1 00:00:10,575 --> 00:00:12,490 [patriotic music] 2 00:00:12,620 --> 00:00:15,406 - I'M THE DEPUTY DIRECTOR OF THE FBI. 3 00:00:15,536 --> 00:00:18,235 I'M GONNA LOOK INTO THIS RASCAL "DEEP THROAT." 4 00:00:18,365 --> 00:00:21,194 I THINK I'M GONNA VOMIT. 5 00:00:21,325 --> 00:00:23,066 - ELVIS FREAKS OUT. 6 00:00:23,196 --> 00:00:25,329 HE'S GONNA REGRET THE DAY HE STOLE THAT JEWELRY, MAN. 7 00:00:25,459 --> 00:00:28,854 HE--HE MESSED WITH THE WRONG GUY. 8 00:00:28,984 --> 00:00:30,508 - JOHN WILKES BOOTH IS LIKE, 9 00:00:30,638 --> 00:00:33,772 LINCOLN? WHAT DOES IT ALL MEAN? 10 00:00:33,902 --> 00:00:36,296 WHAT IS HE TALKING ABOUT? 11 00:00:36,427 --> 00:00:39,604 SLAVERY. I DON'T EVEN GET IT. 12 00:00:39,734 --> 00:00:43,782 [inhales, exhales] WHA-- 13 00:00:43,912 --> 00:00:45,479 WHERE ARE WE? 14 00:00:45,610 --> 00:00:53,618 ♪ 15 00:00:56,534 --> 00:01:01,321 - UM, D.C. IS THE GREATEST PLACE TO LIVE ON EARTH. 16 00:01:01,452 --> 00:01:05,717 UM, IT'S A TRANSIENT CITY, LIKE A STEPPING STONE. 17 00:01:05,847 --> 00:01:07,936 SO THAT BRINGS A LOT OF NEW PEOPLE IN, 18 00:01:08,067 --> 00:01:09,590 BUT IT'S ALSO-- BRINGS PEOPLE WHO DON'T KNOW 19 00:01:09,721 --> 00:01:11,853 WHAT THE [bleep]'S GOING ON. 20 00:01:11,984 --> 00:01:13,725 - THERE'S THE THREE BRANCHES OF GOVERNMENT, 21 00:01:13,855 --> 00:01:15,727 ALL OF THESE CHECKS AND BALANCES. 22 00:01:15,857 --> 00:01:18,469 JUDICIAL, EXECUTIVE, LEGISLATIVE. 23 00:01:18,599 --> 00:01:22,037 THEY ALL EXIST IN WASHINGTON, D.C. 24 00:01:22,168 --> 00:01:23,517 [indistinct muttering] 25 00:01:23,648 --> 00:01:25,084 - HAVE YOU BEEN DRINKING? 26 00:01:25,215 --> 00:01:27,173 - HERE'S THE DEAL. I HAVE BEEN. 27 00:01:27,304 --> 00:01:28,740 - YEAH. 28 00:01:28,870 --> 00:01:30,089 - BECAUSE THAT'S THE PART OF THE THING 29 00:01:30,220 --> 00:01:31,264 THAT I GOTTA DO FOR THIS SHOW. 30 00:01:31,395 --> 00:01:33,005 HELLO. 31 00:01:33,136 --> 00:01:35,268 MY NAME IS MATT GOURLEY. 32 00:01:35,399 --> 00:01:37,488 AND TONIGHT, WE'RE GONNA TALK ABOUT WATERGATE. 33 00:01:37,618 --> 00:01:41,187 LET'S BEGIN. 34 00:01:41,318 --> 00:01:44,190 WASHINGTON, D.C. 1970-- 35 00:01:44,321 --> 00:01:46,061 1972. 36 00:01:46,192 --> 00:01:48,412 FIVE WATERGATE BURGLARS ARE ARRESTED 37 00:01:48,542 --> 00:01:51,328 IN THE DEMOCRATIC NATIONAL COMMITTEE HEADQUARTERS. 38 00:01:51,458 --> 00:01:54,418 WHAT ARE THEY DOING THERE? WHY ARE THEY BREAKING IN? 39 00:01:54,548 --> 00:01:58,073 THE YOUNG UPSTART REPORTER, ROBERT WOODWARD, 40 00:01:58,204 --> 00:01:59,684 GOES TO THE HEARING. 41 00:01:59,814 --> 00:02:01,468 ONE OF THEM, 42 00:02:01,599 --> 00:02:04,732 WHEN THE JUDGE IS ASKING THESE FIVE BURGLARS, 43 00:02:04,863 --> 00:02:06,081 WHO DO YOU WORK FOR? 44 00:02:06,212 --> 00:02:07,996 THE CIA. 45 00:02:08,127 --> 00:02:10,608 EXCUSE ME, COULD YOU SAY THAT A LITTLE BIT LOUDER? 46 00:02:10,738 --> 00:02:12,566 THE CIA. 47 00:02:12,697 --> 00:02:17,963 ROBERT WOODWARD IS ON TO SOMETHING. 48 00:02:18,093 --> 00:02:20,270 OH, LOOK AT THIS SWEET, LITTLE FAT GUY. 49 00:02:22,576 --> 00:02:27,233 WHERE DO YOU GOTTA BE RIGHT NOW? 50 00:02:27,364 --> 00:02:29,366 OKAY, LET'S GO BACK IN TIME. 51 00:02:29,496 --> 00:02:31,324 THE YEAR IS 1970. 52 00:02:31,455 --> 00:02:36,373 A YOUNG ROBERT WOODWARD, A LIEUTENANT IN THE NAVY-- 53 00:02:36,503 --> 00:02:39,985 HE'S SITTING NEXT TO THIS OLDER, DISTINGUISHED MAN, 54 00:02:40,115 --> 00:02:42,683 SAYING, I'M SOON TO BE OUT OF THE NAVY. 55 00:02:42,814 --> 00:02:44,511 WHAT AM I GONNA DO WITH MY LIFE? 56 00:02:44,642 --> 00:02:47,819 AM I GONNA BECOME A LAWYER LIKE MY FATHER WANTS? 