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Subtitles by explosiveskull
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(STILL MUSIC)
(WIND BLOWING)
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(WIND BLOWING)
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(WOOD CREAKING)
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NARRATOR: I'm gonna
tell you a story.
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Not just any old story.
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(MYSTICAL MUSIC)
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The story is about a man.
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(MYSTICAL MUSIC)
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A man on a mission.
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(MYSTICAL MUSIC)
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(ROCK MUSIC)
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A man that possesses
an alien proclivity
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for the complex physics
necessary to move a body
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in calculated and
unnatural ways through space.
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Ha. Just kidding.
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It ain't that kind of story.
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(PLAYING KAZOO)
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It's a tale of four
snowboarders.
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The young gun,
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the veteran,
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some chick,
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and this other guy.
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Hello.
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(MAJESTIC MUSIC)
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NARRATOR: The story
starts in a place that, well,
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I'd be lying to you if it wasn't
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some straight out of what
you might call fairytale.
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I'm not kidding.
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Who am I to say?
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There could be thousands
of fairies in these woods.
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Certainly, used to be
thousands of salmon
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that would travel half the
continent upstrem from the Pacific
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just to spawn on these waters.
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It's a little place deep
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in the interior of
British Columbia.
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A place they call Galena.
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Far from civilization,
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but about as close to heaven
as you can get in this world.
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A place that during
this time of the year,
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and nearly always, is
shrouded in cloud and fog.
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Rock and earth stand snow-capped
like great cathedrals.
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(MAJESTIC MUSIC)
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I should tell you,
Mother Nature still rules
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this part of the world.
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And below that thick,
shrouded clouds, well,
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that's where she
had some of her most
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intricate works of art.
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She's quite the
Picasso, I'll say.
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She paints in broad,
heavy white brush strokes.
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And the weather had
to be just right,
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not too hot, not too cold,
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or these delicate
little snowflakes
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couldn't stack up just right.
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Well, lucky for our heroes here,
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this winter turned
out to be perfect.
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Absolutely perfect.
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It was a field of dreams.
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Which is why these fellows
called them "pillows" I suppose.
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Funny choice of words, I'd say,
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since watching them
riding down these things
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looked more like a bar fight
than a good night sleep.
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(NEW AGE ALTERNATIVE MUSIC)
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(NEW AGE ALTERNATIVE MUSIC)
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Now, it's not all
just about bar fighting
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down a pillow
stack around here.
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If a man wants to draw a lone
line through a quiet forest,
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by all means he can.
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(CALM MUSIC)
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I don't often show
folks this place,
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I've grown quite
weary of strangers,
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but I can tell by the
look on their faces
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they were different.
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I've felt drawn
to show it to 'em.
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And, who am I exactly?
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Well, we'll get to that.
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I've been in Galena a long time.
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Just think of me as the
steward of this land.
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And if you listen close enough,
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you, like them, might learn that
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there's a lot more going
on here than meets the eye.
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(ACTIVE INSTRUMENTAL MUSIC)
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Now, before I head down the road
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of this long and endless
story, and I assure you,
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it is the most endless of roads,
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I should tell you how
these folks came to be
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in this part of the world,
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for it wasn't by some
random act of chance.
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No, it was most definitely
an act of faith.
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TV COMMENTATOR:
Nine, nine, nine!
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NARRATOR: Austen Sweetin.
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Friends call him "Sweet
Tea", "Sweet and Low".
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Fire monkey of a kid.
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In the good year of 1999,
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on this particular day, his
life would change forever.
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TV COMMENTATOR:
Are you kidding me?
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NARRATOR: In "The
Birdman's" precisely
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00:10:05,003 --> 00:10:07,170
two and a half rotations,
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00:10:07,172 --> 00:10:09,973
Austen saw a glimpse of
his own true potential.
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This is the best
day of my life.
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(ACTIVE MUSIC)
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NARRATOR: His infatuation
with skateboarding grew
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until it could no longer
be contained withinin the limits
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00:10:20,652 --> 00:10:22,786
of the concrete jungle.
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00:10:22,788 --> 00:10:25,457
So he turned his sights upwards.
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00:10:29,494 --> 00:10:31,994
Bryan Fox. Like
most San Diegans,
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he grew up with an afinity
for punk-rock music
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00:10:34,633 --> 00:10:36,733
and the Pacific Ocean.
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00:10:36,735 --> 00:10:39,736
By the young age of six he had
become the Anthony Bourdain
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00:10:39,738 --> 00:10:41,240
of local burritos.
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00:10:42,841 --> 00:10:44,741
By the age of nine
he'd mastered the art
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of drawing a perfect
barreling wave.
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A right of passage and a skill
he still maintains today.
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00:10:55,153 --> 00:10:58,324
And then there's
Robin. Robin Van Gyn.
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Kind of like the female version
of Jean Claude Van Damme.
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00:11:03,528 --> 00:11:05,728
She takes the meaning of
all-natural to a level
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only countered by the
original hunter-gatherers.
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00:11:09,500 --> 00:11:11,501
While her female
counterparts elsewhere
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bragged about how
much green juice
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they bought from
the farmer's market,
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00:11:15,440 --> 00:11:18,610
well, Robin was out
here making her own.
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Robin's the kind of girl
that folks in Los Angeles
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name their boutique shops after,
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00:11:27,918 --> 00:11:32,021
like yarn and cider,
or lace and log.
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00:11:32,023 --> 00:11:35,695
And, yet, she absolutely
cuts her own logs.
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You ever heard of a
guy named Travis Rice?
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(OMINOUS MUSIC)
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A fella whose stories are
that of fable and lore.
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Fire in his eyes and
dragon stone for balls.
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00:11:52,244 --> 00:11:54,076
Myth has it he surfed
a flaming asteroid
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across the Milky Way just
to land on this planet.
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And, yeah, he's stomping.
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Howdy.
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00:12:06,323 --> 00:12:09,124
NARRATOR: But, what about
the sensitive side of Travis?
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Do you ever think about that?
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Sure he has one.
