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These are the user uploaded subtitles that are being translated: 0 00:00:01,000 --> 00:00:04,000 Downloaded From www.AllSubs.org 1 00:00:04,567 --> 00:00:07,267 ( theme music playing ) 2 00:00:32,000 --> 00:00:34,033 ( phone ringing ) 3 00:00:36,701 --> 00:00:40,167 THE "BOUQUET" RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 4 00:00:40,167 --> 00:00:44,100 DO I SOUND LIKE A CHINESE TAKE-AWAY? 5 00:00:45,267 --> 00:00:48,100 I AM A HIGHLY DESIRABLE PRIVATE RESIDENCE 6 00:00:48,100 --> 00:00:51,200 IN AN AREA OF OUTSTANDING NATURAL PROPERTY VALUES. 7 00:00:52,901 --> 00:00:55,334 AND I'M WAITING FOR YOUR APOLOGY, 8 00:00:55,334 --> 00:00:57,734 UNLESS, OF COURSE, THE THOUGHT OF BEAN SHOOTS 9 00:00:57,734 --> 00:01:01,300 AND CRISPY WON TON HAVE TOTALLY STIR-FRIED YOUR BASIC GOOD MANNERS. 10 00:01:01,300 --> 00:01:04,767 NOW, KINDLY CLEAR THIS LINE. 11 00:01:04,767 --> 00:01:07,100 THERE ARE PEOPLE OF SUBSTANCE IN THIS COMMUNITY 12 00:01:07,100 --> 00:01:09,901 WHO ARE PROBABLY QUEUING TO RING ME AT THIS VERY MOMENT. 13 00:01:11,434 --> 00:01:13,334 YOUR SUGGESTION IS NOTED, 14 00:01:13,334 --> 00:01:15,634 BUT I SEE LITTLE PRACTICAL MERIT 15 00:01:15,634 --> 00:01:17,767 IN HAVING THE TELEPHONE UP MY JUMPER. 16 00:01:21,400 --> 00:01:24,133 I'VE JUST BEEN INSULTED ON MY OWN TELEPHONE. 17 00:01:24,133 --> 00:01:27,133 I EXPECT THE OPPORTUNITIES ARE RARE 18 00:01:27,133 --> 00:01:29,834 OF BEING INSULTED ON OTHER PEOPLE'S. 19 00:01:29,834 --> 00:01:32,300 I THINK IT'S TIME, RICHARD, THAT YOU COMPLAINED. 20 00:01:32,300 --> 00:01:34,267 ABOUT WHAT? 21 00:01:34,267 --> 00:01:37,501 ABOUT THESE WRONG NUMBERS FOR THE CHINESE TAKE-AWAY. 22 00:01:37,501 --> 00:01:39,200 YOU MUST RING THE AMBASSADOR. 23 00:01:39,200 --> 00:01:41,567 WHAT AMBASSADOR? 24 00:01:41,567 --> 00:01:43,801 THE CHINESE, OF COURSE. 25 00:01:43,801 --> 00:01:46,701 I DON'T THINK IT'S REALLY HIS PROVINCE. 26 00:01:46,701 --> 00:01:49,968 - THEN WHAT'S HE HERE FOR? - PROBABLY FOR MORE THAN THAT. 27 00:01:49,968 --> 00:01:52,868 THEY'RE A VERY ANCIENT CIVILIZATION. 28 00:01:52,868 --> 00:01:55,634 OH, RICHARD, DON'T JUST SIT THERE, 29 00:01:55,634 --> 00:01:57,834 GET DIRECTORY INQUIRIES. 30 00:02:01,567 --> 00:02:04,400 THAT'S IT! FINISHED! 31 00:02:04,400 --> 00:02:07,167 NO MORE MEN. ENOUGH'S ENOUGH. 32 00:02:07,167 --> 00:02:09,634 IN THE END, THEY ALL DECEIVE YOU. 33 00:02:11,200 --> 00:02:15,000 AFTER ALL I'VE DONE FOR THAT SWINE, 34 00:02:15,000 --> 00:02:17,100 TO LEAVE ME FOR ANOTHER WOMAN, 35 00:02:17,100 --> 00:02:19,334 I DON'T CARE IF SHE IS HIS WIFE. 36 00:02:20,634 --> 00:02:23,200 WELL, IT'S OVER. I'VE LEARNED MY LESSON. 37 00:02:24,334 --> 00:02:26,300 I ONLY WANT ONE. 38 00:02:26,300 --> 00:02:28,300 I WISH YOU'D FIND YOURSELF 39 00:02:28,300 --> 00:02:30,667 A NICE STEADY BLOKE. 40 00:02:30,667 --> 00:02:33,033 GIVE YOUR HORMONES A CHANCE TO SETTLE. 41 00:02:34,934 --> 00:02:37,567 STOP LIVING ON YOUR NERVES... 42 00:02:37,567 --> 00:02:40,267 AND MY FAGS. 43 00:02:40,267 --> 00:02:42,267 MY HORMONES HAVE SETTLED! 44 00:02:42,267 --> 00:02:44,634 I'VE FINISHED-- NO MORE MEN! 45 00:02:44,634 --> 00:02:47,000 THE SWINE! 46 00:02:47,000 --> 00:02:50,801 HE SWORE HE'D LOVE ME TILL THE END OF TIME! 47 00:02:50,801 --> 00:02:53,534 I DIDN'T REALIZE HE MEANT CLOSING TIME. 48 00:02:55,367 --> 00:02:57,868 GO ON THEN, READ ME SOME BOOK. 49 00:02:58,934 --> 00:03:01,033 "'I LOVE YOU' HE SAID, 50 00:03:01,033 --> 00:03:03,367 LIFTING HER GENTLY ONTO THE BALCONY. 51 00:03:03,367 --> 00:03:05,934 'OH, JEREMY,' SHE SAID." 52 00:03:05,934 --> 00:03:08,334 OH, CHUFFIN' HECK. 53 00:03:18,767 --> 00:03:21,934 HELLO! 54 00:03:21,934 --> 00:03:23,901 GOOD MORNING, MR. PENWORTHY. 55 00:03:23,901 --> 00:03:26,634 GOOD MORNING, MRS. BUCKET. 56 00:03:26,634 --> 00:03:29,968 - "BOUQUET." - WERE YOU GOING TOO FAST? 57 00:03:29,968 --> 00:03:32,534 IT'S THE MODERN DISEASE. 58 00:03:32,534 --> 00:03:36,300 HAVE YOU HURT YOURSELF? I DO HOPE YOU'VE SUSTAINED NO INJURY. 