Original subtitles

CAPTIONING MADE POSSIBLE BY WARNER BROS.

CAPTIONING MADE POSSIBLE BY WARNER BROS.

[SCREECHING]

MARIA...

Maria:

LUIS, NO.

Maria:

LUIS, NO.

■LUIS, NO, POR FAVOR!

■NO, DIOS MIO, NO!

NO!

CESAR.

NO, DIOS MIO.

NO, DIOS MIO.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

CESAR.

POR FAVOR, CESAR,

POR FAVOR, CESAR,

ESCUCHA ME.

ESCUCHA ME.

■ LUCKY ME TO BE BORN IN HAVANA ■

■ LUCKY ME TO BE BORN IN HAVANA ■

■ AND THERE I BECAME A SINGER OF SONGS ■

■ AND THERE I BECAME A SINGER OF SONGS ■

■ FATE LED ME TO THE GREAT MAMBOLEROS ■

■ FATE LED ME TO THE GREAT MAMBOLEROS ■

■ FATE LED ME TO THE GREAT MAMBOLEROS ■

■ IN ALL OF CUBA ■

■ IN ALL OF CUBA ■

■ THE TOAST OF THE TOWN ■

■ THE TOAST OF THE TOWN ■

■ SINGING AT THE TROPICANA ■

■ SINGING AT THE TROPICANA ■

■ MY FANTASIES FINALLY CAME TRUE ■

■ MY FANTASIES FINALLY CAME TRUE ■

■ IMAGINE GOING TO NEW YORK ■

■ IMAGINE GOING TO NEW YORK ■

■ SEEING THE GREAT ONES ■

■ FILL MY HEART AND SOUL ■

ME AND MY LITTLE BROTHER,

WE■RE GOING TO NEW YORK, YOU KNOW,

WE■RE GOING TO NEW YORK, YOU KNOW,

TO MAKE AN ORCHESTRA.

TO MAKE AN ORCHESTRA.

BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE--

BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE--

BIGGEST SONGWRITER IN CUBA SITTING RIGHT THERE--

NESTOR CASTILLO.

YEAH, WE■RE GOING TO CALL IT

KINGS OF THE MAMBO.

KINGS OF THE MAMBO.

YOU KNOW, SOMETHING LIKE THAT.

YOU KNOW, SOMETHING LIKE THAT.

WE COULD USE A PRETTY GIRL LIKE YOU

WE COULD USE A PRETTY GIRL LIKE YOU

TO POSE FOR THE ALBUM COVER,

IF YOU■D BE INTERESTED.

WE■RE GOING TO SET NEW YORK ON FIRE, BABY.

WE■RE GOING TO SET NEW YORK ON FIRE, BABY.

■ BA DA ■

■ BA DA ■

■ BA DA ■

■ BA DA ■

■ BA DA ■

■ BA DA ■

■ VARO, VARO, VARO, VARO ■

■ VARO, VARO, VARO, VARO ■

■ VARO, VARO, VARO, VARO ■

■ VARO, VARO, VARO, VARO ■

[HUMMING]

NO?

[HUMMING]

[HUMMING]

THAT■S FOR YOU, LADY.

THAT■S FOR YOU, LADY.

THANKS.

SO ARE YOU FAMOUS?

ALL OVER CUBA.

HEY, BROTHER, LISTEN TO THIS.

HEY, BROTHER, LISTEN TO THIS.

"THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS."

"THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS."

"THE D. D. VANDERBILT PRACTICAL SECRET OF SUSESS."

SUCCESS.

SUCCESS.

SUCCESS.

SUCCESS.

SUCCESS. HELL WITH IT.

"WILL WORK FOR YOU.

"WHETHER YOU■RE RICH OR POOR,

"WHETHER YOU■RE RICH OR POOR,

"CHINAMAN, INDIAN, OR FROM THE PLANET MARS,

"CHINAMAN, INDIAN, OR FROM THE PLANET MARS,

THIS BOOK WILL CHANGE YOUR LIFE."

THIS BOOK WILL CHANGE YOUR LIFE."

SOMETHING TELLS ME I■M GOING TO BE SORRY

SOMETHING TELLS ME I■M GOING TO BE SORRY

I EVER GOT HIM THAT BOOK.

HIS ENGLISH AIN■T SO GOOD.

I THINK CUBAN ACCENTS ARE SEXY.

I THINK CUBAN ACCENTS ARE SEXY.

YOU THINK SO?

YOU THINK SO?

MM-HMM.

MM-HMM.

■ EH, SARITA ■

■ EH, SARITA ■

LET■S GO. COME ON.

■ ME LA DIO EL SEÑOR ■

■ ME LA DIO EL SEÑOR ■

■ EH, SARITA ■

■ EH, SARITA ■

■ ME LA DIO,

ME LA DIO EL SEÑOR ■

■ ME LA DIO,

ME LA DIO EL SEÑOR ■

■ ME LA DIO,

ME LA DIO EL SEÑOR ■

■ ME LA DIO,

ME LA DIO EL SEÑOR ■

■ CLARITA ■

■ EH, SARITA ■

FORGET MARIA, KID,

■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK

■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK

■CAUSE THE BEST-LOOKING GIRLS IN NEW YORK

ARE WAITING FOR YOU RIGHT NOW!

ARE WAITING FOR YOU RIGHT NOW!

MOVE OVER. COME ON!

MOVE OVER. COME ON!

■ ME LA DIO,

ME LA DIO ■

■ LA DICHA MIA,

ME LA DIO EL SEÑOR ■

■ AZUGA ■

■ EH, SARITA ■

■ EH, SARITA ■

■ ME LA DIO EL SEÑOR... ■

■ ME LA DIO EL SEÑOR... ■

GET YOUR PAPER HERE!

GET YOUR PAPER HERE!

SCHWEITZER WINS NOBEL PEACE PRIZE!

SCHWEITZER WINS NOBEL PEACE PRIZE!

CAROL!

OH, IT■S SO GOOD TO SEE YOU!

OH, IT■S SO GOOD TO SEE YOU!

PABLO?

PABLO?

NESTOR!

YOU■RE GROWN LIKE A MAN!

YOU■RE GROWN LIKE A MAN!

CESAR!

GIVE ME A BIG HUG!

GIVE ME A BIG HUG.

GIVE ME A BIG HUG.

■ Y A QUERIDOS ■

■ SALO MIO ■

■ SE PUEDAS A LA VENDIGA ■

■ SE PUEDAS A LA VENDIGA ■

■ LA DICHA MIA

ME LA DIO EL SEÑOR ■

■ LA DICHA MIA

ME LA DIO EL SEÑOR ■

■ LA BAN ■

SURE, NEW YORK IS JUST WAITING FOR YOU!

SURE, NEW YORK IS JUST WAITING FOR YOU!

I■VE BEEN WAITING FOR YOU, BABY.

I■VE BEEN WAITING FOR YOU, BABY.

[RIFLEMAN THEME PLAYS LOUDLY]

■NANDO!

[SPEAKING SPANISH]

[SPEAKING SPANISH]

BLANCA, LOOK AT THAT.

BLANCA, LOOK AT THAT.

MAMA EMBROIDERED THAT.

MAMA EMBROIDERED THAT.

[SPEAKING SPANISH]

[BANG]

[BANG]

COME ON, GET THE HELL OUT OF HERE.

COME ON, GET THE HELL OUT OF HERE.

COME ON, EH?

COME ON, EH?

GRACIAS.

AY. Y ESO, ■QUE FUE?

AY. Y ESO, ■QUE FUE?

HOMBRE, WHAT HAPPENED?

HOMBRE, WHAT HAPPENED?

NOTHING.

I CUT MYSELF SHAVING.

BROTHER, YOU ARE LUCKY YOU WERE NOT KILLED.

BROTHER, YOU ARE LUCKY YOU WERE NOT KILLED.

WILL YOU STOP, PLEASE?

WILL YOU STOP, PLEASE?

HEY, CESAR, WHAT HAPPENED?

HEY, CESAR, WHAT HAPPENED?

THE MAN WHO OWNED THE CLUB WHERE WE PLAYED

THE MAN WHO OWNED THE CLUB WHERE WE PLAYED

THE MAN WHO OWNED THE CLUB WHERE WE PLAYED

WANTED TO OWN US, TOO.

WANTED TO OWN US, TOO.

THEY GOT INTO A FIGHT.

THAT■S-- THAT■S WHY WE CAME...

Both: TO MAKE A NEW CAREER.

NOBODY OWNS CESAR AND NESTOR CASTILLO, HUH?

NOBODY OWNS CESAR AND NESTOR CASTILLO, HUH?

YOU WRITE THE MUSIC

AND LET ME WORRY ABOUT THE BUSINESS

AND WE■RE ALL GOING TO GET RICH AND HAPPY AND FAMOUS

AND WE■RE ALL GOING TO GET RICH AND HAPPY AND FAMOUS

HERE IN AMERICA, RIGHT?

HERE IN AMERICA, RIGHT?

GET HIM OUT OF HERE

GET HIM OUT OF HERE

WITH THIS STUPID THING. STUPID KID.

WITH THIS STUPID THING. STUPID KID.

SO WHERE SHOULD WE MAKE OUR DEBUT, COUSIN?

SO WHERE SHOULD WE MAKE OUR DEBUT, COUSIN?

COME ON, WHAT■S THE MOST CLASSY JOINT IN TOWN?

COME ON, WHAT■S THE MOST CLASSY JOINT IN TOWN?

BUT WE JUST GOT HERE.

BUT WE JUST GOT HERE.

THE SHRIMP THAT SLEEPS GETS CARRIED AWAY BY A COCKTAIL.

THE SHRIMP THAT SLEEPS GETS CARRIED AWAY BY A COCKTAIL.

LET■S NOT BE STUPID.

LET■S NOT BE STUPID.

YOU HAVEN■T CHANGED. JUST OFF THE BOAT

YOU HAVEN■T CHANGED. JUST OFF THE BOAT

AND YOU THINK YOU■RE GOING TO LAND A GIG

IN A DOWNTOWN CLUB, HUH?

10,000 LATIN GUYS IN JERSEY PLAYING RENT PARTIES,

10,000 LATIN GUYS IN JERSEY PLAYING RENT PARTIES,

AND HE■S GOING TO PLAY THE PALLADIUM?

AND HE■S GOING TO PLAY THE PALLADIUM?

IS THAT A PLACE WHERE A GENTLEMAN

IS THAT A PLACE WHERE A GENTLEMAN

LIKE A DESI ARNAZ WOULD PLAY?

LIKE A DESI ARNAZ WOULD PLAY?

THE ONE AND ONLY.

BLANCA AND ME, WE■RE THERE,

DANCE A LITTLE BIT EVERY WEEKEND.

DANCE A LITTLE BIT EVERY WEEKEND.

THAT■S IT.

LET■S GO.

LET■S GO.

NOW? WE ARE TIRED.

NOW? WE ARE TIRED.

YOU THINK I COME TO NEW YORK

TO SIT WITH MY FEET IN HOT WATER ALL MY LIFE?

TO SIT WITH MY FEET IN HOT WATER ALL MY LIFE?

WE■RE GOING TO THE PALLADIUM.

WE■RE GOING TO THE PALLADIUM.

GET UP. COME ON, NESTOR.

NANDO!

NANDO!

LET■S GO.

LOS REYES DEL MAMBO, HUH?

LET■S GO.

LOS REYES DEL MAMBO, HUH?

[BAND PLAYS

RAN KAN KAN]

OH, HOW BEAUTIFUL!

OH, HOW BEAUTIFUL!

HI, RUSS.

I LOVE YOUR--OH.

I LOVE YOUR--OH.

SO WHO■S THE BIG MILLIONAIRE OVER HERE?

SO WHO■S THE BIG MILLIONAIRE OVER HERE?

FERNANDO PEREZ AND HIS WIFE ISMELDA.

FERNANDO PEREZ AND HIS WIFE ISMELDA.

BIGGEST MANAGER IN THE BUSINESS.

BIGGEST MANAGER IN THE BUSINESS.

HE CAN TAKE YOU TO THE TOP OF

EL MUNDO MAMBO,

HE CAN TAKE YOU TO THE TOP OF

EL MUNDO MAMBO,

BUT HE■LL OWN YOUR SOUL.

THAT■S CARLO RICCI NEXT TO HIM.

HE OWNS HALF THE CLUBS IN TOWN.

HE OWNS HALF THE CLUBS IN TOWN.

I LOVE IT.

I LOVE IT.

WHO IS THAT?

WHO IS THAT?

MIGUEL MONTOYA, BEST ARRANGER IN THE CITY.

MIGUEL MONTOYA, BEST ARRANGER IN THE CITY.

WITH HIM IS HIS MOTHER EVALINA.

WITH HIM IS HIS MOTHER EVALINA.

SHE OWNS CLUB BABALU IN HARLEM.

SHE OWNS CLUB BABALU IN HARLEM.

I HEARD THEY GOT SHOT AT ONCE,

I HEARD THEY GOT SHOT AT ONCE,

BUT THEIR YORUBA SPIRITS TURNED THEIR BULLETS BACK.

BUT THEIR YORUBA SPIRITS TURNED THEIR BULLETS BACK.

SANTEROS.

WHO■S THE KID NEXT TO HER?

WHO■S THE KID NEXT TO HER?

THEIR GODSON FRANKIE SUAREZ.

THEIR GODSON FRANKIE SUAREZ.

HELLO.

HELLO.

HEY, TWO OF EVERYTHING IN THIS COUNTRY, HUH?

HEY, TWO OF EVERYTHING IN THIS COUNTRY, HUH?

COME ON.

COME ON.

MY KIND OF PLACE.

ONE FOR YOU, ONE FOR ME.

WHERE ARE YOU GOING?

CREEP!

HEY! GET AWAY FROM HER, YOU ANIMAL!

HEY! GET AWAY FROM HER, YOU ANIMAL!

I GOT IT.

I GOT THIS COVERED, PLEASE. THANK YOU.

I GOT THIS COVERED, PLEASE. THANK YOU.

I GOT IT. I GOT IT.

I GOT THIS COVERED, NOW, PLEASE.

I GOT THIS COVERED, NOW, PLEASE.

YOU KNOW, YOU ARE A KNOCKOUT, BABY.

YOU KNOW, YOU ARE A KNOCKOUT, BABY.

I■M JUST GOING TO SIT HERE

I■M JUST GOING TO SIT HERE

AND BUY EVERYTHING YOU GOT TO SELL.

AND BUY EVERYTHING YOU GOT TO SELL.

AND BUY EVERYTHING YOU GOT TO SELL.

THANKS, HONEY,

THANKS, HONEY,

BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS.

BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS.

BUT I THINK THEY■LL WRECK THAT NICE BARITONE VOICE OF YOURS.

OH, MY GOD.

OH, MY GOD.

OH, MY GOD.

OH, MY GOD.

IF SHE COOKS LIKE SHE WALKS,

IF SHE COOKS LIKE SHE WALKS,

BROTHER, I AM GOING TO LICK HER PLATE.

BROTHER, I AM GOING TO LICK HER PLATE.

BROTHER, I AM GOING TO LICK HER PLATE.

STAY AWAY FROM HER.

STAY AWAY FROM HER.

■ MAMBO QUE MAMBO

TIMBALERO ■

■ MAMBO QUE MAMBO

TIMBALERO ■

■ YA VA A-EMPEZAR ■

■ MAMBO QUE MAMBO

TIMBALERO ■

■ YA VA A-EMPEZAR ■

BA BA BA BA BA!

BA BA BA BA BA!

PA BA PA PA RA PA PA!

BA BA BA BA BA!

■ MAMBO QUE MAMBO

TIMBAL-- ■

TITO!

TITO!

TITO!

REMEMBER ME?

REMEMBER ME?

TROPICANA!

IN HAVANA!

LET ME PLAY!

TITO!

COME ON. COME ON.

DON■T PUSH ME, MAN!

DON■T PUSH ME, MAN!

STEP OUTSIDE.

STEP OUTSIDE.

LET HIM UP. COME ON.

LET HIM UP. COME ON.

THANK YOU.

THANK YOU.

YEAH, YEAH!

YEAH, YEAH!

