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00:00:06,360 --> 00:00:12,600
♪
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00:02:02,960 --> 00:02:09,680
♪
3
00:03:49,520 --> 00:03:53,680
♪ Between the searching
and the need to work it out ♪
4
00:03:54,000 --> 00:03:57,360
♪ I stop believing
everything will be alright ♪
5
00:03:57,480 --> 00:03:59,760
♪ Broken ♪
6
00:04:00,960 --> 00:04:03,600
♪ We are broken ♪
7
00:04:06,000 --> 00:04:09,880
♪ I'm walking uphill being
turned around and round ♪
8
00:04:09,960 --> 00:04:13,880
♪ Secret in motion
when my feet are on the ground ♪
9
00:04:13,960 --> 00:04:15,960
♪ Broken ♪
10
00:04:17,160 --> 00:04:19,960
♪ We are broken ♪
11
00:04:25,760 --> 00:04:29,960
♪ In my mind's eye ♪
12
00:04:30,400 --> 00:04:32,760
♪ One little boy anger
One little man ♪
13
00:04:33,960 --> 00:04:44,640
♪ Funny how time flies ♪
14
00:04:45,000 --> 00:04:49,040
It was an incredibly hot
summer's day in sunny Bath.
15
00:04:49,240 --> 00:04:51,880
He was with a guy
I knew called Paul
16
00:04:51,960 --> 00:04:55,200
and I thought that he was
a French exchange student,
17
00:04:55,320 --> 00:04:58,280
which are those foreigners
that come over once a year
18
00:04:58,360 --> 00:04:59,880
and you go over there,
sort of thing.
19
00:04:59,960 --> 00:05:02,960
His name was Curt, a short guy.
20
00:05:03,960 --> 00:05:05,920
Very Indian-looking.
21
00:05:06,000 --> 00:05:09,000
Dark hair and a tan.
22
00:05:10,960 --> 00:05:13,280
He wasn't allowed out that day
23
00:05:13,360 --> 00:05:16,880
because he'd previously
been in a fight.
24
00:05:16,960 --> 00:05:20,360
He thought that I was Indian,
apparently.
25
00:05:20,480 --> 00:05:21,880
Which was probably
something to do
26
00:05:21,960 --> 00:05:23,720
with the turban
I was wearing at the time.
27
00:05:23,800 --> 00:05:29,800
♪
28
00:05:51,480 --> 00:05:54,760
♪ Welcome to your life ♪
29
00:05:55,320 --> 00:05:58,960
♪ There's no turning back ♪
30
00:05:59,960 --> 00:06:02,960
♪ Even while we sleep ♪
31
00:06:03,960 --> 00:06:05,960
♪ We will find you ♪
32
00:06:06,080 --> 00:06:10,000
♪ Acting
on your best behaviour ♪
33
00:06:10,600 --> 00:06:14,680
♪ Turn your back
on mother nature ♪
34
00:06:14,960 --> 00:06:20,200
♪ Everybody
wants to rule the world ♪
35
00:06:29,960 --> 00:06:32,960
♪ It's my own design ♪
36
00:06:34,040 --> 00:06:37,960
♪ It's my own remorse ♪
37
00:06:38,640 --> 00:06:41,960
♪ Help me to decide ♪
38
00:06:42,960 --> 00:06:45,640
♪ Help me make the most ♪
39
00:06:45,960 --> 00:06:48,960
♪ Of freedom and of pleasure ♪
40
00:06:49,320 --> 00:06:53,200
♪ Nothing ever lasts forever ♪
41
00:06:53,640 --> 00:06:58,880
♪ Everybody
wants to rule the world ♪
42
00:06:58,960 --> 00:07:02,080
♪ There's a room
where the light won't find you ♪
43
00:07:02,960 --> 00:07:06,920
♪ Holding hands while
the walls come tumbling down ♪
44
00:07:07,040 --> 00:07:10,800
♪ When they do
I'll be right behind you ♪
45
00:07:11,480 --> 00:07:14,960
♪ So glad we've almost made it ♪
46
00:07:15,800 --> 00:07:19,000
♪ So sad they had to fade it ♪
47
00:07:19,640 --> 00:07:24,960
♪ Everybody
wants to rule the world ♪
48
00:08:11,240 --> 00:08:15,200
♪ I can't stand
this indecision ♪
49
00:08:15,760 --> 00:08:19,600
♪ Married
with a lack of vision ♪
50
00:08:19,960 --> 00:08:24,880
♪ Everybody
wants to rule the world ♪
51
00:08:24,960 --> 00:08:28,600
♪ Say that you'll never
never never never need it ♪
52
00:08:28,960 --> 00:08:32,880
♪ One headline
why believe it? ♪
53
00:08:32,960 --> 00:08:38,160
♪ Everybody
wants to rule the world ♪
54
00:08:45,880 --> 00:08:49,880
♪ All for freedom
and for pleasure ♪
55
00:08:49,960 --> 00:08:53,960
♪ Nothing ever lasts forever ♪
56
00:08:54,480 --> 00:09:00,240
♪ Everybody
wants to rule the world ♪
57
00:09:10,080 --> 00:09:13,280
There's three things
I remember about the shoot
58
00:09:13,360 --> 00:09:14,880
for "Everybody Wants
To Rule The World".
59
00:09:14,960 --> 00:09:16,080
A whole bunch of things.
60
00:09:16,960 --> 00:09:20,280
One was having to get up
at half past four in the morning
61
00:09:20,360 --> 00:09:24,880
to catch the sunrise scene
next to a salt lake that stank.
62
00:09:24,960 --> 00:09:28,880
Two was having to share a bed
with Steve, our sound guy,
63
00:09:28,960 --> 00:09:30,520
in a camper in the middle
of nowhere.
64
00:09:31,080 --> 00:09:34,760
And three was taking the
Austin Healey car for a spin...
65
00:09:34,960 --> 00:09:36,360
literally.
66
00:09:36,480 --> 00:09:40,960
♪
67
00:09:42,640 --> 00:09:44,880
I was looking for
someone to work with
68
00:09:44,960 --> 00:09:47,400
and I had a small
eight-track studio.
69
00:09:47,520 --> 00:09:50,880
I'd heard that they were
the only people around
70
00:09:50,960 --> 00:09:53,000
with any strong musical ideas.
71
00:09:54,600 --> 00:09:56,920
Curt and I were in a
vegetarian discotheque
72
00:09:57,000 --> 00:09:58,960
late one night in Bath,
73
00:09:59,520 --> 00:10:00,960
bopping away.
74
00:10:01,520 --> 00:10:05,400
This tall geezer came up to us,
he bent over and said,
75
00:10:05,560 --> 00:10:06,920
"Would you like to use
76
00:10:07,000 --> 00:10:09,760
my eight-track recording
studio for free?"
77
00:10:11,000 --> 00:10:13,520
Well, I thought
that was a bit steep.
78
00:10:13,600 --> 00:10:15,000
So we...
79
00:10:16,080 --> 00:10:19,080
...knocked him down a bit
and agreed to pay him.
80
00:10:38,600 --> 00:10:40,960
This is Blenheim Palace.
81
00:10:41,080 --> 00:10:44,880
This is the set we're going
to be playing on in a minute.
82
00:10:44,960 --> 00:10:48,880
It's set up for us already
in front of the main entrance.
83
00:10:48,960 --> 00:10:50,880
This is for some Japanese
84
00:10:50,960 --> 00:10:52,920
television programme
we're doing.
85
00:10:53,000 --> 00:10:55,880
It's going to be
a live broadcast
86
00:10:55,960 --> 00:10:57,920
over millions... of miles,
87
00:10:58,000 --> 00:11:00,680
thousands of miles, to Japan.
88
00:11:04,960 --> 00:11:08,680
This is what's known as
a dodgy hired drum kit.
89
00:11:10,960 --> 00:11:11,960
Wheres my drum, Batman?
90
00:11:13,960 --> 00:11:18,000
OK. Please. OK, let's go.
"Shout".
91
00:11:19,160 --> 00:11:20,600
It's a bit nippy. Oh!
92
00:11:21,560 --> 00:11:22,880
- Are you originally from
London?
93
00:11:22,960 --> 00:11:23,880
- No.
94
00:11:23,960 --> 00:11:28,360
We're from a city called Bath,
in the West Country.
95
00:11:28,840 --> 00:11:31,880
- It's quite a hot...
- Small?
96
00:11:31,960 --> 00:11:34,960
- Yeah. It's quite a hot
American tourist spot, actually.
97
00:11:35,200 --> 00:11:37,880
- Really? We've been here
for a week and a half,
98
00:11:38,000 --> 00:11:39,960
just looking around
and happened to pop in here.
99
00:11:41,320 --> 00:11:43,200
- Well, most stately
homes around the country
100
00:11:43,320 --> 00:11:44,400
actually have pop groups.
101
00:11:45,760 --> 00:11:47,360
- One minute, please.
102
00:11:47,480 --> 00:11:49,400
- One minute, everybody.
Thank you.
103
00:11:50,960 --> 00:11:53,640
- Did you get that?
- Yes.
104
00:11:54,000 --> 00:11:56,960
- From now on I won't ask
you to acknowledge. OK.
105
00:11:57,240 --> 00:11:58,880
Here we go.
106
00:12:09,040 --> 00:12:12,120
Could you introduce for the
Japanese audience, please?
107
00:12:12,240 --> 00:12:14,520
- Yes. My name's Ian.
- Ian.
108
00:12:15,600 --> 00:12:16,680
- Roland.
- Roland.
