Original subtitles

Man: GOOD MORNING, MR. PHELPS.

THE MAN YOU ARE LOOKING AT IS COLONEL MARKUS VON FRANK,

WHO HAS LED THE RECENT RESURGENCE OF THE NEO-NAZIS.

OTTO KELMANN,

HEAD OF THE LARGEST MUNITIONS PLANT IN ALL EUROPE,

IS PREPARING TO TURN OVER TO VON FRANK

COMPLETE CONTROL OF HIS VAST INDUSTRIAL EMPIRE.

WITH SUCH A HUGE FINANCIAL BASE,

THERE'S NO QUESTION

THAT VON FRANK COULD BECOME A SECOND ADOLF HITLER,

FANATICALLY DEDICATED TO THE OVERTHROW OF DEMOCRACY

WHEREVER IT EXISTS.

YOUR MISSION, JIM, SHOULD YOU DECIDE TO ACCEPT IT,

IS TO STOP KELMANN AND VON FRANK.

AS ALWAYS, SHOULD YOU OR ANY OF YOUR I.M. FORCE

BE CAUGHT OR KILLED,

THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS.

THIS RECORDING WILL SELF-DESTRUCT IN FIVE SECONDS.

GOOD LUCK, JIM.

[ SIZZLING ]

Jim: OTTO KELMANN... LAST SURVIVOR OF A DYNASTY

THAT SUPPLIED MUNITIONS

TO THREE GENERATIONS OF WARMAKERS.

HE CERTAINLY DOESN'T LOOK VICIOUS.

HE'S A QUIET, CULTURED GENTLEMAN.

SHUNS PUBLICITY, PREFERS SOLITUDE

TO THE COMPANY OF MOST PEOPLE.

EVEN GOES TO THE PARK JUST TO BE ALONE.

HE SOUNDS LIKE A MONK.

WELL, NOT QUITE.

THIS IS THE LATE MRS. OTTO KELMANN.

SHE DIED IN 1932.

HE WAS VERY MUCH IN LOVE WITH HER.

THEY HAD ONLY BEEN MARRIED FOR THREE YEARS

WHEN SHE WAS MURDERED

BY NO LESS A MAN THAN ADOLF HITLER.

WELL, IT WAS A QUICK AND VERY QUIET INQUEST.

HERR KELMANN LIED FOR HIS FUHRER,

AND THEY CALLED IT SELF-DEFENSE.

SO WE'RE GOING TO TRY TO REAWAKEN

SOME OLD MEMORIES IN KELMANN.

YES. NOW, YOU ALL CHECKED OUT

ON THE PHOTOGRAPHIC GEAR, CINNAMON?

FROM TAKING THE PICTURES TO MAKING ENLARGEMENTS.

WILLY?

I'VE GOT THE PROJECTOR, FILM, AND UNIFORMS

ALL LINED UP.

MM-HMM. AND YOU'RE SET ON THE PROPERTY WAREHOUSE?

A COUPLE OF MY THEATER FRIENDS HAVE TAKEN CARE OF IT.

WHAT I'LL HAVE TO KNOW WHAT THE ROOM LOOKED LIKE

AND WHERE THE PEOPLE WERE PLACED.

WELL, CINNAMON WILL GET THAT

OUT OF KELMANN'S OLD RECORDS

AND PHOTOGRAPHS ONCE SHE'S IN THE HOUSE.

WHICH BRINGS US TO VON FRANK.

I JUST GOT A REPORT ON HIM.

A TEAM OF PSYCHIATRISTS

WENT OVER HIS MEDICAL HISTORY

FROM BEGINNING TO END, AND THEY ALL AGREE.

THEY CALL HIM A MARGINAL MANIC-DEPRESSIVE

AND A DEEPLY PSYCHOTIC PARANOID.

IS THAT GOOD OR BAD? FOR US, I MEAN.

A LITTLE OF BOTH.

IT'S GOING TO BE DIFFICULT

FOR ME TO GAIN HIS CONFIDENCE,

BUT I THINK ONCE I DO, HE'LL BE PREDICTABLE.

WELL, AT LEAST HE'S EXPECTING YOU.

HIS LETTER SAID HE WAS LOOKING FORWARD

TO A VISIT FROM A MEMBER OF THE AMERICAN NAZI CORPS.

HEIL!

MAGNIFICENT. ABSOLUTELY MAGNIFICENT.

IN ONLY TWO ELECTIONS,

WE HAVE GAINED 15 SEATS.

HERR KELMANN, THE PARTY IS ON THE MOVE.

THERE IS NO ONE WHO CAN POSSIBLY STOP US NOW.

