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These are the user uploaded subtitles that are being translated: 1 00:00:01,133 --> 00:00:02,667 Help everyone explore new worlds and ideas. 2 00:00:02,767 --> 00:00:05,033 Support your PBS station. 3 00:00:11,367 --> 00:00:14,233 DAVID EAGLEMAN: THERE'S A LOT OF NOISE IN THIS OPERATING THEATER, 4 00:00:14,333 --> 00:00:17,067 BUT I WANT YOU TO LISTEN OUT FOR SOMETHING. 5 00:00:17,167 --> 00:00:20,867 IN PREPARATION FOR THIS PATIENT'S NEUROSURGERY, 6 00:00:20,967 --> 00:00:23,900 DOCTORS HAVE PUT ELECTRODES INTO HIS BRAIN 7 00:00:24,000 --> 00:00:26,733 TO RECORD THE ACTIVITY. 8 00:00:26,833 --> 00:00:28,333 THROUGH A SPEAKER WE CAN HEAR 9 00:00:28,433 --> 00:00:31,367 THE FIRING OF INDIVIDUAL NEURONS. 10 00:00:34,133 --> 00:00:35,333 HE'S AGREED TO HELP ME WITH 11 00:00:35,433 --> 00:00:39,433 AN EXPERIMENT ABOUT DECISION MAKING. 12 00:00:39,533 --> 00:00:43,467 OK, CAN YOU TELL ME WHAT YOU'RE SEEING, 13 00:00:43,567 --> 00:00:44,767 SO IT'S VERY SIMPLE. 14 00:00:44,867 --> 00:00:46,300 WITHOUT HIM KNOWING IT, 15 00:00:46,400 --> 00:00:50,700 HIS BRAIN WILL DECIDE WHETHER THIS IS A RABBIT OR AN OSTRICH. 16 00:00:50,800 --> 00:00:52,233 IT COULD BE SEEN AS EITHER. 17 00:00:53,767 --> 00:00:54,800 WHAT DO YOU SAY? AN OSTRICH? 18 00:00:56,167 --> 00:00:59,167 AS HIS BRAIN COMES TO A DECISION, 19 00:00:59,267 --> 00:01:02,433 THERE'S A SUBTLE CHANGE IN THE AUDIO. 20 00:01:02,533 --> 00:01:04,667 IT'S BURIED IN THAT POP-POP-POP. 21 00:01:07,967 --> 00:01:10,900 THIS IS THE SOUND OF A DECISION GETTING MADE. 22 00:01:11,000 --> 00:01:12,933 WE'RE EAVESDROPPING ON SINGLE NEURONS, 23 00:01:13,033 --> 00:01:15,800 WORKING IN CONCERT WITH BILLIONS OF OTHER NEURONS 24 00:01:15,900 --> 00:01:18,167 TO LAND ON A CHOICE. 25 00:01:18,267 --> 00:01:20,300 THIS IS WHAT EVERY DECISION 26 00:01:20,400 --> 00:01:23,367 IN THE HISTORY OF THE HUMAN SPECIES LOOKS LIKE. 27 00:01:23,467 --> 00:01:26,500 EVERY MARRIAGE PROPOSAL, EVERY DECLARATION OF WAR, 28 00:01:26,600 --> 00:01:30,300 EVERY LEAP OF IMAGINATION, EVERY MISSION WE'VE LAUNCHED, 29 00:01:30,400 --> 00:01:35,333 EVERY BIT OF HUMAN MAGIC LOOKED JUST LIKE THIS. 30 00:01:35,433 --> 00:01:39,833 OUR BRAINS ARE CONSTANTLY MAKING DECISIONS. 31 00:01:39,933 --> 00:01:42,000 SOME WE'RE AWARE OF. 32 00:01:42,100 --> 00:01:44,933 MOST WE'RE NOT. 33 00:01:45,033 --> 00:01:48,467 DECIPHERING WHAT WE HEAR, OR SEE, OR SMELL. 34 00:01:48,567 --> 00:01:49,800 THESE ARE DECISIONS. 35 00:01:49,900 --> 00:01:57,900 SO IS BEING AFRAID, FALLING IN LOVE, GIVING IN, RESISTING. 36 00:01:58,000 --> 00:02:00,067 DECISION MAKING IS WHAT ALLOWS US 37 00:02:00,167 --> 00:02:03,433 TO NAVIGATE A COURSE THROUGH LIFE. 38 00:02:03,533 --> 00:02:06,633 AND YOUR LIFETIME OF CHOICES HAS SCULPTED YOU INTO 39 00:02:06,733 --> 00:02:09,567 THE PERSON YOU ARE RIGHT NOW. 40 00:02:22,100 --> 00:02:24,967 NO MATTER HOW EASY YOUR DAY SEEMS, 41 00:02:25,067 --> 00:02:27,667 YOUR BRAIN IS ALWAYS HARD AT WORK-- 42 00:02:27,767 --> 00:02:32,467 MAKING CHOICES, WEIGHING UP DIFFERENT OPTIONS. 43 00:02:32,567 --> 00:02:35,667 AND IT'S OFTEN IN A STATE OF CONFLICT-- 44 00:02:35,767 --> 00:02:39,400 LOCKED IN A GREAT POWER STRUGGLE--WITH ITSELF. 45 00:02:41,033 --> 00:02:42,533 LET ME SHOW YOU WHAT I MEAN. 46 00:02:45,000 --> 00:02:48,433 RIGHT NOW, I HAVE TO MAKE A MOMENTOUS DECISION. 47 00:02:50,200 --> 00:02:53,333 MINT FROZEN YOGURT? OR LEMON? 48 00:02:55,033 --> 00:02:58,033 THIS IS SERIOUS BUSINESS-- BECAUSE I LIKE BOTH. 49 00:03:00,167 --> 00:03:02,967 AND INSIDE MY BRAIN, THIS CHOICE UNLEASHES 50 00:03:03,067 --> 00:03:04,800 A WHIRLWIND OF ACTIVITY. 51 00:03:08,733 --> 00:03:11,833 NEURONS ARE WILDLY GETTING IN TOUCH WITH ONE ANOTHER. 52 00:03:11,933 --> 00:03:14,267 THEY'RE FORMING COMPETING NETWORKS. 53 00:03:15,467 --> 00:03:19,033 ONE FAVORS THE ZING OF THE ZESTY LEMON, 54 00:03:19,133 --> 00:03:21,567 THE OTHER THE FRESHNESS OF THE MINT. 55 00:03:24,433 --> 00:03:26,800 WHEN I FINALLY GO FOR THE LEMON, 56 00:03:26,900 --> 00:03:30,000 I HAVE NO REAL IDEA WHY I CHOSE IT. 57 00:03:30,100 --> 00:03:33,200 BUT IF I COULD SEE UNDER THE HOOD, I WOULD FIND THAT 58 00:03:33,300 --> 00:03:36,533 THE LEMON NETWORK HAS FOUGHT HARDER AND WON, 59 00:03:36,633 --> 00:03:38,500 SQUELCHING MY MINT NETWORK. 60 00:03:40,567 --> 00:03:42,467 AND IT'S NOT JUST MINT VERSUS LEMON. 61 00:03:42,567 --> 00:03:44,367 I'M WONDERING WHETHER TO EAT THIS YOGURT AT ALL, 62 00:03:44,467 --> 00:03:46,133 BECAUSE PART OF ME WANTS IT BUT 63 00:03:46,233 --> 00:03:48,200 PART OF ME KNOWS THAT IT'S FATTENING. 64 00:03:48,300 --> 00:03:50,433 AND IT'S BECAUSE OF THIS SORT OF CONFLICT 65 00:03:50,533 --> 00:03:52,500 THAT WE CAN GET ANGRY AT OURSELVES 66 00:03:52,600 --> 00:03:55,433 AND CUSS AT OURSELVES AND CAJOLE OURSELVES. 67 00:03:55,533 --> 00:03:57,667 WHO'S TALKING WITH WHOM EXACTLY? 68 00:03:57,767 --> 00:03:59,033 IT'S ALL YOU, RIGHT? 69 00:03:59,133 --> 00:04:00,733 BUT IT'S DIFFERENT PARTS OF YOU. 70 00:04:06,433 --> 00:04:10,200 THESE RIVALRIES ARE WITH US IN EVERY DECISION THAT WE MAKE. 71 00:04:10,300 --> 00:04:12,667 THEY'RE USUALLY SO EASILY RESOLVED 72 00:04:12,767 --> 00:04:14,100 THAT WE'RE UNAWARE OF THEM. 73 00:04:15,467 --> 00:04:18,500 BUT IN SOME SITUATIONS, THEY SHOW THEMSELVES. 74 00:04:18,600 --> 00:04:22,533 WE CAN FEEL THE TUG OF DIFFERENT NETWORKS. 75 00:04:22,633 --> 00:04:28,300 I'LL SHOW YOU WHAT I MEAN--IF I CAN FIND A WILLING VOLUNTEER. 76 00:04:28,400 --> 00:04:30,667 EXCUSE ME, DO YOU WANT TO PARTICIPATE IN AN EXPERIMENT? 77 00:04:30,767 --> 00:04:32,700 I DON'T THINK SO. OK. 78 00:04:34,800 --> 00:04:35,733 EXCUSE ME, DO YOU GUYS WANT 79 00:04:35,833 --> 00:04:37,333 TO PARTICIPATE IN AN EXPERIMENT? 80 00:04:37,433 --> 00:04:38,733 THIS WILL ONLY TAKE 30 SECONDS. 81 00:04:38,833 --> 00:04:41,433 SORRY, WE'RE LATE. OK. OK. 82 00:04:48,100 --> 00:04:50,333 WOULD YOU PARTICIPATE IN AN EXPERIMENT FOR 30 SECONDS? 83 00:04:50,433 --> 00:04:52,200 OK. OK, SO HERE'S WHAT YOU'RE GOING TO DO. 84 00:04:52,300 --> 00:04:54,333 PUT YOUR HANDS OUT. OK. 85 00:04:54,433 --> 00:04:57,567 AND I'M GOING TO ASK YOU TO NAME THE COLOR OF THE INK. 86 00:04:57,667 --> 00:04:58,933 OK, SO WHAT COLOR IS THAT? 87 00:04:59,033 --> 00:04:59,967 RED. GOOD. OK. 88 00:05:00,067 --> 00:05:02,133 WHAT COLOR IS THAT? BLUE. 89 00:05:02,233 --> 00:05:05,333 EAGLEMAN: THIS IS A PRETTY EASY TEST. 90 00:05:05,433 --> 00:05:07,033 RED. BLUE. 91 00:05:07,133 --> 00:05:09,600 EAGLEMAN: BUT INTRODUCE A CONFLICT...BETWEEN 92 00:05:09,700 --> 00:05:15,900 THE WORD AND THE COLOR OF THE INK, AND THE SITUATION CHANGES. 93 00:05:16,000 --> 00:05:20,867 BLUE...YELLOW...ORANGE... 94 00:05:20,967 --> 00:05:27,167 ORANGE...BLUE... GREEN...BLUE. 95 00:05:27,267 --> 00:05:28,233 OK. 96 00:05:28,333 --> 00:05:33,300 ORANGE...GREEN... BLUE...RED... 97 00:05:33,400 --> 00:05:38,367 ORANGE...BLUE... GREEN... 98 00:05:40,233 --> 00:05:41,700 I HAD TO CLOSE MY EYES! 99 00:05:41,800 --> 00:05:43,067 YEAH, I SAW THAT. 100 00:05:44,433 --> 00:05:46,800 EAGLEMAN: IT'S HARD BECAUSE OF RIVALRIES 101 00:05:46,900 --> 00:05:49,267 PLAYING OUT INSIDE THE BRAIN. 102 00:05:49,367 --> 00:05:52,600 ONE NETWORK IS INVOLVED IN NAMING COLORS, 103 00:05:52,700 --> 00:05:57,567 ANOTHER HAS A LIFETIME OF TRAINING IN READING WORDS. 104 00:05:57,667 --> 00:06:00,433 RED...BLUE. 105 00:06:00,533 --> 00:06:03,133 EAGLEMAN: WITH BOTH NETWORKS BATTLING IT OUT, 106 00:06:03,233 --> 00:06:06,167 YOU CAN DIRECTLY EXPERIENCE THE CONFLICT. 107 00:06:08,233 --> 00:06:11,067 TO GET THE RIGHT ANSWER, YOU HAVE TO ACTIVELY SUPPRESS 108 00:06:11,167 --> 00:06:13,567 THE WORD READING TO NAME THE COLOR. 109 00:06:16,533 --> 00:06:21,033 THERE ARE OCCASIONS WHEN RIVAL NETWORKS CAN'T BE RECONCILED. 110 00:06:21,133 --> 00:06:23,533 AND THOSE OFFER A SPECIAL INSIGHT. 111 00:06:26,300 --> 00:06:29,300 IN THIS RARE FOOTAGE, WE CAN SEE CONFLICT 112 00:06:29,400 --> 00:06:33,067 IN THE BRAIN EXPRESSING ITSELF IN THE BODY. 113 00:06:35,533 --> 00:06:38,300 PSYCHOLOGIST MATT ROSER IS A SPECIALIST 114 00:06:38,400 --> 00:06:41,700 IN A CONDITION KNOWN AS ALIEN HAND SYNDROME. 115 00:06:44,367 --> 00:06:48,100 THIS IS A RARE SIDE-EFFECT OF A SPLIT BRAIN SURGERY 116 00:06:48,200 --> 00:06:50,700 WHICH IS SOMETIMES USED TO TREAT EPILEPSY. 