All language subtitles for Two.Girls.On.Broadway.1940.DSR.x264-Regret.EN

1, a-2, a-3, a-4.

A-1, 2, a-3, a-4.

Higher, 2, 3, 4.

Watch your toe.

Ah, that's better.

Yes, sir, that's much better.

That's much, much, much better.

All right, now, kids.
We'll try a time step.

1, 2.

Let's go!

You all want to be Fred
Astaire and Eleanor Powell

someday, don't you?

Yes, miss Mahoney.

Hope I live to see it.

Pick 'em up!
You shouldn't be tired at your age.

Molly!

Molly, it's 5:00!

Stop a minute.

That's 7:00
New York time.

Turn on the radio!

That's all for today, kids.

Yay!
Yay!

You sure we have the right time?

"Tune in 5 P.M.
your time.

"Keep your toes crossed.

Love... eddie."

And now Chatsworth Linoleum

brings you
"oddities of the air."

Here in our studio,
we have a number of guests,

brought to New York by us for
your education and entertainment.

The first oddity tonight
is Mr. Eddie Kerns.

Well, what's so odd
about you, Mr. Kerns?

Oh, a lot of things,
Mr. Boyle,

but I guess the best one are these
6 champion singing canary birds.

What's so special about that?

Well, you see, they not only sing,

but they sing
in 6-part Harmony.

Ha ha! Don't tell us they're going
to sing the sextet from "Lucia."

Oh, no, no, they're
not operatic birds.

They sing by ear.
They can't read a note.

Well, how do you train them?

There are 2 or 3 ways,
but I have a system of my own.

I take them into a dark
room one at a time, see?

And I teach each one his note.

Then we all get together later
and have a little jam session.

What are they going
to sing for us tonight?

One of my own compositions.

Oh, so you're a composer, too, huh?

Well, I ain't a canary bird.

Ha ha ha!

How many songs have you written,
Mr. Kerns?

Oh, let's see...
About 138.

I haven't had any
of them published yet.

Supposing you put those canaries
of yours to work for us, will you?

Ok, be glad to.
Right away.

I'll bet you 50 bucks those
canaries are phony and so is he.

You've got a bet.

Maybe they're dancers.

No, no.
They'll be all right.

Hey, Nelson, Rudy. Come on, bing.
Will you get with me?

What's the matter?

Gee, I don't know,
Mr. Boyle.

I guess they got mic fright.

Well, so we won't waste the time,

I'll sing the song for you myself.

Help me out, will ya, fellas?

# Music's playing #

# other couples
are swaying #

# let's give
the music a chance #

# come on, my rhythmical pal,
let's dance #

# gliding #

# lightly #

# while I hold you
so tightly #

# this is the time
for romance #

# come on, my fine
feathered friends, let's dance #

# makes no difference
what they play #

# something sweet
or something gay #

# the words will
still be the same #

# darling, I love you #

# hear that #

# jingle #

# it's no time
to be single #

# you've got my heart
in a trance #

# come on,
my wonderful one #

# let's #

# dance #

Thank you, Mr. Kerns.

Thank you very much,
Mr. Doyle.

Thank you. Thank you,
ladies and gentlemen. Thank you.

Oh ho! So, you
like the song, huh?

How do you like that?
Is that cute?

Folks, look.
He liked the song.

Would you like to see the
dance that goes with it?

You would?

You want to see a dance?

Let me take your hat for a minute,
will you?

I'll bring it right back.

Your act's over, bud.

Oh, no, I just started.
Listen to 'em.

# Let's give
the music a chance #

# come on, my wonderful
one, let's dance #

# come on, my fine feathered
friend, let's dance #

# darling, I love you #

Thank you very much.
Thank you.

Now...

But Mr. Resnich, do you mean to
say you weren't even listenin' in?

Oh, what kind of a song
publisher are you, anyhow?

But you promised me if I get it on
the air that you'd consider it.

Everybody from here to the
coast is listenin' in but you.

Hello? Hello?

Hell...

oh, there he is.

Mr. Kerns?
Yeah.

My name is Chatsworth.

The sponsor?
Yes.

Oh, now, wait a minute, Mr. Chatsworth.
Wait a minute.

You can't hold me responsible
for these canary birds.

If they get temperamental,
can I help it?

No, I suppose not.

You know, canary birds are
very delicate propositions.

If they're not in the mood,
you can argue your head off.

Yes, I've known
a few women like that.

Yeah?
Yeah.

Oh, well, then,
there's no hard feelings?

Why, of course not.

Oh, that's swell.

Thanks for the use of your air.

That's quite all right.

So long.

Just a minute, Kerns.

That was a nice little
number you sang in there.

Is it yours?
Yeah, sure why?

Thought I might be able to use it.

Aw, gee, that's swell!
Say, that's great.

What for?

I need a good production
number for my fall edition.

This is Buddy Bartell
of the royal casino.

Buddy Bartell?
Well, am I glad to see you!

Sure, I've passed
your place many a time.

Say, you know that's a real stock
number you got there, Mr. Bartell.

That's a natural for
the "hit parade."

Yeah, well, drop in and
see me in the morning.

Yeah, ok, ok, I will.

Oh, Mr. Bartell, do you suppose
we could close the deal tonight?

I don't know where
I'm gonna be tomorrow.

Ok, the number's in.

Swell!
Gee, that's great!

Mr. Bartell, you wouldn't be able
to use a good hoofer, would you,

to help sock that number over?

Who have you got in mind?

Who else? Me!

See, that's why I wrote the number,

to kind of help myself
back into show business.

I might be able
to make a spot for you.

Oh, boy, did I hit
the jackpot! Oh ho!

Now you can tell us
the truth, Kerns.

Can those birds really sing?

These birds?
No, not a note.

I had a heck of a time trying to
find 6 canaries that couldn't.

What was the idea?

Well, you see, I didn't have
enough dough to get to New York,

so we figured this gag up.

I wrote to the station,
they sent me my ticket, and here I am.

I guess your trip to New York is on me.
Pretty smart.

Yeah, we... that is my fiancee and me,
we figured it out together.

Say, Mr. Chatsworth,
could I get to a telephone?

I want to call her up and
let her know what happened.

You see, the canary birds
was her idea.

Uh, no, no, I tried that one.

It doesn't work so good.

Oh, I see. Why, of course.
Just follow me.

Good evening,
Mr. Chatsworth.

Good evening.

Mr. Chatsworth said I
could use your telephone.

Oh, yes.
Help yourself.

Thanks. Mr. Chatsworth,
would you mind holding these

for me for a second?
Thanks.

