Original subtitles

[ CHEERS, FESTIVE MUSIC PLAYING ]

[ INDISTINCT SHOUTING ]

MARDI GRAS 2001!

HA HA! WHOO!

DOES ANYBODY BESIDE ME THINK THAT WE MISSED THE TURNOFF?

WHOO!

QUEEN OF THE PARTY!

I'M KING OF THE WORLD!

I'M KING OF THE --

WHOA, WHOA, STOP, STOP.

WHOO!

STOP, STOP, STOP!

[ TIRES SCREECHING ]

DECLAN, WHAT ARE YOU DOING?

WHERE'D SHE GO? WHAT?

WHERE'D SHE GO?!

WHERE'D WHO GO? WHAT ARE YOU TALKING ABOUT?

DECLAN.

THERE IS NO WAY IN HELL THAT THING IS ACTUALLY THERE.

NO, NO, NO, MANET HALL -- VERY BAD JUJU.

NOBODY'S LIVED THERE FOR 100 YEARS,

EXCEPT FOR SQUATTERS AND TRAMPS.

SOME OF THEM POSSIBLY NOT OF THE LIVING VARIETY.

I'M GOING IN.

[ Sighing ] DECLAN.

[ ALL GROANING ]

Come on.

Woman: NO, NOT ME. NO WAY.

INTRUDERS BE GONE!

[ LAUGHS ]

COME ON.

Remy: THIS IS WHAT I GET

FOR BRINGING MY DUMB-ASS YANKEE ROOMMATE

DOWN HERE FOR MARDI GRAS.

[ THUNDER CRASHES ]

I GOT TO HAVE IT, REMY.

JUST TELL ME WHERE TO SEND THE CHECK AND HOW MUCH.

CAN WE PLEASELEAVE NOW?!

NO, NO, NO, NO, NO, NO. I WANT TO SEE THE BALLROOM.

WHAT MAKES YOU THINK THERE'S A BALLROOM?

HOW COULD A HAUNTED SOUTHERN MANSION NOTHAVE A BALLROOM?

WE ARE SO OUT OF HERE.

[ WIND HOWLING ]

[ SCREAMS ]

[ THUNDER CRASHING ]

DECLAN, YOU GET YOUR BUTT OVER HERE NOW

OR YOU CAN FIND YOUR OWN RIDE HOME TO BOSTON!

HERE, TRY THAT.

TWO MORE BAY LEAVES, ONE MORE GRAIN OF PEPPER,

AND A MICROSCOPIC DASH OF CAYENNE.

YOU GOT IT, BABE. OH, AND YOUR GRANDMA CALLED.

SHE NEEDS A FAVOR OUT BY THE CABIN. ON MY WAY.

[ SIGHS ]

[ CAR HORN HONKS ]

[ LAUGHS ]

HEY!

COME HERE.

[ Laughing ] BABY!

WHAT'S GOING ON?

MMM!

HOW YOU DOING? GOOD. HOW YOU DOING?

HOW'S THINGS UP THERE IN NEW ORLEANS?

I GOT SOMETHING COOKING. OH.

OH, YEAH, AND IT AIN'T JUST IN THE OVEN.

[ LAUGHS ]

SEEMS SOMEBODY'S BOUGHT THE HALL,

SIGHT UNSEEN, CASH ON THE BARRELHEAD --

YOUNG, UH, LAWYER OUT OF BOSTON,

NAME OF DECLAN FITZPATRICK.

OSCAR SAID THERE WAS A FAVOR YOU NEEDED.

OH, WELL, JUST THE NEIGHBORLY THING TO DO

WOULD BE TO TAKE THE GENTLEMAN

SOME "WELCOME TO THE BAYOU" FRESH-BAKED CORN BREAD,

AND MY KNEES HAVE BEEN ACTING UP SOMETHING FIERCE.

THIS YOUNG LAWYER WOULDN'T HAPPEN TO BE SINGLE, WOULD HE?

AND WHEN DID THAT BECOME A CRIME?

OH, GRANDMA, WHY DO YOU WANT

TO WASTE A PERFECTLY GOOD LOAF OF CORN BREAD

ON A GUY WHO WILL BE GONE IN 10 MINUTES,

JUST LIKE EVERYBODY ELSE WHO BUYS THE HALL?

NO, NO, THIS ONE'S DIFFERENT.

THIS ONE'S...

PUTTING DOWN ROOTS.

I'M BAD WITH ROOTS.

ROOTS SCARE ME.

LENA, I GOT A LOOK AT THE MAN ON HIS WAY IN.

AND IF I WERE 20 YEARS YOUNGER,

I'D BE HEADING OVER THERE WITH THE CORN BREAD MYSELF,

AND YOU WOULDN'T HAVE A CHANCE AT HIM.

HOW DO YOU KNOW HE DOESN'T BELONG TO A COUNTRY CLUB

AND WEAR LOAFERS WITH NO SOCKS?

THOSE BOYS IN THE QUARTER

MAY HAVE THE RIGHT FOOTWEAR, BUT...

NONE OF THEM MEAN ANYTHING TO YOU.

THEY ALLMEAN SOMETHINGTO ME.

WHAT'S THE DIFFERENCE?

[ SIGHS ]

♪ MMMM

♪ MMMM

♪ MMMM

♪ MMMM

HELLO?

MAY I HELP YOU?

I WAS JUST, UH, LOOKING FOR THE OWNER.

IS HE EXPECTING YOU?

NO, IT'S JUST A CORN-BREAD COURTESY CALL.

I FIGURED I'D FIND HIM SITTING ON THE VERANDA,

SIPPING MINT JULEPS AND BEING FANNED BY SERVANTS.

OH, YOU'VE MADE HIS ACQUAINTANCE?

HAVEN'T HAD THE PLEASURE.

SO, HIS REPUTATION PRECEDES HIM?

NO, NOT EXACTLY. JUST...

YOU KNOW THE KIND OF PERSON WHO BUYS A HOUSE LIKE THIS.

IT'S A TYPE -- NORTHERN BOY WHO COMES DOWN HERE

DREAMING OF MOONLIGHT AND MAGNOLIAS.

[ CHUCKLES ]

I ACTUALLY HEAR THE OWNER ISN'T TOO BIG ON MINT JULEPS.

[ CAN OPENS ]

HE'S MORE OF BEER GUY.

YOU'RE...

DECLAN FITZPATRICK -- NORTHERN BOY.

OH, MY GOD. [ LAUGHS ]

HOW COULD Y-- THAT WAS ENTRAPMENT.

HAVE WE MET? HAVE WE MET?

[ LAUGHS ]

GUESS THAT ANSWERS OUR QUESTION.

I WAS DOWN HERE FOR MARDI GRAS IN 2001.

MAYBE IT WAS AT A PARTY?

I WAS MOSTLY IN SHREVEPORT IN '01.

MAYBE IN BOSTON?

NEVER BEEN THERE.

OH, HEY, BABY, LET ME HELP YOU WITH THAT.

[ LAUGHS ]

ARE YOU A MOVER?

SOME OF THESE GUYS ARE.

WE ALSO HAVE A FEW LEGAL STUDENTS AND, UH, PARALEGALS,

INCLUDING YOURS TRULY,

JACK TRIPADOE, THE PRACTICAL ONE.

WHILE DECLAN'S SPENDING HIS TRUST FUND

PROVIDING LEGAL SERVICES

TO THE STORM-TOSSED CITIZENS OF OUR LOVELY PARISH,

SOMEONE'S GOT TO KEEP THE SHIP AFLOAT.

AND, UH, WHAT'LL I FIND ON THAT SHIP?

AH, LEGAL, LIBRARY, HOUSING, CLINIC,

DAYCARE CENTER FOR THE KIDS.

YOU NAME IT, WE GOT IT.

A LOT OF PEOPLE STILL IN TOUGH STRAITS DOWN HERE.

INSURANCE COMPANIES REFUSING TO PAY CLAIMS,

SAYING THEY WON'T COVER FLOOD, THEY ONLY COVER WIND.

THERE'S NO END TO IT.

Man: YOU KNOW WHAT? PUT IT RIGHT OVER THERE.

[ BEER CAN OPENS ]

I'D LOVE TO STICK AROUND

AND HELP Y'ALL UNLOAD THE WHOLE TRUCK,

BUT I GOT A BIG NIGHT AT WORK,

SO I'D BETTER GET BACK TO TOWN.

I-I'LL SEE YOU LATER, THEN.

[ LAUGHS ]

THANK YOU.

THE CORN BREAD'S FROM MY GRANDMA --

LIVES IN THE CABIN DOWN ON THE BAYOU.

IT'S GOOD WITH RASPBERRY JAM.

YOU DIDN'T TELL ME YOUR NAME.

ANGELINA SIMONE.

BUT MOSTLY, IT'S LENA.

♪ OOH

♪ MMMM

WELL...

SO, WHAT'S THE CATCH?

WHY DOES THERE HAVE TO BE A CATCH?

HOW CAN A MAN LIKE THAT POSSIBLY BE SINGLE?

DID HE LIKE THE CORN BREAD?

[ Laughing ] OHH.

YOU KNOW SOMETHING.

HE WAS ENGAGED TO A GIRL UP IN BOSTON.

BUT HE BROKE IT OFF.

WHEN?

THREE WEEKS AGO TODAY.

WHEN WERE THEY GONNA GET MARRIED?

WELL, WHAT DIFFERENCE DOES THAT MAKE?

GRANDMA.

THREE WEEKS AGO SUNDAY.

