1 00:00:02,103 --> 00:00:03,371 SINCE 1970, 2 00:00:03,404 --> 00:00:04,672 THE FEDERAL WITNESS PROTECTION PROGRAM 3 00:00:04,705 --> 00:00:06,140 HAS RELOCATED THOUSANDS OF WITNESSES-- 4 00:00:06,174 --> 00:00:08,309 SOME CRIMINAL, SOME NOT-- 5 00:00:08,342 --> 00:00:10,611 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 6 00:00:10,644 --> 00:00:12,246 EVERY ONE OF THOSE INDIVIDUALS 7 00:00:12,280 --> 00:00:14,182 SHARES A UNIQUE ATTRIBUTE, DISTINGUISHING THEM 8 00:00:14,215 --> 00:00:16,384 FROM THE REST OF THE GENERAL POPULATION, 9 00:00:16,417 --> 00:00:21,422 AND THAT IS: SOMEBODY WANTS THEM DEAD. 10 00:00:27,561 --> 00:00:30,698 * I CAN'T SEE ME LOVIN' NOBODY BUT YOU * 11 00:00:30,731 --> 00:00:32,433 YOU PUT ON SUN BLOCK? 12 00:00:32,466 --> 00:00:34,135 I'LL PUT IT ON WHEN WE GET TO THE BEACH. 13 00:00:34,168 --> 00:00:36,404 NO, NO, YOU GOTTA PUT IT ON A HALF HOUR BEFORE. 14 00:00:36,437 --> 00:00:37,738 BABE. ALL RIGHT. 15 00:00:37,771 --> 00:00:38,839 I'LL PUT THE SUNSCREEN ON. 16 00:00:38,872 --> 00:00:40,108 GOOD. 17 00:00:40,141 --> 00:00:42,310 YOU TWO ARE MAKING ME CARSICK. 18 00:00:42,343 --> 00:00:43,777 OH, YEAH? 19 00:00:43,811 --> 00:00:45,379 I CAN'T WAIT TILL YOU HAVE KIDS AND THEY THINK 20 00:00:45,413 --> 00:00:46,847 YOU'RE A RIDICULOUS OLD FOOL. 21 00:00:46,880 --> 00:00:49,217 SORRY TO RUN YOUR FUN, BUT I'M NOT HAVING KIDS. 22 00:00:49,250 --> 00:00:51,319 BITE YOUR TONGUE, YOU. 23 00:00:51,352 --> 00:00:52,686 YOU'RE GIVING ME GRANDBABIES. 24 00:00:52,720 --> 00:00:54,455 OR ELSE... 25 00:00:54,488 --> 00:00:55,689 WHY ARE WE STOPPING? 26 00:00:55,723 --> 00:00:57,358 WELL, PETEY'S SICK, 27 00:00:57,391 --> 00:01:00,094 AND I PROMISED DOMINIC I'D, UH, 28 00:01:00,128 --> 00:01:01,795 I'D DROP OFF SOME STUFF FOR HIM. 29 00:01:01,829 --> 00:01:03,097 ALL RI-- 30 00:01:03,131 --> 00:01:04,865 TRY AND HURRY, BECAUSE IF NOT, 31 00:01:04,898 --> 00:01:06,600 WE DON'T GET A GOOD SPOT, FRANK. 32 00:01:06,634 --> 00:01:08,302 DON'T WORRY, I'LL JUST BE A MINUTE. 33 00:01:08,336 --> 00:01:13,174 NOT EVEN. 34 00:01:13,207 --> 00:01:15,743 TELL PETEY I HOPE HE FEELS BETTER. 35 00:01:15,776 --> 00:01:17,778 WILL DO. 36 00:01:17,811 --> 00:01:19,747 AND YOU, DON'T SCREW WITH ME. 37 00:01:19,780 --> 00:01:20,881 YOU'RE GONNA GIVE ME GRANDCHILDREN. 38 00:01:20,914 --> 00:01:22,583 YOU HEAR ME? YES, MOM. 39 00:01:22,616 --> 00:01:26,220 THAT'S RIGHT. 40 00:01:26,254 --> 00:01:28,689 OH, MY GOD. 41 00:01:28,722 --> 00:01:30,824 HOW DOES THAT FAT BASTARD GET UP AND DOWN 42 00:01:30,858 --> 00:01:34,094 THOSE STAIRS EVERY DAY? 43 00:01:36,864 --> 00:01:37,865 WHO IS IT? 44 00:01:37,898 --> 00:01:39,300 IT'S CAPTAIN KANGAROO. 45 00:01:39,333 --> 00:01:40,334 FRANKIE, IS THAT YOU? 46 00:01:40,368 --> 00:01:42,136 YEAH, YEAH, IT'S FRANKIE. 47 00:01:42,170 --> 00:01:46,374 COME ON, COME ON. I'M IN A HURRY, PETEY. 48 00:01:46,407 --> 00:01:47,375 YO, FRANKIE. 49 00:01:47,408 --> 00:01:49,610 HEY, PETEY. 50 00:01:49,643 --> 00:01:51,379 I GOT A DELIVERY FOR YOU FROM DOMINIC. 51 00:01:51,412 --> 00:01:52,846 OH, YEAH? 52 00:01:52,880 --> 00:01:54,482 YEAH. 53 00:02:06,194 --> 00:02:08,729 PETEY? 54 00:02:08,762 --> 00:02:10,564 WHERE ARE YOU? 55 00:02:10,598 --> 00:02:13,501 ARE YOU DEAD? 56 00:02:15,903 --> 00:02:19,740 OH, NO. 57 00:02:19,773 --> 00:02:22,510 OH... 58 00:02:22,543 --> 00:02:24,245 * I CAN'T SEE ME 59 00:02:24,278 --> 00:02:26,714 * LOVIN' NOBODY BUT YOU 60 00:02:26,747 --> 00:02:28,816 * FOR ALL MY LIFE 61 00:02:28,849 --> 00:02:32,186 I HAVE NO IDEA HOW THAT HAPPENED. 62 00:02:33,387 --> 00:02:36,190 * THE SKIES WILL BE BLUE 63 00:02:36,224 --> 00:02:39,227 ALL RIGHT, GET BACK. LET'S GO. 64 00:03:04,785 --> 00:03:06,854 GOD, IT'S SO BEYOND RETARDED. 65 00:03:06,887 --> 00:03:08,256 FIRST OF ALL, 66 00:03:08,289 --> 00:03:11,292 WE DON'T SAY "RETARDED" ANYMORE. 67 00:03:15,496 --> 00:03:17,831 DON'T EVEN THINK ABOUT PARKING THERE. 68 00:03:17,865 --> 00:03:19,667 U.S. MARSHALS. 69 00:03:19,700 --> 00:03:21,802 CARS BETTER BE HERE WHEN WE GET BACK. 70 00:03:21,835 --> 00:03:24,505 AND SECOND, 71 00:03:24,538 --> 00:03:25,739 IT'S NOT RETARDED-- IT'S MARKETING. 72 00:03:25,773 --> 00:03:27,408 THEN IT'S RETARDED MARKETING. 73 00:03:27,441 --> 00:03:28,942 LOOK, IMAGERY AND METAPHOR HAVE BEEN USED-- 74 00:03:28,976 --> 00:03:30,911 OH, THANK GOD. 75 00:03:30,944 --> 00:03:32,746 HEY, WHAT'S UP? 76 00:03:32,780 --> 00:03:33,981 IT SEEMS YOUR SISTER WOULD PREFER 77 00:03:34,014 --> 00:03:35,549 SOMEONE ELSE TO PICK HER UP. 78 00:03:35,583 --> 00:03:37,518 WHAT? PUT HER ON. 79 00:03:37,551 --> 00:03:39,987 MARY WOULD LIKE A WORD. 80 00:03:40,020 --> 00:03:41,455 HEY. 81 00:03:41,489 --> 00:03:42,756 DON'T "HEY" ME. 82 00:03:42,790 --> 00:03:44,024 WHAT THE HELL DO YOU THINK YOU'RE DOING? 83 00:03:44,057 --> 00:03:45,426 NOTHING, BUT THERE'S NO WAY IN HELL 84 00:03:45,459 --> 00:03:46,527 I'M TAKING A RIDE FROM SOME 85 00:03:46,560 --> 00:03:48,296 RICO SUAVE WANNABE 86 00:03:48,329 --> 00:03:49,830 I'VE NEVER EVEN SEEN BEFORE. 87 00:03:49,863 --> 00:03:51,665 WHY CAN'T YOU PICK ME UP? 88 00:03:51,699 --> 00:03:52,966 BECAUSE I'M WORKING... 89 00:03:53,000 --> 00:03:54,335 ALL THE WAY ON THE OTHER SIDE OF TOWN. 90 00:03:54,368 --> 00:03:55,636 BUT I'M YOUR SISTER. 91 00:03:55,669 --> 00:03:58,306 HEY, YOU KNOW WHAT-- YOU CAN EITHER 92 00:03:58,339 --> 00:04:00,508 ACCEPT MY FRIEND'S GENEROUS OFFER OR START WALKING. 93 00:04:00,541 --> 00:04:01,909 FINE, I'LL TAKE THE RIDE. 94 00:04:01,942 --> 00:04:04,578 YOU DO THAT. 95 00:04:04,612 --> 00:04:07,515 HERE. 96 00:04:07,548 --> 00:04:08,649 PROBLEMS? 97 00:04:08,682 --> 00:04:10,318 BRANDI GOT IN THIS MORNING. 98 00:04:10,351 --> 00:04:12,520 FOR MY SURPRISE PARTY, NO DOUBT. 99 00:04:12,553 --> 00:04:13,821 MY CONDOLENCES. 100 00:04:13,854 --> 00:04:15,456 NOW, AS I WAS SAYING-- 101 00:04:15,489 --> 00:04:18,459 IMAGERY AND METAPHOR HAVE BEEN USED 102 00:04:18,492 --> 00:04:19,560 TO SELL PRODUCTS FOREVER. 103 00:04:19,593 --> 00:04:21,462 PLEASE, JESUS, TAKE ME NOW. 104 00:04:21,495 --> 00:04:22,996 TAKE THE FORD MUSTANG, FOR INSTANCE. 105 00:04:23,030 --> 00:04:25,799 NAMED FOR A POWERFUL AND AGILE ANIMAL, 106 00:04:25,833 --> 00:04:27,935 QUALITIES WE ALSO SEEK IN AN AUTOMOBILE. 107 00:04:27,968 --> 00:04:29,603 IT'S CALLED "TRANSFERENCE." 108 00:04:29,637 --> 00:04:31,071 YEAH, OKAY. WHAT ABOUT MY PROBE? 109 00:04:31,104 --> 00:04:33,474 EXACTLY WHAT IMAGE IS THAT SUPPOSED TO TRANSFER? 110 00:04:33,507 --> 00:04:34,775 'CAUSE ALL I'M GETTING IS PAPER DRESS, 111 00:04:34,808 --> 00:04:36,744 METAL STIRRUPS, AND LEGS AKIMBO. 112 00:04:36,777 --> 00:04:38,045 EXACTLY WHAT WAS THE THOUGHT PROCESS 113 00:04:38,078 --> 00:04:39,380 BEHIND THAT MARKETING COUP? 114 00:04:39,413 --> 00:04:40,681 "SAY, BOB, 115 00:04:40,714 --> 00:04:42,483 "WHAT'S A METAPHOR FOR AN INVASIVE, 116 00:04:42,516 --> 00:04:43,884 "SOMEWHAT HUMILIATING PROCEDURE? 117 00:04:43,917 --> 00:04:45,319 "'CAUSE WE REALLY NEED SOMETHING 118 00:04:45,353 --> 00:04:47,855 TO COMPETE WITH THE CHEVY SPECULUM." 119 00:04:47,888 --> 00:04:49,957 UGH, WHY AM I EATING THIS CRAP? 120 00:04:49,990 --> 00:04:53,060 YOU GONNA BE LIKE THIS ALL DAY? 121 00:04:53,093 --> 00:04:54,094 WHAT? 122 00:04:54,127 --> 00:04:56,530 LIKE YOU KNOW. 123 00:04:56,564 --> 00:04:58,866 GUESS IT DEPENDS HOW LONG IT'S GONNA BE MY BIRTHDAY. 124 00:04:58,899 --> 00:04:59,933 ALL DAY. 125 00:04:59,967 --> 00:05:03,437 THERE YOU GO. 126 00:05:04,972 --> 00:05:07,975 HERE WE GO. 127 00:05:12,613 --> 00:05:14,047 IT'S A COMMON MISCONCEPTION 128 00:05:14,081 --> 00:05:16,450 THAT THE MEMBERSHIP IN THE FRATERNITY OF GOODFELLAS 129 00:05:16,484 --> 00:05:17,985 IS A PREREQUISITE FOR ADMISSION 130 00:05:18,018 --> 00:05:21,021 INTO THE FEDERAL WITNESS PROTECTION PROGRAM. 131 00:05:22,556 --> 00:05:25,526 GOD, IF ONLY THAT WERE TRUE. 132 00:05:28,429 --> 00:05:30,631 MANY WITNESSES ARE EVERYDAY FOLK WHO, 133 00:05:30,664 --> 00:05:32,566 THROUGH NO CRIMINAL ENTERPRISE OF THEIR OWN, 134 00:05:32,600 --> 00:05:34,067 HAVE COME TO POSSESS DAMNING INFO 135 00:05:34,101 --> 00:05:35,703 ABOUT SOME VERY DANGEROUS PEOPLE. 136 00:05:35,736 --> 00:05:38,038 THESE UNLUCKY LOSERS ARE TROUBLE MAGNETS 137 00:05:38,071 --> 00:05:39,773 AND SHOULD BE AVOIDED WHENEVER POSSIBLE. 138 00:05:39,807 --> 00:05:41,375 THANKS. 139 00:05:41,409 --> 00:05:42,410 UH-HUH. 140 00:05:42,443 --> 00:05:43,411 WHICH, IN MY LINE OF WORK, 141 00:05:43,444 --> 00:05:45,513 IS ALMOST NEVER. 142 00:05:45,546 --> 00:05:48,382 A TICKET? ARE YOU KIDDING ME? 143 00:05:48,416 --> 00:05:50,684 CAR'S STILL THERE, AIN'T IT? 144 00:05:50,718 --> 00:05:51,719 ASS-WIPE. 145 00:05:51,752 --> 00:05:52,986 IT'S ALL RIGHT. 146 00:05:53,020 --> 00:05:54,588 WE'LL TAKE CARE OF YOU. YOU'RE SAFE. 147 00:05:54,622 --> 00:05:56,757 SO THIS IS HOW WE'RE TRANSPORTING WITNESSES NOW? 148 00:05:56,790 --> 00:05:58,158 IT'S A METAPHOR. 149 00:05:58,191 --> 00:05:59,660 OH, YEAH? FOR WHAT, CRAP? 150 00:05:59,693 --> 00:06:01,061 LET'S GO. 151 00:06:02,430 --> 00:06:05,433 THANK YOU. YOU'RE WELCOME. 152 00:06:23,083 --> 00:06:25,419 SO WELCOME TO ALBUQUERQUE. IS THIS YOUR FIRST TIME? 153 00:06:25,453 --> 00:06:27,421 DA. UH, YES. 154 00:06:27,455 --> 00:06:29,089 HOW LONG YOU BEEN IN THE STATES? 155 00:06:29,122 --> 00:06:31,792 THREE YEARS IN NEW YORK. 156 00:06:31,825 --> 00:06:34,695 WELL, THIS IS A FAR CRY FROM MANHATTAN. 157 00:06:34,728 --> 00:06:36,697 AND A UNIVERSE FROM MOSCOW. 158 00:06:36,730 --> 00:06:38,098 I AM FROM KIEV. 159 00:06:42,169 --> 00:06:44,538 YOU SPEAK RUSSIAN. 160 00:06:44,572 --> 00:06:45,539 A LITTLE. 161 00:06:45,573 --> 00:06:46,640 I LEARNED IT IN THE '80s 162 00:06:46,674 --> 00:06:49,009 WHEN YOU GUYS WERE STILL COMMIES. 163 00:06:49,042 --> 00:06:50,878 IN UKRAINE, WE SPEAK UKRAINIAN. 164 00:06:51,945 --> 00:06:55,849 UH... 165 00:06:55,883 --> 00:06:57,485 SHUT UP. 166 00:06:59,252 --> 00:07:00,521 HI, STAN. 167 00:07:00,554 --> 00:07:01,655 HI, MARY. IT'S STAN. 168 00:07:01,689 --> 00:07:02,923 I KNOW IT'S YOU, STAN. 169 00:07:02,956 --> 00:07:03,957 THAT'S WHY I SAID, "HI, STAN." 170 00:07:03,991 --> 00:07:05,493 OH, RIGHT. 171 00:07:05,526 --> 00:07:06,994 SO DID YOU PICK UP THE WITNESS? 172 00:07:07,027 --> 00:07:07,995 YEAH, WE'RE ON THE WAY TO THE APARTMENT NOW. 173 00:07:08,028 --> 00:07:09,196 LISTEN, I JUST GOT A CALL 174 00:07:09,229 --> 00:07:10,698 FROM ALBUQUERQUE P.D. AND, UH-- 175 00:07:10,731 --> 00:07:11,932 OH, BOY. 176 00:07:11,965 --> 00:07:13,233 AND "OH, BOY" WHAT, STAN? 177 00:07:13,266 --> 00:07:14,968 I KNOW THAT TONE. SOMETHING HAPPENED. 178 00:07:15,002 --> 00:07:16,670 YEAH, FRANKIE SANTORO'S KID 179 00:07:16,704 --> 00:07:17,971 MIGHT HAVE BEEN SHOT LAST NIGHT. 180 00:07:18,005 --> 00:07:19,139 WHAT IS HE DEAD? 181 00:07:19,172 --> 00:07:20,173 I SAID "MIGHT." 182 00:07:20,207 --> 00:07:21,675 ALL RIGHT, MIGHT. 183 00:07:21,709 --> 00:07:23,010 THEY FOUND A BODY ON ONE OF THOSE 184 00:07:23,043 --> 00:07:24,111 DEVELOPMENT SITES OUT THE PAN AM FREEWAY. 185 00:07:24,144 --> 00:07:25,746 I'M ON MY WAY. 186 00:07:25,779 --> 00:07:27,180 THAT'S ONE CHOICE, BUT BRINGING A WITNESS 187 00:07:27,214 --> 00:07:29,149 TO THE MURDER SITE OF ANOTHER WITNESS-- 188 00:07:29,182 --> 00:07:30,718 THAT VIOLATES AT LEAST SIX WITSEC CODES OF CONDUCT. 189 00:07:30,751 --> 00:07:31,985 STAN? I KNOW WHAT YOU'RE DOING. 190 00:07:32,019 --> 00:07:33,921 YOU'RE HOLDING THE PHONE OUT THE WINDOW. 191 00:07:33,954 --> 00:07:34,922 WHAT'S THAT? I CAN'T HEAR YOU. 192 00:07:34,955 --> 00:07:36,189 YOU'RE BREAKING UP. 193 00:07:36,223 --> 00:07:37,625 SHE'S HOLDING THE PHONE OUT THE WINDOW. 194 00:07:37,658 --> 00:07:38,726 MARY, YOU LISTEN-- STAN? 195 00:07:38,759 --> 00:07:39,793 I ABSOLUTELY FOR-- 196 00:07:39,827 --> 00:07:42,796 CHANGE OF PLANS. 197 00:07:42,830 --> 00:07:45,933 FRANKIE SANTORO'S KID MAY HAVE BEEN HIT LAST NIGHT. 198 00:07:45,966 --> 00:07:47,000 GOTTA SEE FOR MYSELF. 199 00:07:47,034 --> 00:07:48,736 WHAT ABOUT... 200 00:07:48,769 --> 00:07:50,971 SHE'S COMING WITH. 201 00:07:51,004 --> 00:07:51,972 FUN. 202 00:07:56,009 --> 00:07:57,277 HI, STAN. 203 00:07:57,310 --> 00:07:58,612 MARSHALL. 204 00:07:58,646 --> 00:08:00,180 WHAT? 205 00:08:00,213 --> 00:08:03,817 I'M SORRY, STAN. YOU'RE BREAKING UP. 206 00:08:03,851 --> 00:08:07,187 FRANKIE SANTORO, A.K.A. FRANKIE NUTS-- 207 00:08:07,220 --> 00:08:09,657 A NICKNAME NOT BESTOWED FOR HIS LOVE OF FILBERTS-- 208 00:08:09,690 --> 00:08:11,625 EARNED HIS TICKET INTO WITNESS PROTECTION 209 00:08:11,659 --> 00:08:13,894 BY AGREEING TO TESTIFY AGAINST HIS FORMER BOSS, 210 00:08:13,927 --> 00:08:17,064 DOMINIC MASTRO, LAST OF THE BIG-TIME DONS. 211 00:08:17,097 --> 00:08:19,667 FRANKIE HAD THE MISFORTUNE OF WHACKING PETEY LORUSSO 212 00:08:19,700 --> 00:08:21,301 WHILE HE WAS UNDER FBI SURVEILLANCE, 213 00:08:21,334 --> 00:08:26,206 WHICH, COINCIDENTALLY, WAS ALSO PETEY'S MISFORTUNE. 