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1
00:00:10,575 --> 00:00:12,490
[patriotic music]
2
00:00:12,620 --> 00:00:15,406
- I'M THE DEPUTY DIRECTOR
OF THE FBI.
3
00:00:15,536 --> 00:00:18,235
I'M GONNA LOOK INTO
THIS RASCAL "DEEP THROAT."
4
00:00:18,365 --> 00:00:21,194
I THINK I'M GONNA VOMIT.
5
00:00:21,325 --> 00:00:23,066
- ELVIS FREAKS OUT.
6
00:00:23,196 --> 00:00:25,329
HE'S GONNA REGRET THE DAY
HE STOLE THAT JEWELRY, MAN.
7
00:00:25,459 --> 00:00:28,854
HE--HE MESSED
WITH THE WRONG GUY.
8
00:00:28,984 --> 00:00:30,508
- JOHN WILKES BOOTH IS LIKE,
9
00:00:30,638 --> 00:00:33,772
LINCOLN?
WHAT DOES IT ALL MEAN?
10
00:00:33,902 --> 00:00:36,296
WHAT IS HE TALKING ABOUT?
11
00:00:36,427 --> 00:00:39,604
SLAVERY.
I DON'T EVEN GET IT.
12
00:00:39,734 --> 00:00:43,782
[inhales, exhales]
WHA--
13
00:00:43,912 --> 00:00:45,479
WHERE ARE WE?
14
00:00:45,610 --> 00:00:53,618
♪
15
00:00:56,534 --> 00:01:01,321
- UM, D.C. IS THE GREATEST
PLACE TO LIVE ON EARTH.
16
00:01:01,452 --> 00:01:05,717
UM, IT'S A TRANSIENT CITY,
LIKE A STEPPING STONE.
17
00:01:05,847 --> 00:01:07,936
SO THAT BRINGS
A LOT OF NEW PEOPLE IN,
18
00:01:08,067 --> 00:01:09,590
BUT IT'S ALSO--
BRINGS PEOPLE WHO DON'T KNOW
19
00:01:09,721 --> 00:01:11,853
WHAT THE [bleep]'S
GOING ON.
20
00:01:11,984 --> 00:01:13,725
- THERE'S THE THREE BRANCHES
OF GOVERNMENT,
21
00:01:13,855 --> 00:01:15,727
ALL OF THESE CHECKS
AND BALANCES.
22
00:01:15,857 --> 00:01:18,469
JUDICIAL, EXECUTIVE,
LEGISLATIVE.
23
00:01:18,599 --> 00:01:22,037
THEY ALL EXIST
IN WASHINGTON, D.C.
24
00:01:22,168 --> 00:01:23,517
[indistinct muttering]
25
00:01:23,648 --> 00:01:25,084
- HAVE YOU BEEN DRINKING?
26
00:01:25,215 --> 00:01:27,173
- HERE'S THE DEAL.
I HAVE BEEN.
27
00:01:27,304 --> 00:01:28,740
- YEAH.
28
00:01:28,870 --> 00:01:30,089
- BECAUSE THAT'S THE PART
OF THE THING
29
00:01:30,220 --> 00:01:31,264
THAT I GOTTA DO
FOR THIS SHOW.
30
00:01:31,395 --> 00:01:33,005
HELLO.
31
00:01:33,136 --> 00:01:35,268
MY NAME IS MATT GOURLEY.
32
00:01:35,399 --> 00:01:37,488
AND TONIGHT, WE'RE GONNA
TALK ABOUT WATERGATE.
33
00:01:37,618 --> 00:01:41,187
LET'S BEGIN.
34
00:01:41,318 --> 00:01:44,190
WASHINGTON, D.C.
1970--
35
00:01:44,321 --> 00:01:46,061
1972.
36
00:01:46,192 --> 00:01:48,412
FIVE WATERGATE BURGLARS
ARE ARRESTED
37
00:01:48,542 --> 00:01:51,328
IN THE DEMOCRATIC
NATIONAL COMMITTEE HEADQUARTERS.
38
00:01:51,458 --> 00:01:54,418
WHAT ARE THEY DOING THERE?
WHY ARE THEY BREAKING IN?
39
00:01:54,548 --> 00:01:58,073
THE YOUNG UPSTART REPORTER,
ROBERT WOODWARD,
40
00:01:58,204 --> 00:01:59,684
GOES TO THE HEARING.
41
00:01:59,814 --> 00:02:01,468
ONE OF THEM,
42
00:02:01,599 --> 00:02:04,732
WHEN THE JUDGE IS ASKING
THESE FIVE BURGLARS,
43
00:02:04,863 --> 00:02:06,081
WHO DO YOU WORK FOR?
44
00:02:06,212 --> 00:02:07,996
THE CIA.
45
00:02:08,127 --> 00:02:10,608
EXCUSE ME, COULD YOU SAY THAT
A LITTLE BIT LOUDER?
46
00:02:10,738 --> 00:02:12,566
THE CIA.
47
00:02:12,697 --> 00:02:17,963
ROBERT WOODWARD
IS ON TO SOMETHING.
48
00:02:18,093 --> 00:02:20,270
OH, LOOK AT THIS SWEET,
LITTLE FAT GUY.
49
00:02:22,576 --> 00:02:27,233
WHERE DO YOU GOTTA BE
RIGHT NOW?
50
00:02:27,364 --> 00:02:29,366
OKAY,
LET'S GO BACK IN TIME.
51
00:02:29,496 --> 00:02:31,324
THE YEAR IS 1970.
52
00:02:31,455 --> 00:02:36,373
A YOUNG ROBERT WOODWARD,
A LIEUTENANT IN THE NAVY--
53
00:02:36,503 --> 00:02:39,985
HE'S SITTING NEXT TO
THIS OLDER, DISTINGUISHED MAN,
54
00:02:40,115 --> 00:02:42,683
SAYING, I'M SOON TO BE OUT
OF THE NAVY.
55
00:02:42,814 --> 00:02:44,511
WHAT AM I GONNA DO
WITH MY LIFE?
56
00:02:44,642 --> 00:02:47,819
AM I GONNA BECOME A LAWYER
LIKE MY FATHER WANTS?
57
00:02:47,949 --> 00:02:50,387
AND THIS OLDER MAN
PRESENTS HIMSELF AS A MENTOR,
58
00:02:50,517 --> 00:02:52,737
SAYING,
SO LISTEN TO ME.
