All language subtitles for Signed.Sealed.Delivered.One.In.A.Million.2016.1080p.WEBRip.x264-RARBG_English

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,996 --> 00:00:06,955 [♪♪] 2 00:00:15,331 --> 00:00:17,789 HEY! HOLD ON! 3 00:00:19,289 --> 00:00:20,664 WHOA. JUST IN TIME, HUH? 4 00:00:20,706 --> 00:00:22,497 JUST IN TIME. 5 00:00:22,497 --> 00:00:24,664 WAIT! 6 00:00:24,664 --> 00:00:25,831 I'M SORRY,I'M JUST... 7 00:00:26,873 --> 00:00:27,998 YOU KNOW THAT FEELING 8 00:00:27,998 --> 00:00:29,540 WHEN YOU'RE ABOUT TODROP A LETTER IN THE BOX, 9 00:00:29,582 --> 00:00:30,998 AND THEN YOU FREEZE, 10 00:00:30,998 --> 00:00:33,665 AND THEN THAT WEIRD VOICEIN YOUR HEAD YELLS "WAIT!" 11 00:00:33,707 --> 00:00:34,790 BUT WHAT AM I WAITING FOR? 12 00:00:35,998 --> 00:00:37,790 I DON'T KNOW. 13 00:00:37,832 --> 00:00:39,498 I MEAN, I'M NOT A KIDANYMORE, RIGHT? 14 00:00:39,498 --> 00:00:40,791 AND I CAN'T WAIT FOREVER. 15 00:00:40,833 --> 00:00:42,166 NEITHER CAN I. 16 00:00:42,208 --> 00:00:43,166 SORRY. 17 00:00:43,208 --> 00:00:45,833 I JUST DON'T WRITEA LOT OF LETTERS. 18 00:00:46,874 --> 00:00:49,333 SEE, IT'S LIKERIPPING OFF A BANDAGE, 19 00:00:49,333 --> 00:00:51,666 YOU JUST GOTTA DO IT FASTAND SCREAM, RIGHT? 20 00:00:51,708 --> 00:00:52,874 DON'T SCREAM. 21 00:00:52,916 --> 00:00:54,834 [LIGHT CHUCKLE] 22 00:00:54,875 --> 00:00:56,334 OKAY. 23 00:00:56,375 --> 00:01:00,209 WHAT GOOD IS A LETTERIF YOU DON'T MAIL IT? 24 00:01:07,125 --> 00:01:08,126 OKAY. 25 00:01:08,168 --> 00:01:10,668 HERE GOES! 26 00:01:12,460 --> 00:01:14,335 OKAY. BYE. 27 00:01:18,960 --> 00:01:21,627 [♪♪] 28 00:01:54,046 --> 00:01:55,004 [SERVER, GRAHAM]:ARE NOT. 29 00:01:55,004 --> 00:01:56,004 [SERVER, NIKKI]:ARE TOO. 30 00:01:56,004 --> 00:01:57,004 ARE NOT. 31 00:01:57,004 --> 00:01:58,629 WANNA BET?JUST LOOK AT THEM. 32 00:01:58,671 --> 00:01:59,963 THEY DANCE LIKETHEY KNOW THE STEPS, 33 00:02:00,004 --> 00:02:01,505 BUT THEY CAN'TFIND THEIR RHYTHM. 34 00:02:01,505 --> 00:02:03,172 MAYBE THEYKNOW THE STEPS 35 00:02:03,214 --> 00:02:04,589 BUT THEY'VE LOSTTHEIR RHYTHM? 36 00:02:05,630 --> 00:02:07,839 SOMETIMES THINGSCHANGE, I GUESS. 37 00:02:07,880 --> 00:02:10,172 BUT THAT WON'THAPPEN WITH US. 38 00:02:10,172 --> 00:02:11,464 "NIKKI AND GRAHAMFOREVER," RIGHT? 39 00:02:11,505 --> 00:02:13,047 [CHUCKLESAS CELL PHONE RINGS] 40 00:02:13,089 --> 00:02:14,672 AH, I GOTTA GET THIS. 41 00:02:14,672 --> 00:02:16,173 I'LL DOTHE APPETIZERS. 42 00:02:16,173 --> 00:02:17,840 THANKS. 43 00:02:17,840 --> 00:02:18,840 LOVE YOU. 44 00:02:18,840 --> 00:02:20,006 [PHONE BEEPS ON] 45 00:02:20,048 --> 00:02:22,465 HEY. 46 00:02:22,506 --> 00:02:24,381 NO. NOT YET. 47 00:02:24,423 --> 00:02:27,131 I NEED TO FIGURE OUTTHE BEST WAY TO DO THIS. 48 00:02:27,173 --> 00:02:28,591 I KNOW. I KNOW. 49 00:02:28,632 --> 00:02:30,882 BUT I'VE GOT THIS HANDLED.JUST TRUST ME. 50 00:02:32,341 --> 00:02:34,174 I LOVE YOU, TOO. 51 00:02:34,174 --> 00:02:35,507 [BEEPS PHONE OFF] 52 00:02:41,674 --> 00:02:44,175 [♪♪] 53 00:02:50,050 --> 00:02:51,883 [SOBBING] 54 00:02:58,718 --> 00:03:01,009 [TELEVISION PROGRAMPLAYS FAINTLY] 55 00:03:06,676 --> 00:03:08,551 NOW, HERE WE GO! 56 00:03:11,719 --> 00:03:13,552 NO... 57 00:03:13,594 --> 00:03:16,594 NO. NO. 58 00:03:16,635 --> 00:03:18,177 AHH! 59 00:03:19,844 --> 00:03:22,886 ♪ OH, YEAH, BABY 60 00:03:22,928 --> 00:03:27,345 ♪ LIKE A FOOL I WENTAND STAYED TOO LONG ♪ 61 00:03:27,345 --> 00:03:30,845 ♪ NOW I'M WONDERINGIF YOUR LOVE'S STILL STRONG ♪ 62 00:03:30,845 --> 00:03:32,845 ♪ OOH, BABY 63 00:03:32,845 --> 00:03:35,511 ♪ HERE I AMSIGNED, SEALED, DELIVERED ♪ 64 00:03:35,553 --> 00:03:37,721 ♪ I'M YOURS 65 00:03:37,762 --> 00:03:40,679 ♪ MM 66 00:03:40,679 --> 00:03:44,846 ♪ THEN THAT TIME I WENTAND SAID GOODBYE ♪ 67 00:03:44,887 --> 00:03:48,762 ♪ NOW I'M BACKAND NOT ASHAMED TO CRY ♪ 68 00:03:48,804 --> 00:03:49,930 ♪ OOH, BABY 69 00:03:49,972 --> 00:03:50,930 ♪ HERE I AM 70 00:03:50,972 --> 00:03:53,263 ♪ SIGNED, SEALED, DELIVERED 71 00:03:53,305 --> 00:03:55,305 ♪ I'M YOURS 72 00:03:55,347 --> 00:03:56,305 ♪ AHH! 73 00:03:56,347 --> 00:03:58,013 ♪ HERE I AM 74 00:03:58,055 --> 00:03:59,097 GOOD MORNING, EVERYONE. 75 00:03:59,138 --> 00:04:01,305 NORMAN, RITA, SHA-- 76 00:04:01,347 --> 00:04:02,722 MS. McINERNEY. 77 00:04:04,139 --> 00:04:05,556 HAPPY MONDAY, OLIVER. 78 00:04:05,598 --> 00:04:08,014 [OLIVER]:ANYTHING PRESSING? 79 00:04:08,056 --> 00:04:09,473 UH, NO. JUST THE USUAL. 80 00:04:09,514 --> 00:04:10,848 EXCEPT FOR THIS. 81 00:04:10,848 --> 00:04:12,098 OH... 82 00:04:12,139 --> 00:04:13,514 [SNIFFING] 83 00:04:13,556 --> 00:04:15,056 HMM. 84 00:04:15,098 --> 00:04:16,765 PINE TAR... 85 00:04:16,807 --> 00:04:18,682 AND EVERGREEN. 86 00:04:18,724 --> 00:04:20,890 THE FLORIDA YEW, I BELIEVE? 87 00:04:20,932 --> 00:04:21,890 OH! THE FLORIDA YEW 88 00:04:21,932 --> 00:04:23,432 ONLY GROWS INNORTHERN FLORIDA, 89 00:04:23,474 --> 00:04:25,099 ON THE EASTERN SIDE OFTHE APALACHICOLA RIVER. 90 00:04:25,140 --> 00:04:27,682 SADLY, WE WILL NEVER KNOWTHAT STORY. 91 00:04:27,724 --> 00:04:31,183 NORMAN, WILL YOU DISPATCHTO THE MIAMI BRANCH? 92 00:04:31,183 --> 00:04:32,225 YOU GOT IT. 93 00:04:32,266 --> 00:04:33,808 OH! I MIGHT STOP BY PASSPORTS. 94 00:04:33,850 --> 00:04:35,391 ELEANOR GOTA NEW BLENDER 95 00:04:35,433 --> 00:04:36,808 AND SHE'S MAKINGSMOOTHIES. 96 00:04:36,850 --> 00:04:38,183 -DOES ANYBODY WANT ONE?-OOH. YES, PLEASE. 97 00:04:38,183 --> 00:04:40,058 I'M IN. 98 00:04:40,100 --> 00:04:44,642 I'M A YOO-HOO MAN, USUALLY,BUT I MIGHT TRY BRANCHING OUT. 99 00:04:46,184 --> 00:04:47,726 [NORMAN]: OH... 100 00:04:47,767 --> 00:04:51,434 'KAY. 101 00:04:53,184 --> 00:04:56,101 PERHAPS WE SHOULD USE THIS TIMETO, UM, GET A JUMP 102 00:04:56,142 --> 00:04:58,810 ON OUR "IMPOSSIBLY RIPPEDAND MANGLED" BOX. 103 00:04:59,852 --> 00:05:02,643 [♪♪] 104 00:05:03,643 --> 00:05:06,685 WE USUALLY DO THOSEAT THE END OF THE MONTH. 105 00:05:06,685 --> 00:05:08,685 UNLESS YOU WANT TO 106 00:05:08,685 --> 00:05:10,227 BRANCH OUTWITH THAT, TOO? 107 00:05:10,268 --> 00:05:12,478 [ANNOUNCEMENT BLARES]:OLIVER O'TOOLE, PLEASE REPORT 108 00:05:12,519 --> 00:05:14,728 IMMEDIATELY TO THE OFFICE OF POSTAL SECURITY. 109 00:05:14,769 --> 00:05:16,269 O'TOOLE TO O.P.S. 110 00:05:18,061 --> 00:05:20,311 WE SHALL SEE. 111 00:05:26,604 --> 00:05:29,187 SO, WHAT HAPPENED WITHYOUR DATE SATURDAY NIGHT? 112 00:05:29,187 --> 00:05:30,312 DID YOU WEAR THE PINK DRESS? 113 00:05:30,354 --> 00:05:31,604 YES. 114 00:05:31,645 --> 00:05:33,812 AND?WHAT HAPPENED AT THE END?DID HE KISS YOU? 115 00:05:34,854 --> 00:05:36,479 WELL... 116 00:05:36,520 --> 00:05:37,687 WELL, SOMETHING HAPPENED, 117 00:05:37,687 --> 00:05:40,021 'CAUSE HE ISDRINKING SMOOTHIES, 118 00:05:40,021 --> 00:05:41,521 AND HE ALMOSTCALLED YOU SHANE. 119 00:05:41,521 --> 00:05:42,938 NO, HE DIDN'T. 120 00:05:42,980 --> 00:05:44,146 YES, HE DID.HE SAID, AHEM-- 121 00:05:44,188 --> 00:05:47,355 [AS OLIVER]:"GOOD MORNING, UH, SH-- 122 00:05:47,396 --> 00:05:48,980 MS. McINERNEY." 123 00:05:50,355 --> 00:05:51,522 THERE WAS NO "SH--" 124 00:05:51,564 --> 00:05:52,939 I DIDN'T HEAR A "SH." 125 00:05:52,981 --> 00:05:55,981 [ANNOUNCEMENT]:SHANE McINERNEY TO THE FRONT DESK. 126 00:05:56,022 --> 00:05:57,689 SHANE McINERNEY. 127 00:05:58,772 --> 00:06:00,772 WHAT IS GOING ON TODAY? 128 00:06:07,982 --> 00:06:08,982 SHANE! 129 00:06:10,940 --> 00:06:12,023 DO I--? 130 00:06:12,065 --> 00:06:14,565 IT'S NIKKI.YOUR SERVER FROM SATURDAY NIGHT. 131 00:06:16,732 --> 00:06:18,357 UH-HUH. 132 00:06:18,398 --> 00:06:19,441 UH-HUH. 133 00:06:19,483 --> 00:06:21,399 THAT'S RIGHT. A DUCK. 134 00:06:21,441 --> 00:06:23,191 AND A CAN OF BEANS! 135 00:06:23,233 --> 00:06:24,524 BEANS. 136 00:06:24,566 --> 00:06:26,691 NEVER SEENANYTHING LIKE IT. 137 00:06:26,691 --> 00:06:28,191 UH-HUH. YEAH. 138 00:06:28,191 --> 00:06:31,024 YEAH. HE JUST ARRIVED. 139 00:06:31,024 --> 00:06:32,525 GOT IT. 140 00:06:32,567 --> 00:06:34,025 [HANGS UP] 141 00:06:34,067 --> 00:06:35,359 O'TOOLE. 142 00:06:35,359 --> 00:06:36,359 MR.KIMSICLE. 143 00:06:36,400 --> 00:06:38,150 GLAD TOHAVE YOU ABOARD. 144 00:06:38,192 --> 00:06:40,192 WE NEED A MANWHO KNOWS THE ROPES-- 145 00:06:40,234 --> 00:06:42,609 THE SAILS,THE LAY OF THE LAND, 146 00:06:42,650 --> 00:06:45,234 THE WHOLE ENCHILADA,FROM STEM TO STERN. 147 00:06:45,275 --> 00:06:46,735 COULD YOU...ELABORATE? 