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1
00:00:02,103 --> 00:00:03,371
SINCE 1970,
2
00:00:03,404 --> 00:00:04,672
THE FEDERAL
WITNESS PROTECTION PROGRAM
3
00:00:04,705 --> 00:00:06,140
HAS RELOCATED
THOUSANDS OF WITNESSES--
4
00:00:06,174 --> 00:00:08,309
SOME CRIMINAL,
SOME NOT--
5
00:00:08,342 --> 00:00:10,611
TO NEIGHBORHOODS
ALL ACROSS THE COUNTRY.
6
00:00:10,644 --> 00:00:12,246
EVERY ONE
OF THOSE INDIVIDUALS
7
00:00:12,280 --> 00:00:14,182
SHARES A UNIQUE ATTRIBUTE,
DISTINGUISHING THEM
8
00:00:14,215 --> 00:00:16,384
FROM THE REST OF
THE GENERAL POPULATION,
9
00:00:16,417 --> 00:00:21,422
AND THAT IS:
SOMEBODY WANTS THEM DEAD.
10
00:00:27,561 --> 00:00:30,698
* I CAN'T SEE ME
LOVIN' NOBODY BUT YOU *
11
00:00:30,731 --> 00:00:32,433
YOU PUT ON SUN BLOCK?
12
00:00:32,466 --> 00:00:34,135
I'LL PUT IT ON
WHEN WE GET TO THE BEACH.
13
00:00:34,168 --> 00:00:36,404
NO, NO, YOU GOTTA
PUT IT ON A HALF HOUR BEFORE.
14
00:00:36,437 --> 00:00:37,738
BABE.
ALL RIGHT.
15
00:00:37,771 --> 00:00:38,839
I'LL PUT
THE SUNSCREEN ON.
16
00:00:38,872 --> 00:00:40,108
GOOD.
17
00:00:40,141 --> 00:00:42,310
YOU TWO ARE
MAKING ME CARSICK.
18
00:00:42,343 --> 00:00:43,777
OH, YEAH?
19
00:00:43,811 --> 00:00:45,379
I CAN'T WAIT TILL
YOU HAVE KIDS AND THEY THINK
20
00:00:45,413 --> 00:00:46,847
YOU'RE A RIDICULOUS
OLD FOOL.
21
00:00:46,880 --> 00:00:49,217
SORRY TO RUN YOUR FUN,
BUT I'M NOT HAVING KIDS.
22
00:00:49,250 --> 00:00:51,319
BITE YOUR TONGUE, YOU.
23
00:00:51,352 --> 00:00:52,686
YOU'RE GIVING ME
GRANDBABIES.
24
00:00:52,720 --> 00:00:54,455
OR ELSE...
25
00:00:54,488 --> 00:00:55,689
WHY ARE WE STOPPING?
26
00:00:55,723 --> 00:00:57,358
WELL, PETEY'S SICK,
27
00:00:57,391 --> 00:01:00,094
AND I PROMISED DOMINIC
I'D, UH,
28
00:01:00,128 --> 00:01:01,795
I'D DROP OFF
SOME STUFF FOR HIM.
29
00:01:01,829 --> 00:01:03,097
ALL RI--
30
00:01:03,131 --> 00:01:04,865
TRY AND HURRY,
BECAUSE IF NOT,
31
00:01:04,898 --> 00:01:06,600
WE DON'T GET
A GOOD SPOT, FRANK.
32
00:01:06,634 --> 00:01:08,302
DON'T WORRY,
I'LL JUST BE A MINUTE.
33
00:01:08,336 --> 00:01:13,174
NOT EVEN.
34
00:01:13,207 --> 00:01:15,743
TELL PETEY
I HOPE HE FEELS BETTER.
35
00:01:15,776 --> 00:01:17,778
WILL DO.
36
00:01:17,811 --> 00:01:19,747
AND YOU,
DON'T SCREW WITH ME.
37
00:01:19,780 --> 00:01:20,881
YOU'RE GONNA
GIVE ME GRANDCHILDREN.
38
00:01:20,914 --> 00:01:22,583
YOU HEAR ME?
YES, MOM.
39
00:01:22,616 --> 00:01:26,220
THAT'S RIGHT.
40
00:01:26,254 --> 00:01:28,689
OH, MY GOD.
41
00:01:28,722 --> 00:01:30,824
HOW DOES THAT FAT BASTARD
GET UP AND DOWN
42
00:01:30,858 --> 00:01:34,094
THOSE STAIRS
EVERY DAY?
43
00:01:36,864 --> 00:01:37,865
WHO IS IT?
44
00:01:37,898 --> 00:01:39,300
IT'S CAPTAIN KANGAROO.
45
00:01:39,333 --> 00:01:40,334
FRANKIE, IS THAT YOU?
46
00:01:40,368 --> 00:01:42,136
YEAH, YEAH, IT'S FRANKIE.
47
00:01:42,170 --> 00:01:46,374
COME ON, COME ON.
I'M IN A HURRY, PETEY.
48
00:01:46,407 --> 00:01:47,375
YO, FRANKIE.
49
00:01:47,408 --> 00:01:49,610
HEY, PETEY.
50
00:01:49,643 --> 00:01:51,379
I GOT A DELIVERY FOR YOU
FROM DOMINIC.
51
00:01:51,412 --> 00:01:52,846
OH, YEAH?
52
00:01:52,880 --> 00:01:54,482
YEAH.
53
00:02:06,194 --> 00:02:08,729
PETEY?
54
00:02:08,762 --> 00:02:10,564
WHERE ARE YOU?
55
00:02:10,598 --> 00:02:13,501
ARE YOU DEAD?
56
00:02:15,903 --> 00:02:19,740
OH, NO.
57
00:02:19,773 --> 00:02:22,510
OH...
58
00:02:22,543 --> 00:02:24,245
* I CAN'T SEE ME
59
00:02:24,278 --> 00:02:26,714
* LOVIN' NOBODY BUT YOU
60
00:02:26,747 --> 00:02:28,816
* FOR ALL MY LIFE
61
00:02:28,849 --> 00:02:32,186
I HAVE NO IDEA
HOW THAT HAPPENED.
62
00:02:33,387 --> 00:02:36,190
* THE SKIES WILL BE BLUE
63
00:02:36,224 --> 00:02:39,227
ALL RIGHT, GET BACK.
LET'S GO.
64
00:03:04,785 --> 00:03:06,854
GOD, IT'S SO
BEYOND RETARDED.
65
00:03:06,887 --> 00:03:08,256
FIRST OF ALL,
66
00:03:08,289 --> 00:03:11,292
WE DON'T SAY "RETARDED"
ANYMORE.
67
00:03:15,496 --> 00:03:17,831
DON'T EVEN THINK
ABOUT PARKING THERE.
68
00:03:17,865 --> 00:03:19,667
U.S. MARSHALS.
69
00:03:19,700 --> 00:03:21,802
CARS BETTER BE HERE
WHEN WE GET BACK.
70
00:03:21,835 --> 00:03:24,505
AND SECOND,
71
00:03:24,538 --> 00:03:25,739
IT'S NOT RETARDED--
IT'S MARKETING.
72
00:03:25,773 --> 00:03:27,408
THEN IT'S
RETARDED MARKETING.
73
00:03:27,441 --> 00:03:28,942
LOOK, IMAGERY AND METAPHOR
HAVE BEEN USED--
74
00:03:28,976 --> 00:03:30,911
OH, THANK GOD.
75
00:03:30,944 --> 00:03:32,746
HEY, WHAT'S UP?
76
00:03:32,780 --> 00:03:33,981
IT SEEMS YOUR SISTER
WOULD PREFER
77
00:03:34,014 --> 00:03:35,549
SOMEONE ELSE
TO PICK HER UP.
78
00:03:35,583 --> 00:03:37,518
WHAT?
PUT HER ON.
79
00:03:37,551 --> 00:03:39,987
MARY WOULD LIKE A WORD.
80
00:03:40,020 --> 00:03:41,455
HEY.
81
00:03:41,489 --> 00:03:42,756
DON'T "HEY" ME.
82
00:03:42,790 --> 00:03:44,024
WHAT THE HELL
DO YOU THINK YOU'RE DOING?
83
00:03:44,057 --> 00:03:45,426
NOTHING, BUT THERE'S
NO WAY IN HELL
84
00:03:45,459 --> 00:03:46,527
I'M TAKING A RIDE
FROM SOME
85
00:03:46,560 --> 00:03:48,296
RICO SUAVE WANNABE
86
00:03:48,329 --> 00:03:49,830
I'VE NEVER EVEN
SEEN BEFORE.
87
00:03:49,863 --> 00:03:51,665
WHY CAN'T
YOU PICK ME UP?
88
00:03:51,699 --> 00:03:52,966
BECAUSE I'M WORKING...
89
00:03:53,000 --> 00:03:54,335
ALL THE WAY
ON THE OTHER SIDE OF TOWN.
90
00:03:54,368 --> 00:03:55,636
BUT I'M YOUR SISTER.
91
00:03:55,669 --> 00:03:58,306
HEY, YOU KNOW WHAT--
YOU CAN EITHER
92
00:03:58,339 --> 00:04:00,508
ACCEPT MY FRIEND'S GENEROUS
OFFER OR START WALKING.
93
00:04:00,541 --> 00:04:01,909
FINE, I'LL TAKE THE RIDE.
94
00:04:01,942 --> 00:04:04,578
YOU DO THAT.
95
00:04:04,612 --> 00:04:07,515
HERE.
96
00:04:07,548 --> 00:04:08,649
PROBLEMS?
97
00:04:08,682 --> 00:04:10,318
BRANDI GOT IN
THIS MORNING.
98
00:04:10,351 --> 00:04:12,520
FOR MY SURPRISE PARTY,
NO DOUBT.
99
00:04:12,553 --> 00:04:13,821
MY CONDOLENCES.
100
00:04:13,854 --> 00:04:15,456
NOW, AS I WAS SAYING--
101
00:04:15,489 --> 00:04:18,459
IMAGERY AND METAPHOR
HAVE BEEN USED
102
00:04:18,492 --> 00:04:19,560
TO SELL PRODUCTS FOREVER.
103
00:04:19,593 --> 00:04:21,462
PLEASE, JESUS,
TAKE ME NOW.
104
00:04:21,495 --> 00:04:22,996
TAKE THE FORD MUSTANG,
FOR INSTANCE.
105
00:04:23,030 --> 00:04:25,799
NAMED FOR A POWERFUL
AND AGILE ANIMAL,
106
00:04:25,833 --> 00:04:27,935
QUALITIES WE ALSO SEEK
IN AN AUTOMOBILE.
107
00:04:27,968 --> 00:04:29,603
IT'S CALLED
"TRANSFERENCE."
108
00:04:29,637 --> 00:04:31,071
YEAH, OKAY.
WHAT ABOUT MY PROBE?
109
00:04:31,104 --> 00:04:33,474
EXACTLY WHAT IMAGE
IS THAT SUPPOSED TO TRANSFER?
110
00:04:33,507 --> 00:04:34,775
'CAUSE ALL I'M GETTING
IS PAPER DRESS,
111
00:04:34,808 --> 00:04:36,744
METAL STIRRUPS,
AND LEGS AKIMBO.
112
00:04:36,777 --> 00:04:38,045
EXACTLY WHAT WAS
THE THOUGHT PROCESS
113
00:04:38,078 --> 00:04:39,380
BEHIND THAT
MARKETING COUP?
114
00:04:39,413 --> 00:04:40,681
"SAY, BOB,
115
00:04:40,714 --> 00:04:42,483
"WHAT'S A METAPHOR
FOR AN INVASIVE,
116
00:04:42,516 --> 00:04:43,884
"SOMEWHAT HUMILIATING
PROCEDURE?
117
00:04:43,917 --> 00:04:45,319
"'CAUSE WE REALLY
NEED SOMETHING
118
00:04:45,353 --> 00:04:47,855
TO COMPETE WITH
THE CHEVY SPECULUM."
119
00:04:47,888 --> 00:04:49,957
UGH, WHY AM I
EATING THIS CRAP?
120
00:04:49,990 --> 00:04:53,060
YOU GONNA BE LIKE THIS
ALL DAY?
121
00:04:53,093 --> 00:04:54,094
WHAT?
122
00:04:54,127 --> 00:04:56,530
LIKE
YOU KNOW.
123
00:04:56,564 --> 00:04:58,866
GUESS IT DEPENDS HOW LONG
IT'S GONNA BE MY BIRTHDAY.
124
00:04:58,899 --> 00:04:59,933
ALL DAY.
125
00:04:59,967 --> 00:05:03,437
THERE YOU GO.
126
00:05:04,972 --> 00:05:07,975
HERE WE GO.
127
00:05:12,613 --> 00:05:14,047
IT'S A COMMON MISCONCEPTION
128
00:05:14,081 --> 00:05:16,450
THAT THE MEMBERSHIP IN THE
FRATERNITY OF GOODFELLAS
129
00:05:16,484 --> 00:05:17,985
IS A PREREQUISITE
FOR ADMISSION
130
00:05:18,018 --> 00:05:21,021
INTO THE FEDERAL
WITNESS PROTECTION PROGRAM.
131
00:05:22,556 --> 00:05:25,526
GOD, IF ONLY THAT WERE TRUE.
132
00:05:28,429 --> 00:05:30,631
MANY WITNESSES
ARE EVERYDAY FOLK WHO,
133
00:05:30,664 --> 00:05:32,566
THROUGH NO CRIMINAL ENTERPRISE
OF THEIR OWN,
134
00:05:32,600 --> 00:05:34,067
HAVE COME TO POSSESS
DAMNING INFO
135
00:05:34,101 --> 00:05:35,703
ABOUT SOME VERY
DANGEROUS PEOPLE.
136
00:05:35,736 --> 00:05:38,038
THESE UNLUCKY LOSERS
ARE TROUBLE MAGNETS
137
00:05:38,071 --> 00:05:39,773
AND SHOULD BE AVOIDED
WHENEVER POSSIBLE.
138
00:05:39,807 --> 00:05:41,375
THANKS.
139
00:05:41,409 --> 00:05:42,410
UH-HUH.
140
00:05:42,443 --> 00:05:43,411
WHICH, IN MY LINE OF WORK,
141
00:05:43,444 --> 00:05:45,513
IS ALMOST NEVER.
142
00:05:45,546 --> 00:05:48,382
A TICKET?
ARE YOU KIDDING ME?
143
00:05:48,416 --> 00:05:50,684
CAR'S STILL THERE,
AIN'T IT?
144
00:05:50,718 --> 00:05:51,719
ASS-WIPE.
145
00:05:51,752 --> 00:05:52,986
IT'S ALL RIGHT.
146
00:05:53,020 --> 00:05:54,588
WE'LL TAKE CARE OF YOU.
YOU'RE SAFE.
147
00:05:54,622 --> 00:05:56,757
SO THIS IS HOW WE'RE
TRANSPORTING WITNESSES NOW?
148
00:05:56,790 --> 00:05:58,158
IT'S A METAPHOR.
149
00:05:58,191 --> 00:05:59,660
OH, YEAH?
FOR WHAT, CRAP?
150
00:05:59,693 --> 00:06:01,061
LET'S GO.
151
00:06:02,430 --> 00:06:05,433
THANK YOU.
YOU'RE WELCOME.
152
00:06:23,083 --> 00:06:25,419
SO WELCOME TO ALBUQUERQUE.
IS THIS YOUR FIRST TIME?
153
00:06:25,453 --> 00:06:27,421
DA.
UH, YES.
154
00:06:27,455 --> 00:06:29,089
HOW LONG YOU BEEN
IN THE STATES?
155
00:06:29,122 --> 00:06:31,792
THREE YEARS
IN NEW YORK.
156
00:06:31,825 --> 00:06:34,695
WELL, THIS IS A FAR CRY
FROM MANHATTAN.
157
00:06:34,728 --> 00:06:36,697
AND A UNIVERSE
FROM MOSCOW.
158
00:06:36,730 --> 00:06:38,098
I AM FROM KIEV.
159
00:06:42,169 --> 00:06:44,538
YOU SPEAK RUSSIAN.
160
00:06:44,572 --> 00:06:45,539
A LITTLE.
161
00:06:45,573 --> 00:06:46,640
I LEARNED IT IN THE '80s
162
00:06:46,674 --> 00:06:49,009
WHEN YOU GUYS
WERE STILL COMMIES.
163
00:06:49,042 --> 00:06:50,878
IN UKRAINE,
WE SPEAK UKRAINIAN.
164
00:06:51,945 --> 00:06:55,849
UH...
165
00:06:55,883 --> 00:06:57,485
SHUT UP.
166
00:06:59,252 --> 00:07:00,521
HI, STAN.
167
00:07:00,554 --> 00:07:01,655
HI, MARY.
IT'S STAN.
168
00:07:01,689 --> 00:07:02,923
I KNOW IT'S YOU, STAN.
169
00:07:02,956 --> 00:07:03,957
THAT'S WHY I SAID,
"HI, STAN."
170
00:07:03,991 --> 00:07:05,493
OH, RIGHT.
171
00:07:05,526 --> 00:07:06,994
SO DID YOU
PICK UP THE WITNESS?
172
00:07:07,027 --> 00:07:07,995
YEAH, WE'RE ON THE WAY
TO THE APARTMENT NOW.
173
00:07:08,028 --> 00:07:09,196
LISTEN, I JUST GOT A CALL
174
00:07:09,229 --> 00:07:10,698
FROM ALBUQUERQUE P.D.
AND, UH--
175
00:07:10,731 --> 00:07:11,932
OH, BOY.
176
00:07:11,965 --> 00:07:13,233
AND "OH, BOY" WHAT,
STAN?
177
00:07:13,266 --> 00:07:14,968
I KNOW THAT TONE.
SOMETHING HAPPENED.
178
00:07:15,002 --> 00:07:16,670
YEAH,
FRANKIE SANTORO'S KID
179
00:07:16,704 --> 00:07:17,971
MIGHT HAVE BEEN SHOT
LAST NIGHT.
180
00:07:18,005 --> 00:07:19,139
WHAT
IS HE DEAD?
181
00:07:19,172 --> 00:07:20,173
I SAID "MIGHT."
182
00:07:20,207 --> 00:07:21,675
ALL RIGHT, MIGHT.
183
00:07:21,709 --> 00:07:23,010
THEY FOUND A BODY
ON ONE OF THOSE
184
00:07:23,043 --> 00:07:24,111
DEVELOPMENT SITES
OUT THE PAN AM FREEWAY.
185
00:07:24,144 --> 00:07:25,746
I'M ON MY WAY.
186
00:07:25,779 --> 00:07:27,180
THAT'S ONE CHOICE,
BUT BRINGING A WITNESS
187
00:07:27,214 --> 00:07:29,149
TO THE MURDER SITE
OF ANOTHER WITNESS--
188
00:07:29,182 --> 00:07:30,718
THAT VIOLATES AT LEAST SIX
WITSEC CODES OF CONDUCT.
189
00:07:30,751 --> 00:07:31,985
STAN?
I KNOW WHAT YOU'RE DOING.
190
00:07:32,019 --> 00:07:33,921
YOU'RE HOLDING THE PHONE
OUT THE WINDOW.
191
00:07:33,954 --> 00:07:34,922
WHAT'S THAT?
I CAN'T HEAR YOU.
192
00:07:34,955 --> 00:07:36,189
YOU'RE BREAKING UP.
193
00:07:36,223 --> 00:07:37,625
SHE'S HOLDING THE PHONE
OUT THE WINDOW.
194
00:07:37,658 --> 00:07:38,726
MARY, YOU LISTEN--
STAN?
195
00:07:38,759 --> 00:07:39,793
I ABSOLUTELY FOR--
196
00:07:39,827 --> 00:07:42,796
CHANGE OF PLANS.
197
00:07:42,830 --> 00:07:45,933
FRANKIE SANTORO'S KID
MAY HAVE BEEN HIT LAST NIGHT.
198
00:07:45,966 --> 00:07:47,000
GOTTA SEE FOR MYSELF.
199
00:07:47,034 --> 00:07:48,736
WHAT ABOUT...
200
00:07:48,769 --> 00:07:50,971
SHE'S COMING WITH.
201
00:07:51,004 --> 00:07:51,972
FUN.
202
00:07:56,009 --> 00:07:57,277
HI, STAN.
203
00:07:57,310 --> 00:07:58,612
MARSHALL.
204
00:07:58,646 --> 00:08:00,180
WHAT?
205
00:08:00,213 --> 00:08:03,817
I'M SORRY, STAN.
YOU'RE BREAKING UP.
206
00:08:03,851 --> 00:08:07,187
FRANKIE SANTORO,
A.K.A. FRANKIE NUTS--
207
00:08:07,220 --> 00:08:09,657
A NICKNAME NOT BESTOWED
FOR HIS LOVE OF FILBERTS--
208
00:08:09,690 --> 00:08:11,625
EARNED HIS TICKET
INTO WITNESS PROTECTION
209
00:08:11,659 --> 00:08:13,894
BY AGREEING TO TESTIFY
AGAINST HIS FORMER BOSS,
210
00:08:13,927 --> 00:08:17,064
DOMINIC MASTRO,
LAST OF THE BIG-TIME DONS.