59 00:03:36,300 --> 00:03:38,300 NO, THANK YOU, I'M FINE. 60 00:03:38,300 --> 00:03:40,801 YOUR WAVING DISTRACTED ME. 61 00:03:40,801 --> 00:03:42,300 REALLY? 62 00:03:42,300 --> 00:03:44,367 I'D ASK YOU IN, ONLY MY HUSBAND'S BUSY 63 00:03:44,367 --> 00:03:46,734 ON THE TELEPHONE WITH THE CHINESE AMBASSADOR. 64 00:03:55,501 --> 00:03:57,801 I WONDER IF I MIGHT ASK YOU 65 00:03:57,801 --> 00:03:59,801 NOT TO COUGH OR SNEEZE TOO LOUDLY. 66 00:03:59,801 --> 00:04:02,901 MY HUSBAND'S ON THE TELEPHONE WITH THE CHINESE AMBASSADOR. 67 00:04:04,934 --> 00:04:07,634 THEY'RE A VERY ANCIENT CIVILIZATION. 68 00:04:15,167 --> 00:04:17,167 WELL, WHAT DID HE SAY? 69 00:04:17,167 --> 00:04:19,801 I HAD TO LEAVE A MESSAGE. IT WAS AN ANSWERING MACHINE. 70 00:04:19,801 --> 00:04:21,634 OH, WAS IT A CULTURED VOICE? 71 00:04:21,634 --> 00:04:24,400 - YES. - WELL, THAT'S IT, THEN. 72 00:04:24,400 --> 00:04:26,901 YOU'VE BEEN SPEAKING TO THE AMBASSADOR. 73 00:04:26,901 --> 00:04:30,033 I HARDLY THINK SO. 74 00:04:30,033 --> 00:04:31,968 NOW, DON'T CONTRADICT ME, RICHARD, 75 00:04:31,968 --> 00:04:33,767 IT'S VERY TIRING. 76 00:04:33,767 --> 00:04:35,634 YOU OUGHT TO BE VERY PLEASED THAT YOU'RE 77 00:04:35,634 --> 00:04:37,834 ON CHATTING TERMS WITH THE CHINESE AMBASSADOR. 78 00:04:37,834 --> 00:04:40,868 - WHO IS? - WE ARE. 79 00:04:40,868 --> 00:04:43,801 YOU LEFT A MESSAGE ON HIS MACHINE, 80 00:04:43,801 --> 00:04:47,667 THEREFORE, HE WILL RING US BACK. 81 00:04:47,667 --> 00:04:50,000 I MUST TELL MY SHERIDAN. 82 00:04:59,901 --> 00:05:02,067 NO SIGN OF HER. LET'S GET IN THE CAR 83 00:05:02,067 --> 00:05:05,033 AND AWAY BEFORE SHE SPOTS US. 84 00:05:05,033 --> 00:05:07,567 YOU'RE GETTING PARANOID ABOUT HYACINTH. 85 00:05:07,567 --> 00:05:09,868 WHICH SEEMS A VERY SENSIBLE WAY TO BE. 86 00:05:20,501 --> 00:05:24,000 - NOT SO LOUD. - EMMET, I'M AT MY OWN HOME 87 00:05:24,000 --> 00:05:27,267 IN BROAD DAYLIGHT. I SEE NO REASON TO CREEP ABOUT. 88 00:05:28,434 --> 00:05:30,534 I CAN GIVE YOU 89 00:05:30,534 --> 00:05:33,167 ONE DAMN GOOD REASON TO CREEP ABOUT. 90 00:05:33,167 --> 00:05:37,033 NO, I'VE GOT A BETTER IDEA. 91 00:05:37,033 --> 00:05:39,033 LET'S FREEWHEEL DOWN THE DRIVE 92 00:05:39,033 --> 00:05:40,767 AND START THE CAR IN THE STREET. 93 00:05:40,767 --> 00:05:42,901 - THERE ISN'T ANY SLOPE. - I'LL GIVE YOU A PUSH. 94 00:05:42,901 --> 00:05:45,200 - EMMET! - IT'S WORTH IT, LIZ! 95 00:05:45,200 --> 00:05:47,200 BELIEVE ME, IT'S WORTH IT. 96 00:05:47,200 --> 00:05:49,667 IF SHE SPOTS US SHE'LL WANT TO KNOW WHERE WE'RE GOING. 97 00:05:49,667 --> 00:05:52,167 YOU'LL TELL HER BECAUSE YOU CAN'T LIE. 98 00:05:54,033 --> 00:05:57,968 WHY IS IT? YOU'RE A GROWN WOMAN AND YOU CAN'T LIE? 99 00:06:17,067 --> 00:06:19,767 HAVING TROUBLE WITH THE CAR? 100 00:06:19,767 --> 00:06:22,934 I'LL GET RICHARD TO GIVE YOU A HAND. 101 00:06:25,200 --> 00:06:27,767 THAT'S IF HE'S FINISHED HIS DIPLOMATIC CALL. 102 00:06:27,767 --> 00:06:30,801 IT'S ALL RIGHT, HYACINTH, HONESTLY. 103 00:06:30,801 --> 00:06:32,934 NO, I WON'T BE DISSUADED. 104 00:06:32,934 --> 00:06:34,934 THAT'S WHAT FRIENDS ARE FOR. 105 00:06:34,934 --> 00:06:39,767 * PEOPLE, PEOPLE WHO NEED PEOPLE * 106 00:06:39,767 --> 00:06:42,868 * ARE THE LUCKIEST PEOPLE... * 107 00:06:43,868 --> 00:06:45,868 QUICK, START THE CAR! 108 00:06:45,868 --> 00:06:48,634 IT'S TOO LATE NOW. WE'LL HAVE TO GO THROUGH WITH IT. 109 00:06:52,434 --> 00:06:54,968 I'LL GO WHERE THERE ARE NO MEN. 110 00:06:54,968 --> 00:06:56,968 I'LL EMIGRATE 111 00:06:56,968 --> 00:06:58,767 SOMEWHERE DESOLATE, 112 00:06:58,767 --> 00:07:01,767 WITH NONE OF THE CREATURE COMFORTS 113 00:07:03,334 --> 00:07:06,534 SCRUB THAT, TOO MUCH LIKE HOME. 114 00:07:10,133 --> 00:07:12,667 MEN! 115 00:07:12,667 --> 00:07:15,133 HOW CAN YOU GO ON READING ROMANTIC DRIVEL 116 00:07:15,133 --> 00:07:17,200 WHEN YOU KNOW WHAT MEN ARE LIKE? 117 00:07:17,200 --> 00:07:19,667 IN THIS BOOK, 118 00:07:19,667 --> 00:07:21,667 THEY'RE TERRIFIC. 