109
00:12:16,760 --> 00:12:18,360
Roland.
110
00:12:19,160 --> 00:12:20,360
- Curt.
- Curt.
111
00:12:20,480 --> 00:12:21,600
- Manny.
- Manny.
112
00:12:22,960 --> 00:12:25,960
Apparently, Winston Churchill
used to live here. I believe.
113
00:12:32,040 --> 00:12:33,680
Come on, please!
114
00:12:34,000 --> 00:12:36,160
Would you like Japanese food?
115
00:12:36,960 --> 00:12:38,960
Another one.
116
00:12:40,160 --> 00:12:41,160
Yeah, another one.
117
00:12:42,880 --> 00:12:45,280
- We hear you're coming to
Japan to do a concert,
118
00:12:45,360 --> 00:12:46,960
but when will it be?
119
00:12:47,200 --> 00:12:49,120
- I believe it's the last
two weeks in July.
120
00:12:52,000 --> 00:12:53,960
The programme's
sponsored by Honda,
121
00:12:54,960 --> 00:13:00,760
and Suzuki are using "Shout"
for their TV ad.
122
00:13:01,480 --> 00:13:03,960
Honda wanted us
to do a different song.
123
00:13:04,960 --> 00:13:07,080
- Are you guys all right?
You're ready to do it?
124
00:13:14,480 --> 00:13:17,480
Let's go!
- Go!
125
00:13:18,960 --> 00:13:20,800
Five on one.
I mean one on five.
126
00:13:20,960 --> 00:13:22,400
Whatever the fuck
it is I do mean.
127
00:13:22,520 --> 00:13:25,880
♪
128
00:13:25,960 --> 00:13:27,920
♪ Shout, shout ♪
129
00:13:28,000 --> 00:13:29,960
♪ Let it all out ♪
130
00:13:30,840 --> 00:13:34,400
♪ These are the things
I can do without ♪
131
00:13:34,960 --> 00:13:36,240
♪ Come on ♪
132
00:13:37,960 --> 00:13:39,480
♪ I'm talking to you ♪
133
00:13:39,960 --> 00:13:41,040
♪ Come on ♪
134
00:13:45,240 --> 00:13:47,160
♪ Shout, shout ♪
135
00:13:47,960 --> 00:13:49,360
♪ Let it all out ♪
136
00:13:50,040 --> 00:13:53,960
♪ These are the things
I can do without ♪
137
00:13:54,640 --> 00:13:55,960
♪ Come on ♪
138
00:13:57,080 --> 00:13:58,960
♪ I'm talking to you ♪
139
00:13:59,480 --> 00:14:00,880
♪ Come on ♪
140
00:14:01,960 --> 00:14:03,960
I just can't comprehend this
sort of stuff.
141
00:14:05,320 --> 00:14:08,560
60 grand. Raw fish. One speaker.
142
00:14:08,680 --> 00:14:11,040
♪
143
00:14:12,600 --> 00:14:14,880
Coming to you in a minute.
144
00:14:14,960 --> 00:14:18,960
♪
145
00:14:20,040 --> 00:14:21,880
♪ Shout, shout ♪
146
00:14:22,040 --> 00:14:23,960
♪ Let it all out ♪
147
00:14:24,960 --> 00:14:28,640
♪ These are the things
I can do without ♪
148
00:14:28,960 --> 00:14:30,320
♪ Come on ♪
149
00:14:31,960 --> 00:14:33,200
♪ I'm talking to you ♪
150
00:14:33,320 --> 00:14:36,760
The powers that be
kindly granted me a month off
151
00:14:36,880 --> 00:14:39,520
to finish writing
songs for the album,
152
00:14:39,600 --> 00:14:40,960
"Songs From The Big Chair".
153
00:14:41,640 --> 00:14:45,880
Actually, I stole a rhythm
from a Talking Heads track
154
00:14:45,960 --> 00:14:50,880
and I had a bass-synth sound,
an ominous bass-synth sound,
155
00:14:50,960 --> 00:14:54,400
and I was just playing around
with it and dancing about
156
00:14:54,520 --> 00:14:57,520
and suddenly it hit me
from the outer cosmos,
157
00:14:57,600 --> 00:14:59,280
all at once: "Shout".
158
00:15:03,960 --> 00:15:05,960
♪ Shout, shout ♪
159
00:15:06,080 --> 00:15:07,960
♪ Let it all out ♪
160
00:15:08,800 --> 00:15:12,520
♪ These are the things
I can do without ♪
161
00:15:12,960 --> 00:15:13,960
♪ Come on ♪
162
00:15:15,880 --> 00:15:17,320
♪ I'm talking to you ♪
163
00:15:17,960 --> 00:15:18,960
♪ Come on ♪
164
00:15:23,360 --> 00:15:25,360
♪ Shout, shout ♪
165
00:15:25,960 --> 00:15:27,400
♪ Let it all out ♪
166
00:15:28,320 --> 00:15:32,360
♪ These are the things
I can do without ♪
167
00:15:32,960 --> 00:15:33,960
♪ Come on ♪
168
00:15:35,480 --> 00:15:37,160
♪ I'm talking to you ♪
169
00:15:37,800 --> 00:15:38,960
♪ Come on ♪
170
00:15:42,760 --> 00:15:44,960
♪ In violent times ♪
171
00:15:46,480 --> 00:15:50,080
♪ You shouldn't have
to sell your soul ♪
172
00:15:52,400 --> 00:15:54,960
♪ In black and white ♪
173
00:15:56,160 --> 00:15:59,960
♪ They really, really
ought to know ♪
174
00:16:02,160 --> 00:16:04,960
♪ Those one-track minds ♪
175
00:16:06,320 --> 00:16:09,960
♪ That took you
for a working boy ♪
176
00:16:11,960 --> 00:16:14,760
♪ Kiss them goodbye ♪
177
00:16:16,000 --> 00:16:19,760
♪ You shouldn't have
to jump for joy ♪
178
00:16:21,000 --> 00:16:24,240
♪ You shouldn't have
to jump for joy (Shout, shout) ♪
179
00:16:25,080 --> 00:16:26,880
♪ Let it all out ♪
180
00:16:27,640 --> 00:16:31,360
♪ These are the things
I can do without ♪
181
00:16:32,000 --> 00:16:33,040
♪ Come on ♪
182
00:16:34,840 --> 00:16:36,200
♪ I'm talking to you ♪
183
00:16:36,880 --> 00:16:37,960
♪ Come on ♪
184
00:16:41,800 --> 00:16:44,080
♪ They gave you life ♪
185
00:16:45,840 --> 00:16:49,360
♪ And in return
you gave them hell ♪
186
00:16:51,080 --> 00:16:54,400
♪ As cold as ice ♪
187
00:16:55,640 --> 00:16:59,080
♪ I hope we live
to tell the tale ♪
188
00:17:00,320 --> 00:17:03,480
Quite simply it's about protest.
189
00:17:03,960 --> 00:17:05,640
It's about making
a noise about things,
190
00:17:07,000 --> 00:17:08,960
either politically or socially,
that disturb you.
191
00:17:09,960 --> 00:17:12,040
For instance, nuclear weapons,
or whatever.
192
00:17:13,200 --> 00:17:16,880
When I wrote it, I found
it quite therapeutic
193
00:17:16,960 --> 00:17:18,880
just to sing these words,
194
00:17:18,960 --> 00:17:20,800
"These are the things
I can do without."
195
00:17:21,960 --> 00:17:23,960
And I think that has been part
196
00:17:24,080 --> 00:17:26,360
of its appeal
to a lot of people.
197
00:17:26,600 --> 00:17:30,480
♪ These are the things
I can do without ♪
198
00:17:30,960 --> 00:17:32,040
♪ Come on ♪
199
00:17:33,840 --> 00:17:35,200
♪ I'm talking to you ♪
200
00:17:35,960 --> 00:17:36,920
♪ Come on ♪
201
00:17:37,040 --> 00:17:43,080
♪
202
00:17:46,960 --> 00:17:51,240
Initially it was just a chorus
and the idea I had, at the time,
203
00:17:51,520 --> 00:17:53,920
was that it would be
a kind of mantra thing
204
00:17:54,040 --> 00:17:56,920
and it would be repeated
over and over again.
205
00:17:57,000 --> 00:17:59,120
I went round to
his house one day
206
00:17:59,240 --> 00:18:01,920
and he was working
in his dining room downstairs
207
00:18:02,000 --> 00:18:04,920
and he just played it and...
I don't know.
208
00:18:05,000 --> 00:18:08,280
It took weeks to convince
him that it was any good.
209
00:18:08,360 --> 00:18:11,880
But there was something
about the way he sung it.
210
00:18:11,960 --> 00:18:16,880
You know, you can tell
when he's giving something.
211
00:18:16,960 --> 00:18:20,640
♪ If I could change your mind ♪
212
00:18:20,960 --> 00:18:24,960
♪ I'd really love
to break your heart ♪
213
00:18:26,000 --> 00:18:29,720
♪ I'd really love to break
your heart (Shout, shout) ♪
214
00:18:29,960 --> 00:18:31,520
♪ Let it all out ♪
215
00:18:32,320 --> 00:18:36,160
♪ These are the things
I can do without ♪
216
00:18:36,840 --> 00:18:38,000
♪ Come on ♪
217
00:18:39,560 --> 00:18:43,640
Ian Stanley came down and
I played it to him and he said,
218
00:18:43,840 --> 00:18:46,840
"That's a worldwide smash!"
219
00:18:47,960 --> 00:18:49,920
I said, "You've got
to be joking."
