All language subtitles for Thank.You.Goodnight.The.Bon.Jovi.Story.S01E02.1080p.WEB.H264-SuccessfulCrab

Johnny.

How are you, buddy?

I'm well.
It's good to hear your voice.

Are you ready to take
the world by storm once again?

How's Omaha?

Omaha is wonderful.

Have a little reunion
to get you ready.

Yeah, buddy.

Rockin' 101, the Rock Station.

The Johnny Rock Show.

You know, people always say to me,

"Ah, Johnny, yeah, you say
you know Jon Bon Jovi.

Sure you do. He never does
any interviews on your show,"

but look who's on the phone.

Jon Bon Jovi, welcome
to the Johnny Rock Show.

Hey, Johnny, my old dear friend.

You walked into WAPP,

gave me a cassette
of Runaway,

and as they say, the rest is history.

Well, look, without you guys,

who knows if we would've been having
this phone call 40 years later.

Right on.
Okay, the tour, what can we expect?

Plan to show up.

After that, who knows?

You know, we're sort of working it out.

It's been a long time
since we've been on the road,

so we're excited and anxious
and wanted to go back

to a handful of cities on this,
our 39th year of existence

just to get my feet wet
and then next year,

of course, being our 40th,

I think there'll be more of a celebration.

Alright, listen,
you knock 'em dead,

uh, opening night
and we will see you Sunday night.

Thank you very much, buddy.

Proof that this story was true.

I haven't really
figured that out yet.

I'm going through
some cleaning out

of the closet in my head.

Is it, I'm dealing with
old muscle memory of things

that weren't working right?

You know, then-then you're like,
I-I can't wait,

and on the other hand,
you're going, "Ugh, again?"

So it, you know, you're torn.

- Yes, yes.

Ah-ha!

Yes, yes, yes!

It's just
the calm before the storm.

It's not fear, but it is an energy

that I kinda harness.

- We're all in this together, man.
- Yes.

- Come on.
- All in this together.

Everybody together, huh?

- Fun moment.
- Kill it. Woo!

Alright, come on.

Oh, you know, I'm so looking forward
to this. Just to walk on that stage.

You know, we're like race horses
that are just sitting in the stall.

It's like, just get us out
so we can run again.

As soon as you hit
the first note, then you're in it.

Then we're all together.

It's not one entity, it's all.

♪ Wake up, everybody, wake up ♪

There's so much joy in just playing

and you're just right there
in that moment

and you're looking out and you're looking
at all these faces

that are smiling,

and it, and I'm smiling
just as much as they are,

'cause it's that energy
keeps feeding back and forth

and it's godlike to me.

♪ On a night like this... ♪

To truly
become one with the sound

and that it was all encompassing,

the band, the singing, the crowd,

you're really not there.

You come down afterwards
and you go back into your body

and it hits you when you're
walking down the hallway,

back to the dressing room.

When we're all together,
none of us are there.

♪ On a night like this ♪

♪ One prayer, one wish ♪

♪ Step out off the edge ♪

♪ It's worth the risk ♪

♪ On a night like this ♪

♪ One touch, one kiss ♪

♪ Step out on the edge ♪

♪ It's worth the risk ♪

♪ Life is limitless, limitless ♪

♪ Limitless, limitless ♪

♪ Life is limitless, limitless ♪

♪ Limitless, limitless ♪

♪ Whoa oh ♪

Hi.

- Hi.
- Hi.

I'm with Jon Bon Jovi of Bon Jovi

and tonight we're at
the Municipal Auditorium

- with Scorpions.
- She's nervous.

I am not.

Are you married?

I get married every night.

You keep asking me this question.
This girl needs it bad.

Look, 'cause a lot of people
out there wanna know.

I mean, you know, you're kinda cute,

and you're really popular
with all the girls

and you write some neat songs,

and, and so tell us
about the songs you write.

You write most of your stuff, don't you?

- Uh-huh.
- Or does all the band together or...?

We come up with different ideas
in, uh, separate places.

You know, everything's working out well.

I usually write a lot of this stuff
and take it to the band

and then we make records.

Jon, you said
you're not married, man.

- My baby.

Jon, I'm sorry to disappoint
everybody out there.

Exactly, th-that's the funny thing
about these things.

Obviously, everybody has
their own perception

about what happened
and how it happened to them

because obviously
when you're in a band,

people experience fame
and fortune...

or debt or whatever that is
that comes along

with it all in different speeds.

Before that was happening,
I was recording my originals

and, uh, creating relationships
at all these different labels

and stuff like that.

Jon was doing the same thing.

He was a go-getter,
he was a hustler,

kind of just like I was.

He was leader in his band,
and I was the leader in my band.

Jon had had
a song called Runaway,

which, you know, I kind of
disliked very much but...

I saw something there.
He had the it factor.

Hi, we're Bon Jovi,
and this was the debut single

on the brand new first video
of our first album called...

Runaway.

It was 1983.

I'm signed, we're signed,
the band are together.

Now it's time to get a manager.

A guy named David Krebs,

who was the biggest manager
at the time.

They had AC/DC,
Aerosmith, Def Leppard,

Joan Jett, and he had Rex Smith.

That one went over your head, didn't it?

And he takes me
into his office and he says,

"You could be like Rex Smith."

Hmm, okay.

What about AC/DC
and Aerosmith and...

But the name that was running
around the hallways

of the record company was a crazy man

by the name of Doc McGhee.

I woke up this morning.

- And I said to myself.
- I said, "Self..."

-"Self..."
-"Self..."

"...what a great fucking day
for rock and roll."

My job is to do one
or two things that change your life,

not good moves, change your life.

♪ Break out ♪

I was at Polydor Records.

I had, uh, Mötley and everything
that was blowing up at the time and...

the interim president said,
"You should see this kid we're looking at

"called Jon Bon Jovi.

He's got this Runaway
on WAPP."

So I said,
"Well, I'll go see this."

Doc McGhee is in a place
called International Falls on vacation.

Oh, well, we're playing
at the Garden tonight.

All these managers are coming.

Jon told me, he said,
"I'm gonna play tomorrow night,

'cause somebody had canceled for ZZ Top."
I said, "Don't."

We had no manager and no equipment,
you know, no big stuff.

You know, we're doing the Garden.

We're, like, calling up
our friends and going,

"Come on, man, I don't wanna lift
my own amp at the Garden.

I gotta have somebody to
help me here." You know?

McGhee knows that
if he's not there in that hallway

in that night, he's gonna lose this band.

He shows up by renting some
little prop job of an airplane,

which was a big deal to us.

Had his own limo driver,
which was a big deal to us.

And he puts on
such an entertaining act

to get our attention.

Started dealing with Doc
and he's a great gentleman.

But we didn't listen.
We just wanted to play the Garden.

I wish it was as easy to tell people
what to do, but you can't.

You know, when you think you can do that,

then you're completely delusional.

Richie was meant to start a song,

one that we had written together.

I go, "Listen, I'm gonna get out there.

"It's the guitar crowd.

"Just give me like,
you know, 20 seconds.

I'll just blast some stuff."

And his guitar didn't work.

The crowd went from polite applause
to silence to, "ZZ Top."

"ZZ Top, ZZ Top."

And I'm thinking, "Oh, Christ,
this is over before it starts."

It was the longest 18 seconds.

Everything went into slow motion.

I take off my guitar
and I give it to Richie,

and I said, "That's what we got.
Let's go."

And he starts soloing.

Oh, that was horrible.

But it was the first time
I played the Garden.

[♪ concert recording of
"Runaway" by Bon Jovi playing]

They had fun,
but it was a disaster

because you have to have the confidence

to be able to, to pull that off.

It was the fastest set ever,
ever played.

I think it was, like, about 18 minutes.

We were like The Ramones.

- ♪ Get ready ♪

We were scared shitless.

Good enough to get by.

The magic of denial.

We thought we did a great job.

We went back to my office,
and we all sat around

and talked about why
it was a bad move,

and I listened and let them talk.

They have to get it... not me.

Hmm, Doc clicked with me.

He knew how to run a circus.

It wasn't like they
all have the same viewpoints.

They're all completely different,

and so the sum of all those guys,

I went, "This has gotta happen.

This has gotta work."

We fell in love
with McGhee's rap,

and then I flew out
to California with him

to go and see Mötley Crüe.

Jon had him checked out,
uh, by a private detective

and said that, you know,
he was a crook,

and I said, "Perfect, hire him.
He's the guy."

Doc's an imposter.

He's the guru of rock and roll.

The man behind the plan.

A voice on a telephone.