Hello. Get me
long distance.

Yeah.

Hello, long distance?

I want Rome city, Nebraska.

327 party j.

That's right.

They call it Rome city 'cause it
looks like it was built in a day.

Ho ho ho ho!

Yeah, yeah.
I'll hold on.

My partner and I run a school
of the dance out there.

Oh, she's a swell kid.

Yeah, we used to do
an act together.

Kerns and Mahoney,
the tops in taps.

We were all set to get married

till they pulled vaudeville
out from under us.

Hello? Molly!
Guess who this is.

Eddie, we heard it.
It was great.

Eddie's calling from New York.

Molly, get set for a shock.

Look, I'm not off the air 2 minutes

when I meet Chat Chatsworth.

Yeah, the sponsor.

Chatsworth, the Linoleum king.

Linoleum.

Aw, you know.
You got it all over the kitchen floor.

That takes care of you.

Now, wait a minute.
Here's something else.

Buddy Bartell is buying the song,

and he's gonna use it
in his nightclub.

Yeah, and what do you think?

I'm doing the number myself!

Aw, no, Molly.
I wouldn't kid over long distance.

Wait a minute. Hold on.
I got an idea.

Say, Mr. Bartell,

my partner is a swell kid
and a great little dancer.

If I brought her on,
would you give her an audition?

Ok, but I won't
promise you anything.

Oh, your word's good
enough for me, Buddy.

Molly, it's ok.
I'm gonna get a chance for you, too.

Now, look.
Close out the academy,

grab the first bus for Broadway.

Yes, yes.
I'll try and get an advance tonight,

and I'll wire you the
dough in the morning.

And that takes care of you.

Oh, Eddie, there's something else.

The kid sister Pat's here.

You remember Pat.

Yeah, she quit school to
help me while you were away.

She's a great little dancer,

and she turned out awful pretty.

Well, wait a minute,
Molly. Hold on.

Mr. Bartell, we're
in a tough spot.

Yeah?
Yeah.

We can't get her unless we
take her kid sister, too.

Ohh!

But look,
the kid sister is wonderful,

and she's a swell little dancer.

She's pretty as a picture.
She's a real find.

Haven't you got any
folks in the old country

you'd like to bring over here?

Oh, no, my folks
all come from... ha!

You're kidding me!
How do you like the guy?

Hello, Molly.
Pat is penciled in, too, yes.

Wire me when you're getting here,
and I'll meet you at the bus.

We're coming tomorrow.

When in Rome city, do as
the romans do... scram.

Good-bye.
Good-bye, Molly.

Oh, gee, thanks,
Mr. Bartell,

and thank you,
Mr. Chatsworth.

I'm very much obliged for
the use of the phone.

Well, come on, we better get going.

Here. There's a little
present from Eddie Kerns.

Name the first egg after me.

Come on, boys. I'll buy them all a milk.
We'll celebrate, huh?

Molly!

Eddie!

Oh, Molly, baby!

Gosh, it's good to see you.

Let me get a look at you.

Well, you look swell.

Eddie, you said you'd do it,
and you did it.

Aw, it won't be long now before
you're Mrs. Eddie Kerns.

It's all right, lady.
We're engaged.

Come on, Molly.
Let's get out of here.

All right, Eddie.
Where's Pat?

You haven't seen Pat.

Oh, yeah. The kid, the kid.
Where is she?

There she is.

What do you think of her?

Gee, I wouldn't have known you.

But Molly,
you said she was just a kid.

Isn't she sweet?

Yeah. Hiya, Pat.

Hello, Eddie.

Molly's done a lot
of raving about you,

but she didn't exaggerate.

She's been doing a lot of
raving about you, too.

Well, we can't spend the whole
day admiring each other.

Say, that's right.
We've got to get down to the casino.

Buddy Bartell is waiting
for us right now.

He is? Can't we go
to the beauty parlor

and get sandblasted or something?

I got half of Nebraska
down my neck.

Aw, come on.
You look beautiful.

Both of you.

I've tried out for these
nightclubs so much,

every time I hear a cork pop I
jump into this bathing suit.

Wait right here, kids.
I'll be back in a minute.

Call Felix and tell him to send

the arrangement for that
number over here right away.

Hiya, Buddy!
The Mahoney sisters got here all right.

The who sisters?

The Mahoney sisters.
You remember the 2 girls

you told me to bring on?

I told you what?

Don't you remember?
We called them up long distance

on the telephone.

Oh, Kerns.
I have no time for that now.

It will only take a minute, Buddy.

All right,
dust them off and wheel them in.

Ok, ok.

All right, girls.
Relax.

Ok, kids, he'll see you right now.
Come on.

I'll play for this act, Debbie.

Now, look, kids,
don't be nervous, see.

Just try to forget that a bigshot
like Bartell is watching.

Just try to forget
what this means to you.

Come on, come on, let's have it.

Ok, ok, Buddy, right away.

You all set, kids?

# The world moves on #

# the forties' done #

# but Broadway's
still Broadway #

# the lights are changed #

# and rearranged #

# but Broadway's
still Broadway #

# the joys and fears
of yesteryears #

# are still thrilling today #

# I said today #

# and a million voices
shout "hooray" #

# for Broadway's
still Broadway #

Put a bustle in that routine,

and you got something.

Yeah, but kids as beautiful
as that one are never dated.

# And a million voices
shout "hooray" #

# for Broadway's
still Broadway #

Now we go into
a sock rhythm finish!

It's all right, miss Mahoney.
That gives me a rough idea.

But Mr. Bartell,
you haven't seen the finish.

Yeah, Buddy,
these kids aren't limbered up yet.

They just got off a bus.

They're still train sick.

All right.

I'll speak to you a minute, kid.

I'm the business manager of the team,
Mr. Bartell.

If there's anything
to discuss...

I'll speak to your sister,
if you don't mind.

She can't talk business.

Bartell knows she's only a kid,
and he's taking advantage of it.

Yeah, sure.
I know it.

Sit down.

You're not exactly what I'd call

a terrific dancer yet,
kid, but you got promise.

Thank you, Mr. Bartell.

But, I...

I can't use your sister.

Molly?

Mm-hmm.

She can dance all around me.

She's the one that
taught me all I know.

You think you could forget it?

I've got an idea to
team you up with Kerns.

You can't do that,
Mr. Bartell.

They were partners way
before I even started.

Yeah, I know.
I know.

You talk it over with them,
and let me know what you decide.

I can tell you right now.

I couldn't do it.

That's up to you.

Of course, she's pretty enough.

I guess I could give her a job.