220
00:18:50,000 --> 00:18:53,880
It was the first record,
the first single,
221
00:18:53,960 --> 00:18:55,920
that we'd released,
222
00:18:56,000 --> 00:18:57,960
which I'm totally happy with.
223
00:18:59,160 --> 00:19:00,920
There's nothing that
I'd change on it.
224
00:19:01,000 --> 00:19:05,200
I think... it's the best version
of the song we could have done.
225
00:19:05,360 --> 00:19:06,960
♪ I'm talking to you ♪
226
00:19:07,160 --> 00:19:08,400
♪ Come on ♪
227
00:19:12,880 --> 00:19:14,960
♪ Shout, shout ♪
228
00:19:15,200 --> 00:19:16,960
♪ Let it all out ♪
229
00:19:17,800 --> 00:19:21,600
♪ These are the things
I can do without ♪
230
00:19:21,960 --> 00:19:23,040
♪ Come on ♪
231
00:19:24,960 --> 00:19:26,360
♪ I'm talking to you ♪
232
00:19:26,960 --> 00:19:27,960
♪ Come on ♪
233
00:19:32,000 --> 00:19:34,440
♪ They really, really
ought to know (Shout, shout) ♪
234
00:19:34,960 --> 00:19:36,680
♪ Let it all out ♪
235
00:19:37,480 --> 00:19:41,200
♪ These are the things
I can do without ♪
236
00:19:41,960 --> 00:19:42,960
♪ Come on ♪
237
00:19:44,480 --> 00:19:45,960
♪ I'm talking to you ♪
238
00:19:46,640 --> 00:19:47,880
♪ Come on ♪
239
00:19:50,960 --> 00:19:54,360
♪ I'd really love to break
your heart (Shout, shout) ♪
240
00:19:54,960 --> 00:19:56,080
♪ Let it all out ♪
241
00:19:57,000 --> 00:20:00,960
♪ These are the things
I can do without ♪
242
00:20:01,520 --> 00:20:03,080
♪ Come on ♪
243
00:20:04,080 --> 00:20:05,960
♪ I'm talking to you ♪
244
00:20:06,320 --> 00:20:07,960
♪ Come on ♪
245
00:20:11,960 --> 00:20:12,920
♪ Shout ♪
246
00:20:19,800 --> 00:20:21,960
"Listen" came about during
the time of "The Hurting".
247
00:20:23,800 --> 00:20:25,680
Roland and Curt
were up in London
248
00:20:25,760 --> 00:20:27,520
doing interviews for a few days.
249
00:20:27,600 --> 00:20:29,800
So I had sometime to spare.
250
00:20:29,960 --> 00:20:32,160
And I was just working
at home one night.
251
00:20:33,520 --> 00:20:35,880
I just started messing around
252
00:20:35,960 --> 00:20:39,200
with a few synths and
drum machines and stuff.
253
00:20:40,000 --> 00:20:41,960
And did it all
in a couple of days.
254
00:20:42,080 --> 00:20:44,880
I played everything on it,
this is the demo.
255
00:20:44,960 --> 00:20:47,080
♪
256
00:20:50,320 --> 00:20:52,720
When we decided to
do it for the album
257
00:20:52,840 --> 00:20:53,880
I was nervous about it
258
00:20:53,960 --> 00:20:58,120
because it was sort of
my baby, really.
259
00:20:58,200 --> 00:21:00,920
No one else had
much to do with it.
260
00:21:01,000 --> 00:21:02,960
It was incongruous
to everything else
261
00:21:03,080 --> 00:21:04,520
that we were doing.
262
00:21:05,400 --> 00:21:12,640
♪
263
00:22:29,800 --> 00:22:37,960
♪ Mother Russia badly burned ♪
264
00:22:39,960 --> 00:22:49,960
♪ Your children lick
your wounds, your wounds ♪
265
00:23:15,200 --> 00:23:16,880
♪ Something happens ♪
266
00:23:16,960 --> 00:23:19,120
♪ And I'm head over heels ♪
267
00:23:19,240 --> 00:23:22,080
♪ Ah, don't take my heart,
don't break my heart ♪
268
00:23:22,160 --> 00:23:25,480
♪ Don't, don't,
don't throw it away ♪
269
00:23:27,480 --> 00:23:29,480
♪ Throw it away ♪
270
00:23:31,160 --> 00:23:32,520
Um...
271
00:23:32,960 --> 00:23:34,520
I think I broke
the drawer, guys.
272
00:23:37,160 --> 00:23:38,320
- I think it's repairable.
273
00:23:38,960 --> 00:23:40,400
- 52.
- Camera running.
274
00:23:40,960 --> 00:23:42,880
♪ Oh, you're wasting my time ♪
275
00:23:42,960 --> 00:23:46,320
♪ You're just, just,
just wasting time ♪
276
00:23:46,400 --> 00:23:48,520
♪ Something happens ♪
277
00:23:48,640 --> 00:23:50,880
♪ And I'm head over heels ♪
278
00:23:50,960 --> 00:23:52,920
♪ I never find out ♪
279
00:23:53,320 --> 00:23:56,320
♪ 'Til I'm head over heels ♪
280
00:23:56,520 --> 00:23:57,960
♪ Something happens ♪
281
00:23:58,480 --> 00:24:00,680
♪ And I'm head over heels ♪
282
00:24:01,160 --> 00:24:02,680
Here we go, one more time.
283
00:24:03,960 --> 00:24:05,760
Crane. Action, William.
284
00:24:06,000 --> 00:24:06,920
OK, Paul.
285
00:24:07,040 --> 00:24:11,320
♪
286
00:24:38,320 --> 00:24:41,040
♪ I wanted to be
with you alone ♪
287
00:24:42,960 --> 00:24:45,600
♪ And talk about the weather ♪
288
00:24:46,960 --> 00:24:48,880
♪ But traditions I can trace ♪
289
00:24:48,960 --> 00:24:51,120
♪ Against the child
in your face ♪
290
00:24:53,120 --> 00:24:55,320
♪ Won't escape my attention ♪
291
00:24:57,600 --> 00:25:01,320
♪ You keep your distance
with a system of touch ♪
292
00:25:03,480 --> 00:25:05,520
♪ And gentle persuasion ♪
293
00:25:07,160 --> 00:25:09,120
♪ I'm lost in admiration ♪
294
00:25:09,200 --> 00:25:11,360
♪ Could I need you this much? ♪
295
00:25:11,920 --> 00:25:13,880
♪ Oh, you're wasting my time ♪
296
00:25:14,080 --> 00:25:16,960
♪ You're just, just,
just wasting time ♪
297
00:25:17,480 --> 00:25:19,040
♪ Something happens ♪
298
00:25:19,120 --> 00:25:21,440
♪ And I'm head over heels ♪
299
00:25:21,520 --> 00:25:23,640
♪ I never find out ♪
300
00:25:24,360 --> 00:25:27,320
♪ 'Til I'm head over heels ♪
301
00:25:27,800 --> 00:25:29,080
♪ Something happens ♪
302
00:25:29,160 --> 00:25:31,840
♪ And I'm head over heels ♪
303
00:25:31,960 --> 00:25:34,920
♪ Ah, don't take my heart,
don't break my heart ♪
304
00:25:35,040 --> 00:25:37,960
♪ Don't, don't,
don't throw it away ♪
305
00:25:40,240 --> 00:25:42,480
♪ Throw it away ♪
306
00:25:45,160 --> 00:25:47,200
♪ Throw it away ♪
307
00:25:49,200 --> 00:25:52,040
♪ I made a fire
Watching it burn ♪
308
00:25:53,520 --> 00:25:56,120
♪ Yeah, thought of your future ♪
309
00:25:57,960 --> 00:25:59,840
♪ With one foot in the past ♪
310
00:26:00,160 --> 00:26:02,120
♪ Now, just how long
will it last? ♪
311
00:26:02,240 --> 00:26:06,360
♪ Now, now, now,
have you no ambitions? ♪
312
00:26:06,760 --> 00:26:08,280
♪ (Mm, what's the
matter with my...) ♪
313
00:26:08,360 --> 00:26:11,920
♪ My mother and my brothers
used to breathe in clean air ♪
314
00:26:12,040 --> 00:26:14,880
♪ (Nothing ever changes when
you're acting your age.) ♪
315
00:26:14,960 --> 00:26:16,880
♪ And dreaming I'm a doctor ♪
316
00:26:16,960 --> 00:26:18,880
♪ (Nothing gets done
when you feel like a baby) ♪
317
00:26:18,960 --> 00:26:22,280
♪ It's hard to be a man when
there's a gun in your hand ♪
318
00:26:22,360 --> 00:26:24,520
♪ (Nothing ever changes when
you're acting your age) ♪
319
00:26:24,640 --> 00:26:27,400
♪ Oh, I feel so ♪
320
00:26:28,200 --> 00:26:29,920
♪ Something happens ♪
321
00:26:30,040 --> 00:26:32,400
♪ And I'm head over heels ♪
322
00:26:32,520 --> 00:26:34,680
♪ I never find out ♪
323
00:26:35,320 --> 00:26:38,200
♪ 'Til I'm head over heels ♪
324
00:26:38,720 --> 00:26:39,960
♪ Something happens ♪
325
00:26:40,080 --> 00:26:42,440
♪ And I'm head over heels ♪
326
00:26:42,520 --> 00:26:45,680
♪ Ah, don't take my heart,
don't break my heart ♪
327
00:26:45,960 --> 00:26:48,880
♪ Don't, don't,
don't throw it away ♪
328
00:26:55,240 --> 00:27:02,520
♪ And this is my
four-leaf clover ♪
329
00:27:04,160 --> 00:27:07,120
♪ I'm on the line,
one open mind ♪
330
00:27:08,120 --> 00:27:13,760
♪ This is my four-leaf clover ♪
331
00:27:13,880 --> 00:27:16,880
♪ La, la-la-la, la-la... ♪
332
00:27:59,600 --> 00:28:03,960
♪ In my mind's eye ♪
333
00:28:04,520 --> 00:28:08,400
♪ One little boy,
one little man ♪
334
00:28:08,880 --> 00:28:10,400
♪ Funny how ♪
335
00:28:12,320 --> 00:28:18,800
♪ Time flies ♪
336
00:28:19,520 --> 00:28:26,760
♪
337
00:29:08,520 --> 00:29:09,920
- Hello.