I HOPE YOU'RE RIGHT.

I AM. I KNOW I AM.

YOU HAVEN'T MET WITH THE PEOPLE AS I HAVE, HERR KELMANN.

YOU DON'T QUITE KNOW THEM AS I DO --

ESPECIALLY THE YOUNG ONES.

YOUNG PEOPLE ARE THINKING.

THEY NO LONGER WANT TO BE LED.

THEY WANT TO LEAD. THEY WANT TO TAKE.

WE MUST GIVE, TOO, REMEMBER.

WE MUST GIVE BACK TO THE WORLD AGAIN

THE INSPIRATION, THE LEADERSHIP, THE COURAGE

THAT IT'S OUR DUTY TO GIVE.

WHAT'S THE MATTER WITH YOU?

I THOUGHT WE WERE BEING FOLLOWED.

OH, YOU WORRY ABOUT EVERYTHING.

SOMEWHERE, SOMEONE IS ALWAYS ATTEMPTING

TO PLOT AGAINST MY LIFE.

UNFORTUNATELY, I CAN TRUST NO ONE, HERR KELMANN.

EXCEPT, OF COURSE, YOU, MY FRIEND.

YOU KNOW I OWE YOU EVERYTHING.

ONE DAY, THE WORLD SHALL KNOW

OF YOUR GENEROSITY.

BY THE WAY, HERR KELMANN,

YOU MADE THE FINAL ARRANGEMENTS, AS YOU PROMISED?

I TELL YOU, EVERYTHING IS TORN UP.

MY LAWYER MUST BE HERE TO WITNESS WHAT I SIGN.

HE'LL BE BACK IN THE CITY ON MONDAY.

GOOD. OH, MY OFFICE IS RIGHT HERE.

STAY WITH HIM, AND DON'T LET HIM OUT OF SIGHT

UNTIL THOSE PAPERS ARE SIGNED.

I UNDERSTAND, COLONEL.

GOOD.

KARL, I FEEL LIKE A BIT OF FRESH AIR.

THE USUAL PLACE, PLEASE.

MAJOR RICHARD DUNHILL,

AMERICAN NAZI CORPS, AT YOUR SERVICE, SIR.

WELCOME, MAJOR. I'VE BEEN EXPECTING YOU.

COLONEL VON FRANK.

IT HAS BEEN A LONG, LONG TIME

SINCE I HAVE LAST ENTERTAINED

ONE OF OUR AMERICAN FRIENDS.

PLEASE, HAVE A SEAT.

THANK YOU. YOU ARE MOST KIND, SIR.

BUT I DIDN'T COME HERE JUST TO BE ENTERTAINED.

I'M HERE ON A VERY SERIOUS MATTER.

OH? WHAT IS IT?

COLONEL, THE AMERICAN NAZI MOVEMENT IS FLOUNDERING.

OUR MEMBERSHIP IS DOWN.

THE TREASURY IS DEPLETED.

WE HAVE NO STRENGTH, NO POWER.

WE HAVE NO LEADER.

THAT IS WHY I HAVE COME TO YOU PERSONALLY, SIR.

SO WHAT CAN I DO FOR YOU?

OUR PEOPLE NEED INCENTIVE.

INCENTIVE, COLONEL, AND ABOVE ALL, ORGANIZATION.

THEY MUST BE UNITED BEHIND A MAN

WHO CAN INSPIRE THEM, WHO CAN LEAD THEM.

I THINK I MIGHT BE THAT MAN, SIR.

BUT I CANNOT POSSIBLY ACHIEVE IT

BY MYSELF.

I MUST HAVE THE ONE GREAT ADVANTAGE

THAT NO AMERICAN NAZI HAS EVER HAD BEFORE.

MY PEOPLE MUST KNOW THAT I AM YOUR PERSONAL CHOICE,

THAT MY ORDERS COME DIRECTLY FROM

COLONEL MARKUS VON FRANK HIMSELF.

[ CAROUSEL MUSIC PLAYING ]

YOU SEE, MAJOR, WHAT YOU'RE ASKING ME,

I CAN ONLY GIVE ONCE.

AND IT MUST BE TO THE RIGHT MAN.

ARE YOU A MAN OF COURAGE, MAJOR?

YES. I AM.

I MUST KNOW THAT, YOU SEE.

YOU SEE, MAJOR, WE, HERE, FOR THE PAST 500 YEARS,

HAVE BEEN ANSWERING THE QUESTION OF COURAGE

THE SAME WAY.

WITH A BLADE.

HEINZ!

PLEASE ASSIST THE GENTLEMAN.

SWORD, PLEASE.

