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Help everyone explore
new worlds and ideas.
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00:00:02,767 --> 00:00:05,033
Support your PBS station.
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DAVID EAGLEMAN: THERE'S A LOT OF
NOISE IN THIS OPERATING THEATER,
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00:00:14,333 --> 00:00:17,067
BUT I WANT YOU TO
LISTEN OUT FOR SOMETHING.
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IN PREPARATION FOR THIS
PATIENT'S NEUROSURGERY,
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00:00:20,967 --> 00:00:23,900
DOCTORS HAVE PUT
ELECTRODES INTO HIS BRAIN
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TO RECORD THE ACTIVITY.
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THROUGH A SPEAKER WE CAN HEAR
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THE FIRING OF
INDIVIDUAL NEURONS.
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HE'S AGREED TO HELP ME WITH
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AN EXPERIMENT ABOUT
DECISION MAKING.
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OK, CAN YOU TELL ME
WHAT YOU'RE SEEING,
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SO IT'S VERY SIMPLE.
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WITHOUT HIM KNOWING IT,
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HIS BRAIN WILL DECIDE WHETHER
THIS IS A RABBIT OR AN OSTRICH.
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IT COULD BE SEEN AS EITHER.
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WHAT DO YOU SAY?
AN OSTRICH?
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AS HIS BRAIN COMES
TO A DECISION,
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THERE'S A SUBTLE CHANGE
IN THE AUDIO.
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IT'S BURIED
IN THAT POP-POP-POP.
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THIS IS THE SOUND OF
A DECISION GETTING MADE.
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WE'RE EAVESDROPPING
ON SINGLE NEURONS,
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WORKING IN CONCERT WITH
BILLIONS OF OTHER NEURONS
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TO LAND ON A CHOICE.
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THIS IS WHAT EVERY DECISION
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IN THE HISTORY OF
THE HUMAN SPECIES LOOKS LIKE.
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EVERY MARRIAGE PROPOSAL,
EVERY DECLARATION OF WAR,
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EVERY LEAP OF IMAGINATION,
EVERY MISSION WE'VE LAUNCHED,
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EVERY BIT OF HUMAN MAGIC
LOOKED JUST LIKE THIS.
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OUR BRAINS ARE CONSTANTLY
MAKING DECISIONS.
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SOME WE'RE AWARE OF.
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MOST WE'RE NOT.
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DECIPHERING WHAT WE HEAR,
OR SEE, OR SMELL.
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THESE ARE DECISIONS.
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SO IS BEING AFRAID, FALLING IN
LOVE, GIVING IN, RESISTING.
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DECISION MAKING
IS WHAT ALLOWS US
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TO NAVIGATE A COURSE
THROUGH LIFE.
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AND YOUR LIFETIME OF CHOICES
HAS SCULPTED YOU INTO
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THE PERSON YOU ARE RIGHT NOW.
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NO MATTER HOW EASY
YOUR DAY SEEMS,
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YOUR BRAIN IS ALWAYS
HARD AT WORK--
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MAKING CHOICES, WEIGHING UP
DIFFERENT OPTIONS.
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AND IT'S OFTEN IN
A STATE OF CONFLICT--
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LOCKED IN A GREAT POWER
STRUGGLE--WITH ITSELF.
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LET ME SHOW YOU WHAT I MEAN.
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RIGHT NOW, I HAVE TO MAKE
A MOMENTOUS DECISION.
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MINT FROZEN YOGURT?
OR LEMON?
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THIS IS SERIOUS BUSINESS--
BECAUSE I LIKE BOTH.
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AND INSIDE MY BRAIN,
THIS CHOICE UNLEASHES
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A WHIRLWIND OF ACTIVITY.
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NEURONS ARE WILDLY GETTING
IN TOUCH WITH ONE ANOTHER.
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THEY'RE FORMING
COMPETING NETWORKS.
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ONE FAVORS THE ZING
OF THE ZESTY LEMON,
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THE OTHER THE FRESHNESS
OF THE MINT.
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WHEN I FINALLY
GO FOR THE LEMON,
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I HAVE NO REAL IDEA
WHY I CHOSE IT.
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BUT IF I COULD SEE UNDER
THE HOOD, I WOULD FIND THAT
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THE LEMON NETWORK HAS
FOUGHT HARDER AND WON,
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SQUELCHING MY MINT NETWORK.
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AND IT'S NOT JUST
MINT VERSUS LEMON.
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I'M WONDERING WHETHER
TO EAT THIS YOGURT AT ALL,
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BECAUSE PART OF ME WANTS IT BUT
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PART OF ME KNOWS
THAT IT'S FATTENING.
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AND IT'S BECAUSE OF
THIS SORT OF CONFLICT
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THAT WE CAN GET
ANGRY AT OURSELVES
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AND CUSS AT OURSELVES
AND CAJOLE OURSELVES.
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WHO'S TALKING
WITH WHOM EXACTLY?
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IT'S ALL YOU, RIGHT?
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BUT IT'S DIFFERENT
PARTS OF YOU.
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THESE RIVALRIES ARE WITH US
IN EVERY DECISION THAT WE MAKE.
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THEY'RE USUALLY
SO EASILY RESOLVED
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THAT WE'RE UNAWARE OF THEM.
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BUT IN SOME SITUATIONS,
THEY SHOW THEMSELVES.
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00:04:18,600 --> 00:04:22,533
WE CAN FEEL THE TUG
OF DIFFERENT NETWORKS.
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I'LL SHOW YOU WHAT I MEAN--IF I
CAN FIND A WILLING VOLUNTEER.
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EXCUSE ME, DO YOU WANT TO
PARTICIPATE IN AN EXPERIMENT?
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I DON'T THINK SO.
OK.
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EXCUSE ME,
DO YOU GUYS WANT
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TO PARTICIPATE IN
AN EXPERIMENT?
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THIS WILL ONLY
TAKE 30 SECONDS.
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SORRY, WE'RE LATE.
OK. OK.
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WOULD YOU PARTICIPATE IN
AN EXPERIMENT FOR 30 SECONDS?
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OK.
OK, SO HERE'S
WHAT YOU'RE GOING TO DO.
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PUT YOUR HANDS OUT.
OK.
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00:04:54,433 --> 00:04:57,567
AND I'M GOING TO ASK YOU
TO NAME THE COLOR OF THE INK.
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OK, SO WHAT COLOR IS THAT?
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RED.
GOOD. OK.
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00:05:00,067 --> 00:05:02,133
WHAT COLOR IS THAT?
BLUE.
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00:05:02,233 --> 00:05:05,333
EAGLEMAN: THIS IS
A PRETTY EASY TEST.
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00:05:05,433 --> 00:05:07,033
RED. BLUE.
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00:05:07,133 --> 00:05:09,600
EAGLEMAN: BUT INTRODUCE
A CONFLICT...BETWEEN
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THE WORD AND THE COLOR OF THE
INK, AND THE SITUATION CHANGES.
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BLUE...YELLOW...ORANGE...
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ORANGE...BLUE...
GREEN...BLUE.
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OK.
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ORANGE...GREEN...
BLUE...RED...
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ORANGE...BLUE...
GREEN...
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I HAD TO CLOSE MY EYES!
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YEAH, I SAW THAT.
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EAGLEMAN: IT'S HARD
BECAUSE OF RIVALRIES
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PLAYING OUT INSIDE THE BRAIN.
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ONE NETWORK IS INVOLVED
IN NAMING COLORS,
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ANOTHER HAS A LIFETIME OF
TRAINING IN READING WORDS.
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RED...BLUE.
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EAGLEMAN: WITH BOTH NETWORKS
BATTLING IT OUT,
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00:06:03,233 --> 00:06:06,167
YOU CAN DIRECTLY
EXPERIENCE THE CONFLICT.
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00:06:08,233 --> 00:06:11,067
TO GET THE RIGHT ANSWER,
YOU HAVE TO ACTIVELY SUPPRESS
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THE WORD READING
TO NAME THE COLOR.
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THERE ARE OCCASIONS WHEN RIVAL
NETWORKS CAN'T BE RECONCILED.
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AND THOSE OFFER
A SPECIAL INSIGHT.
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IN THIS RARE FOOTAGE,
WE CAN SEE CONFLICT
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IN THE BRAIN EXPRESSING ITSELF
IN THE BODY.
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PSYCHOLOGIST MATT ROSER
IS A SPECIALIST
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IN A CONDITION KNOWN AS
ALIEN HAND SYNDROME.
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THIS IS A RARE SIDE-EFFECT
OF A SPLIT BRAIN SURGERY
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WHICH IS SOMETIMES USED
TO TREAT EPILEPSY.
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ROSER: A SPLIT BRAIN SURGERY
IS THE DISCONNECTION OF
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00:07:00,367 --> 00:07:02,233
THE TWO HEMISPHERES
OF THE BRAIN,
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THE TWO HALVES OF THE BRAIN.
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BY CUTTING THE BRAIN IN HALF,
YOU CONTROL THE EPILEPSY BETTER.
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EAGLEMAN: IN THIS PATIENT,
IT HAS FURTHER,
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DISTURBING CONSEQUENCES.
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IT AFFECTS ALL HER
MOTOR SKILLS,
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PARTICULARLY THE MOVEMENT
OF HER HANDS.
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SHE CAN DO WHAT THE DOCTOR ASKS
WITH ONE HALF OF HER BODY...
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MAN: CAN YOU LIFT
YOUR HANDS UP IN THE AIR?
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EAGLEMAN: BUT SHE HAS
NO CONSCIOUS CONTROL
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OF THE OTHER HALF.
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00:07:34,733 --> 00:07:36,967
CAN YOU GIVE ME
A THUMBS UP WITH
THIS HAND?
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GIVE ME
A THUMBS UP.
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SHOW ME THE INDEX
FINGER OF YOUR...
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EAGLEMAN: HER RIGHT BRAIN TAKES
CONTROL OF HER LEFT HAND
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AND FIGHTS FOR ATTENTION.
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WHAT'S GOING ON?
TELL US WHAT'S GOING ON.
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CAN YOU SHOW ME
YOUR PINKY?
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OK, GOOD.
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00:07:54,567 --> 00:07:57,333
CAN YOU TAKE YOUR
PINKY AND TOUCH
YOUR FOREHEAD?
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ROSER: THE HAND JUST DOESN'T
RESPOND TO COMMANDS,
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00:08:01,167 --> 00:08:03,433
IT SEEMS TO HAVE
A WILL OF ITS OWN.
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BECAUSE NOW THERE
ARE ALMOST LIKE
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TWO HALF-PATIENTS
INSIDE ONE BODY.
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MAN: CAN YOU
SHOW ME YOUR THUMB?
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00:08:11,167 --> 00:08:12,733
SHOW ME YOUR THUMB.
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00:08:12,833 --> 00:08:16,333
EAGLEMAN: FOR THIS PATIENT,
HER ALIEN HAND SYNDROME
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WAS EVENTUALLY
BROUGHT UNDER CONTROL.
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WOMAN:
YEAH, I CAN'T STOP IT.
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EAGLEMAN: BUT THE DISORDER
REVEALS SOMETHING
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THAT'S NORMALLY HIDDEN,
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GIVING US A WINDOW
INTO THE STRUGGLE
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00:08:28,600 --> 00:08:33,333
THAT'S WAGED INSIDE
OUR HEADS...EVERY DAY.
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00:08:33,433 --> 00:08:36,100
MAN: CAN YOU
SHOW ME...CAN YOU
SHOW ME YOUR THUMB?
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SHOW ME YOUR THUMB.
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EAGLEMAN: IN THE BUSINESS
OF DECISION MAKING,
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TWO BIG SYSTEMS THAT
OFTEN COME INTO CONFLICT
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ARE THOSE WE CAN SUMMARIZE
AS REASON AND EMOTION.
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THESE SYSTEMS WORK TOGETHER, SO
WE'RE GENERALLY NOT AWARE THAT
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00:09:02,967 --> 00:09:06,133
MORE THAN ONE THING
STEERS OUR DECISIONS.
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00:09:09,400 --> 00:09:12,700
BUT SOME SITUATIONS
CAN TEASE THEM APART.
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00:09:15,200 --> 00:09:17,900
CONSIDER THE TROLLEY DILEMMA.
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00:09:18,000 --> 00:09:19,367
EAGLEMAN: HI.
WOMAN: HI.
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00:09:19,467 --> 00:09:22,033
I'D LIKE TO INVITE YOU
TO STEP INTO THIS
BOOTH HERE
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00:09:22,133 --> 00:09:23,500
AND WE'RE GOING
TO SHOW YOU A VIDEO
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00:09:23,600 --> 00:09:25,867
AND JUST ASK YOU A QUESTION
ABOUT WHAT YOU WOULD
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00:09:25,967 --> 00:09:27,567
DO IN THIS
SORT OF SCENARIO.
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00:09:32,700 --> 00:09:36,167
EAGLEMAN: YOU SEE A TRAIN
TROLLEY WHOSE BRAKES ARE BROKEN.
