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♪ (SUSPENSEFUL MUSIC PLAYS) ♪
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(SCREAMING)
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From now on, we have to assume
that whatever Claude sees
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and hears,
it sees and hears.
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You asked me where my people
are buried around here.
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The old Bear Cave.
It's been sealed since 1947.
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(MEN SHOUTING)
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HOLLY GIBNEY:
He's in there. We found him.
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RALPH ANDERSON: We're gonna
be back in a couple of hours.
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It's not right. Not telling them
that that thing's out there.
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What if it doesn't cotton
to being contained?
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Then we kill it
before it can kill us.
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What if it can't be killed?
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CLAUDE BOLTON:
Do you know what you just did?
15
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I know what I just did.
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I gave you the heads up
of your life.
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CLAUDE:
He's in my head, Seale.
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So, you just told that thing
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that all of those people
are coming for it.
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♪ (MUSIC INTENSIFIES) ♪
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(GUNSHOT)
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(EAR-SPLITTING RINGING)
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♪ (MUSIC CONCLUDES) ♪
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-(GUNSHOTS)
-(JACK GROANS)
25
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There you go!
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(SHOTS CONTINUE)
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(BULLETS RICOCHET)
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-(YELPS)
-(GUNSHOT)
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-Jesus Christ!
-YUNIS SABLO: Fuck!
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(DISTORTED SNARLING)
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(SCREECHES)
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-(JACK GROANS)
-We gotta get outta here.
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-SABLO: And go where?
-I don't know. Just to get
the fuck outta here.
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ANDY KATCAVAGE:
Who's the shooter?
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(GUNSHOT)
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(YELLS) Jack!
We can talk about this!
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Motherf--!
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ANDY: No, no, no.
Come on, come on!
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(GUNSHOTS CONTINUE)
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(JACK GROANS)
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-Ah! Goddammit!
-Take this! Take this!
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(GROANS) Motherfucker!
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(HUMMING)
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SABLO: Is that fucking Howie?
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Uh-oh!
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JACK HOSKINS:
Oh, yeah, get in there.
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-Jesus Christ!
-SABLO: Keep going! Keep going!
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-Is that Pelley?
-Go! Go! Just go!
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-RALPH ANDERSON: Go!
-Get the fuck out!
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-Move!
-Jesus Christ!
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-(GUNSHOTS)
-HOWARD SALOMAN: Oh, my god!
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(GUNSHOTS CONTINUE)
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00:03:01,000 --> 00:03:03,166
Hey, Seale, what the hell
you doin', man?
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(JACK GROANS)
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Motherfucker!
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(SNAKE TAIL RATTLES)
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Oh, no! Get off!
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-Go! Go, go!
-ANDY: Go now! Go now!
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CLAUDE BOLTON: Seale!
Seale, whatcha doin', man?
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RALPH: Get back here!
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(YELLS)
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CLAUDE:
Hey Seale, get back here!
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JACK: I got you.
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(GRUNTS)
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(INAUDIBLE)
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(LAUGHING MANIACALLY)
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Yeah!
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-Shit!
-(DRUNKENLY SINGING)
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Fucker! (PANTING)
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(GUNSHOT)
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-(GUNSHOT)
-I see you!
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00:04:03,834 --> 00:04:06,458
-(SABLO YELLS, GROANS)
-RALPH: Oh shit!
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Fucker! Get up! Get up!
Up, up--
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Get up, up, up, up.
We don't have-- Go! Go!
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Oh, shit.
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00:04:16,750 --> 00:04:18,125
HOWARD: Fuck!
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Let's get the fuck outta here!
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00:04:22,625 --> 00:04:25,375
-(GRUNTS)
-Oh shit! Seale!
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00:04:25,458 --> 00:04:28,083
RALPH: Claude! Don't go out!
Damn it! Don't!
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CLAUDE: Seale!
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Fuck!
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00:04:33,083 --> 00:04:36,000
(DRUNKENLY GROANS)
Motherfucker!
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00:04:36,083 --> 00:04:37,583
CLAUDE: Oh, God, man.
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00:04:39,542 --> 00:04:42,834
They got him good, man.
Oh shit!
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Fuck! Oh! Oh shit!
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00:04:45,834 --> 00:04:47,041
Oh, man.
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00:04:48,125 --> 00:04:51,291
Fucking hurts to be shot, man.
Fucking hurts.
88
00:04:51,375 --> 00:04:54,166
RALPH:
Yeah. With the slugs he's using,
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00:04:54,250 --> 00:04:56,166
you're lucky you didn't get
your arm taken off.
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00:04:56,250 --> 00:04:58,250
-SABLO: Hurts to get shot.
-RALPH: You know what...
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00:04:58,333 --> 00:05:00,583
ANDY: If we could just get
some fucking bars!
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00:05:01,583 --> 00:05:03,083
Don't even think about it.
93
00:05:04,250 --> 00:05:06,250
Hey, when the GIs
were getting chewed up
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00:05:06,333 --> 00:05:08,291
on the beaches on D-Day,
you know what they're told?
95
00:05:08,375 --> 00:05:11,166
Um... Uh-- Ad-- Advance or die.
96
00:05:11,250 --> 00:05:12,917
-Or something like that.
-That's fucking right.
97
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(GUNSHOT)
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00:05:14,625 --> 00:05:15,667
RALPH: Can you fire lefty?
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00:05:15,750 --> 00:05:17,166
SABLO:
Yeah, that's about all I can do.
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00:05:17,250 --> 00:05:18,959
-Take this! Take this!
-No! No! No, no, no!
101
00:05:19,709 --> 00:05:20,750
HOLLY GIBNEY: Andy!
102
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What the hell is he doing?
103
00:05:23,375 --> 00:05:25,750
RALPH:
I don't fucking kn-- I think
he's going to get reception.
104
00:05:27,583 --> 00:05:31,000
Ah, Jesus, man. Why couldn't you
stay where you are?
105
00:05:31,625 --> 00:05:32,667
Son of a...
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00:05:36,458 --> 00:05:38,041
-(GUNSHOT)
-Jesus!
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-(GUNSHOT)
-Fuck!
108
00:05:42,792 --> 00:05:44,875
-HOWARD: Go, Andy! Go!
-(ENGINE STARTS)
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-One... two... boom!
-(ANDY GRUNTS) Fuck!
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SABLO: Just go!
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00:05:52,000 --> 00:05:53,000
Shit!
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RALPH: Go!
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Go! Go, Andy!
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00:06:03,583 --> 00:06:04,625
HOWARD: Go, go, go!
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00:06:06,959 --> 00:06:08,417
(PANTING)
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00:06:23,917 --> 00:06:25,166
(GUNSHOT)
117
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-(GUNSHOT)
-(GRUNTS)
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What happened?
119
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Andy! No!
120
00:07:00,041 --> 00:07:01,208
No, no!
121
00:07:02,917 --> 00:07:06,083
HOWARD: No! No, no, no!
Holly, no! No, go back!
122
00:07:06,166 --> 00:07:08,166
-I'll get him. I'll get him. Go!
-No!
123
00:07:08,834 --> 00:07:09,875
Go back!
124
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(SCREAMING) Yeah!
125
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Mother nature!
(LAUGHING MANIACALLY)
126
00:07:48,959 --> 00:07:49,959
Ah!
127
00:08:06,375 --> 00:08:07,583
RALPH: (ECHOING SHOUT) Holly!
128
00:08:09,750 --> 00:08:10,750
Holly!
129
00:08:20,875 --> 00:08:24,333
Holly! Holly, get back here!
130
00:08:26,917 --> 00:08:27,917
Fuck!
131
00:08:28,000 --> 00:08:29,458
What the fuck is she doing?
132
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RALPH: Holly, get back here!
133
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Holly!
134
00:08:34,125 --> 00:08:35,625
Get back here!
135
00:08:49,750 --> 00:08:51,834
(YELLING, ECHOING)
Damn you to hell!
