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♪ ...not so self-assured ♪
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♪ Now I find
I've changed my mind ♪
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♪ I've opened up the doors ♪
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♪ Help me if you can,
I'm feeling down... ♪
5
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♪ And I do appreciate
you being 'round ♪
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I mean, we don't know,
it may be next week,
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it may be two or three years,
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but I think we'll be
in the business,
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either up there or down there,
for at least another four years.
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You can be big-headed and say,
"Yeah, we're gonna last ten years."
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But as soon
as you've said that, you think,
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you know, "We're lucky if we
last three months," you know.
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Probably, the thing that John
and I will do, uh,
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will be write songs,
as we have been doing,
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as a sort of sideline now.
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We'll probably develop that
a bit more.
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But before they showed
evidence of that,
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I still had to have
an album out.
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And so what I did was, I mean,
I'd been up to the Cavern
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and I'd seen what they could do,
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I knew their repertoire,
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I knew what they were
able to perform,
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and I said, "Let's record
every song you've got."
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Come down to the studios,
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"and we'll just whistle
through them in a day."
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Here we go.
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You 'right?
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Get this bloody little mic
out the way.
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-Don't be nervous, John.
-I'm not.
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Don't be nervous. Don't be nervous.
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Take 7.
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One, two, three, four!
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♪ Well, she was just seventeen ♪
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♪ You know what I mean ♪
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♪ Chains ♪
36
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♪ My baby's got me
locked up in chains ♪
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But we knew
those songs, you see,
38
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because that was the act
we did all over the country.
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♪ You say he loves you more than me ♪
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♪ So I will set you free ♪
41
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♪ Go with him ♪
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'♪ Cause, baby, it's you ♪
43
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♪ Sha-la-la-la-la-la-la ♪
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♪ Baby, it's you ♪
45
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♪ Sha-la-la-la-la-la-la ♪
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♪ Sha-la-la-la... ♪
47
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Rock and roll
was brand new
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when it came out,
and excited everybody.
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It had roots in blues and jazz.
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But you can't say
that rock and roll
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is like the Twenties music,
although if you look for it,
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you can find out
where it came from.
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And you can find out
where Beatles music came from,
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or any music came from.
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It's just like it has
its history.
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♪ Oh, it doesn't matter
what they say... ♪
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They were always
very influenced
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by American rhythm and blues.
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I think this is probably what
the so-called "Beatle sound" was
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because maybe they heard
the records before we did.
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But they knew much more
about Motown
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and all the Black music...
63
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...much more about it
than anybody else did,
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and that was a tremendous
influence on them.
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And the Beatles just carried it
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a bit further, made it
a little more White
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even than Elvis did,
because we were English, you know?
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I can... I can 'ardly strum
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with all these microphones
about here.
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♪ My girl says when I kiss her lips ♪
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♪ Gets a thrill
through her fingertips ♪
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♪ Hey, hey ♪
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♪ Bop shuop, m'bop bop shuop ♪
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♪ Hey, hey ♪
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♪ Bop shuop,
m'bop bop shuop... ♪
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We'd all say,
"Well, what about this?"
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"What about this?"
'Cause basically this album
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was just what we did live
in the clubs.
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"Do You Want To Know
A Secret" Track 2, Take 8.
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Shall we just do it
on the second verse,
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-like we said?
-Second and last.
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-Just the second verse.
-Okay. So we wait.
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♪ Listen ♪
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♪ Do you want
to know a secret? ♪
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♪ Do you promise not to tell? ♪
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♪ Whoa, oh, oh ♪
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♪ Closer... ♪
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The first album
was recorded in a...
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one long 12-hour session,
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which the... the last song
to be done was a song called
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"Twist And Shout",
which nearly killed me.
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You can hear that...
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I'm just some frantic guy,
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you know, doin' his best,
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but it's about the nearest
it could get
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00:04:01,320 --> 00:04:04,117
to knowing what we sounded like
before we became
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00:04:04,200 --> 00:04:05,440
the clever Beatles.
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00:04:05,640 --> 00:04:07,837
♪ Well, shake it up, baby, now ♪
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♪ Shake it up, baby ♪
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00:04:09,440 --> 00:04:10,957
♪ Twist and shout... ♪
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00:04:11,040 --> 00:04:13,680
John had to save
"Twist And Shout"
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till the last, and he was
sucking Zubes all day,
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those little throat tablets.
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00:04:18,120 --> 00:04:20,480
And he finally
had to do "Twist And Shout",
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knowing he had to do it last
'cause it would just rip
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his throat apart to do it.
It was great.
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00:04:24,520 --> 00:04:26,157
You can still hear that
on the record.
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00:04:26,240 --> 00:04:27,637
♪ Look so good ♪
109
00:04:27,720 --> 00:04:30,077
♪ You know
you got me going, now ♪
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00:04:30,160 --> 00:04:31,280
♪ Got me going ♪
111
00:04:31,440 --> 00:04:33,240
♪ Just like I knew you would ♪
112
00:04:33,600 --> 00:04:35,637
♪ Like I knew you would, ooh ♪
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00:04:35,720 --> 00:04:37,597
♪ Well, shake it up, baby, now ♪
114
00:04:37,680 --> 00:04:39,280
♪ Shake it up, baby ♪
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00:04:39,640 --> 00:04:41,200
♪ Twist and shout ♪
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00:04:41,520 --> 00:04:42,677
♪ Twist and shout ♪
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00:04:42,760 --> 00:04:45,520
♪ Come on, come on, come on,
come on, baby, now ♪
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♪ Come on, baby ♪
119
00:04:47,040 --> 00:04:48,560
♪ Come on and work it on out ♪
120
00:04:49,240 --> 00:04:50,677
♪ Work it on out, ooh ♪
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00:04:50,760 --> 00:04:52,237
♪ You know you twist,
you little girl ♪
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00:04:52,320 --> 00:04:53,840
♪ Twist, little girl ♪
123
00:04:54,120 --> 00:04:56,320
♪ You know you twist so fine ♪
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00:04:56,600 --> 00:04:57,637
♪ Twist so fine ♪
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00:04:57,720 --> 00:05:00,320
♪ Come on and twist
a little closer, now ♪
126
00:05:00,480 --> 00:05:01,880
♪ Twist a little closer ♪
127
00:05:02,040 --> 00:05:04,160
♪ And let me know
that you're mine ♪
128
00:05:04,320 --> 00:05:07,320
♪ Let me know you're mine, ooh ♪
129
00:05:23,200 --> 00:05:24,880
♪ Ah ♪
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00:05:25,240 --> 00:05:26,960
♪ Ah ♪
131
00:05:27,200 --> 00:05:28,840
♪ Ah ♪
132
00:05:29,200 --> 00:05:30,717
♪ Ah ♪
133
00:05:30,800 --> 00:05:32,520
♪ Whaah! ♪
134
00:05:32,840 --> 00:05:34,677
♪ Yeah! ♪
135
00:05:34,760 --> 00:05:35,877
♪ Baby, now ♪
136
00:05:35,960 --> 00:05:37,640
♪ Shake it up, baby ♪
137
00:05:38,000 --> 00:05:39,440
♪ Twist and shout ♪
138
00:05:39,560 --> 00:05:40,720
♪ Twist and shout ♪
139
00:05:41,120 --> 00:05:43,997
♪ Come on, come on, come on,
come on, baby, now ♪
140
00:05:44,080 --> 00:05:45,360
♪ Come on, baby ♪
141
00:05:45,520 --> 00:05:47,040
♪ Come on and work it on out ♪
142
00:05:47,200 --> 00:05:48,677
♪ Work it on out, ooh ♪
143
00:05:48,760 --> 00:05:50,720
♪ You know you twist,
you little girl ♪
144
00:05:51,040 --> 00:05:52,477
♪ Twist, little girl ♪
145
00:05:52,560 --> 00:05:54,797
♪ You know you twist so fine ♪
146
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♪ Twist so fine ♪
147
00:05:56,440 --> 00:05:58,837
♪ Come on and twist
a little closer, now ♪
148
00:05:58,920 --> 00:06:00,197
♪ Twist a little closer ♪
149
00:06:00,280 --> 00:06:02,677
♪ And let me know
that you're mine ♪
150
00:06:02,760 --> 00:06:04,317
♪ Let me know
you're mine, ooh! ♪
151
00:06:04,400 --> 00:06:06,597
♪ Well, shake it, shake it,
shake it, baby, now ♪
152
00:06:06,680 --> 00:06:08,000
♪ Shake it up, baby ♪
153
00:06:08,120 --> 00:06:10,477
♪ Well, shake it, shake it,
shake it, baby, now ♪
154
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♪ Shake it up, baby ♪
155
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♪ Well, shake it, shake it,
shake it, baby, now ♪
156
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♪ Shake it up, baby ♪
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00:06:17,280 --> 00:06:18,917
♪ Ah ♪
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♪ Ah ♪
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♪ Ah ♪
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We started
at 10 o'clock in the morning,
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finished 11 at night.
And that was the record made.
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That's it. It's a master.
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When we used to... to tour,
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do those, um,
Arthur Howe touring shows
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where you'd have quite
a number of people on the bill,
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you know, Roy Orbison,
Tommy Roe,
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Gerry and the Pacemakers...
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um, Helen Shapiro, whoever.
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But there'd be a number
of people on the bill,
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and everybody got like
12 minutes, 15 minutes,
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20 minutes, whatever.
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And it was really
just in that length of time,
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you know, all anybody could do
was, uh, plug their hit records,
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the ones that the...
the audience, uh,
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the audience knew.
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With Helen Shapiro
it was really embarrassing,
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'cause we were quite happy
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just to be
on a first nationwide tour
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of the proper theatres.
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She was kind of established.
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She'd been around
and had a bunch of hits
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and we were quite happy
just to be on that tour.
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But it was embarrassing
'cause I think
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"Please Please Me"
got to No. 1,
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right, while we were on the road.
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And all the people coming
to the show, um,
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and in the concert,
were just waiting
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for the Beatles and, uh,
it was kind of embarrassing,
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'cause she was very nice,
nice person.
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I think it was the tour after that...
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when it was Tommy Roe...
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...and Chris Montez
and the Beatles,
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they moved us to being,
you know,
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actually closing
the first half of the show.
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We were performers
in Liverpool, Hamburg
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and other dance halls,
you know, and what we generated
197
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was fantastic.
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And there was nobody
to touch us in Britain.
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♪ There's a place ♪
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♪ Where I can go... ♪
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We never
stopped anywhere.
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You know, if we were in Elgin
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on a Thursday
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00:08:15,920 --> 00:08:19,317
and, uh, we needed to be
in, like, Portsmouth
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00:08:19,400 --> 00:08:22,480
on Friday, you would just drive.
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You know, we didn't know
how to stop this van.
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00:08:25,840 --> 00:08:29,997
♪ I think of you... ♪
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00:08:30,080 --> 00:08:32,837
Neil'd drive
and there'd be the passenger seat,
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00:08:32,920 --> 00:08:35,920
and then the three of us'd sit
on the bench seat,
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whichever three, you know.
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But the rest of us...
...would sit on this bench seat,
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which was pretty miserable.
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And we would just
go everywhere in this van,
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and the kit would, you know,
and the amps,
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everything would fit in it.
Some nights it was so foggy
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that you would be doing
at one mile an hour,
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00:08:54,360 --> 00:08:57,757
and you'd still just keep going.
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It was like, you know,
we were like homing pigeons.
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00:09:00,680 --> 00:09:02,480
We just had
to keep getting home.
220
00:09:02,920 --> 00:09:05,117
We knew this guy, Mal,
'cause he used to come,
221
00:09:05,200 --> 00:09:07,240
he worked for the GPO,
and he used to come
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00:09:07,440 --> 00:09:09,640
and be a part-time bouncer
on the Cavern.
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00:09:10,240 --> 00:09:12,997
We got to know him and, uh,
it was somebody suggested
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00:09:13,080 --> 00:09:14,240
he drive for us,
225
00:09:14,560 --> 00:09:17,277
so he drove us a couple of times
when Neil couldn't make it.
226
00:09:17,360 --> 00:09:19,317
And then there was
so much happening
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00:09:19,400 --> 00:09:20,917
we needed another person,
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00:09:21,000 --> 00:09:22,757
so we just employed him
full time.
