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♪ (SUSPENSEFUL MUSIC PLAYS) ♪
2
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(SCREAMING)
3
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From now on, we have to assume
that whatever Claude sees
4
00:00:20,124 --> 00:00:21,750
and hears,
it sees and hears.
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You asked me where my people
are buried around here.
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The old Bear Cave.
It's been sealed since 1947.
7
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(MEN SHOUTING)
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HOLLY GIBNEY:
He's in there. We found him.
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00:00:35,083 --> 00:00:36,917
RALPH ANDERSON: We're gonna
be back in a couple of hours.
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It's not right. Not telling them
that that thing's out there.
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What if it doesn't cotton
to being contained?
12
00:00:43,041 --> 00:00:45,124
Then we kill it
before it can kill us.
13
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What if it can't be killed?
14
00:00:48,750 --> 00:00:50,708
CLAUDE BOLTON:
Do you know what you just did?
15
00:00:51,083 --> 00:00:51,999
I know what I just did.
16
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I gave you the heads up
of your life.
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CLAUDE:
He's in my head, Seale.
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So, you just told that thing
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00:00:56,917 --> 00:00:58,750
that all of those people
are coming for it.
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♪ (MUSIC INTENSIFIES) ♪
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(GUNSHOT)
22
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(EAR-SPLITTING RINGING)
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♪ (MUSIC CONCLUDES) ♪
24
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-(GUNSHOTS)
-(JACK GROANS)
25
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There you go!
26
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(SHOTS CONTINUE)
27
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(BULLETS RICOCHET)
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-(YELPS)
-(GUNSHOT)
29
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-Jesus Christ!
-YUNIS SABLO: Fuck!
30
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(DISTORTED SNARLING)
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(SCREECHES)
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-(JACK GROANS)
-We gotta get outta here.
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00:01:57,958 --> 00:02:00,833
-SABLO: And go where?
-I don't know. Just to get
the fuck outta here.
34
00:02:04,124 --> 00:02:05,541
ANDY KATCAVAGE:
Who's the shooter?
35
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(GUNSHOT)
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(YELLS) Jack!
We can talk about this!
37
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Motherf--!
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ANDY: No, no, no.
Come on, come on!
39
00:02:18,958 --> 00:02:21,166
(GUNSHOTS CONTINUE)
40
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(JACK GROANS)
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-Ah! Goddammit!
-Take this! Take this!
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(GROANS) Motherfucker!
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(HUMMING)
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SABLO: Is that fucking Howie?
45
00:02:46,750 --> 00:02:48,333
Uh-oh!
46
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JACK HOSKINS:
Oh, yeah, get in there.
47
00:02:50,750 --> 00:02:52,875
-Jesus Christ!
-SABLO: Keep going! Keep going!
48
00:02:52,958 --> 00:02:54,291
-Is that Pelley?
-Go! Go! Just go!
49
00:02:54,375 --> 00:02:56,375
-RALPH ANDERSON: Go!
-Get the fuck out!
50
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-Move!
-Jesus Christ!
51
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-(GUNSHOTS)
-HOWARD SALOMAN: Oh, my god!
52
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(GUNSHOTS CONTINUE)
53
00:03:05,958 --> 00:03:08,124
Hey, Seale, what the hell
you doin', man?
54
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(JACK GROANS)
55
00:03:13,500 --> 00:03:15,249
Motherfucker!
56
00:03:15,333 --> 00:03:17,375
(SNAKE TAIL RATTLES)
57
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Oh, no! Get off!
58
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-Go! Go, go!
-ANDY: Go now! Go now!
59
00:03:24,958 --> 00:03:27,208
CLAUDE BOLTON: Seale!
Seale, whatcha doin', man?
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00:03:27,291 --> 00:03:28,458
RALPH: Get back here!
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(YELLS)
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00:03:32,625 --> 00:03:34,208
CLAUDE:
Hey Seale, get back here!
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JACK: I got you.
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00:03:35,792 --> 00:03:36,792
(GRUNTS)
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(INAUDIBLE)
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00:03:42,166 --> 00:03:45,792
(LAUGHING MANIACALLY)
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Yeah!
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00:03:59,208 --> 00:04:00,917
-Shit!
-(DRUNKENLY SINGING)
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Fucker! (PANTING)
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(GUNSHOT)
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-(GUNSHOT)
-I see you!
72
00:04:08,792 --> 00:04:11,416
-(SABLO YELLS, GROANS)
-RALPH: Oh shit!
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00:04:11,500 --> 00:04:14,583
Fucker! Get up! Get up!
Up, up--
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00:04:14,667 --> 00:04:17,500
Get up, up, up, up.
We don't have-- Go! Go!
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00:04:17,583 --> 00:04:18,833
Oh, shit.
76
00:04:21,708 --> 00:04:23,083
HOWARD: Fuck!
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00:04:23,166 --> 00:04:24,667
Let's get the fuck outta here!
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00:04:27,583 --> 00:04:30,333
-(GRUNTS)
-Oh shit! Seale!
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00:04:30,416 --> 00:04:33,041
RALPH: Claude! Don't go out!
Damn it! Don't!
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00:04:34,041 --> 00:04:35,166
CLAUDE: Seale!
81
00:04:36,416 --> 00:04:37,958
Fuck!
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00:04:38,041 --> 00:04:40,958
(DRUNKENLY GROANS)
Motherfucker!
83
00:04:41,041 --> 00:04:42,541
CLAUDE: Oh, God, man.
84
00:04:44,500 --> 00:04:47,792
They got him good, man.
Oh shit!
85
00:04:47,875 --> 00:04:50,708
Fuck! Oh! Oh shit!
86
00:04:50,792 --> 00:04:51,999
Oh, man.
87
00:04:53,083 --> 00:04:56,249
Fucking hurts to be shot, man.
Fucking hurts.
88
00:04:56,333 --> 00:04:59,124
RALPH:
Yeah. With the slugs he's using,
89
00:04:59,208 --> 00:05:01,124
you're lucky you didn't get
your arm taken off.