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00:12:13,331 --> 00:12:15,330
Even the toughest
dragons have soft spots
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on their tender,
little underbellies.
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Never before has man
lived so entranced
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00:12:20,705 --> 00:12:23,642
by the microscopic
details of life.
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A long, slow stretch
with no pants on.
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Soft, luxurious feel of an
exquisitely tailored house coat.
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I mean, kimono.
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00:12:37,556 --> 00:12:39,454
The subtle perfection
of a simple meal
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00:12:39,456 --> 00:12:43,195
shares in harmonious
silence with loved ones.
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00:12:44,629 --> 00:12:47,463
It's the little things in
life that fill his soul,
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00:12:47,465 --> 00:12:50,233
like watching a glorious
sunset while a warm breeze
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blows through his
fabulous flowing hair
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00:12:52,403 --> 00:12:54,240
like a playful kitten.
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00:12:55,639 --> 00:12:59,812
Hell, his reverence for the
mysteries of nature run so deep
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even animals are
tamed in his presence.
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00:13:03,248 --> 00:13:07,353
Ernie, you're the only
one that understands me.
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(CHIPMUNK CHIRPING)
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NARRATOR: Our friends here
were embarking on a journey
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00:13:15,460 --> 00:13:17,530
into the thralls of winter.
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00:13:19,096 --> 00:13:21,933
And what a winter
it was becoming.
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♪ Do you really wanna
go back in time?
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00:13:33,611 --> 00:13:37,783
♪ Do you really wanna
go back in time?
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It's deep.
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I'm only five foot three, but,
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shit, it's three and a
half feet, bottomless.
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♪ Do you really wanna
go back in time?
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00:13:56,533 --> 00:14:00,706
♪ Do you really wanna
go back in time?
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00:14:04,109 --> 00:14:08,280
♪ Do you really wanna
go back in time?
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00:14:11,582 --> 00:14:13,949
♪ Do you really wanna go back?
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00:14:13,951 --> 00:14:16,151
Finishing my
calculus equations,
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00:14:16,153 --> 00:14:19,692
I think the formula is
gonna prove correct.
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00:14:22,059 --> 00:14:26,231
♪ I still know the
places where they're from
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00:14:29,366 --> 00:14:33,538
♪ I still find all
answers in the trees
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00:14:36,908 --> 00:14:41,080
♪ I still feel the
gum under my shoe
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00:14:44,783 --> 00:14:48,954
♪ How about hauling a
bong full of miracles?
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00:14:52,157 --> 00:14:56,328
♪ How about building
a house on the moon?
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00:14:57,428 --> 00:15:01,567
♪ Do you really wanna
go back in time?
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00:15:05,035 --> 00:15:09,207
♪ Do you really wanna
go back in time?
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00:15:12,509 --> 00:15:16,682
♪ Do you really wanna
go back in time?
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00:15:20,051 --> 00:15:22,852
♪ Do you really wanna go back?
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00:15:22,854 --> 00:15:27,026
♪ I still care
about you being well
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00:15:30,260 --> 00:15:34,432
♪ I still wonder how
we conquered hell
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00:15:37,802 --> 00:15:41,974
♪ I still love this
nonsense team we make
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00:15:45,476 --> 00:15:49,648
♪ How about hauling a
bong full of miracles?
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00:15:53,083 --> 00:15:57,255
♪ How about building
a house on the moon?
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00:15:58,355 --> 00:16:02,394
♪ Do you really wanna
go back in time?
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00:16:05,797 --> 00:16:09,969
♪ Do you really wanna
go back in time?
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00:16:13,471 --> 00:16:17,609
♪ Do you really wanna
go back in time?
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00:16:21,078 --> 00:16:25,250
♪ Do you really wanna
go back in time?
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00:16:28,720 --> 00:16:32,891
♪ Do you really wanna
go back in time?
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00:16:36,394 --> 00:16:40,566
♪ Do you really
wanna, really wanna?
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00:16:43,668 --> 00:16:47,840
♪ Do you really wanna
go back in time?
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00:16:51,576 --> 00:16:55,748
♪ Do you really wanna
go back in time?
190
00:16:59,149 --> 00:17:03,322
♪ Do you really wanna
go back in time?
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00:17:06,891 --> 00:17:11,063
♪ Do you really wanna
go back in time?
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00:17:14,432 --> 00:17:18,537
♪ Do you really
wanna, really wanna?
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00:17:22,173 --> 00:17:26,345
♪ Do you really wanna
go back in time?
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00:17:27,778 --> 00:17:30,848
(ALTERNATIVE MUSIC)
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00:17:47,765 --> 00:17:50,499
See these snowflakes?
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00:17:50,501 --> 00:17:52,503
Beautiful little things.
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00:17:54,506 --> 00:17:57,743
But, where do you
think they come from?
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00:17:59,911 --> 00:18:02,678
I bet your answer is clouds.
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00:18:02,680 --> 00:18:03,682
Hah. Clouds.
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00:18:05,115 --> 00:18:07,415
Now, I'm not gonna lecture you,
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00:18:07,417 --> 00:18:10,585
but it's a bit more
than just clouds.
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00:18:10,587 --> 00:18:13,922
You see, there is a thin
vale air stiring above us
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00:18:13,924 --> 00:18:17,392
like the vast currents
of the Pacific.
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00:18:17,394 --> 00:18:19,895
The great aerial ocean.
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00:18:19,897 --> 00:18:23,834
And Galena is situated
quite perfectly beneath it.
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00:18:33,111 --> 00:18:35,344
(OPERA MUSIC)
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00:18:35,346 --> 00:18:38,480
This season, the great ocean
delivered the perfect mixture
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00:18:38,482 --> 00:18:42,653
to provide months of snowfall
of the highest consistency.
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00:18:43,587 --> 00:18:46,090
(OPERA MUSIC)
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00:18:47,959 --> 00:18:49,758
This constant
sprinkling happens to be
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00:18:49,760 --> 00:18:51,861
the perfect ingredient
for one of nature's
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00:18:51,863 --> 00:18:53,632
rare snow formations:
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00:18:54,965 --> 00:18:56,134
fluted spine.