119 00:07:21,667 --> 00:07:25,534 JEREMY HAS HAIR LIKE GOLDEN CORN. 120 00:07:25,534 --> 00:07:28,701 HE'S TALL AND SLENDER, 121 00:07:28,701 --> 00:07:32,634 A MAGNIFICENT FIGURE ON A HORSE. 122 00:07:37,300 --> 00:07:39,968 SO HOW COME I'M STILL IN LOVE WITH ONSLOW? 123 00:07:39,968 --> 00:07:42,200 YOU MUST BE COMING UNGLUED IN THE HEAD. 124 00:07:42,200 --> 00:07:44,601 - ANY MORE CRISPS? - GET 'EM YOURSELF. 125 00:07:44,601 --> 00:07:46,601 IT'S ALL RIGHT, I'LL GET THEM. 126 00:07:48,267 --> 00:07:51,501 YOU'D THINK HIS HAIR WAS LIKE GOLDEN CORN. 127 00:07:51,501 --> 00:07:53,601 SMOKEY BACON FLAVOR. 128 00:07:53,601 --> 00:07:56,767 THERE'S NO SMOKEY BACON FLAVOR LEFT! 129 00:07:57,834 --> 00:07:59,801 OH, NICE. 130 00:08:01,667 --> 00:08:03,534 IT COULD BE THE ALTERNATOR. 131 00:08:03,534 --> 00:08:06,133 RIGHT. TRY NOW, LIZ. 132 00:08:06,133 --> 00:08:09,000 ( engine starts ) 133 00:08:09,000 --> 00:08:12,100 - WELL DONE, RICHARD. - YES, THANK YOU VERY MUCH. 134 00:08:12,100 --> 00:08:13,934 I DIDN'T DO MUCH, REALLY. 135 00:08:13,934 --> 00:08:16,033 DON'T BE SO MODEST. 136 00:08:16,033 --> 00:08:17,868 IT WAS VERY KIND OF YOU. 137 00:08:17,868 --> 00:08:21,067 - I DON'T THINK I DID ANYTHING. - YOU DID ENOUGH, DEAR. 138 00:08:21,067 --> 00:08:23,767 AND NOW ELIZABETH AND EMMET 139 00:08:23,767 --> 00:08:26,734 CAN BE OFF TO WHERE THEY'RE GOING. 140 00:08:26,734 --> 00:08:28,901 WHEREVER THAT IS. 141 00:08:30,234 --> 00:08:33,701 - ARE YOU GOING FAR? - NO, NOT FAR. 142 00:08:33,701 --> 00:08:36,467 WELL, THAT'S VERY MYSTERIOUS. 143 00:08:36,467 --> 00:08:38,834 IS IT A VERY INTERESTING "NOT FAR"? 144 00:08:38,834 --> 00:08:42,400 IT'S JUST THE CHURCH HALL, HYACINTH. 145 00:08:42,400 --> 00:08:44,200 OH, THE CHURCH HALL. 146 00:08:44,200 --> 00:08:46,334 I DIDN'T KNOW THERE WAS A FUNCTION. 147 00:08:46,334 --> 00:08:48,767 NO, NO, NO, NOT A FUNCTION, REALLY. 148 00:08:48,767 --> 00:08:50,801 AH-- 149 00:08:50,801 --> 00:08:52,968 THE VICAR ASKED EMMET IF HE'D JUST-- 150 00:08:52,968 --> 00:08:55,367 J-JUST A BIT MUSIC FOR FULL-GROWN PEOPLE. 151 00:08:55,367 --> 00:08:58,501 OH, EMMET, WHAT A GOOD IDEA. 152 00:08:58,501 --> 00:09:00,901 RICHARD, WE'D BETTER GET ALONG. 153 00:09:00,901 --> 00:09:02,734 MUSTN'T DELAY THESE PEOPLE. 154 00:09:04,067 --> 00:09:06,067 I THOUGHT SHE'D PUSH HER WAY IN. 155 00:09:06,067 --> 00:09:08,033 I COULD HAVE SWORN SHE'D WANT TO SING. 156 00:09:08,033 --> 00:09:10,901 WELL, THERE YOU ARE. YOU'RE BEING UNFAIR TO HER. 157 00:09:12,300 --> 00:09:14,868 I'VE JUST HAD A WONDERFUL IDEA! 158 00:09:14,868 --> 00:09:16,767 WHY DON'T I JOIN YOU? 159 00:09:16,767 --> 00:09:18,767 YOU PLAY AND I'LL SING. 160 00:09:18,767 --> 00:09:21,601 FOR THE OLD PEOPLE, BLESS THEM. 161 00:09:21,601 --> 00:09:23,934 HOW THEY'LL ENJOY IT. 162 00:09:24,934 --> 00:09:27,033 I'LL RING THE VICAR NOW 163 00:09:27,033 --> 00:09:29,000 AND I'LL SEE YOU AT THE CHURCH HALL. 164 00:09:36,567 --> 00:09:39,000 ( humming ) 165 00:09:39,000 --> 00:09:40,934 * LA-DEE-DAH-- * 166 00:09:40,934 --> 00:09:43,367 OH, MAY I SPEAK TO THE VICAR, PLEASE? 167 00:09:43,367 --> 00:09:46,000 NOT AVAILABLE, IS HE BUSY? 168 00:09:46,000 --> 00:09:49,501 OH, RINGING THE BELLS, OH. 169 00:09:49,501 --> 00:09:53,501 RINGS HIS OWN BELLS, HOW DEMOCRATIC. 170 00:09:53,501 --> 00:09:58,067 OH, I CAN JUST PICTURE THE VICAR AT THE END OF HIS ROPE. 171 00:09:58,067 --> 00:10:00,801 NOW, I ASSUME I'M SPEAKING TO THE VICAR'S WIFE. 172 00:10:00,801 --> 00:10:03,467 YES, YOU REMEMBER ME, DEAR? 173 00:10:03,467 --> 00:10:05,934 HYACINTH "BOUQUET." 174 00:10:05,934 --> 00:10:08,167 THAT IS A BAD COUGH, DEAR. 175 00:10:08,167 --> 00:10:10,734 HAS SOMETHING GONE DOWN THE WRONG WAY? 176 00:10:10,734 --> 00:10:14,133 I WANT YOU TO PASS A LITTLE MESSAGE TO THE VICAR, 177 00:10:14,133 --> 00:10:16,133 HE'LL BE THRILLED. 178 00:10:16,133 --> 00:10:19,334 WE HAVE A SURPRISE FOR THE OLD PEOPLE'S ENTERTAINMENT. 