57 00:02:47,949 --> 00:02:50,387 AND THIS OLDER MAN PRESENTS HIMSELF AS A MENTOR, 58 00:02:50,517 --> 00:02:52,737 SAYING, SO LISTEN TO ME. 59 00:02:52,867 --> 00:02:56,044 YOU'RE WORKING FOR TRUTH. STAY WITH IT. 60 00:02:56,175 --> 00:02:59,352 AND YOUNG ROBERT WOODWARD TAKES AWAY FROM THIS THING, 61 00:02:59,483 --> 00:03:00,832 I CAN DEPEND ON THIS MAN. 62 00:03:00,962 --> 00:03:03,791 I CAN CALL ON THIS MAN AT SOME POINT 63 00:03:03,922 --> 00:03:05,750 TO GIVE ME INFORMATION. 64 00:03:05,880 --> 00:03:11,364 THAT MAN IS MARK FELT, THE DEPUTY DIRECTOR OF THE FBI. 65 00:03:11,495 --> 00:03:13,671 LET'S FLASH FORWARD A LITTLE BIT. 66 00:03:13,801 --> 00:03:16,761 ROBERT WOODWARD AND HIS PARTNER, CARL BERNSTEIN, 67 00:03:16,891 --> 00:03:19,720 DECIDE TO CALL ON HIS OLD BUDDY, MARK FELT, 68 00:03:19,851 --> 00:03:22,984 FOR INFORMATION ABOUT WATERGATE. 69 00:03:23,115 --> 00:03:25,378 FELT SAYS, I CAN'T TALK TO YOU ON THE PHONE ABOUT THIS. 70 00:03:25,509 --> 00:03:29,817 I'M MARK FELT, AND I DID SPY TIMES AND WWII, 71 00:03:29,948 --> 00:03:31,732 AND I KNOW HOW THIS WORKS. 72 00:03:31,863 --> 00:03:35,606 YOU GET THE NEW YORK TIMES EVERY DAY AT YOUR DOOR. 73 00:03:35,736 --> 00:03:39,174 AT PAGE 20, I WILL DRAW A LITTLE CLOCK 74 00:03:39,305 --> 00:03:41,046 THAT SAYS WHAT HOUR I WANNA MEET YOU. 75 00:03:41,176 --> 00:03:42,090 AND HERE'S THE THING. 76 00:03:42,221 --> 00:03:43,875 ANYTIME YOU WANNA MEET ME, 77 00:03:44,005 --> 00:03:46,486 MARK FELT SAYS, I NEED SOMETHING 78 00:03:46,617 --> 00:03:49,054 THAT I COULD VISUALLY ACKNOWLEDGE. 79 00:03:49,184 --> 00:03:51,143 WOODWARD SAYS, I DO HAVE THIS POTTED PLANT 80 00:03:51,274 --> 00:03:52,579 THAT I KEEP OUT ON MY BALCONY. 81 00:03:52,710 --> 00:03:54,233 I COULD MOVE THAT. 82 00:03:54,364 --> 00:03:56,670 AND MARK FELT IS LIKE, HERE'S THE THING. 83 00:03:56,801 --> 00:03:58,890 I WANNA MEET YOU AT THIS UNDERGROUND PARKING GARAGE 84 00:03:59,020 --> 00:04:00,892 IN VIRGINIA. 85 00:04:01,022 --> 00:04:03,242 BUT ANYTIME YOU WANNA MEET ME, LEAVE OUT THE BACK STAIRS. 86 00:04:03,373 --> 00:04:05,984 WALK A COUPLE OF BLOCKS, GET IN A CAB. 87 00:04:06,114 --> 00:04:07,638 TAKE THAT CAB, GET OUT OF THE CAB, 88 00:04:07,768 --> 00:04:10,423 WALK A COUPLE BLOCKS, GET IN ANOTHER CAB, 89 00:04:10,554 --> 00:04:12,817 GET IN THAT CAB, GET OUT OF THAT CAB, 90 00:04:12,947 --> 00:04:15,385 WALK A COUPLE BLOCKS TO THE VIRGINIA PARKING GARAGE 91 00:04:15,515 --> 00:04:18,126 THAT I PREVIOUSLY TALKED ABOUT. 92 00:04:18,257 --> 00:04:20,694 WOODWARD MEETS FELT. 93 00:04:20,825 --> 00:04:25,395 AND HE SAYS... 94 00:04:28,136 --> 00:04:30,617 HOLD ON. 95 00:04:30,748 --> 00:04:34,708 [whispering] I THINK I'M GONNA VOMIT. 96 00:04:34,839 --> 00:04:37,145 [breathing] 97 00:04:37,276 --> 00:04:39,800 DO YOU-- [burps] 98 00:04:39,931 --> 00:04:41,454 - DO WHAT YOU GOTTA DO. 99 00:04:41,585 --> 00:04:44,414 - [vomiting] 100 00:04:45,763 --> 00:04:48,722 SORRY, PAL. 101 00:04:51,464 --> 00:04:54,162 I'M READY TO TELL THE STORY. 102 00:04:54,293 --> 00:04:58,515 WOODWARD MEETS WITH MARK FELT, 103 00:04:58,645 --> 00:05:00,821 AND HE SAYS, COULD YOU TELL ME A LITTLE BIT 104 00:05:00,952 --> 00:05:03,955 ABOUT WHY THESE GUYS MIGHT BE CONNECTED? 105 00:05:04,085 --> 00:05:06,087 AND HE SAYS, PUT THE PIECES TOGETHER, 106 00:05:06,218 --> 00:05:08,263 YOU DUMBASS! 107 00:05:08,394 --> 00:05:12,050 IT'S ALL IN FRONT OF YOU. DO THE WORK! 108 00:05:12,180 --> 00:05:13,921 JUST BE CAREFUL. 109 00:05:14,052 --> 00:05:16,837 WATERGATE IS THE TIP OF THE ICEBERG. 110 00:05:16,968 --> 00:05:19,492 AND WHEN ROBERT WOODWARD TOOK HIS SECRET SOURCE 111 00:05:19,623 --> 00:05:21,189 TO THE WASHINGTON POST, HE SAID, 112 00:05:21,320 --> 00:05:23,061 MY SOURCE IS DEEP BACKGROUND. 113 00:05:23,191 --> 00:05:25,542 THAT MEANS HE CANNOT BE IDENTIFIED. 114 00:05:25,672 --> 00:05:28,501 THEIR EDITOR AT THE WASHINGTON POSTSAID, 115 00:05:28,632 --> 00:05:30,634 YEAH, YOU KEEP CALLING HIM DEEP BACKGROUND, 116 00:05:30,764 --> 00:05:32,723 BUT I'M GONNA CALL HIM "DEEP THROAT"... 