148 00:06:46,776 --> 00:06:49,360 NOW, THAT IS WHAT I MEAN. 149 00:06:49,401 --> 00:06:52,526 WE NEED A SMART GUY AROUND HEREWHO KNOWS ABOUT ELABORATING. 150 00:06:52,526 --> 00:06:53,568 OH. 151 00:06:53,610 --> 00:06:55,026 FOUR DAYS AGO, 152 00:06:55,068 --> 00:06:56,651 AN UNIDENTIFIED PERPETRATOR 153 00:06:56,693 --> 00:06:59,194 REMOVED THE MAILFROM THIS MAILBOX 154 00:06:59,194 --> 00:07:01,527 AND REPLACED ITWITH A DUCK. 155 00:07:01,569 --> 00:07:03,902 UH, I BELIEVETHAT MAY BE A GOOSE. 156 00:07:03,944 --> 00:07:05,444 YOU'RE THINKINGALREADY. 157 00:07:05,486 --> 00:07:06,944 I LIKE THAT. 158 00:07:06,986 --> 00:07:08,527 [SNIFFS]THREE DAYS AGO, 159 00:07:08,527 --> 00:07:10,236 THE MAILWAS TAKEN FROM HERE 160 00:07:10,277 --> 00:07:13,070 AND REPLACED WITHTWO TINY PEOPLE IN A TENT. 161 00:07:13,112 --> 00:07:14,362 SO, A WEDDINGCAKE TOPPER, 162 00:07:14,403 --> 00:07:15,487 A GOOSE, 163 00:07:15,528 --> 00:07:17,612 AND MAY I ASSUMEA THIRD MAILBOX 164 00:07:17,653 --> 00:07:19,570 YIELDED A CANOF KIDNEY BEANS? 165 00:07:19,612 --> 00:07:20,778 AH, YES, YOU MAY. 166 00:07:20,820 --> 00:07:22,987 AND YOU MAYALSO ASSUME 167 00:07:23,028 --> 00:07:23,945 THAT YOU 168 00:07:23,987 --> 00:07:25,737 AND THAT WEIRD LITTLE TASK FORCEOF YOURS 169 00:07:25,778 --> 00:07:26,863 ARE GOING TO FIND THIS GUY. 170 00:07:26,863 --> 00:07:28,071 I'M NOT QUITE SURE 171 00:07:28,113 --> 00:07:30,779 THIS FALLS UNDER THE AEGISOF THE DEAD LETTER OFFICE. 172 00:07:30,821 --> 00:07:32,196 PERHAPS THE POLICE OR F.B.I.-- 173 00:07:32,196 --> 00:07:33,696 O'TOOLE! 174 00:07:33,696 --> 00:07:34,779 IF WORD GETS OUT 175 00:07:34,821 --> 00:07:36,238 BEFORE WE KNOWWHAT WE'RE DEALING WITH, 176 00:07:36,279 --> 00:07:39,196 WE COULD HAVE RAMPANT HYSTERIARUNNING ALL OVER THE PLACE. 177 00:07:39,196 --> 00:07:42,114 WE NEED TO KEEP THIS IN-HOUSEAS LONG AS WE CAN. 178 00:07:42,155 --> 00:07:45,864 HAS ANYONE DUSTED THE BEANSFOR FINGERPRINTS? 179 00:07:45,864 --> 00:07:48,197 THAT LITTLE GUY IN YOUR OFFICE,WITH THE SUITCASE, 180 00:07:48,197 --> 00:07:50,030 DOESN'T HE USUALLY DO THAT? 181 00:07:50,072 --> 00:07:51,030 YES, BUT-- 182 00:07:51,030 --> 00:07:52,030 AND THE OTHER TWO, 183 00:07:52,072 --> 00:07:55,448 THE SKINNY ONEAND THAT "SHANE" GAL. 184 00:07:55,490 --> 00:07:57,990 MS. McINERNEY. 185 00:07:58,031 --> 00:07:59,531 OH, SHE IS A LIVE-WIRE. 186 00:07:59,531 --> 00:08:01,115 NOTHIN' GETS PAST HER, HUH? 187 00:08:01,156 --> 00:08:03,948 NOT THAT I'M AWARE OF. 188 00:08:03,990 --> 00:08:06,323 SO THERE ARE NO OTHER LEADS? 189 00:08:06,365 --> 00:08:08,491 OH, JUST ONE. 190 00:08:08,532 --> 00:08:11,699 YEAH, THIS WAS FOUND SATURDAYIN BOX 458. 191 00:08:11,699 --> 00:08:15,032 IT'S SOME KINDOF FANCY LANGUAGE, 192 00:08:15,032 --> 00:08:17,449 LIKE GREEK OR PERUVIAN. 193 00:08:17,491 --> 00:08:19,282 IT'S LATIN. 194 00:08:19,324 --> 00:08:20,658 OR LATIN. 195 00:08:20,700 --> 00:08:22,700 I'M GUESSING 196 00:08:22,700 --> 00:08:26,033 THAT IS A CLUEOF MASSIVE PROPORTIONS. 197 00:08:26,075 --> 00:08:27,700 YES. 198 00:08:27,700 --> 00:08:30,450 YES, IT'S DEFINITELY A CLUE. 199 00:08:30,492 --> 00:08:31,492 [CHUCKLES] 200 00:08:31,533 --> 00:08:32,700 I LOVE THIS GUY! 201 00:08:34,451 --> 00:08:35,534 ONE MORE DAY. 202 00:08:35,534 --> 00:08:37,534 IF I HAD JUST WAITEDONE MORE DAY 203 00:08:37,534 --> 00:08:38,534 AND THOUGHT IT THROUGH, 204 00:08:38,576 --> 00:08:40,868 BUT NO, I HAD TO SEND IT. 205 00:08:40,868 --> 00:08:42,784 I HAD TO SAY IT-- 206 00:08:42,826 --> 00:08:44,201 "LET'S GET MARRIED." 207 00:08:44,201 --> 00:08:47,535 THEN I GIVE IT TO THE MAILMANAND, FOR A FEW HOURS, 208 00:08:47,535 --> 00:08:49,535 I ACTUALLY FEEL,YOU KNOW... HOPE. 209 00:08:49,577 --> 00:08:51,535 UNTIL... 210 00:08:51,535 --> 00:08:54,077 OH, GOD, IF HE GETS IT NOW, 211 00:08:54,119 --> 00:08:56,202 I'LL BE UTTERLYHUMILIATED, 212 00:08:56,244 --> 00:08:58,244 OR WORSE--MORTIFIED. 213 00:08:58,285 --> 00:08:59,369 OR... 214 00:08:59,410 --> 00:09:02,036 WHAT'S WORSE--MORTIFIED OR PITIED? 215 00:09:02,036 --> 00:09:03,203 NIKKI, 216 00:09:03,245 --> 00:09:05,286 GETTING A LETTER BACKONCE IT'S MAILED 217 00:09:05,328 --> 00:09:06,495 IS ALMOST IMPOSSIBLE. 218 00:09:07,828 --> 00:09:09,203 THEN THAT'S IT. 219 00:09:10,953 --> 00:09:12,870 LISTEN. 220 00:09:12,870 --> 00:09:14,203 FILL THIS OUT, 221 00:09:14,203 --> 00:09:15,579 THEN HAVE THEM COME GET ME. 222 00:09:15,621 --> 00:09:19,162 I'LL WALK THIS ONTO THE FLOORAND I'LL LOOK FOR IT MYSELF. 223 00:09:23,871 --> 00:09:25,704 HEY! EVERYTHING OKAY? 224 00:09:25,704 --> 00:09:28,122 YEAH.STRANGE, THOUGH. 225 00:09:28,163 --> 00:09:30,622 IT WAS OUR WAITRESSFROM MONTALDO'S. 226 00:09:30,663 --> 00:09:32,830 SHE NEEDEDA FORM 10-67E. 227 00:09:34,122 --> 00:09:36,163 SO TELL MEABOUT THAT DINNER! 228 00:09:36,205 --> 00:09:37,372 WELL, LET'S SEE. 229 00:09:37,413 --> 00:09:39,288 START FROMTHE BEGINNING. 230 00:09:39,330 --> 00:09:43,706 HE WAS REALLY NERVOUS AT FIRST. 231 00:09:43,748 --> 00:09:48,581 AND THEN WE STARTED DANCINGAND THINGS GOT BETTER, UNTIL... 232 00:09:48,623 --> 00:09:49,998 UNTIL...? 233 00:09:50,039 --> 00:09:52,206 UNTIL WE STOPPED DANCING. 234 00:09:52,248 --> 00:09:55,790 [ROMANTIC INSTRUMENTAL PLAYSAS PATRONS QUIETLY CHAT] 235 00:09:57,207 --> 00:09:58,540 [OLIVER]:"THE WATER IS WIDE, 236 00:09:58,540 --> 00:10:00,790 "I CANNOT CROSS O'ER, 237 00:10:00,832 --> 00:10:04,249 AND NEITHER HAVE ITHE WINGS TO FLY..." 238 00:10:05,374 --> 00:10:07,790 "GIVE US A BOATTHAT CAN CARRY TWO 239 00:10:07,832 --> 00:10:10,458 "AND BOTH SHALL ROW 240 00:10:10,500 --> 00:10:12,041 TO YONDER SIDE." 241 00:10:17,041 --> 00:10:20,291 I'VE NEVER HEARD"TO YONDER SIDE." 242 00:10:20,333 --> 00:10:25,376 ISN'T IT "AND BOTH SHALL ROW,MY LOVE AND I"? 243 00:10:26,376 --> 00:10:28,334 IT'S, UH, AN ARCHAIC TUNE. 244 00:10:28,376 --> 00:10:31,334 TRADITIONAL LYRICS 245 00:10:31,376 --> 00:10:33,001 OFTEN EVOLVE OVER TIME. 246 00:10:33,042 --> 00:10:36,377 I JUST CHOSEAN ALTERNATE TRANSLATION. 247 00:10:36,377 --> 00:10:38,418 HUH. 248 00:10:39,627 --> 00:10:41,793 [DINERS APPLAUDING AS SONG ENDS] 249 00:10:41,835 --> 00:10:43,835 SHALL WE? 250 00:10:47,710 --> 00:10:48,668 THANK YOU. 251 00:10:53,003 --> 00:10:54,586 I SEE YOU'RE ENJOYINGTHE CHAMPAGNE? 252 00:10:54,628 --> 00:10:55,836 OH, YES,IT'S AMAZING. 253 00:10:55,878 --> 00:10:57,794 THE SERVICE HEREIS EXCELLENT. 254 00:10:57,836 --> 00:11:00,586 YOU HAVEN'T SEEN ANYTHING YET.JUST WAIT FOR THE SHOW. 255 00:11:00,628 --> 00:11:02,837 BY THE WAY, DO EITHER OF YOUHAVE ANY FOOD SENSITIVITIES? 256 00:11:02,879 --> 00:11:04,337 NO, WE DON'T. 257 00:11:04,379 --> 00:11:05,962 GOOD. 258 00:11:06,004 --> 00:11:08,587 WE HAVE ANAMUSE BOUCHEFOR YOU THIS EVENING-- 259 00:11:08,629 --> 00:11:10,087 A SHRIMP-AND-SASHIMI CROUTON, 260 00:11:10,129 --> 00:11:11,879 COMPLIMENTS OF THE CHEF. 261 00:11:12,879 --> 00:11:14,295 "AMUSE BOUCHE." 262 00:11:14,337 --> 00:11:16,671 A MILLENNIAL PHENOMENON. 263 00:11:16,713 --> 00:11:17,880 [CHUCKLING] 264 00:11:17,921 --> 00:11:19,046 A WHAT? 265 00:11:19,046 --> 00:11:20,255 OH, HE JUST MEANS 266 00:11:20,296 --> 00:11:21,588 THAT PEOPLE WEREN'THAVING THEIR... 267 00:11:21,630 --> 00:11:24,713 "BOUCHES" AMUSEDBACK IN THE 20th CENTURY. 268 00:11:24,713 --> 00:11:26,963 [BOTH CHUCKLING] 269 00:11:27,963 --> 00:11:29,380 I KNEW IT. 270 00:11:29,421 --> 00:11:30,881 I'M SORRY? 271 00:11:30,922 --> 00:11:33,047 MY BOYFRIEND WORKS HERE, TOO, 272 00:11:33,047 --> 00:11:34,714 AND HE WAS SURE YOU GUYSWERE ON YOUR FIRST DATE, 273 00:11:34,714 --> 00:11:36,839 BUT I SAID NO WAY. 274 00:11:36,881 --> 00:11:39,047 I MEAN, WITH THE CHAMPAGNE,THE WAY YOU DANCE, 275 00:11:39,047 --> 00:11:40,214 AND TALK ABOUT EACH OTHER, 276 00:11:40,256 --> 00:11:41,506 THE WAY YOU EVEN KNOWEACH OTHER'S ALLERGIES, 277 00:11:41,547 --> 00:11:44,048 IT'S GOT TO BEYOUR ANNIVERSARY, RIGHT? 278 00:11:44,090 --> 00:11:46,090 NO, ACTUALLY,WE'RE JUST FRIENDS. 279 00:11:52,382 --> 00:11:53,382 UH, OF COURSE, 280 00:11:53,382 --> 00:11:55,715 "JUST" IS A RATHERIMPRECISE QUALIFIER. 281 00:11:55,715 --> 00:11:56,715 PERHAPS A MORE ACCURATE-- 282 00:11:56,757 --> 00:11:58,799 DID YOU SAY SOMETHINGABOUT A SHOW? 283 00:11:58,841 --> 00:12:01,383 AH, RIGHT! WHAT'S MONTALDO'SWITHOUT THE SINGING WAITERS? 284 00:12:01,383 --> 00:12:03,049 ANY REQUESTS? 