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♪ Minnie Riperton's Lovin' You playing ♪
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♪
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00:00:08,592 --> 00:00:11,762
♪ Lovin' you ♪
4
00:00:11,762 --> 00:00:15,682
♪ Is easy 'cause you're beautiful ♪
5
00:00:16,558 --> 00:00:18,977
♪ Makin' love with you ♪
6
00:00:19,520 --> 00:00:22,981
♪ Is all I wanna do ♪
7
00:00:24,066 --> 00:00:26,985
♪ Lovin' you ♪
8
00:00:26,985 --> 00:00:30,989
♪ Is more than just a dream come true ♪
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♪ And everything that I do ♪
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[sighs heavily]
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♪ Is out of lovin' you ♪
12
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‐ Making a playlist
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is a delicate art.
14
00:00:45,546 --> 00:00:47,005
It's like writing a love letter,
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00:00:47,756 --> 00:00:49,299
but better in a way.
16
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You get to say what you want to say
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without actually saying it.
18
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You get to use someone else's poetry
to express how you feel.
19
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And then there are the rules.
20
00:01:06,775 --> 00:01:08,110
It's gotta be entertaining.
21
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You gotta tell a story.
22
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You can't be too obvious but,
23
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you can't be too obscure either.
24
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You can't double up on songs
by the same artist,
25
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unless, of course, that's your theme.
26
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Anyway,
27
00:01:26,211 --> 00:01:27,504
a good compilation,
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00:01:28,005 --> 00:01:30,007
like so many things in life,
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is hard to do.
30
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[song stops]
31
00:01:42,144 --> 00:01:43,979
We'll put that
on the "maybe" pile for now.
32
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‐ Uh, hey, Rob. Um, wh‐what are you up to?
33
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‐ Just makin' a playlist.
34
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‐ Oh, cool. Well, what's it for?
35
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‐ You know, I'm thinking
of taking a road trip, so.
36
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‐ Cool.
37
00:02:00,120 --> 00:02:02,706
Um, I don't want to interrupt you,
but I think you'd better come through.
38
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‐ What's up?
39
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‐ We need a ruling.
40
00:02:08,504 --> 00:02:09,880
‐ Hey. What's, what's going on?
41
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‐ This... person who's clearly never been
42
00:02:12,799 --> 00:02:14,301
on the internet is trying to buy
43
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a fucking Michael Jackson album
for her boyfriend.
44
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‐ Shit.
‐ It's his birthday.
45
00:02:19,932 --> 00:02:21,433
‐ Which album?
‐ Which album?
46
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‐ Off The Wall? Do you guys have it?
47
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‐ [sighs heavily]
Yeah, we have it. We do. Um‐‐
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I'm very sorry, but I don't think
I can sell that to you.
49
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‐ Oh, okay.
50
00:02:41,119 --> 00:02:44,456
‐ Oh, but those fuckin' horn charts
on Workin' Day and Night.
51
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All right, all right, yeah.
Fuck it. Fuck it. Let's do it.
52
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‐ Okay, great!
53
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‐ Hold up, hold up, hold up.
So this man gets a pass for horn charts?
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‐ I'll give a pass to anyone
who's scaled Mount Olympus, Cherise.
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‐ They were Quincy's charts, anyway.
ROB: Exactly.
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How does it benefit society
to hold Quincy's genius hostage
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just because the dude
that sang over his shit
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00:03:00,097 --> 00:03:01,473
ended up being
a full‐blown child molester?
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‐ Allegedly.
LEWIS: Whoa!
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00:03:03,308 --> 00:03:05,727
‐ Where'd you get that from, Rob, huh?
61
00:03:05,727 --> 00:03:08,605
From fuckin', fuckin'
"Convenient‐Opinions‐R‐Us"?
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‐ Okay, you still listen to a dude
who raps in a MAGA hat, so‐‐
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‐ Are you fucking serious?
[Lewis chuckles]
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Having shitty politics and a second‐grade
understanding of American history
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is a tiny bit different than being
a goddamn child molester.
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‐ Allegedly.
‐ Jesus!
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00:03:21,827 --> 00:03:24,413
‐ Kanye West has a mental health issue!
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‐ You don't think Michael Jackson
had a fucking mental health issue?
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‐ Okay, cool. Great, great, great.
So this is what I'm gonna do.
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00:03:28,834 --> 00:03:31,920
I'm just gonna pop on some Charles Manson,
and we can all just vibe out to that.
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‐That sound cool for you?
‐ Charles Manson made music?
72
00:03:34,506 --> 00:03:36,633
‐ Why, would you like to buy that
for your boyfriend, too?
73
00:03:36,633 --> 00:03:37,885
‐ It's actually oddly good.
‐ It is.
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‐ You know what, Simon‐‐
‐ But, Cherise, what if
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the only artists that
we were allowed to listen to
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were inarguably nice people, right,
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with, with unassailably perfect ethics?
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We'd have to destroy every record
in existence except for‐‐
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‐ Bono.
‐ Phil Collins.
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00:03:51,773 --> 00:03:53,275
‐ Michael Stipe.
‐ Sufjan Stevens.
81
00:03:53,275 --> 00:03:56,904
‐ Hey, can you guys... sell me the record?
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00:03:57,446 --> 00:04:00,157
How does that work... here?
83
00:04:05,537 --> 00:04:07,289
‐ [chuckles]
You guys figure this out.
84
00:04:08,248 --> 00:04:10,876
See you, Lewis.
‐ Yo, you guys should just shoot for it.
85
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‐ Fine.
‐ Fine, come over here.
86
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BOTH: Rock, paper, scissors, and‐‐
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[Cherise grunts]
88
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♪ Ho99o9's War is Hell playing ♪
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♪
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♪ Anarchy and chaosbombs come and shake the ground ♪
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00:04:26,433 --> 00:04:29,603
♪ Horror world collidemight die with the thunder sound ♪
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00:04:29,603 --> 00:04:31,438
♪ I'll break it down with fire rounds ♪
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♪ Rolling through to lay you down ♪
94
00:04:33,106 --> 00:04:35,192
♪ Pound for pound get up in your ass ♪
95
00:04:35,192 --> 00:04:36,527
♪ Slash, buck and a half ♪
96
00:04:36,527 --> 00:04:39,488
♪ Reap what you sowwhen the guns start blazing ♪
97
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♪ Full time motherfuckin' maniac ♪
98
00:04:41,406 --> 00:04:42,533
[exhales sharply]
99
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♪ Givin' birth to my seedsMeet the children of the corn ♪
100
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Yo. I'm out. Lock up, okay?