211
00:08:17,097 --> 00:08:19,667
FRANKIE HAD THE MISFORTUNE
OF WHACKING PETEY LORUSSO
212
00:08:19,700 --> 00:08:21,301
WHILE HE WAS
UNDER FBI SURVEILLANCE,
213
00:08:21,334 --> 00:08:26,206
WHICH, COINCIDENTALLY,
WAS ALSO PETEY'S MISFORTUNE.
214
00:08:33,614 --> 00:08:37,651
WOW, JUST LIKE
THE MOTION PICTURES.
215
00:08:37,685 --> 00:08:39,553
CAN I GET YOU SOMETHING?
A BROMO?
216
00:08:39,587 --> 00:08:40,888
TASHA, JUST STAY
IN THE CAR.
217
00:08:40,921 --> 00:08:42,022
THIS'LL JUST TAKE
A FEW MINUTES.
218
00:08:42,055 --> 00:08:45,192
OKAY.
219
00:08:45,225 --> 00:08:48,095
PLEASE DON'T LET THIS
BE FRANKIE'S KID.
220
00:08:48,128 --> 00:08:49,196
SHOULD I CALL JINX NOW
221
00:08:49,229 --> 00:08:50,631
AND TELL HER
TO CANCEL YOUR PARTY?
222
00:08:50,664 --> 00:08:51,865
IF YOU WERE
ANY KIND OF FRIEND,
223
00:08:51,899 --> 00:08:56,704
YOU WOULD HAVE DONE IT
A LONG TIME AGO.
224
00:08:56,737 --> 00:08:57,738
YOU THE LEAD ON THIS?
225
00:08:57,771 --> 00:09:00,040
YEAH, UNFORTUNATELY.
226
00:09:00,073 --> 00:09:01,341
DETECTIVE DERSHOWITZ.
227
00:09:01,374 --> 00:09:03,811
DERSHOWITZ.
REALLY?
228
00:09:03,844 --> 00:09:04,878
YEAH, A LONG STORY.
229
00:09:04,912 --> 00:09:06,113
I'LL BET.
230
00:09:06,146 --> 00:09:07,715
EVERYONE
CALLS ME "BOBBY."
231
00:09:07,748 --> 00:09:08,849
OR "BOBBY D."
232
00:09:08,882 --> 00:09:10,884
MARY SHANNON.
U.S. MARSHALS.
233
00:09:10,918 --> 00:09:12,820
SO WHY'D YOU CALL
THE MARSHALS, DETECTIVE?
234
00:09:12,853 --> 00:09:14,121
WELL, WE GOT
TWO DEAD KIDS.
235
00:09:14,154 --> 00:09:16,289
WE HAVE A GIRL NAMED
SIENNA BURKE OVER THERE.
236
00:09:16,323 --> 00:09:17,825
AND A BOY WITH THIS
IN HIS WALLET.
237
00:09:17,858 --> 00:09:19,326
AND THIS.
238
00:09:19,359 --> 00:09:21,194
IT WAS TUCKED BEHIND
THE OTHER ONE.
239
00:09:21,228 --> 00:09:22,796
KID WITH TWO IDENTITIES,
240
00:09:22,830 --> 00:09:24,798
OCCURRED TO ME HE MIGHT
BE IN WITNESS PROTECTION.
241
00:09:24,832 --> 00:09:26,767
YOU GOT ALL THAT
FROM A FAKE I.D.?
242
00:09:26,800 --> 00:09:29,903
YEAH, I'M INTUITIVE
THAT WAY.
243
00:09:29,937 --> 00:09:30,971
ALL RIGHT, THANKS.
244
00:09:31,004 --> 00:09:32,740
UH, THAT'S EVIDENCE.
245
00:09:32,773 --> 00:09:34,007
UH-HUH.
246
00:09:34,041 --> 00:09:35,976
ANY THOUGHTS
ABOUT WHAT HAPPENED?
247
00:09:36,009 --> 00:09:38,679
YOU'RE ASKING ME, WHAT, OUT OF
PROFESSIONAL CURIOSITY?
248
00:09:38,712 --> 00:09:41,181
SURE, LET'S GO WITH THAT.
249
00:09:41,214 --> 00:09:43,784
WELL, THE GIRL'S FATHER
IS CALE BURKE.
250
00:09:43,817 --> 00:09:44,918
HE'S THE DEVELOPER
OF THIS LAND,
251
00:09:44,952 --> 00:09:46,153
A PROJECT
THAT'S BEEN CONTESTED
252
00:09:46,186 --> 00:09:47,855
IN AND OUT OF COURT
FOR ABOUT A DECADE.
253
00:09:47,888 --> 00:09:49,022
AND YOU THINK SOMEBODY
UNHAPPY ABOUT THE PROJECT
254
00:09:49,056 --> 00:09:50,357
MIGHT HAVE DONE THIS?
255
00:09:50,390 --> 00:09:52,059
HELL IF I KNOW,
BUT IT'S A PLACE TO START.
256
00:09:52,092 --> 00:09:53,393
RIGHT?
257
00:09:53,426 --> 00:09:54,895
UNLESS OF COURSE YOU THINK
I SHOULD BE LOOKING
258
00:09:54,928 --> 00:09:55,896
SOMEPLACE ELSE.
259
00:09:55,929 --> 00:09:57,831
NOPE, SOUNDS TO ME
260
00:09:57,865 --> 00:10:00,033
LIKE YOU'RE HEADING
IN THE RIGHT DIRECTION.
261
00:10:00,067 --> 00:10:01,935
THAT'S WHAT I THOUGHT.
262
00:10:01,969 --> 00:10:03,236
THANKS FOR THE CALL.
MM-HMM.
263
00:10:03,270 --> 00:10:05,673
HEY, WHAT'S WITH
THE SILENT SENTINELS?
264
00:10:05,706 --> 00:10:07,307
HUH?
GUYS ON THE BIKES.
265
00:10:07,340 --> 00:10:09,042
OH, THEY'VE BEEN
WATCHING ALL MORNING.
266
00:10:09,076 --> 00:10:10,778
YOU'RE NOT
QUESTIONING THEM 'CAUSE...
267
00:10:10,811 --> 00:10:12,913
BECAUSE CHASING
INDIANS ON DIRT BIKES
268
00:10:12,946 --> 00:10:15,716
THROUGH THE DESERT SEEMS LIKE
A POOR USE OF MY TALENT.
269
00:10:15,749 --> 00:10:17,184
MAKES SENSE.
270
00:10:17,217 --> 00:10:18,886
HEY, HOW 'BOUT IT?
271
00:10:18,919 --> 00:10:19,987
HE ONE OF YOURS?
272
00:10:20,020 --> 00:10:21,989
OH, AFRAID I DON'T KNOW
273
00:10:22,022 --> 00:10:23,691
WHAT YOU'RE TALKING ABOUT.
274
00:10:23,724 --> 00:10:25,358
THANKS AGAIN
FOR THE CALL.
275
00:10:25,392 --> 00:10:27,394
THAT'S RIGHT, YOU'RE
THE BRANCH OF LAW ENFORCEMENT
276
00:10:27,427 --> 00:10:28,929
THAT PUTS CRIMINALS
BACK ON THE STREET,
277
00:10:28,962 --> 00:10:31,965
RIGHT?
278
00:10:38,171 --> 00:10:39,907
OH, GOD.
279
00:10:39,940 --> 00:10:41,942
WHAT A WASTE.
280
00:10:41,975 --> 00:10:44,177
HEY.
281
00:10:44,211 --> 00:10:45,445
DON'T TOUCH THAT.
282
00:10:45,478 --> 00:10:47,280
CAN'T YOU SHUT HIS EYES?
283
00:10:47,314 --> 00:10:50,984
ONLY IF YOU GOT
A NEEDLE AND THREAD.
284
00:11:00,427 --> 00:11:02,395
ANY THOUGHTS ON WHY HE GETS IT
IN THE BACK OF THE HEAD
285
00:11:02,429 --> 00:11:03,463
AND SHE GETS HERS
IN THE FACE?
286
00:11:03,496 --> 00:11:05,032
SHE WAS RUNNING.
287
00:11:05,065 --> 00:11:06,834
TOOK TWO IN THE SPINE,
TAKING OUT HER LEGS.
288
00:11:06,867 --> 00:11:08,702
THEN THEY TURNED HER OVER.
289
00:11:08,736 --> 00:11:10,237
AND FINISHED HER OFF
IN THE FACE?
290
00:11:10,270 --> 00:11:13,273
NOT QUITE.
291
00:11:13,306 --> 00:11:15,408
GOOD GOD.
292
00:11:15,442 --> 00:11:16,977
SOMEBODY WAS PISSED OFF.
293
00:11:17,010 --> 00:11:19,046
THIS GOES WAY BEYOND
PISSED OFF.
294
00:11:19,079 --> 00:11:22,082
SHE WAS ALIVE
FOR MOST OF THIS.
295
00:11:29,957 --> 00:11:31,091
SO YOU THINK
THIS WAS A MESSAGE
296
00:11:31,124 --> 00:11:32,325
TO FRANKIE SENIOR?
297
00:11:32,359 --> 00:11:33,961
I DON'T KNOW--
THAT KINDA VIOLENCE,
298
00:11:33,994 --> 00:11:35,896
YOU GOTTA BELIEVE
SHE WAS THE TARGET.
299
00:11:35,929 --> 00:11:37,865
PLUS, THEY FIND JUNIOR,
THEY FOUND SENIOR.
300
00:11:37,898 --> 00:11:39,900
SO WHY NOT JUST
TAKE FRANKIE OUT?
301
00:11:39,933 --> 00:11:41,869
WHY NOT JUST
TAKE FRANKIE OUT?
302
00:11:41,902 --> 00:11:43,270
UNLESS THEY DON'T
WANT HIM DEAD.
303
00:11:43,303 --> 00:11:45,172
MAYBE THEY JUST WANT HIM
TO QUEER HIS TESTIMONY.
304
00:11:45,205 --> 00:11:47,908
THAT COULD HURT A CASE WORSE
THAN HIM NOT SHOWING UP.
305
00:11:47,941 --> 00:11:50,143
THAT COULD HURT A CASE WORSE
THAN HIM NOT SHOWING UP.
306
00:11:50,177 --> 00:11:52,245
PLEASE STOP THAT.
307
00:11:52,279 --> 00:11:53,981
THEN AGAIN,
ANYONE WHO KNOWS FRANKIE
308
00:11:54,014 --> 00:11:55,783
KNOWS KILLING HIS KID'S
NOT THE WAY TO MOTIVATE HIM.
309
00:11:55,816 --> 00:11:57,417
SO YOU THINK HE'S NOT
GONNA BE HAPPY ABOUT THIS?
310
00:11:57,450 --> 00:11:59,419
HAVE YOU NOTICED
I'M NOT IN A JOKING MOOD?
311
00:11:59,452 --> 00:12:00,520
SORRY.
312
00:12:00,553 --> 00:12:03,523
I GOTTA GO FIND FRANKIE.
313
00:12:03,556 --> 00:12:04,992
TASHA.
314
00:12:05,025 --> 00:12:06,259
I TOLD YOU
TO WAIT IN THE CAR.
315
00:12:06,293 --> 00:12:08,028
IT'S OKAY.
COME ON.
316
00:12:08,061 --> 00:12:11,064
LET'S GET YOU HOME.
317
00:12:13,200 --> 00:12:15,102
AWW, THAT MAKES ME SAD.
318
00:12:18,138 --> 00:12:22,742
*
319
00:12:23,877 --> 00:12:25,478
WHY ARE WE STOPPING HERE?
320
00:12:25,512 --> 00:12:27,948
JUST STAY IN THE CAR
AND DON'T TOUCH ANYTHING.
321
00:12:27,981 --> 00:12:29,082
NO--
HEY, WAIT!
322
00:12:29,116 --> 00:12:30,450
NO.
323
00:12:30,483 --> 00:12:32,219
HEY, AMIGO.
QUE PASA?
324
00:12:32,252 --> 00:12:33,220
YO, G.
TODO BIEN.
325
00:12:33,253 --> 00:12:34,354
HEY, WHAT'S UP?
326
00:12:34,387 --> 00:12:36,023
JUST KEEP AN EYE
ON THE RIDE FOR ME.
327
00:12:36,056 --> 00:12:38,959
MAKE SURE NOTHING BAD HAPPENS
TO THE CAR OR TO HER.
328
00:12:40,961 --> 00:12:42,562
MOSTLY TO THE CAR.
329
00:12:42,595 --> 00:12:44,064
ALL RIGHT.
330
00:12:45,098 --> 00:12:46,399
HEY, MAMI.
331
00:12:46,433 --> 00:12:47,534
WHAT'S CRACKIN'?
332
00:12:47,567 --> 00:12:49,302
YOU WANNA EFF OFF?
333
00:12:53,974 --> 00:12:55,008
HERE YOU GO, PADRE.
334
00:12:55,042 --> 00:12:57,010
20 TICKETS
FOR WEDNESDAY NIGHT.
335
00:12:57,044 --> 00:12:58,111
GRACIAS.
336
00:12:58,145 --> 00:12:59,112
DE NADA.
337
00:12:59,146 --> 00:13:01,849
"BLEACHERS"?
338
00:13:04,317 --> 00:13:06,019
SO DID YOU TAKE HER
TO MY HOUSE?
339
00:13:06,053 --> 00:13:07,287
NOT EXACTLY.
340
00:13:07,320 --> 00:13:08,421
RAPH, WHAT DID YOU DO?
341
00:13:08,455 --> 00:13:10,023
I LEFT HER SITTING
IN MY CAR
342
00:13:10,057 --> 00:13:11,224
IN FRONT OF
THE YOUTH CENTER,
343
00:13:11,258 --> 00:13:12,425
WITH A COUPLE OF
344
00:13:12,459 --> 00:13:15,262
JUNIOR CHOLOS
SCOPING HER OUT.
345
00:13:15,295 --> 00:13:16,296
SHE'S TOTALLY
FREAKING OUT.
346
00:13:16,329 --> 00:13:17,364
YOU DID THAT?
347
00:13:17,397 --> 00:13:19,132
YEAH.
PRETTY FUNNY, HUH?
348
00:13:19,166 --> 00:13:20,467
OH, YEAH.
349
00:13:20,500 --> 00:13:21,568
BUT NOT THE WAY YOU THINK.
350
00:13:21,601 --> 00:13:22,970
WHAT'S THAT MEAN?
351
00:13:23,003 --> 00:13:24,838
IT MEANS MY SISTER
HAS A PENCHANT
352
00:13:24,872 --> 00:13:26,606
FOR BOOSTING CARS.
353
00:13:26,639 --> 00:13:27,908
A PENCHANT?
354
00:13:27,941 --> 00:13:29,509
MORE LIKE A COMPULSION.
355
00:13:34,948 --> 00:13:37,484
SON OF A BITCH.
356
00:13:37,517 --> 00:13:39,586
I THOUGHT I TOLD YOU
TO WATCH THE CAR.
357
00:13:39,619 --> 00:13:40,888
WE DID, ESE.
358
00:13:40,921 --> 00:13:43,957
YEAH, G.
THERE IT GO.
359
00:13:43,991 --> 00:13:47,127
MARY, YOU BETTER
COME PICK ME UP.
360
00:13:47,160 --> 00:13:49,096
AHH, I'M SORRY,
I CAN'T HEAR YOU.
361
00:13:49,129 --> 00:13:52,832
YOU'RE BREAKING UP.
362
00:14:01,074 --> 00:14:02,275
JUST A SECOND.
363
00:14:08,048 --> 00:14:09,983
OKAY.
364
00:14:10,017 --> 00:14:11,885
PHONE WORKS.
365
00:14:11,919 --> 00:14:13,386
PHONES WORK.
366
00:14:13,420 --> 00:14:15,622
NO.
367
00:14:15,655 --> 00:14:17,624
NO, NO, NO,
I CAN'T.
368
00:14:17,657 --> 00:14:19,426
I WISH TO GO HOME.
369
00:14:19,459 --> 00:14:20,527
THIS IS YOUR HOME NOW.
370
00:14:20,560 --> 00:14:22,262
NO, PLEASE!
371
00:14:22,295 --> 00:14:23,430
IT'S NOT POSSIBLE.
372
00:14:23,463 --> 00:14:24,564
TASHA, LISTEN TO ME.
373
00:14:24,597 --> 00:14:25,565
YOU CAN'T GO BACK.
374
00:14:25,598 --> 00:14:26,934
YOU CAN NEVER GO BACK.
375
00:14:26,967 --> 00:14:28,268
YOU KNOW WHAT
THEY'LL DO TO YOU.
376
00:14:28,301 --> 00:14:30,370
I AM JUST BOOKKEEPER.
377
00:14:30,403 --> 00:14:32,205
I KNOW.
378
00:14:33,473 --> 00:14:36,076
I KNOW.
I KNOW.
379
00:14:36,109 --> 00:14:37,244
SHH.
380
00:14:37,277 --> 00:14:38,345
LET IT OUT.
381
00:14:38,378 --> 00:14:39,412
OKAY. OKAY.
382
00:14:39,446 --> 00:14:41,214
SHH, IT'S OKAY.
383
00:14:41,248 --> 00:14:44,051
LET IT OUT.
384
00:14:44,084 --> 00:14:46,486
HOW THIS CAN HAPPEN?
385
00:14:46,519 --> 00:14:47,988
MY LIFE.
386
00:14:48,021 --> 00:14:51,925
MY...FAMILY.
387
00:14:51,959 --> 00:14:56,363
EVERYTHING GONE.
388
00:14:56,396 --> 00:14:59,499
THEY DON'T EVEN LET ME
BRING PICTURES.
389
00:14:59,532 --> 00:15:02,569
I KNOW,
IT ISN'T FAIR.
390
00:15:02,602 --> 00:15:04,437
BUT LISTEN TO ME--
391
00:15:04,471 --> 00:15:07,640
YOU DID A GREAT,
COURAGEOUS THING, TESTIFYING.
392
00:15:07,674 --> 00:15:10,510
OKAY, AND NOW IT'S TIME
TO FOCUS ON THE FUTURE.
393
00:15:10,543 --> 00:15:12,079
THINK OF IT
AS A CHANCE
394
00:15:12,112 --> 00:15:14,647
TO BUILD
A WHOLE NEW LIFE.
395
00:15:14,681 --> 00:15:18,218
EVEN BETTER THAN THE ONE
YOU HAD BEFORE.
396
00:15:18,251 --> 00:15:21,588
BUT YOU CANNOT
UNDER ANY CIRCUMSTANCES,
397
00:15:21,621 --> 00:15:24,157
NOT MATTER HOW HOMESICK
OR LONELY YOU GET,
398
00:15:24,191 --> 00:15:25,358
GO BACK HOME
399
00:15:25,392 --> 00:15:27,727
OR CONTACT ANYONE
FROM YOUR PAST.
400
00:15:27,760 --> 00:15:30,730
IN THE HISTORY OF
THE WITNESS PROTECTION PROGRAM,
401
00:15:30,763 --> 00:15:33,366
NO ONE WHO'S FOLLOWED THE RULES
HAS EVER BEEN HARMED.
402
00:15:33,400 --> 00:15:35,368
YOU CAN DO THIS.
OKAY?
403
00:15:35,402 --> 00:15:37,504
I KNOW YOU CAN.
404
00:15:37,537 --> 00:15:40,207
COME ON.
OKAY, COME ON.
405
00:15:40,240 --> 00:15:43,243
STAND UP.
COME ON.
406
00:15:43,276 --> 00:15:45,212
HOW 'BOUT YOU REST
FOR A LITTLE WHILE,
407
00:15:45,245 --> 00:15:46,446
WATCH SOME TV--
408
00:15:46,479 --> 00:15:48,281
CABLE'S NOT HOOKED UP YET.
409
00:15:48,315 --> 00:15:49,983
YEAH, ALL RIGHT.
410
00:15:50,017 --> 00:15:52,019
UM, I'LL GET THE CABLE
TURNED ON.
411
00:15:52,052 --> 00:15:53,286
AND A LITTLE LATER,
412
00:15:53,320 --> 00:15:55,722
I'LL COME BY
WITH SOME GROCERIES.
413
00:15:55,755 --> 00:15:59,659
IS THERE ANYTHING SPECIAL
YOU NEED?
414
00:15:59,692 --> 00:16:03,263
THEY PROMISED ME
NEW BREASTS.
415
00:16:05,032 --> 00:16:08,535
WHEN I CAN GET THEM?
416
00:16:10,203 --> 00:16:11,704
NO, BETWEEN 1:00 AND 5:00
417
00:16:11,738 --> 00:16:13,106
ISN'T GOOD ENOUGH,
FEDERICO.
418
00:16:13,140 --> 00:16:15,242
OUR FRIEND
NEEDS HER CABLE ON NOW.
419
00:16:15,275 --> 00:16:17,444
SO GET IT DONE OR WE'RE
SWITCHING TO SATELLITE.
420
00:16:17,477 --> 00:16:18,678
THAT'S FUNNY?