Oh, you could?

Maybe as a cigarette girl.

Cigarette girl?

Yeah, what's the matter with that?

She'd make a lot of money.

No, Mr. Bartell.
Don't say anything to her about it.

Please, don't.

You see, she's awful sensitive.

Ok.

Oh, Harry.

What did he say?
What's his offer?

Oh, it was ridiculous.

What do you mean ridiculous?

How much?

I didn't even discuss it with him.

We'll find a job someplace else.
Come on.

Hey, what are you talking about?

Since when are we
turning down offers?

Why, I'd work for nothing
to get a chance like this.

Please, Molly,
let's forget all about it.

How do you like that kid?

Thinks we're gonna be
headliners right off the bat.

We gotta work for anything
to get started, baby.

I'll handle this.

Oh, Molly, please.
Don't!

Oh, Mr. Bartell,
just a minute.

We'll take that
offer, Mr. Bartell.

Pat's just a baby.
She doesn't know what she's doing.

That's fine.
I'm glad you're being sensible about it.

See madame Apricots and
get yourself a costume.

Yeah, how about Pat?

I'll take care of her later.

It's ok, kids.
I fixed it. We're in.

Molly, you don't know
what you're doing.

Look, I've been dealing
with managers all my life

and I don't know what I'm doing.

I'll see you in a minute.

But...

oh, Eddie, what are we gonna do?

Why didn't you tell her?

I tried to, but I couldn't.

Oh, Pat, we've got to tell her.

Hey, beautiful,
Mr. Bartell wants to see the two of you

in his office right away.

Tell him we'll see him later.

You tell him!
I want to keep working here!

Here you are, ma petite.

You'll get it filled
at the cashier's office.

What is this, a gag?

No. Is no gag.

You can't sell cigarettes without
a tray to hold them, huh?

Sell cigarettes?

What does he think I am?

I'll tell him a few things!

Molly! Here,
she doesn't want it.

You're darn right, she doesn't.
Don't you worry, baby.

I'll tell that Bartell
where he gets off,

and then we'll get out of here.

Sure. He doesn't know real
talent when he sees it.

What did Bartell say to you?

Aw, come on, honey,
let's forget him.

This isn't the only
job in the world.

Wait a minute.

He wanted you, didn't he?

Oh, Molly, will you quit worrying
about Pat? She'll get her chance.

Sure. I wouldn't
work here anyway.

Why wouldn't you?

What?

If you're worried about me, don't.

Say, listen, plenty of big stars
have started lower than this.

It isn't what you are,
it's what you're gonna be.

If I can take this,
you can take what he offered you.

I never saw such a spoiled kid.

Molly, don't.
You're not going...

oh, yes, I am.

Pat, leave us alone for a minute.
I want to talk to Molly.

Sure.

I might have known
you'd take it like this.

Don't you ever think of yourself?

I'm thinking about all three of us.

Well, I'm not gonna let you do it.

From here on in,
I'm taking care of you.

Look, Eddie, you're
not set yourself, yet.

And until you are,
we got to all be working.

Besides, plenty of things can
happen with me on the inside.

Yeah, sure.
I know all about that,

but this is not for you.

Please, Eddie.

Let's try it my way.

I think you're wrong, but...
well, we can try it your way.

Ok. Now how's about giving
a lady a little privacy?

I want to try on these
low-necked overalls.

Well, hello, Chat.
Hiya, Buddy.

All right, girls.
That's all for now. Take it easy.

What are you doing out of bed
in the middle of the day?

They're painting my bedroom.

Ha ha! All right,
what's next?

Kerns and Mahoney.

Bring them on.

Kerns and Mahoney!
Make it snappy!

Kerns? That's
your friend.

Yeah.

Say, who's that?

That's the kid sister
Kerns was talking about.

Say, you were going great, Pat.

You picked that
routine up in no time.

Eddie, I saw Mr. Bartell saying
something while we were dancing.

Do you think he likes me?

Well, if he don't
he's crazy. Come on.

That's very nice, kids.

We'll sandpaper those rough
edges this afternoon.

Back at 3:00, everybody!

See you later, Buddy.

Hiya, Chat.
Hello, Eddie.

How are you?
Great.

What do you think
of my new partner?

How do you do?

This is Chat.
That's the best friend I ever had.

Eddie, you're going overboard.

You know I couldn't do anything
for you if you didn't have talent.

Eddie's told me a great deal about you,
and he wasn't exaggerating.

Say, Pat, don't you think
we better go and get lunch?

We haven't got much time.

But you're not in the show yet,
are you?

No, Mr. Bartell
is going to use us

in the new fall edition next week.

Fine, then you can join me tonight.

I'm giving a little party here.

Hey, that'll be swell.

Well, I'm afraid I won't be able to,
Mr. Chatsworth.

Thanks anyway.

Why not?

Well, my sister...

well, bring her along.

Well, Chat, you see,
her sister will be working tonight.

Try and make it if you can.

We might have fun.
Bye-bye.

Maybe we'll see you later.

Say, maybe we better go tonight.

You know, this fella's
a very important guy.

He's got more money than congress.

I don't know.
I won't feel right

being at a swell party
while Molly's working here.

Well, all right.
I'll tell you what we'll do.

We'll leave it up to Molly,

and I'll bet you she'll be
the first one to say...

hello, kids.
Gee, the routines look swell.

You'll walk away with the show.

They'll be all right
after you brush up

some of the rough spots for us.

Maybe you can give us a
couple of good hot breaks.

Not on your life.
I'm saving my routines for television.

Ho ho ho!
Television! Get her!

Ok, Pat. It's as good
as it'll ever be.

At least you won't look like you
just fell out of the laundry chute.

Thanks, Molly. Look!
How do you like them?

It's that new shade of cannibal red

all the glamour girls are wearing.

Swell. Slip into this.

Maybe it'll look better on you
than it did on the ironing board.

I'll get it.

Flowers for miss Patricia Mahoney.

You're just a second
too late, friend.

Orchids!
And white ones, too.

They're from Chatsworth.

Oh, gee, aren't they beautiful?

What's the matter?

Isn't the dress all right?

Oh, sure, sure.
It's sweet.

Hold the orchids
up to your shoulder.

Orchids make a dress, you know.

You sure it's not just a
little bit old fashioned?

I wore it in a school play,

and, well,
it's really kind of a costume.

It's exactly what
they're wearing today.

You look beautiful.

You're not just saying that.

Now, don't you worry, baby.

With what you've got,
nobody will even see the dress.

Cigars? Cigarettes?

Oh, hello, Molly.

