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-- Captions by VITAC --
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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[ OMINOUS CHORD STRIKES ]
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A STUNNING DEVELOPMENT
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IN THE 15-YEAR-OLD MURDER CASE
OF CHANDRA LEVY.
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Narrator:
IT'S ONE OF THE MOST BAFFLING
MYSTERIES IN RECENT HISTORY.
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WE ARE STILL ASKING,
"WHO KILLED CHANDRA LEVY?"
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TONIGHT, OUR THREE-PART
INVESTIGATION REACHES
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A REMARKABLE CONCLUSION,
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WITH BOMBSHELL
COURTROOM REVELATIONS.
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SHE LOOKED HIM IN THE EYE,
AND SHE SAID,
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"YOU ARE LOWER
THAN A COCKROACH.
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YOU SHOULD ROT
IN HELL."
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A STAR WITNESS' EXPLOSIVE SECRET
THROWS JUSTICE INTO QUESTION.
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HE STARTS SAYING
HE COULD KILL SOMEBODY
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BY STICKING A SHANK
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THROUGH THEIR EYEBALL,
INTO THEIR BRAIN.
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WE SPEAK DIRECTLY
TO THE PRIME SUSPECT.
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[ Speaking Spanish ]
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Narrator:
AND, IN AN EXCLUSIVE INTERVIEW,
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THE LEVY FAMILY'S INVESTIGATOR
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TELLS US WHAT HE THINKS
HAPPENED TO CHANDRA.
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I'M SATISFIED THAT I KNOW
WHAT HAPPENED.
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[ SUSPENSEFUL OUTRO PLAYS ]
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Alexander:
THIS TRULY WAS THE CRAZIEST CASE
EVER TO HIT WASHINGTON, DC.
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Dimond:
WHO KILLED CHANDRA LEVY?
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Doyle: THE STORY GOES
FROM ZERO TO 60 VERY QUICKLY.
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Dimond:
WHY IS A 53-YEAR-OLD CONGRESSMAN
CALLING A YOUNG INTERN?
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Chung:
DID YOU KILL CHANDRA LEVY?
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I DID NOT.
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Grimm:
THEY SIMPLY FOUND BONES
IN A PARK ALMOST A YEAR AFTER.
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Alexander:
THERE WERE NO EYEWITNESSES.
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THERE WAS
NO MURDER WEAPON.
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Dimond:
THEY'D FINALLY PUT IT
ALL TOGETHER,
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AND IT POINTED TO ONE MAN:
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INGMAR GUANDIQUE.
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Grimm:
MR. MORALES WAS A JAILHOUSE
SNITCH, A RAT.
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Velez-Mitchell:
THIS CASE THAT TOOK
SO MANY YEARS TO BUILD
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HAS COLLAPSED OVERNIGHT.
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[ DISTORTED TUNE PLAYS ]
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Susan:
IT'S THE WORST THING
A MOTHER COULD EVER FACE.
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**
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[ SUSPENSEFUL MUSIC PLAYS ]
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FOR MONTHS, PROSECUTORS IN THE
CHANDRA LEVY INVESTIGATION
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HAVE BEEN TRYING TO BUILD
A CASE AGAINST INGMAR GUANDIQUE.
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MR. GUANDIQUE PLED GUILTY
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TO ASSAULTING TWO WOMEN
IN ROCK CREEK PARK,
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WITHIN A QUARTER MILE OF WHERE
MISS LEVY DISAPPEARED,
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AND HE WAS SENTENCED
TO 10 YEARS IN PRISON.
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THAT'S WHY THE GOVERNMENT
FOCUSED ON HIM AS A SUSPECT.
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THE POLICE WERE CONFIDENT THAT
THAT WAS THEIR GUY.
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Narrator:
HOWEVER, THE STATE'S CASE
IS ENTIRELY CIRCUMSTANTIAL.
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THERE'S NO FORENSIC EVIDENCE
THAT CONNECTS HIM
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TO CHANDRA LEVY'S DEATH,
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AND HE INSISTS HE HAD
NOTHING TO DO WITH IT.
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IT'S HANGIN' BY A THREAD,
THIS CASE.
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Narrator:
THEN, IN 2009,
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A MAN STEPS FORWARD AND
TRANSFORMS THE INVESTIGATION.
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IT WAS A JAILHOUSE INFORMANT WHO
CAUGHT EVERYBODY BY SURPRISE.
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ARMANDO MORALES IS
A FRESNO, CALIFORNIA, NATIVE,
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A LIFETIME CRIMINAL WITH
A LONG RECORD OF VIOLENT CRIMES.
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MORALES SAID THAT
INGMAR GUANDIQUE TOLD HIM
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HE KILLED CHANDRA LEVY
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IN ROCK CREEK PARK.
[ EERIE MUSIC CLIMBS ]
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Velez-Mitchell: THIS IS A BIG
BREAKTHROUGH FOR COPS.
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IT'S ALL COMING TOGETHER.
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TODAY WE MAKE A VERY
SIGNIFICANT ANNOUNCEMENT.
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WE ANNOUNCE THAT THE
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METROPOLITAN POLICE
DEPARTMENT HAVE SECURED
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AN ARREST WARRANT
IN THE HOMICIDE,
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IN 2001,
OF CHANDRA LEVY.
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THE ARRESTEE IS
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INGMAR GUANDIQUE.
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PROSECUTORS THINK
THEY'VE SOLVED THE CASE.
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THEY'VE GOT THEIR GUY.
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THIS CASE HAS BEEN
AN EMOTIONAL ROLLER COASTER.
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WHEN GUANDIQUE WAS ARRESTED,
I JUST THOUGHT,
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"FINALLY, FINALLY,
THIS CASE CLOSES."
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Narrator:
ON OCTOBER 18,
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NEARLY 10 YEARS
AFTER CHANDRA DISAPPEARED,
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THE TRIAL IS SET TO BEGIN.
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THERE'S CONSIDERABLE
ANTICIPATION ABOUT THIS TRIAL.
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IT'S A JAMMED COURTROOM.
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THERE ARE PROBABLY A DOZEN
OR MORE REPORTERS.
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Narrator:
HELMING THE PROSECUTION IS
VETERAN LITIGATOR AMANDA HAINES.
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SHE'S AN ASSISTANT U.S. ATTORNEY
IN THE DISTRICT OF COLUMBIA.
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SHE'S HIGHLY EXPERIENCED, HIGHLY
THOUGHT OF, VERY AGGRESSIVE.
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Alexander:
AMANDA HAINES' BIGGEST
OBSTACLE IN THIS CASE?
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THE FACT THAT
IT'S NINE YEARS OLD,
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THERE'S NO DNA,
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00:04:04,567 --> 00:04:08,733
THERE IS NO FORENSIC EVIDENCE
LINKING GUANDIQUE TO THE CRIME,
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THERE'S NO MURDER WEAPON,
AND THEY REALLY DON'T EVEN KNOW
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HOW CHANDRA LEVY DIED.
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Narrator:
FINALLY, THE PROSECUTION
AND DEFENSE
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BEGIN TO MAKE THEIR
RESPECTIVE ARGUMENTS.
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BOTH SIDES GIVE
THEIR OPENING STATEMENT.
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PROSECUTION SAYS, "GUANDIQUE
MURDERED THIS WOMAN,
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CHOKED HER, ROBBED HER."
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THE PROSECUTION WAS SAYING
HE TOOK THIS POOR WOMAN APART.
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Narrator:
THEN, HAINES BEGINS TO BUILD
HER CASE AGAINST GUANDIQUE
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AND MAKES A CURIOUS DECISION.
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PROSECUTORS,
MUCH TO EVERYONE'S SURPRISE,
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CALLED A WITNESS
WHO NO ONE EXPECTED:
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GARY CONDIT.
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GARY CONDIT WAS
THE ELEPHANT IN THE ROOM
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THAT HAD TO BE ADDRESSED
BY THE PROSECUTORS.
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THEY KNEW HE WOULD BE COMING UP
AS A POTENTIAL
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ALTERNATIVE SUSPECT
IN THE EYES OF THE DEFENSE.
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SO THE PROSECUTION TEAM
SUMMONED MR. CONDIT
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FOR THE PURPOSE OF DENYING
HAVING ANYTHING TO DO
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WITH CHANDRA LEVY'S
DISAPPEARANCE.
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Narrator:
CONDIT HAS NEVER
PUBLICLY ADMITTED
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HE HAD A SEXUAL RELATIONSHIP
WITH CHANDRA.
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NOW, SOME OBSERVERS WONDER
IF THAT WILL FINALLY CHANGE.
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SO, AFTER ALL THESE YEARS
OF DECLINING TO SPEAK
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IN ANY SORT OF VIVID DETAIL
ABOUT HIS RELATIONSHIP,
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THERE WAS THIS
ANTICIPATION THAT,
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UNDER THE PRESSURE OF HIS OATH
AND IN THE PRESENCE OF A JUDGE,
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HE WOULD FINALLY
SPILL THE BEANS.
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WHEN GARY CONDIT CAME
INTO THE COURTHOUSE IN 2010
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FOR THIS TRIAL,
HE WAS A REGULAR CITIZEN,
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BUT HE WAS STILL TREATED,
BY THE COURTS,
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BY PROSECUTORS, AND BY POLICE,
AS A DIGNITARY.
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Grimm:
EVERYONE'S ON THE EDGE
OF THEIR SEATS.
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CONGRESSMAN CONDIT RAISES
HIS HAND TO TELL THE TRUTH,
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[ HEARTBEAT ]
THEN HE WAS ASKED
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ABOUT HIS RELATIONSHIP
WITH MISS LEVY.
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HE TELLS THE COURT
THAT, INDEED,
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THE PAIR HAD A FRIENDLY
RELATIONSHIP,
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THAT HE WAS A MENTOR TO HER,
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AND THAT THE PAIR NEVER
HAD ANY DISAGREEMENTS.
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HE WAS VERY STEELY-EYED,
VERY CALM,
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AND HE DID NOT GET EMOTIONAL.
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HE EMPHATICALLY DENIES
HAVING ANYTHING TO DO
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WITH CHANDRA'S
DISAPPEARANCE AND MURDER.
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[ SUSPENSEFUL MUSIC PLAYS ]
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SO GARY CONDIT WAS ON THE STAND
FOR ONE PURPOSE, ALONE,
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FOR THE PROSECUTION, BUT,
AS PART OF THAT APPEARANCE,
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HE HAD TO FACE
THE DEFENSE TEAM AS WELL.
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THE DEFENSE WANTED TO GET MORE
ABOUT THE RELATIONSHIP
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BETWEEN GARY CONDIT
AND CHANDRA LEVY.
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THEY ASKED THE QUESTIONS
REPEATEDLY:
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"DID YOU HAVE
A ROMANTIC RELATIONSHIP?"
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CONDIT SAID, "MY RELATIONSHIP
WITH CHANDRA LEVY
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HAS NOTHING TO DO
WITH THIS CASE.
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I AM NOT ON TRIAL, SO I DON'T
HAVE TO GO INTO ANYTHING
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ABOUT MY RELATIONSHIP
WITH CHANDRA LEVY,"
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AND THE JUDGE AGREED WITH THAT.
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HE JUST LOOKED AT THE DEFENSE
LAWYER AND SAID,
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"I HAD NOTHING TO DO
WITH HER DISAPPEARANCE,"
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AND ESSENTIALLY CHALLENGED HIM.
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"IF YOU GOT MORE, JUST BRING IT,
BUT I KNOW YOU DON'T"
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AND THAT WAS IT.
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00:07:01,467 --> 00:07:05,167
AND...THE AIR SORT OF
COMES OUT OF THE BALLOON.
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Alexander:
HE WAS ON THE STAND
FOR ALL OF 10 MINUTES.
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00:07:07,467 --> 00:07:10,900
PEOPLE THOUGHT THIS WAS
GOING TO BE AN EMOTIONAL,
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00:07:10,900 --> 00:07:15,167
A REVEALING, TESTIMONY,
BUT IT WASN'T.