THANK YOU.

LOOK AT THAT!

LOOK AT THAT!

HE■S MY BROTHER. HE■S MY BROTHER.

HE■S MY BROTHER. HE■S MY BROTHER.

MY COUSIN.

MY COUSIN.

HIS COUSIN. HE■S MY BROTHER.

HIS COUSIN. HE■S MY BROTHER.

[SPEAKING SPANISH]

■CABRON!

■CABRON!

WHERE DID EVERYBODY GO?

WHERE DID EVERYBODY GO?

COME ON, GUYS. INSIDE. LET■S GO!

COME ON, GUYS. INSIDE. LET■S GO!

COME ON.

IT WAS HIS FATE.

BAH.

BAH.

SON OF A BITCH HAD IT COMING.

SON OF A BITCH HAD IT COMING.

THAT SON OF A BITCH RUINED MY NUMBER,

THAT SON OF A BITCH RUINED MY NUMBER,

MAYBE OUR CHANCES OF A JOB HERE WITH TITO PUENTE.

MAYBE OUR CHANCES OF A JOB HERE WITH TITO PUENTE.

IT■S A SHAME.

T■s GOING ON TOUR TOMORROW ANYWAY.

WHAT YOU SHOULD DO IS GO DOWN TO THE UNION

WHAT YOU SHOULD DO IS GO DOWN TO THE UNION

AND JOIN UP.

EVERYBODY CAN JOIN THE UNION, MAN.

WHAT YOU NEED IS A TUNESMITH

WHAT YOU NEED IS A TUNESMITH

TO PLAY MORE THAN A RENT PARTY IN THIS TOWN.

TO PLAY MORE THAN A RENT PARTY IN THIS TOWN.

I■M FRANKIE SUAREZ.

YOU PLAY AN INSTRUMENT, FRANKIE?

SI, LO BONGO.

SI, LO BONGO.

YOU PLAY LIKE YOU DANCE?

MUCH BETTER.

MUCH BETTER.

I WANT TO GET TOGETHER.

SO ALL RIGHT.

SO ALL RIGHT.

CESAR, REMEMBER, TOMORROW■S WORK.

WE GOT TO BE UP WITH THE BIRDIES, HUH?

YOU DIDN■T GET MUCH SLEEP ON THE BUS.

YOU DIDN■T GET MUCH SLEEP ON THE BUS.

THERE■S ENOUGH TIME TO SLEEP WHEN I■M DEAD.

PLEASE GO AWAY.

GOOD NIGHT.

GOOD NIGHT.

CESAR CASTILLO. I■M SO ENCHANTED TO HAVE MET YOU,

CESAR CASTILLO. I■M SO ENCHANTED TO HAVE MET YOU,

I CAN■T TELL YOU.

LANNA LAKE.

HONEY, YOU ARE THE CAT■S MEOW ON STAGE.

HONEY, YOU ARE THE CAT■S MEOW ON STAGE.

I KNOW THAT. THANK YOU.

I KNOW THAT. THANK YOU.

MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE.

MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE.

MY BROTHER AND I, WE■RE MAKING OUR OWN ORCHESTRA HERE.

WE COULD USE A PRETTY GIRL LIKE YOU

WE COULD USE A PRETTY GIRL LIKE YOU

TO POSE FOR THE ALBUM COVER.

TO POSE FOR THE ALBUM COVER.

MODELING IS MY CHOSEN PROFESSION, HONEY.

MODELING IS MY CHOSEN PROFESSION, HONEY.

ANYWAY ALL THIS MODELING EVER GOT ME

ANYWAY ALL THIS MODELING EVER GOT ME

WAS A MISS TEENAGE AMERICA PAGEANT

WAS A MISS TEENAGE AMERICA PAGEANT

AND A SPREAD IN

SEVENTEEN MAGAZINE.

AND A SPREAD IN

SEVENTEEN MAGAZINE.

A SPREAD.

[LAUGHS]

[LAUGHS]

IN

SEVENTEEN MAGAZINE.

HMM.

I WAS TICKLED PINK.

I WAS TICKLED PINK.

PINK.

AND THEN I LEFT SANDUSKY

AND I MOVED RIGHT TO NEW YORK.

AND I MOVED RIGHT TO NEW YORK.

BUT, HONEY,

BUT, HONEY,

WHAT THE JUDGES LIKED, THE MAGAZINE DIDN■T.

WHAT THE JUDGES LIKED, THE MAGAZINE DIDN■T.

I WAS JUST A LITTLE TOO BROAD IN THE BEAM.

I WAS JUST A LITTLE TOO BROAD IN THE BEAM.

I WAS JUST A LITTLE TOO BROAD IN THE BEAM.

LUCKY FOR US I■M NOT A MAGAZINE.

LUCKY FOR US I■M NOT A MAGAZINE.

[LAUGHS]

[LAUGHS]

I PLAYED A FEW CHORUSES,

BUT I NEVER MADE THE ROCKETTES.

BUT I NEVER MADE THE ROCKETTES.

I COULDN■T TAKE ALL THE CREEPS

I COULDN■T TAKE ALL THE CREEPS

MAKING PASSES AT ME IN THE CLUBS.

MAKING PASSES AT ME IN THE CLUBS.

WHEN I LANDED THIS JOB

WITH BOUNCERS TO PROTECT ME,

WITH BOUNCERS TO PROTECT ME,

I THANKED MY LUCKY STARS.

I THINK IN CUBA A GIRL LIKE YOU

I THINK IN CUBA A GIRL LIKE YOU

WOULD NEED AN ARMY TO PROTECT YOU.

WOULD NEED AN ARMY TO PROTECT YOU.

YOU KNOW, YOU SHOULDN■T COMPLAIN SO MUCH.

YOU KNOW, YOU SHOULDN■T COMPLAIN SO MUCH.

AND I BET YOU SAY THAT TO ALL THE GIRLS.

AND I BET YOU SAY THAT TO ALL THE GIRLS.

YOU■RE MY FIRST AMERICAN BEAUTY.

REALLY?

AND I■M THE STATUE OF LIBERTY.

AND I■M THE STATUE OF LIBERTY.

YOU KNOW, YOU■RE SO BEAUTIFUL, LANNA.

YOU KNOW, YOU■RE SO BEAUTIFUL, LANNA.

YOU■RE NOT SO BAD YOURSELF.

YOU■RE NOT SO BAD YOURSELF.

STATUE OF LIBERTY, HUH?

STATUE OF LIBERTY, HUH?

OH.

OH, GOD.

OHH.

OHH.

TE QUIERO.

HEY, THAT■S BEAUTIFUL.

HEY, THAT■S BEAUTIFUL.

SAY THAT AGAIN.

SAY THAT AGAIN.

TE QUIERO, BABY.

TE QUIERO, BABY.

YEAH.

HEY, AND I■LL

HEY, AND I■LL

"TAKE CARO" YOU, TOO, BABY.

"TAKE CARO" YOU, TOO, BABY.

[BOTH LAUGHING]

[BOTH LAUGHING]

OHH!

I LOVE THIS COUNTRY.

I LOVE THIS COUNTRY.

HA HA HA!

QUERIDA MARIA,

QUERIDA MARIA,

I THOUGHT YOU

BELIEVED IN ME...

I THOUGHT YOU

BELIEVED IN ME...

IN OUR LOVE.

IN OUR LOVE.

I WAS WRONG.

SINCE YOU MARRIED LUIS,

SINCE YOU MARRIED LUIS,

THERE IS NOTHING

LEFT FOR ME IN CUBA,

THERE IS NOTHING

LEFT FOR ME IN CUBA,

AND SO I■VE GONE

TO AMERICA WITH CESAR.

AND SO I■VE GONE

TO AMERICA WITH CESAR.

AND SO I■VE GONE

TO AMERICA WITH CESAR.

A NEW COUNTRY,

A NEW LIFE...

A NEW COUNTRY,

A NEW LIFE...

WITHOUT YOU.

BUT SOMEDAY YOU WILL

HEAR MY SONG,

BUT SOMEDAY YOU WILL

HEAR MY SONG,

BEAUTIFUL MARIA

OF MY SOUL,

BEAUTIFUL MARIA

OF MY SOUL,

AND THEN YOU WILL KNOW THAT YOU ARE MY DESTINY,

AND THEN YOU WILL KNOW THAT YOU ARE MY DESTINY,

AND THEN YOU WILL KNOW THAT YOU ARE MY DESTINY,

AS I AM YOURS.

AS I AM YOURS.

[NO AUDIO]

DON■T WORRY.

IT■S GOING TO HAPPEN FOR US HERE, KID.

IT■S GOING TO HAPPEN FOR US HERE, KID.

I CAN FEEL IT.

I CAN FEEL IT.

IN THE NAME OF THE MAMBO AND THE RUMBA

IN THE NAME OF THE MAMBO AND THE RUMBA

IN THE NAME OF THE MAMBO AND THE RUMBA

AND THE CHA-CHA-CHA.

[BELL RINGS]

WOULD YOU GET TO WORK?

WOULD YOU GET TO WORK?

[SPEAKING SPANISH]

[SPEAKING SPANISH]

YOU CRAZY?

HEY, HEY! AREN■T YOU THAT

MUSICO LOCO

HEY, HEY! AREN■T YOU THAT

MUSICO LOCO

THAT GOT UP AT THE PALLADIUM?

THIS IS THE GUY. TELL ME SOMETHING.

HOW DO YOU CROSS YOUR STICKS LIKE THAT?

HOW DO YOU CROSS YOUR STICKS LIKE THAT?

THAT WAS SOME SHOW YOU PUT ON LAST NIGHT, MAN.

THAT WAS SOME SHOW YOU PUT ON LAST NIGHT, MAN.

YOU SAW MY SOLO?

YOU SAW MY SOLO?

SOLO?

SOLO?

YOU ALMOST DID THAT SOLO ON YOUR ASS,

YOU ALMOST DID THAT SOLO ON YOUR ASS,

BUT TITO LIKED YOU.

BUT TITO LIKED YOU.

THEY WERE AT THE PALLADIUM.

THEY WERE AT THE PALLADIUM.

ANYWAY, I■M PITO. THIS IS WILLIE.

ANYWAY, I■M PITO. THIS IS WILLIE.

ARE YOU FELLOWS MUSICIANS?

ARE YOU FELLOWS MUSICIANS?

Pito: WHO ISN■T?

Pito: WHO ISN■T?

LET■S SHOW THEM HOW WE WARM UP OVER HERE.

LET■S SHOW THEM HOW WE WARM UP OVER HERE.

WATCH, MAN.

■ DO DIN DIN DO ■

■ DO DIN DIN DO ■

■ BOP BOP DO BOP BOP BOP ■

I PLAY TIMBALAS.

HE PLAYS THE BASS.

THIS IS NOT THE PALLADIUM, GUYS.

THIS IS NOT THE PALLADIUM, GUYS.

OH, SORRY, MAN.

DID YOU HAVE A BAND IN CUBA?

DID YOU HAVE A BAND IN CUBA?

YEAH, HAVANA MELODY BOYS.

WE USED TO SLAUGHTER MORE THAN A COW.

WE USED TO SLAUGHTER MORE THAN A COW.

WITH A FIRST-CLASS ARRANGER,

WITH A FIRST-CLASS ARRANGER,

SOMEONE WHO KNOWS THE ROPES,

SOMEONE WHO KNOWS THE ROPES,

WE■LL SET NEW YORK ON FIRE.

WHERE YOU GOING TO FIND AN ARRANGER LIKE THAT?

WHERE YOU GOING TO FIND AN ARRANGER LIKE THAT?

I■M TELLING YOU.

HOW YOU GOING TO PAY HIM,

WITH STEAKS AND HAMBURGERS?

WITH STEAKS AND HAMBURGERS?

JUST LEAVE IT TO ME.

JUST LEAVE IT TO ME.

YOU HAVE VERY GOOD TASTE.

YOU HAVE VERY GOOD TASTE.

LECUONA IS THE FINEST COMPOSER ALIVE TODAY.

LECUONA IS THE FINEST COMPOSER ALIVE TODAY.

LECUONA IS THE FINEST COMPOSER ALIVE TODAY.

THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY.

THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY.

THANK YOU, CESAR, NESTOR, FOR YOUR GENEROSITY.

NAW.

NAW.

SO FRANKIE TELLS ME

YOU AND YOUR BROTHER ARE VERY TALENTED,

YOU AND YOUR BROTHER ARE VERY TALENTED,

THAT YOU HAVE WRITTEN SONGS

WITH A NEW SOUND.

WITH A NEW SOUND.

WE GOT SO MANY, THEY FILL A SUITCASE.

AND YOU■VE JUST COME FROM HAVANA,

AND YOU■VE JUST COME FROM HAVANA,

WHERE YOU PLAYED IN SOME CLUBS?

YES. OUR LAST JOB WAS AT THE TROPICANA

IN HAVANA.

AH, WE PLAYED ALL THE CLUBS IN CUBA,

AH, WE PLAYED ALL THE CLUBS IN CUBA,

ALL THE CLUBS.

AND YOU WOULD LIKE TO KNOW

AND YOU WOULD LIKE TO KNOW

IF I WOULD BE INTERESTED

IN ARRANGING THESE SONGS, HMM?

YES.

YEAH.

YEAH.

MAMA,

■QUE TU CREES?

■QUIERES OIR

TUS MUCHACHOS?

ONE, THE SON OF CHANGO.

ONE, THE SON OF CHANGO.

ONE, THE SON OF CHANGO.

THE OTHER...

THE OTHER...

THE SON OF IMANJA, GODDESS OF THE SEA.

THE SON OF IMANJA, GODDESS OF THE SEA.

FIRE AND WATER.

FIRE AND WATER.

YES.

YES.

I MUST HEAR THEM PLAY.

I MUST HEAR THEM PLAY.

LET■S GO DOWNSTAIRS TO MY CLUB.

LET■S GO DOWNSTAIRS TO MY CLUB.

YOU PLAY FOR US THERE, OK?

YOU PLAY FOR US THERE, OK?

YEAH. OF COURSE.

EMPIRE BALLROOM!

SATURDAY NIGHT, EMPIRE BALLROOM. PLEASE.

"HAPPINESS THE AMERICAN WAY."

"HAPPINESS THE AMERICAN WAY."

COME TO THE EMPIRE.

COME TO THE EMPIRE.

■ MAMBO ■

"THE DEEPEST URGE IN HUMAN NATURE

"IS THE DESIRE TO BE IMPORTANT,

TO BE GREAT."

■ MAMBO ■

■ MAMBO ■

"THE RARE INDIVIDUAL WHO SATISFIES THIS HUNGER

"THE RARE INDIVIDUAL WHO SATISFIES THIS HUNGER

"WILL HOLD PEOPLE IN THE PALM OF HIS HAND,

"WILL HOLD PEOPLE IN THE PALM OF HIS HAND,

"WILL HOLD PEOPLE IN THE PALM OF HIS HAND,

SO EVEN THE UNDERTAKER WILL REGRET HIS DEATH."

SO EVEN THE UNDERTAKER WILL REGRET HIS DEATH."

I■M GOING TO TELL YOU,

FOR THE UNDERTAKER TO REGRET OUR DEATH,

IT WOULD BE NICE IF HE CAME TO THE SHOW FIRST.

IT WOULD BE NICE IF HE CAME TO THE SHOW FIRST.

YOU KNOW? HERE.

YOU WANT TO GIVE THESE PRETTY FLYERS TO PEOPLE?

I■LL SHOW YOU MY DEEPEST URGE.

I■LL SHOW YOU MY DEEPEST URGE.

PLEASE COME FRIDAY NIGHT, OK?

MAMBO KINGS!

■ MAMBO, MAMBO KING ■

■ MAMBO, MAMBO KING ■

■ MAMBO ■

PLEASE, YOU COME SEE ME, I■LL COME SEE YOU.

OK? PLEASE.

[WHISTLING]

■ DA DA ■

■ DA DA DA DA... ■

COME ON, NESTOR.

COME ON, NESTOR.

COME ON, NESTOR.

■ DA DA DA DA DA ■

■ DA DA DA DA DA ■

YOU ARE A MUSICIAN?

