All language subtitles for A.Patch.of.Blue.1965.iNTERNAL.DVDRip.XviD-8BaLLRiPS

CAPTIONING MADE POSSIBLE BY
WARNER BROS.

[FOOTSTEPS]

HELLO, ROSE-ANN.
IT CAN'T BE THAT LATE.

YOU'RE EARLY,
AREN'T YOU?

EARLY? I FEEL LIKE

I'VE BEEN STANDING
ON MY FEET FOR A WEEK.

CLEANING UP AFTER
A BUNCH OF SLOBS.

HEY, WHAT YOU
BEEN UP TO?

WHERE'S MY SUPPER?

I'M JUST GOING
TO GET IT.

I'M JUST GOING
TO GET IT WHAT?

I'M JUST GOING TO
GET IT, ROSE-ANN.

THAT'S BETTER.

IF I CAN'T HAVE
SOME PROPER RESPECT

IN MY OWN HOME...

NOW, WHO'S BEEN
GUZZLING MY GIN?

I DON'T KNOW,
ROSE-ANN.

I KNOW DARN WELL

THERE WAS A SLUG OR 2
IN THE BOTTOM OF THIS.

THE OLD BUM!

WHEN HE GETS HOME,

I'M REALLY GOING TO
PIN HIS UGLY EARS BACK.

WHY IN THE HELL

DID YOU HAVE TO LEAVE
THAT THING THERE?

AND THEY'RE ALL LOOSE!

WHY AIN'T THEY ALL
BEEN STRUNG TOGETHER?

ANSWER ME!

ANSWER ME,
CAN'T YOU,

OR WOULD YOU LIKE
A SLUG IN THE PUSS?

Man: QUIET, BIGMOUTH!

BUTTON IT UP
FOR ONCE IN YOUR LIFE.

OH, YOU NO-GOOD
OLD DRUNK.

YOU BEEN GUZZLING
MY GIN AGAIN, AIN'T YOU?

GET LOST!

FOR CRYING OUT LOUD!

COULD HAVE BROKEN
MY LOUSY NECK.

HOW DID ALL THAT JUNK
GET ON THE FLOOR?

ASK HER.

ASK LADY SELINA.

COME ON, NOW.

NO DINNER READY,
NO BEADS STRUNG.

WHAT'S WITH YOU?

I'M SORRY, ROSE-ANN.

I WENT OUT TODAY,
AND THE TIME JUST--

YOU WENT OUT?
WHERE?

JUST
IN THE PARK.

THE PARK?

HOW THE HELL DID
YOU GET YOURSELF

TO THE PARK?

MR. FABER TOOK ME

AFTER HE COME
WITH THE BEADS.

FABER? HE'S GOT A NERVE.

WASN'T HIS IDEA. I'VE
BEEN AT HIM FOR AGES.

OH, YOU'VE BEEN SCHEMING
BEHIND MY BACK, HAVE YOU?

WELL, LISTEN.

YOU GET ANY MORE
BIG IDEAS LIKE THAT

AND YOU TELL ME
ABOUT THEM.

YOU UNDERSTAND?

I'M SORRY,
ROSE-ANN.

I DIDN'T THINK
YOU'D MIND.

WELL, I DO.

I DO MIND, SEE?

YOU SEEN MY SPECS
ANYWHERES?

NO, OLE PA.

ROSE-ANN?

ROSE-ANN?

WHAT?

IF I PROMISE TO GET ALL
MY WORK DONE ON TIME,

COULDN'T I GO
AGAIN TOMORROW?

WHO DO YOU THINK
AROUND HERE'S GOT TIME

TO TAKE YOU
WALKING IN THE PARK?

YEAH. OLD FABER
DON'T COME TOMORROW.

YOU COULD TAKE ME,
OLE PA.

DROP ME OFF
ON YOUR WAY TO WORK.

NO HE CAN'T,
'CAUSE YOU AIN'T GOING.

PLEASE, ROSE-ANN.

WHAT YOU GOT
AGAINST IT?

IT STICKS OUT
A MILE, STUPID.

WHEN YOU GOING
TO DO YOUR BEADS?

I'LL TAKE
THEM WITH ME.

I'LL WORK DOUBLE-QUICK
IN THE PARK.

IF I DON'T DO
TWICE AS MUCH WORK

THE FIRST WEEK,

I'LL GIVE UP
THE IDEA. I PROMISE.

SAYS YOU.

AND WHEN ARE YOU GONNA DO
YOUR WORK AROUND HERE?

I'LL GET UP EARLIER,
AND I'LL STAY UP LONGER.

I WANT MY SUPPER ON TIME
LIKE I'M USED TO.

DO YOU GOOD
TO SKIP SUPPER

ONCE IN A WHILE,
BLUBBER-BELLY.

OH, LISTEN TO OLD
BEER-BELLY TALKING

ABOUT BLUBBER.

ONLY ONE THING MESSING UP
YOUR IDEA, SELINA,

AND IT AIN'T
FATSO'S SUPPER.

WHAT, THEN?

NOBODY TO BRING
YOU HOME.

YOU COULD.
I CAN WAIT.

MANY A TIME
I'M NOT ON MY WAY

TILL GOOD AND DARK.

IS THAT ALL?
DARK'S NOTHING TO ME.

I'M ALWAYS IN THE DARK.

HOW ABOUT THAT?

SO YOU ARE.

YOU HEAR THAT,
ROSE-ANN?

WITH A FACE
LIKE HERS,

I WOULDN'T WANT TO GO
PARADING AROUND THE STREETS.

MY FACE? WHAT'S WRONG
WITH MY FACE?

IF YOU COULD SEE YOU,
YOU'D KNOW.

IT AIN'T TRUE.

THERE'S NOTHING WRONG WITH
MY FACE, IS THERE, OLE PA?

NO, IT'S ALL RIGHT.
PAY NO ATTENTION TO HER.

HER FACE IS A MESS.

NOW, COME ON, GET MOVING
WITH THE SUPPER.

I GOT A HEAVY NIGHT
IN FRONT OF ME.

AND WOULD YOU
CLEAN UP THOSE BEADS?

FORGET ABOUT
THE PARK, SELINA.

YOU GOT A NICE,
QUIET LIFE HERE.

NO PROBLEMS.

WHERE'S MY PURSE?

HAVE SUPPER
ON TIME TONIGHT.

[LOUDLY]
AND AS FOR YOU,

TRY AND GET HOME
SOBER FOR ONCE, PIG-FACE!

OH, GO JUMP
IN A LAKE!

OLE PA?

DOES THIS LOOK
BETTER, OLE PA?

WILL YOU TAKE ME
IF I WEAR THIS?

OK.

GET SOME CLOTHES
ON YOU, THEN,

AND TAKE THAT
GOD-AWFUL HAT OFF.

YOU DON'T WANT NONE OF
ROSE-ANN'S TRAPPINGS.

YOU SURE, OLE PA?

I MEAN, IF MY FACE
IS SO BAD--

IT AIN'T BAD.

IT'S JUST YOUR EYES.

IT'S ONLY THAT
PEOPLE ARE SO NOSY.

WHEN YOU WAS A KID,
THEY WAS ALWAYS AT IT.

"POOR LITTLE GIRL,"
THEY'D SAY.

"WHAT HAPPENED?"

OH, ROSE-ANN
USED TO GET SO MAD.

WELL, COME ON.
GET A MOVE ON.

I AIN'T GOT ALL DAY.

THANK YOU, OLE PA.

THANK YOU FOR
BEING NICE TO ME.

CAN'T DO THIS
EVERY DAY.

NO, JUST SOMETIMES.

IT FEELS GOOD,
THE GRASS.

COME ON.

MR. FABER SAID
IT WAS GREEN.

WHAT'S GREEN LIKE?

GREEN IS GREEN, STUPID.
SAME AS THE TREES.

I WISH I KNEW GREEN.

I CAN REMEMBER BLUE.
THE SKY'S BLUE, AIN'T IT?

YEAH, SOMETIMES.

HERE YOU ARE.

NOW YOU SIT HERE
BY THIS TREE.

AND YOU
STAY PUT, SEE?

OK.

THANKS AGAIN,
OLE PA.

AND OLE PA, MY FACE--

YOU'RE SURE
IT'S NOT TOO BAD?

OLE PA?

OOH!

WHAT IS IT?

OOH!

GET OFF!

MAY I HELP YOU?

WHO'S THERE?

YOU SEEM TO HAVE
A PROBLEM.

ANYTHING I CAN DO?

THERE'S A CRAWLY THING
DOWN MY BACK,

AND I CAN'T REACH IT.

I GOT IT.
ALL RIGHT, ALL RIGHT.

IT'S A...

IT'S A CATERPILLAR,

AND HE SEEMS JUST AS
FRIGHTENED AS YOU ARE.

OH, THANK YOU, SIR.

IT'S ALL RIGHT.

OOH!

HOLY MACKEREL!
MY BEADS!

OH!

I'M SORRY.

I'LL NEVER FIND
THEM IN ALL THIS.

HERE, LET ME.

SURE IS KIND OF YOU
TO HELP, SIR.

NONSENSE.
IT WAS MY FAULT.

WHAT DO YOU DO
WITH THEM?

STRING THEM.

THAT'S CLEVER.

DO YOU EVER
MAKE MISTAKES?

MISTAKES?

EVEN A FOOL COULDN'T
MAKE MISTAKES WITH THIS.

SO EASY EVEN A BLIND GIRL
CAN DO THEM, RIGHT?

YEAH, THAT'S RIGHT.

NEVER SEEN YOU
HERE BEFORE.

I ONLY BEEN
ONCE BEFORE.

DO YOU COME
HERE MUCH?

MM-HMM.

NEARLY EVERY DAY.

ARE YOU OUT
OF JOB, THEN?

NO. I WORK NIGHTS,
BUT I LIVE AROUND HERE.

THERE. EVERY BEAD
BACK IN THE BOX.

THANK YOU, SIR.

WELL, I HOPE
WE FOUND THEM ALL.

SO LONG.

YOU MUST BE
VERY TALL.

EH?

YOUR VOICE
SOUNDS TALL.

OH, ABOUT 6 FEET
AND A BIT.

EXCUSE ME. IS THAT VERY
MUCH TALLER THAN ME?

WELL, LET'S SEE.
I'D SAY YOU'RE ABOUT...

5' 4" OR SO,

WHICH WOULD MAKE ME ABOUT 9
OR 10 INCHES TALLER THAN YOU.