179 00:10:19,334 --> 00:10:22,734 TELL THE VICAR THAT IT WON'T JUST BE PIANOFORTE, 180 00:10:22,734 --> 00:10:27,200 I'VE VOLUNTEERED MY SERVICES TO SING. 181 00:10:27,200 --> 00:10:30,300 YOU MUST TAKE SOMETHING FOR THAT COUGH, DEAR. 182 00:10:31,734 --> 00:10:34,567 THE BUCKET WOMAN! 183 00:10:35,567 --> 00:10:37,834 ( gasps ) HE'LL GO MAD 184 00:10:37,834 --> 00:10:40,033 WHEN I TELL HIM IT'S THE BUCKET WOMAN. 185 00:10:41,634 --> 00:10:43,934 ( bells ringing ) 186 00:10:54,400 --> 00:10:56,934 THE BUCKET WOMAN! 187 00:10:56,934 --> 00:11:00,300 ( bells jangle ) 188 00:11:00,300 --> 00:11:04,300 ( Hyacinth humming ) 189 00:11:04,300 --> 00:11:07,667 * LA-- * WHICH SHALL I WEAR, DEAR? 190 00:11:07,667 --> 00:11:11,133 OH, I WISH YOU WOULDN'T GIVE ME THAT KIND OF RESPONSIBILITY. 191 00:11:11,133 --> 00:11:14,067 YOU KNOW I VALUE YOUR OPINION, RICHARD. 192 00:11:14,067 --> 00:11:16,133 SINCE WHEN? 193 00:11:16,133 --> 00:11:20,467 - I'LL WEAR THIS ONE. - GLAD I SORTED THAT OUT FOR YOU. 194 00:11:20,467 --> 00:11:23,567 - AH, I'LL ANSWER IT. 195 00:11:23,567 --> 00:11:25,868 * LA-LA-DA-DEE * 196 00:11:25,868 --> 00:11:28,000 * LA-DOE-DA-DEE. * 197 00:11:28,000 --> 00:11:31,100 THE "BOUQUET" RESIDENCE, THE LADY OF THE HOUSE SPEAKING. 198 00:11:31,100 --> 00:11:34,367 RICHARD? OH YES, HE'S HERE. 199 00:11:34,367 --> 00:11:36,667 SHE'LL FIND OUT SOONER OR LATER. 200 00:11:36,667 --> 00:11:40,767 - WHY DID YOU TELL HER? - I HAD TO TELL HER. 201 00:11:40,767 --> 00:11:42,734 I MEAN, YOU WERE THERE. 202 00:11:42,734 --> 00:11:44,734 SHE PRACTICALLY DRAGGED IT OUT OF ME. 203 00:11:44,734 --> 00:11:47,801 ONE MORE HESITATION, SHE'D HAVE TORN OUT MY FINGERNAILS. 204 00:11:47,801 --> 00:11:50,334 YOU COULD HAVE LIED. 205 00:11:50,334 --> 00:11:52,501 WELL, YOU KNOW HOW BAD I AM AT LYING. 206 00:11:52,501 --> 00:11:54,501 I'LL TEACH YOU. 207 00:11:54,501 --> 00:11:58,267 OH, EMMET, JUST MAKE THE BEST OF IT. IT'S FOR THE OLD PEOPLE. 208 00:11:58,267 --> 00:12:01,534 OF WHOM I'M GOING TO BE ONE BEFORE THIS IS OVER. 209 00:12:01,534 --> 00:12:03,567 WELL, BE FAIR TO HER. 210 00:12:03,567 --> 00:12:05,300 SHE'S GOT A RICH STRONG VOICE. 211 00:12:07,000 --> 00:12:09,033 IT'S NOT THE VOICE, 212 00:12:09,033 --> 00:12:11,868 IT'S WHO'S IN CHARGE OF IT. 213 00:12:17,234 --> 00:12:19,634 ( humming ) 214 00:12:22,067 --> 00:12:24,167 OH, WHO WAS IT, DEAR? 215 00:12:27,367 --> 00:12:30,534 IT WAS THE HEAD OF MY DEPARTMENT. 216 00:12:30,534 --> 00:12:32,968 OH, THAT'S NICE, DEAR. 217 00:12:32,968 --> 00:12:35,167 THEY'RE THINKING OF OFFERING 218 00:12:35,167 --> 00:12:37,801 - SOME PEOPLE EARLY RETIREMENT. - HMM? 219 00:12:37,801 --> 00:12:40,200 HE WANTS TO KNOW HOW I FEEL 220 00:12:40,200 --> 00:12:42,200 ABOUT EARLY RETIREMENT. 221 00:12:42,200 --> 00:12:44,300 OH, RICHARD! 222 00:12:44,300 --> 00:12:47,734 THAT MEANS WE'D BE TOGETHER ALL DAY AND EVERY DAY! 223 00:12:51,133 --> 00:12:53,601 ( singing ) 224 00:12:56,400 --> 00:12:58,934 ( dramatic music playing on television ) 225 00:13:07,534 --> 00:13:10,334 WELL, HOW DO I LOOK? 226 00:13:10,334 --> 00:13:12,534 GREAT. 227 00:13:13,968 --> 00:13:18,067 - HOW DO I LOOK? - FINE. 228 00:13:18,067 --> 00:13:20,868 THERE'S ONLY THE DOG PAYING ANY ATTENTION. 229 00:13:25,300 --> 00:13:27,334 DID SOMEBODY TURN THE SET OFF? 230 00:13:27,334 --> 00:13:29,934 ROSE TURNED THE SET OFF. 231 00:13:29,934 --> 00:13:33,000 THANK GOD FOR THAT, I THOUGHT I'D GONE BLIND. 232 00:13:34,367 --> 00:13:37,634 COULD YOU SPARE ME ONE MOMENT OF YOUR TIME? 233 00:13:37,634 --> 00:13:39,634 IT'S IMPORTANT TO ME. 234 00:13:39,634 --> 00:13:41,868 HOW DO I LOOK? 235 00:13:41,868 --> 00:13:44,067 FIGURE IN BLACK. 236 00:13:44,067 --> 00:13:46,567 I'VE SEEN IT SOMEWHERE. 237 00:13:46,567 --> 00:13:50,067 WEREN'T YOU IN FRANKENSTEIN'S HOUSE OF HORRORS? 238 00:13:50,067 --> 00:13:51,634 ( TV playing ) 239 00:13:51,634 --> 00:13:54,467 WHAT ARE YOU DOING ALL DRESSED IN BLACK? 240 00:13:54,467 --> 00:13:56,467 PRACTICING. 