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00:09:36,267 --> 00:09:38,633
IT'S BARRELING DOWN
THE TRACK OUT OF CONTROL.
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00:09:40,233 --> 00:09:43,267
IN ITS PATH, YOU SEE 4 WORKERS.
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00:09:47,267 --> 00:09:50,933
THEY'RE TOO FAR AWAY TO WARN,
BUT IF YOU DON'T DO SOMETHING,
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THEY FACE CERTAIN DEATH.
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00:09:56,300 --> 00:09:57,767
THEN YOU SEE A LEVER.
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00:09:59,467 --> 00:10:03,233
IF YOU PULL IT, YOU'LL DIVERT
THE TROLLEY ONTO ANOTHER TRACK
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00:10:03,333 --> 00:10:05,567
AND THOSE 4 WORKMEN
WILL BE SAVED.
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00:10:07,267 --> 00:10:09,933
BUT HERE'S THE THING:
ANOTHER MAN
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00:10:10,033 --> 00:10:12,000
IS WORKING ON THE OTHER TRACK.
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00:10:14,400 --> 00:10:17,600
IF YOU PULL THE LEVER,
HE WILL DEFINITELY DIE.
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00:10:19,133 --> 00:10:22,033
SO DO YOU PULL THE LEVER?
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00:10:34,867 --> 00:10:36,800
NOW.
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00:10:36,900 --> 00:10:38,100
OK, DID YOU
PULL THE LEVER?
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00:10:38,200 --> 00:10:39,867
I PULLED THE LEVER.
OK. GREAT.
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00:10:39,967 --> 00:10:41,767
NOW HERE COMES
SCENARIO TWO.
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00:10:41,867 --> 00:10:42,967
THERE'S ONE MORE
SCENARIO HERE.
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00:10:43,067 --> 00:10:44,433
OK, GREAT--
HERE WE GO.
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00:10:46,633 --> 00:10:49,167
EAGLEMAN: THIS TIME THE DILEMMA
IS SLIGHTLY DIFFERENT.
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00:10:50,433 --> 00:10:52,700
THERE ARE STILL
4 WORKERS IN THE PATH
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00:10:52,800 --> 00:10:54,467
OF THE OUT-OF-CONTROL TROLLEY.
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00:10:56,667 --> 00:10:58,767
BUT NOW THERE'S NO LEVER...
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00:10:58,867 --> 00:11:00,433
NO WAY TO DIVERT THE TROLLEY.
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00:11:02,033 --> 00:11:04,300
INSTEAD, THERE IS A LARGE MAN
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00:11:04,400 --> 00:11:07,167
STANDING ON A WATER TOWER
NEXT TO THE TRACK.
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00:11:07,267 --> 00:11:10,233
PUSH HIM OFF, INTO
THE TROLLEY'S PATH,
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00:11:10,333 --> 00:11:14,000
AND HIS WEIGHT WILL BE ENOUGH
TO STOP THE TROLLEY.
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00:11:14,100 --> 00:11:16,700
YOU'LL BE SACRIFICING ONE
TO SAVE THE OTHERS.
193
00:11:18,133 --> 00:11:20,733
SO DO YOU PUSH THE MAN?
194
00:11:29,200 --> 00:11:31,333
OK, DID YOU
PUSH THE MAN OFF?
195
00:11:31,433 --> 00:11:32,367
ABSOLUTELY NOT.
196
00:11:32,467 --> 00:11:33,667
OK, WHAT DID YOU DO
IN THE FIRST SCENARIO?
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00:11:33,767 --> 00:11:34,633
DID YOU PULL THE LEVER?
198
00:11:34,733 --> 00:11:36,033
I PULLED THE LEVER.
199
00:11:36,133 --> 00:11:38,967
BECAUSE IT'S TRADING
ONE LIFE FOR 4 LIVES, RIGHT?
200
00:11:39,067 --> 00:11:41,600
SO WHAT'S THE DIFFERENCE
BETWEEN THE TWO SCENARIOS?
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00:11:41,700 --> 00:11:45,400
THE PHYSICAL CONTACT
OF CAUSING DEATH--
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00:11:45,500 --> 00:11:48,433
EVEN THOUGH I CAN SEE
WHERE THEY WERE
THE SAME THING,
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00:11:48,533 --> 00:11:50,033
THEY WOULD HAVE
THE SAME RESULT--
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00:11:50,133 --> 00:11:54,167
MY GUT FEELING WAS...
WAS AVERSE TO THAT.
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00:11:55,767 --> 00:11:58,733
EAGLEMAN: EVERYONE I ASK
MAKES THE SAME CHOICE.
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00:11:58,833 --> 00:12:02,400
THEY'LL PULL THE LEVER,
BUT THEY WON'T PUSH THE MAN.
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00:12:11,467 --> 00:12:13,367
NO.
EAGLEMAN:
OK.
208
00:12:14,967 --> 00:12:18,167
EAGLEMAN: IT'S THE SAME ETHICAL
DILEMMA IN BOTH CASES.
209
00:12:18,267 --> 00:12:21,233
WOULD YOU TRADE ONE LIFE FOR 4?
210
00:12:21,333 --> 00:12:23,900
IN THE FIRST SCENARIO,
IT'S JUST A MATH PROBLEM.
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00:12:24,000 --> 00:12:25,867
IN THE SECOND ONE, YOU HAVE TO
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00:12:25,967 --> 00:12:27,867
PHYSICALLY INTERACT
WITH THE MAN,
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00:12:27,967 --> 00:12:30,200
PUSH HIM TO HIS DEATH,
AND THAT RECRUITS
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00:12:30,300 --> 00:12:33,533
OTHER NETWORKS IN THE BRAIN,
INVOLVED IN EMOTION.
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00:12:35,467 --> 00:12:38,200
SO WHAT'S GOING ON
BEHIND THE SCENES?
216
00:12:39,667 --> 00:12:43,867
THE CONFLICT IS BEING
PLAYED OUT ACROSS THE BRAIN.
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00:12:43,967 --> 00:12:46,833
AT FIRST, THE LOGIC
SYSTEM DOMINATES,
218
00:12:46,933 --> 00:12:51,467
BUT INTRODUCE THE IDEA OF
KILLING A MAN WITH
YOUR BARE HANDS
219
00:12:51,567 --> 00:12:56,633
AND THE EMOTION SYSTEM COMES
ONLINE, TIPPING THE BALANCE.
220
00:12:56,733 --> 00:13:00,700
YOU'RE CAUGHT BETWEEN COMPETING
DRIVES, WITH THE RESULT THAT
221
00:13:00,800 --> 00:13:03,567
YOUR DECISION CAN
CHANGE ENTIRELY.
222
00:13:09,000 --> 00:13:13,433
THE TROLLEY DILEMMA SHEDS LIGHT
ON REAL-WORLD SITUATIONS.
223
00:13:20,133 --> 00:13:22,267
THINK ABOUT MODERN WARFARE.
224
00:13:25,500 --> 00:13:31,000
WHEN YOU LAUNCH A LONG-RANGE
MISSILE, OR PILOT A DRONE,
225
00:13:31,100 --> 00:13:33,867
OR PROGRAM A CYBER ATTACK,
226
00:13:33,967 --> 00:13:36,300
THESE CAUSE DAMAGE
AT A DISTANCE.
227
00:13:38,367 --> 00:13:40,667
THE RATIONAL NETWORKS
ARE AT WORK,
228
00:13:40,767 --> 00:13:43,700
BUT NOT NECESSARILY
THE EMOTIONAL NETWORKS.
229
00:13:45,400 --> 00:13:48,667
DETACHMENT REDUCES
INTERNAL CONFLICT.
230
00:13:48,767 --> 00:13:52,333
IT'S MORE LIKE PULLING THE LEVER
THAN PUSHING THE MAN.
231
00:13:56,100 --> 00:13:59,467
WAR IS EASIER TO WAGE
AT A DISTANCE.
232
00:14:06,300 --> 00:14:10,233
IF WE'RE CAPABLE OF BYPASSING
OUR EMOTIONAL SYSTEMS,
233
00:14:10,333 --> 00:14:11,500
WHY DO WE HAVE THEM AT ALL?
234
00:14:16,200 --> 00:14:20,167
SO OFTEN IN NEUROSCIENCE,
WE LEARN MOST ABOUT THE BRAIN
235
00:14:20,267 --> 00:14:21,600
WHEN THINGS GO WRONG.
236
00:14:24,333 --> 00:14:26,500
FOR TWO DECADES,
TAMMIE MYERS HAD
237
00:14:26,600 --> 00:14:30,533
A SUCCESSFUL CAREER AS AN
ENGINEER AND A HAPPY MARRIAGE.
238
00:14:33,933 --> 00:14:37,200
THEN, TWO YEARS AGO,
THERE WAS AN ACCIDENT.
239
00:14:43,633 --> 00:14:47,233
TAMMIE: THAT MORNING WE GOT UP
AND RODE ABOUT AN HOUR.
240
00:14:49,433 --> 00:14:51,433
FROM WHAT MY FRIENDS TELL ME,
241
00:14:51,533 --> 00:14:54,600
WE WENT INTO A 90-DEGREE TURN
THAT WAS NOT MARKED.
242
00:14:58,267 --> 00:15:02,800
AND, UM, TRIED EVERYTHING WE
COULD DO GET AROUND THE TURN.
243
00:15:02,900 --> 00:15:04,033
THE BIKE WENT DOWN.
244
00:15:06,467 --> 00:15:08,133
FROM THERE I DON'T
REMEMBER ANYTHING.
245
00:15:11,033 --> 00:15:13,900
EAGLEMAN: TAMMIE
RECOVERED FROM THE CRASH,
246
00:15:14,000 --> 00:15:16,333
BUT ONE PROBLEM REMAINED.
247
00:15:19,633 --> 00:15:23,967
SHE NOW STRUGGLES TO MAKE
EVEN THE SIMPLEST DECISIONS.
248
00:15:24,067 --> 00:15:25,633
TAMMIE: I DON'T--
I DON'T--
249
00:15:29,200 --> 00:15:32,033
I DON'T--
I DON'T CARE.
250
00:15:32,133 --> 00:15:33,533
I'M GOING
TO START CRYING.
251
00:15:33,633 --> 00:15:35,233
I DON'T
WANT TO CRY.
252
00:15:35,333 --> 00:15:37,067
THERE'S TOO MANY
THINGS IN THERE.
253
00:15:39,333 --> 00:15:42,267
MAN: THERE ARE GOOD DAYS
AND THERE'S BAD DAYS--
254
00:15:42,367 --> 00:15:46,733
AND YOU DON'T NECESSARILY KNOW
WHAT DAY IT'S GOING TO BE
255
00:15:46,833 --> 00:15:48,067
WHEN YOU WAKE UP
IN THE MORNING.
256
00:15:50,167 --> 00:15:51,733
YOU KNOW, I'M WAITING
FOR THE DAY THAT...
257
00:15:54,600 --> 00:15:57,000
YOU KNOW, SHE'S NORMAL.
258
00:15:59,633 --> 00:16:02,733
I CAN'T MAKE ANY...
IT'S TOO MANY THINGS
259
00:16:02,833 --> 00:16:06,700
FOR MY BRAIN TO PROCESS
THAT'S JUST
ABSOLUTELY STUPID.
260
00:16:09,900 --> 00:16:14,267
EAGLEMAN: TAMMIE'S BRAIN DAMAGE
IS IN THE PRE-FRONTAL CORTEX.
261
00:16:14,367 --> 00:16:18,167
HER LOGIC AND EMOTION SYSTEMS
HAVE BECOME DISCONNECTED.
262
00:16:18,267 --> 00:16:21,167
THEY'RE STILL WORKING--
BUT HER EMOTIONS ARE
263
00:16:21,267 --> 00:16:23,700
NO LONGER LINKED
TO HER INTELLECT.
264
00:16:25,167 --> 00:16:27,300
TAMMIE'S INJURY REVEALS THAT
265
00:16:27,400 --> 00:16:29,667
EVEN IN THE MOST
BASIC SITUATIONS,
266
00:16:29,767 --> 00:16:33,367
EMOTION IS A NECESSARY
COMPONENT OF DECISION MAKING.
267
00:16:34,900 --> 00:16:39,067
TO UNDERSTAND THE DAMAGE,
TAMMIE'S NEUROLOGIST
DR. ESLINGER
268
00:16:39,167 --> 00:16:41,400
HAS BROUGHT HER HERE
TO THE GROCERY STORE.
269
00:16:44,567 --> 00:16:46,500
ESLINGER: TAMMIE
STILL EXPERIENCES
270
00:16:46,600 --> 00:16:49,967
SOME LEVEL OF
EMOTIONAL EXPRESSION.
271
00:16:50,067 --> 00:16:53,567
IT'S JUST THAT IT'S VERY
KIND OF ELEMENTARY IN A WAY
272
00:16:53,667 --> 00:16:55,967
AND IT'S NOT LINKED INTO
THE LOGICAL SYSTEM.