101
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‐ You're leaving? It's Friday. No drinks?
‐ No, man.
102
00:04:51,917 --> 00:04:52,668
‐ Seriously?
103
00:04:53,502 --> 00:04:55,170
‐ I'm going home.
‐ Why?
104
00:04:55,546 --> 00:04:56,588
‐ You'll be fine.
105
00:04:59,299 --> 00:05:00,342
Change it up.
106
00:05:01,134 --> 00:05:03,595
[doorbell tinkling]
107
00:05:04,346 --> 00:05:07,391
‐ Yo, does she seem sadder than usual
or is it the sweater?
108
00:05:08,267 --> 00:05:09,393
‐ Sweater.
109
00:05:11,019 --> 00:05:12,896
‐ Oh, my god, you about to cry.
110
00:05:12,896 --> 00:05:14,356
‐ Weren't you about to do some work?
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00:05:19,319 --> 00:05:20,612
♪ David Bowie's Modern Love playing ♪
112
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‐ The most important track is Number One.
113
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It's gotta be familiar,
114
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but also unexpected.
115
00:05:29,621 --> 00:05:30,956
But most importantly,
116
00:05:32,875 --> 00:05:34,418
it's gotta make you feel good.
117
00:05:35,878 --> 00:05:37,462
♪ I know when to go out ♪
118
00:05:38,630 --> 00:05:40,090
♪ I know when to stay in ♪
119
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♪ Get things done ♪
120
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"I know when to go out.
121
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I know when to stay in."
122
00:05:46,638 --> 00:05:49,183
♪ I catch a paper boy ♪
123
00:05:49,683 --> 00:05:51,560
David Bowie really had his shit together.
124
00:05:52,060 --> 00:05:54,313
♪ I'm standing in the wind ♪
125
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♪ But I never wave bye‐bye ♪
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00:05:56,982 --> 00:05:58,317
ROB: Okay, here's what I got.
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00:05:59,735 --> 00:06:01,278
Ziggy Stardust, Hunky Dory,
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00:06:01,278 --> 00:06:04,031
Let's Dance, Aladdin Sane,
129
00:06:04,031 --> 00:06:05,574
and Station to Station.
130
00:06:05,574 --> 00:06:06,491
‐ What about Blackstar?
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00:06:06,992 --> 00:06:08,785
‐ I know, I thought about that,
but what am I gonna do,
132
00:06:08,785 --> 00:06:10,162
not have Station to Station?
MAC: Oh, my god!
133
00:06:10,162 --> 00:06:11,413
I can't believe you'd do that.
134
00:06:11,413 --> 00:06:14,541
You told me Blackstar was
the best record of the last 20 years.
135
00:06:14,541 --> 00:06:16,335
‐ I know‐‐
‐ How he "burned out"
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00:06:16,335 --> 00:06:18,545
instead of fading away.
‐ I know. I said that. You're right.
137
00:06:18,545 --> 00:06:21,673
‐ How he "absorbed the best
of his modern influences
138
00:06:21,673 --> 00:06:23,634
"while still maintaining the core
‐ Oh, is that what I sound like?
139
00:06:23,634 --> 00:06:25,302
‐ of who he was as an artist."
‐ Is that what I sound like?
140
00:06:25,302 --> 00:06:28,931
‐ And how he "used his death
as reflexive creation,
141
00:06:28,931 --> 00:06:32,017
and invited us in the innermost private
experience a human being could have."
142
00:06:32,017 --> 00:06:34,228
‐ Rude!
‐And how "the drums were
the baddest thing ever."
143
00:06:34,228 --> 00:06:36,647
‐ The drums were sick.
‐ Oh, my god, I was rooting for you.
144
00:06:37,356 --> 00:06:38,482
‐ Stop!
145
00:06:40,359 --> 00:06:41,985
‐ I gotta go stir the sauce.
146
00:06:44,738 --> 00:06:45,989
‐ Okay.
147
00:06:47,324 --> 00:06:49,868
‐ Why can't it just be "Top Six"?
‐ Very funny.
148
00:06:52,079 --> 00:06:54,039
MAC: Do you want some more wine?
ROB: Yes, please.
149
00:06:56,166 --> 00:06:57,459
MAC: There you go.
‐ Thank you.
150
00:06:57,459 --> 00:06:59,002
[wine sloshing]
151
00:07:01,505 --> 00:07:04,967
The, uh, The Kills are playing a show
at Music Hall tonight. You wanna go?
152
00:07:07,010 --> 00:07:08,262
‐ Oh, uh,
153
00:07:09,137 --> 00:07:10,222
yeah, I mean,
154
00:07:10,848 --> 00:07:12,766
I guess I could hit pause
on the Bolognese.
155
00:07:14,017 --> 00:07:16,228
‐ No, that's okay.
We'll stay. We'll stay in.
156
00:07:16,854 --> 00:07:18,146
‐ Okay. Good.
157
00:07:18,522 --> 00:07:20,899
It's gonna be a shitshow anyway.
I'd rather just hang with you.
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00:07:21,275 --> 00:07:23,610
‐ I mean, I don't, I don't know
if it's gonna be a "shitshow."
159
00:07:23,610 --> 00:07:25,737
It's gonna be a show.
There'll be people there.
160
00:07:25,737 --> 00:07:27,030
That's kinda part of the whole show thing.
161
00:07:27,906 --> 00:07:29,408
‐ I mean, do you wanna go?
162
00:07:35,414 --> 00:07:36,415
‐ It's very good.
163
00:07:36,415 --> 00:07:37,416
‐ Thank you.
164
00:07:39,459 --> 00:07:41,003
‐ No, no, we'll stay in. We'll stay.
165
00:07:42,629 --> 00:07:43,630
MAC: Okay.
166
00:07:45,591 --> 00:07:46,758
‐ All right, well, um,
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00:07:47,759 --> 00:07:51,430
in that case, I'm gonna go slip
into something a little more domestic.
168
00:07:53,015 --> 00:07:54,558
MAC: Uh‐oh.
‐ It's gonna be hot.