285 00:12:03,049 --> 00:12:06,716 YES, UH...HOW SOON CAN YOU START SINGING? 286 00:12:06,758 --> 00:12:09,924 OH, WHAT DO KNOW?THAT'S OUR CUE! 287 00:12:14,217 --> 00:12:15,884 [CRUNCHING LOUDLY] 288 00:12:17,384 --> 00:12:19,467 HE REALLY SAID THAT?"JUST FRIENDS"? 289 00:12:19,509 --> 00:12:20,759 YEP! ROLLED RIGHTOFF HIS TONGUE, 290 00:12:20,800 --> 00:12:22,259 LIKE HE WAS ASKINGFOR MORE BUTTER. 291 00:12:22,300 --> 00:12:23,259 OUCH. 292 00:12:23,300 --> 00:12:24,426 OH, IT GETS WORSE. 293 00:12:28,926 --> 00:12:30,885 YOU KNOW, UH, AHEM, 294 00:12:30,926 --> 00:12:33,176 I ACTUALLY DOHAVE AN ALLERGY-- 295 00:12:33,218 --> 00:12:35,926 A SLIGHT SENSITIVITYTO ROSEHIP TEA, 296 00:12:35,968 --> 00:12:39,219 BUT I DON'T EXPECT YOUTO KNOW THAT. 297 00:12:39,261 --> 00:12:41,219 I'LL KEEP THAT IN MIND. 298 00:12:41,261 --> 00:12:43,219 NO ROSEHIPS. 299 00:12:43,261 --> 00:12:47,927 IT'S ALWAYS GOOD TO LEARNSOMETHING NEW ABOUT A FRIEND. 300 00:12:49,302 --> 00:12:51,303 SPEAKING OF ROSES, 301 00:12:51,345 --> 00:12:55,095 DID YOU EVER PLANT THAT CUTTINGFROM YOUR MOTHER'S ROSEBUSH? 302 00:12:55,137 --> 00:12:56,928 OH, YOU MEAN THE ONE THATYOU SO THOUGHTFULLY GAVE ME 303 00:12:56,970 --> 00:12:58,428 WHEN WE ALL WENT BACK EAST? 304 00:12:58,470 --> 00:13:00,095 YES. 305 00:13:00,137 --> 00:13:02,303 IT NEVER REALLY TOOK. 306 00:13:02,345 --> 00:13:04,345 I THINK IT DIED. 307 00:13:05,554 --> 00:13:06,971 OH, THAT'S A SHAME. 308 00:13:07,013 --> 00:13:09,221 I KNOW. I KNOW. I-- 309 00:13:09,221 --> 00:13:11,138 I TRIED EVERYTHINGTO KEEP IT ALIVE. 310 00:13:11,179 --> 00:13:13,679 I WATERED IT, I FED IT, 311 00:13:13,721 --> 00:13:15,388 I TALKED TO IT. 312 00:13:15,388 --> 00:13:16,804 [SHARPLY]: I FERTILIZED IT. 313 00:13:16,846 --> 00:13:17,804 OH. 314 00:13:17,846 --> 00:13:20,680 YOU KNOW THEY SAYTHE BEST FERTILIZER-- 315 00:13:22,055 --> 00:13:25,055 WHAT? 316 00:13:25,055 --> 00:13:28,472 UH, SOME BOTANISTS HAVE NOTEDTHAT ROSES TEND TO THRIVE 317 00:13:28,514 --> 00:13:30,222 WHEN LOCATED NEARTHE FINAL RESTING PLACE 318 00:13:30,222 --> 00:13:32,431 OF A FAMILY PET...[TRAILS OFF] 319 00:13:32,473 --> 00:13:35,056 YOU THINK I SHOULD PLANT 320 00:13:35,056 --> 00:13:37,390 A DEAD ANIMALUNDER MY ROSEBUSH? 321 00:13:37,390 --> 00:13:40,515 WELL, ONLY IF YOU HAD ONE. 322 00:13:42,265 --> 00:13:44,223 [ASTONISHED CHUCKLE] 323 00:13:44,265 --> 00:13:47,391 A PET SOUNDSPRETTY GOOD RIGHT NOW. 324 00:13:47,432 --> 00:13:50,349 [PIANO MUSIC RISES] 325 00:13:50,391 --> 00:13:52,057 [HOST]:LADIES AND GENTLEMEN, 326 00:13:52,099 --> 00:13:54,182 MONTALDO'S SUPPER CLUB PROUDLY PRESENTS 327 00:13:54,224 --> 00:13:56,224 AN EVENING OF MUSIC WITH YOUR TALENTED SERVERS. 328 00:13:56,266 --> 00:13:59,767 OPENING OUR SHOW,PLEASE WELCOME NIKKI AND GRAHAM. 329 00:13:59,808 --> 00:14:01,517 [SINGLE NOTE STRIKES] 330 00:14:01,558 --> 00:14:03,058 [AUDIENCE LAUGHS] 331 00:14:03,058 --> 00:14:05,725 ♪ YOU'RE SO GOOD 332 00:14:05,767 --> 00:14:08,892 ♪ YOU'RE TOO GOODFOR ME, YOU ARE ♪ 333 00:14:08,892 --> 00:14:10,558 ♪ YOU'RE THE BESTDARNED PERSON ♪ 334 00:14:10,558 --> 00:14:13,726 ♪ I HAVE KNOWN BY FAR 335 00:14:13,726 --> 00:14:15,768 ♪ IF I COULD 336 00:14:15,809 --> 00:14:18,309 ♪ YOU KNOW I'D NEVERTHROW THIS CURVE ♪ 337 00:14:18,351 --> 00:14:20,059 ♪ YOU'RE A GODDESS 338 00:14:20,059 --> 00:14:23,976 ♪ AND I'M NOTWHAT YOU DESERVE ♪ 339 00:14:25,059 --> 00:14:27,435 ♪ WHAT I AM SAYING 340 00:14:27,477 --> 00:14:30,894 ♪ IS OUR THING MUST END 341 00:14:30,894 --> 00:14:33,269 ♪ AND THOUGH IT MUST 342 00:14:33,310 --> 00:14:37,477 ♪ I WANT TO BE YOUR FRIEND 343 00:14:37,519 --> 00:14:38,894 [AUDIENCE LAUGHING] 344 00:14:38,894 --> 00:14:41,561 [NIKKI, POINTEDLY]:"FRIEND."FRIEND! 345 00:14:44,728 --> 00:14:45,770 ♪ YOU WANT TO BE MY FRIEND? 346 00:14:45,811 --> 00:14:46,770 ♪ SURE 347 00:14:46,811 --> 00:14:48,436 ♪ YOU WANT TOBE MY FRIEND? ♪ 348 00:14:48,478 --> 00:14:49,561 ♪ OH, THAT'S NICE! 349 00:14:49,603 --> 00:14:52,811 ♪ YOU WANT TO BE MY FRIEND? 350 00:14:52,853 --> 00:14:55,229 ♪ I WANT A FATHERFOR MY UNBORN CHILDREN ♪ 351 00:14:55,271 --> 00:14:57,479 ♪ SOMEONE WHO'S IN TUNE 352 00:14:57,521 --> 00:14:59,396 ♪ AND SINCEI'LL BE 29 NEXT MONTH ♪ 353 00:14:59,396 --> 00:15:02,604 ♪ I WANT HIM RATHER SOON 354 00:15:02,646 --> 00:15:03,979 ♪ I WANT SOMEONETO BUY RUGS AND LAMPS WITH ♪ 355 00:15:04,021 --> 00:15:05,521 ♪ AND SOMEONEWHO'LL CO-SIGN... ♪ 356 00:15:05,562 --> 00:15:07,605 WOW! THE WHOLE SONGWAS LIKE THAT? 357 00:15:07,647 --> 00:15:12,188 YEP. FRIENDS, COMMITMENT,DESPERATION, INFERTILITY... 358 00:15:12,230 --> 00:15:14,938 IT WAS LIKE GROUP THERAPYWITH SEAFOOD. 359 00:15:14,980 --> 00:15:15,980 OHH... 360 00:15:16,022 --> 00:15:17,772 IT TOOK A LITTLE TIME. 361 00:15:17,813 --> 00:15:20,231 ELEANOR'S BLENDERGOT STUCK ON "FRAPPE," 362 00:15:20,273 --> 00:15:22,898 AND I PICKED UP YOUR MAILFOR YOU FROM THE P.O. BOX. 363 00:15:22,898 --> 00:15:25,023 OH, YOU ARE SO SWEET. 364 00:15:25,064 --> 00:15:26,981 "$50 A MONTHCAN SAVE 365 00:15:27,023 --> 00:15:28,064 "THE BOUVET ISLAND 366 00:15:28,106 --> 00:15:29,856 BURROWINGYELLOWTAIL OWL"? 367 00:15:29,898 --> 00:15:31,814 $50. WOW. 368 00:15:31,856 --> 00:15:33,481 OH, IT'SA VERY WORTHY CAUSE. 369 00:15:37,024 --> 00:15:40,065 HEY. UH, STRAWBERRY, MANGO,AND BLUEBERRY? 370 00:15:48,400 --> 00:15:49,816 [YOO-HOO LID POPS] 371 00:15:51,025 --> 00:15:53,858 [♪♪] 372 00:15:57,233 --> 00:15:59,233 [SHANE]: OLIVER... 373 00:15:59,233 --> 00:16:00,901 WHAT'S GOING ON? 374 00:16:13,401 --> 00:16:15,568 WE HAVE BEEN CHARGED 375 00:16:15,568 --> 00:16:18,943 WITH THE GRIM TASKOF INVESTIGATING 376 00:16:18,985 --> 00:16:21,277 THE SYSTEMATICAND, FRANKLY, 377 00:16:21,318 --> 00:16:23,735 BIZARRE PLUNDERINGOF THE UNITED STATES MAIL 378 00:16:23,735 --> 00:16:25,735 FROM OFFICIAL RECEPTACLESIN SOUTH DENVER. 379 00:16:25,735 --> 00:16:26,777 WOW. 380 00:16:26,818 --> 00:16:28,903 WHO WOULD DOSOMETHING LIKE THAT? 381 00:16:28,944 --> 00:16:31,069 IT DOES HAPPEN,I'M AFRAID. 382 00:16:31,111 --> 00:16:33,236 NOT LIKE THIS. 383 00:16:34,278 --> 00:16:36,528 THIS TIME IT'S PERSONAL. 384 00:16:41,404 --> 00:16:43,320 IT'S ONE OF OUR OWN. 385 00:16:46,570 --> 00:16:49,904 "FORSAN ET HAEC OLIM MEMINISSE JUVABIT" 386 00:16:49,945 --> 00:16:52,362 HAS BEEN ENGRAVEDON EVERY "DARK OF NIGHT" AWARD 387 00:16:52,404 --> 00:16:54,780 FOR OVER A HUNDRED YEARS--YOURS, MINE, MY GRANDFATHER'S. 388 00:16:54,821 --> 00:16:55,946 [RITA]:WHAT DOES IT MEAN? 389 00:16:55,988 --> 00:16:58,530 [OLIVER]: WELL,IT'S FROM VIRGIL'S EPIC POEM 390 00:16:58,571 --> 00:17:00,071 OF LOVE AND WAR. 391 00:17:00,113 --> 00:17:02,738 THEY ARE WORDS OF ENCOURAGEMENTTO A SHIPWRECKED ARMY. 392 00:17:02,780 --> 00:17:03,905 WHAT DOESBEING SHIPWRECKED 393 00:17:03,905 --> 00:17:06,488 HAVE TO DOWITH THE POST OFFICE? 394 00:17:06,530 --> 00:17:09,906 AH. COURAGEAND PERSEVERANCE, NORMAN. 395 00:17:09,947 --> 00:17:12,906 HALLMARKSOF EVERY POSTAL WORKER 396 00:17:12,947 --> 00:17:15,906 WHO'S PERFORMED HIS OR HER DUTYIN THE FACE OF GREAT ODDS 397 00:17:15,947 --> 00:17:17,781 AND RECEIVED ONE OF THESE. 398 00:17:17,822 --> 00:17:22,448 "PERHAPS ONE DAY IT WILL BE GOODTO REMEMBER THIS." 399 00:17:22,490 --> 00:17:23,573 [SHANE]:REMEMBER WHAT? 400 00:17:23,615 --> 00:17:27,240 BEANS, WEDDING CAKES,AND A... DUCK? 401 00:17:27,240 --> 00:17:28,948 IT'S A GOOSE. 402 00:17:28,990 --> 00:17:30,573 REALLY? 403 00:17:30,615 --> 00:17:31,907 MM-HMM. 404 00:17:31,948 --> 00:17:33,157 WELL, ALL WE NEEDIS A PARTIAL PRINT, 405 00:17:33,198 --> 00:17:35,073 AND THAT MIGHT BE ENOUGHTO RUN THROUGH A DATABASE. 406 00:17:35,115 --> 00:17:37,366 TOO BAD WE DON'T HAVE ONE. 407 00:17:38,491 --> 00:17:39,574 MS. McINERNEY? 408 00:17:39,574 --> 00:17:42,116 WELL, IT'S NOT IMPOSSIBLETO BREAK INTO 409 00:17:42,158 --> 00:17:43,408 THE FBI FINGERPRINT SYSTEM, 410 00:17:43,449 --> 00:17:46,283 BUT IT COULD TAKE SOME TIME-- 411 00:17:46,324 --> 00:17:48,033 LIKE 30 YEARS TO LIFE. 412 00:17:48,074 --> 00:17:50,284 ARE YOU SUREWE CAN'T JUST CALL THE POLICE? 413 00:17:50,325 --> 00:17:51,534 WELL, LESTER WAS ADAMANT. 414 00:17:51,575 --> 00:17:53,034 HE ISN'T EASYTO SAY NO TO. 415 00:17:54,117 --> 00:17:55,450 NOTHING. 416 00:17:55,492 --> 00:17:56,659 THIS HAS BEEN WIPED CLEAN. 417 00:17:56,700 --> 00:17:58,075 THIS GUY KNOWS WHAT HE'S DOING. 