273
00:16:56,067 --> 00:16:57,467
I DON'T UNDERSTAND
WHAT THE DIFFERENCE IS
274
00:16:57,567 --> 00:16:59,133
WITH ALL THESE THINGS.
275
00:16:59,233 --> 00:17:02,067
RIGHT, IF I FORGET THINGS
I'LL GET MY HUSBAND TO
PICK THEM UP, BECAUSE...
276
00:17:02,167 --> 00:17:04,633
EAGLEMAN: ESLINGER WANTS TO SEE
HOW TAMMY COPES WITH
277
00:17:04,733 --> 00:17:09,400
THE MOST BASIC OF CHOICES--
WHAT SHOULD SHE BUY FOR DINNER?
278
00:17:09,500 --> 00:17:11,033
SO HERE YOU HAVE
SOME CHOICES.
279
00:17:11,133 --> 00:17:14,000
HOW DO YOU DECIDE
WHAT IT IS YOU WOULD LIKE?
280
00:17:14,100 --> 00:17:16,100
UM, I JUST LOOK
281
00:17:16,200 --> 00:17:19,233
AT DIFFERENT THINGS
THAT ARE HERE
282
00:17:19,333 --> 00:17:21,433
AND THE DIFFERENT
PRICES
283
00:17:21,533 --> 00:17:22,267
AND, AH,
284
00:17:22,367 --> 00:17:24,333
I DON'T WANT
BIG POTATOES.
285
00:17:24,433 --> 00:17:29,233
I'D PROBABLY JUST
PICK UP A BAG OF,
LIKE...
286
00:17:29,333 --> 00:17:31,233
MAYBE THE GOLD
POTATOES OR...
287
00:17:31,333 --> 00:17:33,667
ESLINGER: SHE WAS TAKING IN
THE INFORMATION ACCURATELY
288
00:17:33,767 --> 00:17:36,833
ABOUT WHAT SHE WAS SEEING
AND THE FACT THERE WAS COST
289
00:17:36,933 --> 00:17:39,367
AND THERE WAS SIZE AND COLOR.
290
00:17:39,467 --> 00:17:42,567
SO HER BRAIN WAS PROCESSING
ALL THE LOGICAL INFORMATION
291
00:17:42,667 --> 00:17:46,733
BUT THE EMOTION SYSTEM
WASN'T COMING INTO PLAY,
292
00:17:46,833 --> 00:17:48,767
LINKING TO THAT LOGIC SYSTEM.
293
00:17:48,867 --> 00:17:49,833
THERE IS SO MANY.
294
00:17:49,933 --> 00:17:51,867
WHY DO YOU NEED
SO MANY POTATOES?
295
00:17:51,967 --> 00:17:53,133
THAT'S RIGHT.
296
00:17:53,233 --> 00:17:55,367
MY CHEST IS ALL TIGHT,
THINKING ABOUT ALL THIS.
297
00:17:55,467 --> 00:17:56,500
WHY IS THAT?
298
00:17:56,600 --> 00:17:59,500
BECAUSE IT'S STRESS,
IT'S A DECISION,
299
00:17:59,600 --> 00:18:02,767
IT'S, UM, THERE'S A LOT
OF STUFF LAYING HERE.
300
00:18:04,967 --> 00:18:08,100
ESLINGER: TAMMIE QUICKLY BECAME
OVERWHELMED WITH INFORMATION
301
00:18:08,200 --> 00:18:11,200
THAT SHE COULDN'T PRIORITIZE.
302
00:18:11,300 --> 00:18:13,133
THE ROUTE THAT SHE TOOK WAS,
303
00:18:13,233 --> 00:18:15,300
"WELL, LET ME TAKE THAT ONE
AND GET OUT OF HERE."
304
00:18:15,400 --> 00:18:17,000
I CAN'T PROCESS
THE INFORMATION.
305
00:18:17,100 --> 00:18:18,500
IT'S TOO MUCH.
306
00:18:18,600 --> 00:18:19,967
NOW, WAS THAT TRUE
BEFORE YOUR ACCIDENT?
307
00:18:20,067 --> 00:18:22,133
NO, NO.
I WAS AN ENGINEER.
308
00:18:22,233 --> 00:18:25,333
I COULD DO EVERYTHING,
BUT NOW I CAN'T,
309
00:18:25,433 --> 00:18:27,933
CAN'T PICK
A HAM ALONE...
MAKE 10 DECISIONS
310
00:18:28,033 --> 00:18:29,767
AT WORK WITHIN
THE NEXT HOUR...
311
00:18:29,867 --> 00:18:31,467
10 DECISIONS
MAYBE IN THE WEEK.
312
00:18:33,667 --> 00:18:36,467
EAGLEMAN: THE SITUATION
MAKES TAMMIE STRESSED
313
00:18:36,567 --> 00:18:40,567
BUT SHE CAN'T MAKE HERSELF
CARE ABOUT HER CHOICES.
314
00:18:40,667 --> 00:18:43,700
TO MAKE A DECISION,
SHE NEEDS TO SOMEHOW
315
00:18:43,800 --> 00:18:46,200
VALUE ONE OPTION OVER ANOTHER.
316
00:18:46,300 --> 00:18:49,000
IT'S A LOT OF
INFORMATION TO PROCESS.
317
00:18:49,100 --> 00:18:50,300
THAT'S WHAT IT IS...
318
00:18:50,400 --> 00:18:52,667
EAGLEMAN: AND THAT
CAN ONLY BE DONE WITH
319
00:18:52,767 --> 00:18:54,267
THE HELP OF THE EMOTIONS.
320
00:18:54,367 --> 00:18:55,700
TAMMIE: IT'S INFORMATION
THAT YOU HAVE TO PUT
321
00:18:55,800 --> 00:18:57,267
INTO YOUR HEAD, I GUESS...
322
00:18:57,367 --> 00:19:00,167
ESLINGER: THE LOGICAL BRAIN
SYSTEM STILL IS VERY STRONG
323
00:19:00,267 --> 00:19:03,400
AND WE WANT TO FORCE IT TO
TAP INTO THE EMOTION SYSTEM.
324
00:19:03,500 --> 00:19:05,033
SO ONE OF THE THINGS
WE DO DAY TO DAY
325
00:19:05,133 --> 00:19:08,167
IS WE DISCARD
THINGS THAT ARE
NOT SO IMPORTANT.
326
00:19:08,267 --> 00:19:10,067
AND SOMETIMES IT'S
OUR EMOTIONS THAT
327
00:19:10,167 --> 00:19:11,767
HELP US DO
THAT SEPARATION.
328
00:19:11,867 --> 00:19:15,333
BY HAVING THAT LOGICAL BRAIN
SYSTEM WORK ON THE PROCESS,
329
00:19:15,433 --> 00:19:16,600
WE MAY BE ABLE TO BREAK THROUGH
330
00:19:16,700 --> 00:19:20,100
AT LEAST IN SOME WAYS
TO RECONNECT THOSE.
331
00:19:20,200 --> 00:19:23,267
I--I...I JUST SIT...
332
00:19:23,367 --> 00:19:25,567
TAMMIE: I DON'T KNOW
WHAT TOMORROW IS--
333
00:19:25,667 --> 00:19:28,067
AM I GOING TO BE BETTER,
AM I GOING TO BE WORSE?
334
00:19:29,967 --> 00:19:32,400
IT SEEMS LIKE THE PIECES
OF THE PUZZLE
335
00:19:32,500 --> 00:19:35,167
COULD BE COMING TOGETHER
IN A GRADUAL FASHION
336
00:19:35,267 --> 00:19:38,833
BUT IT'S REALLY SLOW--AS FAR AS
337
00:19:38,933 --> 00:19:41,100
MY PAST BEING
WOULD HAVE ACCEPTED.
338
00:19:44,167 --> 00:19:46,333
EAGLEMAN: TAMMIE'S STORY
SHOWS HOW IMPORTANT
339
00:19:46,433 --> 00:19:48,767
EMOTIONS ARE IN
MAKING DECISIONS.
340
00:19:51,067 --> 00:19:52,667
BUT HERE'S THE THING.
341
00:19:52,767 --> 00:19:57,233
EMOTIONS DON'T JUST HAPPEN
INSIDE THE BRAIN.
342
00:19:57,333 --> 00:20:01,467
OUR EMOTIONAL SYSTEMS INTERACT
WITH THE REST OF OUR PHYSIOLOGY.
343
00:20:03,233 --> 00:20:09,000
WHEN WE'RE FACED WITH CHOICES,
OUR MUSCLES IMPERCEPTIBLY TENSE,
344
00:20:09,100 --> 00:20:11,600
OUR HORMONE LEVELS FLUCTUATE.
345
00:20:11,700 --> 00:20:17,133
THESE ARE AUTOMATIC, PHYSICAL
REACTIONS--GUT FEELINGS.
346
00:20:17,233 --> 00:20:18,467
AND WE NEED THEM.
347
00:20:20,133 --> 00:20:22,133
I'M TRYING TO DECIDE
WHAT KIND OF SOUP I WANT
348
00:20:22,233 --> 00:20:23,567
BUT IT'S A REALLY
DIFFICULT CHOICE.
349
00:20:23,667 --> 00:20:25,767
THERE ARE SO MANY DETAILS
FOR MY BRAIN TO COMPUTE.
350
00:20:27,500 --> 00:20:31,767
THERE IS CALORIES AND PRICE AND
TASTE AND SALT AND PACKAGING.
351
00:20:31,867 --> 00:20:33,800
THERE ARE A MILLION
DETAILS HERE
352
00:20:33,900 --> 00:20:35,667
AND I'M GOING TO BE
PARALYZED ALL DAY
353
00:20:35,767 --> 00:20:38,700
UNDER THIS MOUNTAIN OF DATA,
SO WHAT I REALLY NEED IS
354
00:20:38,800 --> 00:20:40,800
SOME SORT OF SUMMARY,
A QUICK READ,
355
00:20:40,900 --> 00:20:45,267
AND THAT'S WHAT THE PHYSIOLOGIC
STATES OF MY BODY GIVE ME.
356
00:20:45,367 --> 00:20:47,267
IT ALLOWS ME TO PUT
A VALUE ON THIS CHOICE
357
00:20:47,367 --> 00:20:49,067
AND A VALUE ON THAT CHOICE
358
00:20:49,167 --> 00:20:52,167
AND THAT'S WHAT ALLOWS ME
TO MAKE THE DECISION.
359
00:20:59,033 --> 00:21:03,433
THIS CONVERSATION BETWEEN THE
BODY AND THE BRAIN NEVER STOPS.
360
00:21:05,333 --> 00:21:07,167
BUT IT REALLY COMES TO THE FORE
361
00:21:07,267 --> 00:21:09,467
WHEN WE'RE STRESSED,
OR IN DANGER.
362
00:21:16,167 --> 00:21:17,700
TAKE THIS SITUATION.
363
00:21:20,300 --> 00:21:23,500
BEFORE I THINK RATIONALLY
ABOUT WHAT'S GOING ON,
364
00:21:23,600 --> 00:21:25,067
I REACT PHYSICALLY.
365
00:21:29,267 --> 00:21:31,133
MY SWEAT GLANDS OPEN...
366
00:21:33,167 --> 00:21:35,000
MY HEART RATE INCREASES...
367
00:21:36,767 --> 00:21:38,967
MY PUPILS DILATE.
368
00:21:39,067 --> 00:21:41,467
MY BODY'S SCREAMING
A SIMPLE MESSAGE...
369
00:21:43,000 --> 00:21:44,300
"GET ME OUT OF HERE!"
370
00:21:48,567 --> 00:21:51,467
EVERY DAY WE EXPERIENCE
EMOTIONAL STATES LIKE THIS
371
00:21:51,567 --> 00:21:54,667
BUT BECAUSE THEY'RE MOSTLY
SUBTLE AND UNCONSCIOUS,
372
00:21:54,767 --> 00:21:56,467
WE'RE NOT TYPICALLY
AWARE OF THEM.
373
00:21:56,567 --> 00:21:59,833
BUT IT TURNS OUT THESE STATES
ARE CRUCIAL FOR NAVIGATING
374
00:21:59,933 --> 00:22:01,633
ALL THE DECISIONS IN OUR LIFE.
375
00:22:09,267 --> 00:22:13,633
MOST OF US TEND TO DISTRUST
DECISIONS BASED ON FEELINGS,
376
00:22:13,733 --> 00:22:15,200
RATHER THAN INTELLECT.
377
00:22:16,567 --> 00:22:19,167
SO IT CAN BE
SURPRISING TO LEARN
378
00:22:19,267 --> 00:22:22,433
JUST HOW MUCH INSIGHT
FEELINGS CAN GIVE US.
379
00:22:28,267 --> 00:22:31,933
RICHARD TUNNEY IS
AN EXPERIMENTAL PSYCHOLOGIST.
380
00:22:32,033 --> 00:22:35,233
HE STUDIES THE FORMATION
OF UNCONSCIOUS DECISIONS.
