how we get closure. I need to do this.

I know.

Let me go with you, then.

If something happens, at least we're together.

You know I can't do that. It's too dangerous.

We need to stick to the plan.

If something happens to me...

I know.

POTE: No one knows where you are.

Did you move the car?

Yeah. I parked it down the street just like you said.

POTE: That's good. Everything is gonna be okay.

I love you.

I love you, too.

♪ ♪

POTE: I'll call you from Mexico.

(SLOW DRAMATIC MUSIC)

(SIGHS)

♪ ♪

♪ ♪

(OMINOUS AMBIENT MUSIC)

♪ ♪

It wasn't enough to buy her house?

Now you're selling your own tequila?

(CHUCKLES)

Welcome.

It's a message, like the house.

There's a new king in town.

Sleeping in Teresa's bed isn't the same as filling her shoes.

Teresa's shoes led her to the grave.

I'll find my own path.

You know, Teresa was successful

because she flew under the radar.

Yet she didn't fly low enough to dodge your bullet.

I didn't survive this long without being cautious.

You're worried about Pote.

As long as he's alive, I'll be looking over my shoulder.

That shouldn't be much longer.

You know where he is?

- I have a man tracking him now. - BOAZ: Only one?

He's very good at his job.

Yeah, so is Pote.

And with Teresa dead, he's got nothing to lose.

- And then, maybe... - DEVON: It's handled.

You just make sure the train's running on time.

Just remember: This isn't Sinaloa.

(SOFT SUSPENSEFUL MUSIC)

♪ ♪

Thank you for coming.

I still can't believe she's gone.

She's in a better place.

Anything from James yet?

Devon must have got to him.

Him or Boaz. He's in NOLA.

- ...Cabrón. - It's only been two days.

He's not wasting any time.

I still have friends in Mexico.

And enemies.

Think it's enough?

If we don't get spotted by Boaz's men,

but it's more than enough

to get a few of those cabrónes down with us.

Let's go.

People of Color Chamber of Commerce

is a support system for local business owners of color

to network and share ideas.

Yes, I know.

I was exonerated. All charges were dropped.

Now, Councilman, this would be a boon for your area...

(DOOR OPENS)

Yeah.

I understand. Thank you for your time.

(BEEP)

You think those old white men gonna let you into their club?

What are you doing here?

I got good news.

(RATTLING)

Teresa's dead.

(CHUCKLES)

And you're takin' over NOLA.

I want you to make the necessary introductions.

Give me the lay of the land.

Be my local boy.

No.

BOAZ: (SIGHS)

I understand you're upset about how things went down.

But what's done is done.

I'm out of this business. Retired.

All I have is my bar, P-triple-C.

That's it.

Yeah, bullshit.

That PC pendejada crap.

(CHUCKLES)

It's a good cover.

- But I know you. - Hey.

(TENSE MUSIC)

You don't know shit.

(CHUCKLES)

I'm out. Period.

So you go and do whatever it is you do.

I won't get in your way...

but I won't help your ass, either.

It's too bad.

You gonna walk the line...

you better walk it straight

because if I hear of anything different, cabrón...

(INHALES DEEPLY)

(SOFTLY) pow!

(LAUGHS)

POTE: This is it.

(ENGINE SHUTS OFF)

Wait here. Keep a lookout.

♪ El aire que te roza no lo puedo ver ♪

♪ Lejos de la tierra que te vio nacer ♪

♪ Estaba apartado de ella y yo de ti también ♪

("EN EL AIRE" BY VEGA ALMOHALLA)

♪ El aire que te roza no lo puedo ver ♪

♪ El aire que te roza no lo puedo ver ♪

♪ El aire que te roza no lo puedo ver ♪

♪ El aire que te roza ♪

♪ La brisa invernal cara colora ♪

♪ La cara que tanto te quiero besar ♪

♪ Irreal, irreal ♪

♪ Irreal, irreal ♪

♪ Poderte notar voy a desear ♪

♪ Como aquella nube que no puedo tocar ♪

♪ Irreal, irreal ♪

♪ Irreal, irreal ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, estamos en el aire ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, en el, en el aire ♪

♪ En el aire, estamos en el aire ♪

(BIRDS SINGING)

(SOFT DRAMATIC MUSIC)

(CAMERA SHUTTER CLICKING)

(OMINOUS MUSIC)

♪ ♪

(PHONE BUZZES)

(PHONE BUZZES)

Where are you?