421
00:16:18,711 --> 00:16:19,712
HOW ABOUT WE SWITCH
TO SATELLITE,
422
00:16:19,746 --> 00:16:20,713
THEN I PUNCH YOU IN THE FACE?
423
00:16:20,747 --> 00:16:22,349
SHE'S HOME NOW.
424
00:16:22,382 --> 00:16:23,716
I'LL TELL HER
YOU'RE ON YOUR WAY.
425
00:16:23,750 --> 00:16:25,552
SO ANYWAY, IF YOU COULD
START PROCESSING INFO--
426
00:16:25,585 --> 00:16:27,320
LITTLE FRANKIE,
THE GIRL, HER FATHER,
427
00:16:27,354 --> 00:16:28,588
FRIENDS AND FAMILY
OF EVERYONE
428
00:16:28,621 --> 00:16:30,057
FRANKIE'S
TESTIFYING AGAINST.
429
00:16:30,090 --> 00:16:32,225
WHATEVER ELSE
YOU CAN THINK OF.
430
00:16:32,259 --> 00:16:33,593
YOU KNOW,
431
00:16:33,626 --> 00:16:35,495
I'M NOT YOUR ASSISTANT.
432
00:16:35,528 --> 00:16:37,230
I HAVE
A COUPLE DOZEN WITNESSES
433
00:16:37,264 --> 00:16:38,298
OF MY OWN
TO DEAL WITH.
434
00:16:38,331 --> 00:16:39,599
OH, YEAH?
435
00:16:39,632 --> 00:16:41,101
ANY OF THEIR KIDS
GET MURDERED LAST NIGHT?
436
00:16:41,134 --> 00:16:44,671
I'LL HAVE TO CHECK.
437
00:16:44,704 --> 00:16:46,139
OH, FINE.
438
00:16:46,173 --> 00:16:48,108
THANK YOU.
439
00:16:48,141 --> 00:16:49,542
PISSY LITTLE GIRL.
440
00:16:49,576 --> 00:16:51,278
I HEARD THAT.
441
00:16:56,449 --> 00:16:58,185
I DON'T GIVE A RAT'S ASS
ABOUT YOUR PROTOCOL.
442
00:16:58,218 --> 00:17:00,220
I'VE GOT TWO PARENTS
ON THEIR WAY DOWN HERE
443
00:17:00,253 --> 00:17:01,688
TO SEE THEIR SON,
AND TRUST ME ON THIS ONE,
444
00:17:01,721 --> 00:17:03,390
THIS IS NOT WHERE
YOU WANT THEM TO FIND HIM.
445
00:17:03,423 --> 00:17:04,524
THEN YOU BETTER
KEEP THEM OUTTA HERE.
446
00:17:04,557 --> 00:17:05,792
BECAUSE A VAN
FULL OF ILLEGALS
447
00:17:05,825 --> 00:17:08,095
PLOWED INTO A BRIDGE ABUTMENT
THIS MORNING.
448
00:17:08,128 --> 00:17:09,362
AND I'M UNDER-STAFFED.
449
00:17:09,396 --> 00:17:10,497
I WON'T KNOW
WHICH ONE OF THESE IS YOURS
450
00:17:10,530 --> 00:17:11,731
UNTIL I START
PROCESSING THEM.
451
00:17:11,764 --> 00:17:12,832
WELL, HOW LONG
IS THAT GONNA TAKE?
452
00:17:12,865 --> 00:17:14,534
AS LONG AS IT TAKES.
453
00:17:14,567 --> 00:17:17,104
WELL, WORK QUICKLY.
454
00:17:17,137 --> 00:17:18,705
FRANKIE, FELICIA.
LOOK, COME ON.
455
00:17:18,738 --> 00:17:19,706
WHERE IS HE?
456
00:17:19,739 --> 00:17:20,773
COME BACK INSIDE.
457
00:17:20,807 --> 00:17:22,142
IS MY BOY
IN ONE OF THESE BAGS?
458
00:17:22,175 --> 00:17:23,376
EXCUSE ME, SIR,
YOU CANNOT--
459
00:17:23,410 --> 00:17:26,379
HEY, YOU CAN'T--
OKAY, OKAY.
460
00:17:26,413 --> 00:17:27,814
WHERE'S MY BOY?
461
00:17:27,847 --> 00:17:29,249
WHERE'S MY BOY?!
462
00:17:29,282 --> 00:17:31,251
OKAY, FRANKIE, PLEASE.
PLEASE STOP THIS.
463
00:17:34,221 --> 00:17:36,123
FRANKIE, STOP IT!
STOP IT!
464
00:17:36,156 --> 00:17:39,626
GET OFF ME.
465
00:17:43,663 --> 00:17:46,599
FELICIA.
466
00:17:46,633 --> 00:17:47,634
FELICIA.
467
00:17:47,667 --> 00:17:49,269
FELICIA.
468
00:17:49,302 --> 00:17:51,238
OH, MY GOD.
FELICIA.
469
00:17:51,271 --> 00:17:55,208
OH, GOD.
I'M SORRY.
470
00:17:55,242 --> 00:17:58,245
I'M SORRY.
471
00:18:05,252 --> 00:18:07,620
FRANKIE, WAIT.
472
00:18:07,654 --> 00:18:11,191
FRANKIE!
473
00:18:11,224 --> 00:18:12,659
FRANKIE...
474
00:18:12,692 --> 00:18:14,327
FRANKIE!
475
00:18:14,361 --> 00:18:15,762
FRANKIE, WAIT!
476
00:18:15,795 --> 00:18:16,763
WHAT, WHAT DO YOU WANT?!
477
00:18:16,796 --> 00:18:18,265
DON'T "WHAT" ME.
478
00:18:18,298 --> 00:18:19,366
I KNOW YOU.
I KNOW WHAT YOU'RE THINKING.
479
00:18:19,399 --> 00:18:20,767
OH, CONGRATULATIONS.
480
00:18:20,800 --> 00:18:22,135
YOU'RE THE AMAZING
FREAKIN' KRESKIN.
481
00:18:22,169 --> 00:18:23,503
NO IDEA WHO THAT IS,
BUT LISTEN TO ME.
482
00:18:23,536 --> 00:18:25,172
IF YOU GO OFF GUNNING
FOR WHOEVER DID THIS,
483
00:18:25,205 --> 00:18:26,473
YOU'RE GONNA BLOW
YOUR WHOLE PLEA AGREEMENT.
484
00:18:26,506 --> 00:18:29,209
DID YOU JUST SEE
MY BOY IN THERE?
485
00:18:29,242 --> 00:18:30,843
I KNOW, FRANKIE.
I KNOW.
486
00:18:30,877 --> 00:18:32,612
I'M SO SORRY.
487
00:18:32,645 --> 00:18:34,281
BUT FELICIA
NEEDS YOU NOW.
488
00:18:34,314 --> 00:18:35,515
OKAY, PLEASE.
489
00:18:35,548 --> 00:18:37,150
PLEASE, GO TAKE CARE
OF HER.
490
00:18:37,184 --> 00:18:39,286
I SWEAR TO YOU,
491
00:18:39,319 --> 00:18:40,920
YOU'LL GET
YOUR JUSTICE.
492
00:18:40,953 --> 00:18:44,157
YOU GOT 24 HOURS.
493
00:18:44,191 --> 00:18:46,226
AFTER THAT, I TAKE MATTERS
INTO MY OWN HANDS.
494
00:18:46,259 --> 00:18:47,460
AND TO HELL
WITH THIS PLEA.
495
00:18:47,494 --> 00:18:48,461
FRANKIE--
496
00:18:48,495 --> 00:18:49,929
AS FAR AS JUSTICE,
497
00:18:49,962 --> 00:18:53,666
YOU'VE GOT YOUR VERSION,
I'VE GOT MINE.
498
00:19:07,747 --> 00:19:08,715
WHAT ARE YOU DOING HERE?
499
00:19:08,748 --> 00:19:10,283
I WORK HERE, STAN.
500
00:19:10,317 --> 00:19:12,185
WHY AREN'T YOU HELPING MARY
MOVE FRANKIE NUTS?
501
00:19:12,219 --> 00:19:13,320
SHE WANTED ME HERE
DOING THIS.
502
00:19:13,353 --> 00:19:14,654
AND YOU THOUGHT
IT WAS OKAY
503
00:19:14,687 --> 00:19:16,423
TO LET HER HANDLE THAT
SICK BASTARD BY HERSELF?
504
00:19:16,456 --> 00:19:17,957
HER WITNESS,
HER CALL.
505
00:19:17,990 --> 00:19:21,461
IT HOW WE DO, G.
506
00:19:21,494 --> 00:19:22,695
IF ANYTHING HAPPENS
TO HER--
507
00:19:22,729 --> 00:19:24,464
RELAX.
508
00:19:24,497 --> 00:19:29,336
MARY KNOWS
WHAT SHE'S DOING.
509
00:19:29,369 --> 00:19:31,438
SO'D YOU GET HER
A BIRTHDAY PRESENT?
510
00:19:31,471 --> 00:19:32,939
I'M WORKING HER CASE.
511
00:19:32,972 --> 00:19:34,274
YOU DON'T THINK
THAT'S ENOUGH?
512
00:19:34,307 --> 00:19:35,508
YOU'RE NOT THAT DUMB.
513
00:19:35,542 --> 00:19:36,709
I'M SMART ENOUGH TO KNOW
514
00:19:36,743 --> 00:19:40,747
YOU CAN'T SHOP FOR MARY.
515
00:19:40,780 --> 00:19:42,449
WHAT ABOUT YOU?
516
00:19:42,482 --> 00:19:45,552
OH, WELL,
I JUST GOT HER A...
517
00:19:45,585 --> 00:19:48,555
BOTTLE OF REALLY
EXPENSIVE PERFUME.
518
00:19:48,588 --> 00:19:50,290
MARY DOESN'T WEAR PERFUME.
519
00:19:50,323 --> 00:19:51,424
YES, SHE DOES.
520
00:19:51,458 --> 00:19:52,459
NUH-UH.
521
00:19:52,492 --> 00:19:53,793
YOU SURE?
522
00:19:53,826 --> 00:19:54,994
I MEAN,
SHE ALWAYS SMELLS SO GOOD.
523
00:19:55,027 --> 00:19:59,899
THAT'S JUST HER.
524
00:19:59,932 --> 00:20:01,801
HUH.
525
00:20:01,834 --> 00:20:04,337
THE CARE AND FEEDING
OF CAREER CRIMINALS,
526
00:20:04,371 --> 00:20:06,673
LIKE FRANKIE NUTS,
IS A DICEY PROPOSITION AT BEST.
527
00:20:06,706 --> 00:20:08,007
ON ANY GIVEN DAY,
I GET TO PLAY
528
00:20:08,040 --> 00:20:09,642
MOTHER, FATHER,
529
00:20:09,676 --> 00:20:12,379
BEST FRIEND, PRIEST,
RABBI, MARRIAGE COUNSELOR,
530
00:20:12,412 --> 00:20:13,613
AND YES, UNFORTUNATELY,
531
00:20:13,646 --> 00:20:15,615
OCCASIONALLY
HOMICIDE DETECTIVE.
532
00:20:15,648 --> 00:20:16,949
WHICH IS WHY
I FIND MYSELF DRIVING
533
00:20:16,983 --> 00:20:18,785
MY MISOGYNIST METAPHOR
ACROSS THE DESERT
534
00:20:18,818 --> 00:20:20,387
WITH A BUSTED
AIR CONDITIONER
535
00:20:20,420 --> 00:20:21,821
TO HUNT DOWN
THE MURDERER OF THE SON
536
00:20:21,854 --> 00:20:23,523
OF MY MURDERER WITNESS.
537
00:20:23,556 --> 00:20:25,758
NO BACKUP.
NO PLAN TO SPEAK OF.
538
00:20:25,792 --> 00:20:27,394
NO ALTERNATIVE.
539
00:20:27,427 --> 00:20:29,562
ALSO, FRANKIE JUNIOR
GOT KILLED ON MY WATCH.
540
00:20:29,596 --> 00:20:31,764
THAT JUST PISSES ME OFF.
541
00:20:34,801 --> 00:20:39,806
*
542
00:20:43,443 --> 00:20:45,845
NICE CHAPS.
543
00:20:48,481 --> 00:20:51,951
AW.
544
00:20:51,984 --> 00:20:55,688
WRITE DOWN
YOUR CUSTOMERS' NAMES.
545
00:20:55,722 --> 00:20:57,590
I'VE NEVER SEEN
THESE PEOPLE BEFORE.
546
00:20:57,624 --> 00:21:00,827
LISTEN.
547
00:21:00,860 --> 00:21:02,362
HERE'S THE DEAL--
548
00:21:02,395 --> 00:21:03,963
TWO KIDS WERE KILLED
ABOUT A MILE FROM HERE,
549
00:21:03,996 --> 00:21:05,565
AND AT LEAST
A FEW OF THESE GUYS
550
00:21:05,598 --> 00:21:06,899
WERE AT THE MURDER SITE.
551
00:21:06,933 --> 00:21:07,900
SO PLEASE,
552
00:21:07,934 --> 00:21:09,068
SAVE US BOTH
A LOT OF TROUBLE
553
00:21:09,101 --> 00:21:10,670
AND JUST WRITE
THE DAMN NAMES
554
00:21:10,703 --> 00:21:12,805
BEFORE GREAT WHITE FATHER
BACK IN WASHINGTON
555
00:21:12,839 --> 00:21:14,674
GOES ALL LITTLE BIGHORN
ON YOUR ASS.
556
00:21:14,707 --> 00:21:17,744
YOU'RE KIDDING ME,
RIGHT?
557
00:21:17,777 --> 00:21:20,547
WAS THAT OVER THE TOP?
558
00:21:20,580 --> 00:21:22,549
LOOK, FIRST OF ALL,
IT WAS YOU GUYS
559
00:21:22,582 --> 00:21:23,616
THAT GOT YOUR ASSES KICKED
560
00:21:23,650 --> 00:21:24,684
AT LITTLE BIGHORN.
561
00:21:24,717 --> 00:21:25,918
REALLY?
562
00:21:25,952 --> 00:21:27,720
AND SECOND OF ALL,
563
00:21:27,754 --> 00:21:29,756
TODAY'S MY FIRST DAY
OF WORK HERE.
564
00:21:29,789 --> 00:21:32,425
AND I HAVE REALLY NEVER SEEN
THESE PEOPLE BEFORE.
565
00:21:32,459 --> 00:21:33,560
SORRY.
566
00:21:33,593 --> 00:21:37,497
THOUGHT YOU WERE
BEING DIFFICULT.
567
00:21:43,636 --> 00:21:46,906
EXCUSE ME.
568
00:21:48,908 --> 00:21:51,411
WHEW!
569
00:21:51,444 --> 00:21:52,912
GOOD LORD.
570
00:21:52,945 --> 00:21:54,881
WHAT IS IT
WITH MEN'S RESTROOMS?
571
00:21:54,914 --> 00:21:56,683
DO YOU ALL LIKE THE SMELL
OF STALE URINE?
572
00:21:56,716 --> 00:21:57,784
IS THAT WHAT IT IS?
573
00:21:57,817 --> 00:21:58,951
OKAY, ENOUGH CHIT-CHAT.
574
00:21:58,985 --> 00:22:00,387
WHAT'S YOUR NAME?
575
00:22:00,420 --> 00:22:02,389
AND DID YOU KILL
THOSE TWO KIDS?
576
00:22:02,422 --> 00:22:03,923
I'M SORRY.
577
00:22:03,956 --> 00:22:06,559
ARE YOU TALKING
TO ME?
578
00:22:07,760 --> 00:22:08,761
AW.
579
00:22:08,795 --> 00:22:09,896
WHAT'S SO FUNNY?
580
00:22:09,929 --> 00:22:11,598
WELL, IT'S SO CUTE.
581
00:22:11,631 --> 00:22:13,366
IT'S LIKE ONE OF
THOSE MINI-TAQUITOS
582
00:22:13,400 --> 00:22:14,434
THEY SERVE AT HAPPY HOUR.
583
00:22:14,467 --> 00:22:16,035
OH, YEAH?
YOU WANT SOME?
584
00:22:16,068 --> 00:22:17,570
EW.
585
00:22:19,105 --> 00:22:21,574
MANLY, YES,
BUT I LIKE IT TOO.
586
00:22:21,608 --> 00:22:23,075
NOW, WHAT DO YOU SAY
YOU ANSWER MY QUESTIONS
587
00:22:23,109 --> 00:22:24,477
BEFORE I DRAG YOU OUTTA HERE
588
00:22:24,511 --> 00:22:25,845
BY YOUR
SURPRISINGLY SMALL WEE-WEE.
589
00:22:25,878 --> 00:22:28,381
OKAY. OKAY.
590
00:22:28,415 --> 00:22:30,016
MY NAME IS GEORGE PARKER.
591
00:22:30,049 --> 00:22:32,485
AND NO, I DIDN'T KILL
THOSE TWO KIDS.
592
00:22:32,519 --> 00:22:33,953
SO WHAT WERE YOU DOING THERE
THIS MORNING, GEORGE?
593
00:22:33,986 --> 00:22:36,022
PULLING UP
SURVEYOR'S STAKES,
594
00:22:36,055 --> 00:22:37,524
HASSLING WORKERS.
595
00:22:37,557 --> 00:22:38,691
WHAT'S YOUR BEEF
WITH THE PROJECT?
596
00:22:38,725 --> 00:22:39,859
SAME OLD STORY.
597
00:22:39,892 --> 00:22:42,762
INDIANS GETTING
THEIR LAND RIPPED OFF
598
00:22:42,795 --> 00:22:44,096
FOR COMMERCIAL
DEVELOPMENT.
599
00:22:44,130 --> 00:22:45,532
HUH.
600
00:22:45,565 --> 00:22:46,666
SO KILLING
THE DEVELOPER'S DAUGHTER
601
00:22:46,699 --> 00:22:47,700
SOUNDS LIKE
PRETTY GOOD PAYBACK.
602
00:22:47,734 --> 00:22:49,135
MAYBE.
603
00:22:49,168 --> 00:22:50,403
EXCEPT THE DEVELOPER
ISN'T THE ONE
604
00:22:50,437 --> 00:22:51,704
THAT SCREWED US
OUT OF THE LAND.
605
00:22:51,738 --> 00:22:54,641
HUH?
606
00:22:54,674 --> 00:22:57,043
TALK TO A DUDE
NAMED EDWIN TALLTREES.
607
00:22:57,076 --> 00:22:58,545
HE'S THE GUY
THAT RIPPED US OFF.
608
00:22:58,578 --> 00:22:59,846
AN INDIAN?
609
00:22:59,879 --> 00:23:01,614
THAT'S RIGHT.
610
00:23:01,648 --> 00:23:03,616
WHY WOULD HE KILL TWO KIDS
ON HIS OWN LAND?
611
00:23:03,650 --> 00:23:05,518
BECAUSE IT ISN'T
HIS LAND ANYMORE.
612
00:23:05,552 --> 00:23:06,819
AFTER HE SCREWED US,
613
00:23:06,853 --> 00:23:08,755
THE DEAD GIRL'S FATHER
SCREWED HIM.
614
00:23:08,788 --> 00:23:11,491
SOUNDS LIKE A LOT
OF SCREWING GOING ON.
615
00:23:11,524 --> 00:23:12,992
UH-HUH.
616
00:23:13,025 --> 00:23:14,794
ALL RIGHT, THEN, GEORGE,
617
00:23:14,827 --> 00:23:16,596
YOU CAN ZIP IT UP.
618
00:23:16,629 --> 00:23:18,565
SORRY ABOUT
THE SMALL WEE-WEE CRACK.
619
00:23:18,598 --> 00:23:21,033
IT'S BEEN
A BITCH OF A DAY.
620
00:23:25,071 --> 00:23:27,940
THAT IS ONE SPECIAL GUY.
621
00:23:27,974 --> 00:23:31,678
GOD, I HOPE HE CALLS.
622
00:23:45,958 --> 00:23:48,160
APPARENTLY,
RIPPING OFF YOUR OWN PEOPLE
623
00:23:48,194 --> 00:23:51,898
HAS ITS UPSIDE.
624
00:23:51,931 --> 00:23:56,002
WISH I HAD PEOPLE
TO RIP OFF.
625
00:23:56,035 --> 00:23:58,037
CAN I HELP YOU?
HI.
626
00:23:58,070 --> 00:24:00,006
MARY SHANNON
WITH THE U.S. MARSHALS.
627
00:24:00,039 --> 00:24:01,941
YOU EDWIN TALLTREES?
I AM.
628
00:24:01,974 --> 00:24:05,512
ALL RIGHT.
629
00:24:05,545 --> 00:24:08,581
MUST BE A BITCH GETTING PIZZA
DELIVERED UP HERE.
630
00:24:12,619 --> 00:24:15,154
HI.
631
00:24:15,187 --> 00:24:16,523
HAVE A SEAT.
632
00:24:16,556 --> 00:24:17,356
THANKS.
633
00:24:19,626 --> 00:24:21,694
I SUPPOSE YOU'RE HERE
ABOUT SIENNA BURKE
634
00:24:21,728 --> 00:24:22,829
AND THAT BOY.