381
00:22:39,733 --> 00:22:44,267
HE'S RUNNING AN EXPERIMENT
KNOWN AS THE IOWA GAMBLING TASK.
382
00:22:44,367 --> 00:22:47,167
TUNNEY: I NEED YOU TO
KEEP YOUR HANDS STILL
383
00:22:47,267 --> 00:22:50,000
'CAUSE THAT WILL AFFECT THE
MEASUREMENTS THAT WE MAKE.
384
00:22:53,067 --> 00:22:58,300
EAGLEMAN: A VOLUNTEER CHOOSES TO
DRAW A CARD FROM ONE OF 4 DECKS.
385
00:23:01,767 --> 00:23:03,533
EACH TIME SHE DRAWS A CARD,
386
00:23:03,633 --> 00:23:06,733
SHE WINS SOME AMOUNT OF MONEY
AND SHE LOSES SOME.
387
00:23:09,567 --> 00:23:12,500
HER TASK IS TO EARN
AS MUCH AS POSSIBLE.
388
00:23:15,433 --> 00:23:18,633
AS SHE PLAYS, SHE'S
HOOKED UP TO A MACHINE
389
00:23:18,733 --> 00:23:20,700
SIMILAR TO A LIE DETECTOR.
390
00:23:20,800 --> 00:23:25,233
IT MONITORS TINY CHANGES IN
THE SWEAT GLANDS IN HER SKIN.
391
00:23:30,133 --> 00:23:31,433
WHAT SHE DOESN'T KNOW IS THAT
392
00:23:31,533 --> 00:23:35,067
THE DECKS ARE NOT RANDOM
BUT RIGGED.
393
00:23:36,600 --> 00:23:39,767
IF SHE KEEPS CHOOSING
FROM DECKS A AND C,
394
00:23:39,867 --> 00:23:41,633
SHE'LL END UP MAKING
THE MOST MONEY.
395
00:23:45,700 --> 00:23:49,433
THE QUESTION IS, HOW LONG
BEFORE SHE FIGURES THAT OUT?
396
00:23:52,300 --> 00:23:55,367
TUNNEY: THE PARTICIPANT
WILL EXPLORE THE DECKS
397
00:23:55,467 --> 00:23:59,400
IN THE FIRST INSTANCE AND
THEY'LL CHOOSE FROM ALL 4 DECKS,
398
00:23:59,500 --> 00:24:02,367
BUT DOESN'T REALLY BEGIN TO
CHOOSE FROM THE GOOD DECKS
399
00:24:02,467 --> 00:24:06,600
CONSCIOUSLY UNTIL THEY'RE
IN THE REGION OF 20-30 CARDS.
400
00:24:08,633 --> 00:24:11,967
EAGLEMAN: BUT HERE'S THE THING:
THE MONITOR INDICATES THAT
401
00:24:12,067 --> 00:24:14,167
VOLUNTEERS FIGURE OUT
WHICH DECKS
402
00:24:14,267 --> 00:24:17,200
ARE GOOD AND BAD MUCH EARLIER.
403
00:24:18,700 --> 00:24:22,433
AFTER ONLY 10 TRIES, THERE IS
A SPIKE OF ACTIVITY--
404
00:24:22,533 --> 00:24:26,767
A WARNING SIGN--WHENEVER
SHE REACHES FOR THE BAD DECKS.
405
00:24:29,133 --> 00:24:31,500
SHE DOESN'T REALIZE IT,
BUT THAT'S THE BEGINNINGS
406
00:24:31,600 --> 00:24:35,500
OF A HUNCH--AN UNDERSTANDING
THAT HER BODY REGISTERS
407
00:24:35,600 --> 00:24:38,233
BEFORE HER CONSCIOUS MIND.
408
00:24:38,333 --> 00:24:41,667
WHAT WE'RE SEEING HERE
IS WE'RE SEEING SOME
409
00:24:41,767 --> 00:24:47,233
PHYSIOLOGICAL RESPONSE
PRIOR TO MAKING THE DECISION.
410
00:24:47,333 --> 00:24:50,967
THIS SPIKE HERE IN EFFECT
PREDICTS THE CHOICE
411
00:24:51,067 --> 00:24:53,100
THE PARTICIPANT
IS GOING TO MAKE.
412
00:24:55,700 --> 00:24:59,733
EAGLEMAN: AS HER HUNCH GROWS
STRONGER, SHE MARRIES LOGIC
413
00:24:59,833 --> 00:25:01,967
TO WHAT HER BODY'S
BEEN TELLING HER--
414
00:25:02,067 --> 00:25:04,700
WHICH DECKS TO DRAW FROM
AND WHICH TO AVOID.
415
00:25:09,600 --> 00:25:12,000
OK, ELENA, CAN I STOP
YOU THERE FOR A MOMENT
416
00:25:12,100 --> 00:25:14,067
AND CAN I ASK YOU
IF YOU HAD TO CHOOSE
417
00:25:14,167 --> 00:25:17,900
ANY ONE OF THOSE 4 DECKS
FOR THE REST OF
THE EXPERIMENT,
418
00:25:18,000 --> 00:25:19,433
WHICH ONE
WOULD YOU CHOSE?
419
00:25:20,967 --> 00:25:24,033
I THINK I WOULD
CHOOSE DECK C.
420
00:25:24,133 --> 00:25:26,567
OK. RIGHT, CARRY ON.
421
00:25:26,667 --> 00:25:29,833
EAGLEMAN: IT MAY FEEL
LIKE A LOGICAL DEDUCTION,
422
00:25:29,933 --> 00:25:32,733
BUT IT'S BUILT ON
A PHYSICAL FOUNDATION.
423
00:25:35,000 --> 00:25:38,100
TUNNEY: THE BODY AND THE BRAIN
ARE ALL INTEGRAL TO ONE ANOTHER.
424
00:25:38,200 --> 00:25:40,167
IT'S ALL PART OF
THE SAME SYSTEM.
425
00:25:44,267 --> 00:25:46,300
EAGLEMAN: IF PHYSIOLOGY
ALWAYS PLAYS A PART
426
00:25:46,400 --> 00:25:50,800
IN OUR DECISION MAKING,
WHAT DOES THAT SAY ABOUT US?
427
00:25:50,900 --> 00:25:54,633
DO WE EVER ACT IN
A PURELY RATIONAL WAY?
428
00:25:54,733 --> 00:25:58,033
OR IS THAT SIMPLY AN ILLUSION
THAT WE CLING TO?
429
00:26:00,600 --> 00:26:02,500
WELL, CONSIDER THIS.
430
00:26:02,600 --> 00:26:07,633
IF YOU EVER COME BEFORE A PAROLE
BOARD, KEEP AN EYE ON THE CLOCK.
431
00:26:07,733 --> 00:26:11,300
WE WOULD ALL HOPE THAT
LADY JUSTICE IS IMPARTIAL,
432
00:26:11,400 --> 00:26:15,467
BUT STUDIES SAY OTHERWISE--IN
A WAY THAT MIGHT SURPRISE YOU.
433
00:26:16,967 --> 00:26:21,667
TWO MEN COME UP FOR PAROLE ON
THE SAME DAY--BUT 3 HOURS APART.
434
00:26:21,767 --> 00:26:23,300
THEY'VE COMMITTED
THE SAME OFFENSE
435
00:26:23,400 --> 00:26:25,800
AND SERVED THE SAME SENTENCE.
436
00:26:25,900 --> 00:26:27,800
SO WHAT DOES THE JUDGE DECIDE?
437
00:26:31,433 --> 00:26:33,500
NOW, HERE'S WHAT HAPPENED.
438
00:26:33,600 --> 00:26:35,933
THE FIRST PRISONER
WAS GRANTED PAROLE
439
00:26:36,033 --> 00:26:39,100
AND THE SECOND
WAS DENIED. WHY?
440
00:26:39,200 --> 00:26:40,933
GIVEN THE CRIME
WAS THE SAME,
441
00:26:41,033 --> 00:26:43,233
WHAT INFLUENCED
THE DECISION?
442
00:26:43,333 --> 00:26:46,600
WAS IT RACE?
AGE
443
00:26:46,700 --> 00:26:48,067
WELL, ONE STUDY ANALYZED
444
00:26:48,167 --> 00:26:50,833
A THOUSAND RULINGS
FROM DIFFERENT JUDGES
445
00:26:50,933 --> 00:26:53,400
AND THEY FOUND IT WASN'T
ABOUT THOSE FACTORS.
446
00:26:53,500 --> 00:26:54,567
IT WAS ABOUT THIS.
447
00:26:59,900 --> 00:27:02,200
ACCORDING TO THE RESEARCH,
PRISONERS WERE
448
00:27:02,300 --> 00:27:06,833
3 TIMES MORE LIKELY TO BE
GIVEN PAROLE JUST AFTER LUNCH--
449
00:27:06,933 --> 00:27:08,800
WHEN BOARD MEMBERS
WERE WELL-FED--
450
00:27:08,900 --> 00:27:12,233
THAN JUST BEFORE LUNCH WHEN
THEY WERE FEELING HUNGRY.
451
00:27:13,800 --> 00:27:18,200
HAVING TO MAKE DECISIONS ALL
MORNING IS MENTALLY TAXING.
452
00:27:18,300 --> 00:27:19,867
AND THE JUDGES
WERE SUFFERING FROM
453
00:27:19,967 --> 00:27:22,333
WHAT'S KNOWN AS
"EGO DEPLETION."
454
00:27:26,267 --> 00:27:28,733
THEIR BRAINS WERE
RUNNING LOW ON ENERGY
455
00:27:28,833 --> 00:27:32,200
AND THAT ESPECIALLY AFFECTS
THE PREFRONTAL CORTEX,
456
00:27:32,300 --> 00:27:34,567
WHICH IS INVOLVED IN
DECISION MAKING.
457
00:27:35,800 --> 00:27:36,800
TRADITIONALLY, WE ASSUME THAT
458
00:27:36,900 --> 00:27:38,833
HUMANS ARE RATIONAL
DECISION MAKERS.
459
00:27:38,933 --> 00:27:41,067
THEY TAKE IN INFORMATION,
PROCESS IT,
460
00:27:41,167 --> 00:27:43,167
AND COME UP WITH
THE BEST ANSWER.
461
00:27:43,267 --> 00:27:45,400
BUT REAL HUMANS--
EVEN JUDGES--
462
00:27:45,500 --> 00:27:49,000
DON'T OPERATE THAT WAY--
THEY'RE BIOLOGICAL CREATURES.
463
00:27:51,200 --> 00:27:55,267
THE COURT SYSTEM SETS OUT
TO BE RATIONAL AND BALANCED.
464
00:27:55,367 --> 00:27:58,233
SO IT'S A DISTURBING THOUGHT
THAT IT CAN BE HIJACKED
465
00:27:58,333 --> 00:28:01,700
BY THE BASIC CHEMISTRY
OF OUR BODIES.
466
00:28:01,800 --> 00:28:06,433
EVEN JUDGES CAN BE IMPRISONED
BY THEIR BIOLOGY.
467
00:28:12,733 --> 00:28:17,733
THE STORY'S THE SAME WITH SOME
OF LIFE'S OTHER BIG CHOICES,
468
00:28:17,833 --> 00:28:19,100
WHERE THE DECISIONS WE MAKE
469
00:28:19,200 --> 00:28:21,600
AREN'T NECESSARILY
CONSCIOUS ONES.
470
00:28:21,700 --> 00:28:26,633
INSTEAD, WE'RE TUGGED ALONG
BY HIDDEN BIOLOGICAL FORCES.
471
00:28:29,733 --> 00:28:34,000
EVOLUTIONARY PSYCHOLOGIST
GEOFFREY MILLER HAS COME UP WITH
472
00:28:34,100 --> 00:28:36,400
AN INTERESTING WAY
TO SHOW THIS.
473
00:28:42,867 --> 00:28:47,700
HIS TEAM RECRUITED THE HELP OF
18 LAP DANCERS IN NEW MEXICO
474
00:28:47,800 --> 00:28:51,467
AND GOT THEM TO RECORD THEIR
EARNINGS OVER 3 MONTHS.
475
00:28:55,200 --> 00:29:00,033
MILLER: WE KNOW THAT
LAP DANCERS' EARNINGS
FLUCTUATE A LOT.
476
00:29:00,133 --> 00:29:03,400
SOME NIGHTS THEY EARN $800,
477
00:29:03,500 --> 00:29:07,167
OTHER NIGHTS THEY
MIGHT EARN ONLY $150.
478
00:29:07,267 --> 00:29:10,033
UM, AND THEY'RE VERY CONSCIOUS
OF HOW MUCH THEY EARN.
