All language subtitles for The.Walking.Dead.Daryl.Dixon.S03E06.NaijaPrey.com

He's breathing.

Maybe it's safer we don't know.

They have new medicine from Alcázar.
Where's that convoy go next?

Barcelona, probably.

They're all in action to catch Cristina.

What the hell are you doing here?

I could ask you the same question.

I thought you might need a tour guide in
Barcelona.

Didn't figure you for a hippo -miopi
guy.

Whatever.

Go!

I used to love coming here with my
cousins when we were kids.

I didn't realize Barcelona was so big.

Over there?

It's the old Gothic neighborhood.

That's where the convoy will be going.

All right, lead the way.

We will make it on our own.

No, we'll be fine.

I know people here. They can help.

We don't need them.

Back at the beginning, I came here with
my friend Nerea.

There was a refugee community.

They took us in while she fell in love
with a man there and decided to stay

behind.

You kept moving?

I was... I was looking for somebody.

We should get going.

Let's go find your friend.

Follow me.

How long did you live in Barcelona?

For four years, before La Caída.

I really wanted to make films.

You're more than just a movie nerd.

I spent my communion money on a Super 8.

My mother cried.

My father hit me with a belt. Nobody
understood.

Then I met Maria.

She was the first person who believed it
wasn't just, what's the expression, a

pipe dream.

He's been awake for a while, but he's
still not able to talk.

Good afternoon.

Buenas tardes.

I've

heard

that Roberto is much better, right?

Has he said anything?

We just need to let Doña Marga's
treatment take its course.

What about your friend?

He works all night and all day on the
boat.

No rest.

That's Daryl. He's just a really hard
worker.

Yeah.

Está abajo, en las puertas.

Ahora voy.

Keep me apprised.

My town deserves to know what happened.

¿Sí? Sí.

¿Te acuerdas de los tres guardas del
Alcázar que desaparecieron?

Uno, dos y tres.

Es el hombre del Alcázar.

¿Y de lo que te encargué, qué hay?

Hace días que nadie apareció para el
banco.

Está claro que la mexicana miente.

No,

no, no.

Oh.

I'll be done in a moment. Oh, God.

I'm good. I'm just looking for a
screwdriver for the boat.

Your cat? Hungry.

Is that a boy? Girl?

God, so many fools.

Sorry. I'm not used to having guests.

But the water is still warm if you want
to also shower.

I mean... Found it. After I finish.

And the Vernier scale says what?

Three -tenths of one arc. Okay.

So, with the degrees in a minute, you
make the correction for refraction, sea

level, altitude of the sun.

And there you have it.

You will always know where you are.

Did you?

What?

Taste the local wine.

God, you are the worst.

Mira.

This may help.

We're going to need it. We're leaving.

Exactly. You don't have much time.

Okay.

This?

Un veneno para secar.

Otro es bueno.

One poison cures another one. Poison,
what is it?

Spanish self -help.

Oh, it just means that sometimes,
sometimes you need something

peligroso, risky, dangerous.

Alcohol, sex.

Love.

Roberto looked for him and he has to
learn.

Well, you're like that too.

You were always doing crazy things for a
girl.

Although you never told me who she was.

That was a long time ago.

You work a lot, son, taking care of the
town.

It would be so terrible to find someone
who takes care of you.

You take care of me.

¿Verdad? Ya está.

Ese es todo el amor que necesito.

Bueno, ya sabes lo que quiero decir.

Eres guapo y apañado.

Y mamá, no hagas de Celestina.

Y ve con Gemma. Ella te necesita ahora.

Mandaré a Doña Lupe con Roberto.

Say hi to daddy.

I'm going to kill myself, I'm going to
kill myself! Help me!

Come on, let's go to the painting.

I'm so scared, are there any more
dragons around here?

No, dragons only exist outside the city.

I'm going to put this here and I'll tell
you a story.

Once upon a time, there was a fierce
dragon that had terrified a whole town.

It was so fierce that to keep it away
from the walls, they decided to give it

animal every day to eat.

And when the town ran out of animals to
feed it, they had no choice but to send

someone chosen by draw.

And it was the princess's turn.

The dragon came spitting fire.

La princesa estaba segura que había
llegado su hora, pero entonces apareció

Jordi. Con su espada mató al dragón y de
su sangre brotó una rosa.

Big waste of time.

Must have been 13, 14 years ago, right?

We need to find my friends.

Look at these ancient plants.