635
00:24:22,862 --> 00:24:23,963
WHY WOULD YOU
SUPPOSE THAT?
636
00:24:23,996 --> 00:24:25,932
IT'S NO SECRET
CALE BURKE AND I
637
00:24:25,965 --> 00:24:28,568
HAD A DISPUTE ABOUT THAT
SPECIFIC PIECE OF LAND.
638
00:24:28,601 --> 00:24:30,603
YOU'D BE REMISS
NOT TO QUESTION ME.
639
00:24:30,637 --> 00:24:34,040
GOD KNOWS
I HATE BEING REMISS.
640
00:24:34,073 --> 00:24:37,977
WHAT CAN YOU TELL ME
ABOUT THE MURDERS?
641
00:24:38,010 --> 00:24:41,013
I'M CURIOUS.
642
00:24:41,047 --> 00:24:42,849
WHY IS
THE U.S. MARSHAL SERVICE
643
00:24:42,882 --> 00:24:46,553
INTERESTED
IN A LOCAL MURDER?
644
00:24:48,621 --> 00:24:50,790
HEY.
645
00:24:50,823 --> 00:24:52,525
HERE'S AN IDEA.
646
00:24:52,559 --> 00:24:54,627
SINCE I'M THE ONE
WEARING THE BADGE
647
00:24:54,661 --> 00:24:57,697
AND YOU'RE
THE MURDER SUSPECT,
648
00:24:57,730 --> 00:25:01,734
HOW 'BOUT WE STICK TO ME
ASKING THE QUESTIONS?
649
00:25:01,768 --> 00:25:03,169
ALL RIGHT.
650
00:25:03,202 --> 00:25:06,138
CALE BURKE AND I
ATTENDED STANFORD TOGETHER.
651
00:25:06,172 --> 00:25:08,074
I STOOD UP FOR HIM
AT HIS WEDDING.
652
00:25:08,107 --> 00:25:11,077
I WAS AT THE HOSPITAL
THE DAY SIENNA WAS BORN.
653
00:25:11,110 --> 00:25:13,813
SHE AND MY SON KYLE
PLAYED TOGETHER
654
00:25:13,846 --> 00:25:15,948
EVERY DAY...
655
00:25:15,982 --> 00:25:18,585
UNTIL THEY WENT OFF
TO DIFFERENT PRIVATE SCHOOLS.
656
00:25:18,618 --> 00:25:20,119
I WOULD GIVE ANYTHING,
657
00:25:20,152 --> 00:25:21,721
EVERYTHING,
658
00:25:21,754 --> 00:25:24,691
TO BRING HER BACK.
659
00:25:24,724 --> 00:25:27,760
WHAT ELSE?
660
00:25:27,794 --> 00:25:29,729
WHERE WERE YOU
LAST NIGHT?
661
00:25:29,762 --> 00:25:30,863
HERE.
662
00:25:30,897 --> 00:25:32,098
WITH KYLE.
663
00:25:32,131 --> 00:25:33,265
WATCHING
THE KARATE CHAMPIONSHIPS
664
00:25:33,299 --> 00:25:34,667
ON PAY-PER-VIEW.
665
00:25:34,701 --> 00:25:36,969
WE'RE BOTH STUDENTS
OF TAE KWAN DO.
666
00:25:37,003 --> 00:25:40,139
GET MUCH CALL FOR THAT
IN REAL ESTATE?
667
00:25:40,172 --> 00:25:43,643
IS THERE ANYTHING ELSE,
MARSHAL?
668
00:25:43,676 --> 00:25:46,679
IS KYLE AVAILABLE?
669
00:25:46,713 --> 00:25:48,748
I'D RATHER YOU DIDN'T
SPEAK TO KYLE.
670
00:25:48,781 --> 00:25:50,282
HE'S VERY UPSET
ABOUT SIENNA.
671
00:25:50,316 --> 00:25:54,020
WOULD YOU RATHER
I TAKE HIM IN FOR QUESTIONING?
672
00:25:56,689 --> 00:25:57,657
KYLE,
673
00:25:57,690 --> 00:25:59,091
COME DOWN HERE, PLEASE.
674
00:25:59,125 --> 00:26:02,829
OKAY.
675
00:26:05,331 --> 00:26:07,667
AHH.
676
00:26:07,700 --> 00:26:11,170
YUMMY.
677
00:26:13,706 --> 00:26:15,074
KYLE.
678
00:26:15,107 --> 00:26:16,843
THIS IS MARSHAL SHANNON.
679
00:26:16,876 --> 00:26:19,712
SHE WANTS TO ASK YOU
ABOUT SIENNA.
680
00:26:19,746 --> 00:26:20,880
OKAY.
681
00:26:20,913 --> 00:26:22,882
I UNDERSTAND
YOU WERE GOOD FRIENDS.
682
00:26:22,915 --> 00:26:24,984
WERE.
683
00:26:25,017 --> 00:26:26,318
SINCE DAD AND UNCLE CALE
684
00:26:26,352 --> 00:26:27,954
HAD THEIR DISAGREEMENT,
685
00:26:27,987 --> 00:26:30,222
WE WEREN'T ALLOWED
TO SEE EACH OTHER ANYMORE.
686
00:26:30,256 --> 00:26:32,391
DID YOU KNOW
THE BOY SHE WAS WITH?
687
00:26:32,424 --> 00:26:34,326
UH-UH.
688
00:26:34,360 --> 00:26:35,962
I JUST HEARD
HE WENT TO HER SCHOOL.
689
00:26:35,995 --> 00:26:37,630
CAN YOU THINK OF ANYONE
WHO WOULD WANT
690
00:26:37,664 --> 00:26:40,032
TO DO THIS TO SIENNA?
691
00:26:40,066 --> 00:26:41,668
EVERYBODY LOVED HER.
692
00:26:41,701 --> 00:26:45,872
SHE WAS LIKE...
693
00:26:45,905 --> 00:26:48,340
WELL, YOU JUST
COULDN'T HELP IT, YOU KNOW?
694
00:26:48,374 --> 00:26:51,110
IS THAT ENOUGH?
695
00:26:51,143 --> 00:26:52,679
SURE.
696
00:26:52,712 --> 00:26:54,246
JUST ONE MORE THING.
697
00:26:54,280 --> 00:26:55,715
WHERE WERE YOU
LAST NIGHT?
698
00:26:55,748 --> 00:26:57,684
I WAS HERE WITH MY DAD
699
00:26:57,717 --> 00:26:59,051
WATCHING
THE KARATE CHAMPIONSHIP.
700
00:26:59,085 --> 00:27:02,421
THAT'S WHAT I THOUGHT.
701
00:27:02,454 --> 00:27:04,023
BY THE WAY, WHO WON?
702
00:27:04,056 --> 00:27:08,861
EDGAR SANCHEZ.
EDGAR SANCHEZ.
703
00:27:08,895 --> 00:27:11,297
I'M REALLY SORRY
ABOUT YOUR FRIEND.
704
00:27:11,330 --> 00:27:12,699
YEAH, IT SUCKS.
705
00:27:12,732 --> 00:27:16,202
THANKS.
706
00:27:19,138 --> 00:27:20,773
I REALLY WANTED
TO TURN AROUND
707
00:27:20,807 --> 00:27:22,675
AND POP OFF ONE OF THOSE
COLUMBO QUESTIONS.
708
00:27:22,709 --> 00:27:24,343
YOU KNOW,
THE INNOCUOUS AFTERTHOUGHT
709
00:27:24,376 --> 00:27:26,345
THAT LETS THE KILLER KNOW
THAT I KNOW HE DID IT.
710
00:27:26,378 --> 00:27:27,914
EXCUSE ME,
711
00:27:27,947 --> 00:27:30,683
DO YOU ALWAYS WEAR WHITE SHOES
AFTER LABOR DAY?
712
00:27:30,717 --> 00:27:32,151
UNFORTUNATELY,
I HAD NO IDEA
713
00:27:32,184 --> 00:27:34,120
IF TALLTREES HAD ANYTHING
TO DO WITH THE MURDERS.
714
00:27:34,153 --> 00:27:37,857
AND, MORE IMPORTANTLY,
HE WASN'T WEARING SHOES.
715
00:27:40,492 --> 00:27:42,128
AS GOOD AS I AM
AT SORTING OUT
716
00:27:42,161 --> 00:27:43,395
OTHER PEOPLE'S LIVES--
717
00:27:43,429 --> 00:27:44,864
YOU'LL JUST HAVE
TO TAKE MY WORD FOR IT,
718
00:27:44,897 --> 00:27:46,232
I'M REALLY GOOD--
719
00:27:46,265 --> 00:27:48,200
THAT TALENT PALES
COMPARED TO MY GENIUS
720
00:27:48,234 --> 00:27:49,435
FOR KEEPING MY OWN LIFE
721
00:27:49,468 --> 00:27:52,905
IN A CONSTANT STATE
OF TURMOIL.
722
00:27:52,939 --> 00:27:55,975
I SHOULD HAVE JUST LET YOU
WALK FROM THE AIRPORT,
723
00:27:56,008 --> 00:27:58,044
YOU PSYCHO WHACK-JOB.
724
00:27:58,077 --> 00:28:00,046
JUST GIVE ME--
JUST GIVE ME THE KEYS.
725
00:28:00,079 --> 00:28:01,881
A COUPLE OF YEARS FROM NOW,
YOU'RE JUST GONNA BE
726
00:28:01,914 --> 00:28:04,116
ANOTHER HAIRNET-WEARIN'
CHOLO.
727
00:28:04,150 --> 00:28:05,351
JUST PLEASE
GIVE ME MY KEYS.
728
00:28:05,384 --> 00:28:06,719
ARE YOU GONNA HIT ME?
729
00:28:06,753 --> 00:28:07,887
NO, BUT GIVE ME
THE KEYS.
730
00:28:07,920 --> 00:28:08,888
COME ON, HIT ME.
731
00:28:08,921 --> 00:28:10,022
ENOUGH. ENOUGH.
732
00:28:10,056 --> 00:28:11,991
JUST GIVE ME MY KEYS.
ENOUGH.
733
00:28:12,024 --> 00:28:13,159
I'VE GOT ENOUGH GOING ON
WITHOUT HAVING TO DEAL
734
00:28:13,192 --> 00:28:14,493
WITH THIS B.S.
735
00:28:14,526 --> 00:28:16,128
MARY,
THANK GOD YOU'RE HERE.
736
00:28:16,162 --> 00:28:17,163
THEY'VE BEEN LIKE THIS
FOR HALF AN HOUR.
737
00:28:17,196 --> 00:28:18,898
SHE STOLE MY CAR.
738
00:28:18,931 --> 00:28:20,166
YOU LEFT ME SITTING
IN THE MIDDLE OF THE GHETTO.
739
00:28:20,199 --> 00:28:21,734
MARY, PLEASE,
WOULD YOU DO SOMETHING
740
00:28:21,768 --> 00:28:22,969
BEFORE THE NEIGHBORS THINK
741
00:28:23,002 --> 00:28:24,303
WE'RE POOR WHITE TRASH?
742
00:28:24,336 --> 00:28:27,173
OH, OBVIOUSLY NOT YOU,
RAPHAEL.
743
00:28:27,206 --> 00:28:28,908
GOD, MY HEAD
IS JUST SPLITTING.
744
00:28:28,941 --> 00:28:30,476
SHE'S LUCKY
I DON'T CALL THE COPS.
745
00:28:30,509 --> 00:28:32,278
RAPHAEL, SHE WAS SCARED.
746
00:28:32,311 --> 00:28:33,913
GO AHEAD, YOU KNOW WHAT,
CALL THE COPS.
747
00:28:33,946 --> 00:28:35,782
I'LL JUST TELL THEM
ABOUT THAT DIME BAG
748
00:28:35,815 --> 00:28:37,149
I FOUND
IN THE CENTER CONSOLE.
749
00:28:37,183 --> 00:28:38,150
IT'S NOT MINE.
750
00:28:38,184 --> 00:28:39,185
DIME BAG OF WHAT?
751
00:28:39,218 --> 00:28:40,286
YOU DON'T GET HIGH?
752
00:28:40,319 --> 00:28:41,754
IS THAT WHAT
YOU'RE TELLING ME?
753
00:28:41,788 --> 00:28:42,755
I DON'T GET HIGH.
754
00:28:42,789 --> 00:28:43,956
OKAY, ALL RIGHT.
755
00:28:43,990 --> 00:28:45,792
BOTH OF YOU,
STOP IT, STOP IT.
756
00:28:45,825 --> 00:28:46,793
I DON'T KNOW WHOSE DOPE
IT IS, AND I DON'T CARE.
757
00:28:46,826 --> 00:28:48,260
I WANT IT OUT OF HERE NOW.
758
00:28:48,294 --> 00:28:50,396
I'M A U.S. MARSHAL,
FOR CHRIST'S SAKE.
759
00:28:50,429 --> 00:28:51,898
MA, GO INSIDE
AND TAKE SOME ASPIRIN.
760
00:28:51,931 --> 00:28:53,933
BRANDI, GIVE HIM HIS KEYS.
761
00:28:53,966 --> 00:28:55,167
YOU BETTER DON'T THINK
THAT STUFF IS MINE.
762
00:28:55,201 --> 00:28:56,202
WHAT KIND OF STUFF?
763
00:28:56,235 --> 00:28:57,536
"YOU BETTER DON'T"?
764
00:28:57,569 --> 00:28:58,905
OH, GOD.
IT DOESN'T MATTER, RAPHAEL.
765
00:28:58,938 --> 00:29:00,039
NO, THE HELL IT DOESN'T.
766
00:29:00,072 --> 00:29:01,407
YOU'RE TAKING HER WORD
OVER MINE.
767
00:29:01,440 --> 00:29:02,942
I'M NOT TAKING
ANYBODY'S WORD.
768
00:29:02,975 --> 00:29:03,943
WHAT PART OF
"I DON'T CARE WHOSE IT IS"
769
00:29:03,976 --> 00:29:04,944
IS DIFFICULT FOR YOU?
770
00:29:04,977 --> 00:29:06,112
IS THIS HOW YOU THANK ME
771
00:29:06,145 --> 00:29:07,213
FOR TAKING TIME
OUT OF MY DAY OFF
772
00:29:07,246 --> 00:29:08,848
TO PICK UP
YOUR PSYCHOTIC SISTER?
773
00:29:08,881 --> 00:29:10,249
YOU WERE SUPPOSED
TO DRIVE HER TO MY HOUSE,
774
00:29:10,282 --> 00:29:11,450
NOT INTENTIONALLY
SCARE THE CRAP OUTTA HER.
775
00:29:11,483 --> 00:29:13,820
I HAD TO STOP
AT THE YOUTH CENTER.
776
00:29:13,853 --> 00:29:14,821
THE SCARING THE CRAP
OUT OF HER PART
777
00:29:14,854 --> 00:29:16,355
WAS JUST A BONUS.
778
00:29:16,388 --> 00:29:18,357
IT'S A JUVENILE PRANK
THAT BLEW UP IN YOUR FACE.
779
00:29:18,390 --> 00:29:19,558
THEN AFTER
SHE STEALS MY CAR,
780
00:29:19,591 --> 00:29:20,559
YOU DON'T EVEN COME
AND PICK ME UP.
781
00:29:20,592 --> 00:29:22,194
I WAS BUSY.
782
00:29:22,228 --> 00:29:23,229
WHY CAN'T ANYONE
GET IT THROUGH THEIR HEADS?
783
00:29:23,262 --> 00:29:24,230
I HAVE A JOB.
784
00:29:24,263 --> 00:29:25,965
OH, THAT'S RIGHT--
785
00:29:25,998 --> 00:29:27,266
EVERYBODY'S GOTTA MAKE TIME
IN THEIR DAY, BUT NOT MARY.
786
00:29:27,299 --> 00:29:29,068
CRY ME A RIVER.
787
00:29:29,101 --> 00:29:30,269
WHAT DID I PULL YOU AWAY FROM,
AN EXTRA SET OF CRUNCHES?
788
00:29:30,302 --> 00:29:31,871
IS THAT ALL
YOU THINK I DO?
789
00:29:31,904 --> 00:29:33,906
NO, SOMETIMES I THINK
YOU WORK ON YOUR LATS.
790
00:29:33,940 --> 00:29:36,375
HAVE A HAPPY BIRTHDAY.
791
00:29:36,408 --> 00:29:39,011
I'M OUTTA HERE.
SEE YA.
792
00:29:39,045 --> 00:29:40,312
YOU HAPPY?
793
00:29:40,346 --> 00:29:41,313
WHAT, I ALREADY
GOT RID OF THE STUFF.
794
00:29:41,347 --> 00:29:42,949
WHAT'S THE BIG DRAMA?
795
00:29:42,982 --> 00:29:44,550
OH, MY GOD, BRANDI,
WHEN ARE YOU GONNA GROW UP
796
00:29:44,583 --> 00:29:46,318
AND STOP
MAKING LIFE MISERABLE
797
00:29:46,352 --> 00:29:47,887
FOR EVERYONE AROUND YOU?
798
00:29:47,920 --> 00:29:49,221
OH, COME ON.
799
00:29:49,255 --> 00:29:50,489
YOU COULDN'T
TAKE AN HOUR OFF
800
00:29:50,522 --> 00:29:52,324
FROM SERVING WARRANTS?
801
00:29:52,358 --> 00:29:53,993
OR DRINKING COFFEE
AT THE COURTHOUSE?
802
00:29:54,026 --> 00:29:56,095
OR WHATEVER THE HELL
IT IS YOU DO
803
00:29:56,128 --> 00:29:58,297
TO PICK UP YOUR SISTER?
804
00:29:58,330 --> 00:30:00,867
OKAY, MA, I KNOW YOU THINK
BRANDI'S YOUR PRECIOUS BABY.
805
00:30:00,900 --> 00:30:02,501
SHE'S NOT.
806
00:30:02,534 --> 00:30:04,336
SHE'S A VIRUS,
INFECTING EVERYONE AROUND HER.
807
00:30:04,370 --> 00:30:05,972
ALL RIGHT, THAT'S ENOUGH.
808
00:30:06,005 --> 00:30:07,539
AS LONG AS YOU KEEP PROPPING
HER UP AND MAKING EXCUSES,
809
00:30:07,573 --> 00:30:09,308
THAT'S ALL
SHE'S EVER GONNA BE.
810
00:30:09,341 --> 00:30:10,509
GOD, WOULD YOU STOP IT?
811
00:30:10,542 --> 00:30:11,944
THIS IS YOUR BABY SISTER--
812
00:30:11,978 --> 00:30:13,846
NOW SHE'S GONNA CRY,
813
00:30:13,880 --> 00:30:15,181
AND YOU'RE GONNA TELL HER
EVERYTHING'S OKAY.
814
00:30:15,214 --> 00:30:16,849
AND SOMEHOW, THIS IS ALL
GONNA WIND UP MY FAULT.
815
00:30:16,883 --> 00:30:18,217
SO IF YOU DON'T MIND,
816
00:30:18,250 --> 00:30:19,852
I'M GONNA SKIP
THE NEXT PART OF THE PROGRAM.
817
00:30:19,886 --> 00:30:21,420
I HAVE TO GET BACK TO
WHATEVER THE HELL IT IS I DO.
818
00:30:21,453 --> 00:30:22,421
UGH!
819
00:30:22,454 --> 00:30:25,257
EXCUSE ME.
820
00:30:25,291 --> 00:30:27,994
JUST GIVE ME
THE DAMN KEYS.
821
00:30:28,027 --> 00:30:29,261
YOU WANT 'EM?
822
00:30:29,295 --> 00:30:32,999
YEAH.
823
00:30:35,301 --> 00:30:37,236
GO GET 'EM.
824
00:30:40,306 --> 00:30:42,108
NO!
DON'T TOUCH ME!
825
00:30:42,141 --> 00:30:44,076
GET YOUR HANDS OFF OF ME!
PUT ME DOWN!
826
00:30:48,380 --> 00:30:50,149
YOU GET OUT
WHEN I GET THE KEYS.
827
00:30:50,182 --> 00:30:51,283
UP YOURS!
828
00:30:51,317 --> 00:30:53,285
OH, CLASSY.
829
00:30:57,423 --> 00:30:58,590
MARSHALL.
830
00:30:58,624 --> 00:30:59,591
HEY, HOW'S IT COMING?
831
00:30:59,625 --> 00:31:01,093
DRIPS AND DRABS.
832
00:31:01,127 --> 00:31:02,628
I TRACKED DOWN
THE GIRL'S BEST FRIEND.
833
00:31:02,661 --> 00:31:04,530
SHE'S AT WORK
AT ELSA ROSS.
834
00:31:04,563 --> 00:31:06,198
SO SHE DOESN'T KNOW?
835
00:31:06,232 --> 00:31:08,167
EITHER THAT OR SHE'S GOT
A GREAT WORK ETHIC.
836
00:31:08,200 --> 00:31:09,535
ALL RIGHT,
I'M ON MY WAY.
837
00:31:09,568 --> 00:31:11,070
TREAD LIGHTLY.
838
00:31:11,103 --> 00:31:14,306
HEY, GIVE ME
A LITTLE CREDIT.