Hello, kids.
You look stunning, Pat.

Now, don't worry. You could use
a little powder on that nose.

Cigars? Cigarettes?

Maybe I better go to the powder room,
Eddie.

I'll be back in a minute.

Ok, I'll wait for you right here.

Hi, Kerns.

Oh, hello, Buddy.

What are you doing,
stepping in society?

Yeah, how do I look in the 400?

Like... Zeroes.

Ha ha ha!

A little French importation
from the maginal line.

Do you have a pair of scissors?

Yes.

Thank you.

We're sitting in a canoe,
see, down on the lake there,

and the girl has got the ukulele.

Say, would you mind bringing
the young lady a cherry coke?

Champagne won't hurt her any.

Why, they even give it to babies.

Yes, sure, I know.
You'll give it to your baby.

I'd like to try some, Eddie.

What?

Here's to Rome city, Nebraska.

Do you mind if I don't
drink with you?

I've been there.

Shall we dance?
I'd love to.

Keep the change.

Cigars? Cigarettes?

Mahoney.

Jed Marlowe.

Hello!

Gee, it's a long time
since I've seen you.

Won't you sit down?

I can't, Jed.
I work here.

You can when you're with me.

Yeah.

Yeah, I guess you've been
doing all right for yourself

since you got out of show business,

with that column and all those
newspapers and everything.

Oh, I've got those chumps fooled.

I'm still a hoofer at heart.

So am I. I used to dream of
having this talent with feet.

Now I'd settle
for a good chiropodist.

Tell me, aren't you Mrs. dees,
dem, and dose yet?

You mean Eddie?
No, not yet.

But we're engaged,
and that's as good aseing med

as good? It's
a darn sight better.

You know, Molly,
you're in a swell spot here

to keep your eyes and ears
open and see what's going on,

and that's what I breed on.

How'd you like to make
yourself a little extra dough?

Sure, I guess so.

Swell. Now, here's
your first job.

Find out who that
sweet little dish is

that has Chat Chatsworth
hanging on the ropes.

Do you know her?

No, Jed, that's a new one on me.

Say, what is this bird
Chatsworth like anyway?

He's a wild cuckoo who
flits from limb to limb,

and every season he picks
himself a new mate.

After he's feathered
their nest with Linoleum,

he flies away and
picks himself another.

Five, so far.

Five wives?

From penthouse to flophouse
in one easy lesson.

I see.

So, what about my proposition?

Oh, sure, Jed.
I'll find out what I can.

Well, guess I better go now.

See you later.
Ok.

Cigarettes?
No, thanks.

Oh, yeah.
Yeah, sure.

Ahem. Keep the change.

Eddie.
Huh?

I'm a bit worried
about that friend of yours.

Who, Chat?
What's the trouble?

He's a swell guy.

Maybe. I just heard a few things
about him that I don't like.

Aw, don't worry.
Pat's not his type and he knows it.

Cigarettes?

You know, we owe you a lot

for giving Eddie his
chance, Mr. Chatsworth.

I don't think Eddie owes
me anything after tonight.

Say, Chat,
I hate to have to break up the party,

but it's getting kind of late.

We got a rehearsal in the morning.

Come on, Pat.

Oh, do we have to go so soon?

Don't worry about Pat, Eddie.

Let her stay.
I'll see that she doesn't go home alone.

Oh, I'm not worried about her.

I'm afraid to go home alone.

Cigarettes?

This is the brand for you.

Here you are, miss.

Well, maybe I'd better go home now,
Mr. Chatsworth.

Thanks anyway.

I'm sorry, Pat.
Maybe some other time.

Yes, good night.
Good night.

Good night.

Good night, Chat.

Good night, Eddie.

"Home run."

I couldn't even get
to first base. Ha ha!

Taxi?
Yeah.

Eddie, let's walk home.

I want to see Broadway at night.

Ok. Say, never mind
the taxicab.

Thanks just the same. My kid sister
wants to see the bright lights.

Extra! here you are!
Get your early morning paper!

No, thanks, bud.

Gee, they get their morning
paper the night before.

Why, sure,
everything happens quick like that

here in New York.

By 6 A.M., you'll be able to read
what happened tomorrow night.

Taxi, Jack?
$2.00 flat to hoboken.

Where do you get
that hoboken stuff?

No offense, Buddy.
I just pegged you wrong.

$1.50 to Brooklyn.

And we don't come
from Brooklyn, either.

Come on, Pat.

How did he know we
were from out of town?

I don't know,
but he's probably just sore

'cause we're walking
instead of riding.

This is not bad walking.

Yeah.

Hey, mack, you do me
a little favor?

I'm going to open the
store down at the corner.

Would you mind shilling for
me for a couple of minutes?

You know, for the yokels?

For the yokels?
Sure.

Thanks.

Say, what does he mean?

What's a shill?

Well, he wants us to pretend
that we're customers,

and then he makes believe that
he's selling us something.

Poor guy. He's probably trying
to peddle some old razor blades

or fountain pens
or some junk, I don't know.

Here you are, folks.
Step right up here.

100 famous poems for a nickel.

5 cents. You, too, can be
the life of the party.

Have you read "the shooting
of Mike mcgrew"?

"Maloney at the bat." Thrill and
chill your friends for a nickel.

5 cents. For 20 a part
of a dollar.

Are we shillin'?

Yeah, we're shilling.

We're not doing so good, are we?

So, you're the guy!

Take a look at him,
will you, mister?

He's a crook.

Take a look at this guy here!

Look at him, the way he's dressed.

Look at me all in rags,
and him dressed up in soup and fish,

and he won't pay me
5 bucks that he owes me.

What kind of a man is he,
I ask you, folks.

What kind of man is he?

Wait a minute.
You got the wrong guy.

I don't owe you any 5 bucks.

I never saw you before.
This guy is crazy.

How do you like that?
The last 5 bucks I had in the world,

and he says I'm crazy.

You ought to be
ashamed of yourself.

Give him his 5 bucks.

You're nuts!
Come on, Pat, let's get out of here!

Go on, you big stiff!

Here you are, folks.
Only 5 cents.

I'll take one.

I'll take one.

Now, you see.
That'll teach you

not to speak to strange
young men on the street.

And what will it teach you?

It'll teach me not to speak
to strange young men, too.

Yeah! Ha ha!

Ho ho! I'm crazy
about Broadway.

Even taking a walk is exciting.

That's right.

Maybe if you're
a good girl all week,

I'll take you
to the zoo next Sunday.

Say, what time do you
think Molly will be home?

Oh, about 3:00.
Oh.