169
00:07:55,017 --> 00:07:57,269
It's gonna involve sweatpants.
‐ Oh!
170
00:07:57,269 --> 00:07:58,770
‐ And granny panties.
‐ Uh‐oh.
171
00:07:58,770 --> 00:07:59,980
‐ Oof!
‐ Oh!
172
00:08:00,439 --> 00:08:02,983
I think the ball's on the bed,
but the chain is at the cleaners.
173
00:08:02,983 --> 00:08:04,109
[chuckling]
174
00:08:04,109 --> 00:08:05,360
‐ Stupid.
175
00:08:05,360 --> 00:08:07,362
♪ Modern Love continues ♪
176
00:08:12,492 --> 00:08:13,744
[sniffs]
177
00:08:34,306 --> 00:08:36,016
‐ [thunder rumbling]
‐ [cell phone buzzing]
178
00:08:36,016 --> 00:08:37,434
♪ Modern Love ♪
179
00:08:37,434 --> 00:08:38,936
♪ Walks on by ♪
180
00:08:38,936 --> 00:08:40,229
♪ Modern Love ♪
181
00:08:40,229 --> 00:08:43,899
♪ Gets me to the church on time ♪
182
00:08:43,899 --> 00:08:44,983
[music stops]
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‐ Voicemail.
184
00:08:48,111 --> 00:08:49,571
CHERISE: Well, we tried.
185
00:08:49,571 --> 00:08:51,323
So what, you gonna go
to DeSalle's tonight?
186
00:08:51,323 --> 00:08:53,784
‐ Oh, maybe. Or might,
you know, change it up.
187
00:08:54,409 --> 00:08:56,370
There's an underground
catstep show in Red Hook.
188
00:08:56,370 --> 00:08:57,329
‐ The fuck!
189
00:08:57,329 --> 00:08:58,747
SIMON:
It's a sub‐genre of filthstep,
190
00:08:58,747 --> 00:09:01,959
hasn't really caught on yet,
but... you know, it could, someday.
191
00:09:01,959 --> 00:09:04,795
You?
‐ Oh, I'm changin' it up fo'sho.
192
00:09:04,795 --> 00:09:07,256
I might check out
this house party in Bed‐Stuy,
193
00:09:07,256 --> 00:09:08,632
but that could be lame.
194
00:09:08,632 --> 00:09:10,801
Or there's this experimental dance group
195
00:09:10,801 --> 00:09:12,511
that my homie Bodhi's in.
196
00:09:13,512 --> 00:09:15,597
But you know what,
as I say that shit out loud,
197
00:09:15,597 --> 00:09:17,391
it's probably gonna be wack as fuck,
198
00:09:17,391 --> 00:09:18,892
so... I don't know.
199
00:09:18,892 --> 00:09:22,521
‐ I may actually go check on Rob.
She's been kinda... something today.
200
00:09:22,521 --> 00:09:24,273
‐ She's always a little something.
201
00:09:24,273 --> 00:09:26,608
‐ Yeah, I don't know.
She's started smoking again.
202
00:09:26,608 --> 00:09:28,360
She's been listening to Minnie Riperton.
203
00:09:29,152 --> 00:09:32,447
She's been working on this playlist,
said something about a, like, "road trip."
204
00:09:32,906 --> 00:09:34,199
She just seems kinda
205
00:09:34,867 --> 00:09:35,784
something.
206
00:09:35,784 --> 00:09:37,578
‐ Minnie Riperton?
‐ Uh‐huh.
207
00:09:37,578 --> 00:09:38,662
‐ Shit.
208
00:09:39,538 --> 00:09:40,664
‐ Okay.
209
00:09:41,456 --> 00:09:42,541
Track two.
210
00:09:43,542 --> 00:09:47,379
There needs to be an element of...
211
00:09:47,379 --> 00:09:49,423
♪ Prototype by OutKast playing ♪
212
00:09:49,423 --> 00:09:50,716
surprise.
213
00:09:52,384 --> 00:09:54,136
Because what you're saying here is:
214
00:09:55,512 --> 00:09:56,763
keep listening.
215
00:09:57,806 --> 00:09:59,808
There might be more here than you thought.
216
00:10:01,393 --> 00:10:03,020
[knocking on door]
217
00:10:05,814 --> 00:10:06,857
[banging on door]
218
00:10:09,234 --> 00:10:10,360
How'd you get in the building?
219
00:10:11,361 --> 00:10:13,405
You still have my key.
‐ I keep it for emergencies.
220
00:10:13,405 --> 00:10:14,948
[Cherise chuckles]
221
00:10:15,282 --> 00:10:17,910
CHERISE:
Whoa, speaking of emergency.
222
00:10:17,910 --> 00:10:19,661
Yo, what the fuck, Rob!
223
00:10:19,661 --> 00:10:20,954
You need a maid!
224
00:10:20,954 --> 00:10:23,874
Ooh, OutKast!
225
00:10:23,874 --> 00:10:27,127
Amen, sister. Hey!
226
00:10:31,465 --> 00:10:33,717
‐ Is... is this all for the playlist?
227
00:10:34,176 --> 00:10:36,220
‐ It is indeed, yes.
CHERISE: Yo, I gotta tell you the truth,
228
00:10:36,553 --> 00:10:37,971
I like Sad Rob.
229
00:10:37,971 --> 00:10:39,765
Now, Sad Rob has good taste.
230
00:10:39,765 --> 00:10:41,517
‐ You know, you really shouldn't
keep them piled up like this,
231
00:10:41,517 --> 00:10:42,684
'cause it gets really pressured.
232
00:10:42,684 --> 00:10:45,020
‐ Oh, no, you gotta get
King Curtis on your playlist!
233
00:10:45,020 --> 00:10:47,189
A must. A fucking must.
‐ What's up, guys?
234
00:10:47,523 --> 00:10:48,649
‐ Oh, uh,
235
00:10:49,274 --> 00:10:51,151
we're gonna go check out
this guy Liam's show at DeSalle's.
236
00:10:51,485 --> 00:10:54,780
It's sort of like Unknown Mortal Orchestra
meets Frank Ocean kind of vibe.
237
00:10:54,780 --> 00:10:56,406
but not like Channel Orange Frank Ocean,
238
00:10:56,406 --> 00:10:57,741
more like Blonde Frank Ocean,
239
00:10:57,741 --> 00:10:59,993
with, like, just this large hint
of Jeff Buckley.