136
00:09:05,625 --> 00:09:07,458
(PANTING)
137
00:09:08,500 --> 00:09:10,583
Oh, he definitely will.
138
00:09:10,667 --> 00:09:12,792
-(SNARLS)
-(WINCES) Ow!
139
00:09:14,417 --> 00:09:15,458
Fuck!
140
00:09:17,750 --> 00:09:19,917
-Fuck you!
-(SNARLS)
141
00:09:20,000 --> 00:09:21,166
(JACK CRIES)
142
00:09:21,792 --> 00:09:24,458
-No more.
-(ROARS)
143
00:09:25,834 --> 00:09:27,250
(SNARLING, GROWLING)
144
00:09:27,333 --> 00:09:30,458
(SNAKE'S TAIL RATTLES)
145
00:09:31,000 --> 00:09:33,000
(PANTING)
146
00:09:38,667 --> 00:09:41,333
(CHUCKLES)
Come at me, motherfucker.
147
00:09:41,417 --> 00:09:42,458
-(SNAKE SNAPS)
-(SCREAMS)
148
00:09:42,542 --> 00:09:44,375
-(ROARS)
-(JACK'S SCREAMS ECHO)
149
00:09:47,208 --> 00:09:49,417
(JACK GROANS)
150
00:09:54,542 --> 00:09:55,750
RALPH: Holly!
151
00:09:56,667 --> 00:09:58,583
-(GUNSHOT)
-Fuck.
152
00:10:05,875 --> 00:10:07,417
Come on, come on.
153
00:10:08,959 --> 00:10:10,917
-Jack's done.
-(GUNSHOT)
154
00:10:11,000 --> 00:10:12,291
Tell Sablo
to save his ammunition,
155
00:10:12,375 --> 00:10:14,417
and tell him to stop shooting.
It's...
156
00:10:14,500 --> 00:10:16,041
It's splitting my head in two.
157
00:10:17,208 --> 00:10:18,375
It's time.
158
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(ROARS)
159
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(SNARLS)
160
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(GROWLS SOFTLY)
161
00:11:05,083 --> 00:11:08,792
♪ (OMINOUS MUSIC PLAYS) ♪
162
00:11:38,500 --> 00:11:40,458
You're gonna be all right
out here by yourself?
163
00:11:40,542 --> 00:11:41,959
I'll be fine. You be careful.
164
00:11:44,166 --> 00:11:47,000
♪ (MUSIC INTENSIFIES) ♪
165
00:11:56,583 --> 00:12:00,166
(WHEEZING, GASPING)
166
00:12:09,875 --> 00:12:11,083
Ralph!
167
00:12:11,166 --> 00:12:14,125
(WHEEZING CONTINUES)
168
00:12:17,083 --> 00:12:18,458
SABLO: Put it down, Jack.
169
00:12:21,709 --> 00:12:23,834
Jack, just put it down, man.
170
00:12:23,917 --> 00:12:26,208
(JACK CONTINUES WHEEZING)
171
00:12:29,542 --> 00:12:30,750
JACK: It's in there.
172
00:12:33,458 --> 00:12:34,500
Kill it.
173
00:12:39,375 --> 00:12:40,417
No!
174
00:13:52,041 --> 00:13:53,166
(GATE CREAKS)
175
00:13:59,041 --> 00:14:00,959
-RALPH: Watch out.
-(HOLLY GASPS)
176
00:14:15,000 --> 00:14:16,792
-(WOOD CRACKS)
-(RALPH GRUNTS)
177
00:14:18,709 --> 00:14:20,083
HOLLY: You okay?
178
00:14:20,166 --> 00:14:22,917
Yeah... Yeah, yes.
179
00:14:24,625 --> 00:14:26,083
Uh, better be careful.
180
00:14:34,166 --> 00:14:36,458
(RALPH BREATHES DEEPLY)
181
00:14:45,792 --> 00:14:46,959
HOLLY: Look.
182
00:14:47,959 --> 00:14:50,083
He can be killed.
183
00:14:50,166 --> 00:14:53,125
-RALPH: How's that?
-HOLLY: He's scared of falling.
184
00:14:54,291 --> 00:14:55,500
Like us.
185
00:14:56,208 --> 00:14:57,542
(LEVER SQUEAKS)
186
00:15:10,166 --> 00:15:11,542
HOLLY: He's feeding.
187
00:15:13,500 --> 00:15:15,166
RALPH: Breadcrumbs from hell.
188
00:15:34,750 --> 00:15:36,000
(RALPH GRUNTS)
189
00:15:55,834 --> 00:15:57,083
(WATER SPLASHES)
190
00:16:23,041 --> 00:16:25,083
(ROCKS SHATTER, FALL)
191
00:16:36,583 --> 00:16:37,750
HOLLY: Stop.
192
00:16:52,667 --> 00:16:53,792
(HOLLY GRUNTS)
193
00:17:00,041 --> 00:17:01,458
HOLLY: He was in a frenzy.
194
00:17:07,458 --> 00:17:09,250
-RALPH: Holly.
-Hmm?
195
00:17:11,834 --> 00:17:12,959
RALPH: Look.
196
00:17:15,667 --> 00:17:17,166
This is where it happened.
197
00:17:23,917 --> 00:17:25,709
HOLLY: They're all in there.
198
00:17:25,792 --> 00:17:27,834
Must have been going crazy
trying to get to them.
199
00:17:27,917 --> 00:17:30,333
♪ (OMINOUS MUSIC PLAYS) ♪
200
00:17:36,792 --> 00:17:38,166
-(WHISPERS) Holly.
-Hmm?
201
00:17:44,875 --> 00:17:45,959
RALPH: See it?
202
00:17:47,667 --> 00:17:48,709
The light?
203
00:18:40,709 --> 00:18:43,000
EL CUCO: (AS CLAUDE BOLTON)
Watch your step coming in.
204
00:18:43,083 --> 00:18:44,417
It's very slippery.
205
00:18:45,750 --> 00:18:49,125
Stay close to the walls in case
you need to grab onto something.
206
00:18:51,625 --> 00:18:54,583
You haven't come all this way
just to turn back now, have you?
207
00:19:19,083 --> 00:19:20,583
Well, howdy there, sheriff.
208
00:19:22,125 --> 00:19:24,583
And you must be the lovely
Miss Holly.
209
00:19:27,083 --> 00:19:29,041
Claude doesn't know
your last name,
210
00:19:29,125 --> 00:19:31,750
but he thinks about you
all the time.
211
00:19:34,125 --> 00:19:35,166
It's Gibney.
212
00:19:39,959 --> 00:19:41,125
Holly Gibney.
213
00:19:43,333 --> 00:19:44,625
EL CUCO: It's you
I have to thank
214
00:19:44,709 --> 00:19:47,583
for this situation
I find myself in, ain't it?
215
00:19:50,959 --> 00:19:53,333
I wanna know what made it
so easy for you
216
00:19:53,417 --> 00:19:54,792
to believe in me,
217
00:19:54,875 --> 00:19:57,083
and how on earth did she manage
218
00:19:57,166 --> 00:20:00,083
to convince a cowpoke
like you, sheriff.
219
00:20:03,625 --> 00:20:04,792
What are you?
220
00:20:05,917 --> 00:20:07,125
(EL CUCO SCOFFS)
221
00:20:08,917 --> 00:20:12,291
-What is your name?
-EL CUCO: Oh... you know.
222
00:20:13,166 --> 00:20:14,917
Where did you come from?
223
00:20:15,000 --> 00:20:17,083
-I don't remember.
-What is your nature?
224
00:20:17,166 --> 00:20:20,125
We're not very good answering
each other's questions, are we?
225
00:20:20,208 --> 00:20:22,417
-Are there more of you?
-Why?
226
00:20:22,500 --> 00:20:24,500
Have you seen
someone like me before?