Well, I'm in an interview right now, Doc.

Wait, hold on a minute, okay?

See, Doc, this is like Charlie's Angels.

You know, like on Charlie's Angels,
you never knew who Charlie was,

but they got all the commands?

That's Doc.

I remember him taking me
to a record store and saying,

"Well, what do you want to be?"

And he says, "If you're with me,

I want you to be
the biggest band in the world."

He said, "You see that,
you could be that.

You see that,
you could be that."

That's what my job is,
is to make 'em bigger

than what they are,
and they have to believe it

and they have to go after that next step.

And I was just enamored,
and I signed a deal with him.

Had a lot of adventures with that guy.

We-we signed with Doc,
this is all in '83, right?

So this is after the ZZ thing,

and we got from September
'til January

before our record comes out,

but we're not ready
to sit home.

We want to be on the road, you know?

And he says,
"Well, you know, you got a road crew,

you got a bus, you got this,
you got that?" We says, "Nah!"

Let's throw it on a station wagon,

hooked it up in a U-Haul,
and we drove, right?

After we recorded that in '83,

and in '84 we went out to tour.

That first tour was amazing.

It was the American wet dream.

They were really,
really a good solid band.

They could sing, they could play,

and they had that attitude
and the more confidence

that they built up, the better they were.

You only get that by being out there.

We were gonna do, I don't know,

25 clubs in 30 days kind of thing,

and, uh, I was the first one
to show up on the bus

because oh, my God,
we had our own tour bus.

We were so excited.

When you get your first tour bus,

you think you died and gone to heaven.

♪ No Romeos who'll love and leave you... ♪

My house is 20 grand.
The tour bus is like 500 grand.

I'd never seen anything
that nice in my life.

I mean, I was there so early,
I just kept walking in

and around it and on it

and in the bunks
and out of the bunks.

All the neighbors
came out, you know, in their curlers

and smocks on and everything going,

"Oh, your kid made it, look at this."

And sure as fuck, David shows up

with a bowling ball...

fishing pole.

Basketballs, every-- Like...

Alec had a gun.

I mean, it was the stupidest thing.

Everybody had 13 pieces of luggage.

Who knew?
We didn't know what this was about.

Like we were
gonna have time to do

any of that kind of stuff.

Then we couldn't fit
all the shit in the bus.

So then we had to go back
to each of our houses

and drop the bowling ball back off,

'cause we didn't have any fuckin' room.

So the adventure began.

Doc always believed in playing
the band live everywhere.

I mean, what we would do
one stop in a state now,

we would do six, seven, eight stops.

I believe that you have to take
the bands to the people,

not the people to the bands.

I remember playing
in Texas places where,

you know, like, the Blues Brothers
should have played

with the chicken wire
and them looking at us

with our long hair and the cowboys
thinking we was cute,

'cause we were probably
cuter than their girlfriends.

We looked better than half
the girls we ended up with.

I thought that was kind of funny.

I remember the bus
breaking down in the desert.

I remember going
to California for the first time

as a band pulling down the Sunset Strip,

playing some little theaters
with a Los Angeles band called Ratt.

LA's newest,
hottest band, Ratt.

Performances were so raw
and so energetic.

Not bad for a bunch
of kids from New Jersey.

What do you guys think?

And then you hear
the audience responding to them.

You go, man, th-there's
something happening here,

and that's early on.

It's fun, it's chicks, it's rock and roll.

It's the whole thing.

It was about playing.

It wasn't about how much money you made.

It's a thing that I love
about the music business.

It's called before the zeroes,
when it was fun.

Yeah, so the key was never to play

while under any influence,
you know, by not drinking.

I never did, that was never my thing,

'cause you should get high off the music.

We were always about the music.

We never walked on that stage fucked up.

Here I'm standing with Jon Bon Jovi

and the band Bon Jovi.

You guys have opened
for Hall & Oates...

- Yeah.
- ...and, uh, ZZ Top,

and, uh, things are going real well.

Well, we're on tour right now in support
of our new album on Mercury Records.

- Mm-hmm.
- Uh, we're doing

a headlining tour right now,
and then we'll be out

with the Scorpions
doing the arenas.

- Great.
- California,

there is no one like you!

So we did that first month
playing the bars.

The Scorpions, the German band,
take us out on the road

to open for them in arenas.

So we graduate to playing
as an opening act.

You have 35 minutes,
and you have to cut your teeth,

you have to win a crowd over.

We went out and learned
a lot from the Scorpions.

I thank them very much to this day.

They were a great live band,

taught me a lot of tricks.

We call them, like,
the Panzer tank, just ride, rolled on.

There was no such thing
as less than 120% every night.

I wanted to tour
with The Cars or Bryan Adams,

and Doc McGhee said to me,
"You have to go out there

and earn an audience," by touring

with what he called
the black t-shirt crowd.

When Doc had told me
that we were slated to go out

with the Scorpions
and we're singing...

♪ Ooh, she's a little runaway ♪

You know, I'm going, "Oh, shit."

Jonny would say,
"They're gonna throw shit at us,"

because, you know,
he was kind of a pop band

compared to what the rock bands were.

We couldn't be
categorized so easily

because we weren't
heavy metal

and we weren't pop.

And people fucking hated us.

Every night was a fucking war.

I remember Tico wearing
a plastic baseball helmet

from the quarters that were
pinging off of his head.

I'd be hearing...

quarters, nickels, this
and that, and the other thing

'cause people wanted
to hear some heavy stuff.

'Cause you never know
what they'd fly out.

- Oh, when they, when the lights went out.
- Put the head down.

Oh, let's hit the drummer.

- I like that.
- Touch the chin.

Definitely, uh,
made our skin thick.

Kind of forced them
into going to that direction

of being that rock band.

You know, we started
to, to make a bit of progress,

and we went out and worked harder
than anybody else did.

Used to be the worst guy in the world

you ever wanted opening your show, me.

The worst motherfucker
you ever wanted to see,

because I'd do anything
to upstage the headliner

to try to win that audience over.

As far as the new album's concerned,

we're gonna do the Japanese tour,
come home for three weeks,

and then we're doing
our European tour with Kiss.

So, uh, we're lucky enough that
our first album is a world tour.

♪ Are you ready Tokyo ♪

Then when we went to Japan

and the record company,
they were building Jon

like an idol band,
they called it.

[♪ "She Don't Know Me"
by Bon Jovi playing]

We're like, great, where's Japan?

I think, you know, at that point,
I drove with my parents

in a station wagon to Florida.

I think it was the most
I ever made it outta New Jersey.

We played all through Japan.

They were like
the Beatles there at the time.

♪ What more can I do ♪

♪ There's nothing that I haven't tried ♪

Kids were lined up singing songs,

500 in front of the hotel.

We weren't used to it.
I mean, we were barely getting on radio.

Oh, yeah, well,
we were the Beatles there.

It was the most unbelievable thing.

It was thousands of kids waiting
at the airport and screaming.

Had little dolls of you
and stuff, you know?

It was hu--
You're like, "Really?"

Hello, Tokyo.

Here we go.

♪ Come on, come on ♪

♪ Get ready ♪

♪ Come on, come on ♪

Give yourselves
a nice hand, Tokyo.

We'll see you all again.

We are back and talking
with Jon Bon Jovi.

- Hey.
- Second visit to MTV for Jon.

- A Jersey kid goes to Japan.
- That's what it is.

- How was it for you?
- Oh, it was amazing.

Uh, th-the kids are amazing.

So they love Bon Jovi over there.

Yeah, fortunately. I'm-I'm glad somebody
does besides my mother, you know?

We really went
around the world

and played lots and lots
and lots of countries.

Doc McGhee took us to Europe.

We opened for Kiss
in the no-makeup stage.

Taught us a lot, you know,

being on the road
for two years now,

it kind of gives you an education,
what the world is about.

Singing their solid
gold classic, Runaway,

here's a band everybody's
talking about, Bon Jovi.

The first album comes and goes.
We have a nice little run.

You have your whole life
to write your first record.

You have six or seven weeks
to write the second.

I am, as you are,
impatient for results.

He would do a show
and record it live

and send it to me,
and I would mix it.

Then he actually did
his second record at my studio

in Philadelphia
at The Warehouse.

Last album, uh, was
a feeling of writing songs.

I was writing a lot from point of view

of a, a kid in New Jersey.

You know, you're writing
from only a limited background.

We write. In fact, David
and I co-wrote the first single,

and it barely breaks the top 40.

And it was just like, "Oh,
let's go write some more songs quick

because people have heard of us."

Let's get another album
in their face right away.