59
00:02:52,867 --> 00:02:56,044
YOU'RE WORKING FOR TRUTH.
STAY WITH IT.
60
00:02:56,175 --> 00:02:59,352
AND YOUNG ROBERT WOODWARD
TAKES AWAY FROM THIS THING,
61
00:02:59,483 --> 00:03:00,832
I CAN DEPEND ON THIS MAN.
62
00:03:00,962 --> 00:03:03,791
I CAN CALL ON THIS MAN
AT SOME POINT
63
00:03:03,922 --> 00:03:05,750
TO GIVE ME INFORMATION.
64
00:03:05,880 --> 00:03:11,364
THAT MAN IS MARK FELT,
THE DEPUTY DIRECTOR OF THE FBI.
65
00:03:11,495 --> 00:03:13,671
LET'S FLASH FORWARD
A LITTLE BIT.
66
00:03:13,801 --> 00:03:16,761
ROBERT WOODWARD
AND HIS PARTNER, CARL BERNSTEIN,
67
00:03:16,891 --> 00:03:19,720
DECIDE TO CALL ON
HIS OLD BUDDY, MARK FELT,
68
00:03:19,851 --> 00:03:22,984
FOR INFORMATION
ABOUT WATERGATE.
69
00:03:23,115 --> 00:03:25,378
FELT SAYS, I CAN'T TALK TO YOU
ON THE PHONE ABOUT THIS.
70
00:03:25,509 --> 00:03:29,817
I'M MARK FELT,
AND I DID SPY TIMES AND WWII,
71
00:03:29,948 --> 00:03:31,732
AND I KNOW HOW THIS WORKS.
72
00:03:31,863 --> 00:03:35,606
YOU GET THE NEW YORK TIMES
EVERY DAY AT YOUR DOOR.
73
00:03:35,736 --> 00:03:39,174
AT PAGE 20,
I WILL DRAW A LITTLE CLOCK
74
00:03:39,305 --> 00:03:41,046
THAT SAYS WHAT HOUR
I WANNA MEET YOU.
75
00:03:41,176 --> 00:03:42,090
AND HERE'S THE THING.
76
00:03:42,221 --> 00:03:43,875
ANYTIME YOU WANNA MEET ME,
77
00:03:44,005 --> 00:03:46,486
MARK FELT SAYS,
I NEED SOMETHING
78
00:03:46,617 --> 00:03:49,054
THAT I COULD VISUALLY
ACKNOWLEDGE.
79
00:03:49,184 --> 00:03:51,143
WOODWARD SAYS,
I DO HAVE THIS POTTED PLANT
80
00:03:51,274 --> 00:03:52,579
THAT I KEEP OUT
ON MY BALCONY.
81
00:03:52,710 --> 00:03:54,233
I COULD MOVE THAT.
82
00:03:54,364 --> 00:03:56,670
AND MARK FELT IS LIKE,
HERE'S THE THING.
83
00:03:56,801 --> 00:03:58,890
I WANNA MEET YOU AT
THIS UNDERGROUND PARKING GARAGE
84
00:03:59,020 --> 00:04:00,892
IN VIRGINIA.
85
00:04:01,022 --> 00:04:03,242
BUT ANYTIME YOU WANNA MEET ME,
LEAVE OUT THE BACK STAIRS.
86
00:04:03,373 --> 00:04:05,984
WALK A COUPLE OF BLOCKS,
GET IN A CAB.
87
00:04:06,114 --> 00:04:07,638
TAKE THAT CAB,
GET OUT OF THE CAB,
88
00:04:07,768 --> 00:04:10,423
WALK A COUPLE BLOCKS,
GET IN ANOTHER CAB,
89
00:04:10,554 --> 00:04:12,817
GET IN THAT CAB,
GET OUT OF THAT CAB,
90
00:04:12,947 --> 00:04:15,385
WALK A COUPLE BLOCKS
TO THE VIRGINIA PARKING GARAGE
91
00:04:15,515 --> 00:04:18,126
THAT I PREVIOUSLY
TALKED ABOUT.
92
00:04:18,257 --> 00:04:20,694
WOODWARD MEETS FELT.
93
00:04:20,825 --> 00:04:25,395
AND HE SAYS...
94
00:04:28,136 --> 00:04:30,617
HOLD ON.
95
00:04:30,748 --> 00:04:34,708
[whispering]
I THINK I'M GONNA VOMIT.
96
00:04:34,839 --> 00:04:37,145
[breathing]
97
00:04:37,276 --> 00:04:39,800
DO YOU--
[burps]
98
00:04:39,931 --> 00:04:41,454
- DO WHAT YOU GOTTA DO.
99
00:04:41,585 --> 00:04:44,414
- [vomiting]
100
00:04:45,763 --> 00:04:48,722
SORRY, PAL.
101
00:04:51,464 --> 00:04:54,162
I'M READY TO TELL THE STORY.
102
00:04:54,293 --> 00:04:58,515
WOODWARD MEETS
WITH MARK FELT,
103
00:04:58,645 --> 00:05:00,821
AND HE SAYS, COULD YOU
TELL ME A LITTLE BIT
104
00:05:00,952 --> 00:05:03,955
ABOUT WHY THESE GUYS
MIGHT BE CONNECTED?
105
00:05:04,085 --> 00:05:06,087
AND HE SAYS,
PUT THE PIECES TOGETHER,
106
00:05:06,218 --> 00:05:08,263
YOU DUMBASS!
107
00:05:08,394 --> 00:05:12,050
IT'S ALL IN FRONT OF YOU.
DO THE WORK!
108
00:05:12,180 --> 00:05:13,921
JUST BE CAREFUL.
109
00:05:14,052 --> 00:05:16,837
WATERGATE IS THE TIP
OF THE ICEBERG.
110
00:05:16,968 --> 00:05:19,492
AND WHEN ROBERT WOODWARD
TOOK HIS SECRET SOURCE
111
00:05:19,623 --> 00:05:21,189
TO THE WASHINGTON POST,
HE SAID,
112
00:05:21,320 --> 00:05:23,061
MY SOURCE IS DEEP BACKGROUND.
113
00:05:23,191 --> 00:05:25,542
THAT MEANS HE CANNOT BE
IDENTIFIED.
114
00:05:25,672 --> 00:05:28,501
THEIR EDITOR
AT THE WASHINGTON POSTSAID,
115
00:05:28,632 --> 00:05:30,634
YEAH, YOU KEEP CALLING HIM
DEEP BACKGROUND,
116
00:05:30,764 --> 00:05:32,723
BUT I'M GONNA CALL HIM
"DEEP THROAT"...
