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1
00:00:04,134 --> 00:00:08,747
♪ IN THE HEAT OF THE NIGHT
2
00:00:11,968 --> 00:00:17,321
♪ I'’VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:20,324 --> 00:00:24,763
♪ IN THE HEAT OF THE NIGHT
4
00:00:24,807 --> 00:00:27,679
♪ YEAH
5
00:00:27,723 --> 00:00:33,294
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:33,337 --> 00:00:36,819
♪ OH
7
00:00:36,862 --> 00:00:40,127
♪ BUT HOLD ON
8
00:00:40,170 --> 00:00:42,868
♪ IT WON'’T BE LONG ♪
9
00:00:42,912 --> 00:00:44,914
♪ JUST YOU BE STRONG
10
00:00:44,957 --> 00:00:50,311
♪ AND IT'’LL BE ALL RIGHT ♪
11
00:00:50,354 --> 00:00:54,750
♪ IN THE HEAT
OF THE NIGHT ♪
12
00:00:54,793 --> 00:01:00,625
♪ IN THE HEAT OF THE NIGHT.
13
00:01:17,947 --> 00:01:19,079
HEY!
14
00:01:21,603 --> 00:01:23,822
WHAT YOU DOING
DOWN THERE?
15
00:01:23,866 --> 00:01:25,998
YOU CAN'’T FISH HERE.
THIS IS OUR LAND.
16
00:01:28,914 --> 00:01:32,875
SINCE WHEN DID THE COUNTY
SELL YOU THIS LAND?
17
00:01:32,918 --> 00:01:35,312
SORRY, LONNIE. DIDN'’T KNOW
YOU WAS DOWN THERE.
18
00:01:35,356 --> 00:01:37,836
I KNOW WHERE YOUR LAND
STARTS, HANK MUELLER.
19
00:01:37,880 --> 00:01:42,406
RIGHT THERE WHERE
YOUR BOAT'’S TIED UP.
20
00:01:42,450 --> 00:01:44,930
IF THAT WHITE FACE
DOWN THERE
21
00:01:44,974 --> 00:01:48,151
BELONGS TO
LONNIE JAMISON...
22
00:01:48,195 --> 00:01:49,761
YOUR BAD MANNERS
23
00:01:49,805 --> 00:01:52,329
DON'’T SURPRISE ME NONE.
24
00:01:52,373 --> 00:01:53,852
AIN'’T--
25
00:01:53,896 --> 00:01:56,899
AIN'’T IMPROVED ANY
SINCE YOU WAS A CHILD.
26
00:01:56,942 --> 00:01:59,728
PAPAW, DON'’T GET YOURSELF
EXCITED OVER NOTHING.
27
00:01:59,771 --> 00:02:03,601
THAT LINE'’S THE PLACE
WHERE MY LAND STARTS.
28
00:02:03,645 --> 00:02:06,082
SEE YOU DON'’T CROSS IT!
29
00:02:06,126 --> 00:02:07,475
UH...
30
00:02:07,518 --> 00:02:09,085
LET--LET'’S GET OUT
OF HERE, LONNIE.
31
00:02:18,007 --> 00:02:20,183
LET'’S GO.
32
00:02:29,236 --> 00:02:31,934
WHAT ARE YOU
THINKING ABOUT?
33
00:02:31,977 --> 00:02:34,719
OH. THAT MAN--
MUELLER.
34
00:02:34,763 --> 00:02:36,982
YOU AREN'’T STILL BOTHERED
BY THAT OLD FOOL?
35
00:02:37,026 --> 00:02:40,551
NO, IT'’S NOT THAT.
IT'’S JUST, UH...
36
00:02:40,595 --> 00:02:42,162
I HEARD THE NAME
BEFORE.
37
00:02:42,205 --> 00:02:43,206
WHAT, MUELLER?
38
00:02:43,250 --> 00:02:44,947
YEP.
39
00:02:44,990 --> 00:02:48,080
HE AND HIS GRANDSON
ARE THE ONLY MUELLERS
LEFT IN SPARTA.
40
00:02:48,124 --> 00:02:50,605
I GUESS THE FAMILY WENT
WAY BACK, THOUGH.
41
00:02:50,648 --> 00:02:52,215
YOU KNOW THEM?
42
00:02:52,259 --> 00:02:55,044
JUST TO SAY HELLO TO,
WHICH IS ENOUGH FOR ME.
43
00:02:55,087 --> 00:02:58,047
NAME BOTHERS ME.
A LOT.
44
00:02:59,353 --> 00:03:01,964
THERE'’S A STORY
BEHIND IT.
45
00:03:02,007 --> 00:03:03,052
WELL?
46
00:03:03,095 --> 00:03:04,488
STORY I DON'’T
WANT TO TELL.
47
00:03:04,532 --> 00:03:05,620
SOMEBODY ELSE
CAN TELL IT BETTER.
48
00:03:11,191 --> 00:03:14,019
[BLUES PIANO PLAYS]
49
00:03:18,763 --> 00:03:21,113
♪ SOME GENTLEMEN
OF MEANS ♪
50
00:03:21,157 --> 00:03:24,247
♪ PLAYIN'’ STUD
DOWN IN NEW ORLEANS ♪
51
00:03:24,291 --> 00:03:26,641
♪ LOST A HAND THAT WAS
FLUSHIN'’ IN DIAMONDS ♪
52
00:03:26,684 --> 00:03:29,731
♪ TO THREE DEUCES
AND TWO QUEENS ♪
53
00:03:29,774 --> 00:03:33,169
♪ WITH THE CAR
IN THE POT, FRIENDS ♪
54
00:03:33,213 --> 00:03:35,998
♪ THAT'’S HOW LOUIS SWEET
GOT, FRIENDS ♪
55
00:03:36,041 --> 00:03:38,000
♪ HIS FINE NEW PACKARD
56
00:03:38,043 --> 00:03:39,741
♪ HA HA HA HA HA
57
00:03:39,784 --> 00:03:42,352
♪ HA HA HA HA
HA HA HA ♪
58
00:03:42,396 --> 00:03:44,136
♪ ONE MORNIN'’
WE ALL READ ♪
59
00:03:44,180 --> 00:03:46,965
♪ IN THE PAPER
WHAT DEL MUELLER SAID ♪
60
00:03:47,009 --> 00:03:50,752
♪ THREE OUT-OF-TOWN NEGROES
DONE STOLE A CAR ♪
61
00:03:50,795 --> 00:03:53,015
♪ AND SHOT THE OWNER DEAD
62
00:03:53,058 --> 00:03:56,279
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
63
00:03:56,323 --> 00:03:59,064
♪ BECAUSE ONLY I, FRIENDS
64
00:03:59,108 --> 00:04:01,153
♪ WITNESSED THE ACTION
65
00:04:01,197 --> 00:04:02,677
♪ HA HA HA HA
66
00:04:02,720 --> 00:04:04,287
♪ HA HA HA HA
HA HA HA ♪
67
00:04:04,331 --> 00:04:07,986
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
68
00:04:08,030 --> 00:04:11,294
♪ BECAUSE ONLY I,
FRIENDS ♪
69
00:04:11,338 --> 00:04:15,429
♪ WITNESSED THE ACTION
70
00:04:15,472 --> 00:04:18,301
♪ OH-OHH.
71
00:04:25,569 --> 00:04:27,179
Y'’ALL ARE VERY KIND.
72
00:04:27,223 --> 00:04:28,572
I'’LL BE BACK.
73
00:04:28,616 --> 00:04:30,400
YOU HEARD. MUELLER.
74
00:04:30,444 --> 00:04:32,228
YEAH, BUT, WILLSON,
THAT DOESN'’T PROVE
A THING.
75
00:04:32,272 --> 00:04:35,100
I KNOW. I KNOW.
76
00:04:35,144 --> 00:04:37,277
WELCOME BACK,
YOUNG WILLSON SWEET.
HOW YOU DOING?
77
00:04:37,320 --> 00:04:39,322
FINE. THIS HERE'’S
LONNIE JAMISON.
78
00:04:39,366 --> 00:04:41,237
HEY, MAN.NICE TO MEET YOU.
79
00:04:41,281 --> 00:04:43,500
THAT LAST SONG--
ABOUT BEING THERE
80
00:04:43,544 --> 00:04:45,372
WHEN LOUIS SWEET
WAS SHOT--
81
00:04:45,415 --> 00:04:46,721
DID YOU WRITE THAT?
82
00:04:46,764 --> 00:04:49,985
NO. AND DON'’T
NEVER SAY I DID.
83
00:04:50,028 --> 00:04:51,203
SOMEBODY MIGHT
COME '’ROUND HERE
84
00:04:51,247 --> 00:04:53,771
AND TRY TO
SHUT MY MOUTH.
85
00:04:53,815 --> 00:04:55,338
YOU KNOW WHO WROTE IT?
86
00:04:55,382 --> 00:04:57,166
I BETTER NOT KNOW,
RIGHT?
87
00:04:57,209 --> 00:04:58,472
WHAT DO YOU THINK?
88
00:04:58,515 --> 00:05:00,822
DON'’T KNOW
IF I SHOULD SAY.
89
00:05:00,865 --> 00:05:02,519
DON'’T WANT TO
NOT BE POLITE.
90
00:05:02,563 --> 00:05:05,609
DON'’T MIND ME, SON.
SAY WHAT'’S ON YOUR MIND.
91
00:05:05,653 --> 00:05:07,742
WELL, SIR...
92
00:05:07,785 --> 00:05:09,831
THERE'’S NO DOUBT
IN MY MIND...
93
00:05:09,874 --> 00:05:12,616
NOT FROM THE WAY
YOU SANG THAT SONG.
94
00:05:12,660 --> 00:05:14,575
IT'’S YOURS.
95
00:05:14,618 --> 00:05:15,880
IT'’S TRUE...
96
00:05:15,924 --> 00:05:17,317
AND YOU WERE THERE.
97
00:05:35,073 --> 00:05:36,597
MIGHT AS WELL FORGET IT,
98
00:05:36,640 --> 00:05:38,033
YOU'’VE BEEN AT IT
20 MINUTES
99
00:05:38,076 --> 00:05:40,644
THAT THING'’S STILL
FLASHING 12:00.
100
00:05:40,688 --> 00:05:42,951
THANKS ETTA.
I CAN SEE THAT.
101
00:05:42,994 --> 00:05:47,347
IT'’S BEEN FLASHING
12:00 EVER SINCE THAT
THUNDERSHOWER LAST DECEMBER.
102
00:05:47,390 --> 00:05:50,045
WELL IF ANYBODY ELSE WOULD
LIKE TO TRY THIS,
THEY'’RE WELCOME TO.
103
00:05:50,088 --> 00:05:52,395
[KNOCK KNOCK]
104
00:05:52,439 --> 00:05:54,571
I'’LL STICK TO DOING
WHAT I'’M GOOD AT.