117 00:05:32,853 --> 00:05:34,638 BASED ON... 118 00:05:34,768 --> 00:05:37,118 THE PORNOGRAPHY FILM THAT WAS VERY POPULAR, 119 00:05:37,249 --> 00:05:38,946 WHICH DEALT WITH NATURAL LADIES, 120 00:05:39,077 --> 00:05:41,122 YOU KNOW? 121 00:05:41,253 --> 00:05:43,647 AND SO WOODWARD AND BERNSTEIN FIGURE OUT 122 00:05:43,777 --> 00:05:46,693 THAT THIS MONEY CONNECTED TO THESE BURGLARS 123 00:05:46,824 --> 00:05:50,480 GOES ALL THE WAY TO THE WATERGATE ADMINISTRATION-- 124 00:05:50,610 --> 00:05:53,308 TO THE NIXON ADMINISTRATION. 125 00:05:53,439 --> 00:05:56,311 RICHARD NIXON. LET'S TALK ABOUT RICHARD NIXON. 126 00:05:56,442 --> 00:05:57,356 DO YOU WANNA TALK ABOUT RICHARD NIXON? 127 00:05:57,487 --> 00:05:58,749 - I WOULD LO-- YES, PLEASE. 128 00:05:58,879 --> 00:06:00,098 - YEAH, I THOUGHT YOU MIGHT. 129 00:06:00,228 --> 00:06:01,969 MARK FELT SAYS TO NIXON, 130 00:06:02,100 --> 00:06:04,885 I'M THE DEPUTY DIRECTOR OF THE FBI. 131 00:06:05,016 --> 00:06:08,019 I'M GONNA LOOK INTO THIS RASCAL "DEEP THROAT." 132 00:06:08,149 --> 00:06:10,978 AND FURTHER, I'M GONNA SET MYSELF UP 133 00:06:11,109 --> 00:06:13,938 AS HEAD OF THE INVESTIGATION. 134 00:06:14,068 --> 00:06:16,593 SO NIXON'S TOP AIDE, HALDEMAN, SAYS, 135 00:06:16,723 --> 00:06:19,639 I THINK MARK FELT IS DEEP THROAT. 136 00:06:19,770 --> 00:06:23,426 AND NIXON SAYS, NOW, WHY WOULD HE DO THAT? 137 00:06:23,556 --> 00:06:26,864 AND WHEN THE WATERGATE HEARINGS GETS TO A BOILING POINT, 138 00:06:26,994 --> 00:06:28,692 NIXON IS LIKE, 139 00:06:28,822 --> 00:06:30,868 I NEVER KNEW OF THIS WATERGATE BREAK-IN 140 00:06:30,998 --> 00:06:33,131 TO DISCOVER INFORMATION ABOUT THE DEMOCRATS. 141 00:06:33,261 --> 00:06:34,524 AND AFTER THAT, HE SAYS, 142 00:06:34,654 --> 00:06:35,960 "I AM NOT A CROOK." 143 00:06:36,090 --> 00:06:38,005 NIXON KNOWS HE'S [bleep]. 144 00:06:38,136 --> 00:06:40,355 AND HE SAYS, THERE'S NOTHING I CAN DO ABOUT IT. 145 00:06:40,486 --> 00:06:41,966 NOBODY'S GONNA TRUST ME AT THIS POINT. 146 00:06:42,096 --> 00:06:44,229 I GOTTA STEP DOWN. 147 00:06:44,359 --> 00:06:45,796 HAND ME SOME COOKIES. 148 00:06:47,972 --> 00:06:51,410 ALL I KNOW IS I'M EATING COOKIES AND NONE OF YOU ARE. 149 00:06:51,541 --> 00:06:53,194 DO YOU GUYS WANT SOME COOKIES? 150 00:06:53,325 --> 00:06:55,196 - NO, WE LIKE WATCHING YOU EAT COOKIES. 151 00:06:55,327 --> 00:06:56,981 - YOU HAVE NO AMBITION. 152 00:06:57,111 --> 00:06:59,287 THE INTERESTING THING ABOUT THIS TAKE 153 00:06:59,418 --> 00:07:02,508 WE'RE TAKING ON IT IS ALL THE STORIES WE KNOW OF WATERGATE 154 00:07:02,639 --> 00:07:04,641 IS, WHO'S DEEP THROAT? 155 00:07:04,771 --> 00:07:07,382 AND NOW WE CAN TELL THE STORY KNOWING WHO DEEP THROAT IS. 156 00:07:07,513 --> 00:07:09,428 AND IN THE END, 157 00:07:09,559 --> 00:07:12,257 YOU CAN TOSS ASIDE RICHARD NIXON FOR ALL HIS CYNICISM, 158 00:07:12,387 --> 00:07:14,825 YOU CAN TOSS ASIDE DEEP THROAT FOR ALL HIS CYNICISM, 159 00:07:14,955 --> 00:07:19,046 BUT YOU CAN'T TOSS ASIDE ROBERT WOODWARD, 160 00:07:19,177 --> 00:07:21,309 AND TO A LESSER EXTENT, CARL BERNSTEIN, 161 00:07:21,440 --> 00:07:24,399 FOR THE TRUTH THAT THEY EXPOSED 162 00:07:24,530 --> 00:07:27,751 FOR AMERICA. 163 00:07:27,881 --> 00:07:30,057 WELL, WE TOLD THE STORY OF WATERGATE. 164 00:07:30,188 --> 00:07:32,973 THERE'S NO WAY I COULD POSSIBLY MISCONSTRUE IT 165 00:07:33,104 --> 00:07:38,588 AS NOT THE GREATEST JOURNALISTIC ENDEAVOR EVER TOLD. 166 00:07:38,718 --> 00:07:41,460 ROBERT WOODWARD WOULD BE PROUD. 167 00:07:44,376 --> 00:07:46,639 - IT'S BEAUTIFUL. THEY'RE AT THE FORD'S THEATRE. 168 00:07:46,770 --> 00:07:50,295 UNTIL JOHN WILKES BOOTH COMES INTO THEIR BOX 169 00:07:50,425 --> 00:07:52,340 AND SHOOTS LINCOLN IN THE HEAD. 170 00:07:52,471 --> 00:07:54,560 [bleep]. 