HE WALKED OUT ON HIS FIANCéE TWO DAYS BEFORE THE WEDDING?

THAT WOULD MAKE HIM JUST YOUR TYPE, WOULDN'T IT?

[ TELEPHONE RINGS ]

[ BEEPS ]

Lilibeth: Mama?

Hello? Mama, you in there?

If you're in there, pick up.

OH, WHAT DO YOU THINK SHE WANTS -- CASH OR BAIL?

Mama, that guy in Houston --

He turned out to be this total loser,

and he got ahold of my credit card,

and he went hog-wild, and I-I can't get a cash advance...

NO! ...or write a check or...

I need -- I just -- I got to get some cash.

DO NOT PICK UP UNTIL I AM OUT OF HERE.

Mama?

Come on, I know you're in there.

You ain't going nowhere. Pick up.

[ SIGHS ]

[ SIGHS ]

[ CELLPHONE RINGING ]

[ BEEPS ]

HI, MOM.

I just wanted to make sure you were down there

safe and sound.

COULDN'T BE SAFER AND SOUNDER.

I GOT A LOT OF UNPACKING TO DO, SO...

I ran into Binky Davenport at the club today.

OH, WHAT A COINCIDENCE.

Declan, as upset and disappointed

as all parties involved are at the moment,

I was given the unmistakable indication

that if you were to apologize fully

for your rashness and lack of consideration,

the Davenports may be open

to re-announcing the engagement.

MOM, MOM, MOM, MOM. Hmm?

I DID ALL PARTIES INVOLVED A MASSIVE FAVOR

BY SAVING A WONDERFUL WOMAN

FROM MARRYING A MAN WHO WAS NOT IN LOVE WITH HER.

It's all that Remy's fault,

getting you to quit your job and spending your last dime

on some overpriced cabin in the swamp.

THE OVERPRICED CABIN IN THE SWAMP COMING ON THE MARKET

WAS THE CATALYST, NOT THE CAUSE,

AND I QUIT MY JOB

BECAUSE IF I HAD TO FILE ONE MORE PRETRIAL MOTION...

Declan?

Declan, I...

HEY, MOM, LET ME CALL YOU BACK.

I GOT TO CALL THE REALTOR. LOVE YOU.

Fine, but -- [ BEEPS ]

[ DIALING ]

[ Telephone ringing ]

Man: HOW'S THE NEW HOMEOWNER?

ACTUALLY, I WAS WONDERING ABOUT THE OLD HOMEOWNERS.

WEREN'T THEY SUPPOSED TO HAVE ALL THEIR STUFF MOVED OUT

BEFORE I GOT HERE?

Well, they didn't have anything to move out.

They sold the place before the furniture got there.

Nobody's been in that house for a year.

ALL RIGHT, WELL, THEN SOMEBODY'S DEFINITELY BEEN SQUATTING.

THERE'S A ROOMFUL OF FURNITURE, AND IT LOOKED VERY LIVED-IN.

Oh, my God.

I'll get a moving crew out there

and have the locks changed first thing in the A.M.

THANK YOU.

[ BEEPS ]

[ FOOTSTEPS ]

[ BABY CRYING ]

[ CRYING CONTINUES ]

[ CRYING STOPS ]

[ DOOR CREAKING ]

[ INDISTINCT WHISPERING ]

Remy: [ CLEARS THROAT ] OH!

[ LAUGHS ]

I HAVEN'T SEEN YOU JUMP LIKE THAT

SINCE THE FIRST TIME YOU SET FOOT ON THIS PROPERTY.

[ BREATHING HEAVILY ]

HEY, WOULD YOU, UH --

WOULD YOU MIND JUST GOING UP THERE

AND CHECKING IT OUT UP THERE FOR ME?

IT'S, UH, A LITTLE DUSTY FOR ME.

THE HUMIDITY DOWN HERE IS HELL ON MY ALLERGIES.

ALLERGIES?

AND I THOUGHT I KNEW EVERYTHING THERE WAS TO KNOW ABOUT YOU.

WHAT DO YOU SEE? WHAT...

WHAT'S UP THERE?

THERE'S NOTHING UP HERE -- JUST AN OLD BRASS FIREPLACE SET.

UNH!

MIND IF WE BREAK OPEN YOUR HOUSEWARMING GIFT?

I KNEW THERE WAS A REASON I LOVE YOU MORE THAN MY MOTHER.

[ CRICKETS CHIRPING, FROGS CROAKING ]

[ SCRAPING ]

[ INDISTINCT VOICES ]

HELLO?

IF SHE CATCHES US...

[ INDISTINCT CONVERSATION ]

ABIGAIL, IF YOU GO IN THAT FRONT ROOM,

SHE'LL HAVE YOUR HEAD.

YOU KNOW THE RULES --

DOWNSTAIRS MAIDS STRICTLY ON THE SERVANTS' STAIRS.

I'M NOT SCARED OF HER.

[ GLASS TINKLING SOFTLY ]

[ HORSE SNORTS ]

AH, LUCIAN.

MY FAVORITE BROTHER.

HE'S LIKE A GREEK GOD, ISN'T HE?

DOWN FROM MOUNT OLYMPUS TO WALK AMONGST THE MORTALS?

EXCUSE ME, MASTER JULIAN.

YOU KNOW, I'VE SEEN THE WAY YOU LOOK AT HIM...

AND THE WAY YOU GET HIM TO LOOK AT YOU.

YOU'VE BEEN DRINKING, MASTER JULIAN.

IF I WAS BORN 15 MINUTES EARLIER,

YOU KNOW, I'DBE THE HEIR,

AND IT WOULD BE YOU'D BE MAKING THOSE EYES AT.

[ GASPS ]

ABIGAIL.

ABIGAIL.

[ BABY CRYING ]

[ INDISTINCT WHISPERING ]

Abigail: OH!

[ BIRDS CHIRPING ]

[ GROANS ]

[ GASPS ]

[ KEYBOARD CLACKING ]

[ BEEPING ]

HI. I'M A LITTLE CONFUSED.

I THINK YOU POINTED US TO THE WRONG ROOM.

THEY...MUST'VE MOVED IT ALL OUT WHILE I WAS SLEEPING.

WE BETTER CHANGE ALL THE LOCKS.

RIGHT.

[ INDISTINCT CONVERSATION ]

[ JAZZ MUSIC PLAYING ]

NOW YOU'RE TELLING ME I HAVE GHOSTS IN MY HOUSE?

CONSIDER THE HOUSE, DEC.

QUITE THE HISTORY THERE.

THE TWO BROTHERS WHO LIVED THERE

BOTH FELL IN LOVE WITH THE MAID.

THE OLDER BROTHER, LUCIAN, MARRIES THE HOUSEMAID, ABIGAIL.

TO MAMA'S INFINITE DISMAY.

ABIGAIL THEN ABANDONS HUSBAND AND NEW BABY

FOR SOME BOY ON THE BAYOU.

NEVER TO RETURN.

A SHORT TIME LATER, THE BETRAYED HUSBAND

KILLS HIS YOUNGER BROTHER, JULIAN, IN A KNIFE BRAWL

IN THE QUARTER'S MOST NOTORIOUS BROTHEL.

THE INCIDENT RULED SELF-DEFENSE.

AND SOON AFTER THAT, LUCIAN DROWNED HIMSELF IN THE BAYOU.

THE TWICE-ABANDONED CHILD WAS RAISED IN THE BAYOU

BY HER MAMA'S FAMILY.

IN FACT, THE OWNER OF THIS BAR

AND THE CATERER OF OUR WEDDING HAPPENS TO BE THE BABY'S...

[ BELL CHIMES ]

...WHAT IS IT?

GREAT-GREAT-GRANDDAUGHTER.

Wow.

[ LAUGHS ] NOT YOUR TYPE, BOSTON.

I CANNOT BELIEVE THAT A WEEK FROM SUNDAY,

YOU TWO DEGENERATES ARE GONNA BE OLD, MARRIED PEOPLE.

[ LAUGHTER ]

MWAH!

NICE TO SEE YOU, DECLAN.

YOU'VE MET?

YESTERDAY MORNING.

EFFIE, I GOT THE ANDOUILLE I ORDERED FOR THE JAMBALAYA,

BUT MY SHRIMP GUY'S TOTALLY LETTING ME DOWN.

YOU WANT TO COME BACK AND TALK PLAN "B"?

HONEY, WE ARE IN YOUR HANDS.

WHATEVER YOU DECIDE TO...

PLAN "B"?

YES, ABSOLUTELY.

YOU'RE GONNA WANT TO MOP THAT DROOL OFF YOUR CHIN THERE.

WHY'D HE JILT HER?

SHE JUST WASN'T THE ONE.

AND HE DIDN'T KNOW THIS UNTIL THEY WERE SETTING UP THE CHAIRS?

IT WAS A MARRIAGE OF TWO GREAT FORTUNES.

DECLAN IS A VERY DUTIFUL SON...

OR WAS UNTIL TWO WEEKS AGO.

IT WAS THE WEIRDEST THING.

THE SECOND I SAW HER, IT WAS LIKE...

I DON'T KNOW -- BAM, THERE YOU ARE.

IS DUMPING GIRLS AT THE ALTAR HIS PATTERN,

OR WAS IT A ONE-TIME THING?

NO, THE ALTAR ONLY ONCE.

BUT THERE HAS BEEN SOMETHING OF A REVOLVING DOOR.

HER DAD TOOK OFF BEFORE SHE WAS BORN.

HER MOM WALKED OUT ON HER WHEN SHE WAS 3.