REMOVE YOUR COAT AND YOUR TIE,

AND ROLL UP YOUR SLEEVE, MAJOR.

HEINZ WILL SUPERVISE.

PUT THIS ON, PLEASE.

COLONEL, I HAVEN'T DONE THIS BEFORE, YOU KNOW.

IT DOESN'T REALLY MATTER, MAJOR.

IT'S NOT A QUESTION OF SKILL.

IT'S A QUESTION OF STRENGTH AND COURAGE.

[ MUSIC CONTINUES ]

THANK YOU.

I'LL ONLY BE ABOUT 10 MINUTES.

WAIT FOR ME, KARL.

YES, SIR.

YOU STAND FACING EACH OTHER,

ONE BLADE LENGTH SEPARATING US.

LEFT HAND BEHIND YOUR BACK.

AT HEINZ'S FIRST COMMAND,

OUR BLADES WILL TOUCH ABOVE OUR HEADS.

AT HIS SECOND COMMAND,

WE SHALL COMMENCE THE ATTACK.

IS THAT CLEAR?

YES.

YOUR BLADE, MAJOR.

THIS IS 20 THICKNESSES OF SURGICAL GAUZE,

QUITE ENOUGH TO PROTECT THE VITAL AREA.

NOW, MAJOR.

TO PARRY A HEAD-CUT, YOU GOT LIKE THIS.

TO PARRY A CHEEK-CUT, YOU GO LIKE THIS.

ARE YOU READY TO COMMENCE, MAJOR?

YES.

NOW, MAJOR,

A MAN OF COURAGE DOES NOT TAKE A BACKWARDS STEP,

NO MATTER WHAT.

WE SHALL COMMENCE AND HALT AT HEINZ'S COMMAND.

UNLESS THERE'S A SERIOUS WOUND,

WE SHALL DO IT FOUR TIMES.

ARE YOU READY?

OPEN UP!

LOFT!

HALT!

[ MUSIC CONTINUES ]

GOOD AFTERNOON.

[ With German accent ] NO, DO NOT SIT DOWN.

WHY NOT?

FIND ANOTHER BENCH.

PLEASE, I HAVE BEEN WAITING ALL AFTERNOON

FOR THIS LIGHT.

YOU MUST FIND ANOTHER PLACE TO SIT.

BUT I USE THIS SEAT VERY NEARLY EVERY AFTERNOON

AT THIS TIME.

I SUGGEST YOU TAKE YOUR PHOTOGRAPHS SOMEWHERE ELSE.

NO, NO. I WAS HERE FIRST.

AND BESIDES, WHAT IS MORE IMPORTANT?

A NOBODY SITTING ON THIS BENCH,

OR A BRILLIANT PHOTOGRAPHIC STUDY?

A NOBODY? ME, EH?

AND YOU, A GREAT GENIUS, I SUPPOSE.

OF COURSE.

NOW, PLEASE.

I HAVE WASTED ENOUGH TIME TALKING.

I AM LOSING MY LIGHT.

PLEASE, WHY DON'T YOU GO AND HAVE A DRINK

AND COME BACK IN AN HOUR.

WITHOUT DOUBT, YOU ARE THE MOST RUDE YOUNG PERSON

I HAVE EVER MET IN MY LIFE.

ALL RIGHT.

I WILL HAVE TO WORK AROUND YOU.

HOCH, BITTE!

LOS!

HALT!

WOULD YOU TEND TO HIS WOUND, PLEASE?

BRAVO, MAJOR.

VERY WELL DONE, INDEED.

THANK YOU.

YOU DIDN'T SPILL A DROP, MAJOR.

PROSIT TO THE AMERICAN NAZI CORPS.

TO OUR PARTY.

NOW, COLONEL. DO I GET YOUR ENDORSEMENT?

WELL...WE'LL SEE.

IN THE MEANTIME, WHAT CAN I DO FOR YOU

WHILE YOU ARE HERE?

LET ME WORK WITH YOU.

I WANT TO LEARN EVERYTHING I CAN.

ONE DAY, I WANT TO BE KNOWN

AS THE VON FRANK OF AMERICA.

I SUPPOSE YOU HAVE AS MUCH RIGHT TO THIS BENCH

AS I DO, BUT YOU SEE,

I HAVE BEEN WAITING FOR THREE HOURS

FOR THE SHADOWS.

IS PHOTOGRAPHY VERY IMPORTANT TO YOU?

SHH!

THIS IS A STILL LIFE, REMEMBER?

TELL ME, FRAULEIN,

DO YOU ALWAYS WEAR YOUR HAIR THAT WAY?

WHY? YOU DON'T LIKE IT?