241 00:13:56,467 --> 00:13:58,467 I'M TAKING THE VEIL, 242 00:13:58,467 --> 00:14:00,400 I'M GOING TO BE A NUN. 243 00:14:01,801 --> 00:14:04,467 YOUR SKIRT'S TOO SHORT. 244 00:14:04,467 --> 00:14:06,934 I'LL HAVE IT LENGTHENED. 245 00:14:06,934 --> 00:14:09,467 TALK ABOUT POACHER TURNING GAMEKEEPER, 246 00:14:09,467 --> 00:14:11,501 THEY'LL NEVER TAKE YOU FOR A NUN. 247 00:14:11,501 --> 00:14:13,267 THEY MIGHT IF I CAN GET 248 00:14:13,267 --> 00:14:15,567 A RECOMMENDATION FROM A CLERGYMAN. 249 00:14:15,567 --> 00:14:17,667 YOU DON'T EVEN KNOW A CLERGYMAN. 250 00:14:17,667 --> 00:14:20,868 OH, I MET THAT DISHY VICAR AT OUR HYACINTH'S. 251 00:14:20,868 --> 00:14:24,300 THEY WAY YOU THREW YOURSELF AT HIM, 252 00:14:24,300 --> 00:14:26,868 HE'LL NEVER RECOMMEND YOU FOR A NUN. 253 00:14:26,868 --> 00:14:29,534 YOU'RE TOO EMOTIONAL, OUR ROSE. 254 00:14:29,534 --> 00:14:31,868 OH, I'VE TAKEN CARE OF THAT. 255 00:14:31,868 --> 00:14:34,267 I'VE TAKEN A TRANQUILIZER. 256 00:14:34,267 --> 00:14:36,334 IT SHOULD SLOW ME DOWN 257 00:14:36,334 --> 00:14:38,767 TO A MORE RELIGIOUS SPEED. 258 00:14:38,767 --> 00:14:41,868 I HOPE YOUR BRAKES DON'T FAIL IN FRONT OF THAT VICAR. 259 00:14:48,634 --> 00:14:51,501 EARLY RETIREMENT... 260 00:15:00,334 --> 00:15:01,968 RICHARD, THE DOOR. 261 00:15:09,400 --> 00:15:12,033 NO, DEAR, THIS DOOR. 262 00:15:19,167 --> 00:15:22,167 RICHARD, WHAT ON EARTH'S THE MATTER WITH YOU, DEAR? 263 00:15:22,167 --> 00:15:24,100 THE MATTER WITH ME? NOTHING. 264 00:15:24,100 --> 00:15:26,601 WHY SHOULD ANYTHING BE THE MATTER? 265 00:15:41,868 --> 00:15:43,868 ( horn blares ) 266 00:15:51,200 --> 00:15:53,901 I SHALL START WITH A FEW OF THE OLD FAVORITES. 267 00:15:53,901 --> 00:15:56,300 THEY LOVE THE OLD FAVORITES. 268 00:15:56,300 --> 00:15:59,167 SHERIDAN ALWAYS LOVED THE OLD FAVORITES. 269 00:15:59,167 --> 00:16:01,300 WE HAVE TO HAVE A TALK, HYACINTH, 270 00:16:01,300 --> 00:16:03,834 ABOUT EARLY RETIREMENT. 271 00:16:03,834 --> 00:16:05,834 AND FOR A FINALE I THINK A MEDLEY 272 00:16:05,834 --> 00:16:08,234 FROM "THE SOUND OF MUSIC." 273 00:16:10,400 --> 00:16:12,567 TURN LEFT HERE, RICHARD. 274 00:16:12,567 --> 00:16:15,133 FOR THAT I SHALL WEAR MY AUSTRIAN HAT-- 275 00:16:15,133 --> 00:16:17,300 THE ONE WITH THE FEATHER. 276 00:16:17,300 --> 00:16:20,567 I WONDER IF EMMET HAS ANY LEATHER SHORTS. 277 00:16:20,567 --> 00:16:24,667 A TALK, I MEAN WITH ME TALKING, TOO. 278 00:16:28,100 --> 00:16:30,467 HE COULD HAVE, YOU KNOW. 279 00:16:30,467 --> 00:16:32,868 ANYONE WHO'S IN AN OPERATIC SOCIETY 280 00:16:32,868 --> 00:16:34,667 SHOULD HAVE SOME LEATHER SHORTS. 281 00:16:34,667 --> 00:16:37,033 OF COURSE HE'S PROBABLY LEFT THEM BEHIND. 282 00:16:38,501 --> 00:16:41,033 YOU COULD GO AND FETCH THEM FOR HIM, RICHARD. 283 00:16:41,033 --> 00:16:42,767 TURN LEFT, DEAR. 284 00:16:42,767 --> 00:16:45,434 YOU'RE GOING TO PROMISE ME THAT WHEN WE HAVE OUR TALK, 285 00:16:45,434 --> 00:16:47,834 THAT YOU'LL MAKE AN EFFORT AND TRY TO LISTEN 286 00:16:47,834 --> 00:16:50,000 WHEN YOU'RE NOT ACTUALLY SAYING ANYTHING. 287 00:16:52,567 --> 00:16:56,968 RICHARD, ARE YOU LISTENING? ARE YOU PAYING ATTENTION? 288 00:16:56,968 --> 00:17:01,000 - YOU'VE NOT BEEN LISTENING. - TURN RIGHT, DEAR. 289 00:17:06,834 --> 00:17:09,400 WHAT ARE WE DOING HERE? 290 00:17:09,400 --> 00:17:11,601 YOU SAID TURN RIGHT. 291 00:17:12,601 --> 00:17:14,400 I MEANT RIGHT 292 00:17:14,400 --> 00:17:16,834 AT THE NEXT JUNCTION. 293 00:17:16,834 --> 00:17:18,968 YOU WERE GOING TO ALLOW ME TO GO ALL THAT WAY 294 00:17:18,968 --> 00:17:20,901 WITHOUT FURTHER INSTRUCTIONS. 295 00:17:20,901 --> 00:17:23,834 I WANT YOU TO START REVERSING NOW, RICHARD. 296 00:17:25,033 --> 00:17:27,067 THIS IS NOT THE KIND OF AREA 297 00:17:27,067 --> 00:17:30,100 IN WHICH I WISH TO BE SEEN PARKING. 298 00:17:32,033 --> 00:17:34,000 Vicar: RIGHT, I'M OFF. 299 00:17:34,000 --> 00:17:36,601 - DON'T I GET A KISS? - OF COURSE YOU GET A KISS. 300 00:17:36,601 --> 00:17:38,334 KEEP AWAY FROM THE LADIES. 301 00:17:38,334 --> 00:17:40,567 NOW, HOW CAN I KEEP AWAY FROM THE LADIES? 