Original subtitles

- Here, here, here, here. - Confess, Kitty.

- Let go! - Confess!

- Come on, Shell.

We've got nothing else to do. Now we're stranded.

- I'm as responsible for that boy's death as you are.

That's why I'm here.

Because we can't run away forever.

[tense music]

- You're all going to jail, you fuckers!

[electricity crackles] - Joseph!

- We're all guilty. - No.

- We're murderers. Confess.

- Confess! - No!

Did I kill Joseph, too?

- I won't tell.

- According to the log book, we left him in the Philippines.

♪ ♪

- Fuck, I'm sorry. I'm sorry I couldn't save her.

[overlapping chatter] - [sobs]

- Perhaps your friends didn't perish in quite the way

he's telling it, assuming they really are dead.

- My mom and dad are cool.

You can stay as long as you like.

♪ ♪

- [speaking Tagalog]

♪ ♪

[door opens]

- [speaking Tagalog on radio]

[car horns honking]

[knocking on window] - [speaking Tagalog]

- Candy, officer. Candy.

Sell my candy, Officer. [speaking Tagalog]

- OK, now.

Thank you, sir. God bless you, sir.

Thank you.

[car honking]

[somber music]

♪ ♪

[bell ringing]

♪ ♪

[crowd clamoring]

♪ ♪

- [speaking Tagalog]

[crowd clamoring]

[whistle blowing] - Kitty! Kitty!

[whistle blowing]

[bell ringing]

- [speaking Tagalog]

- Help! Help! Help! Help!

- Kitty, where are you? - Joseph!

Get off me! - Miss!

Miss, take my hand.

- Kitty!

Why did you do that?

Please come with me. Follow me, miss.

[speaking Tagalog]

This is not a place for tourists.

Go.

[all shouting]

- When we were in the Philippines, um...

Aaron took me to the museum...

to see something called the Manunggul Jar.

I think that's how you say it. [chuckles]

It's a, uh--[clears throat]

It's a kind of ancient Filipino burial container,

and it depicts a boatman taking the spirit of a dead man

to the afterlife.

If that's where Aaron is now...

I hope that boatman knows what he's doing.

Because he wasn't just my brother,

he was my captain.

And through fair weather or foul,

he always knew what he was doing.

He always had the answers.

[soft ethereal music]

♪ ♪

[Florence & the Machine's "Prayer Factory"]

♪ ♪

- ♪ All the things that I ran from ♪

♪ I now bring as close to me as I can ♪

♪ Ripping hotel sheets with gritted teeth ♪

♪ My montage of lost things ♪

♪ My shiny ♪

♪ Trinkets of grief ♪

[dramatic music]

♪ ♪

- Get ready to tack. - Yeah.

- Tacking.

♪ ♪

- Good job.

♪ ♪

[knocks at door]

- OK?

[boat creaking, waves crashing]

Kitty.

[soft pensive music]

♪ ♪

Wait.

What are you doing?

That's Joseph's stuff.

Wait, Aaron. Aaron, stop.

What are you doing? - It can't stay on board!

- His family--

his family is going to want some of this stuff!

- What are we going to say to them?

That he fell overboard and we didn't sound the alarm?

- That's exactly what happened, wasn't it?

Fucking abandoned him. - No, no.

- Aaron, stop.

- I know it's cold, but there's nothing we can do now.

♪ ♪

- Hey, this is difficult for all of us, all right?

We're hungry, we're tired, so let's just get to Palau,

re-up, and then we'll sail on with no more incidents, OK?

- "Incidents."

♪ ♪

Ugh, this is so fucking wrong.

♪ ♪

- Does everyone hate me?

Lana?

[knock at door]

- Hey.

You OK?

- As soon as we're on dry land, we're gone.

You coming?

- Yeah. Of course.

You know I'm in.

- Start running the anchor!

We're drawing in. - Why are they dropping here?

- No idea.

- Just this thing? - Yeah.

- Heinrich?

- What's going on? What are you doing?

- Palau's in sight.

We're taking the tender the rest of the way.

- Why not sail into harbor?

- You two can stay with the boat and look after it.

- What?

- Since when did she need looking after?

- It's not my fault they don't have passports.

- Yeah, but if you're taking the tender,

immigration isn't gonna bat an eyelid.

- No, this is about Joseph.

You think I'm going to run to the police.

- Look, we know you're not happy about what happened.

No one is-- - So we can't leave now?

You're going to lock us in a cupboard,

like you did with him?

- It's only a quick stop.

Parts, fuel, food, and water.