Heads up!

Don't worry.

If you move, you're dead.

Laia?

It used to be just a dozen or so girls
running from the offender.

Some grew up, started families of their
own, and we keep welcoming others to

save them from El Alcatraz.

That's why we're here.

We need to catch up to them.

We are a refugee community.

We don't have resources for an attack.

You can definitely protect yourselves.

To survive.

But to do what we do.

We need to keep a low profile.

Come.

There's someone you'll want to say hello
to.

Khalid.

Khalid.

You'd rather come to visit us, eh?

And Nerea? Where is she?

We lost her.

Two years ago.

I'm so sorry, Cali.

What about Elena?

I couldn't find her.

He's my friend, Darry. He comes from
very far away.

Encantado.

Everywhere is far away now, eh?

Tell me about it.

You and your friend, you must be hungry.

Take a seat.

Yeah, come on.

Yeah,

it means that you speak your mind.

Isn't Palo's hair?

The literal translation is, I don't have
hairs on my tongue.

Yeah, well, that makes so much more
sense.

Do you know the expression, ¿Estás como
una regadera?

Isn't it in your book?

Is this one?

Here.

I am a watering can?

No, it means that you are out of your
mind.

You have to roll your R's.

That's hard.

Especially with all the hairs on my
tongue.

Rio. River.

La.

Yes.

I don't understand.

He was better.

We need medicine.

We're going to have to ask Fede for some
aspirin or something to reduce the

fever. He's not going to give it to me.

Or we're just going to have to make him.

He needs more than tea and a prayer
right now.

The town is devoting as many resources
as possible to your son.

Please. You saw how weak he is. Just
aspirin to stop the fever.

Roberto put us all in danger.

When he took off on his own.

We have

rules to keep everyone safe.

Actually, that's my job.

You're saying you can't spare any for
Roberto.

He put our alliance in jeopardy. Do you
understand?

Who knows when we have the next
delivery?

Until then, I have to ration for my
town.

I wonder what your town would think if
they knew what you were doing.

You want to threaten me?

Is that what you want to do?

Perhaps it's time for you to leave.

I intend to, very soon.

But until then, she's my guest.

She has a pretty voice.

Sandra.

She was 14 when she was sent to
Alarcazar.

But she was never marched.

So they put her to work.

They beat her there.

Kept her, like I say.

It was a miracle she got away.

Her first three months here, she did not
award.

So traumatized.

When's the next pig race?

Your friend, that's where they're
headed. When is that?

Very soon.

Two days.

They will be heavily fortified.

And once they are inside Ciudad Bella,
you have no chance.

We've got to get ahead of them.

It's not possible.

Trying to save a girl.

Isn't that what you do here?

And what do you think happens to all of
these girls if Alcázar finds out about

this place?

I can risk everything for just one girl.

It's not just one girl.

Guillermo Torres is with them.

Next in line for the crown.

We get to save our girl.

You get to kill the next king of Spain.

No more king.

No more of Frenda.

You get to Ciutadella, they must pass
here.

La Riada.

Was that a river?

A bad kind.

Ciudadela built a trap to contain all
the insatiables.

That's what they call here los huecos,
insatiables.

It started out as a way to confine them.

And over time, it's become a belt that
protects the community.

So, Bea, that's where they're headed?

Si.

And that's the only cross.

That's where we hit them.

That's where they get across.

One problem.

The convoy soldiers and the checkpoint
guards.

We'll be fighting together.

We will build numbers.

We don't hit them all at once, huh?

Who's there?

Daryl, all that.

Now, go.

Don't look back.

Don't you ever look back.

Don't you worry about me. I can take it,
right?

You've got to come through. I'll be
okay.

Now, go on.

Go.

Maybe you should save a little bit of
that blade for them all.

Bad dreams?

Rainbows and puppies.

I'm sorry about your friend.

You know, Miss Flaz, I saw you with that
lady.

That one from Al Alcazar.

Elena.

She's a princess now.

We were teenagers when we met in school.

I never dreamed she'd notice me.

Then she did and it was magic.

The first few months after La Caida and
the world was falling apart,

she and I,

We were so happy.

And they took her?

The first of Brenda.

It was supposed to be only once.

To repopulate her some bullshit.

You went to get her back.

We were so naive, Nerea and I.

Chasing the convoy from town to town,
always too late.

I felt like if I stopped...

It will become real.

Not seeing her again.

But if I didn't give up... You wouldn't
have to accept it.