90
00:05:01,208 --> 00:05:03,208
-SABLO: Hurts to get shot.
-RALPH: You know what...
91
00:05:03,291 --> 00:05:05,541
ANDY: If we could just get
some fucking bars!
92
00:05:06,541 --> 00:05:08,041
Don't even think about it.
93
00:05:09,208 --> 00:05:11,208
Hey, when the GIs
were getting chewed up
94
00:05:11,291 --> 00:05:13,249
on the beaches on D-Day,
you know what they're told?
95
00:05:13,333 --> 00:05:16,124
Um... Uh-- Ad-- Advance or die.
96
00:05:16,208 --> 00:05:17,875
-Or something like that.
-That's fucking right.
97
00:05:17,958 --> 00:05:19,500
(GUNSHOT)
98
00:05:19,583 --> 00:05:20,625
RALPH: Can you fire lefty?
99
00:05:20,708 --> 00:05:22,124
SABLO:
Yeah, that's about all I can do.
100
00:05:22,208 --> 00:05:23,917
-Take this! Take this!
-No! No! No, no, no!
101
00:05:24,667 --> 00:05:25,708
HOLLY GIBNEY: Andy!
102
00:05:26,833 --> 00:05:28,249
What the hell is he doing?
103
00:05:28,333 --> 00:05:30,708
RALPH:
I don't fucking kn-- I think
he's going to get reception.
104
00:05:32,541 --> 00:05:35,958
Ah, Jesus, man. Why couldn't you
stay where you are?
105
00:05:36,583 --> 00:05:37,625
Son of a...
106
00:05:41,416 --> 00:05:42,999
-(GUNSHOT)
-Jesus!
107
00:05:43,083 --> 00:05:44,625
-(GUNSHOT)
-Fuck!
108
00:05:47,750 --> 00:05:49,833
-HOWARD: Go, Andy! Go!
-(ENGINE STARTS)
109
00:05:49,917 --> 00:05:55,500
-One... two... boom!
-(ANDY GRUNTS) Fuck!
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00:05:55,583 --> 00:05:56,625
SABLO: Just go!
111
00:05:56,958 --> 00:05:57,958
Shit!
112
00:06:00,333 --> 00:06:01,375
RALPH: Go!
113
00:06:03,416 --> 00:06:05,083
Go! Go, Andy!
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00:06:08,541 --> 00:06:09,583
HOWARD: Go, go, go!
115
00:06:11,917 --> 00:06:13,375
(PANTING)
116
00:06:28,875 --> 00:06:30,124
(GUNSHOT)
117
00:06:30,958 --> 00:06:32,083
-(GUNSHOT)
-(GRUNTS)
118
00:06:49,500 --> 00:06:50,583
What happened?
119
00:07:02,999 --> 00:07:04,667
Andy! No!
120
00:07:04,999 --> 00:07:06,166
No, no!
121
00:07:07,875 --> 00:07:11,041
HOWARD: No! No, no, no!
Holly, no! No, go back!
122
00:07:11,124 --> 00:07:13,124
-I'll get him. I'll get him. Go!
-No!
123
00:07:13,792 --> 00:07:14,833
Go back!
124
00:07:46,999 --> 00:07:48,875
(SCREAMING) Yeah!
125
00:07:48,958 --> 00:07:53,041
Mother nature!
(LAUGHING MANIACALLY)
126
00:07:53,917 --> 00:07:54,917
Ah!
127
00:08:11,333 --> 00:08:12,541
RALPH: (ECHOING SHOUT) Holly!
128
00:08:14,708 --> 00:08:15,708
Holly!
129
00:08:25,833 --> 00:08:29,291
Holly! Holly, get back here!
130
00:08:31,875 --> 00:08:32,875
Fuck!
131
00:08:32,958 --> 00:08:34,416
What the fuck is she doing?
132
00:08:34,500 --> 00:08:36,249
RALPH: Holly, get back here!
133
00:08:37,541 --> 00:08:38,583
Holly!
134
00:08:39,083 --> 00:08:40,583
Get back here!
135
00:08:54,708 --> 00:08:56,792
(YELLING, ECHOING)
Damn you to hell!
136
00:09:10,583 --> 00:09:12,416
(PANTING)
137
00:09:13,458 --> 00:09:15,541
Oh, he definitely will.
138
00:09:15,625 --> 00:09:17,750
-(SNARLS)
-(WINCES) Ow!
139
00:09:19,375 --> 00:09:20,416
Fuck!
140
00:09:22,708 --> 00:09:24,875
-Fuck you!
-(SNARLS)
141
00:09:24,958 --> 00:09:26,124
(JACK CRIES)
142
00:09:26,750 --> 00:09:29,416
-No more.
-(ROARS)
143
00:09:30,792 --> 00:09:32,208
(SNARLING, GROWLING)
144
00:09:32,291 --> 00:09:35,416
(SNAKE'S TAIL RATTLES)
145
00:09:35,958 --> 00:09:37,958
(PANTING)
146
00:09:43,625 --> 00:09:46,291
(CHUCKLES)
Come at me, motherfucker.
147
00:09:46,375 --> 00:09:47,416
-(SNAKE SNAPS)
-(SCREAMS)
148
00:09:47,500 --> 00:09:49,333
-(ROARS)
-(JACK'S SCREAMS ECHO)
149
00:09:52,166 --> 00:09:54,375
(JACK GROANS)
150
00:09:59,500 --> 00:10:00,708
RALPH: Holly!
151
00:10:01,625 --> 00:10:03,541
-(GUNSHOT)
-Fuck.
152
00:10:10,833 --> 00:10:12,375
Come on, come on.
153
00:10:13,917 --> 00:10:15,875
-Jack's done.
-(GUNSHOT)
154
00:10:15,958 --> 00:10:17,249
Tell Sablo
to save his ammunition,
155
00:10:17,333 --> 00:10:19,375
and tell him to stop shooting.
It's...
156
00:10:19,458 --> 00:10:20,999
It's splitting my head in two.
157
00:10:22,166 --> 00:10:23,333
It's time.