Soon, we'll be in the Solomons,

and you can do whatever you want.

When everyone's cooled down.

- This is bullshit.

- Yeah. All right, fine. I'll--I'll stay back till then.

- No.

If you really don't trust them,

I'll stay aboard and keep an eye on them for you.

- Den, you're coming with me. - [scoffs]

Aaron, I don't need anything from shore.

There'll be more room on the tender.

- I want a paper trail for those of us

who can actually have one.

That means we clear out, go to immigration by ourselves.

We do everything by the book, you included.

- Since when did we do it by the book?

- Since Joseph. Now get ready.

Heinrich, one more, mate.

[indistinct chatter]

♪ ♪

- Champagne, miss? - I'm OK. Thank you.

♪ ♪

- Al, thank you so much for coming.

[indistinct chatter]

♪ ♪

- Oh, could I have some? Thank you.

- Do you really think he's lying?

Or are you just fucking with me?

Do you think that that's OK?

- The way they feel about Aaron's death

is the way I feel about Danilo de la Cruz.

That's the last funeral I went to.

Joseph Melina was there,

and the girl from the photo I showed you...

the girl you don't know.

Another stop on the tourist trail.

Some like to take another selfie.

- They weren't.

Joseph wasn't like that.

- Nice place.

Do you live here now?

- Just staying for a few nights.

- Are you in a relationship with Dennis Winbourne?

- No.

- Then why were you waiting in Townsville?

It had to be something in "The Blue."

But if not Denny or any of the others, then what?

- Peter?

- Excuse me.

- Perhaps your share

of the diamonds from the trawler in Sagisag?

- [whispering] I don't know what you're talking about.

- Everything all right? - Yeah, yeah.

The detective here was just asking some questions,

and I didn't know whether to talk without a lawyer or--

- Questions?

At my son's funeral.

I don't know how you do things in the Philippines,

but in Australia, a funeral is a somber

and reflective affair.

This is my house,

so stop harassing my family and friends,

and leave us to our grief!

- My condolences.

- Sir. [speaking Tagalog]

- [speaking Tagalog] - [speaking Tagalog]

- You just have to ignore him, Lana.

- He knows stuff.

- Yeah?

Like what?

- He's asking if we're together.

- [chuckles]

Well, aren't we?

- He said the--

the bullets fired on "The Blue" all came from one gun,

a revolver.

- So?

- Aaron's gun was a revolver.

- What are you saying?

- I'm just trying to understand what happened.

Because you said that

all the guys on "The Blue" had a gun.

So--

- Right.

The bullets came from Aaron's gun...

because they took it out of his hand

after they killed him.

Then they ran the others out.

On the deck.

They used it.

- But you didn't tell me that.

- Well, I didn't tell you every gory detail,

but I can tell you how it all happened, if you like.

- No, no. Stop, stop.

- Yeah. How they all died.

You think I want this shit in my head?

- No. I'm sorry.

I'm sorry.

I'm sorry.

- I know you find it hard to trust people.

I've invited you into my home.

My family. - Yeah.

I don't know what I was thinking.

I don't know--I don't know what I was thinking.

I think--

I think I just hoped that you were lying,

because then Kitty would still be alive.

- I wish I was lying.

[sniffles]

But I'm not.

- [sighs]

- We have to trust each other, Lana.

We are together, right?

- Yeah.

[pensive music]

♪ ♪

- Are you OK?

♪ ♪

- Yeah.

Um, come on.

We need to get going.

- What?

- This will buy us some time.

- What are you doing? - I'm getting off this boat.

- How? We're too far from anything.

- Not from that fishing boat. He can take us inland.

- No, that's still too far.

- Fine. Use a ring.

I'll put a life jacket on you, and I'll pull you.

I know we can do it.

We just have to move so that

we do it before that boat leaves

and before they get back, OK?

[suspenseful music]

♪ ♪

- Lana, we don't have passports.

We don't have money. We can't do this.

- Yeah, we've got these.

♪ ♪

- But you-- you said you ditched them.

- Denny and I kept them. I should have told you.

We can get fake passport in Palau, I think.

Denny said there were places.

We can get new names and new birthdays.

♪ ♪

Uh, I need you to jump,

and then tread water like I showed you.

And then I will-- I'll pull you to the boat, OK?

I just need you to relax.

Stay calm. OK?

[words echoing] And stay calm. Stay calm.

Calm...calm...

♪ ♪

And I know it's scary. It's really scary.

But anything is better than staying on this boat.

You saw what they did to Joseph.