WHAT YOU DON'T NEED RIGHT NOW

IS A GUY WHO'S STILL FIGURING IT OUT.

I GOT TWO FRIENDS HERE I DON'T WANT TO SEE HURT.

DON'T GO FOR THIS ONE ON THE REBOUND, DECLAN.

Declan: YOU KNOW WHAT, REMY?

I'M NOT BACK IN FIVE DAYS, DRAG THE HARBOR.

HEY, LET ME GET THOSE FOR YOU.

I GOT IT.

NO, NO, NO, IT'S FINE. WE COULD ALL USE A LITTLE HELP.

HERE. OOPS, SORRY ABOUT THAT.

[ LAUGHS NERVOUSLY ] SORRY. HERE YOU GO.

SO, UM, CAN I BUY YOU A COFFEE, A DRINK, A CAR, A DOG?

UH, I-I GOT A CAR,

AND AT THE MOMENT, I AM SADLY TOO BUSY

TO GIVE A DOG THE LOVE AND ATTENTION IT DESERVES. OH, OH!

MY -- SORRY -- TOTALLY MY BAD.

SORRY, EVERYBODY.

I THINK I'VE HAD ABOUT ALL THE HELP OUT OF YOU I CAN HANDLE.

NO, NO, THAT'S MY BAD. IT'S FINE.

WHY DON'T YOU LEAVE IT TO THE PROS?

I -- REALLY, I GOT IT. IT'S --

ON YOUR FEET! YES, MA'AM.

[ CHUCKLES NERVOUSLY ]

YOU WANT TO HELP ME OUT?

GO SIT DOWN, ENJOY YOUR BEERS, AND WE'LL TALK.

IS THAT A DEAL?

[ CHUCKLES ] DEAL.

I'M SORRY. I-I GOT TO GO.

NO, YEAH. YEAH. OF COURSE.

[ SIGHS ]

[ CRICKETS CHIRPING, FROGS CROAKING ]

[ FOOTSTEPS ]

[ INDISTINCT WHISPERING ]

[ WHISPERING STOPS ]

[ CLEARS THROAT ] OH, MASTER LUCIAN.

I'M SO SORRY. I WAS JUST...

IT'S ALL RIGHT, ABIGAIL.

BOOKS ARE THERE TO BE READ.

WHAT VOLUME WERE YOU RISKING YOUR LIFE FOR?

IT WAS POETRY.

I LOVE POETRY, ESPECIALLY LORD BYRON.

"SHE WALKS IN BEAUTY, LIKE THE NIGHT."

"OF CLOUDLESS CLIMES AND STARRY SKIES."

DID MADAME LEROUX TELL YOU TO DUST THE FRONT ROOMS?

NO, MADAME JOSEPHINE.

I-I THOUGHT --

YOU THOUGHT?

IF YOU'RE SUCH A THINKER,

DO YOU THINK THAT I ENGAGE MY DOWNSTAIRS MAIDS

FOR THE QUALITY OF THEIR THINKING?

VA-T'EN.

YES, MOTHER? WHAT IS IT?

WHY CAN'T YOU PAY FOR YOUR WHORES

DOWN IN THE QUARTER LIKE YOUR BROTHER DOES?

I'M SURE FOR A LITTLE EXTRA,

YOU CAN GET THEM TO DRESS UP LIKE MAIDS...

IF THAT'S YOUR FANCY.

[ BREATHING HEAVILY ]

[ INDISTINCT WHISPERING ]

[ DOOR CREAKING ]

[ DOOR CREAKING ]

[ DOOR CREAKING ]

[ BREATHING HEAVILY ]

I WANT AN MRI NOW.

THIS WAS A FULL-ON HALLUCINATION.

THIS TIME, THEY WERE READING POETRY.

Remy: THE HOUSEMAID GETTING HER HOOKS

INTO THE YOUNG HEIR TO THE ESTATE --

YOU'RE NOT LOSING YOUR MARBLES, BOY.

YOU'RE TUNING IN. NO, NO.

SEE, YOU JUST TOLD ME THE STORY,

SO OF COURSE IT WAS ON MY MIND.

Jack: MAYBE, OR MAYBE, JUST TO BE SURE,

YOU SHOULD GET SOMEBODY IN TO CLEAN THE PLACE UP,

SEE WHAT'S GOT AHOLD ON YOU.

YOU KNOW, DO A LITTLE GRIS-GRIS. MM-HMM.

ONE OF YOUR NEIGHBORS IS THE BEST GRIS-GRIS IN THE PARISH --

MADAME ODETTE,

CABIN RIGHT THROUGH THOSE WOODS ON THE BAYOU.

DOES EVERYONE DOWN HERE BELIEVE IN THIS STUFF?

NO, BUT, UH, IT'S GOOD FOR TOURISM.

LOOK, I-I'M NOT KNOCKING ON MY NEIGHBOR'S DOOR

AND SAYING, "HI. GOT VOODOO?"

I'M A LITTLE NEUROLOGICALLY IMPAIRED.

I'M NOT NUTS.

MADAME ODETTE IS OTHERWISE KNOWN AS ODETTE SIMONE,

LENA'S GRANDMA, LENA'S BELOVEDGRANDMA,

WHO RAISED HER LIKE HER OWN CHILD.

GRIS-GRIS OR NOT,

COULD BE THE ROAD TO LENA'S HEART

NEEDS TO PASS THROUGH A LITTLE CABIN ON THE BAYOU.

HUH.

[ CRICKETS CHIRPING, FROGS CROAKING ]

Odette: WELCOME, NEIGHBOR.

I'M ODETTE SIMONE.

PLEASED TO MEET YOU, MRS. SIMONE.

I'M, UH...

OH, I KNOW WHO YOU ARE.

I LIKE DAISIES.

THEY GOT A CHEERFUL FACE.

UM, THAT CORN BREAD THAT YOU SENT OVER

NEVER SAW LUNCHTIME.

I SHOULD'VE COME BY SOONER TO THANK YOU.

AS FAR NORTH OF THE MASON-DIXON LINE AS YOU COME FROM,

YOU THINK I EXPECT MANNERS?

[ Laughing ] COME ON IN.

I GOT ANOTHER BATCH CRYING TO COME OUT OF THE OVEN.

HOW DO YOU GET ANYTHING DONE WHEN YOU CAN...

JUST SIT HERE ALL DAY LONG AND LOOK?

IT'S A GOOD SPOT.

MY FAMILY'S BEEN HERE 115 YEARS.

YOU GOT YOUR EYE ON MY LENA?

[ Laughing ] I LOVE TO SEE A YANKEE LOSE HIS TONGUE.

MANGEZ.

EAT.

HERE YOU GO.

IF YOU WANT TO GET SOMEWHERE WITH LENA, TAKE HER ON A DATE --

A PROPER ONE.

AND DON'T WASTE YOUR TIME ASKING HER IF SHE WANTS TO,

'CAUSE YOU'LL JUST GET A SAUCY "NO."

[ CHUCKLES ]

THAT GIRL'S BEEN HURT BAD AND HURT DEEP.

WHEN YOUR OWN MAMA BARELY TAKES THE TIME

TO KNOW YOU'RE ALIVE,

YOU START TO THINK THAT'S WHAT YOU DESERVE.

THE OTHER THING YOU CAME FOR

I'LL HELP YOU WITH IF YOU'LL LET ME.

[ CHOKES ]

EXCUSE ME?

THE LITTLE TROUBLE YOU'RE HAVING

WITH THE FORMER RESIDENTS OF THE HALL.

[ CHUCKLES ]

LET ME SEE YOUR HANDS.

UM, NO, I-I GOT TO TELL YOU --

I'M A PRETTY REALITY-BASED KIND OF GUY.

HUMOR AN OLD LADY.

TELL ME WHERE ONE IS, AND I'D BE HAPPY TO.

OOH-HOO-HOO! COME ON NOW. LET ME SEE.

ALL RIGHT.

WHEW! YOU GOT A STRONG HAND, DECLAN.

[ CHUCKLES ]

STRONG ENOUGH THAT YOU CHANGED YOUR FATE,

GOT YOURSELF A NEW ROAD.

YOU HAVE STRONG TIES TO MANET HALL.

YOU'RE NOT ALONE IN THERE.

ONE FORCE WON'T STOP AT ANYTHING TO GET YOU OUT,

BUT THERE'S ANOTHER ONE PUSHING YOU RIGHT BACK IN,

TELLING YOU A STORY.

AND YOU BETTER LISTEN TO IT...

MOST OF ALL, THE PARTS YOU DON'T WANT TO HEAR,

'CAUSE IF THE STORY DOESN'T CHANGE THIS TIME,

YOU ALL STAY STUCK.

TIME STANDS STILL.

WATCH DOESN'T TICK.

WATCH? WHAT -- WHAT WATCH?

EVERYTHING KEEPS GOING AROUND IN A CIRCLE

TO THE SAME DARK END.

HOW COULD ABIGAIL LEAVE HER BABY, MY GRANDMA, BEHIND?

HOW COULD LUCIAN TAKE HIS OWN LIFE,

KNOWING HIS CHILD NEEDED HIM?

SHINE THE LIGHT, DECLAN.

EVERYTHING YOU'RE TRYING TO DO HERE...

IT WILL ALL COME TO DUST IF YOU DON'T MAKE IT RIGHT.

MAKE WHAT RIGHT?

WHAT ARE YOU TALKING ABOUT?

WHAT KIND OF GAME ARE YOU PLAYING HERE?