And instead of taking
our time and thinking it out

and letting the songs really breathe,

we really, really rushed.

Your brand new LP is called
7800 Degrees Fahrenheit.

That, by the way, is the temperature
which rock melts.

Cute, huh?

The second record was not great,

and the band was still going
through a lot of growing pains.

If you're smart enough to learn
how to play your instrument, check.

You're incredibly fortunate enough
to have written that song, check.

Now I'm supposed to know
how to make a video?

No check. You know?

Where's the video?

Where?

Tell us about your tape
and then put it in.

This is the first video
of our brand new Mercury album.

This is called Runaway.

It was our first video
and what did we know?

And we saw it and we almost died.

We made five videos
in our first two records.

We look at 'em and now we say, "What?"

Man, you sold us out.

What the hell were we doing?

We were very naive,
and we didn't know

what the hell to do.
So we like--

Just have to learn.

So people are going, "Okay,
wear this and go over there

and act like that," and you go, sure.

Man, they are not nice people.

I said, "What are you?

"You're a fun rock band.

"It can't be,
you're, uh, selling hot dogs

"and then he comes over
and gets out of the car,

and the other guy's a cab driver."

What the fuck is that?

For the first videos that
everybody's seen up until now,

um, I can honestly say that I had
nothing to do with whatsoever

because they hire these directors
and storytellers

who have nothing
to do with our songs.

Plus, we looked like crap.

Basically, our whole outfits
were about $20.

We would just take t-shirts
and cut 'em up.

The West Coast stuff,
they were like rock and roll pirates.

So we're like, "Okay,
tie shit on you like a pirate

and wear, like, a pirate shirt."

So I think bands were formulating,
you know, whatever that look was.

The music is the important thing,

not the pictures, not the
album cover, not the videos.

The music is the thing that
the kids are relating to still.

We had a gold record, you know?
I don't know how.

You know? But I guess
Jon wiggled his ass enough

and we played some loud guitars
and had some decent songs.

Not my favorite record,
but it did a little bit better.

We went out again on the road
and worked our asses off.

And every night, we're
establishing ourselves as a live band.

Ladies and gentlemen,
Mr. Richie Sambora.

[♪ playing guitar solo of
"In and Out of Love" by Bon Jovi]

Bands like Bon Jovi, they have a sound.

It sounds like them live,
which is different from the record.

We're starting to gel,

but playing it live
is a different game too.

It comes from time and time
and again, you keep doing it,

where we kept getting better.

You know,
the band was a steamroller,

but it wasn't becoming
the alchemy of the band yet.

♪ In and out of love ♪

We've been out since April.

Uh, we hit Japan first,
you know,

and we did, uh, four weeks
of headlining over there

and then we bopped
over here to Europe

for five weeks,
and then we went straight to America.

Yeah, it looks as though
it's not gonna end as well,

you were saying
a moment ago?

No, it could be.

- This is--
- Rumors, rumors.

This is our manager's, uh,
Count de Monet tour, you know?

- I do.

I think, uh, the idea is to finish
the year out in America

and then sit back and think
about a new producer

and take in a-a-a while
to do the next album.

It could have been worse.

The single-minded focus
as to what the, you know,

the vision was didn't happen
until the third album.

Let's get you sound.

Still got 26 miles to go
on this marathon.

Yeah.

Jon does a lot of work
preparing himself as a person

and as well as preparing
for, for what this is.

How's the body feel
for those couple of runs?

You know, calm
before the storm or a little beat up,

- I can't decide.
- Okay.

He's very physical out there,

so his whole body has
to be maintained,

but then specifically muscles
that are involved in singing

have to be constantly
loosened and relaxed.

When you're out here,
the mental aspect of performing

at this level takes the forefront.

See, this is much better right now
than it was two days ago.

Once those physical needs are met,

nothing else will work in a connected way

without the mind and the spirit aligned.

I was watching TV
a couple of weeks ago,

and the talk was,
is that Tiger was coming back.

Tiger Woods, a winner again.

He has a horrific,
most likely career-ending,

maybe, you know,
life-changing car accident.

A year later, he shows up
on the podium of the Masters.

The reporter says,
"Are you intending to win the Masters?"

So the question is simple.

Do you think you can win
the Masters this week?

I do.

I looked at the TV screen
and I said,

"Of course he's gonna win the Masters.

Of course I'm going
to be great tonight."

Alright, Tiger!

He didn't win the Masters.

He played his heart out,
it hurt like hell.

Did he put the clubs away and say,

"Oh, well, I'm done?"

No.

Tiger wanted
to get to Mount Everest,

but he definitely got to the base camp.

I understand what that is
because I too believed

that I was going to be great.

I've put in the time,
I've put in the effort,

and what could be worse than,
it's still not working out?

Here we are,
tonight's show 10 outta 15.

We started this journey asking
about the question of joy

and on show one in Omaha,
Nebraska, there she was.

I remember coming off
the stage that night

and feeling pure joy,

something I hadn't felt much of

in a number of years.

It got a little bit better
the second night.

Her lipstick may have been a little worn,
but she still looked good.

Day three, it's there,
but in-in truth,

I took a couple body blows,

I read some things,
and I don't often do that.

The legendary rock icon Jon Bon Jovi,

who has been rumored to be losing
his voice in recent years.

Sounds like he's super tired.

They're not
gonna be able to tour anymore.

There's no way.

And it hurt.

It hurt because I've worked
so hard physically,

mentally, spiritually,
to want to be here again,

and I had to ask myself,

"Is it worth going forward?"
Or is it worth saying,

"Okay, you tried but the body
can't do it anymore?"

Same song, from the top.

So when I use
these analogies of running

the long race or the sports icons,

it makes the impossible possible.

It helps me remember how hard I've worked

and that all of that training
doesn't get thrown away

because somebody said so.

♪ Like this ♪

♪ On a night like this ♪

They don't know what's behind it
and what's gone into it

and what is still left in the tank.

You know, one thing you can't be
in this world is a quitter.

So I'm good.

Me and joy are holding hands.

Come on, baby.

You left it out there.

Well, I didn't leave much.

That was by far the worst show.

Did you feel pooped?

I was exhausted.

I just had no gas.

My eyes are puffy,

just couldn't lift
my arms or my legs.

In my journey

to try to keep
on top of my game,

especially when I was broken vocally,

there wasn't anybody
that was really dealing with this.

So a surgeon, you meet him
and he wants to cut you,

and then he'll tell you things like,
it's extremely risky.

You might not ever sing a note again.

Other ones just want to give you drugs,

and we were reaching.

We were going with sports guys,
talking to them like,

"What do you got? How do you do it?"

None of them could understand
that our economy runs

on something as big
as your thumbnail.

This big runs
the 120-person organization,

but I've had a problem.

I don't mind the humility of it.

The journey has sucked,
but it's made me wiser,

greater appreciation for any
and everyone involved.

The real true understanding
that everyone out here

sacrificed so much to just to be here,

and I mean more than the band, the crew,

th-the team around me...

and I see
when I look in the eyes

of those people that joy.

They don't mind that
I don't hit a high note.

Judging by the reaction I see
in that crowd every night,

I don't think they mind.

But it's the tarring
and feathering

of me on a nightly basis.

You know, this is the real me,
the gray hair, the whole 10 yards.

If I can't be the badass,
then I'm not here.

My legacy is too important.

Shelly, Shecky, are you out there?

The best thing that
happened to Bon Jovi was,

he didn't have a hit.

He had mediocre success
for the first two records

and gave us time to play him

about 500 shows around the world.

Every day, Jon got a little bit closer
to where he wanted to be.

The biggest mistake you could do
was try to be big too early.

Like, we're gonna headline
and then have empty seats.

Like, y-y-you have to wait.

People liked us,
but they didn't attach themselves

to the most important thing,
the foundation, the song.

I don't give a damn who you are.

You ain't got a song,
you ain't got shit.

It's that famous story
of any big band's third album,

the make-or-break year.

The second record
sold 800,000, not platinum,

and the record company's like,
"Well, if you don't sell

a million,
then we're gonna drop you."

It's like do or die.

We were having a hard time
bringing guys in to the audiences

'cause Jon was
a very good looking guy.

So we needed to come up
with something

and that was gonna be
Wanted Dead or Alive,

and so the whole cowboy image
came into that.

I went to the guitar company
and got a double-neck guitar.

Wanted Dead or Alive was written
in Richie's mother's basement.

Some of them I wrote in my bedroom
in New Jersey by myself,

and I said to Richie,

"What we need to do
is write a song

for somebody else,"

because I'll never forget
seeing Bryan Adams writing

a song for Tina Turner
and then doing it as a duet.