418 00:17:58,117 --> 00:17:59,492 WE NEED SOMEONEFROM LAW ENFORCEMENT 419 00:17:59,534 --> 00:18:01,825 WHO CAN GIVE USA PSYCHOLOGICAL PROFILE 420 00:18:01,867 --> 00:18:03,826 OF THE SORT OF PERSONWE'RE DEALING WITH HERE. 421 00:18:03,868 --> 00:18:05,951 WE NEED, UH, WELL, WE NEED-- 422 00:18:05,993 --> 00:18:07,660 A "FRIEND"? LIKE DALE? 423 00:18:07,701 --> 00:18:08,826 YES. 424 00:18:08,868 --> 00:18:10,243 OH, WHO'S HE? 425 00:18:10,285 --> 00:18:11,785 DALE IS A SHE. 426 00:18:11,826 --> 00:18:14,701 DALE SINGS IN A CHOIRAT OLIVER'S CHURCH. 427 00:18:14,743 --> 00:18:16,161 DALE IS LOVELY. 428 00:18:17,452 --> 00:18:19,744 WAIT. YOU WENTTO OLIVER'S CHURCH? 429 00:18:19,786 --> 00:18:21,119 MM-HMM. JUSTTO DROP SOMETHING OFF. 430 00:18:21,161 --> 00:18:22,244 HE INTRODUCED ME. 431 00:18:22,286 --> 00:18:23,494 SHE'S A SOPRANO. 432 00:18:23,536 --> 00:18:25,036 AND A POLICEOFFICER. 433 00:18:25,077 --> 00:18:28,369 WELL, TO BE ACCURATE,SHE WAS A POLICE OFFICER. 434 00:18:28,411 --> 00:18:30,745 SHE'S NOW A SPECIAL AGENT 435 00:18:30,745 --> 00:18:32,912 FOR THE STATE DIVISIONOF INVESTIGATIONS. 436 00:18:32,912 --> 00:18:34,328 WELL, SHE SOUNDS PERFECT. 437 00:18:34,370 --> 00:18:36,245 YES, SHE DOES. 438 00:18:38,745 --> 00:18:40,703 RITA... 439 00:18:40,745 --> 00:18:43,954 COULD YOU PACK UP THE BEANSAND THE CAKE TOPPER, 440 00:18:43,996 --> 00:18:45,371 AND THAT PIECEOF PAPER? 441 00:18:45,413 --> 00:18:47,288 AND MS. McINERNEY,BRING YOUR COMPUTER 442 00:18:47,329 --> 00:18:48,579 AND THE MAP OFVIOLATED MAILBOXES. 443 00:18:48,621 --> 00:18:50,121 IT'S NOT MUCH TO GO ON, BUT-- 444 00:18:50,163 --> 00:18:51,954 OH, MY GOSH. 445 00:18:51,996 --> 00:18:53,121 OLIVER? 446 00:18:53,163 --> 00:18:55,079 I THINK WE HAVE A WITNESS. 447 00:18:57,539 --> 00:18:59,789 [♪♪] 448 00:19:04,372 --> 00:19:06,080 AND YOU'RE CERTAINYOU SAW HIM 449 00:19:06,080 --> 00:19:07,664 TAKE THE MAILFROM THAT BOX? 450 00:19:07,705 --> 00:19:08,664 POSITIVE! 451 00:19:08,705 --> 00:19:09,872 HE LOCKED UPAND STARTED WALKING AWAY, 452 00:19:09,914 --> 00:19:11,040 AND THAT'S WHENI CAUGHT UP WITH HIM. 453 00:19:11,081 --> 00:19:13,040 WOULD YOU BE ABLETO RECOGNIZE HIM? 454 00:19:13,081 --> 00:19:16,748 PROBABLY.HE SEEMED SORT OF... SAD. 455 00:19:16,790 --> 00:19:19,540 WHAT'S THIS ABOUT? 456 00:19:19,581 --> 00:19:20,748 WELL, THE GOOD NEWS IS, 457 00:19:20,748 --> 00:19:22,415 THE MAILYOU'RE TRYING TO RETRIEVE 458 00:19:22,415 --> 00:19:24,416 HAS NOT YET BEEN DELIVERED, 459 00:19:24,457 --> 00:19:26,249 BECAUSE IT'S NOT YETENTERED THE SYSTEM. 460 00:19:26,291 --> 00:19:28,041 THE UNFORTUNATE NEWS IS 461 00:19:28,082 --> 00:19:29,957 WE BELIEVE THAT MAILHAS BEEN INVOLVED 462 00:19:29,999 --> 00:19:32,249 IN A SERIESOF UNAUTHORIZED TRANSFERS. 463 00:19:32,249 --> 00:19:33,957 WHAT? 464 00:19:33,999 --> 00:19:35,916 SOMEBODY STOLEA BUNCH OF MAIL. 465 00:19:35,916 --> 00:19:37,583 WELL, YOU'VE GOTTAGET MINE BACK! 466 00:19:37,625 --> 00:19:39,250 WE ARE MAKING EVERY EFF-- 467 00:19:39,292 --> 00:19:40,750 I HAVE TO GET IT BACK.IT'S REALLY IMPORTANT. 468 00:19:40,750 --> 00:19:43,417 THAT MAN HAS STOLEN HUNDREDS,IF NOT THOUSANDS OF LETTERS. 469 00:19:43,458 --> 00:19:45,667 I ASSURE YOU THAT EVERY ONEOF THEM MATTERS TO SOMEONE. 470 00:19:45,708 --> 00:19:48,083 THEY ALLMATTER TO US. 471 00:19:48,083 --> 00:19:51,418 NIKKI, THINK OF IT LIKE THIS,IF THE LETTER'S REALLY LOST, 472 00:19:51,459 --> 00:19:53,709 THEN AT LEAST GRAHAMWON'T READ IT NOW, RIGHT? 473 00:19:53,751 --> 00:19:55,334 BUT WHAT IF THE MAIL GUY DOES? 474 00:19:55,376 --> 00:19:56,751 [NIKKI SIGHS] 475 00:19:56,793 --> 00:19:59,251 I SHOULD NEVERHAVE MAILED THAT LETTER. 476 00:19:59,293 --> 00:20:01,084 AND I WOULDN'T HAVE,IF IT WEREN'T FOR HIM! 477 00:20:01,126 --> 00:20:02,084 WHAT DO YOU MEAN? 478 00:20:02,126 --> 00:20:04,126 OH, HE SAID SOMETHING ABOUT 479 00:20:04,168 --> 00:20:05,919 "WHAT GOOD IS A LETTERIF YOU NEVER MAIL IT?" 480 00:20:05,960 --> 00:20:07,377 [SHANE]:HE'S GOT A POINT. 481 00:20:08,877 --> 00:20:13,919 LOOK, YOU WERE IN LOVEAND YOU TOOK A RISK TO SAY SO. 482 00:20:16,669 --> 00:20:18,128 YOU PUT YOURSELF OUT THERE. 483 00:20:18,170 --> 00:20:20,211 BUT NOW THE LETTERIS OUT THERE... 484 00:20:20,253 --> 00:20:23,045 I HAVE TO GET IT BACK. 485 00:20:23,086 --> 00:20:24,586 I HAVE TO! 486 00:20:24,628 --> 00:20:28,295 WELL, SEEING AS YOU'VECOMPLETED FORM 67E, 487 00:20:28,336 --> 00:20:29,920 AS SOON ASTHE MAIL IS RECOVERED, 488 00:20:29,920 --> 00:20:30,920 WE WILL BE CERTAINTO RETURN IT TO YOU. 489 00:20:30,961 --> 00:20:32,296 IN THE MEANTIME, 490 00:20:32,337 --> 00:20:33,587 I'D LIKE YOU TO GO WITH NORMAN 491 00:20:33,587 --> 00:20:35,754 TO ASSIST IN CREATINGA SKETCH OF OUR SUSPECT. 492 00:20:35,796 --> 00:20:36,754 SURE. 493 00:20:36,754 --> 00:20:38,129 DO YOU LIKE SMOOTHIES? 494 00:20:47,297 --> 00:20:49,297 I THINK THERE'S SOMETHINGSHE'S NOT TELLING US. 495 00:20:49,338 --> 00:20:51,213 SO DO I. 496 00:20:54,088 --> 00:20:55,005 HI, RITA! 497 00:20:55,047 --> 00:20:56,005 OH-- 498 00:20:56,047 --> 00:20:57,005 THIS IS NIKKI. 499 00:20:57,047 --> 00:20:58,756 OH! HELLO! 500 00:20:58,798 --> 00:20:59,839 HI. 501 00:20:59,881 --> 00:21:01,381 THAT LETTER SHE WANTS BACK, 502 00:21:01,423 --> 00:21:03,589 SHE THINKS SHE MAY HAVEGIVEN IT TO OUR PERP. 503 00:21:03,631 --> 00:21:06,173 [GASPS] WHOA.YOU MET THE PERP? 504 00:21:06,214 --> 00:21:08,298 HE DIDN'T SEEM LIKE A PERP. 505 00:21:08,339 --> 00:21:12,257 BUT THEN AGAIN, YOU NEVER REALLYKNOW SOMEBODY, DO YOU? 506 00:21:12,299 --> 00:21:13,507 I REALLY KNOW RITA. 507 00:21:16,882 --> 00:21:18,424 [♪♪] 508 00:21:18,424 --> 00:21:21,340 OH. I-- I REALLY LOVEYOUR BLOUSE. 509 00:21:21,382 --> 00:21:23,049 IT'S A BEAUTIFUL COLOR. 510 00:21:23,090 --> 00:21:24,299 THANK YOU. 511 00:21:24,340 --> 00:21:26,341 I NEVER USED TO WEAR BLUE,BUT I STARTED TO BECAUSE... 512 00:21:27,675 --> 00:21:30,133 BLUE IS MY BOYFRIEND'SFAVORITE COLOR. 513 00:21:30,175 --> 00:21:31,883 OH... 514 00:21:31,925 --> 00:21:33,466 MY EX-BOYFRIEND. 515 00:21:33,508 --> 00:21:35,133 OH... 516 00:21:35,175 --> 00:21:36,341 [SOBS] 517 00:21:36,383 --> 00:21:38,341 SMOOTHIE? 518 00:21:38,383 --> 00:21:40,259 STRAWBERRY, MANGO, BLUE-- 519 00:21:40,301 --> 00:21:41,592 SHH! 520 00:21:41,592 --> 00:21:44,092 UH ...BERRY? 521 00:21:48,259 --> 00:21:51,384 [SHANE]:WOW. KIDNAPPING, EXTORTION, 522 00:21:51,426 --> 00:21:52,718 COUNTERFEITING... 523 00:21:52,760 --> 00:21:54,927 OH, WHEN YOU SAIDSHE WAS A POLICE OFFICER, 524 00:21:54,968 --> 00:21:56,968 I WAS THINKINGPARKING TICKETS. 525 00:21:57,010 --> 00:21:59,052 [AWKWARD CHUCKLE] 526 00:22:01,593 --> 00:22:04,218 DESSERT THE OTHER NIGHTWAS OUT OF THIS WORLD. 527 00:22:04,260 --> 00:22:05,760 YOU SHOULDHAVE TRIED IT. 528 00:22:05,760 --> 00:22:08,011 YES. IT LOOKEDQUITE APPETIZING. 529 00:22:08,053 --> 00:22:09,094 TRUST ME. 530 00:22:09,094 --> 00:22:10,261 IT WAS INCREDIBLE. 531 00:22:10,303 --> 00:22:12,094 MAYBE NEXT TIME IF WE--UH... 532 00:22:13,261 --> 00:22:14,344 OH, LOOK! 533 00:22:14,386 --> 00:22:16,094 DOESN'T THAT WOMANLOOK A LITTLE 534 00:22:16,094 --> 00:22:18,178 LIKE ELEANORIN PASSPORTS? 535 00:22:18,219 --> 00:22:20,554 [JAZZY BAND MUSIC RISES] 536 00:22:20,595 --> 00:22:23,012 [♪♪] 537 00:22:29,637 --> 00:22:31,804 [BOTH]: OOH! 538 00:22:33,971 --> 00:22:36,388 [♪♪] 539 00:22:38,680 --> 00:22:40,096 [ALL APPLAUDING] 540 00:22:40,138 --> 00:22:41,263 THAT WAS MICHAEL AND SOPHIA, LADIES AND GENTLEMEN. 541 00:22:41,305 --> 00:22:42,930 THEY'LL BE BACK LATER. 542 00:22:42,971 --> 00:22:44,805 MY GOODNESS! 543 00:22:44,846 --> 00:22:46,430 THAT WAS VIGOROUS. 544 00:22:46,471 --> 00:22:47,639 I THOUGHTTHEY WERE GREAT. 545 00:22:47,681 --> 00:22:49,764 I ALWAYS ENJOYA SPIRITED PERFORMANCE, 546 00:22:49,764 --> 00:22:51,931 BUT I GUESS I THOUGHTTHE ATMOSPHERE HERE 547 00:22:51,931 --> 00:22:54,931 WOULD BE A BIT MORE, UH,INTIMATE. 548 00:22:54,972 --> 00:22:57,056 WELL, THE LAST TIMEI WAS HERE-- 549 00:22:57,097 --> 00:22:58,764 OH, YOU'VE BEEN HERE? 550 00:22:58,764 --> 00:23:00,432 WELL, UH... AHEM. 551 00:23:00,473 --> 00:23:02,598 I THINK THERE WASA SUNDAY BRUNCH 552 00:23:02,640 --> 00:23:04,473 I MAY HAVE ATTENDED. 553 00:23:04,515 --> 00:23:09,265 OR MAYBE IT WAS A LATELATE-AFTERNOON TEA-SLASH-DINNER. 