117 00:06:58,433 --> 00:07:00,267 ROSER: A SPLIT BRAIN SURGERY IS THE DISCONNECTION OF 118 00:07:00,367 --> 00:07:02,233 THE TWO HEMISPHERES OF THE BRAIN, 119 00:07:02,333 --> 00:07:03,667 THE TWO HALVES OF THE BRAIN. 120 00:07:06,033 --> 00:07:09,800 BY CUTTING THE BRAIN IN HALF, YOU CONTROL THE EPILEPSY BETTER. 121 00:07:13,200 --> 00:07:15,200 EAGLEMAN: IN THIS PATIENT, IT HAS FURTHER, 122 00:07:15,300 --> 00:07:17,800 DISTURBING CONSEQUENCES. 123 00:07:17,900 --> 00:07:20,167 IT AFFECTS ALL HER MOTOR SKILLS, 124 00:07:20,267 --> 00:07:22,600 PARTICULARLY THE MOVEMENT OF HER HANDS. 125 00:07:24,000 --> 00:07:28,000 SHE CAN DO WHAT THE DOCTOR ASKS WITH ONE HALF OF HER BODY... 126 00:07:28,100 --> 00:07:29,433 MAN: CAN YOU LIFT YOUR HANDS UP IN THE AIR? 127 00:07:30,667 --> 00:07:32,833 EAGLEMAN: BUT SHE HAS NO CONSCIOUS CONTROL 128 00:07:32,933 --> 00:07:34,633 OF THE OTHER HALF. 129 00:07:34,733 --> 00:07:36,967 CAN YOU GIVE ME A THUMBS UP WITH THIS HAND? 130 00:07:37,067 --> 00:07:38,267 GIVE ME A THUMBS UP. 131 00:07:39,800 --> 00:07:41,500 SHOW ME THE INDEX FINGER OF YOUR... 132 00:07:41,600 --> 00:07:44,800 EAGLEMAN: HER RIGHT BRAIN TAKES CONTROL OF HER LEFT HAND 133 00:07:44,900 --> 00:07:47,233 AND FIGHTS FOR ATTENTION. 134 00:07:47,333 --> 00:07:49,167 WHAT'S GOING ON? TELL US WHAT'S GOING ON. 135 00:07:50,900 --> 00:07:52,900 CAN YOU SHOW ME YOUR PINKY? 136 00:07:53,000 --> 00:07:54,467 OK, GOOD. 137 00:07:54,567 --> 00:07:57,333 CAN YOU TAKE YOUR PINKY AND TOUCH YOUR FOREHEAD? 138 00:07:57,433 --> 00:08:01,067 ROSER: THE HAND JUST DOESN'T RESPOND TO COMMANDS, 139 00:08:01,167 --> 00:08:03,433 IT SEEMS TO HAVE A WILL OF ITS OWN. 140 00:08:03,533 --> 00:08:05,400 BECAUSE NOW THERE ARE ALMOST LIKE 141 00:08:05,500 --> 00:08:09,367 TWO HALF-PATIENTS INSIDE ONE BODY. 142 00:08:09,467 --> 00:08:11,067 MAN: CAN YOU SHOW ME YOUR THUMB? 143 00:08:11,167 --> 00:08:12,733 SHOW ME YOUR THUMB. 144 00:08:12,833 --> 00:08:16,333 EAGLEMAN: FOR THIS PATIENT, HER ALIEN HAND SYNDROME 145 00:08:16,433 --> 00:08:19,233 WAS EVENTUALLY BROUGHT UNDER CONTROL. 146 00:08:19,333 --> 00:08:21,500 WOMAN: YEAH, I CAN'T STOP IT. 147 00:08:21,600 --> 00:08:23,800 EAGLEMAN: BUT THE DISORDER REVEALS SOMETHING 148 00:08:23,900 --> 00:08:25,833 THAT'S NORMALLY HIDDEN, 149 00:08:25,933 --> 00:08:28,500 GIVING US A WINDOW INTO THE STRUGGLE 150 00:08:28,600 --> 00:08:33,333 THAT'S WAGED INSIDE OUR HEADS...EVERY DAY. 151 00:08:33,433 --> 00:08:36,100 MAN: CAN YOU SHOW ME...CAN YOU SHOW ME YOUR THUMB? 152 00:08:36,200 --> 00:08:37,333 SHOW ME YOUR THUMB. 153 00:08:45,767 --> 00:08:48,267 EAGLEMAN: IN THE BUSINESS OF DECISION MAKING, 154 00:08:48,367 --> 00:08:51,667 TWO BIG SYSTEMS THAT OFTEN COME INTO CONFLICT 155 00:08:51,767 --> 00:08:56,000 ARE THOSE WE CAN SUMMARIZE AS REASON AND EMOTION. 156 00:08:58,967 --> 00:09:02,867 THESE SYSTEMS WORK TOGETHER, SO WE'RE GENERALLY NOT AWARE THAT 157 00:09:02,967 --> 00:09:06,133 MORE THAN ONE THING STEERS OUR DECISIONS. 158 00:09:09,400 --> 00:09:12,700 BUT SOME SITUATIONS CAN TEASE THEM APART. 159 00:09:15,200 --> 00:09:17,900 CONSIDER THE TROLLEY DILEMMA. 160 00:09:18,000 --> 00:09:19,367 EAGLEMAN: HI. WOMAN: HI. 161 00:09:19,467 --> 00:09:22,033 I'D LIKE TO INVITE YOU TO STEP INTO THIS BOOTH HERE 162 00:09:22,133 --> 00:09:23,500 AND WE'RE GOING TO SHOW YOU A VIDEO 163 00:09:23,600 --> 00:09:25,867 AND JUST ASK YOU A QUESTION ABOUT WHAT YOU WOULD 164 00:09:25,967 --> 00:09:27,567 DO IN THIS SORT OF SCENARIO. 165 00:09:32,700 --> 00:09:36,167 EAGLEMAN: YOU SEE A TRAIN TROLLEY WHOSE BRAKES ARE BROKEN. 166 00:09:36,267 --> 00:09:38,633 IT'S BARRELING DOWN THE TRACK OUT OF CONTROL. 167 00:09:40,233 --> 00:09:43,267 IN ITS PATH, YOU SEE 4 WORKERS. 168 00:09:47,267 --> 00:09:50,933 THEY'RE TOO FAR AWAY TO WARN, BUT IF YOU DON'T DO SOMETHING, 169 00:09:51,033 --> 00:09:52,433 THEY FACE CERTAIN DEATH. 170 00:09:56,300 --> 00:09:57,767 THEN YOU SEE A LEVER. 171 00:09:59,467 --> 00:10:03,233 IF YOU PULL IT, YOU'LL DIVERT THE TROLLEY ONTO ANOTHER TRACK 172 00:10:03,333 --> 00:10:05,567 AND THOSE 4 WORKMEN WILL BE SAVED. 173 00:10:07,267 --> 00:10:09,933 BUT HERE'S THE THING: ANOTHER MAN 174 00:10:10,033 --> 00:10:12,000 IS WORKING ON THE OTHER TRACK. 175 00:10:14,400 --> 00:10:17,600 IF YOU PULL THE LEVER, HE WILL DEFINITELY DIE. 176 00:10:19,133 --> 00:10:22,033 SO DO YOU PULL THE LEVER? 177 00:10:34,867 --> 00:10:36,800 NOW. 178 00:10:36,900 --> 00:10:38,100 OK, DID YOU PULL THE LEVER? 179 00:10:38,200 --> 00:10:39,867 I PULLED THE LEVER. OK. GREAT. 180 00:10:39,967 --> 00:10:41,767 NOW HERE COMES SCENARIO TWO. 181 00:10:41,867 --> 00:10:42,967 THERE'S ONE MORE SCENARIO HERE. 182 00:10:43,067 --> 00:10:44,433 OK, GREAT-- HERE WE GO. 183 00:10:46,633 --> 00:10:49,167 EAGLEMAN: THIS TIME THE DILEMMA IS SLIGHTLY DIFFERENT. 184 00:10:50,433 --> 00:10:52,700 THERE ARE STILL 4 WORKERS IN THE PATH 185 00:10:52,800 --> 00:10:54,467 OF THE OUT-OF-CONTROL TROLLEY. 186 00:10:56,667 --> 00:10:58,767 BUT NOW THERE'S NO LEVER... 187 00:10:58,867 --> 00:11:00,433 NO WAY TO DIVERT THE TROLLEY. 188 00:11:02,033 --> 00:11:04,300 INSTEAD, THERE IS A LARGE MAN 189 00:11:04,400 --> 00:11:07,167 STANDING ON A WATER TOWER NEXT TO THE TRACK. 190 00:11:07,267 --> 00:11:10,233 PUSH HIM OFF, INTO THE TROLLEY'S PATH, 191 00:11:10,333 --> 00:11:14,000 AND HIS WEIGHT WILL BE ENOUGH TO STOP THE TROLLEY. 192 00:11:14,100 --> 00:11:16,700 YOU'LL BE SACRIFICING ONE TO SAVE THE OTHERS. 193 00:11:18,133 --> 00:11:20,733 SO DO YOU PUSH THE MAN? 194 00:11:29,200 --> 00:11:31,333 OK, DID YOU PUSH THE MAN OFF? 195 00:11:31,433 --> 00:11:32,367 ABSOLUTELY NOT. 196 00:11:32,467 --> 00:11:33,667 OK, WHAT DID YOU DO IN THE FIRST SCENARIO? 197 00:11:33,767 --> 00:11:34,633 DID YOU PULL THE LEVER? 198 00:11:34,733 --> 00:11:36,033 I PULLED THE LEVER. 199 00:11:36,133 --> 00:11:38,967 BECAUSE IT'S TRADING ONE LIFE FOR 4 LIVES, RIGHT? 200 00:11:39,067 --> 00:11:41,600 SO WHAT'S THE DIFFERENCE BETWEEN THE TWO SCENARIOS? 201 00:11:41,700 --> 00:11:45,400 THE PHYSICAL CONTACT OF CAUSING DEATH-- 202 00:11:45,500 --> 00:11:48,433 EVEN THOUGH I CAN SEE WHERE THEY WERE THE SAME THING, 203 00:11:48,533 --> 00:11:50,033 THEY WOULD HAVE THE SAME RESULT-- 204 00:11:50,133 --> 00:11:54,167 MY GUT FEELING WAS... WAS AVERSE TO THAT. 205 00:11:55,767 --> 00:11:58,733 EAGLEMAN: EVERYONE I ASK MAKES THE SAME CHOICE. 206 00:11:58,833 --> 00:12:02,400 THEY'LL PULL THE LEVER, BUT THEY WON'T PUSH THE MAN. 207 00:12:11,467 --> 00:12:13,367 NO. EAGLEMAN: OK. 208 00:12:14,967 --> 00:12:18,167 EAGLEMAN: IT'S THE SAME ETHICAL DILEMMA IN BOTH CASES. 209 00:12:18,267 --> 00:12:21,233 WOULD YOU TRADE ONE LIFE FOR 4? 210 00:12:21,333 --> 00:12:23,900 IN THE FIRST SCENARIO, IT'S JUST A MATH PROBLEM. 211 00:12:24,000 --> 00:12:25,867 IN THE SECOND ONE, YOU HAVE TO 212 00:12:25,967 --> 00:12:27,867 PHYSICALLY INTERACT WITH THE MAN, 213 00:12:27,967 --> 00:12:30,200 PUSH HIM TO HIS DEATH, AND THAT RECRUITS 214 00:12:30,300 --> 00:12:33,533 OTHER NETWORKS IN THE BRAIN, INVOLVED IN EMOTION. 215 00:12:35,467 --> 00:12:38,200 SO WHAT'S GOING ON BEHIND THE SCENES? 216 00:12:39,667 --> 00:12:43,867 THE CONFLICT IS BEING PLAYED OUT ACROSS THE BRAIN. 217 00:12:43,967 --> 00:12:46,833 AT FIRST, THE LOGIC SYSTEM DOMINATES, 218 00:12:46,933 --> 00:12:51,467 BUT INTRODUCE THE IDEA OF KILLING A MAN WITH YOUR BARE HANDS 219 00:12:51,567 --> 00:12:56,633 AND THE EMOTION SYSTEM COMES ONLINE, TIPPING THE BALANCE. 220 00:12:56,733 --> 00:13:00,700 YOU'RE CAUGHT BETWEEN COMPETING DRIVES, WITH THE RESULT THAT 221 00:13:00,800 --> 00:13:03,567 YOUR DECISION CAN CHANGE ENTIRELY. 222 00:13:09,000 --> 00:13:13,433 THE TROLLEY DILEMMA SHEDS LIGHT ON REAL-WORLD SITUATIONS. 223 00:13:20,133 --> 00:13:22,267 THINK ABOUT MODERN WARFARE. 224 00:13:25,500 --> 00:13:31,000 WHEN YOU LAUNCH A LONG-RANGE MISSILE, OR PILOT A DRONE, 225 00:13:31,100 --> 00:13:33,867 OR PROGRAM A CYBER ATTACK, 226 00:13:33,967 --> 00:13:36,300 THESE CAUSE DAMAGE AT A DISTANCE. 227 00:13:38,367 --> 00:13:40,667 THE RATIONAL NETWORKS ARE AT WORK, 228 00:13:40,767 --> 00:13:43,700 BUT NOT NECESSARILY THE EMOTIONAL NETWORKS. 229 00:13:45,400 --> 00:13:48,667 DETACHMENT REDUCES INTERNAL CONFLICT. 230 00:13:48,767 --> 00:13:52,333 IT'S MORE LIKE PULLING THE LEVER THAN PUSHING THE MAN. 231 00:13:56,100 --> 00:13:59,467 WAR IS EASIER TO WAGE AT A DISTANCE. 