I get it.

I made it to Alcázar.

I tried to break in, but they caught me,
left me on the road for dead, to be

eaten by los huecos.

But I lived.

I convinced myself that it was better to
forget.

That forget wasn't the same as giving
up.

What changed?

She showed up in Solaz.

Out of the flu.

Like a dream.

And everything with Roberto.

How hard he was fighting, never giving
up.

I knew I was wrong to ever stop.

Now you know my reason for being here.

What's yours?

I think... maybe...

You love someone, too.

Someone you can't get back.

I've lost a lot of people.

They don't all hurt the same.

Thank you.

You need more medicine.

Come and see me.

Donnie Margot.

Poor thing for her.

For Roberto.

He's very sick.

Muy informal.

Christina loved him.

He caught up to her.

This is her necklace.

Fede lied.

He's been lying for years.

She found out, and he sent her away.

Fede mentiros.

Fede muchos mentiros.

No. Mi Fede no es un mentiroso.

Mi mentiros.

Justina loved Roberto.

Ella lo amó.

It is boys' name.

Elgato.

Myrto. Then you know.

That's why he's so sick.

Poor, poor.

The medicine is working.

His fever is down.

Oh, good.

We have to go.

He's too weak to move him.

It's just to the lighthouse.

Valentino will let us stay there.

If he dies because of me... We have to
go before fading is on to us.

And then what?

Then when Daryl and Justina get back, we
get on that boat.

To America?

You can't.

Yes, you can. You don't.

Whatever this awful thing is that Faye
Day's holding over you, you've paid for

it enough. You don't understand.

Okay, then help me.

Tell me what it is.

I can show you.

ETA was a radical group.

They fought for Basque independence for
decades.

Since Franco.

They wanted their own country?

Yes.

Euskal Herria.

My mother was Basque.

She believed in it.

So they died.

For a while.

I was working on this documentary.

Maria wanted nothing to do with this
project.

She hated that we were giving voice to
terrorists.

But I made her do it.

I insisted.

But they found out he was going to tell
Roberto.

Instead, he held it over me.

I was never able to tell my son the
truth.

It was not possible to tell him how his
mom died, how

she did it for me.

It was all my fault.

Mi culpa.

It's my fault!

It's my big fault!

I'll be back.

I'll be back. Wait!

No problem.

Let's go!

Why did we stop?

What the...

You're going to be fine.

The problem... It's not working.

What are you doing?

Get down!

I'm the second to stop you, Guillermo.

Not for a plastic room.

As long as it gets me out of here.

You good?

talk to you eventually.

The best thing of telling a lie is when
you get to start telling the truth.

It really does kind of set you free.

I hope so.

First you survive what happened to you.

Then you survive the survival.

And after time, if you're lucky, the
gift you get is partly the cake.

Gustavo will help me to sneak out.

I'll meet you at the lighthouse.

Carol, one more thing I want to say.

You can say it later.

For saving Roberto.

For caring about him.

I mean, I think what I'm trying to
say...

Okay, I need a kiss. Yeah.

Will you be able to make it back to the
camp?

Thank you.

Good luck.

Thank you.

You want me to be back?

You weren't going to let go of her, were
you?

I thought that might have been my only
chance.

So, Alcazar.

Where do we go?

A bit late for the big, no? I was just
leaving town. It's been nice, but I'm

relieved.

Buenas tardes.

We have to inspect your vehicle.

Sure. I have to warn you, it's like
Jenga back there.

I don't remember you bringing a solar
panel when you arrived.

A parting gift from Antonio.

Of the journey home.

Antonio is very generous.

But it's not his to live.

He appreciates thieves as much as he
appreciates liars.

If we don't want liars, maybe you should
be the first to leave.

Or even better, why don't you explain to
everyone what you did to Justina?

Because Roberto is awake.

Y me lo ha contado todo.

¿Cómo intentaste envenenar a mi hijo?

Solo para tapar tus mentiras.

Prefiero los ladrones a los asesinos.

Donetti, esta no es una de tus
películas, ¿eh?

No digas más tonterías.

Goodbye, Carol.

This is not of your concern anymore.
Thank you.

I'm sorry.

No.

Try it again, please.

We can't do anything else for her. One
more time.

Sir, I'm begging you, please.

There are more people who need help.

I'm sorry.

It doesn't make any sense.

I have to go back to your dad.

He called him out in public.

I don't think Fede is going to let that
go.