IS THIS HOW YOU GOT THE OTHER OWNERS TO RUN AWAY,

WITH THIS NONSENSE?

WHY DO YOU THINK YOU WERE CALLED HERE,

MR. FITZPATRICK?

TO OPEN A LEGAL CLINIC TO HELP PEOPLE.

PLENTY OF PEOPLE NEED HELP...

IN PLENTY OF PLACES.

WHY ARE YOU HERE?

[ SCOFFS ]

HEY, LOOK AT THIS, FROM THE CITY ARCHIVES --

JOSEPHINE MANET'S WILL.

GETTING TO KNOW YOUR ECTOPLASMIC HOUSEMATES?

LEARNING ABOUT MY HOUSE.

WHATEVER YOU SAY.

THIS...

NOTARIZED DECEMBER 1, 1899.

RIGHT AFTER THE BABY WAS BORN,

A MONTH BEFORE ABIGAIL DISAPPEARED.

"LET THERE BE NO MISTAKING MY INTENTIONS

"TO BESTOW MY ENTIRE ESTATE UPON MY YOUNGEST SON, JULIAN,

LEAVING NOTHING WHATSOEVER TO THE ELDEST, LUCIAN."

[ CHUCKLES ]

THAT WOULD SURE EXPLAIN WHY ABIGAIL TOOK OFF --

NO INHERITANCE, NO REASON TO STICK AROUND.

[ DOOR OPENS ]

BABY, WHAT IS IT?

WE GOT NO PLACE TO GET MARRIED.

THEY JUST CONDEMNED THE CHURCH.

THERE'S SOME STORM DAMAGE THEY DIDN'T CATCH.

WE CAN GET HITCHED AT A BUS STOP FOR ALL I CARE.

NO, TELL THAT TO MY MOTHER.

THERE'S SIX CONVENTIONS IN TOWN.

I CALLED A HUNDRED PLACES. THERE'S NOTHING.

I KNOW OF A LOVELY ANTEBELLUM MANSION

THAT HAPPENS TO BE FREE THAT DAY.

NO, DECLAN, I CANNOT LET YOU DO THAT.

DID I SAY IT WAS OPEN FOR DISCUSSION?

YOU ARE THE MOST WONDERFUL FRIEND ANYBODY EVER HAD.

AND PLUS, YOU LOOK REALLY HOT IN THAT SUIT.

DON'T GO ALL GUSHY ON HIM, EFFIE.

THE ONLY REASON HE'S GIVING US THE HOUSE

IS BECAUSE HE WANTS TO MAKE TIME WITH THE CATERER.

[ LAUGHS ]

NOW, WHAT IS THIS LUNACY?

ABANDON ALL HOPE OF GETTING AWAY, LENA SIMONE.

WE ARE GOING ON A DATE.

OH, DECLAN.

FIRST STOP IS YOUR HOUSE SO YOU CAN CHANGE,

THIS BEING A FORMAL AFFAIR AND ALL.

NO NEED FOR THAT.

I'LL BE RIGHT BACK.

[ INTRO TO THE SUBDUDES' "PAPA DUKIE & THE MUD PEOPLE" PLAYS ]

♪ NA NA-NA-NA NA-NA-NA NA-NA-NA ♪

♪ NA-NA-NA NA-NA-NA NA-NA-NA NA-NA-NA NA NA NA ♪

[ ENGINE TURNS OVER ]

♪ BACK IN THE DAY

♪ DOWN BY THE RIVER

♪ CLOSE TO SOSO CURVE

♪ BEHIND THE LEVEE

♪ FOLKS SAID, "STAY AWAY"

♪ "THEM PEOPLE ARE DIRTY"

♪ TELL DEPUTY MOMIO, "GET DOWN THERE IN A HURRY" ♪

♪ NA NA-NA-NA NA-NA-NA NA-NA-NA ♪

♪ NA-NA-NA NA-NA-NA NA-NA-NA NA-NA-NA NA NA NA ♪

♪ GET DOWN THERE IN A HURRY

♪ NA NA-NA-NA NA-NA-NA NA-NA-NA ♪

♪ NA-NA-NA NA-NA-NA NA-NA-NA NA-NA-NA NA NA NA ♪

THIS'LL DO.

THAT, UH -- THAT IS A BEAUTIFUL WATCH.

MM-HMM.

IT WAS MY GRANDMA'S GRANDMA'S.

I ONLY WEAR IT 'CAUSE IT'S PRETTY.

NOT A JEWELER IN THE STATE CAN GET IT TO WORK.

SEE?

[ TICKING IN DISTANCE ]

Odette: WATCH DOESN'T TICK.

[ TICKING CONTINUES ]

THE WATCH DOESN'T TICK.

LENA...

DO YOU BELIEVE IN SPIRITS...

COMING BACK TO...

TELL US STUFF?

HAVE YOU BEEN VISITING MY GRANDMA?

ARE YOU USING HER TO GET TO ME?

I...PAID MY NEIGHBOR A FRIENDLY VISIT.

THAT WORKS.

SOMETIMES.

AS FOR WHAT I BELIEVE,

I'VE NEVER SEEN PROOF,

BUT IT WASN'T FOR LACK OF TRYING.

[ CORK POPS ]

OKAY.

THERE WE GO.

LET'S...

EAT...

HMM.

...AND DRINK.

OPEN SOME BRANCHES OF THE RESTAURANT,

LOWER NINTH, GENTILLY --

PLACES WHERE THEY NEED THE JOBS...

THEN MAYBE SELL THE WHOLE THING,

TRAVEL, SEE WHAT'S IN THE NEXCHAPTER.

YOU?

GET THE LEGAL CLINIC UP AND RUNNING...

LEARN ENOUGH ITALIAN

TO READ "DANTE" IN THE ORIGINAL...

GET A COUCH FOR THIS ROOM...

[ LAUGHS ]

...HAVE ABOUT SEVEN OR EIGHT KIDS --

LOT OF BEDROOMS IN THIS PLACE.

THERE'S A LOT OF SADNESS IN THIS PLACE.

MY WHOLE LIFE, NOBODY EVER STAYED MORE THAN A FEW MONTHS.

I JUST CAN'T BELIEVE

THAT ABIGAIL WALKED OUT ON LUCIAN AND THE BABY.

HMM.

SO, YOU'RE ACQUAINTED WITH OUR LOCAL LEGEND.

IT'S QUITE A STORY.

AND YOU THINK IT'S JUST A COINCIDENCE

SHE TOOK OFF TWO WEEKS AFTER THE WILL GOT CHANGED?

SHE READ POETRY WITH HIM.

[ LAUGHS ]

YOU KNOW THIS BECAUSE...

BECAUSE THAT'S THE STORY --

THAT HE LOVED POETRY, AND SO DID SHE.

YEAH, SHE CLEARED OUT.

SHE TOOK ALL THE JEWELRY AND DISAPPEARED.

THAT'S THE STORY I GREW UP WITH.

DOESN'T MAKE IT THE TRUTH.

SO, WHAT'S YOUR THEORY?

MAMA JOSEPHINE IN THE BAYOU

WITH HER HANDS AROUND ABIGAIL'S NECK.

NO, IF JOSEPHINE WANTED TO KILL HER, WHY CHANGE THE WILL?

MAYBE IT WAS LUCIAN WHO DID IT, HMM?

HE KNIFED HIS BROTHER.

HOW DO YOU KNOW HE DIDN'T KNIFE HIS TWO-TIMING BRIDE?

THE POLICE SAID HE KILLED JULIAN IN SELF-DEFENSE.

THE MANETS OWNED THE POLICE.

WHAT ELSE WERE THEY GONNA SAY?

DON'T YOU BELIEVE IN TRUE LOVE?

YOU'RETHE ONE WHO LEFT A GIRL STANDING AT THE ALTAR.

MAYBE THAT'S BECAUSE I DOBELIEVE IN TRUE LOVE.

BABY WAS ONLY A FEW WEEKS OLD.

SHE WOULDN'T HAVE WALKED OUT ON IT,

HER DAUGHTER.

YOU THINK MOTHERS DON'T WALK OUT ON THEIR CHILDREN?

I'M SORRY ABOUT THAT.

I-I SHOULDN'T HAVE...

ALWAYS COMES UP ONE WAY OR ANOTHER.

WHERE IS SHE NOW?

HOW ABOUT IF YOU NEVER STOP DOING THAT?

COULD THAT BE ARRANGED?

[ BABY CRYING ]

Shh! Shh! Shh! Shh!

DO YOU HEAR THAT?

YOU DON'T HEAR THAT -- THE BABY CRYING?

UH...

[ CRYING CONTINUES ]

[ INDISTINCT WHISPERING ]

YOU'RE LUCKY YOU DIDN'T KILL YOURSELF FAINTING LIKE THAT.

COME ON, GET UP.

[ GROANS ]

GUYS DON'T FAINT. THEY PASS OUT.

I OWN A BAR.

I KNOW THE DIFFERENCE BETWEEN FAINTING AND PASSING OUT.

[ CHUCKLES ]

WHAT WAS THAT ABOUT?

OH...

NOTHING. I DON'T -- I DON'T KNOW.

[ SIGHS DEEPLY ]

YOU WANT TO GET SOME COFFEE?

WHOA, WHOA, WHOA, WHOA. OH.

[ INTRO TO BETH WATERS' "PHILOSOPHY" PLAYS ]

♪ THERE IS NO BAD

♪ THERE IS NO GOOD

♪ AND IN BETWEEN, I SIT HERE

♪ WISHING THAT I COULD

♪ JUST OPEN UP AND SCREAM

♪ WHERE IS ROMANCE?