NO, IT'S VERY BECOMING,

BUT ISN'T IT JUST A LITTLE OLD-FASHIONED

BY TODAY'S STANDARDS?

WELL, I LIKE IT.

AHH!

OH, WHAT HAPPENED?

OH, NOW LOOK WHAT YOU HAVE DONE.

OH, I WILL HAVE TO GO HOME.

I WILL NOT GET MY PICTURE.

PLEASE, LET ME HELP YOU.

NO, YOU HAVE DONE ENOUGH.

OH, HOW AM I GOING TO GET HOME THIS WAY?

DON'T WORRY ABOUT THAT. I WILL DRIVE YOU HOME.

MY CAR IS JUST OVER THERE. KARL!

THIS WON'T TAKE A MINUTE. WILL THIS UNDO LIKE THAT?

JUST FOLD IT UP.

OH, YES. THAT'S RIGHT.

AH, KARL, TAKE THESE, PLEASE, WILL YOU?

THANK YOU VERY MUCH.

NOW GET IN. LET ME HELP YOU.

LET ME TAKE THIS. BUT, UH...

NO, YOU'LL BE PERFECTLY SAFE.

BY THE WAY, WHERE DO YOU LIVE?

22 LODENSTRASSE.

22 LODENSTRASSE, KARL. DID YOU HEAR THAT?

BUT I DON'T EVEN KNOW YOUR NAME.

I'M A NOBODY, REMEMBER?

WILLY, PUT THE SCREEN OVER THERE.

RIGHT.

OKAY, SWITCH IT ON.

[ WHIRRING ]

CONGRATULATIONS, FRAULEIN.

YOU CERTAINLY HAVE A TALENT FOR PHOTOGRAPHY.

I WILL BELIEVE THAT WHEN I BEGIN TO SELL MY WORK.

OH, YOU MUST GIVE YOURSELF TIME, YOU KNOW.

TIME? I HAVE BEEN STUDYING HERE AT THE ACADEMY

OVER A YEAR ALREADY.

I DON'T KNOW HOW IT WAS WHEN YOU WERE YOUNG...

BUT I OCCASIONALLY LIKE TO EAT.

OH, I DON'T THINK THINGS HAVE CHANGED MUCH

SINCE MY DAY.

DO YOU KNOW THAT WHEN I FIRST MET MY LATE WIFE,

SHE WAS A STUDENT OF PHOTOGRAPHY.

SHE WAS?

YEAH.

I WOULD LIKE TO ASK YOU SOMETHING.

DID SHE EVER THINK ABOUT GIVING IT UP

AND PURSUING ANOTHER LINE OF WORK?

GIVING IT UP? OH!

NOW I COME TO THINK OF IT,

SHE ONCE VERY SERIOUSLY THOUGHT OF BEING A SALESGIRL.

YOU ARE MAKING A JOKE.

NO.

THAT IS INCREDIBLE.

WHY, ONLY THIS MORNING, I WAS LOOKING UP JOBS.

LOOK.

LOOK AT THE ONLY ONE WHICH I CHECKED OFF.

OOH! SALESGIRLS, KREIGER DEPARTMENT STORE.

WHAT A COINCI--

WELL, IF YOU EXCUSE ME,

I THINK I MUST BE GOING.

YOU KNOW, YOU YOUNG PEOPLE ALWAYS HAVE SO MUCH TO DO.

NO, PLEASE STAY. PLEASE.

I OWE YOU AN APOLOGY.

MY BEHAVIOR IN THE PARK THIS AFTERNOON -- IT WAS RUDE.

IT WAS ATROCIOUS.

OH, NO. IT'S WHAT THEY CALL THE ARTISTIC TEMPERAMENT.

YOU OWE ME NOTHING.

OH, BUT I DO.

I HAVE A CONFESSION TO MAKE.

SINCE YOU ARE HERE, I RECOGNIZE YOU.

I ALWAYS THOUGHT THAT PEOPLE SO FAMOUS

WERE COLD AND HARD AND DIFFICULT TO TALK TO,

BUT INSTEAD, I FIND YOU ARE EASY TO TALK TO.

THANK YOU.

WHAT I AM TRYING TO SAY IS THAT --

[ TELEPHONE RINGS ]

[ RINGS ]

[ RINGS ]

EXCUSE ME.

[ RINGS ]

[ RINGS ]

HELLO? HELLO?

OH, IT'S YOU.

I ASKED YOU NOT TO CALL HERE AGAIN.

NO, I CAN'T.

NO, I CAN'T TALK.

ERIK, I WARNED YOU YOU WOULD BE IN TROUBLE.

NO, ABSOLUTELY NOT. NO.