YOU ARE A MUSICIAN?

YEAH.

YES.

YES.

I AM A MUSICIAN.

I CAN TELL YOU ARE A GOOD MUSICIAN.

I CAN TELL YOU ARE A GOOD MUSICIAN.

I CAN TELL YOU ARE A GOOD MUSICIAN.

HOW?

HOW?

I MEAN, THANK YOU.

MY NAME IS NESTOR CASTILLO.

MY NAME IS NESTOR CASTILLO.

DELORES.

DELORES.

DELORES.

DELORES FUENTES.

AND THE SONG YOU WERE WHISTLING BEFORE?

AND THE SONG YOU WERE WHISTLING BEFORE?

ES UN BOLERO.

ES UN BOLERO.

I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT.

I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT.

I HAVE WRITTEN 12 DIFFERENT VERSIONS OF IT.

IT HAS A NAME?

IT HAS A NAME?

BEAUTIFUL MARIA

OF MY SOUL.

BEAUTIFUL MARIA

OF MY SOUL.

WELL, SOMETHING LIKE THAT.

WELL, SOMETHING LIKE THAT.

THIS MARIA...

THIS MARIA...

INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG?

INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG?

INSPIRED 12 DIFFERENT VERSIONS OF YOUR SONG?

IT■S JUST A NAME.

IT■S JUST A NAME.

MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD.

MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD.

MAYBE I■LL WRITE IT USING YOUR NAME INSTEAD.

I CLEAN HOUSE FOR A RICH MAN ON 61st.

I CLEAN HOUSE FOR A RICH MAN ON 61st.

I CLEAN HOUSE FOR A RICH MAN ON 61st.

HE■S SO RICH, HE■S UNHAPPY.

HE■S SO RICH, HE■S UNHAPPY.

BUT HE■S ALWAYS SAYS I CAN HELP MYSELF

BUT HE■S ALWAYS SAYS I CAN HELP MYSELF

TO ANY OF HIS BOOKS,

TO ANY OF HIS BOOKS,

SO FOR LUNCH,

I MAKE ROAST BEEF SANDWICHES AND READ.

I MAKE ROAST BEEF SANDWICHES AND READ.

WHAT WILL YOU DO WITH ALL THAT READING?

WHAT WILL YOU DO WITH ALL THAT READING?

I■M STUDYING TO BE A SCHOOL TEACHER.

I■M STUDYING TO BE A SCHOOL TEACHER.

I GO TO SCHOOL TWICE A WEEK...

I GO TO SCHOOL TWICE A WEEK...

AT NIGHT.

AT NIGHT.

YOU ARE VERY AMBITIOUS, NO?

YOU ARE VERY AMBITIOUS, NO?

YES.

I WANT TO MAKE SOMETHING OF MYSELF.

I WANT TO MAKE SOMETHING OF MYSELF.

I WANT TO MAKE SOMETHING OF MYSELF.

IS YOUR FAMILY HERE?

IS YOUR FAMILY HERE?

YES. MY SISTER.

YES. MY SISTER.

YES. MY SISTER.

MY FATHER DIED LAST YEAR.

MY FATHER DIED LAST YEAR.

OH, I■M SORRY.

OH, I■M SORRY.

I■M VERY SORRY.

I■M VERY SORRY.

AND THE SONG AT THE BUS STOP?

AND THE SONG AT THE BUS STOP?

BEAUTIFUL MARIA

OF MY SOUL.

BEAUTIFUL MARIA

OF MY SOUL.

MARIA, ES TU NOVIA?

MARIA, ES TU NOVIA?

WELL...

WELL...

WE WERE GOING TO BE MARRIED, YEAH.

WE WERE GOING TO BE MARRIED, YEAH.

WE WERE GOING TO BE MARRIED, YEAH.

WHAT HAPPENED?

WHAT HAPPENED?

SHE MARRIED THE MAN WHO OWNED THE CLUB

SHE MARRIED THE MAN WHO OWNED THE CLUB

WHERE MY BROTHER AND I PLAYED.

WHERE MY BROTHER AND I PLAYED.

WHERE MY BROTHER AND I PLAYED.

I■M SORRY.

IT■S OK.

YOU KNOW, DELORES,

YOU KNOW, DELORES,

I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY.

I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY.

I■M GOING TO HAVE MY OWN LITTLE CLUB SOMEDAY.

YOU SEE?

YOU ARE AMBITIOUS, TOO.

A LITTLE BIT.

A LITTLE BIT.

WHY DON■T YOU COME DANCING WITH ME FRIDAY?

WHY DON■T YOU COME DANCING WITH ME FRIDAY?

YOU CAN SEE US PLAY.

HOW ARE YOU?

HOW ARE YOU?

I LOVE YOU.

YEAH!

COME ON!

COME ON!

WHICH ONE IS HE?

NIÑA, THE ONE IN THE MIDDLE DANCING?

NIÑA, THE ONE IN THE MIDDLE DANCING?

NO,

CHICA,

NO,

CHICA,

THE ONE WITH THE TRUMPET.

THE ONE WITH THE TRUMPET.

MAMBO! MAMBO!

MAMBO! MAMBO!

THAT CASTILLO, HE LOOKS LIKE TROUBLE.

THAT CASTILLO, HE LOOKS LIKE TROUBLE.

YES, I KNOW,

YES, I KNOW,

BUT I THINK HE IS WORTH IT.

BUT I THINK HE IS WORTH IT.

YEAH!

MAMBO KINGS, LADIES AND GENTLEMEN.

COME ON, LET■S HEAR IT FOR THE MAMBO KINGS.

COME ON, LET■S HEAR IT FOR THE MAMBO KINGS.

AND NOW, LADIES AND GENTLEMEN,

AND NOW, LADIES AND GENTLEMEN,

LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS.

LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS.

LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS.

LET■S GET READY FOR MACHITO AND HIS AFRO-CUBANS.

HA HA HA!

HA HA HA!

MAMBO KINGS!

DON■T FORGET THAT!

YOU THOUGHT WE WERE A BUNCH OF FARM BOYS.

YOU THOUGHT WE WERE A BUNCH OF FARM BOYS.

YOU THOUGHT WE WERE A BUNCH OF FARM BOYS.

DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS!

DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS!

DRINKS FOR EVERYONE ON THE CASTILLO BROTHERS!

HEY, HOW ARE YOU?

FINE.

FINE.

THIS IS THE GIRL I TOLD YOU ABOUT--

THIS IS THE GIRL I TOLD YOU ABOUT--

DELORES FUENTES.

THIS IS MY BROTHER CESAR.

PLEASED TO MEET YOU.

PLEASED TO MEET YOU.

I■M ANNA MARIA, DELORES■ SISTER.

YOU FELLAS WERE GREAT.

THANK YOU.

THANK YOU.

LANNA LAKE, HONEY. NICE TO MEET YOU.

I THINK I■LL GO POWDER MY NOSE.

I HAVE SOMETHING FOR YOU.

I HAVE SOMETHING FOR YOU.

I■LL BE BACK IN A MINUTE, OK?

I■LL BE BACK IN A MINUTE, OK?

OK. I■LL WAIT HERE.

HE THINKS HE■S THE LAST COCA-COLA IN THE DESERT.

HE THINKS HE■S THE LAST COCA-COLA IN THE DESERT.

HE IS, HONEY.

JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING.

JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING.

JOHNNY, SIGNING WITH ME WAS JUST THE BEGINNING.

FROM HERE, ANYTHING YOU WANT--

FROM HERE, ANYTHING YOU WANT--

EL MOROCCO, THE PALLADIUM.

EL MOROCCO, THE PALLADIUM.

YOUR FUTURE IS GOLD.

THANK YOU, FERNANDO. I■M VERY GRATEFUL.

THANK YOU, FERNANDO. I■M VERY GRATEFUL.

IT■S MY PLEASURE.

IT■S MY PLEASURE.

LADIES AND GENTS,

LADIES AND GENTS,

IT■S MY PLEASURE TO INTRODUCE

IT■S MY PLEASURE TO INTRODUCE

DIRECT FROM PUERTO RICO,

DIRECT FROM PUERTO RICO,

EL SUAVECITO,

EL SUAVECITO,

JOHNNY CASANOVA!

JOHNNY CASANOVA!

[SINGING IN SPANISH]

[SINGING IN SPANISH]

THIS IS FOR YOU.

THIS IS FOR YOU.

IT■S BEAUTIFUL.

YOU LIKE IT?

LET ME DO IT.

I■M--I■M REALLY HAPPY YOU■RE HERE, DELORITA.

I■M--I■M REALLY HAPPY YOU■RE HERE, DELORITA.

THANK YOU FOR COMING.

[JUKEBOX PLAYS

YOU BELONG TO ME]

[JUKEBOX PLAYS

YOU BELONG TO ME]

THEY■VE BEEN ON TOP FOR 40 WEEKS NOW.

WE CAN PLAY CIRCLES AROUND THEM.

MONTOYA SAYS IF WE CLUB THE DIAMONDS,

MONTOYA SAYS IF WE CLUB THE DIAMONDS,

WE■LL PLAY AT ANY CLUB.

WE■LL PLAY AT ANY CLUB.

A MONTH FROM NOW, THEY■LL BE OPENING FOR YOU,

A MONTH FROM NOW, THEY■LL BE OPENING FOR YOU,

YOU■LL GO ON ANOTHER DIET.

YOU■LL GO ON ANOTHER DIET.

VERY, VERY IMPRESSIVE, SEÑOR CASTILLO.

VERY, VERY IMPRESSIVE, SEÑOR CASTILLO.

VERY, VERY IMPRESSIVE, SEÑOR CASTILLO.

I KNEW IT WHEN I SAW YOU AT THE PALLADIUM

I KNEW IT WHEN I SAW YOU AT THE PALLADIUM

THAT YOU WERE VERY TALENTED.

YOU FEEL THE MUSIC,

YOU FEEL THE MUSIC,

AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY.

AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY.

AND THAT NOBODY CAN TEACH YOU OR TAKE AWAY.

CONGRATULATIONS.

GRACIAS.

GRACIAS.

IT■S A LUCKY COINCIDENCE TO RUN INTO EACH OTHER,

IT■S A LUCKY COINCIDENCE TO RUN INTO EACH OTHER,

BUT I ALWAYS SAY GOD PUTS HIS CHILDREN

BUT I ALWAYS SAY GOD PUTS HIS CHILDREN

EXACTLY WHERE THEY SHOULD BE.

EXACTLY WHERE THEY SHOULD BE.

THAT■S FUNNY. I ALWAYS SAID THAT, TOO.

THAT■S FUNNY. I ALWAYS SAID THAT, TOO.

HAVE A HAVANA WITH ME, CESAR.

HAVE A HAVANA WITH ME, CESAR.

AND LET■S SEE HOW FERNANDO PEREZ

AND LET■S SEE HOW FERNANDO PEREZ

CAN TAKE THE MAMBO KINGS TO THE TOP.

CAN TAKE THE MAMBO KINGS TO THE TOP.

WHO THE HELL ARE YOU ANYWAY, THE MAMBO POPE?

WHO THE HELL ARE YOU ANYWAY, THE MAMBO POPE?

GUY THINKS I CAME TO AMERICA

GUY THINKS I CAME TO AMERICA

TO TRADE ONE THIEF FOR ANOTHER, RIGHT?

TO TRADE ONE THIEF FOR ANOTHER, RIGHT?

CESAR.

I THINK YOU DON■T KNOW WHO I AM, SEÑOR.

WELL, WHOEVER YOU ARE, I KNOW IN HAVANA

LOS MAFIOSOS WITH BALLS OF STEEL

COULD NOT OWN CESAR CASTILLO,

SO DON■T YOU TRY.

SO DON■T YOU TRY.

YOU HAVE MUCH TO LEARN, MAMBO KING.

YOU HAVE MUCH TO LEARN, MAMBO KING.

PRAY GOD YOU LEARN IT

PRAY GOD YOU LEARN IT

BEFORE THE BANANA BOAT SAILS BACK TO CUBA.

BEFORE THE BANANA BOAT SAILS BACK TO CUBA.

WHAT ARE YOU, THE CAPTAIN?

WHAT ARE YOU, THE CAPTAIN?

CESAR, ARE YOU CRAZY?

[SPEAKING SPANISH]

YEAH, I■M CRAZY, AND YOUR BRAIN■S SO SOFT,

YEAH, I■M CRAZY, AND YOUR BRAIN■S SO SOFT,

ALREADY YOU FORGET LUIS.

ALREADY YOU FORGET LUIS.

IT■S A LUCKY THING I GOT TO WALK AROUND

WITH THAT AS A REMINDER FOR THE REST OF MY LIFE.

COME ON. LET■S GET THE HELL OUT OF HERE

COME ON. LET■S GET THE HELL OUT OF HERE

BEFORE THESE

PENDEJOS

GIVE ME A STROKE.

BEFORE THESE

PENDEJOS

GIVE ME A STROKE.

HERE. PAY THE BILL.

LEAVE THE BUSINESS TO ME AND STICK TO YOUR MUSIC, KID.

LEAVE THE BUSINESS TO ME AND STICK TO YOUR MUSIC, KID.

"IT WAS A FABULOUS NIGHT AT THE EMPIRE BALLROOM

"RECENTLY AS A NEW BAND CAME ON THE SCENE.

"THE LATIN RHYTHMS FILLED THE AIR

"AS, UNDER THE STERLING HIP-SWINGING,

"PELVIS-GRINDING ADMIRALSHIP

"PELVIS-GRINDING ADMIRALSHIP

"OF THEIR SINGER CESAR CASTILLO,

"OF THEIR SINGER CESAR CASTILLO,

THE FABULOUS MAMBO KINGS MADE A FABULOUS DEBUT."

THE FABULOUS MAMBO KINGS MADE A FABULOUS DEBUT."

THAT■S BEAUTIFUL.

HEY, AS MR. VANDERBILT SAYS,

HEY, AS MR. VANDERBILT SAYS,

"HE WHO CAN HAS THE WHOLE WORLD WITH HIM.

"HE WHO CAN HAS THE WHOLE WORLD WITH HIM.

"HE WHO CAN HAS THE WHOLE WORLD WITH HIM.

HE WHO CANNOT WALKS THE WORLD ALONE."

HE WHO CANNOT WALKS THE WORLD ALONE."

MISS ENCHANTMENT,

YOU WANT TO COME UPTOWN

WITH THE MAMBO KING AFTER THE SHOW,

I■LL SHOW YOU A LITTLE PIECE OF HAVANA.

YEAH. A VERY LITTLE PIECE.

[ALL LAUGH]

[ALL LAUGH]

BIGGER THAN YOUR PEASHOOTER, JERK.

BIGGER THAN YOUR PEASHOOTER, JERK.

MR. RICCI, YOU HAVEN■T SEEN THIS FABULOUS NIGHT

MR. RICCI, YOU HAVEN■T SEEN THIS FABULOUS NIGHT

AT THE EMPIRE BALLROOM DEBUT?

AT THE EMPIRE BALLROOM DEBUT?

YEAH, I KNOW. I KNOW.

YEAH, I KNOW. I KNOW.

EVERYBODY LOVE YOU GUYS, BUT IT■S SUCH A SHAME.

EVERYBODY LOVE YOU GUYS, BUT IT■S SUCH A SHAME.

WHAT■S A SHAME?

WHAT■S A SHAME?

MY GIRL LUISA, SHE NO CALL YOU?

NO, I GOT NO CALL. WHO GOT A CALL?

SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS.

SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS.

SEÑOR CASTILLO, MY CLUB, IT IS BOOKED FOR MONTHS.

NOW, I THINK MAYBE THERE IS ONE PLACE FOR YOU,

NOW, I THINK MAYBE THERE IS ONE PLACE FOR YOU,

BUT I■M SORRY, I MAKE A MISTAKE WITH THE BOOKING.

BUT I■M SORRY, I MAKE A MISTAKE WITH THE BOOKING.

YOU MADE A MISTAKE?

I■M SORRY. I GOT PARTNERS.

I CAN■T DO ANYTHING ABOUT IT.

I CAN■T DO ANYTHING ABOUT IT.

COME HERE. HEY.