171 00:08:02,350 --> 00:08:04,657 [mixed chatter] 172 00:08:04,788 --> 00:08:06,529 - ABRAHAM LINCOLN IS, LIKE, THE BEST. 173 00:08:06,659 --> 00:08:09,532 ASIDE FROM THE PRO-- THE EMANCIPATION PROCLAMATION, 174 00:08:09,662 --> 00:08:11,534 FREED THE SLAVES-- 175 00:08:11,664 --> 00:08:13,536 ACTUALLY, I'M EAST AFRICAN. IT DOESN'T MATTER. 176 00:08:13,666 --> 00:08:15,755 BUT HE'S [bleep] SWAG. 177 00:08:15,886 --> 00:08:17,540 [bleep] GREAT, ABRAHAM LINCOLN. 178 00:08:17,670 --> 00:08:19,716 ABRAHAM LINCOLN IS, LIKE, THE BEST-- 179 00:08:19,846 --> 00:08:22,153 16TH-BEST PRESIDENT IN AMERICA. 180 00:08:22,283 --> 00:08:23,241 - CHEERS. - CHEERS. 181 00:08:23,371 --> 00:08:27,680 - HISTORY. YEAH? 182 00:08:27,811 --> 00:08:29,160 - WHEN I DRANK, IT SOUNDED LIKE A FART. 183 00:08:29,290 --> 00:08:30,161 - [laughing] 184 00:08:30,291 --> 00:08:32,337 - HELLO. 185 00:08:32,467 --> 00:08:34,557 TODAY, WE'RE GONNA TALK ABOUT JOHN WILKES BOOTH 186 00:08:34,687 --> 00:08:37,168 AND HIS BROTHER, EDWIN BOOTH-- 187 00:08:37,298 --> 00:08:39,910 THE BOOTH BROTHERS. 188 00:08:40,040 --> 00:08:42,347 EDWIN BOOTH AND JOHN WILKES BOOTH 189 00:08:42,477 --> 00:08:45,480 WERE BORN TO A BRITISH ACTOR 190 00:08:45,611 --> 00:08:49,702 NAMED JU...NIUS BRUTUS BOOTH. 191 00:08:49,833 --> 00:08:51,704 [laughs] 192 00:08:51,835 --> 00:08:55,273 EDWIN IS A FAVORITE OF THEIR DAD. 193 00:08:55,403 --> 00:08:59,364 JUNIUS WAS SO MEAN, HE WOULDN'T EVEN LET JOHN WILKES 194 00:08:59,494 --> 00:09:01,148 INTO PHOTOGRAPHS WITH HIM. 195 00:09:01,279 --> 00:09:04,804 JOHN WILKES, STAY BACK, MAN. STAY AWAY. 196 00:09:04,935 --> 00:09:07,677 BECAUSE YOU'RE NOT COOL. STOP. 197 00:09:07,807 --> 00:09:10,505 YOU'RE KINDA WEIRD. YOU'RE WEIRDING EVERYBODY OUT. 198 00:09:10,636 --> 00:09:12,420 JUST BACK AWAY. 199 00:09:12,551 --> 00:09:14,945 AND HE BECAME SAD. 200 00:09:15,075 --> 00:09:18,035 WHICH ESTABLISHES THEIR RIVALRY. 201 00:09:18,165 --> 00:09:21,516 IN 1858, JOHN WILKES AND EDWIN BOOTH 202 00:09:21,647 --> 00:09:25,825 WERE THE MOST FAMOUS ACTORS IN THE WORLD. 203 00:09:25,956 --> 00:09:31,222 PERFORMANCE-WISE, EVERYONE LOVED EDWIN BOOTH. 204 00:09:31,352 --> 00:09:34,704 JOHN WILKES BOOTH-- HE WAS UNTRAINED. 205 00:09:34,834 --> 00:09:39,839 HE WOULD KNOCK SETS DOWN. HE WAS SO VIOLENT. 206 00:09:39,970 --> 00:09:41,754 SO WHEN THE CIVIL WAR BROKE OUT, 207 00:09:41,885 --> 00:09:43,843 JOHN WILKES BOOTH IS LIKE, 208 00:09:43,974 --> 00:09:46,803 LINCOLN? WHAT DOES IT ALL MEAN? 209 00:09:46,933 --> 00:09:49,457 WHAT IS HE TALKING ABOUT? 210 00:09:49,588 --> 00:09:52,722 SLAVERY. I DON'T EVEN GET IT. 211 00:09:52,852 --> 00:09:56,421 THAT WAS THE MOMENT HIS POLITICAL ASPIRATIONS 212 00:09:56,551 --> 00:10:01,208 OVERTOOK ARTISTIC ASPIRATION. 213 00:10:01,339 --> 00:10:03,123 HOWEVER, ABRAHAM LINCOLN 214 00:10:03,254 --> 00:10:06,257 WAS REQUESTING EDWIN PERFORM SHAKESPEARE 215 00:10:06,387 --> 00:10:08,476 AT GOVERNMENT FUNCTIONS. 216 00:10:08,607 --> 00:10:10,130 AM I [bleep] IT UP, GUYS? 217 00:10:10,261 --> 00:10:12,045 WHAT'S UP, GUYS? 218 00:10:12,176 --> 00:10:13,481 WHAT--IS IT [bleep] IT UP? 219 00:10:13,612 --> 00:10:16,571 OKAY, OKAY. [mumbling] 220 00:10:16,702 --> 00:10:19,096 OKAY. RIGHT, RIGHT, RIGHT. 221 00:10:19,226 --> 00:10:21,098 AT THE FORD'S THEATRE, 222 00:10:21,228 --> 00:10:23,753 WHEN JOHN WILKES BOOTH WAS GESTICULATING, 223 00:10:23,883 --> 00:10:25,929 ABRAHAM LINCOLN'S SISTER-IN-LAW IS LIKE, 224 00:10:26,059 --> 00:10:28,453 I THINK HE'S POINTING AT YOU, ABRAHAM. 225 00:10:28,583 --> 00:10:29,802 AND ABRAHAM LINCOLN IS LIKE, 226 00:10:29,933 --> 00:10:32,370 IT DOES SEEM LIKE HE'S POINTING AT ME. 227 00:10:32,500 --> 00:10:34,633 UHH... 228 00:10:34,764 --> 00:10:36,374 THIS IS A LITTLE WEIRD. 