ANY MORE QUESTIONS
BEFORE I GO?

I'M SORRY. I DON'T
USUALLY TALK SO MUCH.

I GOT TO GET MOVING.
I PROMISED I'D GET

2 DAYS' WORK DONE
BY TONIGHT.

OH, CRIPES! THE DAMN THINGS
IS ALL MIXED UP.

DAMN THINGS ARE
ALL MIXED UP,

YOU SHOULD SAY.

WHAT?

ARE ALL MIXED UP.

YOU SOUND LIKE
THE RADIO.

I DO? HOW'S THAT?

DIFFERENT.
KIND OF SURE.

LOTS OF THINGS IS
DIFFERENT ON THE RADIO.

ARE DIFFERENT
ON THE RADIO.

OH, I'M SORRY.
ARE DIFFERENT.

THAT'S BETTER.
LIKE WHAT, FOR INSTANCE?

YOU KNOW, LIKE "GOD"
AND "JESUS" NOT REALLY

BEING SWEAR WORDS.

I LOVE THE CHURCH STUFF,

ONLY ROSE-ANN--
SHE WON'T HAVE IT ON.

AND OLE PA, HE SAYS
RELIGION'S A LOT OF BUNK.

OLE PA, IS THAT
YOUR FATHER?

HE'S MY GRANDFATHER.
HE LIVES WITH US.

WE NEVER HEARD OF MY FATHER
AFTER I GOT THIS.

DOES IT LOOK BAD?

NO, IT DOESN'T
LOOK BAD.

HOW DID IT HAPPEN?

IT WAS WHEN I WAS 5.

ONE NIGHT AFTER
I WAS IN BED,

HARRY--THAT'S MY FATHER--
HE COME HOME UNEXPECTED.

HE WAS IN A WAR
OR SOMETHING.

Rose-Ann:
JUST A MINUTE!

JUST A MINUTE!

Selina: ROSE-ANN--
THAT'S MY MOTHER--

SHE HAD ONE OF
HER FRIENDS IN.

HARRY--HE GOT MAD,

AND HE SLICED UP ROSE-ANN'S
FRIEND TO A MUSH.

THEN ROSE-ANN
THREW THE BOTTLE.

AAH!

IT WAS MEANT FOR HARRY.

THAT'S TOO BAD.

I'M SORRY.

WELL, I GOT
TO BE GOING.

BYE-BYE.

EXCUSE ME.

I KNOW SOMETHING
HAPPENED TO MY FACE,

BUT IS IT, YOU KNOW--

WELL, SOMEBODY SAID
IT WAS A BIT OF A MESS.

A MESS? NO.

YOU GOT
A COUPLE OF SCARS

AROUND YOUR EYES,
THAT'S ALL.

NO KIDDING?

NO KIDDING.

BYE.

BYE.

THANK YOU.

HI THERE.

I BROUGHT YOU
A PRESENT.

A PRESENT?

WHY SHOULD YOU
BRING ME A PRESENT?

I DON'T KNOW.

HERE.

TAKE IT.

IT'S GLASSES...

LIKE OLE PA WEARS
FOR READING.

NOT QUITE.
THEY'RE SUNGLASSES.

SUNGLASSES?

IT'S VERY KIND OF YOU,
BUT WHAT ARE THEY FOR?

NEVER MIND.
PUT THEM ON.

THERE.
JUST AS I THOUGHT.

WHAT?

NOW YOU'RE
A VERY PRETTY GIRL.

PRETTY? ME?

YEAH. NO SIGN
OF A SCAR.

YOUR FACE
LOOKS PERFECT.

PERFECT?

OH, YOU'RE
PULLING MY LEG!

NO, I MEAN IT.

ALL BECAUSE
OF THESE GLASSES?

MM-HMM.

SOUNDS LIKE MAGIC.

YES, IT IS.

A KIND OF MAGIC.

HEY, WOULD YOU LIKE
SOMETHING TO DRINK?

YES, PLEASE.

I LOVE THEM.

ARE YOU WEARING GLASSES?

NO, BUT I OFTEN DO.

HERE.

LOTS OF PEOPLE DO.

WHY?

OH, TO KEEP THE SUN
FROM BEING TOO BRIGHT.

TO HIDE BEHIND.

YOU'D BE SURPRISED
HOW MANY PEOPLE

WEAR DARK GLASSES
TO HIDE BEHIND.

YOU?

SOMETIMES.

WHAT'S THE NAME
OF THIS WONDERFUL DRINK?

WONDERFUL DRINK?

IT'S JUST
PINEAPPLE JUICE.

YOU LIKE IT?

YES, I DO.

I WANT TO THANK YOU.

IT'S ALL RIGHT.

I GUESS STRINGING BEADS
IS AWFUL THIRSTY WORK.

OH, HOLY SMOKES!
THE BEADS--

I'M WAY BEHIND
WITH THE BEADS.

THOSE BEADS SEEM TO MEAN
A LOT IN YOUR LIFE.

SURE DO.
IT'S MY WORK,

AND I PROMISED
TO DO DOUBLE TODAY.

SOME HOPE WITH THEM
ALL MIXED UP LIKE THIS.

I'LL TELL YOU WHAT.

I COULD GIVE YOU
A HAND

FOR A COUPLE OF MINUTES
IF YOU WANT.

THANKS, BUT YOU GOT
BETTER THINGS TO DO.

WELL, IT'S MY FAULT
THEY'RE ALL MESSED UP,

AND I WOULDN'T WANT
THEM ON MY CONSCIENCE

FOR THE REST
OF THE DAY, BOY.

SO...

WELL, LET'S SEE.

I THINK YOU'RE
A REAL NICE PERSON.

YOU MIND
TELLING ME YOUR NAME?

GORDON RALFE.

MY NAME'S SELINA.
SELINA D'ARCEY.

SELINA?
THAT'S RIGHT.

HOW DO YOU SPELL IT?

S-E-L-I-N-A.

OH, SELINA.

THAT'S
A LOVELY NAME.

HOW DID YOU SAY IT?

SELINA.

SELINA. IT SURE
DOES SOUND BETTER.

IT SURE DOES.
YOU LIKE THIS WORK?

NOBODY LIKES WORK,
DO THEY?

HOW LONG YOU
BEEN DOING IT?

UM, 5 OR 6 YEARS.

5 OR 6 YEARS?

OOH! EVEN WHILE YOU
WERE IN SCHOOL, HUH?

I NEVER BEEN
TO SCHOOL.

WHY NOT,
FOR HEAVEN'S SAKES?

WELL, YOU KNOW,
BEING BLIND AND ALL.

THAT'S NO REASON.

THERE ARE
BLIND SCHOOLS.

NEVER KIND OF COME UP.

I GUESS ROSE-ANN
WAS TOO BUSY.

CAN'T YOU
READ BRAILLE?

WHAT'S THAT?

YOU'RE NOT SERIOUS.

YOU MEAN YOU'VE NEVER
HEARD OF BRAILLE?

HAVEN'T YOU BEEN TAUGHT
ANY OF THE THINGS

BLIND PEOPLE
DO NOWADAYS?

I AIN'T BEEN
TAUGHT NOTHING.

OH, THAT'S
NOT POSSIBLE.

IT'S OK. I GET BY.

[TYPING]

[CLUNK]

DID YOU HURT YOURSELF?

NO. I'M DOING
THE WATUSI.

MAYBE YOU REALLY
NEED THAT.

EXCUSE ME.

IS ANYONE THERE?

IS ANYONE AROUND?

IS THERE ANYONE HERE?

[SLURRING]
SELINA!

SELINA, WHERE
THE HECK ARE YOU?

SELINA!

GET A LOAD OF LOVER GIRL
AND HER SUNGLASSES.

WHAT DID YOU SAY,
ROSE-ANN?

I SAID, DUMBBELL,
I SAID I GOT ME

A BRAND-NEW PAIR
OF SUNGLASSES.

THEY BELONG
TO SOMEBODY ELSE.

NOT ANYMORE,
THEY DON'T.

I FOUND THEM
IN THE PARK.

WHOEVER DROPPED THEM

MIGHT COME LOOKING
FOR THEM TODAY.

SAYS YOU.

[GARGLING]

SHUT UP IN THERE! DO YOU HAVE TO
BEHAVE LIKE A PIG?

PFFFT!

SO YOU HAD YOUR DAY
IN THE PARK, HMM?

MM-HMM.

HOW WAS IT?

IT WAS LIKE, WOW!

YOU SICK
OR SOMETHING?

I NEVER FELT FINER.

OH!

YOU FEEL LIKE
"WOW" NOW?!

I--I WASHED
YOUR NYLONS, ROSE-ANN.

I CLEANED UP.

I DIDN'T
SKIP NOTHING.

EXCEPT MY SUPPER.

THAT DON'T MATTER,
I SUPPOSE.

AND WHAT
ABOUT YOUR BEADS?

I DONE THEM.

I DONE QUITE A FEW.

YOU JUST BETTER.

AW, WATCH WHERE
YOU'RE GOING.

AND WHAT'S MORE,

I'LL HAVE A THING
OR 3 TO SAY

IF I GET HOME TONIGHT
AND FIND OUT

THAT KID'S BEEN
IN THE PARK AGAIN.

Rose-Ann: OH,
LOOK AT THE TIME!

I'M WARNING YOU,
BOTH OF YOU.

DROP...

DEAD!

OLE PA?

SHUT UP.

DID ROSE-ANN
STILL HAVE THE GLASSES?

WHAT GLASSES?

YOU KNOW, THE SUNGLASSES--
WHEN SHE WENT OUT.

I DON'T KNOW.

I DON'T THINK
SHE DID.

THERE'S YOUR CHOPPERS,
OLE PA.

I KNOW. I GOT EYES.

HERE.

MR. FABER WILL TAKE
ME TO THE PARK TODAY.

YOU'LL PICK ME UP,
WON'T YOU?

I DON'T MIND
HOW LATE.

IT DON'T MATTER
HOW LATE, OLE PA,

JUST AS LONG AS
I'M BACK IN TIME

FOR ROSE-ANN'S
SUPPER.

YOU HEARD
WHAT YOUR MA SAID.

YES.

WELL, THEN.

OOH!

[DOG BARKING]

[ARF ARF]

HELLO, SCUM-DOG!

BEST DOG
IN THE WORLD.

I SURE AM GLAD
TO SEE YOU.