I think I'll stretch
out here on the sofa

and grab a couple of hours sleep

and then I'll go down
and pick her up later.

Hey, maybe I better leave a call.

I'm liable to forget to wake up.

Hello? Give me a ring
at 2:30, please.

No, not tomorrow.
Tonight.

Ok.

What are you doing?

Making a sandwich for Molly.

She'll be hungry after walking
around that place all night.

Here. Let me do that.

I'll make her a triple
Decker she'll never forget.

I used to be known as Kerns
the pumpernickel king.

Oh!
Oh, what'll we have?

What do you got?

Cheese, ham, tomatoes.

Well, that'll do for the
basement and the first floor,

but don't you think we ought
to have something classy

for the penthouse?

I know. How about
anchovy paste?

Wonderful, but let me tell
you something, young lady.

If she eats this before
she goes to bed,

you better drop a sleeping
powder in her milk.

Pumpernickel king!
Let me do that.

Hey, it's after 1:00.

You've got a rehearsal tomorrow.

Come on. You gotta
go to bed.

Look, I'll finish this up,

and if it turns out too good,
I'll make another one for Molly.

Come on, come on.
Off you go to bed. Good night.

Nearly had a fistfight
on my hands last night.

Eddie and Jed Marlowe picked up
where they left off 5 years ago.

Don't they hit it off?

Yeah, every time they meet.

Wasn't it grand of Eddie
to want to call for me?

He's so doggone chivalrous.

Don't forget,
you're pretty grand yourself, Molly.

We've waited a long
while for this, Pat.

But it'll be worth it.

We're gonna be married
right after the show opens.

And you're gonna be best man.

A real church wedding

with orange blossoms and
somebody singing "o promise me."

That's the way I've
always wanted to go.

Hey, you better run along.

Eddie hates to be kept waiting.

Aren't you coming?

Later. I gotta finish
dunking this lingerie.

Ok.

Remind him we're gonna look
for furniture this afternoon.

Ok.

Taxi, lady?

Oh, hello.
Hello.

Funny coincidence meeting you here.

And I've only been waiting
the last half hour.

Taxi!

Royal casino.

Now, no matter what that
eagle-eyed sister of yours says,

a taxi is not a den of antiquity.

What do you know about my sister?

Cigarettes?

Ha ha!

Hello.

Hello, Eddie.

Pat just left.

Yeah, she's on her way down
with Chatsworth.

Chatsworth?
Where did he come from?

He was waiting out
in front of the hotel for her.

After what Jed told me about him
last night, Eddie, I'm worried.

We should have a talk with her.

Yeah, I will.
I'll have a little talk with him, too.

Yeah, you better.
That guy's heard wedding bells so often,

he's got a permanent
ringing in his ears.

Then it's a date, Pat?

I'll pick you up
right after rehearsal.

Oh, I'm sorry, Chat, but I can't
make any dates until after we open.

Swell! I'll call
for you around 6:00.

Oh, hello, Eddie.
Gee, I'm sorry I'm late.

Oh, that's all right.
Take your time.

Buddy likes to be kept
waiting for rehearsal.

Say, Chat!

Hello, Eddie.

I want to talk to you.

It's about Pat.

She's just a kid and she doesn't
know her way around yet.

And, well, you know what I mean.

What's on your mind, Kerns?

Well, she's got
a career ahead of her

if she works hard
and doesn't play around.

And besides,
I'd appreciate it personally

if you'd just sort of
let this one get by you.

You were amusing for a few moments,
Kerns,

but now you're getting
a bit tiresome.

Suppose you mind your own business.

Here's one, Pat.

And it's just around the corner.
Listen to this.

"Charm, sun, newly redec apartment.

"2 bedrooms, 1 bath, modern plumb.
Quiet neighborhood.

Near trolley, subway,
and El. $55."

That'll suit us swell.

Yeah, but what do you
need 2 bedrooms for?

Where are you gonna sleep,
the kitchen sink?

Oh, now, wait a minute, Molly.

You don't think I'm gonna
move in on you and Eddie.

I'm not gonna let you
live alone in New York.

Oh, but why not?
Millions of other girls do it.

Oh, and besides, married people
should be left to themselves.

Don't worry, Pat.
You're not gonna be in the way.

Besides,
Eddie's just as crazy about you as I am.

Molly!

Oh, Molly, it just won't work out.

Will you forget about it?

Guess I'll take a look at this
place with the modern plumbing

before its all gobbled up.

Hiya, Pat.
Is Molly home?

Well, yeah, come on in, Eddie.

Good morning, darling.

Hey! Where are you
going so early?

I saw an ad in the paper
for the swellest apartment.

I want to run over,
have a look at it.

Great, I'll go with you.

Oh, no, you don't.

I learned my lesson when
we went furniture hunting.

You saw so much stuff,
you didn't like anything.

Aw, now, wait a minute.
Didn't I put a 10-buck deposit down

on that Louis the Greek outfit?

Never mind.
I'll handle this.

Finding a home is a woman's job.

You wait here,
and I'll see you in a few minutes.

So long.

Isn't that wonderful?

She's just like a big kid,

she's so excited about
getting her own place.

When I woke up this morning,

she was cutting pictures out of
"beautiful housekeeping."

"Beautiful"... oh ho ho!

She'll have the place so high class

that I'll have to wear a top hat
and a tail coat to breakfast.

Ha ha ha!

Well, don't bother,
Eddie. I'll do it.

Oh, that's all right.

Wouldn't hurt me to do a
little domestic rehearsing.

Oh, say, speaking of rehearsing,

you know in the number where
the music goes like...

wait a minute.
I'll show you.

Now, you know
the part of the routine

when I go away from you and
you're left alone for a second?

Well, I thought maybe we
could do a step like this.

Get a load of this.

# Dya da da
Dee da da da da #

And then you turn.
Got it?

Yeah, I think that's
gonna be swell.

You like it?
Let's try it.

# Dya da da
Dee da da da #

This way?

Ha ha ha!

Don't mind me, Eddie.
Just keep on doing what you're doing.

Oh, hello, Jed.

We was just rehearsing a new idea.

There's nothing new
about that idea.

I just dropped up to see Molly,

but I've got a hunch she's out.

Say, didn't I see you dangling
from Chat's lapel the other night?

No, you didn't.

And stop spouting
your column in here.

I'm Molly's sister,
Mr. Marlowe.

She's told me an
awful lot about you.

Yeah?
I don't know whether you know it or not,

but you got a great sister.

She has a heart almost
as big as Eddie's head.

Oh, why don't you lay off of me?