117
00:05:32,853 --> 00:05:34,638
BASED ON...
118
00:05:34,768 --> 00:05:37,118
THE PORNOGRAPHY FILM
THAT WAS VERY POPULAR,
119
00:05:37,249 --> 00:05:38,946
WHICH DEALT
WITH NATURAL LADIES,
120
00:05:39,077 --> 00:05:41,122
YOU KNOW?
121
00:05:41,253 --> 00:05:43,647
AND SO WOODWARD AND BERNSTEIN
FIGURE OUT
122
00:05:43,777 --> 00:05:46,693
THAT THIS MONEY
CONNECTED TO THESE BURGLARS
123
00:05:46,824 --> 00:05:50,480
GOES ALL THE WAY TO
THE WATERGATE ADMINISTRATION--
124
00:05:50,610 --> 00:05:53,308
TO THE NIXON ADMINISTRATION.
125
00:05:53,439 --> 00:05:56,311
RICHARD NIXON.
LET'S TALK ABOUT RICHARD NIXON.
126
00:05:56,442 --> 00:05:57,356
DO YOU WANNA TALK
ABOUT RICHARD NIXON?
127
00:05:57,487 --> 00:05:58,749
- I WOULD LO--
YES, PLEASE.
128
00:05:58,879 --> 00:06:00,098
- YEAH, I THOUGHT YOU MIGHT.
129
00:06:00,228 --> 00:06:01,969
MARK FELT SAYS TO NIXON,
130
00:06:02,100 --> 00:06:04,885
I'M THE DEPUTY DIRECTOR
OF THE FBI.
131
00:06:05,016 --> 00:06:08,019
I'M GONNA LOOK INTO
THIS RASCAL "DEEP THROAT."
132
00:06:08,149 --> 00:06:10,978
AND FURTHER,
I'M GONNA SET MYSELF UP
133
00:06:11,109 --> 00:06:13,938
AS HEAD OF THE INVESTIGATION.
134
00:06:14,068 --> 00:06:16,593
SO NIXON'S TOP AIDE,
HALDEMAN, SAYS,
135
00:06:16,723 --> 00:06:19,639
I THINK MARK FELT
IS DEEP THROAT.
136
00:06:19,770 --> 00:06:23,426
AND NIXON SAYS,
NOW, WHY WOULD HE DO THAT?
137
00:06:23,556 --> 00:06:26,864
AND WHEN THE WATERGATE HEARINGS
GETS TO A BOILING POINT,
138
00:06:26,994 --> 00:06:28,692
NIXON IS LIKE,
139
00:06:28,822 --> 00:06:30,868
I NEVER KNEW OF
THIS WATERGATE BREAK-IN
140
00:06:30,998 --> 00:06:33,131
TO DISCOVER INFORMATION
ABOUT THE DEMOCRATS.
141
00:06:33,261 --> 00:06:34,524
AND AFTER THAT,
HE SAYS,
142
00:06:34,654 --> 00:06:35,960
"I AM NOT A CROOK."
143
00:06:36,090 --> 00:06:38,005
NIXON KNOWS HE'S [bleep].
144
00:06:38,136 --> 00:06:40,355
AND HE SAYS, THERE'S NOTHING
I CAN DO ABOUT IT.
145
00:06:40,486 --> 00:06:41,966
NOBODY'S GONNA TRUST ME
AT THIS POINT.
146
00:06:42,096 --> 00:06:44,229
I GOTTA STEP DOWN.
147
00:06:44,359 --> 00:06:45,796
HAND ME SOME COOKIES.
148
00:06:47,972 --> 00:06:51,410
ALL I KNOW IS I'M EATING COOKIES
AND NONE OF YOU ARE.
149
00:06:51,541 --> 00:06:53,194
DO YOU GUYS WANT SOME COOKIES?
150
00:06:53,325 --> 00:06:55,196
- NO, WE LIKE WATCHING YOU
EAT COOKIES.
151
00:06:55,327 --> 00:06:56,981
- YOU HAVE NO AMBITION.
152
00:06:57,111 --> 00:06:59,287
THE INTERESTING THING
ABOUT THIS TAKE
153
00:06:59,418 --> 00:07:02,508
WE'RE TAKING ON IT IS ALL
THE STORIES WE KNOW OF WATERGATE
154
00:07:02,639 --> 00:07:04,641
IS, WHO'S DEEP THROAT?
155
00:07:04,771 --> 00:07:07,382
AND NOW WE CAN TELL THE STORY
KNOWING WHO DEEP THROAT IS.
156
00:07:07,513 --> 00:07:09,428
AND IN THE END,
157
00:07:09,559 --> 00:07:12,257
YOU CAN TOSS ASIDE RICHARD NIXON
FOR ALL HIS CYNICISM,
158
00:07:12,387 --> 00:07:14,825
YOU CAN TOSS ASIDE DEEP THROAT
FOR ALL HIS CYNICISM,
159
00:07:14,955 --> 00:07:19,046
BUT YOU CAN'T TOSS ASIDE
ROBERT WOODWARD,
160
00:07:19,177 --> 00:07:21,309
AND TO A LESSER EXTENT,
CARL BERNSTEIN,
161
00:07:21,440 --> 00:07:24,399
FOR THE TRUTH
THAT THEY EXPOSED
162
00:07:24,530 --> 00:07:27,751
FOR AMERICA.
163
00:07:27,881 --> 00:07:30,057
WELL, WE TOLD THE STORY
OF WATERGATE.
164
00:07:30,188 --> 00:07:32,973
THERE'S NO WAY I COULD
POSSIBLY MISCONSTRUE IT
165
00:07:33,104 --> 00:07:38,588
AS NOT THE GREATEST
JOURNALISTIC ENDEAVOR EVER TOLD.
166
00:07:38,718 --> 00:07:41,460
ROBERT WOODWARD
WOULD BE PROUD.
167
00:07:44,376 --> 00:07:46,639
- IT'S BEAUTIFUL.
THEY'RE AT THE FORD'S THEATRE.
168
00:07:46,770 --> 00:07:50,295
UNTIL JOHN WILKES BOOTH
COMES INTO THEIR BOX
169
00:07:50,425 --> 00:07:52,340
AND SHOOTS LINCOLN
IN THE HEAD.
170
00:07:52,471 --> 00:07:54,560
[bleep].