240
00:11:04,831 --> 00:11:07,835
‐ Yeah, I‐I think I'm good.
I think I'm gonna stay in.
241
00:11:08,585 --> 00:11:09,461
‐ She's busy.
242
00:11:10,045 --> 00:11:12,256
All right, well, listen,
we about to rip this shit up.
243
00:11:12,256 --> 00:11:14,466
So, you know what, if you just want
to stay here and die alone‐‐
244
00:11:14,466 --> 00:11:16,635
‐ Cherise, we're just‐‐
we're gonna get out of your hair.
245
00:11:16,635 --> 00:11:18,470
Come on.
‐ Yo, what is this shit?
246
00:11:18,470 --> 00:11:19,680
It's fire.
247
00:11:19,680 --> 00:11:21,515
ROB: It's fucking wine, Cherise.
‐ Mn‐mn.
248
00:11:22,558 --> 00:11:24,476
It's fucking unicorn juice.
It's delicious.
249
00:11:26,144 --> 00:11:27,563
Thanks for stopping by, kids.
250
00:11:27,563 --> 00:11:28,856
SIMON: You got it.
251
00:11:28,856 --> 00:11:30,065
You know where we'll be.
252
00:11:30,065 --> 00:11:31,400
See you... sometime.
253
00:11:31,400 --> 00:11:33,193
CHERISE:
Love you. Mean it.
254
00:11:34,820 --> 00:11:36,071
[door closes]
255
00:11:36,071 --> 00:11:37,197
[sighs]
256
00:11:39,575 --> 00:11:40,784
[music stops]
257
00:11:43,495 --> 00:11:44,997
‐ I need to change it up.
258
00:11:46,331 --> 00:11:49,626
Tonight is about quiet contemplation.
259
00:11:52,671 --> 00:11:54,173
[exhales heavily]
260
00:11:54,173 --> 00:11:55,632
Tonight I go deep.
261
00:11:58,802 --> 00:12:02,472
Tonight... I go Prince deep.
262
00:12:03,307 --> 00:12:05,309
MAC:
Babe, dinner's ready.
263
00:12:10,689 --> 00:12:13,400
‐ Hey. I'm just gonna run down
to the bodega real fast.
264
00:12:13,734 --> 00:12:14,693
‐ What, now?
265
00:12:14,693 --> 00:12:17,529
‐ Yeah, we're out of cat food,
so I, I'm just gonna run down.
266
00:12:18,030 --> 00:12:19,615
‐ Okay. You know dinner's, like, ready.
267
00:12:19,615 --> 00:12:21,158
‐ Yeah, I'll be back in a minute.
268
00:12:21,158 --> 00:12:22,284
‐ Okay.
269
00:12:22,284 --> 00:12:24,745
♪ So Blue by Prince playing ♪
270
00:12:27,289 --> 00:12:28,248
[softly]
‐ Fuck.
271
00:12:29,541 --> 00:12:30,792
CARLOS: What's up, Rob?
‐ What's up?
272
00:12:31,627 --> 00:12:37,382
♪ You meant the world ♪
273
00:12:37,758 --> 00:12:40,594
♪ To me ♪
274
00:12:44,556 --> 00:12:46,767
Um... Liza Minnelli.
275
00:12:47,935 --> 00:12:48,936
‐ Huh?
276
00:12:51,063 --> 00:12:52,022
You were doing so well.
277
00:12:52,022 --> 00:12:53,440
‐ Did I say the password?
278
00:12:53,440 --> 00:12:55,025
CARLOS: Yeah.
‐ So sell me the fucking pack.
279
00:12:56,109 --> 00:12:57,110
[sighs]
280
00:12:59,571 --> 00:13:00,781
[cash register dings]
281
00:13:01,657 --> 00:13:03,909
‐ Hey, Carlos,
can I ask you a question?
282
00:13:03,909 --> 00:13:05,536
You think you're gonna get
married someday?
283
00:13:05,536 --> 00:13:08,997
‐ Yeah, probably when I'm... grown up.
284
00:13:12,960 --> 00:13:14,253
‐ Can I get another one, Nick?
285
00:13:18,173 --> 00:13:19,466
NICK: Big night out, huh?
286
00:13:19,967 --> 00:13:21,134
‐ Yeah.
287
00:13:21,969 --> 00:13:23,011
I do have a cat.
288
00:13:23,387 --> 00:13:24,179
NICK: Cool.
289
00:13:26,181 --> 00:13:28,851
[indiscernible conversation]
290
00:13:28,851 --> 00:13:30,602
GIRL: Yeah, me too.
NICK: You got it.
291
00:13:30,602 --> 00:13:33,647
♪
292
00:13:34,064 --> 00:13:37,609
♪ I spend my days ♪
293
00:13:37,609 --> 00:13:42,322
♪ Crying over you ♪
294
00:13:43,824 --> 00:13:45,242
‐ Yeah, I need to get out of here.
295
00:13:49,705 --> 00:13:52,249
‐ Hey!
Ten minutes and 27 seconds.
296
00:13:52,249 --> 00:13:54,793
Pay up, sucker.
‐ No, you said under ten minutes.
297
00:13:54,793 --> 00:13:56,253
‐ Yeah, and that includes
the tenth minute.
298
00:13:58,380 --> 00:14:01,425
‐ I've decided it's actually easier for me
to pay you than to argue with you.
299
00:14:03,552 --> 00:14:05,679
‐ Hey, yo, Rob, you do know that
that's not supposed to be
300
00:14:05,679 --> 00:14:07,014
an outside sweater, right?
301
00:14:07,848 --> 00:14:08,891
[chuckles]
302
00:14:10,934 --> 00:14:13,020
‐ [sighs heavily]
Okay.
303
00:14:13,562 --> 00:14:14,646
Next track.
304
00:14:14,646 --> 00:14:15,397
♪ Paul McCartney & Wings'
Arrow Through Me playing ♪
305
00:14:15,397 --> 00:14:16,690
♪ Ooh baby ♪
306
00:14:17,232 --> 00:14:21,153
♪ You couldn't have donea worse thing to me ♪
307
00:14:21,653 --> 00:14:23,572
♪ If you'da taken an arrow ♪
308
00:14:23,572 --> 00:14:26,742
♪ And run it right through me, ooh ♪
309
00:14:27,743 --> 00:14:29,203
CHERISE: Mm, mm.