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00:07:15,167 --> 00:07:18,200
THE CONGRESSMAN CAME ACROSS
AS DEFENSIVE
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00:07:18,200 --> 00:07:21,467
AND UNFORTHCOMING
AND UNHELPFUL AND ANGRY
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AT THE POSITION
HE HAD BEEN PUT IN.
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TO PUT CONDIT ON THE STAND,
BY THAT PROSECUTION,
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WAS A VERY CLEVER AND
TACTICALLY SMART THING TO DO.
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Narrator:
THEN, THE STATE ATTEMPTS
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00:07:32,400 --> 00:07:35,533
TO DIRECTLY LINK GUANDIQUE
TO THE CRIME.
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THE PROSECUTION'S CASE:
THEY DIDN'T HAVE EYEWITNESSES,
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THEY DIDN'T HAVE
FORENSIC EVIDENCE,
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THEY DIDN'T HAVE
DNA, FINGERPRINTS,
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ALL THE TRADITIONAL
STUFF JURORS LOOK FOR.
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WHAT THEY HAD WERE OTHER WOMEN
THAT HAD RUN IN THE PARK.
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Narrator:
CHRISTY WIEGAND
AND HALLE SHILLING
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ARE CALLED TO THE STAND.
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THE MOST EMOTIONAL TIME
WAS THE TESTIMONY OF THE WOMEN
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WHO WERE ASSAULTED
BY INGMAR GUANDIQUE.
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00:08:00,500 --> 00:08:02,733
[ SUSPENSEFUL MUSIC PLAYS ]
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00:08:02,733 --> 00:08:06,067
Dimond:
THEY PUT THAT JURY
INSIDE ROCK CREEK PARK,
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WHERE THEY WERE RUNNING.
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00:08:07,333 --> 00:08:09,933
THEIR TESTIMONY WAS CHILLING.
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00:08:09,933 --> 00:08:11,533
ONE WOMAN BROKE DOWN INTO TEARS.
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00:08:11,533 --> 00:08:13,500
THEY THOUGHT THAT THIS MAN
WAS GOING TO RAPE THEM,
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00:08:13,500 --> 00:08:16,067
THAT THIS MAN WAS GOING
TO STAB THEM AND KILL THEM,
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00:08:16,067 --> 00:08:19,267
AND IT WAS THE FIRST TIME
THAT THE JURY HEARD
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WHAT WAS POSSIBLY GOING
THROUGH CHANDRA LEVY'S MIND
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00:08:22,733 --> 00:08:24,800
AND THE JURY WAS RIVETED.
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00:08:24,800 --> 00:08:27,500
THE PROSECUTION WAS SAYING, "DO
YOU SEE HIM IN THE COURTROOM?"
185
00:08:27,500 --> 00:08:31,433
AND SHE SAYS, "YES.
HE'S SEATED OVER THERE."
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IT WAS SO DRAMATIC BECAUSE
THE MAN WHO ATTACKED THEM
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COULD VERY WELL HAVE BEEN THE
MAN WHO ATTACKED CHANDRA LEVY
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00:08:39,067 --> 00:08:42,067
AND LEFT HER FOR DEAD
IN THAT RAVINE.
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00:08:42,067 --> 00:08:43,267
IT WAS COMPELLING.
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00:08:43,267 --> 00:08:45,067
I FELT LIKE HE WAS
IN A LOT OF TROUBLE
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WHEN THAT TESTIMONY CAME IN.
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Narrator:
TO PAINT A DETAILED PICTURE
OF CHANDRA'S FINAL MOMENTS,
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00:08:51,067 --> 00:08:53,833
THE STATE CALLS
ITS STAR WITNESS.
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00:08:53,833 --> 00:08:57,233
SO THE PROSECUTION
HAD ONE WITNESS
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THEY BELIEVED
WOULD SEAL THIS CASE
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00:08:59,667 --> 00:09:02,933
AND THEY CALLED THAT
ONE WITNESS TO THE STAND.
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00:09:02,933 --> 00:09:05,567
THAT WAS ARMANDO MORALES.
198
00:09:05,567 --> 00:09:10,067
HE HAD GLASSES, SOFT-SPOKEN,
AND HE TOLD A STORY
199
00:09:10,067 --> 00:09:14,167
THAT HE WAS AN OLD-SCHOOL
GANGSTER FROM FRESNO,
200
00:09:14,167 --> 00:09:16,067
BUT THAT,
OVER THE YEARS IN PRISON,
201
00:09:16,067 --> 00:09:18,067
HIS LIFE HAD TURNED AROUND
202
00:09:18,067 --> 00:09:21,233
AND HE HAD GIVEN UP
THAT GANGSTER LIFESTYLE.
203
00:09:21,233 --> 00:09:22,933
AND HE SAYS THAT
HE HADN'T HAD
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00:09:22,933 --> 00:09:25,733
A PRIOR EXPERIENCE
WITH INFORMING.
205
00:09:25,733 --> 00:09:29,300
Alexander:
HE SAID, "I'M JUST DOING THIS
BECAUSE I WANT TO HELP.
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00:09:29,300 --> 00:09:30,567
I'VE NEVER DONE THIS BEFORE.
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00:09:30,567 --> 00:09:32,433
I'M UNCOMFORTABLE
DOING THIS,
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00:09:32,433 --> 00:09:35,433
BUT I WANT TO HELP
THE LEVY FAMILY."
209
00:09:35,433 --> 00:09:37,400
Narrator:
MORALES THEN SHARES
WITH THE JURY
210
00:09:37,400 --> 00:09:41,633
EXACTLY WHAT GUANDIQUE
TOLD HIM ABOUT THE CRIME.
211
00:09:41,633 --> 00:09:46,533
THEY HEAR HOW INGMAR GUANDIQUE
IS HIGH ON DRUGS,
212
00:09:46,533 --> 00:09:49,433
NEEDS MONEY TO HELP
WITH HIS DRUG HABITS,
213
00:09:49,433 --> 00:09:53,500
AND HOW HE IS HIDING IN THE
BUSHES, LIKE HE DID PREVIOUSLY,
214
00:09:53,500 --> 00:09:55,133
IN THOSE ATTACKS
THAT HE PLED GUILTY TO.
215
00:09:55,133 --> 00:09:56,467
[ SINISTER MUSIC PLAYS ]
216
00:09:56,467 --> 00:09:58,633
CHANDRA LEVY COMES THROUGH.
217
00:09:58,633 --> 00:10:01,033
GUANDIQUE JUMPS
OUT THE BUSHES
218
00:10:01,033 --> 00:10:04,367
AND ATTACKS CHANDRA
AND DRAGS HER INTO THE WOODS.
219
00:10:04,367 --> 00:10:07,433
HE TRIES TO SMOTHER AND TRIES
TO STEAL HER MONEY POUCH.
220
00:10:07,433 --> 00:10:09,367
BUT, DURING THAT COURSE
OF ACTION,
221
00:10:09,367 --> 00:10:11,767
LEVY BECOMES UNCONSCIOUS.
222
00:10:11,767 --> 00:10:13,367
HE LEAVES HER THERE
IN THE WOODS
223
00:10:13,367 --> 00:10:15,600
AND HE GRABS HER MONEY
POUCH AND HE RUNS.
224
00:10:15,600 --> 00:10:17,067
HE DID NOT THINK SHE WAS DEAD.
225
00:10:17,067 --> 00:10:19,267
HE DID NOT KNOW
SHE WAS DEAD.
226
00:10:19,267 --> 00:10:22,533
Narrator:
THE INFORMANT'S TESTIMONY
GRIPS THE COURTROOM.
227
00:10:22,533 --> 00:10:24,267
Alexander:
MORALES WAS VERY CHARISMATIC.
228
00:10:24,267 --> 00:10:26,700
HE WAS VERY FORTHCOMING.
HE SMILED.
229
00:10:26,700 --> 00:10:29,800
HE LOOKED AT THE JURY FROM TIME
TO TIME, WHEN HE COMMENTED.
230
00:10:29,800 --> 00:10:31,667
I WAS IMPRESSED WITH HIS CANDOR.
231
00:10:31,667 --> 00:10:34,767
I WAS IMPRESSED WITH THE FACT
THAT IT LOOKED LIKE
232
00:10:34,767 --> 00:10:36,800
HE WAS HONEST ABOUT EVERYTHING.
233
00:10:36,800 --> 00:10:39,533
IT JUST SEEMED VERY SURREAL.
234
00:10:39,533 --> 00:10:40,733
I JUST LISTENED.
235
00:10:40,733 --> 00:10:43,500
I SAID, "THIS IS DAMN PAINFUL."
236
00:10:43,500 --> 00:10:46,767
Alexander:
HE WAS SUCH A POWERFUL
STAR WITNESS.
237
00:10:46,767 --> 00:10:48,633
HE WAS SO KEY
TO THE PROSECUTION THAT,
238
00:10:48,633 --> 00:10:51,033
AFTER HE TOOK THE STAND,
THE PROSECUTION RESTED.
239
00:10:51,033 --> 00:10:52,800
[ SINISTER MUSIC CLIMBS ]
HE WAS ALL THEY NEEDED.
240
00:10:52,800 --> 00:10:54,900
OR SO THEY BELIEVED.
241
00:10:54,900 --> 00:10:57,200
Narrator:
WHEN GUANDIQUE'S
LAWYERS TAKE OVER,
242
00:10:57,200 --> 00:11:00,900
THEY ATTEMPT TO POKE HOLES
IN THE PROSECUTION'S CASE.
243
00:11:00,900 --> 00:11:03,967
THE DEFENSE HAS GOING FOR THEM
THE FACT THAT THERE IS NO PROOF
244
00:11:03,967 --> 00:11:05,833
THAT THIS WOMAN
WAS EVEN MURDERED.
245
00:11:05,833 --> 00:11:08,467
THEY SIMPLY FOUND BONES
AND REMAINS IN A PARK
246
00:11:08,467 --> 00:11:10,367
ALMOST A YEAR AFTER.
247
00:11:10,367 --> 00:11:13,467
Narrator:
THEN, TO CAST SUSPICION AWAY
FROM THEIR CLIENT,
248
00:11:13,467 --> 00:11:16,833
THE DEFENSE INTRODUCES
AN ALTERNATE THEORY.
249
00:11:16,833 --> 00:11:18,967
IT CENTERS ON
A LITTLE-REPORTED DETAIL
250
00:11:18,967 --> 00:11:22,367
THAT EMERGED
AFTER CHANDRA DISAPPEARED.
251
00:11:22,367 --> 00:11:25,100
IN THE WEE HOURS OF THE MORNING
BEFORE SHE VANISHED,
252
00:11:25,100 --> 00:11:28,133
SOMEBODY CALLED 911,
SAYING THEY HEARD A SCREAM
253
00:11:28,133 --> 00:11:31,433
COMING FROM THE VICINITY
OF CHANDRA LEVY'S APARTMENT.
254
00:11:31,433 --> 00:11:33,600
COULD SHE HAVE EVEN BEEN
KILLED IN HER APARTMENT
255
00:11:33,600 --> 00:11:36,933
AND MOVED AND DUMPED
IN THE PARK?
256
00:11:36,933 --> 00:11:38,833
Narrator:
TO FURTHER SUPPORT THIS THEORY,
257
00:11:38,833 --> 00:11:42,967
THE DEFENSE INTRODUCES
ANOTHER, CURIOUS, DETAIL.
258
00:11:42,967 --> 00:11:44,267
WHEN THE LEVYS BECAME WORRIED
259
00:11:44,267 --> 00:11:45,700
BECAUSE THEY HADN'T
HEARD FROM CHANDRA,
260
00:11:45,700 --> 00:11:48,833
THEY CALLED THE BUILDING
MANAGER IN WASHINGTON, DC
261
00:11:48,833 --> 00:11:51,567
AND SAID, "PLEASE, SLIP
A NOTE UNDERNEATH THE DOOR.
262
00:11:51,567 --> 00:11:54,733
TELL HER TO CALL
HER PARENTS, CALL HOME."