302 00:17:40,567 --> 00:17:43,467 98.5% OF MY CONGREGATION ARE LADIES. 303 00:17:43,467 --> 00:17:46,467 AND THEY ALL ADORE YOU. INCLUDING ME. 304 00:17:46,467 --> 00:17:48,634 - YOU'RE JUST JEALOUS. - OF COURSE I'M JEALOUS. 305 00:17:48,634 --> 00:17:51,000 KEEP AWAY FROM THE LADIES. 306 00:17:51,000 --> 00:17:53,000 I MUST GO. AH! 307 00:17:53,000 --> 00:17:55,167 NOW WHERE ARE THOSE DATES FOR THE YOUTH CLUB? 308 00:18:01,000 --> 00:18:03,267 WHY THE VICARAGE? 309 00:18:03,267 --> 00:18:05,434 I THOUGHT YOU WERE SINGING AT THE CHURCH HALL. 310 00:18:05,434 --> 00:18:07,434 WELL, I THOUGHT I'D ASK THE VICAR 311 00:18:07,434 --> 00:18:10,367 IF THERE WERE ANY LITTLE FAVORITES HE WISHES ME TO INCLUDE. 312 00:18:10,367 --> 00:18:13,534 IT'S THE SORT OF COURTESY HE WOULD EXPECT FROM ME. 313 00:18:13,534 --> 00:18:15,734 ( groans ) 314 00:18:18,200 --> 00:18:20,234 HAVEN'T YOU FORGOTTEN SOMETHING, DEAR? 315 00:18:20,234 --> 00:18:23,601 - HMM? - THE DOOR. 316 00:18:24,934 --> 00:18:28,133 EARLY RETIREMENT. 317 00:18:28,133 --> 00:18:30,133 HMM? 318 00:18:42,601 --> 00:18:44,567 OH, THAT WAS QUICK. 319 00:18:44,567 --> 00:18:46,534 YOU SAID, "KEEP AWAY FROM THE LADIES." 320 00:18:52,634 --> 00:18:54,634 OH, I SEE. 321 00:18:54,634 --> 00:18:57,067 I MEANT KEEP AWAY FROM ALL OF THEM, NOT JUST THAT ONE. 322 00:18:57,067 --> 00:18:59,067 TELL HER I'VE BEEN CALLED AWAY. 323 00:18:59,067 --> 00:19:01,701 - WHERE TO? - VLADIVOSTOK. 324 00:19:06,567 --> 00:19:08,968 PULL YOURSELF TOGETHER, RICHARD. 325 00:19:08,968 --> 00:19:12,434 WHATEVER'S THE MATTER WITH YOU? 326 00:19:12,434 --> 00:19:15,934 REALLYWANT TO KNOW? 327 00:19:15,934 --> 00:19:18,000 OF COURSE I WANT TO KNOW. 328 00:19:18,000 --> 00:19:21,167 WHATEVER CONCERNS YOU CONCERNS ME. 329 00:19:21,167 --> 00:19:23,200 VERY WELL THEN, 330 00:19:23,200 --> 00:19:25,467 I'LL TELL YOU. 331 00:19:28,067 --> 00:19:29,968 THE THING THAT'S BOTHERING ME-- 332 00:19:29,968 --> 00:19:33,300 YOU SEE HOW MUCH BETTER IT IS WHEN WE TALK THESE THINGS OUT. 333 00:19:33,300 --> 00:19:35,601 I HAVEN'T STARTED YET. 334 00:19:35,601 --> 00:19:38,200 THAT'S WHAT WIVES ARE FOR-- 335 00:19:38,200 --> 00:19:40,167 TO LISTEN. 336 00:19:40,167 --> 00:19:42,167 WELL, 337 00:19:42,167 --> 00:19:44,834 YOU THINK OF ALL THE TERRIBLE THINGS THAT CAN HAPPEN TO YOU 338 00:19:44,834 --> 00:19:47,000 ( bells ringing ) 339 00:19:47,000 --> 00:19:49,801 OH, MY GOODNESS, LOOK AT THE TIME. 340 00:19:49,801 --> 00:19:52,534 WE MUSTN'T KEEP EMMET WAITING, HE'LL WANT TO REHEARSE. 341 00:19:52,534 --> 00:19:54,534 I'LL TALK TO THE VICAR LATER. 342 00:19:54,534 --> 00:19:56,567 WE MUST GO STRAIGHT TO THE CHURCH HALL! 343 00:19:59,000 --> 00:20:01,133 * DO-DO-DO-DOOT-- * 344 00:20:03,834 --> 00:20:05,968 YOU CAN'T HIDE THERE ALL DAY. 345 00:20:05,968 --> 00:20:08,200 YOU'RE RIGHT, I'D BE SAFER IN THE KITCHEN. 346 00:20:08,200 --> 00:20:10,033 I'LL HAVE ANOTHER CUP OF COFFEE. 347 00:20:18,868 --> 00:20:21,000 JUDGING BY THE LENGTH OF HER SKIRT, 348 00:20:21,000 --> 00:20:23,200 IT MUST BE ROSE UNDERNEATH THAT VEIL. 349 00:20:23,200 --> 00:20:25,267 WHAT WOULD ROSE BE DOING HERE? 350 00:20:25,267 --> 00:20:27,434 WOBBLING AS IF SHE'S BEEN DRINKING, 351 00:20:27,434 --> 00:20:29,734 WELL, SHE CAN WOBBLE OFF SOMEWHERE ELSE. 352 00:20:33,267 --> 00:20:36,067 I WILL NOT HAVE A SISTER IN BLACK 353 00:20:36,067 --> 00:20:37,934 WOBBLING INTO OUR CHURCH. 354 00:20:37,934 --> 00:20:39,868 ROSE! 355 00:20:41,567 --> 00:20:43,200 INCREDIBLE. 356 00:20:44,868 --> 00:20:49,067 YOU LOOK EXACTLY LIKE MY SISTER HYACINTH. 357 00:20:49,067 --> 00:20:50,934 ROSE, HAVE YOU BEEN DRINKING? 358 00:20:50,934 --> 00:20:53,367 I HAVEN'T BEEN DRINKING. 359 00:20:53,367 --> 00:20:55,334 I TOOK A PILL-- 360 00:20:55,334 --> 00:20:58,634 AND IT SEEMS TO HAVE GONE STRAIGHT TO MY KNEES. 361 00:20:58,634 --> 00:21:02,534 I WISH WE COULD SAY THE SAME ABOUT YOUR SKIRT. 362 00:21:02,534 --> 00:21:05,834 - WHY ARE YOU HERE?! - I WANT TO SEE THE VICAR. 