Now they've trapped us here. Fuck that.

[words echoing] Fuck that.

They're bad people...

they're bad people... they're bad people...

But it's going to be fine.

It's going to be fine. It's going to be fine.

It is.

OK?

♪ ♪

- I--

♪ ♪

- Yeah? - Yeah.

- Yeah?

OK.

OK.

♪ ♪

Come on!

Come on, it'll be fine. Don't be scared.

♪ ♪

Kitty, you need to jump, now!

Come on! It's fine. It's fine!

Look, it's safe.

Come on. Get in.

- I can't. - You can do it, you can do it.

- I'm so sorry. It's my fault.

- What are you talking about? Kitty, you need to jump.

- You have to go right now. You're better off without me.

- No! I'm fucking not.

You can't--this-- this is crazy!

- I killed Joseph. It was me. It was me.

It was so dark, and I must have just--

just--just lashed out, like I did with Ma.

- It can't be. - No, it wasn't.

It wasn't. I'm a bad person.

And I don't deserve to be saved.

- This is Sandra talking! Please! It's not real.

- No, no.

You've got to go now, quick. They're coming.

- Throw down the ladder. - Go!

- Kitty, I'm stuck and trapped down here.

Throw down the ladder, please. - No!

- I'm coming back up.

- No.

- Coming back soon. - No!

- Kitty, throw the ladder!

I'm trapped! - No!

- If Aaron sees me down here, I'm dead.

- I'm so sorry.

- Kitty, don't fucking do this!

I'm going to drown down here!

Kitty, no! Please!

Kitty, I was just trying to help us!

Kitty!

♪ ♪

[boat engine chugging]

♪ ♪

Kitty!

I'll meet-- meet you in Townsville.

I'll wait for you.

I'll wait.

♪ ♪

- [speaking Tagalog]

- Kitty.

♪ ♪

- You have got some balls, asking questions at a funeral.

- The girl came to me. - About what?

- She's worried that

Dennis Winbourne might be lying.

- And why would he do that?

- Doesn't it strike you as odd

that a gang of heavily-armed men

would use one small revolver to carry out a massacre?

- I don't know, Colonel.

You see, we don't get a lot of gang-related massacres

in northern Queensland.

- And there's this young man

who also sailed on "The Blue," Joseph Melina.

According to his sister, he is also missing.

- Yeah, last seen in the Philippines.

Maybe that's where you should be looking.

- My force is doing exactly that.

I just don't understand the willingness

to take Dennis Winbourne at his word.

- Because as far as I can see,

I mean, he's a good kid from a good family.

Son of a Supreme Court judge.

- We have a lot of good kids from good families, too.

- Look, cop to cop, I--

well, I appreciate your diligence.

I really do.

But my superiors are satisfied

that we've done everything we can at this end.

- Do your superiors include Peter Winbourne?

- Salamat,Colonel.

- Salamat.

[phone ringing]

Rhys. - [speaking Tagalog]

[dramatic music]

♪ ♪

- [sighs]

- [inhales sharply]

- You all right?

- Yeah.

- What were you dreaming about?

- That looks nice.

[both chuckle]

[moody music]

♪ ♪

- So Emma, what was that Filipino police officer

asking you about at the funeral?

- Uh, just the same old questions, really.

- Well, you did the right thing calling me over.

I'm sure he'd like nothing better than to shift blame

for Filipino crime onto us.

- He told us about your friend on "The Blue."

[soft tense music]

♪ ♪

- We're sorry for your loss.

But as for any problems your friend might have had

back in the UK, well,

what's the point of dredging up the past?

In light of everything, just best to leave things be.

♪ ♪

We have no secrets in this family.

- We made that mistake with Aaron.

[Peter clears throat] - I'll--I'll be back in a sec.

♪ ♪

- Following us?

- Us?

Must be nice to be around people so rich and powerful.

- Please leave us alone.

- Lana.

[tense music]

Here's the thing.

I don't care what you did before you came to Balakid.

I care about justice for Danilo de la Cruz.

♪ ♪

- I already told you, I don't know--

I don't know who that is.

- Were you the ones who took the ransom

from the trawler in Sagisag?

♪ ♪

[scoffs]

I just want to know the truth,

and maybe you do, too,

about what really happened to your friend,

Kitty Walker.

♪ ♪

- I--

I don't know what you're talking about.

I've already told you the truth.

♪ ♪

- Oh, God. [laughter]

Oh, wow! [overlapping chatter]

- Here, here, here. - Oh, God.