263
00:11:54,733 --> 00:11:57,067
THEY ASKED THE BUILDING MANAGER
TO DO THAT SEVERAL TIMES,
264
00:11:57,067 --> 00:11:59,067
SO THERE WERE SEVERAL NOTES.
265
00:11:59,067 --> 00:12:00,433
AT THE GUANDIQUE TRIAL,
266
00:12:00,433 --> 00:12:04,233
THE DEFENSE BROUGHT UP
A FASCINATING LITTLE TIDBIT:
267
00:12:04,233 --> 00:12:08,633
THAT THE NOTES WERE SCATTERED
ALL OVER THE APARTMENT,
268
00:12:08,633 --> 00:12:10,667
NOT RIGHT IN FRONT OF THE DOOR.
269
00:12:10,667 --> 00:12:12,700
THIS, THE DEFENSE SAID,
WAS AN INDICATION
270
00:12:12,700 --> 00:12:14,767
THAT SOMEBODY HAD BEEN
IN THAT APARTMENT
271
00:12:14,767 --> 00:12:18,567
AFTER CHANDRA LEVY WAS THOUGHT
TO HAVE DISAPPEARED.
272
00:12:18,567 --> 00:12:21,933
Narrator:
THE DEFENSE SUGGESTS IT MAY
HAVE BEEN CHANDRA'S KILLER
273
00:12:21,933 --> 00:12:24,167
RETURNING TO
THE SCENE OF THE CRIME.
274
00:12:24,167 --> 00:12:26,067
Grimm:
I THOUGHT THAT WAS
REALLY INTERESTING.
275
00:12:26,067 --> 00:12:28,767
IF I'M A JUROR, I ALREADY
HAVE A REASONABLE DOUBT.
276
00:12:28,767 --> 00:12:32,500
Narrator:
AFTER 10 DAYS OF TESTIMONY,
THE TRIAL CONCLUDES
277
00:12:32,500 --> 00:12:36,100
AND THE JURY BEGINS
THE PROCESS OF DELIBERATION.
278
00:12:36,100 --> 00:12:37,467
A LOT OF PEOPLE THOUGHT
279
00:12:37,467 --> 00:12:40,600
THAT THIS WAS GOING TO BE
A HUNG JURY.
280
00:12:40,600 --> 00:12:43,067
MUCH TO OUR SURPRISE,
3.5 DAYS LATER, THEY COME BACK.
281
00:12:43,067 --> 00:12:44,800
THEY ANNOUNCE
THEY HAVE A VERDICT.
282
00:12:44,800 --> 00:12:46,367
[ OMINOUS CHORD STRIKES ]
283
00:12:48,367 --> 00:12:49,933
**
284
00:12:49,933 --> 00:12:53,667
Narrator:
THE CHANDRA LEVY MURDER TRIAL
IS DRAWING TO A CLOSE.
285
00:12:53,667 --> 00:12:56,367
NOW, AFTER 10 DAYS OF TESTIMONY,
286
00:12:56,367 --> 00:13:01,800
THE FATE OF INGMAR GUANDIQUE
RESTS IN THE HANDS OF THE JURY.
287
00:13:01,800 --> 00:13:04,133
I'M KEITH ALEXANDER, A PULITZER
PRIZE-WINNING REPORTER
288
00:13:04,133 --> 00:13:06,333
WITH THE WASHINGTON POST.
289
00:13:06,333 --> 00:13:07,867
A LOT OF PEOPLE THOUGHT
290
00:13:07,867 --> 00:13:10,400
THAT THIS WAS GOING TO BE
A HUNG JURY.
291
00:13:10,400 --> 00:13:12,267
WE DID NOT THINK ALL 12 JURORS
WOULD BE ABLE
292
00:13:12,267 --> 00:13:14,533
TO COME BACK WITH A VERDICT.
293
00:13:14,533 --> 00:13:18,233
MUCH TO OUR SURPRISE,
3.5 DAYS LATER, THEY COME BACK.
294
00:13:18,233 --> 00:13:21,267
THE JURY FOREMAN ANNOUNCED
THEY HAD REACHED A VERDICT.
295
00:13:21,267 --> 00:13:22,500
[ EERIE MUSIC PLAYS ]
296
00:13:22,500 --> 00:13:25,733
THE JUDGE SAYS
TO THE FOREPERSON,
297
00:13:25,733 --> 00:13:29,200
"HOW DO YOU FIND THE DEFENDANT
ON COUNT 1 OF THE INDICTMENT,
298
00:13:29,200 --> 00:13:32,733
MURDER IN THE FIRST DEGREE
OF CHANDRA LEVY?"
299
00:13:32,733 --> 00:13:36,067
AND THE FOREMAN DOES NOT BLINK
300
00:13:36,067 --> 00:13:37,433
AND HE SAYS, "GUILTY."
301
00:13:37,433 --> 00:13:39,800
[ OMINOUS CHORD STRIKES ]
302
00:13:39,800 --> 00:13:41,733
Alexander:
WHEN THE VERDICT WAS ANNOUNCED,
303
00:13:41,733 --> 00:13:44,167
GUANDIQUE, HE WAS LISTENING
TO A TRANSLATOR.
304
00:13:44,167 --> 00:13:47,200
HE YANKED THE HEADPHONES OFF
AND THREW THEM DOWN ON THE TABLE
305
00:13:47,200 --> 00:13:49,300
BEFORE HE WAS LED OUT
OF THE COURTROOM.
306
00:13:49,300 --> 00:13:51,200
IT WAS A VERY EMOTIONAL TIME.
307
00:13:51,200 --> 00:13:52,667
[ MELANCHOLY TUNE PLAYS ]
THE JURY, JUST A SHORT TIME AGO,
308
00:13:52,667 --> 00:13:56,500
HANDED DOWN A GUILTY VERDICT
IN CHANDRA LEVY'S MURDER TRIAL.
309
00:13:56,500 --> 00:13:58,600
THIS IS CHANDRA LEVY'S MOTHER.
310
00:13:58,600 --> 00:14:00,333
LET'S LISTEN TO HER.
-I'M SORRY.
311
00:14:00,333 --> 00:14:02,100
I'M EMOTIONAL HERE.
312
00:14:02,100 --> 00:14:04,967
THE RESULT OF THE VERDICT
313
00:14:04,967 --> 00:14:08,367
MAY BE GUILTY, BUT I HAVE
A LIFETIME SENTENCE
314
00:14:08,367 --> 00:14:14,467
OF A LOST LAMB,
MISSING FROM OUR FAMILY TREE.
315
00:14:14,467 --> 00:14:16,400
Alexander:
THE PROSECUTION,
THEY WERE EXCITED.
316
00:14:16,400 --> 00:14:18,400
AMANDA HAINES SAID,
"MIRACLES DO HAPPEN."
317
00:14:18,400 --> 00:14:22,333
SHE WAS SO ELATED THAT
THERE WAS A GUILTY VERDICT.
318
00:14:22,333 --> 00:14:25,600
PROSECUTION DID AN OUTSTANDING
JOB ON THE CASE.
319
00:14:25,600 --> 00:14:26,800
THEY CALLED CONDIT.
320
00:14:26,800 --> 00:14:28,267
THEY KILLED THAT DEFENSE.
321
00:14:28,267 --> 00:14:30,433
THEY SET UP THE STAGE
FOR MR. MORALES,
322
00:14:30,433 --> 00:14:32,433
PUT HIM ON THE STAND.
323
00:14:32,433 --> 00:14:34,067
HE WAS GOOD.
HE WAS VERY GOOD.
324
00:14:34,067 --> 00:14:37,533
[ SUSPENSEFUL MUSIC PLAYS ]
325
00:14:37,533 --> 00:14:39,333
Narrator:
NEARLY 3 MONTHS LATER,
326
00:14:39,333 --> 00:14:42,400
GUANDIQUE'S SENTENCING
HEARING COMMENCES.
327
00:14:42,400 --> 00:14:46,933
AS IS CUSTOM, THE VICTIM'S
FAMILY IS INVITED TO SPEAK.
328
00:14:46,933 --> 00:14:48,667
CHANDRA LEVY'S MOTHER
GOES TO THE PODIUM
329
00:14:48,667 --> 00:14:50,367
AND SHE TALKS
ABOUT HER DAUGHTER.
330
00:14:50,367 --> 00:14:52,767
AND THEN SHE DID SOMETHING
I'D NEVER HEARD.
331
00:14:52,767 --> 00:14:58,067
VICTIMS AREN'T SUPPOSED TO TALK
TO THE PERSON WHO
332
00:14:58,067 --> 00:14:59,400
DID THE DEED.
333
00:14:59,400 --> 00:15:03,200
SHE LOOKED HIM IN THE EYE
AND SHE SAID,
334
00:15:03,200 --> 00:15:05,967
"YOU KNOW, YOU ARE
A HIDEOUS CREATURE.
335
00:15:05,967 --> 00:15:08,233
YOU ARE LOWER THAN A COCKROACH.
336
00:15:08,233 --> 00:15:13,067
YOU SHOULD ROT IN HELL"
AND IT WAS VERY DRAMATIC.
337
00:15:13,067 --> 00:15:16,367
AND THEN SHE LOOKS
AT MR. GUANDIQUE AND SAYS,
338
00:15:16,367 --> 00:15:19,500
"FINALLY, MR. GUANDIQUE,
[BLEEP] YOU"...
339
00:15:19,500 --> 00:15:20,900
[ OMINOUS CHORD STRIKES ]
340
00:15:20,900 --> 00:15:23,900
AND TURNS AND SITS DOWN.
341
00:15:23,900 --> 00:15:28,133
GUANDIQUE IS SENTENCED
TO 60 YEARS BEHIND BARS.
342
00:15:28,133 --> 00:15:30,933
IT'S CONSIDERED A BIG WIN
FOR PROSECUTORS.
343
00:15:30,933 --> 00:15:33,267
NOW, GUANDIQUE WOULD BE
AT LEAST 80 YEARS OLD
344
00:15:33,267 --> 00:15:35,200
BEFORE HE COULD
FIRST BE RELEASED.
345
00:15:35,200 --> 00:15:37,233
THE JUDGE SENTENCING HIM SAID
HE WANTED TO MAKE SURE,
346
00:15:37,233 --> 00:15:39,467
IF HE LIVED LONG ENOUGH
TO BE RELEASED,
347
00:15:39,467 --> 00:15:42,933
THAT HE WOULD NOT BE
A DANGER TO SOCIETY.
348
00:15:42,933 --> 00:15:47,867
Narrator:
FOR THE LEVYS, IT SEEMS THAT
JUSTICE HAS FINALLY BEEN SERVED.
349
00:15:47,867 --> 00:15:50,067
FOR THE LEVYS,
THIS CASE IS CLOSED.
350
00:15:50,067 --> 00:15:51,600
BUT, EMOTIONALLY,
THERE IS NO CLOSURE.
351
00:15:51,600 --> 00:15:52,767
THEY STILL DON'T
HAVE THEIR LOVED ONE.
352
00:15:52,767 --> 00:15:54,467
THEY WILL NEVER HAVE
THEIR LOVED ONE BACK.
353
00:15:54,467 --> 00:15:57,267
BUT IN TERMS OF SOMEONE BEING
HELD ACCOUNTABLE FOR THIS CASE,
354
00:15:57,267 --> 00:15:59,167
THEY WERE VERY
APPRECIATIVE OF THAT.
355
00:15:59,167 --> 00:16:01,167
[ SUSPENSEFUL OUTRO PLAYS ]
356
00:16:01,167 --> 00:16:02,733
[ MELANCHOLY TUNE PLAYS ]
Narrator: THE LEVYS
357
00:16:02,733 --> 00:16:07,133
RETURN TO CALIFORNIA AND ATTEMPT
TO REBUILD THEIR LIVES.