COME HERE. HEY.

HEY, CESAR.

WE HAD A DEAL!

WE HAD A DEAL!

WE HAD A DEAL!

WE HAD A DEAL!

THE CLUB IS BOOKED.

DON■T TOUCH MY BROTHER!

[SPEAKING SPANISH]

[SPEAKING SPANISH]

DON■T PUSH HIM!

THAT■S IT! IT■S FINISHED!

I KNEW IT! I KNEW IT!

I KNEW IT! I KNEW IT!

I TOLD YOU SO!

I TOLD YOU SO!

HA HA HA HA!

HA HA HA HA!

■ JUST WHEN YOU THOUGHT YOU FOUND IT ■

■ JUST WHEN YOU THOUGHT YOU FOUND IT ■

■ JUST WHEN YOU THOUGHT YOU FOUND IT ■

■ BUILDING YOUR LIFE AROUND IT ■

■ BUILDING YOUR LIFE AROUND IT ■

■ YOU DIDN■T PLAY THE GAME ■

■ YOU DIDN■T PLAY THE GAME ■

■ ONLY YOURSELF TO BLAME ■

■ ONLY YOURSELF TO BLAME ■

■ NIGHTS GROW A LITTLE LONG ■

■ NIGHTS GROW A LITTLE LONG ■

■ OOH LA LA ■

■ DANCING TO OTHERS■ SONGS ■

■ DANCING TO OTHERS■ SONGS ■

■ ALL OF THE BETS YOU PLAY ■

■ ALL OF THE BETS YOU PLAY ■

■ ALL OF THE BETS YOU PLAY ■

■ ONLY GOOD YESTERDAY ■

■ ONLY GOOD YESTERDAY ■

■ GOING■S A LITTLE ROUGH ■

■ GOING■S A LITTLE ROUGH ■

■ TIME FOR THE REALLY TOUGH ■

■ TIME FOR THE REALLY TOUGH ■

■ TIME FOR THE REALLY TOUGH ■

[SINGING

HAVAH NAGILAH]

[SINGING

HAVAH NAGILAH]

■ YOU■D LIKE TO SING YOUR SONG ■

■ YOU■D LIKE TO SING YOUR SONG ■

■ IN PLACES WHERE YOU BELONG ■

■ IN PLACES WHERE YOU BELONG ■

■ IN PLACES WHERE YOU BELONG ■

[SINGING IN SPANISH]

[SINGING IN SPANISH]

HA HA!

HA HA!

OOH LA LA!

OOH LA LA!

■ OOH LA LA ■

HA HA HA HA HA HA!

COME ON, WILL YOU?

SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE.

SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE.

SHOW THEM IN HAVANA WHAT A COUPLE OF STARS LOOK LIKE.

SMILE, WILL YOU? WE■RE IN AMERICA.

SMILE, WILL YOU? WE■RE IN AMERICA.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

NO, NO, I DON■T HEAR YOU. I DON■T HEAR YOU.

NO, NO, I DON■T HEAR YOU. I DON■T HEAR YOU.

TALK AMERICAN TO ME, PLEASE.

IT■S NOT MY LANGUAGE, AMERICAN.

IT■S NOT MY COUNTRY.

IT■S NOT MY COUNTRY.

WELL, IT■S ALL THE COUNTRY WE GOT RIGHT NOW.

WELL, IT■S ALL THE COUNTRY WE GOT RIGHT NOW.

NOW, COME ON, SMILE.

NOW, COME ON, SMILE.

SMILE. WANT ME TO WASTE ANOTHER 25 CENTS?

SMILE. WANT ME TO WASTE ANOTHER 25 CENTS?

COME ON. COME ON. SMILE, SMILE.

COME ON. COME ON. SMILE, SMILE.

IT■S ALL RIGHT? IT■S ALL RIGHT.

IT■S ALL RIGHT? IT■S ALL RIGHT.

IT■S OK? IT■S OK.

COME ON.

WE HAVE TO WORK, CESAR.

WE HAVE TO WORK, CESAR.

WE■RE WORKING OUR ASSES OFF.

WE■RE WORKING OUR ASSES OFF.

TALK TO PEREZ.

NO. PLEASE.

PLEASE. HE■S NOT LIKE LUIS.

PLEASE. HE■S NOT LIKE LUIS.

HAVEN■T YOU LEARNED ANYTHING FROM ME?

HAVEN■T YOU LEARNED ANYTHING FROM ME?

TALK TO HIM. COME ON. APOLOGIZE.

TALK TO HIM. COME ON. APOLOGIZE.

YOU WANT TO KISS HIS ASS?

YOU WANT TO KISS HIS ASS?

WE■LL MAKE A DEAL.

HE■LL SLIT BOTH OUR THROATS LIKE LUIS CUT MINE.

COME ON. DON■T BE STUPID.

COME ON. DON■T BE STUPID.

HE CUT MORE THAN YOUR THROAT.

HE CUT MORE THAN YOUR THROAT.

I SHOULD■VE STAYED IN HAVANA.

I SHOULD■VE STAYED IN HAVANA.

STAYED FOR WHAT, SOME WHORE WHO NEVER EVEN LOVED YOU?

IS THAT WHAT YOU■RE TALKING ABOUT NOW?

IS THAT WHAT YOU■RE TALKING ABOUT NOW?

I■M NOT TALKING ABOUT MARIA.

A WHORE WHO SOLD HERSELF TO ANOTHER MAN.

I■M TALKING ABOUT US.

WE DON■T BELONG HERE.

WE DON■T BELONG HERE.

YOU DON■T GET IT THROUGH YOUR HEAD!

SHE■S NOT WAITING FOR YOU. THAT■S A DREAM!

NOW, HOW LONG BEFORE YOU■RE GOING TO GIVE THAT UP?

NOW, HOW LONG BEFORE YOU■RE GOING TO GIVE THAT UP?

HOW LONG?

AND YOU, CESAR?

AND YOU, CESAR?

HOW LONG BEFORE YOU GIVE UP YOUR DREAM?

HOW LONG BEFORE YOU GIVE UP YOUR DREAM?

THAT■S NO DREAM, MAN.

IT■S OUR LIFE.

IT■S OUR LIFE.

COME ON, SMILE, WILL YOU?

COME ON, SMILE, WILL YOU?

NO. THIS IS YOUR LIFE.

NO. THIS IS YOUR LIFE.

YEAH.

I FEEL LIKE A GHOST.

I FEEL LIKE A GHOST.

CESAR IS WRONG.

CESAR IS WRONG.

WE WON■T MAKE IT.

WE WON■T MAKE IT.

EVEN IF WE DID, THAT■S NOT WHAT I WANT.

EVEN IF WE DID, THAT■S NOT WHAT I WANT.

I■D BE HAPPY WRITING MUSIC,

I■D BE HAPPY WRITING MUSIC,

PLAYING LOVE SONGS IN MY OWN LITTLE CLUB.

PLAYING LOVE SONGS IN MY OWN LITTLE CLUB.

PLAYING LOVE SONGS IN MY OWN LITTLE CLUB.

THAT IS MY DREAM.

THAT IS MY DREAM.

A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD

A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD

A NICE PLACE WHERE PEOPLE COULD GET CUBAN FOOD

AND LISTEN TO GOOD MUSIC.

AND LISTEN TO GOOD MUSIC.

CIGOÑIA. THAT■S WHAT I WANT.

CIGOÑIA. THAT■S WHAT I WANT.

NESTOR...THEN DO IT.

NESTOR...THEN DO IT.

JUST OPEN YOUR LITTLE CLUB.

JUST OPEN YOUR LITTLE CLUB.

DO IT.

DO IT.

LISTEN, WHY KEEP DREAMING?

LISTEN, WHY KEEP DREAMING?

MAKE IT COME TRUE.

MAKE IT COME TRUE.

DO YOU BELIEVE IN ME?

DO YOU BELIEVE IN ME?

OH, YES.

OH, YES.

YOU DO?

YOU DO?

YES, I DO.

YES, I DO.

DON■T...

[SINGING IN SPANISH]

[SINGING IN SPANISH]

I DIDN■T WANT TO COME TO AMERICA, BUT...

I DIDN■T WANT TO COME TO AMERICA, BUT...

I DIDN■T WANT TO COME TO AMERICA, BUT...

I DIDN■T WANT TO COME TO AMERICA, BUT...

MY BROTHER WAS RIGHT.

MY BROTHER WAS RIGHT.

IF I HADN■T COME TO AMERICA...

IF I HADN■T COME TO AMERICA...

I WOULDN■T...

I WOULDN■T...

HAVE MET ME.

EXACTLY.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

DON■T MOVE.

DON■T MOVE.

[SPEAKING IN SPANISH]

[SPEAKING IN SPANISH]

WHY ARE YOU LAUGHING?

WHY ARE YOU LAUGHING?

■ FOR HE■S A JOLLY GOOD FELLOW ■

■ FOR HE■S A JOLLY GOOD FELLOW ■

■ FOR HE■S A JOLLY GOOD FELLOW ■

■ THAT NOBODY CAN DENY ■

■ THAT NOBODY CAN DENY ■

■ THAT NOBODY CAN DENY ■

■ THAT NOBODY CAN DENY ■

THANKS.

HAPPY BIRTHDAY.

HAPPY BIRTHDAY.

THANK YOU, DARLING.

THANK YOU, DARLING.

CONGRATULATIONS.

GIVE ME A RUM STRAIGHT UP.

I NEED SCOTCH.

I NEED SCOTCH.

NOT BAD FOR MONTCLAIR, NEW JERSEY.

NOT BAD FOR MONTCLAIR, NEW JERSEY.

100 SEÑOR WASHINGTONS.

100 SEÑOR WASHINGTONS.

LIFE COULD BE WORSE. THERE YOU GO.

LIFE COULD BE WORSE. THERE YOU GO.

SWEAR TO GOD.

SWEAR TO GOD.

LISTEN, CESAR, WE GOT TO TALK.

LISTEN, CESAR, WE GOT TO TALK.

MARIO■S GOT THIS GIG WITH TITO PUENTE.

MARIO■S GOT THIS GIG WITH TITO PUENTE.

MARIO■S GOT THIS GIG WITH TITO PUENTE.

KEYS HAS GOT A SHOT WITH MACHITO.

KEYS HAS GOT A SHOT WITH MACHITO.

WE WANT TO STICK TOGETHER, MAN,

WE WANT TO STICK TOGETHER, MAN,

BUT WE■RE FALLING APART.

BUT WE■RE FALLING APART.

CAN■T YOU SEE THAT?

CAN■T YOU SEE THAT?

I DON■T WANT TO CARRY

I DON■T WANT TO CARRY

A BUNCH OF LOSERS, EITHER.

A BUNCH OF LOSERS, EITHER.

I■M GOING TO BABALU.

THAT AIN■T A REAL GIG.

THAT AIN■T A REAL GIG.

DON■T YOU TELL ME WHAT A REAL GIG IS.

DON■T YOU TELL ME WHAT A REAL GIG IS.

HEY, CESAR. CESAR.

HEY, CESAR. CESAR.

UH, MANNY AND I WANT TO OPEN A CLUB.

UH, MANNY AND I WANT TO OPEN A CLUB.

UH, MANNY AND I WANT TO OPEN A CLUB.

DON■T BE A CHILD, WILL YOU, PLEASE?

DON■T BE A CHILD, WILL YOU, PLEASE?

MR. VANDERBILT SAYS--

WHAT THE HELL YOU KNOW ABOUT RUNNING A CLUB?

WHAT THE HELL YOU KNOW ABOUT RUNNING A CLUB?

HE CAN LEARN.

HE CAN LEARN.

DELORES, IT■S MEN■S BUSINESS, YOU KNOW.

DELORES, IT■S MEN■S BUSINESS, YOU KNOW.

IT■S REALLY NOT YOUR WORTH GETTING INVOLVED IN IT, PLEASE.

IT■S REALLY NOT YOUR WORTH GETTING INVOLVED IN IT, PLEASE.

MEN■S BUSINESS HAS YOU PLAYING

THE SORENTO LOUNGE IN NEW JERSEY.

WHEN I WANT YOUR OPINION, HONEY, I■M GOING TO ASK FOR IT.

CESAR, YOU HAVE TO THINK OF THE FUTURE.

WHO THE HELL ARE YOU? DON■T TELL ME WHAT TO THINK.

WHO THE HELL ARE YOU? DON■T TELL ME WHAT TO THINK.

DON■T TALK TO DELORES THAT WAY.

WELL, YOU KEEP HER QUIET.

SHE GOING TO FIGHT YOUR BATTLES FOR YOU?

SHE GOING TO FIGHT YOUR BATTLES FOR YOU?

LIKE A CHILD! PRECISELY!

DON■T TALK TO DELORES LIKE THAT.

DON■T TEACH ME HOW TO TALK.

DON■T TEACH ME HOW TO TALK.

SHE■S GOING TO BE MY WIFE!

SHE■S GOING TO BE MY WIFE!

NESTOR.

NESTOR.

■COMO?

I■M SORRY.

I■M SORRY.

SORRY, DELORES, SORRY. I KNOW

SORRY, DELORES, SORRY. I KNOW

THIS IS NOT THE WAY WE WERE GOING TO TELL THEM,

THIS IS NOT THE WAY WE WERE GOING TO TELL THEM,

THIS IS NOT THE WAY WE WERE GOING TO TELL THEM,

BUT DELORES HAS CONSENTED TO BE MY WIFE.

BUT DELORES HAS CONSENTED TO BE MY WIFE.

BUT DELORES HAS CONSENTED TO BE MY WIFE.

MY GOD.

I FEEL LIKE AN IDIOT.

I FEEL LIKE AN IDIOT.

NO. AN ANIMAL. YOU■RE AN ANIMAL, MAN.

NO. AN ANIMAL. YOU■RE AN ANIMAL, MAN.

[HUMMING]

[HUMMING]

HEY, YOU OK?

HEY, YOU OK?

[HUMMING]

[HUMMING]

YEAH, YOU■RE OK.

YEAH, YOU■RE OK.

HONK, HONK.

UH, I HAVE TO TALK TO YOU.

WHAT?

YEAH.

YEAH.

DELORES, UH...

SHE■S GOING TO HAVE A BABY.

SHE■S GOING TO HAVE A BABY.

HERMANITO.

DAMN.

DAMN.

HELL OF A GOOD REASON TO MARRY HER, TOO, KID.

HELL OF A GOOD REASON TO MARRY HER, TOO, KID.

WHAT ARE YOU SAYING? I LOVE HER.

WHAT ARE YOU SAYING? I LOVE HER.

I LOVE DELORES.

IS MARIA OUT OF YOUR HEART NOW?

IS MARIA OUT OF YOUR HEART NOW?

WELL, LET■S JUST THANK GOD FOR THAT,

WELL, LET■S JUST THANK GOD FOR THAT,

HMM?

OK, YOU KNOW, CESAR,

OK, YOU KNOW, CESAR,

I WAS THINKING ABOUT THAT.

I WAS THINKING ABOUT THAT.

ABOUT WHAT?

WITH MARIA.

WITH MARIA.

WHAT?

WHAT?

I HAVE WRITTEN HER MANY LETTERS,

I HAVE WRITTEN HER MANY LETTERS,

BUT SHE NEVER...

BUT SHE NEVER...

BUT SHE NEVER...

NEVER ANSWERED THEM.

NEVER ANSWERED THEM.

ANYWAY...

ANYWAY...

I THINK MARIA WAS RIGHT.

I THINK MARIA WAS RIGHT.

I WASN■T HER DESTINY.

I WASN■T HER DESTINY.

COME ON, WHAT THE HELL ARE WE TALKING ABOUT?

COME ON, WHAT THE HELL ARE WE TALKING ABOUT?

A WOMAN LIKE THAT FOR YOU, HUH?

A WOMAN LIKE THAT FOR YOU, HUH?

THAT■S POISON, KID.

THAT■S POISON, KID.

POISON.

BUT DO YOU REALLY KNOW NOW?

BUT DO YOU REALLY KNOW NOW?

WHAT?

HOW LUCKY YOU ARE...

TO HAVE A WOMAN LIKE DELORES?

TO HAVE A WOMAN LIKE DELORES?