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00:19:00,637 --> 00:19:03,474
When the sun finally
does come out
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00:19:04,741 --> 00:19:07,512
they're quite the
sight to look at.
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00:19:08,378 --> 00:19:12,150
(STRINGS INSTRUMENTAL MUSIC)
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00:19:42,145 --> 00:19:46,317
BUFF: Hey, Travis, I
think we have storm coming.
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00:19:47,184 --> 00:19:49,554
TRAVIS: Well, hallelujah.
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00:19:50,454 --> 00:19:54,192
(STRINGS INSTRUMENTAL MUSIC)
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00:20:35,767 --> 00:20:37,632
NARRATOR: Nestled amongst the
great forest
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00:20:37,634 --> 00:20:41,136
and handcrafted from a
few fallen cedar trees,
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00:20:41,138 --> 00:20:43,741
lay the tiniest of tiny cabins.
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00:20:45,209 --> 00:20:49,014
Here, Austen, Robin and their
not-so-tiny Labrador, Stella,
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00:20:50,448 --> 00:20:53,516
had decided to hunker down
and wait out the storm.
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00:20:53,518 --> 00:20:55,651
ROBIN: Austen, I think
we need some more wood.
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00:20:55,653 --> 00:20:58,086
AUSTEN: More wood?
I got some tiny logs.
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00:20:58,088 --> 00:21:00,189
ROBIN: Great!
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00:21:00,191 --> 00:21:02,591
NARRATOR: Bein' it
was such a tiny cabin
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00:21:02,593 --> 00:21:04,759
the two became accustomed
to tiny things.
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00:21:04,761 --> 00:21:05,596
Too big.
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00:21:07,065 --> 00:21:08,797
NARRATOR: Each piece
of tiny kindling could be
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00:21:08,799 --> 00:21:11,199
no longer than two inches,
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00:21:11,201 --> 00:21:13,201
but this story takes
place in Canada,
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00:21:13,203 --> 00:21:16,774
so that is precisely
5.08 tiny centimeters.
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00:21:18,276 --> 00:21:21,509
And once the room
was nice and hot,
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00:21:21,511 --> 00:21:23,813
well, they played
tiny little jams.
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00:21:23,815 --> 00:21:25,948
♪ Tiny house man in
a tiny house land
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00:21:25,950 --> 00:21:30,122
♪ That played his amplifier
in a tiny house band
239
00:21:31,489 --> 00:21:32,755
♪ I was playing my
guitar but it was too big
240
00:21:32,757 --> 00:21:36,928
♪ So I got a tiny
one, that's how I live
241
00:21:38,363 --> 00:21:39,628
NARRATOR: Every morning
Austen would prepare coffee
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00:21:39,630 --> 00:21:41,497
in the tiny cabin.
243
00:21:41,499 --> 00:21:44,333
This daily regimen
required the following:
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00:21:44,335 --> 00:21:46,469
two miniature silver spoons,
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00:21:46,471 --> 00:21:49,404
two mugs with the gross
capacity of two ounces,
246
00:21:49,406 --> 00:21:51,239
and a tiny jar of
milk that was sourced
247
00:21:51,241 --> 00:21:54,075
from dwarf cows in Nova Scotia.
248
00:21:54,077 --> 00:21:58,080
And, of course, the
beans, tiny beans of joy.
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00:21:58,082 --> 00:21:59,715
And Austen was
incredibly particular
250
00:21:59,717 --> 00:22:02,117
about these little beans.
251
00:22:02,119 --> 00:22:04,789
(MAGICAL MUSIC)
252
00:22:11,229 --> 00:22:13,362
NARRATOR: When the
coffee was finally done
253
00:22:13,364 --> 00:22:15,933
the two toasted to good tiding,
254
00:22:17,268 --> 00:22:21,306
for they knew that,
eventually, storm would clear.
255
00:22:21,972 --> 00:22:23,838
(BURP)
(BURP)
256
00:22:23,840 --> 00:22:26,609
And outside that
cabin was a world
257
00:22:26,611 --> 00:22:28,576
that was anything but tiny.
258
00:22:28,578 --> 00:22:29,847
Come on, sun!
259
00:22:31,449 --> 00:22:32,284
Shine!
260
00:22:33,417 --> 00:22:34,418
We need you!
261
00:22:35,853 --> 00:22:36,855
We want you!
262
00:22:37,989 --> 00:22:40,325
Damn, you! Don't raise down!
263
00:22:44,961 --> 00:22:45,763
Hallelujah!
264
00:22:47,230 --> 00:22:50,836
(ACTIVE ALTERNATIVE MUSIC)
265
00:23:35,746 --> 00:23:39,317
(ACTIVE ELECTRO-POP MUSIC)
266
00:24:02,038 --> 00:24:03,873
Fucking big tank.
267
00:24:03,875 --> 00:24:04,709
Big tank!
268
00:24:06,376 --> 00:24:09,980
(ACTIVE ELECTRO-POP MUSIC)
269
00:26:54,545 --> 00:26:57,779
NARRATOR: The unique
terrain draws people here.
270
00:26:57,781 --> 00:27:00,117
There's no doubt about that.
271
00:27:01,618 --> 00:27:05,789
But it's the timber that's
attracted most of the attention,
272
00:27:07,223 --> 00:27:10,191
'cause these aren't your
regular strands of trees.
273
00:27:10,193 --> 00:27:13,464
Nothing better than
a walk in nature.
274
00:27:16,166 --> 00:27:19,169
These trees are over
1,000 years old.
275
00:27:20,438 --> 00:27:23,708
And that's school,
politic and counted.
276
00:27:25,476 --> 00:27:27,412
They counted the rings.
277
00:27:28,445 --> 00:27:30,014
The beauty of that.
278
00:27:31,147 --> 00:27:34,149
How can you just
not fucking love it?
279
00:27:34,151 --> 00:27:37,055
Look at that cedar
tree. A monster.
280
00:27:40,156 --> 00:27:41,326
God's country.