- Hi.
338
00:29:10,040 --> 00:29:11,600
- Did you play rugby at school?
- Yes.
339
00:29:11,720 --> 00:29:13,160
- Did you?
But you didn't enjoy it.
340
00:29:14,160 --> 00:29:17,320
- I enjoyed it up until the
point I got knocked out.
341
00:29:18,520 --> 00:29:20,960
Then I couldn't tackle anybody
anymore and that was it for me.
342
00:29:22,960 --> 00:29:24,880
I had to resign myself
to timpani lessons.
343
00:29:26,360 --> 00:29:27,960
I did. That's true. Seriously,
344
00:29:28,080 --> 00:29:31,880
I was excused games
for timpani lessons.
345
00:29:35,960 --> 00:29:39,320
I had what you could call
a very unorthodox background.
346
00:29:41,600 --> 00:29:45,920
Neither of my parents had
normal jobs, nine-to-five jobs.
347
00:29:47,520 --> 00:29:49,600
My father had a
nervous breakdown
348
00:29:49,720 --> 00:29:51,200
when I was three years old
349
00:29:51,320 --> 00:29:53,840
and became semi-bedridden.
350
00:29:53,920 --> 00:29:58,600
To make money, he decided
to run an entertainment agency
351
00:29:58,720 --> 00:30:01,920
with my mother,
who was a dancer.
352
00:30:02,920 --> 00:30:04,520
Now, we had an awful lot
353
00:30:04,640 --> 00:30:07,040
of different entertainers
around the house.
354
00:30:07,120 --> 00:30:12,840
We had conjurors,
escape artists,
355
00:30:12,920 --> 00:30:14,520
cat jugglers...
356
00:30:14,600 --> 00:30:18,880
and... quite a lot of
guitarists and singers,
357
00:30:18,960 --> 00:30:22,840
and that's where
I first got into the guitar
358
00:30:22,920 --> 00:30:24,880
as a means of
accompanying the voice.
359
00:30:24,960 --> 00:30:29,680
♪
360
00:30:56,680 --> 00:30:59,840
The Rockettes,
the fabulous Rockettes.
361
00:30:59,920 --> 00:31:02,880
- What's the one?
- Singer sisters...
362
00:31:02,960 --> 00:31:06,120
- No. What was her name?
- Corrin.
363
00:31:06,320 --> 00:31:08,080
- No no.
364
00:31:08,160 --> 00:31:09,960
- Oh, Tori.
365
00:31:11,520 --> 00:31:13,840
Tori. I mean...
366
00:31:13,920 --> 00:31:16,760
She used to wear a
little red T-shirt
367
00:31:16,880 --> 00:31:18,840
and she's about this high.
368
00:31:18,920 --> 00:31:22,840
- We were about 14 then,
when we used to go and see them.
369
00:31:22,920 --> 00:31:24,920
She was a young boy's dream.
370
00:31:25,000 --> 00:31:26,520
- I've seen all three
of her on stage.
371
00:31:29,640 --> 00:31:31,040
As subtle as a fart in a bath.
372
00:31:32,960 --> 00:31:35,960
Legs straight.
No bending the knees.
373
00:31:39,160 --> 00:31:41,200
Guten Abend.
374
00:31:43,200 --> 00:31:44,880
Guten Abend.
375
00:31:44,960 --> 00:31:46,520
- How are you?
376
00:31:46,640 --> 00:31:50,400
- Can't I just say,
"Alles gute, ja?"
377
00:31:50,520 --> 00:31:52,880
What is it again?
Guten...?
378
00:31:53,160 --> 00:31:54,440
- Guten Abend!
379
00:31:54,520 --> 00:31:56,960
All right. Guten Abend.
380
00:32:00,960 --> 00:32:02,960
Forget it.
381
00:32:04,320 --> 00:32:06,880
How am I doing? Alles gute, ja?
382
00:32:12,920 --> 00:32:18,920
This is our first concert
in Germany since...
383
00:32:21,000 --> 00:32:24,080
It's weird because, to us,
we'd had success before
384
00:32:24,160 --> 00:32:25,880
because we were very
successful in England.
385
00:32:25,960 --> 00:32:27,840
When it's your home country
386
00:32:27,920 --> 00:32:29,760
you don't consider anywhere
else in the world.
387
00:32:29,920 --> 00:32:32,520
I find it now very strange
that we're going
388
00:32:32,640 --> 00:32:34,080
to countries
I've never been to before
389
00:32:34,160 --> 00:32:35,720
and our records have
been number one,
390
00:32:35,840 --> 00:32:36,880
but I've never been there.
391
00:32:36,960 --> 00:32:44,760
♪
392
00:33:07,200 --> 00:33:08,960
♪ There's only need ♪
393
00:33:09,320 --> 00:33:10,960
♪ I love your need ♪
394
00:33:11,320 --> 00:33:13,960
♪ So much I'm losing me ♪
395
00:33:14,960 --> 00:33:19,600
♪ I cannot see
the reason for the pain ♪
396
00:33:22,880 --> 00:33:24,400
♪ With hungry joy ♪
397
00:33:24,880 --> 00:33:26,280
♪ I'll be your toy ♪
398
00:33:26,360 --> 00:33:29,320
♪ Just hoping you will play ♪
399
00:33:30,160 --> 00:33:35,600
♪ Without the hope
my body starts to fail ♪
400
00:33:36,040 --> 00:33:40,920
♪ Memories fade,
but the scars still linger ♪
401
00:33:41,000 --> 00:33:43,000
♪ Goodbye, my friend ♪
402
00:33:43,480 --> 00:33:47,720
♪ Will I ever love again? ♪
403
00:33:48,040 --> 00:33:53,320
♪ Memories fade,
but the scars still linger ♪
404
00:34:00,840 --> 00:34:04,880
♪ Whoa ♪
405
00:34:04,960 --> 00:34:06,920
♪ Whoa ♪
406
00:34:07,040 --> 00:34:13,040
♪
407
00:34:35,600 --> 00:34:36,960
♪ I cannot grow ♪
408
00:34:37,080 --> 00:34:38,880
♪ I cannot move ♪
409
00:34:39,160 --> 00:34:41,840
♪ I cannot feel my age ♪
410
00:34:42,400 --> 00:34:47,200
♪ The vice-like grip
of tension holds me fast ♪
411
00:34:49,840 --> 00:34:51,320
♪ Engulfed by you ♪
412
00:34:51,800 --> 00:34:52,880
♪ What can I do? ♪
413
00:34:52,960 --> 00:34:55,960
♪ When History's my cage ♪
414
00:34:56,320 --> 00:35:01,360
♪ Look forward to
a future in the past ♪
415
00:35:01,880 --> 00:35:06,120
♪ Memories fade,
but the scars still linger ♪
416
00:35:06,520 --> 00:35:08,040
♪ Goodbye, my friend ♪
417
00:35:08,520 --> 00:35:12,080
♪ Will I ever love again? ♪
418
00:35:12,600 --> 00:35:17,800
♪ Memories fade,
but the scars still linger ♪
419
00:35:22,960 --> 00:35:26,760
♪ Whoa ♪
420
00:35:26,920 --> 00:35:29,880
♪ Whoa ♪
421
00:35:29,960 --> 00:35:35,960
♪
422
00:36:11,320 --> 00:36:12,800
♪ The more I talk ♪
423
00:36:12,960 --> 00:36:14,520
♪ The more I say ♪
424
00:36:14,960 --> 00:36:17,920
♪ The less you seem to hear ♪
425
00:36:18,320 --> 00:36:22,840
♪ I'm speechless
in a most peculiar way ♪
426
00:36:25,800 --> 00:36:26,760
♪ Your mind is weak ♪
427
00:36:26,880 --> 00:36:28,480
♪ Your need is great ♪
428
00:36:28,960 --> 00:36:31,880
♪ And nothing is too dear ♪
429
00:36:32,200 --> 00:36:36,840
♪ For you to use
to take the pain away ♪
430
00:36:37,880 --> 00:36:41,960
♪ Memories fade,
but the scars still linger ♪
431
00:36:42,320 --> 00:36:43,960
♪ Goodbye, my friend ♪
432
00:36:44,360 --> 00:36:47,960
♪ Will I ever love again? ♪
433
00:36:48,320 --> 00:36:51,920
♪ Memories fade ♪
434
00:36:52,920 --> 00:36:58,480
♪ No, don't pretend
you can justify the end ♪
435
00:36:58,960 --> 00:37:03,760
♪ Memories fade,
but the scars still linger ♪
436
00:37:05,840 --> 00:37:07,680
♪ Whoa ♪
437
00:37:09,480 --> 00:37:13,080
♪ Whoa ♪
438
00:37:13,160 --> 00:37:17,520
♪ Whoa, still linger ♪
439
00:37:22,040 --> 00:37:27,760
♪ Still linger ♪
440
00:37:27,880 --> 00:37:30,240
♪ Whoa ♪
441
00:37:30,320 --> 00:37:36,320
♪
442
00:37:55,400 --> 00:37:58,400
The idea for the title
was from a film called "Sybil",
443
00:37:58,680 --> 00:38:01,920
which is about a girl
with 14 different personalities.