CARLOS: What's up, Rob?
310
00:14:29,203 --> 00:14:30,412
ROB: What's up?
‐ Cool sweater.
311
00:14:30,412 --> 00:14:32,706
‐ Unpopular opinion, Carlos.
But thank you.
312
00:14:32,706 --> 00:14:33,707
Can I get a pack?
313
00:14:34,374 --> 00:14:35,626
I know. I know.
314
00:14:36,126 --> 00:14:38,003
I am a failure.
315
00:14:39,296 --> 00:14:41,131
‐ Should I just put this on your tab, or?
316
00:14:43,050 --> 00:14:44,009
‐ Yeah.
317
00:14:44,593 --> 00:14:46,803
This one's on you, baby.
318
00:14:47,763 --> 00:14:50,807
‐ Oh, man, we're coming in
at, like, a solid six today.
319
00:14:50,807 --> 00:14:51,808
‐ Damn. Really?
320
00:14:51,808 --> 00:14:54,228
‐ Yeah, six. Six and a half even,
if I'm being honest.
321
00:14:54,228 --> 00:14:55,479
‐ Yeah, I'll do six and a half.
CARLOS: Yeah?
322
00:14:55,479 --> 00:14:57,981
‐ Six and a half? All right, we're
gonna go with six and a half, Carlos.
323
00:14:57,981 --> 00:15:00,817
‐ Sh‐‐ I don't smell shit, like, at all.
324
00:15:00,817 --> 00:15:03,111
‐ Actually, you're lucky because today
325
00:15:03,111 --> 00:15:04,571
it's got a little fishy top note.
326
00:15:04,571 --> 00:15:05,781
I'm not feelin' it.
327
00:15:05,781 --> 00:15:08,158
‐ But it has an accent of, um,
what is that? What is that?
328
00:15:10,285 --> 00:15:12,412
‐ Like old lettuce?
CHERISE/SIMON: Old lettuce.
329
00:15:12,412 --> 00:15:14,706
Old lettuce.
‐ Old lettuce? Okay.
330
00:15:14,706 --> 00:15:15,874
ROB: Thanks, man.
331
00:15:16,750 --> 00:15:17,751
Next track.
332
00:15:17,751 --> 00:15:19,795
I've heard of him.
Sounds like a punk rock dude, right?
333
00:15:19,795 --> 00:15:20,921
‐ From Galilee, yeah.
334
00:15:20,921 --> 00:15:22,673
‐ ♪ Galileo ♪
335
00:15:23,882 --> 00:15:25,384
‐ Oh, what up, Turner?
TURNER: Chillin'.
336
00:15:25,384 --> 00:15:26,969
‐ Ooh, shit, I'm gonna be
right back, y'all.
337
00:15:26,969 --> 00:15:28,387
Hold on for me. Wait.
338
00:15:28,387 --> 00:15:29,763
Yo, T, hold up! Hold up, hold up, hold up.
339
00:15:29,763 --> 00:15:32,474
♪ Is it Any Wonder? by Durand Jones
& The Indications playing ♪
340
00:15:32,474 --> 00:15:34,142
♪ This road ♪
341
00:15:34,142 --> 00:15:37,020
♪ Is gone take us back now ♪
342
00:15:41,400 --> 00:15:43,360
‐ So is there a theme
to your road trip playlist?
343
00:15:45,112 --> 00:15:46,154
‐ There's no road trip, man.
344
00:15:46,738 --> 00:15:47,739
‐ Yeah, I know.
345
00:15:50,033 --> 00:15:51,493
So the theme is?
346
00:15:53,370 --> 00:15:54,496
‐ Love, I guess.
347
00:15:55,038 --> 00:15:56,415
‐ Cool, yeah. That's classic.
348
00:15:56,415 --> 00:16:00,961
♪ They say my child... ♪
349
00:16:02,504 --> 00:16:03,505
‐ I ran into Mac.
350
00:16:04,631 --> 00:16:05,883
‐ Oh, shit.
351
00:16:06,800 --> 00:16:07,843
When?
352
00:16:07,843 --> 00:16:10,679
‐ Um, the other night,
before my date with the Vest.
353
00:16:10,679 --> 00:16:11,722
‐ Fuck.
354
00:16:13,098 --> 00:16:14,975
Okay. So... so Mac's back?
355
00:16:15,559 --> 00:16:18,854
‐ Yup. He's... he's back.
356
00:16:19,188 --> 00:16:21,148
‐ Yikes. Okay, what's on it?
357
00:16:25,194 --> 00:16:26,945
♪ Is it any wonder... ♪
358
00:16:26,945 --> 00:16:28,739
Prince, Ariel Pink‐‐
359
00:16:28,739 --> 00:16:29,781
‐ I'm on the fence about that one.
360
00:16:29,781 --> 00:16:33,827
‐ Ooh, Durand Jones & The Indications.
That's an excellent choice.
361
00:16:33,827 --> 00:16:35,871
‐ I thought so.
‐ You got a closer?
362
00:16:35,871 --> 00:16:37,748
‐ No, and it's killing me!
363
00:16:37,748 --> 00:16:39,750
‐ Yeah, closers are tough.
‐ Closers are tough.
364
00:16:41,543 --> 00:16:42,586
‐ So, you gonna send it to him?
365
00:16:42,586 --> 00:16:44,254
‐ No! God, no, no, no.
366
00:16:44,254 --> 00:16:47,257
It's like, um... it's like therapy,
you know, for me.
367
00:16:48,258 --> 00:16:50,135
‐ It's good. Yeah. Makes sense.
368
00:16:50,135 --> 00:16:51,512
‐ Yo, Cherise! Come on, man!
369
00:16:51,512 --> 00:16:52,596
‐ All right, all right, hold on.
370
00:16:52,596 --> 00:16:54,890
‐ So... so how was it,
371
00:16:54,890 --> 00:16:56,350
you know, seeing him, running into him?
372
00:16:57,726 --> 00:16:59,311
‐ You know that scene
at the end of Braveheart
373
00:16:59,311 --> 00:17:00,771
where they rip all his entrails out,
374
00:17:00,771 --> 00:17:02,606
and he's like, "Freedom!"