171
00:08:02,350 --> 00:08:04,657
[mixed chatter]
172
00:08:04,788 --> 00:08:06,529
- ABRAHAM LINCOLN IS,
LIKE, THE BEST.
173
00:08:06,659 --> 00:08:09,532
ASIDE FROM THE PRO--
THE EMANCIPATION PROCLAMATION,
174
00:08:09,662 --> 00:08:11,534
FREED THE SLAVES--
175
00:08:11,664 --> 00:08:13,536
ACTUALLY, I'M EAST AFRICAN.
IT DOESN'T MATTER.
176
00:08:13,666 --> 00:08:15,755
BUT HE'S [bleep] SWAG.
177
00:08:15,886 --> 00:08:17,540
[bleep] GREAT,
ABRAHAM LINCOLN.
178
00:08:17,670 --> 00:08:19,716
ABRAHAM LINCOLN IS,
LIKE, THE BEST--
179
00:08:19,846 --> 00:08:22,153
16TH-BEST PRESIDENT
IN AMERICA.
180
00:08:22,283 --> 00:08:23,241
- CHEERS.
- CHEERS.
181
00:08:23,371 --> 00:08:27,680
- HISTORY.
YEAH?
182
00:08:27,811 --> 00:08:29,160
- WHEN I DRANK,
IT SOUNDED LIKE A FART.
183
00:08:29,290 --> 00:08:30,161
- [laughing]
184
00:08:30,291 --> 00:08:32,337
- HELLO.
185
00:08:32,467 --> 00:08:34,557
TODAY, WE'RE GONNA TALK
ABOUT JOHN WILKES BOOTH
186
00:08:34,687 --> 00:08:37,168
AND HIS BROTHER,
EDWIN BOOTH--
187
00:08:37,298 --> 00:08:39,910
THE BOOTH BROTHERS.
188
00:08:40,040 --> 00:08:42,347
EDWIN BOOTH
AND JOHN WILKES BOOTH
189
00:08:42,477 --> 00:08:45,480
WERE BORN TO A BRITISH ACTOR
190
00:08:45,611 --> 00:08:49,702
NAMED JU...NIUS
BRUTUS BOOTH.
191
00:08:49,833 --> 00:08:51,704
[laughs]
192
00:08:51,835 --> 00:08:55,273
EDWIN IS A FAVORITE
OF THEIR DAD.
193
00:08:55,403 --> 00:08:59,364
JUNIUS WAS SO MEAN,
HE WOULDN'T EVEN LET JOHN WILKES
194
00:08:59,494 --> 00:09:01,148
INTO PHOTOGRAPHS WITH HIM.
195
00:09:01,279 --> 00:09:04,804
JOHN WILKES, STAY BACK, MAN.
STAY AWAY.
196
00:09:04,935 --> 00:09:07,677
BECAUSE YOU'RE NOT COOL.
STOP.
197
00:09:07,807 --> 00:09:10,505
YOU'RE KINDA WEIRD.
YOU'RE WEIRDING EVERYBODY OUT.
198
00:09:10,636 --> 00:09:12,420
JUST BACK AWAY.
199
00:09:12,551 --> 00:09:14,945
AND HE BECAME SAD.
200
00:09:15,075 --> 00:09:18,035
WHICH ESTABLISHES
THEIR RIVALRY.
201
00:09:18,165 --> 00:09:21,516
IN 1858, JOHN WILKES
AND EDWIN BOOTH
202
00:09:21,647 --> 00:09:25,825
WERE THE MOST FAMOUS ACTORS
IN THE WORLD.
203
00:09:25,956 --> 00:09:31,222
PERFORMANCE-WISE,
EVERYONE LOVED EDWIN BOOTH.
204
00:09:31,352 --> 00:09:34,704
JOHN WILKES BOOTH--
HE WAS UNTRAINED.
205
00:09:34,834 --> 00:09:39,839
HE WOULD KNOCK SETS DOWN.
HE WAS SO VIOLENT.
206
00:09:39,970 --> 00:09:41,754
SO WHEN THE CIVIL WAR
BROKE OUT,
207
00:09:41,885 --> 00:09:43,843
JOHN WILKES BOOTH
IS LIKE,
208
00:09:43,974 --> 00:09:46,803
LINCOLN?
WHAT DOES IT ALL MEAN?
209
00:09:46,933 --> 00:09:49,457
WHAT IS HE TALKING ABOUT?
210
00:09:49,588 --> 00:09:52,722
SLAVERY.
I DON'T EVEN GET IT.
211
00:09:52,852 --> 00:09:56,421
THAT WAS THE MOMENT
HIS POLITICAL ASPIRATIONS
212
00:09:56,551 --> 00:10:01,208
OVERTOOK
ARTISTIC ASPIRATION.
213
00:10:01,339 --> 00:10:03,123
HOWEVER, ABRAHAM LINCOLN
214
00:10:03,254 --> 00:10:06,257
WAS REQUESTING
EDWIN PERFORM SHAKESPEARE
215
00:10:06,387 --> 00:10:08,476
AT GOVERNMENT FUNCTIONS.
216
00:10:08,607 --> 00:10:10,130
AM I [bleep] IT UP, GUYS?
217
00:10:10,261 --> 00:10:12,045
WHAT'S UP, GUYS?
218
00:10:12,176 --> 00:10:13,481
WHAT--IS IT [bleep] IT UP?
219
00:10:13,612 --> 00:10:16,571
OKAY, OKAY.
[mumbling]
220
00:10:16,702 --> 00:10:19,096
OKAY.
RIGHT, RIGHT, RIGHT.
221
00:10:19,226 --> 00:10:21,098
AT THE FORD'S THEATRE,
222
00:10:21,228 --> 00:10:23,753
WHEN JOHN WILKES BOOTH
WAS GESTICULATING,
223
00:10:23,883 --> 00:10:25,929
ABRAHAM LINCOLN'S SISTER-IN-LAW
IS LIKE,
224
00:10:26,059 --> 00:10:28,453
I THINK HE'S POINTING AT YOU,
ABRAHAM.
225
00:10:28,583 --> 00:10:29,802
AND ABRAHAM LINCOLN IS LIKE,
226
00:10:29,933 --> 00:10:32,370
IT DOES SEEM LIKE
HE'S POINTING AT ME.
227
00:10:32,500 --> 00:10:34,633
UHH...
228
00:10:34,764 --> 00:10:36,374
THIS IS A LITTLE WEIRD.