229 00:10:36,504 --> 00:10:39,812 HE SHOULD, UH, YOU KNOW, 230 00:10:39,943 --> 00:10:42,336 NOT BE POINTING AT ME DURING THIS PARTICULAR LINE 231 00:10:42,467 --> 00:10:46,732 BECAUSE IT'S SORT OF... AGGRESSIVE. 232 00:10:46,863 --> 00:10:51,563 IN NOVEMBER 1864, EDWIN BOOTH IS LIKE, 233 00:10:51,694 --> 00:10:54,131 HEY, YOU KNOW, I WANNA GET TO KNOW YOU BETTER. 234 00:10:54,261 --> 00:10:55,785 WE'VE HAD SOME HARD TIMES. 235 00:10:55,915 --> 00:10:58,483 LET'S DO A PLAY TOGETHER AGAIN, 236 00:10:58,613 --> 00:11:02,095 FOR ONE PERFORMANCE ONLY-- JULIUS CAESAR. 237 00:11:02,226 --> 00:11:05,620 JOHN WILKES' FAVORITE ROLE WAS BRUTUS, 238 00:11:05,751 --> 00:11:10,147 THE MAN THAT EXECUTES A TYRANT. 239 00:11:10,277 --> 00:11:14,151 AND EDWIN BOOTH IS LIKE, I GET TO PLAY BRUTUS. 240 00:11:14,281 --> 00:11:16,762 [trumpets sounding] 241 00:11:16,893 --> 00:11:18,764 FOR ONE PERFORMANCE ONLY, 242 00:11:18,895 --> 00:11:21,767 IN THE PRODUCTION OF JULIUS CAESAR, 243 00:11:21,898 --> 00:11:26,337 EDWIN SAID, "SIC SEMPER TYRANNIS," 244 00:11:26,467 --> 00:11:28,556 AND EVERYONE LOVES IT. 245 00:11:28,687 --> 00:11:29,906 CRITICS SAID THAT IT WAS 246 00:11:30,036 --> 00:11:34,127 THE MOST IMPORTANT SHOW OF ALL TIME. 247 00:11:34,258 --> 00:11:37,522 SO JOHN WILKES BOOTH STARTED GETTING INVOLVED 248 00:11:37,652 --> 00:11:40,177 WITH A SECRET CONFEDERATE SOCIETY 249 00:11:40,307 --> 00:11:45,965 AND HAD MASTERMINDED A PLAN TO KIDNAP LINCOLN. 250 00:11:46,096 --> 00:11:49,012 UHH... 251 00:11:49,142 --> 00:11:51,188 MM-MM. 252 00:11:51,318 --> 00:11:52,885 SO JOHN WILKES BOOTH WENT TO THE FORD'S THEATRE 253 00:11:53,016 --> 00:11:54,452 TO PICK UP HIS MAIL, 254 00:11:54,582 --> 00:11:56,541 AND JOHN FORD'S BROTHER IS LIKE, 255 00:11:56,671 --> 00:12:01,981 HEY, ARE YOU GONNA COME SEE OUR AMERICAN COUSINTONIGHT? 256 00:12:02,112 --> 00:12:04,244 OUR AMERICAN COUSIN? 257 00:12:04,375 --> 00:12:06,246 YOU GUYS ARE DOING OUR AMERICAN COUSINTONIGHT? 258 00:12:06,377 --> 00:12:08,596 YEAH. 259 00:12:08,727 --> 00:12:11,512 ABRAHAM LINCOLN'S GONNA BE HERE. 260 00:12:11,643 --> 00:12:13,253 YOU SHOULD COME. 261 00:12:13,384 --> 00:12:17,910 AND JOHN WILKES BOOTH IS LIKE, UH, WHAT? 262 00:12:18,041 --> 00:12:20,521 ABRAHAM LINCOLN'S GONNA BE AT THE THEATRE TONIGHT? 263 00:12:20,652 --> 00:12:22,915 OH, MY GOD. 264 00:12:23,046 --> 00:12:28,399 I'M GONNA CHANGE MY PLAN FROM KIDNAPPING HIM... 265 00:12:28,529 --> 00:12:30,401 TO ASSASSINATING HIM. 266 00:12:30,531 --> 00:12:33,404 [laughter] 267 00:12:35,754 --> 00:12:40,933 SO ABRAHAM LINCOLN'S AT THE PLAY OUR AMERICAN COUSIN 268 00:12:41,064 --> 00:12:43,414 WITH HIS WIFE, MARY TODD. 269 00:12:43,544 --> 00:12:44,937 IT'S BEAUTIFUL. 270 00:12:45,068 --> 00:12:49,202 EVERYTHING'S GOING PERFECTLY... 271 00:12:49,333 --> 00:12:52,510 UNTIL JOHN WILKES BOOTH... 272 00:12:52,640 --> 00:12:55,643 COMES INTO THEIR BOX. 273 00:13:06,872 --> 00:13:08,439 - WELCOME BACK TO DRUNK HISTORY. 274 00:13:08,569 --> 00:13:10,833 - MY DAD IS A SENATOR. 275 00:13:16,273 --> 00:13:20,016 - WHA-- WHERE ARE WE? 276 00:13:20,146 --> 00:13:23,628 JOHN WILKES BOOTH COMES INTO THEIR BOX 277 00:13:23,758 --> 00:13:26,544 AND SHOOTS LINCOLN IN THE HEAD. 278 00:13:26,674 --> 00:13:29,634 AFTER HE SHOT LINCOLN, HE JUMPED FROM THE BALCONY, 279 00:13:29,764 --> 00:13:31,636 BREAKING HIS ANKLE. 280 00:13:31,766 --> 00:13:34,639 OW, OW, OW, OW, OW, OW. 281 00:13:34,769 --> 00:13:36,467 OW, OW, OW, OW, OW, OW. 282 00:13:36,597 --> 00:13:38,121 OH, MY--I'M HURTING! 283 00:13:38,251 --> 00:13:39,600 - REALLY? 284 00:13:39,731 --> 00:13:41,167 [laughter] 285 00:13:41,298 --> 00:13:43,256 - OW, OW, OW, OW, OW. 286 00:13:43,387 --> 00:13:44,954 IN RAISING HIS KNIFE IN THE AIR, 287 00:13:45,084 --> 00:13:50,263 HE SAID, "'T' PLURIBUS...UNUM." 288 00:13:50,394 --> 00:13:51,525 I DON'T REMEMBER WHAT-- 289 00:13:51,656 --> 00:13:53,005 AH, [bleep]. 