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I do remember, however,
one... one moment,
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00:09:25,560 --> 00:09:26,717
uh, we were going
up the motorway,
231
00:09:26,800 --> 00:09:29,197
and the... the windscreen
got knocked out by a pebble.
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00:09:29,280 --> 00:09:32,160
So Mal just put his hat
on backwards... vzzz!
233
00:09:32,520 --> 00:09:34,960
...punched the windscreen
out completely
234
00:09:35,280 --> 00:09:38,077
and, like, drove, you know.
But, of course, this was winter
235
00:09:38,160 --> 00:09:41,077
in Britain, and it was freezing.
And because it was foggy,
236
00:09:41,160 --> 00:09:43,237
he was having to look
for the curb all the time,
237
00:09:43,320 --> 00:09:46,320
all the way up to Liverpool,
you know, it's like 200 mile.
238
00:09:46,680 --> 00:09:49,200
So we were very, very cold.
239
00:09:49,480 --> 00:09:53,360
And I remember what we did
was we, we lay on each other...
240
00:09:54,000 --> 00:09:55,320
...with a bottle of whisky.
241
00:09:55,920 --> 00:09:58,877
And then when the one
on the top got so cold
242
00:09:58,960 --> 00:10:02,477
it was, like,
hypothermia was setting in...
243
00:10:02,560 --> 00:10:05,400
...it was his turn
to get on the bottom,
244
00:10:05,640 --> 00:10:07,757
and then, you know,
we'd warm each other up
245
00:10:07,840 --> 00:10:10,080
that way,
and keep swigging the whisky.
246
00:10:10,240 --> 00:10:11,877
But it was quite an image,
you know,
247
00:10:11,960 --> 00:10:13,237
if... You know,
you'd think, you know,
248
00:10:13,320 --> 00:10:15,837
people think "stardom"
and "it's glamorous", you know.
249
00:10:15,920 --> 00:10:17,517
And there's us, freezing,
250
00:10:17,600 --> 00:10:20,400
lying literally on top
of each other.
251
00:10:21,040 --> 00:10:22,560
Oh yeah, we were tight.
252
00:10:22,880 --> 00:10:24,957
That was one thing
to be said about us.
253
00:10:25,040 --> 00:10:27,960
We were really tight,
you know, as friends.
254
00:10:28,200 --> 00:10:30,317
We could argue a lot
amongst ourselves,
255
00:10:30,400 --> 00:10:33,200
but we were very,
very close to each other.
256
00:10:33,320 --> 00:10:35,317
♪ It won't be long, yeah ♪
257
00:10:35,400 --> 00:10:36,717
♪ Yeah, yeah ♪
258
00:10:36,800 --> 00:10:40,317
♪ It won't be long,
yeah, yeah, yeah ♪
259
00:10:40,400 --> 00:10:42,240
♪ It won't be long, yeah ♪
260
00:10:42,400 --> 00:10:45,520
♪ Till I belong to you ♪
261
00:10:48,480 --> 00:10:52,080
♪ Every night
when everybody has fun ♪
262
00:10:53,680 --> 00:10:57,200
♪ Here am I,
sitting all on my own ♪
263
00:10:59,840 --> 00:11:03,160
♪ It won't be long,
yeah, yeah, yeah ♪
264
00:11:03,280 --> 00:11:06,800
♪ It won't be long,
yeah, yeah, yeah ♪
265
00:11:06,960 --> 00:11:08,840
♪ It won't be long, yeah ♪
266
00:11:08,960 --> 00:11:11,880
♪ Till I belong to you ♪
267
00:11:14,160 --> 00:11:17,717
♪ Since you left me,
I'm so alone ♪
268
00:11:17,800 --> 00:11:21,760
♪ Now you're coming,
you're coming on home ♪
269
00:11:21,960 --> 00:11:24,640
♪ I'll be good
like I know I should ♪
270
00:11:24,800 --> 00:11:28,120
♪ You're coming home,
you're coming home ♪
271
00:11:29,480 --> 00:11:33,560
♪ Every night the tears
come down from my eyes ♪
272
00:11:34,840 --> 00:11:38,760
♪ Every day
I've done nothing but cry ♪
273
00:11:41,040 --> 00:11:44,160
♪ It won't be long,
yeah, yeah, yeah ♪
274
00:11:44,520 --> 00:11:48,197
♪ It won't be long,
yeah, yeah, yeah ♪
275
00:11:48,280 --> 00:11:50,240
♪ It won't be long, yeah ♪
276
00:11:50,360 --> 00:11:53,480
♪ Till I belong to you ♪
277
00:11:55,480 --> 00:11:59,197
♪ Well, since you left me,
I'm so alone ♪
278
00:11:59,280 --> 00:12:02,880
♪ Now you're coming,
you're coming on home ♪
279
00:12:03,440 --> 00:12:06,120
♪ I'll be good
like I know I should ♪
280
00:12:06,280 --> 00:12:09,957
♪ You're coming home,
you're coming home ♪
281
00:12:10,040 --> 00:12:14,720
♪ So every day
we'll be happy, I know ♪
282
00:12:16,400 --> 00:12:20,320
♪ Now I know that you won't
leave me no more ♪
283
00:12:22,560 --> 00:12:26,080
♪ It won't be long,
yeah, yeah, yeah ♪
284
00:12:26,280 --> 00:12:29,557
♪ It won't be long,
yeah, yeah ♪
285
00:12:29,640 --> 00:12:31,760
♪ It won't be long, yeah ♪
286
00:12:32,040 --> 00:12:38,400
♪ Till I belong to you ♪
287
00:12:43,200 --> 00:12:45,640
One of the things
I was grateful for was that
288
00:12:45,800 --> 00:12:48,437
we had a kind of staircase...
289
00:12:48,520 --> 00:12:50,569
...to climb,
through clubs like the Cavern,
290
00:12:50,800 --> 00:12:54,317
through, uh, up to ballrooms,
which were now instead of...
291
00:12:54,400 --> 00:12:56,077
...400, 500 people,
292
00:12:56,160 --> 00:12:58,014
it was now a couple
of thousand people.
293
00:12:58,480 --> 00:13:01,114
Then it was like, "Well, what's left?"
Well, uh, radio.
294
00:13:01,800 --> 00:13:03,898
We wanted to be
on the Saturday Morning Club
295
00:13:04,000 --> 00:13:06,437
Brian Matthews did,
which was a huge show.
296
00:13:06,520 --> 00:13:08,397
And the great thing
I loved about the show
297
00:13:08,480 --> 00:13:11,077
was you'd wake up
after your week of school,
298
00:13:11,160 --> 00:13:13,080
or whatever it was,
and you'd lie in.
299
00:13:13,600 --> 00:13:15,117
And I had a radio by my bed,
300
00:13:15,200 --> 00:13:17,360
and I'd lie in
until about 11:00.
301
00:13:17,880 --> 00:13:21,037
Great! The most delicious
lie-in ever of your life,
302
00:13:21,120 --> 00:13:23,280
you know,
those teenage lie-ins, Saturday.
303
00:13:24,080 --> 00:13:26,797
Lie in, and feeling great.
Turn the radio on, and this...
304
00:13:26,880 --> 00:13:29,465
this program would be on there
still for another hour,
305
00:13:29,920 --> 00:13:30,917
Saturday Club.
306
00:13:31,000 --> 00:13:32,677
So then we really wanted
to be on that.
307
00:13:32,760 --> 00:13:34,237
That was...
We knew that there were...
308
00:13:34,320 --> 00:13:37,400
people listened to that.
It was a huge, um, audience.
309
00:13:37,520 --> 00:13:38,837
We did a lot of tracks
310
00:13:38,920 --> 00:13:40,757
that were never recorded
on record
311
00:13:40,840 --> 00:13:42,637
for Saturday Club...
312
00:13:42,720 --> 00:13:43,797
...a lot of stuff
we'd been doing
313
00:13:43,880 --> 00:13:45,317
at the Cavern
or Hamburg, you know.
314
00:13:45,400 --> 00:13:48,077
There was some good stuff,
and they were well-recorded too.
315
00:13:48,160 --> 00:13:50,437
♪ Oh baby, baby,
baby, blues and sorrow ♪
316
00:13:50,520 --> 00:13:51,877
♪ And I love you tomorrow ♪
317
00:13:51,960 --> 00:13:53,400
♪ Just suit you just fine ♪
318
00:13:53,960 --> 00:13:56,397
♪ Oh baby, baby,
baby, blues and sorrow ♪
319
00:13:56,480 --> 00:13:57,717
♪ I love you tomorrow ♪
320
00:13:57,800 --> 00:13:59,280
♪ Just suit you just fine ♪
321
00:13:59,720 --> 00:14:02,360
♪ I can't forget
that you told me ♪
322
00:14:02,600 --> 00:14:04,640
♪ So many promising lies ♪
323
00:14:05,280 --> 00:14:08,240
♪ I'm a-tryin' to forget these ♪
324
00:14:08,400 --> 00:14:10,360
♪ Lonesome tears in my eyes ♪
325
00:14:12,720 --> 00:14:14,040
♪ They say that everyone ♪
326
00:14:15,120 --> 00:14:17,160
♪ wants someone ♪
327
00:14:18,160 --> 00:14:23,800
♪ So how come no one wants me? ♪
328
00:14:24,880 --> 00:14:27,360
♪ And they say that everyone ♪
329
00:14:28,720 --> 00:14:30,560
♪ needs someone ♪
330
00:14:31,600 --> 00:14:33,840
♪ So how come no one ♪
331
00:14:35,240 --> 00:14:37,120
♪ needs me? ♪
332
00:14:39,000 --> 00:14:41,517
♪ Well, if you wonder
who the loneliest creatures ♪
333
00:14:41,600 --> 00:14:43,680
♪ in the world can be ♪
334
00:14:45,680 --> 00:14:47,797
♪ Well, they're
the ugly duckling ♪
335
00:14:47,880 --> 00:14:51,677
♪ the little black sheep
and me, uh-huh ♪
336
00:14:51,760 --> 00:14:53,237
♪ We come along ♪
337
00:14:53,320 --> 00:14:55,037
♪ on Saturday morning ♪
338
00:14:55,120 --> 00:14:58,397
♪ Greeting everybody
with a smile ♪
339
00:14:58,480 --> 00:15:00,957
Isn't that nice?
Thank you, dear Beatles.
340
00:15:01,040 --> 00:15:02,637
I heard they were coming
to Manchester Odeon
341
00:15:02,720 --> 00:15:05,120
and I'd... uh, the Odeon Cinema.
342
00:15:06,120 --> 00:15:09,517
And we didn't cover...
we "theatre critics" so called,
343
00:15:09,600 --> 00:15:11,760
didn't cover one-night stands
of pop stars
344
00:15:11,920 --> 00:15:14,280
because there was no...
there was no continuity.
345
00:15:14,520 --> 00:15:17,680
But, anyway, I bought tickets
at a pound each, I think,
346
00:15:17,840 --> 00:15:20,237
and Gerry and the Pacemakers
had been on before,
347
00:15:20,320 --> 00:15:21,557
and Roy Orbison
348
00:15:21,640 --> 00:15:23,557
preceded the Beatles.
349
00:15:23,640 --> 00:15:26,080
♪ 'Cause I need you ♪
350
00:15:26,520 --> 00:15:29,800
♪ I'll treat you right ♪
351
00:15:30,280 --> 00:15:33,480
♪ Come with me, baby ♪
352
00:15:34,040 --> 00:15:41,040
♪ Be mine tonight ♪
353
00:15:42,560 --> 00:15:43,717
♪ Pretty woman... ♪
354
00:15:43,800 --> 00:15:45,677
It was pretty hard
to keep up with that man.
355
00:15:45,760 --> 00:15:47,370
He really
put on a show, you know?
356
00:15:47,680 --> 00:15:50,920
Well, they all did, but Orbison
had that fantastic voice.
357
00:15:51,120 --> 00:15:53,037
I remember
we'd be on the tour bus,
358
00:15:53,120 --> 00:15:54,957
and Roy would be
at the back of the bus.
359
00:15:55,040 --> 00:15:56,997
He'd be writing something like
"Pretty Woman", or something.