839
00:31:16,375 --> 00:31:18,677
OH, GOD.
840
00:31:18,710 --> 00:31:20,913
I CAN'T BELIEVE
SHE'S DEAD.
841
00:31:20,947 --> 00:31:22,949
I'M SO SORRY.
842
00:31:22,982 --> 00:31:24,450
AND I CAN'T BELIEVE
YOU TRIED ON CLOTHES
843
00:31:24,483 --> 00:31:26,152
BEFORE TELLING ME.
844
00:31:26,185 --> 00:31:28,154
YEAH, AGAIN,
845
00:31:28,187 --> 00:31:30,589
I'M REALLY SORRY.
846
00:31:30,622 --> 00:31:32,458
THOUGHT IT WOULD HELP
EASE INTO IT.
847
00:31:34,026 --> 00:31:36,362
I CAN SEE NOW
THAT WAS A MISTAKE.
848
00:31:36,395 --> 00:31:37,529
I DON'T KNOW ANYONE
849
00:31:37,563 --> 00:31:40,166
WHO WOULD DO ANYTHING
LIKE THIS.
850
00:31:40,199 --> 00:31:42,134
ALL MY FRIENDS
ARE REALLY NICE.
851
00:31:42,168 --> 00:31:43,402
WHAT ABOUT FRANKIE?
852
00:31:43,435 --> 00:31:44,937
DID HE HAVE
ANY ENEMIES?
853
00:31:44,971 --> 00:31:46,505
I DON'T KNOW.
854
00:31:46,538 --> 00:31:48,140
HE WAS NEW.
855
00:31:48,174 --> 00:31:50,676
HOW LONG HAD HE AND SIENNA
BEEN GOING OUT?
856
00:31:50,709 --> 00:31:52,378
THEY WEREN'T GOING OUT.
857
00:31:52,411 --> 00:31:55,647
SIENNA WAS JUST
BEING NICE TO HIM.
858
00:31:55,681 --> 00:31:57,683
HE WAS A VIRGIN.
859
00:31:57,716 --> 00:32:00,987
SO SHE WAS GONNA...
860
00:32:01,020 --> 00:32:04,056
YOU KNOW.
861
00:32:04,090 --> 00:32:06,158
THAT IS NICE.
862
00:32:06,192 --> 00:32:08,027
SIENNA WAS LIKE THAT.
863
00:32:08,060 --> 00:32:09,595
OKAY. OKAY.
864
00:32:09,628 --> 00:32:11,530
IS THERE ANYONE
WE SHOULD TALK TO?
865
00:32:11,563 --> 00:32:13,099
ANYONE YOU'D WANT TO TALK TO
IF YOU WERE ME?
866
00:32:13,132 --> 00:32:15,267
SHE HAD A BOYFRIEND.
867
00:32:15,301 --> 00:32:17,469
I'D WANT TO TALK TO HIM.
868
00:32:17,503 --> 00:32:19,371
OKAY, GOOD.
869
00:32:19,405 --> 00:32:21,340
HE WAS THIS BIG SECRET.
870
00:32:21,373 --> 00:32:22,975
AND I MEAN, REALLY BIG.
871
00:32:23,009 --> 00:32:25,011
SHE WOULDN'T EVEN TELL ME
WHAT HE LOOKED LIKE,
872
00:32:25,044 --> 00:32:27,379
AND SHE TOLD ME
EVERYTHING.
873
00:32:27,413 --> 00:32:28,580
DID SHE TELL YOU
ANYTHING ABOUT HIM?
874
00:32:28,614 --> 00:32:30,116
ANYTHING AT ALL?
875
00:32:30,149 --> 00:32:32,284
JUST THAT HE MADE HER GET
THIS STUPID TATTOO.
876
00:32:32,318 --> 00:32:34,320
YOU MEAN THE ONE
ON HER CHEST?
877
00:32:34,353 --> 00:32:36,055
OVER HER HEART.
878
00:32:36,088 --> 00:32:38,124
SO HOW COME
SHE WAS WITH FRANKIE?
879
00:32:38,157 --> 00:32:39,458
I MEAN, IF SHE HAD
880
00:32:39,491 --> 00:32:41,427
THIS SECRET BOYFRIEND
AND ALL?
881
00:32:41,460 --> 00:32:45,731
'CAUSE THEY BROKE UP,
LIKE, A MONTH AGO.
882
00:32:45,764 --> 00:32:48,000
DID I FORGET
TO MENTION THAT?
883
00:32:48,034 --> 00:32:49,468
YEAH.
884
00:32:49,501 --> 00:32:51,003
YOU KINDA DID.
885
00:32:51,037 --> 00:32:52,638
I'M SORRY.
886
00:32:52,671 --> 00:32:56,375
IT'S OKAY.
I'M SORRY.
887
00:32:58,344 --> 00:33:00,179
BEFORE YOU HEAR IT
FROM SOMEBODY ELSE,
888
00:33:00,212 --> 00:33:03,382
I SMACKED AN INDIAN'S JOHNSON
WITH A BAR OF SOAP TODAY.
889
00:33:03,415 --> 00:33:05,284
JUST THOUGHT
YOU SHOULD KNOW.
890
00:33:05,317 --> 00:33:06,718
HAVEN'T WE DONE ENOUGH
TO THOSE PEOPLE?
891
00:33:06,752 --> 00:33:08,220
I'M NOT PROUD
OF MYSELF.
892
00:33:08,254 --> 00:33:09,455
DID YOU COME UP
WITH ANYTHING?
893
00:33:09,488 --> 00:33:10,789
NOT REALLY.
894
00:33:10,822 --> 00:33:12,358
OH, EXCEPT
THAT TWO DAYS AGO
895
00:33:12,391 --> 00:33:14,593
A THREE-SECOND CALL
CAME INTO SANTORO'S HOUSE
896
00:33:14,626 --> 00:33:17,329
FROM A CELL
REGISTERED TO RICHIE MASTRO.
897
00:33:17,363 --> 00:33:19,431
RICHIE MASTRO,
SON OF DOMINIC MASTRO.
898
00:33:19,465 --> 00:33:20,466
DON OF DONS,
HEAD OF THE FIVE FAMILIES,
899
00:33:20,499 --> 00:33:22,034
CALLED MY FRANKIE?
900
00:33:22,068 --> 00:33:23,535
YES, FREDO.
901
00:33:23,569 --> 00:33:25,037
YOU SURE?
902
00:33:25,071 --> 00:33:26,338
YOU KNOW,
IT HURTS WHEN YOU DOUBT ME.
903
00:33:26,372 --> 00:33:27,339
ALL RIGHT, LET'S GO.
904
00:33:27,373 --> 00:33:28,774
NOW WHERE?
905
00:33:28,807 --> 00:33:30,542
FRANKIE NUTS HAS GOT
SOME 'SPLAINING TO DO.
906
00:33:30,576 --> 00:33:32,311
DO I GET TO PLAY BAD COP?
907
00:33:32,344 --> 00:33:33,445
LIKE YOU COULD.
908
00:33:33,479 --> 00:33:36,548
OH, DAMN.
909
00:33:36,582 --> 00:33:37,783
WHAT'S THE MATTER?
910
00:33:39,785 --> 00:33:41,420
HI, TASHA.
IT'S ME, MARY.
911
00:33:41,453 --> 00:33:43,489
IS YOUR CABLE
ON YET?
912
00:33:43,522 --> 00:33:46,525
GOOD.
913
00:33:46,558 --> 00:33:48,727
NO, WE CAN ONLY PAY
FOR THE BASIC PACKAGE.
914
00:33:48,760 --> 00:33:51,597
HBO AND SHOWTIME
ARE EXTRA.
915
00:33:51,630 --> 00:33:54,400
LISTEN,
ABOUT YOUR GROCERIES,
916
00:33:54,433 --> 00:33:55,667
SOMETHING'S COME UP.
917
00:33:55,701 --> 00:33:58,670
SO WHAT'S THE BOOK
ON YOUNG RICHIE?
918
00:33:58,704 --> 00:34:00,639
WELL, FOR STARTERS,
YOU'D HAVE TO SAY
919
00:34:00,672 --> 00:34:02,374
HE'S OF QUESTIONABLE
CHARACTER.
920
00:34:02,408 --> 00:34:03,809
TOSSED OUT OF CHOATE,
WAS HE?
921
00:34:03,842 --> 00:34:05,844
NYPD HAS HIM
UNDER INVESTIGATION
922
00:34:05,877 --> 00:34:07,513
FOR A HANDFUL
OF MURDERS.
923
00:34:07,546 --> 00:34:09,315
AND OF PARTICULAR INTEREST,
924
00:34:09,348 --> 00:34:11,550
A FORMER GIRLFRIEND GOT
A RESTRAINING ORDER AGAINST HIM
925
00:34:11,583 --> 00:34:14,220
AFTER HE BROKE
FOUR OF HER RIBS.
926
00:34:14,253 --> 00:34:16,222
THEN, GUESS WHAT,
TWO DAYS LATER
927
00:34:16,255 --> 00:34:17,489
SHE TURNS UP
HACKED TO BITS.
928
00:34:17,523 --> 00:34:18,657
NO.
929
00:34:18,690 --> 00:34:20,226
AFRAID SO.
930
00:34:20,259 --> 00:34:22,094
APPARENTLY,
OUR BOY'S GOT GIRL ISSUES.
931
00:34:22,128 --> 00:34:23,362
AND LIKES KNIVES.
932
00:34:23,395 --> 00:34:24,496
SO HE DOES JUNIOR,
933
00:34:24,530 --> 00:34:25,497
THEN HAS HIS JOLLIES
WITH THE GIRL?
934
00:34:25,531 --> 00:34:26,765
COULD BE.
935
00:34:26,798 --> 00:34:28,300
SOMEHOW HE GOT
FRANKIE'S NUMBER.
936
00:34:28,334 --> 00:34:29,335
SO IT WOULD SEEM.
937
00:34:29,368 --> 00:34:30,569
SON OF A BITCH.
938
00:34:30,602 --> 00:34:33,105
A WEEK BEFORE HE TESTIFIES
AGAINST DOMINIC.
939
00:34:33,139 --> 00:34:35,607
I BET YOU ANYTHING FRANKIE
WAS TRYING TO BROKER A DEAL.
940
00:34:35,641 --> 00:34:37,476
YOU KNOW WHAT I THINK?
WHAT?
941
00:34:37,509 --> 00:34:39,411
I THINK FRANKIE MIGHT HAVE
BEEN TRYING TO BROKER A DEAL.
942
00:34:39,445 --> 00:34:43,115
YOU'RE AN IDIOT.
943
00:35:02,234 --> 00:35:05,804
WHERE ARE THE PEOPLE
WHO WERE STAYING HERE?
944
00:35:05,837 --> 00:35:07,906
LA GENTE,
A DONDE ESTAN?
945
00:35:07,939 --> 00:35:10,676
DAMN IT,
WHAT LANGUAGE DO YOU SPEAK?
946
00:35:10,709 --> 00:35:12,344
OH, PERFECT,
SHE'S DEAF.
947
00:35:12,378 --> 00:35:15,847
YOU HAVE A PEN?
948
00:35:17,616 --> 00:35:18,650
THEY'RE GONE.
949
00:35:18,684 --> 00:35:21,453
SHE DOESN'T KNOW WHERE.
950
00:35:21,487 --> 00:35:23,355
WHAT?
951
00:35:23,389 --> 00:35:26,858
COME ON.
952
00:35:42,974 --> 00:35:44,176
YOU CALLING IN
A PHONE TRACE?
953
00:35:44,210 --> 00:35:45,244
THAT'LL TAKE HOURS.
954
00:35:45,277 --> 00:35:46,578
GET A WARRANT,
BLAH, BLAH, BLAH.
955
00:35:46,612 --> 00:35:48,347
I NEED TO FIND MASTRO
BEFORE HE FINDS FRANKIE,
956
00:35:48,380 --> 00:35:49,515
OR VICE VERSA.
957
00:35:49,548 --> 00:35:51,750
SINCE WHEN DO YOU
KNOW SIGN LANGUAGE?
958
00:35:51,783 --> 00:35:53,585
APPARENTLY I DON'T.
959
00:35:53,619 --> 00:35:54,753
HELLO?
960
00:35:54,786 --> 00:35:56,488
HELLO, IS THIS RICHIE?
961
00:35:56,522 --> 00:35:57,623
YOU GOTTA BE KIDDING.
962
00:35:57,656 --> 00:35:59,225
YEAH, WHO'S THIS?
963
00:35:59,258 --> 00:36:01,393
THIS IS NOMI.
964
00:36:01,427 --> 00:36:02,561
I DON'T KNOW IF YOU REMEMBER,
965
00:36:02,594 --> 00:36:04,363
ME AND MY GIRLFRIEND PIA
MET YOU
966
00:36:04,396 --> 00:36:05,864
AT COSMO'S
A FEW WEEKS AGO.
967
00:36:05,897 --> 00:36:07,733
MAYBE,
I MEET A LOT OF CHICKS.
968
00:36:07,766 --> 00:36:09,201
WHAT'S UP?
969
00:36:09,235 --> 00:36:10,736
WELL, PIA AND I
WERE JUST TALKING
970
00:36:10,769 --> 00:36:13,305
ABOUT HOW MUCH FUN IT WAS
TO HANG OUT WITH YOU,
971
00:36:13,339 --> 00:36:15,774
AND HOW MUCH WE WANTED
TO PARTY WITH YOU THAT NIGHT.
972
00:36:15,807 --> 00:36:17,576
AND PIA SAID
WE SHOULD JUST CALL YOU
973
00:36:17,609 --> 00:36:18,577
AND SEE
WHAT YOU WAS DOING.
974
00:36:18,610 --> 00:36:19,778
NO WAY IN HELL THIS WORKS.
975
00:36:19,811 --> 00:36:21,913
YEAH,
MAYBE SOME OTHER TIME.
976
00:36:21,947 --> 00:36:23,382
OH. OH!
977
00:36:23,415 --> 00:36:25,451
OH!
978
00:36:25,484 --> 00:36:26,952
PIA.
979
00:36:26,985 --> 00:36:28,354
WHAT ARE YOU DOING?
980
00:36:28,387 --> 00:36:29,888
PLEASE DON'T TALK DIRTY.
981
00:36:29,921 --> 00:36:31,957
OH, RICHIE,
I WISH YOU COULD SEE THIS.
982
00:36:31,990 --> 00:36:33,592
ME TOO.
983
00:36:33,625 --> 00:36:36,728
WHAT EXACTLY IS, UH,
PIA DOING TO YOU?
984
00:36:36,762 --> 00:36:39,865
WELL, FIRST OF ALL,
I'M LYING ON MY TUMMY,
985
00:36:39,898 --> 00:36:41,500
AND I'M WEARING
986
00:36:41,533 --> 00:36:43,702
THIS REAL SHORT SKIRT.
987
00:36:43,735 --> 00:36:45,437
AND PIA'S
TAKING HER TONGUE
988
00:36:45,471 --> 00:36:47,273
AND RUNNING IT
ALL THE WAY UP MY--
989
00:36:47,306 --> 00:36:48,740
OY.
990
00:36:48,774 --> 00:36:50,642
OH!
991
00:36:50,676 --> 00:36:53,011
SWEET MOTHER.
992
00:36:53,044 --> 00:36:54,680
OH!
993
00:36:54,713 --> 00:36:56,848
OH!
994
00:36:56,882 --> 00:36:57,983
OH!
995
00:36:58,016 --> 00:36:59,785
AHH!
996
00:36:59,818 --> 00:37:01,820
AH!
997
00:37:01,853 --> 00:37:03,355
AHHHH.
998
00:37:03,389 --> 00:37:05,791
SHE'S TALKING
TO HER MOTHER.
999
00:37:05,824 --> 00:37:07,993
OHH.
1000
00:37:08,026 --> 00:37:09,961
AHH.
1001
00:37:09,995 --> 00:37:12,598
OH, RICHIE.
1002
00:37:12,631 --> 00:37:14,933
I WANT TO DO YOU
LIKE PIA JUST DID ME.
1003
00:37:14,966 --> 00:37:16,368
TELL ME WHERE YOU ARE.
1004
00:37:16,402 --> 00:37:18,270
WE'LL COME OVER
IN A CAB.
1005
00:37:18,304 --> 00:37:21,407
THAT IS, IF YOU THINK
YOU CAN HANDLE BOTH OF US.
1006
00:37:21,440 --> 00:37:22,974
LISTEN, UH, ROMY--
1007
00:37:23,008 --> 00:37:23,975
NOMI.
1008
00:37:24,009 --> 00:37:25,877
OKAY, LISTEN, NOMI,
1009
00:37:25,911 --> 00:37:27,746
AS MUCH AS I'D LOVE
TO PARTY WITH YOU AND PIA--
1010
00:37:27,779 --> 00:37:29,348
AND TRUST ME,
1011
00:37:29,381 --> 00:37:30,882
I GOT MORE THAN ENOUGH
FOR BOTH OF YOU--
1012
00:37:30,916 --> 00:37:32,451
THAT'S GONNA BE
AN AWFULLY PRICEY CAB RIDE.
1013
00:37:32,484 --> 00:37:33,985
WHY'S THAT?
1014
00:37:34,019 --> 00:37:37,423
'CAUSE I'M IN ALBUQUERQUE,
CUPCAKE.
1015
00:37:37,456 --> 00:37:38,824
ALBUQUERQUE?!
1016
00:37:38,857 --> 00:37:40,025
UNBELIEVABLE.
1017
00:37:40,058 --> 00:37:41,427
HOW FUNNY.
1018
00:37:41,460 --> 00:37:42,728
SOME GUY
JUST INVITED ME OUT THERE
1019
00:37:42,761 --> 00:37:43,962
TO SOME BALLOON FESTIVAL,
1020
00:37:43,995 --> 00:37:45,764
WHATEVER THE HELL THAT IS.
1021
00:37:45,797 --> 00:37:46,965
NO KIDDING?
1022
00:37:46,998 --> 00:37:48,834
SOME COINCIDENCE, RIGHT?
1023
00:37:48,867 --> 00:37:50,536
HEY, ARE THERE
ANY DECENT PLACES
1024
00:37:50,569 --> 00:37:52,003
TO STAY OUT THERE?
1025
00:37:52,037 --> 00:37:53,505
YEAH, THEY GOT
ONE REALLY NICE RESORT
1026
00:37:53,539 --> 00:37:54,706
JUST OUTTA TOWN.
1027
00:37:54,740 --> 00:37:57,743
GOLF, SPA,
THE WHOLE DEAL.
1028
00:37:57,776 --> 00:37:59,345
THAT SOUNDS--
1029
00:37:59,378 --> 00:38:02,681
UH-OH, I THINK MY HUSBAND
JUST GOT HOME.
1030
00:38:08,053 --> 00:38:09,921
HONEY, I'M HOME.
1031
00:38:09,955 --> 00:38:12,891
MOTHER MARY AND JOSEPH,
1032
00:38:12,924 --> 00:38:14,793
WHAT'S GOING ON HERE?
1033
00:38:14,826 --> 00:38:16,795
WHERE ARE YOUR PANTIES?
1034
00:38:16,828 --> 00:38:19,898
YOU BAD, BAD GIRL.
1035
00:38:19,931 --> 00:38:22,334
I GOTTA GO.
1036
00:38:22,368 --> 00:38:25,103
I'LL CALL YOU BACK.
1037
00:38:25,136 --> 00:38:27,639
THAT'S JUST...
1038
00:38:27,673 --> 00:38:29,708
NOMI?
1039
00:38:29,741 --> 00:38:31,977
FROM SHOWGIRLS.
1040
00:38:32,010 --> 00:38:35,714
SWEET.
1041
00:38:42,654 --> 00:38:43,755
WHO IS IT?
1042
00:38:43,789 --> 00:38:45,491
ROOM SERVICE,
MR. MARTELL.
1043
00:38:45,524 --> 00:38:46,925
I HAVE A FRUIT BASKET
1044
00:38:46,958 --> 00:38:47,959
COMPLIMENTS
OF THE HOTEL.
1045
00:38:47,993 --> 00:38:50,862
LEAVE IT BY THE DOOR.
1046
00:38:50,896 --> 00:38:54,466
AND A BOTTLE
OF DOM PERIGNON.
1047
00:38:54,500 --> 00:38:56,702
I'M NOT ALLOWED
TO LEAVE IT OUTSIDE.
1048
00:38:56,735 --> 00:38:58,103
ALL RIGHT,
HOLD ON.
1049
00:38:58,136 --> 00:39:02,408
PAIN IN THE ASS.
1050
00:39:02,441 --> 00:39:05,911
FREEZE!
1051
00:39:09,080 --> 00:39:10,382
DON'T EVEN FART.
1052
00:39:10,416 --> 00:39:11,617
MY WALLET'S ON THE BAR.
1053
00:39:11,650 --> 00:39:13,018
TAKE WHATEVER YOU WANT.
1054
00:39:13,051 --> 00:39:14,753
WE'RE NOT HERE TO ROB YOU,
YOU STUPID HUMP.
1055
00:39:14,786 --> 00:39:16,422
WE'RE U.S. MARSHALS.