105
00:05:56,094 --> 00:05:57,661
[KNOCKING]
106
00:05:59,576 --> 00:06:01,926
IT'’S HALF PAST 10.
107
00:06:01,970 --> 00:06:04,407
SORRY, MRS. KIBBEE.
IS VIRGIL UP?
108
00:06:04,451 --> 00:06:05,974
COME ON IN, SWEET.
109
00:06:06,017 --> 00:06:07,279
COME AHEAD IN.
110
00:06:07,323 --> 00:06:08,542
THANK YOU, MA'’AM.
111
00:06:10,239 --> 00:06:13,024
SWEET.
SOMETHING WRONG?
112
00:06:13,068 --> 00:06:14,635
UH. WHAT A QUESTION.
113
00:06:14,678 --> 00:06:16,114
MAYBE HE'’S HERE
BECAUSE SOMETHING'’S RIGHT.
114
00:06:16,158 --> 00:06:17,681
I HOPE SO.
115
00:06:17,725 --> 00:06:19,248
THAT AIN'’T IT.
THERE'’S SOMETHING WRONG.
116
00:06:19,291 --> 00:06:20,815
COULD BE BOTH.
117
00:06:20,858 --> 00:06:23,383
WELL, ANYTHING... IT'’S
GOT TO BE DIFFERENT.
118
00:06:23,426 --> 00:06:25,123
WELL,
IT'’S DEFINITELY THAT.
119
00:06:25,167 --> 00:06:26,995
IT'’S GOT TO DO
WITH WHAT HAPPENED
TO MY GRANDFATHER,
120
00:06:27,038 --> 00:06:29,084
WHICH I THINK
EVERYBODY KNOWS.
121
00:06:29,127 --> 00:06:30,520
[ETTA]
HE WAS MURDERED.
122
00:06:30,564 --> 00:06:33,044
I DIDN'’T KNOW.
WHEN DID THIS HAPPEN?
123
00:06:33,088 --> 00:06:36,004
IN 1948. I REMEMBER.
124
00:06:36,047 --> 00:06:38,963
HE TOLD MY FATHER HE WAS
GOING TO DRIVE TO ILLINOIS
125
00:06:39,007 --> 00:06:40,878
AND VOTE FOR HARRY TRUMAN.
126
00:06:40,922 --> 00:06:42,140
NEVER GOT THERE.
127
00:06:42,184 --> 00:06:44,186
HE WAS MISSING--
HIM AND HIS CAR.
128
00:06:44,229 --> 00:06:46,101
SO HE NEVER
CAME BACK?
129
00:06:46,144 --> 00:06:48,538
HOW COULD HE?
HE WAS MURDERED.
130
00:06:48,582 --> 00:06:51,802
WELL, THEY NEVER FOUND
THE BODY OR THE CAR.
131
00:06:51,846 --> 00:06:56,241
LOUIS SWEET LIKED TO
PROVOKE THE WHITE FOLK.
132
00:06:56,285 --> 00:07:00,115
HE WAS SHOWING OFF
HIS NEW CAR HE BROUGHT
BACK FROM NEW ORLEANS.
133
00:07:00,158 --> 00:07:01,464
SO THEY KILLED HIM.
134
00:07:01,508 --> 00:07:03,466
HE WAS ALSO
THE FIRST BLACK MAN
135
00:07:03,510 --> 00:07:06,513
TO SIT AT THE COUNTER
OF BUCK'’S DINER.
136
00:07:06,556 --> 00:07:08,645
UH-OH. WHAT HAPPENED
TO HIM?
137
00:07:08,689 --> 00:07:11,126
THEY SURE
DIDN'’T SERVE HIM.
138
00:07:11,169 --> 00:07:13,041
BUCK AND TWO OF THE YOUNG
SHERIFF'’S DEPUTIES
139
00:07:13,084 --> 00:07:15,260
CARRIED HIM OUT.
140
00:07:15,304 --> 00:07:17,262
THERE WAS SOMETHING
IN LOUIS
141
00:07:17,306 --> 00:07:19,743
THAT JUST DROVE HIM
TO DO THESE THINGS.
142
00:07:19,787 --> 00:07:22,833
YEAH. HE WANTED
HIS RIGHTS VERY BADLY.
143
00:07:22,877 --> 00:07:25,140
DID YOU JUST HEAR
SOMETHING ABOUT HIM?
144
00:07:25,183 --> 00:07:26,750
MAY HAVE MET A MAN
WHO SAW THE MURDER.
145
00:07:37,369 --> 00:07:40,285
SO MAYBE WE OUGHT TO
REOPEN THE MURDER CASE.
146
00:07:40,329 --> 00:07:42,853
IF REOPEN IS
THE RIGHT WORD.
147
00:07:42,897 --> 00:07:45,421
DID THEY EVER OPEN IT?
I THINK NOT.
148
00:07:45,465 --> 00:07:47,510
HOW DO I GET STARTED,
CHIEF?
149
00:07:47,554 --> 00:07:50,034
WELL, YOU'’D HAVE TO
GO INTO THE FILES.
150
00:07:51,819 --> 00:07:53,473
I BELIEVE
THE NEWSPAPER SAID
151
00:07:53,516 --> 00:07:56,519
THAT YOUR PAPAW JUST
DISAPPEARED FROM TOWN.
152
00:07:56,563 --> 00:07:58,434
WELL, LET'’S
FIND THAT STORY.
153
00:07:58,478 --> 00:08:00,044
YEAH.
154
00:08:00,088 --> 00:08:03,395
NOW, THIS FELLA,
THIS BLUESMAN, UH...
155
00:08:03,439 --> 00:08:05,049
HIS REAL NAME
IS CHESH COLLINS.
156
00:08:05,093 --> 00:08:06,877
THAT'’S THE NAME
I KNOW HIM BY.
157
00:08:06,921 --> 00:08:11,186
HE USED TO PLAY PIANO
YEARS AGO AT THE OLD
McGUFFY HOUSE.
158
00:08:11,229 --> 00:08:15,103
THIS SONG OF HIS--AT LEAST
THE SONG HE SINGS...
159
00:08:15,146 --> 00:08:18,149
SUPPOSEDLY, HE--
OR WHOEVER
WROTE THE SONG--
160
00:08:18,193 --> 00:08:19,890
ACTUALLY WITNESSED
THE EVENT.
161
00:08:19,934 --> 00:08:22,371
UH, SAW THE MURDER?
162
00:08:22,414 --> 00:08:24,416
I'’M SORRY, THAT'S JUST WHAT
MY FAMILY ALWAYS CALLED IT.
163
00:08:24,460 --> 00:08:26,201
YEAH, YEAH.
ALL THE BLACK FOLKS
AROUND TOWN
164
00:08:26,244 --> 00:08:28,290
WHO REMEMBER IT
CALL IT THAT, TOO.
165
00:08:28,333 --> 00:08:31,728
THERE'’S A LOT OF
WHITE PEOPLE CALLED IT THAT.
166
00:08:31,772 --> 00:08:35,036
NOW, IT WAS
40-ODD YEARS AGO.
167
00:08:35,079 --> 00:08:38,126
THE MURDERER--
IF IT WAS A MURDER--
168
00:08:38,169 --> 00:08:41,477
UH, HE'’S PROBABLY
IN THE GROUND BY NOW.
169
00:08:41,521 --> 00:08:42,913
AND IF HE ISN'’T?
170
00:08:42,957 --> 00:08:45,525
THEN HE'’S GOT
ONE FOOT IN THE GROUND.
171
00:08:45,568 --> 00:08:47,701
YOU DON'’T MIND
IF I TAKE A LOOK
INTO THIS, DO YOU?
172
00:08:47,744 --> 00:08:51,705
NO. NOT AT ALL.
GO AHEAD.
173
00:08:51,748 --> 00:08:54,751
JUST DON'’T WASTE
TOO MUCH TIME ON IT.
174
00:08:54,795 --> 00:08:57,493
THE OLD POLICE FILE'’S
IN THE BASEMENT
OVER AT CITY HALL.
175
00:08:57,537 --> 00:08:58,886
VIRGIL KNOWS
WHERE THEY ARE.
176
00:08:58,929 --> 00:09:00,583
WHY DON'’T YOU TAKE HIM
OVER THERE?
177
00:09:00,627 --> 00:09:03,978
YEAH. SURE.
SURE THING. COME ON.
178
00:09:04,021 --> 00:09:05,414
THANK YOU, CHIEF.
179
00:09:09,592 --> 00:09:12,508
MAN: THIS WHOLE ROOM
IS STORED POLICE FILES.
180
00:09:12,552 --> 00:09:14,118
NOW, LET'’S SEE...
181
00:09:14,162 --> 00:09:17,078
1951...
182
00:09:17,121 --> 00:09:18,166
'’50...
183
00:09:18,209 --> 00:09:19,646
'’49...
184
00:09:19,689 --> 00:09:21,952
THIS IS 1948.
185
00:09:23,084 --> 00:09:25,652
LET'’S SEE, NOW...
186
00:09:25,695 --> 00:09:27,871
SLATER...
187
00:09:27,915 --> 00:09:29,220
SPELLMAN...
188
00:09:29,264 --> 00:09:30,613
STROUD...
189
00:09:30,657 --> 00:09:32,746
HERE WE GO.
190
00:09:32,789 --> 00:09:35,357
LOUIS SWEET.
191
00:09:35,400 --> 00:09:38,186
NOW, LET'’S SEE...
192
00:09:38,229 --> 00:09:40,231
OH, YOU SEE THIS STAMP?MM-HMM.
193
00:09:40,275 --> 00:09:41,929
THIS MEANS THAT
THE ORIGINAL REPORT
194
00:09:41,972 --> 00:09:45,106
WAS MADE TO
THE SHERIFF'’S PATROL.
195
00:09:45,149 --> 00:09:46,498
HERE YOU GO.
196
00:09:46,542 --> 00:09:48,109
THANK YOU.THANK YOU.
197
00:09:50,111 --> 00:09:51,634
WELL..."LOUIS
HAMPTON SWEET."
198
00:09:51,678 --> 00:09:53,941
THIS WON'’T TAKE LONG.
199
00:09:53,984 --> 00:09:55,029
LET'’S SEE...
200
00:09:55,072 --> 00:09:56,770
UH, MISSING PERSONS.
201
00:09:56,813 --> 00:09:57,988
POSSIBLE MURDER.
202
00:09:58,032 --> 00:10:00,121
WITNESS REPORTS.
203
00:10:01,513 --> 00:10:04,908
UH... NO SUSPECTS.
204
00:10:04,952 --> 00:10:06,649
"POSSIBLE MOTIVE--
THEFT OF AUTOMOBILE."