479
00:29:10,133 --> 00:29:11,867
SO IT SEEMED LIKE
AN IDEAL SET-UP
480
00:29:11,967 --> 00:29:14,167
FOR BEING ABLE TO ASK THEM
HOW MUCH
481
00:29:14,267 --> 00:29:17,867
HAVE YOU EARNED NIGHT BY NIGHT,
SHIFT BY SHIFT,
482
00:29:17,967 --> 00:29:20,300
AND TO BE ABLE TO
TRACK THAT IN RELATION TO
483
00:29:20,400 --> 00:29:22,133
WHERE THEY ARE IN
THE MENSTRUAL CYCLE.
484
00:29:24,700 --> 00:29:27,033
EAGLEMAN: MILLER WANTED TO KNOW
IF A WOMAN BECOMES
485
00:29:27,133 --> 00:29:31,400
MORE ATTRACTIVE TO A MAN
WHEN SHE'S OVULATING.
486
00:29:31,500 --> 00:29:34,700
AT THAT POINT IN HER CYCLE
WHEN SHE'S MOST FERTILE,
487
00:29:34,800 --> 00:29:40,000
A SURGE OF THE HORMONE ESTROGEN
MAKES HER SKIN SOFTER,
488
00:29:40,100 --> 00:29:42,400
HER FEATURES MORE SYMMETRICAL,
489
00:29:42,500 --> 00:29:46,533
AND HER HIP TO WAIST
RATIO LARGER.
490
00:29:46,633 --> 00:29:49,400
THE CHANGES ARE SUBTLE,
BUT MEN'S BRAINS
491
00:29:49,500 --> 00:29:52,533
PICK UP ON THOSE CUES
UNCONSCIOUSLY.
492
00:29:54,200 --> 00:29:57,033
MILLER: THE RESULTS
WERE SURPRISINGLY STRONG.
493
00:29:57,133 --> 00:30:00,667
WHEN WOMEN ARE OVULATING,
THEY'RE EARNING ABOUT
494
00:30:00,767 --> 00:30:02,800
TWICE AS MUCH AS
THEY WERE EARNING
495
00:30:02,900 --> 00:30:04,400
WHEN THEY WERE MENSTRUATING.
496
00:30:04,500 --> 00:30:09,133
BUT THEY WERE ALSO EARNING A LOT
MORE THAN BEFORE MENSTRUATION.
497
00:30:09,233 --> 00:30:12,233
SO THE REAL PATTERN IS--
IF YOU'RE OVULATING,
498
00:30:12,333 --> 00:30:14,333
YOU'RE A LOT MORE
ATTRACTIVE TO MEN.
499
00:30:14,433 --> 00:30:16,067
YOU'RE EARNING HIGHER TIPS,
500
00:30:16,167 --> 00:30:19,133
YOU'RE GETTING CALLED OVER
FOR MORE LAP-DANCES,
501
00:30:19,233 --> 00:30:21,067
AND WE THOUGHT THAT WAS
A PRETTY COOL WAY
502
00:30:21,167 --> 00:30:25,467
OF QUANTIFYING FEMALE
ATTRACTIVENESS TO MALES.
503
00:30:33,667 --> 00:30:36,300
EAGLEMAN: YOUR HIDDEN
BIOLOGICAL DRIVES
504
00:30:36,400 --> 00:30:38,467
HELP YOU TO SELECT A PARTNER.
505
00:30:43,433 --> 00:30:46,467
BUT WHAT MAKES YOU CHOOSE
TO STAY WITH A PARTNER?
506
00:30:48,567 --> 00:30:52,133
MUST HAVE SOMETHING TO DO WITH
YOUR VALUES AND YOUR
MORALS, RIGHT?
507
00:30:52,233 --> 00:30:54,033
ACTUALLY, YOUR
HORMONES ARE DOING
508
00:30:54,133 --> 00:30:56,467
A LOT OF THE DECIDING FOR YOU.
509
00:30:56,567 --> 00:30:58,200
ONE OF THEM IS THIS.
510
00:30:58,300 --> 00:31:00,033
IT'S CALLED OXYTOCIN.
511
00:31:02,167 --> 00:31:04,900
SOMETIMES CALLED
THE LOVE HORMONE,
512
00:31:05,000 --> 00:31:07,900
OXYTOCIN STRENGTHENS
THE BONDS WE FEEL
513
00:31:08,000 --> 00:31:09,500
WHEN WE'RE IN A RELATIONSHIP.
514
00:31:10,767 --> 00:31:15,133
IN A RECENT STUDY, HETEROSEXUAL
MEN WHO WERE IN LOVE
515
00:31:15,233 --> 00:31:18,333
WERE GIVEN A DOSE OF OXYTOCIN.
516
00:31:18,433 --> 00:31:20,133
THEY WERE THEN ASKED TO RATE
517
00:31:20,233 --> 00:31:22,567
THE ATTRACTIVENESS
OF DIFFERENT WOMEN.
518
00:31:26,967 --> 00:31:28,467
THE MEN WHO WERE GIVEN OXYTOCIN
519
00:31:28,567 --> 00:31:31,433
FOUND THEIR PARTNERS
TO BE MORE ATTRACTIVE,
520
00:31:31,533 --> 00:31:33,200
BUT NOT OTHER WOMEN.
521
00:31:33,300 --> 00:31:34,433
IN FACT, WITH OTHER WOMEN,
THEY KEPT
522
00:31:34,533 --> 00:31:36,567
A SLIGHTLY GREATER
PHYSICAL DISTANCE.
523
00:31:38,767 --> 00:31:41,733
SO, AN ATTRACTIVE WOMAN
WALKS INTO THE BAR.
524
00:31:46,767 --> 00:31:49,033
LOTS OF MEN CLOCK HER ARRIVAL.
525
00:31:53,500 --> 00:31:58,633
BUT NOT THIS GUY--HE'S IN LOVE
WITH HIS PARTNER--
526
00:31:58,733 --> 00:32:02,567
AND PUMPED UP WITH OXYTOCIN,
HIS ATTENTION DOESN'T WANDER.
527
00:32:07,167 --> 00:32:09,667
FROM AN EVOLUTIONARY
PERSPECTIVE, YOU MIGHT EXPECT
528
00:32:09,767 --> 00:32:11,100
THAT YOU DON'T WANT MONOGAMY.
529
00:32:11,200 --> 00:32:13,700
YOU WANT TO HAVE AS MANY
OFFSPRING AS POSSIBLE.
530
00:32:13,800 --> 00:32:17,433
SO WHY DO WE HAVE CHEMICALS IN
THE BRAIN THAT ENHANCE BONDING?
531
00:32:17,533 --> 00:32:20,200
WELL, FOR THE SURVIVAL
OF THE CHILDREN,
532
00:32:20,300 --> 00:32:23,267
HAVING TWO PARENTS AROUND
IS BETTER THAN HAVING ONE.
533
00:32:23,367 --> 00:32:25,700
IT'S SO IMPORTANT
THAT OUR BRAINS
534
00:32:25,800 --> 00:32:27,600
MAKE THIS DECISION FOR US.
535
00:32:39,800 --> 00:32:42,000
IN FACT, THE EVIDENCE SUGGESTS
536
00:32:42,100 --> 00:32:44,700
THAT SOME OF OUR MOST
COMPLEX DECISIONS--
537
00:32:44,800 --> 00:32:48,067
THE ONES WE LIKE TO THINK OF
AS CAREFULLY THOUGHT OUT--
538
00:32:48,167 --> 00:32:53,067
ARE PRE-PROGRAMMED--
INFLUENCED BY OUR DNA--
539
00:32:53,167 --> 00:32:55,367
ALMOST NO CHOICE AT ALL.
540
00:32:56,467 --> 00:32:57,967
IF YOU FEEL THE LEAST BIT
UNCOMFORTABLE,
541
00:32:58,067 --> 00:33:00,200
JUST SQUEEZE THE SQUEEZE BULB
THAT'S IN YOUR HAND
542
00:33:00,300 --> 00:33:03,167
AND WE'LL STOP
AND TAKE YOU OUT.
543
00:33:03,267 --> 00:33:06,900
EAGLEMAN: READ MONTAGUE USES
NEUROSCIENCE TO ANALYZE--
544
00:33:07,000 --> 00:33:09,367
AND PREDICT--VOTING PATTERNS.
545
00:33:15,867 --> 00:33:19,300
MONTAGUE: IT TURNS OUT THAT
POLITICAL IDEOLOGY HAS STRONG
546
00:33:19,400 --> 00:33:21,233
BIOLOGICAL UNDERPINNINGS
WHICH YOU CAN
547
00:33:21,333 --> 00:33:23,367
INHERIT FROM YOUR PARENTS.
548
00:33:26,333 --> 00:33:30,233
EAGLEMAN: MONTAGUE HAS FOUND A
LINK BETWEEN A PERSON'S POLITICS
549
00:33:30,333 --> 00:33:33,800
AND ONE BASIC
REACTION: DISGUST.
550
00:33:36,700 --> 00:33:40,200
HE HAS VOLUNTEERS GO
INTO AN MRI SCANNER
551
00:33:40,300 --> 00:33:43,000
WHERE THEY LOOK AT
A SERIES OF IMAGES.
552
00:33:44,300 --> 00:33:46,000
MONTAGUE: I SHOW THEM
SOMEBODY WITH
553
00:33:46,100 --> 00:33:48,033
A KNIFE TO SOMEBODY
ELSE'S THROAT,
554
00:33:48,133 --> 00:33:51,900
PHYSICALLY THREATENING
STIMULUS, A DEAD CORPSE.
555
00:33:52,000 --> 00:33:54,833
SOMETHING THAT WAS GROSS,
LIKE FLIES ON A SALAD
556
00:33:54,933 --> 00:33:57,267
OR SOMETHING LIKE THIS.
557
00:33:57,367 --> 00:34:00,167
THESE THINGS ELICIT RESPONSES
IN YOUR NERVOUS SYSTEM
558
00:34:00,267 --> 00:34:01,767
AND WE RECORD THEIR
BRAIN ACTIVITY.
559
00:34:04,267 --> 00:34:06,600
THEN WE ASK THEM--AND NOT
EVERYBODY AGREES--WE ASK THEM,
560
00:34:06,700 --> 00:34:09,400
"HEY, WE HAVE THIS OTHER
EXPERIMENT WE WANT YOU TO DO,"
561
00:34:09,500 --> 00:34:12,800
AND THEY GO INTO A BOOTH
AND THEY ANSWER
562
00:34:12,900 --> 00:34:14,767
A POLITICAL IDEOLOGY SURVEY.
563
00:34:16,267 --> 00:34:19,267
HOW DO YOU FEEL ABOUT
GUN CONTROL, ABORTION,
564
00:34:19,367 --> 00:34:21,367
PRE-MARITAL SEX,
THINGS LIKE THAT?
565
00:34:26,167 --> 00:34:28,300
EAGLEMAN: MONTAGUE'S
RESULTS ARE STRIKING.
566
00:34:30,233 --> 00:34:33,267
THE GREATER THE DISGUST
RESPONSE IN THE BRAIN,
567
00:34:33,367 --> 00:34:37,367
THE MORE CONSERVATIVE
THE PERSON IS LIKELY TO BE.
568
00:34:37,467 --> 00:34:42,033
A SMALLER RESPONSE CORRELATES
WITH A MORE LIBERAL OUTLOOK.
569
00:34:44,367 --> 00:34:46,600
THE LINK BETWEEN
YOUR NEURAL RESPONSE
570
00:34:46,700 --> 00:34:50,833
AND YOUR POLITICAL AFFILIATION
IS NOT CONSCIOUS--
571
00:34:50,933 --> 00:34:52,367
BUT IT'S POWERFUL.
572
00:34:52,467 --> 00:34:55,933
MONTAGUE: I THINK IF YOU ASK 9
OUT OF 10 PEOPLE ON THE STREET,
573
00:34:56,033 --> 00:34:59,000
HOW DID YOU DECIDE
TO VOTE FOR CANDIDATE X,
574
00:34:59,100 --> 00:35:00,933
THEY WOULD GIVE YOU
A LONG NARRATIVE ABOUT
575
00:35:01,033 --> 00:35:02,833
WHAT THEY CARED ABOUT,
576
00:35:02,933 --> 00:35:05,400
THE ISSUES THAT
CANDIDATE X SUPPORTED,
577
00:35:05,500 --> 00:35:07,733
WHICH SIDE OF THOSE ISSUES
YOU WERE ON
578
00:35:07,833 --> 00:35:10,167
AND HOW THAT PERSON
REPRESENTED THEM,
579
00:35:10,267 --> 00:35:13,567
BUT THAT IS ONLY
HALF THE STORY.
580
00:35:13,667 --> 00:35:17,700
THE SHOCKING PART
IS THAT YOUR RESPONSE TO
581
00:35:17,800 --> 00:35:23,467
A SINGLE DISGUSTING IMAGE CAN
PREDICT YOUR SCORE ON THAT TEST
582
00:35:23,567 --> 00:35:25,233
WITH 95% ACCURACY.
583
00:35:27,100 --> 00:35:29,100
THAT KIND OF PREDICTION
IS UNCANNY.