444
00:38:02,040 --> 00:38:04,840
Her analyst has this
very large chair
445
00:38:04,920 --> 00:38:06,840
and when she regresses back
446
00:38:06,920 --> 00:38:09,120
to certain personalities
in her past
447
00:38:09,200 --> 00:38:11,840
she always wants
to sit in this big chair,
448
00:38:11,920 --> 00:38:14,400
because it's where
she feels comfortable,
449
00:38:14,520 --> 00:38:15,680
not scared of anyone,
450
00:38:15,760 --> 00:38:18,120
not frightened of what
the world thinks of her.
451
00:38:18,240 --> 00:38:20,520
It conjured up just
a really nice image for us,
452
00:38:20,720 --> 00:38:23,840
so we decided to use it
for the B-side of "Shout".
453
00:38:23,920 --> 00:38:28,400
And when we got to the album
title we had a lot of choices.
454
00:38:28,520 --> 00:38:32,120
In the end, because
the album's very much
455
00:38:32,200 --> 00:38:34,880
a combination of eight songs,
456
00:38:34,960 --> 00:38:37,320
we decided to call it
"Songs From The Big Chair".
457
00:38:37,920 --> 00:38:39,680
You're absolutely fantastic.
458
00:38:42,400 --> 00:38:44,840
No, I actually mean that.
459
00:38:44,920 --> 00:38:45,880
Audience member: You, too!
460
00:38:47,920 --> 00:38:50,840
♪ My kind of town ♪
461
00:38:51,920 --> 00:38:52,960
Stuttgart.
462
00:38:53,960 --> 00:38:55,400
Well, I think
"The Hurting" period
463
00:38:55,520 --> 00:38:58,440
was influenced
by all my childhood
464
00:38:58,520 --> 00:38:59,720
more than anything else.
465
00:38:59,800 --> 00:39:01,880
I think that the album was...
466
00:39:01,960 --> 00:39:04,520
an album that we wanted
to do for quite a few years,
467
00:39:04,920 --> 00:39:07,560
which was based around
our childhood experiences
468
00:39:07,680 --> 00:39:11,320
and our current
thoughts about them.
469
00:39:12,320 --> 00:39:17,240
♪
470
00:39:32,320 --> 00:39:34,920
♪ Is it an horrific dream? ♪
471
00:39:35,320 --> 00:39:37,960
♪ Am I sinking fast? ♪
472
00:39:38,080 --> 00:39:41,200
♪ Could a person be so mean ♪
473
00:39:41,480 --> 00:39:45,920
♪ As to laugh and laugh
on my own ♪
474
00:39:46,320 --> 00:39:48,960
♪ Could you ease my load? ♪
475
00:39:49,360 --> 00:39:52,200
♪ Could you see my pain? ♪
476
00:39:52,720 --> 00:39:55,240
♪ Could you please explain ♪
477
00:39:55,320 --> 00:39:56,720
♪ The hurting ♪
478
00:40:10,040 --> 00:40:12,920
♪ Could you understand a child ♪
479
00:40:13,000 --> 00:40:16,080
♪ When he cries in pain ♪
480
00:40:16,520 --> 00:40:19,360
♪ Could you give him
all he needs? ♪
481
00:40:19,840 --> 00:40:21,880
♪ Or do you feel the same? ♪
482
00:40:21,960 --> 00:40:24,040
♪ All along ♪
483
00:40:24,880 --> 00:40:27,080
♪ You've been told
you're wrong ♪
484
00:40:27,960 --> 00:40:30,480
♪ When you felt it right ♪
485
00:40:30,960 --> 00:40:33,120
♪ And you're left to fight ♪
486
00:40:33,240 --> 00:40:34,920
♪ The hurting ♪
487
00:40:36,960 --> 00:40:38,080
♪ The hurt ♪
488
00:40:39,320 --> 00:40:40,320
♪ Hurt ♪
489
00:40:40,680 --> 00:40:41,720
♪ Hurt ♪
490
00:40:43,160 --> 00:40:44,840
♪ The hurt ♪
491
00:40:45,040 --> 00:40:46,120
♪ Hurt ♪
492
00:40:46,960 --> 00:40:48,080
♪ Hurt ♪
493
00:41:13,480 --> 00:41:15,520
♪ Get in line
with the things you know ♪
494
00:41:15,960 --> 00:41:17,120
♪ Feel the pain ♪
495
00:41:17,200 --> 00:41:18,880
♪ Feel the sorrow ♪
496
00:41:18,960 --> 00:41:21,920
♪ Touch the hurt
and don't let go ♪
497
00:41:22,360 --> 00:41:25,520
♪ Don't let go, don't let go ♪
498
00:41:25,960 --> 00:41:28,520
♪ Get in line
with the things you know ♪
499
00:41:28,800 --> 00:41:29,920
♪ Learn to cry ♪
500
00:41:30,160 --> 00:41:31,960
♪ Like a baby ♪
501
00:41:32,200 --> 00:41:34,960
♪ Then the hurting
won't come back ♪
502
00:41:35,960 --> 00:41:38,880
♪ Won't come back
Won't come back ♪
503
00:41:38,960 --> 00:41:40,880
♪ Yes, yes, yes, yes ♪
504
00:41:40,960 --> 00:41:45,960
♪
505
00:41:53,960 --> 00:41:56,600
♪ Is it an horrific dream? ♪
506
00:42:00,040 --> 00:42:03,120
♪ Is it an horrific dream? ♪
507
00:42:06,520 --> 00:42:09,800
♪ Is it an horrific dream?
(The hurt) ♪
508
00:42:09,960 --> 00:42:11,960
♪ Hurt, hurt ♪
509
00:42:12,960 --> 00:42:15,640
♪ Is it an horrific dream?
(The hurt) ♪
510
00:42:16,000 --> 00:42:18,160
♪ Hurt, hurt ♪
511
00:42:19,120 --> 00:42:21,600
♪ Is it an horrific dream?
(The hurt) ♪
512
00:42:22,400 --> 00:42:24,640
♪ Hurt, hurt ♪
513
00:42:25,640 --> 00:42:28,200
♪ Is it an horrific dream?
(The hurt) ♪
514
00:42:28,960 --> 00:42:32,840
♪ Hurt, hurt ♪
515
00:42:47,520 --> 00:42:50,400
After "The Hurting",
we got very much involved
516
00:42:50,520 --> 00:42:52,520
in our own home studio.
517
00:42:53,520 --> 00:42:57,520
We learnt all about
reverb and EQ
518
00:42:57,600 --> 00:42:59,920
and all the things
that kind of come in handy
519
00:43:00,040 --> 00:43:01,640
when you're in
a recording studio,
520
00:43:02,520 --> 00:43:06,680
so much so that we sort
of forgot about the song.
521
00:43:06,880 --> 00:43:11,000
We actually attempted
making records without songs
522
00:43:11,200 --> 00:43:13,400
and then fitting songs in later
523
00:43:13,520 --> 00:43:16,400
to a bunch of
interesting sounds.
524
00:43:16,520 --> 00:43:19,400
That resulted in a single
called "The Way You Are",
525
00:43:19,520 --> 00:43:20,960
which, if you analyze it,
526
00:43:21,080 --> 00:43:23,400
has some great bits in,
527
00:43:23,520 --> 00:43:27,960
but together it's pretty
hard to get a hold of.
528
00:43:29,520 --> 00:43:32,520
It took us quite a long time
to breakout of that
529
00:43:32,800 --> 00:43:34,400
and eventually we did
530
00:43:34,520 --> 00:43:37,520
with a more raucous version
of "Mothers Talk".
531
00:43:37,680 --> 00:43:39,960
♪
532
00:43:41,680 --> 00:43:44,960
♪ My features form
with a change in the weather ♪
533
00:43:45,960 --> 00:43:47,240
♪ Weekend ♪
534
00:43:47,320 --> 00:43:49,360
♪ We can work it out ♪
535
00:43:49,480 --> 00:43:53,960
♪ My features form
with a change in the weather ♪
536
00:43:55,080 --> 00:43:57,320
♪ We can work it out ♪
537
00:43:58,000 --> 00:44:02,880
"Mothers Talk" is basically
two ideas.
538
00:44:02,960 --> 00:44:07,400
The first comes
from an old wives' tale,
539
00:44:07,520 --> 00:44:10,400
which mothers say
to their children
540
00:44:10,520 --> 00:44:12,960
when their children
pull a face.
541
00:44:13,960 --> 00:44:18,080
They say, "You'll stay like that
when the wind changes."
542
00:44:19,080 --> 00:44:21,400
That's where I got
the idea for the lyric
543
00:44:21,520 --> 00:44:24,520
"My features form
with a change in the weather."