AND HOW IS
MY BEST WORKER TODAY?

IT'S GETTING
SO LATE, MR. FABER.

YOU STILL GOT
TIME TO GET ME

TO THE PARK,
AIN'T YOU?

AHA! IT'S THE PARK
AGAIN, IS IT?

YES.

PLEASE?

I WORK GOOD
IN THE PARK.

LOOK.

OH, THIS IS
JUST FINE.

YOU WILL TAKE ME
THERE, WON'T YOU?

I SHALL BE GLAD TO.

MORE THAN GLAD.

AW, THANK YOU,
MR. FABER!

WHICH ONE OF THESE
IS THE PRETTIEST?

I--UH--I THINK THE ONE
WITH THE WHITE SPOTS.

THIS ONE?

THAT'S IT.

DO YOU SEE A PAIR
OF SUNGLASSES AROUND?

I FORGOT
WHERE I PUT THEM.

I'LL LOOK.

[DOG BARKS]

OH, HERE THEY ARE.

THANK YOU.

YOU'RE WELCOME.

DO I LOOK OK?

YOU LOOK LOVELY.

OH! I NEVER HEARD
YOU COMING.

I HOPE YOU'VE BEEN
WORKING HARD TODAY.

YEAH. I DONE A LOT.

JUST STOPPING
FOR LUNCH.

HEY, YOU WANT SOME?

WHAT YOU GOT
THERE?

CRACKERS.

CRACKERS? CRACKERS
IS FOR THE BIRDS.

WELL?

COME ON, LET'S GO
GET SOMETHING.

OOH! HOW DID
I GET UP LIKE THAT?

THAT WAS EASY.
YOU LEAD THE WAY.

WHO, ME?

YES. WHEN WE GET TO THE EXIT,
I'LL SHOW YOU WHAT TO DO NEXT.

I DON'T KNOW HOW
TO THE EXIT.

THEN YOU'LL HAVE TO LEARN,
WON'T YOU? COME ON.

IT'S NOT SO DIFFICULT IF YOU
KNOW A LITTLE GEOGRAPHY.

NOW, CAN YOU FEEL
THE SUN ON YOU?

SURE. IT'S HOT.

NOW TRY FACING
STRAIGHT TOWARDS IT.

HERE?

GOOD.

NOW, ABOUT THIS TIME
OF DAY THE SUN

IS ROUGHLY
IN THE SOUTH,

WHICH MEANS
YOU'RE FACING SOUTH.

NOW RAISE
YOUR LEFT ARM.

THAT'S EAST.

NOW RAISE
YOUR RIGHT ARM.

THAT'S WEST,

AND THE NEAREST EXIT
IS WEST FROM HERE,

SO WHICH WAY
DO WE GO?

Both: THAT WAY!

GOOD.

WE'RE ON THE PATH.

TURN RIGHT.

NOW IT'S
SMOOTH SAILING.

THIS IS A PARKING METER.

OH.

IT COSTS 10 CENTS
TO PARK,

OR 5 BUCKS IF YOU
TRY TO BE A WISE GUY.

COME ON.

NOW, WE WANT TO CROSS
THE STREET, RIGHT?

SO WE HAVE TO STOP
THE TRAFFIC.

STOP THE TRAFFIC!

YES.
THAT'S NO PROBLEM.

NOW FEEL
FOR THIS POST HERE.

ABOUT LEVEL WITH
YOUR WAIST IS A BUTTON.

HERE?

THAT'S IT. PRESS IT.

THAT'S THE SIGNAL
FOR THE TRAFFIC TO STOP.

IT'LL TAKE
A MINUTE OR SO,

BUT I WANT YOU
TO LISTEN FOR IT.

[BRAKES SQUEAL]

NOW,
ONE STEP DOWN...

AND COUNT YOUR STEPS
AS YOU GO ACROSS.

ONE STEP UP.

THERE YOU ARE.

NOW, THERE'S A DELICATESSEN
A LITTLE BIT FURTHER ON.

WAIT! DON'T WE HAVE TO
LET THE TRAFFIC GO?

NO. THAT'S AUTOMATIC.

WAIT A MINUTE.

[ENGINES REV UP]

HOW ABOUT THAT!

I COULD JUST ABOUT
KILL OLE PA.

HE NEVER TOLD ME
NONE OF THIS,

NOR MR. FABER,
NEITHER.

MOST OF US TAKE
TOO MUCH FOR GRANTED.

NOW, THE NEXT THING--
I WANT YOU

TO TELL ME WHEN WE GET
TO THE DELICATESSEN.

HOW WILL I KNOW?

I THINK YOU'LL KNOW.

IT'S HERE SOMEPLACE,
AIN'T IT?

RIGHT.

I THOUGHT SO.

MMM! WHATEVER
THEY'RE COOKING,

IT SURE SMELLS GOOD.

[CASH REGISTER RINGS]

THEY MAKE GREAT
CORNED BEEF SANDWICHES HERE.

YOU LIKE CORNED BEEF?

I LOVE CORNED BEEF.

STILL HOT, TOO.

HERE'S YOUR DRINK.

UH...NO,
THANK YOU, GORDON.

IT'S PINEAPPLE JUICE.

I DON'T CARE TO DRINK
ANYTHING TODAY.

[WHISPERING]
You don't have to worry.

A few steps from here
is a place

for little girls to wash
their hands, etcetera.

I'll show you
how to get there

anytime you say.

Oh.

Now, how about
that drink?

I would love
a drink.

Here.

YOU NEED A...

PARTNER FOR STRINGING BEADS
WITH THIS SYSTEM.

IF I EVER TOOK UP
STRINGING BEADS SERIOUSLY,

BOY, I'D...

PROBABLY STAB MYSELF.

[NO AUDIO]

STOP. STOP, PLEASE!

PLEASE, GORDON, DON'T
MAKE ME LAUGH ANYMORE.

OH.

WHAT'S THE MATTER?

OK?

UH-HUH.

STRAIGHT AHEAD.

IT'S WONDERFUL
TO HAVE A FRIEND.

YOU KNOW,
THAT'S GOING TO BE

MY FAVORITE WORD
FROM NOW ON.

I KNOW A BETTER WORD.

WELL, PERHAPS
FRIEND DOESN'T MEAN

SO MUCH TO YOU.

I SUPPOSE YOU
GOT LOTS OF THEM.

A FEW.

WELL, WHAT'S
YOUR WORD, THEN,

OR IS IT A SECRET?

UH...

TOLERANCE.

TOLERANCE?

YEAH.

I DON'T THINK
SO MUCH OF THAT.

WHAT'S IT MEAN?

WELL, IT MEANS--

OH, I KNOW!

LIKE, WHEN I'VE
GOT A HEADACHE,

ROSE-ANN SAYS, "YOU'LL
JUST HAVE TO TOLERATE IT."

WELL, IT MEANS
MORE THAN THAT.

IT MEANS YOU DON'T
KNOCK YOUR NEIGHBOR

JUST BECAUSE HE THINKS
OR LOOKS DIFFERENT FROM YOU.

THAT'S A PRETTY
GOOD WORD, TOO.

I'LL BET YOU'RE
FULL OF TOLERANCE.

NO, I'M NOT--
NOT BY A LONG SHOT.

WHAT A GORGEOUS SMELL.

OH, IT'S
A ROSE GARDEN.

[BELL TOLLING]

IT'S 5:00.
I GOT TO GO TO WORK.

OH, DO YOU HAVE TO?

I CERTAINLY DO

IF YOU EXPECT TO LIVE
A LIFE OF LUXURY,

SWILLING DOWN
PINEAPPLE JUICE.

DO YOU THINK
YOU'LL BE COMING

THIS WAY TOMORROW?

TOMORROW IS SUNDAY.

OH, CRIPES,
SO IT IS.

THERE.

HOW ABOUT MONDAY?

MR. FABER
COMES MONDAY.

NOON MONDAY.

THANK YOU FOR MY
LOVELY DAY, GORDON.

[BARKING]

[LAUGHS]

OH, HELLO, SCUM-DOG.

THIS IS MY LUCKY DAY.

GOOD EVENING,
SELINA.

ME AND SCUM-DOG,

WE WAS JUST TAKING
A LITTLE WALK

IN THE PARK.

YOU WANT US TO
WALK YOU TO HOME?

OH, MR. FABER,
HOW TOLERANT YOU ARE!

YES, YES.

YOU ARE A FINE
AND TOLERANT FRIEND.

NO, JUST WALKING.

SCUM-DOG!

[BELL TOLLING]

YOU HERE AGAIN?

YEAH. AIN'T YOU GLAD
YOU'RE GOING OUT?

SURE AM.

[FOOTSTEPS]

Woman: YOO-HOO!

HI, ROSE-ANN.
HOW'S THE GIRL?

HI, DOLL. SIT DOWN
AND TAKE A LOAD OFF.

HELLO, SADIE.

MAN, DIG
THAT CRAZY GHOST!

HEY, YOU HEAR
A GHOST TELLING ME

HELLO, ROSE-ANN?

PLEASE, SADIE,
NOT THAT AGAIN TODAY.

YOU STANDING FOR HER
GIVING ME LIP, ROSE-ANN?

SELINA,
TUCK IN YOUR TONGUE.

GET SADIE AND ME
SOME COFFEE, HUH?

YEAH. BRING ME
A GLASS.

[SARCASTICALLY]
WITH PLEASURE.

ARE YOU GOING TO LET HER
GET AWAY WITH THAT?

AW, SADIE,
COME ON, IT'S SUNDAY.

TAKE IT EASY.
THE KID DIDN'T MEAN NOTHING.

YEAH? WELL,
I WOULDN'T TAKE ANY

OF THAT UPSTAGE
MALARKEY FROM HER.

THANK YOU, DEAR.

YOU WANT A DROP?

UH...NO, THANKS, HONEY.
I'M STICKING TO COKE TODAY.

KIND OF CLEANS OUT
MY SYSTEM FOR THE WEEK.

YEAH. WELL,
I SUPPOSE YOU'VE GOT

TO WATCH YOURSELF.

YOU AIN'T EXACTLY
MARILYN MONROE ANYMORE, EITHER.

MAYBE NOT. MAKES ME
SPIT WHEN I THINK

OF WHAT I COULD
HAVE BEEN.

WELL, THAT'S IT.

NEITHER ONE OF US
IS GETTING ANY YOUNGER.

NO. WE AIN'T GETTING
ANY YOUNGER, ARE WE?