TO HAVE A WOMAN LIKE DELORES?

YES, I KNOW, I KNOW.

YES, I KNOW, I KNOW.

THEN WHAT IS THIS?

THEN WHAT IS THIS?

YOU SAVE YOUR PENNIES.

YOU SAVE YOUR PENNIES.

YOU KNOW, YOU■RE LIKE A LITTLE

HORMIGUITA.

YOU KNOW, YOU■RE LIKE A LITTLE

HORMIGUITA.

YOU■RE GOING TO OPEN A CLUB.

YOU■RE GOING TO OPEN A CLUB.

I WANT TO HAVE SOMETHING TO SHOW MY WIFE AND MY BABY.

I WANT TO HAVE SOMETHING TO SHOW MY WIFE AND MY BABY.

BUT YOU DON■T COME TO ME?

YES, I DO, BUT...

WELL, COME ON. THAT IS IT.

WELL, COME ON. THAT IS IT.

A MAN WITHOUT A FAMILY, WHO THE HELL IS THAT?

A MAN WITHOUT A FAMILY, WHO THE HELL IS THAT?

IT■S NOBODY.

HMM?

HMM?

YEAH.

YOU KNOW HOW MUCH I LOVE YOU?

YOU KNOW HOW MUCH I LOVE YOU?

YES.

YES.

I LOVE YOU, TOO.

I LOVE YOU, TOO.

YOU DON■T FORGET THAT.

YOU DON■T FORGET THAT.

NO.

HA HA HA!

HA HA HA!

GOOD WORK, KID.

GOOD WORK, KID.

■ GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ YO SOY

UN HOMBRE SINCERO ■

■ YO SOY

UN HOMBRE SINCERO ■

■ YO SOY

UN HOMBRE SINCERO ■

■ DE DONDE CRECE LA PALMA ■

■ DE DONDE CRECE LA PALMA ■

■ DE DONDE CRECE LA PALMA ■

■ YO SOY

UN HOMBRE SINCERO ■

■ YO SOY

UN HOMBRE SINCERO ■

■ YO SOY

UN HOMBRE SINCERO ■

■ DE DONDE CRECE LA PALMA ■

■ DE DONDE CRECE LA PALMA ■

■ DE DONDE CRECE LA PALMA ■

■ YANTES DE

MORIRME YO QUIERO ■

■ YANTES DE

MORIRME YO QUIERO ■

■ YANTES DE

MORIRME YO QUIERO ■

■ CANTARE DE VERSOS

DEL ALMA ■

■ CANTARE DE VERSOS

DEL ALMA ■

■ CANTARE DE VERSOS

DEL ALMA ■

■ GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

■ GUAJIRA GUANTANAMERA ■

MARIA.

MARIA.

OH, MARIA.

DELORES IS ON THE TELEPHONE. IT■S HER TIME.

DELORES IS ON THE TELEPHONE. IT■S HER TIME.

[SPEAKING SPANISH]

IT■S THE BABY! COME ON!

IT■S THE BABY! COME ON!

COME ON!

[BELL RINGS]

COME ON, CESAR! COME ON!

COME ON, CESAR! COME ON!

HE■S BEAUTIFUL, HUH?

ISN■T HE?

ISN■T HE?

HE■S BEAUTIFUL.

I--I GOT THESE FOR YOU.

I--I GOT THESE FOR YOU.

I HOPE THEY■RE GOOD.

I HOPE THEY■RE GOOD.

OH, CESAR.

OH, CESAR.

"JANE EYRE...

"JANE EYRE...

CRIME AND PUNISHMENT."

CRIME AND PUNISHMENT."

CRIME AND PUNISHMENT."

HOW DID YOU KNOW WHAT TO CHOOSE?

HOW DID YOU KNOW WHAT TO CHOOSE?

THE FELLOW AT THE STORE, YOU KNOW.

THE FELLOW AT THE STORE, YOU KNOW.

THE FELLOW AT THE STORE, YOU KNOW.

I HOPE THEY■RE GOOD.

I HOPE THEY■RE GOOD.

IT■S THE MOST WONDERFUL PRESENT.

IT■S THE MOST WONDERFUL PRESENT.

THANK YOU.

THANK YOU.

I■M SO HAPPY FOR YOU.

I■M SO HAPPY FOR YOU.

HEY, LET ME SEE HIM, HUH?

HE■S A CASTILLO.

HE■S A CASTILLO.

LOOK AT THE EXPRESSION ON HIS FACE, HUH?

LOOK AT THE EXPRESSION ON HIS FACE, HUH?

LIKE A HEADACHE.

LIKE A HEADACHE.

HA HA HA HA!

HA HA HA HA!

LOOK AT THIS LITTLE ANGEL, HUH?

LOOK AT THIS LITTLE ANGEL, HUH?

LOOK AT THIS LITTLE ANGEL, HUH?

[TRUMPET PLAYS]

[TRUMPET PLAYS]

GOOD EVENING.

GOOD EVENING.

IT■S GOOD TO SEE YOU.

IT■S GOOD TO SEE YOU.

■ AUNQUE ESTEMOS

SEPARADOS ■

■ AUNQUE ESTEMOS

SEPARADOS ■

■ AUNQUE ESTEMOS

SEPARADOS ■

■ EN UN SUEÑO

ANGELICAL ■

■ EN UN SUEÑO

ANGELICAL ■

■ EN UN SUEÑO

ANGELICAL ■

■ SI LLEGO

DE NUEVO AMAR ■

■ SI LLEGO

DE NUEVO AMAR ■

■ NO HAY RAZON ■

■ PORQUE CAMBIAR ■

■ PORQUE CAMBIAR ■

■ PORQUE CAMBIAR ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

Both: ■ CLINGING TO PARADISE ■

Both: ■ CLINGING TO PARADISE ■

Both: ■ CLINGING TO PARADISE ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ ALL THAT MY HEART ■

■ ALL THAT MY HEART ■

■ EVER KNOWS ■

■ EVER KNOWS ■

■ HUNGER FOR YOUR KISS ■

■ HUNGER FOR YOUR KISS ■

MIGUEL, GOOD TO SEE YOU AGAIN, MY FRIEND.

MIGUEL, GOOD TO SEE YOU AGAIN, MY FRIEND.

WELCOME.

WELCOME.

YOU REMEMBER MIKE WELLS, MY BUSINESS MANAGER?

YOU REMEMBER MIKE WELLS, MY BUSINESS MANAGER?

GOOD TO SEE YOU.

GOOD TO SEE YOU.

ALWAYS A PLEASURE.

MIGUEL, THESE FELLAS ARE FANTASTIC.

MIGUEL, THESE FELLAS ARE FANTASTIC.

I■D LIKE TO INVITE THEM OVER TO OUR TABLE.

I■D LIKE TO INVITE THEM OVER TO OUR TABLE.

WOULD YOU ASK THEM TO JOIN US, PLEASE?

WOULD YOU ASK THEM TO JOIN US, PLEASE?

WITH PLEASURE.

GRACIAS, MIGUEL.

THANK YOU.

THANK YOU.

HOLA.

HOLA, AMIGOS.

HOLA.

HOLA, AMIGOS.

DESI ARNAZ.

OHH, MY GOD!

OHH, MY GOD!

HOLA.

THIS IS MY MANAGER MIKE WELLS.

THIS IS MY MANAGER MIKE WELLS.

PLEASURE TO MEET YOU BOTH.

HI, MIKE.

HI, MIKE.

HOW ARE YOU, MIKE? HELLO.

HOW ARE YOU, MIKE? HELLO.

I AM SO PLEASED TO MEET YOU.

I AM SO PLEASED TO MEET YOU.

ME, TOO. ME, TOO.

ME, TOO. ME, TOO.

MUCHO GUSTO.

I■M CESAR CASTILLO.

I■M CESAR CASTILLO.

I AM HIS BROTHER...

I AM HIS BROTHER...

NESTOR. NESTOR.

OH,

GRACIAS, GRACIAS.

WHAT A SURPRISE.

OH,

GRACIAS, GRACIAS.

WHAT A SURPRISE.

WHAT A SURPRISE.

WHAT A NICE SURPRISE.

PLEASE SIT DOWN.

PLEASE SIT DOWN.

OH, GOD.

OH, GOD.

HOW ABOUT THAT.

HOW ABOUT THAT.

MIKE AND I WANTED TO COMPLIMENT YOU

ON YOUR PERFORMANCE.

THAT WAS A WONDERFUL SONG.

THAT WAS A WONDERFUL SONG.

BEAUTIFUL MARIA

OF MY SOUL.

BEAUTIFUL MARIA

OF MY SOUL.

I HAVE WRITTEN MANY DIFFERENT SONGS

OF THE FIRST NAME--

OF THE FIRST NAME--

MANY DIFFERENT VERSIONS OF THIS SONG. EXCUSE ME.

MANY DIFFERENT VERSIONS OF THIS SONG. EXCUSE ME.

HAVE YOU WRITTEN ANY OTHER SONGS?

HAVE YOU WRITTEN ANY OTHER SONGS?

YES, A FEW SONGS.

YES, A FEW SONGS.

HE GOT A SUITCASE FULL.

HE GOT A SUITCASE FULL.

SO WHERE WERE YOU FELLAS FROM IN CUBA?

SO WHERE WERE YOU FELLAS FROM IN CUBA?

LAS PIÑAS. LAS PIÑAS.

THAT■S THE SUGAR MILL TOWN IN ORIENTE, YOU KNOW THAT.

THAT■S THE SUGAR MILL TOWN IN ORIENTE, YOU KNOW THAT.

HA! SO AM I FROM ORIENTE, TOO.

HA! SO AM I FROM ORIENTE, TOO.

SANTIAGO!

SANTIAGO!

IF YOU PUT A COUPLE OF CUBANOS TOGETHER,

IF YOU PUT A COUPLE OF CUBANOS TOGETHER,

WE■RE ALL RELATED, RIGHT?

THIS CALLS FOR A CELEBRATION, HUH?

THIS CALLS FOR A CELEBRATION, HUH?

SALUD.

SALUD.

[PLAYING COMO FUE]

[PLAYING COMO FUE]

QUE SABROSO!

YOU DON■T KNOW HOW NICE IT IS

YOU DON■T KNOW HOW NICE IT IS

TO JUST RELAX FOR A CHANGE.

TO JUST RELAX FOR A CHANGE.

YOU■RE PROBABLY TIRED OF DINING OUT

YOU■RE PROBABLY TIRED OF DINING OUT

WITH THE ROCKEFELLERS ALL THE TIME.

WITH THE ROCKEFELLERS ALL THE TIME.

ROCKEFELLER?

ROCKEFELLER?

[COUGHS]

[COUGHS]

WE GET TIRED OF EATING WITH THEM, TOO, YOU KNOW?

WE GET TIRED OF EATING WITH THEM, TOO, YOU KNOW?

DO YOU FELLAS HAVE

UN CONJUNTO?

DO YOU FELLAS HAVE

UN CONJUNTO?

YEAH. WE■RE THE MAMBO KINGS.

YEAH. WE■RE THE MAMBO KINGS.

MAMBO KINGS. MAMBO KINGS.

WHERE■VE YOU, YOU KNOW, BEEN PLAYING?

WE HAVEN■T PLAYED A GIG IN MONTHS, YOU KNOW.

WE HAVEN■T PLAYED A GIG IN MONTHS, YOU KNOW.

WE ARE BUTCHERS.

WE ARE BUTCHERS.

WHAT A STUPID THING TO SAY.

WHAT A STUPID THING TO SAY.

BUT IT■S TRUE, BROTHER.

BUT IT■S TRUE, BROTHER.

IT■S TRUE.

HE WORRIES HIMSELF TO DEATH.

I TELL HIM EVERYONE STARTS THIS WAY.

I TELL HIM EVERYONE STARTS THIS WAY.

HE DON■T LISTEN TO ME. YOU DON■T LISTEN, YOU KNOW?

HE DON■T LISTEN TO ME. YOU DON■T LISTEN, YOU KNOW?

UNTIL I GOT STARTED,

I DID ALL SORTS OF THINGS.

I KNOW THAT.

I KNOW THAT.

CLEANED BIRD CAGES.

MR. ARNAZ, THIS IS OUR BOY EUGENIO.

OH, PLEASE CALL ME DESI.

DESI.

DESI.

VA SER

UN BUEN MACHO!

VA SER

UN BUEN MACHO!

HOLA, NENE. HOW WONDERFUL

HOLA, NENE. HOW WONDERFUL

YOUR FAMILY IS, SEÑORA CASTILLO.

YOUR FAMILY IS, SEÑORA CASTILLO.

BUENO.

TOMORROW■S WORK.

ALWAYS WORK.

ALWAYS WORK.

SORRY I HAVE TO GO.

YOU KNOW, I, UH...

YOU KNOW, I, UH...

I WANT TO SAY SOMETHING BEFORE I DO.

I WANT TO SAY SOMETHING BEFORE I DO.

THAT

CANCION YOU FELLAS PLAYED AT THE CLUB TONIGHT,

THAT

CANCION YOU FELLAS PLAYED AT THE CLUB TONIGHT,

BEAUTIFUL MARIA...

OF MY SOUL.

THAT■S A GREAT SONG.

THAT■S A GREAT SONG.

I REALLY LIKE IT.

THANK YOU.

THANK YOU.

I WANT YOU TO COME ON MY SHOW.

DO IT FOR ME THERE.

DO IT FOR ME THERE.

OH, THAT■S NICE.

THE NIGHTCLUB SHOW?

OH, NO. I MEAN THE

I LOVE LUCY SHOW.

IN HOLLYWOOD?

THE

I LOVE LUCY SHOW!

THE

I LOVE LUCY SHOW!

NO!

YES, HOLLYWOOD!

I MEAN, YES.

I MEAN, YES.

YES!

OH, MY GOD!

HE■S COMING! HE■S COMING!

HE■S COMING! HE■S COMING!

[CROWD APPLAUDS]

[CROWD APPLAUDS]

TAKE CARE OF YOURSELF.

ADIOS!

ADIOS!

ADIOS!

MY GOD, THIS IS SOMETHING, HUH?

MY GOD, THIS IS SOMETHING, HUH?

MY GOD, THIS IS SOMETHING, HUH?

DIDN■T I TELL YOU THIS WOULD HAPPEN?

DIDN■T I TELL YOU THIS WOULD HAPPEN?

HUH?

[CHUCKLING]

IT■S A MIRACLE, EH, CESAR?

UH-HUH.

THAT■S WHAT YOU WANTED.

THAT■S WHAT YOU WANTED.

[HUMMING THEME FROM

I LOVE LUCY]

[HUMMING THEME FROM

I LOVE LUCY]

WE■RE JUST ABOUT READY TO GET STARTED.

WE■RE JUST ABOUT READY TO GET STARTED.

TONIGHT WE HAVE A SPECIAL SHOW FOR YOU

TONIGHT WE HAVE A SPECIAL SHOW FOR YOU

ENTITLED

CUBAN PALS.

ENTITLED

CUBAN PALS.

SO SIT BACK, RELAX, AND ENJOY THE SHOW.

SO SIT BACK, RELAX, AND ENJOY THE SHOW.

OH, MY STOMACH-- IT■S NO GOOD.

YOUR STOMACH IS FINE. COME ON.

YOUR STOMACH IS FINE. COME ON.

WE NEVER LOOKED THIS GOOD IN OUR LIVES.

TAKE IT EASY, HUH?

JUST BE YOURSELVES. DON■T WORRY.

JUST BE YOURSELVES. DON■T WORRY.

EVEN IF YOU FLUB YOUR DIALOGUE, WE■LL TAKE CARE OF IT.

EVEN IF YOU FLUB YOUR DIALOGUE, WE■LL TAKE CARE OF IT.

WE NO FLUB.

PERO NO SE PREOCUPEN.

LET■S GO!

LET■S GO!

OK, LET■S GO. WHAT THE HELL IS THAT?

OH, JESUS!

I■M ALL RIGHT.

ARE YOU SURE?

I■M SURE. I WON■T.

DON■T WORRY ABOUT IT.

DON■T WORRY ABOUT IT.