214 00:08:33,614 --> 00:08:37,651 WOW, JUST LIKE THE MOTION PICTURES. 215 00:08:37,685 --> 00:08:39,553 CAN I GET YOU SOMETHING? A BROMO? 216 00:08:39,587 --> 00:08:40,888 TASHA, JUST STAY IN THE CAR. 217 00:08:40,921 --> 00:08:42,022 THIS'LL JUST TAKE A FEW MINUTES. 218 00:08:42,055 --> 00:08:45,192 OKAY. 219 00:08:45,225 --> 00:08:48,095 PLEASE DON'T LET THIS BE FRANKIE'S KID. 220 00:08:48,128 --> 00:08:49,196 SHOULD I CALL JINX NOW 221 00:08:49,229 --> 00:08:50,631 AND TELL HER TO CANCEL YOUR PARTY? 222 00:08:50,664 --> 00:08:51,865 IF YOU WERE ANY KIND OF FRIEND, 223 00:08:51,899 --> 00:08:56,704 YOU WOULD HAVE DONE IT A LONG TIME AGO. 224 00:08:56,737 --> 00:08:57,738 YOU THE LEAD ON THIS? 225 00:08:57,771 --> 00:09:00,040 YEAH, UNFORTUNATELY. 226 00:09:00,073 --> 00:09:01,341 DETECTIVE DERSHOWITZ. 227 00:09:01,374 --> 00:09:03,811 DERSHOWITZ. REALLY? 228 00:09:03,844 --> 00:09:04,878 YEAH, A LONG STORY. 229 00:09:04,912 --> 00:09:06,113 I'LL BET. 230 00:09:06,146 --> 00:09:07,715 EVERYONE CALLS ME "BOBBY." 231 00:09:07,748 --> 00:09:08,849 OR "BOBBY D." 232 00:09:08,882 --> 00:09:10,884 MARY SHANNON. U.S. MARSHALS. 233 00:09:10,918 --> 00:09:12,820 SO WHY'D YOU CALL THE MARSHALS, DETECTIVE? 234 00:09:12,853 --> 00:09:14,121 WELL, WE GOT TWO DEAD KIDS. 235 00:09:14,154 --> 00:09:16,289 WE HAVE A GIRL NAMED SIENNA BURKE OVER THERE. 236 00:09:16,323 --> 00:09:17,825 AND A BOY WITH THIS IN HIS WALLET. 237 00:09:17,858 --> 00:09:19,326 AND THIS. 238 00:09:19,359 --> 00:09:21,194 IT WAS TUCKED BEHIND THE OTHER ONE. 239 00:09:21,228 --> 00:09:22,796 KID WITH TWO IDENTITIES, 240 00:09:22,830 --> 00:09:24,798 OCCURRED TO ME HE MIGHT BE IN WITNESS PROTECTION. 241 00:09:24,832 --> 00:09:26,767 YOU GOT ALL THAT FROM A FAKE I.D.? 242 00:09:26,800 --> 00:09:29,903 YEAH, I'M INTUITIVE THAT WAY. 243 00:09:29,937 --> 00:09:30,971 ALL RIGHT, THANKS. 244 00:09:31,004 --> 00:09:32,740 UH, THAT'S EVIDENCE. 245 00:09:32,773 --> 00:09:34,007 UH-HUH. 246 00:09:34,041 --> 00:09:35,976 ANY THOUGHTS ABOUT WHAT HAPPENED? 247 00:09:36,009 --> 00:09:38,679 YOU'RE ASKING ME, WHAT, OUT OF PROFESSIONAL CURIOSITY? 248 00:09:38,712 --> 00:09:41,181 SURE, LET'S GO WITH THAT. 249 00:09:41,214 --> 00:09:43,784 WELL, THE GIRL'S FATHER IS CALE BURKE. 250 00:09:43,817 --> 00:09:44,918 HE'S THE DEVELOPER OF THIS LAND, 251 00:09:44,952 --> 00:09:46,153 A PROJECT THAT'S BEEN CONTESTED 252 00:09:46,186 --> 00:09:47,855 IN AND OUT OF COURT FOR ABOUT A DECADE. 253 00:09:47,888 --> 00:09:49,022 AND YOU THINK SOMEBODY UNHAPPY ABOUT THE PROJECT 254 00:09:49,056 --> 00:09:50,357 MIGHT HAVE DONE THIS? 255 00:09:50,390 --> 00:09:52,059 HELL IF I KNOW, BUT IT'S A PLACE TO START. 256 00:09:52,092 --> 00:09:53,393 RIGHT? 257 00:09:53,426 --> 00:09:54,895 UNLESS OF COURSE YOU THINK I SHOULD BE LOOKING 258 00:09:54,928 --> 00:09:55,896 SOMEPLACE ELSE. 259 00:09:55,929 --> 00:09:57,831 NOPE, SOUNDS TO ME 260 00:09:57,865 --> 00:10:00,033 LIKE YOU'RE HEADING IN THE RIGHT DIRECTION. 261 00:10:00,067 --> 00:10:01,935 THAT'S WHAT I THOUGHT. 262 00:10:01,969 --> 00:10:03,236 THANKS FOR THE CALL. MM-HMM. 263 00:10:03,270 --> 00:10:05,673 HEY, WHAT'S WITH THE SILENT SENTINELS? 264 00:10:05,706 --> 00:10:07,307 HUH? GUYS ON THE BIKES. 265 00:10:07,340 --> 00:10:09,042 OH, THEY'VE BEEN WATCHING ALL MORNING. 266 00:10:09,076 --> 00:10:10,778 YOU'RE NOT QUESTIONING THEM 'CAUSE... 267 00:10:10,811 --> 00:10:12,913 BECAUSE CHASING INDIANS ON DIRT BIKES 268 00:10:12,946 --> 00:10:15,716 THROUGH THE DESERT SEEMS LIKE A POOR USE OF MY TALENT. 269 00:10:15,749 --> 00:10:17,184 MAKES SENSE. 270 00:10:17,217 --> 00:10:18,886 HEY, HOW 'BOUT IT? 271 00:10:18,919 --> 00:10:19,987 HE ONE OF YOURS? 272 00:10:20,020 --> 00:10:21,989 OH, AFRAID I DON'T KNOW 273 00:10:22,022 --> 00:10:23,691 WHAT YOU'RE TALKING ABOUT. 274 00:10:23,724 --> 00:10:25,358 THANKS AGAIN FOR THE CALL. 275 00:10:25,392 --> 00:10:27,394 THAT'S RIGHT, YOU'RE THE BRANCH OF LAW ENFORCEMENT 276 00:10:27,427 --> 00:10:28,929 THAT PUTS CRIMINALS BACK ON THE STREET, 277 00:10:28,962 --> 00:10:31,965 RIGHT? 278 00:10:38,171 --> 00:10:39,907 OH, GOD. 279 00:10:39,940 --> 00:10:41,942 WHAT A WASTE. 280 00:10:41,975 --> 00:10:44,177 HEY. 281 00:10:44,211 --> 00:10:45,445 DON'T TOUCH THAT. 282 00:10:45,478 --> 00:10:47,280 CAN'T YOU SHUT HIS EYES? 283 00:10:47,314 --> 00:10:50,984 ONLY IF YOU GOT A NEEDLE AND THREAD. 284 00:11:00,427 --> 00:11:02,395 ANY THOUGHTS ON WHY HE GETS IT IN THE BACK OF THE HEAD 285 00:11:02,429 --> 00:11:03,463 AND SHE GETS HERS IN THE FACE? 286 00:11:03,496 --> 00:11:05,032 SHE WAS RUNNING. 287 00:11:05,065 --> 00:11:06,834 TOOK TWO IN THE SPINE, TAKING OUT HER LEGS. 288 00:11:06,867 --> 00:11:08,702 THEN THEY TURNED HER OVER. 289 00:11:08,736 --> 00:11:10,237 AND FINISHED HER OFF IN THE FACE? 290 00:11:10,270 --> 00:11:13,273 NOT QUITE. 291 00:11:13,306 --> 00:11:15,408 GOOD GOD. 292 00:11:15,442 --> 00:11:16,977 SOMEBODY WAS PISSED OFF. 293 00:11:17,010 --> 00:11:19,046 THIS GOES WAY BEYOND PISSED OFF. 294 00:11:19,079 --> 00:11:22,082 SHE WAS ALIVE FOR MOST OF THIS. 295 00:11:29,957 --> 00:11:31,091 SO YOU THINK THIS WAS A MESSAGE 296 00:11:31,124 --> 00:11:32,325 TO FRANKIE SENIOR? 297 00:11:32,359 --> 00:11:33,961 I DON'T KNOW-- THAT KINDA VIOLENCE, 298 00:11:33,994 --> 00:11:35,896 YOU GOTTA BELIEVE SHE WAS THE TARGET. 299 00:11:35,929 --> 00:11:37,865 PLUS, THEY FIND JUNIOR, THEY FOUND SENIOR. 300 00:11:37,898 --> 00:11:39,900 SO WHY NOT JUST TAKE FRANKIE OUT? 301 00:11:39,933 --> 00:11:41,869 WHY NOT JUST TAKE FRANKIE OUT? 302 00:11:41,902 --> 00:11:43,270 UNLESS THEY DON'T WANT HIM DEAD. 303 00:11:43,303 --> 00:11:45,172 MAYBE THEY JUST WANT HIM TO QUEER HIS TESTIMONY. 304 00:11:45,205 --> 00:11:47,908 THAT COULD HURT A CASE WORSE THAN HIM NOT SHOWING UP. 305 00:11:47,941 --> 00:11:50,143 THAT COULD HURT A CASE WORSE THAN HIM NOT SHOWING UP. 306 00:11:50,177 --> 00:11:52,245 PLEASE STOP THAT. 307 00:11:52,279 --> 00:11:53,981 THEN AGAIN, ANYONE WHO KNOWS FRANKIE 308 00:11:54,014 --> 00:11:55,783 KNOWS KILLING HIS KID'S NOT THE WAY TO MOTIVATE HIM. 309 00:11:55,816 --> 00:11:57,417 SO YOU THINK HE'S NOT GONNA BE HAPPY ABOUT THIS? 310 00:11:57,450 --> 00:11:59,419 HAVE YOU NOTICED I'M NOT IN A JOKING MOOD? 311 00:11:59,452 --> 00:12:00,520 SORRY. 312 00:12:00,553 --> 00:12:03,523 I GOTTA GO FIND FRANKIE. 313 00:12:03,556 --> 00:12:04,992 TASHA. 314 00:12:05,025 --> 00:12:06,259 I TOLD YOU TO WAIT IN THE CAR. 315 00:12:06,293 --> 00:12:08,028 IT'S OKAY. COME ON. 316 00:12:08,061 --> 00:12:11,064 LET'S GET YOU HOME. 317 00:12:13,200 --> 00:12:15,102 AWW, THAT MAKES ME SAD. 318 00:12:18,138 --> 00:12:22,742 * 319 00:12:23,877 --> 00:12:25,478 WHY ARE WE STOPPING HERE? 320 00:12:25,512 --> 00:12:27,948 JUST STAY IN THE CAR AND DON'T TOUCH ANYTHING. 321 00:12:27,981 --> 00:12:29,082 NO-- HEY, WAIT! 322 00:12:29,116 --> 00:12:30,450 NO. 323 00:12:30,483 --> 00:12:32,219 HEY, AMIGO. QUE PASA? 324 00:12:32,252 --> 00:12:33,220 YO, G. TODO BIEN. 325 00:12:33,253 --> 00:12:34,354 HEY, WHAT'S UP? 326 00:12:34,387 --> 00:12:36,023 JUST KEEP AN EYE ON THE RIDE FOR ME. 327 00:12:36,056 --> 00:12:38,959 MAKE SURE NOTHING BAD HAPPENS TO THE CAR OR TO HER. 328 00:12:40,961 --> 00:12:42,562 MOSTLY TO THE CAR. 329 00:12:42,595 --> 00:12:44,064 ALL RIGHT. 330 00:12:45,098 --> 00:12:46,399 HEY, MAMI. 331 00:12:46,433 --> 00:12:47,534 WHAT'S CRACKIN'? 332 00:12:47,567 --> 00:12:49,302 YOU WANNA EFF OFF? 333 00:12:53,974 --> 00:12:55,008 HERE YOU GO, PADRE. 334 00:12:55,042 --> 00:12:57,010 20 TICKETS FOR WEDNESDAY NIGHT. 335 00:12:57,044 --> 00:12:58,111 GRACIAS. 336 00:12:58,145 --> 00:12:59,112 DE NADA. 337 00:12:59,146 --> 00:13:01,849 "BLEACHERS"? 338 00:13:04,317 --> 00:13:06,019 SO DID YOU TAKE HER TO MY HOUSE? 339 00:13:06,053 --> 00:13:07,287 NOT EXACTLY. 340 00:13:07,320 --> 00:13:08,421 RAPH, WHAT DID YOU DO? 341 00:13:08,455 --> 00:13:10,023 I LEFT HER SITTING IN MY CAR 342 00:13:10,057 --> 00:13:11,224 IN FRONT OF THE YOUTH CENTER, 343 00:13:11,258 --> 00:13:12,425 WITH A COUPLE OF 344 00:13:12,459 --> 00:13:15,262 JUNIOR CHOLOS SCOPING HER OUT. 345 00:13:15,295 --> 00:13:16,296 SHE'S TOTALLY FREAKING OUT. 346 00:13:16,329 --> 00:13:17,364 YOU DID THAT? 347 00:13:17,397 --> 00:13:19,132 YEAH. PRETTY FUNNY, HUH? 348 00:13:19,166 --> 00:13:20,467 OH, YEAH. 349 00:13:20,500 --> 00:13:21,568 BUT NOT THE WAY YOU THINK. 350 00:13:21,601 --> 00:13:22,970 WHAT'S THAT MEAN? 351 00:13:23,003 --> 00:13:24,838 IT MEANS MY SISTER HAS A PENCHANT 352 00:13:24,872 --> 00:13:26,606 FOR BOOSTING CARS. 353 00:13:26,639 --> 00:13:27,908 A PENCHANT? 354 00:13:27,941 --> 00:13:29,509 MORE LIKE A COMPULSION. 355 00:13:34,948 --> 00:13:37,484 SON OF A BITCH. 356 00:13:37,517 --> 00:13:39,586 I THOUGHT I TOLD YOU TO WATCH THE CAR. 357 00:13:39,619 --> 00:13:40,888 WE DID, ESE. 358 00:13:40,921 --> 00:13:43,957 YEAH, G. THERE IT GO. 359 00:13:43,991 --> 00:13:47,127 MARY, YOU BETTER COME PICK ME UP. 360 00:13:47,160 --> 00:13:49,096 AHH, I'M SORRY, I CAN'T HEAR YOU. 361 00:13:49,129 --> 00:13:52,832 YOU'RE BREAKING UP. 362 00:14:01,074 --> 00:14:02,275 JUST A SECOND. 363 00:14:08,048 --> 00:14:09,983 OKAY. 364 00:14:10,017 --> 00:14:11,885 PHONE WORKS. 365 00:14:11,919 --> 00:14:13,386 PHONES WORK. 366 00:14:13,420 --> 00:14:15,622 NO. 367 00:14:15,655 --> 00:14:17,624 NO, NO, NO, I CAN'T. 368 00:14:17,657 --> 00:14:19,426 I WISH TO GO HOME. 369 00:14:19,459 --> 00:14:20,527 THIS IS YOUR HOME NOW. 370 00:14:20,560 --> 00:14:22,262 NO, PLEASE! 371 00:14:22,295 --> 00:14:23,430 IT'S NOT POSSIBLE. 372 00:14:23,463 --> 00:14:24,564 TASHA, LISTEN TO ME. 373 00:14:24,597 --> 00:14:25,565 YOU CAN'T GO BACK. 374 00:14:25,598 --> 00:14:26,934 YOU CAN NEVER GO BACK. 375 00:14:26,967 --> 00:14:28,268 YOU KNOW WHAT THEY'LL DO TO YOU. 376 00:14:28,301 --> 00:14:30,370 I AM JUST BOOKKEEPER. 377 00:14:30,403 --> 00:14:32,205 I KNOW. 378 00:14:33,473 --> 00:14:36,076 I KNOW. I KNOW. 379 00:14:36,109 --> 00:14:37,244 SHH. 380 00:14:37,277 --> 00:14:38,345 LET IT OUT. 381 00:14:38,378 --> 00:14:39,412 OKAY. OKAY. 382 00:14:39,446 --> 00:14:41,214 SHH, IT'S OKAY. 383 00:14:41,248 --> 00:14:44,051 LET IT OUT. 384 00:14:44,084 --> 00:14:46,486 HOW THIS CAN HAPPEN? 385 00:14:46,519 --> 00:14:47,988 MY LIFE. 386 00:14:48,021 --> 00:14:51,925 MY...FAMILY. 387 00:14:51,959 --> 00:14:56,363 EVERYTHING GONE. 388 00:14:56,396 --> 00:14:59,499 THEY DON'T EVEN LET ME BRING PICTURES. 389 00:14:59,532 --> 00:15:02,569 I KNOW, IT ISN'T FAIR. 390 00:15:02,602 --> 00:15:04,437 BUT LISTEN TO ME-- 391 00:15:04,471 --> 00:15:07,640 YOU DID A GREAT, COURAGEOUS THING, TESTIFYING. 392 00:15:07,674 --> 00:15:10,510 OKAY, AND NOW IT'S TIME TO FOCUS ON THE FUTURE. 393 00:15:10,543 --> 00:15:12,079 THINK OF IT AS A CHANCE 394 00:15:12,112 --> 00:15:14,647 TO BUILD A WHOLE NEW LIFE. 395 00:15:14,681 --> 00:15:18,218 EVEN BETTER THAN THE ONE YOU HAD BEFORE. 396 00:15:18,251 --> 00:15:21,588 BUT YOU CANNOT UNDER ANY CIRCUMSTANCES, 397 00:15:21,621 --> 00:15:24,157 NOT MATTER HOW HOMESICK OR LONELY YOU GET, 398 00:15:24,191 --> 00:15:25,358 GO BACK HOME 399 00:15:25,392 --> 00:15:27,727 OR CONTACT ANYONE FROM YOUR PAST. 400 00:15:27,760 --> 00:15:30,730 IN THE HISTORY OF THE WITNESS PROTECTION PROGRAM, 401 00:15:30,763 --> 00:15:33,366 NO ONE WHO'S FOLLOWED THE RULES HAS EVER BEEN HARMED. 402 00:15:33,400 --> 00:15:35,368 YOU CAN DO THIS. OKAY? 403 00:15:35,402 --> 00:15:37,504 I KNOW YOU CAN. 404 00:15:37,537 --> 00:15:40,207 COME ON. OKAY, COME ON. 405 00:15:40,240 --> 00:15:43,243 STAND UP. COME ON. 406 00:15:43,276 --> 00:15:45,212 HOW 'BOUT YOU REST FOR A LITTLE WHILE, 407 00:15:45,245 --> 00:15:46,446 WATCH SOME TV-- 408 00:15:46,479 --> 00:15:48,281 CABLE'S NOT HOOKED UP YET. 409 00:15:48,315 --> 00:15:49,983 YEAH, ALL RIGHT. 410 00:15:50,017 --> 00:15:52,019 UM, I'LL GET THE CABLE TURNED ON. 411 00:15:52,052 --> 00:15:53,286 AND A LITTLE LATER, 412 00:15:53,320 --> 00:15:55,722 I'LL COME BY WITH SOME GROCERIES. 413 00:15:55,755 --> 00:15:59,659 IS THERE ANYTHING SPECIAL YOU NEED? 414 00:15:59,692 --> 00:16:03,263 THEY PROMISED ME NEW BREASTS. 415 00:16:05,032 --> 00:16:08,535 WHEN I CAN GET THEM? 416 00:16:10,203 --> 00:16:11,704 NO, BETWEEN 1:00 AND 5:00 417 00:16:11,738 --> 00:16:13,106 ISN'T GOOD ENOUGH, FEDERICO. 418 00:16:13,140 --> 00:16:15,242 OUR FRIEND NEEDS HER CABLE ON NOW. 419 00:16:15,275 --> 00:16:17,444 SO GET IT DONE OR WE'RE SWITCHING TO SATELLITE. 420 00:16:17,477 --> 00:16:18,678 THAT'S FUNNY? 