158
00:10:54,041 --> 00:10:55,041
(ROARS)
159
00:10:57,166 --> 00:10:58,208
(SNARLS)
160
00:11:06,541 --> 00:11:08,416
(GROWLS SOFTLY)
161
00:11:10,041 --> 00:11:13,750
♪ (OMINOUS MUSIC PLAYS) ♪
162
00:11:43,458 --> 00:11:45,416
You're gonna be all right
out here by yourself?
163
00:11:45,500 --> 00:11:46,917
I'll be fine. You be careful.
164
00:11:49,124 --> 00:11:51,958
♪ (MUSIC INTENSIFIES) ♪
165
00:12:01,541 --> 00:12:05,124
(WHEEZING, GASPING)
166
00:12:14,833 --> 00:12:16,041
Ralph!
167
00:12:16,124 --> 00:12:19,083
(WHEEZING CONTINUES)
168
00:12:22,041 --> 00:12:23,416
SABLO: Put it down, Jack.
169
00:12:26,667 --> 00:12:28,792
Jack, just put it down, man.
170
00:12:28,875 --> 00:12:31,166
(JACK CONTINUES WHEEZING)
171
00:12:34,500 --> 00:12:35,708
JACK: It's in there.
172
00:12:38,416 --> 00:12:39,458
Kill it.
173
00:12:44,333 --> 00:12:45,375
No!
174
00:13:56,999 --> 00:13:58,124
(GATE CREAKS)
175
00:14:03,999 --> 00:14:05,917
-RALPH: Watch out.
-(HOLLY GASPS)
176
00:14:19,958 --> 00:14:21,750
-(WOOD CRACKS)
-(RALPH GRUNTS)
177
00:14:23,667 --> 00:14:25,041
HOLLY: You okay?
178
00:14:25,124 --> 00:14:27,875
Yeah... Yeah, yes.
179
00:14:29,583 --> 00:14:31,041
Uh, better be careful.
180
00:14:39,124 --> 00:14:41,416
(RALPH BREATHES DEEPLY)
181
00:14:50,750 --> 00:14:51,917
HOLLY: Look.
182
00:14:52,917 --> 00:14:55,041
He can be killed.
183
00:14:55,124 --> 00:14:58,083
-RALPH: How's that?
-HOLLY: He's scared of falling.
184
00:14:59,249 --> 00:15:00,458
Like us.
185
00:15:01,166 --> 00:15:02,500
(LEVER SQUEAKS)
186
00:15:15,124 --> 00:15:16,500
HOLLY: He's feeding.
187
00:15:18,458 --> 00:15:20,124
RALPH: Breadcrumbs from hell.
188
00:15:39,708 --> 00:15:40,958
(RALPH GRUNTS)
189
00:16:00,792 --> 00:16:02,041
(WATER SPLASHES)
190
00:16:27,999 --> 00:16:30,041
(ROCKS SHATTER, FALL)
191
00:16:41,541 --> 00:16:42,708
HOLLY: Stop.
192
00:16:57,625 --> 00:16:58,750
(HOLLY GRUNTS)
193
00:17:04,999 --> 00:17:06,416
HOLLY: He was in a frenzy.
194
00:17:12,416 --> 00:17:14,208
-RALPH: Holly.
-Hmm?
195
00:17:16,792 --> 00:17:17,917
RALPH: Look.
196
00:17:20,625 --> 00:17:22,124
This is where it happened.
197
00:17:28,875 --> 00:17:30,667
HOLLY: They're all in there.
198
00:17:30,750 --> 00:17:32,792
Must have been going crazy
trying to get to them.
199
00:17:32,875 --> 00:17:35,291
♪ (OMINOUS MUSIC PLAYS) ♪
200
00:17:41,750 --> 00:17:43,124
-(WHISPERS) Holly.
-Hmm?
201
00:17:49,833 --> 00:17:50,917
RALPH: See it?
202
00:17:52,625 --> 00:17:53,667
The light?
203
00:18:45,667 --> 00:18:47,958
EL CUCO: (AS CLAUDE BOLTON)
Watch your step coming in.
204
00:18:48,041 --> 00:18:49,375
It's very slippery.
205
00:18:50,708 --> 00:18:54,083
Stay close to the walls in case
you need to grab onto something.
206
00:18:56,583 --> 00:18:59,541
You haven't come all this way
just to turn back now, have you?
207
00:19:24,041 --> 00:19:25,541
Well, howdy there, sheriff.
208
00:19:27,083 --> 00:19:29,541
And you must be the lovely
Miss Holly.
209
00:19:32,041 --> 00:19:33,999
Claude doesn't know
your last name,
210
00:19:34,083 --> 00:19:36,708
but he thinks about you
all the time.
211
00:19:39,083 --> 00:19:40,124
It's Gibney.
212
00:19:44,917 --> 00:19:46,083
Holly Gibney.
213
00:19:48,291 --> 00:19:49,583
EL CUCO: It's you
I have to thank
214
00:19:49,667 --> 00:19:52,541
for this situation
I find myself in, ain't it?
215
00:19:55,917 --> 00:19:58,291
I wanna know what made it
so easy for you
216
00:19:58,375 --> 00:19:59,750
to believe in me,
217
00:19:59,833 --> 00:20:02,041
and how on earth did she manage
218
00:20:02,124 --> 00:20:05,041
to convince a cowpoke
like you, sheriff.
219
00:20:08,583 --> 00:20:09,750
What are you?
220
00:20:10,875 --> 00:20:12,083
(EL CUCO SCOFFS)
221
00:20:13,875 --> 00:20:17,249
-What is your name?
-EL CUCO: Oh... you know.
222
00:20:18,124 --> 00:20:19,875
Where did you come from?
223
00:20:19,958 --> 00:20:22,041
-I don't remember.
-What is your nature?
224
00:20:22,124 --> 00:20:25,083
We're not very good answering
each other's questions, are we?
225
00:20:25,166 --> 00:20:27,375
-Are there more of you?
-Why?
226
00:20:27,458 --> 00:20:29,458
Have you seen
someone like me before?