290 00:13:53,136 --> 00:13:54,398 I CAN'T REMEMBER WHAT THE [bleep] IT WAS. 291 00:13:54,528 --> 00:13:55,529 OH, I WISH I COULD REMEMBER. 292 00:13:55,660 --> 00:13:58,054 WA-- WAIT, WAIT! 293 00:13:58,184 --> 00:14:01,057 SIC TERAMIS TEMPEST. 294 00:14:01,187 --> 00:14:02,710 NO MORE TYRANNY... 295 00:14:02,841 --> 00:14:05,235 YOU KNOW... BASICALLY. 296 00:14:05,365 --> 00:14:07,585 THAT'S JOHN WILKES BOOTH. 297 00:14:07,715 --> 00:14:11,981 AND HE'S SAYING A LINE FROM [bleep] JULIUS CAESAR. 298 00:14:12,111 --> 00:14:14,853 AND HE'S LIKE, THIS IS [bleep] PERFECT, 299 00:14:14,984 --> 00:14:16,899 AND EVERYBODY GETS WHAT I'M DOING RIGHT NOW. 300 00:14:22,556 --> 00:14:27,126 AFTER ABRAHAM LINCOLN'S ASSASSINATION, 301 00:14:27,257 --> 00:14:31,304 EDWIN BOOTH DECIDES TO WRITE A LETTER TO AMERICA, 302 00:14:31,435 --> 00:14:34,438 SAYING, I'M RETIRING FROM ACTING 303 00:14:34,568 --> 00:14:38,050 AS A PENANCE FOR WHAT MY BROTHER DID. 304 00:14:38,181 --> 00:14:42,707 HIS HORRIFYING ACT, I'M DONE. 305 00:14:42,837 --> 00:14:47,494 FIVE MONTHS AFTER ABRAHAM LINCOLN IS BURIED, 306 00:14:47,625 --> 00:14:50,410 EDWIN BOOTH IS LIKE, I'M BACK! 307 00:14:50,541 --> 00:14:54,414 EVERYBODY RELAX, I'M DOING OUR AMERICAN COUSIN. 308 00:14:54,545 --> 00:14:56,329 I KNOW THAT'S THE ONE 309 00:14:56,460 --> 00:14:59,419 THAT MY BROTHER ASSASSINATED ABRAHAM LINCOLN DURING. 310 00:14:59,550 --> 00:15:00,899 [chuckles] 311 00:15:01,030 --> 00:15:02,205 BUT THAT'S WHAT I'M GONNA DO. 312 00:15:02,335 --> 00:15:05,382 AND EVERYONE LOVES IT. 313 00:15:05,512 --> 00:15:08,298 AND HE'S BACK, 314 00:15:08,428 --> 00:15:11,866 BECAUSE HE'S KIND OF EGOTISTICAL. 315 00:15:11,997 --> 00:15:14,130 NO ONE EVER TALKS ABOUT EDWIN BOOTH. 316 00:15:14,260 --> 00:15:17,437 - [laughing] 317 00:15:17,568 --> 00:15:19,396 [speaking indistinctly] 318 00:15:19,526 --> 00:15:22,747 - DO YOU GUYS WANT ME TO PUT A PIZZA IN THE OVEN? 319 00:15:27,665 --> 00:15:30,015 - AND A GOOD DAY TO YOU, SIR. 320 00:15:30,146 --> 00:15:32,583 OH, DUDE, I HEARD YOU HAVE ABSINTHE. 321 00:15:32,713 --> 00:15:33,888 - YEAH. - I'VE NEVER HAD IT. 322 00:15:34,019 --> 00:15:36,761 ELVIS! - YEAH, MAN? 323 00:15:36,891 --> 00:15:39,329 - WHAT ALBUM DO YOU WANNA LISTEN TO RIGHT NOW? 324 00:15:39,459 --> 00:15:41,113 - YOU PICK, MAN, YOU PICK. - WELL, YOU-- 325 00:15:41,244 --> 00:15:43,289 - ANY OF THOSE ALBUMS IS DAMN GOOD, MAN. 326 00:15:43,420 --> 00:15:45,248 LIVE AT MADISON SQUARE GARDEN, MAN, 327 00:15:45,378 --> 00:15:47,032 WITH THE [bleep] THING, MAN... 328 00:15:47,163 --> 00:15:51,341 WITH THE DEAL OF THE-- OF THE--OF A GIRL. 329 00:15:51,471 --> 00:15:52,907 HELLO! 330 00:15:53,038 --> 00:15:54,561 TODAY, WE'RE GONNA TALK ABOUT THE DAY 331 00:15:54,692 --> 00:15:57,956 THAT THE KING MET NIXON. 332 00:16:00,306 --> 00:16:02,439 MY FAVORITE STORY OF ALL TIME 333 00:16:02,569 --> 00:16:06,269 IS ELVIS WAS OUT IN L.A. AND THEY WERE AT A DINNER. 334 00:16:06,399 --> 00:16:07,922 AND THE PEOPLE HE WAS WITH WERE LIKE, 335 00:16:08,053 --> 00:16:09,750 HEY, THAT GUY OVER THERE IS HUGE 336 00:16:09,881 --> 00:16:12,144 IN THE VOICEOVER ANIMATION WORLD. 337 00:16:12,275 --> 00:16:15,278 BUT HE IS A FEDERALLY LICENSED NARCOTICS OFFICER. 338 00:16:15,408 --> 00:16:17,932 IT'S THE ULTIMATE BADGE. YOU CAN DO ANYTHING WITH IT. 339 00:16:18,063 --> 00:16:20,718 YOU CAN PULL OVER ANY CAR, ANYTHING IN THE WORLD. 340 00:16:20,848 --> 00:16:22,328 AND ELVIS BECOMES OBSESSED. 341 00:16:22,459 --> 00:16:24,983 HE WALKS UP TO THE GUY, INTRODUCES HIMSELF. 342 00:16:25,114 --> 00:16:28,813 THE GUY SHOWS HIS BADGE. I AM THEGUY. 