554 00:23:09,265 --> 00:23:10,265 OH. 555 00:23:10,307 --> 00:23:13,265 YEAH, THE CHIEFOF POSTAL SECURITY, 556 00:23:13,307 --> 00:23:14,433 THAT MAN LESTER 557 00:23:14,474 --> 00:23:15,683 IN INTERNAL AFFAIRS, 558 00:23:15,724 --> 00:23:17,933 HE ASKED ME OUT. 559 00:23:17,974 --> 00:23:19,599 YOU CAME HEREWITH LESTER KIMSICLE? 560 00:23:19,641 --> 00:23:22,266 HE WANTED TOGET TO KNOW ME BETTER... 561 00:23:22,266 --> 00:23:25,683 FOR SECURITY REASONS,HE SAID. 562 00:23:26,766 --> 00:23:28,309 OH, YOU WEREON OFFICIAL BUSINESS? 563 00:23:28,350 --> 00:23:30,725 RIGHT. 564 00:23:30,767 --> 00:23:32,017 [RELIEVED SIGH] 565 00:23:32,059 --> 00:23:35,267 AND, IN THE INTERESTOF FULL DISCLOSURE, 566 00:23:35,309 --> 00:23:37,267 I WAS HERE ONCE WITH STEVE. 567 00:23:38,600 --> 00:23:39,684 STEVE? 568 00:23:39,725 --> 00:23:41,685 YOUR OLD FLAMEFROM WASHINGTON? 569 00:23:41,726 --> 00:23:42,851 HE WAS HERE? 570 00:23:44,101 --> 00:23:46,810 THIS IS WHEREWE OFFICIALLY BROKE UP. 571 00:23:46,851 --> 00:23:47,935 [AWKWARD CHUCKLE] 572 00:23:47,976 --> 00:23:49,935 RIGHT THERE. 573 00:23:49,976 --> 00:23:52,435 THAT TABLE WITHTHE LADY AND THE LOBSTER. 574 00:23:52,476 --> 00:23:54,268 I SEE. 575 00:23:54,311 --> 00:23:56,686 IT WAS WHEN I FIRSTMOVED TO DENVER, 576 00:23:56,727 --> 00:23:59,019 AND HE HAD FLOWN INTO CHANGE MY MIND, 577 00:23:59,061 --> 00:24:02,102 BUT BY THEN,I HAD MET YOU-- GUYS, 578 00:24:02,144 --> 00:24:03,227 AND... 579 00:24:03,269 --> 00:24:04,686 I TOLD HIMIT WAS OVER 580 00:24:04,727 --> 00:24:07,352 AND HE SHOULD GO BACK TO D.C. 581 00:24:07,394 --> 00:24:09,020 I'M SORRY 582 00:24:09,062 --> 00:24:10,770 I... 583 00:24:10,770 --> 00:24:11,853 CHOSE A PLACE 584 00:24:11,895 --> 00:24:15,937 FRAUGHT WITH SO MANY MEMORIESFOR OUR FIRST... 585 00:24:15,937 --> 00:24:17,853 UH... 586 00:24:17,895 --> 00:24:20,270 OUR FIRST... 587 00:24:20,270 --> 00:24:22,313 OUR FIRST...? 588 00:24:22,354 --> 00:24:26,063 I WONDER WHERE THE GENTLEMEN'SCONVENIENCE MIGHT BE. 589 00:24:26,104 --> 00:24:27,729 OH, IT'SRIGHT OVER THERE. 590 00:24:28,896 --> 00:24:30,604 PROBABLY. 591 00:24:30,646 --> 00:24:32,271 [NIKKI]:♪ THE MAN LEAVES 592 00:24:32,313 --> 00:24:33,354 THANK YOU. 593 00:24:33,396 --> 00:24:36,564 ♪ AND I'M ON MY OWN 594 00:24:37,605 --> 00:24:45,147 ♪ I JUST SITAND SIMPLY WATCH THE DOOR ♪ 595 00:24:45,189 --> 00:24:46,897 ♪ AND TELL MYSELF... 596 00:24:46,939 --> 00:24:50,773 WAS IT, UH, CUSTARD,CURD, OR MERINGUE? 597 00:24:50,815 --> 00:24:52,773 I'M SORRY? 598 00:24:53,773 --> 00:24:55,106 THE DESSERT. 599 00:24:55,106 --> 00:24:59,606 SEE, I PREFER A FILLINGWITH CUSTARD OR A GOOD CURD. 600 00:24:59,648 --> 00:25:02,274 MERINGUE ALWAYS SEEMSA WASTE OF A GOOD EGG. 601 00:25:03,607 --> 00:25:05,107 IT WAS A CUSTARD 602 00:25:05,149 --> 00:25:07,107 WITH A CURD GLAZE. 603 00:25:08,232 --> 00:25:09,607 AH. 604 00:25:09,607 --> 00:25:10,607 OLIVER! 605 00:25:11,732 --> 00:25:12,941 HELLO! 606 00:25:12,982 --> 00:25:14,816 HI! 607 00:25:16,608 --> 00:25:18,067 YOU REMEMBER SHANE. 608 00:25:18,108 --> 00:25:20,858 YES, OF COURSE!COME ON IN. 609 00:25:20,900 --> 00:25:23,025 -PLEASE.-THANK YOU. 610 00:25:28,067 --> 00:25:30,609 [DALE]:WELL, HE'S EDUCATED. 611 00:25:30,651 --> 00:25:32,651 YOU DON'T GET A LOT OFRANSOM NOTES IN LATIN. 612 00:25:32,693 --> 00:25:35,109 BUT YOU DON'T WANT TOMAKE A FORMAL REPORT? 613 00:25:35,109 --> 00:25:36,151 WELL, FOR NOW, 614 00:25:36,193 --> 00:25:37,359 I WAS HOPINGWE MIGHT HAVE 615 00:25:37,401 --> 00:25:39,276 A RHETORICAL CONVERSATIONABOUT THE SORT OF PERSON 616 00:25:39,318 --> 00:25:41,109 WHO MIGHT DO THIS. 617 00:25:41,151 --> 00:25:42,484 OKAY, 618 00:25:42,526 --> 00:25:43,902 WELL, FROM WHAT I CAN TELL, 619 00:25:43,944 --> 00:25:45,110 THIS RHETORICAL PERSON 620 00:25:45,110 --> 00:25:46,860 PROBABLY WORKSFOR THE POST OFFICE. 621 00:25:46,902 --> 00:25:48,610 OLIVER FIGURED THAT OUTRIGHT AWAY, 622 00:25:48,652 --> 00:25:50,819 AND WE HAVE A DESCRIPTIONFROM SOMEONE 623 00:25:50,860 --> 00:25:52,777 WHO HANDED OUR SUSPECTTHE LETTER ON SATURDAY NIGHT. 624 00:25:52,819 --> 00:25:55,277 MALE, GRAY HAIR,PROBABLY OVER 60 YEARS OLD, 625 00:25:55,319 --> 00:25:57,445 AND HE SAID SOMETHINGTO OUR WITNESS 626 00:25:57,445 --> 00:25:58,986 LIKE, UH, 627 00:25:59,028 --> 00:26:00,778 "WHAT GOOD IS A LETTERIF YOU DON'T MAIL IT?" 628 00:26:00,820 --> 00:26:02,278 [CHUCKLES] 629 00:26:02,320 --> 00:26:04,195 WELL, THAT SOUNDSLIKE A PHILOSOPHER 630 00:26:04,236 --> 00:26:06,778 WHO'S TIRED OF DREAMING. 631 00:26:06,778 --> 00:26:08,820 HE WANTS SOMETHING,HE KNOWS YOU WANT THE MAIL BACK, 632 00:26:08,861 --> 00:26:09,862 SO HE'S KEEPING IT HOSTAGE. 633 00:26:09,904 --> 00:26:11,529 YOU THINKHE MIGHT BE DANGEROUS? 634 00:26:11,571 --> 00:26:13,862 IT'S POSSIBLE. 635 00:26:13,904 --> 00:26:14,987 OH, DEAR. 636 00:26:15,029 --> 00:26:16,779 SO WE'RE LOOKINGFOR POSTAL CARRIERS 637 00:26:16,779 --> 00:26:18,821 THAT ARE OVER 60AND DEPRESSED? 638 00:26:18,862 --> 00:26:20,821 [CHUCKLES] WELL,THAT SHOULD NARROW IT DOWN. 639 00:26:20,862 --> 00:26:22,946 YOU'VE GOT A LITTLE MORETO GO ON THAN THAT. 640 00:26:22,987 --> 00:26:25,322 YOU HAVE A CAKE-TOPPER,SOME BEANS, AND... 641 00:26:25,363 --> 00:26:27,863 WHAT IS THIS? A GOOSE? 642 00:26:27,905 --> 00:26:29,280 YES. 643 00:26:29,322 --> 00:26:32,572 HMM. REMEMBER,THIS ISN'T ABOUT THE MAIL. 644 00:26:32,613 --> 00:26:35,155 HE'S PLAYING A GAME. 645 00:26:35,197 --> 00:26:37,448 HE'S NOT JUST SENDING THISTO ANYBODY AT THE POST OFFICE. 646 00:26:37,489 --> 00:26:40,031 HE WANTS SOMEBODY IN PARTICULARTO FIGURE THIS OUT, 647 00:26:40,073 --> 00:26:43,073 AND HE WANTS TO PROVE THATHE'S JUST AS SMART AS THEY ARE. 648 00:26:43,114 --> 00:26:45,781 SO, HE KNOWS THEM? 649 00:26:45,823 --> 00:26:48,781 OH, YES.AND HE HATES THEM. 650 00:26:48,823 --> 00:26:51,949 SO, IF WE DON'TFIGURE OUT THE GAME, 651 00:26:51,949 --> 00:26:53,407 HE'S JUST GONNAKEEP STEALING MAIL 652 00:26:53,449 --> 00:26:54,949 AND LEAVINGWEIRD STUFF BEHIND? 653 00:26:54,949 --> 00:26:56,032 I DON'T THINK SO. 654 00:26:56,074 --> 00:26:58,324 YOU SEE, THE LATIN QUOTATIONIS DIFFERENT 655 00:26:58,365 --> 00:26:59,657 FROM THE OTHER CLUES. 656 00:26:59,699 --> 00:27:02,115 THIS LITERALLY SAYS"REMEMBERTHIS,"BUT-- 657 00:27:02,115 --> 00:27:03,490 BUT... 658 00:27:03,532 --> 00:27:04,783 THERE'SAN ALTERNATE TRANSLATION. 659 00:27:04,783 --> 00:27:06,616 YES! 660 00:27:06,616 --> 00:27:08,741 "PERHAPS SOMEDAYIT WILL BE GOOD 661 00:27:08,783 --> 00:27:10,366 TO REMEMBER THESE THINGS." 662 00:27:10,408 --> 00:27:12,741 THESE THINGS! 663 00:27:12,783 --> 00:27:14,325 RIGHT. 664 00:27:14,366 --> 00:27:15,783 DOES THE POST OFFICEKEEP A RECORD 665 00:27:15,783 --> 00:27:17,451 OF THE PEOPLE THAT HAVE WONTHE DARK OF NIGHT AWARD? 666 00:27:17,492 --> 00:27:18,659 I RAN A SEARCHOF THE LIST 667 00:27:18,701 --> 00:27:19,784 ON THE WAY OVER HERE, 668 00:27:19,784 --> 00:27:20,909 AND I FILTERED FOR 669 00:27:20,951 --> 00:27:22,992 DUCKS, GEESE,CAKE DECORATIONS, 670 00:27:23,034 --> 00:27:24,117 KIDNEY BEANS, BEANS, 671 00:27:24,159 --> 00:27:25,576 YOU NAME IT,AND ALL I GOT 672 00:27:25,617 --> 00:27:28,076 WAS A HUNDRED YEARSOF RECIPIENTS AND DATES. 673 00:27:28,117 --> 00:27:31,118 OH, AND A VERY NICE ARTICLEABOUT US HERE, OLIVER, 674 00:27:31,118 --> 00:27:32,118 WHEN WE GOT OURS. 675 00:27:32,160 --> 00:27:33,743 OH. 676 00:27:33,785 --> 00:27:35,952 YOU NEVER MENTIONED THAT. 677 00:27:35,993 --> 00:27:38,952 OH, WELL, IT WAS A BIT OFA MIRACLE, FRANKLY. 678 00:27:38,952 --> 00:27:40,452 [OLIVER AND DALE CHUCKLE] 679 00:27:40,493 --> 00:27:41,952 OLIVER... 680 00:27:41,952 --> 00:27:42,993 WHAT DID YOUR GRANDFATHER 681 00:27:43,035 --> 00:27:45,244 RECEIVE HIS DARK OF NIGHT AWARDFOR? 682 00:27:45,286 --> 00:27:47,536 HE GAVE UP CHRISTMAS EVEWITH HIS FAMILY 683 00:27:47,578 --> 00:27:48,869 TO STAYIN THE TERMINAL ANNEX 684 00:27:48,911 --> 00:27:50,911 TO HELP A DAMAGEDSHIPMENT OF... 685 00:27:50,953 --> 00:27:53,453 OF GOOSE EGGSHATCH OVERNIGHT! 686 00:27:53,453 --> 00:27:55,494 AND THE KIDNEY BEANS? 687 00:27:55,536 --> 00:27:59,037 WHY KIDNEY BEANS,WHY NOT PINTO OR LIMA? 688 00:27:59,079 --> 00:28:02,079 BECAUSE YOU AND IAND NORMAN AND RITA 689 00:28:02,120 --> 00:28:03,329 HELPED A GIRL WHO NEEDED-- 690 00:28:03,370 --> 00:28:05,454 [OVERLAPPING]:...A KIDNEY TRANSPLANT! 