281
00:27:43,027 --> 00:27:45,630
Nothing better, nothing bigger.
282
00:27:46,963 --> 00:27:49,597
NARRATOR: God's
country, perhaps.
283
00:27:49,599 --> 00:27:52,603
Undisturbed by
glacier, wildfire or man,
284
00:27:54,305 --> 00:27:57,840
these forests stand
as time capsules.
285
00:27:57,842 --> 00:27:59,009
The old grove.
286
00:28:03,012 --> 00:28:07,184
But, you see, there's old
and then there's ancient.
287
00:28:09,319 --> 00:28:12,254
Up the head waters of
the Incomappleux River
288
00:28:12,256 --> 00:28:15,289
lies a particular growth
I'd like to tell you about.
289
00:28:15,291 --> 00:28:18,395
♪ I'll take you there
290
00:28:22,900 --> 00:28:26,434
Down from the alpine to
the bio-geo-climatic zones
291
00:28:26,436 --> 00:28:30,305
of the vertically
integrated ecosystem
292
00:28:30,307 --> 00:28:34,479
lay one of the last ancient
forests in all of Galena.
293
00:28:39,115 --> 00:28:43,288
Better said, one of the best
tree runs of these riders' lives.
294
00:28:44,087 --> 00:28:45,155
(SOFT ELECTRO MUSIC)
295
00:28:45,588 --> 00:28:48,759
♪ I'll take you there
296
00:28:50,193 --> 00:28:53,298
(SOFT ELECTRO MUSIC)
297
00:29:17,086 --> 00:29:20,154
It's hard not to love a forest,
298
00:29:20,156 --> 00:29:23,091
but a forest as grand as this,
299
00:29:23,093 --> 00:29:27,265
well, that's a whole
other kind of love story.
300
00:29:27,865 --> 00:29:30,201
(MYSTICAL MUSIC)
301
00:29:33,369 --> 00:29:34,972
Western red cedars,
302
00:29:35,772 --> 00:29:40,611
that's what makes up most
of this ancient forest.
303
00:29:41,478 --> 00:29:43,879
Some grow as old as 2,000 years
304
00:29:43,881 --> 00:29:46,849
and measure 35 feet round.
305
00:29:46,851 --> 00:29:49,587
(MYSTICAL MUSIC)
306
00:30:04,934 --> 00:30:07,004
Some big fucking trees.
307
00:30:08,372 --> 00:30:10,072
NARRATOR: Beneath
these antiquated canopies
308
00:30:10,074 --> 00:30:12,274
thrives a metropolis.
309
00:30:12,276 --> 00:30:15,046
(MYSTICAL MUSIC)
310
00:30:18,214 --> 00:30:19,981
Everyone knows
there's a root system
311
00:30:19,983 --> 00:30:23,352
that anchors these
trees in place.
312
00:30:23,354 --> 00:30:27,322
What if I told you there's
communication here?
313
00:30:27,324 --> 00:30:30,691
I'd even go as far to
call it intelligence.
314
00:30:30,693 --> 00:30:31,959
The oldest of these giants
315
00:30:31,961 --> 00:30:34,896
passing on what they
know to their young.
316
00:30:34,898 --> 00:30:39,069
Save garden knowledge and
wisdom to keep a forest alive.
317
00:30:39,803 --> 00:30:41,472
Yes, these trees talk.
318
00:30:42,605 --> 00:30:45,343
(MYSTICAL MUSIC)
319
00:30:48,112 --> 00:30:52,550
Behold, the nervous
system of the valley.
320
00:31:00,156 --> 00:31:00,991
Oh!
321
00:31:06,630 --> 00:31:07,532
Whoa! Yeah!
322
00:31:09,799 --> 00:31:11,565
Watch out for the
dead spike in there.
323
00:31:11,567 --> 00:31:13,168
Oh, gosh!
324
00:31:13,170 --> 00:31:14,736
Oh, my goodness. It's crazy.
325
00:31:14,738 --> 00:31:15,573
Oh!
326
00:31:16,906 --> 00:31:19,440
Crazy people.
327
00:31:19,442 --> 00:31:23,711
Nobody has any respect for
their body. It's a temple.
328
00:31:23,713 --> 00:31:25,515
Your body is a temple.
329
00:31:25,883 --> 00:31:28,486
(ACTIVE MUSIC)
330
00:31:49,772 --> 00:31:52,173
So, it's very nice.
331
00:31:52,175 --> 00:31:54,778
(ACTIVE MUSIC)
332
00:32:04,887 --> 00:32:09,059
As long as I could see 10
feet from me, victory.
333
00:32:09,692 --> 00:32:11,828
(ACTIVE MUSIC)
334
00:32:26,477 --> 00:32:27,644
Travis Rice.
335
00:32:29,145 --> 00:32:32,748
Probably doing
something questionable.
336
00:32:32,750 --> 00:32:35,319
(ACTIVE MUSIC)
337
00:32:57,807 --> 00:33:01,645
A-grade high-quality
H2O powder.
338
00:33:02,813 --> 00:33:05,416
(ACTIVE MUSIC)
339
00:34:16,119 --> 00:34:16,953
Ha!
340
00:34:17,753 --> 00:34:20,324
(ACTIVE MUSIC)
341
00:34:25,061 --> 00:34:25,896
(SCREAMS)
342
00:34:26,963 --> 00:34:29,534
(ACTIVE MUSIC)
343
00:34:33,836 --> 00:34:34,672
Whooo!
344
00:34:37,007 --> 00:34:37,842
Yeah!
345
00:34:39,342 --> 00:34:41,913
(ACTIVE MUSIC)
346
00:35:21,083 --> 00:35:22,550
NARRATOR: Every
once in a while,
347
00:35:22,552 --> 00:35:26,223
man comes along as well
just a little bit different.
348
00:35:27,356 --> 00:35:28,590
I'm talking about the
kind of difference
349
00:35:28,592 --> 00:35:31,126
that makes a man hike
alone to the woods
350
00:35:31,128 --> 00:35:35,199
with a 183-centimeter pink
snowboard on his back.