360
00:15:57,080 --> 00:15:58,237
I remember him
playing that to us.
361
00:15:58,320 --> 00:16:00,437
We said...
..."Great song."
362
00:16:00,520 --> 00:16:02,397
From this,
a little bit of competitiveness
363
00:16:02,480 --> 00:16:03,917
would come in,
a little bit of competition,
364
00:16:04,000 --> 00:16:05,277
'cause we'd think,
"We've got to write one
365
00:16:05,360 --> 00:16:06,797
as good as that."
366
00:16:06,880 --> 00:16:10,037
So we were just trying
to improve all the time.
367
00:16:10,120 --> 00:16:12,997
And we'd listen to something
that somebody else had done
368
00:16:13,080 --> 00:16:14,477
and we'd just try
and beat it a bit.
369
00:16:14,560 --> 00:16:16,277
We'd try and beat
what we were doing.
370
00:16:16,360 --> 00:16:18,837
And, I mean,
by the time we got to something
371
00:16:18,920 --> 00:16:21,397
like "From Me To You",
it was nice,
372
00:16:21,480 --> 00:16:23,757
'cause the... the... I remember
being very pleased
373
00:16:23,840 --> 00:16:25,077
with the chord in the middle,
374
00:16:25,160 --> 00:16:26,597
which was different
from what we'd been using.
375
00:16:26,680 --> 00:16:27,917
♪ If there's anything
that you want ♪
376
00:16:28,000 --> 00:16:29,160
And then it went...
377
00:16:29,800 --> 00:16:33,237
♪ ...arms that long to hold you
and keep you, da da da ♪
378
00:16:33,320 --> 00:16:35,237
Just that...
♪ Arms that long... ♪
379
00:16:35,320 --> 00:16:37,957
Going to that minor chord there,
was like, "Ooh!"
380
00:16:38,040 --> 00:16:39,837
You know, this is something
we hadn't done before.
381
00:16:39,920 --> 00:16:43,557
♪ I got arms that long to hold you ♪
382
00:16:43,640 --> 00:16:46,560
♪ And keep you by my side ♪
383
00:16:46,840 --> 00:16:50,400
♪ I got lips that long
to kiss you ♪
384
00:16:50,720 --> 00:16:53,800
♪ And keep you satisfied, ooh! ♪
385
00:16:54,080 --> 00:16:56,440
♪ If there's anything
that you want ♪
386
00:16:57,320 --> 00:17:00,320
♪ If there's anything I can do ♪
387
00:17:00,920 --> 00:17:04,080
♪ Just call on me
and I'll send it along ♪
388
00:17:04,440 --> 00:17:07,280
♪ With love from me to you ♪
389
00:17:07,920 --> 00:17:09,440
♪ To you ♪
390
00:17:09,640 --> 00:17:11,240
♪ To you ♪
391
00:17:11,360 --> 00:17:13,440
♪ To you ♪
392
00:17:15,640 --> 00:17:17,637
You'd always know when
they were gonna be on the radio.
393
00:17:18,800 --> 00:17:21,037
And so, you know, Brian is,
"Oh, it's gonna be on at..."
394
00:17:21,120 --> 00:17:23,237
"Hello, boys. It's going to be
on at twenty past seven."
395
00:17:23,320 --> 00:17:25,557
And we'd all be
in the car,
396
00:17:25,640 --> 00:17:28,357
and we'd stop! Wherever we were
we would hope,
397
00:17:28,440 --> 00:17:29,517
so we could listen to this.
398
00:17:29,600 --> 00:17:31,397
♪ Just call on me ♪
399
00:17:31,480 --> 00:17:33,117
♪ And I'll send it along ♪
400
00:17:33,200 --> 00:17:35,400
♪ With love from me to you... ♪
401
00:17:35,560 --> 00:17:37,637
The Beatles
and "From Me To You".
402
00:17:37,720 --> 00:17:39,997
Their third single release
which, incidentally,
403
00:17:40,080 --> 00:17:42,470
is this week sitting
at the top of the Hit Parade.
404
00:17:46,240 --> 00:17:47,997
And the other great deal was every time
405
00:17:48,080 --> 00:17:49,277
it moved in the charts,
406
00:17:49,360 --> 00:17:52,360
we'd have a celebratory dinner,
you know, so...
407
00:17:52,840 --> 00:17:54,997
You notice, uh,
if you look at the Beatles
408
00:17:55,080 --> 00:17:57,237
from when they started,
in the first 18 months
409
00:17:57,320 --> 00:17:58,637
they went...
410
00:17:58,720 --> 00:18:00,840
They just went blumph right up,
411
00:18:01,200 --> 00:18:02,956
because we were eating
all this food.
412
00:18:03,800 --> 00:18:05,237
That's when I discovered
smoked salmon.
413
00:18:05,320 --> 00:18:07,837
Never had any salmon that didn't
come out of a tin
414
00:18:07,920 --> 00:18:09,760
until I was 22!
415
00:18:10,120 --> 00:18:12,517
In the early days,
we'd make a record in 12 hours,
416
00:18:12,600 --> 00:18:13,917
or something.
417
00:18:14,000 --> 00:18:15,437
And they'd want a single
every three months.
418
00:18:15,520 --> 00:18:17,837
And we'd have to be writing it
literally in the hotel
419
00:18:17,920 --> 00:18:21,317
or on... in a van.
The demand on us was tremendous.
420
00:18:21,400 --> 00:18:22,837
♪ ...been good to me... ♪
421
00:18:22,920 --> 00:18:25,117
I remember sitting
on a pair of twin beds
422
00:18:25,200 --> 00:18:26,480
in a hotel bedroom.
423
00:18:26,760 --> 00:18:29,480
Had a day off, so we were
going to write a song.
424
00:18:29,920 --> 00:18:31,920
All our early songs
had always had...
425
00:18:32,360 --> 00:18:35,280
"Please Please Me",
"From Me To You",
426
00:18:35,440 --> 00:18:36,797
"P.S. I Love You",
427
00:18:36,880 --> 00:18:39,837
they'd always had
this very personal thing,
428
00:18:39,920 --> 00:18:41,040
"Thank You Girl".
429
00:18:41,560 --> 00:18:44,760
And we hit on the idea of doing
a kind of reported conversation.
430
00:18:44,920 --> 00:18:46,160
"I saw her yesterday.
431
00:18:46,280 --> 00:18:49,160
She told me what to say.
She said she loves you!"
432
00:18:49,320 --> 00:18:51,840
So it just gave us another
little dimension, really.
433
00:18:51,960 --> 00:18:54,917
It just meant that the song then
was something different
434
00:18:55,000 --> 00:18:56,277
from what we, and other people,
435
00:18:56,360 --> 00:18:57,557
had written before.
436
00:18:57,640 --> 00:18:59,037
I have it
437
00:18:59,120 --> 00:19:01,157
from a reliable source
that a half million
438
00:19:01,240 --> 00:19:02,677
advance orders have been made
439
00:19:02,760 --> 00:19:04,477
for the Beatles'
latest single release,
440
00:19:04,560 --> 00:19:05,917
"She Loves You".
441
00:19:06,000 --> 00:19:07,477
It looks as though
it could well be
442
00:19:07,560 --> 00:19:10,077
three No. 1s in a row
for the Liverpool boys.
443
00:19:15,080 --> 00:19:17,557
It's called "She Loves You". Ha-ha!
444
00:19:17,640 --> 00:19:20,477
♪ She loves you,
yeah, yeah, yeah ♪
445
00:19:20,560 --> 00:19:23,440
♪ She loves you,
yeah, yeah, yeah ♪
446
00:19:23,760 --> 00:19:26,720
♪ She loves you,
yeah, yeah, yeah ♪
447
00:19:26,880 --> 00:19:28,880
♪ Yeah ♪
448
00:19:29,880 --> 00:19:32,280
♪ You think
you've lost your love ♪
449
00:19:32,640 --> 00:19:35,717
♪ Well, I saw her yesterday ♪
450
00:19:35,800 --> 00:19:38,360
♪ It's you she's thinking of ♪
451
00:19:38,880 --> 00:19:41,877
♪ And she told me what to say ♪
452
00:19:41,960 --> 00:19:43,520
♪ She said she loves you ♪
453
00:19:43,640 --> 00:19:47,320
♪ And you know
that can't be bad ♪
454
00:19:48,360 --> 00:19:49,677
♪ She loves you ♪
455
00:19:49,760 --> 00:19:52,720
♪ And you know
you should be glad ♪
456
00:19:54,680 --> 00:19:57,080
♪ She said you hurt her so ♪
457
00:19:57,640 --> 00:20:00,400
♪ She almost lost her mind ♪
458
00:20:00,840 --> 00:20:03,320
♪ Now she says she knows ♪
459
00:20:03,760 --> 00:20:06,557
♪ You're not the hurting kind ♪
460
00:20:06,640 --> 00:20:08,117
♪ She said she loves you ♪
461
00:20:08,200 --> 00:20:11,320
♪ And you know
that can't be bad ♪
462
00:20:13,160 --> 00:20:14,397
♪ She loves you ♪
463
00:20:14,480 --> 00:20:17,517
♪ And you know
you should be glad ♪
464
00:20:17,600 --> 00:20:19,037
♪ Ooh! ♪
465
00:20:19,120 --> 00:20:21,800
♪ She loves you,
yeah, yeah, yeah ♪
466
00:20:22,240 --> 00:20:25,000
♪ She loves you,
yeah, yeah, yeah ♪
467
00:20:25,120 --> 00:20:29,560
♪ With a love like that,
you know you should be glad ♪
468
00:20:31,600 --> 00:20:34,120
♪ You know, it's up to you ♪
469
00:20:34,480 --> 00:20:37,320
♪ I think it's only fair ♪
470
00:20:37,480 --> 00:20:40,120
♪ Pride can hurt you too ♪
471
00:20:40,680 --> 00:20:43,240
♪ Apologize to her ♪
472
00:20:43,480 --> 00:20:44,960
♪ Because she loves you ♪
473
00:20:45,080 --> 00:20:48,240
♪ And you know
that can't be bad ♪
474
00:20:49,920 --> 00:20:51,117
♪ She loves you ♪
475
00:20:51,200 --> 00:20:54,320
♪ And you know
you should be glad ♪
476
00:20:54,680 --> 00:20:56,037
♪ Ooh! ♪
477
00:20:56,120 --> 00:20:58,520
♪ She loves you,
yeah, yeah, yeah ♪
478
00:20:58,920 --> 00:21:01,677
♪ She loves you,
yeah, yeah, yeah ♪
479
00:21:01,760 --> 00:21:06,400
♪ With a love like that,
you know you should be glad ♪
480
00:21:08,000 --> 00:21:12,640
♪ With a love like that,
you know you should be glad ♪
481
00:21:14,360 --> 00:21:21,120
♪ With a love like that,
you know you should be glad ♪
482
00:21:23,440 --> 00:21:25,800
♪ Yeah, yeah, yeah ♪
483
00:21:26,360 --> 00:21:30,397
♪ Yeah, yeah, yeah, yeah ♪
484
00:21:35,280 --> 00:21:36,880
When we go home, you know,
485
00:21:37,040 --> 00:21:39,917
we go in early in the morning
when we've finished the job,
486
00:21:40,000 --> 00:21:43,117
and the kids, you know,
they don't know you're at home.
487
00:21:43,200 --> 00:21:45,237
But if they find out,
well, where I live,
488
00:21:45,320 --> 00:21:47,637
they get the drums out,
you know, and beat it out.
489
00:21:49,640 --> 00:21:54,437
♪ Oh yeah, oh yeah, oh yeah ♪
490
00:21:54,520 --> 00:21:56,077
It was getting
really big.
491
00:21:56,160 --> 00:21:59,797
I think we noticed as we tried
to move around town
492
00:21:59,880 --> 00:22:02,840
we started, you know, started
being noticed in the street.
493
00:22:04,520 --> 00:22:06,160
It was impossible to go home.
494
00:22:06,600 --> 00:22:10,597
And also, it's very true,
if you're in our business,
495
00:22:10,680 --> 00:22:11,960
you go to London.
496
00:22:12,680 --> 00:22:15,800
And that's where it happens.