232 00:14:06,300 --> 00:14:10,233 IF WE'RE CAPABLE OF BYPASSING OUR EMOTIONAL SYSTEMS, 233 00:14:10,333 --> 00:14:11,500 WHY DO WE HAVE THEM AT ALL? 234 00:14:16,200 --> 00:14:20,167 SO OFTEN IN NEUROSCIENCE, WE LEARN MOST ABOUT THE BRAIN 235 00:14:20,267 --> 00:14:21,600 WHEN THINGS GO WRONG. 236 00:14:24,333 --> 00:14:26,500 FOR TWO DECADES, TAMMIE MYERS HAD 237 00:14:26,600 --> 00:14:30,533 A SUCCESSFUL CAREER AS AN ENGINEER AND A HAPPY MARRIAGE. 238 00:14:33,933 --> 00:14:37,200 THEN, TWO YEARS AGO, THERE WAS AN ACCIDENT. 239 00:14:43,633 --> 00:14:47,233 TAMMIE: THAT MORNING WE GOT UP AND RODE ABOUT AN HOUR. 240 00:14:49,433 --> 00:14:51,433 FROM WHAT MY FRIENDS TELL ME, 241 00:14:51,533 --> 00:14:54,600 WE WENT INTO A 90-DEGREE TURN THAT WAS NOT MARKED. 242 00:14:58,267 --> 00:15:02,800 AND, UM, TRIED EVERYTHING WE COULD DO GET AROUND THE TURN. 243 00:15:02,900 --> 00:15:04,033 THE BIKE WENT DOWN. 244 00:15:06,467 --> 00:15:08,133 FROM THERE I DON'T REMEMBER ANYTHING. 245 00:15:11,033 --> 00:15:13,900 EAGLEMAN: TAMMIE RECOVERED FROM THE CRASH, 246 00:15:14,000 --> 00:15:16,333 BUT ONE PROBLEM REMAINED. 247 00:15:19,633 --> 00:15:23,967 SHE NOW STRUGGLES TO MAKE EVEN THE SIMPLEST DECISIONS. 248 00:15:24,067 --> 00:15:25,633 TAMMIE: I DON'T-- I DON'T-- 249 00:15:29,200 --> 00:15:32,033 I DON'T-- I DON'T CARE. 250 00:15:32,133 --> 00:15:33,533 I'M GOING TO START CRYING. 251 00:15:33,633 --> 00:15:35,233 I DON'T WANT TO CRY. 252 00:15:35,333 --> 00:15:37,067 THERE'S TOO MANY THINGS IN THERE. 253 00:15:39,333 --> 00:15:42,267 MAN: THERE ARE GOOD DAYS AND THERE'S BAD DAYS-- 254 00:15:42,367 --> 00:15:46,733 AND YOU DON'T NECESSARILY KNOW WHAT DAY IT'S GOING TO BE 255 00:15:46,833 --> 00:15:48,067 WHEN YOU WAKE UP IN THE MORNING. 256 00:15:50,167 --> 00:15:51,733 YOU KNOW, I'M WAITING FOR THE DAY THAT... 257 00:15:54,600 --> 00:15:57,000 YOU KNOW, SHE'S NORMAL. 258 00:15:59,633 --> 00:16:02,733 I CAN'T MAKE ANY... IT'S TOO MANY THINGS 259 00:16:02,833 --> 00:16:06,700 FOR MY BRAIN TO PROCESS THAT'S JUST ABSOLUTELY STUPID. 260 00:16:09,900 --> 00:16:14,267 EAGLEMAN: TAMMIE'S BRAIN DAMAGE IS IN THE PRE-FRONTAL CORTEX. 261 00:16:14,367 --> 00:16:18,167 HER LOGIC AND EMOTION SYSTEMS HAVE BECOME DISCONNECTED. 262 00:16:18,267 --> 00:16:21,167 THEY'RE STILL WORKING-- BUT HER EMOTIONS ARE 263 00:16:21,267 --> 00:16:23,700 NO LONGER LINKED TO HER INTELLECT. 264 00:16:25,167 --> 00:16:27,300 TAMMIE'S INJURY REVEALS THAT 265 00:16:27,400 --> 00:16:29,667 EVEN IN THE MOST BASIC SITUATIONS, 266 00:16:29,767 --> 00:16:33,367 EMOTION IS A NECESSARY COMPONENT OF DECISION MAKING. 267 00:16:34,900 --> 00:16:39,067 TO UNDERSTAND THE DAMAGE, TAMMIE'S NEUROLOGIST DR. ESLINGER 268 00:16:39,167 --> 00:16:41,400 HAS BROUGHT HER HERE TO THE GROCERY STORE. 269 00:16:44,567 --> 00:16:46,500 ESLINGER: TAMMIE STILL EXPERIENCES 270 00:16:46,600 --> 00:16:49,967 SOME LEVEL OF EMOTIONAL EXPRESSION. 271 00:16:50,067 --> 00:16:53,567 IT'S JUST THAT IT'S VERY KIND OF ELEMENTARY IN A WAY 272 00:16:53,667 --> 00:16:55,967 AND IT'S NOT LINKED INTO THE LOGICAL SYSTEM. 273 00:16:56,067 --> 00:16:57,467 I DON'T UNDERSTAND WHAT THE DIFFERENCE IS 274 00:16:57,567 --> 00:16:59,133 WITH ALL THESE THINGS. 275 00:16:59,233 --> 00:17:02,067 RIGHT, IF I FORGET THINGS I'LL GET MY HUSBAND TO PICK THEM UP, BECAUSE... 276 00:17:02,167 --> 00:17:04,633 EAGLEMAN: ESLINGER WANTS TO SEE HOW TAMMY COPES WITH 277 00:17:04,733 --> 00:17:09,400 THE MOST BASIC OF CHOICES-- WHAT SHOULD SHE BUY FOR DINNER? 278 00:17:09,500 --> 00:17:11,033 SO HERE YOU HAVE SOME CHOICES. 279 00:17:11,133 --> 00:17:14,000 HOW DO YOU DECIDE WHAT IT IS YOU WOULD LIKE? 280 00:17:14,100 --> 00:17:16,100 UM, I JUST LOOK 281 00:17:16,200 --> 00:17:19,233 AT DIFFERENT THINGS THAT ARE HERE 282 00:17:19,333 --> 00:17:21,433 AND THE DIFFERENT PRICES 283 00:17:21,533 --> 00:17:22,267 AND, AH, 284 00:17:22,367 --> 00:17:24,333 I DON'T WANT BIG POTATOES. 285 00:17:24,433 --> 00:17:29,233 I'D PROBABLY JUST PICK UP A BAG OF, LIKE... 286 00:17:29,333 --> 00:17:31,233 MAYBE THE GOLD POTATOES OR... 287 00:17:31,333 --> 00:17:33,667 ESLINGER: SHE WAS TAKING IN THE INFORMATION ACCURATELY 288 00:17:33,767 --> 00:17:36,833 ABOUT WHAT SHE WAS SEEING AND THE FACT THERE WAS COST 289 00:17:36,933 --> 00:17:39,367 AND THERE WAS SIZE AND COLOR. 290 00:17:39,467 --> 00:17:42,567 SO HER BRAIN WAS PROCESSING ALL THE LOGICAL INFORMATION 291 00:17:42,667 --> 00:17:46,733 BUT THE EMOTION SYSTEM WASN'T COMING INTO PLAY, 292 00:17:46,833 --> 00:17:48,767 LINKING TO THAT LOGIC SYSTEM. 293 00:17:48,867 --> 00:17:49,833 THERE IS SO MANY. 294 00:17:49,933 --> 00:17:51,867 WHY DO YOU NEED SO MANY POTATOES? 295 00:17:51,967 --> 00:17:53,133 THAT'S RIGHT. 296 00:17:53,233 --> 00:17:55,367 MY CHEST IS ALL TIGHT, THINKING ABOUT ALL THIS. 297 00:17:55,467 --> 00:17:56,500 WHY IS THAT? 298 00:17:56,600 --> 00:17:59,500 BECAUSE IT'S STRESS, IT'S A DECISION, 299 00:17:59,600 --> 00:18:02,767 IT'S, UM, THERE'S A LOT OF STUFF LAYING HERE. 300 00:18:04,967 --> 00:18:08,100 ESLINGER: TAMMIE QUICKLY BECAME OVERWHELMED WITH INFORMATION 301 00:18:08,200 --> 00:18:11,200 THAT SHE COULDN'T PRIORITIZE. 302 00:18:11,300 --> 00:18:13,133 THE ROUTE THAT SHE TOOK WAS, 303 00:18:13,233 --> 00:18:15,300 "WELL, LET ME TAKE THAT ONE AND GET OUT OF HERE." 304 00:18:15,400 --> 00:18:17,000 I CAN'T PROCESS THE INFORMATION. 305 00:18:17,100 --> 00:18:18,500 IT'S TOO MUCH. 306 00:18:18,600 --> 00:18:19,967 NOW, WAS THAT TRUE BEFORE YOUR ACCIDENT? 307 00:18:20,067 --> 00:18:22,133 NO, NO. I WAS AN ENGINEER. 308 00:18:22,233 --> 00:18:25,333 I COULD DO EVERYTHING, BUT NOW I CAN'T, 309 00:18:25,433 --> 00:18:27,933 CAN'T PICK A HAM ALONE... MAKE 10 DECISIONS 310 00:18:28,033 --> 00:18:29,767 AT WORK WITHIN THE NEXT HOUR... 311 00:18:29,867 --> 00:18:31,467 10 DECISIONS MAYBE IN THE WEEK. 312 00:18:33,667 --> 00:18:36,467 EAGLEMAN: THE SITUATION MAKES TAMMIE STRESSED 313 00:18:36,567 --> 00:18:40,567 BUT SHE CAN'T MAKE HERSELF CARE ABOUT HER CHOICES. 314 00:18:40,667 --> 00:18:43,700 TO MAKE A DECISION, SHE NEEDS TO SOMEHOW 315 00:18:43,800 --> 00:18:46,200 VALUE ONE OPTION OVER ANOTHER. 316 00:18:46,300 --> 00:18:49,000 IT'S A LOT OF INFORMATION TO PROCESS. 317 00:18:49,100 --> 00:18:50,300 THAT'S WHAT IT IS... 318 00:18:50,400 --> 00:18:52,667 EAGLEMAN: AND THAT CAN ONLY BE DONE WITH 319 00:18:52,767 --> 00:18:54,267 THE HELP OF THE EMOTIONS. 320 00:18:54,367 --> 00:18:55,700 TAMMIE: IT'S INFORMATION THAT YOU HAVE TO PUT 321 00:18:55,800 --> 00:18:57,267 INTO YOUR HEAD, I GUESS... 322 00:18:57,367 --> 00:19:00,167 ESLINGER: THE LOGICAL BRAIN SYSTEM STILL IS VERY STRONG 323 00:19:00,267 --> 00:19:03,400 AND WE WANT TO FORCE IT TO TAP INTO THE EMOTION SYSTEM. 324 00:19:03,500 --> 00:19:05,033 SO ONE OF THE THINGS WE DO DAY TO DAY 325 00:19:05,133 --> 00:19:08,167 IS WE DISCARD THINGS THAT ARE NOT SO IMPORTANT. 326 00:19:08,267 --> 00:19:10,067 AND SOMETIMES IT'S OUR EMOTIONS THAT 327 00:19:10,167 --> 00:19:11,767 HELP US DO THAT SEPARATION. 328 00:19:11,867 --> 00:19:15,333 BY HAVING THAT LOGICAL BRAIN SYSTEM WORK ON THE PROCESS, 329 00:19:15,433 --> 00:19:16,600 WE MAY BE ABLE TO BREAK THROUGH 330 00:19:16,700 --> 00:19:20,100 AT LEAST IN SOME WAYS TO RECONNECT THOSE. 331 00:19:20,200 --> 00:19:23,267 I--I...I JUST SIT... 332 00:19:23,367 --> 00:19:25,567 TAMMIE: I DON'T KNOW WHAT TOMORROW IS-- 333 00:19:25,667 --> 00:19:28,067 AM I GOING TO BE BETTER, AM I GOING TO BE WORSE? 334 00:19:29,967 --> 00:19:32,400 IT SEEMS LIKE THE PIECES OF THE PUZZLE 335 00:19:32,500 --> 00:19:35,167 COULD BE COMING TOGETHER IN A GRADUAL FASHION 336 00:19:35,267 --> 00:19:38,833 BUT IT'S REALLY SLOW--AS FAR AS 337 00:19:38,933 --> 00:19:41,100 MY PAST BEING WOULD HAVE ACCEPTED. 338 00:19:44,167 --> 00:19:46,333 EAGLEMAN: TAMMIE'S STORY SHOWS HOW IMPORTANT 339 00:19:46,433 --> 00:19:48,767 EMOTIONS ARE IN MAKING DECISIONS. 340 00:19:51,067 --> 00:19:52,667 BUT HERE'S THE THING. 341 00:19:52,767 --> 00:19:57,233 EMOTIONS DON'T JUST HAPPEN INSIDE THE BRAIN. 342 00:19:57,333 --> 00:20:01,467 OUR EMOTIONAL SYSTEMS INTERACT WITH THE REST OF OUR PHYSIOLOGY. 343 00:20:03,233 --> 00:20:09,000 WHEN WE'RE FACED WITH CHOICES, OUR MUSCLES IMPERCEPTIBLY TENSE, 344 00:20:09,100 --> 00:20:11,600 OUR HORMONE LEVELS FLUCTUATE. 