- Oh, my God. Oh, oh!

Wonderful, Kitty! Well done!

- It's a mess. - Didn't know you could cook.

- [laughing] It's so good.

- Thanks. - Uh-uh.

We always say grace before we start.

[holiday music playing faintly]

- You have got to be joking.

- You may not live here anymore,

but we're still a family, Lana,

and we don't have any secrets.

Confession is a positive thing.

♪ ♪

- I cannot believe that you are still doing this.

♪ ♪

Why don't you confess? - [scoffs] Here we go.

- Yeah, confess that you're a bully,

and you love making kids feel like shit.

- Yeah, OK, yeah. - Yeah.

- God, Lana. Come on. Just sit down.

- You know what? When you first came here...

- Oh, shut up.

I thought, "How? How could a woman abandon her child?

- Can we just eat? - No!

- If I'd given birth to you,

I'd have done exactly the same thing.

[ominous music]

- No! No!

- Come on, come on. - Stop!

- Get off her!

[cord of lights whip] [loud thud]

[Kitty gasps]

♪ ♪

- Lana. - Oi!

- Put the ladder down.

- Come on.

Where's Lana?

- Heinrich, give it to Shell.

- Is she below deck?

[indistinct chatter]

- Go? - Yeah, go.

[indistinct chatter]

- Lana?

- She's gone.

- What do you mean, she's gone? Gone where?

- When?

- Ages ago. - When?

- I--I don't know. - Where?

Where's she going, Kitty? - She jumped, so I don't know.

- If she goes to the police-- if she goes to the police,

you know we have to go after her, Kitty.

- No, no. She wouldn't do that. - Just tell me.

- Hey, hey! - Chill, chill, chill, chill!

- Shut the fuck up. - Hey, hey, hey, hey, hey.

Hey, she's just a girl, OK?

Denny, don't walk away.

Den! [sighs]

- Fuel boat should be here any minute.

[ominous music]

We have to be ready to move out as soon as we can.

♪ ♪

- I, um--

♪ ♪

Fuck!

[delicate harp music]

♪ ♪

[phone beeps]

[phone dialing]

[line trilling]

[phone ringing]

[suspenseful music] [phone ringing]

[line trilling continues] [phone ringing continues]

♪ ♪

[ringing gets louder]

[phone buzzing]

[line trilling]

[phone ringing]

[knocking at door]

- Darling, coffee's ready downstairs.

- Yeah, I'm coming.

♪ ♪

- Do you want a coffee?

- Yeah.

[sighs]

You know, if we had some cash, we could get out of here.

Go wherever we want.

Cash.

Diamonds.

You still got them, haven't you?

- Don't.

- Look, I'm not the one who should have trust issues here,

all right?

You ran on me, remember?

But I came back.

- Denny, what was the last thing Kitty said to you?

- What? Why?

- I just need to know.

- All right. Um--

[sighs]

It was while we were making dinner.

She was talking about you.

She was saying how much she missed you.

- But you didn't get a chance to speak to her after that?

- No.

I wish I had.

- And there was no way that you could have salvaged

any of the bodies at all?

- No. I told you, I was hiding

and then I saw my chance

and I hopped in the tender and just--

Is everything all right?

- Yeah.

Yeah.

- Put some clothes on, Dennis.

Chief Inspector Craven's here.

She'd like to speak to both of you.

- I've already answered their questions.

- So answer them again.

Be courteous.

Stick to the facts.

- Um, we're having trouble

identifying this Jessica Davis who made the distress call.

- Mm-hmm.

- Well, there's no one that matches

the description you gave us

on any of the missing persons lists.

- [blows air] Well, she wasn't on board for long, so--

I know she was British.

- Haven't we been over this, Detective?

- You're right, Your Honor. I'm sorry.

Lastly, Emma, you didn't know her?

- No, um00

- It's a shame. You'd have gotten on.

- It's my understanding that this girl only came on board

[words echoing] in the Solomons, weeks after.

[ethereal ominous music]

♪ ♪

- Oh, please. Please, wake up.

- Please. - Wake up!

- Um--

Come on. - Kit, I--

- Wake up! - I think--

- Come on! - Kit.

- [sobbing] Wake up, please! - Kit.

Mum.

♪ ♪

Please.

♪ ♪

Oh, God. She's dead.

[crying]

I'm so sorry.

- Kit. - [shuddering]

- Kit, come on.

- [sobbing] I'm so sorry.

- It's OK. It's OK.

Do you-- let's--

um, you should go, just wait out there.