♪ THE PROMISED PERFECTION?

♪ I THINK I TRIED TOO HARD

♪ THERE IS NO DAY

♪ THERE IS NO NIGHT

♪ JUST PATHS AROUND THE SUN

♪ WE SIT HERE, DRAWING CHARTS OF LIGHT ♪

♪ OOOOH

♪ OOOOH

♪ OOOOH

♪ OOOOH

WILL YOU FINISH IT THIS TIME?

YES, MAMA.

[ BIRD CALLS ]

[ FIDDLE PLAYING LIVELY TUNE ]

YOU DON'T FOOL ME.

WAS I TRYING TO?

I KNOW A GLOW WHEN I SEE ONE.

OH, NO, THAT'S MY NEW SKIN TONER.

SO, YOU DON'T WANT TO KNOW WHAT DECLAN SAID TO REMY?

WELL, IT ISN'T SO MUCH WHAT HE SAID AS HOW HE SAID IT.

REMY HAS NEVER SEEN HIM LIKE THIS.

CALL HIM.

OH, NO WAY. YOU KNOW THE RULES.

AS IF YOU EVER LIVED BY THE RULES A SECOND OF YOUR LIFE.

NOW, IF HE ISN'T WORTH AN ENCORE,

THAT WOULD BE SOMETHING ELSE.

[ SIGHS ]

OH, HE IS DEFINITELY WORTH AN ENCORE.

Oscar: LENA!

SOMEBODY'S HERE TO SEE YOU.

IN THE OFFICE.

[ SIGHS ]

LIKE A BAD PENNY.

HEY, BABY.

WHAT DO YOU WANT?

I-I-I GOT A YEN TO SEE YOU.

SO, UH, I PUT MYSELF ON A BUS.

SIX SOBER, AIR-CONDITIONED HOURS LATER, HERE I AM.

WHY DON'T YOU -- WHY DON'T YOU SIT DOWN

AND TELL ME EVERYTHING YOU'VE BEEN UP TO?

I HAVE TO WORK.

WELL, YOU OWN THE PLACE.

YOU CAN TAKE OFF ALL THE TIME YOU WANT.

I TOLD YOU THE LAST TIME

WAS THE LAST TIME YOU WERE GETTING MONEY OUT OF ME.

I'M SAYING I'M SORRY.

NOW, I KNOW I WAS BAD, BUT I AM STILL YOUR MAMA.

A CAT SPENDS MORE TIME WITH ITS LITTER

THAN YOU DID WITH ME.

I HAVE TO WORK, AND YOU HAVE TO GO.

I GOT A PLAN THIS TIME.

UH, I COULD WORK FOR YOU FOR A WHILE

TILL I GET SOMETHING PERMANENT.

THAT WAY, YOU COULD KEEP YOUR EYE ON ME

SO I DON'T SCREW UP AGAIN.

AND I-I CAN STAY WITH YOU UNTIL I GET A PLACE OF MY OWN.

SO I CAN COME HOME AND FIND YOU TURNING TRICKS IN MY BED?

I WAS SICK BACK THEN.

I'M CLEAN NOW.

I'LL TAKE A BLOOD TEST. I'LL TAKE ONE RIGHT NOW.

YOU USED THAT ONE UP.

HERE.

BUY YOURSELF A BUS TICKET TO AS FAR AWAY AS THIS'LL GET YOU.

[ CRYING ]

[ SIGHS ]

[ Crying ] I MESSED UP SO BAD WITH THAT GUY IN HOUSTON.

HE WAS TAKING CARE OF ME, AND WHAT DID -- WHAT DID I DO?

I WALKED OUT ON HIM.

I STOMPED ON HIS HEART LIKE IT WAS A BUG.

US SIMONE GIRLS -- I GUESS THAT'S WHAT WE DO, ISN'T IT?

IF THEY DON'T WALK OUT ON US,

THEY SURELY END UP PAYING FOR IT.

I TRULY FEEL FOR THAT BEAUTIFUL YOUNG MAN FROM BOSTON

WHO CAME BY ON HIS MOTORCYCLE THE OTHER NIGHT.

OH, YEAH.

I WATCH OVER MY BABY.

GET OUT,

OR I SWEAR TO GOD I WILL THROW YOU OUT.

YOU KNOW, LIKE IT OR NOT,

YOU ARE YOUR MOTHER'S DAUGHTER...

WHICH IS TO SAY, IF YOU DON'T LEAVE...

THEY WILL...

...AS LONG AS YOU SHALL LIVE.

[ SIGHS ]

[ GRUNTS ]

Declan: HEY, BEAUTIFUL.

I WAS THINKING LAKE PONCHARTRAIN,

A ROWBOAT, SOME LOBSTER SALAD,

MAYBE SOME PATSY CLINE ON THE BOOM BOX.

DECLAN...

WHAT?

THIS IS, UH...

TOO FAST FOR ME.

ALL RIGHT, THEN, WE'LL GO SLOWER --

NO ROWBOAT, NO PATSY CLINE.

WE'LL GO AS SLOW AS YOU WANT.

SOME THINGS JUST AREN'T A GOOD IDEA.

HEY.

HEY.

WHAT ARE YOU DOING?

[ FROGS CROAKING ]

[ KNOCK ON DOOR ]

Declan: WAS IT SOMETHING I DID?

DID -- DID I COME ON TOO STRONG?

[ Chuckling ] OH, SHE LIKES STRONG.

EVERYTHING SEEMED SO GREAT LAST NIGHT.

DID SOMETHING HAPPEN TO HER THIS MORNING?

MANY THINGS HAVE HAPPENED...

JUST NOT NECESSARILY THIS MORNING.

IN FACT, NOT RECENTLY AT ALL.

WOULD YOU LIKE TO SEE MY PICTURE ALBUM?

YEAH?

YEAH, ALL RIGHT.

ALWAYS MADE US FEEL KIND OF SPECIAL,

KNOWING OUR GRANNY WAS BORN IN THE BIG HOUSE.

[ LAUGHS ]

NOBODY IN THE BAYOU HAD A FAMILY ALBUM LIKE WE DID.

NOW...

THAT...IS MY GREAT-GREAT-GRANDMA.

A BEAUTY, ISN'T SHE?

JOSEPHINE.

AND OVER HERE IS MY GREAT-GRANDPA'S BROTHER, JULIAN.

AND THIS IS MY GREAT-GRANDPA, LUCIAN,

AND MY GREAT-GRANDMA, ABIGAIL.

WHAT THE HELL IS THIS?

IT'S MY PHOTO ALBUM.

[ DOOR CLOSES ]

♪ AFTER THE BALL IS OVER

♪ AFTER THE BREAK OF MORN

♪ AFTER THE DANCERS' LEAVING

♪ AFTER THE STARS ARE GONE

♪ MANY A HEART IS ACHING

♪ IF YOU COULD READ THEM ALL

♪ MANY THE HOPES THAT HAVE VANISHED ♪

♪ AFTER THE BALL

[ INSTRUMENTAL SOLO ]

[ BABY CRYING ]

[ GLASS TINKLING SOFTLY ]

UGH!

THIS IS MY HOUSE NOW!

AND I'M NOT LEAVING!

DO YOU HEAR ME?!

DO YOU HEAR ME?!!

I COULD PULL OUT OF THE RECYCLE BIN.ONES

ALL RIGHT.

I'M SURPRISED THERE'S A SPIRIT ON THE PROPERTY

LEFT TO SCARE AWAY.

OH, THEY'RE NOT FOR HERE.

OH, LOOK AT THAT PRETTY BLUE ONE.

IF THESE ARE FOR A CERTAIN NEIGHBOR OF YOURS,

HAVE A NICE TIME HANGING BOTTLES IN HIS TREE.

WELL, DON'T YOU, UH, HAVE WEDDING BUSINESS UP THERE ANYWAY?

I'M NOT INTERESTED IN DECLAN.

WELL, IT SEEMS TO ME NIGHT BEFORE LAST,

SOMEBODY SPENT ALL NIGHT NOT BEING INTERESTED IN DECLAN.

GRANDMA.

I KNOW. I KNOW YOUR PHILOSOPHY.

WALK AWAY SO THEY DON'T WALK AWAY FIRST,

AND I KNOW YOU COME BY IT HONESTLY.

BUT THE END OF THE STORY

ISN'T WRITTEN TILL IT'S WRITTEN, ANGEL.

LOOK AROUND YOU.

AT WHAT?

GOT A WHOLE CITY COMING BACK UP...

EVEN WHERE KATRINA HIT THE WORST,

GETTING REBUILT, BETTER THAN BEFORE.

YOU SEEN THE NINTH WARD LATELY?

IT'S ALL A MATTER OF TIME...

AND FAITH.

[ SCOFFS ]

YEAH, FAITH...

OTHERWISE KNOWN AS TRUSTING IN THINGS

THAT HAVE NEVER SHOWN THEMSELVES WORTHY OF TRUST.

ANOTHER STORM HASN'T HIT.

JUST LUCK.

ALL RIGHT.

[ Laughing ] ALL RIGHT.

TELL ME YOU REALLY DON'T LIKE HIM

OR TELL ME HIS COLOGNE MAKES YOU GAG

OR THAT HIS JOKES AREN'T FUNNY,

AND I'LL LET YOU OUT THAT DOOR.

[ CHUCKLES ]

Declan: [ GRUNTING ]

DAMN THING'S A TEARDOWN.