[BELL TOLLS ONCE]

Selina's voice:
YOU THINK YOU'LL BE COMING

THIS WAY TOMORROW?

Gordon's voice:
TOMORROW IS SUNDAY.

Selina's voice:
HOW ABOUT MONDAY?

Gordon's voice: NOON MONDAY.
NOON MONDAY. NOON MONDAY.

[SOBBING]

[FOOTSTEPS]

[PAPER BAG RUSTLES]

[WHISTLING
SOMEWHERE OVER THE RAINBOW]

[GORDON WHISTLING SAME TUNE]

DON'T STOP, SELINA.

[WHISTLING]

YOU THOUGHT I WASN'T
COMING, DIDN'T YOU?

I WAS A BIT WORRIED.

I'M SORRY.
SOMETHING CAME UP.

I HAVEN'T EVEN DONE
ME MARKETING YET,

AND MONDAY
IS ME DAY FOR THAT.

WOULD YOU LIKE
TO HELP ME?

OH, I SURE WOULD!

I WON'T BE A NUISANCE,
THOUGH, WILL I?

SURE YOU WILL, BUT
I COULD USE YOUR ADVICE.

Gordon: ASPARAGUS,
CHILI BEEF,

MINESTRONE,
CLAM CHOWDER,

TOMATO,
CHICKEN GUMBO,

TURKEY NOODLE,

UH...KANGAROO TAIL,
VICHYSSOISE,

VEGETABLE,
OR JUST PLAIN PEA.

KANGAROO TAIL
SOUNDS INTERESTING.

KANGAROO TAIL?

I'LL BET YOU IT TASTES
INTERESTING, TOO.

ALL RIGHTY.

IT'S FREEZING!

ICE CREAM SECTION.

STRAWBERRY,
CHOCOLATE, VANILLA,

AND ALL SORTS
OF FRUIT FLAVORS.

HEY, DO THEY HAVE
PINEAPPLE?

PINEAPPLE?

PINEAPPLE.

PINEAPPLE SHERBET.
YOU WANT SOME?

I GUESS SO. IT'S
NOT EASY TO CHOOSE.

MAKES YOU FEEL
KIND OF GREEDY.

ONE PINEAPPLE SHERBET,

AND ONE VANILLA
FOR THE EXPERIENCE.

NOW, WHAT'S NEXT?

EGGS, BREAD, MILK.

THAT'S OVER HERE.

HEY, HOP ON.

HUH?

STEP UP.

CONTINUING
ALONG AISLE 3,

ON YOUR RIGHT,
EXOTIC FRUITS OF THE EARTH:

PEARS, PINEAPPLES,
PEACHES,

APRICOTS, PLUMS,
MANGO, LICHEES--

LIBBY'S WONDERLAND.

AND ON YOUR LEFT,
SPICES FROM THE ORIENT.

ON AISLE 5:

CANDY, COOKIES,
CEREAL, PICKLES.

AISLE 6:

PREPARED FOODS,
CANNED SOUPS,

AND VEGETABLES,
CEREAL,

BAKING GOODS.

FORWARD!

WHEEE!

HA HA! OH!

ALMOST FORGOT.
I'M OUT OF DETERGENT.

NOW, THIS IS WHERE
I REALLY NEED YOUR HELP.

THERE'S SWISH.

KEEPS YOUR HANDS
SOFT AS VELVET.

GOOD. WHIZZ?

RETAINS YOUR
GIRLISH SKIN.

MARVELOUS.

JIFFY?

JIFFY MAKES YOU FEEL
LIKE A PRINCESS.

OH, BEAUTIFUL!
FROTH?

FROTH? I NEVER
HEARD OF THAT ONE.

THAT ONE'S JUST
FOR WASHING DISHES,

BUT THAT'S
THE ONE WE NEED.

LET'S GO.

[SELINA LAUGHING]

OFF YOU GET. NO ROOM
FOR PASSENGERS NOW.

THIS SURE IS FUN.

AND THE WAY ROSE-ANN
ALWAYS GRIPES

ABOUT MARKETING!

YOU KNOW
WHAT THIS IS?

TOMATO.

DON'T BUY THIS ONE.
IT'S TOO SOFT.

THANKS, KID.

GO GET ME
SOME ORANGES.

ME?

YEAH.

STRAIGHT AHEAD.

HOW MANY?

A DOZEN.

DID I DROP ONE?

TAKE THEM FROM THE TOP.

IT'S SAFER.

9,

10,

11,

12.

12.

THAT'S IT.

NOW ALL WE HAVE TO
DO IS PAY.

IT'LL COST
A FORTUNE.

YOU MUST BE
VERY RICH.

NOT SO YOU'D NOTICE.

Selina:
WHAT'S HAPPENING NOW?

THEY'RE
ADDING IT ALL UP.

IN THEIR HEAD?

NO. ON MACHINES.

THEY DON'T USE HEADS
ANYMORE.

HERE ARE YOUR BEADS.

WE'RE GOING TO
HAVE TO DUMP THE REST

OF THIS STUFF.
MY PAD'S JUST

AROUND THE CORNER.
YOU DON'T MIND, DO YOU?

NO, I DON'T MIND.

HERE, TURN TO THE LEFT.

AND...WHOA!

HA HA HA!

[DOOR CLOSES]

[ELEVATOR HUMS]

MAN, WHAT'S
HAPPENING?

WHAT DO YOU THINK
IS HAPPENING?

IS THIS AN ELEVATOR?

YES.

OH. I THOUGHT WE WAS
GONNA HIT THE CEILING!

[DOOR OPENS]

NOW, THIS IS A HALLWAY.

JEEPERS!

WHAT IS IT?

CARPET
IN THE HALL?

HA HA HA!

SHH! DON'T LAUGH
SO LOUD.

YOU'RE TOO MUCH.

OH. MY,
IT'S COOL IN HERE.

IT'S
AIR-CONDITIONED.

IS IT ALL NEW?

NO. WHY?

IT SMELLS NEW.

COME. YOU SIT
DOWN OVER HERE

WHILE I GO DUMP
THIS STUFF.

[RADIO PLAYING MUSIC]

YOU SURE
YOU'RE NOT RICH?

QUITE SURE.

HELLO.

HELLO.

YOU BEEN
TAKEN CARE OF?

IT'S ALL RIGHT.

I'M JUST WAITING
FOR MR. RALFE.

OH. WHERE IS HE?

HE'S IN THERE
PUTTING SOME STUFF AWAY.

WELL, MAYBE I CAN
HELP YOU, THEN.

WHAT WAS IT
YOU WANTED?

NOTHING.
I'M A FRIEND OF HIS.

I SEE.

OH, PLEASE,
SIT DOWN.

THIS NOISE.

[TURNS RADIO OFF]

I'M MARK. I'M
GORDON'S BROTHER.

OH.

HE MUST HAVE
FORGOTTEN HIS MANNERS,

LEAVING YOU ALONE
LIKE THIS.

SIT DOWN.
I'LL GO DIG HIM UP.

SAY, BRO,
WHAT GOES ON HERE?

HI! WHAT HAPPENED,

THE HOSPITAL BURN DOWN
OR SOMETHING?

I'M WHIPPED, MAN.

I JUST DROPPED IN
FOR A SHOWER

AND SOME SACK TIME.

WHAT'S WITH LITTLE
ORPHAN ANNIE OUT THERE?

NOTHING.

SHE SAYS SHE'S
A FRIEND OF YOURS.

YEAH. THAT'S RIGHT.

SINCE WHEN?
I NEVER SAW HER BEFORE.

SINCE A FEW DAYS.

WHERE'D SHE COME FROM,
THIS, UH...

SELINA.

THANKS. WHERE
DID YOU MEET HER?

IN THE PARK.

IN THE--OH, MAN!

YOU'RE PICKING UP CHICKS
IN THE PARK NOW?

KNOCK IT OFF.
THAT KID'S BLIND.

OH. YEAH, I THOUGHT

THERE WAS SOMETHING
A BIT OFF-CENTER,

BUT I STILL
DON'T GET IT.

IT'S VERY SIMPLE.

SHE'S BLIND,
AND SHE NEEDS HELP.

SHE'S JUST A FRIEND.

VERY TOUCHING.

MAN, YOU GOT TO BE
OUT OF YOUR MIND.

THE MOST YOU'RE LIKELY
TO GET OUT OF THIS

IS A KICK
IN THE PANTS.

WHY DON'T YOU GO TAKE
A SHOWER AND COOL OFF?

YOU WANT
SOME LUNCH?

NO, THANKS.
I HAD MINE.

THAT WAS MARK.

I KNOW. TALKS FAST,
DOESN'T HE?

YEAH. HE'S
A BIT WOUND UP.

HE'S BEEN HAVING
A TOUGH TIME

AT THE HOSPITAL.

Selina:
HE BEEN SICK?

NO. HE WORKS THERE.
HE'S AN INTERN,

AND HE THINKS HE'S
ONE GREAT BALL OF FIRE.

WHAT DO YOU THINK?

I THINK HE'S ONE
GREAT BALL OF FIRE.

I THOUGHT
YOU THOUGHT THAT.

OPEN THAT.

[MUSIC BOX PLAYING]

[SINGING IN FRENCH]

[MUSIC SLOWING DOWN]

[MUSIC STOPS]

WHERE DID YOU
GET IT?

IT BELONGED
TO MY GRANDMOTHER.

CAN WE PLAY IT
AGAIN?

HOW DO YOU
WIND IT UP?

I'M STARVED. COME ON.

BRING IT IN THE KITCHEN,
AND I'LL SHOW YOU HOW.

MMM! THIS TASTES
REAL GOOD.

I'M GLAD YOU LIKE IT.
IT'S NOTHING SPECIAL.

MAYBE IT'S BECAUSE
WE'RE SHARING IT.

IT'S GREAT EATING
AND TALKING. MAN!

MOST OF THE TIME
I HAVE THE RADIO ON,

BUT YOU CAN'T TALK
TO THE RADIO.

THERE'S YOUR MILK.

OH, THANKS.

MMM!

WHOO.

[MUSIC PLAYING]

SOUNDS SO GENTLE.

I BET
YOUR GRANDMOTHER

WAS JUST LIKE THAT--

SWEET AND GENTLE.

WHAT WAS HER NAME?

IT WAS PEARL.

WELL,
THAT SUITS HER.

I HAD A FRIEND
CALLED PEARL ONCE.