544
00:44:24,600 --> 00:44:28,560
♪ My features form
with a change in the weather ♪
545
00:44:28,680 --> 00:44:30,000
♪ Weekend ♪
546
00:44:30,520 --> 00:44:32,320
♪ We can work it out ♪
547
00:44:32,400 --> 00:44:36,720
♪ My features form
with a change in the weather ♪
548
00:44:37,520 --> 00:44:38,640
♪ Weekend ♪
549
00:44:38,800 --> 00:44:40,600
♪ We can work it out ♪
550
00:44:40,960 --> 00:44:42,640
♪ When the wind blows ♪
551
00:44:42,960 --> 00:44:44,520
♪ When the mothers talk ♪
552
00:44:44,960 --> 00:44:46,600
♪ When the wind blows ♪
553
00:44:48,960 --> 00:44:50,520
♪ When the wind blows ♪
554
00:44:50,600 --> 00:44:52,520
♪ When the mothers talk ♪
555
00:44:52,960 --> 00:44:54,920
♪ When the wind blows ♪
556
00:44:55,000 --> 00:44:56,960
♪ We can work it out ♪
557
00:44:57,920 --> 00:45:00,680
♪ It's not that you're
not good enough ♪
558
00:45:01,760 --> 00:45:04,960
♪ It's just that
we can make you better ♪
559
00:45:05,520 --> 00:45:09,360
Also, around about the time
I was finishing the lyric,
560
00:45:09,640 --> 00:45:14,320
the American nuclear missiles
561
00:45:14,520 --> 00:45:17,080
were being brought into England.
562
00:45:18,000 --> 00:45:20,880
A lot of people were
quite scared about it,
563
00:45:20,960 --> 00:45:22,040
I certainly was.
564
00:45:22,240 --> 00:45:24,400
Therefore it took on
a nuclear flavour,
565
00:45:24,520 --> 00:45:28,520
which is not out of keeping
with the initial idea.
566
00:45:29,360 --> 00:45:32,800
♪
567
00:45:48,520 --> 00:45:52,320
♪ My features form
with a change in the weather ♪
568
00:45:52,520 --> 00:45:53,640
♪ Weekend ♪
569
00:45:53,760 --> 00:45:55,880
♪ We can work it out ♪
570
00:45:55,960 --> 00:45:59,960
♪ My features form
with a change in the weather ♪
571
00:46:00,400 --> 00:46:01,640
♪ Weekend ♪
572
00:46:01,800 --> 00:46:03,960
♪ We can work it out ♪
573
00:46:04,360 --> 00:46:05,520
For instance, in the line,
574
00:46:05,640 --> 00:46:07,240
"When the weather
starts to burn,
575
00:46:07,320 --> 00:46:09,000
"Then you'll know
that you're in trouble."
576
00:46:09,960 --> 00:46:14,960
Also there's a cartoon book
by a guy called Raymond Briggs,
577
00:46:15,080 --> 00:46:17,400
which is called
"When The Wind Blows",
578
00:46:17,520 --> 00:46:22,400
which again is about
a potential Third World War.
579
00:46:22,520 --> 00:46:25,520
That's where I got the line,
"When the wind blows."
580
00:46:26,760 --> 00:46:29,520
♪ Some of us are horrified ♪
581
00:46:30,400 --> 00:46:33,320
♪ Others never talk about it ♪
582
00:46:34,120 --> 00:46:37,000
♪ But when the weather
starts to burn ♪
583
00:46:38,960 --> 00:46:41,520
♪ Then you'll know that
you're in trouble ♪
584
00:46:41,640 --> 00:46:44,880
♪ Following the footsteps
of a soldier girl ♪
585
00:46:44,960 --> 00:46:46,920
♪ It is time to put
your clothes on ♪
586
00:46:47,000 --> 00:46:48,960
♪ And to face the world ♪
587
00:46:51,600 --> 00:46:54,520
♪ Don't you feel
your luck is changing ♪
588
00:46:55,360 --> 00:47:01,040
♪ When everything
starts to happen ♪
589
00:47:06,240 --> 00:47:07,960
♪ Put your head
right next to my heart ♪
590
00:47:09,640 --> 00:47:12,960
♪ The beat of the drum
is the fear of the dark ♪
591
00:47:22,160 --> 00:47:25,720
♪ My features form
with a change in the weather ♪
592
00:47:25,800 --> 00:47:27,120
♪ Weekend ♪
593
00:47:27,200 --> 00:47:29,680
♪ We can work it out ♪
594
00:47:29,760 --> 00:47:33,520
♪ My features form
with a change in the weather ♪
595
00:47:34,040 --> 00:47:35,400
♪ Better late than never ♪
596
00:47:35,520 --> 00:47:38,040
♪ There's a change
in the weather ♪
597
00:47:38,240 --> 00:47:39,840
♪ When the wind blows ♪
598
00:47:39,920 --> 00:47:41,640
♪ When the mothers talk ♪
599
00:47:42,120 --> 00:47:43,680
♪ When the wind blows ♪
600
00:47:46,080 --> 00:47:47,880
♪ When the wind blows ♪
601
00:47:48,200 --> 00:47:49,640
♪ When the mothers talk ♪
602
00:47:50,320 --> 00:47:51,640
♪ When the wind blows ♪
603
00:47:52,000 --> 00:47:53,960
♪ We can ♪
604
00:47:54,960 --> 00:47:59,880
♪ Only we can work it out ♪
605
00:48:19,320 --> 00:48:21,520
This is a banana solo.
606
00:48:22,960 --> 00:48:25,920
Tears For Fears was not
conceived as a touring band,
607
00:48:26,040 --> 00:48:27,400
it was first a studio setup.
608
00:48:27,520 --> 00:48:29,120
Was it more out of necessity
609
00:48:29,240 --> 00:48:31,400
that you turned into
a touring band?
610
00:48:31,520 --> 00:48:34,520
- Yeah, well the reason we were
a recording band was because
611
00:48:34,600 --> 00:48:37,520
we'd been in a live band before,
myself and Roland,
612
00:48:37,640 --> 00:48:40,720
and slogged our way around
the clubs and got nowhere.
613
00:48:40,840 --> 00:48:44,120
When we used to make records,
we used to go in the studio
614
00:48:44,200 --> 00:48:45,720
and record as a live band
615
00:48:45,800 --> 00:48:47,240
and it just didn't
work on the record.
616
00:48:47,320 --> 00:48:48,520
It just doesn't work that way.
617
00:48:48,640 --> 00:48:50,640
You have to know how to record.
618
00:48:50,800 --> 00:48:52,400
So when we split from that group
619
00:48:52,520 --> 00:48:53,920
we decided
we'd learn how to record,
620
00:48:54,000 --> 00:48:54,960
because it is a necessity.
621
00:48:55,080 --> 00:48:57,520
If you want to get anywhere,
you've got to make good records.
622
00:48:57,640 --> 00:49:00,400
So we went into a studio, into
an eight-track with Ian Stanley
623
00:49:00,520 --> 00:49:02,400
and learned how to
layer our songs
624
00:49:02,520 --> 00:49:03,880
and how to use a studio
625
00:49:03,960 --> 00:49:05,960
and to use different keyboards.
626
00:49:06,080 --> 00:49:09,120
So initially, we very much shied
away from playing live
627
00:49:09,240 --> 00:49:11,600
because it really
ruined us before.
628
00:49:14,160 --> 00:49:17,920
♪ I believe ♪
629
00:49:18,000 --> 00:49:22,840
♪ That when the hurting
and the pain has gone ♪
630
00:49:22,920 --> 00:49:28,040
♪ We will be strong ♪
631
00:49:28,200 --> 00:49:34,760
♪ Oh yes, we will be strong ♪
632
00:49:35,800 --> 00:49:37,320
♪ Yeah ♪
633
00:49:39,320 --> 00:49:42,720
♪ And I believe ♪
634
00:49:42,960 --> 00:49:47,880
♪ That if I'm crying
while I write these words ♪
635
00:49:48,200 --> 00:49:53,400
♪ Is it absurd? ♪
636
00:49:53,600 --> 00:50:00,080
♪ Or am I being real? ♪
637
00:50:04,720 --> 00:50:07,920
♪ I believe ♪
638
00:50:08,240 --> 00:50:13,120
♪ That if you knew just
what these tears were for ♪
639
00:50:13,200 --> 00:50:18,720
♪ They would just pour ♪
640
00:50:18,840 --> 00:50:23,960
♪ Like every drop of rain ♪
641
00:50:24,960 --> 00:50:30,640
♪ That's why I believe ♪
642
00:50:31,040 --> 00:50:35,120
♪ It is too late ♪
643
00:50:35,480 --> 00:50:40,520
♪ For anyone to believe ♪
644
00:50:48,960 --> 00:50:51,960
♪ I believe ♪
645
00:50:52,520 --> 00:50:57,920
♪ That if you thought for a
moment, took your time ♪
646
00:50:58,000 --> 00:51:03,320
♪ You would not
resign yourself ♪
647
00:51:03,960 --> 00:51:09,280
♪ Resign yourself
to your fate ♪
648
00:51:09,360 --> 00:51:12,360
♪ No, no, no
No no, no no ♪
649
00:51:14,920 --> 00:51:17,520
♪ And I believe ♪
650
00:51:17,960 --> 00:51:23,000
♪ That if it's written
in the stars, that's fine ♪
651
00:51:23,160 --> 00:51:27,960
♪ I can't deny ♪
652
00:51:28,640 --> 00:51:34,960
♪ That I'm a Virgo too ♪
653
00:51:39,760 --> 00:51:42,800
♪ I believe ♪
654
00:51:43,160 --> 00:51:48,200
♪ That if you're bristling
while you hear this song ♪
655
00:51:48,840 --> 00:51:52,640
♪ I could be wrong ♪
656
00:51:53,480 --> 00:51:58,120
♪ Or have I hit a nerve? ♪
657
00:52:00,600 --> 00:52:05,680
♪ That's why I believe ♪
658
00:52:05,960 --> 00:52:09,960
♪ It is too late ♪
659
00:52:10,960 --> 00:52:15,920
♪ For anyone to believe ♪
660
00:52:26,840 --> 00:52:29,920
♪ I believe ♪
661
00:52:30,000 --> 00:52:34,040
♪ That maybe somewhere
in the darkness ♪
662
00:52:34,120 --> 00:52:39,320
♪ In the night time,
in the storm, in the casino ♪
663
00:52:40,880 --> 00:52:47,120
♪ Casino Spanish eyes ♪
664
00:52:51,760 --> 00:52:54,360
♪ And I believe ♪
665
00:52:54,480 --> 00:52:55,960
♪ No, I can't believe ♪
666
00:52:56,080 --> 00:53:00,800
♪ That every time
you hear a newborn scream ♪
667
00:53:01,320 --> 00:53:05,920
♪ You just can't see ♪
668
00:53:06,040 --> 00:53:11,920
♪ The shaping of a life ♪
669
00:53:12,360 --> 00:53:18,040
♪ The shaping of a life ♪
670
00:53:19,960 --> 00:53:22,280
♪ It's too late, baby, now ♪
671
00:53:22,360 --> 00:53:26,960
♪ It's too late ♪
672
00:53:27,720 --> 00:53:28,880
♪ Yeah ♪
673
00:53:28,960 --> 00:53:42,520
♪
674
00:54:34,720 --> 00:54:35,920
"The Working Hour" came about
675
00:54:36,000 --> 00:54:38,080
when we were rehearsing
for our second or third tour
676
00:54:38,160 --> 00:54:41,360
at a school called
King Edward's School, in Bath.