375
00:17:02,606 --> 00:17:04,900
But it's like a positive thing,
you know, because he, like,
376
00:17:04,900 --> 00:17:05,984
inspired his people or whatever?
377
00:17:05,984 --> 00:17:06,818
‐ Yeah.
378
00:17:07,236 --> 00:17:08,946
‐ Like that, but without
the silver lining.
379
00:17:08,946 --> 00:17:10,447
‐ All entrails, no freedom.
‐ Yeah, exactly.
380
00:17:10,447 --> 00:17:12,366
‐ Pizza delivery, motherfuckers!
381
00:17:12,366 --> 00:17:14,284
ROB: Hmm!
‐ That good shit!
382
00:17:14,284 --> 00:17:15,494
[Rob chuckles]
383
00:17:15,494 --> 00:17:16,662
♪ The Notorious B.I.G.
Me & My Bitch playing ♪
384
00:17:16,662 --> 00:17:18,622
♪ When I met you, I admit,my first thoughts was to trick ♪
385
00:17:18,622 --> 00:17:21,500
♪ You look so good, huh,I suck on your daddy's dick ♪
386
00:17:21,500 --> 00:17:23,293
♪ I never felt that way in my life ♪
387
00:17:23,293 --> 00:17:25,754
♪ It didn't take longbefore I made you my wife ♪
388
00:17:26,088 --> 00:17:28,841
♪ Got no rings and shitjust my main squeeze ♪
389
00:17:28,841 --> 00:17:31,510
♪ Comin' to the cribeven had a set a keys ♪
390
00:17:31,510 --> 00:17:34,179
♪ During the daysyou helped me bag up my nickels ♪
391
00:17:34,179 --> 00:17:36,849
♪ In the process,I admit, I tricked a little ♪
392
00:17:36,849 --> 00:17:38,058
♪ But you was my bitch ♪
393
00:17:38,559 --> 00:17:42,688
[indiscernible conversation]
394
00:17:42,688 --> 00:17:45,649
♪ And I admit, when the time is right,the wine is right ♪
395
00:17:45,649 --> 00:17:47,359
‐ Hey, did you hear
they're closing Rafaela's?
396
00:17:47,901 --> 00:17:49,570
‐ Another one B's the D.
397
00:17:49,570 --> 00:17:51,530
Oh, I swear to god, they close this down,
398
00:17:51,530 --> 00:17:52,948
whoo, I'm losing my shit!
399
00:17:52,948 --> 00:17:55,325
‐ They close this place,
I'm burning the neighborhood down.
400
00:17:56,535 --> 00:17:58,704
We're not just being dramatic.
This is the spot.
401
00:17:58,704 --> 00:18:02,082
I used to DJ here for years. I've been
to more sick shows here than I can count.
402
00:18:02,541 --> 00:18:05,169
It's just one of the only places
that feels like old New York to me.
403
00:18:07,421 --> 00:18:10,591
Plus, Me and Mac had
our first kiss here, so... there's that.
404
00:18:14,428 --> 00:18:15,637
What's up, dude?
‐ How you doing?
405
00:18:15,637 --> 00:18:17,055
‐ How you doing?
‐ I'm good.
406
00:18:17,055 --> 00:18:19,308
♪ Like you want me to ♪
407
00:18:20,184 --> 00:18:21,935
‐ Is that Boyz II Fuckin' Men?
408
00:18:22,477 --> 00:18:23,562
‐ Mm‐hmm.
409
00:18:25,314 --> 00:18:27,065
♪ I'll make love to you ♪
410
00:18:27,065 --> 00:18:29,610
♪ Like you want me to ♪
411
00:18:29,610 --> 00:18:32,279
♪ And I'll hold you tight ♪
412
00:18:32,988 --> 00:18:37,159
♪ All through the nightI'll make love to you ♪
413
00:18:37,159 --> 00:18:39,828
♪ When you want me to ♪
414
00:18:39,828 --> 00:18:42,831
♪ And I will not let go ♪
415
00:18:42,831 --> 00:18:45,042
♪ Till you tell me to ♪
416
00:18:47,503 --> 00:18:52,549
♪ 'Cause tonight is your night ♪
417
00:18:52,549 --> 00:18:57,304
♪ And I will do you right ♪
418
00:18:57,304 --> 00:19:02,059
♪ Make a wish on your night ♪
419
00:19:02,518 --> 00:19:03,769
♪ Anything that you ask ♪
420
00:19:03,769 --> 00:19:05,103
‐ I used to hate this song.
421
00:19:05,812 --> 00:19:06,897
SIMON/CHERISE: Yeah.
422
00:19:07,439 --> 00:19:08,524
‐ Now I kinda love it.
423
00:19:09,149 --> 00:19:10,150
SIMON/CHERISE: Yeah.
424
00:19:10,150 --> 00:19:12,653
♪ I'll make love to you ♪
425
00:19:12,653 --> 00:19:15,280
♪ Like you want me to ♪
426
00:19:15,280 --> 00:19:17,741
♪ And I'll hold you tight ♪
427
00:19:18,617 --> 00:19:22,704
♪ All through the nightI'll make love to you ♪
428
00:19:23,121 --> 00:19:24,581
‐ There you go. Cheers. Thank you.
GIRL: Thanks.
429
00:19:24,581 --> 00:19:26,291
‐ Enjoy.
‐ Amazing set.
430
00:19:26,291 --> 00:19:27,501
‐ Fresh as fuck, man.
431
00:19:27,501 --> 00:19:29,253
‐ Has anyone ever told you
you remind them of Jagwar Ma?
432
00:19:29,253 --> 00:19:32,589
‐ I'm sorry. He likes to impress people
with his musical knowledge.
433
00:19:32,589 --> 00:19:34,007
‐ Does he? Do you?
434
00:19:34,007 --> 00:19:35,884
Well, listen, man. Keep going!
'Cause it's working.
435
00:19:35,884 --> 00:19:37,553
‐ All right, you guys,
let's get out of the line.
436
00:19:37,553 --> 00:19:38,887
‐ Uh, you like records?
437
00:19:40,973 --> 00:19:43,308
‐ Records?
‐ Albums. Vinyls. Records?
438
00:19:43,308 --> 00:19:45,853
‐ Oh, records, yeah.
Yeah, yeah, of course. Yeah, records.
439
00:19:45,853 --> 00:19:47,145
‐ Yeah. She has a record shop!