345 00:20:11,700 --> 00:20:17,133 THESE ARE AUTOMATIC, PHYSICAL REACTIONS--GUT FEELINGS. 346 00:20:17,233 --> 00:20:18,467 AND WE NEED THEM. 347 00:20:20,133 --> 00:20:22,133 I'M TRYING TO DECIDE WHAT KIND OF SOUP I WANT 348 00:20:22,233 --> 00:20:23,567 BUT IT'S A REALLY DIFFICULT CHOICE. 349 00:20:23,667 --> 00:20:25,767 THERE ARE SO MANY DETAILS FOR MY BRAIN TO COMPUTE. 350 00:20:27,500 --> 00:20:31,767 THERE IS CALORIES AND PRICE AND TASTE AND SALT AND PACKAGING. 351 00:20:31,867 --> 00:20:33,800 THERE ARE A MILLION DETAILS HERE 352 00:20:33,900 --> 00:20:35,667 AND I'M GOING TO BE PARALYZED ALL DAY 353 00:20:35,767 --> 00:20:38,700 UNDER THIS MOUNTAIN OF DATA, SO WHAT I REALLY NEED IS 354 00:20:38,800 --> 00:20:40,800 SOME SORT OF SUMMARY, A QUICK READ, 355 00:20:40,900 --> 00:20:45,267 AND THAT'S WHAT THE PHYSIOLOGIC STATES OF MY BODY GIVE ME. 356 00:20:45,367 --> 00:20:47,267 IT ALLOWS ME TO PUT A VALUE ON THIS CHOICE 357 00:20:47,367 --> 00:20:49,067 AND A VALUE ON THAT CHOICE 358 00:20:49,167 --> 00:20:52,167 AND THAT'S WHAT ALLOWS ME TO MAKE THE DECISION. 359 00:20:59,033 --> 00:21:03,433 THIS CONVERSATION BETWEEN THE BODY AND THE BRAIN NEVER STOPS. 360 00:21:05,333 --> 00:21:07,167 BUT IT REALLY COMES TO THE FORE 361 00:21:07,267 --> 00:21:09,467 WHEN WE'RE STRESSED, OR IN DANGER. 362 00:21:16,167 --> 00:21:17,700 TAKE THIS SITUATION. 363 00:21:20,300 --> 00:21:23,500 BEFORE I THINK RATIONALLY ABOUT WHAT'S GOING ON, 364 00:21:23,600 --> 00:21:25,067 I REACT PHYSICALLY. 365 00:21:29,267 --> 00:21:31,133 MY SWEAT GLANDS OPEN... 366 00:21:33,167 --> 00:21:35,000 MY HEART RATE INCREASES... 367 00:21:36,767 --> 00:21:38,967 MY PUPILS DILATE. 368 00:21:39,067 --> 00:21:41,467 MY BODY'S SCREAMING A SIMPLE MESSAGE... 369 00:21:43,000 --> 00:21:44,300 "GET ME OUT OF HERE!" 370 00:21:48,567 --> 00:21:51,467 EVERY DAY WE EXPERIENCE EMOTIONAL STATES LIKE THIS 371 00:21:51,567 --> 00:21:54,667 BUT BECAUSE THEY'RE MOSTLY SUBTLE AND UNCONSCIOUS, 372 00:21:54,767 --> 00:21:56,467 WE'RE NOT TYPICALLY AWARE OF THEM. 373 00:21:56,567 --> 00:21:59,833 BUT IT TURNS OUT THESE STATES ARE CRUCIAL FOR NAVIGATING 374 00:21:59,933 --> 00:22:01,633 ALL THE DECISIONS IN OUR LIFE. 375 00:22:09,267 --> 00:22:13,633 MOST OF US TEND TO DISTRUST DECISIONS BASED ON FEELINGS, 376 00:22:13,733 --> 00:22:15,200 RATHER THAN INTELLECT. 377 00:22:16,567 --> 00:22:19,167 SO IT CAN BE SURPRISING TO LEARN 378 00:22:19,267 --> 00:22:22,433 JUST HOW MUCH INSIGHT FEELINGS CAN GIVE US. 379 00:22:28,267 --> 00:22:31,933 RICHARD TUNNEY IS AN EXPERIMENTAL PSYCHOLOGIST. 380 00:22:32,033 --> 00:22:35,233 HE STUDIES THE FORMATION OF UNCONSCIOUS DECISIONS. 381 00:22:39,733 --> 00:22:44,267 HE'S RUNNING AN EXPERIMENT KNOWN AS THE IOWA GAMBLING TASK. 382 00:22:44,367 --> 00:22:47,167 TUNNEY: I NEED YOU TO KEEP YOUR HANDS STILL 383 00:22:47,267 --> 00:22:50,000 'CAUSE THAT WILL AFFECT THE MEASUREMENTS THAT WE MAKE. 384 00:22:53,067 --> 00:22:58,300 EAGLEMAN: A VOLUNTEER CHOOSES TO DRAW A CARD FROM ONE OF 4 DECKS. 385 00:23:01,767 --> 00:23:03,533 EACH TIME SHE DRAWS A CARD, 386 00:23:03,633 --> 00:23:06,733 SHE WINS SOME AMOUNT OF MONEY AND SHE LOSES SOME. 387 00:23:09,567 --> 00:23:12,500 HER TASK IS TO EARN AS MUCH AS POSSIBLE. 388 00:23:15,433 --> 00:23:18,633 AS SHE PLAYS, SHE'S HOOKED UP TO A MACHINE 389 00:23:18,733 --> 00:23:20,700 SIMILAR TO A LIE DETECTOR. 390 00:23:20,800 --> 00:23:25,233 IT MONITORS TINY CHANGES IN THE SWEAT GLANDS IN HER SKIN. 391 00:23:30,133 --> 00:23:31,433 WHAT SHE DOESN'T KNOW IS THAT 392 00:23:31,533 --> 00:23:35,067 THE DECKS ARE NOT RANDOM BUT RIGGED. 393 00:23:36,600 --> 00:23:39,767 IF SHE KEEPS CHOOSING FROM DECKS A AND C, 394 00:23:39,867 --> 00:23:41,633 SHE'LL END UP MAKING THE MOST MONEY. 395 00:23:45,700 --> 00:23:49,433 THE QUESTION IS, HOW LONG BEFORE SHE FIGURES THAT OUT? 396 00:23:52,300 --> 00:23:55,367 TUNNEY: THE PARTICIPANT WILL EXPLORE THE DECKS 397 00:23:55,467 --> 00:23:59,400 IN THE FIRST INSTANCE AND THEY'LL CHOOSE FROM ALL 4 DECKS, 398 00:23:59,500 --> 00:24:02,367 BUT DOESN'T REALLY BEGIN TO CHOOSE FROM THE GOOD DECKS 399 00:24:02,467 --> 00:24:06,600 CONSCIOUSLY UNTIL THEY'RE IN THE REGION OF 20-30 CARDS. 400 00:24:08,633 --> 00:24:11,967 EAGLEMAN: BUT HERE'S THE THING: THE MONITOR INDICATES THAT 401 00:24:12,067 --> 00:24:14,167 VOLUNTEERS FIGURE OUT WHICH DECKS 402 00:24:14,267 --> 00:24:17,200 ARE GOOD AND BAD MUCH EARLIER. 403 00:24:18,700 --> 00:24:22,433 AFTER ONLY 10 TRIES, THERE IS A SPIKE OF ACTIVITY-- 404 00:24:22,533 --> 00:24:26,767 A WARNING SIGN--WHENEVER SHE REACHES FOR THE BAD DECKS. 405 00:24:29,133 --> 00:24:31,500 SHE DOESN'T REALIZE IT, BUT THAT'S THE BEGINNINGS 406 00:24:31,600 --> 00:24:35,500 OF A HUNCH--AN UNDERSTANDING THAT HER BODY REGISTERS 407 00:24:35,600 --> 00:24:38,233 BEFORE HER CONSCIOUS MIND. 408 00:24:38,333 --> 00:24:41,667 WHAT WE'RE SEEING HERE IS WE'RE SEEING SOME 409 00:24:41,767 --> 00:24:47,233 PHYSIOLOGICAL RESPONSE PRIOR TO MAKING THE DECISION. 410 00:24:47,333 --> 00:24:50,967 THIS SPIKE HERE IN EFFECT PREDICTS THE CHOICE 411 00:24:51,067 --> 00:24:53,100 THE PARTICIPANT IS GOING TO MAKE. 412 00:24:55,700 --> 00:24:59,733 EAGLEMAN: AS HER HUNCH GROWS STRONGER, SHE MARRIES LOGIC 413 00:24:59,833 --> 00:25:01,967 TO WHAT HER BODY'S BEEN TELLING HER-- 414 00:25:02,067 --> 00:25:04,700 WHICH DECKS TO DRAW FROM AND WHICH TO AVOID. 415 00:25:09,600 --> 00:25:12,000 OK, ELENA, CAN I STOP YOU THERE FOR A MOMENT 416 00:25:12,100 --> 00:25:14,067 AND CAN I ASK YOU IF YOU HAD TO CHOOSE 417 00:25:14,167 --> 00:25:17,900 ANY ONE OF THOSE 4 DECKS FOR THE REST OF THE EXPERIMENT, 418 00:25:18,000 --> 00:25:19,433 WHICH ONE WOULD YOU CHOSE? 419 00:25:20,967 --> 00:25:24,033 I THINK I WOULD CHOOSE DECK C. 420 00:25:24,133 --> 00:25:26,567 OK. RIGHT, CARRY ON. 421 00:25:26,667 --> 00:25:29,833 EAGLEMAN: IT MAY FEEL LIKE A LOGICAL DEDUCTION, 422 00:25:29,933 --> 00:25:32,733 BUT IT'S BUILT ON A PHYSICAL FOUNDATION. 423 00:25:35,000 --> 00:25:38,100 TUNNEY: THE BODY AND THE BRAIN ARE ALL INTEGRAL TO ONE ANOTHER. 424 00:25:38,200 --> 00:25:40,167 IT'S ALL PART OF THE SAME SYSTEM. 425 00:25:44,267 --> 00:25:46,300 EAGLEMAN: IF PHYSIOLOGY ALWAYS PLAYS A PART 426 00:25:46,400 --> 00:25:50,800 IN OUR DECISION MAKING, WHAT DOES THAT SAY ABOUT US? 427 00:25:50,900 --> 00:25:54,633 DO WE EVER ACT IN A PURELY RATIONAL WAY? 428 00:25:54,733 --> 00:25:58,033 OR IS THAT SIMPLY AN ILLUSION THAT WE CLING TO? 429 00:26:00,600 --> 00:26:02,500 WELL, CONSIDER THIS. 430 00:26:02,600 --> 00:26:07,633 IF YOU EVER COME BEFORE A PAROLE BOARD, KEEP AN EYE ON THE CLOCK. 431 00:26:07,733 --> 00:26:11,300 WE WOULD ALL HOPE THAT LADY JUSTICE IS IMPARTIAL, 432 00:26:11,400 --> 00:26:15,467 BUT STUDIES SAY OTHERWISE--IN A WAY THAT MIGHT SURPRISE YOU. 433 00:26:16,967 --> 00:26:21,667 TWO MEN COME UP FOR PAROLE ON THE SAME DAY--BUT 3 HOURS APART. 434 00:26:21,767 --> 00:26:23,300 THEY'VE COMMITTED THE SAME OFFENSE 435 00:26:23,400 --> 00:26:25,800 AND SERVED THE SAME SENTENCE. 436 00:26:25,900 --> 00:26:27,800 SO WHAT DOES THE JUDGE DECIDE? 437 00:26:31,433 --> 00:26:33,500 NOW, HERE'S WHAT HAPPENED. 438 00:26:33,600 --> 00:26:35,933 THE FIRST PRISONER WAS GRANTED PAROLE 439 00:26:36,033 --> 00:26:39,100 AND THE SECOND WAS DENIED. WHY? 440 00:26:39,200 --> 00:26:40,933 GIVEN THE CRIME WAS THE SAME, 441 00:26:41,033 --> 00:26:43,233 WHAT INFLUENCED THE DECISION? 442 00:26:43,333 --> 00:26:46,600 WAS IT RACE? AGE 443 00:26:46,700 --> 00:26:48,067 WELL, ONE STUDY ANALYZED 444 00:26:48,167 --> 00:26:50,833 A THOUSAND RULINGS FROM DIFFERENT JUDGES 445 00:26:50,933 --> 00:26:53,400 AND THEY FOUND IT WASN'T ABOUT THOSE FACTORS. 446 00:26:53,500 --> 00:26:54,567 IT WAS ABOUT THIS. 447 00:26:59,900 --> 00:27:02,200 ACCORDING TO THE RESEARCH, PRISONERS WERE 448 00:27:02,300 --> 00:27:06,833 3 TIMES MORE LIKELY TO BE GIVEN PAROLE JUST AFTER LUNCH-- 449 00:27:06,933 --> 00:27:08,800 WHEN BOARD MEMBERS WERE WELL-FED-- 450 00:27:08,900 --> 00:27:12,233 THAN JUST BEFORE LUNCH WHEN THEY WERE FEELING HUNGRY. 451 00:27:13,800 --> 00:27:18,200 HAVING TO MAKE DECISIONS ALL MORNING IS MENTALLY TAXING. 452 00:27:18,300 --> 00:27:19,867 AND THE JUDGES WERE SUFFERING FROM 453 00:27:19,967 --> 00:27:22,333 WHAT'S KNOWN AS "EGO DEPLETION." 