205
00:10:06,693 --> 00:10:10,000
ACCORDING TO THIS,
A WITNESS REPORTS
SEEING THREE BLACK MEN
206
00:10:10,044 --> 00:10:14,265
FOLLOW LOUIS SWEET'’S CAR
INTO THE WOODS
AT ALLINTON FARM.
207
00:10:14,309 --> 00:10:16,050
THEY WERE DRIVING
A TRUCK.
208
00:10:16,093 --> 00:10:18,530
SAY WHO THE WITNESS WAS?
209
00:10:18,574 --> 00:10:20,445
DELBERT MUELLER.
210
00:10:20,489 --> 00:10:22,926
THAT'’S THE OLD MAN
THAT YELLED AT ME
THE OTHER DAY.
211
00:10:22,970 --> 00:10:25,799
HE'’S ALSO THE ONLY
OTHER NAME IN THE
BLUESMAN'’S SONG.
212
00:10:25,842 --> 00:10:27,017
SO WE KNOW
NOTHING NEW?
213
00:10:27,061 --> 00:10:29,063
NO.
214
00:10:29,106 --> 00:10:32,632
WELL, LET'’S GO FIND
SOMETHING NEW.
215
00:11:20,636 --> 00:11:21,855
BROUGHT
REINFORCEMENTS,
HUH?
216
00:11:21,898 --> 00:11:23,726
THIS IS
DETECTIVE TIBBS.
217
00:11:23,770 --> 00:11:26,076
I KNEW YOUR MAMA WELL.
218
00:11:26,120 --> 00:11:28,557
SHE HAD THE FINEST
CATERING BUSINESS
THIS PART OF THE STATE.
219
00:11:28,600 --> 00:11:29,863
YES, SHE DID.
220
00:11:29,906 --> 00:11:31,995
SHE TOOK CARE
OF ALL THE FINE PEOPLE,
221
00:11:32,039 --> 00:11:35,085
ALL THE FINE, BIG PARTIES.
EVERYBODY.
222
00:11:35,129 --> 00:11:38,045
USED TO CALL ME
UP A LOT TO COME DOWN
AND PLAY THE PIANO.
223
00:11:38,088 --> 00:11:39,263
OH, I REMEMBER YOU.
224
00:11:39,307 --> 00:11:40,743
SURE, YOU DO.
225
00:11:45,226 --> 00:11:48,185
I WANTED
TO ASK YOU...
ABOUT THE SONG...
226
00:11:48,229 --> 00:11:49,534
THE SWEET BLUES?
227
00:11:49,578 --> 00:11:52,494
YOU MEAN
THE BAD SWEET BLUES.
228
00:11:52,537 --> 00:11:55,453
YEAH. THE MAN WHO WROTE IT--
IS HE STILL LIVING?
229
00:11:55,497 --> 00:11:58,587
SURE IS.
YOU'’RE LOOKING AT HIM.
230
00:11:58,630 --> 00:12:00,894
WELL, WHY DIDN'’T
YOU TELL ME?
231
00:12:00,937 --> 00:12:02,156
DIDN'’T WANT TO.
232
00:12:02,199 --> 00:12:03,723
WELL, WHY'’D YOU LIE?
233
00:12:03,766 --> 00:12:06,116
MAN, I FELT LIKE LYING.
234
00:12:06,160 --> 00:12:09,206
SOME DAYS I JUST LIE
ALL DAY LONG, AND...
235
00:12:09,250 --> 00:12:12,209
SOME DAYS, JUST LIKE
GEORGE WASHINGTON,
236
00:12:12,253 --> 00:12:14,734
I CANNOT TELL A LIE.
237
00:12:24,395 --> 00:12:25,570
HOW ABOUT TODAY?
238
00:12:25,614 --> 00:12:28,660
OH, TODAY IS A MIXED ONE.
239
00:12:28,704 --> 00:12:31,098
I CAN DO BOTH.
DEPENDIN'’.
240
00:12:33,622 --> 00:12:34,797
IS THE SONG TRUE?
241
00:12:36,843 --> 00:12:38,409
WELL, YOU KNOW...
242
00:12:38,453 --> 00:12:40,977
A SONG'’S A FUNNY THING.
243
00:12:41,021 --> 00:12:44,372
YOU KIND OF HAVE TO
JUDGE IT FOR YOURSELF.
244
00:12:44,415 --> 00:12:45,765
NOW, THIS YOUNG MAN
HERE AND HIS PAL,
245
00:12:45,808 --> 00:12:48,289
THEY FOUND IT TRUE.
246
00:12:48,332 --> 00:12:49,464
MAYBE YOU WOULDN'’T.
247
00:12:53,729 --> 00:12:56,297
YOU SAW LOUIS SWEET
KILLED.
248
00:12:58,081 --> 00:13:00,257
YOU CAN SAY
WHO KILLED HIM.
249
00:13:00,301 --> 00:13:03,652
SO CAN THE OLD MAN--
DELBERT MUELLER.
250
00:13:11,355 --> 00:13:13,227
CHESH...
251
00:13:13,270 --> 00:13:14,968
YOU WANT SOME MONEY?
252
00:13:15,011 --> 00:13:16,578
IS THAT IT?
253
00:13:32,724 --> 00:13:34,378
NO NO NO,
LET HIM GO.
254
00:13:37,251 --> 00:13:38,861
I MADE A MISTAKE.
255
00:13:40,428 --> 00:13:41,908
DAMN.
256
00:13:45,607 --> 00:13:47,304
SOMEBODY SHOULD
QUESTION THE MAN.
257
00:13:47,348 --> 00:13:49,567
WHAT YOU EXPECT TO GET
FROM DEL MUELLER--
258
00:13:49,611 --> 00:13:51,656
A CONFESSION?
259
00:13:51,700 --> 00:13:53,310
DON'’T KNOW, CHIEF,
260
00:13:53,354 --> 00:13:56,313
BUT THE MAN WAS
A VERY ACTIVE RACIST
IN HIS YOUNG DAYS.
261
00:13:56,357 --> 00:13:59,926
IN HIS YOUNG DAYS.
THAT'’S KIND OF
A SMART PIECE BACK.
262
00:13:59,969 --> 00:14:01,623
A GOOD 60 YEARS AGO.
263
00:14:01,666 --> 00:14:04,191
I SUPPOSE Y'’ALL STILL TALKING
ABOUT DEL MUELLER?
264
00:14:04,234 --> 00:14:06,541
YOU KNOW, HE'’S DYING
OVER AT THE HOSPITAL.
265
00:14:06,584 --> 00:14:07,890
HE IS?
266
00:14:07,934 --> 00:14:09,500
YEAH, CHIEF.
THAT'’S WHAT I HEARD.
267
00:14:09,544 --> 00:14:13,461
HIS ARTERIES ARE CLOSING
MINUTE BY MINUTE.
268
00:14:13,504 --> 00:14:15,506
CAN WE AT LEAST
HAVE A WORD
WITH THE MAN?
269
00:14:15,550 --> 00:14:17,726
OH, NOT YOU.
270
00:14:17,769 --> 00:14:20,120
I DON'’T MEAN
NOTHING BY THAT.
271
00:14:20,163 --> 00:14:23,079
WHAT I'’M SAYING
IS, UM...
272
00:14:23,123 --> 00:14:26,039
VIRGIL, YOU
REMEMBER HOW I WAS
WHEN WE FIRST MET?
273
00:14:26,082 --> 00:14:27,867
OH, LORD!
274
00:14:27,910 --> 00:14:32,654
MM-HMM. WELL,
MULTIPLY THAT BY,
SAY... OH, 10,000.
275
00:14:32,697 --> 00:14:34,612
THAT'’S DEL MUELLER.
276
00:14:34,656 --> 00:14:36,266
THAT'’S RIGHT.
277
00:14:37,615 --> 00:14:39,356
O.K. UH...
278
00:14:39,400 --> 00:14:41,054
BUT YOU KNOW THE MAN,
DON'’T YOU?
279
00:14:41,097 --> 00:14:42,490
SURE. PLAYED BALL
WITH HANK MUELLER.
280
00:14:42,533 --> 00:14:45,580
I CAN TALK TO HIM
TONIGHT, MAYBE TOMORROW,
281
00:14:45,623 --> 00:14:48,452
BUT RIGHT NOW I'’M TIED UP
WITH THAT ROBBER AT THE MALL.
282
00:14:48,496 --> 00:14:49,627
YEAH. GO AHEAD,
BUBBA.
283
00:14:52,065 --> 00:14:54,371
WAIT A MINUTE.
284
00:14:54,415 --> 00:14:57,897
NOW, YOU ALSO ENJOY
THE PRIVILEGE
OF KNOWING THE MUELLERS.
285
00:14:58,985 --> 00:15:00,160
OH, WELL, UH...
286
00:15:00,203 --> 00:15:01,509
THAT'’S RIGHT, DETECTIVE.
287
00:15:01,552 --> 00:15:03,380
CHIEF KNEW THEM
BETTER THAN ANYBODY.
288
00:15:19,179 --> 00:15:21,790
DELBERT.
289
00:15:26,229 --> 00:15:27,622
DEL?
290
00:15:31,408 --> 00:15:33,497
WHO--WHO IS IT?
291
00:15:33,541 --> 00:15:36,848
IT'’S BILL GILLESPIE.
292
00:15:36,892 --> 00:15:38,154
WHO?
293
00:15:38,198 --> 00:15:41,331
CHIEF GILLESPIE.
SPARTA POLICE, DEL.
294
00:15:42,637 --> 00:15:44,595
UH... I KNOW HIM.
295
00:15:49,035 --> 00:15:50,688
THAT HIM?
296
00:15:50,732 --> 00:15:52,516
YES, IT IS, DEL.
297
00:15:52,560 --> 00:15:55,215
WHAT YOU WANT?
298
00:15:56,607 --> 00:15:58,914
I WANT TO ASK YOU
A FEW QUESTIONS
299
00:15:58,958 --> 00:16:02,309
ABOUT A POLICE CASE.
GOES WAY BACK.
300
00:16:02,352 --> 00:16:03,963
43 YEARS AGO.
301
00:16:05,921 --> 00:16:09,142
GO AHEAD.
GO AHEAD.
302
00:16:10,665 --> 00:16:15,191
A BLACK MAN DRIVING
A PACKARD CAR DISAPPEARED.
303
00:16:15,235 --> 00:16:17,628
NOW, MAYBE
HE WAS MURDERED.
304
00:16:17,672 --> 00:16:20,718
HIS ONLY REMAINING
RELATIVE IS ONE
OF MY YOUNG OFFICERS.
305
00:16:20,762 --> 00:16:22,677
S-SWEET.
306
00:16:25,288 --> 00:16:27,638
LOUIS... SWEET.