So we called up Derek Shulman,
who was our A&R guy,

and one of the names
that came up was Desmond Child.

They wrote with me because they thought,

"Well, Desmond could help us
to get cuts with other artists."

I said, "I know who that is.

"I remember a poster
of his band being hung outside

of my dressing room
at the Fast Lane."

And I was all for it 'cause I-I--
we needed a jumpstart

and we already had Wanted Dead or Alive
and Never Say Goodbye.

I walked in to meet them
for the very first time

at Richie's parents' house
where Richie was still living,

started talking this and that.

I said, "Well, you know guys,
I brought a title."

And so outta my back pocket
written on a little piece of paper

was You Give Love a Bad Name.

♪ Bad name ♪

And I saw for the first time the smile...

♪ Shot through the heart ♪

... the billion-dollar smile.

Jon threw in, "Shot through
the heart and you're to blame.

You give love a bad name."

Well, holy shit, that sounds like a hit.

When we finished it,
we all saw the obvious,

which was, "Oh,
that's too good, we'll keep it."

He knew the next level of writing

that made us better
at what we did.

When they started writing with me

and I started looking
at telling stories,

let's not just talk
about how hot a babe is,

which is what all
the other bands were doing.

Living on a Prayer
was a very important song

'cause it was the first time
we ever used characters

turned into a cinematic
sonic recording at that point.

I remember the day we wrote that,

not thinking much of the song.

It's a piano, an acoustic guitar,

and us sitting there with notebooks.

The entire verse is one chord,
and there's no bass line.

Gonk, gonk, gonk, gonk, gonk, gonk.

♪ Tommy used to work on the dock ♪

Gonk, gonk, gonk.

There's nothing else there.

So when we walked out of the room,
I went, "Eh, it's okay.

Who knows? It's fine."

♪ Doesn't make a difference ♪

Uh, you guys,
I don't think you're singing.

Maybe "oohs" or anything.

♪ Got each other ♪

♪ And that's a lot for love ♪

Richie and I got on our hands and knees,

half joking, half for real,

and begged him to at least cut it.

Oh, we'll save that
for a movie soundtrack.

I said, "Jon, that's the best song
we've written to date."

And Richie said,
"Boy, you're stupid.

It's gonna be great."

- Something like that.
- Okay, sure.

Now I know everybody wants to know

what's happening with you right now.

When's the new album coming out?

We're working on it right now.
We just started rehearsing.

Uh, we'll be in the studio
mid-March in Vancouver, Canada

with a new producer,
and, uh, hopefully it'll be out

on the streets... June.

It was Jon
helming the ship as he does.

At that point,
he found a, a record producer.

I was in my hotel room one night
listening to some new bands,

and one of 'em happened
to be Black 'N Blue.

So I threw this cassette in,
and it sounded better than the CD.

The background vocal arrangements

and the recording sounded
so interesting to me.

Who produced this?

"Bruce Fairbairn."

We researched this guy,
we tell him who we are,

he obviously knows,
and he's interested enough

to hear some of the songs.

And he says, "I'll do it, but you have
to come to Vancouver, Canada."

We went all the way
over there, away from New Jersey,

away from everything we knew.

Get away from everybody
and just be a rock band.

Just concentrate, just do it there.

We came together
and everyone was times 10.

This sonic boom happened,

and we recorded what became
Slippery When Wet.

[♪ "You Give Love a Bad Name"
by Bon Jovi playing]

♪ And you're to blame ♪

♪ Darlin', you give love ♪

And it was the most fun

a rock band could ever have
making a record.

♪ A bad name ♪

Vancouver was going
through a resurgence

because it was the year
the World's Fair was there.

So there was a lot to do.

There was great rock bars,
there was great strip bars,

there was beautiful women.

It was the Wild West.

You're sitting here before the zeroes

so you can have fun.

You can explore what you wanna be.

I remember
the first time we walked

into Little Mountain Sound,
and I heard Bob Rock

and the sound that he got on the drums

and I went, "Oh, yeah,
this is gonna be something."

Recording it, it came easy.

It was magic.

It was, you know,
we did a lot of practicing,

pre-production, let's say,

and we went into the studio,
and I remember doing the rhythm tracks

in three days, four days.

It was just one of those magical moments
that they went in

and just knocked it out without thinking.

We didn't even have a name
for the record.

You have any idea
of title or anything like that?

Right now,
it's Wanted Dead or Alive.

- I think that's what the beard's for.
- Ah-ha!

The visionary
must have hit his head,

because I grew a long beard
and a mustache.

We were all wearing dusters,

and we went into a cave
in Vancouver

and took these cowboy pictures
like you get at the Wild West Show.

I go, "You're from fucking New Jersey.

"You're not a cowboy.

"Okay? Get in the car.

This is over with."

This title Slippery When Wet,
could you explain that title?

Well, Slippery When Wet,
it really came from a strip bar.

'Cause there was a, a shower in,

this-this, uh, drinking establishment

where young ladies seemed
to dance to, uh, rock and roll songs.

And a local photographer
in New Jersey by the name

of Mark Weiss
shot an album cover

based on dancers
in the bars in Vancouver.

We wanted the album cover
to be this bodacious woman

that we found on the beach
in Jersey, Angela, oh.

PMRC in America, which is like

really, really cracking down
on sexual things,

said they wouldn't shelve it,
they wouldn't rack it.

The record company,
they said, "Too late,

we've printed
a half a million copies."

In a great management moment,
McGhee says to the label,

"We'll get you another cover."

It was three o'clock
in the morning, I'm with Jonny

and when we couldn't use it,

we couldn't come up with an album cover.

Finally, Jonny takes a garbage bag,

put-puts it over the garbage can.

I squirted the water bottle
on a black Hefty garbage bag.

Took my fingers, I wrote
"Slippery When Wet."

- Take a picture.

So we said, "Here's a black cover
that says 'Slippery When Wet' on it,"

and let the music do the talking.

So, we take the record
back to the label

and shoot Bad Name as a single.

Just going great. We're gonna shoot
our new video this week out in LA,

and it'll be to
You Give Love a Bad Name,

and, uh, right now,
I have decided that any director

who tells me concept and storyline,
I'm not talking to.

We knew that we had to be perceived

as being an arena headliner.

Let this, this video be
the infomercial for your live show.

We've made a video
that told you what we were like live.

That was a big reason
for the success of it.

Jon sent me a cassette tape
to the studio in Philadelphia,

and I went, everyone's life
is gonna change.

♪ I play my part ♪

♪ And you play your game ♪

Immediately, the reaction
was through the moon,

and the company was like, "Wow,

I don't know what you've done,
but you've done it."

Whether it's Angela's chest
or a wet Hefty bag,

New Jersey metal has made it to the top.

Our new number one,

You Give Love a Bad Name
from Bon Jovi.

♪ Shot through the heart
and you're to blame ♪

♪ You give love a bad name ♪

Where was Bon Jovi
when, uh, you-you had

your first number one,
was that Living on a Prayer?

Uh, Bad Name.

We were in Sioux Falls, South Dakota

opening up for .38 Special.

We already had contracted
to open up for them.

I think it was like a month.

You know, after our 40 minute set,

we get word that Slippery
is gonna be number one

the following week on Billboard.

Calling everyone we could
on the payphone.

You got telexes from people.
You know, I mean, it was a big deal.

I mean, we did this group hug
at Holiday Inn, man,

the first time we were number one
and, uh, to say, you did it.

And here we are,
we had the number one record

on the planet everywhere.

Number one record, number one album.

You Give Love a Bad Name,
everybody's playing that record

and we're opening up for .38 Special.

So then all of a sudden,
they were making a ton of money

because they were selling out
like crazy because of us.

It wasn't long before
their manager was like,

"Anything we gotta do
to keep you on this tour."

And McGhee was, like, saying,

"Thanks, but, you know,
it's time to move on."

In, um, basically a month,
we outsold, you know,

uh, what we did last year.

Any and everyone
involved in that project

had a multiple of 10 next
to their name after that.

The Slippery phenomenon began.

Slippery When Wet became
the fourth heavy metal album ever

to make it
to Billboard's number one.

It was a validation
of what they had

put themselves through for five years.

And then once we flipped the headliners,
we sold out everywhere.

There was no more middle fingers,
so that was the nice part.

♪ You got a nasty reputation ♪

Now with the ability and funds
to be able to put on a show like that,

it gave Jonny the opportunity
to use the whole arena.