[I LOVE LUCY THEME PLAYS]

[I LOVE LUCY THEME PLAYS]

I WON■T. YOU GOT TO BE KIDDING ME.

COME ON! LUCY■S ON!

COME ON! LUCY■S ON!

COME ON! LUCY■S ON!

THE LIGHT! CARMEN, THE LIGHT.

THE LIGHT! CARMEN, THE LIGHT.

I■M SO PROUD.

I■M SO PROUD.

HA HA! LUCY...

CESAR, NESTOR,

THIS IS LUCY.

Lucy: HOW DO YOU DO?

Lucy: HOW DO YOU DO?

Shh.

WHAT KIND OF GIRL

DID YOU THINK

RICKY WOULD MARRY?

DID YOU THINK

RICKY WOULD MARRY?

DON■T TELL ME. I SHOULDN■T

HAVE ASKED THAT.

DON■T TELL ME. I SHOULDN■T

HAVE ASKED THAT.

RICKY TOLD ME ABOUT

YOUR SUCCESS IN CUBA.

RICKY TOLD ME ABOUT

YOUR SUCCESS IN CUBA.

WHERE DO YOU THINK

YOU■LL GO FROM HERE?

WHERE DO YOU THINK

YOU■LL GO FROM HERE?

THEY DON■T UNDERSTAND LUCY.

THEY DON■T UNDERSTAND LUCY.

DO YOU KNOW WHERE

YOU■LL GO FROM HERE?

DO YOU KNOW WHERE

YOU■LL GO FROM HERE?

I THINK LUCY LIKES NESTOR, DELORES.

I THINK LUCY LIKES NESTOR, DELORES.

YES.

YES.

SHE■S MAKING

OJITOS AT HIM.

SHE■S MAKING

OJITOS AT HIM.

WE DO NUT.

WE DO NUT.

WEEDONUT?

WEEDONUT?

SOUNDS LIKE SOME PLACE IN ARKANSAS.

SOUNDS LIKE SOME PLACE IN ARKANSAS.

AHH.

AHH.

"WE DO NOT...

"WE DO NOT...

SPEAK ENGLISH."

SPEAK ENGLISH."

OH, YOU DON■T

SPEAK ENGLISH?

OH, YOU DON■T

SPEAK ENGLISH?

OH, WELL...

WELL.

CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE?

CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE?

CAN YOU BELIEVE HE WAS IN THE KITCHEN HERE?

I CAN■T BELIEVE I MISSED THAT.

I CAN■T BELIEVE I MISSED THAT.

Lucy:

I HAD A NICE TALK.

Lucy:

I HAD A NICE TALK.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

Desi:

GRACIAS, GRACIAS.

Desi:

GRACIAS, GRACIAS.

[SPEAKING SPANISH]

[SPEAKING SPANISH]

[SPEAKING SPANISH]

[SPEAKING SPANISH]

[SPEAKING SPANISH]

NO, NO. VERDAD. SI.

■ES SU COLOR NATURAL?

■ES SU COLOR NATURAL?

■ES SU COLOR NATURAL?

UH...BEG PARDON?

UH...BEG PARDON?

HE WANTS TO KNOW

HE WANTS TO KNOW

IF THE COLOR OF YOUR

HAIR IS NATURAL.

IF THE COLOR OF YOUR

HAIR IS NATURAL.

OH, WELL, CERTAINLY

TELL HIM IT■S NATURAL,

AND MY FATHER AND MOTHER BOTH HAD RED HAIR.

AND MY FATHER AND MOTHER BOTH HAD RED HAIR.

AND MY FATHER AND MOTHER BOTH HAD RED HAIR.

MY PARENTS HAD BLOND HAIR, TOO.

MY PARENTS HAD BLOND HAIR, TOO.

SURE.

THEY DID!

THEY DID!

RICKY, GO AHEAD

AND TELL THEM.

RICKY, GO AHEAD

AND TELL THEM.

UH...

[SPEAKING SPANISH]

CON UNA

HENNA RINSE.

CON UNA

HENNA RINSE.

AHH.

AHH.

AHH.

AHH.

Both:

HENNA RINSE.

Both:

HENNA RINSE.

I HAVE AN IDEA

I HAVE AN IDEA

MY HAIR SUFFERED

IN THE TRANSLATION.

MY HAIR SUFFERED

IN THE TRANSLATION.

I SAW LUCY ONCE, STANDING OUTSIDE

I SAW LUCY ONCE, STANDING OUTSIDE

THE LORD AND TAYLOR■S DURING CHRISTMASTIME.

THE LORD AND TAYLOR■S DURING CHRISTMASTIME.

THE LORD AND TAYLOR■S DURING CHRISTMASTIME.

OH, SHE SEEMED VERY NICE.

OH, SHE SEEMED VERY NICE.

OH, SHE IS.

YOU CAN TELL JUST BY LOOKING AT HER.

YOU CAN TELL JUST BY LOOKING AT HER.

COME ON! IT■S STARTING!

COME ON! IT■S STARTING!

WELL, FOLKS, TONIGHT I HAVE

A SPECIAL TREAT FOR YOU.

LADIES AND GENTLEMEN,

IT■S MY PLEASURE

TO PRESENT TO YOU

DIRECT FROM HAVANA, CUBA,

CESAR AND NESTOR CASTILLO,

SINGING A BOLERO

OF THEIR OWN COMPOSITION--

SINGING A BOLERO

OF THEIR OWN COMPOSITION--

BEAUTIFUL MARIA OF MY SOUL.

BEAUTIFUL MARIA OF MY SOUL.

■ IN THE SUNLIGHT

OF YOUR SMILE ■

■ IN THE SUNLIGHT

OF YOUR SMILE ■

■ IN THE SUNLIGHT

OF YOUR SMILE ■

■ IN THE SUMMER

OF OUR LIFE ■

■ IN THE SUMMER

OF OUR LIFE ■

■ IN THE MAGIC

OF LOVE ■

■ IN THE MAGIC

OF LOVE ■

■ IN THE MAGIC

OF LOVE ■

■ STORMS ABOVE ■

■ STORMS ABOVE ■

■ SCATTERED AWAY ■

■ SCATTERED AWAY ■

■ LOVERS DREAMING

IN THE NIGHT ■

■ LOVERS DREAMING

IN THE NIGHT ■

■ LOVERS DREAMING

IN THE NIGHT ■

■ LOVERS DREAMING

IN THE NIGHT ■

■ REACHING FOR PARADISE ■

■ REACHING FOR PARADISE ■

■ REACHING FOR PARADISE ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ BUT AS THE DISTANCE FROM YOU GROWS ■

■ ALL THAT MY HEART

EVER KNOWS ■

■ ALL THAT MY HEART

EVER KNOWS ■

■ ALL THAT MY HEART

EVER KNOWS ■

■ HUNGER FOR YOUR KISS ■

■ HUNGER FOR YOUR KISS ■

■ LONGING

FOR YOUR TOUCH ■

■ LONGING

FOR YOUR TOUCH ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ FILLING ALL MY NIGHTS ■

■ FILLING ALL MY NIGHTS ■

■ HAUNTING ALL MY DAYS ■

■ HAUNTING ALL MY DAYS ■

■ BEAUTIFUL MARIA

OF MY SOUL ■

■ BEAUTIFUL MARIA

OF MY SOUL ■

■ BEAUTIFUL MARIA

OF MY SOUL ■

■ BEAUTIFUL MARIA

OF MY SOUL ■

■ BEAUTIFUL MARIA

OF MY SOUL ■

Man: TELEPHONE FOR MR. BLITZEN.

Man: TELEPHONE FOR MR. BLITZEN.

TELEPHONE.

TELEPHONE.

I WAS IN A MOVIE ONCE WITH RICARDO MONTALBAN--

I WAS IN A MOVIE ONCE WITH RICARDO MONTALBAN--

DESPERADOS FROM THE LAND OF THE GOLDEN SUN.

DESPERADOS FROM THE LAND OF THE GOLDEN SUN.

OH, RICARDO WAS A DREAMBOAT.

OH, RICARDO WAS A DREAMBOAT.

YOU ARE A FLEET OF DREAMBOATS, YOU KNOW THAT?

I■M GOING TO PUT YOU IN MY NEXT MOVIE.

I■M GOING TO PUT YOU IN MY NEXT MOVIE.

IS THERE A PART FOR ME?

IS THERE A PART FOR ME?

HEY!

LET■S NOT GET STINGY, HUH?

LET■S NOT GET STINGY, HUH?

Man: PAGING MR. CASTILLO!

I■M GOING TO FORM AN ALL-GIRLS ORCHESTRA

ONE OF THESE DAYS.

I■LL BE RIGHT BACK.

I■LL BE RIGHT BACK.

I■M GOING TO TUNE YOUSE ALL UP.

I■M GOING TO TUNE YOUSE ALL UP.

OH, DON■T GO. DON■T GO.

OH, DON■T GO. DON■T GO.

YOU WAIT FOR ME,

MUCHACHAS, HUH?

YOU WAIT FOR ME,

MUCHACHAS, HUH?

YOU WAIT FOR ME,

MUCHACHAS, HUH?

DON■T YOU GO AWAY.

DON■T YOU GO AWAY.

COME ON. DELORES IS ON THE PHONE.

SHE WANTS TO TELL YOU THAT SHE LOVES.

SORRY.

YOUR PHONE HAS BEEN BUSY THERE.

YOUR PHONE HAS BEEN BUSY THERE.

NO, NO, NO, NO, NO.

NO, NO, NO, NO, NO.

SEE--SEE YOU LATER.

AH, SHIT!

AH, SHIT!

[DOOR CLOSES]

[DOOR CLOSES]

WHAT THE HELL ARE YOU LOOKING AT?

YOU FOLLOW YOUR

PINGA

WHEREVER IT GOES.

YOU FOLLOW YOUR

PINGA

WHEREVER IT GOES.

WHAT■S THE MATTER WITH YOU, BROTHER?

HEY, I DON■T HAVE NO WIFE, NO SON WHO LOVES ME.

HEY, I DON■T HAVE NO WIFE, NO SON WHO LOVES ME.

YOU WORRYING ABOUT ME?

YOU WORRYING ABOUT ME?

THANK YOU, BROTHER.

THANK YOU, BROTHER.

YOU■RE TURNING INTO A

CABRON.

YOU■RE TURNING INTO A

CABRON.

A

CABRON WOULD HAVE GONE BACK TO CUBA BY NOW.

A

CABRON WOULD HAVE GONE BACK TO CUBA BY NOW.

BACK TO CUBA?

YES.

BACK TO CUBA, HUH?

YES. YOU ARE THE ONE

THAT WANTED TO COME TO NEW YORK.

YOU KNOW, YOU■RE A BIG SHOT RIGHT NOW ON TELEVISION

YOU KNOW, YOU■RE A BIG SHOT RIGHT NOW ON TELEVISION

WITH MR. DESI ARNAZ.

DO YOU WANT TO GO BACK TO CUBA?

DO YOU WANT TO GO BACK TO CUBA?

I NEVER WANTED TO BE A BIG SHOT.

I NEVER WANTED TO BE A BIG SHOT.

NO?

WHY DO I ALWAYS HAVE TO DO WHAT YOU WANT?

WHY, BROTHER?

WHY, BROTHER?

I DON■T KNOW, NESTOR. MAYBE WITHOUT ME THOUGH

YOU■D BE SINGING YOUR LOVE SONGS

IN A SHOWER SOMEWHERE, YOU KNOW?

IN A SHOWER SOMEWHERE, YOU KNOW?

THAT COULD BE GOOD ENOUGH.

THAT COULD BE GOOD ENOUGH.

YOU CAN■T KEEP USING ME, CESAR.

YOU CAN■T KEEP USING ME, CESAR.

WHAT ARE YOU TALKING ABOUT, I USE YOU?

WHAT ARE YOU TALKING ABOUT, I USE YOU?

TO FULFILL YOUR DREAMS!

NO, NO, NO. NO. I DO IT FOR YOU!

I DO IT FOR YOU, AND I

DID IT FOR YOU!

I DO IT FOR YOU, AND I

DID IT FOR YOU!

GET THE HELL OUT OF HERE.

YOU DON■T EVEN KNOW HOW LUCKY YOU ARE.

YOU KNOW THAT?

LUCKY IN CUBA WITH MARIA!

NO OTHER WAY!

YOU WANT TO TALK ABOUT MARIA?

YOU WANT TO TALK ABOUT MARIA?

YES, WHY NOT?

GET THE HELL OUT OF MY LIFE.

GET THE HELL OUT OF MY LIFE.

YOU KNOW, YOU MAKE ME SICK.

YOUR STUPID MISERABLE LIFE

YOUR STUPID MISERABLE LIFE

WASN■T WORTH SAVING.

SAVING?

SAVING?

YOU DON■T KNOW ANYTHING ABOUT MARIA.

WHAT ARE YOU TALKING ABOUT?

WHAT ARE YOU TALKING ABOUT?

IF I HADN■T BROUGHT YOU TO AMERICA,

YOU■D BE PLAYING TRUMPET WITH THE ANGELS, KID.

YOU■D BE PLAYING TRUMPET WITH THE ANGELS, KID.

WHAT DO YOU MEAN?

STAY THE HELL OUT OF MY WAY TODAY.

YOU TELL ME, BROTHER!

YOU WANT TO TALK ABOUT MARIA?

YOU WANT TO TALK ABOUT MARIA?

MARIA BEGGED ME-- SHE BEGGED ME

MARIA BEGGED ME-- SHE BEGGED ME

TO TAKE YOU OUT OF CUBA. YES!

TO TAKE YOU OUT OF CUBA. YES!

LIAR!

LUIS WOULD HAVE SLIT YOUR FUCKING THROAT

IF HE EVER SAW YOU AGAIN!

IF HE EVER SAW YOU AGAIN!

IT■S NOT TRUE.

IF SHE HADN■T MARRIED HIM,

HE■D HAVE KILLED YOU! SHE SAVED YOU!

HE■D HAVE KILLED YOU! SHE SAVED YOU!

ENTIENDES?

AND I CALLED HER A WHORE--A WHORE?

SHE■S TOO GOOD FOR YOU!

SHE■S TOO GOOD FOR YOU!

DELORES IS TOO GOOD FOR YOU!

DELORES IS TOO GOOD FOR YOU!

WE■RE ALL TOO GOOD FOR YOU...

HERMANITO!

WE■RE ALL TOO GOOD FOR YOU...

HERMANITO!

STOP!

STOP!

YOU KNEW THIS ABOUT MARIA

YOU KNEW THIS ABOUT MARIA

AND DIDN■T TELL ME?

AND DIDN■T TELL ME?

WHY, BROTHER?

WHY, BROTHER?

OHH.

OHH.

WHY?

WHY?

TO SAVE YOUR LIFE.

MY LIFE?

WHAT DO YOU THINK, WHY, HMM?

WHAT DO YOU THINK, WHY, HMM?

YOU DIDN■T SAVE MY LIFE, CESAR.

YOU DIDN■T SAVE MY LIFE, CESAR.

YOU DIDN■T SAVE MY LIFE, CESAR.

YOU RUINED MY LIFE.

YOU RUINED MY LIFE.

[CRYING]

NO!

NO!

OH, MAN!

OH, MAN!

OH, MAN!

[LINDA RONSTADT SINGS

PERFIDIA]

[LINDA RONSTADT SINGS

PERFIDIA]

5,000 BUCKS FROM DESILU PRODUCTIONS!

5,000 BUCKS FROM DESILU PRODUCTIONS!

[SPEAKING SPANISH]

AND GOD BLESS THIS COUNTRY!

NOT BAD FOR ONE LITTLE BOLERO, EH, BRO?

NOT BAD FOR ONE LITTLE BOLERO, EH, BRO?

EH?

EH?

NOW LET■S SEE PEREZ

TRY TO KEEP US FROM PLAYING THE PALLADIUM.

OH, DELORES, BY THE WAY,

THE SALESMAN SAYS HE■S GOING TO SEND YOU

A NEW ENCYCLOPEDIA EVERY MONTH.

A NEW ENCYCLOPEDIA EVERY MONTH.

THAT■S SO BEAUTIFUL.