584
00:35:30,300 --> 00:35:32,733
I SHOW YOU A DISGUSTING IMAGE,
I KNOW HOW
585
00:35:32,833 --> 00:35:34,567
YOU'RE GONNA VOTE IN 2016.
586
00:35:36,533 --> 00:35:38,833
EAGLEMAN: WE MAY REFINE
OUR POLITICAL ARGUMENTS.
587
00:35:38,933 --> 00:35:41,333
THEY MAY BECOME
MORE SOPHISTICATED.
588
00:35:41,433 --> 00:35:46,367
BUT THE DECISION ABOUT OUR BASIC
PERSUASION, THAT'S ALREADY MADE.
589
00:35:50,433 --> 00:35:54,300
SO FAR, WE'VE BEEN LOOKING AT
DECISIONS IN THE HERE AND NOW.
590
00:35:55,933 --> 00:35:58,667
WHAT SOUP DO I WANT?
591
00:35:58,767 --> 00:36:01,033
DO I PULL THE LEVER?
592
00:36:01,133 --> 00:36:02,400
WHO DO I VOTE FOR?
593
00:36:02,500 --> 00:36:04,467
ORANGE. GREEN.
594
00:36:07,400 --> 00:36:09,000
EAGLEMAN: BUT THERE'S
ANOTHER ASPECT
595
00:36:09,100 --> 00:36:11,333
TO THE STORY OF DECISIONS.
596
00:36:11,433 --> 00:36:14,367
PREDICTIONS ABOUT THE FUTURE.
597
00:36:14,467 --> 00:36:16,167
WE HAVE TO WEIGH
DIFFERENT OPTIONS
598
00:36:16,267 --> 00:36:18,433
AND GUESS HOW THINGS
MIGHT TURN OUT
599
00:36:18,533 --> 00:36:21,200
AT A TIME THAT
DOESN'T YET EXIST.
600
00:36:23,067 --> 00:36:25,733
HOW DOES YOUR BRAIN
PULL OFF THAT TRICK?
601
00:36:25,833 --> 00:36:28,067
I HAVE ONE HOUR
OF FREE TIME TODAY
602
00:36:28,167 --> 00:36:30,467
AND I'M TRYING TO
DECIDE WHAT TO DO.
603
00:36:30,567 --> 00:36:32,967
I KNOW I HAVE TO GET
TO THE GROCERY STORE;
604
00:36:33,067 --> 00:36:34,967
ON THE OTHER HAND, I NEED
TO GET TO A COFFEE SHOP
605
00:36:35,067 --> 00:36:36,667
TO WORK ON A GRANT DEADLINE,
606
00:36:36,767 --> 00:36:40,467
AND I'D LIKE TO BE ABLE TO PLAY
WITH MY SON AT THE PARK TODAY.
607
00:36:40,567 --> 00:36:42,167
SO HOW I DO DECIDE?
608
00:36:42,267 --> 00:36:44,633
WELL, IDEALLY, I'D LIKE
TO BE ABLE TO KNOW
609
00:36:44,733 --> 00:36:47,767
WHAT EACH OF THESE POSSIBLE
FUTURES WOULD BE LIKE--
610
00:36:47,867 --> 00:36:50,300
BUT I CAN'T TIME TRAVEL.
611
00:36:50,400 --> 00:36:51,367
OR CAN I?
612
00:36:53,800 --> 00:36:57,300
IT MAY SOUND LIKE THE PLOT OF A
MOVIE, BUT WOULDN'T IT BE GREAT
613
00:36:57,400 --> 00:37:01,333
IF WE COULD MAKE DECISIONS BY
LOOKING BACK FROM THE FUTURE.
614
00:37:07,600 --> 00:37:09,100
WELL, THAT'S EXACTLY
WHAT OUR BRAINS
615
00:37:09,200 --> 00:37:12,100
ARE TRYING TO DO ALL THE TIME.
616
00:37:12,200 --> 00:37:15,633
RUNNING SIMULATIONS
OF THE FUTURE
617
00:37:15,733 --> 00:37:18,633
AND GIVING EACH OF THEM
A DIFFERENT VALUE.
618
00:37:22,333 --> 00:37:24,867
THINK OF VALUATIONS
LIKE NEURAL PRICE TAGS
619
00:37:24,967 --> 00:37:28,433
THAT TELL US HOW MUCH WE THINK
SOMETHING IS GOING TO BE WORTH.
620
00:37:29,767 --> 00:37:32,933
SO GOING GROCERY SHOPPING
WILL PUT FOOD IN MY FRIDGE.
621
00:37:33,033 --> 00:37:36,200
LET'S SAY THAT'S WORTH
10 UNITS TO ME.
622
00:37:36,300 --> 00:37:39,000
WRITING A GRANT WILL FUND
MY LAB, BUT IT'S DIFFICULT.
623
00:37:39,100 --> 00:37:41,167
LET'S SAY THAT'S 25 UNITS.
624
00:37:43,100 --> 00:37:45,233
I LOVE SPENDING TIME
WITH MY SON AT THE PARK,
625
00:37:45,333 --> 00:37:48,200
SO LET'S SAY THAT'S 50 UNITS.
626
00:37:48,300 --> 00:37:52,333
NOW, HERE'S THE THING...THOSE
PRICES CAN CHANGE THROUGH TIME.
627
00:37:54,033 --> 00:37:55,667
IF WE GET THERE
AND WE RUN INTO FRIENDS
628
00:37:55,767 --> 00:37:59,700
AND IT'S BETTER THAN EXPECTED,
THAT UPS MY PRICE TAG
629
00:37:59,800 --> 00:38:01,367
FOR THE NEXT TIME AROUND.
630
00:38:01,467 --> 00:38:04,600
IF WE GET THERE AND THE SWINGS
ARE BROKEN AND IT'S RAINING,
631
00:38:04,700 --> 00:38:08,800
THAT LOWERS MY PRICE TAG
FOR THE NEXT TIME.
632
00:38:08,900 --> 00:38:10,133
AND THAT'S IMPORTANT.
633
00:38:10,233 --> 00:38:12,300
THAT'S WHAT ALLOWS US
TO PRIORITIZE
634
00:38:12,400 --> 00:38:16,100
HOW WE MAKE OUR DECISIONS
BASED ON THE BRAIN'S
635
00:38:16,200 --> 00:38:18,367
BEST GUESSES FOR THE FUTURE.
636
00:38:22,200 --> 00:38:26,033
AND IT TURNS OUT THERE'S A TINY,
ANCIENT SYSTEM IN THE BRAIN
637
00:38:26,133 --> 00:38:28,700
WHOSE WHOLE JOB IS
TO KEEP UPDATING
638
00:38:28,800 --> 00:38:30,400
OUR ASSESSMENTS OF THE WORLD.
639
00:38:33,533 --> 00:38:35,733
I'M TALKING ABOUT
THE DOPAMINE SYSTEM.
640
00:38:37,533 --> 00:38:41,700
THE CHEMICAL DOPAMINE TYPICALLY
HAS A CONSTANT RATE OF RELEASE,
641
00:38:41,800 --> 00:38:44,833
BUT WHEN SOMETHING TURNS OUT
BETTER THAN EXPECTED,
642
00:38:44,933 --> 00:38:47,167
THERE'S A BURST OF DOPAMINE.
643
00:38:47,267 --> 00:38:49,533
THAT TELLS OTHER
PARTS OF THE BRAIN
644
00:38:49,633 --> 00:38:53,267
THEY SHOULD INCREASE THE VALUE
OF THAT OPTION.
645
00:38:53,367 --> 00:38:55,833
WHEN SOMETHING IS
WORSE THAN EXPECTED,
646
00:38:55,933 --> 00:38:59,033
THE DOPAMINE DROPS
AND THE VALUE GOES DOWN.
647
00:39:01,700 --> 00:39:04,700
IN MOST OF US, THIS SYSTEM
WORKS PRETTY WELL,
648
00:39:04,800 --> 00:39:07,100
BUT IT'S DELICATELY BALANCED.
649
00:39:07,200 --> 00:39:10,700
TOO MUCH DOPAMINE AND THAT
LOOP OF POSITIVE FEEDBACK
650
00:39:10,800 --> 00:39:12,567
GETS OUT OF CONTROL.
651
00:39:12,667 --> 00:39:14,567
THIS IS THE ROOT OF ADDICTION.
652
00:39:17,700 --> 00:39:23,300
NEURO-PSYCHIATRIST VALERIE VOON
STUDIES ADDICTIVE BEHAVIOR.
653
00:39:23,400 --> 00:39:26,800
SHE'S INTERESTED IN PATIENTS
WITH PARKINSON'S DISEASE.
654
00:39:28,600 --> 00:39:31,467
THEY'RE PRODUCING LESS DOPAMINE
THAN NORMAL
655
00:39:31,567 --> 00:39:34,067
SO THEY'RE ROUTINELY
PUT ON MEDICATION
656
00:39:34,167 --> 00:39:35,767
TO RAISE THEIR LEVELS.
657
00:39:37,500 --> 00:39:39,967
VOON: WHAT HAPPENS WITH
DOPAMINE MEDICATIONS
658
00:39:40,067 --> 00:39:42,000
THAT THE PATIENT WITH
PARKINSON'S IS ON
659
00:39:42,100 --> 00:39:44,467
IS THAT IT CAN POTENTIALLY
HIJACK THE SYSTEM.
660
00:39:48,000 --> 00:39:51,700
EAGLEMAN: PATIENTS WHO WERE
PREVIOUSLY MODERATE
IN THEIR BEHAVIOR
661
00:39:51,800 --> 00:39:53,967
SUDDENLY DEVELOP ADDICTIONS--
662
00:39:54,067 --> 00:39:57,000
TO GAMBLING OR FOOD OR SEX.
663
00:39:59,300 --> 00:40:03,567
VOON: THESE DOPAMINE STIMULATING
DRUGS ARE OVERSTIMULATING
664
00:40:03,667 --> 00:40:06,533
THE REGIONS INVOLVED IN
REWARD AND MOTIVATION.
665
00:40:07,800 --> 00:40:10,900
YOU SEE THE CUE AND YOUR
EXPECTATION OF THE REWARD
666
00:40:11,000 --> 00:40:14,033
BECOMES MUCH LARGER
THAN IT SHOULD BE.
667
00:40:18,067 --> 00:40:20,567
WHEN YOU TAKE THE MEDICATION
AWAY, THEY ARE ALWAYS
668
00:40:20,667 --> 00:40:24,700
A BIT DUMBFOUNDED
ABOUT HOW THEY ENDED UP
669
00:40:24,800 --> 00:40:27,367
ACTING THE WAY THEY DID.
670
00:40:27,467 --> 00:40:29,167
EAGLEMAN: AS LONG AS
THERE'S NOTHING WRONG WITH
671
00:40:29,267 --> 00:40:32,367
OUR DOPAMINE SYSTEMS,
IT SHOULD BE STRAIGHTFORWARD
672
00:40:32,467 --> 00:40:34,500
FOR US TO CONTROL
OUR IMPULSES, RIGHT?
673
00:40:36,067 --> 00:40:37,367
DON'T BE SO SURE.
674
00:40:40,533 --> 00:40:44,567
TAKE THE SUB-PRIME
MORTGAGE MELTDOWN OF 2007.
675
00:40:44,667 --> 00:40:47,767
BETWEEN BANKERS HUNTING
A QUICK PROFIT,
676
00:40:47,867 --> 00:40:53,033
AND BORROWERS HUNTING THEIR
TOO-GOOD-TO-BE-TRUE DREAM HOMES,
677
00:40:53,133 --> 00:40:57,500
IT TURNED INTO A STORM
OF DISASTROUS DECISIONS.
678
00:40:57,600 --> 00:41:00,867
AS A NEUROSCIENTIST,
WHAT FASCINATES ME IS HOW
679
00:41:00,967 --> 00:41:05,567
EVERYONE INVOLVED GAVE LESS
WEIGHT TO FUTURE CONSEQUENCES
680
00:41:05,667 --> 00:41:10,567
AND WERE INSTEAD SEDUCED BY
WHAT WAS RIGHT IN FRONT OF THEM.
681
00:41:12,133 --> 00:41:14,867
THE VERY LOW INTEREST RATES
PLUGGED RIGHT INTO
682
00:41:14,967 --> 00:41:18,300
THE I-WANT-IT-NOW CIRCUITRY.
683
00:41:18,400 --> 00:41:21,400
THE IDEA IS "TAKE
THIS HOUSE RIGHT NOW.
684
00:41:21,500 --> 00:41:23,733
LIVE BETTER THAN YOU
THOUGHT YOU COULD."
685
00:41:23,833 --> 00:41:26,600
AT SOME POINT IN THE FUTURE,
THE INTEREST RATES WILL GO UP,
686
00:41:26,700 --> 00:41:28,500
BUT THAT'S A LONG WAY AWAY.
687
00:41:28,600 --> 00:41:32,200
BECAUSE THE PULL OF THE NOW
IS SO HARD TO RESIST,
688
00:41:32,300 --> 00:41:34,567
THE WORLD ECONOMY
ALMOST TANKED.