I'm in Sinaloa, just outside of Culiacán.

DEVON: Pote's taking a huge risk.

It's what Teresa wanted.

I don't suppose he'd take that risk if she weren't dead.

JAMES: No.

So it's done.

Yeah, it's done.

And so are we.

I want to hear you say it.

Yes.

We're done.

(DISCONNECTION BEEPS)

(SMALL LAUGH)

(DRAMATIC MUSIC)

♪ ♪

(TENSE MUSIC)

♪ ♪

(GUNFIRE)

♪ ♪

(GRUNTS)

♪ ♪

(GUNSHOT)

(SOFT TENSE MUSIC)

♪ ♪

(ENERGETIC TENSE MUSIC)

♪ ♪

(PHONE BUZZES)

JAMES: Finch is coming for you and Kelly Anne.

He knows where she is.

(PHONE BUZZES)

- Hello? - POTE: Devon's men.

- They're coming for you. - What?

They know where you are, Kelly Anne.

You need to run. Leave everything. Go... now!

- Oh, my God. - We're gonna meet

at the Sunset Motel just off the I-10.

If we're not there by 3:00 a.m.,

you need to disappear.

- POTE: Do not look back. - What about you?

We're gonna get out of this. You, me, the baby.

But right now, I need you to be strong.

- Yeah. - We'll see you at the motel.

Okay. I love you.

I love you, too.

(WHISPERING) Shit. Shit, shit, shit.

Sí.

I got eyes on him now.

SICARIO: Vámanos.

(PUNCHY MUSIC)

♪ ♪

(WHISPERING) Oh, shit.

Shit.

(SUSPENSEFUL MUSIC)

(LOW DIALOGUE)

- (SUPPRESSED GUNSHOT) - (GRUNTS)

(GASPS)

♪ ♪

(BELL RINGING)

(SPEAKING SPANISH)

(ENGINE REVVING)

- Move, cabrón! Move! - (TIRES SQUEALING)

(GUNFIRE CONTINUING)

Vamos!

(TIRES SQUEALING)

(GROANS)

Conyo!

Vamonos.

♪ Treat it like game night trying to get paid ♪

♪ Baddie on FaceTime ♪

PERSON: ♪ Pretty-ass face ♪

♪ Pick up the gas and I run a good race ♪

♪ Buy me a pill and I fade like your face ♪

♪ Ready for you ♪

Get out! Move!

Okay, okay. Hey!

(OMINOUS MUSIC)

♪ ♪

Hey, girl.

- (DISTANT POLICE SIREN) - (INDISTINCT CHATTER)

(CAR ENGINE REVVING)

Watch it!

Is he coming?

We're good.

- (TIRE POPS) - (SPEAKING SPANISH)

We got a spare, but no jack.

See if someone will lend you one.

Need a hand?

Uh, thank you, officer. I already called AAA.

OFFICER: Uh-huh. How long they tell you it would take?

Oh, they said they're gonna send someone immediately.

(BOTH CHUCKLE) Out here, that means two hours.

You got a jack, I'll have you on your way in ten minutes.

Oh, actually, I don't one, sir.

Well, lucky for you, I have one.

Give me a sec, and we'll get you all squared away.

Oh, I don't want to trouble you, officer.

No trouble at all.

Grab the jack.

(SIGHS)

I used to have a ol' piece of crap Toyota in high school.

Between you and me, I lost my virginity in it.

DISPATCH: Attention, all patrols. We got a 215.

Two armed suspects in a gray Toyota.

Texas license Charlie, Echo, Seven-Niner...

Put your hands in the air! Do it now!

Put your hands behind your head and interlace your fingers.

OFFICER: Do you have any weapons on you?

I do. I'm permit.

Got him?

(SIREN WAILING)

Cuff him.

(SIREN WAILING)

(DOWNBEAT MUSIC)

♪ ♪

(CROWD MURMURING)

(KEYPAD CHIMING)

(LINE TRILLING)

POTE: Diga.

Ah! Hi, it's me.