421 00:16:18,711 --> 00:16:19,712 HOW ABOUT WE SWITCH TO SATELLITE, 422 00:16:19,746 --> 00:16:20,713 THEN I PUNCH YOU IN THE FACE? 423 00:16:20,747 --> 00:16:22,349 SHE'S HOME NOW. 424 00:16:22,382 --> 00:16:23,716 I'LL TELL HER YOU'RE ON YOUR WAY. 425 00:16:23,750 --> 00:16:25,552 SO ANYWAY, IF YOU COULD START PROCESSING INFO-- 426 00:16:25,585 --> 00:16:27,320 LITTLE FRANKIE, THE GIRL, HER FATHER, 427 00:16:27,354 --> 00:16:28,588 FRIENDS AND FAMILY OF EVERYONE 428 00:16:28,621 --> 00:16:30,057 FRANKIE'S TESTIFYING AGAINST. 429 00:16:30,090 --> 00:16:32,225 WHATEVER ELSE YOU CAN THINK OF. 430 00:16:32,259 --> 00:16:33,593 YOU KNOW, 431 00:16:33,626 --> 00:16:35,495 I'M NOT YOUR ASSISTANT. 432 00:16:35,528 --> 00:16:37,230 I HAVE A COUPLE DOZEN WITNESSES 433 00:16:37,264 --> 00:16:38,298 OF MY OWN TO DEAL WITH. 434 00:16:38,331 --> 00:16:39,599 OH, YEAH? 435 00:16:39,632 --> 00:16:41,101 ANY OF THEIR KIDS GET MURDERED LAST NIGHT? 436 00:16:41,134 --> 00:16:44,671 I'LL HAVE TO CHECK. 437 00:16:44,704 --> 00:16:46,139 OH, FINE. 438 00:16:46,173 --> 00:16:48,108 THANK YOU. 439 00:16:48,141 --> 00:16:49,542 PISSY LITTLE GIRL. 440 00:16:49,576 --> 00:16:51,278 I HEARD THAT. 441 00:16:56,449 --> 00:16:58,185 I DON'T GIVE A RAT'S ASS ABOUT YOUR PROTOCOL. 442 00:16:58,218 --> 00:17:00,220 I'VE GOT TWO PARENTS ON THEIR WAY DOWN HERE 443 00:17:00,253 --> 00:17:01,688 TO SEE THEIR SON, AND TRUST ME ON THIS ONE, 444 00:17:01,721 --> 00:17:03,390 THIS IS NOT WHERE YOU WANT THEM TO FIND HIM. 445 00:17:03,423 --> 00:17:04,524 THEN YOU BETTER KEEP THEM OUTTA HERE. 446 00:17:04,557 --> 00:17:05,792 BECAUSE A VAN FULL OF ILLEGALS 447 00:17:05,825 --> 00:17:08,095 PLOWED INTO A BRIDGE ABUTMENT THIS MORNING. 448 00:17:08,128 --> 00:17:09,362 AND I'M UNDER-STAFFED. 449 00:17:09,396 --> 00:17:10,497 I WON'T KNOW WHICH ONE OF THESE IS YOURS 450 00:17:10,530 --> 00:17:11,731 UNTIL I START PROCESSING THEM. 451 00:17:11,764 --> 00:17:12,832 WELL, HOW LONG IS THAT GONNA TAKE? 452 00:17:12,865 --> 00:17:14,534 AS LONG AS IT TAKES. 453 00:17:14,567 --> 00:17:17,104 WELL, WORK QUICKLY. 454 00:17:17,137 --> 00:17:18,705 FRANKIE, FELICIA. LOOK, COME ON. 455 00:17:18,738 --> 00:17:19,706 WHERE IS HE? 456 00:17:19,739 --> 00:17:20,773 COME BACK INSIDE. 457 00:17:20,807 --> 00:17:22,142 IS MY BOY IN ONE OF THESE BAGS? 458 00:17:22,175 --> 00:17:23,376 EXCUSE ME, SIR, YOU CANNOT-- 459 00:17:23,410 --> 00:17:26,379 HEY, YOU CAN'T-- OKAY, OKAY. 460 00:17:26,413 --> 00:17:27,814 WHERE'S MY BOY? 461 00:17:27,847 --> 00:17:29,249 WHERE'S MY BOY?! 462 00:17:29,282 --> 00:17:31,251 OKAY, FRANKIE, PLEASE. PLEASE STOP THIS. 463 00:17:34,221 --> 00:17:36,123 FRANKIE, STOP IT! STOP IT! 464 00:17:36,156 --> 00:17:39,626 GET OFF ME. 465 00:17:43,663 --> 00:17:46,599 FELICIA. 466 00:17:46,633 --> 00:17:47,634 FELICIA. 467 00:17:47,667 --> 00:17:49,269 FELICIA. 468 00:17:49,302 --> 00:17:51,238 OH, MY GOD. FELICIA. 469 00:17:51,271 --> 00:17:55,208 OH, GOD. I'M SORRY. 470 00:17:55,242 --> 00:17:58,245 I'M SORRY. 471 00:18:05,252 --> 00:18:07,620 FRANKIE, WAIT. 472 00:18:07,654 --> 00:18:11,191 FRANKIE! 473 00:18:11,224 --> 00:18:12,659 FRANKIE... 474 00:18:12,692 --> 00:18:14,327 FRANKIE! 475 00:18:14,361 --> 00:18:15,762 FRANKIE, WAIT! 476 00:18:15,795 --> 00:18:16,763 WHAT, WHAT DO YOU WANT?! 477 00:18:16,796 --> 00:18:18,265 DON'T "WHAT" ME. 478 00:18:18,298 --> 00:18:19,366 I KNOW YOU. I KNOW WHAT YOU'RE THINKING. 479 00:18:19,399 --> 00:18:20,767 OH, CONGRATULATIONS. 480 00:18:20,800 --> 00:18:22,135 YOU'RE THE AMAZING FREAKIN' KRESKIN. 481 00:18:22,169 --> 00:18:23,503 NO IDEA WHO THAT IS, BUT LISTEN TO ME. 482 00:18:23,536 --> 00:18:25,172 IF YOU GO OFF GUNNING FOR WHOEVER DID THIS, 483 00:18:25,205 --> 00:18:26,473 YOU'RE GONNA BLOW YOUR WHOLE PLEA AGREEMENT. 484 00:18:26,506 --> 00:18:29,209 DID YOU JUST SEE MY BOY IN THERE? 485 00:18:29,242 --> 00:18:30,843 I KNOW, FRANKIE. I KNOW. 486 00:18:30,877 --> 00:18:32,612 I'M SO SORRY. 487 00:18:32,645 --> 00:18:34,281 BUT FELICIA NEEDS YOU NOW. 488 00:18:34,314 --> 00:18:35,515 OKAY, PLEASE. 489 00:18:35,548 --> 00:18:37,150 PLEASE, GO TAKE CARE OF HER. 490 00:18:37,184 --> 00:18:39,286 I SWEAR TO YOU, 491 00:18:39,319 --> 00:18:40,920 YOU'LL GET YOUR JUSTICE. 492 00:18:40,953 --> 00:18:44,157 YOU GOT 24 HOURS. 493 00:18:44,191 --> 00:18:46,226 AFTER THAT, I TAKE MATTERS INTO MY OWN HANDS. 494 00:18:46,259 --> 00:18:47,460 AND TO HELL WITH THIS PLEA. 495 00:18:47,494 --> 00:18:48,461 FRANKIE-- 496 00:18:48,495 --> 00:18:49,929 AS FAR AS JUSTICE, 497 00:18:49,962 --> 00:18:53,666 YOU'VE GOT YOUR VERSION, I'VE GOT MINE. 498 00:19:07,747 --> 00:19:08,715 WHAT ARE YOU DOING HERE? 499 00:19:08,748 --> 00:19:10,283 I WORK HERE, STAN. 500 00:19:10,317 --> 00:19:12,185 WHY AREN'T YOU HELPING MARY MOVE FRANKIE NUTS? 501 00:19:12,219 --> 00:19:13,320 SHE WANTED ME HERE DOING THIS. 502 00:19:13,353 --> 00:19:14,654 AND YOU THOUGHT IT WAS OKAY 503 00:19:14,687 --> 00:19:16,423 TO LET HER HANDLE THAT SICK BASTARD BY HERSELF? 504 00:19:16,456 --> 00:19:17,957 HER WITNESS, HER CALL. 505 00:19:17,990 --> 00:19:21,461 IT HOW WE DO, G. 506 00:19:21,494 --> 00:19:22,695 IF ANYTHING HAPPENS TO HER-- 507 00:19:22,729 --> 00:19:24,464 RELAX. 508 00:19:24,497 --> 00:19:29,336 MARY KNOWS WHAT SHE'S DOING. 509 00:19:29,369 --> 00:19:31,438 SO'D YOU GET HER A BIRTHDAY PRESENT? 510 00:19:31,471 --> 00:19:32,939 I'M WORKING HER CASE. 511 00:19:32,972 --> 00:19:34,274 YOU DON'T THINK THAT'S ENOUGH? 512 00:19:34,307 --> 00:19:35,508 YOU'RE NOT THAT DUMB. 513 00:19:35,542 --> 00:19:36,709 I'M SMART ENOUGH TO KNOW 514 00:19:36,743 --> 00:19:40,747 YOU CAN'T SHOP FOR MARY. 515 00:19:40,780 --> 00:19:42,449 WHAT ABOUT YOU? 516 00:19:42,482 --> 00:19:45,552 OH, WELL, I JUST GOT HER A... 517 00:19:45,585 --> 00:19:48,555 BOTTLE OF REALLY EXPENSIVE PERFUME. 518 00:19:48,588 --> 00:19:50,290 MARY DOESN'T WEAR PERFUME. 519 00:19:50,323 --> 00:19:51,424 YES, SHE DOES. 520 00:19:51,458 --> 00:19:52,459 NUH-UH. 521 00:19:52,492 --> 00:19:53,793 YOU SURE? 522 00:19:53,826 --> 00:19:54,994 I MEAN, SHE ALWAYS SMELLS SO GOOD. 523 00:19:55,027 --> 00:19:59,899 THAT'S JUST HER. 524 00:19:59,932 --> 00:20:01,801 HUH. 525 00:20:01,834 --> 00:20:04,337 THE CARE AND FEEDING OF CAREER CRIMINALS, 526 00:20:04,371 --> 00:20:06,673 LIKE FRANKIE NUTS, IS A DICEY PROPOSITION AT BEST. 527 00:20:06,706 --> 00:20:08,007 ON ANY GIVEN DAY, I GET TO PLAY 528 00:20:08,040 --> 00:20:09,642 MOTHER, FATHER, 529 00:20:09,676 --> 00:20:12,379 BEST FRIEND, PRIEST, RABBI, MARRIAGE COUNSELOR, 530 00:20:12,412 --> 00:20:13,613 AND YES, UNFORTUNATELY, 531 00:20:13,646 --> 00:20:15,615 OCCASIONALLY HOMICIDE DETECTIVE. 532 00:20:15,648 --> 00:20:16,949 WHICH IS WHY I FIND MYSELF DRIVING 533 00:20:16,983 --> 00:20:18,785 MY MISOGYNIST METAPHOR ACROSS THE DESERT 534 00:20:18,818 --> 00:20:20,387 WITH A BUSTED AIR CONDITIONER 535 00:20:20,420 --> 00:20:21,821 TO HUNT DOWN THE MURDERER OF THE SON 536 00:20:21,854 --> 00:20:23,523 OF MY MURDERER WITNESS. 537 00:20:23,556 --> 00:20:25,758 NO BACKUP. NO PLAN TO SPEAK OF. 538 00:20:25,792 --> 00:20:27,394 NO ALTERNATIVE. 539 00:20:27,427 --> 00:20:29,562 ALSO, FRANKIE JUNIOR GOT KILLED ON MY WATCH. 540 00:20:29,596 --> 00:20:31,764 THAT JUST PISSES ME OFF. 541 00:20:34,801 --> 00:20:39,806 * 542 00:20:43,443 --> 00:20:45,845 NICE CHAPS. 543 00:20:48,481 --> 00:20:51,951 AW. 544 00:20:51,984 --> 00:20:55,688 WRITE DOWN YOUR CUSTOMERS' NAMES. 545 00:20:55,722 --> 00:20:57,590 I'VE NEVER SEEN THESE PEOPLE BEFORE. 546 00:20:57,624 --> 00:21:00,827 LISTEN. 547 00:21:00,860 --> 00:21:02,362 HERE'S THE DEAL-- 548 00:21:02,395 --> 00:21:03,963 TWO KIDS WERE KILLED ABOUT A MILE FROM HERE, 549 00:21:03,996 --> 00:21:05,565 AND AT LEAST A FEW OF THESE GUYS 550 00:21:05,598 --> 00:21:06,899 WERE AT THE MURDER SITE. 551 00:21:06,933 --> 00:21:07,900 SO PLEASE, 552 00:21:07,934 --> 00:21:09,068 SAVE US BOTH A LOT OF TROUBLE 553 00:21:09,101 --> 00:21:10,670 AND JUST WRITE THE DAMN NAMES 554 00:21:10,703 --> 00:21:12,805 BEFORE GREAT WHITE FATHER BACK IN WASHINGTON 555 00:21:12,839 --> 00:21:14,674 GOES ALL LITTLE BIGHORN ON YOUR ASS. 556 00:21:14,707 --> 00:21:17,744 YOU'RE KIDDING ME, RIGHT? 557 00:21:17,777 --> 00:21:20,547 WAS THAT OVER THE TOP? 558 00:21:20,580 --> 00:21:22,549 LOOK, FIRST OF ALL, IT WAS YOU GUYS 559 00:21:22,582 --> 00:21:23,616 THAT GOT YOUR ASSES KICKED 560 00:21:23,650 --> 00:21:24,684 AT LITTLE BIGHORN. 561 00:21:24,717 --> 00:21:25,918 REALLY? 562 00:21:25,952 --> 00:21:27,720 AND SECOND OF ALL, 563 00:21:27,754 --> 00:21:29,756 TODAY'S MY FIRST DAY OF WORK HERE. 564 00:21:29,789 --> 00:21:32,425 AND I HAVE REALLY NEVER SEEN THESE PEOPLE BEFORE. 565 00:21:32,459 --> 00:21:33,560 SORRY. 566 00:21:33,593 --> 00:21:37,497 THOUGHT YOU WERE BEING DIFFICULT. 567 00:21:43,636 --> 00:21:46,906 EXCUSE ME. 568 00:21:48,908 --> 00:21:51,411 WHEW! 569 00:21:51,444 --> 00:21:52,912 GOOD LORD. 570 00:21:52,945 --> 00:21:54,881 WHAT IS IT WITH MEN'S RESTROOMS? 571 00:21:54,914 --> 00:21:56,683 DO YOU ALL LIKE THE SMELL OF STALE URINE? 572 00:21:56,716 --> 00:21:57,784 IS THAT WHAT IT IS? 573 00:21:57,817 --> 00:21:58,951 OKAY, ENOUGH CHIT-CHAT. 574 00:21:58,985 --> 00:22:00,387 WHAT'S YOUR NAME? 575 00:22:00,420 --> 00:22:02,389 AND DID YOU KILL THOSE TWO KIDS? 576 00:22:02,422 --> 00:22:03,923 I'M SORRY. 577 00:22:03,956 --> 00:22:06,559 ARE YOU TALKING TO ME? 578 00:22:07,760 --> 00:22:08,761 AW. 579 00:22:08,795 --> 00:22:09,896 WHAT'S SO FUNNY? 580 00:22:09,929 --> 00:22:11,598 WELL, IT'S SO CUTE. 581 00:22:11,631 --> 00:22:13,366 IT'S LIKE ONE OF THOSE MINI-TAQUITOS 582 00:22:13,400 --> 00:22:14,434 THEY SERVE AT HAPPY HOUR. 583 00:22:14,467 --> 00:22:16,035 OH, YEAH? YOU WANT SOME? 584 00:22:16,068 --> 00:22:17,570 EW. 585 00:22:19,105 --> 00:22:21,574 MANLY, YES, BUT I LIKE IT TOO. 586 00:22:21,608 --> 00:22:23,075 NOW, WHAT DO YOU SAY YOU ANSWER MY QUESTIONS 587 00:22:23,109 --> 00:22:24,477 BEFORE I DRAG YOU OUTTA HERE 588 00:22:24,511 --> 00:22:25,845 BY YOUR SURPRISINGLY SMALL WEE-WEE. 589 00:22:25,878 --> 00:22:28,381 OKAY. OKAY. 590 00:22:28,415 --> 00:22:30,016 MY NAME IS GEORGE PARKER. 591 00:22:30,049 --> 00:22:32,485 AND NO, I DIDN'T KILL THOSE TWO KIDS. 592 00:22:32,519 --> 00:22:33,953 SO WHAT WERE YOU DOING THERE THIS MORNING, GEORGE? 593 00:22:33,986 --> 00:22:36,022 PULLING UP SURVEYOR'S STAKES, 594 00:22:36,055 --> 00:22:37,524 HASSLING WORKERS. 595 00:22:37,557 --> 00:22:38,691 WHAT'S YOUR BEEF WITH THE PROJECT? 596 00:22:38,725 --> 00:22:39,859 SAME OLD STORY. 597 00:22:39,892 --> 00:22:42,762 INDIANS GETTING THEIR LAND RIPPED OFF 598 00:22:42,795 --> 00:22:44,096 FOR COMMERCIAL DEVELOPMENT. 599 00:22:44,130 --> 00:22:45,532 HUH. 600 00:22:45,565 --> 00:22:46,666 SO KILLING THE DEVELOPER'S DAUGHTER 601 00:22:46,699 --> 00:22:47,700 SOUNDS LIKE PRETTY GOOD PAYBACK. 602 00:22:47,734 --> 00:22:49,135 MAYBE. 603 00:22:49,168 --> 00:22:50,403 EXCEPT THE DEVELOPER ISN'T THE ONE 604 00:22:50,437 --> 00:22:51,704 THAT SCREWED US OUT OF THE LAND. 605 00:22:51,738 --> 00:22:54,641 HUH? 606 00:22:54,674 --> 00:22:57,043 TALK TO A DUDE NAMED EDWIN TALLTREES. 607 00:22:57,076 --> 00:22:58,545 HE'S THE GUY THAT RIPPED US OFF. 608 00:22:58,578 --> 00:22:59,846 AN INDIAN? 609 00:22:59,879 --> 00:23:01,614 THAT'S RIGHT. 610 00:23:01,648 --> 00:23:03,616 WHY WOULD HE KILL TWO KIDS ON HIS OWN LAND? 611 00:23:03,650 --> 00:23:05,518 BECAUSE IT ISN'T HIS LAND ANYMORE. 612 00:23:05,552 --> 00:23:06,819 AFTER HE SCREWED US, 613 00:23:06,853 --> 00:23:08,755 THE DEAD GIRL'S FATHER SCREWED HIM. 614 00:23:08,788 --> 00:23:11,491 SOUNDS LIKE A LOT OF SCREWING GOING ON. 615 00:23:11,524 --> 00:23:12,992 UH-HUH. 616 00:23:13,025 --> 00:23:14,794 ALL RIGHT, THEN, GEORGE, 617 00:23:14,827 --> 00:23:16,596 YOU CAN ZIP IT UP. 618 00:23:16,629 --> 00:23:18,565 SORRY ABOUT THE SMALL WEE-WEE CRACK. 619 00:23:18,598 --> 00:23:21,033 IT'S BEEN A BITCH OF A DAY. 620 00:23:25,071 --> 00:23:27,940 THAT IS ONE SPECIAL GUY. 621 00:23:27,974 --> 00:23:31,678 GOD, I HOPE HE CALLS. 622 00:23:45,958 --> 00:23:48,160 APPARENTLY, RIPPING OFF YOUR OWN PEOPLE 623 00:23:48,194 --> 00:23:51,898 HAS ITS UPSIDE. 624 00:23:51,931 --> 00:23:56,002 WISH I HAD PEOPLE TO RIP OFF. 625 00:23:56,035 --> 00:23:58,037 CAN I HELP YOU? HI. 626 00:23:58,070 --> 00:24:00,006 MARY SHANNON WITH THE U.S. MARSHALS. 627 00:24:00,039 --> 00:24:01,941 YOU EDWIN TALLTREES? I AM. 628 00:24:01,974 --> 00:24:05,512 ALL RIGHT. 629 00:24:05,545 --> 00:24:08,581 MUST BE A BITCH GETTING PIZZA DELIVERED UP HERE. 630 00:24:12,619 --> 00:24:15,154 HI. 631 00:24:15,187 --> 00:24:16,523 HAVE A SEAT. 632 00:24:16,556 --> 00:24:17,356 THANKS. 