343 00:16:28,943 --> 00:16:31,598 I CAN ARREST EVERYONE IN HERE RIGHT NOW. 344 00:16:31,729 --> 00:16:35,167 AND SUDDENLY, ELVIS IS LIKE, I HAVE TO HAVE THAT BADGE. 345 00:16:35,298 --> 00:16:37,735 I NEED THAT BADGE. HOW CAN THIS GUY-- 346 00:16:37,865 --> 00:16:39,563 IF HE HAS A BADGE-- 347 00:16:39,693 --> 00:16:41,565 MR. DO THE CRAZY-FUNNY WOODCOCK VOICE? 348 00:16:41,695 --> 00:16:43,610 NO. I CAN DO IT. 349 00:16:43,741 --> 00:16:44,959 IT DROVE HIM NUTS. 350 00:16:45,090 --> 00:16:46,135 WE'RE GOING TO WASHINGTON, 351 00:16:46,265 --> 00:16:47,527 AND THIS BADGE IS [bleep] HAPPENING. 352 00:16:47,658 --> 00:16:51,314 LET'S GO. 353 00:16:53,664 --> 00:16:56,362 SO ELVIS HAD POLICE LIGHTS, WOULD PULL PEOPLE OVER. 354 00:16:56,493 --> 00:16:57,798 AND ELVIS IS-- THE WHOLE WAY, HE'S BEEN LIKE, 355 00:16:57,929 --> 00:16:59,539 I'M GONNA INTERROGATE HIS ASS. 356 00:16:59,670 --> 00:17:02,455 HE'S GONNA REGRET THE DAY HE STOLE THAT JEWELRY, MAN. 357 00:17:12,117 --> 00:17:13,771 [glasses clink] - CHEERS. 358 00:17:13,901 --> 00:17:17,992 MMM! THAT'S GOT A GOOD TASTE. 359 00:17:18,123 --> 00:17:20,952 THAT'S--THAT'S A LOT TO DO A SHOT. 360 00:17:21,083 --> 00:17:24,173 - YOU'RE INSANE! WHOO! 361 00:17:24,303 --> 00:17:25,391 - YEAH, WE SHOULD'VE JUST SIPPED THAT. 362 00:17:25,522 --> 00:17:27,350 - WHOO! 363 00:17:27,480 --> 00:17:30,353 - READY? - OKAY, BUDDY. 364 00:17:30,483 --> 00:17:33,530 ELVIS WRITES A LETTER TO NIXON WHILE ON THE PLANE. 365 00:17:33,660 --> 00:17:36,098 THEY LAND, AND HE DROPS IT OFF AT THE FRONT OF THE WHITE HOUSE. 366 00:17:36,228 --> 00:17:37,795 IT WAS SHOCKING. 367 00:17:37,925 --> 00:17:40,624 NO CELEBRITIES WANT TO HANG OUT WITH NIXON. 368 00:17:40,754 --> 00:17:42,234 SO WHEN HE REACHED OUT, THEY'RE LIKE, 369 00:17:42,365 --> 00:17:43,627 ELVIS WANTS TO MEET WITH YOU. 370 00:17:43,757 --> 00:17:45,411 THIS CAN'T HURT MATTERS. 371 00:17:45,542 --> 00:17:47,152 DON'T YOU WANNA SEE WHAT ELVIS HAS TO SAY? 372 00:17:47,283 --> 00:17:49,067 WHY NOT? 373 00:17:49,198 --> 00:17:51,025 HE'S LIKE, YEAH, ARRANGE IT. YEAH, I WANNA MEET HIM. 374 00:17:51,156 --> 00:17:52,810 LET'S SEE WHAT'S GOING ON. 375 00:17:52,940 --> 00:17:55,204 AND ELVIS COMES IN. 376 00:17:55,334 --> 00:17:57,423 AND NIXON LOOKS AT HIM LIKE, UH, 377 00:17:57,554 --> 00:18:00,905 THIS IS CRAZY, MAN. YOU DRESS REALLY CRAZY, MAN. 378 00:18:01,035 --> 00:18:02,036 HE'S LIKE, HEY, YOU HAVE YOUR GET-UP, 379 00:18:02,167 --> 00:18:03,908 I HAVE MINE, OKAY? 380 00:18:04,038 --> 00:18:06,432 NIXON'S LIKE, YEAH, I'M GLAD YOU CAME BY. 381 00:18:06,563 --> 00:18:08,826 I WANTED TO MEET YOU, AND GOOD TO SEE YOU. 382 00:18:08,956 --> 00:18:10,262 AND ELVIS DOES THE HARD SELL THING. 383 00:18:10,393 --> 00:18:11,698 HE NEEDS THE BADGE. 384 00:18:11,829 --> 00:18:13,483 WELL, I CARE, MAN. 385 00:18:13,613 --> 00:18:15,006 I CARE ABOUT WHAT'S GOING ON WITH THESE PEOPLE. 386 00:18:15,137 --> 00:18:16,573 AND I CARE ABOUT THE HIPPIES, 387 00:18:16,703 --> 00:18:18,879 AND EVERYTHING THAT'S BEING SAID RIGHT NOW, MAN. 388 00:18:19,010 --> 00:18:20,316 IT'S TERRIFYING. 389 00:18:20,446 --> 00:18:22,318 PEOPLE THAT ARE SAYING THINGS ABOUT YOU 390 00:18:22,448 --> 00:18:25,321 AND, UH, THE PEOPLE THAT ARE SAYING THINGS ABOUT ME. 391 00:18:25,451 --> 00:18:28,106 AND THAT'S WHY I'M HAPPY TO BE HERE...MAN. 392 00:18:28,237 --> 00:18:30,500 BUT I NEED THIS BADGE. THIS IS SO BIG FOR ME. 393 00:18:30,630 --> 00:18:32,328 I NEED IT. 394 00:18:32,458 --> 00:18:33,938 AND NIXON REALLY TAKES IT IN, KINDA ASKS HIS AIDE. 395 00:18:34,068 --> 00:18:35,722 HE'S LIKE, CAN WE DO THIS? 396 00:18:35,853 --> 00:18:37,681 AND THE AIDE COMES BACK, SAYS, I'M SORRY, IT'S DONE. 397 00:18:37,811 --> 00:18:39,857 WE CANNOT GIVE THIS BADGE. SORRY, MR. PRESLEY, WE CANNOT-- 398 00:18:39,987 --> 00:18:43,774 YOU HAVE NO QUALIFICATIONS IN OUR MIND TO HAVE THIS BADGE. 