307
00:16:29,640 --> 00:16:31,947
THAT'’S RIGHT.
308
00:16:31,991 --> 00:16:34,471
THE REPORT SAYS
THAT, UH,
309
00:16:34,515 --> 00:16:36,299
YOU SAW THREE BLACK MEN
310
00:16:36,343 --> 00:16:39,085
FOLLOW LOUIS SWEET
INTO THE WOODS.
311
00:16:40,434 --> 00:16:44,046
NOW, THAT... AIN'’T TRUE.
312
00:16:44,090 --> 00:16:46,266
YOU MEAN YOU DIDN'’T
SEE THAT?
313
00:16:46,309 --> 00:16:50,879
I SEEN THE WHOLE THING.
314
00:16:50,922 --> 00:16:52,750
THAT AIN'’T WHAT HAPPENED.
315
00:16:55,362 --> 00:16:57,755
THEN WHAT DID HAPPEN?
316
00:16:57,799 --> 00:17:02,021
THAT'’S...
BETWEEN ME AND MY MAKER.
317
00:17:02,064 --> 00:17:04,632
DID YOU SEE
THE MAN KILLED?
318
00:17:05,763 --> 00:17:07,896
I SAID I DID.
319
00:17:10,116 --> 00:17:12,988
THAT'’S ALL I'M...
GOING TO SAY.
320
00:17:16,209 --> 00:17:20,822
NOW, DEL, THIS IS NOT
AN OFFICIAL INVESTIGATION.
321
00:17:20,865 --> 00:17:25,392
GET OUT... GILLESPIE,
AND... LET ME REST.
322
00:17:44,541 --> 00:17:47,196
DR. PERRY SAYS HE CAN GO
AT ANY MINUTE.
323
00:17:47,240 --> 00:17:52,723
WELL, HE WON'’T SAY
WHAT HE REALLY KNOWS.
324
00:17:52,767 --> 00:17:54,203
YOU'’D THINK HE WOULD...
325
00:17:54,247 --> 00:17:55,639
COMING TO THE END
LIKE THAT.
326
00:17:55,683 --> 00:17:58,207
DOES HE KNOW HE'’S
COMING TO THE END?
327
00:17:58,251 --> 00:17:59,817
I DON'’T KNOW.
328
00:17:59,861 --> 00:18:01,428
WELL, WE CAN HARDLY
GO TO THE MAN AND SAY,
329
00:18:01,471 --> 00:18:04,735
"MR. MUELLER, YOU'’RE COMING
TO THE END. FESS UP."
330
00:18:08,870 --> 00:18:10,263
NO.
331
00:18:10,306 --> 00:18:11,829
UH...
332
00:18:11,873 --> 00:18:14,745
W-WHO TOOK MUELLER'’S
STATEMENT LONG AGO?
333
00:18:16,660 --> 00:18:19,315
IT WAS A DEPUTY,
ACCORDING TO THIS. UM...
334
00:18:19,359 --> 00:18:21,317
NATE BEDFORD.
335
00:18:21,361 --> 00:18:23,189
OH, NATHAN BEDFORD.
336
00:18:23,232 --> 00:18:24,712
WELL, HE BECAME
THE SHERIFF.
337
00:18:24,755 --> 00:18:26,975
HE RETIRED ON THE JOB.
338
00:18:27,018 --> 00:18:29,978
SHOULD I TALK TO HIM?
339
00:18:30,021 --> 00:18:32,459
WELL...
HE'’S STILL LIVING.
HE'’S PRETTY HEALTHY.
340
00:18:32,502 --> 00:18:35,897
SOUND MIND.
I SUPPOSE YOU COULD
TALK TO HIM.
341
00:18:35,940 --> 00:18:38,856
I'’LL SEND JAMISON
WITH YOU.
342
00:18:38,900 --> 00:18:40,815
WHY?
343
00:18:40,858 --> 00:18:42,599
B-BECAUSE HE'’S WHITE?
344
00:18:42,643 --> 00:18:43,861
LIKE BEDFORD?
345
00:18:45,776 --> 00:18:49,345
I SUPPOSE SO.
346
00:18:49,389 --> 00:18:50,999
CAN'’T HURT.
347
00:18:56,265 --> 00:18:58,441
I WANT YOU
TO LET DEL ALONE.
348
00:18:58,485 --> 00:19:02,053
OH, ALBA, THIS IS
SERGEANT SWEET
I WAS TELLING YOU ABOUT.
349
00:19:02,097 --> 00:19:04,621
THIS IS
DETECTIVE TIBBS.
350
00:19:04,665 --> 00:19:05,970
THESE ARE
THE TWO OFFICERS
351
00:19:06,014 --> 00:19:07,668
THAT ARE CONDUCTING
THIS INQUIRY.
352
00:19:07,711 --> 00:19:09,626
HE CAN'’T
TELL YOU NOTHING.
353
00:19:09,670 --> 00:19:13,064
WELL, NOW, ALBA,
HE SAYS HE CAN.
354
00:19:13,108 --> 00:19:16,764
WELL, EVEN IF HE CAN,
I WOULDN'’T LET HIM.
355
00:19:16,807 --> 00:19:20,376
I'’M REAL SORRY
TO HEAR THAT, MA'’AM.
356
00:19:20,420 --> 00:19:22,465
HE DON'’T HAVE
MUCH LONGER,
357
00:19:22,509 --> 00:19:24,511
AND WE'’D JUST AS SOON
YOU LEFT HIM ALONE.
358
00:19:24,554 --> 00:19:26,991
HE'’S GOT THE RIGHT
TO DIE IN PEACE.
359
00:19:27,035 --> 00:19:28,384
EVERYBODY HAS.
360
00:19:28,428 --> 00:19:30,212
EVEN MY GRANDFATHER
WHO MADE PEOPLE MAD
361
00:19:30,256 --> 00:19:31,779
BY SHOWING OFF
HIS NEW, FANCY CAR--
362
00:19:31,822 --> 00:19:33,737
HE HAD THAT RIGHT.
363
00:19:33,781 --> 00:19:35,739
THE LIVING GOT A RIGHT
TO LIVE IN PEACE--
364
00:19:35,783 --> 00:19:37,959
I RECKON YOU AGREE
TO THAT.
365
00:19:38,002 --> 00:19:39,265
MM-HM, YES, MA'’AM.
366
00:19:39,308 --> 00:19:41,702
AND LOUIS SWEET,
HE HAD THAT RIGHT, TOO.
367
00:19:41,745 --> 00:19:44,618
WELL, SO DO I,
AND I'’M STILL HERE,
368
00:19:44,661 --> 00:19:47,316
AND I NEVER KILLED NOBODY.
369
00:19:47,360 --> 00:19:49,405
I DIDN'’T EVEN THINK
ABOUT KILLING NOBODY!
370
00:19:49,449 --> 00:19:52,234
AND I DON'’T CARE WHAT KIND
OF CAR Y'’ALL DRIVE AROUND IN.
371
00:19:52,278 --> 00:19:53,888
I NEVER DID!
372
00:19:53,931 --> 00:19:56,543
I NEVER DID!
373
00:20:09,512 --> 00:20:12,559
PEOPLE MUST'’VE LAUGHED
AT THAT STORY--
EVEN BACK THEN.
374
00:20:12,602 --> 00:20:15,605
WHY WOULD THREE BLACK MEN
WANNA KILL LOUIS SWEET?
375
00:20:15,649 --> 00:20:17,128
WELL, IT COULD'’VE
BEEN A ROBBERY.
376
00:20:17,172 --> 00:20:19,435
AFTER ALL, ALL MURDERS
IN THE OLD SOUTH
377
00:20:19,479 --> 00:20:21,307
WEREN'’T RACIALLY MOTIVATED,
YOU KNOW.
378
00:20:21,350 --> 00:20:24,832
THAT ONE WAS.
AND IT WAS ROBBERY, TOO.
379
00:20:24,875 --> 00:20:28,357
JUST LIKE A WHOLE LOT
OF THOSE LYNCHINGS.
380
00:20:28,401 --> 00:20:31,752
WELL, ALL WE HAVE
IS A BLUESMAN'’S SONG.
381
00:20:31,795 --> 00:20:33,144
WHAT WILL YOU DO NEXT?
382
00:20:33,188 --> 00:20:35,103
FINISH THIS DESSERT.
383
00:20:35,146 --> 00:20:37,236
MM-HMM.
384
00:20:41,675 --> 00:20:43,938
I'’M SORRY, HONEY.
I KNOW THIS IS SERIOUS,
385
00:20:43,981 --> 00:20:45,461
AND I SHOULDN'’T
BE TRIVIAL ABOUT IT,
386
00:20:45,505 --> 00:20:48,464
BUT THE CHIEF ALREADY SAID
THERE IS NOTHING WE CAN DO.
387
00:20:48,508 --> 00:20:51,424
THAT'’S WHAT HE TOLD
HARRIET DeLONG
WHEN HER SISTER WAS KILLED.
388
00:20:51,467 --> 00:20:53,034
ALTHEA--
389
00:20:53,077 --> 00:20:55,210
CAN'’T GET V.J. TRENDELL.
NO SENSE IN TRYING.
390
00:20:55,254 --> 00:20:56,820
AND HE WAS RIGHT.
391
00:20:56,864 --> 00:20:59,693
BUT THE LORD TOOK CARE
OF V.J. IN THAT PLANE CRASH.
392
00:20:59,736 --> 00:21:01,825
THERE WAS NOTHIN'’ ELSE
WE COULD'’VE DONE.
393
00:21:01,869 --> 00:21:04,306
AND THE DEVIL
TOOK CARE OF THE REST.
394
00:21:04,350 --> 00:21:07,135
HONEY, ALL I'’M ASKING YOU
IS TO KEEP ON TRYING.
395
00:21:07,178 --> 00:21:09,485
IF YOU DON'’T WANT
TO KEEP THE HEAT
396
00:21:09,529 --> 00:21:11,182
ON THIS OLD
MUELLER CHARACTER,
397
00:21:11,226 --> 00:21:14,011
WHY DON'’T YOU START WORKING
ON THE PIANO PLAYER?
398
00:21:14,055 --> 00:21:16,057
I CAN'’T BELIEVE THAT PEOPLE
CAN JUST SAY TO YOU,
399
00:21:16,100 --> 00:21:17,188
"I WON'’T TALK."
400
00:21:17,232 --> 00:21:18,451
THEY HAVE THE RIGHT.
401
00:21:18,494 --> 00:21:20,061
CAN'’T CHOKE IT
OUT OF '’EM?
402
00:21:20,104 --> 00:21:23,020
WE DO NOT HAVE
THAT RIGHT.
403
00:21:23,064 --> 00:21:26,197
BESIDES, I'’M NOT QUITE
FINISHED WITH CHESH COLLINS,
YOU KNOW.