[ BREATHING HEAVILY ]

MY FRIEND REMY WANTS TO BE MARRIED UNDER IT,

AND MARRIED UNDER IT MY FRIEND REMY IS GONNA BE.

♪ AFTER THE BALL

DARLING, WE LIVE IN THE MOST BEAUTIFUL HOUSE IN LOUISIANA.

BUT IT'S NOT OURHOUSE.

PLEASE, DON'T MAKE ME KEEP LIVING HERE

WHERE YOUR MOTHER HATES ME.

SHE DOESN'T HATE YOU.

SHE'S PROUD.

AND THE WAY THAT YOUR BROTHER'S ALWAYS LOOKING AT ME.

NOW, YOU KNOW JULIAN DOESN'T MEAN ANY HARM.

HE'S SAD.

[ HORSE WHINNIES IN DISTANCE ]

I PROMISE YOU, AS SOON AS THE BABY'S BORN,

WE'LL START LOOKING FOR A PLACE IN TOWN --

LOTS OF ROOMS FOR THE CHILDREN WE'RE GONNA HAVE.

[ BOTTLES CLINKING ]

I'M OKAY. I'M OKAY.

WHEW!

YEAH? LET'S GO.

WERE YOU SEEING SOMETHING, BOY?

NO, I-I WASN'T SEEING.

IT WAS MORE LIKE, UH...

MORE LIKE -- LIKE WHAT?

LIKE, UH...

UH...

NO, NO, NO. IT -- NO -- IT...

NO, IT'S -- IT'S -- IT'S TOO CRAZY.

IF ANYTHING WAS TOO CRAZY FOR THIS PLACE,

I'VE NEVER HEARD OF IT.

LIKE I WAS REMEMBERING THEM, OKAY?

LIKE I WAS THERE.

I-I SMELLED THE ROSE IN ABIGAIL'S HAND.

SHE WAS PREGNANT.

THERE WAS...

...A WILLOW TREE RIGHT THERE.

THERE WAS A WILLOW TREE!

[ CHUCKLES ]

CUT DOWN 55 YEARS AGO AFTER HURRICANE HAZEL SPLIT IT IN TWO.

YOU THINK, UM...

WE GOT OURSELVES A LITTLE REINCARNATION THING GOING HERE?

[ Laughing ] NO. I'M -- I'M FROM BOSTON.

OF COURSE I DON'T THINK THAT.

YOU KNOW, IF YOU'RE LUCIAN MANET,

THAT MAKES YOU MY GREAT-GRANDPA.

OKAY, SO -- SO, NOW NOT ONLY DO I HAVE GHOSTS IN MY HOUSE,

BUT YOU'RE TELLING ME THAT I USED TO BEONE OF THEM?

[ CHUCKLES ] COME ON.

REALLY?

MAYBE THAT'S WHY I...

I THOUGHT I WAS HOME THE FIRST TIME I CAME HERE.

MAYBE THAT'S WHY WE WERE SO SURE WE HAD MET EACH OTHER.

YES, WELL, BUT THAT WOULD ONLY BE TRUE

IF SHE WAS SEEING THINGS, TOO.

HMM?

WELL, ARE YOU SEEING THINGS? ARE YOU REMEMBERING THINGS?

ME -- REMEMBER 100 YEARS AGO?

[ SCOFFS ]

I'M LUCKY IF I KNOW WHERE I PUT MY KEYS THIS MORNING.

HE LOVED HER SO MUCH.

I-I SAW THEM READING POETRY TOGETHER.

AND...

THE LOOK IN HIS EYES...

WHEN HE GAVE ME THE ROSE -- I-IT WAS --

Odette: EXCUSE ME?

WHAT DID YOU JUST SAY?

THE LOOK IN HIS EYES WHEN HE GAVE ME THE ROSE.

[ Laughing ] WELL, NOW...

THAT MIGHT JUST EXPLAIN EVERYTHING.

IT -- IT WAS A SLIP OF THE TONGUE.

NO, NO.

THINK, DECLAN.

WHAT WERE YOU REMEMBERING?

WHOSE EYES WERE YOU SEEING IT THROUGH?

UM...

COME ON.

I-I LOOKED UP AT HIM.

I COULD FEEL MY COLLAR AROUND MY NECK,

THE ROSE WHEN HE PUT IT IN MY HAND.

HOLY MOLY.

WHAT? WHAT -- WHAT DOES IT MEAN?

WHAT DOES IT...

WELL...

IT MEANS IF YOU REALLY WERE HERE...BEFORE,

YOU WEREN'T LUCIAN.

YOU WERE ABIGAIL.

S-SO NOW I'M THE REINCARNATION OF A CAJUN HOUSEMAID?

WHY NOT?

A SOUL DOESN'T KNOW THE DIFFERENCE.

BOYS COME BACK AS GIRLS, KINGS AS PAUPERS.

NO, ODETTE, I'VE -- I'VE NEVER BEEN A WOMAN.

I'VE -- I'VE NEVER HAD WOMAN PARTS!

THEN WHOSE COLLAR WAS TICKLING YOUR NECK?

NOW I SEE WHY THEY'RE SO ANGRY...

WHY THEY'RE REACHING THROUGH THE VEIL.

YOU'RE THE BAYOU TRASH THAT INVADED THEIR HOME.

LENA, I-I-I KNOW

THIS IS NOT THE FIRST TIME THAT WE'VE STOOD ON THIS SPOT.

[ SCOFFS ]

ABIGAIL WASN'T AFTER LUCIAN'S MONEY.

SHE DIDN'T WANT THIS HOUSE.

SHE -- SHE BEGGED HIM TO TAKE HER AWAY FROM HERE.

SURE, AWAY FROM PRYING EYES.

WHAT IF SOMEBODY CAUGHT HER SNEAKING OFF

FOR A MIDNIGHT RENDEZVOUS WITH THE BOY FROM THE BAYOU?

NO, LENA. NOT EVERYONE WALKS OUT.

WHAT POEM WERE THEY READING?

"SHE WALKS IN BEAUTY, LIKE THE NIGHT."

"OF CLOUDLESS CLIMES AND STARRY SKIES."

I GOT TO GET SET UP IN THE HOUSE.

SHE TOOK THE ROSE.

I CALL THAT PROGRESS.

[ SIGHS ]

[ INDISTINCT WHISPERING ]

HAPPY NEW YEAR CHAMPAGNE FOR MY TWO BEAUTIFUL GIRLS!

[ CRYING ]

[ CRYING STOPS ]

THERE, THERE, NOW.

DON'T CRY, MARIE ROSE.

WHERE'S YOUR MAMA?

[ FUSSING ]

[ FOOTSTEPS APPROACHING ]

OH, MY DARLING, I AM SO SORRY.

IT'S A JOKE. SHE'S PLAYING A JOKE.

I'VE BEEN PRAYING THIS WOULDN'T HAPPEN.

I'VE BEEN PRAYING I WAS WRONG.

ALL OF HER JEWELRY, LUCIAN --

YOUR GRANDMOTHER'S EMERALDS.

THERE'S A THIEF IN THE HOUSE.

WOULD A THIEF LEAVE THIS?

WHAT HAVE YOU BEEN PRAYING YOU WERE WRONG ABOUT?

MOTHER, TELL ME.

THE BOY THAT SHE'D BEEN SEEN WITH IN THE BAYOU.

WHAT BOY?

MY ABBY WOULD NEVER --

LUCIAN.

WHAT BOY?!

A BOY WITH RED HAIR, LUCIAN.

[ BREATHING HEAVILY ]

[ INDISTINCT CONVERSATION, LAUGHTER ]

GET YOUR COAT ON, JULIAN.

THE CARRIAGE IS WAITING DOWNSTAIRS.

NOW, DID MAMA SEND YOU TO BRING BAD JULIAN HOME?

A WHISKEY AND A WOMAN!

FOR MON FRèRE.

THOUGH I DOUBT HE'D KNOW WHAT TO DO WITH EITHER OF THEM.

IT'S BEEN SO LONG SINCE SAINTED LUCIAN

HAS TASTED OF THE CARNAL DELIGHTS.

YOU EMBARRASS YOURSELF AND YOUR FAMILY, JULIAN.

I'M NOT EMBARRASSED TO PAY FOR A WHORE.

NOW, IF I HAD MARRIEDONE...

IT'D BE A DIFFERENT MATTER.

BUT YOU BEAT ME TO THAT, BROTHER,

AS YOU HAVE SO MANY OTHER THINGS.

IF YOU SAY ANOTHER WORD ABOUT ABIGAIL...

LUCIAN...

PRIDE OF THE MANETS.

HE PINES...

AND HE WEEPS...

'CAUSE HIS BRIDE...

ABANDONED HIM FOR ANOTHER...

SADDLED HIM WITH A BASTARD WHELP.

[ GRUNTS ]

YOU DROVE HER AWAY WITH YOUR POETRY AND YOUR ROSES.

I LOVED HER FOR THE SLUT THAT SHE WAS...

RIGHT DOWN TO THAT SWEET LITTLE HEART-SHAPED BIRTHMARK

ON THE INSIDE OF HER THIGH.

[ BOTH GRUNTING ]

[ WOMAN SCREAMS ]

MERDE à DIEU.

[ Sobbing ] I THOUGHT YOU LOVED ME, BROTHER.

[ GASPING ]

[ CRYING ]

FINISHED SETTING UP ALREADY?

GRANDMA, WHAT -- WHAT'S WRONG?

[ CHUCKLES ] YOU'RE ASKING ME?

[ BREATHING HEAVILY ]

I SAW...