358
00:16:07,133 --> 00:16:09,733
BUT THEN, ALMOST 5 YEARS LATER,
359
00:16:09,733 --> 00:16:12,233
A MYSTERIOUS FIGURE
STEPS FORWARD,
360
00:16:12,233 --> 00:16:16,733
WITH A BIZARRE TALE THAT, SHE
SAYS, IS RELATED TO THE CASE.
361
00:16:16,733 --> 00:16:20,133
THIS WOMAN, WHO GOES BY THE NAME
OF BABS PROLLER,
362
00:16:20,133 --> 00:16:23,900
SHE COMES TO THE WASHINGTON POST
AND SHE HAS SOME INFORMATION.
363
00:16:23,900 --> 00:16:26,067
SHE'S AN OCCASIONAL ACTRESS
364
00:16:26,067 --> 00:16:28,733
WITH THE NETFLIX SERIES
"HOUSE OF CARDS."
365
00:16:28,733 --> 00:16:32,500
WE HAD NO IDEA
THAT THIS WOULD BE THE WOMAN
366
00:16:32,500 --> 00:16:37,100
WHO WOULD BLOW
THE ENTIRE CASE APART.
367
00:16:37,100 --> 00:16:40,633
Narrator:
PROLLER EXPLAINS TO THE POST
THAT SHE'S RECENTLY DIVORCED
368
00:16:40,633 --> 00:16:44,267
AND HAS BEEN LIVING AT A HOTEL
IN ANNAPOLIS, MARYLAND.
369
00:16:44,267 --> 00:16:47,567
THERE, SHE HAD
AN UNEXPECTED ENCOUNTER.
370
00:16:47,567 --> 00:16:48,767
IT WAS ON ONE PARTICULAR DAY
371
00:16:48,767 --> 00:16:50,600
THAT SHE WAS WALKING
WITH HER DOG
372
00:16:50,600 --> 00:16:53,067
WHEN THE DOG GOT
CAUGHT IN THE DOOR.
373
00:16:53,067 --> 00:16:55,567
AND THIS MAN KIND OF
SWOOPED IN OUT OF NOWHERE
374
00:16:55,567 --> 00:16:57,367
AND SAVED HER DOG.
375
00:16:57,367 --> 00:17:00,067
AND, IN AN ACT OF CHIVALRY,
THIS GUY PICKS THE DOG UP
376
00:17:00,067 --> 00:17:01,967
AND CARRIES THE DOG
INTO THE HOTEL
377
00:17:01,967 --> 00:17:04,767
AND SHE THINKS,
"OH, HE'S AN ANIMAL LOVER."
378
00:17:04,767 --> 00:17:08,133
Narrator:
THE FELLOW HOTEL GUEST
INTRODUCES HIMSELF AS PHOENIX
379
00:17:08,133 --> 00:17:11,633
AND EXPLAINS THAT
HE'S VISITING THE AREA.
380
00:17:11,633 --> 00:17:16,600
THE TWO OF THEM BEGAN TALKING
AND THEY STRUCK UP A FRIENDSHIP.
381
00:17:16,600 --> 00:17:17,900
THEY TALKED ABOUT BUDDHISM.
382
00:17:17,900 --> 00:17:20,100
THEY TALKED ABOUT LOVE OF DOGS.
383
00:17:20,100 --> 00:17:24,433
THEY TALKED ABOUT LIFE,
SO SHE FELT SAFE WITH THIS MAN.
384
00:17:24,433 --> 00:17:26,467
Narrator:
THE TWO BEGIN SOCIALIZING
385
00:17:26,467 --> 00:17:30,433
AND, SOON, PHOENIX CONFIDES
A DARK, PERSONAL HISTORY.
386
00:17:30,433 --> 00:17:33,767
OVER SEVERAL DATES, HE BEGAN
TALKING ABOUT HIS PAST,
387
00:17:33,767 --> 00:17:38,433
HIS CRIMINAL PAST, AND THAT
HE SPENT TIME IN PRISON.
388
00:17:38,433 --> 00:17:41,767
HE STARTS TALKING LIKE A CON
389
00:17:41,767 --> 00:17:44,067
AND TALKING ABOUT
HIS VIOLENT TENDENCIES
390
00:17:44,067 --> 00:17:46,467
AND SAYING HOW
HE COULD KILL SOMEBODY
391
00:17:46,467 --> 00:17:50,400
BY STICKING A SHANK THROUGH
THEIR EYEBALL, INTO THEIR BRAIN.
392
00:17:50,400 --> 00:17:53,667
Narrator:
ACCORDING TO PROLLER,
PHOENIX'S TALK QUICKLY TURNED
393
00:17:53,667 --> 00:17:56,200
FROM BOASTFUL TO MENACING.
394
00:17:56,200 --> 00:17:58,900
AT ONE POINT, THEY'RE
HAVING A CONVERSATION
395
00:17:58,900 --> 00:18:00,500
AND HE BEGINS TO THREATEN
396
00:18:00,500 --> 00:18:03,067
AN INDIVIDUAL
WHO HAD ROBBED HER.
397
00:18:03,067 --> 00:18:05,067
HE OFFERS TO KILL THE MAN
398
00:18:05,067 --> 00:18:09,167
WHO RECENTLY STOLE
SOME JEWELRY FROM HER.
399
00:18:09,167 --> 00:18:10,900
HE SAID, "LOOK.
HE STOLE FROM YOU
400
00:18:10,900 --> 00:18:13,500
AND SO I WILL TAKE CARE OF HIM."
401
00:18:13,500 --> 00:18:16,300
Velez-Mitchell:
SHE SUDDENLY BECOMES AFRAID
FOR HER OWN SAFETY.
402
00:18:16,300 --> 00:18:18,300
I MEAN, WHAT IS THIS GUY
CAPABLE OF?
403
00:18:18,300 --> 00:18:20,433
COULD HE DO SOMETHING TO HER?
404
00:18:20,433 --> 00:18:24,533
Narrator:
PROLLER EXPLAINS THAT SHE THEN
TOOK PRECAUTIONARY MEASURES.
405
00:18:24,533 --> 00:18:27,333
SO SHE BEGAN SECRETLY RECORDING
THEIR CONVERSATIONS.
406
00:18:27,333 --> 00:18:30,067
SHE WAS RECORDING HIM
JUST FOR SAFETY.
407
00:18:30,067 --> 00:18:33,833
AND, DURING THESE HOURS
AND HOURS OF CONVERSATION,
408
00:18:33,833 --> 00:18:37,067
HE ALSO TELLS BABS PROLLER
SOMETHING ELSE.
409
00:18:37,067 --> 00:18:39,733
ONE OF THE THINGS HE REVEALS
IS THAT HE WAS A WITNESS
410
00:18:39,733 --> 00:18:41,700
IN A HIGH-PROFILE MURDER CASE.
411
00:18:41,700 --> 00:18:43,333
[ SUSPENSEFUL CHORD STRIKES ]
412
00:18:43,333 --> 00:18:45,500
ACCORDING TO HER,
HE GOES ON TO REVEAL
413
00:18:45,500 --> 00:18:47,633
THAT, NOT ONLY
WAS HE A WITNESS,
414
00:18:47,633 --> 00:18:50,667
BUT HE LIED ON THE STAND.
415
00:18:50,667 --> 00:18:53,367
HE TELLS BABS HE ACTUALLY
FABRICATED HIS STORY
416
00:18:53,367 --> 00:18:56,667
IN ORDER TO IMPROVE
HIS SITUATION IN PRISON.
417
00:18:56,667 --> 00:18:58,767
HE WAS TALKING ABOUT
THE CHANDRA LEVY CASE.
418
00:18:58,767 --> 00:19:00,233
HER NEW FRIEND,
WHO SHE BONDED
419
00:19:00,233 --> 00:19:02,600
AND TALKED TO
AND SECRETLY RECORDED?
420
00:19:02,600 --> 00:19:04,800
HIS NAME WAS ARMANDO MORALES.
421
00:19:04,800 --> 00:19:06,267
[ SUSPENSEFUL MUSIC PLAYS ]
422
00:19:06,267 --> 00:19:11,067
ARMANDO MORALES, THE MAN WHO
PUT INGMAR GUANDIQUE IN PRISON.
423
00:19:11,067 --> 00:19:12,967
[ SUSPENSEFUL FLOURISH PLAYS ]
424
00:19:12,967 --> 00:19:15,467
Narrator:
STUNNED BY THE CONFESSION,
PROLLER DECIDES
425
00:19:15,467 --> 00:19:18,733
TO TAKE THE RECORDINGS
TO THE WASHINGTON POST.
426
00:19:18,733 --> 00:19:20,700
WHEN WE LISTENED
TO ARMANDO MORALES,
427
00:19:20,700 --> 00:19:22,733
HE DIDN'T SOUND
LIKE THE SAME MAN
428
00:19:22,733 --> 00:19:26,267
WHO TESTIFIED IN COURT
YEARS AGO.
429
00:19:26,267 --> 00:19:28,067
HE STILL SOUNDED LIKE SOMEONE
430
00:19:28,067 --> 00:19:32,867
WHO WAS STILL VERY MUCH
INVOLVED IN CRIMINAL ACTIVITY.
431
00:19:32,867 --> 00:19:35,067
Narrator:
BUT, IN ALL THE HOURS
OF RECORDINGS,
432
00:19:35,067 --> 00:19:37,733
ONE PARTICULAR DETAIL
IS MISSING.
433
00:19:37,733 --> 00:19:42,967
SHE TOLD US THAT ARMANDO MORALES
LIED ABOUT THE FACT THAT
434
00:19:42,967 --> 00:19:47,333
INGMAR GUANDIQUE ADMITTED TO HIM
THAT HE KILLED CHANDRA LEVY
435
00:19:47,333 --> 00:19:49,167
AND WE FOUND OUT
THAT WASN'T THE TRUTH
436
00:19:49,167 --> 00:19:51,500
WHEN WE LISTENED TO THOSE
RECORDINGS OURSELVES.
437
00:19:51,500 --> 00:19:55,400
IT'S SUSPICIOUS THAT THIS WOMAN
WOULD TELL THE WASHINGTON POST
438
00:19:55,400 --> 00:19:57,467
THAT ARMANDO MADE
THIS CONFESSION,
439
00:19:57,467 --> 00:20:01,500
WHICH CALLS INTO QUESTION
HER CREDIBILITY AND LEGITIMACY.
440
00:20:01,500 --> 00:20:03,333
**
441
00:20:03,333 --> 00:20:04,667
Narrator: WEEKS LATER,
442
00:20:04,667 --> 00:20:07,700
PROLLER ALSO REACHES OUT
TO THE PROSECUTION AND DEFENSE,
443
00:20:07,700 --> 00:20:10,533
AND HER TIMING IS MOMENTOUS.
444
00:20:10,533 --> 00:20:14,200
SOON AFTER GUANDIQUE'S
SENTENCING IN 2011,
445
00:20:14,200 --> 00:20:16,467
HIS DEFENSE TEAM
BEGAN INVESTIGATING
446
00:20:16,467 --> 00:20:19,900
THE CREDIBILITY
OF THE STATE'S STAR WITNESS.
447
00:20:19,900 --> 00:20:23,567
ON THE STAND, ARMANDO MORALES
WAS BELIEVABLE, IN PART,
448
00:20:23,567 --> 00:20:26,233
BECAUSE HE SAID HE'D HAD
NO PRIOR EXPERIENCE
449
00:20:26,233 --> 00:20:27,633
AS AN INFORMANT.
450
00:20:27,633 --> 00:20:30,367
WELL, IT TURNED OUT
THAT WAS FALSE.
451
00:20:30,367 --> 00:20:32,533
ARMANDO MORALES
HAD PROVIDED ASSISTANCE
452
00:20:32,533 --> 00:20:35,333
TO FRESNO COUNTY
LAW ENFORCEMENT OFFICERS,
453
00:20:35,333 --> 00:20:38,367
TO BUREAU OF PRISONS OFFICIALS,
AND OTHERS,
454
00:20:38,367 --> 00:20:41,767
ABOUT CRIMINAL ACTIVITIES.