That's the trouble with those
big-hearted girls, though,

they're always so busy doing
things for other people,

they never give themselves a break.

But I'll give her a break.
Just forget you ever saw me.

I'm sorry I busted in
on your rehearsal,

but you can pick it up
from where you left off.

Pat, I...

I guess we've both been trying
not to put things into words.

I've been going crazy thinking
how awful it would be

if Molly ever found out
how we felt.

But suppose I married her,
loving you.

That wouldn't be fair to her,

and you feeling the way you do

to let me marry her.

Suppose she found out then?

Oh, Pat, what do you think would
be the square thing to do?

She isn't going to find out.

Chicago bus, ma'am?

Oh, yes.

You'd better hurry.
Oh, let's hurry.

Porter!

Pat!

You better hurry,
ma'am. The bus is...

bring those bags
back. Come on.

But the bus...

what's the matter, Pat?

What's this all about?

I explained it all in there, Molly.

This doesn't explain anything.
It just says you're going.

Why, Pat? Why?

Oh, go ahead, Porter.

Come back, Porter.

Molly, why won't you let
me do what I want to do?

'Cause you don't know what you're doing,
that's the trouble.

Here, you got a chance
of a lifetime,

and you're running out on
us for no good reason.

But I've got my reasons,
Molly, honest I have.

Can you give me one good reason?

Well...

Well, I...

I changed my mind about it,

about being a dancer.

I mean...
oh, I get it, Pat.

I was scared, too,
when I first got into show business,

but someday you're gonna thank me

for not letting you run
out on your future.

But Molly...

it's not only...

what about Eddie?

You think that's being fair to him,

after he gets you set
and teams up with you?

Why, if you run out on him,
he's finished with Bartell, too.

Well, maybe you
could team up with him,

you know, like you used to.

Ah, they don't want me,
but you've got a date for a fitting,

and tonight's dress rehearsal.

So, come on.

Bring the bags, Porter.

What are you waiting for?

Madam, is you sure that this
is your final decision?

Come on.

Ok, lady, but my heart ain't in it.

3 A.M.! A fine time
for a rehearsal!

All right, girls,
onstage. Hurry.

Listen, Simon legree,
we worked 16 hours already.

Ok, join 2 unions.

We're about ready to go, chief.

All right, get 'em onstage.
I want to see those costumes.

Hello, Molly.

Hello, Jed.

How's the new show look?

Wonderful.

I suppose that boyfriend of yours

is gonna wrap it up
and take it home with him.

Eddie will be swell in this,

even if you don't appreciate him.

Then he must have a lot more talent

than I've given him credit for.

Got any mud for me?

No, not yet, Jed.
I've been kind of busy.

Did you get the lowdown on that pigeon
Chatsworth's running around with?

No, I haven't.

They tell me she's a little Romanian
dancer by the name of Mahoney.

Oh, don't print
anything, will you, Jed?

I don't want her to get a bad name.
She's just a kid.

She's growing up awful fast.

Good evening, miss Mahoney.

Hello, Jed. How's
the old poisoned inkwell?

That boy keeps in shape by hotfooting
between the license bureau

and the divorce courts.

No. I don't like
their shoes.

Mr. Bartell,
who's gonna look at their shoes?

Change them.

Ok, girls, go back
and see madam Apricots.

Hiya, fellas.

Buddy, my pass to dress rehearsal.

Well, coffee!
I can certainly use this.

Get Kerns and Mahoney onstage.
I want to see the costumes.

Kerns and Mahoney!
Onstage!

Come on, Kerns.
Why don't you smile?

You haven't got any dough
tied up in this show.

All right, Max,
let's see the number.

Now, stand by, everybody,
if you want to get home at all tonight.

# Music's playing #

# other couples
are swaying #

# let's give
the music a chance #

# come on, my rhythmical pal,
let's dance #

# gliding #

# lightly #

# while I hold you
so tightly #

# this is the time
for romance #

# come on, my fine
feathered friend, let's dance #

# makes no difference
what they play #

# something sweet
or something gay #

# the words will
still be the same #

# darling, I love you #

# hear that #

# jingle #

# it's no time
to be single #

# you've got my heart
in a trance #

# come on,
my wonderful one #

# let's #

# dance #

That's fine, kids.
You two can hole up till tomorrow noon.

Take it easy.

Let's have the next number.

Did I do all right?

Yeah, sure, you did swell.

Oh, wait a minute, Eddie.
This isn't helping us any.

Look, Pat, nothing is gonna
help us till I tell Molly.

Oh, no, Eddie.
You can't do that.

Besides, there's
nothing to tell her.

Did you two ever get that little number
you were rehearsing straightened out?

Yeah.

You looked pretty smooth
while you were doing it.

You know,
one of these days that column of yours

is gonna wind up in
the obituary page.

No offense, Eddie.
You're a lucky guy

grabbing off
a great gal like Molly.

Yeah, I know all about that.

But I guess you
figured she's lucky.

Someday you're
gonna start kidding me

and I'm gonna forget
I got a sense of humor.

Someday you're gonna
realize I'm not kidding.

Pat!

Yes! That you, Chat?

May I come in?

No, you certainly may not.

What are you doing tonight?

Tonight?
It's 4:00 in the morning.

Don't change the subject.
Where are we going?

I was going home.

Ridiculous. There won't
be anybody there.

What would you suggest?

I suggest we get together on this.

I'm straining my voice
talking through this door.

I was just about to
picket that corridor.

I won't be a minute.

I don't suppose you'd care
to go somewhere and dance.

Dance? Oh, no,
not on my time.

There must be something
else besides nightclubs.

You know,
I haven't seen a thing in New York.

It's a bit early for Grant's
tomb or the statue of Liberty.

Well, don't people here
do anything out of doors?

Oh, an outdoor girl, eh?

I know just the spot.

I'm taking an awful chance, though.

The fresh air might poison me.

People misunderstand me, Pat.

I'm really an idealist.

I keep looking for the right girl.

Yeah, I know, and every time
you find her, you marry her.

It's true, Pat.

I always keep trying,
and I always find out I've been wrong.

I wish I'd met you 4 wives ago.

So try to keep a straight
face while I ask you this.

Will you marry me?

Well, I...

I don't know, Chat.

You've been so swell
and everything.

Well, just promise
to think me over.

I'll do more than that.

I'll even concentrate on you.

Great! But you know you should
have something to remind you.

Look!

A perfect piece of ice.

Oh, Chat, it's magnificent!

Here.

Now, wear it till I grow on you.

Hey, you two there!
Get off that ice!

What's going on here!