I WANT TO SHOW YOU SOMETHING.

LOOK AT THAT.

LOOK AT THAT.

IT■S GOT POWER STEERING,

IT■S GOT POWER BRAKES, POWER EVERYTHING.

WOW, HUH?

YOU■RE CRAZY.

I GUESS MR. VANDERBILT WAS RIGHT, EH, BRO?

I GUESS MR. VANDERBILT WAS RIGHT, EH, BRO?

CHINAMAN, INDIAN OR FROM THE PLANET CUBA...

CHINAMAN, INDIAN OR FROM THE PLANET CUBA...

CHINAMAN, INDIAN OR FROM THE PLANET CUBA...

CUBA! CUBA!

A MAN CAN FIND HAPPINESS THE AMERICAN WAY...

A MAN CAN FIND HAPPINESS THE AMERICAN WAY...

A MAN CAN FIND HAPPINESS THE AMERICAN WAY...

YEAH!

WHETHER HE LIKES IT OR NOT!

WHETHER HE LIKES IT OR NOT!

COME ON. CUT THE CAKE AND POUR THE CHAMPAGNE.

COME ON. CUT THE CAKE AND POUR THE CHAMPAGNE.

DON■T WET THE CHECK.

DON■T WET THE CHECK.

DON■T WET THAT CHECK, PLEASE.

DON■T WET THAT CHECK, PLEASE.

FELICIDADES, EH?

TE VA BIEN.

FELICIDADES, EH?

TE VA BIEN.

YOU■RE ON TOP OF THE WORLD.

YOU■RE ON TOP OF THE WORLD.

DON■T BE SO

MODESTO.

DON■T BE SO

MODESTO.

DON■T BE SO

MODESTO.

WE ARE WORKING.

WE ARE WORKING.

NOTHING THAT WILL MAKE US RICH,

NOTHING THAT WILL MAKE US RICH,

BUT WE ARE BRINGING IN A FEW DOLLARS AND...

BUT WE ARE BRINGING IN A FEW DOLLARS AND...

BUT WE ARE BRINGING IN A FEW DOLLARS AND...

WELL, YOU SEEM IN GOOD SHAPE.

WELL, YOU SEEM IN GOOD SHAPE.

IS A GOOD BEGINNING.

IS A GOOD BEGINNING.

NO.

NO.

IT--IT■S OK FOR THE TIME BEING,

IT--IT■S OK FOR THE TIME BEING,

BUT WE HAVE A LONG WAY TO GO.

BUT WE HAVE A LONG WAY TO GO.

THEN WE SHOULDN■T LOSE MORE TIME

THEN WE SHOULDN■T LOSE MORE TIME

IN OUR FRIENDSHIP, EH?

IN OUR FRIENDSHIP, EH?

SO, NESTOR...

SO, NESTOR...

WHAT IS IT I CAN DO FOR YOU?

WHAT IS IT I CAN DO FOR YOU?

DIME.

DIME.

DO YOU NEED MONEY?

DO YOU NEED MONEY?

PLEASE TELL ME.

PLEASE TELL ME.

I WANT TO OPEN A CLUB.

I WANT TO OPEN A CLUB.

GOOD, GOOD.

MY BROTHER DOESN■T THINK

THIS IS THE TIME TO SETTLE DOWN.

THIS IS THE TIME TO SETTLE DOWN.

HE THINKS THAT WE WILL BE STARS.

HE THINKS THAT WE WILL BE STARS.

BUT...

BUT...

YOU ARE THE ONE WHO WRITES THE SONGS, NO?

YOU ARE THE ONE WHO WRITES THE SONGS, NO?

AND YOUR BROTHER,

AND YOUR BROTHER,

HE DOESN■T WANT ANYONE TO OWN HIM.

HE DOESN■T WANT ANYONE TO OWN HIM.

HE DOESN■T WANT ANYONE TO OWN HIM.

BUT HE THINKS HE OWNS YOU.

BUT HE THINKS HE OWNS YOU.

NO.

CESAR DOES NOT OWN ME.

CESAR DOES NOT OWN ME.

NOBODY DOES.

NOBODY DOES.

NOBODY.

NOBODY.

THEN YOU SIGN WITH ME,

MI AMIGO,

THEN YOU SIGN WITH ME,

MI AMIGO,

AND YOUR FUTURE IS GOLD.

EL MOROCCO, THE PALLADIUM,

EL MOROCCO, THE PALLADIUM,

AND THEN YOUR OWN LITTLE CLUB.

AND THEN YOUR OWN LITTLE CLUB.

AND THEN YOUR OWN LITTLE CLUB.

PALLADIUM.

YES.

Nestor: LET■S DRINK TO MY FREEDOM.

Nestor: LET■S DRINK TO MY FREEDOM.

I■M GOING TO PLAY THE PALLADIUM.

I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA...

I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA...

I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA...

I■M GOING TO OPEN MY OWN LITTLE CLUB IN HAVANA...

WITHOUT CESAR.

WITHOUT CESAR.

HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS.

HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS.

HONEY, YOU REALLY ARE SEEING PINK ELEPHANTS.

NO.

NO.

ADIOS, MAMBO KINGS.

ADIOS, MAMBO KINGS.

ADIOS, CESAR.

ADIOS, CESAR.

NESTOR, WHAT HAPPENED?

NESTOR, WHAT HAPPENED?

LET■S DRINK TO MY FREEDOM.

LET■S DRINK TO MY FREEDOM.

LET■S DRINK TO MY FREEDOM.

LET■S DRINK TO MY FREEDOM.

UH, BARTENDER.

UH, BARTENDER.

NO COFFEE.

NO COFFEE.

TWO...

NESTOR LIBRES.

NESTOR LIBRES.

CESAR CAN■T KEEP USING ME.

CESAR CAN■T KEEP USING ME.

I TOLD HIM THAT.

I TOLD HIM THAT.

NESTOR, HE■S YOUR BROTHER.

NESTOR, HE■S YOUR BROTHER.

YOU■RE FAMILY.

YOU■RE FAMILY.

WHAT■S A GUY WITHOUT A FAMILY?

WHAT■S A GUY WITHOUT A FAMILY?

WHAT■S A GUY WITHOUT A FAMILY?

NOTHING.

NOTHING.

DOUBLE NOTHING WITHOUT LOVE.

DOUBLE NOTHING WITHOUT LOVE.

YOU KNOW HOW THAT IS, DON■T YOU?

YOU KNOW HOW THAT IS, DON■T YOU?

TO LOVE SOMEONE SO MUCH.

TO LOVE SOMEONE SO MUCH.

NESTOR, CAN■T YOU SEE HOW CESAR FEELS?

NESTOR, CAN■T YOU SEE HOW CESAR FEELS?

ABOUT DELORES?

COME ON.

COME ON.

STOP BEING A BIG JERK, HUH?

STOP BEING A BIG JERK, HUH?

HE■D DO ANYTHING FOR YOU.

HE■D DO ANYTHING FOR YOU.

PLEASE DON■T BREAK HIS HEART.

PLEASE DON■T BREAK HIS HEART.

PLEASE DON■T BREAK HIS HEART.

NESTOR...

NESTOR...

I WANT TO GO BACK TO SCHOOL

I WANT TO GO BACK TO SCHOOL

AND BE A TEACHER.

AND BE A TEACHER.

I WANT TO GO BACK TO SCHOOL

I WANT TO GO BACK TO SCHOOL

AND MAKE SOMETHING OF MYSELF.

AND MAKE SOMETHING OF MYSELF.

YEAH.

YEAH, YOU SHOULD DO THAT.

YEAH, YOU SHOULD DO THAT.

THAT■S WHAT YOU WANTED BEFORE YOU...

THAT■S WHAT YOU WANTED BEFORE YOU...

THAT■S WHAT YOU WANTED BEFORE YOU...

MET ME.

MET ME.

OH, DELORES.

OH, DELORES.

DELORITA MIA.

DELORITA MIA.

I KNOW IT■S BEEN VERY HARD FOR YOU.

I KNOW IT■S BEEN VERY HARD FOR YOU.

I KNOW IT■S BEEN VERY HARD FOR YOU.

I NEVER MEANT IT TO BE THAT WAY.

I NEVER MEANT IT TO BE THAT WAY.

I NEVER MEANT IT TO BE THAT WAY.

BUT YOU MUST KNOW IN MY OWN WAY...

BUT YOU MUST KNOW IN MY OWN WAY...

BUT YOU MUST KNOW IN MY OWN WAY...

BUT YOU MUST KNOW IN MY OWN WAY...

I HAVE LOVED YOU.

I HAVE LOVED YOU.

I HAVE LOVED YOU.

[DOOR SLAMS]

I LOVE THIS COUNTRY!

I LOVE THIS COUNTRY!

HA HA HA HA!

WHERE IS EVERYBODY?

HA HA HA HA HA HA HA HA!

HA HA HA HA HA HA HA HA!

HA HA HA HA HA HA HA HA!

I LOVE THIS COUNTRY!

COME HERE.

COME HERE.

YOU WANT TO SEE SOMETHING?

YOU WANT TO SEE SOMETHING?

COMPLIMENTS OF MR. RICCI,

COMPLIMENTS OF MR. RICCI,

WITH AN INVITATION TO PLAY THE PALLADIUM.

WITH AN INVITATION TO PLAY THE PALLADIUM.

DID I TELL YOU THIS WAS GOING TO HAPPEN?

DID I TELL YOU THIS WAS GOING TO HAPPEN?

DIDN■T I TELL YOU WE■D MAKE IT ON OUR OWN? DID I?

DIDN■T I TELL YOU WE■D MAKE IT ON OUR OWN? DID I?

COME ON,

TOMA.

TOMA. TOMA.

TOMA.

TOMA.

BEBE.

BEBE.

THAT■S FOR REAL.

THAT■S FOR REAL.

FROM NOW ON, WE GET WHAT WE WANT.

FROM NOW ON, WE GET WHAT WE WANT.

MAYBE EVEN OUR OWN TELEVISION SHOW.

MAYBE EVEN OUR OWN TELEVISION SHOW.

I MEAN, WHAT THE HELL, HUH?

I MEAN, WHAT THE HELL, HUH?

WHAT THE HELL DID WE COME TO THIS COUNTRY FOR

WHAT THE HELL DID WE COME TO THIS COUNTRY FOR

IF NOT FOR THAT?

IF NOT FOR THAT?

COME ON. LET■S CALL THE FELLAS.

COME ON. LET■S CALL THE FELLAS.

COME ON. CAN YOU IMAGINE WE CALL THE FELLAS NOW

COME ON. CAN YOU IMAGINE WE CALL THE FELLAS NOW

AND WE TELL THEM THE KINGS OF THE MAMBO

AND WE TELL THEM THE KINGS OF THE MAMBO

AND WE TELL THEM THE KINGS OF THE MAMBO

ARE GOING TO PLAY PALLADIUM? HUH?

ARE GOING TO PLAY PALLADIUM? HUH?

I THINK I■M HAVING A HEART ATTACK TODAY.

I THINK I■M HAVING A HEART ATTACK TODAY.

I GOT TO FIND US A CIGAR STORE.

I GOT TO FIND US A CIGAR STORE.

HOW MANY TIMES-- HOW MANY TIMES--

HOW MANY TIMES-- HOW MANY TIMES--

DID I KEEP MY PROMISE TO YOU?

DID I KEEP MY PROMISE TO YOU?

DID I KEEP MY PROMISE?

DID I KEEP MY PROMISE?

AND NOW, LADIES AND GENTLEMEN,

AND NOW, LADIES AND GENTLEMEN,

A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY.

A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY.

A SONG I KNOW YOU■VE BEEN WAITING FOR SO PATIENTLY.

I PREDICT THAT NESTOR CASTILLO

I PREDICT THAT NESTOR CASTILLO

I PREDICT THAT NESTOR CASTILLO

WILL BE REMEMBERED AMONG THE GREATS

WILL BE REMEMBERED AMONG THE GREATS

WITH MACHITO, PUENTE, BENY MORE,

WITH MACHITO, PUENTE, BENY MORE,

TITO RODRIGUEZ--

I NEVER TOLD MY BROTHER ABOUT THE DEAL.

I NEVER TOLD MY BROTHER ABOUT THE DEAL.

OH, BELIEVE YOU ME,

OH, BELIEVE YOU ME,

YOUR BROTHER WILL THANK YOU FOR IT

YOUR BROTHER WILL THANK YOU FOR IT

IN HIS SUNSET YEARS.

NO, SEÑOR PEREZ. NO.

A PROMOTER I KNOW, AN ENGLISHMAN,

A PROMOTER I KNOW, AN ENGLISHMAN,

WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM.

WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM.

WANTS TO MOUNT A SHOW AT THE LONDON PALLADIUM.

OF COURSE I TOLD HIM ABOUT YOU.

OF COURSE I TOLD HIM ABOUT YOU.

IT■S ALL BEING PLANNED RIGHT NOW.

AND WHO KNOWS?

STOP, SEÑOR PEREZ, STOP.

STOP, SEÑOR PEREZ, STOP.

I■VE MADE A MISTAKE.

I■VE MADE A MISTAKE.

I CAN■T DO IT.

I CAN■T.

NOBODY OWNS THE CASTILLO BROTHERS.

NOBODY OWNS THE CASTILLO BROTHERS.

ALL RIGHT, NESTOR.

ALL RIGHT, NESTOR.

THEN TONIGHT■S YOUR LAST NIGHT.

THEN TONIGHT■S YOUR LAST NIGHT.

TELL THAT TO YOUR BROTHER.

TELL THAT TO YOUR BROTHER.

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ OF MY ■

■ OF MY ■

■ SOUL ■

■ SOUL ■

■ SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ THOUGH WE■LL ALWAYS BE APART ■

■ THOUGH WE■LL ALWAYS BE APART ■

■ LOCKED FOREVER ■

■ LOCKED FOREVER ■

■ IN A DREAM ■

■ IN A DREAM ■

■ IF I EVER LOVE AGAIN ■

■ IF I EVER LOVE AGAIN ■

■ EVEN THEN ■

■ EVEN THEN ■

■ NOTHING WILL CHANGE ■

■ NOTHING WILL CHANGE ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

■ CLINGING TO PARADISE ■

■ CLINGING TO PARADISE ■

■ CLINGING TO PARADISE ■

■ BUT AS THE DISTANCE ■

■ BUT AS THE DISTANCE ■

■ BUT AS THE DISTANCE ■

■ FROM YOU GROWS ■

■ FROM YOU GROWS ■

■ ALL THAT MY HEART ■

■ ALL THAT MY HEART ■

■ EVER KNOWS... ■

HA HA HA! HA HA HA!

HA HA HA! HA HA HA!

OH, GOD. DELORES SHOULD BE WITH US TONIGHT, HUH?

OH, GOD. DELORES SHOULD BE WITH US TONIGHT, HUH?

THE BABY HAS A FEVER.

THE BABY HAS A FEVER.

LISTEN TO HIM, SEÑOR SENSIBLE HERE.

LISTEN TO HIM, SEÑOR SENSIBLE HERE.

BROTHER, I HAVE SOMETHING TO TELL YOU.

BROTHER, I HAVE SOMETHING TO TELL YOU.

IT■S A LONG WAY FROM HAVANA, KID.

IT■S A LONG WAY FROM HAVANA, KID.

YOU SEE THAT?

MAMBO KINGS, BABY.

MAMBO KINGS, BABY.

MAMBO KINGS FOREVER.

MAMBO KINGS FOREVER.

GIVE ME THE KEYS.

MM-MMM.

GIVE HIM THE KEYS.

GIVE HIM THE KEYS.

NO, I■M GOING TO DRIVE.

GIVE HIM THE KEYS.

ALL RIGHT. I■LL GET IN THE CAR

ALL RIGHT. I■LL GET IN THE CAR

BEFORE I TURN INTO A POPSICLE.

BEFORE I TURN INTO A POPSICLE.

YOU■D PROBABLY LOVE THAT.

YOU■D PROBABLY LOVE THAT.

YOU GOING TO TURN ME

YOU GOING TO TURN ME

INTO A ROAST PORK SANDWICH?

INTO A ROAST PORK SANDWICH?

HMM?