SHE USED TO COME
UP TO THE ROOM

AND PLAY WITH ME.

WE HAD A LOT OF FUN
TOGETHER.

ME AND PEARL, WE
WAS GREAT BUDDIES.

NOT ANYMORE?

NO. ROSE-ANN, SHE
PUT A STOP TO THAT.

WHAT FOR?

SHE CAME HOME
EARLY ONE DAY

AND RAISED HELL.

WHAT WERE YOU UP TO?

NOTHING MUCH.

SHE GOT MAD
BECAUSE PEARL

WAS COLORED--
YOU KNOW, BLACK?

SHE SAID I COULD NEVER
HAVE A BLACK FRIEND.

DID YOU ASK HER WHY?

UH-UH. WHEN ROSE-ANN
GETS GOING,

YOU DON'T BOTHER
ABOUT WHY.

YOU JUST KEEP
OUT OF THE WAY.

PITY PEARL
WAS COLORED.

ANYHOW, SHE NEVER
CAME NO MORE.

WHEN WAS THIS?

HMM...
A LONG TIME AGO.

I WAS ONLY 9, BUT
I MISS PEARL A LOT.

SHE WAS MY ONLY
FRIEND TILL NOW.

SHE USED TO TEACH ME
THINGS, TOO.

EVERYBODY OUGHT TO
HAVE A FRIEND.

WELL, GO ON.

TELL ME ABOUT
YOUR GRANDMOTHER.

WHERE'D SHE GET
THE MUSIC BOX?

OH...IT WAS A PRESENT.

FROM A MAN?

THAT'S RIGHT.

AND DID HE
MARRY HER?

NO, HE DIDN'T.

WHY NOT?

I DON'T KNOW WHY NOT.

I DON'T KNOW
ALL THE DETAILS.

SEE, MY GRANDMOTHER WAS...

YES, GO ON.

WELL, THE MAN, HE WAS
FROM A DIFFERENT WORLD.

HE WAS VERY RICH
AND IMPORTANT.

AND SHE?

SHE WAS JUST
A BEAUTIFUL WOMAN.

WELL, GO ON.
TELL ME SOME MORE.

I DON'T KNOW ANY MORE.

YOU MUST KNOW
SOME MORE!

THE MAN...

HE WAS HER LOVER.

YES?

YES, THEY WERE LOVERS.

AHA!

"AHA"!

WHAT ARE YOU
LAUGHING AT?

YOU SOUND SO EXPERIENCED.

YOU'RE A BABY.

I'M NO BABY, GORDON.
I GOT EXPERIENCE.

YOU HAVE, HAVE YOU?

YEAH. I BEEN DONE OVER,
ABOUT A YEAR BACK.

I DON'T KNOW WHO HE WAS--

SOME FELLOW
ROSE-ANN BROUGHT BACK.

I COULD TELL
THEY'D BEEN DRINKING.

Rose-Ann: DON'T PAY
NO ATTENTION TO HER.

Man: I AIN'T
NO CIRCUS PERFORMER.

Rose-Ann: OH,
BUT SHE CAN'T SEE NOTHING.

Man: YEAH, BUT YOU BETTER
GET RID OF HER.

Rose-Ann: ALL RIGHT.
I'LL GO FIND THE OLD MAN.

HE CAN TAKE HER
FOR A WHILE.

[DOOR SLAMS]

Man: YOU'RE QUITE A FIND.

COME ON.

Selina: AAH!
ROSE-ANN! OLE PA!

KNOCK IT OFF! YEOW!

I'LL TEACH YOU TO BITE,
YOU LITTLE BITCH.

AAH! ROSE-ANN!

GET AWAY FROM THERE!

[SELINA SCREAMING]

Selina: NO! NO!

OLE PA BLEW HIS TOP WHEN
HE HEARD ABOUT THAT.

ROSE-ANN HAD
TO TAKE ANOTHER ROOM

DOWN THE HALL.

I DON'T THINK SHE EVER
FORGAVE ME FOR THAT.

YOU KNOW, I ALWAYS
USED TO THINK

ROSE-ANN WAS HAVING
A GOOD TIME FOR HERSELF

ON THAT BED OF HERS.

I KNOW BETTER NOW.

I FEEL A BIT SORRY
FOR HER SOMETIMES.

ARE YOU STILL THERE,
GORDON?

I'M...HERE.

[GIGGLES]

[CLASSICAL MUSIC PLAYING]

[MUSIC ENDS]

[CLICKING]

[WALTZ MUSIC PLAYING]

WHAT DO YOU THINK
OF THE BOOK?

I NEVER KNEW YOU
COULD FEEL WORDS,

BUT I CAN'T READ IT

ANY MORE THAN
AN ORDINARY BOOK.

YOU WILL.
AS A MATTER OF FACT,

THAT ONE WAS WRITTEN
BY A BLIND WOMAN.

SHE WAS DEAF AND DUMB
AS WELL.

DON'T SEEM POSSIBLE.

CERTAINLY IS.

COME, WE HAVE TO GO.

[MUSIC BOX PLAYING]

WOULD YOU LIKE TO
TAKE IT WITH YOU?

YOU MEAN IT?

[MUSIC STOPS]

OH!

IT'S YOURS.

[MUSIC PLAYING]

Rose-Ann's voice:
GET A LOAD OF LOVER-GIRL

AND HER SUNGLASSES.

Selina's voice:
WHAT DID YOU SAY, ROSE-ANN?

Rose-Ann's voice: I SAID,

I GOT ME A BRAND-NEW PAIR
OF SUNGLASSES.

[MUSIC STOPS]

[THUNDER]

[LOUD CRACK OF THUNDER]

[WIND AND THUNDER STOP]

[THUNDER]

[SOBBING]

NO! NO!

NO! NO!

AAH! NO.

YOU'RE SAFE NOW.

DON'T CRY.

DON'T CRY ANYMORE.

HERE, TAKE MY COAT.
PUT IT AROUND YOU.

YOU POOR BABY.

DON'T CRY.

I CAN'T STOP
GULPING.

YOU WILL. YOU WILL.

WHAT MADE YOU COME?

I DON'T KNOW.

IS IT DARK?

YEP.

I'M GLAD.

WHY?

IT MAKES YOU
MORE LIKE ME.

IT'S STOPPED.

YEAH.

SEEMS TO BE ALL OVER NOW.

IS YOUR GRANDFATHER
COMING FOR YOU?

YES.

GOOD, CAUSE I HAVE TO
GET BACK TO WORK.

IS THERE A STEP?

YEAH--2.

DON'T LET GO.

I WON'T.

YOU OK?

UH-HUH.

I LOVE YOU SO MUCH.

DON'T BE SILLY,
SELINA.

I DO LOVE YOU.

STOP IT.

YOU HARDLY KNOW ME.

THERE'S YOUR TREE.

YOU SURE YOUR
GRANDFATHER'S COMING?

OLE PA? OH, SURE.

HE'S BOUND
TO COME SOON.

THANK YOU
FOR COMING BACK.

I WAS CRAZY
TO GET SCARED.

IT'S TIME I GREW UP

AND STOPPED ACTING
LIKE A KID.

I'LL BE FINE NOW.

I'LL BE FINE.

OLE PA, HE'S BOUND
TO COME SOON.

Ole Pa, slurred: SELINA!

SELINA, YOU STILL HERE?

THAT'S HIM NOW.

HE'S PLASTERED
FOR SURE.

Ole Pa: SELINA!

SELINA!

YOU BLIND BROAD.

SELINA!

DON'T LET HIM
SEE US.

SELINA!

WHERE THE HECK ARE YOU?

YOU POOR DARLING.

Ole Pa: SELINA!

HERE!

I'M HERE, OLE PA!

COME ON.

OH, MY DARLING.

OH, MY DARLING.

[LOUD SNORING]

[SNORING]

Selina: WHERE'S YOUR
LUNCHBOX, OLE PA?

I DON'T KNOW. MAYBE
LEFT IN THE SALOON.

I DON'T KNOW.

OLE PA, YOU WANT I SHOULD

PUNCH THE TIME CLOCK
FOR YOU THIS MORNING?

YOU SPEAKING TO ME?

YOU'RE GONNA BE
GOOD AND LATE, AIN'T YOU?

I'LL PUNCH THE CLOCK
FOR YOU.

THANKS, ROSE-ANN.

THAT'S GOOD OF YOU.

OHH!
I FEEL TERRIBLE.

AW, THAT'S TOUGH.

POOR OLD FELLA LIKE YOU
OUGHTN'T TO HAVE TO RUSH.

Ole Pa: YOU ALL
RIGHT, ROSE-ANN?

OH, I'M FINE.
I FEEL GOOD AND RESTED.

SADIE TREATED ME
TO SUPPER LAST NIGHT.

WE TOOK IT EASY.

BEATS ME HOW ANYBODY
COULD TAKE IT EASY

WITH THAT BROAD.

SHE DON'T MAKE IT EXACTLY
HARD TO GET NOW, HUH?

OH. OH!

HA HA--OH!

DON'T KILL YOURSELF.
IT WASN'T THAT FUNNY.

OH, I GOT TO
GET GOING.

POOR OLD BUZZARD.

YOU'RE GOING TO BE
REAL LATE THIS MORNING,

WHAT WITH TAKING SELINA
TO THE PARK AND ALL.

WHAT YOU SAY?

YOU'RE GOING TO BE
IN A REAL BIND

IF YOU TAKE HER
WITH YOU.

LIKE HELL.

LIKE HELL YOU ARE, OR
LIKE HELL YOU AIN'T, HUH?

LIKE HELL I AIN'T!

I'M FINISHED
WITH THAT BALONEY--

GOING INTO THE PARK

IN THE MIDDLE
OF THE NIGHT

IN POURING RAIN.

WONDER I AIN'T DEAD.
NUTS TO THAT!

GOOD-BYE, SELINA.

GOOD-BYE, ROSE-ANN.

YOU DIDN'T MEAN THAT,
OLE PA, DID YOU?

YOU ARE TAKING ME,
AREN'T YOU?

WHAT'S THIS?

THAT'S YOUR LUNCH.

YOU ARE TAKING ME
TO THE PARK, AREN'T YOU?

NO!

I'M ALL THROUGH
WITH THAT HULA-HULA.

[ROCK AND ROLL MUSIC
PLAYING]

[HORNS HONKING]

OH!

WATCH IT.
LEAVE ME ALONE.

Selina: OH!