227
00:20:30,416 --> 00:20:31,500
Are there others?
228
00:20:33,625 --> 00:20:36,166
'Cause there have been times
when I...
229
00:20:36,249 --> 00:20:38,583
-sense there could be more--
-Shut up.
230
00:20:43,041 --> 00:20:45,333
You really gon' pull
that trigger, sheriff?
231
00:20:48,458 --> 00:20:51,333
(BED CREAKS)
232
00:20:58,083 --> 00:20:59,708
Well, you go ahead and do it...
233
00:21:00,999 --> 00:21:02,500
if you don't mind dying.
234
00:21:05,875 --> 00:21:09,500
(YELLING) Will the real
Claude Bolton please stand up?
235
00:21:09,583 --> 00:21:12,833
-(ECHOING)
-(CAVE TREMORS, CRACKLES)
236
00:21:12,917 --> 00:21:14,833
(ROCKS SHATTERING, FALLING)
237
00:21:28,958 --> 00:21:31,583
-EL CUCO: You see?
-(RALPH GASPS) Step back!
238
00:21:31,667 --> 00:21:33,750
-(ECHOING)
-Stop yelling.
239
00:21:34,458 --> 00:21:36,208
(DEBRIS SCATTERING)
240
00:21:36,291 --> 00:21:40,166
EL CUCO: They're here, you know.
The dead.
241
00:21:40,249 --> 00:21:44,291
The rescuers that couldn't even
rescue themselves.
242
00:21:44,375 --> 00:21:46,875
But... you couldn't get to them,
could you?
243
00:21:48,416 --> 00:21:53,041
Well, it don't matter.
I still feel their presence.
244
00:21:53,124 --> 00:21:57,208
Especially the four Boltons.
They give off such a glow.
245
00:21:59,124 --> 00:22:00,208
Glow?
246
00:22:02,041 --> 00:22:05,041
They're the blood
that I'm becoming.
247
00:22:06,249 --> 00:22:07,541
It feels like...
248
00:22:09,375 --> 00:22:10,917
like I'm being entered.
249
00:22:11,792 --> 00:22:14,166
And what enters me, fills me.
250
00:22:15,625 --> 00:22:19,999
You have no idea
what it feels like to have
251
00:22:20,083 --> 00:22:22,333
all of that emotion
inside of me.
252
00:22:22,416 --> 00:22:23,333
Why children?
253
00:22:23,416 --> 00:22:25,792
(WHISPERS)
Stop asking him questions!
254
00:22:27,166 --> 00:22:29,750
I eat to survive, just like you.
255
00:22:29,833 --> 00:22:32,458
-Shut up.
-Why children?
256
00:22:36,375 --> 00:22:37,875
'Cause they taste the sweetest.
257
00:22:37,958 --> 00:22:39,583
-Motherfucker!
-HOLLY: Stop!
258
00:22:41,625 --> 00:22:42,708
He's poison.
259
00:22:51,166 --> 00:22:52,708
EL CUCO: I can't let you leave.
260
00:22:54,124 --> 00:22:55,291
You know that, right?
261
00:22:58,583 --> 00:22:59,625
HOLLY: No.
262
00:23:02,083 --> 00:23:03,667
We're the ones
who can't let you leave.
263
00:23:03,750 --> 00:23:05,041
(SCOFFS)
264
00:23:05,124 --> 00:23:06,583
RALPH:
Jack left one of us out there.
265
00:23:06,667 --> 00:23:09,041
He knows we're in here
and he knows what you are.
266
00:23:09,124 --> 00:23:10,166
He'll send more.
267
00:23:11,208 --> 00:23:12,291
I see.
268
00:23:14,875 --> 00:23:15,999
But I need to eat.
269
00:23:17,792 --> 00:23:18,833
(GUN COCKS)
270
00:23:25,792 --> 00:23:26,833
Claude.
271
00:23:27,500 --> 00:23:28,750
Put the gun down.
272
00:23:30,750 --> 00:23:31,917
HOLLY: Don't shoot.
273
00:23:34,708 --> 00:23:38,291
Don't shoot. If you shoot,
the whole chamber will fall
on our heads.
274
00:23:39,333 --> 00:23:40,708
RALPH: Hey, Claude.
275
00:23:41,792 --> 00:23:44,166
Just take your finger
off the trigger, okay?
276
00:23:50,124 --> 00:23:51,208
HOLLY: Claude, just...
277
00:23:52,583 --> 00:23:53,792
Just look at us.
278
00:23:56,083 --> 00:23:57,166
Just look at us.
279
00:23:58,416 --> 00:23:59,458
That's it.
280
00:24:00,958 --> 00:24:02,667
Now-- Now put the gun down.
281
00:24:07,917 --> 00:24:09,166
(DEEPLY INHALES)
282
00:24:19,500 --> 00:24:22,625
(GUNSHOT ECHOES)
283
00:24:22,708 --> 00:24:25,416
(ROCKS CRACKLES)
284
00:24:28,083 --> 00:24:29,375
HOLLY: Oh, my God.
285
00:24:30,708 --> 00:24:31,875
It's collapsing.
286
00:24:34,208 --> 00:24:36,708
RALPH: Move! Now! Now! Holly!
287
00:24:36,792 --> 00:24:38,124
HOLLY: Claude!
288
00:24:38,208 --> 00:24:39,375
RALPH: Holly!
289
00:24:42,333 --> 00:24:44,500
Cover your head!
Tuck your head!
290
00:24:45,416 --> 00:24:46,875
(ROCKS CRASHING)
291
00:24:49,041 --> 00:24:51,500
(CAVE RUMBLING)
292
00:25:00,541 --> 00:25:03,750
(SPLASHING)
293
00:25:16,458 --> 00:25:17,583
CLAUDE: Hey.
294
00:25:19,667 --> 00:25:20,792
Over here.
295
00:25:24,750 --> 00:25:25,792
(RALPH SIGHS)
296
00:25:28,958 --> 00:25:31,291
(CLAUDE GROANS) Sh...