227
00:20:25,458 --> 00:20:26,542
Are there others?
228
00:20:28,667 --> 00:20:31,208
'Cause there have been times
when I...
229
00:20:31,291 --> 00:20:33,625
-sense there could be more--
-Shut up.
230
00:20:38,083 --> 00:20:40,375
You really gon' pull
that trigger, sheriff?
231
00:20:43,500 --> 00:20:46,375
(BED CREAKS)
232
00:20:53,125 --> 00:20:54,750
Well, you go ahead and do it...
233
00:20:56,041 --> 00:20:57,542
if you don't mind dying.
234
00:21:00,917 --> 00:21:04,542
(YELLING) Will the real
Claude Bolton please stand up?
235
00:21:04,625 --> 00:21:07,875
-(ECHOING)
-(CAVE TREMORS, CRACKLES)
236
00:21:07,959 --> 00:21:09,875
(ROCKS SHATTERING, FALLING)
237
00:21:24,000 --> 00:21:26,625
-EL CUCO: You see?
-(RALPH GASPS) Step back!
238
00:21:26,709 --> 00:21:28,792
-(ECHOING)
-Stop yelling.
239
00:21:29,500 --> 00:21:31,250
(DEBRIS SCATTERING)
240
00:21:31,333 --> 00:21:35,208
EL CUCO: They're here, you know.
The dead.
241
00:21:35,291 --> 00:21:39,333
The rescuers that couldn't even
rescue themselves.
242
00:21:39,417 --> 00:21:41,917
But... you couldn't get to them,
could you?
243
00:21:43,458 --> 00:21:48,083
Well, it don't matter.
I still feel their presence.
244
00:21:48,166 --> 00:21:52,250
Especially the four Boltons.
They give off such a glow.
245
00:21:54,166 --> 00:21:55,250
Glow?
246
00:21:57,083 --> 00:22:00,083
They're the blood
that I'm becoming.
247
00:22:01,291 --> 00:22:02,583
It feels like...
248
00:22:04,417 --> 00:22:05,959
like I'm being entered.
249
00:22:06,834 --> 00:22:09,208
And what enters me, fills me.
250
00:22:10,667 --> 00:22:15,041
You have no idea
what it feels like to have
251
00:22:15,125 --> 00:22:17,375
all of that emotion
inside of me.
252
00:22:17,458 --> 00:22:18,375
Why children?
253
00:22:18,458 --> 00:22:20,834
(WHISPERS)
Stop asking him questions!
254
00:22:22,208 --> 00:22:24,792
I eat to survive, just like you.
255
00:22:24,875 --> 00:22:27,500
-Shut up.
-Why children?
256
00:22:31,417 --> 00:22:32,917
'Cause they taste the sweetest.
257
00:22:33,000 --> 00:22:34,625
-Motherfucker!
-HOLLY: Stop!
258
00:22:36,667 --> 00:22:37,750
He's poison.
259
00:22:46,208 --> 00:22:47,750
EL CUCO: I can't let you leave.
260
00:22:49,166 --> 00:22:50,333
You know that, right?
261
00:22:53,625 --> 00:22:54,667
HOLLY: No.
262
00:22:57,125 --> 00:22:58,709
We're the ones
who can't let you leave.
263
00:22:58,792 --> 00:23:00,083
(SCOFFS)
264
00:23:00,166 --> 00:23:01,625
RALPH:
Jack left one of us out there.
265
00:23:01,709 --> 00:23:04,083
He knows we're in here
and he knows what you are.
266
00:23:04,166 --> 00:23:05,208
He'll send more.
267
00:23:06,250 --> 00:23:07,333
I see.
268
00:23:09,917 --> 00:23:11,041
But I need to eat.
269
00:23:12,834 --> 00:23:13,875
(GUN COCKS)
270
00:23:20,834 --> 00:23:21,875
Claude.
271
00:23:22,542 --> 00:23:23,792
Put the gun down.
272
00:23:25,792 --> 00:23:26,959
HOLLY: Don't shoot.
273
00:23:29,750 --> 00:23:33,333
Don't shoot. If you shoot,
the whole chamber will fall
on our heads.
274
00:23:34,375 --> 00:23:35,750
RALPH: Hey, Claude.
275
00:23:36,834 --> 00:23:39,208
Just take your finger
off the trigger, okay?
276
00:23:45,166 --> 00:23:46,250
HOLLY: Claude, just...
277
00:23:47,625 --> 00:23:48,834
Just look at us.
278
00:23:51,125 --> 00:23:52,208
Just look at us.
279
00:23:53,458 --> 00:23:54,500
That's it.
280
00:23:56,000 --> 00:23:57,709
Now-- Now put the gun down.
281
00:24:02,959 --> 00:24:04,208
(DEEPLY INHALES)
282
00:24:14,542 --> 00:24:17,667
(GUNSHOT ECHOES)
283
00:24:17,750 --> 00:24:20,458
(ROCKS CRACKLES)
284
00:24:23,125 --> 00:24:24,417
HOLLY: Oh, my God.
285
00:24:25,750 --> 00:24:26,917
It's collapsing.
286
00:24:29,250 --> 00:24:31,750
RALPH: Move! Now! Now! Holly!
287
00:24:31,834 --> 00:24:33,166
HOLLY: Claude!
288
00:24:33,250 --> 00:24:34,417
RALPH: Holly!
289
00:24:37,375 --> 00:24:39,542
Cover your head!
Tuck your head!
290
00:24:40,458 --> 00:24:41,917
(ROCKS CRASHING)
291
00:24:44,083 --> 00:24:46,542
(CAVE RUMBLING)
292
00:24:55,583 --> 00:24:58,792
(SPLASHING)
293
00:25:11,500 --> 00:25:12,625
CLAUDE: Hey.
294
00:25:14,709 --> 00:25:15,834
Over here.
295
00:25:19,792 --> 00:25:20,834
(RALPH SIGHS)
296
00:25:24,000 --> 00:25:26,333
(CLAUDE GROANS) Sh...
297
00:25:26,417 --> 00:25:29,875
-I can't move.
-RALPH: Hold on-- Oh, shit.
298
00:25:29,959 --> 00:25:32,417
Okay. Um...
299
00:25:34,291 --> 00:25:35,333
Ready?
300
00:25:35,417 --> 00:25:38,667
-Three, two, one. Yeah.
-(HOLLY GRUNTS) Okay.
301
00:25:39,917 --> 00:25:42,125
-You got it?
-(PANTING)
302
00:25:42,417 --> 00:25:43,917
Oh, man.
303
00:25:44,000 --> 00:25:45,709
-You okay?
-Yeah, I'll live.
304
00:25:46,333 --> 00:25:48,333
(BREATHING HEAVILY)
305
00:25:49,375 --> 00:25:51,500
-Told you not to shoot.
-(HOLLY CHUCKLES)
306
00:25:58,542 --> 00:26:02,208
Okay. We'll be back in a moment,
okay? Hold tight.
307
00:26:02,291 --> 00:26:03,458
All right.
308
00:26:04,667 --> 00:26:06,125
Ah, fuck.
309
00:26:25,709 --> 00:26:26,750
RALPH: Hmm.
310
00:26:29,166 --> 00:26:30,709
HOLLY:
Do you have some kind of knife?
311
00:26:38,166 --> 00:26:39,250
Good.
312
00:26:47,542 --> 00:26:50,875
-(HOLLY GRUNTS)
-Yeah, Holly. Leave it.
Leave it. Leave it.
313
00:26:50,959 --> 00:26:53,125
If we were ever to claim
that this thing
314
00:26:53,208 --> 00:26:55,875
killed Frankie Peterson,
they'll write us off as loons.
315
00:26:55,959 --> 00:26:57,583
Terry's name
will never be cleared.
316
00:27:00,250 --> 00:27:01,375
Who's Terry?