691 00:28:06,495 --> 00:28:08,245 OLIVER, 692 00:28:08,287 --> 00:28:09,787 WHAT DID YOUR FATHERGET HIS FOR? 693 00:28:09,787 --> 00:28:11,788 OH, HE NEVER RECEIVED ONE. 694 00:28:11,830 --> 00:28:14,121 WELL, YES, HE DID. 695 00:28:14,121 --> 00:28:16,663 I MEAN, IT'S RIGHT HERE-- 696 00:28:16,705 --> 00:28:19,663 "JOSEPH HENRY O'TOOLE".THAT'S HIM, RIGHT? 697 00:28:19,705 --> 00:28:20,788 YES, BUT... 698 00:28:22,330 --> 00:28:24,455 THAT'S IT.HE'S TARGETING O'TOOLES. 699 00:28:26,581 --> 00:28:28,956 I NEED TO FIND MY FATHER. 700 00:28:37,331 --> 00:28:39,248 [♪♪] 701 00:28:39,290 --> 00:28:41,290 [SLURPING] 702 00:28:42,748 --> 00:28:44,790 I THINK HIS EYESWERE FURTHER APART. 703 00:28:44,832 --> 00:28:46,540 OKAY. 704 00:28:51,290 --> 00:28:53,166 WHAT ABOUT THE SH-- 705 00:28:53,208 --> 00:28:55,166 [SLURPING] 706 00:28:55,249 --> 00:28:57,666 [♪♪] 707 00:29:06,792 --> 00:29:09,292 THAT'S HER FOURTHBLUEBERRY SMOOTHIE. 708 00:29:10,667 --> 00:29:14,042 I THOUGHT BLUEMADE HER SAD. 709 00:29:14,084 --> 00:29:15,834 [RITA]: YEAH, WELL... 710 00:29:15,875 --> 00:29:16,917 THAT'S WHAT WE DO 711 00:29:16,959 --> 00:29:19,751 WHEN WE'RE GRIEVINGA RELATIONSHIP, NORMAN. 712 00:29:19,793 --> 00:29:21,626 WE REREADALL THE OLD LOVE LETTERS, 713 00:29:21,668 --> 00:29:24,376 WE REVISIT ALL THE OLD PLACES. 714 00:29:24,418 --> 00:29:26,626 WE SEE SOMETHINGLIKE THE COLOR BLUE 715 00:29:26,668 --> 00:29:30,335 OR WE HEAR A CERTAIN SONGAND... 716 00:29:30,376 --> 00:29:33,169 WE CRY. 717 00:29:35,002 --> 00:29:36,086 "WE"? 718 00:29:38,002 --> 00:29:41,961 DID YOU BREAK UPWITH SOMEBODY BEFORE ME? 719 00:29:41,961 --> 00:29:43,586 YEAH. YEAH. 720 00:29:43,627 --> 00:29:45,711 BOB. 721 00:29:47,128 --> 00:29:49,587 YOU DATED A GUY NAMED BOB? 722 00:29:49,628 --> 00:29:52,170 UH... 723 00:29:52,212 --> 00:29:53,503 YEAH. 724 00:29:54,628 --> 00:29:56,878 WHY DIDN'T YOUTELL ME THIS BEFORE? 725 00:29:58,462 --> 00:30:01,088 'CAUSE I'M TELLINGYOU NOW! [CHUCKLES] 726 00:30:01,129 --> 00:30:03,504 I DATEDA GUY NAMED BOB. 727 00:30:03,546 --> 00:30:05,338 UH, HE USED TOWORK AT THE ZOO, 728 00:30:05,379 --> 00:30:07,254 AND THEN HE GOTA JOB OFFER 729 00:30:07,296 --> 00:30:08,879 AT THE BOUVET ISLANDANIMAL RESERVE, 730 00:30:08,921 --> 00:30:10,546 AND HE SAID THAT 731 00:30:10,588 --> 00:30:12,879 ANTARCTICA WASN'T A PLACEFOR A GIRL LIKE ME, 732 00:30:12,921 --> 00:30:15,922 AND-- AND THAT WE SHOULDBREAK UP, YEAH. 733 00:30:15,964 --> 00:30:20,755 OH, SO, YOU WENT OUT, UH,A COUPLE OF TIMES? 734 00:30:20,797 --> 00:30:22,214 WELL, HE LIKED TO TALK. 735 00:30:22,255 --> 00:30:23,214 UH, HE HAD A LOT TO SAY. 736 00:30:23,255 --> 00:30:24,214 [CHUCKLING] 737 00:30:24,255 --> 00:30:25,755 WELL, HOW LONG DID HE TALK FOR? 738 00:30:25,797 --> 00:30:27,298 A MONTH? A YEAR? 739 00:30:27,340 --> 00:30:29,090 NORMAN... 740 00:30:30,548 --> 00:30:33,215 FORGET IT. 741 00:30:33,256 --> 00:30:35,631 HE'S OLD NEWS ANYWAYS,RIGHT? 742 00:30:35,673 --> 00:30:37,381 YEAH. 743 00:30:37,423 --> 00:30:39,465 PRETTY MUCH. 744 00:30:39,465 --> 00:30:41,466 HE'S THE GUY THATI SEND MONEY TO EVERY MONTH, 745 00:30:41,507 --> 00:30:44,632 TO HELP SAVE THE BOUVET ISLANDBURROWING YELLOWTAIL OWL. 746 00:30:45,966 --> 00:30:48,799 YOU SEND YOUR OLD BOYFRIEND$50 A MONTH? 747 00:30:48,799 --> 00:30:51,591 I DON'T LOOK AT ITLIKE THAT ANYMORE, 748 00:30:51,632 --> 00:30:52,799 BUT HE'S DOINGGOOD WORK, 749 00:30:52,841 --> 00:30:55,008 AND YOU KNOW HOWI FEEL ABOUT OWLS. 750 00:30:56,008 --> 00:30:56,967 YES, BUT-- 751 00:30:56,967 --> 00:30:58,800 NIKKI? 752 00:31:00,092 --> 00:31:03,633 DID YOU NEEDANOTHER SMOOTHIE? 753 00:31:03,675 --> 00:31:04,842 [THUD] 754 00:31:04,883 --> 00:31:07,425 THERE AREN'T ENOUGH SMOOTHIESIN THE WORLD. 755 00:31:08,968 --> 00:31:10,384 HERE. 756 00:31:10,426 --> 00:31:13,009 WOULD YOU LIKETO TALK ABOUT IT? 757 00:31:17,176 --> 00:31:20,051 WE WERE CLOSING UPAND HE SAID HE WANTED TO TALK. 758 00:31:22,719 --> 00:31:24,177 ARE YOU OKAY? 759 00:31:24,219 --> 00:31:25,760 NIKKI, I, UH... 760 00:31:25,802 --> 00:31:27,094 WHAT IS IT? 761 00:31:28,344 --> 00:31:30,427 YOU ARE THE BEST FRIENDI'VE EVER HAD. 762 00:31:30,469 --> 00:31:33,135 AND WHENWE SING TOGETHER, 763 00:31:33,177 --> 00:31:35,803 IT'S LIKE WE WERE BORNTO BE A TEAM. 764 00:31:35,845 --> 00:31:37,303 I KNOW. 765 00:31:37,345 --> 00:31:39,470 NOW WE'VE BEEN DATINGFOR, I DON'T KNOW-- 766 00:31:39,511 --> 00:31:41,803 A YEAR NEXT TUESDAY.BUT? 767 00:31:41,803 --> 00:31:44,678 THERE'S A "BUT" COMING,I CAN FEEL IT. 768 00:31:44,720 --> 00:31:47,053 IT'S JUST THAT... 769 00:31:47,095 --> 00:31:49,721 [SIGHS] 770 00:31:50,971 --> 00:31:52,721 THINGS HAVE CHANGED. 771 00:31:55,679 --> 00:31:57,679 OH, GOD. 772 00:31:58,721 --> 00:32:00,262 YOU'RE GONNA BREAK MY HEART,AREN'T YOU? 773 00:32:00,304 --> 00:32:01,680 LET ME EXPLAIN. 774 00:32:01,722 --> 00:32:03,555 I COULDN'T STAND THERE AND LISTEN 775 00:32:03,597 --> 00:32:04,722 TO ANOTHER GUY TELL ME 776 00:32:04,763 --> 00:32:06,388 "IT'S ALL MOVING TOO FAST," 777 00:32:06,430 --> 00:32:08,930 OR HE'S MET SOMEBODY ELSE... 778 00:32:10,638 --> 00:32:13,388 OR HE NEEDS TO BE FREE. 779 00:32:14,472 --> 00:32:16,598 SO I RAN AWAY. 780 00:32:16,639 --> 00:32:19,723 AND HE DIDN'T EVEN FOLLOW ME. 781 00:32:19,764 --> 00:32:21,931 SO I JUST KEPT GOING. 782 00:32:21,973 --> 00:32:23,556 [SIGHING HEAVILY] 783 00:32:24,764 --> 00:32:26,931 WE'RE SUPPOSED TO FOLLOW? 784 00:32:26,973 --> 00:32:28,473 YES! 785 00:32:28,514 --> 00:32:30,307 LIKE IN THE MOVIES. 786 00:32:30,307 --> 00:32:32,432 I'VE BEEN WATCHINGTHE WRONG MOVIES. 787 00:32:32,474 --> 00:32:34,099 -[DOOR OPENS] YEAH.-[SHANE]: WE'RE BACK! 788 00:32:34,140 --> 00:32:35,265 HI! 789 00:32:35,307 --> 00:32:36,640 HOW DID IT GOWITH YOUR FRIEND? 790 00:32:36,640 --> 00:32:38,307 IT WAS VERY ENLIGHTENING. 791 00:32:38,349 --> 00:32:41,765 YES, IT WAS. 792 00:32:41,807 --> 00:32:43,558 NORMAN,HOW GOES THE SKETCH? 793 00:32:43,600 --> 00:32:45,475 OH! WELL... 794 00:32:45,475 --> 00:32:47,725 IT'S TAKING LONGERTHAN I THOUGHT. 795 00:32:47,766 --> 00:32:48,808 WHATEVER YOU DO, 796 00:32:48,808 --> 00:32:50,725 DON'T MENTIONTHE COLOR BLUE. 797 00:32:51,808 --> 00:32:52,975 UH, MISS BERGENS. 798 00:32:52,975 --> 00:32:56,476 UH, I HEAR YOU'RE DEALINGWITH A BROKEN HEART TODAY. 799 00:32:56,517 --> 00:32:59,392 SORRY THATYOU'RE HURTING. 800 00:32:59,434 --> 00:33:01,184 I DO KNOW HOW THAT FEELS. 801 00:33:01,226 --> 00:33:02,601 HOWEVER-- 802 00:33:02,642 --> 00:33:04,601 [PHONE RINGS] 803 00:33:07,476 --> 00:33:09,310 OLIVER O'TOOLE. 804 00:33:09,352 --> 00:33:10,393 IT'S HIM! 805 00:33:10,435 --> 00:33:12,310 [GASPING COLLECTIVELY] 806 00:33:12,352 --> 00:33:14,352 YOU FIGURED ITOUT YET, SONNY? 807 00:33:14,393 --> 00:33:16,768 SIR, WHOEVER YOU ARE,YOU ARE IN VIOLATION OF-- 808 00:33:16,810 --> 00:33:19,560 YOU'D BETTER GET ON THE BALLAND WISE UP, JUNIOR, 809 00:33:19,602 --> 00:33:21,435 OR YOU'RE NEVER GONNASEE THAT MAIL AGAIN! 810 00:33:21,477 --> 00:33:22,560 NOW, SEE HERE. YOU-- 811 00:33:22,602 --> 00:33:24,769 NO, YOU SEE!IF YOU CAN. 812 00:33:24,811 --> 00:33:27,103 I'LL BE WAITINGFOR YOU. [CLICK] 813 00:33:27,144 --> 00:33:28,769 HELLO? 814 00:33:28,811 --> 00:33:30,144 I DIDN'THEAR IT ALL. 815 00:33:30,186 --> 00:33:31,686 HE CALLED HIM"JUNIOR". 816 00:33:31,728 --> 00:33:32,728 [RITA GASPS] 817 00:33:32,769 --> 00:33:34,978 HE SAID THAT IF WE DIDN'TKEEP UP WITH HIM, 818 00:33:34,978 --> 00:33:36,645 WE'D NEVERSEE THE MAIL AGAIN. 819 00:33:36,645 --> 00:33:38,812 NO! YOU CAN'T LET HIMHAVE THOSE LETTERS! 820 00:33:38,854 --> 00:33:41,145 YOU'VE GOT TOGET MINE BACK. 821 00:33:41,187 --> 00:33:42,479 YOU HAVE TO. 822 00:33:42,479 --> 00:33:43,812 MISS BERGENS, I UNDERSTAND 823 00:33:43,854 --> 00:33:45,270 THE PERSONAL NATUREOF YOUR LETTER, 824 00:33:45,312 --> 00:33:48,020 BUT IT'S UNLIKELY THAT HE'S READEVERY LETTER HE'S PURLOINED. 825 00:33:48,062 --> 00:33:50,480 FACT IS, HE'S MUCH MORE LIKELYTO DESTROY THEM, I'M AFRAID. 826 00:33:50,521 --> 00:33:53,021 IT'S NOTJUST WHAT I SAID, 827 00:33:53,063 --> 00:33:54,896 IT'S WHAT'S IN IT. 828 00:33:54,938 --> 00:33:56,855 WHAT'S IN THE LETTER? 829 00:34:00,855 --> 00:34:03,021 $50,000. 830 00:34:04,147 --> 00:34:05,231 [OLIVER]: FORGIVE ME. 831 00:34:05,272 --> 00:34:07,314 YOU SAID THE CARDYOU MAILED TO YOUR BOYFRIEND 832 00:34:07,356 --> 00:34:09,147 CONTAINED $50,000? 833 00:34:09,147 --> 00:34:10,814 OH,EX-BOYFRIEND. 