297
00:25:31,375 --> 00:25:34,833
-I can't move.
-RALPH: Hold on-- Oh, shit.
298
00:25:34,917 --> 00:25:37,375
Okay. Um...
299
00:25:39,249 --> 00:25:40,291
Ready?
300
00:25:40,375 --> 00:25:43,625
-Three, two, one. Yeah.
-(HOLLY GRUNTS) Okay.
301
00:25:44,875 --> 00:25:47,083
-You got it?
-(PANTING)
302
00:25:47,375 --> 00:25:48,875
Oh, man.
303
00:25:48,958 --> 00:25:50,667
-You okay?
-Yeah, I'll live.
304
00:25:51,291 --> 00:25:53,291
(BREATHING HEAVILY)
305
00:25:54,333 --> 00:25:56,458
-Told you not to shoot.
-(HOLLY CHUCKLES)
306
00:26:03,500 --> 00:26:07,166
Okay. We'll be back in a moment,
okay? Hold tight.
307
00:26:07,249 --> 00:26:08,416
All right.
308
00:26:09,625 --> 00:26:11,083
Ah, fuck.
309
00:26:30,667 --> 00:26:31,708
RALPH: Hmm.
310
00:26:34,124 --> 00:26:35,667
HOLLY:
Do you have some kind of knife?
311
00:26:43,124 --> 00:26:44,208
Good.
312
00:26:52,500 --> 00:26:55,833
-(HOLLY GRUNTS)
-Yeah, Holly. Leave it.
Leave it. Leave it.
313
00:26:55,917 --> 00:26:58,083
If we were ever to claim
that this thing
314
00:26:58,166 --> 00:27:00,833
killed Frankie Peterson,
they'll write us off as loons.
315
00:27:00,917 --> 00:27:02,541
Terry's name
will never be cleared.
316
00:27:05,208 --> 00:27:06,333
Who's Terry?
317
00:27:12,875 --> 00:27:14,208
(GROANS)
318
00:27:18,249 --> 00:27:19,375
Did I kill him?
319
00:27:20,917 --> 00:27:23,249
HOLLY: Yeah. Yeah.
320
00:27:23,333 --> 00:27:25,208
RALPH: Okay, buddy.
321
00:27:25,291 --> 00:27:27,124
-We do this on three, yeah?
-HOLLY: Mm-hmm.
322
00:27:27,208 --> 00:27:30,333
-Okay. Three, two, one.
-HOLLY: Two, one.
323
00:27:30,416 --> 00:27:31,500
(CLAUDE GROANS)
324
00:27:34,333 --> 00:27:36,375
-HOLLY: Ooh-ooh-ooh.
-CLAUDE: Ah, shit.
325
00:27:39,875 --> 00:27:41,792
-RALPH: Watch your head.
-HOLLY: All right.
326
00:27:41,875 --> 00:27:43,833
-Yep.
-(CLAUDE GROANS)
327
00:27:45,833 --> 00:27:46,875
Ah, man.
328
00:27:54,999 --> 00:27:58,708
♪ (SINISTER MUSIC PLAYS) ♪
329
00:28:10,917 --> 00:28:12,083
HOLLY: What's wrong?
330
00:28:14,667 --> 00:28:16,792
-Nothing, I'll catch up.
-HOLLY: Okay.
331
00:28:27,249 --> 00:28:28,291
(RALPH GRUNTS)
332
00:28:31,041 --> 00:28:32,083
(SIGHS)
333
00:28:32,958 --> 00:28:34,958
Now look at you playing possum.
334
00:28:36,958 --> 00:28:38,083
How I know?
335
00:28:40,249 --> 00:28:42,249
What's left of your heart.
336
00:28:42,333 --> 00:28:45,124
Whatever it's called,
it's still pumpin'.
337
00:28:46,124 --> 00:28:48,291
Otherwise,
you got nothin' comin' out.
338
00:28:50,166 --> 00:28:51,166
Sawdust.
339
00:28:54,625 --> 00:28:56,917
I didn't know whether or not
you could be killed.
340
00:28:56,999 --> 00:28:59,792
I thought you could be
like anyone else, but...
341
00:29:01,625 --> 00:29:03,124
I'm not so sure anymore.
342
00:29:05,041 --> 00:29:08,333
I know that, uh,
this knife's certainly...
343
00:29:08,416 --> 00:29:12,875
isn't doing the trick.
Here's how I see it.
344
00:29:12,958 --> 00:29:14,999
You're weak.
You're getting weaker.
345
00:29:15,583 --> 00:29:16,833
You can't run.
346
00:29:17,541 --> 00:29:18,833
You can't hide.
347
00:29:20,208 --> 00:29:21,500
You can't hunt,
348
00:29:21,583 --> 00:29:25,583
which means you can't feed
and fill yourself.
349
00:29:25,667 --> 00:29:28,708
There's nothing stopping me
from just walking outta here
right now,
350
00:29:28,792 --> 00:29:31,583
come back with a bus load
of tourists and just watch them
351
00:29:31,667 --> 00:29:33,750
fucking push each other
out of the way,
352
00:29:33,833 --> 00:29:35,708
desperate, trying to get
the best angle
353
00:29:35,792 --> 00:29:38,083
of what's left
of your fucking face.
354
00:29:38,166 --> 00:29:40,999
-(GRUNTS)
-(EL CUCO GROWLS)
355
00:29:50,541 --> 00:29:54,208
And then comes the ever curious
scientific community.
356
00:29:55,166 --> 00:29:57,333
They're gonna be real interested
in you.
357
00:29:58,375 --> 00:30:02,124
Poking, probing, injecting,
extracting.
358
00:30:02,208 --> 00:30:04,416
They'll cut little pieces
of you off,
359
00:30:04,500 --> 00:30:06,667
take it back to the lab,
360
00:30:06,750 --> 00:30:10,999
Just keep fucking carving you
and carving you and carving you
361
00:30:11,083 --> 00:30:13,708
-until...
-(EL CUCO GROWLS SOFTLY)
362
00:30:13,792 --> 00:30:16,708
Yeah, you wouldn't want that,
would ya?