317
00:27:07,917 --> 00:27:09,250
(GROANS)
318
00:27:13,291 --> 00:27:14,417
Did I kill him?
319
00:27:15,959 --> 00:27:18,291
HOLLY: Yeah. Yeah.
320
00:27:18,375 --> 00:27:20,250
RALPH: Okay, buddy.
321
00:27:20,333 --> 00:27:22,166
-We do this on three, yeah?
-HOLLY: Mm-hmm.
322
00:27:22,250 --> 00:27:25,375
-Okay. Three, two, one.
-HOLLY: Two, one.
323
00:27:25,458 --> 00:27:26,542
(CLAUDE GROANS)
324
00:27:29,375 --> 00:27:31,417
-HOLLY: Ooh-ooh-ooh.
-CLAUDE: Ah, shit.
325
00:27:34,917 --> 00:27:36,834
-RALPH: Watch your head.
-HOLLY: All right.
326
00:27:36,917 --> 00:27:38,875
-Yep.
-(CLAUDE GROANS)
327
00:27:40,875 --> 00:27:41,917
Ah, man.
328
00:27:50,041 --> 00:27:53,750
♪ (SINISTER MUSIC PLAYS) ♪
329
00:28:05,959 --> 00:28:07,125
HOLLY: What's wrong?
330
00:28:09,709 --> 00:28:11,834
-Nothing, I'll catch up.
-HOLLY: Okay.
331
00:28:22,291 --> 00:28:23,333
(RALPH GRUNTS)
332
00:28:26,083 --> 00:28:27,125
(SIGHS)
333
00:28:28,000 --> 00:28:30,000
Now look at you playing possum.
334
00:28:32,000 --> 00:28:33,125
How I know?
335
00:28:35,291 --> 00:28:37,291
What's left of your heart.
336
00:28:37,375 --> 00:28:40,166
Whatever it's called,
it's still pumpin'.
337
00:28:41,166 --> 00:28:43,333
Otherwise,
you got nothin' comin' out.
338
00:28:45,208 --> 00:28:46,208
Sawdust.
339
00:28:49,667 --> 00:28:51,959
I didn't know whether or not
you could be killed.
340
00:28:52,041 --> 00:28:54,834
I thought you could be
like anyone else, but...
341
00:28:56,667 --> 00:28:58,166
I'm not so sure anymore.
342
00:29:00,083 --> 00:29:03,375
I know that, uh,
this knife's certainly...
343
00:29:03,458 --> 00:29:07,917
isn't doing the trick.
Here's how I see it.
344
00:29:08,000 --> 00:29:10,041
You're weak.
You're getting weaker.
345
00:29:10,625 --> 00:29:11,875
You can't run.
346
00:29:12,583 --> 00:29:13,875
You can't hide.
347
00:29:15,250 --> 00:29:16,542
You can't hunt,
348
00:29:16,625 --> 00:29:20,625
which means you can't feed
and fill yourself.
349
00:29:20,709 --> 00:29:23,750
There's nothing stopping me
from just walking outta here
right now,
350
00:29:23,834 --> 00:29:26,625
come back with a bus load
of tourists and just watch them
351
00:29:26,709 --> 00:29:28,792
fucking push each other
out of the way,
352
00:29:28,875 --> 00:29:30,750
desperate, trying to get
the best angle
353
00:29:30,834 --> 00:29:33,125
of what's left
of your fucking face.
354
00:29:33,208 --> 00:29:36,041
-(GRUNTS)
-(EL CUCO GROWLS)
355
00:29:45,583 --> 00:29:49,250
And then comes the ever curious
scientific community.
356
00:29:50,208 --> 00:29:52,375
They're gonna be real interested
in you.
357
00:29:53,417 --> 00:29:57,166
Poking, probing, injecting,
extracting.
358
00:29:57,250 --> 00:29:59,458
They'll cut little pieces
of you off,
359
00:29:59,542 --> 00:30:01,709
take it back to the lab,
360
00:30:01,792 --> 00:30:06,041
Just keep fucking carving you
and carving you and carving you
361
00:30:06,125 --> 00:30:08,750
-until...
-(EL CUCO GROWLS SOFTLY)
362
00:30:08,834 --> 00:30:11,750
Yeah, you wouldn't want that,
would ya?
363
00:30:12,250 --> 00:30:13,291
(RALPH GRUNTS)
364
00:30:14,250 --> 00:30:16,375
♪ (SUSPENSEFUL MUSIC PLAYS) ♪
365
00:30:18,291 --> 00:30:23,875
And it would serve our purposes
much better...
366
00:30:25,625 --> 00:30:29,709
if no one ever knew
that you ever existed.
367
00:30:31,834 --> 00:30:32,917
So...
368
00:30:35,125 --> 00:30:36,291
you gotta go.
369
00:30:38,834 --> 00:30:40,125
(EL CUCO SNARLS)
370
00:30:43,417 --> 00:30:45,458
(SKIN AND BONES CRACKLE)
371
00:30:46,125 --> 00:30:48,083
(BLOOD SQUELCHES)
372
00:31:01,166 --> 00:31:03,291
♪ (MUSIC INTENSIFIES) ♪
373
00:31:13,667 --> 00:31:14,875
♪ (MUSIC STOPS) ♪
374
00:31:47,250 --> 00:31:51,125
♪ (OMINOUS MUSIC PLAYS) ♪
375
00:33:23,875 --> 00:33:24,959
(SIGHS)
376
00:33:28,542 --> 00:33:29,667
He, uh...
377
00:33:31,750 --> 00:33:33,333
He came here to be with me.
378
00:33:36,667 --> 00:33:38,083
That was the only reason.
379
00:33:45,667 --> 00:33:48,125
Holly, the locals could appear
at any stage.
380
00:33:48,208 --> 00:33:50,500
We need to talk pretty fast.
381
00:33:51,792 --> 00:33:53,291
Get our story straight.
382
00:34:07,750 --> 00:34:09,542
(CAR ENGINE STARTS)
383
00:35:06,417 --> 00:35:09,542
(SIRENS WAIL IN DISTANCE)
384
00:35:16,458 --> 00:35:20,500
(SIRENS GROW LOUDER)
385
00:35:31,792 --> 00:35:38,709
(PHONE RINGS)
386
00:35:44,250 --> 00:35:45,959
Lieutenant Sablo from GBI.
387
00:35:54,250 --> 00:35:57,709
-Hayes.
-SABLO: Hayes, it's Sablo.
388
00:35:57,792 --> 00:36:00,083
We're down here
in Cecil, Tennessee.
389
00:36:00,166 --> 00:36:02,458
There was a shootout
in the parking lot.
390
00:36:02,542 --> 00:36:05,208
The gift shop,
Alec Pelley's dead.
391
00:36:05,291 --> 00:36:08,834
Howie Saloman is dead.
Jack Hoskins is dead.
392
00:36:10,625 --> 00:36:11,625
They're dead?
393
00:36:13,125 --> 00:36:16,125
SABLO: The shooter was a cop.
One of your own.
394
00:36:18,375 --> 00:36:19,542
But he didn't act alone.
395
00:36:19,625 --> 00:36:22,500
In fact, he was compelled
to kill by someone else.
396
00:36:23,250 --> 00:36:25,125
Like... he had an accomplice?
397
00:36:25,208 --> 00:36:27,208
SABLO: No, I'm saying Hoskins
was the accomplice.
398
00:36:27,291 --> 00:36:30,000
The alpha who I believe killed
Frankie Peterson
399
00:36:30,083 --> 00:36:32,917
is still out there. He
attempted to grab another boy
400
00:36:33,000 --> 00:36:36,333
down here two nights ago.
He got away,
401
00:36:36,417 --> 00:36:40,000
but we got him on video,
so I'm gonna send you the link.
402
00:36:40,083 --> 00:36:41,417
Wait, wait, wait.
Hold on, just, uh...
403
00:36:41,500 --> 00:36:43,709
SABLO:
It's nobody's fault, okay?