[ LAUGHS ]

WELL, LOOK AT THIS --

THREE GENERATIONS TOGETHER AGAIN.

YOU MUST BE DECLAN.

WHAT'S SHE DOING IN THIS HOUSE?

I HAVE AS MUCH RIGHT TO BE IN THIS HOUSE AS YOU DO.

SOME OF US ARE JUST MORE RESPECTFUL

OF BLOOD KIN THAN OTHERS.

IS THIS COFFEE FRESH, MAMA?

Odette: YES, HONEY.

HOW COULD YOU TAKE HER IN AGAIN?

SHE'S MY CHILD.

I'MYOUR CHILD.

WHAT, ARE YOU JUST GONNA LET HER COME BACK IN

AND SUCK YOU DRY AGAIN?

SHE HAS A DISEASE.

SHE ISA DISEASE.

I TOLD YOU -- I'M CLEAN.

YOU KNOW HOW YOU CAN TELL A JUNKIE'S LYING?

HER LIPS ARE MOVING.

YOU OUGHT TO SHUT UP.

I WOULD THINK AGAIN ABOUT THAT.

Lena: GRANDMAMA, I LOVE YOU WITH ALL MY HEART,

BUT AS LONG AS SHE'S IN THIS HOUSE, I WON'T BE.

LET ME KNOW WHEN SHE'S GONE.

HEY, HEY, HEY, HEY.

FAMILY SUCKS.

[ CHUCKLES ] LIKE YOU ANYTHING ABOUT IT.

"OH, NO, AUNT MUFFY BOUGHT THE WRONG COLOR TEA TOWELS."

COME ON, COME ON. I DON'T WANT YOU TO GO.

WHY NOT? THREE REASONS, OKAY?

BECAUSE YOU'RE TOO UPSET TO DRIVE,

BECAUSE I LOVE YOU, AND...

BECAUSE I LOVE YOU.

THIS IS ALL ABOUT YOU AND ME.

WE WERE BROUGHT TOGETHER FOR A REASON...

TO MAKE IT RIGHT THIS TIME.

I WAS ABIGAIL, AND...

I KNOW YOU WERE LUCIAN.

I'M NO GOOD FOR ANYBODY, AND I DON'T WANT TO BE.

[ ENGINE TURNS OVER ]

WOW.

PLACE SURE LOOKS BETTER THAN IT DID

WHEN I USED TO BREAK IN

AND GET UP TO ALL KINDS OF HELL IN HERE.

WHAT CAN I DO FOR YOU, MS. SIMONE?

MIND IF I CUT RIGHT TO THE CHASE?

ACTUALLY, I'D APPRECIATE IT.

I'M IN TROUBLE...

BIG TROUBLE, BIG EVEN FOR ME.

I OWE SOME MONEY.

THAT'S WHY I HAD TO GET OUT OF HOUSTON.

THEY SAID IF I DON'T PAY WHAT I OWE,

THEY'RE GONNA HURT LENA AND MY MAMA.

WHAT, THEY FRONT YOU A KEY AND IT ALL GO UP YOUR NOSE?

[ CHUCKLES ]

YOU'D THINK I'D LEARN BY NOW, HUH?

WOULD $10,000 DO IT?

[ CHUCKLES ]

I WAS A TRIAL LAWYER, MS. SIMONE.

YOU'RE GONNA HAVE TO BE A BETTER LIAR THAN THAT AROUND ME.

NOW, WHY DON'T YOU GET OUT OF MY HOUSE BEFORE IHURT YOU?

YOUR TYPE DOESN'T HURT A WOMAN.

DON'T THINK I DON'T KNOW THE DIFFERENCE.

YOU KNOW, I WONDER WHAT WOULD HAPPEN

TO YOUR LITTLE DAYCARE COMMUNE

WHEN THE AUTHORITIES HEAR

THAT YOU'VE BEEN MAKING IMPROPER ADVANCES

TOWARD YOUR CLIENTS' KIDS?

JUST A RUMOR WOULD BE ENOUGH TO SHUT YOU DOWN.

AND, YEAH, I THINK $10,000 WOULD JUST ABOUT DO IT.

OKAY.

YOU WANT TO MAKE AN ACCUSATION, MAKE IT.

DEPUTY SHERIFF, ST. CHARLES PARISH,

REMY'S UNCLE PIERRE -- CALL HIM.

I CAN MAKE A LOT MORE TROUBLE FOR YOU

THAN YOU CAN FOR ME.

BELIEVE THAT.

[ DANCE MUSIC PLAYING ]

Man: YEAH, BABY, COME ON!

WHOO!

HEY, THE GIRLS ARE WAITING!

PARTY FORCE! COME ON!

Man #2: COME ON!

[ INDISTINCT SHOUTING ]

THAT'S MY BOY, BABY! COME ON, NOW!

LET'S GO, LET'S GO!

YEAH!

DON'T GO, BEAUTIFUL.

STAY WITH ME.

HUH.

WELL, AREN'T YOU SOMETHING?

OKAY. OKAY, COME ON. YOU GOT IT.

IN MY FATHER'S DAY,

YOU THINK THEY WENT TO THE QUARTER

FOR LAP DANCING?

WHAT? [ CHUCKLES ] I HEAR YOU.

COME ON, BUDDY.

THEY WERE MEN.

AND WE ARE MICE.

OKAY, COME ON.

COME ON, I GOT YOU.

I DON'T FEEL SO GOOD, DECLAN.

YEAH, THAT WOULD BE 11 SAZERACS TALKING.

JUST TAKE A SEAT.

THERE YOU GO.

I GOT JUST THE THING FOR YOU, BUDDY.

TRY NOT TO THROW UP ON MY FLOOR.

[ LAUGHS ]

Julian: HELLO, ABIGAIL.

[ GRUNTS ]

[ GROANING ]

[ SIGHS ]

HE WANTS TO MAKE A LIFE WITH YOU.

HE WANTS TO PLAY MAKE-BELIEVE.

[ CELLPHONE RINGING ]

[ CHUCKLES ]

[ BEEPS ]

YEAH?

[ SLURPING ]

OH, MY GOD.

YOU ALL RIGHT?

AS LONG AS I DON'T BREATHE OR ANYTHING.

THE DOCTOR WAS HERE.

THERE -- THERE'S NOT MUCH YOU CAN DO FOR A CRACKED RIB.

THERE'S SOMETHING YOU WEREN'T SAYING ON THE PHONE.

ABOUT WHAT?

WHO DID THIS?

[ SIGHS ]

IT WAS YOUR MOM.

I DIDN'T WANT TO CALL THE COPS.

THEN I'LLCALL THEM. [ SCOFFS ]

ALL THE TIMES I COULD'VE HAD HER PUT AWAY,

BUT I ALWAYS TOLD MYSELF,

"NAH, IT'LL CATCH UP WITH HER ON ITS OWN."

NO, NO, NO, NO, NO.

LENA, THERE WAS NOT A THING IN THE WHOLE WORLD

YOU COULD'VE DONE TO STOP THIS.

BUT SHE'S JUST...

OUT THERE.

WE'LL THE POSTPONE THE WEDDING.

OH, NO, NO, NO, NO, NO.

YOU THINK I WANT TO HEAR FROM YOUR MOM

FOR THE REST OF MY LIFE

ABOUT ALL YOUR SECOND COUSINS WHO GOT STUCK

WITH NONREFUNDABLE PLANE TICKETS?

PARTY'S ON, BABE.

AND THOUGH I SPEAK WITH THE TONGUES OF MEN AND OF ANGELS

BUT HAVE NOT LOVE,

I HAVE BECOME AS SOUNDING BRASS OR A CLANGING CYMBAL.

AND THOUGH I HAVE THE GIFT OF PROPHECY

AND UNDERSTAND ALL MYSTERIES AND ALL KNOWLEDGE

AND THOUGH I HAVE ALL FAITH SO THAT I CAN MOVE MOUNTAINS

BUT HAVE NOT LOVE,

I AM NOTHING.

[ SLOW JAZZ MUSIC PLAYING ]

MAY I HAVE THIS DANCE?

[ CAMERA SHUTTER CLICKING ]

I'VE BEEN LYING TO YOU...

ABOUT NOT SEEING ANYTHING.

SO, YOU KNOW IT WAS US -- THAT...WE'RE THEM?

YOU WANT TO KNOW WHY LUCIAN KILLED JULIAN?

BECAUSE HE FOUND OUT

JULIAN HAD BEEN SCREWING HIS SWEET, BELOVED ABIGAIL.

APPARENTLY, SHE WAS A VERY BUSY BRIDE.

NOBODY KILLED ABIGAIL.

SHE ABANDONED HER HUSBAND AND HER BABY.

NO.

SHE LOVED LUCIAN.

I SAW THE NOTE SHE LEFT.

"TRY TO FORGIVE ME."

THAT'S IT.

AND SHE DIDN'T TAKE ALL THE JEWELRY.

WHAT PIECE OF HER JEWELRY DO I HAVE?

THE WATCH.

IT DIDN'T MEAN ANYTHING TO HER.

WE WEREN'T BROUGHT TOGETHER TO GET IT RIGHT.

THERE'S NO HIGHER PURPOSE IN ANY OF THIS.

WE'RE JUST TRAPPED ON A WHEEL

THAT KEEPS COMING AROUND AND AROUND TO THE SAME PLACE --

TO BLOOD AND DEATH AND LIES.

[ SIGHS ]

I'M PUTTING THE BAR UP FOR SALE.