633 00:24:19,626 --> 00:24:21,694 I SUPPOSE YOU'RE HERE ABOUT SIENNA BURKE 634 00:24:21,728 --> 00:24:22,829 AND THAT BOY. 635 00:24:22,862 --> 00:24:23,963 WHY WOULD YOU SUPPOSE THAT? 636 00:24:23,996 --> 00:24:25,932 IT'S NO SECRET CALE BURKE AND I 637 00:24:25,965 --> 00:24:28,568 HAD A DISPUTE ABOUT THAT SPECIFIC PIECE OF LAND. 638 00:24:28,601 --> 00:24:30,603 YOU'D BE REMISS NOT TO QUESTION ME. 639 00:24:30,637 --> 00:24:34,040 GOD KNOWS I HATE BEING REMISS. 640 00:24:34,073 --> 00:24:37,977 WHAT CAN YOU TELL ME ABOUT THE MURDERS? 641 00:24:38,010 --> 00:24:41,013 I'M CURIOUS. 642 00:24:41,047 --> 00:24:42,849 WHY IS THE U.S. MARSHAL SERVICE 643 00:24:42,882 --> 00:24:46,553 INTERESTED IN A LOCAL MURDER? 644 00:24:48,621 --> 00:24:50,790 HEY. 645 00:24:50,823 --> 00:24:52,525 HERE'S AN IDEA. 646 00:24:52,559 --> 00:24:54,627 SINCE I'M THE ONE WEARING THE BADGE 647 00:24:54,661 --> 00:24:57,697 AND YOU'RE THE MURDER SUSPECT, 648 00:24:57,730 --> 00:25:01,734 HOW 'BOUT WE STICK TO ME ASKING THE QUESTIONS? 649 00:25:01,768 --> 00:25:03,169 ALL RIGHT. 650 00:25:03,202 --> 00:25:06,138 CALE BURKE AND I ATTENDED STANFORD TOGETHER. 651 00:25:06,172 --> 00:25:08,074 I STOOD UP FOR HIM AT HIS WEDDING. 652 00:25:08,107 --> 00:25:11,077 I WAS AT THE HOSPITAL THE DAY SIENNA WAS BORN. 653 00:25:11,110 --> 00:25:13,813 SHE AND MY SON KYLE PLAYED TOGETHER 654 00:25:13,846 --> 00:25:15,948 EVERY DAY... 655 00:25:15,982 --> 00:25:18,585 UNTIL THEY WENT OFF TO DIFFERENT PRIVATE SCHOOLS. 656 00:25:18,618 --> 00:25:20,119 I WOULD GIVE ANYTHING, 657 00:25:20,152 --> 00:25:21,721 EVERYTHING, 658 00:25:21,754 --> 00:25:24,691 TO BRING HER BACK. 659 00:25:24,724 --> 00:25:27,760 WHAT ELSE? 660 00:25:27,794 --> 00:25:29,729 WHERE WERE YOU LAST NIGHT? 661 00:25:29,762 --> 00:25:30,863 HERE. 662 00:25:30,897 --> 00:25:32,098 WITH KYLE. 663 00:25:32,131 --> 00:25:33,265 WATCHING THE KARATE CHAMPIONSHIPS 664 00:25:33,299 --> 00:25:34,667 ON PAY-PER-VIEW. 665 00:25:34,701 --> 00:25:36,969 WE'RE BOTH STUDENTS OF TAE KWAN DO. 666 00:25:37,003 --> 00:25:40,139 GET MUCH CALL FOR THAT IN REAL ESTATE? 667 00:25:40,172 --> 00:25:43,643 IS THERE ANYTHING ELSE, MARSHAL? 668 00:25:43,676 --> 00:25:46,679 IS KYLE AVAILABLE? 669 00:25:46,713 --> 00:25:48,748 I'D RATHER YOU DIDN'T SPEAK TO KYLE. 670 00:25:48,781 --> 00:25:50,282 HE'S VERY UPSET ABOUT SIENNA. 671 00:25:50,316 --> 00:25:54,020 WOULD YOU RATHER I TAKE HIM IN FOR QUESTIONING? 672 00:25:56,689 --> 00:25:57,657 KYLE, 673 00:25:57,690 --> 00:25:59,091 COME DOWN HERE, PLEASE. 674 00:25:59,125 --> 00:26:02,829 OKAY. 675 00:26:05,331 --> 00:26:07,667 AHH. 676 00:26:07,700 --> 00:26:11,170 YUMMY. 677 00:26:13,706 --> 00:26:15,074 KYLE. 678 00:26:15,107 --> 00:26:16,843 THIS IS MARSHAL SHANNON. 679 00:26:16,876 --> 00:26:19,712 SHE WANTS TO ASK YOU ABOUT SIENNA. 680 00:26:19,746 --> 00:26:20,880 OKAY. 681 00:26:20,913 --> 00:26:22,882 I UNDERSTAND YOU WERE GOOD FRIENDS. 682 00:26:22,915 --> 00:26:24,984 WERE. 683 00:26:25,017 --> 00:26:26,318 SINCE DAD AND UNCLE CALE 684 00:26:26,352 --> 00:26:27,954 HAD THEIR DISAGREEMENT, 685 00:26:27,987 --> 00:26:30,222 WE WEREN'T ALLOWED TO SEE EACH OTHER ANYMORE. 686 00:26:30,256 --> 00:26:32,391 DID YOU KNOW THE BOY SHE WAS WITH? 687 00:26:32,424 --> 00:26:34,326 UH-UH. 688 00:26:34,360 --> 00:26:35,962 I JUST HEARD HE WENT TO HER SCHOOL. 689 00:26:35,995 --> 00:26:37,630 CAN YOU THINK OF ANYONE WHO WOULD WANT 690 00:26:37,664 --> 00:26:40,032 TO DO THIS TO SIENNA? 691 00:26:40,066 --> 00:26:41,668 EVERYBODY LOVED HER. 692 00:26:41,701 --> 00:26:45,872 SHE WAS LIKE... 693 00:26:45,905 --> 00:26:48,340 WELL, YOU JUST COULDN'T HELP IT, YOU KNOW? 694 00:26:48,374 --> 00:26:51,110 IS THAT ENOUGH? 695 00:26:51,143 --> 00:26:52,679 SURE. 696 00:26:52,712 --> 00:26:54,246 JUST ONE MORE THING. 697 00:26:54,280 --> 00:26:55,715 WHERE WERE YOU LAST NIGHT? 698 00:26:55,748 --> 00:26:57,684 I WAS HERE WITH MY DAD 699 00:26:57,717 --> 00:26:59,051 WATCHING THE KARATE CHAMPIONSHIP. 700 00:26:59,085 --> 00:27:02,421 THAT'S WHAT I THOUGHT. 701 00:27:02,454 --> 00:27:04,023 BY THE WAY, WHO WON? 702 00:27:04,056 --> 00:27:08,861 EDGAR SANCHEZ. EDGAR SANCHEZ. 703 00:27:08,895 --> 00:27:11,297 I'M REALLY SORRY ABOUT YOUR FRIEND. 704 00:27:11,330 --> 00:27:12,699 YEAH, IT SUCKS. 705 00:27:12,732 --> 00:27:16,202 THANKS. 706 00:27:19,138 --> 00:27:20,773 I REALLY WANTED TO TURN AROUND 707 00:27:20,807 --> 00:27:22,675 AND POP OFF ONE OF THOSE COLUMBO QUESTIONS. 708 00:27:22,709 --> 00:27:24,343 YOU KNOW, THE INNOCUOUS AFTERTHOUGHT 709 00:27:24,376 --> 00:27:26,345 THAT LETS THE KILLER KNOW THAT I KNOW HE DID IT. 710 00:27:26,378 --> 00:27:27,914 EXCUSE ME, 711 00:27:27,947 --> 00:27:30,683 DO YOU ALWAYS WEAR WHITE SHOES AFTER LABOR DAY? 712 00:27:30,717 --> 00:27:32,151 UNFORTUNATELY, I HAD NO IDEA 713 00:27:32,184 --> 00:27:34,120 IF TALLTREES HAD ANYTHING TO DO WITH THE MURDERS. 714 00:27:34,153 --> 00:27:37,857 AND, MORE IMPORTANTLY, HE WASN'T WEARING SHOES. 715 00:27:40,492 --> 00:27:42,128 AS GOOD AS I AM AT SORTING OUT 716 00:27:42,161 --> 00:27:43,395 OTHER PEOPLE'S LIVES-- 717 00:27:43,429 --> 00:27:44,864 YOU'LL JUST HAVE TO TAKE MY WORD FOR IT, 718 00:27:44,897 --> 00:27:46,232 I'M REALLY GOOD-- 719 00:27:46,265 --> 00:27:48,200 THAT TALENT PALES COMPARED TO MY GENIUS 720 00:27:48,234 --> 00:27:49,435 FOR KEEPING MY OWN LIFE 721 00:27:49,468 --> 00:27:52,905 IN A CONSTANT STATE OF TURMOIL. 722 00:27:52,939 --> 00:27:55,975 I SHOULD HAVE JUST LET YOU WALK FROM THE AIRPORT, 723 00:27:56,008 --> 00:27:58,044 YOU PSYCHO WHACK-JOB. 724 00:27:58,077 --> 00:28:00,046 JUST GIVE ME-- JUST GIVE ME THE KEYS. 725 00:28:00,079 --> 00:28:01,881 A COUPLE OF YEARS FROM NOW, YOU'RE JUST GONNA BE 726 00:28:01,914 --> 00:28:04,116 ANOTHER HAIRNET-WEARIN' CHOLO. 727 00:28:04,150 --> 00:28:05,351 JUST PLEASE GIVE ME MY KEYS. 728 00:28:05,384 --> 00:28:06,719 ARE YOU GONNA HIT ME? 729 00:28:06,753 --> 00:28:07,887 NO, BUT GIVE ME THE KEYS. 730 00:28:07,920 --> 00:28:08,888 COME ON, HIT ME. 731 00:28:08,921 --> 00:28:10,022 ENOUGH. ENOUGH. 732 00:28:10,056 --> 00:28:11,991 JUST GIVE ME MY KEYS. ENOUGH. 733 00:28:12,024 --> 00:28:13,159 I'VE GOT ENOUGH GOING ON WITHOUT HAVING TO DEAL 734 00:28:13,192 --> 00:28:14,493 WITH THIS B.S. 735 00:28:14,526 --> 00:28:16,128 MARY, THANK GOD YOU'RE HERE. 736 00:28:16,162 --> 00:28:17,163 THEY'VE BEEN LIKE THIS FOR HALF AN HOUR. 737 00:28:17,196 --> 00:28:18,898 SHE STOLE MY CAR. 738 00:28:18,931 --> 00:28:20,166 YOU LEFT ME SITTING IN THE MIDDLE OF THE GHETTO. 739 00:28:20,199 --> 00:28:21,734 MARY, PLEASE, WOULD YOU DO SOMETHING 740 00:28:21,768 --> 00:28:22,969 BEFORE THE NEIGHBORS THINK 741 00:28:23,002 --> 00:28:24,303 WE'RE POOR WHITE TRASH? 742 00:28:24,336 --> 00:28:27,173 OH, OBVIOUSLY NOT YOU, RAPHAEL. 743 00:28:27,206 --> 00:28:28,908 GOD, MY HEAD IS JUST SPLITTING. 744 00:28:28,941 --> 00:28:30,476 SHE'S LUCKY I DON'T CALL THE COPS. 745 00:28:30,509 --> 00:28:32,278 RAPHAEL, SHE WAS SCARED. 746 00:28:32,311 --> 00:28:33,913 GO AHEAD, YOU KNOW WHAT, CALL THE COPS. 747 00:28:33,946 --> 00:28:35,782 I'LL JUST TELL THEM ABOUT THAT DIME BAG 748 00:28:35,815 --> 00:28:37,149 I FOUND IN THE CENTER CONSOLE. 749 00:28:37,183 --> 00:28:38,150 IT'S NOT MINE. 750 00:28:38,184 --> 00:28:39,185 DIME BAG OF WHAT? 751 00:28:39,218 --> 00:28:40,286 YOU DON'T GET HIGH? 752 00:28:40,319 --> 00:28:41,754 IS THAT WHAT YOU'RE TELLING ME? 753 00:28:41,788 --> 00:28:42,755 I DON'T GET HIGH. 754 00:28:42,789 --> 00:28:43,956 OKAY, ALL RIGHT. 755 00:28:43,990 --> 00:28:45,792 BOTH OF YOU, STOP IT, STOP IT. 756 00:28:45,825 --> 00:28:46,793 I DON'T KNOW WHOSE DOPE IT IS, AND I DON'T CARE. 757 00:28:46,826 --> 00:28:48,260 I WANT IT OUT OF HERE NOW. 758 00:28:48,294 --> 00:28:50,396 I'M A U.S. MARSHAL, FOR CHRIST'S SAKE. 759 00:28:50,429 --> 00:28:51,898 MA, GO INSIDE AND TAKE SOME ASPIRIN. 760 00:28:51,931 --> 00:28:53,933 BRANDI, GIVE HIM HIS KEYS. 761 00:28:53,966 --> 00:28:55,167 YOU BETTER DON'T THINK THAT STUFF IS MINE. 762 00:28:55,201 --> 00:28:56,202 WHAT KIND OF STUFF? 763 00:28:56,235 --> 00:28:57,536 "YOU BETTER DON'T"? 764 00:28:57,569 --> 00:28:58,905 OH, GOD. IT DOESN'T MATTER, RAPHAEL. 765 00:28:58,938 --> 00:29:00,039 NO, THE HELL IT DOESN'T. 766 00:29:00,072 --> 00:29:01,407 YOU'RE TAKING HER WORD OVER MINE. 767 00:29:01,440 --> 00:29:02,942 I'M NOT TAKING ANYBODY'S WORD. 768 00:29:02,975 --> 00:29:03,943 WHAT PART OF "I DON'T CARE WHOSE IT IS" 769 00:29:03,976 --> 00:29:04,944 IS DIFFICULT FOR YOU? 770 00:29:04,977 --> 00:29:06,112 IS THIS HOW YOU THANK ME 771 00:29:06,145 --> 00:29:07,213 FOR TAKING TIME OUT OF MY DAY OFF 772 00:29:07,246 --> 00:29:08,848 TO PICK UP YOUR PSYCHOTIC SISTER? 773 00:29:08,881 --> 00:29:10,249 YOU WERE SUPPOSED TO DRIVE HER TO MY HOUSE, 774 00:29:10,282 --> 00:29:11,450 NOT INTENTIONALLY SCARE THE CRAP OUTTA HER. 775 00:29:11,483 --> 00:29:13,820 I HAD TO STOP AT THE YOUTH CENTER. 776 00:29:13,853 --> 00:29:14,821 THE SCARING THE CRAP OUT OF HER PART 777 00:29:14,854 --> 00:29:16,355 WAS JUST A BONUS. 778 00:29:16,388 --> 00:29:18,357 IT'S A JUVENILE PRANK THAT BLEW UP IN YOUR FACE. 779 00:29:18,390 --> 00:29:19,558 THEN AFTER SHE STEALS MY CAR, 780 00:29:19,591 --> 00:29:20,559 YOU DON'T EVEN COME AND PICK ME UP. 781 00:29:20,592 --> 00:29:22,194 I WAS BUSY. 782 00:29:22,228 --> 00:29:23,229 WHY CAN'T ANYONE GET IT THROUGH THEIR HEADS? 783 00:29:23,262 --> 00:29:24,230 I HAVE A JOB. 784 00:29:24,263 --> 00:29:25,965 OH, THAT'S RIGHT-- 785 00:29:25,998 --> 00:29:27,266 EVERYBODY'S GOTTA MAKE TIME IN THEIR DAY, BUT NOT MARY. 786 00:29:27,299 --> 00:29:29,068 CRY ME A RIVER. 787 00:29:29,101 --> 00:29:30,269 WHAT DID I PULL YOU AWAY FROM, AN EXTRA SET OF CRUNCHES? 788 00:29:30,302 --> 00:29:31,871 IS THAT ALL YOU THINK I DO? 789 00:29:31,904 --> 00:29:33,906 NO, SOMETIMES I THINK YOU WORK ON YOUR LATS. 790 00:29:33,940 --> 00:29:36,375 HAVE A HAPPY BIRTHDAY. 791 00:29:36,408 --> 00:29:39,011 I'M OUTTA HERE. SEE YA. 792 00:29:39,045 --> 00:29:40,312 YOU HAPPY? 793 00:29:40,346 --> 00:29:41,313 WHAT, I ALREADY GOT RID OF THE STUFF. 794 00:29:41,347 --> 00:29:42,949 WHAT'S THE BIG DRAMA? 795 00:29:42,982 --> 00:29:44,550 OH, MY GOD, BRANDI, WHEN ARE YOU GONNA GROW UP 796 00:29:44,583 --> 00:29:46,318 AND STOP MAKING LIFE MISERABLE 797 00:29:46,352 --> 00:29:47,887 FOR EVERYONE AROUND YOU? 798 00:29:47,920 --> 00:29:49,221 OH, COME ON. 799 00:29:49,255 --> 00:29:50,489 YOU COULDN'T TAKE AN HOUR OFF 800 00:29:50,522 --> 00:29:52,324 FROM SERVING WARRANTS? 801 00:29:52,358 --> 00:29:53,993 OR DRINKING COFFEE AT THE COURTHOUSE? 802 00:29:54,026 --> 00:29:56,095 OR WHATEVER THE HELL IT IS YOU DO 803 00:29:56,128 --> 00:29:58,297 TO PICK UP YOUR SISTER? 804 00:29:58,330 --> 00:30:00,867 OKAY, MA, I KNOW YOU THINK BRANDI'S YOUR PRECIOUS BABY. 805 00:30:00,900 --> 00:30:02,501 SHE'S NOT. 806 00:30:02,534 --> 00:30:04,336 SHE'S A VIRUS, INFECTING EVERYONE AROUND HER. 807 00:30:04,370 --> 00:30:05,972 ALL RIGHT, THAT'S ENOUGH. 808 00:30:06,005 --> 00:30:07,539 AS LONG AS YOU KEEP PROPPING HER UP AND MAKING EXCUSES, 809 00:30:07,573 --> 00:30:09,308 THAT'S ALL SHE'S EVER GONNA BE. 810 00:30:09,341 --> 00:30:10,509 GOD, WOULD YOU STOP IT? 811 00:30:10,542 --> 00:30:11,944 THIS IS YOUR BABY SISTER-- 812 00:30:11,978 --> 00:30:13,846 NOW SHE'S GONNA CRY, 813 00:30:13,880 --> 00:30:15,181 AND YOU'RE GONNA TELL HER EVERYTHING'S OKAY. 814 00:30:15,214 --> 00:30:16,849 AND SOMEHOW, THIS IS ALL GONNA WIND UP MY FAULT. 815 00:30:16,883 --> 00:30:18,217 SO IF YOU DON'T MIND, 816 00:30:18,250 --> 00:30:19,852 I'M GONNA SKIP THE NEXT PART OF THE PROGRAM. 817 00:30:19,886 --> 00:30:21,420 I HAVE TO GET BACK TO WHATEVER THE HELL IT IS I DO. 818 00:30:21,453 --> 00:30:22,421 UGH! 819 00:30:22,454 --> 00:30:25,257 EXCUSE ME. 820 00:30:25,291 --> 00:30:27,994 JUST GIVE ME THE DAMN KEYS. 821 00:30:28,027 --> 00:30:29,261 YOU WANT 'EM? 822 00:30:29,295 --> 00:30:32,999 YEAH. 823 00:30:35,301 --> 00:30:37,236 GO GET 'EM. 824 00:30:40,306 --> 00:30:42,108 NO! DON'T TOUCH ME! 825 00:30:42,141 --> 00:30:44,076 GET YOUR HANDS OFF OF ME! PUT ME DOWN! 826 00:30:48,380 --> 00:30:50,149 YOU GET OUT WHEN I GET THE KEYS. 827 00:30:50,182 --> 00:30:51,283 UP YOURS! 828 00:30:51,317 --> 00:30:53,285 OH, CLASSY. 829 00:30:57,423 --> 00:30:58,590 MARSHALL. 830 00:30:58,624 --> 00:30:59,591 HEY, HOW'S IT COMING? 831 00:30:59,625 --> 00:31:01,093 DRIPS AND DRABS. 832 00:31:01,127 --> 00:31:02,628 I TRACKED DOWN THE GIRL'S BEST FRIEND. 833 00:31:02,661 --> 00:31:04,530 SHE'S AT WORK AT ELSA ROSS. 834 00:31:04,563 --> 00:31:06,198 SO SHE DOESN'T KNOW? 835 00:31:06,232 --> 00:31:08,167 EITHER THAT OR SHE'S GOT A GREAT WORK ETHIC. 836 00:31:08,200 --> 00:31:09,535 ALL RIGHT, I'M ON MY WAY. 837 00:31:09,568 --> 00:31:11,070 TREAD LIGHTLY. 