834 00:34:10,814 --> 00:34:11,814 BUT I MAILED IT 835 00:34:11,814 --> 00:34:15,147 SIX HOURS BEFOREHE TURNED INTO MY EX. 836 00:34:15,147 --> 00:34:17,232 WELL, IT'S A NICEWAY TO SAY GOODBYE. 837 00:34:17,273 --> 00:34:18,190 CAN'T YOU JUST 838 00:34:18,232 --> 00:34:19,315 STOP PAYMENTON THE CHECK? 839 00:34:19,357 --> 00:34:20,315 IT'S NOT A CHECK. 840 00:34:20,357 --> 00:34:21,982 OUR ONE-YEAR ANNIVERSARYWAS COMING UP 841 00:34:22,023 --> 00:34:23,982 AND HE LOVES GETTING MAIL, 842 00:34:24,023 --> 00:34:26,315 SO I MADE HIM A CARDAND I WROTE, 843 00:34:26,357 --> 00:34:28,315 "WHEN I MET YOU, IT WASLIKE WINNING THE LOTTERY." 844 00:34:28,357 --> 00:34:30,608 AND ONTHE INSIDE I PUT-- 845 00:34:30,649 --> 00:34:31,733 UH-OH. 846 00:34:31,774 --> 00:34:34,108 YEAH. A LOTTERY TICKET. 847 00:34:34,149 --> 00:34:38,316 THEN WE BROKE UP,AND I WAS WALKING HOME AND... 848 00:34:39,691 --> 00:34:43,191 YOU KNOW THE WEATHERMANWHO DOES THE LOTTERY NUMBERS? 849 00:34:43,233 --> 00:34:44,275 RAMON RODRIGUEZ! 850 00:34:44,317 --> 00:34:45,775 WE KNOW RAMON. 851 00:34:47,067 --> 00:34:49,067 [RAMON]:THAT'S RIGHT, SARAH, THERE MAY BE RAIN, 852 00:34:49,109 --> 00:34:51,567 BUT IT COULD STILL BE A BEAUTIFUL DAY 853 00:34:51,609 --> 00:34:54,025 FOR ONE LUCKY MEGAPOWER SWEEPSTAKES PLAYER! 854 00:34:55,984 --> 00:34:57,735 THREE. 855 00:34:57,776 --> 00:34:59,360 SEVEN. 856 00:34:59,401 --> 00:35:00,901 12. 857 00:35:00,943 --> 00:35:02,276 15... 858 00:35:02,318 --> 00:35:04,776 [SHRIEKING]: AHH! 859 00:35:04,818 --> 00:35:06,651 [♪♪] 860 00:35:06,693 --> 00:35:07,776 THE NUMBERS ON THE TICKET 861 00:35:07,818 --> 00:35:10,151 WERE THE DAY, YEAR,AND TIME WE MET. 862 00:35:10,151 --> 00:35:12,694 IT WONFIVE OUT OF SIX. 863 00:35:12,736 --> 00:35:14,944 AND NOW IT'SWORTH $50,000. 864 00:35:14,986 --> 00:35:16,236 MY GOODNESS. 865 00:35:16,277 --> 00:35:18,902 I WORE BLUE FOR HIM. 866 00:35:18,944 --> 00:35:20,861 I LEARNED TO COOKTROUT FOR HIM. 867 00:35:20,902 --> 00:35:22,319 HE REALLY LIKES TROUT. 868 00:35:22,361 --> 00:35:23,694 OH. 869 00:35:23,736 --> 00:35:25,903 WE WERE BOTH SAVING UPTO MOVE TO NEW YORK 870 00:35:25,945 --> 00:35:29,028 TO AUDITION FOR CLUBSAND CABARETS TOGETHER. 871 00:35:29,070 --> 00:35:30,487 WE HAD ALL THESE PLANS 872 00:35:30,528 --> 00:35:31,862 AND I THOUGHTMAYBE THIS TIME 873 00:35:31,903 --> 00:35:34,237 I'D FOUND SOMEBODYDIFFERENT. 874 00:35:34,278 --> 00:35:37,028 BUT HE'S JUST LIKEALL THE REST, EXCEPT... 875 00:35:37,070 --> 00:35:38,863 IF HE GETSTHAT LETTER NOW, 876 00:35:38,904 --> 00:35:41,071 HE'LL BE RICH, TOO. 877 00:35:41,113 --> 00:35:42,238 AND HE'LL GOTO NEW YORK 878 00:35:42,279 --> 00:35:44,779 AND I'LL JUST BE HERE... 879 00:35:44,821 --> 00:35:46,988 COOKING TROUT. 880 00:35:46,988 --> 00:35:51,154 ONE MUST NEVER REGRETAN ACT OF LOVE, MISS BERGENS. 881 00:35:52,322 --> 00:35:54,364 NEVER. 882 00:35:55,572 --> 00:35:56,989 NORMAN, RITA,WILL YOU PLEASE 883 00:35:56,989 --> 00:35:58,947 COMPLETE THE SKETCHWITH MISS BERGENS? 884 00:35:58,989 --> 00:36:00,447 IF I'M NEEDED, 885 00:36:00,489 --> 00:36:02,697 I'LL BE IN THE MAILBOX GRILLE.EXCUSE ME. 886 00:36:04,155 --> 00:36:06,281 [♪♪] 887 00:36:07,490 --> 00:36:08,448 OH! 888 00:36:08,490 --> 00:36:10,240 [SHANE SIGHS] 889 00:36:19,824 --> 00:36:23,657 HIS NOSE WAS KIND OFBIG AND POINTY. 890 00:36:23,657 --> 00:36:26,449 OKAY. 891 00:36:28,157 --> 00:36:29,741 SORRY. 892 00:36:29,782 --> 00:36:31,782 IT'S OKAY. 893 00:36:33,325 --> 00:36:37,783 UH, YOU CAN PUT THATOVER THERE IN THE "OUT" BOX. 894 00:36:38,867 --> 00:36:41,492 [♪♪] 895 00:36:41,492 --> 00:36:42,992 TO "BOB." 896 00:36:51,951 --> 00:36:54,409 [♪♪] 897 00:37:06,660 --> 00:37:07,619 HEY. 898 00:37:07,660 --> 00:37:08,744 DAD. 899 00:37:08,785 --> 00:37:09,952 YOU LOOK GOOD. 900 00:37:09,994 --> 00:37:12,035 OH. THANKS. PLEASE. 901 00:37:13,995 --> 00:37:15,995 BEEN A WHILE. 902 00:37:16,036 --> 00:37:17,036 YES, WELL,I CALLED. 903 00:37:17,078 --> 00:37:19,620 YOU'VE BEEN BUSY. 904 00:37:20,828 --> 00:37:23,536 YEAH, I'VE TAKEN UPHIKING AGAIN. 905 00:37:23,578 --> 00:37:24,620 LIVE IN COLORADO, 906 00:37:24,661 --> 00:37:25,911 YOU GOTTA GET OUT THEREAND HIKE, RIGHT? 907 00:37:25,953 --> 00:37:27,829 YOU DO? 908 00:37:27,829 --> 00:37:29,662 WELL, I DO. 909 00:37:29,704 --> 00:37:31,037 YOU SHOULD COME SOME TIME. 910 00:37:31,079 --> 00:37:34,204 OH. I HAVEA GREAT LOVE OF NATURE. 911 00:37:34,246 --> 00:37:37,329 I WOULDN'T MINDEXPANDING IT TO THE... 912 00:37:37,371 --> 00:37:38,454 OUTDOORS. 913 00:37:40,163 --> 00:37:41,580 OKAY. 914 00:37:41,622 --> 00:37:42,580 [CHUCKLES] 915 00:37:42,622 --> 00:37:43,663 IN THE MEANTIME, 916 00:37:43,705 --> 00:37:45,580 SOUNDS LIKEYOU'VE GOT A PROBLEM. 917 00:37:45,622 --> 00:37:47,122 YES. SOMEONE'S BEEN 918 00:37:47,163 --> 00:37:49,580 STEALING MAIL FROM THE BOXESIN THE BONNIE BRAE AREA, 919 00:37:49,622 --> 00:37:51,122 I WAS HOPINGYOU MIGHT HELP US OUT. 920 00:37:52,538 --> 00:37:53,664 WELL, I DON'T KNOW. 921 00:37:53,706 --> 00:37:55,789 I'M NOT SURE THEY'VE EVERFORGIVEN ME OVER THERE 922 00:37:55,831 --> 00:37:56,873 FOR DEFECTING 923 00:37:56,914 --> 00:37:57,956 TO FEDEX. 924 00:37:57,998 --> 00:37:59,373 I'M NOT EVENSURE YOU HAVE. 925 00:37:59,414 --> 00:38:00,789 OH, OF COURSE, I HAVE.YOU HAD YOUR REASONS. 926 00:38:00,831 --> 00:38:03,164 SOMEDAY, YOU'LL TELL MEWHAT THEY WERE. 927 00:38:04,498 --> 00:38:05,831 MAYBE ON A HIKE. 928 00:38:05,831 --> 00:38:08,707 PERHAPS YOU MIGHT TELL ME 929 00:38:08,749 --> 00:38:10,665 ABOUT THAT DARK OF NIGHT AWARDYOU WON, TOO. 930 00:38:11,999 --> 00:38:13,415 AH. 931 00:38:13,457 --> 00:38:14,832 WELL, IT WAS A WHILE AGO. 932 00:38:14,832 --> 00:38:16,457 I CAN'T BELIEVEI NEVER KNEW ABOUT THAT. 933 00:38:16,499 --> 00:38:19,374 I DIDN'T SPREAD IT AROUND, 934 00:38:19,415 --> 00:38:23,083 AND IT HAPPENEDAFTER YOU LEFT HOME. 935 00:38:23,125 --> 00:38:24,083 AH. 936 00:38:24,125 --> 00:38:26,000 IT WAS NOTHING LIKEWHAT YOU GUYS DID. 937 00:38:26,000 --> 00:38:27,250 I JUST DELIVERED 938 00:38:27,291 --> 00:38:29,666 A MISROUTED WEDDING DRESSIN TIME FOR A WEDDING. 939 00:38:31,083 --> 00:38:33,250 A WEDDING? 940 00:38:33,291 --> 00:38:34,792 OLIVER! 941 00:38:34,834 --> 00:38:36,501 IT'S FINISHED. 942 00:38:36,501 --> 00:38:38,626 UH, NIKKI SAYSIT'S REALLY CLOSE, 943 00:38:38,667 --> 00:38:41,667 BUT WE CAN BRING HER BACK INIF WE NEED TO. 944 00:38:42,751 --> 00:38:44,917 DO YOU KNOWWHO THIS COULD BE? 945 00:38:48,877 --> 00:38:51,127 YEAH. I DO. 946 00:38:53,168 --> 00:38:54,585 WHO? 947 00:38:54,627 --> 00:38:55,835 DUDLEY CURLY. 948 00:38:55,877 --> 00:38:57,002 HE RESEMBLESTHE SKETCH WE HAD MADE 949 00:38:57,002 --> 00:38:58,002 WITH THE HELPOF A WITNESS, 950 00:38:58,002 --> 00:38:59,460 AND HE MATCHESTHE PROFILE. 951 00:38:59,502 --> 00:39:01,544 GOOD WORK. 952 00:39:01,586 --> 00:39:03,336 SO, IT'S DUDLEY, HUH? 953 00:39:03,336 --> 00:39:04,336 YES. 954 00:39:04,378 --> 00:39:05,378 NEVER HEARD OF HIM. 955 00:39:07,169 --> 00:39:09,253 HE WAS A MAIL CARRIERFOR THE POSTAL SERVICE 956 00:39:09,294 --> 00:39:10,836 FOR 45 YEARS. 957 00:39:10,836 --> 00:39:12,336 AND IT'S PROBABLYNO COINCIDENCE 958 00:39:12,336 --> 00:39:14,253 THAT HE RETIRES TODAY. 959 00:39:15,920 --> 00:39:17,920 THIS ISN'T LIKETAKING HOME PAPER CLIPS 960 00:39:17,962 --> 00:39:19,462 AND STAPLERSFROM THE OFFICE. 961 00:39:19,504 --> 00:39:20,920 THIS IS THE U.S. MAIL,DARN IT! 962 00:39:20,962 --> 00:39:22,545 I WANT THIS MAN FIRED. 963 00:39:24,337 --> 00:39:26,379 HE'S RETIRING. 964 00:39:27,629 --> 00:39:30,380 WHAT'S THIS GOTTO DO WITH YOU, ANYWAY? 965 00:39:30,421 --> 00:39:33,838 DIDN'T YOU MUSTER OUTAND SIGN UP FOR THE ENEMY? 966 00:39:33,838 --> 00:39:35,171 I ASKED MY FATHERTO HELP US 967 00:39:35,171 --> 00:39:37,505 BECAUSE EVERY CLUETHE SUSPECT LEFT SO FAR 968 00:39:37,546 --> 00:39:38,796 HAS SOMETHINGTO DO WITH US-- 969 00:39:38,838 --> 00:39:40,880 MY GRANDFATHER,MY FATHER, AND I 970 00:39:40,921 --> 00:39:42,339 ALL WON DARK OFNIGHT AWARDS. 971 00:39:42,381 --> 00:39:44,214 I KNEW CURLY. 972 00:39:44,256 --> 00:39:45,714 WE WERE FRIENDS ONCE. 973 00:39:45,756 --> 00:39:47,547 THOUGHT IT WAS DUDLEY. 974 00:39:47,589 --> 00:39:49,672 WE CALLED HIM CURLY.HE DOESN'T LIKE DUDLEY. 