Got any ETS?

Still working on it.

Roberto, you took everything from me.

You are going to die here.

Did you?

What?

Taste the local wine.

God, you are the worst.

The most amazing love story to share,
and the one we probably have to keep

secret for quite a while, is between
Antonio and Carol. She's had a bunch of

love. She's been married to a king.
She's had a couple things.

But I think that having these moments,
watching movies, and like, this is nice

here. Maybe you could settle here. I
think it's nice to watch her have that.

Oh,

I'll be done in a moment.

Oh, God. The shower scene was really
cute. And it was fun to shoot. And he's

awfully brave because that water was
very cold. And we did take after take

take. But it was a cute scene for both
of them.

The shower scene was the fun scene to
come up with. Part of it is inverting

male and female roles in it so that it's
not the female body that's being

idolized. It was also meant to sort of
point out a difference between the more

modest American point of view and a
looser European attitude.

What the hell are you doing here?

I thought you might need a tour guide in
Barcelona.

Paz was really another way of framing a
different kind of love story in the

context of a bunch of love stories that
are all kind of coming together.

Daryl's lost love story, Carol's
building love story, Justina and Roberto

sort of classic young love story, and
Paz and Elena as a different sort of

love also.

Paz believes she failed to protect her
love, Elena, before.

And she goes on a huge adventure to
rescue her with Daryl.

It was beautiful. And I read on the
script that we have to shoot in

It was amazing because I'm from
Barcelona. And I have beautiful memories

was a child in Tibidabo.

Three, two, one, start.

Starting the scene with the phrase, I
used to love coming here with my cousins

when we were kids, was so emotional for
me because it was 100 % true.

And seeing this Ferris wheel with the
walkers in it, to see the booth, to see

the plaza, it was crazy.

I loved it. I never imagined I could see
TV Labo like that, right?

Back at the beginning, I came here with
my friend Nerea.

There was a refugee community while she
fell in love with a man there and

decided to stay behind.

You kept moving?

I was looking for somebody.

They don't recognize it at first, but
Paz and Daryl are kind of kindred

in that they both feel like...

they blew it. You know, Daryl, I think,
still harbors a sense of responsibility

and guilt that he didn't save Isabel.
And with her, she failed to save Elena

when she feels she could have back in
the day. And so they're both engaged in

trying to fix something that they messed
up.

So, Bea, that's where they're headed?

Contrabando is the name of episode six.

Contraband being goods that are stolen
and delivered.

It refers to the contraband of these
girls who were taken from their homes

brought into Alcazar. It's largely
revolving around the attempt to rescue

Justina and Elena.

My favorite scene was the convoy ambush.

We spent one day rehearsing and almost
three days to film it, but it was

visually striking.

Carol, one more thing I want to say.

You can say it later.

Filming the kiss?

I don't know how you prepare for a thing
like that. You don't really rehearse.

Gentlemen doesn't speak about kiss. I
don't know how to say that in English.

They've known for months that they're
coming to this moment.

And there was always a lot of anxiety
around it because you want it to work

you want it to be believable.

The key for me, for us as writers, was
always don't force things.

Don't rush into them. Earn them. So we
really felt like we built.

A dynamic between Antonio and Carol over
five episodes that got to that moment.

I think Carol's wounded, that's my
character.

And I think they recognize themselves in
each other.

He catches her off guard.

Okay, I need the keys.

It's funny, when I'm playing Carol and
something like that happens, she gets a

little flustered. She doesn't know where
she's going.

She kind of... Does a, like a, I don't
know where I'm going.

Venga, Roberto!

There's also a backstory of Antonio,
which involves the story of his wife and

Roberto when Roberto was younger.

The Fede -Antonio -Maria triangle is
really a story about unrequited love and

guilt, because Fede was very much in
love, and he lost in the game of love to

Antonio,

over this. So, of course, Fede's niece
and Roberto would be an extension of the

feud. Three cameras rolling.

We have to inspect your vehicle.

Sure. We see Carol sneaking out of the
village with Roberto in the truck to try

to get him to safety because he's
endangered by Fede. His health is

and it seems that Fede is trying to get
rid of him. And so she has to smuggle

him out. So there's a couple different
smuggling references there.

Maria wanted nothing to do with this
project.

She hated that we were giving voice to
terrors.

But I made her do it.

And because he lost, Maria was with
Antonio, and because she was with

she died.

The story also culminates with the
arrival of the apocalypse in Barcelona.