It's 3:00 a.m., and I don't know where you are

so please call me.

(SOFT TENSE MUSIC)

♪ ♪

(WHISPERS) Shit.

A little bit longer.

(TAKES DEEP BREATH)

(TENSE MUSIC)

♪ ♪

I talked to the manager. She's in 140.

Let's do it.

(DARK MUSIC)

(INDISTINCT CHATTER)

Kelly Anne?

I'm sorry.

I got to her motel room, she was gone.

Kelly Anne!

(SOFT TENSE MUSIC)

(SHOUTS)

Devon's people grabbed her.

You told her to disappear. Maybe she did.

Maybe they got to the motel and she was already gone.

I hope to God.

(SOFT DRAMATIC MUSIC)

What about James?

I made some inquiries. Checked around like you asked.

Nothing.

Mm.

I'm taking a plea deal on the carjacking.

Five years.

Lawyer says I can get out in three to four years

for good behavior.

If I survive.

Can I do anything for you?

I can keep looking for Kelly Anne.

No.

If she did get away,

I don't want to risk you leading someone to her.

She's better off without me.

Take care of yourself, Chicho.

(BUZZER)

You always show up unannounced, cabrón?

(SNIFFLES)

You're not on the books for any meetings.

Can't you see I'm busy?

I can see that.

Yeah. Your man failed.

So I took matters into my own hands.

It's clear you have no intentions

of running your business like Teresa.

But at least try to be discreet.

I was discreet. I cut out his... tongue.

So the neighbors wouldn't hear his scream.

Turns out he didn't know where to find Pote.

He's been arrested.

He's being transferred to the state penitentiary this week.

Good.

Soon as he lands, we'll hit him.

He'll bleed out in the shower like the pig he is.

Is that not discreet enough for you?

Actually, I want you to stand down.

I thought you wanted all of Teresa's people dead.

- Pote isn't a risk. - BOAZ: Bullshit.

He could've talked, given us up,

gone into Witness Protection.

- But he didn't. - BOAZ: (SCOFFS)

If he's murdered now,

or worse, if your plan fails like the last one,

it could push him to talk.

You work for the... CIA.

The moment he talks,

you can make him disappear in five seconds.

This isn't a request.

Stand down.

♪ ♪

POTE: This looks like solitary.

GUARD: It's protective custody.

Warden got a tip about a threat on your life.

How long am I gonna be here for?

Till the threat goes away.

Cell 348 loading.

- (DISTANTLY) 348 loading. - (DOOR CLANKING)

So my whole sentence, then?

The warning came from high up. Someone's looking out for you.

I'd be thankful.

Lock it down!

GUARD: You heard him. Stand back.

- GUARD: Lights out! - GUARD: Lights out.

(METALLIC CLANK)

_

(BUZZER)

It's open.

Look at you, all flaco.

Yeah, that food was a disgrace.

We got to get you some new clothes.

No, you got to get me in front of a stove first.

Gonna make myself some carnitas,

and then we kill Boaz.

(PHONE RINGING)

That's a nice surprise.

Yeah.

Pote was released from prison today.

Yeah. Nobody's seen him.

He's with Chicho.

Old white man never let you into his club, huh?

Do you want him or not?

(CHUCKLES)

How much?

DUMAS: Well, that depends.

How much is it worth to you?

Not having to look over your shoulder?

You'll get a million and your life.

(CHUCKLES) Tonight.

My bar. He'll be here.

(DISCONNECT BEEPS)

(INDISTINCT CHATTER)

(SIGHS HEAVILY)

CHICHO: Got you a present.

Welcome home, cabrón.

No mames, guey.

(CHUCKLES)

That's a beauty. Gracias.

- De nada. - (SLIDES CLICKING)

I know you didn't want me to look for Kelly Anne,

but I did.

Couldn't find a trace.

(CAR DOORS CLOSE)

It's Dumas.

(SIGHS)

You look good. You slimmed down.

Mm-hmm. I'm at my fighting weight now.

- (CHUCKLES) - (SLAPS POTE'S SHOULDER)

Oof. Times have changed.

Chicho told me you lost the business.

DUMAS: Yeah.

Hard to make a living on whiskey and music alone.

Might as well go out with a bang.

Mm.

Boaz is coming by the bar tonight.