351
00:35:38,235 --> 00:35:41,336
Bryan fondly named his
companion "Big Pink",
352
00:35:41,338 --> 00:35:44,505
on the account of her
sheer girth and prowess.
353
00:35:44,507 --> 00:35:47,275
It towers above the rest of
Bryan's well-manicured quiver
354
00:35:47,277 --> 00:35:50,681
like a champion Clydesdale among
its tall opponents.
355
00:35:52,382 --> 00:35:55,249
And with a trusty
see like "Big Pink"
356
00:35:55,251 --> 00:35:59,186
Bryan felt compelled to explore
the mysteries of Galena.
357
00:35:59,188 --> 00:36:01,722
Seems he had an unquenchable
desire to seek out
358
00:36:01,724 --> 00:36:05,327
only the finest
geothermal heated waters,
359
00:36:05,329 --> 00:36:07,595
hot springs, for the lay man.
360
00:36:07,597 --> 00:36:08,996
Temperature of these
springs must be
361
00:36:08,998 --> 00:36:11,967
exactly 101 degrees Fahrenheit,
362
00:36:11,969 --> 00:36:14,802
with the Ph balance of 7.55,
363
00:36:14,804 --> 00:36:17,771
and at least 1,000 parts per
million of dissolved minerals
364
00:36:17,773 --> 00:36:20,610
such as calcium,
iron and lithium.
365
00:36:21,510 --> 00:36:24,414
(EASY FUNNY MUSIC)
366
00:36:26,315 --> 00:36:28,215
But Bryan infatuation
with hot springs
367
00:36:28,217 --> 00:36:31,619
is nothing compared
to his real obsession.
368
00:36:31,621 --> 00:36:34,990
Over his lifetime Bryan claims
he's successfully summited
369
00:36:34,992 --> 00:36:38,496
over 400 mountains
peaks around the world.
370
00:36:39,896 --> 00:36:41,231
421 to be exact.
371
00:36:43,467 --> 00:36:45,702
Most of non-notable status.
372
00:36:47,003 --> 00:36:50,574
(ACTIVE ALTERNATIVE MUSIC)
373
00:37:49,932 --> 00:37:51,865
That was...
374
00:37:51,867 --> 00:37:52,702
Whoa.
375
00:37:57,306 --> 00:37:58,575
Can you see it?
376
00:38:01,478 --> 00:38:03,545
That was a lot deeper
than I thought.
377
00:38:03,547 --> 00:38:05,847
It's a long way
down from that top.
378
00:38:05,849 --> 00:38:06,684
Yeah.
379
00:38:12,456 --> 00:38:14,121
NARRATOR: Some humans
seem like they are born
380
00:38:14,123 --> 00:38:16,057
with a deep desire
to understand the
381
00:38:16,059 --> 00:38:18,162
natural world around 'em.
382
00:38:19,329 --> 00:38:21,229
And, in a place like this,
383
00:38:21,231 --> 00:38:24,135
there's a lot going on that
needs to be understood.
384
00:38:25,135 --> 00:38:27,135
Hi, my name is John Buffery.
385
00:38:27,137 --> 00:38:28,769
You can call me "Buff".
386
00:38:28,771 --> 00:38:31,039
And I'm snowboard guide.
387
00:38:31,041 --> 00:38:32,941
NARRATOR: Actually,
he's much more
388
00:38:32,943 --> 00:38:35,075
than just the snowboard guide.
389
00:38:35,077 --> 00:38:36,945
When it comes to the
art of snow evaluation
390
00:38:36,947 --> 00:38:40,815
and risk assessment, he's
a verified snow Yoda.
391
00:38:40,817 --> 00:38:43,385
Over the past three decades
he's lead guiding missions
392
00:38:43,387 --> 00:38:45,653
all over the planet.
393
00:38:45,655 --> 00:38:47,956
He's even been shot at.
394
00:38:47,958 --> 00:38:49,356
One time on a bad country trip
395
00:38:49,358 --> 00:38:51,793
near the Shah's mountain palace
396
00:38:51,795 --> 00:38:56,097
the Iranian Royal Guard
mistook him for a spy.
397
00:38:56,099 --> 00:38:58,032
What are you looking
for there, Buff?
398
00:38:58,034 --> 00:39:00,467
Instability in the layers?
399
00:39:00,469 --> 00:39:03,537
Yep. That's
absolutely correct.
400
00:39:03,539 --> 00:39:07,711
NARRATOR: Behold what a
master carries in his pack.
401
00:39:11,380 --> 00:39:13,313
Part of the job
of the snow jedis
402
00:39:13,315 --> 00:39:16,383
is to assess the
safety of the snowpack,
403
00:39:16,385 --> 00:39:18,619
and he's got quite
the magic touch.
404
00:39:18,621 --> 00:39:20,354
TRAVIS: Hey, Buff, it's
Travis.
405
00:39:20,356 --> 00:39:22,692
Go ahead, this is Buff,
Travis.
406
00:39:30,766 --> 00:39:32,166
I'm in a really
good spot response,
407
00:39:32,168 --> 00:39:34,235
and I like what I'm seeing.
408
00:39:34,237 --> 00:39:35,903
NARRATOR: When
Buff's not guiding
409
00:39:35,905 --> 00:39:38,539
he's in his office at
the Ministry of Transport
410
00:39:38,541 --> 00:39:40,675
using his snow sensei
brain to mitigate
411
00:39:40,677 --> 00:39:44,278
avalanche dangers on the
Trans-Canada Highway.
412
00:39:44,280 --> 00:39:48,451
And, yes, he still has his
first avalanche beacon.
413
00:39:49,786 --> 00:39:52,487
Buff has over 200
notebooks of field notes.
414
00:39:52,489 --> 00:39:56,057
Decades of detailed observations
about weather conditions,
415
00:39:56,059 --> 00:39:58,626
base camp logistics,
temperature,
416
00:39:58,628 --> 00:40:01,865
and snowpacks ability
fill their pages.