454 00:27:26,267 --> 00:27:28,733 THEIR BRAINS WERE RUNNING LOW ON ENERGY 455 00:27:28,833 --> 00:27:32,200 AND THAT ESPECIALLY AFFECTS THE PREFRONTAL CORTEX, 456 00:27:32,300 --> 00:27:34,567 WHICH IS INVOLVED IN DECISION MAKING. 457 00:27:35,800 --> 00:27:36,800 TRADITIONALLY, WE ASSUME THAT 458 00:27:36,900 --> 00:27:38,833 HUMANS ARE RATIONAL DECISION MAKERS. 459 00:27:38,933 --> 00:27:41,067 THEY TAKE IN INFORMATION, PROCESS IT, 460 00:27:41,167 --> 00:27:43,167 AND COME UP WITH THE BEST ANSWER. 461 00:27:43,267 --> 00:27:45,400 BUT REAL HUMANS-- EVEN JUDGES-- 462 00:27:45,500 --> 00:27:49,000 DON'T OPERATE THAT WAY-- THEY'RE BIOLOGICAL CREATURES. 463 00:27:51,200 --> 00:27:55,267 THE COURT SYSTEM SETS OUT TO BE RATIONAL AND BALANCED. 464 00:27:55,367 --> 00:27:58,233 SO IT'S A DISTURBING THOUGHT THAT IT CAN BE HIJACKED 465 00:27:58,333 --> 00:28:01,700 BY THE BASIC CHEMISTRY OF OUR BODIES. 466 00:28:01,800 --> 00:28:06,433 EVEN JUDGES CAN BE IMPRISONED BY THEIR BIOLOGY. 467 00:28:12,733 --> 00:28:17,733 THE STORY'S THE SAME WITH SOME OF LIFE'S OTHER BIG CHOICES, 468 00:28:17,833 --> 00:28:19,100 WHERE THE DECISIONS WE MAKE 469 00:28:19,200 --> 00:28:21,600 AREN'T NECESSARILY CONSCIOUS ONES. 470 00:28:21,700 --> 00:28:26,633 INSTEAD, WE'RE TUGGED ALONG BY HIDDEN BIOLOGICAL FORCES. 471 00:28:29,733 --> 00:28:34,000 EVOLUTIONARY PSYCHOLOGIST GEOFFREY MILLER HAS COME UP WITH 472 00:28:34,100 --> 00:28:36,400 AN INTERESTING WAY TO SHOW THIS. 473 00:28:42,867 --> 00:28:47,700 HIS TEAM RECRUITED THE HELP OF 18 LAP DANCERS IN NEW MEXICO 474 00:28:47,800 --> 00:28:51,467 AND GOT THEM TO RECORD THEIR EARNINGS OVER 3 MONTHS. 475 00:28:55,200 --> 00:29:00,033 MILLER: WE KNOW THAT LAP DANCERS' EARNINGS FLUCTUATE A LOT. 476 00:29:00,133 --> 00:29:03,400 SOME NIGHTS THEY EARN $800, 477 00:29:03,500 --> 00:29:07,167 OTHER NIGHTS THEY MIGHT EARN ONLY $150. 478 00:29:07,267 --> 00:29:10,033 UM, AND THEY'RE VERY CONSCIOUS OF HOW MUCH THEY EARN. 479 00:29:10,133 --> 00:29:11,867 SO IT SEEMED LIKE AN IDEAL SET-UP 480 00:29:11,967 --> 00:29:14,167 FOR BEING ABLE TO ASK THEM HOW MUCH 481 00:29:14,267 --> 00:29:17,867 HAVE YOU EARNED NIGHT BY NIGHT, SHIFT BY SHIFT, 482 00:29:17,967 --> 00:29:20,300 AND TO BE ABLE TO TRACK THAT IN RELATION TO 483 00:29:20,400 --> 00:29:22,133 WHERE THEY ARE IN THE MENSTRUAL CYCLE. 484 00:29:24,700 --> 00:29:27,033 EAGLEMAN: MILLER WANTED TO KNOW IF A WOMAN BECOMES 485 00:29:27,133 --> 00:29:31,400 MORE ATTRACTIVE TO A MAN WHEN SHE'S OVULATING. 486 00:29:31,500 --> 00:29:34,700 AT THAT POINT IN HER CYCLE WHEN SHE'S MOST FERTILE, 487 00:29:34,800 --> 00:29:40,000 A SURGE OF THE HORMONE ESTROGEN MAKES HER SKIN SOFTER, 488 00:29:40,100 --> 00:29:42,400 HER FEATURES MORE SYMMETRICAL, 489 00:29:42,500 --> 00:29:46,533 AND HER HIP TO WAIST RATIO LARGER. 490 00:29:46,633 --> 00:29:49,400 THE CHANGES ARE SUBTLE, BUT MEN'S BRAINS 491 00:29:49,500 --> 00:29:52,533 PICK UP ON THOSE CUES UNCONSCIOUSLY. 492 00:29:54,200 --> 00:29:57,033 MILLER: THE RESULTS WERE SURPRISINGLY STRONG. 493 00:29:57,133 --> 00:30:00,667 WHEN WOMEN ARE OVULATING, THEY'RE EARNING ABOUT 494 00:30:00,767 --> 00:30:02,800 TWICE AS MUCH AS THEY WERE EARNING 495 00:30:02,900 --> 00:30:04,400 WHEN THEY WERE MENSTRUATING. 496 00:30:04,500 --> 00:30:09,133 BUT THEY WERE ALSO EARNING A LOT MORE THAN BEFORE MENSTRUATION. 497 00:30:09,233 --> 00:30:12,233 SO THE REAL PATTERN IS-- IF YOU'RE OVULATING, 498 00:30:12,333 --> 00:30:14,333 YOU'RE A LOT MORE ATTRACTIVE TO MEN. 499 00:30:14,433 --> 00:30:16,067 YOU'RE EARNING HIGHER TIPS, 500 00:30:16,167 --> 00:30:19,133 YOU'RE GETTING CALLED OVER FOR MORE LAP-DANCES, 501 00:30:19,233 --> 00:30:21,067 AND WE THOUGHT THAT WAS A PRETTY COOL WAY 502 00:30:21,167 --> 00:30:25,467 OF QUANTIFYING FEMALE ATTRACTIVENESS TO MALES. 503 00:30:33,667 --> 00:30:36,300 EAGLEMAN: YOUR HIDDEN BIOLOGICAL DRIVES 504 00:30:36,400 --> 00:30:38,467 HELP YOU TO SELECT A PARTNER. 505 00:30:43,433 --> 00:30:46,467 BUT WHAT MAKES YOU CHOOSE TO STAY WITH A PARTNER? 506 00:30:48,567 --> 00:30:52,133 MUST HAVE SOMETHING TO DO WITH YOUR VALUES AND YOUR MORALS, RIGHT? 507 00:30:52,233 --> 00:30:54,033 ACTUALLY, YOUR HORMONES ARE DOING 508 00:30:54,133 --> 00:30:56,467 A LOT OF THE DECIDING FOR YOU. 509 00:30:56,567 --> 00:30:58,200 ONE OF THEM IS THIS. 510 00:30:58,300 --> 00:31:00,033 IT'S CALLED OXYTOCIN. 511 00:31:02,167 --> 00:31:04,900 SOMETIMES CALLED THE LOVE HORMONE, 512 00:31:05,000 --> 00:31:07,900 OXYTOCIN STRENGTHENS THE BONDS WE FEEL 513 00:31:08,000 --> 00:31:09,500 WHEN WE'RE IN A RELATIONSHIP. 514 00:31:10,767 --> 00:31:15,133 IN A RECENT STUDY, HETEROSEXUAL MEN WHO WERE IN LOVE 515 00:31:15,233 --> 00:31:18,333 WERE GIVEN A DOSE OF OXYTOCIN. 516 00:31:18,433 --> 00:31:20,133 THEY WERE THEN ASKED TO RATE 517 00:31:20,233 --> 00:31:22,567 THE ATTRACTIVENESS OF DIFFERENT WOMEN. 518 00:31:26,967 --> 00:31:28,467 THE MEN WHO WERE GIVEN OXYTOCIN 519 00:31:28,567 --> 00:31:31,433 FOUND THEIR PARTNERS TO BE MORE ATTRACTIVE, 520 00:31:31,533 --> 00:31:33,200 BUT NOT OTHER WOMEN. 521 00:31:33,300 --> 00:31:34,433 IN FACT, WITH OTHER WOMEN, THEY KEPT 522 00:31:34,533 --> 00:31:36,567 A SLIGHTLY GREATER PHYSICAL DISTANCE. 523 00:31:38,767 --> 00:31:41,733 SO, AN ATTRACTIVE WOMAN WALKS INTO THE BAR. 524 00:31:46,767 --> 00:31:49,033 LOTS OF MEN CLOCK HER ARRIVAL. 525 00:31:53,500 --> 00:31:58,633 BUT NOT THIS GUY--HE'S IN LOVE WITH HIS PARTNER-- 526 00:31:58,733 --> 00:32:02,567 AND PUMPED UP WITH OXYTOCIN, HIS ATTENTION DOESN'T WANDER. 527 00:32:07,167 --> 00:32:09,667 FROM AN EVOLUTIONARY PERSPECTIVE, YOU MIGHT EXPECT 528 00:32:09,767 --> 00:32:11,100 THAT YOU DON'T WANT MONOGAMY. 529 00:32:11,200 --> 00:32:13,700 YOU WANT TO HAVE AS MANY OFFSPRING AS POSSIBLE. 530 00:32:13,800 --> 00:32:17,433 SO WHY DO WE HAVE CHEMICALS IN THE BRAIN THAT ENHANCE BONDING? 531 00:32:17,533 --> 00:32:20,200 WELL, FOR THE SURVIVAL OF THE CHILDREN, 532 00:32:20,300 --> 00:32:23,267 HAVING TWO PARENTS AROUND IS BETTER THAN HAVING ONE. 533 00:32:23,367 --> 00:32:25,700 IT'S SO IMPORTANT THAT OUR BRAINS 534 00:32:25,800 --> 00:32:27,600 MAKE THIS DECISION FOR US. 535 00:32:39,800 --> 00:32:42,000 IN FACT, THE EVIDENCE SUGGESTS 536 00:32:42,100 --> 00:32:44,700 THAT SOME OF OUR MOST COMPLEX DECISIONS-- 537 00:32:44,800 --> 00:32:48,067 THE ONES WE LIKE TO THINK OF AS CAREFULLY THOUGHT OUT-- 538 00:32:48,167 --> 00:32:53,067 ARE PRE-PROGRAMMED-- INFLUENCED BY OUR DNA-- 539 00:32:53,167 --> 00:32:55,367 ALMOST NO CHOICE AT ALL. 540 00:32:56,467 --> 00:32:57,967 IF YOU FEEL THE LEAST BIT UNCOMFORTABLE, 541 00:32:58,067 --> 00:33:00,200 JUST SQUEEZE THE SQUEEZE BULB THAT'S IN YOUR HAND 542 00:33:00,300 --> 00:33:03,167 AND WE'LL STOP AND TAKE YOU OUT. 543 00:33:03,267 --> 00:33:06,900 EAGLEMAN: READ MONTAGUE USES NEUROSCIENCE TO ANALYZE-- 544 00:33:07,000 --> 00:33:09,367 AND PREDICT--VOTING PATTERNS. 545 00:33:15,867 --> 00:33:19,300 MONTAGUE: IT TURNS OUT THAT POLITICAL IDEOLOGY HAS STRONG 546 00:33:19,400 --> 00:33:21,233 BIOLOGICAL UNDERPINNINGS WHICH YOU CAN 547 00:33:21,333 --> 00:33:23,367 INHERIT FROM YOUR PARENTS. 548 00:33:26,333 --> 00:33:30,233 EAGLEMAN: MONTAGUE HAS FOUND A LINK BETWEEN A PERSON'S POLITICS 549 00:33:30,333 --> 00:33:33,800 AND ONE BASIC REACTION: DISGUST. 550 00:33:36,700 --> 00:33:40,200 HE HAS VOLUNTEERS GO INTO AN MRI SCANNER 551 00:33:40,300 --> 00:33:43,000 WHERE THEY LOOK AT A SERIES OF IMAGES. 552 00:33:44,300 --> 00:33:46,000 MONTAGUE: I SHOW THEM SOMEBODY WITH 553 00:33:46,100 --> 00:33:48,033 A KNIFE TO SOMEBODY ELSE'S THROAT, 554 00:33:48,133 --> 00:33:51,900 PHYSICALLY THREATENING STIMULUS, A DEAD CORPSE. 555 00:33:52,000 --> 00:33:54,833 SOMETHING THAT WAS GROSS, LIKE FLIES ON A SALAD 556 00:33:54,933 --> 00:33:57,267 OR SOMETHING LIKE THIS. 557 00:33:57,367 --> 00:34:00,167 THESE THINGS ELICIT RESPONSES IN YOUR NERVOUS SYSTEM 558 00:34:00,267 --> 00:34:01,767 AND WE RECORD THEIR BRAIN ACTIVITY. 559 00:34:04,267 --> 00:34:06,600 THEN WE ASK THEM--AND NOT EVERYBODY AGREES--WE ASK THEM, 560 00:34:06,700 --> 00:34:09,400 "HEY, WE HAVE THIS OTHER EXPERIMENT WE WANT YOU TO DO," 561 00:34:09,500 --> 00:34:12,800 AND THEY GO INTO A BOOTH AND THEY ANSWER 562 00:34:12,900 --> 00:34:14,767 A POLITICAL IDEOLOGY SURVEY. 