I mean, that's probably what he had
in his mind when he was a kid.

I was like, "Got this motherfucker now."

That was the rocket ship.

One of the
hottest tickets around tonight,

It was to see the world's
hottest rock group.

Rockstar Jon Bon Jovi
has come a very long way

since growing up
in Sayreville, New Jersey.

The third album from Bon Jovi,

Slippery When Wet, has become
the first number one LP

in their career,
and it looks sure to go down

as one of the biggest selling
heavy rock albums of the year.

♪ Raise your hands ♪

♪ When you want to... ♪

This was just
about low IQ, high RPM.

This was about having fun.

It had to be dangerous.

Ooh, yah!

Uncle Richie gotta take his medicine now?

I mean, it really was
from living with my parents

to living the dream.

I went from nowhere to everywhere.

I still say it to this day,

I am like, the luckiest fucking guys
who ever fucking lived.

Get the hell outta here.

Your album is still
at number one in the States,

selling over 100,000 copies a day.

Jon, let's say that there are
actually some people out there

who have never heard
heavy metal music,

never heard of Jon Bon Jovi.

- Now what would you say to them?
- Where have you been?

♪ Got to raise your hands ♪

♪ When you want to let it go ♪

If you were to put the music you make

into a certain classification,
what would it be?

Good.

But I don't think we changed.

I think the world's perception
of us changed.

Everyone goes, "Hey, you're famous."
I'm like, "I don't-- okay."

But when people
ask us about money,

we say, "Well,
this is our manager,"

and we point at him and say,

"He's rich and we're famous."

I adore his looks.

Remember the first time
I saw him on a picture.

You didn't even hear the music

- and you knew you loved them?

These stories have been
repeated by others since,

and it happened from the time
of Elvis and Sinatra

and The Beatles,
but in our moment in time,

you know, we were everywhere.

Now I'm gonna work twice as hard.

So we weren't out there
messing around,

but I got a fair amount
of messing around done

in that time myself,

you know, with the use
of some other things that I actually--

well, whatever it was.

This Tuesday night,
60 minutes of nonstop

bop-till-you-drop
Bon Jovi sweatshop.

That's right, we are going
to be your guest VJs.

Back then, we had
the biggest tipping point of all,

which was MTV.

We were at the forefront

of MTV's influence on the world.

Hi, I'm Jon Bon Jovi,
and I want you to spend a weekend

of unbridled hedonism
with me and these guys.

Hell yes.

If you were good
and you got on MTV,

that would explode you.

Hi, we're Bon Jovi.

Fill in the blank
with five cute guys

in a rock band,
MTV was all excited...

Music television.

...about taking us
to Southeast Asia and Japan.

We had to start our world tour
right back in Japan

where all the best things happened, okay?

We have us a brand new album
and the song

that you're gonna see on MTV.

We were working so hard
through it, especially Jon and I

because we were the ones
that were waking up

and doing early morning radio.

We were the ones that were waking up
and doing all the press.

Some-- the people wanted
to talk to us.

Well, we just left, uh,
Helsinki last night.

- Yeah.
- And we stopped here to see you.

You guys just don't get tired, do you?

Is this the rock and roll capital
of England or what?

So you're having
a good time in Australia.

- Absolutely.
- You-you had your--

You've been in Melbourne,
you're in Sydney.

Good evening, Vancouver, Canada.

Come on, Tokyo!

I got three more nights
here in Philadelphia.

You guys are getting...

You're getting
to wear my ass out already.

The, the key to the band's success
is that we tour,

tour and tour and tour and when
we're done touring we tour.

Our philosophy is, is that

we're not the show,
but the kids are the show.

We're just the host of the party.

Are you ready?

If you're there
when they open the gates

to a stadium show,
you watch how they enter.

They run top speed
because they want to be

at that bar up front.

In those days,
I'd go to a Bon Jovi concert

and watch Jon
just give it all on stage

and I'd hear him sing,
like, the highest notes

with all of his force.

♪ Livin' on a prayer ♪

♪ Take my hand ♪

Like, wow, that's not just

in the recording room.

He can actually deliver that.

♪ Livin' on a prayer ♪

Jon is, he's feeling something,
and he takes it there.

We'd follow him,
anywhere he went anytime.

So that's the key, to be that
on the money as a band,

and if he wants
to take it to that way,

and he's never took it there before,
that's where we're going.

♪ Livin' on a prayer ♪

Being a fan myself,
I've sat in the 99th row

and every time, swear to God,
the singer was looking right at you.

What I try to do
is exactly that

and look at the kid
in the 99th row.

I would go out on the stage
and stand in the wings

and just look
at that sea of humanity,

and they're all there
for one reason

and it's to see this band
and see him perform.

Bon Jovi was arguably, at that point,
the biggest band in the world.

♪ Ooh, we gotta hold on ♪

I had blinders on
for Slippery When Wet...

♪ You live for the fight
when that's all that you've got ♪

...because 240 shows was
something I had never done.

♪ Oh, oh ♪

It was exhausting for me.

It was fun, but it was exhausting.

I was completely dead.
I was exhausted.

I was doing cortisone
to get the cords working.

We tour so much
that you don't have a, a chance

to enjoy the luxuries of it.

It ends in the States in August,
and it's back to, you know, England

for the Donington Festival.

From there, Australia,
Japan again, Anchorage, Hawaii,

and then sleep like a big old bear.

I'm gonna hibernate.

It's the, the correlation between
the cowboy of yesteryear or whatever

and the modern day
rock and roller

because the cowboy would ride
into town on his horse,

rob a bank, hit the bar,
drink some booze, you know,

grab the women, take the money and run,
and do the same thing in the next town,

and we kinda do the same thing

except we don't rob a bank,
we go play a concert.

I mean, it felt like from day one,

like that first time we got together,

it felt like five guys against the world.

I think it was
very important to Jonny

to have that feeling
of family in the early days,

and that came from Slippery,

and that was what it was about.

I know that I would
still be back at Kinney's

had it not been, you know,
for the team of me and Doc

because, uh, we're best friends,
you know,

and that's what made it work.

Bon Jovi is a family.

We've been doing this now
for four and a half years straight.

You're brothers, you know.

[♪ "Wanted Dead Or Alive"
by Bon Jovi playing]

♪ It's all the same ♪

♪ Only the names have changed ♪

The bond that was created
from that time forward

was constantly evolving.

It-It changed our lives,
being in this band.

It-It-It defined who we became as men.

The Bon Jovi band is definitely,
um, a family.

The only band I've ever been in
that gets along this well.

- Family, family, I say.
- Plasma.

Now is it just another band
or is it more of a family, would you say?

No, it's definitely different.
It's like a family.

Been in a lot of different bands.

This is like, I don't know,
we get along together.

We kinda take vacation holidays together.

You do hang out together
when you're not actually playing on stage?

Yes.

There was that brotherhood.

It was us five guys
and-- on a bus

and then five guys in an airplane

outta seven billion human beings.

Not a lot of people get
to experience what we did.

And it changed
the face of pop radio.

Those songs changed the landscape,

and that was our defining moment
with songs like

You Give Love a Bad Name,
Livin' On a Prayer, Wanted Dead or Alive.

They were all big monster hit songs.

Do you feel like
you're at the top of the ladder?

No, I think, uh, every time
you get there to the, to the place

where you think is the top,
you find out that it just,

there's another extension
on that ladder, you know?

So we're not, uh satisfied,
and we're not done.

Thank you.

Good night now.

I was pretty exhausted
but there was no way

that we were gonna slow down.

None.

And I was also very cognizant

that I had to do it again.

And... every day,
I was thinking about,

"How the fuck are we gonna do this again?"

This is Little Mountain Sound Studios.

This is the beginning of our show, folks.

Fourth album.

No one's supposed
to know the title but me.

Guess what
I didn't think of, though?

I just locked myself out,
and it's nine o'clock at night.

We went back in
and wrote New Jersey,

which was initially gonna be
called Sons of Beaches,

and thank God, you know, even then
we were wise enough to say,

"Don't be that kind
of cliché rock dude."

You know, you can get away with that once
with Slippery When Wet.

I can't believe it.
Come on, follow me.

Okay.

I'm going to take you now
into the room

where, where, where this new record
is being made by Bon Jovi.

Them guys are assholes,
so you gotta watch them.

This is Bob Rock's House
of Sin, they call it.

- Come in, come in. A lot of work here.
- From the top.

Hi, I just came here,
and I'm nuts already.

We had toured
for 16 and a half months

with a two week break
after eight months.

Woo-hoo, and back to the grind.