- We finish it, then. - Yeah.

- (GUNFIRE) - (GLASS SHATTERING)

Go, go! I'll cover you! Go!

Chicho!

We got to go, Pote.

Chicho!

It's a death trap! We got to go now!

- (GROWLS) - Come on!

Let's go.

We lost some good men. Everyone else is laying low.

Boaz knows you tried to set him up.

He's not gonna stop coming.

Yeah. I still got my people in Atlanta.

We can chill there till things cool down.

But we're out of options here.

Nah, there's one more play.

I throw myself to the wolves.

(CHICHO GROANS)

When I came to town, I left you alone.

I didn't come after you or your family.

And this is how you repay me?

Where's your little, putito friend, huh?

POTE: I'm here, cabrón!

BOAZ: (LAUGHS)

Yeah. I knew you had the balls, cabrón.

_

'cause you just showed up to your own funeral.

Came here to settle this once and for all.

Tenderize this bitch.

(POTE GROANING)

(BOAZ LAUGHING)

- BOAZ: Yeah. (LAUGHING) - (POTE GROANING)

Parese.

We can do it mano a mano, huh?

Sinaloa-style.

The sicario code, puto.

Nah, I should have killed you a long time ago.

Pote was a legend in Sinaloa.

If you don't accept his challenge...

(DARK MUSIC)

♪ ♪

Orale.

(MUTTERS)

Carve you like the pig you are, puto.

(SPEAKING SPANISH) _

(BLADE SCRAPES)

Let's dance.

- POTE: (GRUNTS) - BOAZ: (GROANS)

(CURSING UNDER BREATH)

(POTE GROANS)

- (POTE SCREAMS) - (DISSONANT NOTES)

(POTE GROANING LOUDLY)

Pote!

CHICHO: Pote!

(POTE SCREAMING)

Hey! (SPEAKING SPANISH)

- (LAUGHS) - (GROANING)

_

(HENCHMEN LAUGHING)

(SHOUTING IN SPANISH)

(SPEAKING SPANISH)

_

BOAZ: You ready, cabrón?

(GRUNTS)

(BOAZ SCREAMS)

Son of a bitch.

- Pote! - For George!

Kelly Anne!

(WET COUGHING)

For Teresa.

(WHEEZES)

(WET COUGHING)

_

Huh? Huh!

Ven, Chico.

(BOTH GROANING)

CHICHO: Aah...

(PANTING)

(SOFT DRAMATIC MUSIC)

♪ ♪

(GROANS SOFTLY)

Sorry I'm late.

I had to wrap some business in town.

How you feeling?

I'm okay. You?

I'll live.

Guessing this is goodbye.

I'm going to disappear.

But before I leave...

I wanted to give you this.

POTE: I had to wait until Boaz was out of the picture.

- What is it? - POTE: It's a gift.

And a reminder

that after what you and Teresa went through,

she still considered you family.

The bar is yours again, Chicho. Just like Teresa wanted.

Adios, amigo.

I won't see you again?

Don't look for me.

(ENGINE TURNS OVER)

What is it?

She left me the waterfront property.

And all the money to complete the project.

I'm gonna need some help.

We'll build the headquarters of the P-triple-C.

Penthouse maybe.

(SOFT MUSIC)

♪ ♪

That's a pretty castle.

You know what your castle needs?

A little soldier to protect it.

Look, I carved this myself.

- Gracias. - De nada.

Mommy, look what that man gave me.

(GASPS)

(KELLY ANNE SOBBING) Oh, my God!

(SWELLING ORCHESTRAL MUSIC)

♪ ♪

I missed you so much.

Look at you.

You left half of you in the States.

- You like? - I don't not like it.

(CHUCKLES)

Lena baby, this is your papi.

Papi?

That's right. I am your papi.

And I'm sorry that I haven't been around.

But I will never leave again. I promise.

♪ ♪

Can you build me a dog for my castle?

(KELLY ANNE LAUGHS)

I can build you whatever you want.

You want to show him?

So a little toy soldier, huh?

You were hoping for a boy, still?

Nah.

I love my beautiful daughter.

(KELLY ANNE SOBBING)

LENA: Oh, I have some burritos inside we can share.