677
00:54:42,040 --> 00:54:43,880
I was just messing about
on the drums
678
00:54:43,960 --> 00:54:45,920
and came up with
the basic pattern
679
00:54:46,000 --> 00:54:48,720
that goes on during
the verse of the song,
680
00:54:48,840 --> 00:54:50,560
which Roland latched onto.
681
00:54:50,680 --> 00:54:52,920
He started playing
some chords to that.
682
00:54:53,040 --> 00:54:54,200
Ian had another set of chords
683
00:54:54,320 --> 00:54:55,880
which were a totally
different song.
684
00:54:55,960 --> 00:54:58,680
We put the two together
and it seemed to work.
685
00:54:58,760 --> 00:55:02,720
This is Munich in the summer.
This is Tears For Fears.
686
00:55:02,800 --> 00:55:03,920
I'm number one.
687
00:55:04,040 --> 00:55:05,960
This is "The Working Hour".
688
00:55:06,080 --> 00:55:11,200
♪
689
00:55:48,640 --> 00:55:54,760
♪ These things
that I've been told ♪
690
00:55:55,160 --> 00:55:59,360
♪ Can rearrange my world ♪
691
00:55:59,960 --> 00:56:03,920
♪ My doubt in time ♪
692
00:56:04,480 --> 00:56:06,920
♪ But inside out ♪
693
00:56:08,960 --> 00:56:11,520
♪ This is the working hour ♪
694
00:56:11,600 --> 00:56:17,760
♪ We are paid by those
who learn by our mistakes ♪
695
00:56:18,160 --> 00:56:20,800
♪ This is the working hour ♪
696
00:56:21,080 --> 00:56:27,640
♪ We are paid by those
who learn by our mistakes ♪
697
00:56:29,960 --> 00:56:31,600
♪ Hey, hey ♪
698
00:56:39,880 --> 00:56:43,720
♪ This day and age ♪
699
00:56:44,320 --> 00:56:48,320
♪ For all and not for one ♪
700
00:56:49,320 --> 00:56:52,960
♪ All lies and secrets ♪
701
00:56:53,680 --> 00:56:58,120
♪ Put on, put on and on ♪
702
00:56:59,960 --> 00:57:02,720
♪ This is the working hour ♪
703
00:57:02,840 --> 00:57:08,960
♪ We are paid by those
who learn by our mistakes ♪
704
00:57:09,720 --> 00:57:12,040
♪ This is the working hour ♪
705
00:57:12,120 --> 00:57:18,960
♪ We are paid by those
who learn by our mistakes ♪
706
00:57:20,200 --> 00:57:22,880
♪ And fear is such
a vicious thing ♪
707
00:57:24,320 --> 00:57:27,960
♪ It wraps me up in chains ♪
708
00:57:28,400 --> 00:57:32,960
♪ Find out, find out ♪
709
00:57:33,960 --> 00:57:37,320
♪ What this fear is about ♪
710
00:57:38,080 --> 00:57:42,320
♪ Find out, find out ♪
711
00:57:43,080 --> 00:57:46,920
♪ What this fear is about ♪
712
00:57:47,040 --> 00:57:53,040
♪
713
00:58:15,120 --> 00:58:19,680
♪ Find out, find out ♪
714
00:58:20,920 --> 00:58:27,960
♪ What this fear is about ♪
715
00:58:29,640 --> 00:58:32,360
♪ Yeah ♪
716
00:58:38,720 --> 00:58:39,600
Bravo magazine,
717
00:58:39,720 --> 00:58:42,600
the largest entertainment
magazine of Europe.
718
00:58:42,720 --> 00:58:44,880
- Who are you
photographing today?
719
00:58:44,960 --> 00:58:47,600
- The band called
"Tears For Fees".
720
00:58:47,720 --> 00:58:49,880
Tears For Fears, is that right?
721
00:58:49,960 --> 00:58:52,240
- No.
- No? What was your name?
722
00:58:52,320 --> 00:58:54,520
- We're called the Beatles.
723
00:58:54,600 --> 00:58:55,680
- The Beatles.
724
00:58:57,200 --> 00:59:05,600
♪
725
00:59:28,720 --> 00:59:30,040
It don't look no good.
726
00:59:30,120 --> 00:59:36,600
♪
727
01:00:18,960 --> 01:00:21,080
I've now taken up photography.
728
01:00:21,240 --> 01:00:23,600
So instead of
strumming my guitar,
729
01:00:23,720 --> 01:00:25,720
I stroke my camera collection.
730
01:00:26,720 --> 01:00:28,920
It's just nice to have
something that's...
731
01:00:30,520 --> 01:00:32,880
not put on display,
732
01:00:32,960 --> 01:00:34,120
not put in public,
733
01:00:34,200 --> 01:00:37,720
something that you're not
criticized for, basically.
734
01:00:46,720 --> 01:00:50,040
Photography was something
that appealed to us, I think.
735
01:00:50,320 --> 01:00:51,600
It's come in useful.
736
01:00:51,720 --> 01:00:54,600
We take pictures for
the inner bags of albums
737
01:00:54,720 --> 01:00:56,720
and for our own
fan club posters and stuff.
738
01:01:00,720 --> 01:01:04,600
I mean, I don't consider
myself very good or anything.
739
01:01:04,720 --> 01:01:07,600
It's more the actual enjoyment
of doing it.
740
01:01:07,720 --> 01:01:11,120
And I'd hate to be
yet another musician
741
01:01:11,200 --> 01:01:14,040
who publishes a book of
photographs that's not any good.
742
01:01:14,760 --> 01:01:15,800
Click.
743
01:01:16,960 --> 01:01:17,960
Tears For Fears,
744
01:01:18,120 --> 01:01:19,800
"Everybody Wants To
Rule The World".
745
01:01:20,520 --> 01:01:26,320
♪
746
01:01:48,640 --> 01:01:51,960
♪ Welcome to your life ♪
747
01:01:52,920 --> 01:01:56,080
♪ There's no turning back ♪
748
01:01:56,960 --> 01:01:59,920
♪ Even while we sleep ♪
749
01:02:01,320 --> 01:02:03,160
♪ We will find you ♪
750
01:02:03,720 --> 01:02:07,320
♪ Acting on
your best behaviour ♪
751
01:02:07,960 --> 01:02:11,520
♪ Turn your back
on mother nature ♪
752
01:02:12,040 --> 01:02:17,480
♪ Everybody wants
to rule the world ♪
753
01:02:26,800 --> 01:02:29,960
♪ It's my own design ♪
754
01:02:30,960 --> 01:02:34,680
♪ It's my own remorse ♪
755
01:02:35,240 --> 01:02:38,680
♪ Help me to decide ♪
756
01:02:39,400 --> 01:02:42,120
♪ Help me make the most ♪
757
01:02:42,200 --> 01:02:45,360
♪ Of freedom and of pleasure ♪
758
01:02:45,960 --> 01:02:49,720
♪ Nothing ever lasts forever ♪
759
01:02:50,080 --> 01:02:54,880
♪ Everybody
wants to rule the world ♪
760
01:02:54,960 --> 01:02:58,520
♪ There's a room
where the light won't find you ♪
761
01:02:58,960 --> 01:03:02,960
♪ Holding hands while the
walls come tumbling down ♪
762
01:03:03,520 --> 01:03:06,760
♪ When they do
I'll be right behind you ♪
763
01:03:07,480 --> 01:03:10,960
♪ So glad we've almost made it ♪
764
01:03:11,800 --> 01:03:15,000
♪ So sad they had to fade it ♪
765
01:03:15,680 --> 01:03:21,240
♪ Everybody
wants to rule the world ♪
766
01:03:23,640 --> 01:03:25,560
♪ Yeah, yeah, yeah ♪
767
01:03:25,680 --> 01:03:36,960
♪
768
01:04:06,480 --> 01:04:10,320
♪ I can't stand
this indecision ♪
769
01:04:10,960 --> 01:04:14,520
♪ Married with
a lack of vision ♪
770
01:04:14,960 --> 01:04:19,840
♪ Everybody
wants to rule the world ♪
771
01:04:20,320 --> 01:04:23,480
♪ Say that you'll never
never never never need it ♪
772
01:04:24,080 --> 01:04:27,520
♪ One headline
why believe it? ♪
773
01:04:27,600 --> 01:04:33,240
♪ Everybody
wants to rule the world ♪
774
01:04:40,680 --> 01:04:44,120
♪ All for freedom
and for pleasure ♪
775
01:04:44,200 --> 01:04:48,360
♪ Nothing ever lasts forever ♪
776
01:04:48,480 --> 01:04:53,960
♪ Everybody
wants to rule the world ♪
777
01:04:54,080 --> 01:04:59,960
♪
778
01:05:33,400 --> 01:05:34,960
There have been two
distinct stages
779
01:05:35,720 --> 01:05:37,880
in Tears For Fears'
history so far.