I WON'T BE HERE. I AM GOING OUT RIGHT NOW.

DO YOU HEAR ME, ERIK?

PLEASE. LEAVE ME OUT OF THIS.

IS THERE SOMETHING WRONG, FRAULEIN?

NO.

I AM AFRAID YOU MUST GO.

FRAULEIN, WHAT IS IT?

I WOULD RATHER NOT DISCUSS IT.

IS THERE ANYTHING I CAN DO TO HELP YOU?

NO.

PLEASE, GO.

[ SIGHS ]

[ TELEPHONE RINGS ]

[ RINGS ]

[ RINGS ]

[ RINGS ]

YOU ARE COMING WITH ME.

[ RINGS ]

OH...OH, YES. ALL RIGHT. MAYBE IT IS BETTER.

HE MUST NOT FIND ME HERE ALONE.

I WILL BE NO BOTHER.

YOU WILL DROP ME AT THE NEAREST RESTAURANT.

WOULD YOU DO THAT FOR ME?

OH, I WILL DO MORE THAN THAT.

YOU WILL HAVE DINNER AT MY HOUSE WITH ME.

WE WILL DISCUSS YOUR FUTURE.

DO YOU KNOW, I HAVE BEEN ASKED

TO WRITE A BOOK ABOUT MYSELF?

PICTURES WILL BE NEEDED.

YOU ARE OFFERING ME A JOB?

OF COURSE!

WAIT! I WILL NEED MY CAMERAS.

[ TELEPHONE RINGING ]

COME ALONG.

[ RINGS ]

[ Rings ]

DID YOU ENJOY YOUR DINNER?

I HAD FORGOTTEN FOOD LIKE THIS EXISTS.

[ LAUGHING ]

NOW, THEN.

TELL ME ABOUT THAT YOUNG FRIEND OF YOURS.

THE ONE WHO TELEPHONED AND FRIGHTENED YOU SO MUCH.

THERE IS NOT MUCH TO TELL.

HE IS A STUDENT.

A FEW MONTHS AGO,

HE MADE SOME SPEECHES AT THE ACADEMY

AND WROTE SOME ARTICLES ABOUT THE NEO-NAZIS.

FOR THEM OR AGAINST THEM?

AGAINST THEM, OF COURSE.

YOU KNOW, SOMETIMES I WONDER

WHETHER YOU YOUNG PEOPLE TAKE THE TROUBLE

TO SEPARATE THE PRINCIPLES OF NAZISM

FROM THOSE MADMEN WHO, IN ITS NAME,

MURDERED MILLIONS OF INNOCENT PEOPLE

AND ALMOST DESTROYED OUR COUNTRY.

BUT THEN, IF THESE MEN ARE SO DIFFERENT,

WHY, THEN, IS MY FRIEND'S LIFE IN DANGER?

OH, I DON'T THINK IT IS.

LIKE MOST YOUNG MEN,

HE PROBABLY HAS A VIVID IMAGINATION,

BUT I DON'T THINK HE IS IN REAL DANGER.

YOU KNOW, THE NAZIS OF TODAY ARE NO LONGER --

NO LONGER GANGSTERS AND PSYCHOPATHS.

THEY ARE DEDICATED MEN, BELIEVE ME.

PERHAPS YOU ARE RIGHT.

SOMEHOW, JUST THE MENTION OF THE WORD "NAZI"

MAKES MY BLOOD RUN COLD.

HEIL! HEIL! HEIL!

[ HITLER SPEAKING GERMAN ]

SIEG HEIL!

Cinnamon: WHAT A NICE PORTRAIT.

Kelmann: MY WIFE.

SHE'S LOVELY.

SHE MUST HAVE MADE YOU VERY HAPPY.

WELL, IT HAS BEEN AN EVENING

I SHAN'T SOON FORGET.

THANK YOU.

BUT I REALLY MUST BE STARTING FOR HOME.

OH, NONSENSE. YOU ARE STAYING HERE TONIGHT.

OH, BUT I --

YES, I'M A LITTLE BIT WORRIED ABOUT YOU.

I THINK IT WOULD BE WISER

FOR YOU TO STAY HERE TONIGHT.

THANK YOU, HERR KELMANN.

WITH THE NUMBER OF SEATS THAT WE NOW HOLD,

WE REPRESENT ABOUT 6% OF THE CONTROLLING FACTOR.

[ TELEPHONE RINGS ]

EXCUSE ME. HAVE A SEAT, MAJOR.

THANK YOU.

[ RINGS ]

YEAH, HELLO?

IT'S KARL. I HAVE SOMETHING TO REPORT.