838 00:31:11,103 --> 00:31:14,306 HEY, GIVE ME A LITTLE CREDIT. 839 00:31:16,375 --> 00:31:18,677 OH, GOD. 840 00:31:18,710 --> 00:31:20,913 I CAN'T BELIEVE SHE'S DEAD. 841 00:31:20,947 --> 00:31:22,949 I'M SO SORRY. 842 00:31:22,982 --> 00:31:24,450 AND I CAN'T BELIEVE YOU TRIED ON CLOTHES 843 00:31:24,483 --> 00:31:26,152 BEFORE TELLING ME. 844 00:31:26,185 --> 00:31:28,154 YEAH, AGAIN, 845 00:31:28,187 --> 00:31:30,589 I'M REALLY SORRY. 846 00:31:30,622 --> 00:31:32,458 THOUGHT IT WOULD HELP EASE INTO IT. 847 00:31:34,026 --> 00:31:36,362 I CAN SEE NOW THAT WAS A MISTAKE. 848 00:31:36,395 --> 00:31:37,529 I DON'T KNOW ANYONE 849 00:31:37,563 --> 00:31:40,166 WHO WOULD DO ANYTHING LIKE THIS. 850 00:31:40,199 --> 00:31:42,134 ALL MY FRIENDS ARE REALLY NICE. 851 00:31:42,168 --> 00:31:43,402 WHAT ABOUT FRANKIE? 852 00:31:43,435 --> 00:31:44,937 DID HE HAVE ANY ENEMIES? 853 00:31:44,971 --> 00:31:46,505 I DON'T KNOW. 854 00:31:46,538 --> 00:31:48,140 HE WAS NEW. 855 00:31:48,174 --> 00:31:50,676 HOW LONG HAD HE AND SIENNA BEEN GOING OUT? 856 00:31:50,709 --> 00:31:52,378 THEY WEREN'T GOING OUT. 857 00:31:52,411 --> 00:31:55,647 SIENNA WAS JUST BEING NICE TO HIM. 858 00:31:55,681 --> 00:31:57,683 HE WAS A VIRGIN. 859 00:31:57,716 --> 00:32:00,987 SO SHE WAS GONNA... 860 00:32:01,020 --> 00:32:04,056 YOU KNOW. 861 00:32:04,090 --> 00:32:06,158 THAT IS NICE. 862 00:32:06,192 --> 00:32:08,027 SIENNA WAS LIKE THAT. 863 00:32:08,060 --> 00:32:09,595 OKAY. OKAY. 864 00:32:09,628 --> 00:32:11,530 IS THERE ANYONE WE SHOULD TALK TO? 865 00:32:11,563 --> 00:32:13,099 ANYONE YOU'D WANT TO TALK TO IF YOU WERE ME? 866 00:32:13,132 --> 00:32:15,267 SHE HAD A BOYFRIEND. 867 00:32:15,301 --> 00:32:17,469 I'D WANT TO TALK TO HIM. 868 00:32:17,503 --> 00:32:19,371 OKAY, GOOD. 869 00:32:19,405 --> 00:32:21,340 HE WAS THIS BIG SECRET. 870 00:32:21,373 --> 00:32:22,975 AND I MEAN, REALLY BIG. 871 00:32:23,009 --> 00:32:25,011 SHE WOULDN'T EVEN TELL ME WHAT HE LOOKED LIKE, 872 00:32:25,044 --> 00:32:27,379 AND SHE TOLD ME EVERYTHING. 873 00:32:27,413 --> 00:32:28,580 DID SHE TELL YOU ANYTHING ABOUT HIM? 874 00:32:28,614 --> 00:32:30,116 ANYTHING AT ALL? 875 00:32:30,149 --> 00:32:32,284 JUST THAT HE MADE HER GET THIS STUPID TATTOO. 876 00:32:32,318 --> 00:32:34,320 YOU MEAN THE ONE ON HER CHEST? 877 00:32:34,353 --> 00:32:36,055 OVER HER HEART. 878 00:32:36,088 --> 00:32:38,124 SO HOW COME SHE WAS WITH FRANKIE? 879 00:32:38,157 --> 00:32:39,458 I MEAN, IF SHE HAD 880 00:32:39,491 --> 00:32:41,427 THIS SECRET BOYFRIEND AND ALL? 881 00:32:41,460 --> 00:32:45,731 'CAUSE THEY BROKE UP, LIKE, A MONTH AGO. 882 00:32:45,764 --> 00:32:48,000 DID I FORGET TO MENTION THAT? 883 00:32:48,034 --> 00:32:49,468 YEAH. 884 00:32:49,501 --> 00:32:51,003 YOU KINDA DID. 885 00:32:51,037 --> 00:32:52,638 I'M SORRY. 886 00:32:52,671 --> 00:32:56,375 IT'S OKAY. I'M SORRY. 887 00:32:58,344 --> 00:33:00,179 BEFORE YOU HEAR IT FROM SOMEBODY ELSE, 888 00:33:00,212 --> 00:33:03,382 I SMACKED AN INDIAN'S JOHNSON WITH A BAR OF SOAP TODAY. 889 00:33:03,415 --> 00:33:05,284 JUST THOUGHT YOU SHOULD KNOW. 890 00:33:05,317 --> 00:33:06,718 HAVEN'T WE DONE ENOUGH TO THOSE PEOPLE? 891 00:33:06,752 --> 00:33:08,220 I'M NOT PROUD OF MYSELF. 892 00:33:08,254 --> 00:33:09,455 DID YOU COME UP WITH ANYTHING? 893 00:33:09,488 --> 00:33:10,789 NOT REALLY. 894 00:33:10,822 --> 00:33:12,358 OH, EXCEPT THAT TWO DAYS AGO 895 00:33:12,391 --> 00:33:14,593 A THREE-SECOND CALL CAME INTO SANTORO'S HOUSE 896 00:33:14,626 --> 00:33:17,329 FROM A CELL REGISTERED TO RICHIE MASTRO. 897 00:33:17,363 --> 00:33:19,431 RICHIE MASTRO, SON OF DOMINIC MASTRO. 898 00:33:19,465 --> 00:33:20,466 DON OF DONS, HEAD OF THE FIVE FAMILIES, 899 00:33:20,499 --> 00:33:22,034 CALLED MY FRANKIE? 900 00:33:22,068 --> 00:33:23,535 YES, FREDO. 901 00:33:23,569 --> 00:33:25,037 YOU SURE? 902 00:33:25,071 --> 00:33:26,338 YOU KNOW, IT HURTS WHEN YOU DOUBT ME. 903 00:33:26,372 --> 00:33:27,339 ALL RIGHT, LET'S GO. 904 00:33:27,373 --> 00:33:28,774 NOW WHERE? 905 00:33:28,807 --> 00:33:30,542 FRANKIE NUTS HAS GOT SOME 'SPLAINING TO DO. 906 00:33:30,576 --> 00:33:32,311 DO I GET TO PLAY BAD COP? 907 00:33:32,344 --> 00:33:33,445 LIKE YOU COULD. 908 00:33:33,479 --> 00:33:36,548 OH, DAMN. 909 00:33:36,582 --> 00:33:37,783 WHAT'S THE MATTER? 910 00:33:39,785 --> 00:33:41,420 HI, TASHA. IT'S ME, MARY. 911 00:33:41,453 --> 00:33:43,489 IS YOUR CABLE ON YET? 912 00:33:43,522 --> 00:33:46,525 GOOD. 913 00:33:46,558 --> 00:33:48,727 NO, WE CAN ONLY PAY FOR THE BASIC PACKAGE. 914 00:33:48,760 --> 00:33:51,597 HBO AND SHOWTIME ARE EXTRA. 915 00:33:51,630 --> 00:33:54,400 LISTEN, ABOUT YOUR GROCERIES, 916 00:33:54,433 --> 00:33:55,667 SOMETHING'S COME UP. 917 00:33:55,701 --> 00:33:58,670 SO WHAT'S THE BOOK ON YOUNG RICHIE? 918 00:33:58,704 --> 00:34:00,639 WELL, FOR STARTERS, YOU'D HAVE TO SAY 919 00:34:00,672 --> 00:34:02,374 HE'S OF QUESTIONABLE CHARACTER. 920 00:34:02,408 --> 00:34:03,809 TOSSED OUT OF CHOATE, WAS HE? 921 00:34:03,842 --> 00:34:05,844 NYPD HAS HIM UNDER INVESTIGATION 922 00:34:05,877 --> 00:34:07,513 FOR A HANDFUL OF MURDERS. 923 00:34:07,546 --> 00:34:09,315 AND OF PARTICULAR INTEREST, 924 00:34:09,348 --> 00:34:11,550 A FORMER GIRLFRIEND GOT A RESTRAINING ORDER AGAINST HIM 925 00:34:11,583 --> 00:34:14,220 AFTER HE BROKE FOUR OF HER RIBS. 926 00:34:14,253 --> 00:34:16,222 THEN, GUESS WHAT, TWO DAYS LATER 927 00:34:16,255 --> 00:34:17,489 SHE TURNS UP HACKED TO BITS. 928 00:34:17,523 --> 00:34:18,657 NO. 929 00:34:18,690 --> 00:34:20,226 AFRAID SO. 930 00:34:20,259 --> 00:34:22,094 APPARENTLY, OUR BOY'S GOT GIRL ISSUES. 931 00:34:22,128 --> 00:34:23,362 AND LIKES KNIVES. 932 00:34:23,395 --> 00:34:24,496 SO HE DOES JUNIOR, 933 00:34:24,530 --> 00:34:25,497 THEN HAS HIS JOLLIES WITH THE GIRL? 934 00:34:25,531 --> 00:34:26,765 COULD BE. 935 00:34:26,798 --> 00:34:28,300 SOMEHOW HE GOT FRANKIE'S NUMBER. 936 00:34:28,334 --> 00:34:29,335 SO IT WOULD SEEM. 937 00:34:29,368 --> 00:34:30,569 SON OF A BITCH. 938 00:34:30,602 --> 00:34:33,105 A WEEK BEFORE HE TESTIFIES AGAINST DOMINIC. 939 00:34:33,139 --> 00:34:35,607 I BET YOU ANYTHING FRANKIE WAS TRYING TO BROKER A DEAL. 940 00:34:35,641 --> 00:34:37,476 YOU KNOW WHAT I THINK? WHAT? 941 00:34:37,509 --> 00:34:39,411 I THINK FRANKIE MIGHT HAVE BEEN TRYING TO BROKER A DEAL. 942 00:34:39,445 --> 00:34:43,115 YOU'RE AN IDIOT. 943 00:35:02,234 --> 00:35:05,804 WHERE ARE THE PEOPLE WHO WERE STAYING HERE? 944 00:35:05,837 --> 00:35:07,906 LA GENTE, A DONDE ESTAN? 945 00:35:07,939 --> 00:35:10,676 DAMN IT, WHAT LANGUAGE DO YOU SPEAK? 946 00:35:10,709 --> 00:35:12,344 OH, PERFECT, SHE'S DEAF. 947 00:35:12,378 --> 00:35:15,847 YOU HAVE A PEN? 948 00:35:17,616 --> 00:35:18,650 THEY'RE GONE. 949 00:35:18,684 --> 00:35:21,453 SHE DOESN'T KNOW WHERE. 950 00:35:21,487 --> 00:35:23,355 WHAT? 951 00:35:23,389 --> 00:35:26,858 COME ON. 952 00:35:42,974 --> 00:35:44,176 YOU CALLING IN A PHONE TRACE? 953 00:35:44,210 --> 00:35:45,244 THAT'LL TAKE HOURS. 954 00:35:45,277 --> 00:35:46,578 GET A WARRANT, BLAH, BLAH, BLAH. 955 00:35:46,612 --> 00:35:48,347 I NEED TO FIND MASTRO BEFORE HE FINDS FRANKIE, 956 00:35:48,380 --> 00:35:49,515 OR VICE VERSA. 957 00:35:49,548 --> 00:35:51,750 SINCE WHEN DO YOU KNOW SIGN LANGUAGE? 958 00:35:51,783 --> 00:35:53,585 APPARENTLY I DON'T. 959 00:35:53,619 --> 00:35:54,753 HELLO? 960 00:35:54,786 --> 00:35:56,488 HELLO, IS THIS RICHIE? 961 00:35:56,522 --> 00:35:57,623 YOU GOTTA BE KIDDING. 962 00:35:57,656 --> 00:35:59,225 YEAH, WHO'S THIS? 963 00:35:59,258 --> 00:36:01,393 THIS IS NOMI. 964 00:36:01,427 --> 00:36:02,561 I DON'T KNOW IF YOU REMEMBER, 965 00:36:02,594 --> 00:36:04,363 ME AND MY GIRLFRIEND PIA MET YOU 966 00:36:04,396 --> 00:36:05,864 AT COSMO'S A FEW WEEKS AGO. 967 00:36:05,897 --> 00:36:07,733 MAYBE, I MEET A LOT OF CHICKS. 968 00:36:07,766 --> 00:36:09,201 WHAT'S UP? 969 00:36:09,235 --> 00:36:10,736 WELL, PIA AND I WERE JUST TALKING 970 00:36:10,769 --> 00:36:13,305 ABOUT HOW MUCH FUN IT WAS TO HANG OUT WITH YOU, 971 00:36:13,339 --> 00:36:15,774 AND HOW MUCH WE WANTED TO PARTY WITH YOU THAT NIGHT. 972 00:36:15,807 --> 00:36:17,576 AND PIA SAID WE SHOULD JUST CALL YOU 973 00:36:17,609 --> 00:36:18,577 AND SEE WHAT YOU WAS DOING. 974 00:36:18,610 --> 00:36:19,778 NO WAY IN HELL THIS WORKS. 975 00:36:19,811 --> 00:36:21,913 YEAH, MAYBE SOME OTHER TIME. 976 00:36:21,947 --> 00:36:23,382 OH. OH! 977 00:36:23,415 --> 00:36:25,451 OH! 978 00:36:25,484 --> 00:36:26,952 PIA. 979 00:36:26,985 --> 00:36:28,354 WHAT ARE YOU DOING? 980 00:36:28,387 --> 00:36:29,888 PLEASE DON'T TALK DIRTY. 981 00:36:29,921 --> 00:36:31,957 OH, RICHIE, I WISH YOU COULD SEE THIS. 982 00:36:31,990 --> 00:36:33,592 ME TOO. 983 00:36:33,625 --> 00:36:36,728 WHAT EXACTLY IS, UH, PIA DOING TO YOU? 984 00:36:36,762 --> 00:36:39,865 WELL, FIRST OF ALL, I'M LYING ON MY TUMMY, 985 00:36:39,898 --> 00:36:41,500 AND I'M WEARING 986 00:36:41,533 --> 00:36:43,702 THIS REAL SHORT SKIRT. 987 00:36:43,735 --> 00:36:45,437 AND PIA'S TAKING HER TONGUE 988 00:36:45,471 --> 00:36:47,273 AND RUNNING IT ALL THE WAY UP MY-- 989 00:36:47,306 --> 00:36:48,740 OY. 990 00:36:48,774 --> 00:36:50,642 OH! 991 00:36:50,676 --> 00:36:53,011 SWEET MOTHER. 992 00:36:53,044 --> 00:36:54,680 OH! 993 00:36:54,713 --> 00:36:56,848 OH! 994 00:36:56,882 --> 00:36:57,983 OH! 995 00:36:58,016 --> 00:36:59,785 AHH! 996 00:36:59,818 --> 00:37:01,820 AH! 997 00:37:01,853 --> 00:37:03,355 AHHHH. 998 00:37:03,389 --> 00:37:05,791 SHE'S TALKING TO HER MOTHER. 999 00:37:05,824 --> 00:37:07,993 OHH. 1000 00:37:08,026 --> 00:37:09,961 AHH. 1001 00:37:09,995 --> 00:37:12,598 OH, RICHIE. 1002 00:37:12,631 --> 00:37:14,933 I WANT TO DO YOU LIKE PIA JUST DID ME. 1003 00:37:14,966 --> 00:37:16,368 TELL ME WHERE YOU ARE. 1004 00:37:16,402 --> 00:37:18,270 WE'LL COME OVER IN A CAB. 1005 00:37:18,304 --> 00:37:21,407 THAT IS, IF YOU THINK YOU CAN HANDLE BOTH OF US. 1006 00:37:21,440 --> 00:37:22,974 LISTEN, UH, ROMY-- 1007 00:37:23,008 --> 00:37:23,975 NOMI. 1008 00:37:24,009 --> 00:37:25,877 OKAY, LISTEN, NOMI, 1009 00:37:25,911 --> 00:37:27,746 AS MUCH AS I'D LOVE TO PARTY WITH YOU AND PIA-- 1010 00:37:27,779 --> 00:37:29,348 AND TRUST ME, 1011 00:37:29,381 --> 00:37:30,882 I GOT MORE THAN ENOUGH FOR BOTH OF YOU-- 1012 00:37:30,916 --> 00:37:32,451 THAT'S GONNA BE AN AWFULLY PRICEY CAB RIDE. 1013 00:37:32,484 --> 00:37:33,985 WHY'S THAT? 1014 00:37:34,019 --> 00:37:37,423 'CAUSE I'M IN ALBUQUERQUE, CUPCAKE. 1015 00:37:37,456 --> 00:37:38,824 ALBUQUERQUE?! 1016 00:37:38,857 --> 00:37:40,025 UNBELIEVABLE. 1017 00:37:40,058 --> 00:37:41,427 HOW FUNNY. 1018 00:37:41,460 --> 00:37:42,728 SOME GUY JUST INVITED ME OUT THERE 1019 00:37:42,761 --> 00:37:43,962 TO SOME BALLOON FESTIVAL, 1020 00:37:43,995 --> 00:37:45,764 WHATEVER THE HELL THAT IS. 1021 00:37:45,797 --> 00:37:46,965 NO KIDDING? 1022 00:37:46,998 --> 00:37:48,834 SOME COINCIDENCE, RIGHT? 1023 00:37:48,867 --> 00:37:50,536 HEY, ARE THERE ANY DECENT PLACES 1024 00:37:50,569 --> 00:37:52,003 TO STAY OUT THERE? 1025 00:37:52,037 --> 00:37:53,505 YEAH, THEY GOT ONE REALLY NICE RESORT 1026 00:37:53,539 --> 00:37:54,706 JUST OUTTA TOWN. 1027 00:37:54,740 --> 00:37:57,743 GOLF, SPA, THE WHOLE DEAL. 1028 00:37:57,776 --> 00:37:59,345 THAT SOUNDS-- 1029 00:37:59,378 --> 00:38:02,681 UH-OH, I THINK MY HUSBAND JUST GOT HOME. 1030 00:38:08,053 --> 00:38:09,921 HONEY, I'M HOME. 1031 00:38:09,955 --> 00:38:12,891 MOTHER MARY AND JOSEPH, 1032 00:38:12,924 --> 00:38:14,793 WHAT'S GOING ON HERE? 1033 00:38:14,826 --> 00:38:16,795 WHERE ARE YOUR PANTIES? 1034 00:38:16,828 --> 00:38:19,898 YOU BAD, BAD GIRL. 1035 00:38:19,931 --> 00:38:22,334 I GOTTA GO. 1036 00:38:22,368 --> 00:38:25,103 I'LL CALL YOU BACK. 1037 00:38:25,136 --> 00:38:27,639 THAT'S JUST... 1038 00:38:27,673 --> 00:38:29,708 NOMI? 1039 00:38:29,741 --> 00:38:31,977 FROM SHOWGIRLS. 1040 00:38:32,010 --> 00:38:35,714 SWEET. 1041 00:38:42,654 --> 00:38:43,755 WHO IS IT? 1042 00:38:43,789 --> 00:38:45,491 ROOM SERVICE, MR. MARTELL. 1043 00:38:45,524 --> 00:38:46,925 I HAVE A FRUIT BASKET 1044 00:38:46,958 --> 00:38:47,959 COMPLIMENTS OF THE HOTEL. 1045 00:38:47,993 --> 00:38:50,862 LEAVE IT BY THE DOOR. 1046 00:38:50,896 --> 00:38:54,466 AND A BOTTLE OF DOM PERIGNON. 1047 00:38:54,500 --> 00:38:56,702 I'M NOT ALLOWED TO LEAVE IT OUTSIDE. 1048 00:38:56,735 --> 00:38:58,103 ALL RIGHT, HOLD ON. 1049 00:38:58,136 --> 00:39:02,408 PAIN IN THE ASS. 1050 00:39:02,441 --> 00:39:05,911 FREEZE! 1051 00:39:09,080 --> 00:39:10,382 DON'T EVEN FART. 1052 00:39:10,416 --> 00:39:11,617 MY WALLET'S ON THE BAR. 1053 00:39:11,650 --> 00:39:13,018 TAKE WHATEVER YOU WANT. 1054 00:39:13,051 --> 00:39:14,753 WE'RE NOT HERE TO ROB YOU, YOU STUPID HUMP. 1055 00:39:14,786 --> 00:39:16,422 WE'RE U.S. MARSHALS. 