780
01:05:37,960 --> 01:05:40,040
Both albums. "The Hurting",
781
01:05:40,120 --> 01:05:43,960
in which you could say
we laid ourselves bare.
782
01:05:44,960 --> 01:05:47,040
We made a very fragile album,
783
01:05:47,120 --> 01:05:49,880
which was full of
adolescent emotions
784
01:05:49,960 --> 01:05:54,600
that most people try to forget
and sweep under the carpet.
785
01:05:54,720 --> 01:05:57,920
With "Songs From The Big Chair",
in the song, "Mothers Talk",
786
01:05:58,040 --> 01:05:59,880
it was time to put
our clothes on
787
01:05:59,960 --> 01:06:01,120
and face the world.
788
01:06:01,200 --> 01:06:04,040
Tomorrow we're playing
our 100th gig
789
01:06:04,120 --> 01:06:07,760
on this world tour,
here in sunny Seattle.
790
01:06:08,720 --> 01:06:13,360
And we finish the tour
the end of November,
791
01:06:13,480 --> 01:06:15,880
which is probably
before this actually goes out,
792
01:06:15,960 --> 01:06:18,600
but that's in about
two and a half months' time.
793
01:06:18,720 --> 01:06:22,520
Then we're going to
take a long holiday
794
01:06:22,720 --> 01:06:24,880
and start writing
for the new album.
795
01:06:24,960 --> 01:06:31,600
Maybe we'll lay ourselves
bare again, wide open,
796
01:06:31,720 --> 01:06:36,520
but maybe this time revealing
an incredibly hairy chest.
797
01:06:37,640 --> 01:06:41,120
Das ist meine Lieblingsgruppe
Tears For Fears with "Shout".
798
01:06:41,240 --> 01:06:47,400
♪
799
01:06:47,520 --> 01:06:49,000
♪ Shout, shout ♪
800
01:06:49,760 --> 01:06:51,240
♪ Let it all out ♪
801
01:06:51,960 --> 01:06:55,960
♪ These are the things
I can do without ♪
802
01:06:56,520 --> 01:06:57,880
♪ Come on ♪
803
01:06:59,120 --> 01:07:00,880
♪ I'm talking to you ♪
804
01:07:01,480 --> 01:07:02,840
♪ Come on ♪
805
01:07:06,960 --> 01:07:08,960
♪ Shout, shout ♪
806
01:07:09,520 --> 01:07:11,040
♪ Let it all out ♪
807
01:07:11,960 --> 01:07:15,880
♪ These are the things
I can do without ♪
808
01:07:15,960 --> 01:07:17,520
♪ Come on ♪
809
01:07:18,960 --> 01:07:20,760
♪ I'm talking to you ♪
810
01:07:21,120 --> 01:07:22,520
♪ Come on ♪
811
01:07:26,240 --> 01:07:29,200
♪ In violent times ♪
812
01:07:30,080 --> 01:07:33,960
♪ You shouldn't have
to sell your soul ♪
813
01:07:35,840 --> 01:07:38,640
♪ In black and white ♪
814
01:07:40,000 --> 01:07:43,960
♪ They really, really
ought to know ♪
815
01:07:45,720 --> 01:07:48,600
♪ Those one-track minds ♪
816
01:07:49,960 --> 01:07:53,920
♪ That took you
for a working boy ♪
817
01:07:55,520 --> 01:07:58,240
♪ Kiss them goodbye ♪
818
01:07:59,760 --> 01:08:03,320
♪ You shouldn't have
to jump for joy ♪
819
01:08:04,760 --> 01:08:08,120
♪ You shouldn't have
to jump for joy (Shout, shout) ♪
820
01:08:08,760 --> 01:08:10,480
♪ Let it all out ♪
821
01:08:11,000 --> 01:08:14,880
♪ These are the things
I can do without ♪
822
01:08:14,960 --> 01:08:19,520
♪ Come on, I'm talking to you ♪
823
01:08:20,240 --> 01:08:21,760
♪ Come on ♪
824
01:08:25,000 --> 01:08:28,040
♪ They gave you life ♪
825
01:08:29,320 --> 01:08:33,240
♪ And in return
you gave them hell ♪
826
01:08:34,960 --> 01:08:38,080
♪ As cold as ice ♪
827
01:08:39,160 --> 01:08:43,200
♪ I hope we live
to tell the tale ♪
828
01:08:44,120 --> 01:08:47,720
♪ I hope we live to tell
the tale (Shout, shout) ♪
829
01:08:48,240 --> 01:08:49,960
♪ Let it all out ♪
830
01:08:50,640 --> 01:08:54,360
♪ These are the things
I can do without ♪
831
01:08:54,960 --> 01:08:56,200
♪ Come on ♪
832
01:08:57,840 --> 01:08:59,240
♪ I'm talking to you ♪
833
01:08:59,960 --> 01:09:01,160
♪ Come on ♪
834
01:09:05,400 --> 01:09:07,400
♪ Shout, shout ♪
835
01:09:07,960 --> 01:09:09,640
♪ Let it all out ♪
836
01:09:10,320 --> 01:09:14,000
♪ These are the things
I can do without ♪
837
01:09:14,800 --> 01:09:15,960
♪ Come on ♪
838
01:09:17,520 --> 01:09:18,960
♪ I'm talking to you ♪
839
01:09:19,800 --> 01:09:20,840
♪ Come on ♪
840
01:09:20,920 --> 01:09:27,160
♪
841
01:09:59,760 --> 01:10:01,600
♪ Shout, shout ♪
842
01:10:02,080 --> 01:10:03,880
♪ Let it all out ♪
843
01:10:04,600 --> 01:10:08,520
♪ These are the things
I can do without ♪
844
01:10:08,960 --> 01:10:10,240
♪ Come on ♪
845
01:10:11,800 --> 01:10:13,360
♪ I'm talking to you ♪
846
01:10:13,960 --> 01:10:15,240
♪ Come on ♪
847
01:10:22,960 --> 01:10:27,320
♪ And when you've taken
down your guard ♪
848
01:10:28,600 --> 01:10:32,240
♪ If I could change your mind ♪
849
01:10:32,400 --> 01:10:36,760
♪ I'd really love
to break your heart ♪
850
01:10:37,800 --> 01:10:41,200
♪ I'd really love to break
your heart (Shout, shout) ♪
851
01:10:41,840 --> 01:10:43,400
♪ Let it all out ♪
852
01:10:44,200 --> 01:10:47,960
♪ These are the things
I can do without ♪
853
01:10:48,600 --> 01:10:49,840
♪ Come on ♪
854
01:10:51,240 --> 01:10:52,720
♪ I'm talking to you ♪
855
01:10:53,480 --> 01:10:54,480
♪ Come on ♪
856
01:10:58,960 --> 01:11:00,840
♪ Shout, shout ♪
857
01:11:01,360 --> 01:11:02,960
♪ Let it all out ♪
858
01:11:03,960 --> 01:11:07,840
♪ These are the things
I can do without ♪
859
01:11:08,320 --> 01:11:10,000
♪ Come on ♪
860
01:11:11,000 --> 01:11:12,360
♪ I'm talking to you ♪
861
01:11:13,000 --> 01:11:14,360
♪ So come on ♪
862
01:11:14,480 --> 01:11:23,120
♪
863
01:11:58,320 --> 01:11:59,960
♪ Shout, shout ♪
864
01:12:00,720 --> 01:12:02,080
♪ Let it all out ♪
865
01:12:03,320 --> 01:12:06,960
♪ These are the things
I can do without ♪
866
01:12:07,800 --> 01:12:08,800
♪ Come on ♪
867
01:12:10,320 --> 01:12:11,960
♪ I'm talking to you ♪
868
01:12:12,640 --> 01:12:13,640
♪ Come on ♪
869
01:12:17,000 --> 01:12:19,880
♪ Shout, shout ♪
870
01:12:20,480 --> 01:12:22,000
♪ Let it all out ♪
871
01:12:22,960 --> 01:12:24,880
Alright, good evening,
here we are in Germany
872
01:12:24,960 --> 01:12:26,960
and we're what
you'd call "gigging".
873
01:12:27,080 --> 01:12:29,160
"Gigging" is a word used
in the rock business
874
01:12:29,520 --> 01:12:30,960
for when you do a show.
875
01:12:31,080 --> 01:12:33,720
We've been "gigging" tonight.
I hope you've enjoyed it.
876
01:12:40,680 --> 01:12:45,600
♪
63559
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