229
00:10:36,504 --> 00:10:39,812
HE SHOULD, UH, YOU KNOW,
230
00:10:39,943 --> 00:10:42,336
NOT BE POINTING AT ME
DURING THIS PARTICULAR LINE
231
00:10:42,467 --> 00:10:46,732
BECAUSE IT'S SORT OF...
AGGRESSIVE.
232
00:10:46,863 --> 00:10:51,563
IN NOVEMBER 1864,
EDWIN BOOTH IS LIKE,
233
00:10:51,694 --> 00:10:54,131
HEY, YOU KNOW,
I WANNA GET TO KNOW YOU BETTER.
234
00:10:54,261 --> 00:10:55,785
WE'VE HAD SOME HARD TIMES.
235
00:10:55,915 --> 00:10:58,483
LET'S DO A PLAY
TOGETHER AGAIN,
236
00:10:58,613 --> 00:11:02,095
FOR ONE PERFORMANCE ONLY--
JULIUS CAESAR.
237
00:11:02,226 --> 00:11:05,620
JOHN WILKES' FAVORITE ROLE
WAS BRUTUS,
238
00:11:05,751 --> 00:11:10,147
THE MAN THAT EXECUTES
A TYRANT.
239
00:11:10,277 --> 00:11:14,151
AND EDWIN BOOTH IS LIKE,
I GET TO PLAY BRUTUS.
240
00:11:14,281 --> 00:11:16,762
[trumpets sounding]
241
00:11:16,893 --> 00:11:18,764
FOR ONE PERFORMANCE ONLY,
242
00:11:18,895 --> 00:11:21,767
IN THE PRODUCTION OF
JULIUS CAESAR,
243
00:11:21,898 --> 00:11:26,337
EDWIN SAID,
"SIC SEMPER TYRANNIS,"
244
00:11:26,467 --> 00:11:28,556
AND EVERYONE LOVES IT.
245
00:11:28,687 --> 00:11:29,906
CRITICS SAID THAT IT WAS
246
00:11:30,036 --> 00:11:34,127
THE MOST IMPORTANT SHOW
OF ALL TIME.
247
00:11:34,258 --> 00:11:37,522
SO JOHN WILKES BOOTH
STARTED GETTING INVOLVED
248
00:11:37,652 --> 00:11:40,177
WITH A SECRET
CONFEDERATE SOCIETY
249
00:11:40,307 --> 00:11:45,965
AND HAD MASTERMINDED A PLAN
TO KIDNAP LINCOLN.
250
00:11:46,096 --> 00:11:49,012
UHH...
251
00:11:49,142 --> 00:11:51,188
MM-MM.
252
00:11:51,318 --> 00:11:52,885
SO JOHN WILKES BOOTH
WENT TO THE FORD'S THEATRE
253
00:11:53,016 --> 00:11:54,452
TO PICK UP HIS MAIL,
254
00:11:54,582 --> 00:11:56,541
AND JOHN FORD'S BROTHER
IS LIKE,
255
00:11:56,671 --> 00:12:01,981
HEY, ARE YOU GONNA COME SEE
OUR AMERICAN COUSINTONIGHT?
256
00:12:02,112 --> 00:12:04,244
OUR AMERICAN COUSIN?
257
00:12:04,375 --> 00:12:06,246
YOU GUYS ARE DOING
OUR AMERICAN COUSINTONIGHT?
258
00:12:06,377 --> 00:12:08,596
YEAH.
259
00:12:08,727 --> 00:12:11,512
ABRAHAM LINCOLN'S
GONNA BE HERE.
260
00:12:11,643 --> 00:12:13,253
YOU SHOULD COME.
261
00:12:13,384 --> 00:12:17,910
AND JOHN WILKES BOOTH
IS LIKE, UH, WHAT?
262
00:12:18,041 --> 00:12:20,521
ABRAHAM LINCOLN'S GONNA BE
AT THE THEATRE TONIGHT?
263
00:12:20,652 --> 00:12:22,915
OH, MY GOD.
264
00:12:23,046 --> 00:12:28,399
I'M GONNA CHANGE MY PLAN
FROM KIDNAPPING HIM...
265
00:12:28,529 --> 00:12:30,401
TO ASSASSINATING HIM.
266
00:12:30,531 --> 00:12:33,404
[laughter]
267
00:12:35,754 --> 00:12:40,933
SO ABRAHAM LINCOLN'S AT THE PLAY
OUR AMERICAN COUSIN
268
00:12:41,064 --> 00:12:43,414
WITH HIS WIFE, MARY TODD.
269
00:12:43,544 --> 00:12:44,937
IT'S BEAUTIFUL.
270
00:12:45,068 --> 00:12:49,202
EVERYTHING'S
GOING PERFECTLY...
271
00:12:49,333 --> 00:12:52,510
UNTIL JOHN WILKES BOOTH...
272
00:12:52,640 --> 00:12:55,643
COMES INTO THEIR BOX.
273
00:13:06,872 --> 00:13:08,439
- WELCOME BACK
TO DRUNK HISTORY.
274
00:13:08,569 --> 00:13:10,833
- MY DAD IS A SENATOR.
275
00:13:16,273 --> 00:13:20,016
- WHA--
WHERE ARE WE?
276
00:13:20,146 --> 00:13:23,628
JOHN WILKES BOOTH
COMES INTO THEIR BOX
277
00:13:23,758 --> 00:13:26,544
AND SHOOTS LINCOLN
IN THE HEAD.
278
00:13:26,674 --> 00:13:29,634
AFTER HE SHOT LINCOLN,
HE JUMPED FROM THE BALCONY,
279
00:13:29,764 --> 00:13:31,636
BREAKING HIS ANKLE.
280
00:13:31,766 --> 00:13:34,639
OW, OW, OW, OW, OW, OW.
281
00:13:34,769 --> 00:13:36,467
OW, OW, OW, OW, OW, OW.
282
00:13:36,597 --> 00:13:38,121
OH, MY--I'M HURTING!
283
00:13:38,251 --> 00:13:39,600
- REALLY?
284
00:13:39,731 --> 00:13:41,167
[laughter]
285
00:13:41,298 --> 00:13:43,256
- OW, OW, OW, OW, OW.
286
00:13:43,387 --> 00:13:44,954
IN RAISING HIS KNIFE
IN THE AIR,
287
00:13:45,084 --> 00:13:50,263
HE SAID,
"'T' PLURIBUS...UNUM."