417
00:40:03,599 --> 00:40:07,001
"Why is all this
important", you ask?
418
00:40:07,003 --> 00:40:10,537
Well, you see, only
with time and experience
419
00:40:10,539 --> 00:40:12,373
does one learn how
to read the mountains
420
00:40:12,375 --> 00:40:14,545
the way John Buffery does.
421
00:40:18,748 --> 00:40:21,918
And everyone can
use a good shepherd,
422
00:40:23,920 --> 00:40:25,186
especially around these parts.
423
00:40:25,188 --> 00:40:27,358
(OPERA MUSIC)
424
00:40:37,166 --> 00:40:38,735
These are cornices.
425
00:40:40,170 --> 00:40:42,336
By wind-driven snow they
form into school bus-sized
426
00:40:42,338 --> 00:40:46,007
doomsday devices that
can be hair triggered.
427
00:40:46,009 --> 00:40:49,179
(OMINOUS OPERA MUSIC)
428
00:40:53,516 --> 00:40:55,983
Surprisingly, cornices
and avalanches
429
00:40:55,985 --> 00:40:58,952
aren't the deadliest
hazards out here.
430
00:40:58,954 --> 00:41:00,621
In fact, it's the tree wells
431
00:41:00,623 --> 00:41:02,956
you should be most
concerned about.
432
00:41:02,958 --> 00:41:05,159
Usually one can't get out alone,
433
00:41:05,161 --> 00:41:08,896
and that's why the buddy system
is always in place out here.
434
00:41:08,898 --> 00:41:10,597
Take a look at these buddies,
435
00:41:10,599 --> 00:41:14,771
sword fighting down the
mountain like a bunch of idiots.
436
00:41:15,972 --> 00:41:19,574
Complete disregard
of their own safety.
437
00:41:19,576 --> 00:41:22,309
However, if you find
yourself trapped
438
00:41:22,311 --> 00:41:25,280
in the mountains for the night.
439
00:41:25,282 --> 00:41:27,785
(OPERA MUSIC)
440
00:41:28,952 --> 00:41:31,653
The tree well can become
a life saving shelter.
441
00:41:31,655 --> 00:41:32,887
Tea?
442
00:41:32,889 --> 00:41:33,791
Oh, yeah.
443
00:41:40,996 --> 00:41:44,632
I think around the wide is
probably the hottest spot.
444
00:41:44,634 --> 00:41:48,706
The top slope is gonna
be gone into the chutes,
445
00:41:49,706 --> 00:41:51,338
so you're not gonna
have to worry about it.
446
00:41:51,340 --> 00:41:53,974
If you have to stop let
the snow go through it,
447
00:41:53,976 --> 00:41:55,144
don't go fast.
448
00:41:56,646 --> 00:41:59,947
Do you think that's 3,000
T to V, top to valley?
449
00:41:59,949 --> 00:42:01,351
Yeah. Oh, yeah.
450
00:42:02,952 --> 00:42:06,720
It's all quite within
your realms of management.
451
00:42:06,722 --> 00:42:08,389
Alright, man. Feels
like you're best in here,
452
00:42:08,391 --> 00:42:10,691
- and look at it any longer.
- Yeah.
453
00:42:10,693 --> 00:42:14,864
♪ Oh, in the desert we tried to
454
00:42:15,764 --> 00:42:19,235
♪ Love like they do in movies
455
00:42:20,704 --> 00:42:24,441
♪ Face to face, end of story
456
00:42:29,813 --> 00:42:31,481
RADIO: Get ready.
457
00:42:32,983 --> 00:42:34,051
We are ready.
458
00:42:35,652 --> 00:42:39,389
♪ As twins we created an era
459
00:42:40,389 --> 00:42:44,060
♪ Two souls in prime Sahara
460
00:42:45,628 --> 00:42:49,799
♪ Swallowed by sand
and time we play
461
00:42:56,106 --> 00:42:59,443
♪ What began as an epic
462
00:43:01,177 --> 00:43:04,782
♪ Ended a parched pathetic
463
00:43:06,416 --> 00:43:10,588
♪ Arid and vapid
like our attachments
464
00:43:11,788 --> 00:43:13,487
TRAVIS: And I feel
pretty good to continue.
465
00:43:13,489 --> 00:43:17,627
RADIO: Be on ridge, just
watch the transitioning.
466
00:43:26,568 --> 00:43:30,740
♪ Oh, in the desert
you sucked my finger
467
00:43:32,208 --> 00:43:35,878
♪ It wasn't meant to be, it
was like water from leather
468
00:43:37,047 --> 00:43:41,050
♪ Oh, my God, what
can I pay you to stop?
469
00:43:46,922 --> 00:43:49,691
♪ So in my desert
470
00:43:49,693 --> 00:43:53,864
♪ What was the nature of
your visit to my domain
471
00:43:54,764 --> 00:43:57,532
♪ Business or pleasure?
472
00:43:57,534 --> 00:44:01,704
♪ Oh, my God, you just
don't care if I drop
473
00:44:18,454 --> 00:44:22,625
♪ Oh, in the desert
you sucked my finger
474
00:44:28,697 --> 00:44:32,869
♪ Oh, in the desert
you sucked my finger
475
00:44:36,438 --> 00:44:39,442
(ALTERNATIVE MUSIC)
476
00:44:55,525 --> 00:44:59,697
NARRATOR: I've always had
a fondness for these giants.
477
00:45:00,864 --> 00:45:05,166
I'm talking about
the land, of course.
478
00:45:05,168 --> 00:45:07,171
By land I mean all this.
479
00:45:10,072 --> 00:45:14,175
Galena holds quite the
collection, I'd say.
480
00:45:14,177 --> 00:45:16,677
Not many things you can
fear and be in reverence of,
481
00:45:16,679 --> 00:45:18,382
all at the same time.
482
00:45:19,849 --> 00:45:23,383
It took quite some years for
this place to look this way.
483
00:45:23,385 --> 00:45:25,452
It's all being washed
over by Mother's
484
00:45:25,454 --> 00:45:28,458
great saline quilt
at one point.