Who broke in them lockers?

Oh, it's all right, officer.

I'm a life member of this ring.

You can't bribe me.

Come on!

Scram, Henry.
A bullet's chasing us.

They almost got us that time, pal.

Ha ha ha!

Hey, you cold?

Oh, I'm freezing.

Try some antifreeze liquid.

Guaranteed to keep you from
stalling in cold weather.

Oh, almost forgot.

Gee, this car's
a regular nightclub.

I like all the comforts
of home when I travel.

Here you are.

Uh, like this?

Sure, go ahead.
You want to get warm, don't you?

It's only 100 proof.

Ha ha ha!

Say, what did you say that
stuff I drank was called?

Antifreeze.

My special remedy
for chills of all kinds.

Also handy in case
a canary kicks you.

Ha ha ha!

It certainly works.

You ought to take out a
patent before it gets around.

Say, you've got
a head on your shoulders.

Have I?
Uh-huh.

Feels so loose,
hope it doesn't fall off

before I put it to bed.

Shh!

Molly's asleep.

I didn't say anything.

Well, shh just in case.

Go on.

Good night.

Good night.

Shh!

Shh! Shh!

Oh, Pat.

Pat, darling.

Pat.
Pat, wake up.

It's 11:30.

Oh.

Hello, Molly.

What time is it?

You've got a rehearsal
in half an hour.

Oh, why didn't you wake me up?

You wouldn't have quivered
if I ran the whole Nebraska

football squad through the room.

Oh.

Gee, that's funny.
I'm all dressed.

You're dressed,
but there's nothing funny about it.

Well, it will save
a lot of time anyway.

How's your head feel?

Ok.

Haven't you got a
headache or something?

No. That pillow kept jabbing me in
the back of the neck all night.

Wonder what that
thing's stuffed with.

And we'll have a busted
lamp on the bill next week.

Gee, Molly, I'm sorry.

I didn't even hear it break.

Say, did you see my other stocking?

You threw it out
of the window last night.

Oh.

Say, where did you go with that
guy till 6:00 this morning?

Ice skating.

Pat!

Why, Pat,
you never lied to me before.

But honest, Molly,
we went ice skating.

Where can you go ice skating
till 6:00 in the morning

in this town?

He knows a place.

He knows too much.

Where did you get this ring?

First prize in the big ice derby?

Chat gave it to me.

He did?

Thought you found it in
a box of cracker Jacks.

He's asked me to marry him, Molly.

Why should you be an exception?

What did you tell him?

I told him
I didn't know... Yet.

What's the matter with you, Pat?

You don't love him, do you?

No, but he was awful swell
last night in the moonlight.

So does the Taj Mahal,
but I wouldn't want to be married to it.

Listen, kid, you can't go for that.

In a month,
you'd be one of his ex-wives.

He's a regular Henry viii.

Oh, leave me alone, Molly.
I don't want to talk about it.

We gotta talk about it.

Oh, Pat, give yourself to
someone you can laugh with,

someone you fight and make up with,

but it's got to be the right guy.

I'm not gonna let
you ruin your life.

Don't worry about my life, Molly.

You just marry Eddie
and leave me alone!

Hello, kids.

I'm glad you're both here.

I was afraid that I'd miss you.

I'm sorry I'm late, Eddie,
but I'm all ready now.

Oh, that's all right, Pat.

Bartell can wait.

Molly, there's something
we gotta talk about.

There's nothing to talk about.

Oh, yes, there is.

She was out again with
that Chat guy last night,

blew in at dawn this
morning with this.

Well, what's that for?

For an engagement.

She wants to marry him.

Pat, you're kidding.
You're not thinking of marrying...

why not?

I just got through telling you.

If you're worried about your job,

you can find yourself
another partner.

Pat, wait a minute.
That's not the way out.

I know why you're thinking of doing it,
Pat,

but it's no good,
you can't run away.

This is something we've
got to face together.

Shut up, Eddie! I wish you'd
quit treating me like a baby.

I'm sick and tired of people
telling me what to do.

Can't you leave me
alone, both of you?

I'll marry anyone I want,

and I'd like to see either
one of you try and stop me!

Better go after her.
She's just a kid

and goofy enough to
go through with it.

Molly, I came up here to
tell you about Pat and me.

Go get her, Eddie.

I've been fighting it,
trying to kid myself it wasn't real,

but it is.

Eddie, go after her.

Whatever you think
about me, you're right.

I just don't want you to blame Pat.

She wouldn't even
admit it to herself.

That's why she's doing this.

Eddie, you've got to stop her.

Molly, I can't.
You've got to!

What if she marries Chat?

It'll only last 6 months,
and then what?

She'll be bitter and disillusioned
all the rest of her life.

Can't you understand?

All right, Molly.
I'll stop her.

I'll blow out of town myself.

That's not gonna help me or Pat.

I know you never hurt anybody
in your life willingly.

You think I'd want you
to have my kid sister

if I didn't know you were
on the level?

But Molly, i...

I love you, Eddie.
I wouldn't kid you about that.

I guess I think more of you
than anybody else in the world,

except Pat.

But I'm gonna hate you
if you don't go after her.

Molly, I...

Ito, I didn't get to bed
till 6:00. I'm tired.

Ok, then I put you to sleep.

I answer doorbell.

Don't go away.

Oh...

Yes, please?

Is Mr. Chatsworth in?

Maybe you sell something?

Will you please tell him that
miss Mahoney wants to see him?

Oh, a miss.
Come in, please.

This way, please.

Pat, darling.

What a delightful visitation.

That'll be all, Ito.

Don't mind Ito. He used to be a spy
in the intelligence department,

and he's a little stupid.

Ito, breakfast for two.

Say, why aren't you at rehearsal?

I heard Buddy call
everyone for noon.

I'm not going.
I'm quitting.

What happened?

Oh, nothing.

Only do you still feel the
way you did last night?

About you?

Uh-huh.

You bet I do.

Well, let's get married right away.

Right away.

You mean right away?
Now?

Great! Just let me change my
clothes and get a cup of coffee.

I never marry on an empty stomach.

You getting married
morning, afternoon, or night?

Wrong again, Ito.
High noon.

I guess some rice
left over from last wedding.

Behold the bridegroom.

Oh, gee, Chat, I didn't think you were
going to get so dressed up for it.

Oh, that's all right, honey.

We'll stop off somewhere on our
way down to the license bureau

and make you the best-dressed
bride of the season.

Oh, but I couldn't...

that's a groom's prerogative,
to buy his future wife a trousseau.

Congratulations,
again. Happy times.