363 00:21:05,834 --> 00:21:09,033 YOU'RE IN NO CONDITION TO SEE THE VICAR. 364 00:21:09,033 --> 00:21:11,200 I WANT TO BE A NUN. PUT ME DOWN! 365 00:21:11,200 --> 00:21:13,534 - I WANT TO BE A NUN! - RICHARD, GIVE ME A HAND. 366 00:21:13,534 --> 00:21:16,234 FUNNY HOW YOU MISHEAR THINGS. 367 00:21:16,234 --> 00:21:18,634 I COULD HAVE SWORN SHE SAID SHE WANTED TO BE A NUN. 368 00:21:18,634 --> 00:21:21,934 - I DO! I DO! - WE'LL HAVE TO TAKE HER HOME. 369 00:21:21,934 --> 00:21:23,734 THERE'S NO TIME. 370 00:21:23,734 --> 00:21:26,234 OH, RICHARD, DO REMEMBER WHERE YOU ARE. 371 00:21:26,234 --> 00:21:29,167 WE HAVE TO HIDE HER IN THE HALL UNTIL SHE PULLS HERSELF TOGETHER. 372 00:21:29,167 --> 00:21:31,100 PULL MYSELF TOGETHER? 373 00:21:33,801 --> 00:21:35,834 GOOD GRIEF, OUR HYACINTH, 374 00:21:35,834 --> 00:21:37,767 YOU'RE NOT EVEN SATISFIED 375 00:21:37,767 --> 00:21:40,067 WHEN A PERSON WANTS TO BE A NUN. 376 00:21:41,467 --> 00:21:44,200 HOW TOGETHER DO YOU HAVE TO GET? 377 00:21:46,234 --> 00:21:49,033 Hyacinth: NO, DON'T GET IN THE WAY, RICHARD. 378 00:21:52,501 --> 00:21:55,133 OH, MIND WHAT YOU'RE DOING, DEAR! 379 00:21:55,133 --> 00:21:56,701 ROSE! 380 00:21:56,701 --> 00:21:59,334 I KNOW IT'S BEEN A LIFETIME'S DEDICATION, 381 00:21:59,334 --> 00:22:01,334 BUT I WISH YOU'D TRY TO BREAK THIS HABIT 382 00:22:01,334 --> 00:22:03,334 OF WANTING TO LIE DOWN EVERYWHERE. 383 00:22:03,334 --> 00:22:07,200 DO TRY AND STAY ON YOUR FEET. 384 00:22:07,200 --> 00:22:11,901 KNEES! IF I'M GOING TO BE A NUN I SHOULD BE ON MY KNEES. 385 00:22:11,901 --> 00:22:14,334 IT'S ME THAT WILL BE ON MY KNEES. 386 00:22:14,334 --> 00:22:17,868 OH, RICHARD WANTS TO BE A NUN, TOO. 387 00:22:18,868 --> 00:22:21,367 SHE'S SURPRISINGLY HEAVY 388 00:22:21,367 --> 00:22:23,601 FOR A SHORT-SKIRTED PERSON. 389 00:22:23,601 --> 00:22:26,234 UHH! 390 00:22:26,234 --> 00:22:28,234 HOW MANY PILLS DID SHE TAKE? 391 00:22:28,234 --> 00:22:30,934 ( giggling ) I'LL TELL YOU SOMETHING, 392 00:22:30,934 --> 00:22:34,434 THIS BEING A NUN MAKES YOU FEEL REALLY GOOD. 393 00:22:34,434 --> 00:22:36,801 I FEEL UPLIFTED! 394 00:22:36,801 --> 00:22:38,501 ( giggling ) 395 00:22:38,501 --> 00:22:41,200 LOOK, POP HER IN THE STORE CUPBOARD, 396 00:22:41,200 --> 00:22:43,200 UNTIL SHE GETS BACK THE USE OF HER LEGS. 397 00:22:43,200 --> 00:22:45,667 I CAN'T HAVE HER SEEN LIKE THIS. 398 00:22:45,667 --> 00:22:47,534 OH, DEAR. 399 00:22:48,601 --> 00:22:50,000 OH, HYACINTH! 400 00:22:50,000 --> 00:22:52,434 ELIZABETH, DEAR, 401 00:22:52,434 --> 00:22:54,334 ABOUT OUR LITTLE CONCERT, 402 00:22:54,334 --> 00:22:56,934 I THOUGHT I'D BEGIN WITH SOMETHING CLASSICAL. 403 00:22:56,934 --> 00:23:00,667 I THINK EMMET'S ALREADY GOT A PROGRAM IN MIND. 404 00:23:00,667 --> 00:23:03,701 OH GOOD, AND THEN A SELECTION FROM "THE SOUND OF MUSIC" 405 00:23:03,701 --> 00:23:05,734 AND FINISH WITH "ANNIE, GET YOUR GUN." 406 00:23:05,734 --> 00:23:07,734 I'M NOT SURE THAT EMMET WAS 407 00:23:07,734 --> 00:23:09,701 QUITE THINKING ALONG THOSE LINES. 408 00:23:09,701 --> 00:23:12,634 OH, HE'LL LOVE IT. EVERYBODY LOVES MY ANNIE OAKLEY. 409 00:23:12,634 --> 00:23:14,133 I THINK I'D BETTER WARN HIM-- 410 00:23:14,133 --> 00:23:17,100 TELL HIM. 411 00:23:18,267 --> 00:23:19,968 RICHARD, HOW DO I LOOK, DEAR? 412 00:23:19,968 --> 00:23:23,634 I KEEP SEEING YOU AS A KIND OF RECURRING MOTIF 413 00:23:23,634 --> 00:23:25,834 RUNNING THROUGH MY EARLY RETIREMENT. 414 00:23:25,834 --> 00:23:28,434 THAT'S NICE, DEAR. 415 00:23:28,434 --> 00:23:31,968 - AND THE HAT, HOW'S THE HAT? - YES, THAT, TOO. 416 00:23:39,434 --> 00:23:41,434 SHE'S GONE! 417 00:23:41,434 --> 00:23:43,200 SHE'S GONE! 418 00:23:43,200 --> 00:23:46,467 SHE WAS HERE. SHE WAS HEADING THIS WAY, AND NOW SHE'S GONE. 419 00:23:46,467 --> 00:23:48,467 AND STILL THERE ARE PEOPLE WHO REFUSE 420 00:23:48,467 --> 00:23:50,467 TO BELIEVE IN THE POWER OF PRAYER. 421 00:23:50,467 --> 00:23:52,567 OFF YOU GO, THEN. 422 00:23:52,567 --> 00:23:56,100 AND KEEP AWAY FROM THE LADIES. 