485
00:45:29,592 --> 00:45:33,030
Still changing, too,
right before your eyes.
486
00:45:35,364 --> 00:45:36,766
You can't see it,
487
00:45:37,900 --> 00:45:39,800
this is just a
snapshot of a painting
488
00:45:39,802 --> 00:45:41,971
that's a work in progress, if
you will.
489
00:45:44,340 --> 00:45:46,340
Because the perception
of time is different
490
00:45:46,342 --> 00:45:49,376
for everything on this planet,
491
00:45:49,378 --> 00:45:52,947
I'm trying to explain to
you the concept of time.
492
00:45:52,949 --> 00:45:57,121
Hell, that's a rabbit hole,
if I've ever seen one.
493
00:45:59,054 --> 00:46:01,454
One thing is for certain,
494
00:46:01,456 --> 00:46:05,626
current state of this
painting, this land,
495
00:46:05,628 --> 00:46:07,662
is about as full of
abstracts and oddities
496
00:46:07,664 --> 00:46:09,399
as one could imagine.
497
00:46:15,938 --> 00:46:19,442
And our friends sure do
love those oddities.
498
00:46:21,610 --> 00:46:23,946
Take this arch, for example.
499
00:46:25,380 --> 00:46:29,353
Right conditions of wind, rain
and soft-pocketed limestone
500
00:46:30,753 --> 00:46:34,889
and these guys just
about lost their shit.
501
00:46:34,891 --> 00:46:39,061
They were so excited it'd
never been ridden before
502
00:46:40,128 --> 00:46:41,929
they rode it together
like brothers.
503
00:46:41,931 --> 00:46:44,333
Let's have some fun, buddy.
504
00:46:45,802 --> 00:46:48,972
(EASY CHANTING MUSIC)
505
00:47:05,487 --> 00:47:09,490
NARRATOR: They
named it "Tunnel buddy",
506
00:47:09,492 --> 00:47:11,894
whatever the hell that means.
507
00:47:14,097 --> 00:47:17,334
It's said that every
line has it's day.
508
00:47:18,701 --> 00:47:21,101
TRAVIS: Hey, guys.
Dropping ahead, 10 seconds.
509
00:47:21,103 --> 00:47:22,570
NARRATOR: The thing is,
510
00:47:22,572 --> 00:47:26,677
when you speak about the
truly bizarre, the rarities,
511
00:47:27,844 --> 00:47:31,945
that day can be a
decade apart sometimes.
512
00:47:31,947 --> 00:47:35,115
It comes down to right
time, right place, I'll say.
513
00:47:35,117 --> 00:47:37,286
TRAVIS: Okay. Dropping.
514
00:47:38,420 --> 00:47:41,858
(EASY ALTERNATIVE MUSIC)
515
00:49:19,856 --> 00:49:20,691
Holy shit!
516
00:49:22,625 --> 00:49:24,791
RADIO: Alright. That was fun.
517
00:49:24,793 --> 00:49:26,128
TRAVIS: Whoa!
518
00:49:30,632 --> 00:49:32,368
That was so savage.
519
00:49:33,936 --> 00:49:36,373
(EASY MUSIC)
520
00:49:38,840 --> 00:49:42,309
NARRATOR: I've lived
here my entire life,
521
00:49:42,311 --> 00:49:44,845
and I've seen everything.
522
00:49:44,847 --> 00:49:47,851
And, see, we all
talk to each other.
523
00:49:49,684 --> 00:49:51,318
That's what makes
you so different
524
00:49:51,320 --> 00:49:55,492
than any other plant or
animal on this planet.
525
00:49:56,358 --> 00:49:58,492
We know our purpose here.
526
00:49:58,494 --> 00:50:00,226
You probably wouldn't
believe me if I said
527
00:50:00,228 --> 00:50:02,898
I had everything to do with you.
528
00:50:06,168 --> 00:50:08,672
Since I've got your attention,
529
00:50:09,838 --> 00:50:11,438
I might as well tell you
530
00:50:11,440 --> 00:50:15,011
how I came to be in
this part of the world.
531
00:50:16,978 --> 00:50:20,447
I was born in the
time of King Arthur.
532
00:50:20,449 --> 00:50:24,620
Fought for life as a seedling
while the Roman Empire fell.
533
00:50:26,822 --> 00:50:28,789
I grew from a
sapling into a tree
534
00:50:28,791 --> 00:50:32,963
as men sailed west in the
searched of the undiscovered.
535
00:50:34,163 --> 00:50:37,000
Irony is, there are
already people here.
536
00:50:38,166 --> 00:50:41,001
Had been for many millennia.
537
00:50:41,003 --> 00:50:42,838
It was different then.
538
00:50:43,905 --> 00:50:49,376
They had a deep
connection to this land.
539
00:50:49,378 --> 00:50:51,811
I had a family around
me that protected me
540
00:50:51,813 --> 00:50:55,418
from avalanches
and tumbling rocks.
541
00:50:59,054 --> 00:51:02,058
I was all that was left of them.
542
00:51:02,492 --> 00:51:06,663
Here I stood while man built
cities and great things.
543
00:51:08,431 --> 00:51:12,034
Oh, what wondrous things
you people create.
544
00:51:13,101 --> 00:51:15,001
As men step down on the moon
545
00:51:15,003 --> 00:51:16,336
I looked upward from here
546
00:51:16,338 --> 00:51:18,938
and smiled of being
a part of it all.
547
00:51:18,940 --> 00:51:21,944
Which brings me to
this moment here,
548
00:51:24,780 --> 00:51:27,551
where my world
and yours collide.
549
00:51:33,789 --> 00:51:36,389
What a chance encounter.
550
00:51:36,391 --> 00:51:38,492
It's not often enough that
one of you take the time
551
00:51:38,494 --> 00:51:40,730
to talk to one of us trees.
552
00:51:43,900 --> 00:51:47,066
The day will come when
I return to the soil
553
00:51:47,068 --> 00:51:49,172
and start all over again.