689
00:41:41,133 --> 00:41:44,700
THIS PRESENT MOMENT IS A RICH
MULTI-SENSORY EXPERIENCE
690
00:41:44,800 --> 00:41:50,533
THAT'S HITTING ME RIGHT NOW, BUT
THE FUTURE, THAT'S JUST AN IDEA.
691
00:41:50,633 --> 00:41:54,033
THAT'S A SIMULATION THAT TAKES
PLACE IN MY NEURAL CIRCUITS
692
00:41:54,133 --> 00:41:56,233
AND IT'S A PALE SHADOW
COMPARED TO
693
00:41:56,333 --> 00:41:58,167
IMMEDIATE EXPERIENCE.
694
00:41:58,267 --> 00:42:01,167
IT HAS LESS EMOTIONAL PULL
THAN WHATEVER IS
695
00:42:01,267 --> 00:42:02,600
RIGHT IN FRONT OF ME.
696
00:42:10,200 --> 00:42:13,533
SO ONCE AGAIN, THE BRAIN
IS IN CONFLICT.
697
00:42:13,633 --> 00:42:16,067
DIFFERENT NETWORKS
ARE BATTLING IT OUT
698
00:42:16,167 --> 00:42:19,067
BETWEEN THE PRESENT
AND THE FUTURE.
699
00:42:19,167 --> 00:42:23,767
INSTANT GRATIFICATION
OR LONG
700
00:42:27,767 --> 00:42:31,833
WHEN FACED WITH THESE SORTS
OF DECISIONS, WHAT DO WE DO?
701
00:42:31,933 --> 00:42:34,100
WE RELY ON OUR WILLPOWER.
702
00:42:35,433 --> 00:42:37,267
THINK OF WILLPOWER
AS THAT THING THAT
703
00:42:37,367 --> 00:42:39,200
ALLOWS YOU TO PASS
ON THAT COOKIE
704
00:42:39,300 --> 00:42:40,800
OR AT LEAST THE SECOND COOKIE
705
00:42:40,900 --> 00:42:43,267
OR THE THING THAT ALLOWS YOU TO
HIT THAT DEADLINE EVEN THOUGH
706
00:42:43,367 --> 00:42:45,400
YOU WANT TO BE
OUT IN THE SUNSHINE.
707
00:42:45,500 --> 00:42:48,800
WE ALL KNOW WHAT IT'S LIKE
TO HAVE STRONG WILLPOWER
708
00:42:48,900 --> 00:42:50,333
AND WE ALSO KNOW
WHAT IT FEELS LIKE
709
00:42:50,433 --> 00:42:52,400
WHEN YOU JUST DON'T
HAVE ENOUGH OF IT.
710
00:42:56,633 --> 00:43:00,200
IN ONE EXPERIMENT,
PEOPLE WATCH A WILDLIFE FILM
711
00:43:00,300 --> 00:43:02,467
ABOUT ANIMALS IN DISTRESS.
712
00:43:06,333 --> 00:43:09,967
HALF THE AUDIENCE HAS BEEN
TOLD TO REACT NORMALLY,
713
00:43:10,067 --> 00:43:11,567
TO CRY IF THEY FEEL LIKE IT.
714
00:43:15,567 --> 00:43:19,400
THE OTHER HALF ARE INSTRUCTED
TO CURB THEIR EMOTIONS,
715
00:43:19,500 --> 00:43:22,600
USING THEIR WILLPOWER
TO SQUELCH THEIR FEELINGS.
716
00:43:28,000 --> 00:43:30,433
THE KEY IS WHAT HAPPENS NEXT.
717
00:43:35,700 --> 00:43:39,133
AFTER THE MOVIE, PARTICIPANTS
WERE GIVEN ONE OF THESE...
718
00:43:39,233 --> 00:43:40,733
A HAND EXERCISER.
719
00:43:40,833 --> 00:43:43,433
AND THEY WERE ASKED TO SQUEEZE
IT AS LONG AS THEY COULD.
720
00:43:52,467 --> 00:43:55,233
THE PEOPLE WHO
CURBED THEIR EMOTIONS
721
00:43:55,333 --> 00:43:58,100
GIVE UP SQUEEZING
SOONER THAN THE OTHERS.
722
00:44:01,167 --> 00:44:05,100
THEY'VE EXERTED SO MUCH
MENTAL EFFORT NOT TO CRY,
723
00:44:05,200 --> 00:44:07,733
THEY ACTUALLY HAVE REDUCED
PHYSICAL STRENGTH.
724
00:44:10,733 --> 00:44:15,067
THIS KIND OF SELF-CONTROL--
IT TAKES ENERGY.
725
00:44:15,167 --> 00:44:17,400
AND IT TURNS OUT THAT
RESISTING TEMPTATION
726
00:44:17,500 --> 00:44:20,167
OR MAKING HARD DECISIONS
OR TAKING INITIATIVE--
727
00:44:20,267 --> 00:44:24,200
ALL OF THESE DRAW FROM
THE SAME WELL OF ENERGY.
728
00:44:24,300 --> 00:44:27,000
SO WILLPOWER ISN'T SOMETHING
THAT WE EXERCISE,
729
00:44:27,100 --> 00:44:29,167
IT'S SOMETHING THAT WE USE UP.
730
00:44:29,267 --> 00:44:31,567
IT'S LIKE A TANK OF GAS.
731
00:44:33,567 --> 00:44:35,600
SO THERE'S A GOOD REASON
WHY WE CAN'T ALWAYS
732
00:44:35,700 --> 00:44:40,267
RELY ON OUR WILLPOWER TO
MAKE US STAND BY OUR DECISIONS.
733
00:44:40,367 --> 00:44:42,700
OUR WILLPOWER MIGHT
BE RUNNING ON EMPTY.
734
00:44:47,700 --> 00:44:49,867
WE ALL KNOW THAT IT'S
HARD TO GET OURSELVES
735
00:44:49,967 --> 00:44:52,600
TO DO CERTAIN THINGS--
LIKE GOING TO THE GYM.
736
00:44:52,700 --> 00:44:55,067
I WANT TO BE IN SHAPE,
BUT WHEN IT COMES DOWN TO IT,
737
00:44:55,167 --> 00:44:57,500
THERE'S USUALLY SOMETHING
GOING ON RIGHT IN FRONT OF ME
738
00:44:57,600 --> 00:44:58,967
THAT'S MORE ENJOYABLE.
739
00:44:59,067 --> 00:45:02,933
SO THE PULL OF WHAT'S HAPPENING
RIGHT THEN IS MORE POWERFUL THAN
740
00:45:03,033 --> 00:45:06,167
THE ABSTRACT FUTURE
NOTION OF FITNESS.
741
00:45:06,267 --> 00:45:09,867
SO TO MAKE CERTAIN THAT I COME
HERE, I TAKE INSPIRATION FROM
742
00:45:09,967 --> 00:45:13,100
A MAN WHO LIVED
3,000 YEARS AGO.
743
00:45:16,633 --> 00:45:20,733
IN CLASSICAL MYTHOLOGY,
THE HERO ULYSSES
744
00:45:20,833 --> 00:45:23,467
LASHED HIMSELF TO
THE MAST OF HIS SHIP
745
00:45:23,567 --> 00:45:27,967
SO THAT HE COULD HEAR THE
BEWITCHING SONG OF THE SIRENS
746
00:45:28,067 --> 00:45:30,167
WITHOUT STEERING
INTO THE ROCKS.
747
00:45:34,567 --> 00:45:36,900
ULYSSES KNEW THAT
HIS FUTURE SELF
748
00:45:37,000 --> 00:45:38,333
WASN'T GOING TO BE
IN ANY POSITION
749
00:45:38,433 --> 00:45:41,067
TO MAKE A GOOD DECISION,
SO HE STRUCTURED THINGS
750
00:45:41,167 --> 00:45:43,433
SO THAT HE COULDN'T
DO THE WRONG THING.
751
00:45:43,533 --> 00:45:45,433
THIS SORT OF DEAL
THAT'S STRUCK BETWEEN
752
00:45:45,533 --> 00:45:47,333
YOUR PRESENT AND YOUR
FUTURE SELF
753
00:45:47,433 --> 00:45:49,967
IS KNOWN AS A ULYSSES CONTRACT.
754
00:45:50,067 --> 00:45:53,200
MY OWN ULYSSES CONTRACT
IS TO ARRANGE WITH A FRIEND
755
00:45:53,300 --> 00:45:54,667
TO MEET ME HERE AT THE GYM,
756
00:45:54,767 --> 00:45:58,333
AND THAT WAY THE SOCIAL PRESSURE
LASHES ME TO THE MAST.
757
00:46:02,733 --> 00:46:05,200
MY FRIENDSHIP IS COLLATERAL
IN THE DEAL THAT
758
00:46:05,300 --> 00:46:07,500
I'M MAKING WITH
MY FUTURE SELF.
759
00:46:09,233 --> 00:46:12,267
THIS ALLOWS ME TO BE
THE PERSON I WANT TO BE--
760
00:46:12,367 --> 00:46:17,567
MAKING GOOD DECISIONS--RESISTING
THE SEDUCTIVE POWER OF NOW.
761
00:46:21,367 --> 00:46:24,467
COME ON, COME ON.
YEAH.
762
00:46:24,567 --> 00:46:25,467
OH, YEAH, NICE.
763
00:46:27,467 --> 00:46:29,133
EAGLEMAN: OUR PRISONS
ARE FULL OF PEOPLE
764
00:46:29,233 --> 00:46:31,367
WHO STRUGGLE WITH THIS.
765
00:46:31,467 --> 00:46:35,733
THEY'RE UNABLE TO LASH
THEMSELVES TO ANY MAST,
766
00:46:35,833 --> 00:46:37,500
TO AVOID THE ROCKS.
767
00:46:39,300 --> 00:46:41,467
MAN ON P.A.: ATTENTION.
768
00:46:41,567 --> 00:46:44,867
EAGLEMAN: FOR 7 OUT OF 10
PRISONERS JAILED IN THE U.S.,
769
00:46:44,967 --> 00:46:49,900
THEIR ABILITY TO MAKE LONG-TERM
DECISIONS IS COMPROMISED.
770
00:46:50,000 --> 00:46:52,233
THEY ARE THERE
BECAUSE OF DRUGS.
771
00:46:55,300 --> 00:46:59,333
FOR 4 DECADES, WE HAVE
WAGED A WAR ON DRUGS.
772
00:46:59,433 --> 00:47:05,300
THE U.S. INVESTS $20 BILLION
EACH YEAR INTO THIS FIGHT.
773
00:47:05,400 --> 00:47:07,267
BUT THERE'S NO SIGN OF VICTORY.
774
00:47:07,367 --> 00:47:08,667
MAN ON TV:
...AND DESTROYING THE CROP
775
00:47:08,767 --> 00:47:11,433
BEFORE THE OPIUM COULD BE
HARVESTED FROM IT.
776
00:47:11,533 --> 00:47:13,667
THE DIFFICULTY WITH DRUG SUPPLY
777
00:47:13,767 --> 00:47:15,267
IS THAT IT'S LIKE
A WATER BALLOON.
778
00:47:15,367 --> 00:47:16,867
IF YOU PRESS IT DOWN
IN ONE PLACE,
779
00:47:16,967 --> 00:47:18,433
IT'LL COME UP SOMEWHERE ELSE.
780
00:47:18,533 --> 00:47:20,967
SO INSTEAD OF ATTACKING SUPPLY,
781
00:47:21,067 --> 00:47:24,100
A BETTER STRATEGY IS
TO ADDRESS DEMAND.
782
00:47:24,200 --> 00:47:27,300
AND DEMAND IS IN
THE BRAIN OF THE ADDICT.
783
00:47:30,300 --> 00:47:33,000
SO IF THE PROBLEMS
LIE IN THE BRAIN,
784
00:47:33,100 --> 00:47:34,767
MAYBE THE SOLUTIONS DO, TOO.
785
00:47:44,167 --> 00:47:47,100
A COUPLE OF MILES
FROM MY LABORATORY,
786
00:47:47,200 --> 00:47:48,500
THERE'S A CRACK HOUSE.
787
00:47:53,467 --> 00:47:55,767
IT'S ABANDONED NOW,
BUT THIS WAS ONCE
788
00:47:55,867 --> 00:47:58,200
A REGULAR HANG-OUT--FOR KAREN.
789
00:48:03,533 --> 00:48:05,567
KAREN: IT BRINGS TEARS
TO MY EYES.
790
00:48:05,667 --> 00:48:09,200
BECAUSE THIS WAS PART OF
THE LOWEST PART I HIT
791
00:48:09,300 --> 00:48:10,633
WHEN I SMOKED CRACK.
792
00:48:12,433 --> 00:48:14,733
AND I CAN'T BELIEVE THAT
I WAS PART OF THAT CROWD.