WHAT IS IT?

HERR KELMANN HAS MET A GIRL.

GIRL? WHO IS SHE?

I DON'T KNOW. HE MET HER AT THE PARK TODAY.

YOU THINK SHE MAY MEAN TROUBLE?

HE SEEMS TO LIKE HER.

SHE'S SPENDING THE NIGHT.

I'LL BE THERE TOMORROW MORNING.

SO...

[ SPEAKING GERMAN ]

HE WAS QUITE A HAM.

ROLL THAT PIECE BACK AGAIN.

[ REWINDING ]

RIGHT THERE.

[ HITLER SPEAKING GERMAN ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

[ SHUTTER CLICKS ]

WHAT ARE YOU DOING HERE, FRAULEIN?

I ASKED YOU, FRAULEIN, WHAT ARE YOU DOING HERE?

FRAULEIN, YOU REALLY MUST TRY AND EXPLAIN TO ME

WHAT YOU ARE DOING DOWN HERE.

I WAS TAKING PICTURES.

YOU SEE, I COULDN'T SLEEP.

I WAS...

WORRIED ABOUT WHAT HAPPENED BEFORE,

AND AT THE SAME TIME,

EXCITED ABOUT THIS OPPORTUNITY YOU HAVE GIVEN ME.

I LAY THERE THINKING, AND PRETTY SOON,

PICTURE AFTER PICTURE WAS COMING INTO MY HEAD,

AND THEN THERE WAS NOTHING TO DO

EXCEPT COME DOWN HERE AND TAKE THOSE PICTURES.

THAT'S ALL THERE WAS TO IT.

YOU WERE TAKING PICTURES IN THE DARK?

NO. I WAS TAKING FLASH PICTURES.

I'M SORRY. I DON'T QUITE UNDERSTAND.

I WAS TAKING PICTURES OF THAT BUST.

YOU SEE, IT WAS AN EXPERIMENT.

WHAT I WANTED WAS FOR THE HEAD

TO BE SCULPTURED WITH LIGHT,

FOR THERE BE TWO SHADOWS ON THE FACE,

AND THE BACKGROUND TO BE TOTALLY BLACK.

I GUESS IT WAS FOOLISH OF ME.

YOU CAN GO BACK TO BED, KARL.

BUT HERR KELMANN --

I SAID YOU COULD GO, KARL.

I SUGGEST WE ALL GO BACK TO OUR BEDS

AND FORGET ALL ABOUT THIS.

BUT PERHAPS IT WOULD BE WISER, IN THE FUTURE,

IF YOU WOULD CONFINE YOUR PICTURE-TAKING

TO THE DAYLIGHT HOURS.

HERR KELMANN LIVES WELL.

HE IS A VERY RICH MAN, MAJOR.

VERY RICH.

GOOD MORNING.

GOOD MORNING, SIR.

KARL, WOULD YOU BE SO KIND AS TO ANNOUNCE MYSELF

AND MAJOR RICHARD DUNHILL FROM AMERICA, PLEASE.

YES, SIR. SIR, MAY I SPEAK TO YOU A MOMENT?

YES. EXCUSE ME, MAJOR.

WHAT IS IT?

I CAUGHT THE GIRL LAST NIGHT TAKING PICTURES.

THANK YOU.

Kelmann: COME IN!

[ SHUTTER CLICKS ]

WHAT IS IT, KARL?

COLONEL VON FRANK TO SEE YOU, SIR.

HE'S WITH AN ASSOCIATE -- AN AMERICAN.

OH. NO, NO, NO.

PLEASE, LET WHOEVER IT IS WAIT.

THE MORNING LIGHT IS TOO PERFECT TO LOSE.

VERY WELL.

KARL, I'LL ONLY BE A MOMENT OR TWO.

COME WITH ME, MAJOR.

TERRIBLY SORRY TO INTERRUPT SUCH AN IMPORTANT CONFERENCE.

NO, IT'S ALMOST OVER.

LET ME INTRODUCE FRAULEIN LISTER.

OTTO, THIS IS MAJOR RICHARD DUNHILL

FROM THE AMERICAN NAZI CORPS.

A GREAT HONOR, SIR.

THANK YOU, MAJOR.

WHAT IS THIS? WHAT ARE YOU DOING?

IT IS MY JOB. DON'T LOOK SO SERIOUS.

GIVE ME THAT CAMERA.

NO, PLEASE. PLEASE, COLONEL.

I WANT THAT CAMERA!

YOU HAVEN'T GIVEN ME A CHANCE TO EXPLAIN.

I WANT THAT FILM! GIVE ME THAT FILM!

LEAVE IT TO ME.