1056 00:39:16,455 --> 00:39:17,756 I DIDN'T DO NOTHING. 1057 00:39:17,789 --> 00:39:19,124 OH, YEAH? 1058 00:39:19,157 --> 00:39:20,125 ISN'T THAT CUTE? 1059 00:39:20,158 --> 00:39:24,463 THAT AIN'T MINE. 1060 00:39:28,166 --> 00:39:29,568 WHERE'S FRANKIE? 1061 00:39:29,601 --> 00:39:30,836 FRANKIE WHO? 1062 00:39:30,869 --> 00:39:33,038 SANTORO, WHERE IS HE? 1063 00:39:33,071 --> 00:39:36,174 FRANKIE NUTS, HOW THE HELL SHOULD I KNOW? 1064 00:39:36,207 --> 00:39:37,843 AHH, WHAT ARE YOU, A NUN? 1065 00:39:37,876 --> 00:39:39,411 QUIT SCREWING WITH ME. 1066 00:39:39,445 --> 00:39:40,646 I KNOW YOUR FATHER SENT YOU TO KILL HIM. 1067 00:39:40,679 --> 00:39:42,180 NOW TELL ME WHERE HE IS, OR SO HELP ME 1068 00:39:42,213 --> 00:39:44,550 I WILL FEED THIS EAR TO MY MOTHER'S POODLES. 1069 00:39:44,583 --> 00:39:45,751 I THOUGHT THEY WERE SHIH TZUS. 1070 00:39:45,784 --> 00:39:46,985 FOCUS, MARSHALL. 1071 00:39:50,088 --> 00:39:52,023 WHERE THE HELL ARE YOU? 1072 00:39:52,057 --> 00:39:54,593 I THOUGHT I TOLD YOU TO STAY PUT. 1073 00:39:54,626 --> 00:39:56,628 NO, IT ISN'T ALL RIGHT. STAY THERE. 1074 00:39:56,662 --> 00:39:57,996 I'M COMING OVER. 1075 00:39:58,029 --> 00:39:59,765 SOMETHING'S COME UP. 1076 00:39:59,798 --> 00:40:01,199 BE A DEAR AND TAKE HIM IN. 1077 00:40:01,232 --> 00:40:02,601 YES, HONEY. 1078 00:40:02,634 --> 00:40:03,902 SHALL I PICK UP YOUR DRY CLEANING 1079 00:40:03,935 --> 00:40:05,103 WHILE I'M AT IT? 1080 00:40:05,136 --> 00:40:06,472 TAKE ME IN? 1081 00:40:06,505 --> 00:40:07,939 WHAT FOR? 1082 00:40:07,973 --> 00:40:10,075 FOR ENDING AN INTERROGATORY WITH A PREPOSITION. 1083 00:40:10,108 --> 00:40:12,678 HEY, THAT'S A $6 CANDY BAR. 1084 00:40:12,711 --> 00:40:14,112 PUT THESE ON, AND SHUT UP. 1085 00:40:14,145 --> 00:40:17,816 EASY. 1086 00:40:30,496 --> 00:40:32,230 HEY. 1087 00:40:32,263 --> 00:40:33,832 LET ME EXPLAIN SOMETHING TO YOU. 1088 00:40:33,865 --> 00:40:34,866 WHEN I TELL YOU TO STAY SOMEPLACE, 1089 00:40:34,900 --> 00:40:36,001 YOU STAY THERE. 1090 00:40:36,034 --> 00:40:37,168 YOU CAN'T JUST CHANGE LOCATIONS 1091 00:40:37,202 --> 00:40:38,637 WITHOUT TELLING ME. 1092 00:40:38,670 --> 00:40:39,971 I DON'T HAVE TIME TO GO CHASING 1093 00:40:40,005 --> 00:40:42,608 ALL OVER HELL AND HIGH WATER LOOKING FOR YOU. 1094 00:40:42,641 --> 00:40:44,643 THIS GOES FOR YOU, TOO, FELICIA. 1095 00:40:44,676 --> 00:40:49,014 I NEEDED TO LIGHT A CANDLE. 1096 00:40:49,047 --> 00:40:50,582 LISTEN, I KNOW YOU TWO ARE HURTING, 1097 00:40:50,616 --> 00:40:52,117 BUT THIS-- 1098 00:40:52,150 --> 00:40:55,587 THIS IS NOT HOW THE PROGRAM WORKS. 1099 00:40:55,621 --> 00:40:57,055 WE CHECKED INTO THE MARRIOTT. 1100 00:40:57,088 --> 00:40:58,957 THE OTHER PLACE WAS TOO DEPRESSING. 1101 00:40:58,990 --> 00:41:01,993 THE BEDSPREADS HAD STAINS. 1102 00:41:04,062 --> 00:41:06,197 HOW DOES RICHIE MASTRO HAVE YOUR PHONE NUMBER? 1103 00:41:06,231 --> 00:41:07,833 WHAT? 1104 00:41:07,866 --> 00:41:09,134 YOU HEARD ME. 1105 00:41:09,167 --> 00:41:10,268 HE CALLED YOUR HOUSE TWO DAYS AGO AND HUNG UP 1106 00:41:10,301 --> 00:41:11,870 LIKE HE WAS CHECKING THE NUMBER. 1107 00:41:11,903 --> 00:41:12,871 I KNOW I DIDN'T GIVE IT TO HIM. 1108 00:41:12,904 --> 00:41:14,105 SO WHO DID? 1109 00:41:14,139 --> 00:41:15,674 WELL, IT CERTAINLY WASN'T ME. 1110 00:41:15,707 --> 00:41:17,709 I HAVEN'T CONTACTED ANYBODY. 1111 00:41:17,743 --> 00:41:18,710 OH, GOD. 1112 00:41:18,744 --> 00:41:19,911 WHAT? 1113 00:41:19,945 --> 00:41:22,981 OH, GOD, DID I GET FRANKIE KILLED? 1114 00:41:23,014 --> 00:41:24,249 WHAT? TELL US WHAT YOU DID, FELICIA. 1115 00:41:24,282 --> 00:41:25,617 YOU STUPID-- 1116 00:41:25,651 --> 00:41:26,618 SHH! 1117 00:41:26,652 --> 00:41:27,919 WHAT HAPPENED? 1118 00:41:27,953 --> 00:41:28,954 HAVE YOU BEEN TALKING TO SOMEONE? 1119 00:41:28,987 --> 00:41:31,156 NO, NO. NO, I SWEAR. 1120 00:41:31,189 --> 00:41:33,058 NOT ON THE PHONE. 1121 00:41:33,091 --> 00:41:34,960 ON THE INTERNET. 1122 00:41:34,993 --> 00:41:36,662 ME AND CATHY, WE BEEN EMAILING EACH OTHER. 1123 00:41:36,695 --> 00:41:38,229 BUT I NEVER TOLD HER WHERE WE WERE. 1124 00:41:38,263 --> 00:41:39,565 AND I DIDN'T GIVE OUR NUMBER. 1125 00:41:39,598 --> 00:41:40,599 I SWEAR ON MY LIFE. 1126 00:41:40,632 --> 00:41:41,633 WHO'S CATHY? 1127 00:41:41,667 --> 00:41:43,068 IT'S MASTRO'S WIFE. 1128 00:41:43,101 --> 00:41:44,703 THEY'VE BEEN FRIENDS SINCE GRADE SCHOOL. 1129 00:41:44,736 --> 00:41:46,037 HE MUST HAVE FOUND OUT, 1130 00:41:46,071 --> 00:41:47,873 AND HE TAPPED OUR ISP. 1131 00:41:47,906 --> 00:41:49,307 LISTEN, FELICIA, WE DON'T KNOW 1132 00:41:49,340 --> 00:41:51,009 THAT MASTRO HAD ANYTHING TO DO WITH THIS. 1133 00:41:51,042 --> 00:41:53,044 I KILLED MY SON. 1134 00:41:53,078 --> 00:41:55,647 HEY, DON'T DO THIS TO YOURSELF. 1135 00:41:55,681 --> 00:41:56,982 YOU TELL ME WHERE 1136 00:41:57,015 --> 00:41:59,317 THAT SON OF A BITCH MASTRO IS RIGHT NOW. 1137 00:41:59,350 --> 00:42:01,086 OH. 1138 00:42:01,119 --> 00:42:02,988 DO WE HAVE ANYTHING TO HOLD HIM ON? 1139 00:42:03,021 --> 00:42:04,289 TAMPERING WITH A WITNESS. 1140 00:42:04,322 --> 00:42:05,624 MAYBE HAMPERING A PROSECUTION. 1141 00:42:05,657 --> 00:42:07,659 YEAH. WHAT ABOUT THE MURDER? 1142 00:42:07,693 --> 00:42:10,195 UNLESS SOMETHING TURNS UP, HE WALKS IN 48 HOURS. 1143 00:42:10,228 --> 00:42:11,563 YEAH, YEAH, THAT'S WHAT I FIGURED. 1144 00:42:11,597 --> 00:42:15,133 SO, I, UH... 1145 00:42:15,166 --> 00:42:17,002 RETURNED THE PERFUME. 1146 00:42:17,035 --> 00:42:18,837 SMART MOVE. 1147 00:42:18,870 --> 00:42:22,273 AND... 1148 00:42:22,307 --> 00:42:23,609 I GOT HER THESE. 1149 00:42:23,642 --> 00:42:24,676 WOW. 1150 00:42:24,710 --> 00:42:26,077 I'LL BET THESE SET YOU BACK. 1151 00:42:26,111 --> 00:42:27,112 OH, SURE. 1152 00:42:27,145 --> 00:42:28,279 VERY PRETTY. 1153 00:42:28,313 --> 00:42:29,314 SO YOU THINK SHE'LL LIKE 'EM? 1154 00:42:29,347 --> 00:42:31,750 HAVE YOU EVER MET MARY? 1155 00:42:31,783 --> 00:42:33,585 WHAT THEY'RE SHOES. 1156 00:42:33,619 --> 00:42:35,120 ALL WOMEN LOVE SHOES. MARY'S A WOMAN. 1157 00:42:35,153 --> 00:42:36,955 IPSO FACTO, MARY LOVES SHOES. 1158 00:42:36,988 --> 00:42:38,356 SO SAD. 1159 00:42:38,389 --> 00:42:39,758 NO, NO, OKAY, THIS TIME YOU'RE WRONG. 1160 00:42:39,791 --> 00:42:41,126 MARY'S GONNA LO-- HEY, GUYS. 1161 00:42:41,159 --> 00:42:42,928 OH, MY GOD. 1162 00:42:42,961 --> 00:42:44,896 THAT'S JUST EVIDENCE-- EVIDENCE 1163 00:42:44,930 --> 00:42:46,131 FROM A CASE-- ANOTHER CASE. 1164 00:42:46,164 --> 00:42:47,666 CAN YOU BELIEVE WOMEN ACTUALLY WEAR THESE? 1165 00:42:47,699 --> 00:42:49,100 "OH, MY GOD, LOOK AT ME. 1166 00:42:49,134 --> 00:42:51,937 I'M A COSMO-DRINKING MANHATTAN WHORE." 1167 00:42:51,970 --> 00:42:54,239 IMAGINE THAT. 1168 00:42:54,272 --> 00:42:55,841 NOT A WORD. 1169 00:42:55,874 --> 00:42:57,643 ANYONE TALK TO HIM YET? 1170 00:42:57,676 --> 00:42:59,110 YEAH, THE FBI'S SENDING SOMEBODY DOWN. 1171 00:42:59,144 --> 00:43:00,278 I NEED TO TALK TO HIM FIRST. 1172 00:43:00,311 --> 00:43:01,680 JUST HANG ON A SECOND, MARY. 1173 00:43:01,713 --> 00:43:02,781 ALL RIGHT, YOUR WITNESS IS SAFE. 1174 00:43:02,814 --> 00:43:04,049 YOU DID YOUR JOB. 1175 00:43:04,082 --> 00:43:05,651 HOW 'BOUT WE JUST LET THE FBI DO THEIRS? 1176 00:43:05,684 --> 00:43:07,052 HOW 'BOUT WE SCREW THE FBI? 1177 00:43:07,085 --> 00:43:08,286 I NEED TO KNOW IF MASTRO KILLED FRANKIE JUNIOR. 1178 00:43:08,319 --> 00:43:09,855 AND YOU KNOW AS SOON AS THE FEDS GET HERE 1179 00:43:09,888 --> 00:43:11,022 WE'RE OUT OF THE LOOP. 1180 00:43:11,056 --> 00:43:12,090 AM I RIGHT, STAN? 1181 00:43:12,123 --> 00:43:14,092 ALL RIGHT, DO WHAT YOU GOTTA DO. 1182 00:43:14,125 --> 00:43:17,095 THE FEDS SHOW UP, I'LL DEAL WITH 'EM. 1183 00:43:17,128 --> 00:43:21,266 ALL RIGHT THEN. 1184 00:43:21,299 --> 00:43:22,834 WHAT ARE YOU GONNA DO, 1185 00:43:22,868 --> 00:43:25,737 BEAT THEM OFF WITH YOUR STRAPPY LITTLE PUMPS? 1186 00:43:25,771 --> 00:43:27,806 WAKE UP, DOUCHEBAG. 1187 00:43:27,839 --> 00:43:28,974 WISH I HAD A NICKEL 1188 00:43:29,007 --> 00:43:30,375 FOR EVERY TIME I HEARD THAT. 1189 00:43:30,408 --> 00:43:31,677 WHY ARE YOU IN ALBUQUERQUE? 1190 00:43:31,710 --> 00:43:32,811 WHY ARE YOU BUSTING MY BALLS? 1191 00:43:32,844 --> 00:43:33,812 'CAUSE I CAN. 1192 00:43:33,845 --> 00:43:35,146 NOW ANSWER MY QUESTION. 1193 00:43:35,180 --> 00:43:38,049 I BET YOU'RE A TIGHT LITTLE RIDE. 1194 00:43:38,083 --> 00:43:41,753 OOH, THAT WAS A MISTAKE. 1195 00:43:44,455 --> 00:43:45,891 YOU LITTLE BITCH. 1196 00:43:45,924 --> 00:43:47,292 DID YOU KILL FRANKIE JUNIOR? 1197 00:43:47,325 --> 00:43:49,160 I ASSUME THAT'S A RHETORICAL QUESTION. 1198 00:43:49,194 --> 00:43:50,729 "RHETORICAL." 1199 00:43:50,762 --> 00:43:52,363 THAT'S A PRETTY BIG WORD FOR A MORON. 1200 00:43:52,397 --> 00:43:55,366 INTERESTING INTERROGATION TECHNIQUE. 1201 00:43:55,400 --> 00:43:57,769 DOES THE NAME CALLING THING USUALLY GET GUYS TO CONFESS? 1202 00:43:57,803 --> 00:44:00,138 'CAUSE FRANKLY, I FIND IT A LITTLE OFF-PUTTING. 1203 00:44:00,171 --> 00:44:02,240 OH, COME ON. JUST TELL ME. 1204 00:44:02,273 --> 00:44:04,109 NO ONE ELSE HAS TO KNOW. 1205 00:44:04,142 --> 00:44:05,877 ARE THOSE REAL? 1206 00:44:05,911 --> 00:44:09,047 GO AHEAD, TAKE A GOOD LONG LOOK. 1207 00:44:09,080 --> 00:44:10,749 'CAUSE IT'S THE LAST PAIR YOU'RE EVER GONNA SEE. 1208 00:44:10,782 --> 00:44:13,018 AND WHY'S THAT, PUSSYCAT? 1209 00:44:13,051 --> 00:44:15,320 'CAUSE, RICHIE BABY, 1210 00:44:15,353 --> 00:44:17,989 ME AND MY FRIEND PIA WOULD DOUBLE-TEAM DICK CHENEY, 1211 00:44:18,023 --> 00:44:19,925 IF THAT'S WHAT IT TAKES TO PUT YOU AWAY. 1212 00:44:26,497 --> 00:44:27,933 DID HE DO IT? 1213 00:44:27,966 --> 00:44:31,302 DON'T KNOW. 1214 00:44:33,471 --> 00:44:35,106 SO WHO'S PIA? 1215 00:44:35,140 --> 00:44:37,408 AND WHAT DOES DICK CHENEY HAVE TO DO WITH THIS? 1216 00:44:37,442 --> 00:44:39,110 HMM? 1217 00:44:39,144 --> 00:44:40,812 AND WHY IS IT I NEVER KNOW WHAT'S GOING ON? 1218 00:44:40,846 --> 00:44:44,049 YOU'RE A BIG PICTURE GUY, STAN. 1219 00:44:44,082 --> 00:44:48,720 MM-HMM. 1220 00:44:57,362 --> 00:44:59,965 SO THIS IS WHERE THE REAL POLICE WORK, HUH? 1221 00:44:59,998 --> 00:45:01,099 HEY, MARSHAL. 1222 00:45:01,132 --> 00:45:04,369 AND MAY I ADD, HAPPY BIRTHDAY. 1223 00:45:04,402 --> 00:45:06,071 YEAH. 1224 00:45:06,104 --> 00:45:08,239 SO FAR IT'S BEEN A REAL PISSER. 1225 00:45:08,273 --> 00:45:10,876 SO YOU COME UP WITH ANYTHING INTERESTING? 1226 00:45:10,909 --> 00:45:12,143 OH, IT'S ALL INTERESTING. 1227 00:45:12,177 --> 00:45:13,879 SPOKE WITH THE GIRL'S PARENTS, FRIENDS. 1228 00:45:13,912 --> 00:45:15,180 CHECKED THE CELL PHONE RECORDS. 1229 00:45:15,213 --> 00:45:16,381 ACCORDING TO SIENNA'S BEST FRIEND, 1230 00:45:16,414 --> 00:45:17,382 SHE HAD A SECRET BOYFRIEND. 1231 00:45:17,415 --> 00:45:19,150 NOBODY'S EVER SEEN HIM. 1232 00:45:19,184 --> 00:45:21,152 DOESN'T EVEN GET A MENTION IN HER DIARY. 1233 00:45:21,186 --> 00:45:22,320 SO IF THERE WAS A BOYFRIEND, 1234 00:45:22,353 --> 00:45:23,354 THE GUY'S A GHOST. 1235 00:45:23,388 --> 00:45:24,956 MAYBE IT'S SOMEONE OLDER. 1236 00:45:24,990 --> 00:45:25,991 NEEDED PROTECTION? 1237 00:45:26,024 --> 00:45:27,392 LIKE A TEACHER, OR MAYBE 1238 00:45:27,425 --> 00:45:29,360 AN EX-BUSINESS ASSOCIATE OF HER FATHER. 1239 00:45:29,394 --> 00:45:32,063 HEY, YOU THINK JUST LIKE A COP. 1240 00:45:32,097 --> 00:45:33,832 GO FIGURE. 1241 00:45:33,865 --> 00:45:34,866 WHAT ABOUT FORENSICS? 1242 00:45:34,900 --> 00:45:36,101 ANYTHING COME IN YET? 1243 00:45:36,134 --> 00:45:37,769 NO, WON'T SEE ANYTHING UNTIL TOMORROW. 1244 00:45:37,803 --> 00:45:39,938 I WAS JUST ABOUT TO PACK IT IN FOR THE DAY. 1245 00:45:39,971 --> 00:45:42,007 THAT'S PROBABLY A GOOD IDEA. 1246 00:45:42,040 --> 00:45:45,143 DID YOU CHECK OUT TALLTREES AND HIS SON? 1247 00:45:45,176 --> 00:45:47,312 YEAH, GUY'S A REAL PIECE OF WORK. 1248 00:45:47,345 --> 00:45:49,380 UNFORTUNATELY, THERE'S NOTHING TO CONNECT 1249 00:45:49,414 --> 00:45:51,082 HIM OR HIS SON TO ANY OF THIS. 1250 00:45:51,116 --> 00:45:52,918 KINDA WHAT I GOT TOO. 1251 00:45:52,951 --> 00:45:56,521 SO, UH, HOW 'BOUT YOU? 1252 00:45:56,554 --> 00:45:59,090 WHAT CAN YOU TELL ME ABOUT THE BOY WITH TWO NAMES? 1253 00:45:59,124 --> 00:46:00,859 I WAS SUPPOSED TO INTERVIEW HIS PARENTS, 1254 00:46:00,892 --> 00:46:02,260 BUT GUESS WHAT-- THEY'RE SUDDENLY 1255 00:46:02,293 --> 00:46:03,561 NOWHERE TO BE FOUND. 1256 00:46:03,594 --> 00:46:06,998 HUH, MAYBE THEY'RE ON VACATION. 1257 00:46:07,032 --> 00:46:09,234 LOOK, MARSHAL, 1258 00:46:09,267 --> 00:46:10,435 I GET IT. 1259 00:46:10,468 --> 00:46:13,138 YOU OPERATE UNDER THE CLOAK OF DARKNESS. 