423 00:23:56,100 --> 00:23:59,300 ( off-key ) * WITH A GUN * 424 00:23:59,300 --> 00:24:01,300 * WITH A GUN * 425 00:24:01,300 --> 00:24:03,934 NO, NO! LOOK, SUPPORT ME, LOUDER. 426 00:24:03,934 --> 00:24:05,901 PLUS FORTE! 427 00:24:05,901 --> 00:24:08,501 * WITH A GUN * 428 00:24:08,501 --> 00:24:11,734 * WITH A GUN-- * NO, IT'S TOO LOUD, NOW. 429 00:24:11,734 --> 00:24:13,868 PIANISSIMO. 430 00:24:13,868 --> 00:24:16,901 * OH, YOU CAN'T GET A MAN * 431 00:24:16,901 --> 00:24:18,501 * A MAN-- A MAN-- * 432 00:24:21,067 --> 00:24:23,267 ARE YOU SURE YOU'RE PLAYING THE RIGHT NOTE? 433 00:24:28,367 --> 00:24:30,767 I SUPPOSE IRVING KNEW WHAT HE WAS DOING. 434 00:24:33,000 --> 00:24:36,067 * IF I WENT TO BATTLE * 435 00:24:36,067 --> 00:24:38,501 * WITH SOMEONE'S HERD OF CATTLE * 436 00:24:38,501 --> 00:24:41,300 * THERE'D BE ST-- * NO! 437 00:24:41,300 --> 00:24:43,767 HAVE YOU LOST YOUR PLACE AGAIN? 438 00:24:45,601 --> 00:24:48,167 I THOUGHT YOU HAD. FROM THE BEGINNING. 439 00:24:48,167 --> 00:24:52,234 * IF I WENT TO BATTLE * 440 00:24:52,234 --> 00:24:56,067 * WITH SOMEONE'S HERD-- * KEEP IT GOING! FASTER! 441 00:24:56,067 --> 00:24:58,100 * WHEN IT WAS DONE * 442 00:24:58,100 --> 00:25:02,300 * THAT IF I SHOT THE HERDER I'D HOLLER BLOODY MURDER-- * 443 00:25:06,267 --> 00:25:08,567 LOOK, YOU TOLD ME HE'D BEEN CERTIFICATED. 444 00:25:10,634 --> 00:25:12,868 DA CAPO, BACK TO THE BEGINNING, PLEASE. 445 00:25:14,467 --> 00:25:16,734 NO, NO! 446 00:25:16,734 --> 00:25:19,400 ENOUGH! THAT'S IT! 447 00:25:19,400 --> 00:25:22,968 I'M ONLY FLESH AND BLOOD. I CAN'T TAKE IT ANY LONGER! 448 00:25:22,968 --> 00:25:24,367 PSST! 449 00:25:24,367 --> 00:25:26,767 WHAT IS IT HE CAN'T TAKE ANY LONGER? 450 00:25:26,767 --> 00:25:30,334 THE CHAIR. HE'S GOT THE WRONG SIZE CHAIR? 451 00:25:30,334 --> 00:25:32,667 HE'S VERY PARTICULAR ABOUT HIS CHAIR. 452 00:25:32,667 --> 00:25:36,033 IT AFFECTS THE STYLE OF HIS PLAYING. 453 00:25:36,033 --> 00:25:38,133 WHY DON'T YOU GET ANOTHER TYPE OF CHAIR. 454 00:25:38,133 --> 00:25:40,133 ( whispering ) TAKE A WALK OUTSIDE. 455 00:25:40,133 --> 00:25:41,934 YES. YES, I'LL-- 456 00:25:41,934 --> 00:25:45,300 I'LL GET ANOTHER CHAIR! 457 00:25:48,501 --> 00:25:50,267 OH, SHUT UP! 458 00:25:54,200 --> 00:25:56,534 I'M SO SORRY ABOUT THE INTERRUPTION, HYACINTH. 459 00:25:56,534 --> 00:25:58,434 OH, NO APOLOGY NECESSARY. 460 00:25:58,434 --> 00:26:00,200 YOU DON'T HAVE TO EXPLAIN TO ME 461 00:26:00,200 --> 00:26:02,601 ABOUT THE LITTLE ERUPTIONS OF THE ARTISTIC TEMPERAMENT. 462 00:26:02,601 --> 00:26:05,467 I'M THE FIRST TO UNDERSTAND ABOUT THE ARTISTIC TEMPERAMENT. 463 00:26:05,467 --> 00:26:07,434 RICHARD WAS SAYING SO, ONLY THIS MORNING 464 00:26:07,434 --> 00:26:09,234 TO THE CHINESE AMBASSADOR. 465 00:26:10,234 --> 00:26:13,133 - ( giggling ) - ROSE! 466 00:26:13,133 --> 00:26:15,534 SHE WAS IN THE ROOM WITH THE CHAIRS! 467 00:26:15,534 --> 00:26:16,834 ( screams ) 468 00:26:18,100 --> 00:26:21,567 ROSE! PUT MY ACCOMPANIST DOWN AT ONCE! 469 00:26:21,567 --> 00:26:24,133 THIS IS NO WAY TO BEGIN YOUR VOCATION! 470 00:26:26,067 --> 00:26:27,701 THE BUCKET WOMAN! 471 00:26:27,701 --> 00:26:29,934 AH, VICAR! 472 00:26:29,934 --> 00:26:32,434 VICAR, MY SISTER'S HAD A CONVERSION, 473 00:26:33,701 --> 00:26:35,701 PROFOUNDLY. 474 00:26:35,701 --> 00:26:39,067 WHY DON'T YOU PLAY "MISTY" FOR ME? 475 00:26:39,067 --> 00:26:42,100 LET'S PUT HER BACK IN THE CUPBOARD,AGAIN, 476 00:26:42,100 --> 00:26:44,467 SHE CAN MEDITATE IN THERE FOR A WHILE. 477 00:26:47,801 --> 00:26:50,801 HAS ANYONE SEEN MY HUSBAND? HE'S WANTED ON THE PHONE. 478 00:26:50,801 --> 00:26:52,868 ( crashing, clanking ) 479 00:26:52,868 --> 00:26:55,634 OH, VICAR! 480 00:26:57,501 --> 00:26:59,601 EXCUSE ME! 481 00:27:04,000 --> 00:27:05,601 WELL! 482 00:27:05,601 --> 00:27:07,467 IT'S ALL RIGHT. 483 00:27:07,467 --> 00:27:09,334 I'M GOING TO BE A NUN. 484 00:27:15,334 --> 00:27:18,834 ( theme music playing ) 485 00:27:19,834 --> 00:27:29,834 Downloaded From www.AllSubs.org 36047