1056
00:39:16,455 --> 00:39:17,756
I DIDN'T DO NOTHING.
1057
00:39:17,789 --> 00:39:19,124
OH, YEAH?
1058
00:39:19,157 --> 00:39:20,125
ISN'T THAT CUTE?
1059
00:39:20,158 --> 00:39:24,463
THAT AIN'T MINE.
1060
00:39:28,166 --> 00:39:29,568
WHERE'S FRANKIE?
1061
00:39:29,601 --> 00:39:30,836
FRANKIE WHO?
1062
00:39:30,869 --> 00:39:33,038
SANTORO,
WHERE IS HE?
1063
00:39:33,071 --> 00:39:36,174
FRANKIE NUTS,
HOW THE HELL SHOULD I KNOW?
1064
00:39:36,207 --> 00:39:37,843
AHH, WHAT ARE YOU,
A NUN?
1065
00:39:37,876 --> 00:39:39,411
QUIT SCREWING WITH ME.
1066
00:39:39,445 --> 00:39:40,646
I KNOW YOUR FATHER
SENT YOU TO KILL HIM.
1067
00:39:40,679 --> 00:39:42,180
NOW TELL ME WHERE HE IS,
OR SO HELP ME
1068
00:39:42,213 --> 00:39:44,550
I WILL FEED THIS EAR
TO MY MOTHER'S POODLES.
1069
00:39:44,583 --> 00:39:45,751
I THOUGHT
THEY WERE SHIH TZUS.
1070
00:39:45,784 --> 00:39:46,985
FOCUS, MARSHALL.
1071
00:39:50,088 --> 00:39:52,023
WHERE THE HELL
ARE YOU?
1072
00:39:52,057 --> 00:39:54,593
I THOUGHT I TOLD YOU
TO STAY PUT.
1073
00:39:54,626 --> 00:39:56,628
NO, IT ISN'T ALL RIGHT.
STAY THERE.
1074
00:39:56,662 --> 00:39:57,996
I'M COMING OVER.
1075
00:39:58,029 --> 00:39:59,765
SOMETHING'S COME UP.
1076
00:39:59,798 --> 00:40:01,199
BE A DEAR
AND TAKE HIM IN.
1077
00:40:01,232 --> 00:40:02,601
YES, HONEY.
1078
00:40:02,634 --> 00:40:03,902
SHALL I PICK UP
YOUR DRY CLEANING
1079
00:40:03,935 --> 00:40:05,103
WHILE I'M AT IT?
1080
00:40:05,136 --> 00:40:06,472
TAKE ME IN?
1081
00:40:06,505 --> 00:40:07,939
WHAT FOR?
1082
00:40:07,973 --> 00:40:10,075
FOR ENDING AN INTERROGATORY
WITH A PREPOSITION.
1083
00:40:10,108 --> 00:40:12,678
HEY,
THAT'S A $6 CANDY BAR.
1084
00:40:12,711 --> 00:40:14,112
PUT THESE ON,
AND SHUT UP.
1085
00:40:14,145 --> 00:40:17,816
EASY.
1086
00:40:30,496 --> 00:40:32,230
HEY.
1087
00:40:32,263 --> 00:40:33,832
LET ME EXPLAIN
SOMETHING TO YOU.
1088
00:40:33,865 --> 00:40:34,866
WHEN I TELL YOU
TO STAY SOMEPLACE,
1089
00:40:34,900 --> 00:40:36,001
YOU STAY THERE.
1090
00:40:36,034 --> 00:40:37,168
YOU CAN'T JUST
CHANGE LOCATIONS
1091
00:40:37,202 --> 00:40:38,637
WITHOUT TELLING ME.
1092
00:40:38,670 --> 00:40:39,971
I DON'T HAVE TIME
TO GO CHASING
1093
00:40:40,005 --> 00:40:42,608
ALL OVER HELL AND HIGH WATER
LOOKING FOR YOU.
1094
00:40:42,641 --> 00:40:44,643
THIS GOES FOR YOU, TOO,
FELICIA.
1095
00:40:44,676 --> 00:40:49,014
I NEEDED
TO LIGHT A CANDLE.
1096
00:40:49,047 --> 00:40:50,582
LISTEN, I KNOW
YOU TWO ARE HURTING,
1097
00:40:50,616 --> 00:40:52,117
BUT THIS--
1098
00:40:52,150 --> 00:40:55,587
THIS IS NOT
HOW THE PROGRAM WORKS.
1099
00:40:55,621 --> 00:40:57,055
WE CHECKED INTO
THE MARRIOTT.
1100
00:40:57,088 --> 00:40:58,957
THE OTHER PLACE
WAS TOO DEPRESSING.
1101
00:40:58,990 --> 00:41:01,993
THE BEDSPREADS HAD STAINS.
1102
00:41:04,062 --> 00:41:06,197
HOW DOES RICHIE MASTRO
HAVE YOUR PHONE NUMBER?
1103
00:41:06,231 --> 00:41:07,833
WHAT?
1104
00:41:07,866 --> 00:41:09,134
YOU HEARD ME.
1105
00:41:09,167 --> 00:41:10,268
HE CALLED YOUR HOUSE
TWO DAYS AGO AND HUNG UP
1106
00:41:10,301 --> 00:41:11,870
LIKE HE WAS
CHECKING THE NUMBER.
1107
00:41:11,903 --> 00:41:12,871
I KNOW I DIDN'T
GIVE IT TO HIM.
1108
00:41:12,904 --> 00:41:14,105
SO WHO DID?
1109
00:41:14,139 --> 00:41:15,674
WELL,
IT CERTAINLY WASN'T ME.
1110
00:41:15,707 --> 00:41:17,709
I HAVEN'T CONTACTED
ANYBODY.
1111
00:41:17,743 --> 00:41:18,710
OH, GOD.
1112
00:41:18,744 --> 00:41:19,911
WHAT?
1113
00:41:19,945 --> 00:41:22,981
OH, GOD,
DID I GET FRANKIE KILLED?
1114
00:41:23,014 --> 00:41:24,249
WHAT? TELL US
WHAT YOU DID, FELICIA.
1115
00:41:24,282 --> 00:41:25,617
YOU STUPID--
1116
00:41:25,651 --> 00:41:26,618
SHH!
1117
00:41:26,652 --> 00:41:27,919
WHAT HAPPENED?
1118
00:41:27,953 --> 00:41:28,954
HAVE YOU BEEN TALKING
TO SOMEONE?
1119
00:41:28,987 --> 00:41:31,156
NO, NO.
NO, I SWEAR.
1120
00:41:31,189 --> 00:41:33,058
NOT ON THE PHONE.
1121
00:41:33,091 --> 00:41:34,960
ON THE INTERNET.
1122
00:41:34,993 --> 00:41:36,662
ME AND CATHY,
WE BEEN EMAILING EACH OTHER.
1123
00:41:36,695 --> 00:41:38,229
BUT I NEVER TOLD HER
WHERE WE WERE.
1124
00:41:38,263 --> 00:41:39,565
AND I DIDN'T GIVE
OUR NUMBER.
1125
00:41:39,598 --> 00:41:40,599
I SWEAR ON MY LIFE.
1126
00:41:40,632 --> 00:41:41,633
WHO'S CATHY?
1127
00:41:41,667 --> 00:41:43,068
IT'S MASTRO'S WIFE.
1128
00:41:43,101 --> 00:41:44,703
THEY'VE BEEN FRIENDS
SINCE GRADE SCHOOL.
1129
00:41:44,736 --> 00:41:46,037
HE MUST HAVE FOUND OUT,
1130
00:41:46,071 --> 00:41:47,873
AND HE TAPPED OUR ISP.
1131
00:41:47,906 --> 00:41:49,307
LISTEN, FELICIA,
WE DON'T KNOW
1132
00:41:49,340 --> 00:41:51,009
THAT MASTRO HAD ANYTHING
TO DO WITH THIS.
1133
00:41:51,042 --> 00:41:53,044
I KILLED MY SON.
1134
00:41:53,078 --> 00:41:55,647
HEY, DON'T DO THIS
TO YOURSELF.
1135
00:41:55,681 --> 00:41:56,982
YOU TELL ME WHERE
1136
00:41:57,015 --> 00:41:59,317
THAT SON OF A BITCH MASTRO
IS RIGHT NOW.
1137
00:41:59,350 --> 00:42:01,086
OH.
1138
00:42:01,119 --> 00:42:02,988
DO WE HAVE ANYTHING
TO HOLD HIM ON?
1139
00:42:03,021 --> 00:42:04,289
TAMPERING
WITH A WITNESS.
1140
00:42:04,322 --> 00:42:05,624
MAYBE HAMPERING
A PROSECUTION.
1141
00:42:05,657 --> 00:42:07,659
YEAH.
WHAT ABOUT THE MURDER?
1142
00:42:07,693 --> 00:42:10,195
UNLESS SOMETHING TURNS UP,
HE WALKS IN 48 HOURS.
1143
00:42:10,228 --> 00:42:11,563
YEAH, YEAH,
THAT'S WHAT I FIGURED.
1144
00:42:11,597 --> 00:42:15,133
SO, I, UH...
1145
00:42:15,166 --> 00:42:17,002
RETURNED THE PERFUME.
1146
00:42:17,035 --> 00:42:18,837
SMART MOVE.
1147
00:42:18,870 --> 00:42:22,273
AND...
1148
00:42:22,307 --> 00:42:23,609
I GOT HER THESE.
1149
00:42:23,642 --> 00:42:24,676
WOW.
1150
00:42:24,710 --> 00:42:26,077
I'LL BET
THESE SET YOU BACK.
1151
00:42:26,111 --> 00:42:27,112
OH, SURE.
1152
00:42:27,145 --> 00:42:28,279
VERY PRETTY.
1153
00:42:28,313 --> 00:42:29,314
SO YOU THINK
SHE'LL LIKE 'EM?
1154
00:42:29,347 --> 00:42:31,750
HAVE YOU EVER MET MARY?
1155
00:42:31,783 --> 00:42:33,585
WHAT
THEY'RE SHOES.
1156
00:42:33,619 --> 00:42:35,120
ALL WOMEN LOVE SHOES.
MARY'S A WOMAN.
1157
00:42:35,153 --> 00:42:36,955
IPSO FACTO,
MARY LOVES SHOES.
1158
00:42:36,988 --> 00:42:38,356
SO SAD.
1159
00:42:38,389 --> 00:42:39,758
NO, NO, OKAY,
THIS TIME YOU'RE WRONG.
1160
00:42:39,791 --> 00:42:41,126
MARY'S GONNA LO--
HEY, GUYS.
1161
00:42:41,159 --> 00:42:42,928
OH, MY GOD.
1162
00:42:42,961 --> 00:42:44,896
THAT'S JUST EVIDENCE--
EVIDENCE
1163
00:42:44,930 --> 00:42:46,131
FROM A CASE--
ANOTHER CASE.
1164
00:42:46,164 --> 00:42:47,666
CAN YOU BELIEVE WOMEN
ACTUALLY WEAR THESE?
1165
00:42:47,699 --> 00:42:49,100
"OH, MY GOD,
LOOK AT ME.
1166
00:42:49,134 --> 00:42:51,937
I'M A COSMO-DRINKING
MANHATTAN WHORE."
1167
00:42:51,970 --> 00:42:54,239
IMAGINE THAT.
1168
00:42:54,272 --> 00:42:55,841
NOT A WORD.
1169
00:42:55,874 --> 00:42:57,643
ANYONE TALK TO HIM YET?
1170
00:42:57,676 --> 00:42:59,110
YEAH, THE FBI'S
SENDING SOMEBODY DOWN.
1171
00:42:59,144 --> 00:43:00,278
I NEED TO TALK
TO HIM FIRST.
1172
00:43:00,311 --> 00:43:01,680
JUST HANG ON A SECOND, MARY.
1173
00:43:01,713 --> 00:43:02,781
ALL RIGHT,
YOUR WITNESS IS SAFE.
1174
00:43:02,814 --> 00:43:04,049
YOU DID YOUR JOB.
1175
00:43:04,082 --> 00:43:05,651
HOW 'BOUT WE JUST LET
THE FBI DO THEIRS?
1176
00:43:05,684 --> 00:43:07,052
HOW 'BOUT
WE SCREW THE FBI?
1177
00:43:07,085 --> 00:43:08,286
I NEED TO KNOW IF MASTRO
KILLED FRANKIE JUNIOR.
1178
00:43:08,319 --> 00:43:09,855
AND YOU KNOW
AS SOON AS THE FEDS GET HERE
1179
00:43:09,888 --> 00:43:11,022
WE'RE OUT OF THE LOOP.
1180
00:43:11,056 --> 00:43:12,090
AM I RIGHT, STAN?
1181
00:43:12,123 --> 00:43:14,092
ALL RIGHT,
DO WHAT YOU GOTTA DO.
1182
00:43:14,125 --> 00:43:17,095
THE FEDS SHOW UP,
I'LL DEAL WITH 'EM.
1183
00:43:17,128 --> 00:43:21,266
ALL RIGHT THEN.
1184
00:43:21,299 --> 00:43:22,834
WHAT ARE YOU GONNA DO,
1185
00:43:22,868 --> 00:43:25,737
BEAT THEM OFF
WITH YOUR STRAPPY LITTLE PUMPS?
1186
00:43:25,771 --> 00:43:27,806
WAKE UP,
DOUCHEBAG.
1187
00:43:27,839 --> 00:43:28,974
WISH I HAD A NICKEL
1188
00:43:29,007 --> 00:43:30,375
FOR EVERY TIME
I HEARD THAT.
1189
00:43:30,408 --> 00:43:31,677
WHY ARE YOU IN ALBUQUERQUE?
1190
00:43:31,710 --> 00:43:32,811
WHY ARE YOU
BUSTING MY BALLS?
1191
00:43:32,844 --> 00:43:33,812
'CAUSE I CAN.
1192
00:43:33,845 --> 00:43:35,146
NOW ANSWER MY QUESTION.
1193
00:43:35,180 --> 00:43:38,049
I BET YOU'RE
A TIGHT LITTLE RIDE.
1194
00:43:38,083 --> 00:43:41,753
OOH, THAT WAS A MISTAKE.
1195
00:43:44,455 --> 00:43:45,891
YOU LITTLE BITCH.
1196
00:43:45,924 --> 00:43:47,292
DID YOU KILL
FRANKIE JUNIOR?
1197
00:43:47,325 --> 00:43:49,160
I ASSUME THAT'S
A RHETORICAL QUESTION.
1198
00:43:49,194 --> 00:43:50,729
"RHETORICAL."
1199
00:43:50,762 --> 00:43:52,363
THAT'S A PRETTY BIG WORD
FOR A MORON.
1200
00:43:52,397 --> 00:43:55,366
INTERESTING
INTERROGATION TECHNIQUE.
1201
00:43:55,400 --> 00:43:57,769
DOES THE NAME CALLING THING
USUALLY GET GUYS TO CONFESS?
1202
00:43:57,803 --> 00:44:00,138
'CAUSE FRANKLY, I FIND IT
A LITTLE OFF-PUTTING.
1203
00:44:00,171 --> 00:44:02,240
OH, COME ON.
JUST TELL ME.
1204
00:44:02,273 --> 00:44:04,109
NO ONE ELSE
HAS TO KNOW.
1205
00:44:04,142 --> 00:44:05,877
ARE THOSE REAL?
1206
00:44:05,911 --> 00:44:09,047
GO AHEAD,
TAKE A GOOD LONG LOOK.
1207
00:44:09,080 --> 00:44:10,749
'CAUSE IT'S THE LAST PAIR
YOU'RE EVER GONNA SEE.
1208
00:44:10,782 --> 00:44:13,018
AND WHY'S THAT,
PUSSYCAT?
1209
00:44:13,051 --> 00:44:15,320
'CAUSE, RICHIE BABY,
1210
00:44:15,353 --> 00:44:17,989
ME AND MY FRIEND PIA
WOULD DOUBLE-TEAM DICK CHENEY,
1211
00:44:18,023 --> 00:44:19,925
IF THAT'S WHAT IT TAKES
TO PUT YOU AWAY.
1212
00:44:26,497 --> 00:44:27,933
DID HE DO IT?
1213
00:44:27,966 --> 00:44:31,302
DON'T KNOW.
1214
00:44:33,471 --> 00:44:35,106
SO WHO'S PIA?
1215
00:44:35,140 --> 00:44:37,408
AND WHAT DOES DICK CHENEY
HAVE TO DO WITH THIS?
1216
00:44:37,442 --> 00:44:39,110
HMM?
1217
00:44:39,144 --> 00:44:40,812
AND WHY IS IT I NEVER KNOW
WHAT'S GOING ON?
1218
00:44:40,846 --> 00:44:44,049
YOU'RE A BIG PICTURE GUY,
STAN.
1219
00:44:44,082 --> 00:44:48,720
MM-HMM.
1220
00:44:57,362 --> 00:44:59,965
SO THIS IS WHERE
THE REAL POLICE WORK, HUH?
1221
00:44:59,998 --> 00:45:01,099
HEY, MARSHAL.
1222
00:45:01,132 --> 00:45:04,369
AND MAY I ADD,
HAPPY BIRTHDAY.
1223
00:45:04,402 --> 00:45:06,071
YEAH.
1224
00:45:06,104 --> 00:45:08,239
SO FAR IT'S BEEN
A REAL PISSER.
1225
00:45:08,273 --> 00:45:10,876
SO YOU COME UP
WITH ANYTHING INTERESTING?
1226
00:45:10,909 --> 00:45:12,143
OH, IT'S ALL INTERESTING.
1227
00:45:12,177 --> 00:45:13,879
SPOKE WITH THE GIRL'S
PARENTS, FRIENDS.
1228
00:45:13,912 --> 00:45:15,180
CHECKED
THE CELL PHONE RECORDS.
1229
00:45:15,213 --> 00:45:16,381
ACCORDING TO
SIENNA'S BEST FRIEND,
1230
00:45:16,414 --> 00:45:17,382
SHE HAD A SECRET BOYFRIEND.
1231
00:45:17,415 --> 00:45:19,150
NOBODY'S EVER SEEN HIM.
1232
00:45:19,184 --> 00:45:21,152
DOESN'T EVEN GET A MENTION
IN HER DIARY.
1233
00:45:21,186 --> 00:45:22,320
SO IF THERE WAS
A BOYFRIEND,
1234
00:45:22,353 --> 00:45:23,354
THE GUY'S A GHOST.
1235
00:45:23,388 --> 00:45:24,956
MAYBE IT'S SOMEONE OLDER.
1236
00:45:24,990 --> 00:45:25,991
NEEDED PROTECTION?
1237
00:45:26,024 --> 00:45:27,392
LIKE A TEACHER,
OR MAYBE
1238
00:45:27,425 --> 00:45:29,360
AN EX-BUSINESS ASSOCIATE
OF HER FATHER.
1239
00:45:29,394 --> 00:45:32,063
HEY, YOU THINK
JUST LIKE A COP.
1240
00:45:32,097 --> 00:45:33,832
GO FIGURE.
1241
00:45:33,865 --> 00:45:34,866
WHAT ABOUT FORENSICS?
1242
00:45:34,900 --> 00:45:36,101
ANYTHING COME IN YET?
1243
00:45:36,134 --> 00:45:37,769
NO, WON'T SEE ANYTHING
UNTIL TOMORROW.
1244
00:45:37,803 --> 00:45:39,938
I WAS JUST ABOUT
TO PACK IT IN FOR THE DAY.
1245
00:45:39,971 --> 00:45:42,007
THAT'S PROBABLY
A GOOD IDEA.
1246
00:45:42,040 --> 00:45:45,143
DID YOU CHECK OUT
TALLTREES AND HIS SON?
1247
00:45:45,176 --> 00:45:47,312
YEAH, GUY'S A REAL
PIECE OF WORK.
1248
00:45:47,345 --> 00:45:49,380
UNFORTUNATELY,
THERE'S NOTHING TO CONNECT
1249
00:45:49,414 --> 00:45:51,082
HIM OR HIS SON
TO ANY OF THIS.
1250
00:45:51,116 --> 00:45:52,918
KINDA WHAT I GOT TOO.
1251
00:45:52,951 --> 00:45:56,521
SO, UH, HOW 'BOUT YOU?
1252
00:45:56,554 --> 00:45:59,090
WHAT CAN YOU TELL ME
ABOUT THE BOY WITH TWO NAMES?
1253
00:45:59,124 --> 00:46:00,859
I WAS SUPPOSED
TO INTERVIEW HIS PARENTS,
1254
00:46:00,892 --> 00:46:02,260
BUT GUESS WHAT--
THEY'RE SUDDENLY
1255
00:46:02,293 --> 00:46:03,561
NOWHERE TO BE FOUND.
1256
00:46:03,594 --> 00:46:06,998
HUH, MAYBE THEY'RE
ON VACATION.
1257
00:46:07,032 --> 00:46:09,234
LOOK, MARSHAL,
1258
00:46:09,267 --> 00:46:10,435
I GET IT.
1259
00:46:10,468 --> 00:46:13,138
YOU OPERATE UNDER
THE CLOAK OF DARKNESS.