554
00:51:50,806 --> 00:51:52,907
It was my honor to give
you all a little window
555
00:51:52,909 --> 00:51:56,043
into what I've
seen in this life.
556
00:51:56,045 --> 00:51:59,449
(ACTIVE SYNTH-POP MUSIC)
557
00:52:26,675 --> 00:52:28,777
I give you all the 900.
558
00:52:30,246 --> 00:52:33,650
(ACTIVE SYNTH-POP MUSIC)
559
00:56:24,914 --> 00:56:29,085
NARRATOR: And I said that
this story was an endless road,
560
00:56:29,952 --> 00:56:31,488
and still assure you it is,
561
00:56:32,487 --> 00:56:35,090
but before you leave this place
562
00:56:36,625 --> 00:56:38,758
I'll share with you a secret.
563
00:56:38,760 --> 00:56:42,931
♪ Fascination,
world of fascination
564
00:56:47,268 --> 00:56:48,735
Funny thing is.
565
00:56:48,737 --> 00:56:51,771
♪ Feel the trembling
566
00:56:51,773 --> 00:56:53,407
You probably already know it.
567
00:56:53,409 --> 00:56:55,912
♪ Of creation
568
00:57:03,952 --> 00:57:08,123
You see, there is magic
that exists all around you.
569
00:57:10,793 --> 00:57:14,927
Stand still and take it
in, like a child would.
570
00:57:14,929 --> 00:57:17,865
♪ Never ending
571
00:57:17,867 --> 00:57:21,104
Try to see past what
you've been taught.
572
00:57:22,605 --> 00:57:24,470
For I'm not really a tree.
573
00:57:24,472 --> 00:57:27,074
♪ See the heavens
574
00:57:27,076 --> 00:57:28,876
Even though that's
what you call me.
575
00:57:28,878 --> 00:57:31,280
♪ Alteration
576
00:57:33,382 --> 00:57:34,550
I just am.
577
00:57:36,719 --> 00:57:39,322
That's closer to how we see it.
578
00:57:40,322 --> 00:57:42,724
And if you search long enough
579
00:57:45,327 --> 00:57:48,762
you might just find
one of those fairies.
580
00:57:48,764 --> 00:57:51,331
(GROWL)
581
00:57:51,333 --> 00:57:52,168
Ah!
582
00:57:54,570 --> 00:57:58,508
♪ Curious world of fascination
583
00:58:01,476 --> 00:58:04,746
(MELODIC VOCALIZATION)
584
00:58:31,139 --> 00:58:33,809
(COUNTRY MUSIC)
585
00:58:51,693 --> 00:58:57,866
♪ When your life starts
tearing apart at the seams
586
00:59:02,137 --> 00:59:08,311
♪ And you're looking for
answers to what this should be
587
00:59:08,543 --> 00:59:10,879
Tiny House, Tiny Jam, take 1.
588
00:59:13,782 --> 00:59:14,481
(LAUGHING)
589
00:59:14,483 --> 00:59:15,451
Action.
590
00:59:19,454 --> 00:59:21,554
Do you want me to talk?
591
00:59:21,556 --> 00:59:26,295
I have come to the forest to experience
the world while I experience myself.
592
00:59:29,231 --> 00:59:31,501
Thirty-one feet,
one and a half inches.
593
00:59:37,672 --> 00:59:38,674
(LAUGHING)
594
00:59:39,007 --> 00:59:42,010
(RADIO CHATTER)
595
00:59:43,077 --> 00:59:44,778
Mr. Fox, what can I
do for you?
596
00:59:44,780 --> 00:59:46,979
- Let's do one two shoot.
- I like it.
597
00:59:46,981 --> 00:59:48,581
Usually winner goes
first, right?
598
00:59:48,583 --> 00:59:52,422
(PLAYING ROCK-PAPER-SCISSORS)
599
00:59:55,090 --> 00:59:56,923
(YELLING)
600
00:59:56,925 --> 00:59:59,929
Travis Rice ladies and
gentlemen, dropping first.
601
01:00:05,434 --> 01:00:07,668
♪ Just ride it all out
602
01:00:07,670 --> 01:00:11,304
Thanks for watching!
That's a wrap!
603
01:00:11,306 --> 01:00:13,610
(SLOW-MOTION YELLING)
604
01:00:16,277 --> 01:00:19,281
♪ Someday you'll see
605
01:00:21,315 --> 01:00:24,453
(YELLING)
606
01:00:25,286 --> 01:00:28,421
Here's the pillows.
(BEEP NOISES)
607
01:00:28,423 --> 01:00:32,092
Man, if I could shoot this from
anywhere, I would be... (ROLLS TONGUE)
608
01:00:32,094 --> 01:00:35,961
Just got the city boy out here.
Is this a fisheye lens?
609
01:00:35,963 --> 01:00:38,565
(SQUEAKING)
610
01:00:38,567 --> 01:00:41,867
God's country.
Nothing better, nothing bigger.
611
01:00:41,869 --> 01:00:45,271
That's why we love it!
That's why we live here!
612
01:00:45,273 --> 01:00:49,108
Yeah Niall.
(CLAPS HANDS) Let's do this dude.
613
01:00:49,110 --> 01:00:52,481
(WIND BLOWING)
614
01:00:59,387 --> 01:01:05,661
♪ Well if you fall down
♪ Don't blame it on me
615
01:01:09,831 --> 01:01:15,904
♪ Just take a good look
♪ And someday you'll see
616
01:01:20,842 --> 01:01:24,543
♪ None of this matters
617
01:01:24,545 --> 01:01:28,050
(MUMBLING)
618
01:01:31,420 --> 01:01:36,559
♪ None of this matters
♪ It's all just a dream
619
01:01:41,295 --> 01:01:47,302
♪ Don't take it so hard
♪ It ain't supposed to be
620
01:01:51,706 --> 01:01:54,844
♪ Just ride it all out
621
01:02:02,717 --> 01:02:05,053
♪ Someday you'll see
622
01:03:34,141 --> 01:03:38,079
(PLAYING KAZOO)
623
01:03:47,561 --> 01:03:50,468
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