404
00:21:26,241 --> 00:21:28,852
CHESH COLLINS
IS NO GOOD.
405
00:21:28,896 --> 00:21:32,160
CHESH COLLINS LIVED WITH
THREE WOMEN AT THE SAME TIME.
406
00:21:32,203 --> 00:21:37,165
YOU KNOW, I THINK I JUST HAVE
TO APPROACH HIM THE RIGHT WAY.
407
00:21:37,208 --> 00:21:39,733
HE'’S A PROUD MAN,
AND I THINK HE'’S HONEST.
408
00:21:39,776 --> 00:21:42,257
HE AIN'’T GOT NO PRIDE.
409
00:21:42,301 --> 00:21:46,870
AND HE'’S THE BIGGEST LIAR
IN THE STATE OF MISSISSIPPI.
410
00:21:46,914 --> 00:21:49,177
AND THAT, MY DEAR WIFE,
411
00:21:49,220 --> 00:21:53,529
IS A DISTINCT
AND DISTURBING POSSIBILITY.
412
00:22:20,034 --> 00:22:21,470
THROW THE BALL,
PAPAW.
413
00:22:21,514 --> 00:22:22,819
ALL RIGHT, HERE WE GO.
414
00:22:22,863 --> 00:22:23,994
KEEP YOUR EYE
ON THE BALL.
415
00:22:24,038 --> 00:22:25,387
OH, YOU DIDN'’T...
416
00:22:25,431 --> 00:22:27,824
CHUCK IT BACK HERE.
CHUCK IT HERE.
417
00:22:27,868 --> 00:22:30,087
OH, WELL, IT...
418
00:22:30,131 --> 00:22:33,613
WELL, STAY HERE,
AND I'’LL GO FETCH IT.
419
00:22:33,656 --> 00:22:36,442
WILLSON... YOU WANT
TO DO THIS?
420
00:22:36,485 --> 00:22:39,270
PAPAW!
421
00:22:39,314 --> 00:22:40,489
YEAH.
422
00:22:40,533 --> 00:22:42,926
YEAH.
423
00:23:04,252 --> 00:23:05,775
OH. AFTERNOON,
GENTLEMEN.
424
00:23:05,819 --> 00:23:07,473
AFTERNOON,
SHERIFF BEDFORD.
425
00:23:07,516 --> 00:23:09,997
DON'’T KNOW IF YOU'LL
REMEMBER ME--
LONNIE JAMISON?
426
00:23:10,040 --> 00:23:12,695
NO, SON,
I DON'’T RIGHTLY DO.
427
00:23:12,739 --> 00:23:14,218
LONNIE, IS IT?
428
00:23:14,262 --> 00:23:16,743
YES. THIS HERE'’S
SERGEANT SWEET.
429
00:23:16,786 --> 00:23:18,222
OH. NICE
TO MEET YOU.
430
00:23:18,266 --> 00:23:21,095
THANK YOU, SIR.
431
00:23:21,138 --> 00:23:23,489
IF YOU GENTLEMEN COME HERE
FOR A LITTLE ADVICE,
432
00:23:23,532 --> 00:23:25,055
ALL I CAN TELL YOU IS,
433
00:23:25,099 --> 00:23:26,448
DON'’T STAY
ON THE JOB TOO LONG.
434
00:23:26,492 --> 00:23:28,407
WHAT'’S TOO LONG?
435
00:23:28,450 --> 00:23:31,061
WELL, BEYOND RETIREMENT.
THAT'’S TOO LONG.
436
00:23:32,802 --> 00:23:34,543
Y'’ALL HAVE
YOUR OWN FAMILY?
437
00:23:34,587 --> 00:23:36,415
NO, SIR.NOT YET.
438
00:23:36,458 --> 00:23:38,329
WELL, GET YOURSELF SOME,
439
00:23:38,373 --> 00:23:41,507
AND THEN, UH, RETIRE
WHEN YOU'’RE SUPPOSED TO.
440
00:23:41,550 --> 00:23:42,812
OH, YES, SIR.
441
00:23:46,425 --> 00:23:47,817
WELL, LET'’S NOT
JUST STAND HERE.
442
00:23:47,861 --> 00:23:50,211
COME UP ON THE PORCH HERE.
COME ON.
443
00:23:55,434 --> 00:23:58,393
UH, DANNY, HERE.
TAKE YOUR BALL, SWEETIE.
444
00:23:58,437 --> 00:24:00,351
GO ON AROUND THE HOUSE
AND PLAY WITH IT.
445
00:24:00,395 --> 00:24:01,875
COME ON UP.
446
00:24:05,400 --> 00:24:07,228
SIT DOWN.
SIT DOWN THERE.
447
00:24:07,271 --> 00:24:11,493
MAKE YOURSELF
COMFORTABLE.
448
00:24:11,537 --> 00:24:13,364
WHAT CAN I DO
FOR YOU GENTLEMEN?
449
00:24:13,408 --> 00:24:16,280
WELL, SIR, THOUGHT YOU MIGHT
BE ABLE TO HELP US
450
00:24:16,324 --> 00:24:18,500
CLEAR UP SOMETHING
THAT HAPPENED A WHILE BACK.
451
00:24:18,544 --> 00:24:20,981
WELL, I CAN TRY.
452
00:24:21,024 --> 00:24:22,199
UM...
453
00:24:22,243 --> 00:24:24,506
MY GRANDFATHER--
LOUIS SWEET--
454
00:24:24,550 --> 00:24:27,640
WAS KILLED
HERE IN SPARTA.
455
00:24:27,683 --> 00:24:29,206
KILLED HOW?
456
00:24:29,250 --> 00:24:32,079
WELL, POLICE FILE
CONFIRMED A NEWSPAPER REPORT
457
00:24:32,122 --> 00:24:35,125
THAT THREE BLACK MEN
FOLLOWED HIM INTO THE WOODS.
458
00:24:36,344 --> 00:24:37,519
WELL... WHAT WOODS?
459
00:24:37,563 --> 00:24:39,913
FOLLOWED HOW,
ON FOOT OR WHAT?
460
00:24:39,956 --> 00:24:42,263
THE FILE IN THE REPORT
DIDN'’T SAY.
461
00:24:42,306 --> 00:24:44,570
DIDN'’T TELL US NOTHING.
THAT'’S WHAT WAS PECULIAR.
462
00:24:44,613 --> 00:24:46,180
WELL, I WAS IN
THE SHERIFF'’S DEPARTMENT
463
00:24:46,223 --> 00:24:49,357
FROM 1945 TO '’75.
464
00:24:49,400 --> 00:24:52,273
THIS IS 1948.
465
00:24:52,316 --> 00:24:55,058
A WHITE MAN THREATENED HIM
ABOUT A FANCY NEW CAR?
466
00:24:55,102 --> 00:24:57,365
THE STORY CAME DOWN TO ME
THROUGH MY FAMILY.
467
00:24:57,408 --> 00:24:59,498
THEY'’RE ALL GONE NOW.
468
00:24:59,541 --> 00:25:01,282
THE WAY IT WENT
WAS THAT THESE MEN
469
00:25:01,325 --> 00:25:03,893
STOPPED THE CAR
IN ALLINTON WOODS,
470
00:25:03,937 --> 00:25:05,678
KILLED HIM,
AND TOOK THE CAR.
471
00:25:07,723 --> 00:25:10,247
WELL, WHAT MEN?
472
00:25:10,291 --> 00:25:12,249
WELL, THE STORY MIGHT'’VE HAD
SOME NAMES IN IT,
473
00:25:12,293 --> 00:25:13,947
BUT I CAN'’T REMEMBER.
474
00:25:13,990 --> 00:25:17,211
I SEE. WELL, I...
475
00:25:17,254 --> 00:25:19,735
I JU--I JUST AIN'’T GOT
NO MEMORY OF IT.
476
00:25:19,779 --> 00:25:22,695
THE STATEMENT TO THE PAPER
WAS MADE MY DELBERT MUELLER.
477
00:25:22,738 --> 00:25:23,913
WELL.
478
00:25:23,957 --> 00:25:26,263
WELL, THERE YOU GO.
479
00:25:26,307 --> 00:25:29,571
NOW HE SAYS THE STORY HE TOLD
WASN'’T TRUE.
480
00:25:29,615 --> 00:25:32,356
LORDY, LORDY, LORDY.
481
00:25:32,400 --> 00:25:35,359
UH, OLD DEL MUELLER,
IS HE STILL ALIVE?
482
00:25:35,403 --> 00:25:37,927
YEAH.
483
00:25:37,971 --> 00:25:39,581
WELL, I, UH...
484
00:25:39,625 --> 00:25:42,628
GEE, I--I WISH I COULD TELL
YOU GENTLEMEN SOMETHING,
485
00:25:42,671 --> 00:25:46,457
BUT I SUPPOSE I'’VE GONE
SILLY LIKE OLD DEL.
486
00:25:46,501 --> 00:25:47,981
[CHUCKLES]
487
00:25:50,331 --> 00:25:52,376
WELL, THANKS FOR
YOUR HELP, SHERIFF.
488
00:25:58,469 --> 00:26:01,429
OH, GENTLEMEN?
489
00:26:01,472 --> 00:26:04,388
DON'’T FORGET WHAT I SAID
ABOUT RETIRING.
490
00:26:04,432 --> 00:26:05,607
OH, YES, SIR.
491
00:26:05,651 --> 00:26:07,348
YES, SIR.
492
00:26:31,372 --> 00:26:33,940
YEAH, IT'’S JAMISON HERE
FOR THE CHIEF.
493
00:26:33,983 --> 00:26:36,029
UH, YES. ALL RIGHT.
THANK YOU.
494
00:26:36,072 --> 00:26:38,335
YES, YES, YES?
495
00:26:38,379 --> 00:26:39,423
WHERE ARE YOU?
496
00:26:39,467 --> 00:26:41,077
WE'’RE OUTSIDE
OF HIS HOUSE.
497
00:26:41,121 --> 00:26:42,513
YOU JUST GOING IN?
498
00:26:42,557 --> 00:26:45,212
NO. WE'’VE ALREADY
SPOKEN TO THE MAN, CHIEF.
499
00:26:45,255 --> 00:26:47,170
AND?
500
00:26:47,214 --> 00:26:49,651
WELL, HE'’S A NICE MAN,
BUT HE'’S LYING.
501
00:26:49,695 --> 00:26:50,826
NO.
502
00:26:50,870 --> 00:26:52,915
YEAH. WE BOTH THINK
THE SAME THING.
503
00:26:52,959 --> 00:26:54,438
HOLD ON.
504
00:26:56,745 --> 00:26:59,487
MAYBE WE'’RE WRONG, CHIEF.
MAYBE YOU COULD
HELP US FIND OUT.