455
00:20:41,767 --> 00:20:46,567
THIS INFORMATION HAD APPARENTLY
NOT BEEN KNOWN BY THE TRIAL TEAM
456
00:20:46,567 --> 00:20:48,533
AND WAS DEFINITELY NOT KNOWN BY
457
00:20:48,533 --> 00:20:50,567
INGMAR GUANDIQUE'S
DEFENSE ATTORNEYS.
458
00:20:50,567 --> 00:20:54,167
HE HAD MAYBE PERJURED
HIMSELF IN THE FIRST TRIAL.
459
00:20:54,167 --> 00:20:58,800
HE WAS A JAILHOUSE SNITCH,
A RAT, A CREEP, A LIAR.
460
00:20:58,800 --> 00:21:01,667
I WASN'T EVEN CERTAIN
HIS NAME WAS MORALES.
461
00:21:01,667 --> 00:21:03,300
SO YOU HAVE ISSUES
WITH CREDIBILITY
462
00:21:03,300 --> 00:21:06,800
THAT HAVE NOW SURFACED,
INVOLVING THEIR STAR WITNESS,
463
00:21:06,800 --> 00:21:09,600
AND, AS A RESULT,
DEFENSE ATTORNEYS ARE SAYING,
464
00:21:09,600 --> 00:21:11,067
"DATE THE MAN A NEW TRIAL,"
465
00:21:11,067 --> 00:21:13,933
FOR THEIR CLIENT
INGMAR GUANDIQUE.
466
00:21:13,933 --> 00:21:17,467
Narrator:
AFTER AN INQUIRY
INTO MORALES IN 2015,
467
00:21:17,467 --> 00:21:19,800
GUANDIQUE'S CONVICTION
IS VACATED
468
00:21:19,800 --> 00:21:22,167
AND A NEW TRIAL IS ORDERED.
469
00:21:22,167 --> 00:21:25,067
BUT THE TAPES BROUGHT
FORWARD BY BABS PROLLER
470
00:21:25,067 --> 00:21:28,767
THROW A WRENCH IN THE
PROSECUTION'S NEW CASE.
471
00:21:28,767 --> 00:21:31,500
IN 2010, WHEN ARMANDO MORALES
TOOK THE WITNESS STAND,
472
00:21:31,500 --> 00:21:33,667
HE WAS THE ONLY PIECE
OF EVIDENCE
473
00:21:33,667 --> 00:21:37,133
THAT DIRECTLY LINKED
INGMAR GUANDIQUE TO
474
00:21:37,133 --> 00:21:39,167
THE DEATH OF CHANDRA LEVY.
475
00:21:39,167 --> 00:21:42,067
FAST-FORWARD TO 2016.
476
00:21:42,067 --> 00:21:45,367
HE IS STILL THE ONLY
PIECE OF EVIDENCE.
477
00:21:45,367 --> 00:21:48,900
AFTER PROSECUTORS LISTENED
TO THOSE RECORDINGS THEMSELVES
478
00:21:48,900 --> 00:21:51,800
AND THEY HEARD MORALES,
SOUNDING LIKE SOMEONE
479
00:21:51,800 --> 00:21:54,067
WHO WAS STILL
IN THE LIFE OF CRIME,
480
00:21:54,067 --> 00:21:57,500
THEY REALIZED THEY COULD NOT
PUT HIM ON THE STAND AGAIN.
481
00:21:57,500 --> 00:22:00,467
Narrator:
ON JULY 28, 2016,
482
00:22:00,467 --> 00:22:02,967
THE STATE MAKES
A REMARKABLE ANNOUNCEMENT.
483
00:22:02,967 --> 00:22:05,300
A STUNNING DEVELOPMENT
IN THE 15-YEAR-OLD
484
00:22:05,300 --> 00:22:08,067
MURDER CASE OF WASHINGTON, DC
INTERN CHANDRA LEVY.
485
00:22:08,067 --> 00:22:11,700
PROSECUTORS SUDDENLY DROPPED
THE CASE AGAINST THE MAN
486
00:22:11,700 --> 00:22:14,633
WHO HAD PREVIOUSLY BEEN
CONVICTED OF THAT CRIME.
487
00:22:14,633 --> 00:22:18,467
INGMAR GUANDIQUE IS NOW SET
FOR DEPORTATION.
488
00:22:18,467 --> 00:22:23,433
THIS TRULY WAS THE CRAZIEST CASE
EVER TO HIT WASHINGTON, DC.
489
00:22:23,433 --> 00:22:25,200
THIS WAS SOMETHING THAT
HOLLYWOOD WRITERS
490
00:22:25,200 --> 00:22:27,967
COULD NEVER EVEN DREAM OF.
491
00:22:27,967 --> 00:22:29,933
Narrator:
STUNNED BY THE TURN OF EVENTS,
492
00:22:29,933 --> 00:22:33,800
THE LEVYS ARE LEFT QUESTIONING
THE ACTIONS OF BABS PROLLER.
493
00:22:33,800 --> 00:22:36,167
WELL, I'M PRETTY ANGRY
BECAUSE WHY DID SHE DO THAT?
494
00:22:36,167 --> 00:22:37,967
I MEAN, WHAT WAS
THE POINT OF THAT?
495
00:22:37,967 --> 00:22:39,200
WAS SHE TRYING TO HELP US?
496
00:22:39,200 --> 00:22:41,067
NO, SHE WAS TRYING TO MAKE
A NAME FOR HERSELF.
497
00:22:41,067 --> 00:22:43,600
MAYBE SOMEONE PAID HER.
498
00:22:43,600 --> 00:22:46,533
Susan:
HOW COULD THEY LET
GUANDIQUE JUST GO?
499
00:22:46,533 --> 00:22:49,667
IT JUST SEEMS SO STRANGE TO ME.
500
00:22:49,667 --> 00:22:53,867
NOW WE ARE LEFT WITH THE SAME
QUESTIONS WE BEGAN WITH:
501
00:22:53,867 --> 00:22:56,267
WHAT TOOK CHANDRA
TO ROCK CREEK PARK?
502
00:22:56,267 --> 00:22:58,667
WHAT HAPPENED TO HER THERE?
503
00:22:58,667 --> 00:23:00,900
WHO KILLED CHANDRA LEVY?
504
00:23:00,900 --> 00:23:01,767
AND WHY?
505
00:23:01,767 --> 00:23:05,067
[ SUSPENSEFUL CHORDS STRIKING ]
506
00:23:06,900 --> 00:23:08,333
Narrator:
INGMAR GUANDIQUE'S
507
00:23:08,333 --> 00:23:10,700
DEFENSE TEAM IS PREPARING
FOR A RETRIAL
508
00:23:10,700 --> 00:23:13,600
FOR THE MURDER OF CHANDRA LEVY.
509
00:23:13,600 --> 00:23:16,933
BUT WHEN THE PROSECUTION'S
STAR WITNESS IS DISCREDITED,
510
00:23:16,933 --> 00:23:18,800
THE CHARGES ARE DROPPED.
511
00:23:18,800 --> 00:23:21,600
THE PAST 15 YEARS,
COVERING THE CHANDRA LEVY CASE,
512
00:23:21,600 --> 00:23:23,967
HAVE BEEN AN EXERCISE
513
00:23:23,967 --> 00:23:26,967
IN THE INABILITY
TO PREDICT THE FUTURE.
514
00:23:26,967 --> 00:23:29,100
THERE'S BEEN ONE SURPRISE
AFTER ANOTHER,
515
00:23:29,100 --> 00:23:31,267
ONE TRAUMA AFTER ANOTHER.
516
00:23:31,267 --> 00:23:33,267
Narrator:
IN THE WAKE OF THE
SHOCKING NEWS,
517
00:23:33,267 --> 00:23:37,167
IT BECOMES CLEAR THAT
THE STORY IS STILL EVOLVING.
518
00:23:37,167 --> 00:23:40,933
IN PRETRIAL HEARINGS,
BEFORE THE CHARGES WERE DROPPED,
519
00:23:40,933 --> 00:23:45,533
GUANDIQUE'S LAWYERS LAID OUT
PLANS FOR AN EXPLOSIVE DEFENSE.
520
00:23:45,533 --> 00:23:47,433
AND, THIS TIME AROUND,
THE DEFENSE TEAM
521
00:23:47,433 --> 00:23:51,467
WERE LASERING IN
ON GARY CONDIT.
522
00:23:51,467 --> 00:23:53,767
IN A COURT HEARING,
THE DEFENSE ARGUED
523
00:23:53,767 --> 00:23:56,400
THAT CONDIT WAS MORE LIKELY
THE PERPETRATOR
524
00:23:56,400 --> 00:23:59,367
BECAUSE HE HAD MOTIVE
TO COVER UP
525
00:23:59,367 --> 00:24:02,267
A RELATIONSHIP
WITH CHANDRA LEVY,
526
00:24:02,267 --> 00:24:05,367
WHEREAS INGMAR GUANDIQUE
WAS A RELATIVE STRANGER.
527
00:24:05,367 --> 00:24:08,900
DEFENSE ATTORNEYS WERE ASKING
FOR ALL TYPES OF INFORMATION,
528
00:24:08,900 --> 00:24:11,967
ALL EVIDENCE, RECORDINGS,
INTERVIEWS,
529
00:24:11,967 --> 00:24:14,100
INVOLVING GARY CONDIT.
530
00:24:14,100 --> 00:24:16,600
Narrator:
IT SEEMS THAT THEY ARE
PARTICULARLY INTERESTED
531
00:24:16,600 --> 00:24:20,133
IN ONE ASPECT
OF THE CONGRESSMAN'S PAST.
532
00:24:20,133 --> 00:24:23,100
THE DEFENSE TEAM INTENDED
TO DEPOSE FORMER GIRLFRIENDS
533
00:24:23,100 --> 00:24:27,633
WHO CLAIMED THE CONGRESSMAN
WAS INTO S&M AND BONDAGE
534
00:24:27,633 --> 00:24:32,067
AND THE DEFENSE TEAM ARGUED THAT
CHANDRA MAY HAVE BEEN KILLED
535
00:24:32,067 --> 00:24:34,567
IN A SEX ACT
GONE HORRIBLY WRONG.
536
00:24:34,567 --> 00:24:37,067
AND WHY THAT'S SO IMPORTANT
IS BECAUSE,
537
00:24:37,067 --> 00:24:40,633
WHEN CHANDRA LEVY'S SKELETAL
REMAINS WERE FOUND,
538
00:24:40,633 --> 00:24:43,267
HER RUNNING TIGHTS
WERE ALSO FOUND,
539
00:24:43,267 --> 00:24:46,767
AND BOTH LEGS OF THE TIGHTS
WERE TIED INTO KNOTS
540
00:24:46,767 --> 00:24:50,400
WHICH, SOME SUGGESTED,
WAS HOW LEVY'S KILLER
541
00:24:50,400 --> 00:24:54,700
BOUND HER AND RESTRAINED HER
BEFORE HE KILLED HER.
542
00:24:54,700 --> 00:24:57,567
Narrator:
BUT WHEN BABS PROLLER'S
RECORDINGS EMERGED
543
00:24:57,567 --> 00:24:59,333
AND THE CHARGES WERE DROPPED,
544
00:24:59,333 --> 00:25:04,233
GUANDIQUE'S LAWYERS FILED AWAY
THE PROVOCATIVE DEFENSE.
545
00:25:04,233 --> 00:25:06,067
WITH SO MANY
UNANSWERED QUESTIONS
546
00:25:06,067 --> 00:25:08,667
CIRCLING AROUND GARY CONDIT,
WE'VE ARRANGED
547
00:25:08,667 --> 00:25:12,433
AN EXCLUSIVE INTERVIEW
WITH HIS FORMER ASSOCIATE.
548
00:25:12,433 --> 00:25:14,667
[ SUSPENSEFUL MUSIC PLAYS ]
MY NAME IS VINCE FLAMMINI.