793
00:48:17,433 --> 00:48:19,833
IF YOU'RE NOT STRONG ENOUGH,
YOU JUST CAN'T HANDLE IT.
794
00:48:19,933 --> 00:48:21,400
IT KIND OF DRAWS YOU IN.
795
00:48:26,267 --> 00:48:29,000
EAGLEMAN: KAREN HAS HAD
AN ADDICTION TO CRACK COCAINE
796
00:48:29,100 --> 00:48:30,367
FOR MANY YEARS.
797
00:48:33,300 --> 00:48:36,167
KAREN: I THOUGHT I WAS
IN CONTROL OF EVERYTHING.
798
00:48:36,267 --> 00:48:37,433
BUT THAT WAS THE DRUG.
799
00:48:37,533 --> 00:48:39,600
I MEAN, I WASN'T
IN CONTROL OF ANYTHING.
800
00:48:39,700 --> 00:48:41,833
I WAS A MESS.
801
00:48:41,933 --> 00:48:45,033
DIRTY, HAIR MATTED UP,
CLOTHES LOOK LIKE
802
00:48:45,133 --> 00:48:47,267
THEY WERE IN A MUD FIGHT.
803
00:48:47,367 --> 00:48:49,433
I COULDN'T BELIEVE IT,
AND THEN I STEPPED BACK
804
00:48:49,533 --> 00:48:52,600
AND THINK, DAMN,
HOW DID I DROP SO LOW?
805
00:48:58,833 --> 00:49:02,067
EAGLEMAN: KAREN'S STORY
MAKES HER AN IDEAL CANDIDATE
806
00:49:02,167 --> 00:49:05,033
FOR A NEW PROGRAM WE'RE
RUNNING IN MY LABORATORY.
807
00:49:08,400 --> 00:49:12,067
RATHER THAN SIMPLY FORCING
DRUG ADDICTS TO GO COLD TURKEY,
808
00:49:12,167 --> 00:49:15,167
WE'RE TRYING TO TREAT THEM
WITH NEUROSCIENCE.
809
00:49:18,533 --> 00:49:22,367
GETTING THE BRAIN TO TAKE
CONTROL OF ITS OWN ADDICTION.
810
00:49:26,267 --> 00:49:29,033
INSIDE THE MRI MACHINE,
KAREN WATCHES
811
00:49:29,133 --> 00:49:33,167
IMAGES OF DRUG USE
AND DRUG PARAPHERNALIA.
812
00:49:33,267 --> 00:49:36,333
WE ASK HER TO GO AHEAD
AND FEEL HER CRAVINGS.
813
00:49:40,267 --> 00:49:42,167
WE MEASURE THE NETWORKS
IN HER BRAIN
814
00:49:42,267 --> 00:49:44,400
ASSOCIATED WITH THAT CRAVING.
815
00:49:51,500 --> 00:49:57,567
THEN WE SWITCH--AND ASK HER
TO SUPPRESS THE CRAVING.
816
00:49:57,667 --> 00:50:01,133
OK, KAREN, WHEN YOU'RE THINKING
ABOUT SUPPRESSING YOUR CRAVING,
817
00:50:01,233 --> 00:50:05,700
THINK ABOUT THE COSTS THIS HAS
HAD TO YOU IN TERMS OF MONEY,
818
00:50:05,800 --> 00:50:07,033
IN TERMS OF RELATIONSHIP,
819
00:50:07,133 --> 00:50:10,667
IN TERMS OF
EMPLOYMENT OPPORTUNITIES.
820
00:50:10,767 --> 00:50:11,700
KAREN: OK.
821
00:50:14,467 --> 00:50:16,533
EAGLEMAN: WE SHOW HER
THE SAME IMAGES
822
00:50:16,633 --> 00:50:19,467
AND MEASURE THE REGIONS
IN HER BRAIN THAT ARE ACTIVE
823
00:50:19,567 --> 00:50:22,667
WHEN SHE'S TRYING TO RESIST
THE DESIRE TO USE.
824
00:50:24,933 --> 00:50:27,733
THESE ARE THE NETWORKS THAT
BECOME ACTIVE IN KAREN'S BRAIN
825
00:50:27,833 --> 00:50:29,667
WHEN SHE'S CRAVING COCAINE.
826
00:50:29,767 --> 00:50:32,367
NOW, WHEN SHE THINKS ABOUT
ALL THE REASONS TO RESIST IT,
827
00:50:32,467 --> 00:50:35,333
THEN THESE NETWORKS
COME ONLINE HERE.
828
00:50:35,433 --> 00:50:38,033
AND THESE NETWORKS, THE CRAVING
AND THE SUPPRESSING,
829
00:50:38,133 --> 00:50:40,333
ARE ALWAYS LOCKED IN BATTLE.
830
00:50:43,033 --> 00:50:46,467
HERE'S THE KEY--WE NOW
SUPERIMPOSE A GAUGE--
831
00:50:46,567 --> 00:50:50,467
WHICH TELLS KAREN HOW
THE BATTLE IS GOING.
832
00:50:50,567 --> 00:50:54,200
HER JOB IS TO MOVE IT
BY TIPPING THE BALANCE
833
00:50:54,300 --> 00:50:56,767
OF THE SUPPRESSING
OVER THE CRAVING.
834
00:50:58,167 --> 00:50:59,667
KAREN: THEY SHOW YOU PICTURES
OF DIFFERENT THINGS,
835
00:50:59,767 --> 00:51:03,200
YOU HAVE TO DO SUPPRESS
AND THEN NOT SUPPRESS.
836
00:51:03,300 --> 00:51:04,733
IT WAS LIKE A LITTLE METER.
837
00:51:04,833 --> 00:51:07,533
WHEN IT GETS...THE FIRST TIME
I COULDN'T DO IT AT ALL
838
00:51:07,633 --> 00:51:09,533
AND THEN THE SECOND TIME
I GOT WIND OF IT.
839
00:51:09,633 --> 00:51:12,733
I HAD TO REALLY CONCENTRATE
AND SAY, HEY, THIS IS IT.
840
00:51:12,833 --> 00:51:14,100
THIS IS WHAT I'VE BEEN MISSING.
841
00:51:14,200 --> 00:51:17,833
THAT YOUR BRAIN IS THE ONE
WHO TOLD YOU NEEDED CRACK,
842
00:51:17,933 --> 00:51:19,500
SO WHY CAN'T YOU
TRAIN YOUR BRAIN
843
00:51:19,600 --> 00:51:21,667
TO TELL YOU IT'S
NOT TIME FOR CRACK?
844
00:51:23,467 --> 00:51:24,800
I MEAN, I CAN SUPPRESS
OTHER THINGS.
845
00:51:24,900 --> 00:51:26,367
WHY CAN'T I SUPPRESS CRACK?
846
00:51:29,033 --> 00:51:30,167
EAGLEMAN: AT THE MOMENT,
SHE'S LOOKING AT
847
00:51:30,267 --> 00:51:32,167
THIS BACKGROUND PICTURE
OF COCAINE
848
00:51:32,267 --> 00:51:36,067
AND SHE'S WORKING HER WAY OVER
TO SUPPRESSING THAT CRAVING
849
00:51:36,167 --> 00:51:38,467
AND HOLDING IT THERE
SUCCESSFULLY.
850
00:51:38,567 --> 00:51:41,800
NOW, THE IDEA IS THAT SHE CAN
PRACTICE THIS IN THE SCANNER
851
00:51:41,900 --> 00:51:44,000
AND LEARN HOW TO GET
BETTER AT IT,
852
00:51:44,100 --> 00:51:46,533
AND THE KEY IS WHEN SHE'S
BACK OUT IN THE REAL WORLD
853
00:51:46,633 --> 00:51:49,367
AND SOMEBODY OFFERS HER
CRACK COCAINE,
854
00:51:49,467 --> 00:51:54,100
SHE'LL HAVE THE TOOLS AVAILABLE
TO KNOW HOW TO RESIST.
855
00:51:54,200 --> 00:51:56,500
KAREN: I'M NOT GOING
TO SAY I'M CURED
856
00:51:56,600 --> 00:51:58,433
BECAUSE HOW DO YOU GET
CURED OF SOMETHING
857
00:51:58,533 --> 00:52:01,467
THAT YOUR BRAIN CONJURES UP,
YOUR SUBCONSCIOUS CONJURES UP.
858
00:52:01,567 --> 00:52:05,367
SO I TAKE STEPS TO WHEN
THE THOUGHT GOES THROUGH,
859
00:52:05,467 --> 00:52:07,433
I PUSH IT OUT, I SUPPRESS IT.
860
00:52:07,533 --> 00:52:09,300
YOU KNOW, I'M NOT GOING
TO SAY 3 MONTHS FROM NOW,
861
00:52:09,400 --> 00:52:11,067
A YEAR FROM NOW, I'LL BE CLEAN,
862
00:52:11,167 --> 00:52:13,100
BUT THAT'S WHAT
I WORK TOWARDS DAILY.
863
00:52:17,700 --> 00:52:21,933
EAGLEMAN: FOR ME, KAREN OFFERS
A GLIMPSE OF HOW NEUROSCIENCE
864
00:52:22,033 --> 00:52:24,833
CAN HELP PEOPLE WITH ADDICTION.
865
00:52:24,933 --> 00:52:27,900
SHE'S RE-WIRING HER CIRCUITRY.
866
00:52:28,000 --> 00:52:31,700
SHE'S SHAPING HER BRAIN
TO BE BETTER ALIGNED
867
00:52:31,800 --> 00:52:34,400
WITH WHO SHE WOULD LIKE TO BE.
868
00:52:34,500 --> 00:52:37,100
KAREN: THE FUTURE IS
FILLED WITH PROMISE.
869
00:52:37,200 --> 00:52:42,233
I'M MARRIED, I HAVE A GREAT
HUSBAND, I HAVE A GREAT LIFE,
870
00:52:42,333 --> 00:52:46,500
AND I DON'T WANT TO JEOPARDIZE
THAT JUST FOR A HIT OF CRACK.
871
00:52:46,600 --> 00:52:50,100
SO I MEAN, IT IS EVEN MORE OF
A REASON WHY I QUIT CRACK.
872
00:52:50,200 --> 00:52:56,067
IT HELPS MY SUPPRESSION STATE
BECAUSE I CAN ACTUALLY STOP
873
00:52:56,167 --> 00:52:58,700
AND I'M DOING IT FOR MYSELF,
BUT I'M DOING IT FOR OTHERS--
874
00:52:58,800 --> 00:53:01,833
MY HUSBAND, MY DOGS, MY FAMILY,
875
00:53:01,933 --> 00:53:03,167
AND THAT'S WHAT'S
IMPORTANT TO ME.
876
00:53:07,400 --> 00:53:10,767
EAGLEMAN: KAREN HAS HOPE
FOR RESOLVING THE CONFLICT THAT
877
00:53:10,867 --> 00:53:16,033
CONSTANTLY RAGES IN THE HIDDEN
WORLD OF HER NEURAL NETWORKS.
878
00:53:18,433 --> 00:53:20,533
I THINK A BIOLOGICAL
APPROACH STANDS
879
00:53:20,633 --> 00:53:24,700
A BETTER CHANCE OF WORKING
THAN MASS INCARCERATION.
880
00:53:26,533 --> 00:53:29,367
AS WE LEARN MORE
ABOUT OUR OWN BRAINS,
881
00:53:29,467 --> 00:53:33,200
WE CAN BREAK AWAY FROM SLAVERY
TO OUR IMPULSES
882
00:53:33,300 --> 00:53:37,567
AND EARN THE FREEDOM THAT COMES
WITH HAVING GREATER CHOICE.
883
00:53:39,633 --> 00:53:42,700
DECISION-MAKING LIES
AT THE HEART OF EVERYTHING.
884
00:53:42,800 --> 00:53:46,700
WHO WE ARE, WHAT WE DO,
HOW WE PERCEIVE THE WORLD.
885
00:53:46,800 --> 00:53:50,267
WITHOUT THE ABILITY TO DECIDE,
WE WOULD BE STUCK IN LIMBO
886
00:53:50,367 --> 00:53:52,567
BETWEEN CONFLICTING DESIRES.
887
00:53:52,667 --> 00:53:56,333
WE WOULDN'T BE ABLE TO NAVIGATE
THE NOW OR PLAN FOR THE FUTURE.
888
00:53:56,433 --> 00:53:59,933
NEUROSCIENCE SHOWS THAT
YOU ARE NOT AN INDIVIDUAL--
889
00:54:00,033 --> 00:54:03,400
YOU'RE MADE UP OF MULTIPLE
COMPETING DRIVES.
890
00:54:03,500 --> 00:54:07,033
AND BY UNDERSTANDING HOW CHOICES
BATTLE IT OUT IN THE BRAIN,
891
00:54:07,133 --> 00:54:09,833
WE CAN LEARN HOW
TO MAKE BETTER DECISIONS
892
00:54:09,933 --> 00:54:13,567
FOR OURSELVES AND FOR SOCIETY.
71650
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