404
00:36:43,792 --> 00:36:46,417
But I believe certain decisions
coming out of your office
405
00:36:46,500 --> 00:36:48,542
need to be revisited.
Wouldn't you agree?
406
00:36:52,000 --> 00:36:54,458
RALPH: So, Seale Bolton
receives a phone call
407
00:36:54,542 --> 00:36:57,625
from an unknown individual
who says he works with me.
408
00:36:57,709 --> 00:37:01,709
This individual claims to have
knowledge of the whereabouts
409
00:37:01,792 --> 00:37:05,375
of a more likely suspect
in the Frankie Peterson murder.
410
00:37:07,458 --> 00:37:08,917
SABLO: You wanna tell me
what happened, Claude?
411
00:37:09,000 --> 00:37:11,125
-CLAUDE: I already told you.
-Well, I'd like
to hear it again.
412
00:37:11,208 --> 00:37:14,667
(CLAUDE SIGHS)
Detective Sablo and Anderson,
413
00:37:14,750 --> 00:37:17,875
they came to interview me
when the Cherokee County DA
414
00:37:17,959 --> 00:37:21,083
was considering reopening
the Frank Peterson homicide.
415
00:37:21,166 --> 00:37:22,291
SABLO: Why you?
416
00:37:22,375 --> 00:37:24,583
Because I identified the man
they arrested for it,
417
00:37:24,667 --> 00:37:27,709
Terry Maitland, when he walked
into the Peach Crease,
covered in blood.
418
00:37:27,792 --> 00:37:29,125
But the more
you thought about it...
419
00:37:29,208 --> 00:37:30,458
CLAUDE: Well, the more
I thought about it,
420
00:37:30,542 --> 00:37:33,792
the more I-- I realized
I made a mistake. It wasn't him.
421
00:37:33,875 --> 00:37:36,333
It was just someone who looked
a little like him. That's all.
422
00:37:37,834 --> 00:37:39,834
HAYES: Witnesses
from the Peterson homicide.
423
00:37:39,917 --> 00:37:41,667
I need the transcripts
from the interviews.
424
00:37:52,709 --> 00:37:55,792
DETECTIVE:
This caller, did he specifically
tell you where to find him?
425
00:37:55,875 --> 00:37:58,875
Yeah, the abandoned
souvenir shop on the side
426
00:37:58,959 --> 00:38:00,750
of that hill,
so we went to investigate.
427
00:38:00,834 --> 00:38:02,959
-DETECTIVE: You went there?
-Yeah. My assumption is that
428
00:38:03,041 --> 00:38:04,875
he's there to take out
Claude Bolton,
429
00:38:04,959 --> 00:38:06,417
who he perceives as a threat.
430
00:38:06,500 --> 00:38:08,125
Him being Jack Hoskins.
431
00:38:08,208 --> 00:38:11,083
The detective from your squad
who's been in the wind
432
00:38:11,166 --> 00:38:13,500
for kidnapping,
attempted murder.
433
00:38:13,583 --> 00:38:14,750
The same.
434
00:38:16,208 --> 00:38:19,542
Yeah, so, I, uh...
interpreted the phone call
435
00:38:19,625 --> 00:38:21,875
as being made to set up
an ambush.
436
00:38:21,959 --> 00:38:23,291
Frankly, I thought
the whole thing
437
00:38:23,375 --> 00:38:24,959
was gonna turn out
to be bullshit.
438
00:38:26,500 --> 00:38:27,625
Was wrong.
439
00:38:33,083 --> 00:38:34,041
(PANTING)
440
00:38:34,125 --> 00:38:36,625
How long they gonna keep
my brother's body for?
441
00:38:36,709 --> 00:38:38,417
Hopefully not for too long.
442
00:38:38,500 --> 00:38:40,333
CLAUDE:
Well, how long is not too long?
443
00:38:40,417 --> 00:38:42,417
Claude,
tell me about the phone call.
444
00:38:48,583 --> 00:38:50,291
March 3rd through the 7th,
445
00:38:50,375 --> 00:38:53,291
Maitland's last visit
to see his father, um...
446
00:38:54,500 --> 00:38:59,125
On my investigation,
I encountered Mr. Katcavage,
447
00:38:59,208 --> 00:39:03,542
uh... former Dayton PD detective
who had worked dozens
448
00:39:03,625 --> 00:39:07,000
of homicides over the years.
I found him...
449
00:39:10,166 --> 00:39:12,709
I found him, uh,
highly competent,
450
00:39:12,792 --> 00:39:15,166
so I recommended
that my employer...
451
00:39:15,250 --> 00:39:17,208
hire him as part of the team.
452
00:39:17,291 --> 00:39:20,125
♪ (SOMBER MUSIC PLAYS) ♪
453
00:39:41,417 --> 00:39:44,208
♪ If you stop ♪
454
00:39:44,291 --> 00:39:49,500
♪ To catch your breath ♪
455
00:39:53,375 --> 00:39:54,834
Hey, darlin', it's me.
456
00:39:55,750 --> 00:39:57,375
So if we're gonna pull this off,
Jeannie,
457
00:39:57,458 --> 00:39:59,417
there's something I need you
to do.
458
00:39:59,500 --> 00:40:02,291
♪ ...At your heels ♪
459
00:40:07,166 --> 00:40:14,166
♪ You may find
That loneliness ♪
460
00:40:19,625 --> 00:40:22,959
♪ Is indeed ♪
461
00:40:23,041 --> 00:40:28,375
♪ Your oldest friend ♪
462
00:40:40,041 --> 00:40:42,208
(INDISTINCT CHATTER)
463
00:40:43,083 --> 00:40:44,750
Thank you. Thank you.
464
00:40:59,083 --> 00:41:02,250
JEANNIE ANDERSON:
Whether you accept or reject
the reality of that thing,
465
00:41:02,333 --> 00:41:05,458
it's not important right now.
What is important...
466
00:41:06,625 --> 00:41:08,250
is that when they ask you,
467
00:41:09,000 --> 00:41:10,458
and they will definitely ask you
468
00:41:10,542 --> 00:41:12,750
about that meeting
with Holly Gibney,
469
00:41:13,959 --> 00:41:16,792
please don't mention anything
about shape shifters
470
00:41:16,875 --> 00:41:22,959
or El Cucos or anything
that might sound supernatural.
471
00:41:23,542 --> 00:41:24,583
Okay?
472
00:41:25,750 --> 00:41:26,792
Otherwise...
473
00:41:28,250 --> 00:41:29,417
I can do that.
474
00:41:30,417 --> 00:41:34,375
♪ (MUSIC INTENSIFIES) ♪
475
00:41:37,750 --> 00:41:42,625
♪ You may awake ♪
476
00:41:42,709 --> 00:41:46,583
♪ In the night ♪
477
00:41:49,834 --> 00:41:56,291
♪ And wonder who you are ♪
478
00:42:02,583 --> 00:42:09,667
♪ If you don't turn on
The light ♪
479
00:42:28,166 --> 00:42:35,166
♪ You may remain a lost star ♪
480
00:42:42,500 --> 00:42:46,542
♪ (MUSIC CONCLUDES) ♪
481
00:42:56,333 --> 00:42:58,667
What I've come to tell you
today, Mrs. Maitland...
482
00:43:02,291 --> 00:43:04,083
is that there have been
certain developments
483
00:43:04,166 --> 00:43:07,208
in the Frankie Peterson
homicide case.
484
00:43:09,041 --> 00:43:13,041
Some new avenues of inquiry
have opened.
485
00:43:20,208 --> 00:43:21,583
We're reopening the case.
486
00:43:26,709 --> 00:43:28,709
What about your slam dunk
forensics?