549
00:25:14,667 --> 00:25:16,633
I WAS GARY CONDIT'S DRIVER,
550
00:25:16,633 --> 00:25:20,400
CLOSE, CLOSE FRIEND,
AND BODYGUARD.
551
00:25:20,400 --> 00:25:23,067
THE FIRST TIME I MET GARY,
HE WAS A YOUNG MAN
552
00:25:23,067 --> 00:25:25,067
THAT WAS MAYOR OF CERES.
553
00:25:25,067 --> 00:25:27,733
IT WAS ABOUT 1976.
554
00:25:27,733 --> 00:25:29,800
I THOUGHT HE WAS REALLY
AN INTERESTING PERSON.
555
00:25:29,800 --> 00:25:32,067
HE WAS FULL OF ENERGY
AND HE WAS NICE-LOOKING.
556
00:25:32,067 --> 00:25:35,467
HE WAS REALLY A NEAT PERSON.
557
00:25:35,467 --> 00:25:38,733
GARY LIKED TO WORK OUT
AND THAT WAS MY MAIN THING,
558
00:25:38,733 --> 00:25:41,867
SO I TAUGHT HIM HOW TO TRAIN
AND WE GOT TO BE PARTNERS,
559
00:25:41,867 --> 00:25:45,500
WORKING OUT TOGETHER
AND THINGS LIKE THAT.
560
00:25:45,500 --> 00:25:47,300
Narrator:
VINCE CLAIMS THAT, OVER TIME,
561
00:25:47,300 --> 00:25:49,367
THE CONGRESSMAN,
KNOWN FOR SECRECY,
562
00:25:49,367 --> 00:25:52,067
BEGAN TO CONFIDE IN HIM.
563
00:25:52,067 --> 00:25:53,967
Flammini:
WE HAD LOCKER-ROOM TALK.
564
00:25:53,967 --> 00:25:55,500
HE'D TELL ME ABOUT
DIFFERENT GIRLFRIENDS
565
00:25:55,500 --> 00:25:58,367
AND, IN FACT, I HAD TO MEET 'EM
BECAUSE YOU GOTTA REMEMBER:
566
00:25:58,367 --> 00:26:00,400
I'M HIS DRIVER.
567
00:26:00,400 --> 00:26:03,867
I MEAN, WHO KNOWS
BETTER THAN THE DRIVER?
568
00:26:03,867 --> 00:26:06,967
IN SUMMER 2000, I PICKED
HIM UP AT THE AIRPORT.
569
00:26:06,967 --> 00:26:11,367
HE DESCRIBED THAT A GIRL HE WAS
SEEING HAD BLACK, CURLY HAIR.
570
00:26:11,367 --> 00:26:13,067
SHE HAD A BEAUTIFUL BODY.
571
00:26:13,067 --> 00:26:16,800
SHE HAD BEAUTIFUL, ROUND
BREASTS, LIKE LITTLE MELONS.
572
00:26:16,800 --> 00:26:19,933
HE WAS EXPLAINING IT ALL TO ME
'CAUSE HE WAS BRAGGIN'.
573
00:26:19,933 --> 00:26:21,900
AND SHE WAS JEWISH.
574
00:26:21,900 --> 00:26:24,867
AND THEN HE JUST GIVES ME
THE WHOLE PICTURE AND TELLS ME,
575
00:26:24,867 --> 00:26:29,133
"SHE'S GOIN' WITH A COP.
HER FATHER'S A DOCTOR."
576
00:26:29,133 --> 00:26:31,933
Narrator:
CONDIT NEVER MENTIONED
HER BY NAME,
577
00:26:31,933 --> 00:26:35,767
BUT VINCE BELIEVES THE
DESCRIPTION WAS UNMISTAKABLE.
578
00:26:35,767 --> 00:26:38,767
IT WAS CHANDRA.
579
00:26:38,767 --> 00:26:41,267
IT WAS HER.
I MEAN, HOW MANY GIRLS
580
00:26:41,267 --> 00:26:43,300
CAN YOU MATCH THAT WITH?
581
00:26:43,300 --> 00:26:47,167
Narrator: IN 2001,
FLAMMINI WAS ABRUPTLY FIRED.
582
00:26:47,167 --> 00:26:49,533
HE CLAIMS THAT THE TERMINATION
WAS IN KEEPING
583
00:26:49,533 --> 00:26:52,067
WITH THE CONGRESSMAN'S
DISPOSITION.
584
00:26:52,067 --> 00:26:54,400
I WAS WALKING ON EGGS MOST
OF THE TIME, AROUND GARY,
585
00:26:54,400 --> 00:26:57,933
BECAUSE HE HAD A TEMPER
THAT JUST WAS UNREAL.
586
00:26:57,933 --> 00:27:01,667
HE'D JUST BLOW UP,
TURN BRIGHT RED, BLOW UP,
587
00:27:01,667 --> 00:27:05,133
AND HIS EYES WOULD GET PIERCING
LIKE YOU SEE ON TELEVISION.
588
00:27:05,133 --> 00:27:06,433
Narrator:
ACCORDING TO VINCE,
589
00:27:06,433 --> 00:27:09,633
THE ALLEGATIONS THAT CONDIT'S
REPORTED PRACTICE OF S&M
590
00:27:09,633 --> 00:27:12,900
CAUSED CHANDRA'S DEATH
DON'T RING TRUE.
591
00:27:12,900 --> 00:27:14,767
Flammini:
THERE WAS A LOT OF PEOPLE
THAT DIDN'T LIKE HIM.
592
00:27:14,767 --> 00:27:17,700
THEY SAID, "WELL, MAYBE HE WAS
HAVING ONE OF THOSE SEX THINGS
593
00:27:17,700 --> 00:27:20,933
WHERE YOU TIE A NECKTIE AROUND
HER NECK AND YOU CHOKE HER."
594
00:27:20,933 --> 00:27:22,833
AND I SAYS, "I DON'T KNOW.
595
00:27:22,833 --> 00:27:25,900
I DON'T KNOW OF HIM HAVING
THOSE SEX THINGS, EITHER."
596
00:27:25,900 --> 00:27:28,933
Narrator:
THEN, WHEN CONDIT BEGAN
MAKING PUBLIC DENIALS
597
00:27:28,933 --> 00:27:32,600
ABOUT THE MISSING INTERN,
VINCE BECAME ALARMED.
598
00:27:32,600 --> 00:27:35,467
BUT NOW THAT HE SAYS
SHE WAS NEVER HIS GIRLFRIEND,
599
00:27:35,467 --> 00:27:37,333
HE NEVER HAD
A RELATIONSHIP WITH HER,
600
00:27:37,333 --> 00:27:39,800
AND HE DIDN'T MURDER HER,
ALL IN THE SAME LINE,
601
00:27:39,800 --> 00:27:41,967
IT SCARES ME. I'M GOING,
602
00:27:41,967 --> 00:27:44,333
"I KNOW FOR A FACT THAT HE HAD
A RELATIONSHIP WITH HER,
603
00:27:44,333 --> 00:27:46,067
'CAUSE HE TOLD ME SO."
604
00:27:46,067 --> 00:27:50,600
Narrator:
THE CRIME-SCENE LOCATION
ALSO GAVE HIM CONCERN.
605
00:27:50,600 --> 00:27:52,900
I REALLY GOT UPSET
BECAUSE
606
00:27:52,900 --> 00:27:55,500
HE WAS ALWAYS IN THAT PARK.
607
00:27:55,500 --> 00:27:58,667
HE TOLD ME ABOUT THE PARK
AND THAT'S WHERE SHE'S MURDERED?
608
00:27:58,667 --> 00:28:00,267
HE USED TO GO THERE
ALL THE TIME.
609
00:28:00,267 --> 00:28:03,300
HE WENT THERE WITH OTHER
GIRLS, BEFORE CHANDRA.
610
00:28:03,300 --> 00:28:06,767
IT'S A PLACE TO WALK AND IT'S
A PLACE TO SPEND SOME TIME
611
00:28:06,767 --> 00:28:10,200
AND YOU CAN ALSO BE ALONE
BACK IN THE WOODS, I GUESS.
612
00:28:10,200 --> 00:28:14,533
Narrator:
ACCORDING TO VINCE, HE COULDN'T
KEEP WHAT HE KNEW TO HIMSELF.
613
00:28:14,533 --> 00:28:16,567
I TRIED TO TELL THE FBI.
614
00:28:16,567 --> 00:28:19,367
I TRIED TO TELL DIFFERENT PEOPLE
615
00:28:19,367 --> 00:28:22,100
THAT, YOU KNOW,
SOME OF THE THINGS GARY DID,
616
00:28:22,100 --> 00:28:23,600
AND THEY DIDN'T WANT TO HEAR IT.
617
00:28:23,600 --> 00:28:25,833
GARY WAS TAKING HIS LESSONS
FOR KARATE.
618
00:28:25,833 --> 00:28:27,933
I TOLD THEM THE GUY'S NAME
THAT WAS TEACHING 'IM.
619
00:28:27,933 --> 00:28:30,233
I TOLD THEM THAT GARY
WAS TAKIN' LESSONS,
620
00:28:30,233 --> 00:28:33,100
HOW TO PUNCH SOMEBODY IN THE
THROAT AND TAKE 'EM OUT.
621
00:28:33,100 --> 00:28:34,767
I SAYS, "DON'T YOU GUYS
EVEN WANNA KNOW?
622
00:28:34,767 --> 00:28:37,067
THAT COULD'VE
HAPPENED ACCIDENTALLY."
623
00:28:37,067 --> 00:28:40,500
AND THEY GO, "NO, NO.
THAT'S NOT IMPORTANT."
624
00:28:40,500 --> 00:28:42,933
Narrator:
AFTER CONSIDERING
EVERYTHING HE KNOWS,
625
00:28:42,933 --> 00:28:45,400
VINCE HAS DRAWN
HIS OWN CONCLUSIONS.
626
00:28:45,400 --> 00:28:47,267
PERSONALLY,
I'VE KNOWN HIM SO LONG.
627
00:28:47,267 --> 00:28:49,733
HE'S NOT A MURDERER.
I MEAN, JEEZ.
628
00:28:49,733 --> 00:28:52,267
YOU DON'T THINK OF YOUR
BEST FRIEND BEING A MURDERER
629
00:28:52,267 --> 00:28:54,667
AND, TO THIS DAY, I DON'T KNOW!
630
00:28:54,667 --> 00:28:57,567
I JUST CAN'T BELIEVE
GARY WOULD MURDER SOMEBODY.
631
00:28:57,567 --> 00:28:59,567
Narrator:
IN THE EYES OF LAW ENFORCEMENT,
632
00:28:59,567 --> 00:29:01,800
THE DROPPED CHARGES
AGAINST GUANDIQUE
633
00:29:01,800 --> 00:29:05,100
DID NOT CHANGE CONDIT'S
STATUS IN THE CASE.
634
00:29:05,100 --> 00:29:07,900
THERE'S STILL NO EVIDENCE
THAT CONNECTS HIM TO THE MURDER
635
00:29:07,900 --> 00:29:10,200
AND HE IS NOT A SUSPECT.
636
00:29:10,200 --> 00:29:14,133
TO THIS DAY, THEY SAY THEY STILL
DON'T HAVE ENOUGH EVIDENCE
637
00:29:14,133 --> 00:29:17,900
TO LINK HIM
TO CHANDRA LEVY'S MURDER.
638
00:29:17,900 --> 00:29:20,067
Narrator:
BUT QUESTIONS REMAIN
ABOUT THE MAN
639
00:29:20,067 --> 00:29:22,667
WHO WAS ONCE CHARGED
WITH THE CRIME.
640
00:29:22,667 --> 00:29:25,367
BECAUSE GUANDIQUE'S
CONVICTION WAS VACATED
641
00:29:25,367 --> 00:29:27,433
AND THE SUBSEQUENT
CHARGES DROPPED,
642
00:29:27,433 --> 00:29:29,933
DOUBLE JEOPARDY DOES NOT APPLY.