363
00:30:17,208 --> 00:30:18,249
(RALPH GRUNTS)
364
00:30:19,208 --> 00:30:21,333
♪ (SUSPENSEFUL MUSIC PLAYS) ♪
365
00:30:23,249 --> 00:30:28,833
And it would serve our purposes
much better...
366
00:30:30,583 --> 00:30:34,667
if no one ever knew
that you ever existed.
367
00:30:36,792 --> 00:30:37,875
So...
368
00:30:40,083 --> 00:30:41,249
you gotta go.
369
00:30:43,792 --> 00:30:45,083
(EL CUCO SNARLS)
370
00:30:48,375 --> 00:30:50,416
(SKIN AND BONES CRACKLE)
371
00:30:51,083 --> 00:30:53,041
(BLOOD SQUELCHES)
372
00:31:06,124 --> 00:31:08,249
♪ (MUSIC INTENSIFIES) ♪
373
00:31:18,625 --> 00:31:19,833
♪ (MUSIC STOPS) ♪
374
00:31:52,208 --> 00:31:56,083
♪ (OMINOUS MUSIC PLAYS) ♪
375
00:33:28,833 --> 00:33:29,917
(SIGHS)
376
00:33:33,500 --> 00:33:34,625
He, uh...
377
00:33:36,708 --> 00:33:38,291
He came here to be with me.
378
00:33:41,625 --> 00:33:43,041
That was the only reason.
379
00:33:50,625 --> 00:33:53,083
Holly, the locals could appear
at any stage.
380
00:33:53,166 --> 00:33:55,458
We need to talk pretty fast.
381
00:33:56,750 --> 00:33:58,249
Get our story straight.
382
00:34:12,708 --> 00:34:14,500
(CAR ENGINE STARTS)
383
00:35:11,375 --> 00:35:14,500
(SIRENS WAIL IN DISTANCE)
384
00:35:21,416 --> 00:35:25,458
(SIRENS GROW LOUDER)
385
00:35:36,750 --> 00:35:43,667
(PHONE RINGS)
386
00:35:49,208 --> 00:35:50,917
Lieutenant Sablo from GBI.
387
00:35:59,208 --> 00:36:02,667
-Hayes.
-SABLO: Hayes, it's Sablo.
388
00:36:02,750 --> 00:36:05,041
We're down here
in Cecil, Tennessee.
389
00:36:05,124 --> 00:36:07,416
There was a shootout
in the parking lot.
390
00:36:07,500 --> 00:36:10,166
The gift shop,
Alec Pelley's dead.
391
00:36:10,249 --> 00:36:13,792
Howie Saloman is dead.
Jack Hoskins is dead.
392
00:36:15,583 --> 00:36:16,583
They're dead?
393
00:36:18,083 --> 00:36:21,083
SABLO: The shooter was a cop.
One of your own.
394
00:36:23,333 --> 00:36:24,500
But he didn't act alone.
395
00:36:24,583 --> 00:36:27,458
In fact, he was compelled
to kill by someone else.
396
00:36:28,208 --> 00:36:30,083
Like... he had an accomplice?
397
00:36:30,166 --> 00:36:32,166
SABLO: No, I'm saying Hoskins
was the accomplice.
398
00:36:32,249 --> 00:36:34,958
The alpha who I believe killed
Frankie Peterson
399
00:36:35,041 --> 00:36:37,875
is still out there. He
attempted to grab another boy
400
00:36:37,958 --> 00:36:41,291
down here two nights ago.
He got away,
401
00:36:41,375 --> 00:36:44,958
but we got him on video,
so I'm gonna send you the link.
402
00:36:45,041 --> 00:36:46,375
Wait, wait, wait.
Hold on, just, uh...
403
00:36:46,458 --> 00:36:48,667
SABLO:
It's nobody's fault, okay?
404
00:36:48,750 --> 00:36:51,375
But I believe certain decisions
coming out of your office
405
00:36:51,458 --> 00:36:53,500
need to be revisited.
Wouldn't you agree?
406
00:36:56,958 --> 00:36:59,416
RALPH: So, Seale Bolton
receives a phone call
407
00:36:59,500 --> 00:37:02,583
from an unknown individual
who says he works with me.
408
00:37:02,667 --> 00:37:06,667
This individual claims to have
knowledge of the whereabouts
409
00:37:06,750 --> 00:37:10,333
of a more likely suspect
in the Frankie Peterson murder.
410
00:37:12,416 --> 00:37:13,875
SABLO: You wanna tell me
what happened, Claude?
411
00:37:13,958 --> 00:37:16,083
-CLAUDE: I already told you.
-Well, I'd like
to hear it again.
412
00:37:16,166 --> 00:37:19,625
(CLAUDE SIGHS)
Detective Sablo and Anderson,
413
00:37:19,708 --> 00:37:22,833
they came to interview me
when the Cherokee County DA
414
00:37:22,917 --> 00:37:26,041
was considering reopening
the Frank Peterson homicide.
415
00:37:26,124 --> 00:37:27,249
SABLO: Why you?
416
00:37:27,333 --> 00:37:29,541
Because I identified the man
they arrested for it,
417
00:37:29,625 --> 00:37:32,667
Terry Maitland, when he walked
into the Peach Crease,
covered in blood.
418
00:37:32,750 --> 00:37:34,083
But the more
you thought about it...
419
00:37:34,166 --> 00:37:35,416
CLAUDE: Well, the more
I thought about it,
420
00:37:35,500 --> 00:37:38,750
the more I-- I realized
I made a mistake. It wasn't him.
421
00:37:38,833 --> 00:37:41,291
It was just someone who looked
a little like him. That's all.
422
00:37:42,792 --> 00:37:44,792
HAYES: Witnesses
from the Peterson homicide.
423
00:37:44,875 --> 00:37:46,625
I need the transcripts
from the interviews.
424
00:37:57,667 --> 00:38:00,750
DETECTIVE:
This caller, did he specifically
tell you where to find him?