563 00:34:16,267 --> 00:34:19,267 HOW DO YOU FEEL ABOUT GUN CONTROL, ABORTION, 564 00:34:19,367 --> 00:34:21,367 PRE-MARITAL SEX, THINGS LIKE THAT? 565 00:34:26,167 --> 00:34:28,300 EAGLEMAN: MONTAGUE'S RESULTS ARE STRIKING. 566 00:34:30,233 --> 00:34:33,267 THE GREATER THE DISGUST RESPONSE IN THE BRAIN, 567 00:34:33,367 --> 00:34:37,367 THE MORE CONSERVATIVE THE PERSON IS LIKELY TO BE. 568 00:34:37,467 --> 00:34:42,033 A SMALLER RESPONSE CORRELATES WITH A MORE LIBERAL OUTLOOK. 569 00:34:44,367 --> 00:34:46,600 THE LINK BETWEEN YOUR NEURAL RESPONSE 570 00:34:46,700 --> 00:34:50,833 AND YOUR POLITICAL AFFILIATION IS NOT CONSCIOUS-- 571 00:34:50,933 --> 00:34:52,367 BUT IT'S POWERFUL. 572 00:34:52,467 --> 00:34:55,933 MONTAGUE: I THINK IF YOU ASK 9 OUT OF 10 PEOPLE ON THE STREET, 573 00:34:56,033 --> 00:34:59,000 HOW DID YOU DECIDE TO VOTE FOR CANDIDATE X, 574 00:34:59,100 --> 00:35:00,933 THEY WOULD GIVE YOU A LONG NARRATIVE ABOUT 575 00:35:01,033 --> 00:35:02,833 WHAT THEY CARED ABOUT, 576 00:35:02,933 --> 00:35:05,400 THE ISSUES THAT CANDIDATE X SUPPORTED, 577 00:35:05,500 --> 00:35:07,733 WHICH SIDE OF THOSE ISSUES YOU WERE ON 578 00:35:07,833 --> 00:35:10,167 AND HOW THAT PERSON REPRESENTED THEM, 579 00:35:10,267 --> 00:35:13,567 BUT THAT IS ONLY HALF THE STORY. 580 00:35:13,667 --> 00:35:17,700 THE SHOCKING PART IS THAT YOUR RESPONSE TO 581 00:35:17,800 --> 00:35:23,467 A SINGLE DISGUSTING IMAGE CAN PREDICT YOUR SCORE ON THAT TEST 582 00:35:23,567 --> 00:35:25,233 WITH 95% ACCURACY. 583 00:35:27,100 --> 00:35:29,100 THAT KIND OF PREDICTION IS UNCANNY. 584 00:35:30,300 --> 00:35:32,733 I SHOW YOU A DISGUSTING IMAGE, I KNOW HOW 585 00:35:32,833 --> 00:35:34,567 YOU'RE GONNA VOTE IN 2016. 586 00:35:36,533 --> 00:35:38,833 EAGLEMAN: WE MAY REFINE OUR POLITICAL ARGUMENTS. 587 00:35:38,933 --> 00:35:41,333 THEY MAY BECOME MORE SOPHISTICATED. 588 00:35:41,433 --> 00:35:46,367 BUT THE DECISION ABOUT OUR BASIC PERSUASION, THAT'S ALREADY MADE. 589 00:35:50,433 --> 00:35:54,300 SO FAR, WE'VE BEEN LOOKING AT DECISIONS IN THE HERE AND NOW. 590 00:35:55,933 --> 00:35:58,667 WHAT SOUP DO I WANT? 591 00:35:58,767 --> 00:36:01,033 DO I PULL THE LEVER? 592 00:36:01,133 --> 00:36:02,400 WHO DO I VOTE FOR? 593 00:36:02,500 --> 00:36:04,467 ORANGE. GREEN. 594 00:36:07,400 --> 00:36:09,000 EAGLEMAN: BUT THERE'S ANOTHER ASPECT 595 00:36:09,100 --> 00:36:11,333 TO THE STORY OF DECISIONS. 596 00:36:11,433 --> 00:36:14,367 PREDICTIONS ABOUT THE FUTURE. 597 00:36:14,467 --> 00:36:16,167 WE HAVE TO WEIGH DIFFERENT OPTIONS 598 00:36:16,267 --> 00:36:18,433 AND GUESS HOW THINGS MIGHT TURN OUT 599 00:36:18,533 --> 00:36:21,200 AT A TIME THAT DOESN'T YET EXIST. 600 00:36:23,067 --> 00:36:25,733 HOW DOES YOUR BRAIN PULL OFF THAT TRICK? 601 00:36:25,833 --> 00:36:28,067 I HAVE ONE HOUR OF FREE TIME TODAY 602 00:36:28,167 --> 00:36:30,467 AND I'M TRYING TO DECIDE WHAT TO DO. 603 00:36:30,567 --> 00:36:32,967 I KNOW I HAVE TO GET TO THE GROCERY STORE; 604 00:36:33,067 --> 00:36:34,967 ON THE OTHER HAND, I NEED TO GET TO A COFFEE SHOP 605 00:36:35,067 --> 00:36:36,667 TO WORK ON A GRANT DEADLINE, 606 00:36:36,767 --> 00:36:40,467 AND I'D LIKE TO BE ABLE TO PLAY WITH MY SON AT THE PARK TODAY. 607 00:36:40,567 --> 00:36:42,167 SO HOW I DO DECIDE? 608 00:36:42,267 --> 00:36:44,633 WELL, IDEALLY, I'D LIKE TO BE ABLE TO KNOW 609 00:36:44,733 --> 00:36:47,767 WHAT EACH OF THESE POSSIBLE FUTURES WOULD BE LIKE-- 610 00:36:47,867 --> 00:36:50,300 BUT I CAN'T TIME TRAVEL. 611 00:36:50,400 --> 00:36:51,367 OR CAN I? 612 00:36:53,800 --> 00:36:57,300 IT MAY SOUND LIKE THE PLOT OF A MOVIE, BUT WOULDN'T IT BE GREAT 613 00:36:57,400 --> 00:37:01,333 IF WE COULD MAKE DECISIONS BY LOOKING BACK FROM THE FUTURE. 614 00:37:07,600 --> 00:37:09,100 WELL, THAT'S EXACTLY WHAT OUR BRAINS 615 00:37:09,200 --> 00:37:12,100 ARE TRYING TO DO ALL THE TIME. 616 00:37:12,200 --> 00:37:15,633 RUNNING SIMULATIONS OF THE FUTURE 617 00:37:15,733 --> 00:37:18,633 AND GIVING EACH OF THEM A DIFFERENT VALUE. 618 00:37:22,333 --> 00:37:24,867 THINK OF VALUATIONS LIKE NEURAL PRICE TAGS 619 00:37:24,967 --> 00:37:28,433 THAT TELL US HOW MUCH WE THINK SOMETHING IS GOING TO BE WORTH. 620 00:37:29,767 --> 00:37:32,933 SO GOING GROCERY SHOPPING WILL PUT FOOD IN MY FRIDGE. 621 00:37:33,033 --> 00:37:36,200 LET'S SAY THAT'S WORTH 10 UNITS TO ME. 622 00:37:36,300 --> 00:37:39,000 WRITING A GRANT WILL FUND MY LAB, BUT IT'S DIFFICULT. 623 00:37:39,100 --> 00:37:41,167 LET'S SAY THAT'S 25 UNITS. 624 00:37:43,100 --> 00:37:45,233 I LOVE SPENDING TIME WITH MY SON AT THE PARK, 625 00:37:45,333 --> 00:37:48,200 SO LET'S SAY THAT'S 50 UNITS. 626 00:37:48,300 --> 00:37:52,333 NOW, HERE'S THE THING...THOSE PRICES CAN CHANGE THROUGH TIME. 627 00:37:54,033 --> 00:37:55,667 IF WE GET THERE AND WE RUN INTO FRIENDS 628 00:37:55,767 --> 00:37:59,700 AND IT'S BETTER THAN EXPECTED, THAT UPS MY PRICE TAG 629 00:37:59,800 --> 00:38:01,367 FOR THE NEXT TIME AROUND. 630 00:38:01,467 --> 00:38:04,600 IF WE GET THERE AND THE SWINGS ARE BROKEN AND IT'S RAINING, 631 00:38:04,700 --> 00:38:08,800 THAT LOWERS MY PRICE TAG FOR THE NEXT TIME. 632 00:38:08,900 --> 00:38:10,133 AND THAT'S IMPORTANT. 633 00:38:10,233 --> 00:38:12,300 THAT'S WHAT ALLOWS US TO PRIORITIZE 634 00:38:12,400 --> 00:38:16,100 HOW WE MAKE OUR DECISIONS BASED ON THE BRAIN'S 635 00:38:16,200 --> 00:38:18,367 BEST GUESSES FOR THE FUTURE. 636 00:38:22,200 --> 00:38:26,033 AND IT TURNS OUT THERE'S A TINY, ANCIENT SYSTEM IN THE BRAIN 637 00:38:26,133 --> 00:38:28,700 WHOSE WHOLE JOB IS TO KEEP UPDATING 638 00:38:28,800 --> 00:38:30,400 OUR ASSESSMENTS OF THE WORLD. 639 00:38:33,533 --> 00:38:35,733 I'M TALKING ABOUT THE DOPAMINE SYSTEM. 640 00:38:37,533 --> 00:38:41,700 THE CHEMICAL DOPAMINE TYPICALLY HAS A CONSTANT RATE OF RELEASE, 641 00:38:41,800 --> 00:38:44,833 BUT WHEN SOMETHING TURNS OUT BETTER THAN EXPECTED, 642 00:38:44,933 --> 00:38:47,167 THERE'S A BURST OF DOPAMINE. 643 00:38:47,267 --> 00:38:49,533 THAT TELLS OTHER PARTS OF THE BRAIN 644 00:38:49,633 --> 00:38:53,267 THEY SHOULD INCREASE THE VALUE OF THAT OPTION. 645 00:38:53,367 --> 00:38:55,833 WHEN SOMETHING IS WORSE THAN EXPECTED, 646 00:38:55,933 --> 00:38:59,033 THE DOPAMINE DROPS AND THE VALUE GOES DOWN. 647 00:39:01,700 --> 00:39:04,700 IN MOST OF US, THIS SYSTEM WORKS PRETTY WELL, 648 00:39:04,800 --> 00:39:07,100 BUT IT'S DELICATELY BALANCED. 649 00:39:07,200 --> 00:39:10,700 TOO MUCH DOPAMINE AND THAT LOOP OF POSITIVE FEEDBACK 650 00:39:10,800 --> 00:39:12,567 GETS OUT OF CONTROL. 651 00:39:12,667 --> 00:39:14,567 THIS IS THE ROOT OF ADDICTION. 652 00:39:17,700 --> 00:39:23,300 NEURO-PSYCHIATRIST VALERIE VOON STUDIES ADDICTIVE BEHAVIOR. 653 00:39:23,400 --> 00:39:26,800 SHE'S INTERESTED IN PATIENTS WITH PARKINSON'S DISEASE. 654 00:39:28,600 --> 00:39:31,467 THEY'RE PRODUCING LESS DOPAMINE THAN NORMAL 655 00:39:31,567 --> 00:39:34,067 SO THEY'RE ROUTINELY PUT ON MEDICATION 656 00:39:34,167 --> 00:39:35,767 TO RAISE THEIR LEVELS. 657 00:39:37,500 --> 00:39:39,967 VOON: WHAT HAPPENS WITH DOPAMINE MEDICATIONS 658 00:39:40,067 --> 00:39:42,000 THAT THE PATIENT WITH PARKINSON'S IS ON 659 00:39:42,100 --> 00:39:44,467 IS THAT IT CAN POTENTIALLY HIJACK THE SYSTEM. 660 00:39:48,000 --> 00:39:51,700 EAGLEMAN: PATIENTS WHO WERE PREVIOUSLY MODERATE IN THEIR BEHAVIOR 661 00:39:51,800 --> 00:39:53,967 SUDDENLY DEVELOP ADDICTIONS-- 662 00:39:54,067 --> 00:39:57,000 TO GAMBLING OR FOOD OR SEX. 663 00:39:59,300 --> 00:40:03,567 VOON: THESE DOPAMINE STIMULATING DRUGS ARE OVERSTIMULATING 664 00:40:03,667 --> 00:40:06,533 THE REGIONS INVOLVED IN REWARD AND MOTIVATION. 665 00:40:07,800 --> 00:40:10,900 YOU SEE THE CUE AND YOUR EXPECTATION OF THE REWARD 666 00:40:11,000 --> 00:40:14,033 BECOMES MUCH LARGER THAN IT SHOULD BE. 667 00:40:18,067 --> 00:40:20,567 WHEN YOU TAKE THE MEDICATION AWAY, THEY ARE ALWAYS 668 00:40:20,667 --> 00:40:24,700 A BIT DUMBFOUNDED ABOUT HOW THEY ENDED UP 669 00:40:24,800 --> 00:40:27,367 ACTING THE WAY THEY DID. 670 00:40:27,467 --> 00:40:29,167 EAGLEMAN: AS LONG AS THERE'S NOTHING WRONG WITH 671 00:40:29,267 --> 00:40:32,367 OUR DOPAMINE SYSTEMS, IT SHOULD BE STRAIGHTFORWARD 672 00:40:32,467 --> 00:40:34,500 FOR US TO CONTROL OUR IMPULSES, RIGHT? 673 00:40:36,067 --> 00:40:37,367 DON'T BE SO SURE. 674 00:40:40,533 --> 00:40:44,567 TAKE THE SUB-PRIME MORTGAGE MELTDOWN OF 2007. 