HMM?

I MIGHT.

WELL, GET GOING.

YOU KNOW, BROTHER,

WE DIDN■T GET THE JOB THE WAY YOU THINK.

WE DIDN■T GET THE JOB THE WAY YOU THINK.

THERE■S PLENTY OF TIME TO TALK.

THERE■S PLENTY OF TIME TO TALK.

WE■RE ON TOP, KID. JUST ENJOY IT.

WE■RE ON TOP, KID. JUST ENJOY IT.

[CRASH]

[HORN HONKS]

WHAT THE HELL YOU DOING?

WHAT THE HELL YOU DOING?

YOU■RE CHOKING ME. ARE YOU CRAZY?

YOU■RE CHOKING ME. ARE YOU CRAZY?

COME ON, HONEY.

COME ON, HONEY.

COME ON.

GOD, HELP ME.

WHERE THE HELL ARE WE?

WHERE THE HELL ARE WE?

OH, JESUS.

WHAT THE HELL DID HE DO?

WHAT THE HELL DID HE DO?

HE SMASHED UP THE GODDAMN CAR.

HE SMASHED UP THE GODDAMN CAR.

WHAT THE HELL YOU PEOPLE THINK I■M MADE OF?

COME ON, SWEETHEART.

LOOK AT THAT. WHAT A WASTE.

LOOK AT THAT. WHAT A WASTE.

THE INSURANCE COMPANY WILL BUY ANOTHER ONE.

THE INSURANCE COMPANY WILL BUY ANOTHER ONE.

THE INSURANCE COMPANY WILL BUY ANOTHER ONE.

WHAT HAPPENED?

WHAT HAPPENED?

OH, GOD.

OH, GOD.

[CRYING]

NESTOR.

NESTOR.

NESTOR.

NESTOR!

NESTOR!

NESTOR!

CESAR!

CESAR!

CESAR!

HEY, MISTER.

HEY, MISTER.

MISTER, THROW ME THE BALL.

MISTER, THROW ME THE BALL.

Boy: OK, COME ON. LET■S GO. LET■S PLAY.

Boy: OK, COME ON. LET■S GO. LET■S PLAY.

ALL RIGHT. READY?

ALL RIGHT. READY?

READY? HERE WE GO.

READY? HERE WE GO.

CESAR?

CESAR.

CESAR.

CESAR.

OH, EVALINA.

OH, MY GOD.

OH, MY GOD.

YOU KNOW, I THOUGHT YOU WERE MY MOTHER.

YOU KNOW, I THOUGHT YOU WERE MY MOTHER.

CESAR, MIGUEL TELLS ME YOU LEFT THE BAND?

CESAR, MIGUEL TELLS ME YOU LEFT THE BAND?

YEAH, IT■S BETTER THIS WAY.

YEAH, IT■S BETTER THIS WAY.

COME. SIT, SIT, SIT, SIT.

COME. SIT, SIT, SIT, SIT.

MY GOD.

I THOUGHT YOU WERE MY MOTHER.

I THOUGHT YOU WERE MY MOTHER.

CESAR...

CESAR...

WHEN MY MOTHER DIED...

WHEN MY MOTHER DIED...

I WANTED ONLY TO LIVE IN MY SADNESS.

I WANTED ONLY TO LIVE IN MY SADNESS.

I WANTED ONLY TO LIVE IN MY SADNESS.

IT WAS ALL I THOUGHT I HAD LEFT OF HER.

IT WAS ALL I THOUGHT I HAD LEFT OF HER.

IT WAS ALL I THOUGHT I HAD LEFT OF HER.

BUT THE MUSIC WITHIN ME

BUT THE MUSIC WITHIN ME

BUT THE MUSIC WITHIN ME

WOULD NOT BE SILENT.

WOULD NOT BE SILENT.

AND WHEN I FINALLY SANG,

AND WHEN I FINALLY SANG,

I FOUND MY MOTHER

I FOUND MY MOTHER

IN THE HAPPINESS OF THE PEOPLE.

IN THE HAPPINESS OF THE PEOPLE.

I KILLED HIM.

I KILLED HIM.

HE WAS THE MUSIC.

HE WAS THE MUSIC.

AND SO ARE YOU.

AND SO ARE YOU.

FIRE AND WATER.

FIRE AND WATER.

FIRE AND WATER.

BOTH BEAUTIFUL, CESAR,

BOTH BEAUTIFUL, CESAR,

BUT THEY HAVE DIFFERENT LIFE.

BUT THEY HAVE DIFFERENT LIFE.

"IN TODAY■S AMERICA,

"IN TODAY■S AMERICA,

"EVERY OBSTACLE IS TEMPORARY.

"EVERY OBSTACLE IS TEMPORARY.

"EVERY OBSTACLE IS TEMPORARY.

"EVERY PROBLEM CAN BE SOLVED.

"EVERY PROBLEM CAN BE SOLVED.

"WHERE THERE IS A WILL,

"WHERE THERE IS A WILL,

THERE IS A WAY..."

THERE IS A WAY..."

"FOR THE MAN OF TOMORROW..."

"FOR THE MAN OF TOMORROW..."

"IN TODAY■S AMERICA."

"IN TODAY■S AMERICA."

[LAUGHING]

[LAUGHING]

WE GOT TO TAKE A VACATION, YOU AND ME.

WE GOT TO TAKE A VACATION, YOU AND ME.

WE GOT TO GO DOWN TO MIAMI, HUH?

WE GOT TO GO DOWN TO MIAMI, HUH?

AND IF WE■RE TOO BIG IN MIAMI,

WE■LL GO STRAIGHT BACK TO HOLLYWOOD, HUH?

WE■LL GO STRAIGHT BACK TO HOLLYWOOD, HUH?

WE■LL GO SEE DESI, HUH?

WE■LL GO SEE DESI, HUH?

REMEMBER WHAT HE TOLD US?

REMEMBER WHAT HE TOLD US?

WE COULD ALWAYS JUST...DROP BY.

WE COULD ALWAYS JUST...DROP BY.

WE COULD ALWAYS JUST...DROP BY.

WHAT■S THE MATTER, HUH?

WHAT■S THE MATTER, HUH?

I KNOW.

I KNOW.

I KNOW.

[CRYING]

[CRYING]

[NOT CRYING]

"CHINAMAN, INDIAN, OR FROM THE PLANET MARS...

"CHINAMAN, INDIAN, OR FROM THE PLANET MARS...

"CHINAMAN, INDIAN, OR FROM THE PLANET MARS...

A MAN CAN FIND HAPPINESS THE AMERICAN WAY."

A MAN CAN FIND HAPPINESS THE AMERICAN WAY."

A MAN CAN FIND HAPPINESS THE AMERICAN WAY."

I GUESS YOU COULDN■T FIND HAPPINESS AFTER ALL.

I GUESS YOU COULDN■T FIND HAPPINESS AFTER ALL.

[THUNDER]

[MUSIC PLAYS]

[MUSIC PLAYS]

WE WANT TO MAKE A TOAST TO OUR FRIEND

WE WANT TO MAKE A TOAST TO OUR FRIEND

WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB--

WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB--

WHOSE DREAM IT WAS TO SOMEDAY HAVE A LITTLE CLUB--

NESTOR CASTILLO.

[AUDIENCE CHEERING]

[AUDIENCE CHEERING]

MAY HE REST IN PEACE.

MAY HE REST IN PEACE.

BUT AS NOT TO LET THIS LITTLE GATHERING

BUT AS NOT TO LET THIS LITTLE GATHERING

BUT AS NOT TO LET THIS LITTLE GATHERING

SLIP INTO SADNESS,

SLIP INTO SADNESS,

I MAKE A TOAST

I MAKE A TOAST

TO ALL THE LOVELY LADIES

TO ALL THE LOVELY LADIES

WHO HAVE BROUGHT US WARM SMILES.

WHO HAVE BROUGHT US WARM SMILES.

TO THE FABULOUS MAMBO KINGS.

TO THE FABULOUS MAMBO KINGS.

TO MARIO BAUZA AND TITO PUENTE.

TO MARIO BAUZA AND TITO PUENTE.

AND TO CESAR CASTILLO.

AND TO CESAR CASTILLO.

TO AMERICA.

SALUD.

SALUD!

SALUD!

AND NOW, LADIES AND GENTLEMEN,

AND NOW, LADIES AND GENTLEMEN,

A LITTLE

CANCION THAT WILL LIVE FOREVER--

A LITTLE

CANCION THAT WILL LIVE FOREVER--

BEAUTIFUL MARIA

OF MY SOUL.

BEAUTIFUL MARIA

OF MY SOUL.

CESAR, COME ON UP HERE.

CESAR, COME ON UP HERE.

CESAR, COME ON UP HERE.

NO. YOU PLAY NOW.

CESAR.

GO ON.

SING IT FOR NESTOR, HUH?

SING IT FOR NESTOR, HUH?

[APPLAUSE]

HE WORSHIPPED YOU, CESAR.

HE WAS ALWAYS HAPPY

TO GO WITH YOU TO PLACES

TO GO WITH YOU TO PLACES

TO PLAY FOR THE PEOPLE.

THOSE WERE GOOD TIMES.

NOBODY CAN TAKE THAT AWAY.

NOBODY CAN TAKE THAT AWAY.

I HURT HIM IN SO MANY WAYS, NO?

I HURT HIM IN SO MANY WAYS, NO?

I HURT HIM IN SO MANY WAYS, NO?

OH, NO, CESAR.

OH, NO, CESAR.

YOU DIDN■T HURT HIM.

YOU DIDN■T HURT HIM.

NESTOR...

NESTOR...

NESTOR HURT HIMSELF.

NESTOR HURT HIMSELF.

NOBODY COULD SAVE HIM.

NOBODY COULD SAVE HIM.

BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE...

BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE...

BUT DO YOU KNOW, EVERYTHING I WAS IN MY LIFE...

IT WAS BECAUSE OF HIM.

I WOULD CHANGE PLACES WITH HIM RIGHT NOW...

I WOULD CHANGE PLACES WITH HIM RIGHT NOW...

I WOULD CHANGE PLACES WITH HIM RIGHT NOW...

I WOULD CHANGE PLACES WITH HIM RIGHT NOW...

IF I COULD.

IT■S HIS CLUB, HMM?

CESAR, THIS IS YOUR CLUB.

CESAR, THIS IS YOUR CLUB.

NOW SING THE BOLERO.

NOW SING THE BOLERO.

I DON■T HAVE IT IN ME ANYMORE TO SING.

I DON■T HAVE IT IN ME ANYMORE TO SING.

I DON■T HAVE IT IN ME ANYMORE TO SING.

SING IT FOR ME?

SING IT FOR ME?

■ THOUGH WE■LL ALWAYS BE APART ■

■ THOUGH WE■LL ALWAYS BE APART ■

■ LOCKED FOREVER IN A DREAM ■

■ LOCKED FOREVER IN A DREAM ■

■ IF I EVER LOVE AGAIN ■

■ IF I EVER LOVE AGAIN ■

■ IF I EVER LOVE AGAIN ■

■ EVEN THEN ■

■ EVEN THEN ■

■ NOTHING WILL CHANGE ■

■ NOTHING WILL CHANGE ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

■ AND THE TASTE OF YOU REMAINS ■

■ CLINGING TO PARADISE ■

■ CLINGING TO PARADISE ■

■ CLINGING TO PARADISE ■

■ BUT AS THE DISTANCE ■

■ BUT AS THE DISTANCE ■

■ FROM YOU GROWS ■

■ FROM YOU GROWS ■

■ ALL THAT MY HEART ■

■ ALL THAT MY HEART ■

■ EVER KNOWS ■

■ EVER KNOWS ■

■ HUNGER FOR YOUR KISS ■

■ HUNGER FOR YOUR KISS ■

■ LONGING FOR YOUR TOUCH ■

■ LONGING FOR YOUR TOUCH ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ FILLING ALL MY NIGHTS ■

■ FILLING ALL MY NIGHTS ■

■ HAUNTING ALL MY DAYS ■

■ HAUNTING ALL MY DAYS ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ OF MY SOUL ■

■ OF MY SOUL ■

[APPLAUSE]

[APPLAUSE]

■ DESTINY ■

■ DESTINY ■

■ IN HER HOUSE ■

■ IN HER HOUSE ■

■ BUILT OF SHADOWS ■

■ BUILT OF SHADOWS ■

■ MAKES HER NEST, SPIN HER WEBS ■

■ MAKES HER NEST, SPIN HER WEBS ■

■ TOUCHING US ALL ■

■ TOUCHING US ALL ■

■ REALITY STANDS ■

■ WITH ILLUSION ■

■ WITH ILLUSION ■

■ AND CONFUSION ■

■ AND CONFUSION ■

■ I THOUGHT IT WAS WAR ■

■ I THOUGHT IT WAS WAR ■

■ I THOUGHT IT WAS WAR ■

■ YOU■LL FIND ■

■ YOU■LL FIND ■

■ IN THE BEAT OF THE MAMBO ■

■ IN THE BEAT OF THE MAMBO ■

■ STEPS AND PATTERNS ■

■ THAT LEAD TO PLACES NEW ■

■ THAT LEAD TO PLACES NEW ■

■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■

■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■

■ WHERE LOVE CAN APPEAR FROM THE DARKNESS ■

■ BRINGING SUNSHINE ■

■ BRINGING SUNSHINE ■

■ TO BUILD THE DREAM IN YOU ■

■ TO BUILD THE DREAM IN YOU ■

■ TO BUILD THE DREAM IN YOU ■

[SINGING IN SPANISH]

[SINGING IN SPANISH]

■ IN THE SUNLIGHT OF YOUR SMILE ■

■ IN THE SUNLIGHT OF YOUR SMILE ■

■ IN THE SUMMER OF OUR LIFE ■

■ IN THE SUMMER OF OUR LIFE ■

■ IN THE MAGIC OF LOVE ■

■ IN THE MAGIC OF LOVE ■

■ STORMS ABOVE ■

■ STORMS ABOVE ■

■ SCATTERED AWAY ■

■ SCATTERED AWAY ■

■ SCATTERED AWAY ■

■ LOVERS DREAMING IN THE NIGHT ■

■ LOVERS DREAMING IN THE NIGHT ■

■ REACHING FOR PARADISE ■

■ REACHING FOR PARADISE ■

■ REACHING FOR PARADISE ■

■ BUT AS THE DARK SHADOWS FADE ■

■ BUT AS THE DARK SHADOWS FADE ■

■ BUT AS THE DARK SHADOWS FADE ■

■ LOVE SLIPS AWAY ■

■ LOVE SLIPS AWAY ■

■ LOVE SLIPS AWAY ■

■ ON AN EMPTY STRETCH OF BEACH ■

■ ON AN EMPTY STRETCH OF BEACH ■

■ IN THE PATTERN OF THE WAVES ■

■ IN THE PATTERN OF THE WAVES ■

■ DRAWING PICTURES WITH MY HAND ■

■ DRAWING PICTURES WITH MY HAND ■

■ DRAWING PICTURES WITH MY HAND ■

■ IN THE SAND ■

■ IN THE SAND ■

■ I SEE YOUR FACE ■

■ I SEE YOUR FACE ■

■ SKIPPING PEBBLES ON THE SEA ■

■ SKIPPING PEBBLES ON THE SEA ■

■ WISHING FOR PARADISE ■

■ WISHING FOR PARADISE ■

■ WISHING FOR PARADISE ■

■ SAND CASTLES CRUMBLE ■

■ SAND CASTLES CRUMBLE ■

■ BELOW ■

■ THE RESTLESS TIDES ■

■ THE RESTLESS TIDES ■

■ EBB AND FLOW ■

■ EBB AND FLOW ■

■ LISTENING TO A SHELL ■

■ LISTENING TO A SHELL ■

■ HOPING FOR YOUR VOICE ■

■ HOPING FOR YOUR VOICE ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ BEAUTIFUL MARIA ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

■ OF MY SOUL ■

CAPTIONING MADE POSSIBLE BY WARNER BROS.

CAPTIONING MADE POSSIBLE BY WARNER BROS.

CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--

CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.

CAPTIONS COPYRIGHT 1992 WARNER BROS. INC.