HELP ME!

SOMEBODY!
PLEASE HELP ME!

YOU SICK, HONEY?

NO. I'M BLIND.

CAN YOU GET ME
ACROSS THE STREET?

SURE. COME ON.

WATCH YOUR STEP.

TAKE IT EASY. OK?

OH!

ARE YOU ALL RIGHT?

YEAH.

YEAH, I'M ALL RIGHT.

WHERE AM I?

W-WHICH SIDE AM I ON?

WHAT?

I'M BLIND.
I CAN'T SEE WHERE I AM.

YOU'VE NO RIGHT
TO BE OUT ALONE.

WHERE DO YOU LIVE?

73--73 PINE STREET.

WHY, THAT'S AROUND
THE CORNER. COME ON.

[ROCK AND ROLL MUSIC
PLAYING]

[KIDS SHOUTING IN DISTANCE]

Radio announcer:
AND NOW IN A MOMENT, 5:00 FORUM.

THIS TOPICAL PROGRAM
IS BROUGHT TO YOU EACH DAY

BY SWISH,
THE DETERGENT THAT--

Gordon's voice: IT'S 5:00.
I GOT TO GO TO WORK.

Selina's voice:
OH, DO YOU HAVE TO?

I CERTAINLY DO.

IF YOU EXPECT TO LIVE
A LIFE OF LUXURY

SWILLING DOWN
PINEAPPLE JUICE?

I'M BLIND! I CAN'T
SEE WHERE I AM!

Man on street: YOU'VE NO RIGHT
TO BE OUT ALONE.

Selina: NO RIGHT.

NO RIGHTS AT ALL!

DO I HAVE TO TAKE THIS?

DO I HAVE TO?

[CRYING]

OH! OH! OH!

I HATE YOU, OLE PA!

I HATE YOU, YOU DIRTY, DRUNKEN,
SELFISH OLD BASTARD!

I HATE YOU!

I HATE YOU, TOO,
ROSE-ANN!

YOU FILTHY, CHEAP,
STINKIN' WHORE!

YOU MEAN, UGLY,
SLOBBERING COW!

I HATE YOU BOTH!

I HATE EVERYBODY!

EVERYBODY IN THIS LOUSY,
STINKING WORLD!

I HATE THEM!
I HATE THEM ALL!

[SOBBING]

I HATE THEM!

I'M GOING MAD!

I KNOW I'M GOING MAD!

OH.

OH, MY DARLING.

OH, MY DARLING GORDON!

[KNOCK ON DOOR]

[KNOCKING]

WHO IS IT?

Boy: I GOT A MESSAGE.

THERE'S NOBODY HOME.

I GOT A MESSAGE
FOR D'ARCEY.

MRS. D'ARCEY AIN'T HERE.

YOUR NAME SELINA?

MY NAME IS--
YEAH, THAT'S MY NAME.

I GOT A MESSAGE FOR YOU
FROM MY FATHER.

YOUR FATHER? FOR ME?

YEAH. MR. FABER.

HE SAID TO TELL YOU
HE HAD A PHONE CALL

FROM A FRIEND OF YOURS--
FROM MR. RALFE.

HE WANTED TO KNOW IF YOU
WERE SICK OR SOMETHING.

ARE YOU SICK?

NO. NO, I'M NOT SICK.

WELL, THEN
IF YOU'RE NOT SICK,

HE SAID HE'D MEET
YOU TOMORROW.

HE SAID
YOU'D UNDERSTAND.

I UNDERSTAND.
OH, YES, YES, YES!

OK?
OK. THANK YOU.

OH.

[KNOCK ON DOOR]

YES?

PAPA SAID
HE HAD TO GO

THROUGH THE PARK
TOMORROW. WANNA GO?

OH, YES. TELL YOUR FATHER
YES, PLEASE.

OK. BYE NOW.

GOOD-BYE! BYE.

OH!

[GIGGLING]

OOH!

THOSE EGGS WERE GREAT!

I THINK I'M GOING TO HIRE
YOU AS A FULL-TIME COOK.

YOU COULDN'T
AFFORD ME.

I THINK I'LL MAKE
MY BROTHER THE DOCTOR

PAY HALF.

I WON'T HAVE YOU
SHARE ME WITH MARK.

I'M GOING TO GIVE YOU
MY PHONE NUMBER.

YOU COULD HAVE CALLED
YESTERDAY, YOU KNOW,

AND SAVED YOURSELF
A LOT OF GRIEF.

WOULDN'T HAVE
DONE NO GOOD.

WE HAVEN'T GOT
A PHONE.

THERE MUST BE A PAY PHONE
SOMEWHERE NEARBY.

MAYBE.

I'LL WALK YOU HOME TODAY,
AND WE'LL FIND ONE.

I DON'T KNOW HOW
TO PHONE, GORDON.

WE'LL TAKE CARE
OF THAT, TOO,

AT THE SAME TIME.

OH! OH, GORDON,
I'M SORRY!

IT'S ALL RIGHT.
IT'S ALL RIGHT.

IT HAPPENS TO ME
ALL THE TIME.

I NEVER BREAK ANYTHING.
REALLY I DON'T.

WHY DID I HAVE TO BREAK
SOMETHING OF YOURS?

JUST FORGET IT.

FORGET IT.

WAS THAT A KISS?

IT WAS A KISS.

KISS ME AGAIN.

OH, GORDON.

GORDON.

OH...

OH, I WISH I'D NEVER
BEEN DONE OVER.

WHAT DID YOU SAY?

NOTHING.

OH.

I'M SORRY.

YOU WERE MUCH
SINNED AGAINST.

ARE YOU ANGRY
WITH ME?

NO.

DO YOU THINK
I'M BAD? DIRTY?

NO, I DON'T.

I SAID WHAT I DID

BECAUSE I LOVE YOU
SO MUCH.

I KNOW WHY YOU SAID IT.

I'M GLAD YOU SAID IT.
YOU BROUGHT ME BACK TO EARTH.

I DIDN'T WANT YOU
TO COME BACK TO EARTH.

I WANTED YOU TO
MAKE LOVE WITH ME.

I KNOW.

THANK YOU.

[TAPPING CIGARETTE]

WAIT.

[BLOWING OUT FLAME]

HEY, CAN I TRY A PUFF?

YOU WON'T LIKE IT.

[PUFFS]

DON'T BLOW. DRAW.

[SUCKING]

[COUGHING]

I TOLD YOU.

YOU REALLY LIKE THAT?

[COUGH]

IT HELPS ME
TO THINK.

ARE YOU THINKING NOW?

MM-HMM.

I'M THINKING ABOUT YOU,
AS A MATTER OF FACT.

OH? WHAT ABOUT ME?

YOU CANNOT GO ON
LIVING THE WAY YOU ARE.

IT'S A DARK-AGE STORY.

I DON'T KNOW
WHAT ELSE I CAN DO.

WELL, THERE MUST BE
SOME WAY.

I'M ALL RIGHT, GORDON,
REALLY I AM.

I'VE NEVER BEEN
SO HAPPY BEFORE.

THAT'S GOOD, SELINA,
BUT WE HAVE TO LOOK AHEAD.

THINGS CHANGE.

I DON'T WANT
ANYTHING TO CHANGE!

I JUST WANT TO GO ON
BEING WITH YOU.

THAT'S JUST IT.

YOU CAN'T BE WITH ME
ALL THE TIME.

I DON'T WANT YOU
TO GO ON LIVING

WITH ROSE-ANN EITHER.

I'LL THINK OF SOMETHING.

IF I'M GOING TO WALK
YOU ALL THE WAY HOME,

IT'S TIME I GOT CHANGED.

[CLASSICAL MUSIC PLAYING]

HELLO.
THIS IS A SURPRISE.

MARK?

YOU KNOW, I'M ALWAYS
FINDING YOU ABANDONED.

I DON'T KNOW WHY
YOU PUT UP WITH IT.

DON'T YOU GET
MAD AT HIM?

I COULD NEVER GET MAD
AT GORDON.

WELL, WHERE IS HE
THIS TIME?

HE'S CHANGING
HIS CLOTHES.

OH. EXCUSE ME.

UH-HUH.

HI.

YOU BRING THAT GIRL HERE
EVERY DAY NOW?

NO. IT'S JUST
THE SECOND TIME.

WELL, MAYBE YOU BETTER
MAKE IT THE LAST.

WAIT A MINUTE.

SINCE WHEN ARE YOU
MY KEEPER?

I DON'T WANT TO
BE YOUR KEEPER,

BUT I DON'T LIKE TO SEE YOU
WASTING YOUR TIME, EITHER.

I THINK THAT GIRL
COMES FROM THE TRASH HEAP.

MAYBE, BUT SHE
ISN'T TRASH.

GIVEN HALF A CHANCE,
SHE COULD...BE SOMETHING.

YOU PLANNING ON
PROVIDING THAT CHANCE?

I THINK I CAN HELP.

HOW?

GET HER IN A SCHOOL.

YOU PLANNING ON
EDUCATING A WHITE GIRL?

MAN, THAT'S NOT
YOUR JOB.

LET WHITEY EDUCATE
HIS OWN WOMEN.

THEY NEVER
GIVEN US ANYTHING

BUT A HARD TIME.

OK, MARK.

LET'S NOT GET INTO
A POLITICAL ARGUMENT.

THIS IS
A PERSONAL MATTER.

TOO PERSONAL
FOR MY LIKING.

WHAT DO YOU MEAN
BY THAT?

NOBODY TAKES THIS KIND
OF INTEREST IN A GIRL

IF THERE ISN'T
SOMETHING IN IT.

YOU'RE OFF
YOUR STICK.

YEAH? ALL RIGHT,
THEN TELL HER.

TELL HER SHE CAN

NEVER REALLY MEAN
ANYTHING TO YOU.

ON RACE AND POLITICS
WE DON'T AGREE.

SO LET'S DROP THIS.

TELL HER THAT
SHE CAN'T FIT IN HERE.

IF SHE COULD SEE,
SHE'D KNOW THAT ALREADY.

I SAID DROP IT! LET ME
HANDLE THIS MY WAY.

THIS ISN'T YOUR WAY.

FACTS HAVE ALWAYS
BEEN FACTS TO YOU,

NO HALF-TRUTHS.

YOU'VE RAMMED THAT DOWN
MY THROAT OFTEN ENOUGH.

GO TELL HER THE SCORE,
MAN, OR I WILL.