675 00:40:44,667 --> 00:40:47,767 BETWEEN BANKERS HUNTING A QUICK PROFIT, 676 00:40:47,867 --> 00:40:53,033 AND BORROWERS HUNTING THEIR TOO-GOOD-TO-BE-TRUE DREAM HOMES, 677 00:40:53,133 --> 00:40:57,500 IT TURNED INTO A STORM OF DISASTROUS DECISIONS. 678 00:40:57,600 --> 00:41:00,867 AS A NEUROSCIENTIST, WHAT FASCINATES ME IS HOW 679 00:41:00,967 --> 00:41:05,567 EVERYONE INVOLVED GAVE LESS WEIGHT TO FUTURE CONSEQUENCES 680 00:41:05,667 --> 00:41:10,567 AND WERE INSTEAD SEDUCED BY WHAT WAS RIGHT IN FRONT OF THEM. 681 00:41:12,133 --> 00:41:14,867 THE VERY LOW INTEREST RATES PLUGGED RIGHT INTO 682 00:41:14,967 --> 00:41:18,300 THE I-WANT-IT-NOW CIRCUITRY. 683 00:41:18,400 --> 00:41:21,400 THE IDEA IS "TAKE THIS HOUSE RIGHT NOW. 684 00:41:21,500 --> 00:41:23,733 LIVE BETTER THAN YOU THOUGHT YOU COULD." 685 00:41:23,833 --> 00:41:26,600 AT SOME POINT IN THE FUTURE, THE INTEREST RATES WILL GO UP, 686 00:41:26,700 --> 00:41:28,500 BUT THAT'S A LONG WAY AWAY. 687 00:41:28,600 --> 00:41:32,200 BECAUSE THE PULL OF THE NOW IS SO HARD TO RESIST, 688 00:41:32,300 --> 00:41:34,567 THE WORLD ECONOMY ALMOST TANKED. 689 00:41:41,133 --> 00:41:44,700 THIS PRESENT MOMENT IS A RICH MULTI-SENSORY EXPERIENCE 690 00:41:44,800 --> 00:41:50,533 THAT'S HITTING ME RIGHT NOW, BUT THE FUTURE, THAT'S JUST AN IDEA. 691 00:41:50,633 --> 00:41:54,033 THAT'S A SIMULATION THAT TAKES PLACE IN MY NEURAL CIRCUITS 692 00:41:54,133 --> 00:41:56,233 AND IT'S A PALE SHADOW COMPARED TO 693 00:41:56,333 --> 00:41:58,167 IMMEDIATE EXPERIENCE. 694 00:41:58,267 --> 00:42:01,167 IT HAS LESS EMOTIONAL PULL THAN WHATEVER IS 695 00:42:01,267 --> 00:42:02,600 RIGHT IN FRONT OF ME. 696 00:42:10,200 --> 00:42:13,533 SO ONCE AGAIN, THE BRAIN IS IN CONFLICT. 697 00:42:13,633 --> 00:42:16,067 DIFFERENT NETWORKS ARE BATTLING IT OUT 698 00:42:16,167 --> 00:42:19,067 BETWEEN THE PRESENT AND THE FUTURE. 699 00:42:19,167 --> 00:42:23,767 INSTANT GRATIFICATION OR LONG 700 00:42:27,767 --> 00:42:31,833 WHEN FACED WITH THESE SORTS OF DECISIONS, WHAT DO WE DO? 701 00:42:31,933 --> 00:42:34,100 WE RELY ON OUR WILLPOWER. 702 00:42:35,433 --> 00:42:37,267 THINK OF WILLPOWER AS THAT THING THAT 703 00:42:37,367 --> 00:42:39,200 ALLOWS YOU TO PASS ON THAT COOKIE 704 00:42:39,300 --> 00:42:40,800 OR AT LEAST THE SECOND COOKIE 705 00:42:40,900 --> 00:42:43,267 OR THE THING THAT ALLOWS YOU TO HIT THAT DEADLINE EVEN THOUGH 706 00:42:43,367 --> 00:42:45,400 YOU WANT TO BE OUT IN THE SUNSHINE. 707 00:42:45,500 --> 00:42:48,800 WE ALL KNOW WHAT IT'S LIKE TO HAVE STRONG WILLPOWER 708 00:42:48,900 --> 00:42:50,333 AND WE ALSO KNOW WHAT IT FEELS LIKE 709 00:42:50,433 --> 00:42:52,400 WHEN YOU JUST DON'T HAVE ENOUGH OF IT. 710 00:42:56,633 --> 00:43:00,200 IN ONE EXPERIMENT, PEOPLE WATCH A WILDLIFE FILM 711 00:43:00,300 --> 00:43:02,467 ABOUT ANIMALS IN DISTRESS. 712 00:43:06,333 --> 00:43:09,967 HALF THE AUDIENCE HAS BEEN TOLD TO REACT NORMALLY, 713 00:43:10,067 --> 00:43:11,567 TO CRY IF THEY FEEL LIKE IT. 714 00:43:15,567 --> 00:43:19,400 THE OTHER HALF ARE INSTRUCTED TO CURB THEIR EMOTIONS, 715 00:43:19,500 --> 00:43:22,600 USING THEIR WILLPOWER TO SQUELCH THEIR FEELINGS. 716 00:43:28,000 --> 00:43:30,433 THE KEY IS WHAT HAPPENS NEXT. 717 00:43:35,700 --> 00:43:39,133 AFTER THE MOVIE, PARTICIPANTS WERE GIVEN ONE OF THESE... 718 00:43:39,233 --> 00:43:40,733 A HAND EXERCISER. 719 00:43:40,833 --> 00:43:43,433 AND THEY WERE ASKED TO SQUEEZE IT AS LONG AS THEY COULD. 720 00:43:52,467 --> 00:43:55,233 THE PEOPLE WHO CURBED THEIR EMOTIONS 721 00:43:55,333 --> 00:43:58,100 GIVE UP SQUEEZING SOONER THAN THE OTHERS. 722 00:44:01,167 --> 00:44:05,100 THEY'VE EXERTED SO MUCH MENTAL EFFORT NOT TO CRY, 723 00:44:05,200 --> 00:44:07,733 THEY ACTUALLY HAVE REDUCED PHYSICAL STRENGTH. 724 00:44:10,733 --> 00:44:15,067 THIS KIND OF SELF-CONTROL-- IT TAKES ENERGY. 725 00:44:15,167 --> 00:44:17,400 AND IT TURNS OUT THAT RESISTING TEMPTATION 726 00:44:17,500 --> 00:44:20,167 OR MAKING HARD DECISIONS OR TAKING INITIATIVE-- 727 00:44:20,267 --> 00:44:24,200 ALL OF THESE DRAW FROM THE SAME WELL OF ENERGY. 728 00:44:24,300 --> 00:44:27,000 SO WILLPOWER ISN'T SOMETHING THAT WE EXERCISE, 729 00:44:27,100 --> 00:44:29,167 IT'S SOMETHING THAT WE USE UP. 730 00:44:29,267 --> 00:44:31,567 IT'S LIKE A TANK OF GAS. 731 00:44:33,567 --> 00:44:35,600 SO THERE'S A GOOD REASON WHY WE CAN'T ALWAYS 732 00:44:35,700 --> 00:44:40,267 RELY ON OUR WILLPOWER TO MAKE US STAND BY OUR DECISIONS. 733 00:44:40,367 --> 00:44:42,700 OUR WILLPOWER MIGHT BE RUNNING ON EMPTY. 734 00:44:47,700 --> 00:44:49,867 WE ALL KNOW THAT IT'S HARD TO GET OURSELVES 735 00:44:49,967 --> 00:44:52,600 TO DO CERTAIN THINGS-- LIKE GOING TO THE GYM. 736 00:44:52,700 --> 00:44:55,067 I WANT TO BE IN SHAPE, BUT WHEN IT COMES DOWN TO IT, 737 00:44:55,167 --> 00:44:57,500 THERE'S USUALLY SOMETHING GOING ON RIGHT IN FRONT OF ME 738 00:44:57,600 --> 00:44:58,967 THAT'S MORE ENJOYABLE. 739 00:44:59,067 --> 00:45:02,933 SO THE PULL OF WHAT'S HAPPENING RIGHT THEN IS MORE POWERFUL THAN 740 00:45:03,033 --> 00:45:06,167 THE ABSTRACT FUTURE NOTION OF FITNESS. 741 00:45:06,267 --> 00:45:09,867 SO TO MAKE CERTAIN THAT I COME HERE, I TAKE INSPIRATION FROM 742 00:45:09,967 --> 00:45:13,100 A MAN WHO LIVED 3,000 YEARS AGO. 743 00:45:16,633 --> 00:45:20,733 IN CLASSICAL MYTHOLOGY, THE HERO ULYSSES 744 00:45:20,833 --> 00:45:23,467 LASHED HIMSELF TO THE MAST OF HIS SHIP 745 00:45:23,567 --> 00:45:27,967 SO THAT HE COULD HEAR THE BEWITCHING SONG OF THE SIRENS 746 00:45:28,067 --> 00:45:30,167 WITHOUT STEERING INTO THE ROCKS. 747 00:45:34,567 --> 00:45:36,900 ULYSSES KNEW THAT HIS FUTURE SELF 748 00:45:37,000 --> 00:45:38,333 WASN'T GOING TO BE IN ANY POSITION 749 00:45:38,433 --> 00:45:41,067 TO MAKE A GOOD DECISION, SO HE STRUCTURED THINGS 750 00:45:41,167 --> 00:45:43,433 SO THAT HE COULDN'T DO THE WRONG THING. 751 00:45:43,533 --> 00:45:45,433 THIS SORT OF DEAL THAT'S STRUCK BETWEEN 752 00:45:45,533 --> 00:45:47,333 YOUR PRESENT AND YOUR FUTURE SELF 753 00:45:47,433 --> 00:45:49,967 IS KNOWN AS A ULYSSES CONTRACT. 754 00:45:50,067 --> 00:45:53,200 MY OWN ULYSSES CONTRACT IS TO ARRANGE WITH A FRIEND 755 00:45:53,300 --> 00:45:54,667 TO MEET ME HERE AT THE GYM, 756 00:45:54,767 --> 00:45:58,333 AND THAT WAY THE SOCIAL PRESSURE LASHES ME TO THE MAST. 757 00:46:02,733 --> 00:46:05,200 MY FRIENDSHIP IS COLLATERAL IN THE DEAL THAT 758 00:46:05,300 --> 00:46:07,500 I'M MAKING WITH MY FUTURE SELF. 759 00:46:09,233 --> 00:46:12,267 THIS ALLOWS ME TO BE THE PERSON I WANT TO BE-- 760 00:46:12,367 --> 00:46:17,567 MAKING GOOD DECISIONS--RESISTING THE SEDUCTIVE POWER OF NOW. 761 00:46:21,367 --> 00:46:24,467 COME ON, COME ON. YEAH. 762 00:46:24,567 --> 00:46:25,467 OH, YEAH, NICE. 763 00:46:27,467 --> 00:46:29,133 EAGLEMAN: OUR PRISONS ARE FULL OF PEOPLE 764 00:46:29,233 --> 00:46:31,367 WHO STRUGGLE WITH THIS. 765 00:46:31,467 --> 00:46:35,733 THEY'RE UNABLE TO LASH THEMSELVES TO ANY MAST, 766 00:46:35,833 --> 00:46:37,500 TO AVOID THE ROCKS. 767 00:46:39,300 --> 00:46:41,467 MAN ON P.A.: ATTENTION. 768 00:46:41,567 --> 00:46:44,867 EAGLEMAN: FOR 7 OUT OF 10 PRISONERS JAILED IN THE U.S., 769 00:46:44,967 --> 00:46:49,900 THEIR ABILITY TO MAKE LONG-TERM DECISIONS IS COMPROMISED. 770 00:46:50,000 --> 00:46:52,233 THEY ARE THERE BECAUSE OF DRUGS. 771 00:46:55,300 --> 00:46:59,333 FOR 4 DECADES, WE HAVE WAGED A WAR ON DRUGS. 772 00:46:59,433 --> 00:47:05,300 THE U.S. INVESTS $20 BILLION EACH YEAR INTO THIS FIGHT. 773 00:47:05,400 --> 00:47:07,267 BUT THERE'S NO SIGN OF VICTORY. 774 00:47:07,367 --> 00:47:08,667 MAN ON TV: ...AND DESTROYING THE CROP 775 00:47:08,767 --> 00:47:11,433 BEFORE THE OPIUM COULD BE HARVESTED FROM IT. 776 00:47:11,533 --> 00:47:13,667 THE DIFFICULTY WITH DRUG SUPPLY 777 00:47:13,767 --> 00:47:15,267 IS THAT IT'S LIKE A WATER BALLOON. 778 00:47:15,367 --> 00:47:16,867 IF YOU PRESS IT DOWN IN ONE PLACE, 779 00:47:16,967 --> 00:47:18,433 IT'LL COME UP SOMEWHERE ELSE. 780 00:47:18,533 --> 00:47:20,967 SO INSTEAD OF ATTACKING SUPPLY, 781 00:47:21,067 --> 00:47:24,100 A BETTER STRATEGY IS TO ADDRESS DEMAND. 782 00:47:24,200 --> 00:47:27,300 AND DEMAND IS IN THE BRAIN OF THE ADDICT. 783 00:47:30,300 --> 00:47:33,000 SO IF THE PROBLEMS LIE IN THE BRAIN, 784 00:47:33,100 --> 00:47:34,767 MAYBE THE SOLUTIONS DO, TOO. 785 00:47:44,167 --> 00:47:47,100 A COUPLE OF MILES FROM MY LABORATORY, 786 00:47:47,200 --> 00:47:48,500 THERE'S A CRACK HOUSE. 