487
00:43:30,792 --> 00:43:32,959
Well, we reexamined
the perp DNA
488
00:43:33,041 --> 00:43:35,458
we got from the crime scene
and discovered that
489
00:43:35,542 --> 00:43:38,625
what we actually had
was a mixture of samples,
490
00:43:38,709 --> 00:43:39,917
perp and the victim,
491
00:43:40,000 --> 00:43:41,166
which makes it unreliable
in court.
492
00:43:41,250 --> 00:43:44,291
Girls, I need you
to go upstairs, please.
493
00:43:54,667 --> 00:43:57,333
On Monday, I'm holding
a press conference
494
00:43:57,417 --> 00:43:59,917
to announce the reopening
of the investigation...
495
00:44:01,583 --> 00:44:07,083
and to officially go on record
regarding the dropping
496
00:44:07,166 --> 00:44:08,917
of charges
against Terry Maitland.
497
00:44:13,041 --> 00:44:14,583
Your family has suffered enough,
498
00:44:14,667 --> 00:44:17,250
and I just want to do
whatever I...
499
00:44:24,250 --> 00:44:28,834
Because of your pending lawsuits
against me and my office...
500
00:44:30,792 --> 00:44:33,125
I have to refrain
from telling you
501
00:44:33,750 --> 00:44:35,125
what is in my heart.
502
00:44:37,792 --> 00:44:39,125
I completely understand.
503
00:44:49,083 --> 00:44:50,125
(SIGHS)
504
00:44:56,041 --> 00:44:57,458
MAYA MAITLAND:
Was he mean to you?
505
00:45:00,667 --> 00:45:02,291
No, my love,
he wasn't mean to me.
506
00:45:33,583 --> 00:45:34,709
Flying or driving?
507
00:45:35,667 --> 00:45:36,667
HOLLY: Driving.
508
00:45:39,333 --> 00:45:41,583
About ten hours, right? Chicago?
509
00:45:41,667 --> 00:45:42,792
-Yeah.
-Ten hours?
510
00:45:42,875 --> 00:45:47,000
I have a couple of stops
I have to make along the way.
511
00:45:49,041 --> 00:45:51,208
RALPH: You know, I wouldn't mind
teaming up again,
512
00:45:51,291 --> 00:45:53,458
the opportunity ever arose.
513
00:45:53,542 --> 00:45:55,208
I mean,
preferably on something simple
514
00:45:55,291 --> 00:45:58,041
like a gangland triple homicide.
Something like that.
515
00:46:00,083 --> 00:46:02,041
When I was in the caves,
516
00:46:02,125 --> 00:46:05,417
El Cuco asked me,
uh, why I was so open
517
00:46:05,500 --> 00:46:07,417
to believing in its existence.
518
00:46:09,917 --> 00:46:12,917
My father was ex-military
and when I was little,
519
00:46:13,000 --> 00:46:16,041
he would say,
"A man knows a man."
520
00:46:18,041 --> 00:46:21,667
Well, if I had the time
to think in that cave
521
00:46:21,750 --> 00:46:24,417
and the inclination to answer
that thing,
522
00:46:24,500 --> 00:46:25,834
I would have said...
523
00:46:27,208 --> 00:46:29,709
"An outsider knows an outsider."
524
00:46:33,625 --> 00:46:35,083
(DEEPLY INHALES)
525
00:46:53,542 --> 00:46:56,583
Holly. What else is out there?
526
00:47:15,417 --> 00:47:16,458
(SIGHS)
527
00:48:14,792 --> 00:48:18,792
RALPH: I never told you but...
I saw Derek.
528
00:48:20,667 --> 00:48:23,000
He... spoke to me.
529
00:48:24,500 --> 00:48:26,417
-JEANNIE: What did he say?
-RALPH: Well, it--
530
00:48:26,500 --> 00:48:28,917
it wasn't Derek, so...
531
00:48:29,000 --> 00:48:31,667
Ralph-- Tell me what he said.
Just humor me.
532
00:48:34,125 --> 00:48:36,375
He said that I need
to let him go.
533
00:48:39,083 --> 00:48:40,166
Let him go?
534
00:48:42,750 --> 00:48:45,875
-Well, fat chance of that.
-(CHUCKLES)
535
00:48:55,208 --> 00:48:56,709
I don't know.
536
00:48:56,792 --> 00:48:59,375
I like to think the way
this whole experience...
537
00:49:01,875 --> 00:49:03,166
cracked the world open.
538
00:49:04,875 --> 00:49:06,583
Maybe the next time he appears,
539
00:49:07,500 --> 00:49:09,417
maybe it's gonna be
the real Derek.
540
00:49:11,208 --> 00:49:13,875
Or maybe after a few years pass,
541
00:49:14,709 --> 00:49:15,834
many more years,
542
00:49:16,583 --> 00:49:17,917
we'll just go visit him.
543
00:49:20,792 --> 00:49:22,917
♪ (SOMBER MUSIC PLAYS) ♪
544
00:50:56,750 --> 00:51:02,291
♪ (SINISTER MUSIC PLAYS) ♪
545
00:51:02,375 --> 00:51:03,625
(HOLLY GASPS)
546
00:51:09,542 --> 00:51:11,667
♪ (MUSIC CONCLUDES) ♪
547
00:51:21,458 --> 00:51:25,083
♪ (DISTORTED MUSIC PLAYS) ♪
548
00:51:25,166 --> 00:51:26,875
(KEYBOARD CLACKING)
549
00:51:44,083 --> 00:51:46,125
FEMALE DJ: "Get Out and Get
It". That's Devon Gilfillian.
550
00:51:46,208 --> 00:51:48,917
Before that, Janis Joplin
with "Get It While You Can",
551
00:51:49,000 --> 00:51:51,458
and a song of the same name
by Robert Finley
552
00:51:51,542 --> 00:51:53,000
right before that on the show.
553
00:51:53,083 --> 00:51:54,750
Now, here's an obscure
little gem
554
00:51:54,834 --> 00:51:56,750
for all your audiophiles
out there.
555
00:51:56,834 --> 00:51:58,750
This is a Dixieland revival
romp,
556
00:51:58,834 --> 00:52:02,500
peaking at number two
on the Billboard Hot 100, 1963,
557
00:52:02,583 --> 00:52:04,667
and it's one
of my personal favorites.
558
00:52:04,750 --> 00:52:05,959
Here it is.
559
00:52:06,041 --> 00:52:08,709
♪ ("WASHINGTON SQUARE" BY
THE VILLAGE STOMPERS PLAYING) ♪
560
00:53:57,166 --> 00:53:58,375
(INDISTINCT CROWD CHATTER)
561
00:53:58,667 --> 00:54:00,250
He has my brother!
Someone!
562
00:54:00,333 --> 00:54:03,333
You know,
there's a universal dread
563
00:54:03,625 --> 00:54:05,458
of what comes in the night.
564
00:54:06,291 --> 00:54:09,375
CYNTHIA ERIVO: This being
has existed through time
565
00:54:09,625 --> 00:54:11,792
in different cultures
under different names,
566
00:54:11,875 --> 00:54:12,792
under different guises.
567
00:54:13,208 --> 00:54:16,375
They all seem to center around
some kind of a boogie man.
568
00:54:16,542 --> 00:54:18,583
Some kind of a creature
from outside.
569
00:54:18,834 --> 00:54:21,250
That is El Cuco, the outsider.
570
00:54:26,458 --> 00:54:29,875
One of the-- the characteristics
of this creature is that
571
00:54:30,166 --> 00:54:33,208
he also feeds off grief
and chaos.
572
00:54:34,125 --> 00:54:37,250
We know that he will go near
the biggest point of grief
573
00:54:37,542 --> 00:54:38,792
in his target's life.
574
00:54:38,875 --> 00:54:41,125
And we know by this point
that his target is Claude.
575
00:54:41,583 --> 00:54:44,583
ANDY KATCAVAGE:
El Cuco likes to hold up
near his victims' families.