Ah, thank you, Ito.

But this time, don't
go boasting about it.

We want to keep it quiet.

You can rely on me,
Mr. Chatsworth.

Mumps is the word.

Hello? "Daily star"?

Get me Mr. Jed Marlowe,
please.

Mr. Marlowe?
This is Ito...

Mr. Chatsworth's Ito.

We do it again, yeah.

They go to license
bureau right now.

Lucky gal this time
is miss Mahoney.

Yeah, ok.
Very exclusive.

Hello. "News herald"?

One moment, please.

I want to see
Mr. Chatsworth.

Sorry, not home.

Oh, don't give me that.
He never gets up before 12:00.

Sorry. He out shopping.

Oh!

Sorry.
Someone at door.

I give you very exclusive story.

Mr. Chatsworth
now at city hall.

There he is!
There he is!

Quiet, please.

You'll get all the pictures and stories
you want after we get our license.

Mr. Chatsworth,
it's nice to see you again.

Thanks.

Just fill out
the usual application.

It's the same one
you've been using.

What judge would you like
this time, Mr. Chatsworth?

Well, who have you got?

Judge hennessy.
He's just been appointed to the bench.

Why not give him a crack at it?

Good. All right, boys.
Judge hennessy's chambers.

Judge hennessy's chambers!
Pick it up!

Where'd you meet her at, Chat?

The royal casino.

You took one gander and knew it
was love at first sight, huh?

Something like that.

Do you remember the first
words you said to her?

No, I'm afraid I don't.

Was it...

Ha ha ha!

Standing room only
in there, your honor.

Excuse me.

Pardon me,
may I get through, please?

Try the other door, Jack, will ya?

Well, I'm the judge.

Yeah. Oh... oh!

Excuse me.
Well, squeeze through.

Spread out, fellas.
Give his honor a break here.

Will you excuse me, please?
I'm the judge.

Mr. Chatsworth?

Judge hennessy, we're all ready.

Wait a minute,
wait a minute, please.

Chat, you stand here,
and, girlie, you here.

Judge, don't forget your spot over here,
will you, please?

What is this?

Newsreel. You'd like to see yourself
in the movies, wouldn't you?

The movies?

Yes, at your neighborhood
theater tonight.

How's about it for sound, Joe?

Not so hot.
His diphthongs are scratchy.

All right, roll 'em, roll 'em.

Here you are, judge.

Just a minute, Buddy.
Where are you going?

Is the Chatsworth wedding in there?
Yeah.

Well, that's where I'm going.

Where's your press card?

I don't belong to any newspaper.
He's marrying my girl.

Don't worry.
You'll get her back soon.

Oh, wise guy, huh?

Get back here!

Look out, you big monkey!

Hold it.
Eddie!

What are you doing here, Kerns?

You keep out of this.

Pat, you don't have
to go through with it.

I told Molly everything.

Oh, Eddie, you didn't.

Are you going to get out of here?

I'll get out of here
when she goes with me.

Ooh!

Oh! Eddie!

Come on, Pat.
Let's get out of here.

Wait a minute, wait a minute,
what's your name?

Just tell 'em Eddie Kerns was
the best man at the wedding.

You gonna sue this guy for
alienation of affection?

Nah, he's gonna sue him
for assault and battery.

Hey, Mr. Chatsworth,
that guy sent these back to you.

He's gonna mail you the dress.

Ha ha ha!

Where is this Rome city anyway?

Right in the middle of Nebraska.

It's a long bus ride, Molly.

Better let me stake you
to a lower berth.

No, thanks, Jed. I got the other
half of that return ticket,

and it's gonna pay off.

You know,
I got a lot of drag in this town.

I could get you
fixed up in some show,

chorus line, maybe
even a specialty.

Nah, doesn't sound
as big as it used to.

Broadway will have to
stumble along without me.

Uh-oh. Hi there,
young lockenbar.

You got there in time, I see.

Yeah. Where's Molly?

In there, packing.

Packing?

Hello, kids. Jed
tell you the news?

Isn't it great?
What news?

He fixed it for me to go
into the new orman show.

I even got a specialty.

We open in Atlantic city,

so I gotta be there tonight
and join the company.

Tonight? But Molly,
I've gotta talk to you.

All right, baby,
but make it snappy.

I think I've packed everything,

but if I didn't,
you can send it to me.

Molly, it really isn't true
about Atlantic city,

the show, is it?

Why? Don't you think
I can do it?

Oh, sure, honey.
It'd be great,

but you're just doing it
for Eddie and me.

Look, darling,
if I really loved Eddie,

I wouldn't give him up,
even for you.

If you really loved him?

Yeah, maybe I did once when
we were trouping together.

We got used to seeing
each other around

and took an awful lot for granted.

You were away at school,

and I had to mother
someone, I guess,

and I picked on poor old Eddie.

But it wasn't the real thing.

We know that now.

But Molly, what about all the
plans you've made together?

Look, if you loved somebody,
really loved 'em,

and you thought you were gonna lose
'em,

you'd feel something.

Inside of you,
it would hurt, wouldn't it?

Well, when Eddie told me about it,

I didn't feel a thing.

Honest, Molly?

Why are you crying, baby?

Oh, gee, I don't know whether
to believe you or not.

You always believed me before.

I wouldn't lie to you about
anything as important as this.

Here I'm thinking
you're all grown up,

and you're acting like a kid again.

Come on, buck up.
Where's my coat?

I gotta get that train.

It's inside.

I'm so excited,
I don't know what I'm doing.

Thanks, Eddie.

I'm in a rush.

Molly, I...

Eddie!

What happened to you?

Oh,
they passed those out to all the guests.

You better paint that up
before you go on tonight.

Yeah, I will.
I'll take care of it later.

You know,
there's no use for you kids to wait.

Why don't you get married
after the show tonight?

Molly.

Will you get my bag, Jed?
We haven't got much time.

Molly!
Jed's taking me to the station.

Oh, but we'll go, too.

No. You better get on
back to the casino.

Bartell's been calling all day.

'Bye, baby.

Be happy.

You better see that she is, too,

you big hamola!

Come on, Jed.

All aboard!

Bus leaving for Chicago
and points west.

Points west.
That's me.

The big time.

You've been big time
all your life, Molly.

All aboard!

Good-bye, Jed.

Molly.

You can still change your mind.

Not me.
I'm gonna be back in Nebraska

in time for the corn
and Lima bean festival.

And who knows.
Maybe this year I'll be elected

queen of the succotash.

Bye, Molly!
See you at Christmas!

I've got some shopping to do that
can only be done in Rome city!