505
00:27:02,708 --> 00:27:04,231
WELL, WHAT DO YOU
WANT ME TO DO?
506
00:27:04,274 --> 00:27:06,276
COULD YOU POSSIBLY
TALK TO THE MAN?
507
00:27:06,320 --> 00:27:07,930
I HATE TO BOTHER YOU
WITH THIS, BUT...
508
00:27:10,019 --> 00:27:11,586
WELL, IT'’S NOT
BOTHERING ME, SWEET,
509
00:27:11,630 --> 00:27:15,155
BUT IT'’S KIND OF LIKE
FISHING IN A RAIN BARREL.
510
00:27:15,198 --> 00:27:17,200
PEOPLE MIGHT
WONDER ABOUT YOU.
511
00:27:17,244 --> 00:27:19,072
IF YOU TALK TO THE MAN
AND BELIEVE WHAT HE SAYS,
512
00:27:19,115 --> 00:27:21,204
I'’LL FORGET
THE WHOLE THING.
513
00:27:21,248 --> 00:27:24,033
JUST HAVE A CHAT.
I'’LL FOLLOW YOUR JUDGMENT.
514
00:27:27,341 --> 00:27:30,126
ALL RIGHT,
I'’LL TALK TO HIM TODAY
515
00:27:30,170 --> 00:27:32,738
IN ABOUT AN HOUR
ON MY WAY HOME.
516
00:27:32,781 --> 00:27:34,827
WELL,
HE'’S HOME NOW.
517
00:27:34,870 --> 00:27:38,918
I DON'’T NEED TO GO
ALL THE WAY OUT THERE, SWEET.
518
00:27:38,961 --> 00:27:41,703
I KNOW WHERE I CAN FIND
NATE BEDFORD HERE.
519
00:27:41,747 --> 00:27:45,359
LEGION PARK.
ALMOST ANY EVENING ABOUT 5:00.
520
00:28:06,075 --> 00:28:08,730
IT'’S TEN MINUTES
AFTER FIVE.
521
00:28:08,774 --> 00:28:11,341
WHY WOULD BEDFORD
EVEN COME HERE, ANYWAY?
522
00:28:11,385 --> 00:28:12,952
TO SIT.
523
00:28:12,995 --> 00:28:15,476
ALONE.
524
00:28:15,519 --> 00:28:17,565
YEAH, I HEARD
THE CHIEF.
525
00:28:17,608 --> 00:28:19,393
BUT WHY?
526
00:28:19,436 --> 00:28:23,310
PEOPLE DO THAT.
MY MAMA USED TO SIT
AT THE DEPOT.
527
00:28:23,353 --> 00:28:25,834
WHY?
528
00:28:25,878 --> 00:28:28,532
IT'’S THE LAST PLACE
SHE EVER SAW MY DADDY.
529
00:28:28,576 --> 00:28:30,709
HE WAS HEADED
FOR FORT BLISS, TEXAS.
530
00:28:33,624 --> 00:28:34,887
LOOK THERE.
531
00:29:33,249 --> 00:29:35,643
HI.
532
00:29:35,686 --> 00:29:37,253
WELL.
533
00:29:37,297 --> 00:29:40,039
BILL GILLESPIE.
HOW ARE YOU?
534
00:29:40,082 --> 00:29:42,693
SAME OLD STORY.
WELL BUT WORRIED.
535
00:29:42,737 --> 00:29:47,611
WELL, THEY GOT
PILLS FOR THAT.
I'’M ON THEM.
536
00:29:47,655 --> 00:29:49,439
I'’LL TRY SOME.
GIVE ME A BUNCH.
537
00:29:49,483 --> 00:29:52,399
A BUNCH IS $10.
GET YOUR OWN.
538
00:29:55,489 --> 00:29:57,665
I WANT TO ASK YOU
ABOUT SOMEBODY.
539
00:29:57,708 --> 00:29:59,275
GO AHEAD.
540
00:29:59,319 --> 00:30:00,320
DEL MUELLER.
541
00:30:02,670 --> 00:30:06,935
DID HE EVER KILL ANYBODY?
I MEAN, WAS HE UP TO IT?
542
00:30:08,023 --> 00:30:09,459
WELL, LONG...
543
00:30:09,503 --> 00:30:12,375
LONG TIME AGO
HE WAS. I--
544
00:30:12,419 --> 00:30:13,855
HE PROBABLY DID.
545
00:30:13,899 --> 00:30:14,943
WHO DID HE KILL?
546
00:30:18,729 --> 00:30:20,209
I THINK HE KILLED
SEVERAL PEOPLE.
547
00:30:20,253 --> 00:30:23,865
I THINK... HE WAS
THAT KIND OF GUY.
548
00:30:30,263 --> 00:30:33,135
UH, BLACK PEOPLE?
549
00:30:33,179 --> 00:30:36,269
YEAH...
AND A COUPLE OF
WHITE PEOPLE, TOO.
550
00:30:38,358 --> 00:30:40,360
BILL...
551
00:30:40,403 --> 00:30:43,537
DEL MUELLER WAS
THE DEVIL'’S OWN.
552
00:30:43,580 --> 00:30:45,234
AND THAT'’S A FACT.
553
00:30:45,278 --> 00:30:48,020
YOU KNOW WHY
I'’M ASKING THIS,
DON'’T YOU?
554
00:30:48,063 --> 00:30:49,978
SURE, I DO.
555
00:30:50,022 --> 00:30:53,155
SAME REASON
THOSE YOUNG MEN
OF YOURS
556
00:30:53,199 --> 00:30:56,332
CAME OVER
TO SPEAK TO ME.
557
00:30:56,376 --> 00:30:58,073
YOU ALL READ
IN THE NEWSPAPER
558
00:30:58,117 --> 00:31:00,902
WHERE MUELLER
REPORTED A PROBABLE
KILLING TO ME
559
00:31:00,946 --> 00:31:03,078
43 YEARS AGO.
560
00:31:03,122 --> 00:31:06,081
WAS HE TELLING
THE TRUTH? '’CAUSE
HE TOLD ME HE LIED.
561
00:31:12,609 --> 00:31:16,135
THE ONLY TESTIMONY
THAT COULD COUNT HERE,
BILL,
562
00:31:16,178 --> 00:31:20,139
IS THE DEAD MAN'’S
REMAINS...
563
00:31:20,182 --> 00:31:23,272
IF SCIENCE COULD CAUSE
THOSE REMAINS TO SPEAK.
564
00:31:25,448 --> 00:31:28,364
WELL, UH...
565
00:31:28,408 --> 00:31:31,541
UH, NATE, WE--
WE WEREN'’T FIXING
TO PROSECUTE,
566
00:31:31,585 --> 00:31:33,108
YOU KNOW, IN
THE ORDINARY SENSE.
567
00:31:33,152 --> 00:31:34,240
IT'’S JUST THAT, UH...
568
00:31:36,329 --> 00:31:38,418
LISTEN.
569
00:31:38,461 --> 00:31:42,335
IS IT TRUE
THAT GREAT THOUGHTS
COME IN SMALL BOOKS?
570
00:31:42,378 --> 00:31:45,164
YEAH.
571
00:31:45,207 --> 00:31:46,426
AND IN THIS
LITTLE BOOK
572
00:31:46,469 --> 00:31:48,645
IS THE GREATEST
THOUGHT OF ALL.
573
00:31:48,689 --> 00:31:50,256
THERE'’S NO
OTHER THOUGHT
574
00:31:50,299 --> 00:31:53,737
THAT CAN GIVE YOU
SUCH COMPLETE...
COMFORT.
575
00:31:56,088 --> 00:31:57,741
UH, CAN I TELL YOU
WHAT IT IS?
576
00:31:57,785 --> 00:31:59,004
YOU CERTAINLY CAN.
577
00:31:59,047 --> 00:32:01,963
IF YOU WANT FORGIVENESS,
578
00:32:02,007 --> 00:32:05,314
ALL YOU NEED TO DO
IS ASK FOR IT...
579
00:32:05,358 --> 00:32:07,882
BELIEVING IN HIM
WHO ALONE CAN GIVE IT.
580
00:32:22,375 --> 00:32:24,464
♪ ONE MORNIN'’
WE ALL READ ♪
581
00:32:24,507 --> 00:32:27,206
♪ IN THE PAPER
WHAT DEL MUELLER SAID ♪
582
00:32:27,249 --> 00:32:30,600
♪ THREE OUT-OF-TOWN NEGROES
DONE STOLE A CAR ♪
583
00:32:30,644 --> 00:32:32,863
♪ AND SHOT THE OWNER DEAD
584
00:32:32,907 --> 00:32:36,432
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
585
00:32:36,476 --> 00:32:38,869
♪ BECAUSE ONLY I, FRIENDS
586
00:32:38,913 --> 00:32:40,523
♪ WITNESSED THE ACTION
587
00:32:40,567 --> 00:32:42,177
♪ HA HA HA HA
588
00:32:42,221 --> 00:32:44,005
♪ HA HA HA HA
HA HA HA ♪
589
00:32:44,049 --> 00:32:46,703
♪ I CAN SWEAR IT'’S A LIE,
FRIENDS ♪
590
00:32:46,747 --> 00:32:49,706
♪ BECAUSE ONLY I,
FRIENDS ♪
591
00:32:49,750 --> 00:32:53,797
♪ WITNESSED THE ACTION
592
00:32:53,841 --> 00:32:58,672
♪ WHOA.
593
00:33:02,937 --> 00:33:05,200
DOES CHESH COLLINS
KNOW YOU GOT THAT?
594
00:33:05,244 --> 00:33:06,549
NO, SIR.
595
00:33:06,593 --> 00:33:09,074
WELL, ALL HE SAYS
596
00:33:09,117 --> 00:33:11,163
IS THAT HE KNOWS
SOMETHING,
597
00:33:11,206 --> 00:33:13,078
BUT, UH, HE DOESN'’T SAY
WHAT HE KNOWS.
598
00:33:13,121 --> 00:33:15,210
HE ALSO SAYS
HE WAS A WITNESS.
599
00:33:15,254 --> 00:33:18,170
BUT TO WHAT?
HE DOESN'’T SAY.
600
00:33:18,213 --> 00:33:20,128
SO WHAT ARE YOU TELLING US?
601
00:33:20,172 --> 00:33:22,565
THAT'’S IT, IT'S OVER?
CASE CLOSED?
602
00:33:22,609 --> 00:33:24,567
NO, NOT YET.
603
00:33:26,874 --> 00:33:28,397
IT DEPENDS ON
WHAT I HEAR TONIGHT.
604
00:33:31,139 --> 00:33:35,056
AND SO GET YOUR CIVVIES ON
AND STAND BY.