643
00:29:29,933 --> 00:29:31,300
THE GOVERNMENT DISMISSED IT,
644
00:29:31,300 --> 00:29:32,867
BUT THEY DISMISSED IT
WITHOUT PREJUDICE,
645
00:29:32,867 --> 00:29:35,933
WHICH MEANS THEY'RE
LEAVING OPEN THE CHANCE
646
00:29:35,933 --> 00:29:41,600
THAT THEY COULD CHARGE, INDICT,
AND RETRY MR. GUANDIQUE AGAIN
647
00:29:41,600 --> 00:29:45,767
WITH ALL THE TRAPPINGS:
NEW JUDGE, NEW JURY, EVERYTHING.
648
00:29:45,767 --> 00:29:49,767
Narrator:
AND SOME BELIEVE HE SHOULD,
INDEED, BE PUT ON TRIAL AGAIN.
649
00:29:49,767 --> 00:29:53,467
HE WAS A LEGITIMATE SUSPECT,
AND HE IS, TO THIS DAY.
650
00:29:53,467 --> 00:29:56,367
Narrator:
WITH THE HELP OF JOURNALIST
SYLVIA MORENO,
651
00:29:56,367 --> 00:29:59,800
WE'VE ARRANGED TO SPEAK
WITH GUANDIQUE HIMSELF.
652
00:29:59,800 --> 00:30:01,633
[ Speaking Spanish ]
653
00:30:06,167 --> 00:30:08,367
[ SUSPENSEFUL MUSIC PLAYS ]
654
00:30:11,967 --> 00:30:13,633
[ SINISTER MUSIC PLAYS,
CHORD STRIKES ]
655
00:30:16,500 --> 00:30:18,100
Narrator: WHEN IT'S DISCOVERED
THE STAR WITNESS
656
00:30:18,100 --> 00:30:21,467
IN THE CHANDRA LEVY MURDER
TRIAL LIED ON THE STAND,
657
00:30:21,467 --> 00:30:25,667
THE PROSECUTION DROPS CHARGES
AGAINST INGMAR GUANDIQUE.
658
00:30:25,667 --> 00:30:30,100
THERE ARE SOME WHO BELIEVE,
EVEN AS THE CASE FELL APART,
659
00:30:30,100 --> 00:30:32,167
THAT HE'S STILL
THE MOST LIKELY MAN
660
00:30:32,167 --> 00:30:34,500
TO HAVE COMMITTED THIS CRIME.
661
00:30:34,500 --> 00:30:38,700
HE WAS A LEGITIMATE SUSPECT,
AND HE IS, TO THIS DAY.
662
00:30:38,700 --> 00:30:42,300
NOW, JOURNALIST SYLVIA MORENO
IS INTERVIEWING GUANDIQUE
663
00:30:42,300 --> 00:30:43,633
OVER THE PHONE,
664
00:30:43,633 --> 00:30:47,833
FROM AN IMMIGRATION DETENTION
FACILITY IN VIRGINIA.
665
00:30:47,833 --> 00:30:49,567
INGMAR?
-[ Speaking Spanish ]
666
00:30:49,567 --> 00:30:51,133
AH, OKAY.
667
00:30:51,133 --> 00:30:54,400
Narrator:
MORENO BEGINS BY ASKING
GUANDIQUE ABOUT THE ATTACKS
668
00:30:54,400 --> 00:30:58,600
ON THE TWO JOGGERS THAT
LANDED HIM IN JAIL IN 2001.
669
00:30:58,600 --> 00:31:01,333
[ SUSPENSEFUL MUSIC PLAYS ]
670
00:31:28,800 --> 00:31:30,933
Narrator:
GUANDIQUE CLAIMS THAT ANOTHER
FORCE MOTIVATING HIS ACTIONS
671
00:31:30,933 --> 00:31:33,533
WAS DRUGS.
672
00:31:36,800 --> 00:31:38,067
MM-HMM.
673
00:31:38,067 --> 00:31:39,267
[ MELANCHOLY TUNE PLAYS ]
674
00:32:00,867 --> 00:32:03,067
[ OUTRO PLAYS ]
675
00:32:03,067 --> 00:32:07,133
Narrator:
WHEN INVESTIGATORS QUESTIONED
GUANDIQUE IN PRISON IN 2008,
676
00:32:07,133 --> 00:32:09,800
ONE OF HIS TATTOOS
CAUGHT THEIR ATTENTION.
677
00:32:09,800 --> 00:32:11,600
[ SUSPENSEFUL MUSIC PLAYS ]
678
00:32:43,133 --> 00:32:45,133
[in Spanish] No.
679
00:32:53,067 --> 00:32:54,200
Sí.
680
00:33:22,667 --> 00:33:24,067
MM-HMM.
681
00:33:24,067 --> 00:33:25,533
**
682
00:33:27,967 --> 00:33:29,533
[ SINISTER MUSIC CLIMBS ]
[in Spanish] No.
683
00:33:29,533 --> 00:33:32,633
Narrator:
GUANDIQUE EXPLAINS THAT
ONE MOMENT FROM THE TRIAL,
684
00:33:32,633 --> 00:33:35,933
AN ENCOUNTER WITH SUSAN LEVY,
HAS STAYED WITH HIM.
685
00:33:35,933 --> 00:33:38,467
[ MELANCHOLY TUNE PLAYS ]
686
00:34:23,967 --> 00:34:25,700
**
687
00:34:25,700 --> 00:34:29,200
Narrator:
WHEN REFLECTING ON HIS FATE,
GUANDIQUE DRAWS A COMPARISON
688
00:34:29,200 --> 00:34:31,767
TO ANOTHER PERSON OF INTEREST
IN THE CASE:
689
00:34:31,767 --> 00:34:33,567
GARY CONDIT.
690
00:35:25,967 --> 00:35:27,767
[ SUSPENSEFUL MUSIC PLAYS ]
Moreno: I WOULD SAY
691
00:35:27,767 --> 00:35:31,667
THAT GUANDIQUE'S POSITION
IS VERY CONSISTENT.
692
00:35:31,667 --> 00:35:35,200
HE HAS ALWAYS REITERATED,
693
00:35:35,200 --> 00:35:37,733
EVEN GOING BACK TO MY FIRST
COMMUNICATION WITH HIM,
694
00:35:37,733 --> 00:35:39,867
VIA LETTER IN 2002,
695
00:35:39,867 --> 00:35:43,300
THAT HE NEVER HAD ANYTHING TO DO
WITH THE CHANDRA LEVY MURDER.
696
00:35:43,300 --> 00:35:46,767
Narrator:
NONETHELESS, IT'S LIKELY
THAT HE'LL SOON BE EXPATRIATED
697
00:35:46,767 --> 00:35:48,833
TO EL SALVADOR.
698
00:35:48,833 --> 00:35:54,067
AS A CRIMINAL ALIEN, UNDER
U.S. LAW, HE SHOULD BE DEPORTED,
699
00:35:54,067 --> 00:35:56,967
BUT HE'S FIGHTING A CASE
TO STAY IN THE UNITED STATES
700
00:35:56,967 --> 00:36:00,200
AND NOT BE DEPORTED
BACK TO EL SALVADOR.
701
00:36:00,200 --> 00:36:04,267
Narrator:
NOW, WITH NO NEW EVIDENCE,
THE CASE HAS GONE COLD.
702
00:36:04,267 --> 00:36:08,167
THE TRAGIC IRONY OF THIS CASE
IS THAT, AFTER ALL THIS WORK,
703
00:36:08,167 --> 00:36:10,333
WE'VE COME FULL CIRCLE,
BACK TO
704
00:36:10,333 --> 00:36:13,400
WE DON'T KNOW
WHO KILLED CHANDRA LEVY.
705
00:36:13,400 --> 00:36:16,133
Narrator:
BUT ONE MAN BELIEVES
HE HAS THE ANSWER:
706
00:36:16,133 --> 00:36:19,567
THE LEVY FAMILY'S
PRIVATE INVESTIGATOR.
707
00:36:19,567 --> 00:36:25,067
I HAVE MY THEORY AND
I'M CONVINCED OF MY THEORY
708
00:36:25,067 --> 00:36:26,867
AND EVERYTHING
THAT WENT AROUND IT.
709
00:36:26,867 --> 00:36:29,400
I'M SATISFIED THAT I KNOW
WHAT HAPPENED.
710
00:36:29,400 --> 00:36:31,267
[ OMINOUS MUSIC PLAYS ]
711
00:36:33,767 --> 00:36:35,067
Narrator:
THE CHANDRA LEVY CASE
712
00:36:35,067 --> 00:36:37,300
HAS ENDURED COUNTLESS
TWISTS AND TURNS
713
00:36:37,300 --> 00:36:39,900
OVER THE LAST 16 YEARS.
714
00:36:39,900 --> 00:36:43,767
THE TRAGIC IRONY OF THIS CASE
IS THAT, AFTER ALL THIS WORK,
715
00:36:43,767 --> 00:36:46,067
WE'VE COME FULL CIRCLE,
BACK TO
716
00:36:46,067 --> 00:36:49,233
WE DON'T KNOW
WHO KILLED CHANDRA LEVY.
717
00:36:49,233 --> 00:36:51,067
OR WHY.
718
00:36:51,067 --> 00:36:53,733
Narrator:
MANY BELIEVE ONE
UNANSWERED QUESTION
719
00:36:53,733 --> 00:36:56,500
COULD BE THE KEY
TO SOLVING THIS MURDER.
720
00:36:56,500 --> 00:36:58,600
WHAT WAS SHE DOING
IN ROCK CREEK PARK?
721
00:36:58,600 --> 00:37:00,767
THERE ARE A WHOLE BUNCH
OF PEOPLE BELIEVES
722
00:37:00,767 --> 00:37:03,500
THAT SHE WAS JOGGING
ALONG A TRAIL THERE.
723
00:37:03,500 --> 00:37:05,933
SHE WAS SOMEONE
WHO TOOK CARE OF HER BODY,
724
00:37:05,933 --> 00:37:08,233
LIKED TO EXERCISE EVERY DAY.
725
00:37:08,233 --> 00:37:10,267
THE PARK OFFERED
A PERFECT OPPORTUNITY,
726
00:37:10,267 --> 00:37:12,833
THE PERFECT PLACE TO DO THAT.
727
00:37:12,833 --> 00:37:15,133
Narrator:
BUT SOME POINT
TO THE PARK'S LANDSCAPE
728
00:37:15,133 --> 00:37:17,367
AND REACH
A DIFFERENT CONCLUSION.
729
00:37:17,367 --> 00:37:19,867
THE LEADING PROPONENT
OF THIS IDEA IS
730
00:37:19,867 --> 00:37:22,800
LEVY FAMILY INVESTIGATOR
JOE McCANN.
731
00:37:22,800 --> 00:37:24,400
FOR THE FIRST TIME, EVER,
732
00:37:24,400 --> 00:37:26,500
HE DISCUSSES IT ON-CAMERA.
733
00:37:26,500 --> 00:37:30,300
I LOOK AT THE TRAIL THAT SHE'S
SUPPOSED TO BE JOGGING ON,
734
00:37:30,300 --> 00:37:32,067
AND IT IS A HORSE TRAIL.
735
00:37:32,067 --> 00:37:35,233
IT IS COVERED WITH ROCKS, ROOTS.
736
00:37:35,233 --> 00:37:38,233
IT IS DIFFICULT TO JOG ON,
737
00:37:38,233 --> 00:37:40,300
AND IT WOULDN'T BE
YOUR FIRST CHOICE.
738
00:37:40,300 --> 00:37:42,267
YOU'D TWIST YOUR ANKLE.
739
00:37:42,267 --> 00:37:47,267
I CAN TELL YOU SHE WASN'T
JOGGIN' ON THAT TRAIL.
740
00:37:47,267 --> 00:37:50,867
SHE HAD ALSO EXPRESSED TO
FRIENDS THAT SHE WAS CONCERNED
741
00:37:50,867 --> 00:37:53,867
ABOUT GOING TO REMOTE PLACES,
AS A WOMAN, ALONE,
742
00:37:53,867 --> 00:37:55,067
SO WHY WOULD SHE DO THAT?