GIVE ME THE CAMERA.

OTTO, HOW CAN YOU POSSIBLY ALLOW THIS?

COME, LET'S HAVE A SEAT. PLEASE, PLEASE.

ARE YOU ALL RIGHT?

LOOK OUT FOR KARL. HE'S VON FRANK'S MAN.

IS THIS EVERYTHING? MM-HMM.

OTTO, WHO IS SHE? GET RID OF HER!

WE CANNOT AFFORD THESE MISTAKES.

IT DOESN'T MATTER WHO SHE IS. DON'T GET SO EXCITED.

WHAT IF MY ENEMIES FOUND OUT ABOUT OUR CONNECTION?

THESE PICTURES COULD RUIN US.

I PROMISE, I'LL MAKE SURE SHE SAYS NOTHING.

TWO OF THESE TABLETS WILL PUT HIM UNDER.

HYPODERMIC IS THE ANTIDOTE.

IF VON FRANK ASKS FOR FILM...

GIVE HIM THIS.

WELL, GOODBYE, HERR KELMANN.

VERY GREAT PLEASURE, MAJOR.

I SHALL SEE YOU ON MONDAY.

MONDAY? FINE, FINE.

VERY GOOD.

Cinnamon: NO, NO, PLEASE STAY RIGHT THERE.

THAT WILL MAKE A LOVELY PICTURE.

YES, LET'S SEE. AGAINST THE SKY, LIKE THAT.

HERE? YES.

WHAT'S THE MATTER?

THAT'S NICE.

SOMETHING'S BAD HERE.

SOMETHING IS VERY WRONG.

THAT GIRL -- I-I DON'T KNOW.

WHAT DO YOU MEAN?

SOMEHOW, I FEEL SHE'S AN ENEMY...YOUR ENEMY.

ONE UP AT THE HOUSE?

HERE? OH, YES.

YES. THAT'S IT. THAT'S GOOD.

RIGHT HERE. STAY RIGHT HERE.

THAT'S GOOD, VERY GOOD.

THAT'S ENOUGH?

Rollin: THE ROOM IS ALMOST PHYSICALLY THE SAME,

EXCEPT FOR THE FURNITURE.

Willy: THIS PICTURE SHOWS THE EXACT PLACEMENT

OF ALL THE FURNITURE.

AND THIS IS THE SOUTH WALL.

I THINK THE BIG PROBLEM IS GOING TO BE THE WALL

HE'S KNOCKED OUT AND REPLACED WITH THE WINDOWS.

THE REST OF THE STUFF WE CAN FIND

PRETTY MUCH IN THE STOCK HERE.

DON, SEE IF YOU CAN FIND A TABLE THAT LOOKS LIKE THAT.

THANK YOU, KARL.

CREAM AND SUGAR?

NO CREAM. JUST A LITTLE SUGAR, PLEASE.

THANK YOU.

I CANNOT WAIT TO DEVELOP THE PICTURES I TOOK TODAY.

I THINK YOU WILL FIND THEM EXCITING.

I'M SURE I SHALL.

OH, THANK YOU, THANK YOU.

AH, GOOD. JUST RIGHT.

Von Frank: YES. YES.

SHE'S STAYING WITH KELMANN.

TRUE. YEAH. YEAH.

EXCELLENT.

THAT WOULD BE A VERY GREAT FAVOR, INDEED.

YES.

OH...IF YOU FIND OUT ANYTHING, ANYTHING AT ALL,

WOULD YOU BE SO KIND AS TO INFORM ME IMMEDIATELY?

[ KNOCK ON DOOR ]

GOOD.

THANK YOU. GOODBYE.

I LOCATED THE GIRL'S LANDLADY.

AND?

SHE RENTED THE APARTMENT ONE WEEK AGO.

HE LIED TO ME!

KELMANN LIED TO ME!

HE TOLD ME THAT GIRL HAD BEEN AT THE ACADEMY,

STUDYING THERE FOR NEARLY ONE YEAR.

THAT'S WHAT SHE TOLD HIM. SHE LIED TO HIM.

I WANT TO KNOW EVERYTHING ABOUT THE GIRL.

DO YOU UNDERSTAND? EVERYTHING!

YES, SIR.

AND NO LATER THAN TONIGHT, DO YOU UNDERSTAND?!

YES, SIR!

FROM THE MATERIAL YOU HAVE LET ME SEE

ABOUT YOUR BIOGRAPHY,

I THINK THAT THE PICTURES WE HAVE DONE

ARE GOING TO WORK --

[ BANGS ON DOOR ]

HE SEEMS COMPLETELY OUT.