Whoever's gonna watch this in the future,

here's one for you.

Cheers, let's put the fucking thing down.

♪ Everybody ♪

Fuck, missed that one.

I used to be in this band, Bon Jovi.

Now I-I'm illiterate
'cause I drank tequila.

What did I ask you?

A band that stays together,
plays together.

We went right in there,
banged another one,

and the juices are still flowing again,
kind of recreate the same feeling,

and let's take it a step further.

Be like Tico, be like Tico,

be like Tico, be like Tico.

Oh, no, welcome to Vancouver.

Look at these guys,
can't take them anywhere.

You're on a roll.

They've worn out Slippery.

It's not like Jon goes, "You know,

I gotta take a year off
and I gotta find myself."

He's not that guy.

Jon quit school because there was recess.

That felt good.
Let's do one more, then we'll have...

Thanks, guys.

Working hard.

- Bob. Bob.
- Oh, what time is it?

Fuck you, guys.
Fuck you! Fuck you!

Oh!

Now that was history.

There you go.

We mixed everything until last night,
about one in the morning,

1:30 or so,
and, uh, that's it.

We've had enough.

You know
what your first single is?

Bad Medicine.

We were doing some Fuji tape commercial
in Japan, believe it or not,

and I had found out
that the girl

I was going out with was a prostitute.

I mean, that'll shake you up a little bit,

and I was just, I was sitting there
in this black water

that looked like Fuji tape,

and I just went,

♪ Your love is like bad medicine ♪

♪ And bad medicine is what I need ♪

♪ Whoa whoa,
shake it up just like bad medicine ♪

♪ Bad medicine ♪

♪ Bad medicine is what I need ♪

♪ Whoa oh oh, ♪

A year after that
240 show Slippery tour,

which was as exhausting
as anything I'd ever done,

we were back on the road.

You know, I mean Slippery
was everybody's dream come true.

It, uh, it gave us a job.

It gave us the opportunity
to tour and play

whenever and wherever
we want to.

I want to do that again.

I mean, we did three on,
one off, two on, one off,

three on, one off for like a year.

Went back into the studio,
did another record, did that again.

And he was begging me,
just before he was saying,

"Doc, can we go out?
Just, let's just do 300 shows."

- Just 300.
- Just 300 shows.

We'll take 65 days off.

I said, "Well, okay."

There's no relax,
there's never a wasted moment.

You have to keep pushing it along,

and especially in those days,
it was conquer the world time.

Touring is the whole thing.

I mean, the whole thing
of playing in front of people,

making records is fun
and all that kind of stuff,

but the whole reason
that we happened as a band

was because we got in front of an audience

and rocked their asses off.

Third album comes out, explodes.

Fourth album comes out
and has to do better, you know,

so we're there now, right?

Tough.

A good comparison
is like a prize fighter.

We have the title,
we have the belt,

and every time we walk
into the ring with our record,

you have to defend it.

- Best concert I've ever been in my life.
- Oh, absolutely.

- Everything.
- The lights, the music.

Everything brilliant, everything.

We love Bon Jovi.

And at that time, as we're gaining

all this fan appreciation,
if you will, around the planet,

we were never the critic star.

Rolling Stone, when
Slippery When Wet came out,

they called us a "smudgy
third generation copy of Quiet Riot."

The group Bon Jovi has been riding high
since their album Slippery When Wet

sold a paltry 14 million copies
around the world.

Now their new album
hasn't done quite that well.

It's called New Jersey,
but it's doing just fine

and it's selling in the millions.

When New Jersey came,
we had gotten to that point

where everybody says,
"Okay, I'm sick of them."

You know, "Get lost,"

and we were the brunt of, you know,
a lot of finger pointing.

The Grammys didn't even nominate
Livin' on a Prayer,

You Give Love a Bad Name,
Wanted Dead or Alive.

It was hysterical and ridiculous.

But who cares, you know what I mean?

With people, we were always
the people's choice,

and that's who you're playing for.

♪ Your love is like bad medicine ♪

- ♪ Bad medicine is what I need ♪
- Woo!

♪ I'll be there for you ♪

We were
the chip-on-our-shoulder guys,

especially Jon, and it was a motivator.

Fuck 'em, you know,
if they don't like us.

The people love us,
that's all that matters.

♪ Words can't say
what love can do ♪

♪ I'll be there for you ♪

And the winner is Bon Jovi.

What we need to do is, um,

to give this one to all the critics

who said that Bon Jovi
was a flash in the pan,

who said that Bon Jovi was nothing.

This was the dream, this was the goal.

If it's all over now, it doesn't matter.

We made it to the dance.

Giants Stadium, it's like the biggest gig
we ever played, you know.

We're going
to have 80,000 people tonight.

Couldn't be happier if I was twins.

♪ Whoa oh oh ♪

No one's ever done this, man.
The Stones, the Who, the... no one.

We were just crushing it,
doing as many shows

anywhere where we wanted,

and we had five top 10 hits
on that record.

We were absolutely the guys of the moment.

Jon Bon Jovi and his band
returned to their native state

of New Jersey Wednesday night

and turned the group's sold out show
at the Meadowlands Arena

into a rock and roll carnival
for 20,000 cheering fans.

I think if I said
it was great to be home,

that would be
the understatement of the year.

- You know what I mean?

Along with the platinum
albums the group was presented,

a proclamation was also read
proclaiming it Bon Jovi Day statewide.

Yeah, we had a party
for 20,000 of our friends.

Got the key to the city.

Yeah, got keys to the city,
got plaques from the governor.

We've got a probably what,
eight, nine foot cake here.

It was a hell of a party.

Ten thousand balloons,
20,000 people,

and a partridge in a pear tree.

- Cheers.

It was all the decadence of the '80s.

It was a kid in a candy store.

It was whatever you want,
whenever you want it times two,

without giving away
too many secrets

because anything that every one
of those bands talks about,

you know, we did it too,
and it was fun.

It was real fun, you know.

It was not only girls
and drugs and booze,

but it was one-upsmanship
with gifts and cars.

It became silly.

You buy me a Ferrari
and I'll buy you a Porsche,

and you buy this piece of art
and I'll buy you that house.

It was dumb kid
rock and roll star stuff.

No connection
between sex and rock and roll?

Oh, there's a connection.
I mean, when I was a kid, I played violin.

Now I play bass guitar.

- I get laid a lot more now.

I think the hardest thing
that for-for-for anybody

in that situation is that,

how do you collect your ego
and keep it in check?

Just got to be so ridiculous
that there was nothing we couldn't do.

If I want to play 10 nights in New York,
book 'em. We could do it.

If you want to tell the promoter

we want five pinball machines...

...okay.

- Pool tables?

- Done.

I want a '69 Corvette convertible.

- I got it.

We could get away
with anything and we did.

I mean,
now that you're so successful,

do you ever feel like sitting back a bit

and not touring quite so hard
and working quite so hard?

Uh, it wouldn't be any fun.

This '80s was pretty tough

'cause everybody,
there was so many drugs.

I mean, I had a wing
of rehab people

and not that Jonny and them
were even close to any of that stuff.

We never were the band
that just, you know,

was so fucked up that
you're supposed to go on

at nine o'clock and you go
on at two in the morning.

Like, nobody overdosed.
That's a good thing.

I know I've gone out the next day
and he's just coming in

and I'm going, "Hey,"
and he's going,

"Yeah, see you later."

I'm very much interested
in, uh, how a bar works.

I can't get off the stage
and be--

just go to, go to room and relax

because I'm too hypered up
from doing this marathon.

So I needed to let my hair down
and have a few drinks, party.

You know, Tico could
really get outta control.

He-he wasn't a easy, fun drunk.

Shit. I put it right the fuck down.

Alec could really get outta control.

He too was not a easy, fun drunk.

David and Richie were much easier,

but they certainly had
more than their fair share

of too much fun.

So somebody had to try
to keep it together.

For whatever and all reasons, it was me.

In a situation with drugs,
I've been asked often,

so often that I finally said,
"Look, I don't do 'em.

I don't like 'em,
I don't approve of 'em."

There's nobody
that was more dedicated

about his voice,
his warming up, his--

I mean, Slippery, we-- I mean,
every tour he had troubles,

but he worked through it.

He didn't drink, he didn't smoke.

He was actually pretty boring
when he was doing all this stuff

because he didn't,
he-he wouldn't do anything

because he had to try
to save his voice.

Are you still with me?

We just lived on the road to the point

of almost the band's demise,

because if you do anything too much,
you will get a scar.

Jon was also
the guy that would get up

at 5:00 in the morning
to make it to a radio station.