288
00:13:50,394 --> 00:13:51,525
I DON'T REMEMBER WHAT--
289
00:13:51,656 --> 00:13:53,005
AH, [bleep].
290
00:13:53,136 --> 00:13:54,398
I CAN'T REMEMBER
WHAT THE [bleep] IT WAS.
291
00:13:54,528 --> 00:13:55,529
OH, I WISH I COULD REMEMBER.
292
00:13:55,660 --> 00:13:58,054
WA--
WAIT, WAIT!
293
00:13:58,184 --> 00:14:01,057
SIC TERAMIS TEMPEST.
294
00:14:01,187 --> 00:14:02,710
NO MORE TYRANNY...
295
00:14:02,841 --> 00:14:05,235
YOU KNOW...
BASICALLY.
296
00:14:05,365 --> 00:14:07,585
THAT'S JOHN WILKES BOOTH.
297
00:14:07,715 --> 00:14:11,981
AND HE'S SAYING A LINE
FROM [bleep] JULIUS CAESAR.
298
00:14:12,111 --> 00:14:14,853
AND HE'S LIKE,
THIS IS [bleep] PERFECT,
299
00:14:14,984 --> 00:14:16,899
AND EVERYBODY GETS
WHAT I'M DOING RIGHT NOW.
300
00:14:22,556 --> 00:14:27,126
AFTER ABRAHAM LINCOLN'S
ASSASSINATION,
301
00:14:27,257 --> 00:14:31,304
EDWIN BOOTH DECIDES TO WRITE
A LETTER TO AMERICA,
302
00:14:31,435 --> 00:14:34,438
SAYING,
I'M RETIRING FROM ACTING
303
00:14:34,568 --> 00:14:38,050
AS A PENANCE
FOR WHAT MY BROTHER DID.
304
00:14:38,181 --> 00:14:42,707
HIS HORRIFYING ACT,
I'M DONE.
305
00:14:42,837 --> 00:14:47,494
FIVE MONTHS AFTER
ABRAHAM LINCOLN IS BURIED,
306
00:14:47,625 --> 00:14:50,410
EDWIN BOOTH IS LIKE,
I'M BACK!
307
00:14:50,541 --> 00:14:54,414
EVERYBODY RELAX,
I'M DOING OUR AMERICAN COUSIN.
308
00:14:54,545 --> 00:14:56,329
I KNOW THAT'S THE ONE
309
00:14:56,460 --> 00:14:59,419
THAT MY BROTHER ASSASSINATED
ABRAHAM LINCOLN DURING.
310
00:14:59,550 --> 00:15:00,899
[chuckles]
311
00:15:01,030 --> 00:15:02,205
BUT THAT'S WHAT I'M GONNA DO.
312
00:15:02,335 --> 00:15:05,382
AND EVERYONE LOVES IT.
313
00:15:05,512 --> 00:15:08,298
AND HE'S BACK,
314
00:15:08,428 --> 00:15:11,866
BECAUSE HE'S KIND OF
EGOTISTICAL.
315
00:15:11,997 --> 00:15:14,130
NO ONE EVER TALKS
ABOUT EDWIN BOOTH.
316
00:15:14,260 --> 00:15:17,437
- [laughing]
317
00:15:17,568 --> 00:15:19,396
[speaking indistinctly]
318
00:15:19,526 --> 00:15:22,747
- DO YOU GUYS WANT ME
TO PUT A PIZZA IN THE OVEN?
319
00:15:27,665 --> 00:15:30,015
- AND A GOOD DAY
TO YOU, SIR.
320
00:15:30,146 --> 00:15:32,583
OH, DUDE,
I HEARD YOU HAVE ABSINTHE.
321
00:15:32,713 --> 00:15:33,888
- YEAH.
- I'VE NEVER HAD IT.
322
00:15:34,019 --> 00:15:36,761
ELVIS!
- YEAH, MAN?
323
00:15:36,891 --> 00:15:39,329
- WHAT ALBUM DO YOU WANNA
LISTEN TO RIGHT NOW?
324
00:15:39,459 --> 00:15:41,113
- YOU PICK, MAN, YOU PICK.
- WELL, YOU--
325
00:15:41,244 --> 00:15:43,289
- ANY OF THOSE ALBUMS
IS DAMN GOOD, MAN.
326
00:15:43,420 --> 00:15:45,248
LIVE AT MADISON SQUARE GARDEN,
MAN,
327
00:15:45,378 --> 00:15:47,032
WITH THE [bleep] THING, MAN...
328
00:15:47,163 --> 00:15:51,341
WITH THE DEAL OF THE--
OF THE--OF A GIRL.
329
00:15:51,471 --> 00:15:52,907
HELLO!
330
00:15:53,038 --> 00:15:54,561
TODAY, WE'RE GONNA TALK
ABOUT THE DAY
331
00:15:54,692 --> 00:15:57,956
THAT THE KING MET NIXON.
332
00:16:00,306 --> 00:16:02,439
MY FAVORITE STORY
OF ALL TIME
333
00:16:02,569 --> 00:16:06,269
IS ELVIS WAS OUT IN L.A.
AND THEY WERE AT A DINNER.
334
00:16:06,399 --> 00:16:07,922
AND THE PEOPLE HE WAS WITH
WERE LIKE,
335
00:16:08,053 --> 00:16:09,750
HEY, THAT GUY OVER THERE
IS HUGE
336
00:16:09,881 --> 00:16:12,144
IN THE VOICEOVER
ANIMATION WORLD.
337
00:16:12,275 --> 00:16:15,278
BUT HE IS A FEDERALLY LICENSED
NARCOTICS OFFICER.
338
00:16:15,408 --> 00:16:17,932
IT'S THE ULTIMATE BADGE.
YOU CAN DO ANYTHING WITH IT.
339
00:16:18,063 --> 00:16:20,718
YOU CAN PULL OVER ANY CAR,
ANYTHING IN THE WORLD.
340
00:16:20,848 --> 00:16:22,328
AND ELVIS BECOMES OBSESSED.
341
00:16:22,459 --> 00:16:24,983
HE WALKS UP TO THE GUY,
INTRODUCES HIMSELF.
342
00:16:25,114 --> 00:16:28,813
THE GUY SHOWS HIS BADGE.
I AM THEGUY.
343
00:16:28,943 --> 00:16:31,598
I CAN ARREST EVERYONE IN HERE
RIGHT NOW.