440
00:19:47,145 --> 00:19:49,356
SIMON: Championship Vinyl.
CHERISE: Three blocks away!
441
00:19:49,356 --> 00:19:50,732
SIMON: Yeah, we all work there!
CHERISE: You should come check it out!
442
00:19:51,024 --> 00:19:53,151
‐ All right, let's‐‐
‐ Yeah, cool. Yeah, I will, for sure.
443
00:19:53,151 --> 00:19:54,027
‐ Okay. Let's go.
444
00:19:54,027 --> 00:19:56,530
‐ Um, so just so you know,
it's called Championship Vinyl.
445
00:19:56,530 --> 00:19:58,073
ROB: Okay.
‐ "Championship Vinyl."
446
00:19:58,073 --> 00:19:59,491
I got it. Thank you.
447
00:19:59,491 --> 00:20:01,827
‐ I enjoyed your set, man.
‐ Cheers. Thank you.
448
00:20:01,827 --> 00:20:03,161
I'm Liam, by the way.
449
00:20:03,871 --> 00:20:05,873
‐ Oh, I'm Rob.
LIAM: Cool.
450
00:20:05,873 --> 00:20:08,917
‐ Let me give,
let me give you the record
451
00:20:08,917 --> 00:20:10,002
and a couple buttons.
452
00:20:10,002 --> 00:20:11,336
‐ Yo, can we get three whiskeys?
453
00:20:11,879 --> 00:20:13,714
Dude, why'd you have to tell him
about the shop?
454
00:20:13,714 --> 00:20:15,340
‐ The fuck are you talkin' about?
455
00:20:15,340 --> 00:20:17,634
I... I didn't think
it was classified information.
456
00:20:17,634 --> 00:20:19,011
We have no customers.
457
00:20:19,011 --> 00:20:20,888
I thought that was a bad thing,
not a business strategy!
458
00:20:20,888 --> 00:20:22,723
‐ Hey, you guys wanna go see Hot Chip DJ?
459
00:20:22,723 --> 00:20:24,016
I'm about to get the location.
460
00:20:24,016 --> 00:20:25,350
‐ Yeah. We know the location:
461
00:20:25,350 --> 00:20:27,060
2007. The fuck.
462
00:20:28,645 --> 00:20:30,105
♪ I go out every night ♪
463
00:20:30,105 --> 00:20:31,106
‐ I gotta go.
464
00:20:31,106 --> 00:20:34,443
♪ And sleep all day ♪
465
00:20:34,443 --> 00:20:35,402
You guys are the best.
466
00:20:37,613 --> 00:20:40,032
‐ Mmm. Our little girl is better.
467
00:20:41,867 --> 00:20:43,243
‐ That's an excellent choice.
468
00:20:45,120 --> 00:20:47,039
♪ Since you been gone... ♪
469
00:20:47,039 --> 00:20:48,832
‐ Closers are fuckin' tough.
470
00:20:48,832 --> 00:20:50,209
It's the last thing they're gonna hear,
471
00:20:50,209 --> 00:20:52,044
and thus, the only thing
they're gonna remember.
472
00:20:53,337 --> 00:20:55,005
So you've got to bring your message home.
473
00:20:55,005 --> 00:20:59,051
♪ It's been so lonelywithout you here ♪
474
00:20:59,051 --> 00:21:00,719
[thunder rumbling]
475
00:21:00,719 --> 00:21:03,805
♪ Like a bird without a song ♪
476
00:21:03,805 --> 00:21:07,184
♪
477
00:21:07,184 --> 00:21:08,185
[cat meows]
478
00:21:10,479 --> 00:21:11,522
[whispering] I'm sorry.
479
00:21:11,522 --> 00:21:14,608
♪ Nothing can stopthese lonely tears from falling ♪
480
00:21:15,526 --> 00:21:17,861
♪ Tell me, baby ♪
481
00:21:18,529 --> 00:21:21,406
♪ Where did I go wrong ♪
482
00:21:24,576 --> 00:21:30,541
♪ I could put my armsaround every boy I see ♪
483
00:21:32,835 --> 00:21:35,337
♪ But they'd only remind me of you ♪
484
00:21:35,337 --> 00:21:38,048
♪
485
00:21:48,016 --> 00:21:49,017
Mac.
486
00:21:50,269 --> 00:21:51,562
‐ Where the fuck have you been?
487
00:21:51,979 --> 00:21:53,188
‐ I was at the bar.
488
00:21:54,356 --> 00:21:55,607
‐ You stink of cigarettes.
489
00:21:56,441 --> 00:21:57,734
‐ I needed to think.
490
00:22:02,030 --> 00:22:03,991
[thunder rumbling]
491
00:22:09,997 --> 00:22:11,248
I found the ring.
492
00:22:14,668 --> 00:22:16,628
[exhales heavily]
493
00:22:24,636 --> 00:22:26,555
‐ Why didn't you just say something, Rob?
‐ I am.
494
00:22:26,555 --> 00:22:27,681
I'm‐‐
495
00:22:28,599 --> 00:22:29,641
That's what I'm doing.
496
00:22:38,108 --> 00:22:40,027
It scared the shit out of me.
497
00:22:40,444 --> 00:22:41,862
‐ Yeah, I can see that.
498
00:22:47,159 --> 00:22:50,078
But we could've just talked about it, no?
499
00:22:50,078 --> 00:22:53,165
♪ All the flowers that you planted, mama ♪
500
00:22:54,625 --> 00:22:57,085
♪ In the back yard ♪
501
00:22:57,085 --> 00:22:58,378
‐ I'm not scared.
502
00:23:00,756 --> 00:23:01,757
Anymore.
503
00:23:03,217 --> 00:23:04,426
So, listen, um,
504
00:23:07,846 --> 00:23:09,014
let's get married.
505
00:23:14,228 --> 00:23:15,771
If you're still into that idea.
506
00:23:18,774 --> 00:23:19,900
‐ Yeah.
507
00:23:20,859 --> 00:23:23,737
I'm... super into that idea.
508
00:23:23,737 --> 00:23:24,988
‐ Yeah?
‐ Mm‐hmm.
509
00:23:25,614 --> 00:23:28,825
♪ He said, girl,you better try to have fun ♪
510
00:23:28,825 --> 00:23:29,743
Yeah, I am.