425
00:38:00,833 --> 00:38:03,833
Yeah, the abandoned
souvenir shop on the side
426
00:38:03,917 --> 00:38:05,708
of that hill,
so we went to investigate.
427
00:38:05,792 --> 00:38:07,917
-DETECTIVE: You went there?
-Yeah. My assumption is that
428
00:38:07,999 --> 00:38:09,833
he's there to take out
Claude Bolton,
429
00:38:09,917 --> 00:38:11,375
who he perceives as a threat.
430
00:38:11,458 --> 00:38:13,083
Him being Jack Hoskins.
431
00:38:13,166 --> 00:38:16,041
The detective from your squad
who's been in the wind
432
00:38:16,124 --> 00:38:18,458
for kidnapping,
attempted murder.
433
00:38:18,541 --> 00:38:19,708
The same.
434
00:38:21,166 --> 00:38:24,500
Yeah, so, I, uh...
interpreted the phone call
435
00:38:24,583 --> 00:38:26,833
as being made to set up
an ambush.
436
00:38:26,917 --> 00:38:28,249
Frankly, I thought
the whole thing
437
00:38:28,333 --> 00:38:29,917
was gonna turn out
to be bullshit.
438
00:38:31,458 --> 00:38:32,583
Was wrong.
439
00:38:38,041 --> 00:38:38,999
(PANTING)
440
00:38:39,083 --> 00:38:41,583
How long they gonna keep
my brother's body for?
441
00:38:41,667 --> 00:38:43,375
Hopefully not for too long.
442
00:38:43,458 --> 00:38:45,291
CLAUDE:
Well, how long is not too long?
443
00:38:45,375 --> 00:38:47,375
Claude,
tell me about the phone call.
444
00:38:53,541 --> 00:38:55,249
March 3rd through the 7th,
445
00:38:55,333 --> 00:38:58,249
Maitland's last visit
to see his father, um...
446
00:38:59,458 --> 00:39:04,083
On my investigation,
I encountered Mr. Katcavage,
447
00:39:04,166 --> 00:39:08,500
uh... former Dayton PD detective
who had worked dozens
448
00:39:08,583 --> 00:39:11,958
of homicides over the years.
I found him...
449
00:39:15,124 --> 00:39:17,667
I found him, uh,
highly competent,
450
00:39:17,750 --> 00:39:20,124
so I recommended
that my employer...
451
00:39:20,208 --> 00:39:22,166
hire him as part of the team.
452
00:39:22,249 --> 00:39:25,083
♪ (SOMBER MUSIC PLAYS) ♪
453
00:39:46,375 --> 00:39:49,166
♪ If you stop ♪
454
00:39:49,249 --> 00:39:54,458
♪ To catch your breath ♪
455
00:39:58,333 --> 00:39:59,792
Hey, darlin', it's me.
456
00:40:00,708 --> 00:40:02,333
So if we're gonna pull this off,
Jeannie,
457
00:40:02,416 --> 00:40:04,375
there's something I need you
to do.
458
00:40:04,458 --> 00:40:07,249
♪ ...At your heels ♪
459
00:40:12,124 --> 00:40:19,124
♪ You may find
That loneliness ♪
460
00:40:24,583 --> 00:40:27,917
♪ Is indeed ♪
461
00:40:27,999 --> 00:40:33,333
♪ Your oldest friend ♪
462
00:40:44,999 --> 00:40:47,166
(INDISTINCT CHATTER)
463
00:40:48,041 --> 00:40:49,708
Thank you. Thank you.
464
00:41:04,041 --> 00:41:07,208
JEANNIE ANDERSON:
Whether you accept or reject
the reality of that thing,
465
00:41:07,291 --> 00:41:10,416
it's not important right now.
What is important...
466
00:41:11,583 --> 00:41:13,208
is that when they ask you,
467
00:41:13,958 --> 00:41:15,416
and they will definitely ask you
468
00:41:15,500 --> 00:41:17,708
about that meeting
with Holly Gibney,
469
00:41:18,917 --> 00:41:21,750
please don't mention anything
about shape shifters
470
00:41:21,833 --> 00:41:27,917
or El Cucos or anything
that might sound supernatural.
471
00:41:28,500 --> 00:41:29,541
Okay?
472
00:41:30,708 --> 00:41:31,750
Otherwise...
473
00:41:33,208 --> 00:41:34,375
I can do that.
474
00:41:35,375 --> 00:41:39,333
♪ (MUSIC INTENSIFIES) ♪
475
00:41:42,708 --> 00:41:47,583
♪ You may awake ♪
476
00:41:47,667 --> 00:41:51,541
♪ In the night ♪
477
00:41:54,792 --> 00:42:01,249
♪ And wonder who you are ♪
478
00:42:07,541 --> 00:42:14,625
♪ If you don't turn on
The light ♪
479
00:42:33,124 --> 00:42:40,124
♪ You may remain a lost star ♪
480
00:42:47,458 --> 00:42:51,500
♪ (MUSIC CONCLUDES) ♪
481
00:43:01,291 --> 00:43:03,625
What I've come to tell you
today, Mrs. Maitland...
482
00:43:07,249 --> 00:43:09,041
is that there have been
certain developments
483
00:43:09,124 --> 00:43:12,166
in the Frankie Peterson
homicide case.
484
00:43:13,999 --> 00:43:17,999
Some new avenues of inquiry
have opened.
485
00:43:25,166 --> 00:43:26,541
We're reopening the case.
486
00:43:31,667 --> 00:43:33,667
What about your slam dunk
forensics?
487
00:43:35,750 --> 00:43:37,917
Well, we reexamined
the perp DNA
488
00:43:37,999 --> 00:43:40,416
we got from the crime scene
and discovered that
489
00:43:40,500 --> 00:43:43,583
what we actually had
was a mixture of samples,
490
00:43:43,667 --> 00:43:44,875
perp and the victim,
491
00:43:44,958 --> 00:43:46,124
which makes it unreliable
in court.
492
00:43:46,208 --> 00:43:49,249
Girls, I need you
to go upstairs, please.