605
00:33:52,508 --> 00:33:54,945
♪ YOU SEE A PRETTY BROWN
606
00:33:54,989 --> 00:33:57,383
♪ AND BEAUTIFUL GOWNS
607
00:33:57,426 --> 00:34:00,038
♪ YOU SEE TAILOR-MADES
608
00:34:00,081 --> 00:34:02,257
♪ AND HAND-ME-DOWNS
609
00:34:02,301 --> 00:34:04,868
♪ YOU SEE HONEST MEN
610
00:34:04,912 --> 00:34:06,131
♪ AND PICKPOCKETS SKILLED
611
00:34:06,174 --> 00:34:07,523
♪ YOU'’LL FIND THAT ♪
612
00:34:07,567 --> 00:34:09,264
♪ IT NEVER CLOSES
613
00:34:09,308 --> 00:34:11,223
♪ TILL SOMEBODY
GETS KILLED ♪
614
00:34:11,266 --> 00:34:15,140
♪ I'’D RATHER BE HERE ♪
615
00:34:15,183 --> 00:34:19,970
♪ THAN ANYPLACE I KNOW
616
00:34:20,014 --> 00:34:23,365
♪ I'’D RATHER BE HERE ♪
617
00:34:23,409 --> 00:34:25,280
♪ THAN ANYPLACE...
618
00:34:25,324 --> 00:34:27,717
WAITRESS--NOW,
WHAT DO YOU ALL
WANT TO RISK HERE?
619
00:34:27,761 --> 00:34:30,633
I'’D LIKE
A GINGER ALE,
PLEASE.
620
00:34:30,677 --> 00:34:33,288
A PLAIN GINGER ALE--
GIVE ME THE SAME
AGAIN. VIRGIL?
621
00:34:33,332 --> 00:34:35,421
I'’LL HAVE WHAT
SHE'’S HAVING.
622
00:34:35,464 --> 00:34:37,640
RIGHT AWAY.
623
00:34:37,684 --> 00:34:39,425
WELL, LISTEN,
624
00:34:39,468 --> 00:34:41,296
I THINK I'’M GOING
TO GET THIS THING
STARTED.
625
00:34:41,340 --> 00:34:45,779
♪ THERE'’S A DARN GOOD
REASON WHY ♪
626
00:34:45,822 --> 00:34:48,173
♪ GOIN'’ TO THE RIVER ♪
627
00:34:48,216 --> 00:34:51,437
♪ THERE'’S A REASON WHY ♪
628
00:34:53,482 --> 00:34:55,310
♪ '’CAUSE THE RIVER'S WET ♪
629
00:34:55,354 --> 00:35:00,620
♪ AND BEES'’ FEET'S
DONE GONE DRY. ♪
630
00:35:06,495 --> 00:35:08,193
SAW YOUR PARTY ARRIVE.
631
00:35:08,236 --> 00:35:09,672
FIRST ROUND'’S ON ME.
632
00:35:09,716 --> 00:35:11,761
THANK YOU VERY MUCH.YOU'’RE WELCOME.
633
00:35:11,805 --> 00:35:13,154
THANK YOU, CHESH.
634
00:35:13,198 --> 00:35:15,591
LISTEN. WE CAN'’T
STAY LONG.
635
00:35:15,635 --> 00:35:17,245
WE'’RE ALL
CITY EMPLOYEES.
636
00:35:17,289 --> 00:35:19,508
WE HAVE TO BE
EARLY RISERS.
637
00:35:19,552 --> 00:35:22,511
HOW MUCH OF THE SONG
YOU WANT TO HEAR?
638
00:35:22,555 --> 00:35:26,254
IS THERE A VERSE
YOU USUALLY DON'’T PLAY?
639
00:35:26,298 --> 00:35:27,734
YEAH, THERE IS.
640
00:35:27,777 --> 00:35:30,476
WELL, THAT'’S THE ONE
I WANT TO HEAR.
641
00:35:30,519 --> 00:35:33,043
IN FACT, THAT'’S THE ONE
I MUST HEAR,
642
00:35:33,087 --> 00:35:36,221
BUT, LISTEN,
I WANT TO HEAR IT ALL.
643
00:35:36,264 --> 00:35:38,136
MAKE YOURSELF
COMFORTABLE.
644
00:35:45,099 --> 00:35:47,406
♪
645
00:35:50,365 --> 00:35:53,455
♪ THE BAD, BAD SWEET BLUES
646
00:35:53,499 --> 00:35:56,502
♪ THE LYNCHIN'’
OF LOUIS SWEET BLUES ♪
647
00:35:56,545 --> 00:35:58,634
♪ CAN NEVER BE SUNG
BY A BLUESMAN ♪
648
00:35:58,678 --> 00:36:01,898
♪ WHO'’S GOT SOMETHING
GOOD TO LOSE ♪
649
00:36:01,942 --> 00:36:04,814
♪ LIKE FOR INSTANCE
HIS LIFE, FRIENDS ♪
650
00:36:04,858 --> 00:36:07,556
♪ BUT WHEN I
LOOK AT LIFE, FRIENDS ♪
651
00:36:07,600 --> 00:36:09,558
♪ I DON'’T SEE NOTHIN' ♪
652
00:36:09,602 --> 00:36:11,430
♪ HA HA HA HA
653
00:36:11,473 --> 00:36:15,216
♪ HA HA HA HA
HA HA HA ♪
654
00:36:15,260 --> 00:36:17,349
♪ THIS RUN-DOWN
SORRY PLACE ♪
655
00:36:17,392 --> 00:36:20,352
♪ THIS 5 1/2 FOOT OF SPACE
656
00:36:20,395 --> 00:36:23,355
♪ GOING TO BE WHERE
YOUR WEARY OLD BLUESMAN ♪
657
00:36:23,398 --> 00:36:26,140
♪ WILL FINALLY
QUIT THE RACE ♪
658
00:36:26,184 --> 00:36:29,143
♪ BUT YOUNG LOUIS SWEET,
FRIENDS ♪
659
00:36:29,187 --> 00:36:32,277
♪ HAD A CLASSY DEFEAT,
FRIENDS ♪
660
00:36:32,320 --> 00:36:33,713
♪ DRIVIN'’ A PACKARD ♪
661
00:36:33,756 --> 00:36:35,497
♪ HA HA HA HA
662
00:36:35,541 --> 00:36:38,065
♪ HA HA HA HA
HA HA HA ♪
663
00:36:38,108 --> 00:36:40,894
♪ YOUNG LOUIS SWEET,
FRIENDS ♪
664
00:36:40,937 --> 00:36:44,376
♪ HAD A CLASSY DEFEAT,
FRIENDS ♪
665
00:36:44,419 --> 00:36:46,334
♪ DRIVIN'’ A PACKARD ♪
666
00:36:46,378 --> 00:36:48,118
♪ HA HA HA HA
667
00:36:48,162 --> 00:36:50,730
♪ HA HA HA HA
HA HA HA ♪
668
00:36:50,773 --> 00:36:53,298
♪ SOME GENTLEMAN OF MEANS
669
00:36:53,341 --> 00:36:55,909
♪ PLAYIN'’ STUD
DOWN IN NEW ORLEANS ♪
670
00:36:55,952 --> 00:36:59,608
♪ LOST A HAND THAT WAS
FLUSHIN'’ IN DIAMONDS ♪
671
00:36:59,652 --> 00:37:02,481
♪ TO THREE DEUCES
AND TWO QUEENS ♪
672
00:37:02,524 --> 00:37:04,265
♪ WITH THE CAR
IN THE POT, FRIENDS ♪
673
00:37:04,309 --> 00:37:07,355
♪ THAT'’S HOW LOUIS SWEET
GOT, FRIENDS ♪
674
00:37:07,399 --> 00:37:09,270
♪ HIS FINE NEW PACKARD
675
00:37:09,314 --> 00:37:10,532
♪ HA HA HA HA
676
00:37:10,576 --> 00:37:14,101
♪ HA HA HA HA
HA HA HA ♪
677
00:37:14,144 --> 00:37:16,277
♪ BACK IN OLD SPARTA TOWN
678
00:37:16,321 --> 00:37:18,888
♪ HE DROVE THROUGH THE PARK
AND THEN DOWN ♪
679
00:37:18,932 --> 00:37:21,848
♪ TO PEARBLOSSOM STREET
IN THE BOTTOMS ♪
680
00:37:21,891 --> 00:37:24,459
♪ WHERE THE FINE CHICKS
HUNG AROUND ♪
681
00:37:24,503 --> 00:37:27,680
♪ TOOK '’EM FROM THERE,
FRIENDS ♪
682
00:37:27,723 --> 00:37:30,465
♪ BACK UP
TO THE SQUARE, FRIENDS ♪
683
00:37:30,509 --> 00:37:32,293
♪ IN HIS NEW PACKARD
684
00:37:32,337 --> 00:37:34,121
♪ HA HA HA HA
685
00:37:34,164 --> 00:37:36,819
♪ HA HA HA HA
HA HA HA ♪
686
00:37:36,863 --> 00:37:38,256
♪ BRAVE LOUIE
687
00:37:38,299 --> 00:37:39,431
♪ BUT I FEAR
688
00:37:39,474 --> 00:37:42,085
♪ 1948 WASN'’T NO YEAR ♪
689
00:37:42,129 --> 00:37:45,088
♪ FOR A HIGH-TALKIN'’,
GAMBLIN'’ BLACK DUDE ♪
690
00:37:45,132 --> 00:37:48,004
♪ TO JIVE AND JOKE
AND JEER ♪
691
00:37:48,048 --> 00:37:50,572
♪ AT WARNINGS HE'’S GOT,
FRIENDS ♪
692
00:37:50,616 --> 00:37:53,183
♪ THAT HE JUST
BETTER NOT, FRIENDS ♪
693
00:37:53,227 --> 00:37:55,229
♪ GO '’ROUND
IN THAT PACKARD ♪
694
00:37:55,273 --> 00:37:57,100
♪ HA HA HA HA
695
00:37:57,144 --> 00:37:59,668
♪ HA HA HA HA
HA HA HA ♪
696
00:37:59,712 --> 00:38:01,714
♪ ONE MORNIN'’
WE ALL READ ♪
697
00:38:01,757 --> 00:38:04,760
♪ IN THE PAPER
WHAT DEL MUELLER SAID ♪
698
00:38:04,804 --> 00:38:08,329
♪ THREE OUT-OF-TOWN NEGROES
DONE STOLE A CAR ♪
699
00:38:08,373 --> 00:38:10,549
♪ AND SHOT THE OWNER DEAD
700
00:38:10,592 --> 00:38:13,378
♪ I CAN SWEAR IT'’S A LIE,
FRIENDS ♪
701
00:38:13,421 --> 00:38:16,206
♪ BECAUSE ONLY I, FRIENDS
702
00:38:16,250 --> 00:38:17,860
♪ WITNESSED THE ACTION
703
00:38:17,904 --> 00:38:19,340
♪ HA HA HA HA
704
00:38:19,384 --> 00:38:21,777
♪ HA HA HA HA
HA HA HA ♪
705
00:38:21,821 --> 00:38:24,389
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
706
00:38:24,432 --> 00:38:27,305
♪ BECAUSE ONLY I, FRIENDS
707
00:38:27,348 --> 00:38:30,308
♪ WITNESSED THE ACTION
708
00:38:31,396 --> 00:38:35,748
♪ WHOA
709
00:38:53,592 --> 00:38:56,159
THAT WAS WONDERFUL,
CHESH, BUT, UH,
710
00:38:56,203 --> 00:38:58,466
YOU STILL COME UP
ONE VERSE LIGHT, DIDN'’T YA?