743
00:37:55,067 --> 00:37:57,600
IT DOESN'T MAKE ANY SENSE.
744
00:37:57,600 --> 00:38:00,833
Narrator:
McCANN BELIEVES ONE PIECE
OF EVIDENCE OFFERS INSIGHT
745
00:38:00,833 --> 00:38:03,833
INTO WHY CHANDRA
LEFT HER APARTMENT.
746
00:38:03,833 --> 00:38:07,067
I REMEMBER
BACK IN HER APARTMENT,
747
00:38:07,067 --> 00:38:10,367
THERE WAS ONE THING
THAT WAS OUT OF PLACE.
748
00:38:10,367 --> 00:38:12,767
THERE WAS A BLANKET
THAT WAS THROWN
749
00:38:12,767 --> 00:38:15,400
JUST INSIDE HER FRONT DOOR.
750
00:38:15,400 --> 00:38:16,800
Narrator:
ACCORDING TO McCANN,
751
00:38:16,800 --> 00:38:19,867
THIS INDICATES
THAT SHE LEFT IN A RUSH.
752
00:38:19,867 --> 00:38:22,133
MAYBE THAT BLANKET WAS
IN THE DRYER
753
00:38:22,133 --> 00:38:24,600
AND SHE RUSHED AND PULLED IT
OUT OF THE DRYER,
754
00:38:24,600 --> 00:38:27,133
THREW IT ON THE GROUND,
AND LEFT.
755
00:38:27,133 --> 00:38:31,900
Narrator:
IF SHE WAS, INDEED, IN A HURRY,
IT BEGS THE QUESTION: WHY?
756
00:38:31,900 --> 00:38:34,233
ONE THEORY THAT THE POLICE
WERE WORKING UNDER
757
00:38:34,233 --> 00:38:36,833
IS THAT CHANDRA LEVY
DELIBERATELY WENT
758
00:38:36,833 --> 00:38:39,067
TO ROCK CREEK PARK
TO MEET SOMEONE.
759
00:38:39,067 --> 00:38:41,267
Narrator:
ACCORDING TO THIS THEORY,
SHE WAS KILLED,
760
00:38:41,267 --> 00:38:43,500
NOT BY A STRANGER,
LIKE GUANDIQUE;
761
00:38:43,500 --> 00:38:45,700
BUT BY SOMEONE SHE KNEW.
762
00:38:45,700 --> 00:38:50,067
MAYBE SHE GOT A CALL
AND MET SOMEBODY OUTSIDE
763
00:38:50,067 --> 00:38:53,333
AND THEY DROVE
TO ROCK CREEK PARK.
764
00:38:53,333 --> 00:38:57,300
WHOEVER SHE MET WITH, MAYBE,
COULDN'T GO HOME WITH HER,
765
00:38:57,300 --> 00:38:59,400
AND SHE COULDN'T
BE SEEN WITH SOMEBODY
766
00:38:59,400 --> 00:39:02,233
AND NOW, TOGETHER,
THEY WALK UP THE TRAIL.
767
00:39:02,233 --> 00:39:04,600
AND, AT SOME POINT,
ON THAT TRAIL,
768
00:39:04,600 --> 00:39:07,067
SHE WILLINGLY DECIDES
TO GO DOWN THE TRAIL
769
00:39:07,067 --> 00:39:08,900
OR DOWN THE HILL
WITH THIS PERSON,
770
00:39:08,900 --> 00:39:12,300
AND SOMETHING BAD
HAPPENED THERE.
771
00:39:12,300 --> 00:39:15,333
Narrator:
McCANN HAS THE NAME
OF A SUSPECT IN MIND.
772
00:39:15,333 --> 00:39:18,067
BUT WON'T REVEAL WHO.
773
00:39:18,067 --> 00:39:20,067
I HAVE MY THEORY.
774
00:39:20,067 --> 00:39:24,367
I DON'T NECESSARILY DISCUSS
THAT, ESPECIALLY NOT ON-CAMERA.
775
00:39:24,367 --> 00:39:28,533
THAT'S MY OWN THING.
AND I CAN'T PROVE IT.
776
00:39:28,533 --> 00:39:32,100
BUT I'M SATISFIED
THAT I KNOW WHAT HAPPENED.
777
00:39:32,100 --> 00:39:34,833
Narrator:
DESPITE HIS CERTAINTY,
McCANN FEELS THE EVIDENCE
778
00:39:34,833 --> 00:39:38,067
CONNECTING HIS SUSPECT
TO THE CRIME IS LACKING
779
00:39:38,067 --> 00:39:42,133
AND THE METRO PD IS
NO LONGER WORKING THE CASE.
780
00:39:42,133 --> 00:39:44,467
ONCE AN ARREST IS MADE,
NO MATTER WHAT HAPPENS
781
00:39:44,467 --> 00:39:48,800
TO THE PERSON AFTER THAT ARREST,
THE CASE REMAINS CLOSED.
782
00:39:48,800 --> 00:39:51,633
WHETHER OR NOT THERE'S GONNA BE
ANY MORE ENERGY DEVOTED
783
00:39:51,633 --> 00:39:53,333
TO TRYING TO SOLVE THIS THING,
784
00:39:53,333 --> 00:39:55,133
I DON'T KNOW
WHERE ELSE THEY CAN GO.
785
00:39:55,133 --> 00:39:58,067
[ MELANCHOLY TUNE PLAYS ]
786
00:39:58,067 --> 00:40:05,567
**
787
00:40:05,567 --> 00:40:08,033
Narrator:
IT SEEMS THE IDENTITY
OF THE PERPETRATOR
788
00:40:08,033 --> 00:40:10,733
COULD FOREVER REMAIN A MYSTERY.
789
00:40:10,733 --> 00:40:11,967
THE POOR WOMAN WAS MURDERED
790
00:40:11,967 --> 00:40:14,200
AND THE PERSON RESPONSIBLE
MAY NEVER BE FOUND.
791
00:40:14,200 --> 00:40:17,367
MAYBE HE WAS FOUND AND THE
GOVERNMENT SCREWED IT UP.
792
00:40:17,367 --> 00:40:19,267
NOW WE'RE 15 YEARS LATER.
793
00:40:19,267 --> 00:40:21,367
WE HAVE NO ADDITIONAL
PHYSICAL EVIDENCE.
794
00:40:21,367 --> 00:40:24,833
WE HAVE NO EYEWITNESSES, SO,
795
00:40:24,833 --> 00:40:28,767
IN MY MIND, IT'S EVEN
MORE DIFFICULT TO SOLVE.
796
00:40:28,767 --> 00:40:31,533
WHEN IT COMES TO COLD CASES,
OR CASES LIKE THIS,
797
00:40:31,533 --> 00:40:34,067
YOU LIVE FOR THE LONG SHOT.
798
00:40:34,067 --> 00:40:35,600
IT MAY NEVER HAPPEN,
799
00:40:35,600 --> 00:40:38,133
OR SOMETHING
MAY COME UP TOMORROW.
800
00:40:38,133 --> 00:40:40,133
ONE THING THAT HAUNTS ME IS
801
00:40:40,133 --> 00:40:43,133
THAT I MIGHT'VE MISSED
THAT LEAD THAT CAME IN.
802
00:40:43,133 --> 00:40:45,867
I MIGHT'VE READ IT
AND JUST BLEW IT AWAY
803
00:40:45,867 --> 00:40:48,133
AND THAT WAS THE THING THAT
WOULD'VE SOLVED THIS CASE.
804
00:40:48,133 --> 00:40:51,400
TO THIS DAY,
I STILL THINK ABOUT THAT.
805
00:40:51,400 --> 00:40:52,767
[ SUSPENSEFUL MUSIC PLAYS ]
806
00:40:52,767 --> 00:40:54,533
[ SUSPENSEFUL CHORD STRIKES ]
807
00:40:54,533 --> 00:40:56,000
[ MELANCHOLY TUNE PLAYS ]
THIS HAS BEEN A VERY EMOTIONAL
808
00:40:56,000 --> 00:40:59,867
AND VERY PHYSICALLY DIFFICULT
CASE FOR THE LEVY FAMILY
809
00:40:59,867 --> 00:41:01,800
AND, FOR IT TO CONTINUE,
810
00:41:01,800 --> 00:41:06,067
INDEFINITELY, AT THIS POINT,
IS SO UNFAIR TO THE FAMILY.
811
00:41:06,067 --> 00:41:09,800
ANYTIME A YOUNG ADULT
LOSES THEIR LIFE,
812
00:41:09,800 --> 00:41:12,267
IT BECOMES A TRAGEDY BECAUSE
813
00:41:12,267 --> 00:41:16,100
THERE IS SO MUCH POTENTIAL
THERE THAT'S NEVER REALIZED.
814
00:41:16,100 --> 00:41:17,333
WE DON'T LIKE THE WORD CLOSURE.
815
00:41:17,333 --> 00:41:18,767
NOBODY REALLY LIKES IT,
WHO'S LOST ANYBODY.
816
00:41:18,767 --> 00:41:20,200
YOU KNOW, WE HATE THAT WORD.
817
00:41:20,200 --> 00:41:25,333
I THINK YOU LEARN TO SEE WHAT
IMPORTANT THINGS IN LIFE IS
818
00:41:25,333 --> 00:41:29,767
AND WHAT TRIVIAL THINGS
THERE ARE.
819
00:41:29,767 --> 00:41:31,200
Narrator:
THROUGHOUT THEIR DAYS,
820
00:41:31,200 --> 00:41:33,167
THE LEVYS CELEBRATE
THEIR DAUGHTER
821
00:41:33,167 --> 00:41:35,767
IN A UNIQUE AND UNEXPECTED WAY.
822
00:41:35,767 --> 00:41:37,533
WE CELEBRATE LADYBUGS.
823
00:41:37,533 --> 00:41:38,867
-YEAH, LADYBUGS.
-MESSAGES.
824
00:41:38,867 --> 00:41:41,267
WE CELEBRATE SIGNS
AND MESSAGES.
825
00:41:41,267 --> 00:41:43,967
HER SECRET NAME
WAS LITTLE LADYBUG
826
00:41:43,967 --> 00:41:46,167
AND, WHEN WE TRAVEL,
827
00:41:46,167 --> 00:41:49,267
SHE SHOWS UP IN UNIQUE WAYS.
828
00:41:49,267 --> 00:41:51,967
LAST YEAR, WE WERE
IN INNER MONGOLIA.
829
00:41:51,967 --> 00:41:55,067
IT'S REMOTE
AND WE STOPPED TO EAT.
830
00:41:55,067 --> 00:41:59,367
AND, ON BOB'S PANTS
SHOWS UP A LADYBUG
831
00:41:59,367 --> 00:42:01,867
AND IT STAYED QUITE A WHILE.
832
00:42:01,867 --> 00:42:06,067
AND I ASKED EVERYBODY
IF THEY'D EVER SEE LADYBUGS?
833
00:42:06,067 --> 00:42:07,633
IT'S THE FIRST TIME.
834
00:42:07,633 --> 00:42:13,667
IN RUSSIA, BOB SAID HE SAW
A WOMAN DRIVE BY, ON A BIKE,
835
00:42:13,667 --> 00:42:15,067
THAT LOOKED LIKE CHANDRA.
836
00:42:15,067 --> 00:42:19,200
ALL OF A SUDDEN,
THERE'S A LADYBUG ON THE BUS.
837
00:42:19,200 --> 00:42:22,300
THEN IT HAPPENED
IN GERMANY.
838
00:42:22,300 --> 00:42:26,200
Robert:
IT'S BEEN A WHILE NOW, AND YOU
JUST GET USED TO EVERYTHING.
839
00:42:26,200 --> 00:42:28,833
YOU HATE TO GET USED TO IT,
BUT THAT'S THE WAY IT IS.
840
00:42:28,833 --> 00:42:31,933
WHAT ELSE CAN YOU DO
BUT GO ON?
67846
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