576
00:54:44,667 --> 00:54:46,625
If the Bolton's have people
buried there,
577
00:54:46,709 --> 00:54:47,834
we should check it out.
578
00:54:48,041 --> 00:54:49,291
DENNIS LEHANE:
They're looking for graveyards,
579
00:54:49,375 --> 00:54:50,542
and they're looking
for cemeteries.
580
00:54:50,917 --> 00:54:52,417
They're looking to find out
where the Boltons were buried.
581
00:54:52,959 --> 00:54:58,125
Meanwhile, you have
this sequence set in the 1940s.
582
00:54:58,208 --> 00:54:59,625
That whole cave flashback
583
00:54:59,709 --> 00:55:01,709
was beautifully done
by Dennis Lehane.
584
00:55:04,291 --> 00:55:05,333
Boys?
585
00:55:05,625 --> 00:55:07,417
Why that story is in there
586
00:55:07,834 --> 00:55:10,750
becomes one of the big questions
of the episode.
587
00:55:11,333 --> 00:55:12,500
George, daddy's coming!
588
00:55:12,583 --> 00:55:14,375
-(ROCKS PUMMELING)
-(GROANING)
589
00:55:15,291 --> 00:55:18,417
That's the biggest graveyard
in the Bolton family.
590
00:55:18,625 --> 00:55:19,834
They didn't die of, like,
591
00:55:19,917 --> 00:55:21,500
being, you know,
pummeled by boulders.
592
00:55:21,792 --> 00:55:25,083
They died of starvation,
and it was an awful thing.
593
00:55:26,500 --> 00:55:27,750
HOLLY GIBNEY: He's in there?
594
00:55:28,417 --> 00:55:30,125
That's the good news
and the bad news.
595
00:55:30,333 --> 00:55:33,792
Y'all are thinking,
"Yeah, we got this thing now.
596
00:55:34,458 --> 00:55:37,834
It's in the cave waiting."
But maybe it's waiting for you.
597
00:55:40,750 --> 00:55:42,875
The time
for philosophical discussions,
598
00:55:42,959 --> 00:55:44,750
the time for--
for Hamlet is over.
599
00:55:44,834 --> 00:55:47,417
I wanted nine
to literally just reach out
600
00:55:47,500 --> 00:55:49,750
and grab the viewer
by the throat and hold them.
601
00:55:52,458 --> 00:55:56,583
(SHOTS FIRED)
602
00:55:57,625 --> 00:56:00,417
ANDREW BERNSTEIN:
As our folks have, sort of,
descended upon the exterior
603
00:56:00,500 --> 00:56:03,542
of the cave to go confront
El Cuco, Jack Hoskins is up
604
00:56:03,625 --> 00:56:05,667
in a perch above the cave.
He's been sent there
605
00:56:05,750 --> 00:56:07,834
by El Cuco to, sort of,
take out our people.
606
00:56:07,917 --> 00:56:09,709
We spend about a good ten...
607
00:56:09,792 --> 00:56:12,208
twelve minutes
in a massive shootout.
608
00:56:12,709 --> 00:56:14,250
-(SHOTS FIRED)
-(GROANING)
609
00:56:14,333 --> 00:56:15,583
(LAUGHS) Yeah!
610
00:56:15,667 --> 00:56:18,750
And at the end, Jack Hoskins
becomes a mass murderer.
611
00:56:19,000 --> 00:56:20,542
BERNSTEIN:
It was a-- an emotional scene.
612
00:56:20,625 --> 00:56:22,625
-I mean, Andy gets killed...
-(SHOTS FIRED)
613
00:56:24,041 --> 00:56:26,792
and Holly has to confront
that grief and what happens.
614
00:56:27,625 --> 00:56:28,667
ERIVO: It's a-- It's a
huge moment for her
615
00:56:29,083 --> 00:56:31,750
because of the-- the size
of the loss that she suffers.
616
00:56:32,125 --> 00:56:34,166
She ends up losing a lot.
617
00:56:34,333 --> 00:56:38,250
You have to watch her, sort of,
figure out how to deal
618
00:56:38,333 --> 00:56:41,792
-with that...
-Andy. No, no!
619
00:56:43,250 --> 00:56:46,083
...whilst realizing that
the reason she's feeling
620
00:56:46,291 --> 00:56:48,333
that way is because
she was in love.
621
00:56:53,417 --> 00:56:56,375
That is heartbreaking, really.
622
00:56:58,875 --> 00:57:01,125
I've never shot anything
like that.
623
00:57:01,208 --> 00:57:03,458
There're fire going over here,
and there's...
624
00:57:03,542 --> 00:57:05,625
-Holly!
-...everyone's senses
625
00:57:05,709 --> 00:57:09,542
are on high alert.
I think we got something great.
626
00:57:10,709 --> 00:57:11,750
It's time.
627
00:57:15,125 --> 00:57:17,834
When we finally confront
the creature,
628
00:57:17,917 --> 00:57:20,500
unlike a lot of Stephen King
characters, he doesn't explode
629
00:57:20,709 --> 00:57:23,417
into something, you know,
phantasmagorical,
630
00:57:23,500 --> 00:57:26,000
but in fact, is conversational.
631
00:57:26,458 --> 00:57:28,125
EL CUCO:
Watch your step coming in.
632
00:57:28,542 --> 00:57:30,333
In the cave,
he's speaking to them.
633
00:57:30,667 --> 00:57:35,625
Cuco was filled with confidence,
arrogance...
634
00:57:36,542 --> 00:57:39,667
EL CUCO: It's very slippery.
Stay close to the walls
635
00:57:39,750 --> 00:57:41,792
in case you need
to grab on to something.
636
00:57:42,041 --> 00:57:44,458
She sees that the person
is fearing falling,
637
00:57:44,542 --> 00:57:46,041
something can happen
when they fall
638
00:57:46,333 --> 00:57:48,500
which means he can die.
He can be killed.
639
00:57:49,000 --> 00:57:51,583
EL CUCO: And you must be
the lovely Ms. Holly.
640
00:57:51,875 --> 00:57:53,750
Claude doesn't know
your last name,
641
00:57:53,834 --> 00:57:56,417
but he thinks about you
all the time.
642
00:57:56,917 --> 00:57:57,792
It's Gibney.
643
00:57:58,083 --> 00:58:01,000
He wonders how
Holly so easily believed in him.
644
00:58:01,083 --> 00:58:05,500
El Cuco seems to recognize
that Holly has been a believer
645
00:58:05,583 --> 00:58:09,834
all along. It seems to be that
he knows her a little more
646
00:58:09,917 --> 00:58:12,500
-than-- than others.
-What is your name?
647
00:58:12,583 --> 00:58:14,750
(GROANS) You know.
648
00:58:15,750 --> 00:58:16,917
Where did you come from?
649
00:58:17,500 --> 00:58:19,583
-I don't remember.
-What is your nature?
650
00:58:19,667 --> 00:58:21,000
We're not very good
at answering
651
00:58:21,083 --> 00:58:22,709
each other's questions, are we?
652
00:58:22,792 --> 00:58:24,375
He just--
He doesn't know anything about
653
00:58:24,458 --> 00:58:27,250
who he is really.
"Am I-- Am I part of a race?"
654
00:58:27,458 --> 00:58:29,375
-(SNARLING)
-"Or am I a sole--
655
00:58:29,458 --> 00:58:32,291
a singular,
malevolent aberration?"
656
00:58:33,291 --> 00:58:36,208
The real MacGuffin there,
to use a Hitchcock term,
657
00:58:36,625 --> 00:58:40,291
was the idea that, um...
Ralph has his gun,
658
00:58:40,667 --> 00:58:43,709
but he can't shoot this thing,
because the echoes
659
00:58:43,792 --> 00:58:46,000
will bring down the cave.
It's very--
660
00:58:46,083 --> 00:58:47,792
in very fragile shape.
661
00:58:47,959 --> 00:58:51,542
Will the real Claude Bolton
please stand up?