1260
00:46:13,171 --> 00:46:14,940
ONLY BOY WONDER
KNOWS YOUR TRUE IDENTITY.
1261
00:46:14,973 --> 00:46:16,141
BUT GUESS WHAT,
1262
00:46:16,174 --> 00:46:17,876
I TAKE THIS
MURDER-SOLVING BUSINESS
1263
00:46:17,909 --> 00:46:19,510
PRETTY SERIOUSLY.
1264
00:46:19,544 --> 00:46:20,912
SO EITHER SHARE
WHAT YOU'VE GOT
1265
00:46:20,946 --> 00:46:24,782
OR QUIT WASTING MY TIME.
1266
00:46:31,122 --> 00:46:32,390
OH, AND BY THE WAY,
1267
00:46:32,423 --> 00:46:34,092
TOOK ME ALL OF TWO MINUTES
TO GET ON THE PHONE
1268
00:46:34,125 --> 00:46:35,460
WITH AN NYPD CAPTAIN,
1269
00:46:35,493 --> 00:46:38,897
GET THE WHOLE 411
ON FRANKIE NUTS.
1270
00:46:38,930 --> 00:46:41,332
SO WHAT'S IT GONNA BE?
1271
00:46:41,366 --> 00:46:43,869
SORRY.
1272
00:46:43,902 --> 00:46:47,105
I GOT NOTHING.
1273
00:46:47,138 --> 00:46:48,974
THAT'S WHAT I FIGURED.
1274
00:46:49,007 --> 00:46:50,308
IT'S MARY'S WORLD.
1275
00:46:50,341 --> 00:46:51,977
THE REST OF US ARE JUST HERE
FOR HOUSEKEEPING.
1276
00:46:52,010 --> 00:46:53,011
HEY, YOU DON'T KNOW ME.
1277
00:46:53,044 --> 00:46:54,880
REALLY?
1278
00:46:54,913 --> 00:46:56,381
LET'S SEE.
1279
00:46:56,414 --> 00:46:58,583
TYPICAL RELATIONSHIP
HAS A SHELF LIFE
1280
00:46:58,616 --> 00:47:01,619
OF, OH, I'D SAY
ABOUT A MONTH TOPS.
1281
00:47:01,652 --> 00:47:03,321
NO REAL FRIENDS.
1282
00:47:03,354 --> 00:47:04,890
CAN'T QUITE FIGURE OUT
WHY YOU'RE ALWAYS
1283
00:47:04,923 --> 00:47:06,024
ON THE OUTSIDE
LOOKING IN.
1284
00:47:06,057 --> 00:47:07,859
NO ONE "GETS YOU."
1285
00:47:07,893 --> 00:47:09,928
BUT HEY,
THAT'S THEIR PROBLEM.
1286
00:47:09,961 --> 00:47:13,464
HOW AM I DOING?
1287
00:47:27,012 --> 00:47:31,983
THAT'S REAL MATURE.
1288
00:47:32,017 --> 00:47:36,087
AND SHE STOLE
MY DAMN PEN.
1289
00:47:36,121 --> 00:47:38,323
OKAY, IT'S BEEN SAID
I DON'T ALWAYS
1290
00:47:38,356 --> 00:47:39,958
PLAY WELL WITH OTHERS.
1291
00:47:39,991 --> 00:47:41,126
MAYBE EVEN AT TIMES
1292
00:47:41,159 --> 00:47:43,628
I PROJECT
A PRICKLY EXTERIOR.
1293
00:47:43,661 --> 00:47:48,199
BUT IN RESPONSE TO THAT,
AND IN MY DEFENSE...
1294
00:47:48,233 --> 00:47:49,935
I HAVE SOMETHING TO SAY.
1295
00:47:49,968 --> 00:47:51,269
COME IN.
1296
00:47:51,302 --> 00:47:52,637
NO, I STILL
HAVE WORK TO DO.
1297
00:47:52,670 --> 00:47:54,139
AND WE BOTH KNOW
WHAT'LL HAPPEN IF I COME IN.
1298
00:47:54,172 --> 00:47:56,942
WELL, BUT IT'S,
LIKE, 112 OUT THERE.
1299
00:47:56,975 --> 00:47:59,510
THIS'LL JUST
TAKE A MINUTE.
1300
00:47:59,544 --> 00:48:01,646
EARLIER AT MY HOUSE,
1301
00:48:01,679 --> 00:48:03,248
I MAY HAVE GIVEN
1302
00:48:03,281 --> 00:48:05,550
THE IMPRESSION
THAT I DIDN'T BELIEVE YOU,
1303
00:48:05,583 --> 00:48:09,988
OR THAT I WASN'T APPRECIATIVE
OF YOU PICKING UP BRANDI.
1304
00:48:10,021 --> 00:48:11,689
IS THIS AN APOLOGY?
1305
00:48:11,722 --> 00:48:15,126
PLEASE DON'T PUT WORDS
IN MY MOUTH.
1306
00:48:15,160 --> 00:48:17,595
I JUST WANT TO CLARIFY.
1307
00:48:17,628 --> 00:48:19,297
THAT IS, UM,
1308
00:48:19,330 --> 00:48:22,267
EXPLAIN--
1309
00:48:22,300 --> 00:48:24,602
MY GOD,
IT'S HOT OUT HERE.
1310
00:48:24,635 --> 00:48:26,304
WOULD YOU PLEASE
COME INSIDE?
1311
00:48:26,337 --> 00:48:31,042
YOU'RE LETTING
ALL THE COOL AIR OUT.
1312
00:48:31,076 --> 00:48:32,543
OKAY, BUT JUST
SO I CAN EXPLAIN.
1313
00:48:32,577 --> 00:48:37,415
YEAH.
1314
00:48:46,191 --> 00:48:48,493
YOUR EXPLANATIONS HAVE--
1315
00:48:48,526 --> 00:48:51,997
HAVE A CERTAIN
JE NE SAIS QUOI.
1316
00:48:56,134 --> 00:48:57,635
IS THAT WHAT I JUST DID?
YEAH.
1317
00:48:57,668 --> 00:48:59,204
I MEAN,
I KNEW IT WAS FRENCH.
1318
00:48:59,237 --> 00:49:01,306
I JUST DIDN'T KNOW
THEY HAD A NAME FOR IT.
1319
00:49:01,339 --> 00:49:05,476
OH, THEY HAVE A NAME
FOR EVERYTHING.
1320
00:49:05,510 --> 00:49:09,180
OH, MAN.
1321
00:49:18,656 --> 00:49:21,092
I'M SORRY ABOUT BEFORE.
1322
00:49:21,126 --> 00:49:23,428
I KNOW.
1323
00:49:23,461 --> 00:49:25,063
HAPPY BIRTHDAY.
1324
00:49:25,096 --> 00:49:29,634
HAPPY BIRTHDAY.
1325
00:49:29,667 --> 00:49:31,036
HEY, WOULD YOU BE UPSET
1326
00:49:31,069 --> 00:49:34,572
IF I SKIP
YOUR SURPRISE PARTY?
1327
00:49:36,741 --> 00:49:39,277
UH, I DON'T KNOW.
1328
00:49:39,310 --> 00:49:40,445
I GUESS NOT.
1329
00:49:40,478 --> 00:49:41,679
WHY?
1330
00:49:41,712 --> 00:49:44,449
WELL, TRUTH,
I KINDA HAD MY FILL
1331
00:49:44,482 --> 00:49:47,418
OF YOUR FAMILY
FOR ONE DAY.
1332
00:49:47,452 --> 00:49:51,156
AND BESIDES,
YOU AND ME KINDA
1333
00:49:51,189 --> 00:49:52,723
ALREADY DID OUR THING.
1334
00:49:52,757 --> 00:49:55,293
YOU KNOW?
1335
00:49:55,326 --> 00:49:58,563
OKAY.
1336
00:49:58,596 --> 00:49:59,564
YOU WANT ME TO COME?
1337
00:49:59,597 --> 00:50:01,232
NO, I DON'T.
1338
00:50:01,266 --> 00:50:02,267
YOU SHOULD DO WHAT YOU WANT.
1339
00:50:02,300 --> 00:50:03,434
YOU DON'T CARE, HUH?
1340
00:50:03,468 --> 00:50:04,769
NO, I DON'T.
1341
00:50:04,802 --> 00:50:07,438
LIKE YOU SAID,
WE ALREADY DID OUR THING.
1342
00:50:07,472 --> 00:50:09,374
WHEN IT COMES
RIGHT DOWN TO IT,
1343
00:50:09,407 --> 00:50:12,643
I DON'T HAVE
A REASONABLE RIGHT TO CARE.
1344
00:50:12,677 --> 00:50:15,413
WELL, YOU'RE GONNA HAVE
TO EXPLAIN THAT ONE.
1345
00:50:15,446 --> 00:50:16,447
THIS IS WHAT WE DO.
1346
00:50:16,481 --> 00:50:17,448
RAPHAEL,
THIS IS OUR THING.
1347
00:50:17,482 --> 00:50:18,783
WE HAVE SEX,
1348
00:50:18,816 --> 00:50:21,286
THEN WE SAY GOOD-BYE,
WHICH IS FINE.
1349
00:50:21,319 --> 00:50:24,789
WE'RE BOTH SMART ENOUGH
TO KNOW WE'RE NEVER--
1350
00:50:24,822 --> 00:50:25,790
I DON'T HAVE
A REASONABLE RIGHT TO CARE
1351
00:50:25,823 --> 00:50:27,292
WHAT YOU DO BEYOND THIS,
1352
00:50:27,325 --> 00:50:32,163
BECAUSE THIS IS AS FAR
AS WE GO.
1353
00:50:32,197 --> 00:50:34,832
HOW CAN SOMEONE
THAT BURNS SO HOT
1354
00:50:34,865 --> 00:50:38,403
BE SO COLD?
1355
00:50:38,436 --> 00:50:39,704
I DON'T KNOW,
IT'S A GREAT QUESTION.
1356
00:50:39,737 --> 00:50:41,539
GIVE ME A CALL
IF YOU FIGURE IT OUT.
1357
00:50:43,808 --> 00:50:46,777
[Paul Simon's
Something So Right]
1358
00:50:46,811 --> 00:50:48,713
*
1359
00:50:48,746 --> 00:50:53,184
* YOU GOT
THE COOL WATER *
1360
00:50:53,218 --> 00:50:56,321
* WHEN THE FEVER
RUNS HIGH *
1361
00:50:56,354 --> 00:51:00,725
*
1362
00:51:00,758 --> 00:51:02,360
* YOU GOT THE LOOK
1363
00:51:02,393 --> 00:51:05,596
* OF LOVE LIGHT
IN YOUR EYES *
1364
00:51:05,630 --> 00:51:08,433
* AND I WAS IN CRAZY MOTION
1365
00:51:08,466 --> 00:51:10,335
WE ALL LIVE IN HIDING.
1366
00:51:10,368 --> 00:51:11,636
IN ONE WAY OR ANOTHER,
1367
00:51:11,669 --> 00:51:13,138
EACH OF US
CONCEALS PIECES OF OURSELVES
1368
00:51:13,171 --> 00:51:14,505
FROM THE REST OF THE WORLD.
1369
00:51:14,539 --> 00:51:15,740
SOME PEOPLE HIDE
1370
00:51:15,773 --> 00:51:17,775
BECAUSE THEIR LIVES
DEPEND ON IT.
1371
00:51:17,808 --> 00:51:20,311
OTHERS BECAUSE THEY
DON'T LIKE BEING SEEN.
1372
00:51:20,345 --> 00:51:22,380
AND THEN THERE
ARE THOSE SPECIAL CASES--
1373
00:51:22,413 --> 00:51:24,582
THE ONES WHO HIDE BECAUSE...
1374
00:51:24,615 --> 00:51:26,351
BECAUSE...
1375
00:51:26,384 --> 00:51:28,819
BECAUSE THEY JUST WANT
SOMEONE TO CARE ENOUGH
1376
00:51:28,853 --> 00:51:30,388
TO LOOK FOR THEM.
1377
00:51:30,421 --> 00:51:32,823
* I'M THE FIRST
TO ADMIT IT *
1378
00:51:32,857 --> 00:51:36,294
* AND THE LAST ONE
TO KNOW *
1379
00:51:36,327 --> 00:51:38,596
* WHEN SOMETHING GOES RIGHT
1380
00:51:38,629 --> 00:51:43,168
* OH, IT'S LIKELY
TO LOSE ME *
1381
00:51:43,201 --> 00:51:45,303
* IT'S APT TO CONFUSE ME
1382
00:51:45,336 --> 00:51:47,438
* IT'S SUCH
AN UNUSUAL SIGHT *
1383
00:51:47,472 --> 00:51:49,640
* OH, I CAN'T
1384
00:51:49,674 --> 00:51:53,211
* I CAN'T GET USED
TO SOMETHING SO RIGHT *
1385
00:51:53,244 --> 00:51:55,780
* SOMETHING SO RIGHT
1386
00:51:55,813 --> 00:52:00,818
*
1387
00:52:06,957 --> 00:52:08,626
DID YOU TELL
THAT HOMICIDE DETECTIVE
1388
00:52:08,659 --> 00:52:11,729
TODAY'S MY BIRTHDAY?
1389
00:52:11,762 --> 00:52:14,699
WHAT HOMICIDE--
WHO?
1390
00:52:14,732 --> 00:52:16,301
FORGET IT.
1391
00:52:16,334 --> 00:52:17,902
MAYBE I SHOULD
TALK TO MASTRO AGAIN.
1392
00:52:17,935 --> 00:52:19,704
I DON'T KNOW.
1393
00:52:19,737 --> 00:52:21,206
YOU THINK THE FBI
1394
00:52:21,239 --> 00:52:22,507
WILL LET ME
TAKE ANOTHER CRACK AT HIM?
1395
00:52:22,540 --> 00:52:24,709
IF I CAN'T
I.D. THE KILLER,
1396
00:52:24,742 --> 00:52:27,345
I NEED TO AT LEAST START
ELIMINATING SUSPECTS.
1397
00:52:27,378 --> 00:52:30,281
YOU'RE GONNA HAVE A TOUGH TIME
ELIMINATING MASTRO.
1398
00:52:30,315 --> 00:52:31,516
WHAT'S THAT MEAN?
1399
00:52:31,549 --> 00:52:33,851
20 MINUTES AFTER YOU LEFT,
1400
00:52:33,884 --> 00:52:35,620
THE FBI SHOWED UP
WITH DNA
1401
00:52:35,653 --> 00:52:37,555
ON HIS DEAD GIRLFRIEND.
1402
00:52:37,588 --> 00:52:40,191
HE AGREED TO FLIP
ON HIS FAMILY.
1403
00:52:40,225 --> 00:52:42,527
AND THEY CUT HIM A DEAL.
1404
00:52:42,560 --> 00:52:44,462
HE'S IN THE PROGRAM.
1405
00:52:44,495 --> 00:52:48,233
PLEASE TELL ME THIS
IS ONE OF YOUR UNFUNNY JOKES.
1406
00:52:48,266 --> 00:52:49,967
THAT'S NOT
THE WORST OF IT.
1407
00:52:50,000 --> 00:52:52,403
WHAT?
1408
00:52:52,437 --> 00:52:54,805
HALF HOUR AGO,
MASTRO WALKED OUT
1409
00:52:54,839 --> 00:52:56,907
THE BACK DOOR
OF THE FED'S SAFE HOUSE.
1410
00:52:56,941 --> 00:52:58,643
HE'S IN THE WIND.
1411
00:52:58,676 --> 00:53:00,911
OH, CRAP.
1412
00:53:00,945 --> 00:53:02,847
I TOLD FRANKIE
THEY COULD SPEND
1413
00:53:02,880 --> 00:53:05,950
ONE LAST NIGHT AT HOME.
1414
00:53:09,587 --> 00:53:13,591
COME ON, FRANKIE.
ANSWER YOUR DAMN PHONE.
1415
00:53:25,002 --> 00:53:26,437
FRANKIE?
1416
00:53:26,471 --> 00:53:29,940
OPEN UP.
IT'S ME, MARY.
1417
00:53:31,976 --> 00:53:33,244
WHAT ARE YOU DOING?
1418
00:53:33,278 --> 00:53:37,415
CALLING MASTRO.
1419
00:53:46,957 --> 00:53:48,459
FRANKIE,
1420
00:53:48,493 --> 00:53:49,627
OPEN UP!
1421
00:53:49,660 --> 00:53:51,862
ALL RIGHT.
ALL RIGHT.
1422
00:53:51,896 --> 00:53:53,264
WHAT?
1423
00:53:58,369 --> 00:53:59,637
FELICIA,
WHAT ARE YOU DOING?
1424
00:53:59,670 --> 00:54:01,839
IS THIS WHAT
YOU WERE EXPECTING?
1425
00:54:01,872 --> 00:54:02,873
BECAUSE I, FOR ONE,
AM FLABBERGASTED.
1426
00:54:02,907 --> 00:54:04,742
WHAT'S GOING ON,
FELICIA?
1427
00:54:04,775 --> 00:54:06,311
RICHIE FOUND OUT
I WAS EMAILING CATHY,
1428
00:54:06,344 --> 00:54:07,745
AND HE CAME HERE
TO KILL US ALL.
1429
00:54:07,778 --> 00:54:09,347
BUT I SHOT HIM.
1430
00:54:09,380 --> 00:54:10,681
I CAN SEE THAT.
1431
00:54:10,715 --> 00:54:11,682
WHY ARE YOU
POINTING THE GUN AT FRANKIE?
1432
00:54:11,716 --> 00:54:13,618
BECAUSE THIS BASTARD
1433
00:54:13,651 --> 00:54:15,786
RUINED MY WHOLE LIFE.
1434
00:54:15,820 --> 00:54:18,055
AND NOW I'M GONNA
SHOOT HIM, TOO.
1435
00:54:18,088 --> 00:54:19,357
OKAY, OKAY.
1436
00:54:19,390 --> 00:54:20,758
WELL, YOU COULD DO THAT.
1437
00:54:20,791 --> 00:54:22,593
BUT LET'S JUST
THINK THIS THROUGH.
1438
00:54:22,627 --> 00:54:24,629
IF YOU KILL FRANKIE,
I'M GONNA HAVE TO KILL YOU.
1439
00:54:24,662 --> 00:54:26,331
I DON'T CARE.
1440
00:54:26,364 --> 00:54:27,965
I HAVE NOTHING
TO LIVE FOR ANYMORE.
1441
00:54:27,998 --> 00:54:29,900
OKAY, LOOK.
1442
00:54:29,934 --> 00:54:31,302
HERE'S THE THING--
1443
00:54:31,336 --> 00:54:33,804
MEN LIE, THEY CHEAT,
THEY START WARS.
1444
00:54:33,838 --> 00:54:35,606
THEY'RE SLOBS
UNLESS THEY'RE GAY,
1445
00:54:35,640 --> 00:54:36,774
AND THERE'S PRECIOUS FEW
OF THEM WALKING THE PLANET
1446
00:54:36,807 --> 00:54:37,942
WORTH PUTTING ON
LIPSTICK FOR,
1447
00:54:37,975 --> 00:54:39,377
LET ALONE
THROWING YOUR LIFE AWAY.
1448
00:54:39,410 --> 00:54:40,878
WHICH IS WHAT
YOU'LL BE DOING
1449
00:54:40,911 --> 00:54:43,448
IF YOU SHOOT YOUR FESTERING
CRAP-BAG OF A HUSBAND.
1450
00:54:43,481 --> 00:54:44,515
IS THAT REALLY NECESSARY?
1451
00:54:44,549 --> 00:54:45,783
SHUT UP OR I'LL SHOOT YOU.
1452
00:54:45,816 --> 00:54:48,953
I CAN'T LIVE
WITH HIM ANYMORE.
1453
00:54:48,986 --> 00:54:51,489
THEN DON'T.
YOU DON'T HAVE TO.
1454
00:54:51,522 --> 00:54:54,725
OKAY.
1455
00:54:54,759 --> 00:54:57,895
FELICIA, AS HARD
AS IT IS TO IMAGINE,
1456
00:54:57,928 --> 00:54:59,464
YOU HAVE DAYS
AHEAD OF YOU
1457
00:54:59,497 --> 00:55:01,766
WHERE YOU WILL
SMILE AND LAUGH
1458
00:55:01,799 --> 00:55:03,568
AND LOOK FORWARD
TO THINGS.
1459
00:55:03,601 --> 00:55:05,570
AND MAYBE EVEN
FALL IN LOVE AGAIN.
1460
00:55:05,603 --> 00:55:09,507
IF YOU DON'T
THROW IT ALL AWAY.
1461
00:55:09,540 --> 00:55:12,610
I PROMISE.
1462
00:55:12,643 --> 00:55:14,044
OH, GOD.
1463
00:55:16,847 --> 00:55:18,716
IT'S OKAY.
1464
00:55:18,749 --> 00:55:20,551
SHH.
1465
00:55:31,829 --> 00:55:35,533
I'LL CATCH UP
WITH YOU LATER.
1466
00:55:37,568 --> 00:55:41,138
SO WHAT'S
GONNA HAPPEN TO HER?