1260 00:46:13,171 --> 00:46:14,940 ONLY BOY WONDER KNOWS YOUR TRUE IDENTITY. 1261 00:46:14,973 --> 00:46:16,141 BUT GUESS WHAT, 1262 00:46:16,174 --> 00:46:17,876 I TAKE THIS MURDER-SOLVING BUSINESS 1263 00:46:17,909 --> 00:46:19,510 PRETTY SERIOUSLY. 1264 00:46:19,544 --> 00:46:20,912 SO EITHER SHARE WHAT YOU'VE GOT 1265 00:46:20,946 --> 00:46:24,782 OR QUIT WASTING MY TIME. 1266 00:46:31,122 --> 00:46:32,390 OH, AND BY THE WAY, 1267 00:46:32,423 --> 00:46:34,092 TOOK ME ALL OF TWO MINUTES TO GET ON THE PHONE 1268 00:46:34,125 --> 00:46:35,460 WITH AN NYPD CAPTAIN, 1269 00:46:35,493 --> 00:46:38,897 GET THE WHOLE 411 ON FRANKIE NUTS. 1270 00:46:38,930 --> 00:46:41,332 SO WHAT'S IT GONNA BE? 1271 00:46:41,366 --> 00:46:43,869 SORRY. 1272 00:46:43,902 --> 00:46:47,105 I GOT NOTHING. 1273 00:46:47,138 --> 00:46:48,974 THAT'S WHAT I FIGURED. 1274 00:46:49,007 --> 00:46:50,308 IT'S MARY'S WORLD. 1275 00:46:50,341 --> 00:46:51,977 THE REST OF US ARE JUST HERE FOR HOUSEKEEPING. 1276 00:46:52,010 --> 00:46:53,011 HEY, YOU DON'T KNOW ME. 1277 00:46:53,044 --> 00:46:54,880 REALLY? 1278 00:46:54,913 --> 00:46:56,381 LET'S SEE. 1279 00:46:56,414 --> 00:46:58,583 TYPICAL RELATIONSHIP HAS A SHELF LIFE 1280 00:46:58,616 --> 00:47:01,619 OF, OH, I'D SAY ABOUT A MONTH TOPS. 1281 00:47:01,652 --> 00:47:03,321 NO REAL FRIENDS. 1282 00:47:03,354 --> 00:47:04,890 CAN'T QUITE FIGURE OUT WHY YOU'RE ALWAYS 1283 00:47:04,923 --> 00:47:06,024 ON THE OUTSIDE LOOKING IN. 1284 00:47:06,057 --> 00:47:07,859 NO ONE "GETS YOU." 1285 00:47:07,893 --> 00:47:09,928 BUT HEY, THAT'S THEIR PROBLEM. 1286 00:47:09,961 --> 00:47:13,464 HOW AM I DOING? 1287 00:47:27,012 --> 00:47:31,983 THAT'S REAL MATURE. 1288 00:47:32,017 --> 00:47:36,087 AND SHE STOLE MY DAMN PEN. 1289 00:47:36,121 --> 00:47:38,323 OKAY, IT'S BEEN SAID I DON'T ALWAYS 1290 00:47:38,356 --> 00:47:39,958 PLAY WELL WITH OTHERS. 1291 00:47:39,991 --> 00:47:41,126 MAYBE EVEN AT TIMES 1292 00:47:41,159 --> 00:47:43,628 I PROJECT A PRICKLY EXTERIOR. 1293 00:47:43,661 --> 00:47:48,199 BUT IN RESPONSE TO THAT, AND IN MY DEFENSE... 1294 00:47:48,233 --> 00:47:49,935 I HAVE SOMETHING TO SAY. 1295 00:47:49,968 --> 00:47:51,269 COME IN. 1296 00:47:51,302 --> 00:47:52,637 NO, I STILL HAVE WORK TO DO. 1297 00:47:52,670 --> 00:47:54,139 AND WE BOTH KNOW WHAT'LL HAPPEN IF I COME IN. 1298 00:47:54,172 --> 00:47:56,942 WELL, BUT IT'S, LIKE, 112 OUT THERE. 1299 00:47:56,975 --> 00:47:59,510 THIS'LL JUST TAKE A MINUTE. 1300 00:47:59,544 --> 00:48:01,646 EARLIER AT MY HOUSE, 1301 00:48:01,679 --> 00:48:03,248 I MAY HAVE GIVEN 1302 00:48:03,281 --> 00:48:05,550 THE IMPRESSION THAT I DIDN'T BELIEVE YOU, 1303 00:48:05,583 --> 00:48:09,988 OR THAT I WASN'T APPRECIATIVE OF YOU PICKING UP BRANDI. 1304 00:48:10,021 --> 00:48:11,689 IS THIS AN APOLOGY? 1305 00:48:11,722 --> 00:48:15,126 PLEASE DON'T PUT WORDS IN MY MOUTH. 1306 00:48:15,160 --> 00:48:17,595 I JUST WANT TO CLARIFY. 1307 00:48:17,628 --> 00:48:19,297 THAT IS, UM, 1308 00:48:19,330 --> 00:48:22,267 EXPLAIN-- 1309 00:48:22,300 --> 00:48:24,602 MY GOD, IT'S HOT OUT HERE. 1310 00:48:24,635 --> 00:48:26,304 WOULD YOU PLEASE COME INSIDE? 1311 00:48:26,337 --> 00:48:31,042 YOU'RE LETTING ALL THE COOL AIR OUT. 1312 00:48:31,076 --> 00:48:32,543 OKAY, BUT JUST SO I CAN EXPLAIN. 1313 00:48:32,577 --> 00:48:37,415 YEAH. 1314 00:48:46,191 --> 00:48:48,493 YOUR EXPLANATIONS HAVE-- 1315 00:48:48,526 --> 00:48:51,997 HAVE A CERTAIN JE NE SAIS QUOI. 1316 00:48:56,134 --> 00:48:57,635 IS THAT WHAT I JUST DID? YEAH. 1317 00:48:57,668 --> 00:48:59,204 I MEAN, I KNEW IT WAS FRENCH. 1318 00:48:59,237 --> 00:49:01,306 I JUST DIDN'T KNOW THEY HAD A NAME FOR IT. 1319 00:49:01,339 --> 00:49:05,476 OH, THEY HAVE A NAME FOR EVERYTHING. 1320 00:49:05,510 --> 00:49:09,180 OH, MAN. 1321 00:49:18,656 --> 00:49:21,092 I'M SORRY ABOUT BEFORE. 1322 00:49:21,126 --> 00:49:23,428 I KNOW. 1323 00:49:23,461 --> 00:49:25,063 HAPPY BIRTHDAY. 1324 00:49:25,096 --> 00:49:29,634 HAPPY BIRTHDAY. 1325 00:49:29,667 --> 00:49:31,036 HEY, WOULD YOU BE UPSET 1326 00:49:31,069 --> 00:49:34,572 IF I SKIP YOUR SURPRISE PARTY? 1327 00:49:36,741 --> 00:49:39,277 UH, I DON'T KNOW. 1328 00:49:39,310 --> 00:49:40,445 I GUESS NOT. 1329 00:49:40,478 --> 00:49:41,679 WHY? 1330 00:49:41,712 --> 00:49:44,449 WELL, TRUTH, I KINDA HAD MY FILL 1331 00:49:44,482 --> 00:49:47,418 OF YOUR FAMILY FOR ONE DAY. 1332 00:49:47,452 --> 00:49:51,156 AND BESIDES, YOU AND ME KINDA 1333 00:49:51,189 --> 00:49:52,723 ALREADY DID OUR THING. 1334 00:49:52,757 --> 00:49:55,293 YOU KNOW? 1335 00:49:55,326 --> 00:49:58,563 OKAY. 1336 00:49:58,596 --> 00:49:59,564 YOU WANT ME TO COME? 1337 00:49:59,597 --> 00:50:01,232 NO, I DON'T. 1338 00:50:01,266 --> 00:50:02,267 YOU SHOULD DO WHAT YOU WANT. 1339 00:50:02,300 --> 00:50:03,434 YOU DON'T CARE, HUH? 1340 00:50:03,468 --> 00:50:04,769 NO, I DON'T. 1341 00:50:04,802 --> 00:50:07,438 LIKE YOU SAID, WE ALREADY DID OUR THING. 1342 00:50:07,472 --> 00:50:09,374 WHEN IT COMES RIGHT DOWN TO IT, 1343 00:50:09,407 --> 00:50:12,643 I DON'T HAVE A REASONABLE RIGHT TO CARE. 1344 00:50:12,677 --> 00:50:15,413 WELL, YOU'RE GONNA HAVE TO EXPLAIN THAT ONE. 1345 00:50:15,446 --> 00:50:16,447 THIS IS WHAT WE DO. 1346 00:50:16,481 --> 00:50:17,448 RAPHAEL, THIS IS OUR THING. 1347 00:50:17,482 --> 00:50:18,783 WE HAVE SEX, 1348 00:50:18,816 --> 00:50:21,286 THEN WE SAY GOOD-BYE, WHICH IS FINE. 1349 00:50:21,319 --> 00:50:24,789 WE'RE BOTH SMART ENOUGH TO KNOW WE'RE NEVER-- 1350 00:50:24,822 --> 00:50:25,790 I DON'T HAVE A REASONABLE RIGHT TO CARE 1351 00:50:25,823 --> 00:50:27,292 WHAT YOU DO BEYOND THIS, 1352 00:50:27,325 --> 00:50:32,163 BECAUSE THIS IS AS FAR AS WE GO. 1353 00:50:32,197 --> 00:50:34,832 HOW CAN SOMEONE THAT BURNS SO HOT 1354 00:50:34,865 --> 00:50:38,403 BE SO COLD? 1355 00:50:38,436 --> 00:50:39,704 I DON'T KNOW, IT'S A GREAT QUESTION. 1356 00:50:39,737 --> 00:50:41,539 GIVE ME A CALL IF YOU FIGURE IT OUT. 1357 00:50:43,808 --> 00:50:46,777 [Paul Simon's Something So Right] 1358 00:50:46,811 --> 00:50:48,713 * 1359 00:50:48,746 --> 00:50:53,184 * YOU GOT THE COOL WATER * 1360 00:50:53,218 --> 00:50:56,321 * WHEN THE FEVER RUNS HIGH * 1361 00:50:56,354 --> 00:51:00,725 * 1362 00:51:00,758 --> 00:51:02,360 * YOU GOT THE LOOK 1363 00:51:02,393 --> 00:51:05,596 * OF LOVE LIGHT IN YOUR EYES * 1364 00:51:05,630 --> 00:51:08,433 * AND I WAS IN CRAZY MOTION 1365 00:51:08,466 --> 00:51:10,335 WE ALL LIVE IN HIDING. 1366 00:51:10,368 --> 00:51:11,636 IN ONE WAY OR ANOTHER, 1367 00:51:11,669 --> 00:51:13,138 EACH OF US CONCEALS PIECES OF OURSELVES 1368 00:51:13,171 --> 00:51:14,505 FROM THE REST OF THE WORLD. 1369 00:51:14,539 --> 00:51:15,740 SOME PEOPLE HIDE 1370 00:51:15,773 --> 00:51:17,775 BECAUSE THEIR LIVES DEPEND ON IT. 1371 00:51:17,808 --> 00:51:20,311 OTHERS BECAUSE THEY DON'T LIKE BEING SEEN. 1372 00:51:20,345 --> 00:51:22,380 AND THEN THERE ARE THOSE SPECIAL CASES-- 1373 00:51:22,413 --> 00:51:24,582 THE ONES WHO HIDE BECAUSE... 1374 00:51:24,615 --> 00:51:26,351 BECAUSE... 1375 00:51:26,384 --> 00:51:28,819 BECAUSE THEY JUST WANT SOMEONE TO CARE ENOUGH 1376 00:51:28,853 --> 00:51:30,388 TO LOOK FOR THEM. 1377 00:51:30,421 --> 00:51:32,823 * I'M THE FIRST TO ADMIT IT * 1378 00:51:32,857 --> 00:51:36,294 * AND THE LAST ONE TO KNOW * 1379 00:51:36,327 --> 00:51:38,596 * WHEN SOMETHING GOES RIGHT 1380 00:51:38,629 --> 00:51:43,168 * OH, IT'S LIKELY TO LOSE ME * 1381 00:51:43,201 --> 00:51:45,303 * IT'S APT TO CONFUSE ME 1382 00:51:45,336 --> 00:51:47,438 * IT'S SUCH AN UNUSUAL SIGHT * 1383 00:51:47,472 --> 00:51:49,640 * OH, I CAN'T 1384 00:51:49,674 --> 00:51:53,211 * I CAN'T GET USED TO SOMETHING SO RIGHT * 1385 00:51:53,244 --> 00:51:55,780 * SOMETHING SO RIGHT 1386 00:51:55,813 --> 00:52:00,818 * 1387 00:52:06,957 --> 00:52:08,626 DID YOU TELL THAT HOMICIDE DETECTIVE 1388 00:52:08,659 --> 00:52:11,729 TODAY'S MY BIRTHDAY? 1389 00:52:11,762 --> 00:52:14,699 WHAT HOMICIDE-- WHO? 1390 00:52:14,732 --> 00:52:16,301 FORGET IT. 1391 00:52:16,334 --> 00:52:17,902 MAYBE I SHOULD TALK TO MASTRO AGAIN. 1392 00:52:17,935 --> 00:52:19,704 I DON'T KNOW. 1393 00:52:19,737 --> 00:52:21,206 YOU THINK THE FBI 1394 00:52:21,239 --> 00:52:22,507 WILL LET ME TAKE ANOTHER CRACK AT HIM? 1395 00:52:22,540 --> 00:52:24,709 IF I CAN'T I.D. THE KILLER, 1396 00:52:24,742 --> 00:52:27,345 I NEED TO AT LEAST START ELIMINATING SUSPECTS. 1397 00:52:27,378 --> 00:52:30,281 YOU'RE GONNA HAVE A TOUGH TIME ELIMINATING MASTRO. 1398 00:52:30,315 --> 00:52:31,516 WHAT'S THAT MEAN? 1399 00:52:31,549 --> 00:52:33,851 20 MINUTES AFTER YOU LEFT, 1400 00:52:33,884 --> 00:52:35,620 THE FBI SHOWED UP WITH DNA 1401 00:52:35,653 --> 00:52:37,555 ON HIS DEAD GIRLFRIEND. 1402 00:52:37,588 --> 00:52:40,191 HE AGREED TO FLIP ON HIS FAMILY. 1403 00:52:40,225 --> 00:52:42,527 AND THEY CUT HIM A DEAL. 1404 00:52:42,560 --> 00:52:44,462 HE'S IN THE PROGRAM. 1405 00:52:44,495 --> 00:52:48,233 PLEASE TELL ME THIS IS ONE OF YOUR UNFUNNY JOKES. 1406 00:52:48,266 --> 00:52:49,967 THAT'S NOT THE WORST OF IT. 1407 00:52:50,000 --> 00:52:52,403 WHAT? 1408 00:52:52,437 --> 00:52:54,805 HALF HOUR AGO, MASTRO WALKED OUT 1409 00:52:54,839 --> 00:52:56,907 THE BACK DOOR OF THE FED'S SAFE HOUSE. 1410 00:52:56,941 --> 00:52:58,643 HE'S IN THE WIND. 1411 00:52:58,676 --> 00:53:00,911 OH, CRAP. 1412 00:53:00,945 --> 00:53:02,847 I TOLD FRANKIE THEY COULD SPEND 1413 00:53:02,880 --> 00:53:05,950 ONE LAST NIGHT AT HOME. 1414 00:53:09,587 --> 00:53:13,591 COME ON, FRANKIE. ANSWER YOUR DAMN PHONE. 1415 00:53:25,002 --> 00:53:26,437 FRANKIE? 1416 00:53:26,471 --> 00:53:29,940 OPEN UP. IT'S ME, MARY. 1417 00:53:31,976 --> 00:53:33,244 WHAT ARE YOU DOING? 1418 00:53:33,278 --> 00:53:37,415 CALLING MASTRO. 1419 00:53:46,957 --> 00:53:48,459 FRANKIE, 1420 00:53:48,493 --> 00:53:49,627 OPEN UP! 1421 00:53:49,660 --> 00:53:51,862 ALL RIGHT. ALL RIGHT. 1422 00:53:51,896 --> 00:53:53,264 WHAT? 1423 00:53:58,369 --> 00:53:59,637 FELICIA, WHAT ARE YOU DOING? 1424 00:53:59,670 --> 00:54:01,839 IS THIS WHAT YOU WERE EXPECTING? 1425 00:54:01,872 --> 00:54:02,873 BECAUSE I, FOR ONE, AM FLABBERGASTED. 1426 00:54:02,907 --> 00:54:04,742 WHAT'S GOING ON, FELICIA? 1427 00:54:04,775 --> 00:54:06,311 RICHIE FOUND OUT I WAS EMAILING CATHY, 1428 00:54:06,344 --> 00:54:07,745 AND HE CAME HERE TO KILL US ALL. 1429 00:54:07,778 --> 00:54:09,347 BUT I SHOT HIM. 1430 00:54:09,380 --> 00:54:10,681 I CAN SEE THAT. 1431 00:54:10,715 --> 00:54:11,682 WHY ARE YOU POINTING THE GUN AT FRANKIE? 1432 00:54:11,716 --> 00:54:13,618 BECAUSE THIS BASTARD 1433 00:54:13,651 --> 00:54:15,786 RUINED MY WHOLE LIFE. 1434 00:54:15,820 --> 00:54:18,055 AND NOW I'M GONNA SHOOT HIM, TOO. 1435 00:54:18,088 --> 00:54:19,357 OKAY, OKAY. 1436 00:54:19,390 --> 00:54:20,758 WELL, YOU COULD DO THAT. 1437 00:54:20,791 --> 00:54:22,593 BUT LET'S JUST THINK THIS THROUGH. 1438 00:54:22,627 --> 00:54:24,629 IF YOU KILL FRANKIE, I'M GONNA HAVE TO KILL YOU. 1439 00:54:24,662 --> 00:54:26,331 I DON'T CARE. 1440 00:54:26,364 --> 00:54:27,965 I HAVE NOTHING TO LIVE FOR ANYMORE. 1441 00:54:27,998 --> 00:54:29,900 OKAY, LOOK. 1442 00:54:29,934 --> 00:54:31,302 HERE'S THE THING-- 1443 00:54:31,336 --> 00:54:33,804 MEN LIE, THEY CHEAT, THEY START WARS. 1444 00:54:33,838 --> 00:54:35,606 THEY'RE SLOBS UNLESS THEY'RE GAY, 1445 00:54:35,640 --> 00:54:36,774 AND THERE'S PRECIOUS FEW OF THEM WALKING THE PLANET 1446 00:54:36,807 --> 00:54:37,942 WORTH PUTTING ON LIPSTICK FOR, 1447 00:54:37,975 --> 00:54:39,377 LET ALONE THROWING YOUR LIFE AWAY. 1448 00:54:39,410 --> 00:54:40,878 WHICH IS WHAT YOU'LL BE DOING 1449 00:54:40,911 --> 00:54:43,448 IF YOU SHOOT YOUR FESTERING CRAP-BAG OF A HUSBAND. 1450 00:54:43,481 --> 00:54:44,515 IS THAT REALLY NECESSARY? 1451 00:54:44,549 --> 00:54:45,783 SHUT UP OR I'LL SHOOT YOU. 1452 00:54:45,816 --> 00:54:48,953 I CAN'T LIVE WITH HIM ANYMORE. 1453 00:54:48,986 --> 00:54:51,489 THEN DON'T. YOU DON'T HAVE TO. 1454 00:54:51,522 --> 00:54:54,725 OKAY. 1455 00:54:54,759 --> 00:54:57,895 FELICIA, AS HARD AS IT IS TO IMAGINE, 1456 00:54:57,928 --> 00:54:59,464 YOU HAVE DAYS AHEAD OF YOU 1457 00:54:59,497 --> 00:55:01,766 WHERE YOU WILL SMILE AND LAUGH 1458 00:55:01,799 --> 00:55:03,568 AND LOOK FORWARD TO THINGS. 1459 00:55:03,601 --> 00:55:05,570 AND MAYBE EVEN FALL IN LOVE AGAIN. 1460 00:55:05,603 --> 00:55:09,507 IF YOU DON'T THROW IT ALL AWAY. 1461 00:55:09,540 --> 00:55:12,610 I PROMISE. 1462 00:55:12,643 --> 00:55:14,044 OH, GOD. 1463 00:55:16,847 --> 00:55:18,716 IT'S OKAY. 1464 00:55:18,749 --> 00:55:20,551 SHH. 1465 00:55:31,829 --> 00:55:35,533 I'LL CATCH UP WITH YOU LATER. 