DON'T TELL ME
WHAT TO DO.

SHE DOESN'T HAVE TO
KNOW THE SCORE.

I WANT TO GET HER
SETTLED SOMEWHERE FIRST,

IS THAT CLEAR?

YEAH.

JUST MAKE SURE YOU
CAN SEE THE FOREST.

MAKE SURE THE TREES
AREN'T GETTING

IN THE WAY.

[MUSIC STOPS]

LET'S GO.

I'VE GOT IT.

555-3268.

555-3268.

RIGHT.

[WHISPERING]
Uh-huh.

555-3268.

PICK UP THE RECEIVER.

HERE'S A DIME.

PUT YOUR HAND UP THERE.

[DING DING]

THIS ONE?

MM-HMM.
THAT'S THE ONE.

OPERATOR, I'M BLIND,
AND I CAN'T READ THE DIAL.

WOULD YOU PLEASE GET ME

555-3268?

THANK YOU.

I'M DOING IT.

IT'S RINGING!

HA HA HA!

THE NUMBER
DOESN'T ANSWER.

IT'S A SHAME
TO TROUBLE HIM

FOR NOTHING.

SORRY I WASN'T IN.

[DING]

WHAT'S THAT?

YOUR MONEY COMES BACK
WHEN NOBODY ANSWERS.

HERE.

HEY!

HERE.

YOU KEEP IT
FOR GOOD LUCK.

NOW YOU GOT THAT?

YEAH.

HE AIN'T
MUCH TROUBLE.

I'M NOT HAVING THAT
MANGY OLD BUZZARD,

AND I SHOULD HAVE THOUGHT
YOU'D BE GLAD TO LOSE HIM.

BUT YOU DON'T
MIND SELINA.

WELL, THAT'S DIFFERENT.
SHE CAN DO THE CHORES.

WHEN CAN I SEE IT,
SADIE?

I'LL TAKE YOU
AROUND THERE TONIGHT.

OH, IT'S A SWELL PLACE.
YOU'LL LOVE IT.

OH.

HOW ABOUT THAT?

73. YOU SURE YOU CAN
MANAGE FROM HERE?

I'LL BE FINE,
GORDON.

BYE.

BYE-BYE.

SHE'S GETTING TO BE
A BIG GIRL NOW.

SEE YOU LATER.

[QUICK FOOTSTEPS]

HELLO, ROSE-ANN.

YOU'RE EARLY.

YOU CLEAN UP
THIS ROOM TODAY?

YES. YES, I DID,
ROSE-ANN.

DON'T YOU LIE TO ME.

YOU'VE BEEN OUT
AGAIN, HMM?

I CLEANED UP
BEFORE I WENT OUT.

IT DOESN'T LOOK
LIKE IT TO ME.

WHAT'S WRONG WITH IT?
TELL ME. I'LL FIX IT.

I'LL TELL YOU
WHAT'S WRONG.

I SEEN YOU
WITH THAT NIGGER!

THAT WHAT?

THAT BLACK MAN.

YOU KNOW WHAT
I ALWAYS TOLD YOU

ABOUT COLORED TRASH!

Gordon's voice:
I DON'T KNOW ALL THE DETAILS.

SEE,
MY GRANDMOTHER WAS--

WELL, THE MAN, HE WAS
FROM A DIFFERENT WORLD.

Selina's voice:
AND SHE?

SHE WAS JUST
A BEAUTIFUL WOMAN.

WHAT YOU
GRINNING AT?

WHAT YOU BEEN
UP TO WITH HIM?

HE'S TEACHING
ME THINGS,

WONDERFUL THINGS.

I JUST BET HE IS.

I BET YOU'RE LEARNING
SOME SWELL THINGS

FROM THAT BLACK BUCK!

SHUT UP!

DON'T YOU DARE SAY

THOSE UGLY THINGS
ABOUT GORDON!

HE'S A LOT BETTER
THAN ANYBODY--

DON'T YOU TELL ME
TO SHUT UP,

YOU UNGRATEFUL
LITTLE CHIPPY!

OW!

OOH!

OH!

HIT ME, WOULD YOU?
YOUR OWN MOTHER?

IS THAT WHAT YOUR LEARNING
FROM YOUR BLACK BOYFRIEND?

OW! STOP IT!
I HATE YOU!

IF I EVER CATCH YOU
WITH HIM AGAIN,

I'LL BEAT THE HELL--

WHAT THE HELL IS
GOING ON HERE!

WHAT ARE YOU TRYING
TO DO TO SELINA?

YOU STAY OUT
OF THIS ONE,

YOU STUPID OLD DRUNK!

WHO ARE YOU
CALLING STUPID?

WHY, YOU,
3-BUCK BROAD, YOU!

UHH!

OK. YOU
BLACK-HEARTED BITCH,

IF YOU WANT TO FIGHT...

YOU FILTHY OLD BUM!

IN ALL MY 35 YEARS,

I NEVER SAW SUCH
A FILTHY OLD BUM!

OH! MY OWN FATHER!

35 YEARS?

45 IS MORE LIKE IT.

AND YOU LOOK
EVERY BIT OF 45!

YEAHHH!

YEAH, YOU'RE A FAT
45-YEAR-OLD WHORE!

DO ANYTHING, ANYTIME
FOR A BUCK!

AND WHAT WOULDN'T
YOU DO FOR A BUCK?!

WHAT WOULDN'T YOU DO
FOR A BUCK, YOU PIG!

COW!

SELINA.

SELINA!

COME ON OUT.

GET OUT! SELINA!

[SELINA CRYING]

AAH!

[SELINA SCREAMS]

Rose-Ann: OW!

GET OUT!

HEY, OLE PA!

[MEN SPEAKING ITALIAN]

THAT'S ENOUGH, YOU!

ARE YOU ALL RIGHT?

MIND YOUR OWN
STUPID BUSINESS!

I GUESS IT IS
OUR BUSINESS.

WE THOUGHT YOU WERE TRYING
TO SCREAM THE BUILDING DOWN.

THIS IS
A PRIVATE ARGUMENT!

YEAH! GET OUT
OF OUR HOUSE!

KEEP YOUR HANDS
TO YOURSELF!

YEAH, DOES HE KNOW WHAT
GOES ON ACROSS THE HALL

WHEN HE'S OUT WORKING?

YEAH, YOU!

SHE WIGGLES HER FAT CAN
AT THE GROCER!

YEAH!

[SHOUTING IN ITALIAN]

Man: OW!

I GOT ONE OF THEM.

AH! DID YOU SEE
THE LOOK ON HIS FACE?

WE FIXED THEM GOOD!

HA HA HA HA!

HA HA HA!

OHH!

[VOMITING]

[VOMITING]

STOP THAT.
STOP IT, SELINA.

LEAVE HER BE.
SHE'S SICK.

COME ON, GET UP.
GET UP.

I CAN'T.

OH.

EASY WITH HER.

OH! EASY.

OH, WHAT A MESS.

WHAT ARE YOU
SITTING DOWN FOR?

CLEAN UP.

WHAT?

YOU HEARD ME. SHE'LL
JUST MAKE IT WORSE.

YOU DO IT.
SHE'S YOUR KID.

I'M GOING
TO TAKE A BATH.

[WATER RUNNING]

I FEEL SO SICK,
OLE PA.

ME, TOO.

I'M AN OLD MAN,
SELINA.

TOO OLD.

I CAN'T CLEAN IT UP.

I'D LIKE TO,
BUT I CAN'T.

I'M GOING OUT
TO GET PLASTERED.

DO YOU UNDERSTAND,
SELINA?

DON'T GO OUT.

NOT TONIGHT, OLE PA.

I HAVE TO.

SORRY, SELINA.

I'M A NO-GOOD
OLD DRUNK.

I'M A FLOP.

[DOOR CLOSES]

[ALARM CLOCK
RINGING]

[SOFTLY]
COME ON, OUT OF IT.

I GOT A LOT
TO DO TODAY.

AND I SETTLED
YOUR HASH, TOO.

KILLED 2 BIRDS
WITH ONE STONE.

WHAT DO YOU MEAN,
ROSE-ANN?

WE'RE MOVING OUT
OF THIS DUMP.

[LOUDLY]
MOVING OUT?

SHH. KEEP YOUR
VOICE DOWN.

HE DON'T HAVE
TO KNOW EVERYTHING.

[WHISPERING]
But why are we moving?

ME AND SADIE
GOT PLANS.

YOU AND SADIE?

QUIT TALKING
LIKE SOME PARROT.

ME AND SADIE ARE
GOING IN TOGETHER.

WE GOT A NEW PLACE.

SADIE SAYS WE CAN MAKE
SOME REAL DOUGH.

DOING WHAT?

DON'T ASK
STUPID QUESTIONS.

ALL I KNOW IS I GOT
A CHANCE TO GET OUT OF

THAT CRUMMY HOTEL JOB,

AND I AIN'T GOING
TO MISS IT.

I DON'T WANT TO GO
ANYPLACE WITH THAT SADIE.

YOU'LL DO
AS YOU'RE TOLD,

AND CONSIDER
YOURSELF LUCKY

THAT SHE'LL HAVE YOU
AFTER WHAT WE SEEN.

WELL, WHAT ABOUT
OLE PA?

NOTHING ABOUT OLE PA.

THERE AIN'T GOING
TO BE ANY ROOM.

COULDN'T I STAY HERE
AND LOOK AFTER HIM?

I DON'T WANT
TO LEAVE OLE PA.

OH, THAT WOULD
SUIT YOU, WOULDN'T IT,

ON YOUR OWN?

NO TELLING WHAT YOU
WOULDN'T GET INTO.

NOT A CHANCE.

HERE.

I SEE.

BUT YOU COULD TAKE
A GIRL OF THAT AGE?

YES, I UNDERSTAND.

ALL RIGHT.

YES.

I'LL BE THERE
TOMORROW AT 3:00.

THANK YOU.

[TELEPHONE RINGS]

[RING]

THANKS TO YOU, DOLL,

I'VE SEEN THE LAST
OF THAT PLACE.

I TOLD THEM JUST WHAT
THEY COULD DO

WITH THEIR LOUSY JOB.

WELL, GOOD FOR YOU.

I'VE BEEN WAITING
TO DO IT FOR YEARS.

YOU SHOULD HAVE SEEN
THE EXPRESSION

ON THEIR FACES.

HA HA HA!

IT'S MIGHTY NICE
OF YOU, DOLL,

TO GIVE ME A HAND.