787 00:47:53,467 --> 00:47:55,767 IT'S ABANDONED NOW, BUT THIS WAS ONCE 788 00:47:55,867 --> 00:47:58,200 A REGULAR HANG-OUT--FOR KAREN. 789 00:48:03,533 --> 00:48:05,567 KAREN: IT BRINGS TEARS TO MY EYES. 790 00:48:05,667 --> 00:48:09,200 BECAUSE THIS WAS PART OF THE LOWEST PART I HIT 791 00:48:09,300 --> 00:48:10,633 WHEN I SMOKED CRACK. 792 00:48:12,433 --> 00:48:14,733 AND I CAN'T BELIEVE THAT I WAS PART OF THAT CROWD. 793 00:48:17,433 --> 00:48:19,833 IF YOU'RE NOT STRONG ENOUGH, YOU JUST CAN'T HANDLE IT. 794 00:48:19,933 --> 00:48:21,400 IT KIND OF DRAWS YOU IN. 795 00:48:26,267 --> 00:48:29,000 EAGLEMAN: KAREN HAS HAD AN ADDICTION TO CRACK COCAINE 796 00:48:29,100 --> 00:48:30,367 FOR MANY YEARS. 797 00:48:33,300 --> 00:48:36,167 KAREN: I THOUGHT I WAS IN CONTROL OF EVERYTHING. 798 00:48:36,267 --> 00:48:37,433 BUT THAT WAS THE DRUG. 799 00:48:37,533 --> 00:48:39,600 I MEAN, I WASN'T IN CONTROL OF ANYTHING. 800 00:48:39,700 --> 00:48:41,833 I WAS A MESS. 801 00:48:41,933 --> 00:48:45,033 DIRTY, HAIR MATTED UP, CLOTHES LOOK LIKE 802 00:48:45,133 --> 00:48:47,267 THEY WERE IN A MUD FIGHT. 803 00:48:47,367 --> 00:48:49,433 I COULDN'T BELIEVE IT, AND THEN I STEPPED BACK 804 00:48:49,533 --> 00:48:52,600 AND THINK, DAMN, HOW DID I DROP SO LOW? 805 00:48:58,833 --> 00:49:02,067 EAGLEMAN: KAREN'S STORY MAKES HER AN IDEAL CANDIDATE 806 00:49:02,167 --> 00:49:05,033 FOR A NEW PROGRAM WE'RE RUNNING IN MY LABORATORY. 807 00:49:08,400 --> 00:49:12,067 RATHER THAN SIMPLY FORCING DRUG ADDICTS TO GO COLD TURKEY, 808 00:49:12,167 --> 00:49:15,167 WE'RE TRYING TO TREAT THEM WITH NEUROSCIENCE. 809 00:49:18,533 --> 00:49:22,367 GETTING THE BRAIN TO TAKE CONTROL OF ITS OWN ADDICTION. 810 00:49:26,267 --> 00:49:29,033 INSIDE THE MRI MACHINE, KAREN WATCHES 811 00:49:29,133 --> 00:49:33,167 IMAGES OF DRUG USE AND DRUG PARAPHERNALIA. 812 00:49:33,267 --> 00:49:36,333 WE ASK HER TO GO AHEAD AND FEEL HER CRAVINGS. 813 00:49:40,267 --> 00:49:42,167 WE MEASURE THE NETWORKS IN HER BRAIN 814 00:49:42,267 --> 00:49:44,400 ASSOCIATED WITH THAT CRAVING. 815 00:49:51,500 --> 00:49:57,567 THEN WE SWITCH--AND ASK HER TO SUPPRESS THE CRAVING. 816 00:49:57,667 --> 00:50:01,133 OK, KAREN, WHEN YOU'RE THINKING ABOUT SUPPRESSING YOUR CRAVING, 817 00:50:01,233 --> 00:50:05,700 THINK ABOUT THE COSTS THIS HAS HAD TO YOU IN TERMS OF MONEY, 818 00:50:05,800 --> 00:50:07,033 IN TERMS OF RELATIONSHIP, 819 00:50:07,133 --> 00:50:10,667 IN TERMS OF EMPLOYMENT OPPORTUNITIES. 820 00:50:10,767 --> 00:50:11,700 KAREN: OK. 821 00:50:14,467 --> 00:50:16,533 EAGLEMAN: WE SHOW HER THE SAME IMAGES 822 00:50:16,633 --> 00:50:19,467 AND MEASURE THE REGIONS IN HER BRAIN THAT ARE ACTIVE 823 00:50:19,567 --> 00:50:22,667 WHEN SHE'S TRYING TO RESIST THE DESIRE TO USE. 824 00:50:24,933 --> 00:50:27,733 THESE ARE THE NETWORKS THAT BECOME ACTIVE IN KAREN'S BRAIN 825 00:50:27,833 --> 00:50:29,667 WHEN SHE'S CRAVING COCAINE. 826 00:50:29,767 --> 00:50:32,367 NOW, WHEN SHE THINKS ABOUT ALL THE REASONS TO RESIST IT, 827 00:50:32,467 --> 00:50:35,333 THEN THESE NETWORKS COME ONLINE HERE. 828 00:50:35,433 --> 00:50:38,033 AND THESE NETWORKS, THE CRAVING AND THE SUPPRESSING, 829 00:50:38,133 --> 00:50:40,333 ARE ALWAYS LOCKED IN BATTLE. 830 00:50:43,033 --> 00:50:46,467 HERE'S THE KEY--WE NOW SUPERIMPOSE A GAUGE-- 831 00:50:46,567 --> 00:50:50,467 WHICH TELLS KAREN HOW THE BATTLE IS GOING. 832 00:50:50,567 --> 00:50:54,200 HER JOB IS TO MOVE IT BY TIPPING THE BALANCE 833 00:50:54,300 --> 00:50:56,767 OF THE SUPPRESSING OVER THE CRAVING. 834 00:50:58,167 --> 00:50:59,667 KAREN: THEY SHOW YOU PICTURES OF DIFFERENT THINGS, 835 00:50:59,767 --> 00:51:03,200 YOU HAVE TO DO SUPPRESS AND THEN NOT SUPPRESS. 836 00:51:03,300 --> 00:51:04,733 IT WAS LIKE A LITTLE METER. 837 00:51:04,833 --> 00:51:07,533 WHEN IT GETS...THE FIRST TIME I COULDN'T DO IT AT ALL 838 00:51:07,633 --> 00:51:09,533 AND THEN THE SECOND TIME I GOT WIND OF IT. 839 00:51:09,633 --> 00:51:12,733 I HAD TO REALLY CONCENTRATE AND SAY, HEY, THIS IS IT. 840 00:51:12,833 --> 00:51:14,100 THIS IS WHAT I'VE BEEN MISSING. 841 00:51:14,200 --> 00:51:17,833 THAT YOUR BRAIN IS THE ONE WHO TOLD YOU NEEDED CRACK, 842 00:51:17,933 --> 00:51:19,500 SO WHY CAN'T YOU TRAIN YOUR BRAIN 843 00:51:19,600 --> 00:51:21,667 TO TELL YOU IT'S NOT TIME FOR CRACK? 844 00:51:23,467 --> 00:51:24,800 I MEAN, I CAN SUPPRESS OTHER THINGS. 845 00:51:24,900 --> 00:51:26,367 WHY CAN'T I SUPPRESS CRACK? 846 00:51:29,033 --> 00:51:30,167 EAGLEMAN: AT THE MOMENT, SHE'S LOOKING AT 847 00:51:30,267 --> 00:51:32,167 THIS BACKGROUND PICTURE OF COCAINE 848 00:51:32,267 --> 00:51:36,067 AND SHE'S WORKING HER WAY OVER TO SUPPRESSING THAT CRAVING 849 00:51:36,167 --> 00:51:38,467 AND HOLDING IT THERE SUCCESSFULLY. 850 00:51:38,567 --> 00:51:41,800 NOW, THE IDEA IS THAT SHE CAN PRACTICE THIS IN THE SCANNER 851 00:51:41,900 --> 00:51:44,000 AND LEARN HOW TO GET BETTER AT IT, 852 00:51:44,100 --> 00:51:46,533 AND THE KEY IS WHEN SHE'S BACK OUT IN THE REAL WORLD 853 00:51:46,633 --> 00:51:49,367 AND SOMEBODY OFFERS HER CRACK COCAINE, 854 00:51:49,467 --> 00:51:54,100 SHE'LL HAVE THE TOOLS AVAILABLE TO KNOW HOW TO RESIST. 855 00:51:54,200 --> 00:51:56,500 KAREN: I'M NOT GOING TO SAY I'M CURED 856 00:51:56,600 --> 00:51:58,433 BECAUSE HOW DO YOU GET CURED OF SOMETHING 857 00:51:58,533 --> 00:52:01,467 THAT YOUR BRAIN CONJURES UP, YOUR SUBCONSCIOUS CONJURES UP. 858 00:52:01,567 --> 00:52:05,367 SO I TAKE STEPS TO WHEN THE THOUGHT GOES THROUGH, 859 00:52:05,467 --> 00:52:07,433 I PUSH IT OUT, I SUPPRESS IT. 860 00:52:07,533 --> 00:52:09,300 YOU KNOW, I'M NOT GOING TO SAY 3 MONTHS FROM NOW, 861 00:52:09,400 --> 00:52:11,067 A YEAR FROM NOW, I'LL BE CLEAN, 862 00:52:11,167 --> 00:52:13,100 BUT THAT'S WHAT I WORK TOWARDS DAILY. 863 00:52:17,700 --> 00:52:21,933 EAGLEMAN: FOR ME, KAREN OFFERS A GLIMPSE OF HOW NEUROSCIENCE 864 00:52:22,033 --> 00:52:24,833 CAN HELP PEOPLE WITH ADDICTION. 865 00:52:24,933 --> 00:52:27,900 SHE'S RE-WIRING HER CIRCUITRY. 866 00:52:28,000 --> 00:52:31,700 SHE'S SHAPING HER BRAIN TO BE BETTER ALIGNED 867 00:52:31,800 --> 00:52:34,400 WITH WHO SHE WOULD LIKE TO BE. 868 00:52:34,500 --> 00:52:37,100 KAREN: THE FUTURE IS FILLED WITH PROMISE. 869 00:52:37,200 --> 00:52:42,233 I'M MARRIED, I HAVE A GREAT HUSBAND, I HAVE A GREAT LIFE, 870 00:52:42,333 --> 00:52:46,500 AND I DON'T WANT TO JEOPARDIZE THAT JUST FOR A HIT OF CRACK. 871 00:52:46,600 --> 00:52:50,100 SO I MEAN, IT IS EVEN MORE OF A REASON WHY I QUIT CRACK. 872 00:52:50,200 --> 00:52:56,067 IT HELPS MY SUPPRESSION STATE BECAUSE I CAN ACTUALLY STOP 873 00:52:56,167 --> 00:52:58,700 AND I'M DOING IT FOR MYSELF, BUT I'M DOING IT FOR OTHERS-- 874 00:52:58,800 --> 00:53:01,833 MY HUSBAND, MY DOGS, MY FAMILY, 875 00:53:01,933 --> 00:53:03,167 AND THAT'S WHAT'S IMPORTANT TO ME. 876 00:53:07,400 --> 00:53:10,767 EAGLEMAN: KAREN HAS HOPE FOR RESOLVING THE CONFLICT THAT 877 00:53:10,867 --> 00:53:16,033 CONSTANTLY RAGES IN THE HIDDEN WORLD OF HER NEURAL NETWORKS. 878 00:53:18,433 --> 00:53:20,533 I THINK A BIOLOGICAL APPROACH STANDS 879 00:53:20,633 --> 00:53:24,700 A BETTER CHANCE OF WORKING THAN MASS INCARCERATION. 880 00:53:26,533 --> 00:53:29,367 AS WE LEARN MORE ABOUT OUR OWN BRAINS, 881 00:53:29,467 --> 00:53:33,200 WE CAN BREAK AWAY FROM SLAVERY TO OUR IMPULSES 882 00:53:33,300 --> 00:53:37,567 AND EARN THE FREEDOM THAT COMES WITH HAVING GREATER CHOICE. 883 00:53:39,633 --> 00:53:42,700 DECISION-MAKING LIES AT THE HEART OF EVERYTHING. 884 00:53:42,800 --> 00:53:46,700 WHO WE ARE, WHAT WE DO, HOW WE PERCEIVE THE WORLD. 885 00:53:46,800 --> 00:53:50,267 WITHOUT THE ABILITY TO DECIDE, WE WOULD BE STUCK IN LIMBO 886 00:53:50,367 --> 00:53:52,567 BETWEEN CONFLICTING DESIRES. 887 00:53:52,667 --> 00:53:56,333 WE WOULDN'T BE ABLE TO NAVIGATE THE NOW OR PLAN FOR THE FUTURE. 888 00:53:56,433 --> 00:53:59,933 NEUROSCIENCE SHOWS THAT YOU ARE NOT AN INDIVIDUAL-- 889 00:54:00,033 --> 00:54:03,400 YOU'RE MADE UP OF MULTIPLE COMPETING DRIVES. 890 00:54:03,500 --> 00:54:07,033 AND BY UNDERSTANDING HOW CHOICES BATTLE IT OUT IN THE BRAIN, 891 00:54:07,133 --> 00:54:09,833 WE CAN LEARN HOW TO MAKE BETTER DECISIONS 892 00:54:09,933 --> 00:54:13,567 FOR OURSELVES AND FOR SOCIETY. 71650

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