711
00:38:58,510 --> 00:39:01,600
THAT LAST VERSE
HAS SOME NAMES IN IT.
712
00:39:01,643 --> 00:39:04,690
MAYBE FIRST YOU OUGHTA HEAR
THE STORY WITHOUT THE MUSIC.
713
00:39:04,733 --> 00:39:06,300
I'’D LIKE TO HEAR IT.
714
00:39:06,344 --> 00:39:07,519
HOW OLD WERE YOU
BACK THEN?
715
00:39:07,562 --> 00:39:09,651
I CAN'’T SAY, MA'AM.
716
00:39:09,695 --> 00:39:12,262
I DON'’T EVEN KNOW
HOW OLD I AM NOW.
717
00:39:12,306 --> 00:39:16,528
I WAS A KID,
AND I WAS SCARED.
718
00:39:16,571 --> 00:39:20,314
IT WAS NOVEMBER 1, 1948,
719
00:39:20,358 --> 00:39:22,403
THE EVENING OF THE DAY
720
00:39:22,447 --> 00:39:25,711
LOUIS SWEET DROVE
THAT PACKARD '’ROUND
THE SQUARE.
721
00:39:25,754 --> 00:39:28,148
I DIDN'’T SEE THAT.
722
00:39:28,191 --> 00:39:31,107
WHAT I SAW WAS IN THE WOODS
AT ALLINGTON'’S FARM.
723
00:40:30,515 --> 00:40:34,693
YOU CAN IMAGINE
WHAT YOUR GRANDPA LOUIE
MUST HAVE FELT,
724
00:40:34,736 --> 00:40:39,437
THINKING HE COULD MAYBE HELP
THIS TURKEY BLOCKING THE ROAD.
725
00:40:39,480 --> 00:40:41,917
THEN HE SAW
WHAT IT WAS ALL ABOUT--
726
00:40:41,961 --> 00:40:44,267
THE END OF HIS LIFE.
727
00:40:44,311 --> 00:40:46,531
WHO, UH...
728
00:40:46,574 --> 00:40:48,402
WHO WAS
THIS TURKEY?
729
00:40:48,446 --> 00:40:49,490
WHO WERE THEY ALL,
CHESH?
730
00:40:53,407 --> 00:40:56,454
YOU GONNA TELL US?
731
00:40:58,804 --> 00:41:00,414
WERE THEY BLACK GUYS?
732
00:41:03,243 --> 00:41:06,246
♪ J. BOYD'’S IN THE GROUND ♪
733
00:41:06,289 --> 00:41:09,771
♪ HIS PALS ARE
STILL LIVIN'’ IN TOWN ♪
734
00:41:09,815 --> 00:41:12,426
♪ THE COLORS
OF ALL THEIR FACES ♪
735
00:41:12,470 --> 00:41:15,473
♪ ARE THE WHITEST KIND
AROUND ♪
736
00:41:15,516 --> 00:41:19,172
♪ NATHAN BEDFORD
WAS ONE, FRIENDS ♪
737
00:41:19,215 --> 00:41:23,742
♪ AND THE MAN
WITH THE GUN, FRIENDS ♪
738
00:41:23,785 --> 00:41:27,789
♪ DELBERT MUELLER...
739
00:42:03,085 --> 00:42:05,523
CHIEF, I SUPPOSE YOU'’RE
GONNA SAY I'’M GUILTY
740
00:42:05,566 --> 00:42:08,438
OF SOME KIND
OF BAD CRIME MYSELF,
741
00:42:08,482 --> 00:42:10,832
NOT TELLING THE LAW
ABOUT THIS UNTIL NOW.
742
00:42:10,876 --> 00:42:13,487
NO, CHESH.
743
00:42:13,531 --> 00:42:15,576
AFTER ALL,
IT'’S STILL JUST A SONG.
744
00:42:15,620 --> 00:42:17,491
NOW YOU GOT NAMES.
745
00:42:17,535 --> 00:42:20,059
IT'’S REAL.
746
00:42:20,102 --> 00:42:21,539
AND, VIRGIL,
747
00:42:21,582 --> 00:42:23,018
YOU DIDN'’T HAVE TO
GIVE ME NO MONEY.
748
00:42:25,194 --> 00:42:27,414
I'’M REAL SORRY
ABOUT THAT.
749
00:42:27,457 --> 00:42:29,459
WHAT DID THEY DO
WITH MY GRANDFATHER?
750
00:42:29,503 --> 00:42:31,592
THEY BURIED HIM...
751
00:42:31,636 --> 00:42:33,072
OVER IN ALLINTON'’S WOODS.
752
00:42:33,115 --> 00:42:34,508
THEY'’RE GONE.
753
00:42:34,552 --> 00:42:36,641
EVERYTHING GOES...
754
00:42:36,684 --> 00:42:38,730
EXCEPT THE EARTH.
755
00:43:03,058 --> 00:43:05,147
THERE IT IS.
756
00:43:05,191 --> 00:43:07,628
RIGHT OVER THERE,
UNDER THAT SWING SET.
757
00:43:11,197 --> 00:43:15,549
YOU MEAN YOU'’VE BEEN KEEPING
YOUR EYE ON THAT SPOT
758
00:43:15,593 --> 00:43:19,074
OVER ALL THE CHANGES
AND OVER ALL THE YEARS?
759
00:43:19,118 --> 00:43:21,163
KIND OF.
760
00:43:21,207 --> 00:43:23,557
AND I AIN'’T
THE ONLY ONE.
761
00:43:33,045 --> 00:43:35,656
O.K., SWEET.
762
00:43:35,700 --> 00:43:37,310
GO AHEAD.
763
00:44:14,390 --> 00:44:16,871
WELL, YOUNG SWEET.
764
00:44:16,915 --> 00:44:19,221
WHAT CAN I DO FOR YOU?
765
00:44:19,265 --> 00:44:21,354
THOUGHT YOU MIGHT LIKE
TO SEE THIS PHOTO.
766
00:44:26,402 --> 00:44:29,449
THAT'’S ME--
AT MY GRANDDADDY'’S GRAVE.
767
00:44:32,104 --> 00:44:34,497
I'’M GLAD I KNOW
ABOUT THAT PLACE...
768
00:44:34,541 --> 00:44:35,934
FINALLY.
769
00:44:37,762 --> 00:44:39,720
I'’M GONNA BE GOING UP THERE
EVERY ONCE IN A WHILE.
770
00:44:39,764 --> 00:44:41,722
MAYBE I'’LL SEE YOU THERE.
771
00:44:41,766 --> 00:44:44,246
YOU WANT TO PRAY?
772
00:44:44,290 --> 00:44:46,248
I'’LL PRAY WITH YOU.
773
00:44:49,730 --> 00:44:51,079
KEEP THE PICTURE.
774
00:45:23,764 --> 00:45:25,548
WELL, SWEET,
IT'’S UP TO YOU.
775
00:45:27,594 --> 00:45:29,248
IF YOU WANT TO HAVE
HIS BODY EXHUMED,
776
00:45:29,291 --> 00:45:31,032
I CAN START
THE PROCESS.
777
00:45:33,469 --> 00:45:35,950
IT'’S A LONG,
LONG PROCESS.
778
00:45:35,994 --> 00:45:37,952
OH, NO DOUBT
ABOUT THAT.
779
00:45:40,781 --> 00:45:42,740
JUST TO FIND OUT
IF HE'’S HERE.
780
00:45:51,009 --> 00:45:52,314
I ALREADY KNOW
HE'’S HERE.
781
00:45:57,493 --> 00:45:58,843
AND THEN WHAT?
782
00:46:00,975 --> 00:46:02,803
BURY HIM AGAIN?
783
00:46:04,326 --> 00:46:05,850
WHY?
784
00:46:08,330 --> 00:46:09,897
COULDN'’T BE
IN A NICER PLACE.
785
00:46:09,941 --> 00:46:17,035
I THINK YOU'’RE RIGHT.
786
00:46:17,078 --> 00:46:19,385
I SURE WISH HE
COULD'’VE SEEN ALL THIS.
787
00:46:21,822 --> 00:46:23,389
I MEAN, UH...
788
00:46:24,956 --> 00:46:28,133
THINGS ARE BETTER,
AREN'’T THEY, CHIEF?
789
00:46:29,743 --> 00:46:31,179
THEY'’RE NOT GREAT...
790
00:46:35,096 --> 00:46:37,795
BUT THEY'’RE BETTER.
RIGHT?
791
00:46:37,838 --> 00:46:40,623
YES, SON,
THEY'’RE BETTER.
792
00:46:40,667 --> 00:46:43,191
A WHOLE LOT BETTER.
793
00:46:43,235 --> 00:46:45,541
♪ ONE MORNIN'’
WE ALL READ ♪
794
00:46:45,585 --> 00:46:48,327
♪ IN THE PAPER
WHAT DEL MUELLER SAID ♪
795
00:46:48,370 --> 00:46:51,460
♪ THREE OUT-OF-TOWN NEGROES
DONE STOLE A CAR ♪
796
00:46:51,504 --> 00:46:53,680
♪ AND SHOT THE OWNER DEAD
797
00:46:53,723 --> 00:46:56,944
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
798
00:46:56,988 --> 00:46:59,729
♪ BECAUSE ONLY I, FRIENDS
799
00:46:59,773 --> 00:47:01,601
♪ WITNESSED THE ACTION
800
00:47:01,644 --> 00:47:02,863
♪ HA HA HA HA
801
00:47:02,907 --> 00:47:04,996
♪ HA HA HA HA
HA HA HA ♪
802
00:47:05,039 --> 00:47:07,737
♪ I CAN SWEAR
IT'’S A LIE, FRIENDS ♪
803
00:47:07,781 --> 00:47:10,784
♪ BECAUSE ONLY I, FRIENDS
804
00:47:10,828 --> 00:47:15,006
♪ WITNESSED THE ACTION
805
00:47:15,049 --> 00:47:19,445
♪ WHOA.
806
00:47:19,488 --> 00:47:25,364
[APPLAUSE]
56677
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