YEAH, HE IS. THAT'S THE WAY THE DRUG WORKS.

IN ABOUT 10 MINUTES,

HE'LL COME AROUND TO A KIND OF TWILIGHT SLEEP.

HE'LL STAY THAT WAY TILL WE GIVE HIM THE ANTIDOTE.

ANYTHING?

NOTHING YET AT ALL.

WE'VE GOT TO KEEP LOOKING.

I KNOW I'M RIGHT ABOUT THAT GIRL.

[ DOOR OPENS ]

[ SIGHS ]

OTTO! FORGIVE THIS INTRUSION.

THERE IS A MATTER OF GRAVE URGENCY.

WE HAVE DISCOVERED YOUR WIFE IS A TRAITOR.

SHE HAS BEEN WORKING AGAINST US.

SHE IS STILL A MEMBER OF THE SOCIAL DEMOCRAT PARTY.

SHE HAS CONTRIBUTED FUNDS

AND WRITTEN ARTICLES AGAINST US.

DO YOU DENY THIS, FRAU KELMANN?

I DO NOT.

DO YOU DENY CALLING ME A BEAST AND A MADMAN?!

DO YOU?!

HOW CAN YOU DENY THE TRUTH?

YOU ARE A SICK AND VIOLENT MAN.

YOU DEGRADE EVERYTHING THAT IS HUMAN.

YOU DISGUST ME.

COLONEL! YOUR PISTOL!

HERR --

ARE YOU PLOTTING AGAINST ME?

YOU ARE, ARE YOU NOT?

YES. I HOPE YOU NEVER --

[ GUNSHOT ]

[ GASPS ]

OTTO...PUT DOWN THAT GUN.

SHE WAS WRONG. YOU KNOW THAT.

THE FUTURE AND STRENGTH OF THIS COUNTRY

RESTS IN THESE HANDS.

DO NOT PUT AN END TO IT NOW.

OTTO...I NEED YOU.

OH, MY FUHRER...

OH...STRONG MAN...

MY FUHRER.

DON, AS SOON AS YOU GET THE VAN LOADED,

MOVE IT OUT.

WE'VE GOT TO BE OUT OF HERE

WITH EVERYTHING BACK TO NORMAL IN 10 MINUTES.

COLONEL!

I FOUND SOMETHING.

EUROPA AIRLINES.

FROM LONDON.

DATED A WEEK AGO.

SO SHE HAS BEEN HERE ONLY FOR ONE WEEK.

WE MUST GET TO KELMANN'S HOUSE IMMEDIATELY.

COME ON.

[ SIGHS ]

[ DOOR OPENS ]

FORGIVE THE INTRUSION, OTTO.

WHAT IS IT, COLONEL?

THIS GIRL IS A SPY.

SHE WAS SENT HERE

TO UNCOVER OUR RELATIONSHIP, OTTO.

TO DESTROY ME.

I CAN'T SIT HERE AND LISTEN TO SUCH NONSENSE.

I HAVE PROOF, OTTO.

SHE CLAIMS TO BE A STUDENT, WHERE SHE'S NOT.

SHE SAYS SHE HAS BEEN HERE FOR ONE YEAR,

WHERE IN FACT SHE HAS ONLY BEEN HERE FOR ONE WEEK.

FRAULEIN, IS THIS TRUE?

YES, IT IS.

BECAUSE I DESPISE HIM,

AND ALL THE NAZIS THAT SURROUND HIM.

HE IS INSANE,

AND HIS INSANITY WILL DESTROY US.

HE MUST BE STOPPED.

YOU WILL NOT STOP ME, FRAULEIN.

YOU CANNOT STOP ME.

I CAN AND I WILL.

I HAVE LEARNED ENOUGH HERE TO DESTROY YOU.

THERE'S A PLOT AGAINST ME, ISN'T THERE, FRAULEIN?

ISN'T THERE?!

YES. YES, THERE IS.

YOU CANNOT STOP ME NOW. YOU ARE FINISHED.

[ GUNSHOT ]

VON FRANK...

I HAD TO DO IT, OTTO.

SHE WOULD HAVE DESTROYED ME.

SHE WOULD HAVE DESTROYED US.

SHE WAS WRONG, OTTO!

OUR COUNTRY NEEDS NEW LEADERSHIP.

IT NEEDS A STRONG LEADER, OTTO.

MY GOD, NO!

I'LL CALL THE POLICE.

[ ROTARY PHONE CLICKING ]

PUT ME THROUGH TO THE POLICE, PLEASE.

YES.

HERR OTTO KELMANN SPEAKING.

THERE'S BEEN A SHOOTING.

YES, I'LL BE HERE.