- KENNY ANNE: (GASPS) - POTE: Oh, that's so nice.

KELLY ANNE: How long has it been since you had a burrito?

POTE: (SIGHS) Over four years.

KELLY ANNE: Go play inside. Okay. Go, go, go.

What took you so long?

(TENSE MUSIC)

(CAR ALARM BLARING)

What's going on out here?

(CAR ALARM BLARING)

(KNOCK AT DOOR)

JAMES: It's James.

Is Pote with you?

No. We need to leave right now.

Okay.

Thank you for saving Kelly Anne, brother.

Of course, brother.

TERESA: Welcome home.

(SWELLING ORCHESTRAL MUSIC)

♪ ♪

(GRUNTS) Teresita.

TERESA: Hola.

You look good.

You look different.

Four years.

It's better late than never. Your plan worked, Teresita.

You know that Devon is not just gonna let you walk away.

People don't do that in this business.

It's either prison or death, the only way out.

I'm not going to prison.

Devon's gonna ask James to kill me,

and he's gonna say yes.

You're gonna disappear?

Prison or death. It's the only way.

Orale. What's the plan?

Samara's gonna come with us. She'll be a good witness.

(SNORTS)

(SLOW DRAMATIC MUSIC)

POTE: Teresa!

Get out. Get out!

TERESA: The officials in Belize will help sell it.

They're gonna get paid

and Devon will get the proof that he needs.

♪ ♪

(ENERGETIC MUSIC)

♪ ♪

TERESA: From there, I'll escape by sea.

I already bought a boat along with the captain.

He's been on standby for two years.

You need to take Teresa's ashes to Mexico

to convince Devon she's dead,

then I'll meet you and Kelly Anne at Texas.

We leave the U.S. from there.

You thought of everything.

I'm sorry you missed so much time with your daughter.

If something had to go wrong, rather be in my end.

So Teresa's plan worked, and we're safe.

Only if it's finished.

Boaz is dead.

What about Marcel and Chicho?

They don't suspect a thing.

- Now... - (CLAPS)

Put me in front of a kitchen. Put me to work.

(CHUCKLES) Actually,

I'm cooking for you tonight.

- Hmm? - I know!

A lot has changed in four years.

You have a daughter,

she's been taking cooking lessons,

- and this one surfs. - POTE: Mm.

Well, we're living a quiet life.

(CHUCKLING)

You should rest. I'll start on dinner.

Will you mírala, mírala?

Just because you know how to scramble a few eggs

doesn't mean you're gonna get rid of me again.

I'll never make the mistake again, ever.

(LAUGHTER)

KELLY ANNE: Finally got her to go to sleep.

She was just so excited to see you.

POTE: Aww. She's gorgeous.

I know.

Is this the widow's soup that I was trying to learn

- when we were in Malta? - TERESA: Mm-hmm.

Mm. It looks good.

Let me see.

- Mmm, mmm! - TERESA: (CHUCKLES)

- (SPEAKING SPANISH) - TERESA: Gracias.

Oh, you got to teach me how to do this.

Mm. I will.

Luckily Teresa took to cooking

'cause if it were up to James and I,

we probably would have starved.

- (LAUGHTER) - That's true.

(LAUGHTER)

You know, I just realized...

this is the first time that we have all sat down together

to eat as a family.

We're so happy to have you back.

POTE: It's good to be back.

KELLY ANNE: Isn't she beautiful?

POTE: Yes, she is.

(CHATTER CONTINUES)

(SOFT MUSIC)

♪ ♪

You okay?

Yeah.

Mmm.

(KELLY ANNE CHATTERING)

A toast.

POTE: Mm-hmm.

- To a new life. - POTE: To a new life.

- POTE: Salud. - KELLY ANNE: Salud.

(LAUGHTER)

(STIRRING MUSIC)

♪ ♪

TERESA: So what do you think?

Not exactly what you expected, right?

I wasn't lying when I said I would be dead in 30 seconds.

That Teresa did die.

But she wasn't murdered by an enemy or a rival.

She was killed by me,

a money changer from Culiacán,

who defied all odds to survive.

They said that prison or death were my only options.

But what do they know?

I chose life.

(PROJECTOR CLICKING)

(FANFARE)

(ORCHESTRAL NOTES)