I WASN'T LOOKING
FORWARD TO PACKING

ALL THIS STUFF.

WELL, WE'RE
PARTNERS NOW, AIN'T WE?

SELINA?

CAN YOU BELIEVE IT?

AFTER THE SMACKING AROUND
I GAVE HER LAST NIGHT?

GET GOING
ON THIS STUFF, HONEY.

I'LL BE BACK
AS SOON AS I CAN.

COME ON, SPEEDY GONZALES,
GET A MOVE ON.

LOOK, ROSE-ANN,
I TOLD YOU THE PLACE.

IT AIN'T ANY SENSE
IN ME COMING, TOO.

I WANT TO MAKE SURE.

CONGRATULATIONS!
YOU MADE IT! HELLO!

OH, GORDON,
I TRIED TO PHONE YOU,

BUT YOU WEREN'T HOME.

WHY? WHAT HAPPENED?

RO...

ROSE-ANN'S
TAKING ME AWAY.

I WON'T BE ABLE
TO GET HERE ANYMORE.

WHERE IS SHE
TAKING YOU?

I DON'T KNOW
EXACTLY,

BUT SHE'S LEAVING
HER JOB.

SHE'S MOVING IN
WITH SADIE.

THEY'RE GOING TO START
ONE OF THOSE PLACES.

[SNIFFLING]

OH, GORDON.

WELL, THAT ROSE-ANN
MUST BE SOME DAME.

OH, SHE SURE IS.

COME, LET'S SIT
OVER HERE.

AND JUST PUT
THE WHOLE COCKEYED IDEA

OUT OF YOUR MIND.

HOW CAN I?

I CAN'T HELP WONDERING
WHAT MIGHT HAPPEN TO ME

IN A PLACE LIKE THAT.

JUST FORGET IT.
NOW, THERE ARE LAWS

AGAINST WHAT ROSE-ANN
AND SADIE HAVE IN MIND,

AND A WORD OR 2
IN THE RIGHT PLACE

WILL SOON TAKE CARE
OF THAT.

THE COPS
WON'T DO ANYTHING.

THE COPS LIKE ROSE-ANN.

YOU DON'T KNOW
ANYTHING ABOUT IT,

SO STOP WORRYING.

I CAN'T HELP
WORRYING ABOUT IT

WHILE IT HANGS
OVER MY HEAD.

IT IS NOT HANGING OVER
YOUR HEAD, NOT ANYMORE.

IN A FEW DAYS,

I HOPE YOU'LL BE LEAVING
ROSE-ANN FOR GOOD.

I'VE FOUND A SCHOOL
FOR YOU.

A SCHOOL?

AT MY AGE?

PEOPLE GO TO SCHOOL
AT ALL AGES.

BUT IF YOU CAN STOP
ROSE-ANN STARTING HER PLACE,

I WON'T NEED
TO GO TO SCHOOL,

AND THINGS CAN STAY
JUST THE WAY THEY ARE.

THE WAY THINGS ARE, SELINA,
ISN'T GOOD ENOUGH.

YOU DO WANT TO LEARN HOW
TO LIVE PROPERLY, DON'T YOU?

YES, I DO.

BUT THIS SCHOOL...
IS IT FAR AWAY?

NOT TOO FAR.

I'LL BE
WITH STRANGERS.

THEY'LL LAUGH AT ME.

I DON'T THINK
THEY WILL.

ISN'T THERE
SOMETHING ELSE WE CAN DO?

I THINK
THIS IS BEST.

WILL I STILL
BE ABLE TO SEE YOU?

OF COURSE YOU WILL.

OH...

OK?

OK.

YOU KNOW, I THINK
IT'S ABOUT TIME

YOU FIXED ME
SOME LUNCH.

OK, GORDON.

COME ON.

JEEPERS,
I NEARLY FORGOT.

THERE'S SOMETHING
I GOT TO GET.

I'M GOING TO MISS
MY LUNCH.

OH, COME ON.

I HOPE IT'S STILL OK.

DEFY ME AGAIN, WOULD YOU,
YOU LITTLE TRAMP?

WAIT A MINUTE.

OH, AND AS FOR YOU, I GOT
A GOOD MIND TO CALL A COP.

FROM WHAT I HEAR,
THAT WOULDN'T BE

SUCH A BAD IDEA.

WHAT? WAIT TILL I GET
YOU HOME, BLABBERMOUTH.

LET ME GO!

SELINA!

NO!

[MOANING]

IT'S ALL RIGHT.
BE QUIET.

IT'S ALL RIGHT.

TAKE YOUR FILTHY
HANDS OFF MY KID!

LEAVE HER ALONE,
MRS. D'ARCEY.

DID YOU SEE THAT?
HE STRUCK ME.

HE STRUCK ME!

YOU CAN'T GET
AWAY WITH THIS.

THAT'S MY DAUGHTER
HE'S GOT THERE.

THAT'S MY DAUGHTER!

AIN'T ANYBODY
GOING TO DO NOTHING?

SELINA!

YOU COME BACK HERE!

[BREATHING HEAVILY]

YOU REALIZE
WHAT YOU'RE DOING?

YOU FOOL, YOU BLIND
LITTLE FOOL,

COME BACK HERE.

YOU...

Rose-Ann: SELINA!

SELINA!

SELINA!

WHOSE SIDE
ARE YOU ON?

DON'T YOU CARE WHAT
HAPPENS TO THE KID?

SHE AIN'T A KID
ANYMORE, ROSE-ANN.

[DOOR UNLOCKS]

SELINA?

YES, GORDON?

WHAT ARE YOU DOING
IN THE DARK?

OH, SORRY.

IT'S OK.

OLE PA'S ALWAYS
DOING THAT.

WELL, IT'S ALL SET.

THEY CAN TAKE YOU TONIGHT.

THEY'RE SENDING A WHOLE
SCHOOL BUS FOR YOU.

THEY'LL CALL
WHEN IT'S ON ITS WAY.

[WHISTLING]

OH, I PUT
THE KETTLE ON.

I THOUGHT YOU'D LIKE
SOME COFFEE.

THEY WANTED TO KNOW
HOW OLD YOU WERE.

I TOLD THEM 18.
THAT'S RIGHT, ISN'T IT?

YES. APRIL 23.

LOOK, YOU MUST--

[TELEPHONE RINGS]

[RING]

GORDON RALFE.

YES, THAT'S RIGHT.

Gordon: THANK YOU.

YES, SHE'LL BE READY.

THAT WAS THE SCHOOL.

THE BUS IS ON ITS WAY.

ALREADY?

WHEN WILL I BE ABLE
TO SEE YOU?

OH...I'LL BE AROUND.

ARE YOU MARRIED ALREADY?

WHAT DO YOU MEAN,
ALREADY?

I MEAN--I MEAN,
I THOUGHT--

WELL, YOU'VE
NEVER SAID, UM...

YOU'VE NEVER SAID
YOU WERE MARRIED,

AND I WAS THINKING
IF YOU WERE

ALREADY MARRIED,
THEN THAT'S WHY--

I'M SORRY.

I SHOULDN'T
HAVE ASKED.

PLEASE BE TOLERANT.

IT'S ALL RIGHT.
YOU CAN ASK ME ANYTHING.

NO, I AM NOT MARRIED.

I'VE NEVER BEEN MARRIED.

THEN WHY
DON'T YOU BE--

WHY DON'T I ASK YOU
TO MARRY ME?

NOT ASK, JUST MARRY.
YOU DON'T HAVE TO ASK.

COME.

WE'LL TAKE THESE INSIDE.

THERE'S SOMETHING
I WANT TO TALK ABOUT

BEFORE THE BUS ARRIVES.

I'M NOT WRONG,
AM I?

YOU DO LOVE ME,
DON'T YOU?

OF COURSE.

GORDON, YOU'VE GONE
AWAY FROM ME.

EVERYTHING IS CHANGING.

NO, I HAVEN'T.

COME ON.

I THOUGHT
YOU'D GONE AWAY.

SIT DOWN.

SELINA, THERE ARE
MANY KINDS OF LOVE.

MOST OF THEM

HAVE NOTHING TO DO
WITH MARRIAGE.

YOU MEAN YOU DON'T
WANT TO MARRY ME?

I BELIEVE THERE
ARE REASONS WHY IT

WOULDN'T WORK OUT.

BECAUSE OF
MY BEING BLIND?

BECAUSE OF
WHERE I COME FROM?

SELINA, YOU'LL MEET
MANY NEW PEOPLE,

MEN AND WOMEN.

YOU WILL SEE LOTS OF
THINGS DIFFERENTLY.

AND AFTER A TIME,

YOU'LL BE ABLE
TO TELL--

WE'LL BOTH BE ABLE
TO TELL WHETHER WHAT

WE FEEL FOR EACH OTHER

HAS ANYTHING TO DO
WITH MARRIAGE.

HOW LONG IS ALL THIS
GOING TO TAKE?

LET'S SAY A YEAR
FROM TODAY.

A YEAR?

A YEAR'S FOREVER.

I COULDN'T HOLD OUT
LONGER THAN A WEEK.

A YEAR IS NOT
FOREVER, SELINA.

NOW, YOU LISTEN
TO ME FOR A MINUTE.

THERE'S SOMETHING
I WANT TO TELL YOU

ABOUT ME.

I KNOW EVERYTHING
I NEED TO KNOW ABOUT YOU.

I LOVE YOU.

I KNOW YOU'RE GOOD
AND KIND.

I KNOW YOU'RE COLORED--

WHAT'S THAT?

AND I THINK
YOU'RE BEAUTIFUL.

BEAUTIFUL?

MOST PEOPLE WOULD SAY
THE OPPOSITE.

WELL, THAT'S BECAUSE
THEY DON'T KNOW YOU.

[DOORBELL BUZZES]

IT'S TIME TO SAY
GOOD-BYE, SELINA.

OH, GORDON, DO I
REALLY HAVE TO GO?

YES, DARLING.

FOR AWHILE.

HOW DID YOU LEARN
ABOUT ME?

ROSE-ANN SAW US
TOGETHER YESTERDAY.

[KNOCK ON DOOR]

YOU WANT ME
TO COME WITH YOU?

AND HAVE TO SAY
GOOD-BYE AGAIN?

MISS SELINA D'ARCEY?

SHE'S READY.

CAPTIONING MADE POSSIBLE BY
WARNER BROS.

CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE --www.ncicap.org--