The recordings are there.
497
00:22:16,480 --> 00:22:18,440
The places to be seen are there.
498
00:22:18,720 --> 00:22:20,760
Where it's happening is there.
499
00:22:21,280 --> 00:22:23,360
It's just a natural move,
you know.
500
00:22:24,160 --> 00:22:25,917
You know, and George and I
shared an apartment
501
00:22:26,000 --> 00:22:28,920
in Green Street, Park Lane,
wow, 45 quid a week.
502
00:22:29,040 --> 00:22:30,040
A fortune!
503
00:22:30,440 --> 00:22:32,240
And we'd go to The Saddle Rooms,
504
00:22:32,440 --> 00:22:33,637
used to be a club.
505
00:22:33,720 --> 00:22:36,317
And, uh, they used
to have this horse
506
00:22:36,400 --> 00:22:38,640
and, uh, coach outside,
507
00:22:39,440 --> 00:22:41,437
and there'd be two little
drunken Beatles
508
00:22:41,520 --> 00:22:43,397
in the back of this coach
being taken home
509
00:22:43,480 --> 00:22:45,480
to Green Street,
up Park Lane, clip-clop.
510
00:22:45,960 --> 00:22:47,797
And this is two shit-kickers
from Liverpool.
511
00:22:47,880 --> 00:22:50,317
I mean, this is
far-out news here.
512
00:22:50,400 --> 00:22:52,117
"Oh, let's take the carriage!"
513
00:22:52,200 --> 00:22:54,560
"Okay."
514
00:22:56,400 --> 00:22:58,237
And it was great,
you know. We were kings.
515
00:22:58,320 --> 00:23:01,237
And we all,
you know, just at the prime.
516
00:23:01,320 --> 00:23:02,957
And we all used to just...
517
00:23:03,040 --> 00:23:05,117
go round London in our cars...
518
00:23:05,200 --> 00:23:06,797
...and meet each other
and talk about music
519
00:23:06,880 --> 00:23:08,800
with the Animals and Eric,
and all that.
520
00:23:08,960 --> 00:23:11,040
And we were very close
to the Stones.
521
00:23:12,320 --> 00:23:13,317
They needed a record.
522
00:23:13,400 --> 00:23:15,037
They'd put out "Come On"
by Chuck Berry,
523
00:23:15,120 --> 00:23:16,597
and they needed
a quick follow-up,
524
00:23:16,680 --> 00:23:18,160
"I Wanna Be Your Man",
525
00:23:18,640 --> 00:23:21,317
which we virtually
finished off in front of them.
526
00:23:22,760 --> 00:23:23,957
♪ I wanna be your man ♪
527
00:23:24,040 --> 00:23:25,800
♪ I wanna be your man ♪
528
00:23:26,920 --> 00:23:28,800
♪ I wanna be your man ♪
529
00:23:29,840 --> 00:23:31,880
♪ I wanna be your man ♪
530
00:23:33,720 --> 00:23:36,117
♪ Tell me
that you love me, baby ♪
531
00:23:36,200 --> 00:23:38,480
♪ Tell me you understand ♪
532
00:23:39,320 --> 00:23:41,797
♪ Tell me
that you love me, baby
533
00:23:41,880 --> 00:23:44,157
♪ Tell me you understand ♪
534
00:23:44,240 --> 00:23:47,120
♪ Yes, I wanna be
your lover, baby ♪
535
00:23:47,360 --> 00:23:49,157
♪ I wanna be your man ♪
536
00:23:49,240 --> 00:23:51,957
♪ Yes, I wanna be,
I wanna be your baby... ♪
537
00:23:52,040 --> 00:23:54,640
They did it first.
We did it with Ringo after.
538
00:23:56,520 --> 00:23:57,680
♪ I wanna be your man ♪
539
00:23:57,840 --> 00:24:00,120
♪ I wanna be your man ♪
540
00:24:00,240 --> 00:24:02,040
♪ I wanna be your man ♪
541
00:24:02,680 --> 00:24:05,560
♪ I wanna be your man ♪
542
00:24:05,920 --> 00:24:08,317
♪ Tell me that you love me,
baby ♪
543
00:24:08,400 --> 00:24:10,280
♪ Let me understand ♪
544
00:24:10,800 --> 00:24:13,200
♪ Tell me that you love me,
baby ♪
545
00:24:13,320 --> 00:24:15,200
♪ I wanna be your man ♪
546
00:24:15,720 --> 00:24:18,080
♪ I wanna be your lover, baby ♪
547
00:24:18,200 --> 00:24:20,040
♪ I wanna be your man ♪
548
00:24:20,800 --> 00:24:22,920
♪ I wanna be your lover, baby ♪
549
00:24:23,040 --> 00:24:25,080
♪ I wanna be your man ♪
550
00:24:25,600 --> 00:24:27,600
♪ I wanna be your man ♪
551
00:24:28,200 --> 00:24:29,800
♪ I wanna be your man ♪
552
00:24:30,200 --> 00:24:32,320
♪ I wanna be your man ♪
553
00:24:33,080 --> 00:24:35,957
♪ I wanna be your man, wah! ♪
554
00:24:36,040 --> 00:24:39,717
We were always kinda, you know,
a little nervous
555
00:24:39,800 --> 00:24:42,317
before each step
we went up the ladder.
556
00:24:42,400 --> 00:24:45,277
We were a little nervous.
But we always had that confidence.
557
00:24:45,360 --> 00:24:46,640
Eyaahh!
558
00:24:48,680 --> 00:24:50,717
It's the Kay Sisters.
They've got on wigs.
559
00:24:50,800 --> 00:24:52,237
Fabulous.
560
00:24:52,320 --> 00:24:53,557
The Kay Sisters? This is The...
561
00:24:53,640 --> 00:24:55,637
-Have you dyed your hair?
-This is The Beatles!
562
00:24:55,720 --> 00:24:57,397
Hello, Beatle.
563
00:24:57,480 --> 00:24:59,157
All right?
564
00:24:59,240 --> 00:25:00,597
-Where is he?
-Where is he?
565
00:25:00,680 --> 00:25:03,837
There he is! Hello, Bongo!
566
00:25:07,600 --> 00:25:08,877
That's Ringo!
567
00:25:08,960 --> 00:25:10,517
Oh, is he there as well?
Oh, good.
568
00:25:12,080 --> 00:25:13,477
-By golly!
-Boys, as you can gather,
569
00:25:13,560 --> 00:25:14,757
this is Eric. Say hello to Eric.
570
00:25:14,840 --> 00:25:15,837
-Yeah.
-Hello, Eric.
571
00:25:15,920 --> 00:25:16,917
-Hello, mate.
-I remember you.
572
00:25:17,000 --> 00:25:19,146
You're the one
with the short fat hairy legs.
573
00:25:19,760 --> 00:25:22,877
No, no, no. He's... He's the one
with the short fat hairy legs.
574
00:25:22,960 --> 00:25:24,917
-Oh, I thought it was...
-No, him.
575
00:25:25,000 --> 00:25:26,237
-Yeah.
-We're the ones with the big,
576
00:25:26,320 --> 00:25:27,557
fat hairy heads.
577
00:25:28,920 --> 00:25:30,717
-Get out of that!
-Hey!
578
00:25:30,800 --> 00:25:33,277
What's it like being famous?
579
00:25:33,360 --> 00:25:34,997
Well, it's not like in your day,
you know.
580
00:25:38,280 --> 00:25:39,280
What?
581
00:25:40,800 --> 00:25:42,717
No, no, that's an insult,
that is.
582
00:25:44,960 --> 00:25:46,517
What do you mean,
"Not like in my day?"
583
00:25:46,600 --> 00:25:48,437
Well, me dad used to tell me
about you, you know?
584
00:25:48,520 --> 00:25:50,157
-In the old days.
-You've only got a little dad,
585
00:25:50,240 --> 00:25:52,320
have you?
586
00:25:54,200 --> 00:25:55,917
Your dad used to tell you...
587
00:25:56,000 --> 00:25:58,437
-That's a bit strong, innit?
-No, he's right.
588
00:25:58,520 --> 00:26:00,797
All right, Bonzo?
589
00:26:00,880 --> 00:26:02,600
-It's Ringo!
-Yeah, him as well.
590
00:26:02,920 --> 00:26:04,197
Get 'em off, Ern,
they've done enough now.
591
00:26:04,280 --> 00:26:05,277
What do you mean, "done enough"?
592
00:26:05,360 --> 00:26:07,197
No, well, they're getting
insulting now. Get 'em off.
593
00:26:07,280 --> 00:26:09,437
And that was the good thing
about being four together,
594
00:26:09,520 --> 00:26:11,240
not like Elvis, you know,
595
00:26:11,640 --> 00:26:13,397
I always felt sorry
later for Elvis
596
00:26:13,480 --> 00:26:16,037
'cause he was on his own.
He had his guys with him,
597
00:26:16,120 --> 00:26:18,037
but there was only one Elvis.
598
00:26:18,120 --> 00:26:20,320
Nobody else knew
what he felt like.
599
00:26:20,880 --> 00:26:23,837
But for us,
we all shared the experience.
600
00:26:23,920 --> 00:26:25,597
One, two, three, four.
601
00:26:32,960 --> 00:26:34,637
George? What did it sound like
602
00:26:34,720 --> 00:26:35,877
with the bass
doing a funny thing?
603
00:26:35,960 --> 00:26:38,936
Did it sound any good, or did it
sound just like utterly crap?
604
00:26:39,400 --> 00:26:40,717
It sounded rather magnificent.
605
00:26:40,800 --> 00:26:42,637
Did it? Well, there! See!
Told you! Nerrhh!
606
00:26:42,720 --> 00:26:44,197
Hello to you,
and see how you like it!
607
00:26:44,280 --> 00:26:45,957
We had
a great time in the studio.
608
00:26:46,040 --> 00:26:47,677
They were enormously
happy times.
609
00:26:47,760 --> 00:26:50,117
And, uh, they would
fool around a lot, you know,
610
00:26:50,200 --> 00:26:51,637
and have...
have a bit of a laugh,
611
00:26:51,720 --> 00:26:53,476
particularly
when overdubbing voices.
612
00:26:54,000 --> 00:26:56,597
Um, but my memory of those times
613
00:26:56,680 --> 00:26:57,717
were very happy ones.
614
00:26:57,800 --> 00:27:03,160
♪ ...would be happy just to love you ♪
615
00:27:04,360 --> 00:27:07,680
♪ But, oh my ♪
616
00:27:07,840 --> 00:27:08,837
♪ This boy ♪
617
00:27:08,920 --> 00:27:10,157
♪ That boy ♪
Stop!
618
00:27:10,240 --> 00:27:11,757
♪ This boy,
that boy, that boy... ♪
619
00:27:11,840 --> 00:27:12,917
I've got
"This boy, that boy."
620
00:27:13,000 --> 00:27:14,157
♪ That little boy ♪
621
00:27:14,240 --> 00:27:15,917
Take 2, "This Boy", Take 2.
622
00:27:17,560 --> 00:27:19,397
Try it now
and say, "This boy."
623
00:27:19,480 --> 00:27:21,877
And if I don't, well,
it's just too bad, I'nt it?
624
00:27:21,960 --> 00:27:22,997
Yer daft get!
625
00:27:23,080 --> 00:27:25,237
You don't have to say it,
you just have to sort of look
626
00:27:25,320 --> 00:27:26,677
and I'll think, "What is it?"
and I'll think...
627
00:27:26,760 --> 00:27:27,800
Take 13.
628
00:27:27,920 --> 00:27:30,640
I was just
thinking of that...
629
00:27:30,880 --> 00:27:32,077
♪ That boy ♪
630
00:27:32,160 --> 00:27:34,080
I just went dead loud
on one bit.
631
00:27:34,280 --> 00:27:37,237
Oh, come on!
A-one, two, three, fower!