511
00:23:29,743 --> 00:23:31,828
♪ No matter what you do ♪
512
00:23:31,828 --> 00:23:33,330
♪ But he's a fool ♪
513
00:23:33,330 --> 00:23:37,125
♪ 'Cause nothing compares ♪
514
00:23:38,585 --> 00:23:44,591
♪ Nothing compares to you ♪
515
00:23:44,591 --> 00:23:47,594
♪
516
00:23:59,398 --> 00:24:03,026
♪
517
00:24:12,536 --> 00:24:13,745
[song fades out]
518
00:24:36,518 --> 00:24:38,520
♪
519
00:24:39,813 --> 00:24:41,648
‐ More coffee?
‐ Yeah, no, I'm good.
520
00:24:41,648 --> 00:24:42,649
Don't worry about me.
521
00:24:42,649 --> 00:24:46,069
Still enjoying my allotted
half cup of coffee, so‐‐
522
00:24:46,069 --> 00:24:47,988
‐ You over it?
‐ What, the miracle of life?
523
00:24:48,405 --> 00:24:49,156
A little, yeah.
524
00:24:49,489 --> 00:24:50,866
‐ I'll bring mimosas to the hospital.
525
00:24:51,241 --> 00:24:53,327
‐ I'm gonna need something stronger
than fuckin' mimosas.
526
00:24:56,038 --> 00:24:57,164
[clears throat]
527
00:24:57,873 --> 00:25:00,042
So, listen.
ROB: What's up?
528
00:25:00,501 --> 00:25:01,502
‐ Something I wanted to talk to you about.
529
00:25:02,044 --> 00:25:04,254
‐ Is that why we're having brunch?
We never have brunch.
530
00:25:04,254 --> 00:25:05,881
‐ I told you brunch was weird.
531
00:25:06,965 --> 00:25:07,966
‐ What?
532
00:25:09,343 --> 00:25:10,594
‐ Mac moved back to New York.
533
00:25:11,178 --> 00:25:12,596
We had dinner with him the other week.
534
00:25:12,596 --> 00:25:13,639
I was just trying to be civil.
535
00:25:13,639 --> 00:25:15,682
I'm not trying to be like
"friends" again or anything,
536
00:25:15,682 --> 00:25:17,267
but Nikki thought you should know.
537
00:25:17,267 --> 00:25:19,978
‐ We... thought you should know.
538
00:25:20,354 --> 00:25:22,189
‐ Right.
‐ Well, first of all, thanks, guys.
539
00:25:22,606 --> 00:25:24,024
But I, I already know.
540
00:25:24,358 --> 00:25:25,526
I ran into him on the street.
541
00:25:25,526 --> 00:25:26,985
‐ Oh, shit.
542
00:25:27,361 --> 00:25:28,362
How was that?
543
00:25:28,362 --> 00:25:29,821
‐ Mmm, kinda like Braveheart.
544
00:25:31,782 --> 00:25:34,284
Never mind. Um, it was fine.
It was good. We caught up.
545
00:25:34,910 --> 00:25:36,495
No problem. It's all good.
546
00:25:37,120 --> 00:25:40,332
And, yo, Cam, you do not have to get
in the middle of this again, okay?
547
00:25:40,666 --> 00:25:42,876
It's not your problem.
And there's no problem.
548
00:25:42,876 --> 00:25:44,253
‐ I know there's no problem. I just‐‐
549
00:25:45,379 --> 00:25:46,630
I wanted you to know
that I have your back.
550
00:25:47,005 --> 00:25:48,924
‐ I know that. Thank you. It's all good.
551
00:25:48,924 --> 00:25:50,509
[mumbling] It is all good.
552
00:25:50,509 --> 00:25:52,219
It's cool he's back in town.
CAM: Okay. Good.
553
00:25:52,219 --> 00:25:54,096
So you're not gonna
kill yourself or anything?
554
00:25:54,096 --> 00:25:55,597
‐ No, I'm not gonna kill myself.
555
00:25:55,597 --> 00:25:56,890
[laughter]
556
00:25:56,890 --> 00:25:58,141
Thank you.
‐ Okay. Good.
557
00:25:58,851 --> 00:25:59,893
And honestly,
558
00:26:00,644 --> 00:26:02,688
we were both so "whatever"
about that Lily girl.
559
00:26:12,155 --> 00:26:13,240
[clears throat]
560
00:26:14,491 --> 00:26:15,742
‐ I'm just gonna go to the bathroom.
561
00:26:19,913 --> 00:26:21,206
‐ You idiot.
562
00:26:23,083 --> 00:26:24,710
[sighs]
563
00:26:32,676 --> 00:26:34,845
‐ She just left, didn't she?
‐ Yeah, definitely.
564
00:26:37,514 --> 00:26:38,557
[sighs]
565
00:26:42,644 --> 00:26:46,315
[screaming]
‐ What... fucking... Lily... girl!
566
00:26:47,191 --> 00:26:49,067
♪ Ooh baby ♪
567
00:26:49,067 --> 00:26:52,738
♪ You couldn't have donea worse thing to me ♪
568
00:26:53,488 --> 00:26:57,284
♪ If you'd have taken an arrowand run it right through me ♪
569
00:26:57,868 --> 00:26:59,119
♪ Ooh! ♪
570
00:26:59,745 --> 00:27:01,121
♪ Ooh baby ♪
571
00:27:01,705 --> 00:27:05,542
♪ A bird in the hand is worth two flying ♪
572
00:27:06,084 --> 00:27:09,546
♪ But when it came to loveI knew you'd be lying ♪
573
00:27:10,797 --> 00:27:13,675
♪ It could have been a finer fling ♪
574
00:27:13,675 --> 00:27:16,553
♪ Would have been a major attraction ♪
575
00:27:16,553 --> 00:27:19,348
♪ With no other thing ♪
576
00:27:19,348 --> 00:27:22,518
♪ Offering a note of distraction ♪
577
00:27:22,518 --> 00:27:25,395
♪ Come on, get up, get under way ♪
578
00:27:25,395 --> 00:27:29,942
♪ And bring your love ♪
579
00:27:30,609 --> 00:27:32,528
♪ Ooh baby ♪
580
00:27:32,528 --> 00:27:36,365
♪ You wouldn't have founda more down hero ♪
581
00:27:36,907 --> 00:27:38,784
♪ If you'd have started at nothing... ♪44311
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