344
00:16:31,729 --> 00:16:35,167
AND SUDDENLY, ELVIS IS LIKE,
I HAVE TO HAVE THAT BADGE.
345
00:16:35,298 --> 00:16:37,735
I NEED THAT BADGE.
HOW CAN THIS GUY--
346
00:16:37,865 --> 00:16:39,563
IF HE HAS A BADGE--
347
00:16:39,693 --> 00:16:41,565
MR. DO THE CRAZY-FUNNY
WOODCOCK VOICE?
348
00:16:41,695 --> 00:16:43,610
NO. I CAN DO IT.
349
00:16:43,741 --> 00:16:44,959
IT DROVE HIM NUTS.
350
00:16:45,090 --> 00:16:46,135
WE'RE GOING TO WASHINGTON,
351
00:16:46,265 --> 00:16:47,527
AND THIS BADGE
IS [bleep] HAPPENING.
352
00:16:47,658 --> 00:16:51,314
LET'S GO.
353
00:16:53,664 --> 00:16:56,362
SO ELVIS HAD POLICE LIGHTS,
WOULD PULL PEOPLE OVER.
354
00:16:56,493 --> 00:16:57,798
AND ELVIS IS--
THE WHOLE WAY, HE'S BEEN LIKE,
355
00:16:57,929 --> 00:16:59,539
I'M GONNA INTERROGATE
HIS ASS.
356
00:16:59,670 --> 00:17:02,455
HE'S GONNA REGRET THE DAY
HE STOLE THAT JEWELRY, MAN.
357
00:17:12,117 --> 00:17:13,771
[glasses clink]
- CHEERS.
358
00:17:13,901 --> 00:17:17,992
MMM!
THAT'S GOT A GOOD TASTE.
359
00:17:18,123 --> 00:17:20,952
THAT'S--THAT'S A LOT
TO DO A SHOT.
360
00:17:21,083 --> 00:17:24,173
- YOU'RE INSANE!
WHOO!
361
00:17:24,303 --> 00:17:25,391
- YEAH, WE SHOULD'VE
JUST SIPPED THAT.
362
00:17:25,522 --> 00:17:27,350
- WHOO!
363
00:17:27,480 --> 00:17:30,353
- READY?
- OKAY, BUDDY.
364
00:17:30,483 --> 00:17:33,530
ELVIS WRITES A LETTER TO NIXON
WHILE ON THE PLANE.
365
00:17:33,660 --> 00:17:36,098
THEY LAND, AND HE DROPS IT OFF
AT THE FRONT OF THE WHITE HOUSE.
366
00:17:36,228 --> 00:17:37,795
IT WAS SHOCKING.
367
00:17:37,925 --> 00:17:40,624
NO CELEBRITIES WANT
TO HANG OUT WITH NIXON.
368
00:17:40,754 --> 00:17:42,234
SO WHEN HE REACHED OUT,
THEY'RE LIKE,
369
00:17:42,365 --> 00:17:43,627
ELVIS WANTS TO MEET WITH YOU.
370
00:17:43,757 --> 00:17:45,411
THIS CAN'T HURT MATTERS.
371
00:17:45,542 --> 00:17:47,152
DON'T YOU WANNA SEE
WHAT ELVIS HAS TO SAY?
372
00:17:47,283 --> 00:17:49,067
WHY NOT?
373
00:17:49,198 --> 00:17:51,025
HE'S LIKE, YEAH, ARRANGE IT.
YEAH, I WANNA MEET HIM.
374
00:17:51,156 --> 00:17:52,810
LET'S SEE WHAT'S GOING ON.
375
00:17:52,940 --> 00:17:55,204
AND ELVIS COMES IN.
376
00:17:55,334 --> 00:17:57,423
AND NIXON LOOKS AT HIM
LIKE, UH,
377
00:17:57,554 --> 00:18:00,905
THIS IS CRAZY, MAN.
YOU DRESS REALLY CRAZY, MAN.
378
00:18:01,035 --> 00:18:02,036
HE'S LIKE, HEY,
YOU HAVE YOUR GET-UP,
379
00:18:02,167 --> 00:18:03,908
I HAVE MINE, OKAY?
380
00:18:04,038 --> 00:18:06,432
NIXON'S LIKE,
YEAH, I'M GLAD YOU CAME BY.
381
00:18:06,563 --> 00:18:08,826
I WANTED TO MEET YOU,
AND GOOD TO SEE YOU.
382
00:18:08,956 --> 00:18:10,262
AND ELVIS DOES
THE HARD SELL THING.
383
00:18:10,393 --> 00:18:11,698
HE NEEDS THE BADGE.
384
00:18:11,829 --> 00:18:13,483
WELL, I CARE, MAN.
385
00:18:13,613 --> 00:18:15,006
I CARE ABOUT WHAT'S GOING ON
WITH THESE PEOPLE.
386
00:18:15,137 --> 00:18:16,573
AND I CARE ABOUT THE HIPPIES,
387
00:18:16,703 --> 00:18:18,879
AND EVERYTHING THAT'S
BEING SAID RIGHT NOW, MAN.
388
00:18:19,010 --> 00:18:20,316
IT'S TERRIFYING.
389
00:18:20,446 --> 00:18:22,318
PEOPLE THAT ARE SAYING
THINGS ABOUT YOU
390
00:18:22,448 --> 00:18:25,321
AND, UH, THE PEOPLE
THAT ARE SAYING THINGS ABOUT ME.
391
00:18:25,451 --> 00:18:28,106
AND THAT'S WHY I'M HAPPY
TO BE HERE...MAN.
392
00:18:28,237 --> 00:18:30,500
BUT I NEED THIS BADGE.
THIS IS SO BIG FOR ME.
393
00:18:30,630 --> 00:18:32,328
I NEED IT.
394
00:18:32,458 --> 00:18:33,938
AND NIXON REALLY TAKES IT IN,
KINDA ASKS HIS AIDE.
395
00:18:34,068 --> 00:18:35,722
HE'S LIKE, CAN WE DO THIS?
396
00:18:35,853 --> 00:18:37,681
AND THE AIDE COMES BACK, SAYS,
I'M SORRY, IT'S DONE.
397
00:18:37,811 --> 00:18:39,857
WE CANNOT GIVE THIS BADGE.
SORRY, MR. PRESLEY, WE CANNOT--
398
00:18:39,987 --> 00:18:43,774
YOU HAVE NO QUALIFICATIONS
IN OUR MIND TO HAVE THIS BADGE.