632
00:27:43,760 --> 00:27:46,680
♪ That boy ♪
633
00:27:47,920 --> 00:27:52,480
♪ Took my love away ♪
634
00:27:54,240 --> 00:27:59,600
♪ Though he'll regret it
some day ♪
635
00:27:59,840 --> 00:28:06,080
♪ But this boy
wants you back again ♪
636
00:28:10,160 --> 00:28:13,000
♪ That boy ♪
637
00:28:14,200 --> 00:28:19,360
♪ Isn't good for you ♪
638
00:28:20,520 --> 00:28:26,000
♪ Though he may want you too ♪
639
00:28:26,480 --> 00:28:32,600
♪ This boy
wants you back again ♪
640
00:28:34,640 --> 00:28:37,800
♪ Oh, and this boy ♪
641
00:28:38,800 --> 00:28:44,480
♪ Would be happy
just to love you ♪
642
00:28:45,360 --> 00:28:49,357
♪ But, oh my ♪
643
00:28:49,440 --> 00:28:53,920
♪ That boy won't be happy ♪
644
00:28:55,840 --> 00:29:02,357
♪ Till he's seen you cry ♪
645
00:29:02,440 --> 00:29:05,240
♪ This boy ♪
646
00:29:06,360 --> 00:29:10,920
♪ Wouldn't mind the pain ♪
647
00:29:12,600 --> 00:29:18,080
♪ Would always feel the same ♪
648
00:29:18,240 --> 00:29:24,400
♪ If this boy
gets you back again ♪
649
00:29:28,320 --> 00:29:31,560
♪ This boy ♪
650
00:29:35,160 --> 00:29:39,637
We do like the fans and enjoy
reading the publicity about us.
651
00:29:39,720 --> 00:29:42,197
But, from time to time,
you don't realize
652
00:29:42,280 --> 00:29:44,877
that it's actually
about yourself.
653
00:29:44,960 --> 00:29:46,357
You see your pictures
654
00:29:46,440 --> 00:29:48,317
and read articles about,
655
00:29:48,400 --> 00:29:50,757
you know, George Harrison
and Ringo Starr,
656
00:29:50,840 --> 00:29:53,317
Paul and John, uh,
but you don't actually think,
657
00:29:53,400 --> 00:29:56,120
"Oh, that's me.
There I am in the paper."
658
00:29:56,440 --> 00:29:57,637
It's... It's funny.
659
00:29:57,720 --> 00:29:59,717
It's just as though
it's a different person.
660
00:29:59,800 --> 00:30:01,677
It all sounds complaining,
and that, but you know, we're not.
661
00:30:01,760 --> 00:30:03,797
We're just putting
the point is that,
662
00:30:03,880 --> 00:30:06,517
you know, it affects your home
more than it does yourself,
663
00:30:06,600 --> 00:30:08,800
you know, because you know
what to expect.
664
00:30:08,960 --> 00:30:10,637
But your parents
and your family, you know,
665
00:30:10,720 --> 00:30:12,277
they don't know
what's happening.
666
00:30:12,360 --> 00:30:14,116
You were treated differently,
667
00:30:14,240 --> 00:30:15,797
and you had to get
used to that then.
668
00:30:15,880 --> 00:30:18,357
Then you, you know,
you find yourself in...
669
00:30:18,440 --> 00:30:20,200
in a weird land...
670
00:30:20,760 --> 00:30:23,736
...because of all these people
you've grown up and lived with.
671
00:30:25,160 --> 00:30:26,277
Suddenly, you...
672
00:30:26,360 --> 00:30:28,750
It was the one place
you didn't want it to change.
673
00:30:29,240 --> 00:30:30,920
Because it all changed
out there.
674
00:30:31,360 --> 00:30:34,357
And you were never secure,
really, who your friends were,
675
00:30:34,440 --> 00:30:35,800
unless you had 'em before.
676
00:30:36,560 --> 00:30:39,000
You know,
people are so in awe of fame.
677
00:30:39,120 --> 00:30:41,237
I mean, all you have to do
is go on the radio
678
00:30:41,320 --> 00:30:43,418
or the television once...
679
00:30:43,600 --> 00:30:45,037
...and if somebody
sees you on there
680
00:30:45,120 --> 00:30:46,557
and then they see you
down the street,
681
00:30:46,640 --> 00:30:47,757
they act different, don't they?
682
00:30:47,840 --> 00:30:49,957
But the Beatles
was being on the papers
683
00:30:50,040 --> 00:30:52,800
every day for a year or so.
684
00:30:53,000 --> 00:30:54,437
Everybody changes, you know.
685
00:30:54,520 --> 00:30:58,560
They're so impressed by it.
People forget how to act normal.
686
00:30:59,440 --> 00:31:05,480
The one absolute clear vision,
was I was at my auntie's...
687
00:31:07,240 --> 00:31:10,400
which I'd been
a thousand times before,
688
00:31:10,560 --> 00:31:13,360
and, uh, anyway, we were having
a cup of tea one night...
689
00:31:14,840 --> 00:31:17,997
may have even been
after an Empire show,
690
00:31:18,080 --> 00:31:19,477
or a Southport show...
691
00:31:19,560 --> 00:31:22,677
...or one of those shows,
and, uh,
692
00:31:22,760 --> 00:31:24,797
somebody knocked
the little coffee table
693
00:31:24,880 --> 00:31:27,157
and my tea went in my saucer,
and suddenly it was,
694
00:31:27,240 --> 00:31:29,637
"He can't have that.
We have to tidy it up,"
695
00:31:29,720 --> 00:31:32,000
where that would never
have happened before,
696
00:31:32,680 --> 00:31:36,237
uh, just... And I thought,
"Oh, things are changing."
697
00:31:36,320 --> 00:31:39,440
I mean, it was an absolute
arrow in the brain, you know.
698
00:31:39,760 --> 00:31:41,757
♪ I'm gonna tell Aunt Mary ♪
699
00:31:41,840 --> 00:31:43,160
♪ 'bout Uncle John ♪
700
00:31:43,280 --> 00:31:45,477
♪ Said he had been busy
but he got a lot of fun ♪
701
00:31:45,560 --> 00:31:49,557
♪ Oh, baby, yeah, now, baby ♪
702
00:31:49,640 --> 00:31:52,440
♪ Woo-ooh-ooh, baby ♪
703
00:31:53,000 --> 00:31:54,920
♪ Some fun tonight ♪
704
00:31:56,440 --> 00:31:58,920
♪ Saw Uncle John,
bald-headed Sally ♪
705
00:31:59,080 --> 00:32:01,477
♪ Saw Aunt Mary coming
and he ducked back in the alley ♪
706
00:32:01,560 --> 00:32:05,160
♪ Oh, baby, yeah, now, baby ♪
707
00:32:05,720 --> 00:32:08,320
♪ Woo-ooh-ooh, baby ♪
708
00:32:08,800 --> 00:32:11,080
♪ Some fun tonight
Aaah! ♪
709
00:32:26,320 --> 00:32:29,440
♪ Yeah, we're gonna have
some fun tonight ♪
710
00:32:30,000 --> 00:32:32,637
♪ Have some fun tonight, wooh! ♪
711
00:32:32,720 --> 00:32:34,640
♪ Everything's all right ♪
712
00:32:35,000 --> 00:32:36,840
♪ Have some fun tonight ♪
713
00:32:37,120 --> 00:32:40,400
♪ Oh, have some fun, yeah ♪
714
00:32:42,000 --> 00:32:44,800
♪ Yeah, I'm gonna have
some fun tonight ♪
715
00:32:45,280 --> 00:32:47,960
♪ Have some fun to-aaah! ♪
716
00:32:48,120 --> 00:32:49,760
♪ Everything's all right ♪
717
00:32:50,280 --> 00:32:52,440
♪ Have some fun tonight ♪
718
00:32:52,920 --> 00:32:56,960
♪ Have some fun,
some fun tonight, yeah ♪
719
00:33:04,480 --> 00:33:06,757
Today,
the Beatles returned from Sweden
720
00:33:06,840 --> 00:33:09,077
to be greeted by what
the British press are calling
721
00:33:09,160 --> 00:33:10,477
"Beatlemania".
722
00:33:10,560 --> 00:33:13,037
We'll see what the Queen Mother
thinks of Beatlemania
723
00:33:13,120 --> 00:33:15,317
when the Beatles perform
at The Royal Variety Show
724
00:33:15,400 --> 00:33:17,680
on the 4th of November.
725
00:33:18,280 --> 00:33:22,040
I was sent to,
uh, pursue them,
726
00:33:22,840 --> 00:33:26,477
to harass them in,
uh, September '63
727
00:33:26,560 --> 00:33:28,680
by the News Editor
of the Daily Express,
728
00:33:29,160 --> 00:33:30,277
who said they'd had it.
729
00:33:30,360 --> 00:33:32,197
They were about to betray
their young fans
730
00:33:32,280 --> 00:33:35,440
by agreeing to appear
on The Royal Variety Show.
731
00:33:35,760 --> 00:33:37,400
"Go and get them. Get a quote."
732
00:33:38,240 --> 00:33:39,397
Get them
to condemn themselves...
733
00:33:39,480 --> 00:33:40,797
...out of their own
mouths and say,
734
00:33:40,880 --> 00:33:42,157
'We shouldn't be doing it.
We know that.
735
00:33:42,240 --> 00:33:45,117
"We're betraying our fans'
and so on, and so on."
736
00:33:45,200 --> 00:33:47,037
Well, the long
and short of it was,
737
00:33:47,120 --> 00:33:48,437
uh, we all turned up,
738
00:33:48,520 --> 00:33:50,422
the Daily Mail,
the Express, the Mirror.
739
00:33:51,280 --> 00:33:54,480
They were very defiant.
And Ringo did the perfect quote,
740
00:33:54,800 --> 00:33:56,957
"I want to play me drums
for the Queen Mum."
741
00:33:57,040 --> 00:33:58,197
All that sort of stuff.
742
00:33:58,280 --> 00:34:01,800
We were the first
working-class singers
743
00:34:02,360 --> 00:34:05,960
that stayed working class
and pronounced it,
744
00:34:06,440 --> 00:34:07,917
didn't try and change
our accents,
745
00:34:08,000 --> 00:34:09,117
which in England are looked...
746
00:34:09,200 --> 00:34:11,240
were looked down upon,
probably still are.
747
00:34:11,480 --> 00:34:13,437
John, in...
in this Royal Variety Show,
748
00:34:13,520 --> 00:34:15,197
when you're appearing
before royalty,
749
00:34:15,280 --> 00:34:16,517
uh, your language has gotta be
750
00:34:16,600 --> 00:34:17,877
pretty good, obviously.
751
00:34:17,960 --> 00:34:19,317
This thing
about Ted Heath saying
752
00:34:19,400 --> 00:34:21,437
that he couldn't distinguish,
uh, you from,
753
00:34:21,520 --> 00:34:23,517
-say, the Queen's English.
-I can't understand Teddy.
754
00:34:23,600 --> 00:34:25,397
I can't understand Teddy
saying that at all, really.
755
00:34:27,400 --> 00:34:29,760
I'm not gonna vote for Ted!
756
00:34:30,080 --> 00:34:32,277
Paul, uh, have you thought
about your act for the show yet?
757
00:34:32,360 --> 00:34:34,477
Uh, any changes in the act,
or is it going to be, you know,
758
00:34:34,560 --> 00:34:35,920
the usual routine?
759
00:34:36,160 --> 00:34:38,037
No, we'll have to change it,
I'm sure. We can't...
760
00:34:38,120 --> 00:34:39,277
Hey, stop hitting me.
761
00:34:39,360 --> 00:34:41,157
We... We'll have to change it,
but we can't, uh,
762
00:34:41,240 --> 00:34:42,717
do the same thing all the time.
763
00:34:42,800 --> 00:34:44,517
We haven't thought
about what we're gonna do yet.
764
00:34:44,600 --> 00:34:45,837
Suits with collars on?
765
00:34:45,920 --> 00:34:47,157
-Brushed, parted hair...
-You never know.
766
00:34:47,240 --> 00:34:48,917
-...something like that?
-We may not wear suits.
767
00:34:49,000 --> 00:34:51,117
You never know.
We've no idea.
768
00:35:04,480 --> 00:35:05,560
Thank you.
769
00:35:06,640 --> 00:35:09,400
For our last number,
I'd like to ask your help.
770
00:35:10,480 --> 00:35:11,917
The people in the cheaper seats,
771
00:35:12,000 --> 00:35:14,200
clap your hands.