399 00:18:43,904 --> 00:18:45,210 [burps] 400 00:18:45,341 --> 00:18:47,038 MM. SORRY, BROTHER. 401 00:18:47,169 --> 00:18:49,040 I'M LOVIN' IT. 402 00:18:49,171 --> 00:18:51,303 AND NIXON DECIDES TO GIVE HIM THIS BADGE. 403 00:18:51,434 --> 00:18:53,000 SO ELVIS GOES BACK TO GET PHOTOS TAKEN, 404 00:18:53,131 --> 00:18:55,394 BUT THEN ELVIS IS 405 00:18:55,525 --> 00:18:58,745 A LICENSED AND REGISTERED FEDERAL NARCOTICS AGENT. 406 00:18:58,876 --> 00:19:01,531 SO ELVIS HAD POLICE LIGHTS, WOULD PULL PEOPLE OVER. 407 00:19:01,661 --> 00:19:05,099 YOU HAVE ANY IDEA HOW FAST YOU WERE GOING? 408 00:19:05,230 --> 00:19:08,929 ANOTHER TIME, HE SAW THIS CRAZY LUNATIC GUY. 409 00:19:09,060 --> 00:19:10,496 THE GUY WAS ALLOWED INSIDE. 410 00:19:10,627 --> 00:19:12,281 AND EVERYONE'S LIKE, WHY IS THIS CRAZY PERSON 411 00:19:12,411 --> 00:19:14,283 BEING ALLOWED INSIDE? THIS IS-- 412 00:19:14,413 --> 00:19:15,893 HE'S LIKE, NO, NO! HE'S ALL RIGHT, MAN. 413 00:19:16,023 --> 00:19:18,156 HE'S OKAY. HE'S PART OF THIS TEAM. 414 00:19:18,287 --> 00:19:19,766 WE'RE GONNA WORK WITH HIM, MAN. HE'S FUNNY. 415 00:19:19,897 --> 00:19:21,115 AND THEN ELVIS LIKED HIM, LOVED HIM, 416 00:19:21,246 --> 00:19:22,856 AND THEN GOT TIRED OF HIM. 417 00:19:22,987 --> 00:19:24,554 SO HE SAID HE HAD TO GO HOME. 418 00:19:24,684 --> 00:19:26,773 ELVIS WAS GONNA PAY FOR HIS FLIGHT HOME. 419 00:19:26,904 --> 00:19:29,776 COME BACK, SOME JEWELRY'S MISSING. 420 00:19:29,907 --> 00:19:31,909 SO THEY FIGURED OUT THIS GUY HAD STOLEN SOME JEWELRY. 421 00:19:32,039 --> 00:19:34,172 ELVIS FREAKS OUT. 422 00:19:34,303 --> 00:19:36,087 HE'S GONNA REGRET THE DAY HE STOLE THAT JEWELRY, MAN. 423 00:19:36,218 --> 00:19:39,003 HE--HE MESSED WITH THE WRONG GUY. 424 00:19:39,133 --> 00:19:40,874 THE GUY WAS ABOUT TO TAKE OFF, 425 00:19:41,005 --> 00:19:44,313 AND THEN HE SEES ELVIS RUNNING NEXT TO IT IN A JUMPSUIT, 426 00:19:44,443 --> 00:19:47,011 HOLDING A REAL FEDERAL NARCOTICS BADGE. 427 00:19:47,141 --> 00:19:51,015 SO THE PLANE STOPS, THEY PULL THE GUY OUT. 428 00:19:53,278 --> 00:19:55,498 ELVIS PULLED THE PLANE OVER 429 00:19:55,628 --> 00:19:58,109 TO PULL THIS GUY OFF AND INTERROGATE HIM... 430 00:19:58,240 --> 00:20:02,287 OF WHICH ELVIS HAD A COUPLE RANDOM QUESTIONS. 431 00:20:02,418 --> 00:20:04,028 WHERE'D YOU GET THE JEWELRY, MAN? 432 00:20:04,158 --> 00:20:07,727 AND HE JUST CRIED AND SAID, I GOT THE JEWELRY HERE. 433 00:20:07,858 --> 00:20:09,555 I'M SO SORRY. 434 00:20:09,686 --> 00:20:10,904 YOU SHOULDN'T HAVE TAKEN THAT, BUT YOU'RE CAR-- 435 00:20:11,035 --> 00:20:12,689 [stammers] ALL RIGHT. 436 00:20:12,819 --> 00:20:13,907 SO WE'RE GOOD, MAN. 437 00:20:14,038 --> 00:20:15,822 GIVES HIM LIKE 200 BUCKS, 438 00:20:15,953 --> 00:20:18,738 AND THEN BUYS HIM ANOTHER TICKET OUT. 439 00:20:18,869 --> 00:20:20,784 AND YOU KNOW, EVERYTHING'S JUST A LITTLE BIT SAFER 440 00:20:20,914 --> 00:20:23,830 IN THAT PART OF MEMPHIS. 441 00:20:23,961 --> 00:20:26,137 DO YOU FEEL IT? 442 00:20:26,268 --> 00:20:29,140 HEY! DO YOU FEEL IT? 443 00:20:29,271 --> 00:20:31,273 THANK YOU. 444 00:20:31,403 --> 00:20:34,188 - THANK YOU. - THANK YOU. 445 00:20:34,319 --> 00:20:37,583 - THANK YOU. - OKAY, BYE. 446 00:20:40,630 --> 00:20:43,502 [patriotic music] 447 00:20:43,633 --> 00:20:51,336 ♪ 448 00:21:12,052 --> 00:21:13,227 - HE'S FUNNY. 449 00:21:13,358 --> 00:21:14,228 AND THEN ELVIS LIKED, LOVED HIM, 450 00:21:14,359 --> 00:21:15,229 AND THEN GOT TIRED OF HIM. 451 00:21:15,360 --> 00:21:16,796 SO HE SAID HE HAD TO GO. 452 00:21:16,927 --> 00:21:18,537 ELVIS WAS GONNA PAY FOR HIS FLIGHT HOME. 453 00:21:18,668 --> 00:21:21,584 COME BACK, SOME JEWELRY'S MISSING. 454 00:21:21,714 --> 00:21:23,237 - CRAP. [laughing] 455 00:21:23,368 --> 00:21:25,065 [laughter]