1467
00:55:41,171 --> 00:55:42,973
WELL, SINCE SHE SHOT MASTRO
IN SELF-DEFENSE,
1468
00:55:43,007 --> 00:55:44,509
SHE'LL PROBABLY
GET A NEW IDENTITY
1469
00:55:44,542 --> 00:55:46,911
AND BE MOVED SOMEPLACE
YOU CAN'T FIND HER.
1470
00:55:46,944 --> 00:55:48,979
YOU KNOW,
IT'S A HELL OF A THING--
1471
00:55:49,013 --> 00:55:50,381
LOSING YOUR WIFE
AND YOUR SON
1472
00:55:50,415 --> 00:55:51,816
ALL IN THE SAME DAY.
1473
00:55:51,849 --> 00:55:53,984
DO YOU EVER THINK ABOUT
ALL THE PEOPLE, THE FAMILIES,
1474
00:55:54,018 --> 00:55:56,787
HAD DAYS LIKE THIS
'CAUSE OF YOU?
1475
00:55:56,821 --> 00:55:58,489
THE CLOCK'S STILL TICKING.
1476
00:55:58,523 --> 00:56:00,024
EITHER YOU GET ME A NAME
BY THIS TIME TOM--
1477
00:56:00,057 --> 00:56:01,959
ACTUALLY, FRANKIE,
NAME OR NO NAME,
1478
00:56:01,992 --> 00:56:03,093
THIS TIME TOMORROW
1479
00:56:03,127 --> 00:56:04,094
YOU'RE ON YOUR WAY
TO A NEW CITY,
1480
00:56:04,128 --> 00:56:05,095
AND OUT OF MY HAIR.
1481
00:56:05,129 --> 00:56:06,497
I'M SORRY FOR YOUR LOSS,
1482
00:56:06,531 --> 00:56:10,000
BUT SCREW YOU
AND YOUR CLOCK.
1483
00:56:25,750 --> 00:56:27,485
I JUST WANNA WASH
THE STENCH OF THIS DAY OFF
1484
00:56:27,518 --> 00:56:28,853
AND GO TO BED.
1485
00:56:28,886 --> 00:56:31,155
I KNOW, BUT THERE ARE
ABOUT 60 PEOPLE IN THERE
1486
00:56:31,188 --> 00:56:32,490
HIDING BEHIND FURNITURE
1487
00:56:32,523 --> 00:56:33,824
JUST WAITING FOR YOU
TO OPEN THE DOOR
1488
00:56:33,858 --> 00:56:35,993
SO THEY CAN JUMP UP
AND YELL "SURPRISE."
1489
00:56:36,026 --> 00:56:37,528
YUCK.
1490
00:56:37,562 --> 00:56:38,963
COME ON,
IT'S YOUR BIRTHDAY.
1491
00:56:38,996 --> 00:56:40,565
THIS ISN'T ABOUT YOU.
1492
00:56:40,598 --> 00:56:43,568
NOW GET READY
TO ACT SURPRISED.
1493
00:56:43,601 --> 00:56:44,769
ALL RIGHT,
ALL RIGHT.
1494
00:56:44,802 --> 00:56:46,604
LET'S GET IT OVER WITH.
1495
00:56:46,637 --> 00:56:48,806
THAT'S MY GIRL.
1496
00:56:54,512 --> 00:56:57,848
SURPRISE.
1497
00:56:57,882 --> 00:56:59,717
OH, HAPPY BIRTHDAY,
SWEET PEA.
1498
00:56:59,750 --> 00:57:01,051
THANKS, MOM.
AWW, YOU'RE WELCOME.
1499
00:57:01,085 --> 00:57:03,488
WHOOP, OKAY.
1500
00:57:03,521 --> 00:57:05,022
HOW'D YOU KEEP THIS
A SECRET?
1501
00:57:05,055 --> 00:57:06,924
PFFT.
1502
00:57:06,957 --> 00:57:08,659
YOU KNEW THAT I KNEW.
1503
00:57:08,693 --> 00:57:10,027
I KNEW THAT YOU KNEW.
1504
00:57:10,060 --> 00:57:11,929
AT LEAST
THAT WAS A SURPRISE.
1505
00:57:11,962 --> 00:57:14,198
I KNEW
IT WOULD BE.
1506
00:57:14,231 --> 00:57:15,566
HEY, MARY,
1507
00:57:15,600 --> 00:57:17,535
A LITTLE SOMETHING
FOR YOU.
1508
00:57:17,568 --> 00:57:18,969
OH, STAN.
I KNOW, I GOT IT.
1509
00:57:19,003 --> 00:57:20,905
OPEN IT. OPEN IT.
OKAY.
1510
00:57:20,938 --> 00:57:23,140
IT'S...
1511
00:57:23,173 --> 00:57:24,542
A 50.
1512
00:57:24,575 --> 00:57:26,911
YOU GAVE HER MONEY?
1513
00:57:26,944 --> 00:57:29,013
IT'S JUST WHAT
I ALWAYS WANTED.
1514
00:57:29,046 --> 00:57:30,080
THANK YOU.
1515
00:57:30,114 --> 00:57:31,582
SEE?
SEE THAT?
1516
00:57:31,616 --> 00:57:33,250
IS, UM--
1517
00:57:33,283 --> 00:57:34,552
IS RAPH HERE?
1518
00:57:34,585 --> 00:57:35,753
NO, I'M SORRY.
1519
00:57:35,786 --> 00:57:37,822
THAT'S OKAY.
I TOLD HIM NOT TO.
1520
00:57:37,855 --> 00:57:40,991
WHAT ABOUT BRANDI?
1521
00:57:41,025 --> 00:57:44,729
SHE THINKS YOU DON'T
WANT HER AT YOUR PARTY.
1522
00:57:44,762 --> 00:57:46,631
I SEE.
1523
00:57:46,664 --> 00:57:48,799
YOU'RE GONNA KEEP LOOKING AT ME
WITH THOSE SAD EYES
1524
00:57:48,833 --> 00:57:49,800
UNTIL I GO TALK TO HER,
AREN'T YOU?
1525
00:57:49,834 --> 00:57:53,604
MM.
1526
00:57:53,638 --> 00:57:56,240
I KNOW YOU MEAN WELL.
1527
00:57:56,273 --> 00:57:58,075
BUT YOU'RE NOT
A VERY GOOD MOTHER.
1528
00:57:58,108 --> 00:58:01,278
OH.
1529
00:58:01,311 --> 00:58:04,114
I CAN'T BELIEVE
YOU GAVE HER CASH.
1530
00:58:04,148 --> 00:58:05,950
HUH...
1531
00:58:05,983 --> 00:58:08,218
THIS IS A GOOD PARTY,
HUH?
1532
00:58:10,588 --> 00:58:11,756
HEY, SQUISH,
1533
00:58:11,789 --> 00:58:13,891
WHAT'S GOING ON?
1534
00:58:13,924 --> 00:58:18,262
NOTHING.
1535
00:58:18,295 --> 00:58:19,263
YOU OKAY?
1536
00:58:19,296 --> 00:58:22,066
YEAH.
1537
00:58:23,601 --> 00:58:25,670
OKAY, COME HERE.
1538
00:58:25,703 --> 00:58:28,005
IT'S OKAY.
1539
00:58:28,038 --> 00:58:29,106
COME ON.
1540
00:58:29,139 --> 00:58:30,775
COME ON.
1541
00:58:30,808 --> 00:58:34,311
I'M SO SORRY I MAKE YOUR LIFE
SO MISERABLE.
1542
00:58:34,344 --> 00:58:35,580
OH, GOD.
1543
00:58:35,613 --> 00:58:36,814
LISTEN TO ME.
1544
00:58:36,847 --> 00:58:39,617
YOU DON'T MAKE
MY LIFE MISERABLE, OKAY?
1545
00:58:39,650 --> 00:58:42,019
I GET FRUSTRATED
SOMETIMES.
1546
00:58:42,052 --> 00:58:43,688
YOU KNOW, I WANT YOU
TO BE HAPPY.
1547
00:58:43,721 --> 00:58:45,890
AND I WANT YOU
1548
00:58:45,923 --> 00:58:47,124
TO STOP DOING STUFF
THAT HURTS YOURSELF
1549
00:58:47,157 --> 00:58:49,026
AND MAKES YOU MISERABLE.
1550
00:58:49,059 --> 00:58:50,160
THAT'S ALL.
1551
00:58:50,194 --> 00:58:51,596
COME ON.
1552
00:58:51,629 --> 00:58:54,665
SHH.
1553
00:58:54,699 --> 00:58:56,033
STOP.
1554
00:58:56,066 --> 00:58:57,602
STOP.
1555
00:58:57,635 --> 00:59:00,037
COME ON.
1556
00:59:00,070 --> 00:59:01,138
SHH.
1557
00:59:01,171 --> 00:59:04,842
THERE'S
MY PRETTY BABY SISTER.
1558
00:59:08,813 --> 00:59:12,917
I GOT YOU SOMETHING
FOR YOUR BIRTHDAY.
1559
00:59:12,950 --> 00:59:13,918
REALLY?
1560
00:59:13,951 --> 00:59:16,253
YEAH.
1561
00:59:16,286 --> 00:59:17,722
YOU DIDN'T HAVE TO.
1562
00:59:17,755 --> 00:59:21,225
I KNOW, I KNOW.
I JUST WANTED TO.
1563
00:59:25,195 --> 00:59:28,899
AWW.
1564
00:59:30,400 --> 00:59:31,802
WOW.
1565
00:59:31,836 --> 00:59:34,705
IT'S AN INDIAN TALISMAN.
1566
00:59:34,739 --> 00:59:36,273
OR TOTEM?
1567
00:59:36,306 --> 00:59:37,708
MAYBE.
1568
00:59:37,742 --> 00:59:39,810
I FORGET WHICH,
BUT, UM,
1569
00:59:39,844 --> 00:59:42,780
I GOT IT
FROM THIS INDIAN STAND
1570
00:59:42,813 --> 00:59:44,181
AFTER I TOOK OFF
WITH CHICO'S CAR.
1571
00:59:44,214 --> 00:59:45,315
RAPHAEL.
1572
00:59:45,349 --> 00:59:46,684
RIGHT.
1573
00:59:46,717 --> 00:59:49,720
IT'S FROM
THE LOS LOBOS TRIBE.
1574
00:59:49,754 --> 00:59:51,388
SWEETIE,
1575
00:59:51,421 --> 00:59:53,824
LOS LOBOS IS A BAND.
1576
00:59:53,858 --> 00:59:55,359
A BAND OF INDIANS?
1577
00:59:55,392 --> 00:59:57,862
NO, JUST A BAND.
1578
00:59:57,895 --> 01:00:00,931
OH, WELL, ANYWAY,
IT MEANS:
1579
01:00:00,965 --> 01:00:05,002
MAY YOU ALWAYS SLEEP
UNDER THE TALL TREES, SO...
1580
01:00:05,035 --> 01:00:08,739
THAT'S NICE, RIGHT?
1581
01:00:12,843 --> 01:00:14,244
THAT'S REALLY NICE.
1582
01:00:14,278 --> 01:00:18,115
SO YOU LIKE IT?
1583
01:00:18,148 --> 01:00:19,784
I LIKE IT.
1584
01:00:19,817 --> 01:00:21,819
I LIKE IT A LOT.
1585
01:00:21,852 --> 01:00:26,090
THANK YOU.
THANK YOU SO MUCH.
1586
01:00:26,123 --> 01:00:28,192
LISTEN, I HAVE
TO GO DO SOMETHING,
1587
01:00:28,225 --> 01:00:29,226
BUT WHEN I COME BACK,
1588
01:00:29,259 --> 01:00:30,895
I WANT TO TALK, OKAY?
1589
01:00:30,928 --> 01:00:31,962
OKAY.
1590
01:00:31,996 --> 01:00:35,700
OKAY.
1591
01:01:15,740 --> 01:01:17,241
OKAY, HERE'S HOW
I THINK WE SHOULD PROCEED.
1592
01:01:17,274 --> 01:01:19,143
OPEN UP, TALLTREES!
1593
01:01:19,176 --> 01:01:20,778
I THINK I'LL JUST STAND HERE
WITH MY THUMB UP MY ASS
1594
01:01:20,811 --> 01:01:22,780
WHILE YOU START SHOUTING
LIKE A CRAZY PERSON.
1595
01:01:22,813 --> 01:01:25,049
AFTER A WHILE
IT BECOMES CHARMING.
1596
01:01:25,082 --> 01:01:27,251
WHAT IS ALL THIS?
1597
01:01:27,284 --> 01:01:29,053
WHAT HAPPENED?
1598
01:01:29,086 --> 01:01:31,455
SIENNA GET TIRED OF SLEEPING
UNDER THE TALL TREES?
1599
01:01:31,488 --> 01:01:33,991
YOU THINK I WAS HAVING
AN AFFAIR WITH SIENNA?
1600
01:01:34,024 --> 01:01:36,761
NOT ONLY
IS THAT DISGUSTING,
1601
01:01:36,794 --> 01:01:38,195
IT'S SLANDER.
1602
01:01:38,228 --> 01:01:40,330
AND YOU HAD BETTER BE
VERY CAREFUL WITH YOUR--
1603
01:01:40,364 --> 01:01:43,233
EXCUSE ME.
DO YOU MIND?
1604
01:01:43,267 --> 01:01:44,234
GO AHEAD.
1605
01:01:44,268 --> 01:01:46,470
EDWIN TALLTREES,
1606
01:01:46,503 --> 01:01:48,238
I HAVE A WARRANT
TO SEARCH THIS PROPERTY
1607
01:01:48,272 --> 01:01:50,174
FOR ANY AND ALL EVIDENCE
RELATING TO THE MURDER
1608
01:01:50,207 --> 01:01:52,442
OF FRANCIS AMATO JUNIOR
AND SIENNA BURKE.
1609
01:01:52,476 --> 01:01:56,146
PLEASE STEP OUTSIDE.
1610
01:02:07,457 --> 01:02:11,796
WAIT.
1611
01:02:11,829 --> 01:02:12,963
WHAT?
1612
01:02:12,997 --> 01:02:15,199
LOOK.
1613
01:02:15,232 --> 01:02:16,200
AT WHAT?
1614
01:02:16,233 --> 01:02:19,937
OH.
1615
01:02:28,078 --> 01:02:29,980
STOP RIGHT THERE.
1616
01:02:30,014 --> 01:02:31,448
DON'T COME ANY CLOSER.
I SWEAR I'LL--
1617
01:02:31,481 --> 01:02:33,250
WHAT?
1618
01:02:33,283 --> 01:02:36,987
KICK THE STOOL OUT?
1619
01:02:40,324 --> 01:02:42,026
PLEASE.
1620
01:02:42,059 --> 01:02:43,027
LET ME.
1621
01:02:43,060 --> 01:02:46,530
HEY, WHAT ARE YOU DOING?
1622
01:02:47,898 --> 01:02:50,000
SO AFTER SPENDING
1623
01:02:50,034 --> 01:02:52,102
ALMOST THEIR ENTIRE LIVES
TOGETHER,
1624
01:02:52,136 --> 01:02:53,537
SIENNA BURKE
BROKE UP WITH KYLE
1625
01:02:53,570 --> 01:02:55,039
BECAUSE SHE COULDN'T
TELL HER FRIENDS
1626
01:02:55,072 --> 01:02:56,941
SHE WAS WITH AN INDIAN.
1627
01:02:56,974 --> 01:02:58,242
SHE BROKE HIS HEART.
1628
01:02:58,275 --> 01:03:00,477
SO HE CUT OUT HERS.
1629
01:03:00,510 --> 01:03:02,046
IT ALMOST SEEMS FAIR.
1630
01:03:06,083 --> 01:03:09,053
THANKS FOR THE CALL.
1631
01:03:09,086 --> 01:03:10,287
IT'S YOUR CASE.
1632
01:03:10,320 --> 01:03:12,289
U.S. MARSHALS
HAVE A LONG HISTORY
1633
01:03:12,322 --> 01:03:14,191
OF COOPERATING
WITH LOCAL LAW ENFORCEMENT.
1634
01:03:14,224 --> 01:03:16,326
UH-HUH.
1635
01:03:16,360 --> 01:03:18,462
AFTER ALL I'VE DONE
TO GET US OFF THE RESERVATION,
1636
01:03:18,495 --> 01:03:21,431
TO GIVE MY SON THE SAME
OPPORTUNITIES AS THE WHITES,
1637
01:03:21,465 --> 01:03:23,267
THEY STILL TREAT HIM
LIKE A REDSKIN.
1638
01:03:23,300 --> 01:03:25,135
BUT HE WON'T
BE TRIED LIKE ONE.
1639
01:03:25,169 --> 01:03:26,871
WHATEVER.
1640
01:03:26,904 --> 01:03:27,872
I'VE GOT WHITE MAN'S MONEY,
1641
01:03:27,905 --> 01:03:28,873
A WHITE MAN'S LAWYER,
1642
01:03:28,906 --> 01:03:30,140
AND I PROMISE YOU--
1643
01:03:30,174 --> 01:03:33,043
MY SON WON'T SPEND
A DAY IN PRISON.
1644
01:03:33,077 --> 01:03:35,145
HEY, CHUCKLES.
1645
01:03:35,179 --> 01:03:37,081
YOUR SON'S A MONSTER.
1646
01:03:37,114 --> 01:03:38,115
HE GUTTED SIENNA BURKE
1647
01:03:38,148 --> 01:03:39,149
WHILE SHE WAS
STILL ALIVE,
1648
01:03:39,183 --> 01:03:40,150
AND HE NEEDS
TO BE PUT DOWN.
1649
01:03:40,184 --> 01:03:42,186
BUT GUESS WHAT,
1650
01:03:42,219 --> 01:03:43,220
HE'S NOT THE ONLY MONSTER
ON THE BLOCK.
1651
01:03:43,253 --> 01:03:44,454
NOT BY A LONG SHOT.
1652
01:03:44,488 --> 01:03:46,223
PRISON OR NO PRISON,
1653
01:03:46,256 --> 01:03:48,492
TOMORROW MORNING THE VERY
WORST OF THOSE MONSTERS
1654
01:03:48,525 --> 01:03:50,160
IS COMING FOR HIM.
1655
01:03:50,194 --> 01:03:51,628
SO GOOD LUCK
WITH YOUR WHITE MAN'S DEFENSE.
1656
01:03:51,661 --> 01:03:56,300
LET ME KNOW
HOW THAT WORKS OUT FOR YOU.
1657
01:03:56,333 --> 01:03:58,468
OH, AND YOU MIGHT WANT
TO THINK ABOUT
1658
01:03:58,502 --> 01:04:00,871
ADDING A LITTLE SECURITY
FOR YOURSELF.
1659
01:04:03,240 --> 01:04:06,276
HEY, HEY, HEY.
1660
01:04:06,310 --> 01:04:07,912
SHE SEEING ANYONE?
1661
01:04:50,187 --> 01:04:53,657
OH, CRUD.
1662
01:04:58,228 --> 01:04:59,196
HI.
1663
01:04:59,229 --> 01:05:00,497
YOU'RE AWAKE.
1664
01:05:00,530 --> 01:05:02,132
DA.
1665
01:05:02,166 --> 01:05:04,434
I DIDN'T WANT
TO MISS MY GROCERIES.
1666
01:05:04,468 --> 01:05:05,702
SORRY.
1667
01:05:05,735 --> 01:05:07,404
I GOT HUNG UP.
1668
01:05:07,437 --> 01:05:08,939
IS THIS WHAT YOU MEAN
WHEN YOU SAY,
1669
01:05:08,973 --> 01:05:10,540
"I BE BACK
A LITTLE LATER"?
1670
01:05:10,574 --> 01:05:12,576
I WISH TO KNOW
FOR FUTURE.
1671
01:05:12,609 --> 01:05:14,311
NO, I'M USUALLY
VERY PROMPT.
1672
01:05:14,344 --> 01:05:15,312
I--I--
1673
01:05:15,345 --> 01:05:18,048
SOMETHING HAPPENED.
1674
01:05:18,082 --> 01:05:21,551
ANYWAY, IT'S LATE.
AND HERE'S YOUR GROCERIES.
1675
01:05:26,456 --> 01:05:29,126
YOU BRING ME PORNO.
1676
01:05:29,159 --> 01:05:32,462
TO HELP YOU PICK OUT
YOUR NEW BREASTS.
1677
01:05:41,471 --> 01:05:45,509
SEE, ALL DIFFERENT
SHAPES AND SIZES.
1678
01:05:49,679 --> 01:05:51,315
MY NAME IS MARY.
1679
01:05:51,348 --> 01:05:52,516
TODAY'S MY BIRTHDAY.
1680
01:05:52,549 --> 01:05:54,051
AND IF I EVER
1681
01:05:54,084 --> 01:05:55,752
RUN INTO THE SON OF A BITCH
THAT PROMISED ME
1682
01:05:55,785 --> 01:05:57,554
A LIFE OF EXCITEMENT
AND UNLIMITED OPPORTUNITY
1683
01:05:57,587 --> 01:05:59,423
AS A U.S. MARSHAL,
1684
01:05:59,456 --> 01:06:02,559
I'LL SHOOT OFF
BOTH HIS KNEECAPS.
111250
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