♪ ♪

Um--

♪ ♪

- [grunts]

♪ ♪

- Shit.

[dial tone droning]

♪ ♪

[receiver clicks down]

♪ ♪

- What if people don't believe--

what if people don't believe it was an accident?

♪ ♪

Lana, Lana, I didn't mean to.

- I know, I know.

- I didn't mean to. - I know.

- It was an accident.

♪ ♪

[loud rock music]

♪ ♪

[distant rock music]

- What about you, Aaron?

What are you going to do when you finally go back?

- I'm going to go put flowers on Helen's grave.

- You don't have to. Why make yourself miserable?

- Because I'm already miserable, Denny.

- What about you, Denny?

- I don't see why we have to go back at all.

We're in the clear, no more dramas.

Why can't we go back to how it used to be?

- Yeah.

♪ ♪

[sighs] That fucking song.

♪ ♪

- I'll go.

♪ ♪

[loud rock music]

♪ ♪

- Kitty.

♪ ♪

You OK in there?

♪ ♪

- [screaming and sobbing]

- Kitty. - Leave me alone!

- Kitty, put the music down and let me know you're OK.

Talk to me. I just want to know you're all right.

[music turns off] - Fucking hell, fine.

I'm fine!

And I'm not coming to Australia.

- OK.

Then what do you want to do?

- I can't keep running.

- Running from what?

[soft suspenseful music]

♪ ♪

What?

♪ ♪

Why don't you open the door,

and we can talk about this face-to-face?

♪ ♪

Kitty.

Whatever it is you're running from,

it's never as bad as you think.

- It is, and Denny knows. - Denny knows what?

- Why?

Why are you pretending that you care?

- I do care!

- No, you don't. - I do.

It's been a difficult time for everyone.

We're just all tired and just want to get home.

♪ ♪

I know you must miss Lana.

♪ ♪

And I'm sorry she abandoned you.

But I'm here, and I care.

♪ ♪

Can you open the door, please?

♪ ♪

Lana was wrong to leave you, too.

- No.

It didn't happen like that.

That night when--

Joseph. I-- I, uh--

I pushed Joseph.

I pushed him and that was my fault.

- No. No, no, no, no.

- And now he's gone.

- He could have fallen in. - No, he didn't.

I pushed him. - Or jumped in.

- It's my fault.

- Hey, hey.

I'm here. OK?

It'll all seem better in the morning.

- It's all my fault.

- No.

♪ ♪

- Are you a smoker?

- No.

- Good girl.

- I just couldn't sleep, so I thought

I would go for a walk and clear my head.

- That's dangerous.

Attractive woman like yourself, late at night.

[beeping]

Still, I wouldn't want you to feel like a prisoner.

Give me a call if you need me to pick you up.

♪ ♪

- Thank you.

♪ ♪

- Um, I'm sorry. I--

I didn't mean to listen,

but I just heard what you said to Shell before,

about Joseph.

- I don't-- - No, no.

- I don't want to-- - No, it's--it's fine.

- I don't-- - It's fine.

- [sighs]

- [clears throat]

Listen, it--

He can't have died how you think.

That night,

I carried you in here myself before it happened.

You couldn't even stand up.

[soft tense music]

And he was still on deck, alive.

So there's no way you pushed him.

♪ ♪

I have to be on watch the whole night, so...

I'm going to try to sleep a bit.

You should try the same.

- Fuck.

♪ ♪

How could you do this to me,

when you knew what I was going through?

- What? Wait, do what?

♪ ♪

- You--you told me that I--

pushed Joseph when I didn't.

♪ ♪

- I-- look, hey.

Kitty, it's OK.

You're confused. OK?

- Don't touch me!

♪ ♪

- OK.

I'm not touching you.

♪ ♪

See?

It's OK.

[door locks]

- It was you.

♪ ♪

[knock at door]

♪ ♪

[door opens]

- Lana.

- I need to talk to you.

- All right.

Come in.

- You were right. He's lying.

Denny's lying about everything and I think he's dangerous,

so I need your help.

- I'm going to have a drink. Do you want one?

- Yes.

Yeah, fuck it. I'll have one.

♪ ♪

- Police! Police! [overlapping shouting]

[tense music]

♪ ♪

- [speaking Tagalog]

♪ ♪

- [speaking Tagalog]

[indistinct shouting]

- [speaking Tagalog]

Last location.

- Sir...

- It's very brave for you to come here.

- Thanks.

- But you don't have to worry anymore.

I can help.

- Ah.

- Now tell me everything.

♪ ♪

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