I'LL GO TO FLORIDA AND LOOK FOR A NEW PLACE.

MAYBE IF WE GET OFF THE WHEEL THIS TIME,

IT'LL STOP FOR GOOD.

[ BABY CRYING ]

Odette: SHINE THE LIGHT, DECLAN.

SHINE THE LIGHT.

[ CRYING CONTINUES ]

[ UP-TEMPO JAZZ MUSIC PLAYING ]

[ ABIGAIL SINGING INDISTINCTLY ]

ET TOI, MA CHèRE.

DON'T YOU FUSS.

DADDY'S DOWNSTAIRS,

BUT HE'S GONNA BE UP TO SEE US SOON.

WHAT BEAUTIFUL EYES YOU HAVE, JUST LIKE YOUR DADDY.

WHAT A PARTY, MOTHER.

YES, DEAR. OF COURSE. WHAT DO YOU THINK?

[ BABY COOS ]

AND SUCH BEAUTIFUL HAIR.

IT'S THE COLOR OF THE SUN...

RIGHT WHEN IT SINKS INTO THE BAYOU.

[ FOOTSTEPS ]

THERE'S DADDY NOW.

WHERE ARE YOUR MANNERS, MARIE ROSE?

SAY HELLO TO YOUR UNCLE JULIAN.

EVERYBODY MISSES YOU DOWN AT THE PARTY.

I NEED TO FEED THE BABY.

IT'S AN ABSENCE FELT MOST TERRIBLY.

WE'RE SHORT ONE SCULLERY MAID IN THE KITCHEN.

I DON'T WANT YOU TO BE UP HERE WHEN YOU'VE BEEN DRINKING.

SO, THE CAJUN'S GIVING ORDERS TO THE CREOLES NOW.

YOU'RE DISGUSTING,

LOOKING THAT WAY AT YOUR BROTHER'S WIFE.

BROTHER'S WHORE.

WHEN I TELL LUCIAN ABOUT THIS, HE'LL SEND YOU AWAY.

WELL, HE'LL HAVE TO ASK MAMA'S PERMISSION FIRST.

[ SIGHS ]

MY SAINTED BROTHER DID ME A FAVOR BY MARRYING...

YOU.

DID YOU KNOW SHE'S ALREADY [CHUCKLES]

WRITTEN HIM OUT OF HER WILL?

YOU CAN TAKE YOUR MOTHER'S MONEY,

AND YOU CAN GO TO HELL WITH IT.

HE'S WEAK.

SAINTS USUALLY ARE UNDERNEATH ALL THAT...

PIETY.

HE'S A MAN.

MORE MAN THAN YOU'RE EVER GONNA BE.

[ BABY FUSSES ]

I ALWAYS TAKE WHAT'S LUCIAN'S.

AAH!

All: 10...9...8...

[ SCREAMING ]

...7...6...

[ CRYING ]

...5...4...

NO! HELP ME!

...3...2...1...

HAPPY NEW YEAR!

[ MOANING ]

HAPPY NEW YEAR.

I HOPE IT'S A PROSPEROUS YEAR FOR ALL OF US.

[ ABIGAIL, BABY CRYING ]

[ Crying ] OH, MY GOD!

OH, MY GOD!

OH, GOD!

MAKE THAT DAMNED THING STOP CRYING!

HELP! SOMEBODY PLEASE HELP!

SHUT UP!

HELP ME!

SOMEBODY PLEASE HELP ME!

[ SCREAMING ]

IF YOU...LOVED ME,

THIS NEVER WOULD'VE HAPPENED.

THIS WOULDN'T HAVE HAPPENED!

[ BREATHING HEAVILY ]

[ BABY CONTINUES CRYING ]

[ MID-TEMPO CLASSICAL MUSIC PLAYS ]

[ DOOR OPENS ]

JULIAN!

SHE ATTACKED ME WITH THE FIRE POKER.

I WAS JUST DEFENDING MYSELF.

[ SNIFFLES ]

SHE IS DEAD, SON!

[ MUMBLING INDISTINCTLY ]

I HAVE TO GET AWAY.

NO. THEY WON'T HANG YOU, DARLING.

I WILL NOT LOSE ANOTHER SON TO THIS --

THIS CREATURE.

NO, NOW, EVERYTHING'S GONNA BE ALL RIGHT

AS LONG AS YOU DO EXACTLY AS MAMA SAYS.

NOW, WE DON'T HAVE A LOT OF TIME,

SO, FIRST, YOU NEED TO GO

AND CLEAR OUT ALL OF ABIGAIL'S CLOTHING AND JEWELRY

FROM HER BEDROOM.

JULIAN, ARE YOU LISTENING TO ME, SON?

YES, MAMA. YES.

I'M LISTENING. ALL RIGHT.

ALL RIGHT, THEN YOU FIND SOMETHING TO WRAP HER IN,

YOU TAKE HER DOWN THE BACK STAIRS,

AND YOU DUMP HER IN THE BAYOU.

NOW, I'LL FIND SOMETHING TO OCCUPY LUCIAN DOWNSTAIRS.

BUT FIRST I NEED TO --

I NEED TO SEE SOMETHING IN HER HANDWRITING.

IT'S A LIST OF THINGS THE BABY NEEDS.

[ WATCH TICKING ]

Julian's voice: SO, NOW YOU KNOW.

THIS IS THE WAY IT ALWAYS ENDS.

SEND THE BITCH BACK TO HELL.

[ BOTH GRUNTING ]

I DON'T KNOW. WHERE'S DECLI HAVEN'T SEEN HIM.]

WHAT HAPPENED? NOTHING.

EVERYTHING.

DARLING, WHERE ARE YOU GOING?

DON'T YOU WANT TO DANCE THE FIRST WALTZ OF THE CENTURY

WITH YOUR MAMA?

♪ AFTER THE BREAK OF MORN

♪ AFTER THE DANCERS' LEAVING

♪ AFTER THE STARS ARE GONE

♪ MANY A HEART IS ACHING

♪ IF YOU COULD READ THEM ALL... ♪

♪ AFTER THE BALL

[ MID-TEMPO JAZZ MUSIC PLAYING ]

NO!

[ BOTH BREATHING HEAVILY ]

OH!

[ BOTH GRUNTING ]

[ SCREAMING ]

[ SCREAMING ]

GO AHEAD.

IT'S WHAT YOU ALWAYS WANTED TO DO.

[ GRUNTS ]

NO.

[ BREATHING HEAVILY ]

THAT'S NOT HOW IT'S GONNA END THIS TIME.

Julian's voice: DON'T YOU LOVE ME, BROTHER?

[ WHIMPERS ]

[ Normal voice ] LENA...

AND YOU?

WHAT AM I DOING IN HERE?

DON'T EVEN TRY.

NO. NO, NO, NO, NO, NO.

I WAS GOING UP THE STAIRS, AND THERE WAS THIS MAN.

WHAT WERE YOU DOING IN DECLAN'S HOUSE?

I DON'T KNOW.

FOR ONCE IN YOUR LIFE, WILL YOU NOT LIE TO ME?!

I WAS STEALING, OKAY?

BUT -- BUT -- BUT FROM THE OFFICE,

FROM -- FROM THE BEDROOM.

AND -- AND -- AND THEN ALL I REMEMBER ARE THESE --

THESE THOUGHTS IN MY HEAD...

...AND A KNIFE IN MY HAND.

THAT KNIFE!

OH, GOD, DID I -- DID I HURT SOMEBODY?

MAYBE.

[ GASPS ]

OH! NO! I DON'T REMEMBER ANYTHING!

OH, BABY, I'M SO SCARED. YOU GOT TO BELIEVE ME.

I'M NOT YOUR BABY.

I'VE NEVER BEEN YOUR BABY.

I DON'T HAVE TO BE MY MOTHER'S DAUGHTER.

[ CRYING ]

Declan: JULIAN MUST HAVE COME RIGHT ALONG HERE

WITH THE BODY OVER HIS SHOULDER.

HE LOVED HER IN THE ONLY SICK, TWISTED WAY HE KNEW HOW.

SO, DO YOU WANT TO GIVE THIS A TRY OR NOT?

[ SIGHS ]

I'VE ALWAYS RUN AWAY. I'VE NEVER TRUSTED ANYBODY.

WE CAN CHANGE ALL THAT NOW.

ALL THESE FAMILIES THAT MOVED BACK AFTER THE STORM --

WHAT DID THEY HAVE THAT LUCIAN DIDN'T?

FAITH...

THAT IT CAN ALL BE BETTER THE NEXT TIME AROUND.

IS THERE ANY CHANCE THAT YOU CAN HAVE FAITH THIS TIME?

IN YOU, I CAN.

HEY.

[ BOTH CHUCKLE ]

[ WATCH TICKING ]

[ ABIGAIL SINGING INDISTINCTLY ]

[ BABY LAUGHS ]

[ LAUGHS ]

DO YOU KNOW HOW MUCH I LOVE YOU, ANGEL?

I LOVE YOU AS MUCH AS I LOVE YOUR PAPA.

THAT MEANS I LOVE YOU MORE THAN THE WHOLE WIDE WORLD.

NOT AS MUCH AS I LOVE YOU.

[ FUSSES ]

IT MIGHT TAKE ME A FEW MORE LIFETIMES

TO GET IT RIGHT.

AND I LOOK FORWARD TO EVERY ONE OF THEM.

--Captions by VITAC-- www.vitac.com

♪ OHH

♪ OHHH

♪ OH

♪ MMMM

♪ MMMM

♪ OOH

♪ OOH

♪ MMMM