493
00:43:59,625 --> 00:44:02,291
On Monday, I'm holding
a press conference
494
00:44:02,375 --> 00:44:04,875
to announce the reopening
of the investigation...
495
00:44:06,541 --> 00:44:12,041
and to officially go on record
regarding the dropping
496
00:44:12,124 --> 00:44:13,875
of charges
against Terry Maitland.
497
00:44:17,999 --> 00:44:19,541
Your family has suffered enough,
498
00:44:19,625 --> 00:44:22,208
and I just want to do
whatever I...
499
00:44:29,208 --> 00:44:33,792
Because of your pending lawsuits
against me and my office...
500
00:44:35,750 --> 00:44:38,083
I have to refrain
from telling you
501
00:44:38,708 --> 00:44:40,083
what is in my heart.
502
00:44:42,750 --> 00:44:44,083
I completely understand.
503
00:44:54,041 --> 00:44:55,083
(SIGHS)
504
00:45:00,999 --> 00:45:02,416
MAYA MAITLAND:
Was he mean to you?
505
00:45:05,625 --> 00:45:07,249
No, my love,
he wasn't mean to me.
506
00:45:38,541 --> 00:45:39,667
Flying or driving?
507
00:45:40,625 --> 00:45:41,625
HOLLY: Driving.
508
00:45:44,291 --> 00:45:46,541
About ten hours, right? Chicago?
509
00:45:46,625 --> 00:45:47,750
-Yeah.
-Ten hours?
510
00:45:47,833 --> 00:45:51,958
I have a couple of stops
I have to make along the way.
511
00:45:53,999 --> 00:45:56,166
RALPH: You know, I wouldn't mind
teaming up again,
512
00:45:56,249 --> 00:45:58,416
the opportunity ever arose.
513
00:45:58,500 --> 00:46:00,166
I mean,
preferably on something simple
514
00:46:00,249 --> 00:46:02,999
like a gangland triple homicide.
Something like that.
515
00:46:05,041 --> 00:46:06,999
When I was in the caves,
516
00:46:07,083 --> 00:46:10,375
El Cuco asked me,
uh, why I was so open
517
00:46:10,458 --> 00:46:12,375
to believing in its existence.
518
00:46:14,875 --> 00:46:17,875
My father was ex-military
and when I was little,
519
00:46:17,958 --> 00:46:20,999
he would say,
"A man knows a man."
520
00:46:22,999 --> 00:46:26,625
Well, if I had the time
to think in that cave
521
00:46:26,708 --> 00:46:29,375
and the inclination to answer
that thing,
522
00:46:29,458 --> 00:46:30,792
I would have said...
523
00:46:32,166 --> 00:46:34,667
"An outsider knows an outsider."
524
00:46:38,583 --> 00:46:40,041
(DEEPLY INHALES)
525
00:46:58,500 --> 00:47:01,541
Holly. What else is out there?
526
00:47:20,375 --> 00:47:21,416
(SIGHS)
527
00:48:19,750 --> 00:48:23,750
RALPH: I never told you but...
I saw Derek.
528
00:48:25,625 --> 00:48:27,958
He... spoke to me.
529
00:48:29,458 --> 00:48:31,375
-JEANNIE: What did he say?
-RALPH: Well, it--
530
00:48:31,458 --> 00:48:33,875
it wasn't Derek, so...
531
00:48:33,958 --> 00:48:36,625
Ralph-- Tell me what he said.
Just humor me.
532
00:48:39,083 --> 00:48:41,333
He said that I need
to let him go.
533
00:48:44,041 --> 00:48:45,124
Let him go?
534
00:48:47,708 --> 00:48:50,833
-Well, fat chance of that.
-(CHUCKLES)
535
00:49:00,166 --> 00:49:01,667
I don't know.
536
00:49:01,750 --> 00:49:04,333
I like to think the way
this whole experience...
537
00:49:06,833 --> 00:49:08,124
cracked the world open.
538
00:49:09,833 --> 00:49:11,541
Maybe the next time he appears,
539
00:49:12,458 --> 00:49:14,375
maybe it's gonna be
the real Derek.
540
00:49:16,166 --> 00:49:18,833
Or maybe after a few years pass,
541
00:49:19,667 --> 00:49:20,792
many more years,
542
00:49:21,541 --> 00:49:22,875
we'll just go visit him.
543
00:49:25,750 --> 00:49:27,875
♪ (SOMBER MUSIC PLAYS) ♪
544
00:51:01,708 --> 00:51:07,249
♪ (SINISTER MUSIC PLAYS) ♪
545
00:51:07,333 --> 00:51:08,583
(HOLLY GASPS)
546
00:51:14,500 --> 00:51:16,625
♪ (MUSIC CONCLUDES) ♪
547
00:51:26,416 --> 00:51:30,041
♪ (DISTORTED MUSIC PLAYS) ♪
548
00:51:30,124 --> 00:51:31,833
(KEYBOARD CLACKING)
549
00:51:49,041 --> 00:51:51,083
FEMALE DJ: "Get Out and Get
It". That's Devon Gilfillian.
550
00:51:51,166 --> 00:51:53,875
Before that, Janis Joplin
with "Get It While You Can",
551
00:51:53,958 --> 00:51:56,416
and a song of the same name
by Robert Finley
552
00:51:56,500 --> 00:51:57,958
right before that on the show.
553
00:51:58,041 --> 00:51:59,708
Now, here's an obscure
little gem
554
00:51:59,792 --> 00:52:01,708
for all your audiophiles
out there.
555
00:52:01,792 --> 00:52:03,708
This is a Dixieland revival
romp,
556
00:52:03,792 --> 00:52:07,458
peaking at number two
on the Billboard Hot 100, 1963,
557
00:52:07,541 --> 00:52:09,625
and it's one
of my personal favorites.
558
00:52:09,708 --> 00:52:10,917
Here it is.
559
00:52:10,999 --> 00:52:13,667
♪ ("WASHINGTON SQUARE" BY
THE VILLAGE STOMPERS PLAYING) ♪
36656
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