At 5:00 in the morning,
most of the guys in the band

- were just getting to bed.

These guys are pissed off
that they're at soundcheck.

I woke 'em up at 8:30.

They're still hung over from last night.

Bribery's not even working.

We can't wait for the tour to end.

I was like,
I'm gonna have a lot of fun,

but I'm gonna make sure
that my love of music

is more than my love
of partying,

and I think
once you turn that corner...

uh, you've lost it.

We certainly jumped back
in the ring and we're all just,

you know, haymakers swinging
for any and everything

that would come our way...

but it almost killed us.

Good afternoon.
We're at Raleigh's Broughton High School,

where Rockstar Jon Bon Jovi is appearing

to give a very special
anti-drug message

to thousands of Wake County students.

Bon Jovi's appearance
is being sponsored

by a nonprofit group called
the Make a Difference Foundation.

When you're a celebrity...

at this point,

comes with a responsibility too
to try to do good things.

To try to give back a little bit.

Jon Bon Jovi's appearance is also tied

to an unusual drug probation
handed down by a judge.

The manager of the Bon Jovi band
pled guilty last year

in a marijuana case.

But instead of ordering that
that manager go to prison,

the judge in the case decided

to let that manager use
his influence in the rock industry

to help spread the drug-free message
to the nation's teenagers.

That was a very
difficult place for a young kid to be,

you know, with the guy
that was supposed

to be the grownup in the room

was now in some kind
of incredible legal trouble.

Your manager, Doc McGhee,
of course, had a few problems

with drugs, an alleged 5,000 tons
of grass he was trying to import.

As you sit
and you try to understand

what you've done
so you don't do it again,

it's just learning from your mistakes.

We had to do things
to keep McGhee outta jail.

- I'm Jon Bon Jovi.

So you were asked to do things
and you didn't even know why.

You're thrust into a situation

that is way above
and beyond your pay grade.

Today, the world looks expectedly
to signs of change,

steps toward greater freedom
in the Soviet Union.

Doc's lawyers
came up with a plea,

which led to a concert
in the former Soviet Union

because we were one
of the great exports

of American pop culture
to the Iron Curtained countries.

Now the Soviets are opening their country
to American rock music.

A number of top rockers,
including New Jersey's own Bon Jovi,

are getting ready to jet to Moscow.

Nobody played Moscow.

Nobody with electric guitar did.

You could play with a piano
or something,

but there's no way you could play
with an electric guitar.

You couldn't even get an electric guitar.

I did it because
he was my friend first,

but also because he was the manager.

So I felt that obligation,

but I really never had
any idea just how big it was.

You know, when we grew up in school,
you-- that's the bad guys.

You can't go there,
no one goes there.

There's no records there,
there's none of this there,

and our attitude was, let's go over there.

Let's make this happen.

Welcome to Bon Jovi world,
Russian style.

A world which began
back in December

when Bon Jovi made a quick trip
to the Soviet Union

to lay the groundwork for the main event.

I remember going as a band to set it up

while the Wall was still up.

Brr! It's freezing.

And snow coming down,
and KGB and CIA,

and the lady who handled Cuba
right next to me

and the sleigh horses.

It was like a movie.

We were very aware
that we were being watched

and if you had a western
rock and roll record,

you could be imprisoned.

The only way that folks had heard
of Bon Jovi is on the black market.

We were, like, officially sanctioned
by the government

to come in, although
Billy Joel went, you know,

and of--
and other bands have gone,

they didn't go there
with the government's blessing, let's say.

If anything can be said about Bon Jovi,

it's we make people smile.

We make 'em a part of what we do,

and there's no political overtones to it.

It's just rock and roll music
and entertainment.

If that's gonna help bring
the world together.

I'm the first guy over here.

Peace and my love
and rock and roll.

So we're going to Russia

and we're gonna introduce them
to rock and roll.

[♪ "Born To Be My Baby"
by Bon Jovi playing]

♪ Na na na na na na
na na na na na ♪

♪ Na na na na na na ♪

The message to the youth
will be a little bit different

than it was 20 years ago for Woodstock,

and I'm really proud that
they've all taken their time and effort

and their support
to help the foundation

to bring awareness to kids
on drug and alcohol abuse.

I remember parts
of the plane ride

and it was egocentric lunacy.

There was real debauchery
going on in-in the back

with booze and drugs,
and we were going there

to do a anti-drug concert,
and there was...

We're starting
to get rowdy at this point.

Yeah, man, we're starting
to get rowdy and you know,

of course there's no alcohol or anything
like that on this plane, so...

Obviously not.

♪ Beats like a drum all night ♪

♪ Flesh to flesh ♪

No one's sleeping,
everybody's walking around.

It's, uh, two o'clock in the morning

and we're all, like, pretty delirious
'cause we've been held up, you know,

on the runway and in the airport.

Now, did we think it was
gonna change the world?

Did we think it was gonna--
the Wall was gonna come down

and that they were gonna let us do this?

No.

We went to this stadium

that was one of the biggest structures
I'd ever seen in my life.

It was a, um,
variety show

because you had
Ozzy Osbourne.

Go, go, go, go...

Mötley Crüe was there,
of course, famously.

How many girls
we have in here today?

And the Scorpions, I just
remember that just so clearly.

There were
so many people there,

and you could just feel
that desperation to be free.

There is a magic
to music that curtails

anything political,
anything bad in the world.

It's the most spiritual thing
in the world, I believe,

and we saw it there.

If you wanna make it a better world,
you start with yourselves.

And in the name of friendship
and good God blessed rock and roll,

this is for you.

It's called Blood on Blood.

One, two, three, four!

You're looking like everybody
you thought would be a monster,

'cause that's all
you've ever been taught.

They kind of looked like us.

They were humans.

You know, all this whole thing
that you've had in your head,

it was-- it's just people.

They were just
like any other crowd.

They were exuberant.

Imagine having your first glass of water

after walking a desert
for your whole life.

They'd never experienced
anything like that before.

♪ Blood on blood ♪

♪ One on one ♪

♪ We'd still be standing
when all was said and done ♪

I mean,
that astounded me at first.

I couldn't believe it,
you know what I mean?

These people couldn't sing English, man,
but they were singin' our lyrics.

It's that emotional connection.

It's that honesty that moves
to the heart of the people

and gave them some hope.

♪ And I'll be there for you
till kingdom come ♪

The music isn't
dissimilar from sport

in that it's tribal.

You're finding
that one common thread

that you have with people
from all different walks of life.

I've seen that languages don't matter,

and that to me is something beautiful

about the power of music.

It's universal.

There are shows where
something just really magical happens

with all seven members on stage.

It's on stage, man,
'cause the fans, you know what,

there's kids, kids that know
more lyrics than I do,

and that's, that's good parenting,

but the whole point is...

...what we're spreading this message

that's been spread
for 30-something years

- and we just keep--
- Forty.

Forty years next year.

I met super fans, and it's
something about Bon Jovi

that changed their life
for the better or saved their life.

There was a lyric
in a song or...

a Jon Bon Jovi's smile.

Something did something
to them that

they have to see their band
as often as possible,

and I don't think that's crazy.

I think that everybody has
different passions.

People build model cars,
people parachute.

These people love ju-just going
to Bon Jovi concerts.

So that's pretty amazing.

Well, we're not at the end yet.

I'm not gonna be able to give you
an honest answer for a week or two,

but where I think I am today,

when I'm good, I'm great,

but I don't feel like
I got everything in the arsenal.

Were you with me then
when I used to do this?

I'm thinking about starting
the show black.

Okay.

I jump up, acapella Prayer.

Let them sing it.
Keep just lights on me only.

No-No black up there.

Okay.

Me and this fucking audience.

So, house lights go,
and you-you pop up.

- I walk up there, then you hit me.
- Yep.

You know, I could give you
a thumbs up or something.

- Yep.
- Adulation, adulation for however long.

- Yep.
- Acapella, they start singing it,

band starts playing, then it's your show.

Then you walk. Awesome.

My speedball's not...
it's not quite there.

Does that mean it's not coming back?

Or does that mean I just have
to stick with the plan?

If somebody could tell me,
factually, the best you can do

is 100% of 80%,

then I gotta walk away.

- That's it, motherfucker.

- Don't hurt me.
- Yeah!

- Oh, yeah.
- I'm back, motherfucker.

- I know you are.
- Stand, stand down.

Oh, that's a good one.

Fuck, he's old.

I don't have
a Messiah complex,

which some guys get stuck in.

No, I'm not looking for that,

but I have come to realize...