662
00:58:51,625 --> 00:58:53,500
(ECHOING)
663
00:58:53,583 --> 00:58:55,333
(CEILING SLOWLY CRUMBLES)
664
00:58:55,417 --> 00:58:57,959
ERIVO: It's a strange...
thing that happens
665
00:58:58,041 --> 00:59:00,083
when you're underground
for a really long time.
666
00:59:00,166 --> 00:59:02,834
Because it's cold, it's wet,
it's damp.
667
00:59:03,041 --> 00:59:06,000
Um... There's not
very much light.
668
00:59:06,458 --> 00:59:07,667
You can't really see very much.
669
00:59:07,917 --> 00:59:10,917
This amazing ability
that very few shows get to do,
670
00:59:11,000 --> 00:59:12,792
to go into a cave
and shoot for a week.
671
00:59:12,875 --> 00:59:14,834
And really shoot a cave
for a cave.
672
00:59:15,000 --> 00:59:16,583
You know, it wasn't built
on stage.
673
00:59:16,667 --> 00:59:18,166
It was all done practically.
674
00:59:18,417 --> 00:59:20,959
I eat to survive just like you.
675
00:59:21,041 --> 00:59:22,083
Shut up.
676
00:59:22,166 --> 00:59:25,125
He's got an opportunity to say
here's this, uh,
677
00:59:25,208 --> 00:59:27,250
internal mandate.
But at the end of the day,
678
00:59:27,333 --> 00:59:29,166
-you're food.
-Why children?
679
00:59:32,000 --> 00:59:33,417
'Cause they taste the sweetest.
680
00:59:33,500 --> 00:59:34,959
Do you ever feel remorse
for the egg
681
00:59:35,041 --> 00:59:38,750
that you've just eaten?
Well... you're an egg to me.
682
00:59:38,834 --> 00:59:41,083
He's been in isolation,
basically, his entire life.
683
00:59:41,166 --> 00:59:43,959
So, it was about this, sort of,
lonely being finally being able
684
00:59:44,041 --> 00:59:45,041
to explain himself.
685
00:59:48,041 --> 00:59:52,041
Paddy Considine was a really
important, um, choice.
686
00:59:52,291 --> 00:59:55,834
His ability, as an actor,
to believably play
687
00:59:55,917 --> 00:59:58,709
a cold, calculating monster
on one side,
688
00:59:58,792 --> 01:00:01,083
and a meek,
sort of down-and-out,
689
01:00:01,166 --> 01:00:03,041
kind of petty criminal
on the other side.
690
01:00:03,125 --> 01:00:05,542
You needed an actor that could
do both of those things.
691
01:00:20,959 --> 01:00:26,291
Ralph sees, uh, his dead son,
standing sentry, basically,
692
01:00:26,375 --> 01:00:27,583
at his exit to the cave.
693
01:00:27,667 --> 01:00:30,834
Ralph is not so convinced,
and he tells them to go on.
694
01:00:30,917 --> 01:00:33,041
'Cause he's assuming
the creature is still alive.
695
01:00:34,208 --> 01:00:36,250
(EXTRACTING KNIFE)
696
01:00:38,125 --> 01:00:40,792
Well, it's like that,
when two genuine
697
01:00:40,875 --> 01:00:46,750
nemesis forces, or...
get a chance to interact
698
01:00:46,834 --> 01:00:47,709
with each other.
699
01:00:47,959 --> 01:00:49,000
RALPH ANDERSON: I didn't know
whether or not
700
01:00:49,083 --> 01:00:50,000
you could be killed.
701
01:00:50,458 --> 01:00:52,875
I thought you could be,
like anyone else, but...
702
01:00:52,959 --> 01:00:56,208
(CLICKS TONGUE)
...I'm not so sure anymore.
703
01:00:56,417 --> 01:00:59,917
This time I said, "We don't know
about that entity."
704
01:01:00,250 --> 01:01:02,834
Sort of El Cuco morphs,
and we see the faces
705
01:01:03,083 --> 01:01:05,500
of, sort of,
all the people that El Cuco
706
01:01:05,583 --> 01:01:06,792
has been previously.
707
01:01:07,333 --> 01:01:10,125
-(GROWLING)
-(FACE WRINKLING)
708
01:01:11,625 --> 01:01:12,917
It's basically like,
almost like,
709
01:01:13,125 --> 01:01:15,417
El Cuco, you know, is thumbing
his nose at Ralph and going,
710
01:01:15,500 --> 01:01:17,709
"You can kill me, but, like,
you know, this is who I've been
711
01:01:17,792 --> 01:01:19,208
and this is what I've done
throughout my life.
712
01:01:19,291 --> 01:01:21,583
And I'm gonna sort of show you
my cards before it happens."
713
01:01:21,667 --> 01:01:23,417
And Ralph kind of ends it
right in the middle
714
01:01:23,500 --> 01:01:24,667
of that transformation.
715
01:01:25,458 --> 01:01:26,291
(SKULL SMASHING)
716
01:01:26,583 --> 01:01:28,542
His world from now on,
moving forward,
717
01:01:28,625 --> 01:01:30,875
is different.
And will always be different.
718
01:01:31,458 --> 01:01:33,250
And that will inform
his decisions
719
01:01:33,333 --> 01:01:34,291
as he moves forward.
720
01:01:34,834 --> 01:01:37,375
ERIVO: Just as Holly
sees herself in Ralph,
721
01:01:37,625 --> 01:01:39,208
he sees himself in her.
722
01:01:39,417 --> 01:01:41,834
-Flying or driving?
-GIBNEY: Driving.
723
01:01:41,917 --> 01:01:43,667
BEN MENDELSOHN: It's got
a really, old-fashioned,
724
01:01:43,750 --> 01:01:46,083
romantic quality to it,
their pairing.
725
01:01:46,417 --> 01:01:47,542
ANDERSON: You know,
I wouldn't mind
726
01:01:47,625 --> 01:01:48,500
teaming up again.
727
01:01:48,750 --> 01:01:50,166
If the opportunity
ever arose.
728
01:01:50,375 --> 01:01:52,333
They're a good team.
They're a good team.
729
01:01:52,667 --> 01:01:55,917
El Cuco asked me, uh,
why I was so open
730
01:01:56,000 --> 01:01:57,583
to believing in its existence.
731
01:01:57,667 --> 01:02:01,041
If I had the time to think
in the cave,
732
01:02:01,125 --> 01:02:04,709
I would have said,
"An outsider knows an outsider."
733
01:02:06,542 --> 01:02:08,834
PRICE: I love exploiting
the universality
734
01:02:09,125 --> 01:02:12,375
of this creature.
My Baba Yaga is your Cuco.
735
01:02:13,166 --> 01:02:15,750
So, the concept of this--
this entity,
736
01:02:15,834 --> 01:02:18,375
that everybody thought
was a fantasy,
737
01:02:18,458 --> 01:02:19,500
is real.
738
01:02:20,750 --> 01:02:24,625
How does a person cope
with the unbelievable?
739
01:02:25,417 --> 01:02:27,625
To me it's a very
resonant subject.
740
01:02:27,709 --> 01:02:29,875
Because you can say,
"Oh, all this is supernatural,
741
01:02:29,959 --> 01:02:32,917
all this is make-believe.
We have to take these in,
742
01:02:33,000 --> 01:02:35,375
and say,
"I can't believe this.
743
01:02:35,875 --> 01:02:39,542
Uh, this doesn't make any sense
to me, there's no reason for it.
744
01:02:40,333 --> 01:02:41,542
And yet, there it is."
745
01:02:44,041 --> 01:02:46,000
And that's it for the creature,
or is it?
746
01:02:48,083 --> 01:02:50,333
♪ (MUSIC INTENSIFIES) ♪
747
01:02:59,041 --> 01:03:01,208
♪ (MUSIC CONCLUDES) ♪
53774
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