772
00:35:14,840 --> 00:35:16,917
And the rest of you, if you'd
just rattle your jewelry.
773
00:35:23,160 --> 00:35:26,637
Thank you. We'd like to sing
a song called "Twist And Shout".
774
00:35:26,720 --> 00:35:28,317
One, two, three!
775
00:35:28,400 --> 00:35:31,080
-Yeah!
-Everybody! Hey!
776
00:35:34,840 --> 00:35:36,917
♪ Well, shake it up, baby, now ♪
777
00:35:37,000 --> 00:35:38,520
♪ Shake it up, baby ♪
778
00:35:38,920 --> 00:35:40,837
♪ Twist and shout ♪
779
00:35:40,920 --> 00:35:42,397
♪ Twist and shout ♪
780
00:35:42,480 --> 00:35:44,837
♪ Come on, come on, come on,
come on, baby, now ♪
781
00:35:44,920 --> 00:35:46,037
♪ Come on, baby ♪
782
00:35:46,120 --> 00:35:48,757
♪ Come on and work it on out ♪
783
00:35:48,840 --> 00:35:50,437
♪ Work it on out, ooh ♪
784
00:35:50,520 --> 00:35:52,637
♪ Well, work it on out, now ♪
785
00:35:52,720 --> 00:35:54,077
♪ Work it on out ♪
786
00:35:54,160 --> 00:35:56,440
♪ You know you look so good ♪
787
00:35:56,640 --> 00:35:57,917
♪ Look so good ♪
788
00:35:58,000 --> 00:36:00,637
♪ You know
you got me goin', now ♪
789
00:36:00,720 --> 00:36:01,837
♪ Got me goin' ♪
790
00:36:01,920 --> 00:36:04,000
♪ Just like I knew you would ♪
791
00:36:04,120 --> 00:36:06,317
♪ Like I knew you would, ooh ♪
792
00:36:06,400 --> 00:36:08,437
♪ Well, shake it up, baby, now ♪
793
00:36:08,520 --> 00:36:09,920
♪ Shake it up, baby ♪
794
00:36:10,320 --> 00:36:12,280
♪ Twist and shout ♪
795
00:36:12,400 --> 00:36:13,597
♪ Twist and shout ♪
796
00:36:13,680 --> 00:36:16,437
♪ Come on, come on, come on,
come on, baby, now ♪
797
00:36:16,520 --> 00:36:17,677
♪ Come on, baby ♪
798
00:36:17,760 --> 00:36:19,880
♪ Come on and work it on out ♪
799
00:36:20,320 --> 00:36:21,797
♪ Work it on out, ooh ♪
800
00:36:21,880 --> 00:36:24,120
♪ Well, you twist,
you little girl ♪
801
00:36:24,400 --> 00:36:25,640
♪ Twist, little girl ♪
802
00:36:25,760 --> 00:36:28,280
♪ You know you twist so fine ♪
803
00:36:28,480 --> 00:36:29,677
♪ Twist so fine ♪
804
00:36:29,760 --> 00:36:32,517
♪ Come on and twist
a little closer, now ♪
805
00:36:32,600 --> 00:36:33,877
♪ Twist a little closer ♪
806
00:36:33,960 --> 00:36:36,677
♪ And let me know
that you're mine ♪
807
00:36:36,760 --> 00:36:39,240
♪ Let me know you're mine, ooh ♪
808
00:36:55,800 --> 00:36:57,877
♪ Ah ♪
809
00:36:57,960 --> 00:36:59,957
♪ Ah ♪
810
00:37:00,040 --> 00:37:01,760
♪ Ah ♪
811
00:37:01,920 --> 00:37:04,077
♪ Ah ♪
812
00:37:04,160 --> 00:37:07,477
-♪ Aaah! ♪
-♪ Ow! Ow! ♪
813
00:37:07,560 --> 00:37:09,157
♪ Yeah! Shake it up, baby, now ♪
814
00:37:09,240 --> 00:37:10,760
♪ Shake it up, baby ♪
815
00:37:11,160 --> 00:37:13,040
♪ Twist and shout ♪
816
00:37:13,320 --> 00:37:14,440
♪ Twist and shout ♪
817
00:37:14,560 --> 00:37:17,397
♪ Come on, come on, come on,
come on, baby, now ♪
818
00:37:17,480 --> 00:37:18,757
♪ Come on, baby ♪
819
00:37:18,840 --> 00:37:21,400
♪ Come on and work it on out ♪
820
00:37:21,520 --> 00:37:23,037
♪ Work it on out, ooh ♪
821
00:37:23,120 --> 00:37:25,280
♪ Well, you twist,
you little girl ♪
822
00:37:25,480 --> 00:37:26,717
♪ Twist, little girl ♪
823
00:37:26,800 --> 00:37:29,400
♪ You know you twist so fine ♪
824
00:37:29,600 --> 00:37:30,837
♪ Twist so fine ♪
825
00:37:30,920 --> 00:37:33,597
♪ Come on and twist
a little closer, now ♪
826
00:37:33,680 --> 00:37:35,117
♪ Twist a little closer ♪
827
00:37:35,200 --> 00:37:37,517
♪ And let me know
that you're mine ♪
828
00:37:37,600 --> 00:37:39,077
♪ Let me know you're mine ♪
829
00:37:39,160 --> 00:37:41,757
♪ Well, shake it, shake it,
shake it, baby, now ♪
830
00:37:41,840 --> 00:37:43,237
♪ Shake it up, baby ♪
831
00:37:43,320 --> 00:37:45,917
♪ Well, shake it, shake it,
shake it, baby, now ♪
832
00:37:46,000 --> 00:37:47,357
♪ Shake it up, baby ♪
833
00:37:47,440 --> 00:37:49,957
♪ Well, shake it, shake it,
shake it, baby, now ♪
834
00:37:50,040 --> 00:37:51,877
♪ Shake it up, baby ♪
835
00:37:51,960 --> 00:37:53,197
♪ Ooh ♪
836
00:37:53,280 --> 00:37:55,240
♪ Ah ♪
837
00:37:55,360 --> 00:37:57,357
♪ Ah ♪
838
00:37:57,440 --> 00:37:59,240
♪ Ah ♪
839
00:37:59,400 --> 00:38:00,680
♪ Yeah ♪
840
00:38:21,480 --> 00:38:23,877
♪ It won't be long, yeah ♪
841
00:38:23,960 --> 00:38:25,557
♪ Yeah, yeah ♪
842
00:38:25,640 --> 00:38:27,320
♪ It won't be long, yeah ♪
843
00:38:27,640 --> 00:38:28,957
♪ Yeah, yeah ♪
844
00:38:29,040 --> 00:38:31,320
♪ It won't be long, yeah ♪
845
00:38:31,440 --> 00:38:34,280
♪ Till I belong to you ♪
846
00:38:34,600 --> 00:38:36,317
With The Beatles was
847
00:38:36,400 --> 00:38:38,997
the first, kind of put-together album
of... of...
848
00:38:39,080 --> 00:38:41,280
first songbook, so to speak.
849
00:38:41,600 --> 00:38:44,880
And they gave me a list
of their songs and...
850
00:38:45,440 --> 00:38:49,077
and they were all thinking
in terms of singles, still.
851
00:38:49,160 --> 00:38:51,717
♪ I wanna be your man ♪
852
00:38:51,800 --> 00:38:53,440
♪ I wanna be your man ♪
853
00:38:53,640 --> 00:38:54,957
We weren't thinking in terms
854
00:38:55,040 --> 00:38:57,157
of an album being
an entity by itself.
855
00:38:57,240 --> 00:38:58,899
It was a collection
of their songs,
856
00:38:59,160 --> 00:39:01,517
and I think one or two
other people's songs as well.
857
00:39:01,600 --> 00:39:03,637
There was a bunch
of cover versions on this,
858
00:39:03,720 --> 00:39:04,797
"Mister Postman".
859
00:39:04,880 --> 00:39:06,237
♪ Wait! Oh yes ♪
860
00:39:06,320 --> 00:39:08,637
♪ Wait a minute,
Mister Postman ♪
861
00:39:08,720 --> 00:39:12,600
-♪ Wait ♪
-♪ Wait, Mister Postman ♪
862
00:39:13,040 --> 00:39:15,437
♪ Mister Postman,
look and see... ♪
863
00:39:15,520 --> 00:39:18,237
It was interesting
when I joined the Beatles,
864
00:39:18,320 --> 00:39:19,597
and we didn't really
know each other.
865
00:39:19,680 --> 00:39:23,240
But if we looked at each other's
record collection,
866
00:39:23,440 --> 00:39:25,877
the four of us virtually had
the same records.
867
00:39:25,960 --> 00:39:27,760
♪ From that girl of mine ♪
868
00:39:28,600 --> 00:39:32,317
♪ There must be
some word today ♪
869
00:39:32,400 --> 00:39:35,280
♪ From my girlfriend
so far away ♪
870
00:39:36,040 --> 00:39:39,320
♪ Please, Mister Postman,
look and see ♪
871
00:39:40,040 --> 00:39:43,517
♪ If there's a letter,
a letter for me ♪
872
00:39:43,600 --> 00:39:44,677
♪ I've been... ♪
873
00:39:44,760 --> 00:39:47,477
And all we did
was to record singles.
874
00:39:47,560 --> 00:39:49,219
And the ones
that weren't too good,
875
00:39:49,440 --> 00:39:51,637
we wouldn't issue as singles,
we'd put them on an album.
876
00:39:51,720 --> 00:39:53,277
♪ Close your eyes ♪
877
00:39:53,360 --> 00:39:54,920
♪ And I'll kiss you ♪
878
00:39:55,080 --> 00:39:58,120
♪ Tomorrow I'll miss you ♪
879
00:39:58,560 --> 00:40:00,357
In the early days,
we were really set
880
00:40:00,440 --> 00:40:01,917
on giving people
their money's worth
881
00:40:02,000 --> 00:40:03,037
off the record.
882
00:40:03,120 --> 00:40:05,597
And that was our policy first,
just to put 14 tracks a side,
883
00:40:05,680 --> 00:40:06,760
it was brand new,
884
00:40:06,880 --> 00:40:08,597
and never put singles
on the albums,
885
00:40:08,680 --> 00:40:10,437
which everybody did,
was have a hit single
886
00:40:10,520 --> 00:40:11,717
and make an album round it.
887
00:40:11,800 --> 00:40:15,480
♪ ...all my loving to you ♪
888
00:40:16,960 --> 00:40:18,517
♪ Well, if you feel it
and like it ♪
889
00:40:18,600 --> 00:40:21,200
♪ Get your lover
and reel and rock it ♪
890
00:40:21,440 --> 00:40:25,197
♪ Roll it over and move on up
just a trifle further ♪
891
00:40:25,280 --> 00:40:28,237
♪ And reel and rock it,
roll it over ♪
892
00:40:28,320 --> 00:40:30,037
♪ Roll over Beethoven ♪
893
00:40:30,120 --> 00:40:32,640
♪ Dig these rhythm and blues ♪
894
00:40:34,240 --> 00:40:36,560
Robert Freeman,
who took this picture,
895
00:40:37,240 --> 00:40:40,197
copied... our request, actually,
896
00:40:40,280 --> 00:40:42,800
he copied
Astrid Kirchherr's photographs.
897
00:40:42,920 --> 00:40:44,157
We showed him the pictures
898
00:40:44,240 --> 00:40:45,677
that we took in Hamburg
with Astrid, and said,
899
00:40:45,760 --> 00:40:47,560
"Why can't you do it like this?"
900
00:40:49,440 --> 00:40:52,237
The Beatles'
second LP, With The Beatles,
901
00:40:52,320 --> 00:40:55,240
has broken the record
for advance sales of an LP.
902
00:40:55,640 --> 00:40:58,420
With The Beatles has an advance
of a quarter of a million.
903
00:40:58,600 --> 00:41:01,920
The record was previously held
by Elvis Presley's Blue Hawaii.
904
00:41:02,160 --> 00:41:03,717
Brian Epstein
could well be right
905
00:41:03,800 --> 00:41:05,397
in his prediction
that the Beatles,
906
00:41:05,480 --> 00:41:08,200
one day, will be bigger
than Elvis Presley.