I am not letting you see me--

Um...

I have come to realize that...

I used to say to the band,
"Just trust me

"and I'll take us
where we need to go,

"but you gotta put your
whole fucking everything

into what I'm gonna do."

Those people who hear that...

I never bullshitted them,
you know, so...

Anyway, that's why
the legacy matters,

'cause they believe it.

So I believe it.

I love y'all.

- Love you back.
- Love you too.

Play with love tonight.

♪ We got to hold on ♪

♪ To what we've got ♪

♪ It doesn't make a difference
if we make it or not ♪

♪ We got each other
and that's a lot for love ♪

♪ We'll give it a shot ♪

[♪ "Livin’ on a Prayer"
by Bon Jovi playing]

♪ Whoa, we're half way there ♪

♪ Whoa oh, livin' on a prayer ♪

♪ Take my hand we'll make it I swear ♪

♪ Whoa oh, livin' on a prayer ♪

♪ Livin' on a prayer ♪

♪ We've gotta hold on
you ready or not ♪

♪ You live for the fight
when that's all that you've got ♪

♪ Whoa, we're half way there ♪

♪ Whoa oh, livin' on a prayer ♪

♪ Take my hand,
we'll make it, I swear ♪

♪ Whoa oh, livin' on a prayer ♪

♪ Whoa, we're half way there ♪

♪ Whoa oh, livin' on a prayer ♪

♪ Whoa, we're half way there ♪

♪ Whoa oh, livin' on a prayer ♪

Like Humpty Dumpty, man.

- Aw.
- Back together.

That was really fun.

- You were amazing.
- Thank you.

Yeah, yeah.

Ready to drink?

That was fucking awesome.

That's the way to leave 'em.

- Yeah.
- Wanting more.

By the end
of the New Jersey tour,

we're in Mexico.

It's show 239 and 240...

...and there is
a uprising at a college.

Riots.

Bon Jovi, Bon Jovi,

Bon Jovi, Bon Jovi...

Yes, this is the end of it.

This is the very last show
as we're hoping

that we, uh, we get to have
our last shows here.

And the students come in
and take over the stadium

and barricade everybody,
and the band's still at the hotel.

The band is here.
We want to play.

It's just a matter of them
working out the politics.

They don't want
the show to happen

because of the disagreement
they're having with the university.

It's nothing against Bon Jovi.

There's-- they're starting
to gather people.

There's audience with their tickets
that they're getting,

starting to get a little bit pissed off.

So I have to go
and negotiate with the students

who are in masks and baseball bats.

See if we can get the Juan Carlos
and th-the Federation people

to meet me in my hotel
in my room,

and we'll work,
and we'll work it out there

because otherwise we're going home.

Although they were doing their job

and trying to assure us
that everything would be alright,

there was, um,
a lot of confusion.

You know, suddenly we were
important men making decisions,

but really we were just scared boys
with a lot of money.

I'm not rolling.
We're not rolling, just listening.

When you're together like that,
that becomes your second family.

Sometimes it's your first family.

Sometimes families get dysfunctional.

Was it my favorite time
in the music business?

No, it wasn't.

I love it here,
but get me the fuck out.

That's five men in close quarters
that are not supposed to--

We took vacations together,
we were idiots.

It was ri-ridiculous that we did
all that kind of stuff.

If you're on a merry-go-round
and you're still

on a merry-go-round
for so long, you get dizzy.

So we got dizzy, you know?

It was at a point where
it could break up the band.

A lot of stuff goes on,
you know, divorces, deaths, births,

you know, like the real stuff
that happens to a band also.

That's what people
don't understand,

how complicated
that whole band is,

like, be it the band concept itself.

Imagine
abomination number one,

we're all sick of each other

and at that point,
you know, pff,

everybody was getting
pretty hammered.

Make a difference,
yeah, make a difference.

After Slippery happened,
now you're the biggest thing in the world.

That's four more years

of nonstop fame,
fortune, and gigs.

You know, it just was taking a toll on,
you know, a couple of the guys.

Alec is a drunk mess.
Tico is a drunk mess.

I want to get the hell out of there.

Everybody's seen enough of me.

My mom's seen me enough,
I seen enough of me.

Go away.

So we went back to McGhee
and said, "How about this?"

A matinee and a night show,

just to get out of here.

Let's do two shows
the next day

and then you'll hit the bricks,

and, uh, we're all,

we're gung-ho for that one.

We're doing two shows tomorrow.
First one's 11:30 a.m.

You're saying we open the show,
we play at 11:30?

Yeah. Re-regardless.

Alright.

Go ahead. There's nothing new
you could throw at us.

We-We have it all.

- We've done it all.
- We've done it all.

I'm not postponing, 'cause I'm not
staying here for another minute.

Wimp band. Can only do two shows
in one day, not three, right?

Love that.

That's why we're here.

We have no idea why we're here.

I don't know how we got
through those two shows,

but everybody was pretty hammered.

There was
margarita makers on stage.

All we did was drink through
the whole afternoon show

and the whole evening show.

It wasn't the fun tour.

You know, sometimes it's just,
you just move apart,

and you lose the theme.

It's not us against the world,

it's me against the you guys
and everybody.

Couple more shows. Ah!

We hang out at the venue
to get the stadium crowd out,

to get another stadium crowd in
to perform the night show.

This is the final show...

and after 20 countries,

three million and some odd people,

a lot of cold beer and warm nights...

I learned a long time ago
from a guy on TV,

you never say goodbye,
you just say goodnight.

My job was to make them
the best entertainers in the world...

and they became some of
the best entertainers in the world.

From inception through 1990

was that rocket ship to success.

It was everything
you'd ever dreamed of

and were willing to sacrifice
to get to that place

that you thought was the it.

It was being on the precipice
of what was

to become greatness and longevity

or falling backwards and being the end.

And now there's
nothing else to prove.

What is it, just another
better record or go tour again,

you know what I mean?
'Cause you're not doing anything

but you're unhappy.

In and of the moment
for the New Jersey album,

I wish that those in control,
whether it was the managers,

the lawyers, the agents would've said,

"Hey, guys, I believe in you.

We're gonna take
another year off,"

as opposed to, "Get out there
and do it again."

Just because we said we could
didn't mean that we should.

I never had the thought
that Jon would ever stop,

I mean, or Bon Jovi would stop.

Bon Jovi's forever.

I didn't care.

I don't think anybody cared
if the band was over.

Ah, you just wanted to go home

and have some assemblance
of order in your life.

You know, it was
one of those moments where,

"Get me the fuck home."

We just gotta go
the fuck home.

Everybody's fucking exhausted,

and then that was the first time
we ever stopped.

We were done, so I'm like,
"I want to get the fuck outta here,"

and what I meant was out of Bon Jovi.

Did he work hard?

Did I book him
in a really aggressive way?

Absolutely.

This isn't poor Jon.

This is his gig.
This is what he does.

He was working
the band against me,

me against the band, playing all sides,

and not for the betterment of the band.

I said,
"Listen, you got a problem.

You know, you can always..."

You know, he was just like my son.

"You know, you can call me,"
and he said to me,

"What if you're the problem?"

♪ I tried to make you happy ♪

♪ Lord knows I tried so hard to be ♪

♪ What you hoped that I would be ♪

♪ I gave you what you wanted ♪

♪ God couldn't give you what you need ♪

♪ You wanted more from me ♪

♪ Than I could ever be ♪

♪ You wanted heart and soul ♪

♪ But you didn't know, baby ♪

♪ Wild ♪

♪ Wild is the wind ♪

♪ That takes me away from you ♪

♪ Cold is the night
without your love ♪

♪ To see me through ♪

♪ And, baby, wild ♪

♪ Wild is the wind ♪

♪ That blows through my heart, oh ♪

♪ Wild is the wind ♪

♪ Wild is the wind ♪

♪ You got to understand, baby ♪

♪ Wild is the wind ♪

♪ You need someone to hold you ♪

♪ Somebody to be there night and day ♪

♪ Someone to kiss your fears away ♪

♪ I just went on pretending ♪

♪ Too weak, too proud,
too tough to say ♪

♪ I couldn't be the one ♪

♪ To make your dreams come true ♪

♪ That's why I had to run ♪

♪ Though I needed you, baby ♪

♪ Wild ♪

♪ Wild is the wind ♪

♪ That takes me away from you ♪

♪ Cold is the night
without your love ♪

♪ To see me through ♪

♪ Baby, wild ♪

♪ Wild is the wind ♪

♪ That blows through my heart tonight ♪

♪ And tears us apart, whoa... ♪