399
00:18:43,904 --> 00:18:45,210
[burps]
400
00:18:45,341 --> 00:18:47,038
MM.
SORRY, BROTHER.
401
00:18:47,169 --> 00:18:49,040
I'M LOVIN' IT.
402
00:18:49,171 --> 00:18:51,303
AND NIXON DECIDES
TO GIVE HIM THIS BADGE.
403
00:18:51,434 --> 00:18:53,000
SO ELVIS GOES BACK
TO GET PHOTOS TAKEN,
404
00:18:53,131 --> 00:18:55,394
BUT THEN ELVIS IS
405
00:18:55,525 --> 00:18:58,745
A LICENSED AND REGISTERED
FEDERAL NARCOTICS AGENT.
406
00:18:58,876 --> 00:19:01,531
SO ELVIS HAD POLICE LIGHTS,
WOULD PULL PEOPLE OVER.
407
00:19:01,661 --> 00:19:05,099
YOU HAVE ANY IDEA
HOW FAST YOU WERE GOING?
408
00:19:05,230 --> 00:19:08,929
ANOTHER TIME,
HE SAW THIS CRAZY LUNATIC GUY.
409
00:19:09,060 --> 00:19:10,496
THE GUY WAS ALLOWED INSIDE.
410
00:19:10,627 --> 00:19:12,281
AND EVERYONE'S LIKE,
WHY IS THIS CRAZY PERSON
411
00:19:12,411 --> 00:19:14,283
BEING ALLOWED INSIDE?
THIS IS--
412
00:19:14,413 --> 00:19:15,893
HE'S LIKE, NO, NO!
HE'S ALL RIGHT, MAN.
413
00:19:16,023 --> 00:19:18,156
HE'S OKAY.
HE'S PART OF THIS TEAM.
414
00:19:18,287 --> 00:19:19,766
WE'RE GONNA WORK WITH HIM, MAN.
HE'S FUNNY.
415
00:19:19,897 --> 00:19:21,115
AND THEN ELVIS LIKED HIM,
LOVED HIM,
416
00:19:21,246 --> 00:19:22,856
AND THEN GOT TIRED OF HIM.
417
00:19:22,987 --> 00:19:24,554
SO HE SAID
HE HAD TO GO HOME.
418
00:19:24,684 --> 00:19:26,773
ELVIS WAS GONNA PAY
FOR HIS FLIGHT HOME.
419
00:19:26,904 --> 00:19:29,776
COME BACK,
SOME JEWELRY'S MISSING.
420
00:19:29,907 --> 00:19:31,909
SO THEY FIGURED OUT THIS GUY
HAD STOLEN SOME JEWELRY.
421
00:19:32,039 --> 00:19:34,172
ELVIS FREAKS OUT.
422
00:19:34,303 --> 00:19:36,087
HE'S GONNA REGRET THE DAY
HE STOLE THAT JEWELRY, MAN.
423
00:19:36,218 --> 00:19:39,003
HE--HE MESSED
WITH THE WRONG GUY.
424
00:19:39,133 --> 00:19:40,874
THE GUY WAS
ABOUT TO TAKE OFF,
425
00:19:41,005 --> 00:19:44,313
AND THEN HE SEES ELVIS RUNNING
NEXT TO IT IN A JUMPSUIT,
426
00:19:44,443 --> 00:19:47,011
HOLDING A REAL FEDERAL
NARCOTICS BADGE.
427
00:19:47,141 --> 00:19:51,015
SO THE PLANE STOPS,
THEY PULL THE GUY OUT.
428
00:19:53,278 --> 00:19:55,498
ELVIS PULLED THE PLANE OVER
429
00:19:55,628 --> 00:19:58,109
TO PULL THIS GUY OFF
AND INTERROGATE HIM...
430
00:19:58,240 --> 00:20:02,287
OF WHICH ELVIS HAD
A COUPLE RANDOM QUESTIONS.
431
00:20:02,418 --> 00:20:04,028
WHERE'D YOU GET
THE JEWELRY, MAN?
432
00:20:04,158 --> 00:20:07,727
AND HE JUST CRIED AND SAID,
I GOT THE JEWELRY HERE.
433
00:20:07,858 --> 00:20:09,555
I'M SO SORRY.
434
00:20:09,686 --> 00:20:10,904
YOU SHOULDN'T HAVE TAKEN THAT,
BUT YOU'RE CAR--
435
00:20:11,035 --> 00:20:12,689
[stammers]
ALL RIGHT.
436
00:20:12,819 --> 00:20:13,907
SO WE'RE GOOD, MAN.
437
00:20:14,038 --> 00:20:15,822
GIVES HIM LIKE 200 BUCKS,
438
00:20:15,953 --> 00:20:18,738
AND THEN BUYS HIM
ANOTHER TICKET OUT.
439
00:20:18,869 --> 00:20:20,784
AND YOU KNOW, EVERYTHING'S
JUST A LITTLE BIT SAFER
440
00:20:20,914 --> 00:20:23,830
IN THAT PART OF MEMPHIS.
441
00:20:23,961 --> 00:20:26,137
DO YOU FEEL IT?
442
00:20:26,268 --> 00:20:29,140
HEY!
DO YOU FEEL IT?
443
00:20:29,271 --> 00:20:31,273
THANK YOU.
444
00:20:31,403 --> 00:20:34,188
- THANK YOU.
- THANK YOU.
445
00:20:34,319 --> 00:20:37,583
- THANK YOU.
- OKAY, BYE.
446
00:20:40,630 --> 00:20:43,502
[patriotic music]
447
00:20:43,633 --> 00:20:51,336
♪
448
00:21:12,052 --> 00:21:13,227
- HE'S FUNNY.
449
00:21:13,358 --> 00:21:14,228
AND THEN ELVIS LIKED,
LOVED HIM,
450
00:21:14,359 --> 00:21:15,229
AND THEN GOT TIRED OF HIM.
451
00:21:15,360 --> 00:21:16,796
SO HE SAID HE HAD TO GO.
452
00:21:16,927 --> 00:21:18,537
ELVIS WAS GONNA PAY
FOR HIS FLIGHT HOME.
453
00:21:18,668 --> 00:21:21,584
COME BACK,
SOME JEWELRY'S MISSING.
454
00:21:21,714 --> 00:21:23,237
- CRAP.
[laughing]
455
00:21:23,368 --> 00:21:25,065
[laughter]
32955
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