907
00:41:13,040 --> 00:41:14,877
You know, our goal
was to be as big as Elvis,
908
00:41:14,960 --> 00:41:16,597
but we didn't actually think
we were gonna do it.
909
00:41:16,680 --> 00:41:18,597
We... We couldn't think
in terms of going to America.
910
00:41:18,680 --> 00:41:21,197
I mean, that was like a dream.
I mean, you think locally.
911
00:41:21,280 --> 00:41:22,997
And first of all, it was making
it big in Liverpool.
912
00:41:23,080 --> 00:41:24,397
And then
being the best group in the...
913
00:41:24,480 --> 00:41:25,477
in the county, you know.
914
00:41:25,560 --> 00:41:27,917
Then being the best group
in England.
915
00:41:28,000 --> 00:41:29,757
And then we go up to Scotland
and break them in,
916
00:41:29,840 --> 00:41:30,997
and things like that.
917
00:41:31,080 --> 00:41:34,077
And your goal was always,
you know, just a few yards ahead
918
00:41:34,160 --> 00:41:35,357
rather than right up there.
919
00:41:35,440 --> 00:41:37,957
I think one of the cheekiest
things we ever did
920
00:41:38,040 --> 00:41:39,600
was say to Brian Epstein,
921
00:41:39,880 --> 00:41:42,600
"We're not going to America
till we've got a No. 1."
922
00:41:42,840 --> 00:41:45,357
And the reason we did that,
we'd seen a lot of people like,
923
00:41:45,440 --> 00:41:48,277
er, Adam Faith,
Cliff Richard, British stars,
924
00:41:48,360 --> 00:41:51,717
quite big stars over in Britain,
go over to America and be like
925
00:41:51,800 --> 00:41:54,677
third or fourth on the bill
to people like Frankie Avalon.
926
00:41:54,760 --> 00:41:57,677
George had been over there, uh,
to America,
927
00:41:57,760 --> 00:42:00,717
er, a little before we'd gone,
and nobody knew about us.
928
00:42:00,800 --> 00:42:02,960
And he came back
and got us all worried
929
00:42:03,600 --> 00:42:04,957
'cause he'd go
into record shops saying,
930
00:42:05,040 --> 00:42:06,517
"Have you got the Beatles, uh,
records?"
931
00:42:06,600 --> 00:42:07,637
And they'd say,
"Who?"
932
00:42:07,720 --> 00:42:10,357
And the EMI company wouldn't,
which was Capitol,
933
00:42:10,440 --> 00:42:13,117
wouldn't put out our records
for some reason.
934
00:42:13,200 --> 00:42:15,997
Somebody else may be able
to fill us in on that.
935
00:42:16,080 --> 00:42:17,357
I don't know why.
936
00:42:17,440 --> 00:42:20,837
I would send them to my friends
in America at Capitol Records,
937
00:42:20,920 --> 00:42:23,277
and say,
"This group is fantastic.
938
00:42:23,360 --> 00:42:25,037
You've got to issue them
and you've got to sell them
939
00:42:25,120 --> 00:42:26,120
in the States."
940
00:42:26,400 --> 00:42:29,037
And each time,
the Head of Capitol Records,
941
00:42:29,120 --> 00:42:30,877
like St Peter,
would turn it down
942
00:42:30,960 --> 00:42:33,557
and deny them, and say, um,
943
00:42:33,640 --> 00:42:35,717
"Sorry. We know our market
better than you do,
944
00:42:35,800 --> 00:42:37,317
and we don't think
they're any good."
945
00:42:37,400 --> 00:42:39,437
So I would then take
the record back from them
946
00:42:39,520 --> 00:42:41,520
and try and get it out
with another label.
947
00:42:41,880 --> 00:42:45,720
And I did negotiations
with Swan and with Vee-Jay,
948
00:42:46,000 --> 00:42:47,117
each of whom,
949
00:42:47,200 --> 00:42:49,040
just very tiny labels
in the States,
950
00:42:49,280 --> 00:42:51,160
took one or the other titles,
951
00:42:51,360 --> 00:42:53,600
and they put those records
out in America.
952
00:42:53,800 --> 00:42:55,037
And, of course,
being a small label,
953
00:42:55,120 --> 00:42:59,760
they didn't make a great deal
of, uh, of... of, um, success.
954
00:43:00,200 --> 00:43:01,477
And that was the way
it worked out.
955
00:43:01,560 --> 00:43:03,677
We released, uh,
"Please Please Me".
956
00:43:03,760 --> 00:43:06,517
♪ Please, please me, whoa, yeah ♪
957
00:43:06,600 --> 00:43:07,957
Flop! "From Me To You".
958
00:43:08,040 --> 00:43:10,477
♪ With love from me to you ♪
959
00:43:10,560 --> 00:43:12,717
Flop! Changed record labels...
960
00:43:12,800 --> 00:43:15,877
♪ She loves you, yeah, yeah, yeah ♪
961
00:43:15,960 --> 00:43:18,597
Released "She Loves You".
They'd all been big hits in...
962
00:43:18,680 --> 00:43:20,397
in England. All been No. 1.
963
00:43:20,480 --> 00:43:21,677
All of them flops. Nothing!
964
00:43:21,760 --> 00:43:22,757
Take 2.
965
00:43:22,840 --> 00:43:24,077
No. I think
it should start loud,
966
00:43:24,160 --> 00:43:25,357
you know,
'cause when you first hear it.
967
00:43:25,440 --> 00:43:26,677
We're rolling.
Here we go.
968
00:43:26,760 --> 00:43:28,237
-Thing I didn't like about...
-Shh. Shh.
969
00:43:28,320 --> 00:43:30,957
Clean beginning.
One, two, three.
970
00:43:37,520 --> 00:43:38,757
Take 9.
971
00:43:40,480 --> 00:43:41,797
-Here we go.
-Shh.
972
00:43:41,880 --> 00:43:43,397
I love that.
973
00:43:43,480 --> 00:43:44,917
Shh. Ready? Shh.
974
00:43:45,000 --> 00:43:46,557
First one very...
initial attack.
975
00:43:46,640 --> 00:43:48,597
One, two, three.
976
00:43:48,680 --> 00:43:50,437
No. The first one a loud...
977
00:43:50,520 --> 00:43:51,677
-Oh.
-...attack!
978
00:43:51,760 --> 00:43:53,277
The second one
not quite so loud.
979
00:43:53,360 --> 00:43:55,277
Just try it.
Oh... Well, do it anyway.
980
00:43:55,360 --> 00:43:57,077
We'll just blast that bit,
that one bit.
981
00:43:57,160 --> 00:43:59,277
-Here we go.
-This is 13.
982
00:43:59,360 --> 00:44:00,597
Hang on, George has...
983
00:44:00,680 --> 00:44:02,357
-What?
-Just do it! Do it!
984
00:44:02,440 --> 00:44:03,557
One, two, three.
985
00:44:10,400 --> 00:44:11,877
♪ Oh yeah, I... ♪
986
00:44:13,040 --> 00:44:14,237
-Do it slower.
-No!
987
00:44:14,320 --> 00:44:16,037
I couldn't hear
what chords they were going to.
988
00:44:16,120 --> 00:44:18,477
One, two, three!
989
00:44:18,560 --> 00:44:19,917
Missed it again.
It's me hand's going.
990
00:44:20,000 --> 00:44:21,837
-17.
-One, two, three...
991
00:44:23,240 --> 00:44:24,477
"I Want To Hold Your Hand"
992
00:44:24,560 --> 00:44:26,477
wasn't designed specifically
for the American market,
993
00:44:26,560 --> 00:44:28,917
but like the ones before it,
it was a great record.
994
00:44:29,000 --> 00:44:32,360
♪ Oh yeah,
I'll tell you something ♪
995
00:44:33,560 --> 00:44:36,080
♪ I think you'll understand ♪
996
00:44:36,440 --> 00:44:39,400
♪ When I say that something ♪
997
00:44:40,680 --> 00:44:43,800
♪ I wanna hold your hand ♪
998
00:44:44,040 --> 00:44:47,320
♪ I wanna hold your hand ♪
999
00:44:47,840 --> 00:44:50,160
♪ I wanna hold your hand ♪
1000
00:44:50,960 --> 00:44:53,840
♪ Oh, please, say to me ♪
1001
00:44:55,120 --> 00:44:57,600
♪ You'll let me be your man ♪
1002
00:44:57,920 --> 00:45:01,160
♪ And, please, say to me ♪
1003
00:45:02,320 --> 00:45:05,520
♪ You'll let me hold your hand ♪
1004
00:45:05,880 --> 00:45:09,120
♪ Now let me hold your hand ♪
1005
00:45:09,560 --> 00:45:12,040
♪ I wanna hold your hand ♪
1006
00:45:13,400 --> 00:45:16,376
By this time,
the news from England and Europe
1007
00:45:16,640 --> 00:45:19,520
was overwhelming,
that they were a hit group.
1008
00:45:20,840 --> 00:45:23,237
And also, uh,
the Swan and Vee-Jay labels
1009
00:45:23,320 --> 00:45:25,808
were making inroads,
they were selling by this time.
1010
00:45:26,520 --> 00:45:28,277
So Capitol were forced
to release
1011
00:45:28,360 --> 00:45:29,677
"I Want To Hold Your Hand".
1012
00:45:30,480 --> 00:45:31,837
But at that time,
I didn't realize
1013
00:45:31,920 --> 00:45:34,277
that Capitol Records
had been told,
1014
00:45:34,360 --> 00:45:35,997
you know, "You can... Okay."
1015
00:45:36,080 --> 00:45:37,717
They wanted
to have the Beatles, you see.
1016
00:45:37,800 --> 00:45:40,678
Then Brian Epstein said, "Okay.
Well, you can have 'em then,
1017
00:45:41,080 --> 00:45:45,637
on condition you spend 70,000
dollars advertising them,"
1018
00:45:45,720 --> 00:45:48,357
which sounded enormous,
but they did.
1019
00:45:48,440 --> 00:45:50,977
So that was part of the deal.
They had to promote us.
1020
00:45:52,160 --> 00:45:55,520
♪ I wanna hold your hand ♪
1021
00:45:55,720 --> 00:45:59,760
♪ I wanna hold your hand ♪
1022
00:46:09,040 --> 00:46:10,877
The funny thing about France was,
1023
00:46:10,960 --> 00:46:13,600
it was boys screaming.
It was boys. So we got...
1024
00:46:14,320 --> 00:46:16,077
..."Le Beatle! Le Beatle!
1025
00:46:16,160 --> 00:46:18,557
Voilà!"
"Paul! John!"
1026
00:46:18,640 --> 00:46:20,517
It was, like...
"Yeah. Oui. Okay,"
1027
00:46:20,600 --> 00:46:22,160
you know, like, "Dear me!"
1028
00:46:22,280 --> 00:46:25,477
We had visions of all
these French girls, you know,
1029
00:46:25,560 --> 00:46:27,120
"ooh la la" and all that,
1030
00:46:27,240 --> 00:46:30,157
and instead, the audience,
at least on the opening night...
1031
00:46:30,240 --> 00:46:31,797
-Ringo!
-...all seemed to be boys,
1032
00:46:31,880 --> 00:46:33,517
shouting, "Ringo! Ringo!"
1033
00:46:33,600 --> 00:46:36,757
We didn't see any
of the Brigitte Bardot kind
1034
00:46:36,840 --> 00:46:38,277
that we were expecting to see.
1035
00:46:38,360 --> 00:46:40,280
It was very strange
because, uh,
1036
00:46:40,560 --> 00:46:42,197
suddenly we had all these boys.
1037
00:46:42,280 --> 00:46:46,120
And the audience was like a...
a roar instead of a scream,
1038
00:46:46,280 --> 00:46:47,997
where we'd been so used to
the girls, you know.
1039
00:46:48,080 --> 00:46:49,717
But I don't think
1040
00:46:49,800 --> 00:46:52,397
we went down that well,
but I think we built it over the few days,
1041
00:46:52,480 --> 00:46:55,037
we kind of built it up.
And, uh, eventually it was...
1042
00:46:55,120 --> 00:46:56,717
it was a bit
of a success, you know.
1043
00:46:56,800 --> 00:46:58,197
But it wasn't quite
what we were used to.