1466 00:55:37,568 --> 00:55:41,138 SO WHAT'S GONNA HAPPEN TO HER? 1467 00:55:41,171 --> 00:55:42,973 WELL, SINCE SHE SHOT MASTRO IN SELF-DEFENSE, 1468 00:55:43,007 --> 00:55:44,509 SHE'LL PROBABLY GET A NEW IDENTITY 1469 00:55:44,542 --> 00:55:46,911 AND BE MOVED SOMEPLACE YOU CAN'T FIND HER. 1470 00:55:46,944 --> 00:55:48,979 YOU KNOW, IT'S A HELL OF A THING-- 1471 00:55:49,013 --> 00:55:50,381 LOSING YOUR WIFE AND YOUR SON 1472 00:55:50,415 --> 00:55:51,816 ALL IN THE SAME DAY. 1473 00:55:51,849 --> 00:55:53,984 DO YOU EVER THINK ABOUT ALL THE PEOPLE, THE FAMILIES, 1474 00:55:54,018 --> 00:55:56,787 HAD DAYS LIKE THIS 'CAUSE OF YOU? 1475 00:55:56,821 --> 00:55:58,489 THE CLOCK'S STILL TICKING. 1476 00:55:58,523 --> 00:56:00,024 EITHER YOU GET ME A NAME BY THIS TIME TOM-- 1477 00:56:00,057 --> 00:56:01,959 ACTUALLY, FRANKIE, NAME OR NO NAME, 1478 00:56:01,992 --> 00:56:03,093 THIS TIME TOMORROW 1479 00:56:03,127 --> 00:56:04,094 YOU'RE ON YOUR WAY TO A NEW CITY, 1480 00:56:04,128 --> 00:56:05,095 AND OUT OF MY HAIR. 1481 00:56:05,129 --> 00:56:06,497 I'M SORRY FOR YOUR LOSS, 1482 00:56:06,531 --> 00:56:10,000 BUT SCREW YOU AND YOUR CLOCK. 1483 00:56:25,750 --> 00:56:27,485 I JUST WANNA WASH THE STENCH OF THIS DAY OFF 1484 00:56:27,518 --> 00:56:28,853 AND GO TO BED. 1485 00:56:28,886 --> 00:56:31,155 I KNOW, BUT THERE ARE ABOUT 60 PEOPLE IN THERE 1486 00:56:31,188 --> 00:56:32,490 HIDING BEHIND FURNITURE 1487 00:56:32,523 --> 00:56:33,824 JUST WAITING FOR YOU TO OPEN THE DOOR 1488 00:56:33,858 --> 00:56:35,993 SO THEY CAN JUMP UP AND YELL "SURPRISE." 1489 00:56:36,026 --> 00:56:37,528 YUCK. 1490 00:56:37,562 --> 00:56:38,963 COME ON, IT'S YOUR BIRTHDAY. 1491 00:56:38,996 --> 00:56:40,565 THIS ISN'T ABOUT YOU. 1492 00:56:40,598 --> 00:56:43,568 NOW GET READY TO ACT SURPRISED. 1493 00:56:43,601 --> 00:56:44,769 ALL RIGHT, ALL RIGHT. 1494 00:56:44,802 --> 00:56:46,604 LET'S GET IT OVER WITH. 1495 00:56:46,637 --> 00:56:48,806 THAT'S MY GIRL. 1496 00:56:54,512 --> 00:56:57,848 SURPRISE. 1497 00:56:57,882 --> 00:56:59,717 OH, HAPPY BIRTHDAY, SWEET PEA. 1498 00:56:59,750 --> 00:57:01,051 THANKS, MOM. AWW, YOU'RE WELCOME. 1499 00:57:01,085 --> 00:57:03,488 WHOOP, OKAY. 1500 00:57:03,521 --> 00:57:05,022 HOW'D YOU KEEP THIS A SECRET? 1501 00:57:05,055 --> 00:57:06,924 PFFT. 1502 00:57:06,957 --> 00:57:08,659 YOU KNEW THAT I KNEW. 1503 00:57:08,693 --> 00:57:10,027 I KNEW THAT YOU KNEW. 1504 00:57:10,060 --> 00:57:11,929 AT LEAST THAT WAS A SURPRISE. 1505 00:57:11,962 --> 00:57:14,198 I KNEW IT WOULD BE. 1506 00:57:14,231 --> 00:57:15,566 HEY, MARY, 1507 00:57:15,600 --> 00:57:17,535 A LITTLE SOMETHING FOR YOU. 1508 00:57:17,568 --> 00:57:18,969 OH, STAN. I KNOW, I GOT IT. 1509 00:57:19,003 --> 00:57:20,905 OPEN IT. OPEN IT. OKAY. 1510 00:57:20,938 --> 00:57:23,140 IT'S... 1511 00:57:23,173 --> 00:57:24,542 A 50. 1512 00:57:24,575 --> 00:57:26,911 YOU GAVE HER MONEY? 1513 00:57:26,944 --> 00:57:29,013 IT'S JUST WHAT I ALWAYS WANTED. 1514 00:57:29,046 --> 00:57:30,080 THANK YOU. 1515 00:57:30,114 --> 00:57:31,582 SEE? SEE THAT? 1516 00:57:31,616 --> 00:57:33,250 IS, UM-- 1517 00:57:33,283 --> 00:57:34,552 IS RAPH HERE? 1518 00:57:34,585 --> 00:57:35,753 NO, I'M SORRY. 1519 00:57:35,786 --> 00:57:37,822 THAT'S OKAY. I TOLD HIM NOT TO. 1520 00:57:37,855 --> 00:57:40,991 WHAT ABOUT BRANDI? 1521 00:57:41,025 --> 00:57:44,729 SHE THINKS YOU DON'T WANT HER AT YOUR PARTY. 1522 00:57:44,762 --> 00:57:46,631 I SEE. 1523 00:57:46,664 --> 00:57:48,799 YOU'RE GONNA KEEP LOOKING AT ME WITH THOSE SAD EYES 1524 00:57:48,833 --> 00:57:49,800 UNTIL I GO TALK TO HER, AREN'T YOU? 1525 00:57:49,834 --> 00:57:53,604 MM. 1526 00:57:53,638 --> 00:57:56,240 I KNOW YOU MEAN WELL. 1527 00:57:56,273 --> 00:57:58,075 BUT YOU'RE NOT A VERY GOOD MOTHER. 1528 00:57:58,108 --> 00:58:01,278 OH. 1529 00:58:01,311 --> 00:58:04,114 I CAN'T BELIEVE YOU GAVE HER CASH. 1530 00:58:04,148 --> 00:58:05,950 HUH... 1531 00:58:05,983 --> 00:58:08,218 THIS IS A GOOD PARTY, HUH? 1532 00:58:10,588 --> 00:58:11,756 HEY, SQUISH, 1533 00:58:11,789 --> 00:58:13,891 WHAT'S GOING ON? 1534 00:58:13,924 --> 00:58:18,262 NOTHING. 1535 00:58:18,295 --> 00:58:19,263 YOU OKAY? 1536 00:58:19,296 --> 00:58:22,066 YEAH. 1537 00:58:23,601 --> 00:58:25,670 OKAY, COME HERE. 1538 00:58:25,703 --> 00:58:28,005 IT'S OKAY. 1539 00:58:28,038 --> 00:58:29,106 COME ON. 1540 00:58:29,139 --> 00:58:30,775 COME ON. 1541 00:58:30,808 --> 00:58:34,311 I'M SO SORRY I MAKE YOUR LIFE SO MISERABLE. 1542 00:58:34,344 --> 00:58:35,580 OH, GOD. 1543 00:58:35,613 --> 00:58:36,814 LISTEN TO ME. 1544 00:58:36,847 --> 00:58:39,617 YOU DON'T MAKE MY LIFE MISERABLE, OKAY? 1545 00:58:39,650 --> 00:58:42,019 I GET FRUSTRATED SOMETIMES. 1546 00:58:42,052 --> 00:58:43,688 YOU KNOW, I WANT YOU TO BE HAPPY. 1547 00:58:43,721 --> 00:58:45,890 AND I WANT YOU 1548 00:58:45,923 --> 00:58:47,124 TO STOP DOING STUFF THAT HURTS YOURSELF 1549 00:58:47,157 --> 00:58:49,026 AND MAKES YOU MISERABLE. 1550 00:58:49,059 --> 00:58:50,160 THAT'S ALL. 1551 00:58:50,194 --> 00:58:51,596 COME ON. 1552 00:58:51,629 --> 00:58:54,665 SHH. 1553 00:58:54,699 --> 00:58:56,033 STOP. 1554 00:58:56,066 --> 00:58:57,602 STOP. 1555 00:58:57,635 --> 00:59:00,037 COME ON. 1556 00:59:00,070 --> 00:59:01,138 SHH. 1557 00:59:01,171 --> 00:59:04,842 THERE'S MY PRETTY BABY SISTER. 1558 00:59:08,813 --> 00:59:12,917 I GOT YOU SOMETHING FOR YOUR BIRTHDAY. 1559 00:59:12,950 --> 00:59:13,918 REALLY? 1560 00:59:13,951 --> 00:59:16,253 YEAH. 1561 00:59:16,286 --> 00:59:17,722 YOU DIDN'T HAVE TO. 1562 00:59:17,755 --> 00:59:21,225 I KNOW, I KNOW. I JUST WANTED TO. 1563 00:59:25,195 --> 00:59:28,899 AWW. 1564 00:59:30,400 --> 00:59:31,802 WOW. 1565 00:59:31,836 --> 00:59:34,705 IT'S AN INDIAN TALISMAN. 1566 00:59:34,739 --> 00:59:36,273 OR TOTEM? 1567 00:59:36,306 --> 00:59:37,708 MAYBE. 1568 00:59:37,742 --> 00:59:39,810 I FORGET WHICH, BUT, UM, 1569 00:59:39,844 --> 00:59:42,780 I GOT IT FROM THIS INDIAN STAND 1570 00:59:42,813 --> 00:59:44,181 AFTER I TOOK OFF WITH CHICO'S CAR. 1571 00:59:44,214 --> 00:59:45,315 RAPHAEL. 1572 00:59:45,349 --> 00:59:46,684 RIGHT. 1573 00:59:46,717 --> 00:59:49,720 IT'S FROM THE LOS LOBOS TRIBE. 1574 00:59:49,754 --> 00:59:51,388 SWEETIE, 1575 00:59:51,421 --> 00:59:53,824 LOS LOBOS IS A BAND. 1576 00:59:53,858 --> 00:59:55,359 A BAND OF INDIANS? 1577 00:59:55,392 --> 00:59:57,862 NO, JUST A BAND. 1578 00:59:57,895 --> 01:00:00,931 OH, WELL, ANYWAY, IT MEANS: 1579 01:00:00,965 --> 01:00:05,002 MAY YOU ALWAYS SLEEP UNDER THE TALL TREES, SO... 1580 01:00:05,035 --> 01:00:08,739 THAT'S NICE, RIGHT? 1581 01:00:12,843 --> 01:00:14,244 THAT'S REALLY NICE. 1582 01:00:14,278 --> 01:00:18,115 SO YOU LIKE IT? 1583 01:00:18,148 --> 01:00:19,784 I LIKE IT. 1584 01:00:19,817 --> 01:00:21,819 I LIKE IT A LOT. 1585 01:00:21,852 --> 01:00:26,090 THANK YOU. THANK YOU SO MUCH. 1586 01:00:26,123 --> 01:00:28,192 LISTEN, I HAVE TO GO DO SOMETHING, 1587 01:00:28,225 --> 01:00:29,226 BUT WHEN I COME BACK, 1588 01:00:29,259 --> 01:00:30,895 I WANT TO TALK, OKAY? 1589 01:00:30,928 --> 01:00:31,962 OKAY. 1590 01:00:31,996 --> 01:00:35,700 OKAY. 1591 01:01:15,740 --> 01:01:17,241 OKAY, HERE'S HOW I THINK WE SHOULD PROCEED. 1592 01:01:17,274 --> 01:01:19,143 OPEN UP, TALLTREES! 1593 01:01:19,176 --> 01:01:20,778 I THINK I'LL JUST STAND HERE WITH MY THUMB UP MY ASS 1594 01:01:20,811 --> 01:01:22,780 WHILE YOU START SHOUTING LIKE A CRAZY PERSON. 1595 01:01:22,813 --> 01:01:25,049 AFTER A WHILE IT BECOMES CHARMING. 1596 01:01:25,082 --> 01:01:27,251 WHAT IS ALL THIS? 1597 01:01:27,284 --> 01:01:29,053 WHAT HAPPENED? 1598 01:01:29,086 --> 01:01:31,455 SIENNA GET TIRED OF SLEEPING UNDER THE TALL TREES? 1599 01:01:31,488 --> 01:01:33,991 YOU THINK I WAS HAVING AN AFFAIR WITH SIENNA? 1600 01:01:34,024 --> 01:01:36,761 NOT ONLY IS THAT DISGUSTING, 1601 01:01:36,794 --> 01:01:38,195 IT'S SLANDER. 1602 01:01:38,228 --> 01:01:40,330 AND YOU HAD BETTER BE VERY CAREFUL WITH YOUR-- 1603 01:01:40,364 --> 01:01:43,233 EXCUSE ME. DO YOU MIND? 1604 01:01:43,267 --> 01:01:44,234 GO AHEAD. 1605 01:01:44,268 --> 01:01:46,470 EDWIN TALLTREES, 1606 01:01:46,503 --> 01:01:48,238 I HAVE A WARRANT TO SEARCH THIS PROPERTY 1607 01:01:48,272 --> 01:01:50,174 FOR ANY AND ALL EVIDENCE RELATING TO THE MURDER 1608 01:01:50,207 --> 01:01:52,442 OF FRANCIS AMATO JUNIOR AND SIENNA BURKE. 1609 01:01:52,476 --> 01:01:56,146 PLEASE STEP OUTSIDE. 1610 01:02:07,457 --> 01:02:11,796 WAIT. 1611 01:02:11,829 --> 01:02:12,963 WHAT? 1612 01:02:12,997 --> 01:02:15,199 LOOK. 1613 01:02:15,232 --> 01:02:16,200 AT WHAT? 1614 01:02:16,233 --> 01:02:19,937 OH. 1615 01:02:28,078 --> 01:02:29,980 STOP RIGHT THERE. 1616 01:02:30,014 --> 01:02:31,448 DON'T COME ANY CLOSER. I SWEAR I'LL-- 1617 01:02:31,481 --> 01:02:33,250 WHAT? 1618 01:02:33,283 --> 01:02:36,987 KICK THE STOOL OUT? 1619 01:02:40,324 --> 01:02:42,026 PLEASE. 1620 01:02:42,059 --> 01:02:43,027 LET ME. 1621 01:02:43,060 --> 01:02:46,530 HEY, WHAT ARE YOU DOING? 1622 01:02:47,898 --> 01:02:50,000 SO AFTER SPENDING 1623 01:02:50,034 --> 01:02:52,102 ALMOST THEIR ENTIRE LIVES TOGETHER, 1624 01:02:52,136 --> 01:02:53,537 SIENNA BURKE BROKE UP WITH KYLE 1625 01:02:53,570 --> 01:02:55,039 BECAUSE SHE COULDN'T TELL HER FRIENDS 1626 01:02:55,072 --> 01:02:56,941 SHE WAS WITH AN INDIAN. 1627 01:02:56,974 --> 01:02:58,242 SHE BROKE HIS HEART. 1628 01:02:58,275 --> 01:03:00,477 SO HE CUT OUT HERS. 1629 01:03:00,510 --> 01:03:02,046 IT ALMOST SEEMS FAIR. 1630 01:03:06,083 --> 01:03:09,053 THANKS FOR THE CALL. 1631 01:03:09,086 --> 01:03:10,287 IT'S YOUR CASE. 1632 01:03:10,320 --> 01:03:12,289 U.S. MARSHALS HAVE A LONG HISTORY 1633 01:03:12,322 --> 01:03:14,191 OF COOPERATING WITH LOCAL LAW ENFORCEMENT. 1634 01:03:14,224 --> 01:03:16,326 UH-HUH. 1635 01:03:16,360 --> 01:03:18,462 AFTER ALL I'VE DONE TO GET US OFF THE RESERVATION, 1636 01:03:18,495 --> 01:03:21,431 TO GIVE MY SON THE SAME OPPORTUNITIES AS THE WHITES, 1637 01:03:21,465 --> 01:03:23,267 THEY STILL TREAT HIM LIKE A REDSKIN. 1638 01:03:23,300 --> 01:03:25,135 BUT HE WON'T BE TRIED LIKE ONE. 1639 01:03:25,169 --> 01:03:26,871 WHATEVER. 1640 01:03:26,904 --> 01:03:27,872 I'VE GOT WHITE MAN'S MONEY, 1641 01:03:27,905 --> 01:03:28,873 A WHITE MAN'S LAWYER, 1642 01:03:28,906 --> 01:03:30,140 AND I PROMISE YOU-- 1643 01:03:30,174 --> 01:03:33,043 MY SON WON'T SPEND A DAY IN PRISON. 1644 01:03:33,077 --> 01:03:35,145 HEY, CHUCKLES. 1645 01:03:35,179 --> 01:03:37,081 YOUR SON'S A MONSTER. 1646 01:03:37,114 --> 01:03:38,115 HE GUTTED SIENNA BURKE 1647 01:03:38,148 --> 01:03:39,149 WHILE SHE WAS STILL ALIVE, 1648 01:03:39,183 --> 01:03:40,150 AND HE NEEDS TO BE PUT DOWN. 1649 01:03:40,184 --> 01:03:42,186 BUT GUESS WHAT, 1650 01:03:42,219 --> 01:03:43,220 HE'S NOT THE ONLY MONSTER ON THE BLOCK. 1651 01:03:43,253 --> 01:03:44,454 NOT BY A LONG SHOT. 1652 01:03:44,488 --> 01:03:46,223 PRISON OR NO PRISON, 1653 01:03:46,256 --> 01:03:48,492 TOMORROW MORNING THE VERY WORST OF THOSE MONSTERS 1654 01:03:48,525 --> 01:03:50,160 IS COMING FOR HIM. 1655 01:03:50,194 --> 01:03:51,628 SO GOOD LUCK WITH YOUR WHITE MAN'S DEFENSE. 1656 01:03:51,661 --> 01:03:56,300 LET ME KNOW HOW THAT WORKS OUT FOR YOU. 1657 01:03:56,333 --> 01:03:58,468 OH, AND YOU MIGHT WANT TO THINK ABOUT 1658 01:03:58,502 --> 01:04:00,871 ADDING A LITTLE SECURITY FOR YOURSELF. 1659 01:04:03,240 --> 01:04:06,276 HEY, HEY, HEY. 1660 01:04:06,310 --> 01:04:07,912 SHE SEEING ANYONE? 1661 01:04:50,187 --> 01:04:53,657 OH, CRUD. 1662 01:04:58,228 --> 01:04:59,196 HI. 1663 01:04:59,229 --> 01:05:00,497 YOU'RE AWAKE. 1664 01:05:00,530 --> 01:05:02,132 DA. 1665 01:05:02,166 --> 01:05:04,434 I DIDN'T WANT TO MISS MY GROCERIES. 1666 01:05:04,468 --> 01:05:05,702 SORRY. 1667 01:05:05,735 --> 01:05:07,404 I GOT HUNG UP. 1668 01:05:07,437 --> 01:05:08,939 IS THIS WHAT YOU MEAN WHEN YOU SAY, 1669 01:05:08,973 --> 01:05:10,540 "I BE BACK A LITTLE LATER"? 1670 01:05:10,574 --> 01:05:12,576 I WISH TO KNOW FOR FUTURE. 1671 01:05:12,609 --> 01:05:14,311 NO, I'M USUALLY VERY PROMPT. 1672 01:05:14,344 --> 01:05:15,312 I--I-- 1673 01:05:15,345 --> 01:05:18,048 SOMETHING HAPPENED. 1674 01:05:18,082 --> 01:05:21,551 ANYWAY, IT'S LATE. AND HERE'S YOUR GROCERIES. 1675 01:05:26,456 --> 01:05:29,126 YOU BRING ME PORNO. 1676 01:05:29,159 --> 01:05:32,462 TO HELP YOU PICK OUT YOUR NEW BREASTS. 1677 01:05:41,471 --> 01:05:45,509 SEE, ALL DIFFERENT SHAPES AND SIZES. 1678 01:05:49,679 --> 01:05:51,315 MY NAME IS MARY. 1679 01:05:51,348 --> 01:05:52,516 TODAY'S MY BIRTHDAY. 1680 01:05:52,549 --> 01:05:54,051 AND IF I EVER 1681 01:05:54,084 --> 01:05:55,752 RUN INTO THE SON OF A BITCH THAT PROMISED ME 1682 01:05:55,785 --> 01:05:57,554 A LIFE OF EXCITEMENT AND UNLIMITED OPPORTUNITY 1683 01:05:57,587 --> 01:05:59,423 AS A U.S. MARSHAL, 1684 01:05:59,456 --> 01:06:02,559 I'LL SHOOT OFF BOTH HIS KNEECAPS.