1044
00:46:58,280 --> 00:46:59,841
We were used to
a little bit more
1045
00:47:00,160 --> 00:47:01,720
instant success than that.
1046
00:47:02,480 --> 00:47:04,357
♪ Ah ♪
1047
00:47:04,440 --> 00:47:05,800
♪ Yeah! ♪
1048
00:47:12,560 --> 00:47:14,717
We got a telegram
in the evening.
1049
00:47:14,800 --> 00:47:17,678
After one of the shows, we were
having a drink at the hotel,
1050
00:47:17,960 --> 00:47:19,680
and it came... it came, uh,
1051
00:47:20,120 --> 00:47:22,557
"CAPITOL RECORDS...
CONGRATULATIONS, LADS!
1052
00:47:22,640 --> 00:47:25,160
NO. 1 IN U.S. CHARTS!"
or something.
1053
00:47:25,440 --> 00:47:26,717
So we all hit the roof.
1054
00:47:26,800 --> 00:47:29,357
I remember riding around
on Mal Evans's back
1055
00:47:29,440 --> 00:47:31,077
for about 20 minutes, or so,
1056
00:47:31,160 --> 00:47:33,080
"Yeah-he-hey! Whew!"
1057
00:47:33,280 --> 00:47:35,360
And he was, you know,
happy to bear me.
1058
00:47:35,760 --> 00:47:39,600
It was just very high, uh,
hysterics, you know.
1059
00:47:40,080 --> 00:47:41,437
And Brian rang me
1060
00:47:41,520 --> 00:47:42,957
round about half past one
in the morning.
1061
00:47:43,040 --> 00:47:44,957
He said, "I know
you won't mind being woken up."
1062
00:47:45,040 --> 00:47:46,894
I said, "Well,
I wasn't asleep anyway."
1063
00:47:47,360 --> 00:47:49,506
He said, "Well,
I've just heard from America.
1064
00:47:50,080 --> 00:47:51,080
We're No. 1!"
1065
00:47:52,440 --> 00:47:53,597
"Fantastic!"
1066
00:47:53,680 --> 00:47:55,717
And he said, "Do you want
to come round?" "Not half!"
1067
00:47:55,800 --> 00:47:58,480
So we all went round
and had a great drink-up.
1068
00:47:58,760 --> 00:48:01,540
And it was lovely. Super.
We never went to bed that night.
1069
00:48:02,040 --> 00:48:03,117
It was a great feeling
1070
00:48:03,200 --> 00:48:06,520
because we were booked
to go there
1071
00:48:07,000 --> 00:48:09,360
directly after the Paris trip,
so it was,
1072
00:48:09,560 --> 00:48:11,800
you know, it was handy
to have a No. 1.
1073
00:48:12,240 --> 00:48:14,197
John, so far,
all British pop stars
1074
00:48:14,280 --> 00:48:15,837
have not made
a tremendous impact
1075
00:48:15,920 --> 00:48:17,957
on the States. How do you
think you're going to fare?
1076
00:48:18,040 --> 00:48:22,237
Well, I can't really say, can I?
I mean, is it up to me? No.
1077
00:48:22,320 --> 00:48:24,515
I mean, I just hope
we go all right, you know.
1078
00:48:26,000 --> 00:48:28,360
♪ Oh yeah,
I'll tell you something ♪
1079
00:48:29,440 --> 00:48:32,037
♪ I think you'll understand ♪
1080
00:48:32,120 --> 00:48:35,440
♪ When I say that something ♪
1081
00:48:36,440 --> 00:48:39,840
♪ I wanna hold your hand ♪
1082
00:48:40,160 --> 00:48:41,960
♪ I wanna hold your hand... ♪
1083
00:48:42,080 --> 00:48:43,277
Yeah,
I know on the plane over,
1084
00:48:43,360 --> 00:48:44,637
I was thinking,
"Oh, we won't make it,"
1085
00:48:44,720 --> 00:48:46,597
or I said it on a film
somewhere, you know.
1086
00:48:46,680 --> 00:48:49,197
But that's the side...
...that's that side of me.
1087
00:48:49,280 --> 00:48:50,477
We knew we would wipe it,
1088
00:48:50,560 --> 00:48:52,901
wipe 'em out, if we could
just get a grip on you.
1089
00:48:53,560 --> 00:48:55,437
♪ And, please... ♪
1090
00:48:55,520 --> 00:48:57,237
It was like
flying into the unknown.
1091
00:48:57,320 --> 00:48:58,832
You didn't know what to expect.
1092
00:48:58,960 --> 00:49:01,517
You know, we were going to...
going to America, right?
1093
00:49:01,600 --> 00:49:03,157
And it was the first time
for everybody,
1094
00:49:03,240 --> 00:49:04,640
except George, you know.
1095
00:49:05,360 --> 00:49:07,800
♪ I wanna hold your hand ♪
1096
00:49:09,360 --> 00:49:15,240
♪ And when I touch you
I feel happy inside ♪
1097
00:49:16,600 --> 00:49:20,720
♪ It's such a feeling
that my love ♪
1098
00:49:21,000 --> 00:49:22,560
♪ I can't hide ♪
1099
00:49:22,880 --> 00:49:24,557
♪ I can't hide ♪
1100
00:49:24,640 --> 00:49:28,477
♪ I can't hide ♪
1101
00:49:28,560 --> 00:49:29,717
♪ Yeah, you've... ♪
1102
00:49:29,800 --> 00:49:31,317
I remember
before landing,
1103
00:49:31,400 --> 00:49:32,640
it was so exciting.
1104
00:49:32,840 --> 00:49:34,680
As the plane flew over New York,
1105
00:49:35,400 --> 00:49:37,637
I really felt like some,
you know, sci-fi movie
1106
00:49:37,720 --> 00:49:40,640
had gone down and a big octopus
grabbed the plane
1107
00:49:41,160 --> 00:49:43,157
and was dragging us down
to New York,
1108
00:49:43,240 --> 00:49:44,757
and it was all just so exciting.
1109
00:49:44,840 --> 00:49:46,157
This was America, you know.
1110
00:49:46,400 --> 00:49:48,197
Things we'd dreamt about
and heard about,
1111
00:49:48,280 --> 00:49:50,329
and all the music
we loved had come out of.
1112
00:49:51,560 --> 00:49:53,957
All the music we'd loved
had come from there
1113
00:49:54,040 --> 00:49:56,600
so, I mean, just to...
just to be there was exciting.
1114
00:49:56,960 --> 00:49:58,877
But because we'd made
this strange condition
1115
00:49:58,960 --> 00:50:02,760
of being No. 1 before we went,
it was like going as princes.
1116
00:50:03,360 --> 00:50:04,757
I mean, you were just, you know,
1117
00:50:04,840 --> 00:50:06,157
there were millions of kids
at the airport,
1118
00:50:06,240 --> 00:50:07,400
which nobody expected.
1119
00:50:07,600 --> 00:50:10,677
And we heard about it mid-air,
as I recall, you know,
1120
00:50:10,760 --> 00:50:12,557
'cause there were journalists
on the plane
1121
00:50:12,640 --> 00:50:14,840
and, you know,
the pilot can ring ahead.
1122
00:50:15,240 --> 00:50:18,640
And, um, he said,
"Oh, you know, tell the boys
1123
00:50:18,880 --> 00:50:20,929
there's a big crowd
waiting for 'em there."
1124
00:50:21,040 --> 00:50:22,917
There was
a turning point in their career,
1125
00:50:23,000 --> 00:50:25,197
a specific date on which
the breadth and scope
1126
00:50:25,280 --> 00:50:26,920
of their future
was to be altered
1127
00:50:27,480 --> 00:50:29,717
and it was the day their Pan Am
jet touched down
1128
00:50:29,800 --> 00:50:31,800
at Kennedy International
in New York
1129
00:50:31,960 --> 00:50:33,557
to a welcome which has
seldom been equaled
1130
00:50:33,640 --> 00:50:34,717
anywhere in history.
1131
00:50:34,800 --> 00:50:38,800
♪ ...your hand ♪
1132
00:50:49,920 --> 00:50:51,477
♪ Well, my baby said she's travelling ♪
1133
00:50:51,560 --> 00:50:54,040
♪ On the one after 909 ♪
1134
00:50:56,320 --> 00:50:58,360
♪ I shaid move over, honey ♪
1135
00:50:58,600 --> 00:51:00,880
♪ I'm travelling on that line ♪
1136
00:51:03,120 --> 00:51:06,480
♪ I shaid move over once,
move over twice ♪
1137
00:51:07,200 --> 00:51:09,760
♪ Come on, baby, don't be cold as ice ♪
1138
00:51:10,160 --> 00:51:14,000
♪ She said she's travelling
on the one after 909 ♪
1139
00:51:16,200 --> 00:51:17,917
♪ Well, I begged her not to go ♪
1140
00:51:18,000 --> 00:51:20,360
♪ And I begged her on my bended knee ♪
1141
00:51:22,680 --> 00:51:24,880
♪ I shaid you're only fooling round ♪
1142
00:51:25,000 --> 00:51:27,080
♪ Only fooling round with me ♪
1143
00:51:29,120 --> 00:51:31,200
♪ I shaid move over once ♪
1144
00:51:31,600 --> 00:51:32,920
♪ Move over twice ♪
1145
00:51:33,400 --> 00:51:36,480
♪ Come on, baby, don't be cold as ice ♪
1146
00:51:36,720 --> 00:51:37,797
♪ She said she's travelling ♪
1147
00:51:37,880 --> 00:51:40,600
♪ On the one after 909 ♪
1148
00:51:43,360 --> 00:51:44,880
♪ Pick up my bag ♪
1149
00:51:46,920 --> 00:51:48,560
♪ Run to the station ♪
1150
00:51:49,840 --> 00:51:51,280
♪ Rail man says ♪
1151
00:51:52,440 --> 00:51:54,720
♪ You've got the wrong location ♪
1152
00:51:54,840 --> 00:51:56,080
♪ Yeah ♪
1153
00:51:56,520 --> 00:51:58,040
♪ Pick up my bag ♪
1154
00:51:59,800 --> 00:52:01,000
♪ Run right home ♪
1155
00:52:03,000 --> 00:52:05,200
♪ Then I find ♪
1156
00:52:05,880 --> 00:52:07,917
♪ You got the number wrong ♪
1157
00:52:08,000 --> 00:52:09,917
♪ Well ♪
1158
00:52:10,000 --> 00:52:11,037
♪ She said she's travelling ♪
1159
00:52:11,120 --> 00:52:13,360
♪ On the one after 909 ♪
1160
00:52:15,880 --> 00:52:17,680
♪ I shaid move over, honey ♪
1161
00:52:17,800 --> 00:52:20,400
♪ I'm travelling on that line ♪
1162
00:52:22,480 --> 00:52:24,360
♪ I shaid move over once ♪
1163
00:52:24,680 --> 00:52:26,080
♪ Move over twice ♪
1164
00:52:26,480 --> 00:52:29,240
♪ Come on, baby, don't be cold as ice ♪
1165
00:52:29,800 --> 00:52:30,877
♪ She said she's travelling ♪
1166
00:52:30,960 --> 00:52:33,320
♪ On the one after 909 ♪
1167
00:52:33,600 --> 00:52:36,677
♪ Oh yeah, ow! ♪
1168
00:52:54,720 --> 00:52:56,677
♪ Well, my baby said she's travelling ♪
1169
00:52:56,760 --> 00:52:57,757
♪ On the one af... ♪
1170
00:52:57,840 --> 00:52:59,277
Oh, fuckin' hell! I told you!
1171
00:52:59,360 --> 00:53:00,357
It's you! It's you!
1172
00:53:00,440 --> 00:53:01,477
You said we'd miss out
1173
00:53:01,560 --> 00:53:02,717
the middle eight. Oh.
1174
00:53:02,800 --> 00:53:03,877
You've come in on the wrong...
1175
00:53:03,960 --> 00:53:05,180
halfway through the solo.
1176
00:53:05,360 --> 00:53:06,357
What was it, 12-bar?
1177
00:53:06,440 --> 00:53:07,637
Yeah, yeah. 12-bar solo.
1178
00:53:07,720 --> 00:53:10,061
It wasn't, it was...
89302
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