975 00:39:49,672 --> 00:39:51,547 NEITHER DO I. 976 00:39:51,589 --> 00:39:53,506 GO ON. 977 00:39:53,506 --> 00:39:54,839 CURLY AND I, UH, 978 00:39:54,839 --> 00:39:56,840 HUNG OUT AND WATCHEDTHE BIG GAME ON SUNDAYS, 979 00:39:56,840 --> 00:39:58,507 WE WERE INTHE BOWLING LEAGUE, 980 00:39:58,507 --> 00:39:59,590 AND THENI WON THAT AWARD 981 00:39:59,632 --> 00:40:00,840 AND GOT A NICE PROMOTION 982 00:40:00,840 --> 00:40:02,923 AND HE JUST STOPPEDCOMING AROUND. 983 00:40:02,965 --> 00:40:03,923 WHAT DOES HE WANT? 984 00:40:03,965 --> 00:40:05,882 WE DON'T KNOW. 985 00:40:05,923 --> 00:40:07,590 HE SAYS HE'S GOING TOHOLD THE MAIL RANSOM 986 00:40:07,632 --> 00:40:09,466 UNTIL WE MEET HIS DEMANDS... 987 00:40:09,508 --> 00:40:11,508 THAT HAVE NOT YET BEENSET FORTH. 988 00:40:11,549 --> 00:40:14,258 I'M THINKING MAYBE I SHOULD JUSTGO OVER THERE AND TALK-- 989 00:40:14,299 --> 00:40:15,299 FORGET IT, O'TOOLE! 990 00:40:15,341 --> 00:40:17,091 YOU DON'T QUITTHE POSTAL SERVICE 991 00:40:17,133 --> 00:40:20,008 THEN WALTZ BACK IN HEREJUST BECAUSE WE NEED YOU. 992 00:40:20,049 --> 00:40:21,883 ARE WE CLEAR? 993 00:40:23,175 --> 00:40:24,217 CRYSTAL. 994 00:40:26,050 --> 00:40:28,342 SECURITY! 995 00:40:28,384 --> 00:40:30,009 WE ARE MOVING OUT! 996 00:40:31,009 --> 00:40:33,759 [♪♪] 997 00:40:47,510 --> 00:40:50,302 [♪♪] 998 00:40:56,302 --> 00:40:58,677 DISPERSE! DEPLOY! 999 00:40:58,677 --> 00:40:59,677 LOCK THAT DOWN! 1000 00:40:59,677 --> 00:41:00,802 WHAT ON EARTH...? 1001 00:41:00,844 --> 00:41:03,095 SET UP A PERIMETERAND-- 1002 00:41:03,137 --> 00:41:04,178 SHANE. 1003 00:41:04,178 --> 00:41:07,178 GOOD TO HAVE YOUONBOARD. 1004 00:41:07,178 --> 00:41:09,720 FEDEX!STAY IN THE TRUCK. 1005 00:41:09,762 --> 00:41:10,845 THIS IS GOVERNMENTBUSINESS. 1006 00:41:10,845 --> 00:41:12,262 RIGHT. 1007 00:41:12,303 --> 00:41:13,220 [RADIO CRACKLES] 1008 00:41:13,262 --> 00:41:14,220 HEADS UP, MEN! 1009 00:41:14,262 --> 00:41:16,387 KEEP YOUR NOSETO THE GRINDSTONE. 1010 00:41:16,428 --> 00:41:17,888 [RADIOS CRACKLING] 1011 00:41:19,471 --> 00:41:22,846 HERE WE COME, DUDLEY. 1012 00:41:27,013 --> 00:41:28,304 [MEGAPHONE SQUEALS]:CURLY DUDLEY! 1013 00:41:28,346 --> 00:41:31,680 THIS IS LESTER KIMSICLE,CHIEF OF POSTAL SECURITY. 1014 00:41:31,680 --> 00:41:33,472 WE HAVEYOUR HOUSE SURROUNDED. 1015 00:41:33,514 --> 00:41:35,014 COME OUTWITH YOUR HANDS UP. 1016 00:41:35,055 --> 00:41:37,180 UH, MR. KIMSICLE,UH, WE BELIEVE-- 1017 00:41:37,180 --> 00:41:39,180 STAND DOWN, O'TOOLE. 1018 00:41:39,222 --> 00:41:41,555 YOU'RE IN MY WHEELHOUSE NOW. 1019 00:41:43,347 --> 00:41:44,973 CURLY DUDLEY! 1020 00:41:45,015 --> 00:41:48,181 CAN... YOU... HEAR ME? 1021 00:41:48,223 --> 00:41:52,015 IT'S "DUDLEY CURLY". 1022 00:41:52,015 --> 00:41:53,556 CURLY DUDLEY,DUDLEY CURLY, 1023 00:41:53,598 --> 00:41:55,681 I'M GONNA CALL YA "DUD," OKAY? 1024 00:41:55,723 --> 00:41:58,474 NO! IT'S NOT OKAY. 1025 00:41:58,516 --> 00:42:00,224 [MEGAPHONE SQUEALS] 1026 00:42:00,266 --> 00:42:02,349 WE'RE GONNA NEEDSOME PROOF OF LIFE HERE. 1027 00:42:02,349 --> 00:42:03,432 [DUDLEY]: WHAT? 1028 00:42:03,474 --> 00:42:05,974 PROOF OF LIFE. 1029 00:42:06,016 --> 00:42:09,182 WELL, I'M TALKING TO YOU,AREN'T I? 1030 00:42:09,224 --> 00:42:10,682 YA MORON. 1031 00:42:10,682 --> 00:42:12,433 WELL, WE KNOWYOU'RE ALIVE. 1032 00:42:12,475 --> 00:42:14,683 WE NEED TO KNOWTHE MAIL'S OKAY. 1033 00:42:14,683 --> 00:42:16,183 JUST SHOW USYOU GOT IT. 1034 00:42:16,225 --> 00:42:18,225 [SLAM] 1035 00:42:19,267 --> 00:42:22,350 [RADIOS CRACKLING] 1036 00:42:23,433 --> 00:42:25,893 STEALING THE MAILIS A FEDERAL OFFENSE! 1037 00:42:25,934 --> 00:42:30,351 YEAH, WELL, I'M STILL EMPLOYEDUNTIL 5:00! 1038 00:42:30,393 --> 00:42:32,393 HOLD ON A MINUTE. 1039 00:42:32,434 --> 00:42:34,934 WHAT'S HE TALKING ABOUT? 1040 00:42:34,976 --> 00:42:36,018 UH, TECHNICALLY, 1041 00:42:36,018 --> 00:42:37,518 THE MAILIS STILL IN THE POSSESSION 1042 00:42:37,559 --> 00:42:39,394 OF AN AUTHORIZED POSTAL CARRIER. 1043 00:42:39,435 --> 00:42:42,560 UNAUTHORIZED REMOVALIS, UM, A VIOLATION OF-- 1044 00:42:42,602 --> 00:42:43,560 NORMAN? 1045 00:42:43,602 --> 00:42:45,852 EMPLOYEEREGULATION 67K. 1046 00:42:45,852 --> 00:42:47,019 [OLIVER]:BUT IT IS NOT A CRIME. 1047 00:42:47,060 --> 00:42:48,185 WELL, AT LEAST, 1048 00:42:48,185 --> 00:42:50,644 NOT UNTIL 5:00,WHEN HE OFFICIALLY RETIRES. 1049 00:42:52,770 --> 00:42:54,228 [GRUMBLING SIGH]FINE. 1050 00:42:54,270 --> 00:42:56,061 [CLICK] 1051 00:42:56,103 --> 00:42:57,436 WE'LL WAIT UNTIL 5:00, 1052 00:42:57,478 --> 00:42:59,103 AND THEN WE'RE COMING IN! 1053 00:42:59,145 --> 00:43:01,311 [DUDLEY]: I WOULDN'T DO THAT,IF I WERE YOU. 1054 00:43:01,353 --> 00:43:04,478 I GET WHAT I WANT OR ELSE. 1055 00:43:04,520 --> 00:43:06,062 OR ELSE, WHAT? 1056 00:43:06,104 --> 00:43:09,146 DUD! OR ELSE WHAT? 1057 00:43:09,187 --> 00:43:10,604 OLIVER. LOOK. 1058 00:43:10,646 --> 00:43:12,729 [♪♪] 1059 00:43:15,562 --> 00:43:18,229 [RITA]: OH, NO!HE'S STARTED A FIRE. 1060 00:43:18,271 --> 00:43:19,230 UH, DUD? 1061 00:43:19,272 --> 00:43:21,522 NOW'S NOT THE TIMETO HAVE A WEENIE-ROAST. 1062 00:43:21,563 --> 00:43:23,855 I DON'T THINKHE'S MAKING LUNCH, MR. KIMSICLE. 1063 00:43:23,897 --> 00:43:25,813 HE'S GOING TO BURN THEM ALL. 1064 00:43:29,022 --> 00:43:31,522 [♪♪] 1065 00:43:39,481 --> 00:43:42,481 HE SAYS HE'LL BURN THE LETTERSIF HE DOESN'T GET WHAT HE WANTS, 1066 00:43:42,523 --> 00:43:44,273 BUT WHAT IS THAT? 1067 00:43:44,314 --> 00:43:46,149 HE GOT WHAT HE WANTED--ATTENTION. 1068 00:43:46,190 --> 00:43:47,899 NOW HE DOESN'T KNOWWHAT TO DO WITH IT. 1069 00:43:47,940 --> 00:43:50,107 HE WAS ALWAYS PUTTINGTHE CART BEFORE THE HORSE. 1070 00:43:50,149 --> 00:43:53,649 HE GOT THAT STICK-SHIFT BEFOREHE LEARNED TO DRIVE BECAUSE-- 1071 00:43:53,690 --> 00:43:54,815 OH, WOW. 1072 00:43:54,857 --> 00:43:56,232 WHAT? 1073 00:43:56,274 --> 00:43:58,315 BECAUSE I HAD ONE. 1074 00:44:00,316 --> 00:44:02,483 WHAT DO YOU SEE,NORMAN? 1075 00:44:02,525 --> 00:44:05,025 DOESN'T LOOK LIKEHE'S BURNED ANYTHING YET. 1076 00:44:05,025 --> 00:44:07,191 BUT HE'S THINKING ABOUT IT. 1077 00:44:08,483 --> 00:44:10,066 SO WHAT DO YOU THINK? 1078 00:44:11,150 --> 00:44:13,317 I THINK LESTER COULDESCALATE THIS INTO A DISASTER 1079 00:44:13,359 --> 00:44:14,317 IF WE DON'T DO SOMETHING. 1080 00:44:14,359 --> 00:44:15,817 MS. McINERNEY, 1081 00:44:15,859 --> 00:44:17,526 IT MAY BE TIMETO GIVE HER A CALL. 1082 00:44:17,567 --> 00:44:19,734 I KNOW.I ALREADY CALLED HER. 1083 00:44:19,776 --> 00:44:21,442 DALE IS ON HER WAY. 1084 00:44:23,359 --> 00:44:25,442 [♪♪] 1085 00:44:30,693 --> 00:44:33,527 DALE SHOULD BE HEREIN ABOUT 20 MINUTES. 1086 00:44:33,568 --> 00:44:36,360 I DON'T KNOW ABOUT YOU,BUT I AM GETTING HUNGRY. 1087 00:44:36,360 --> 00:44:37,985 THAT'SA GOOD IDEA. 1088 00:44:38,027 --> 00:44:40,069 I BET DUDLEY'SGETTING HUNGRY, TOO. 1089 00:44:43,236 --> 00:44:45,194 SHANE. 1090 00:44:45,194 --> 00:44:46,611 YOU'VE CHANGEDYOUR HAIR. 1091 00:44:46,653 --> 00:44:47,861 NO. 1092 00:44:47,903 --> 00:44:49,736 YOU KNOW,AFTER THIS IS ALL OVER, 1093 00:44:49,778 --> 00:44:51,361 WE SHOULD... 1094 00:44:51,403 --> 00:44:52,403 NO. 1095 00:44:52,444 --> 00:44:53,445 MAY I HAVE THAT, PLEASE? 1096 00:44:56,779 --> 00:44:57,695 MR. CURLY! 1097 00:44:57,737 --> 00:44:58,862 I'M GOING OUTFOR SANDWICHES. 1098 00:44:58,904 --> 00:45:01,612 CAN I GET YOUANYTHING? 1099 00:45:03,029 --> 00:45:04,404 PASTRAMI? 1100 00:45:04,445 --> 00:45:05,529 TURKEY? 1101 00:45:05,529 --> 00:45:09,280 CORNED BEEF AND CHICKEN SALADON WHITE. 1102 00:45:09,321 --> 00:45:11,613 MY GOD,THE MAN'S A SAVAGE. 1103 00:45:11,655 --> 00:45:13,530 DO YOU WANTANYTHING ON THAT? 1104 00:45:13,530 --> 00:45:16,405 JUST MAYO.OH! AND SOME COLESLAW. 1105 00:45:16,446 --> 00:45:17,363 GOT IT. 1106 00:45:17,405 --> 00:45:18,571 NOW, PLEASE... 1107 00:45:18,613 --> 00:45:21,531 TRY NOT TO BURN ANYTHINGUNTIL I GET BACK, OKAY? 1108 00:45:21,572 --> 00:45:23,906 OKAY. 1109 00:45:23,947 --> 00:45:25,531 IF I GIVE THIS BACK TO YOU, 1110 00:45:25,572 --> 00:45:27,697 DO YOU PROMISE NOT TO USE ITBEFORE I GET BACK? 1111 00:45:27,697 --> 00:45:29,864 WILL YOU LET METAKE YOU TO DINNER AGAIN? 1112 00:45:31,072 --> 00:45:32,239 LESTER... 1113 00:45:32,281 --> 00:45:33,782 SO FARTHE ONLY ONE HERE 1114 00:45:33,823 --> 00:45:36,032 BREAKING A FEDERAL LAWIS YOU. 1115 00:45:37,115 --> 00:45:39,323 OKAY! OKAY. 1116 00:45:39,365 --> 00:45:42,115 [FOOTSTEPS RECEDING] 1117 00:45:45,782 --> 00:45:48,366 [♪♪] 1118 00:45:54,283 --> 00:45:56,074 HEY. I'VE GOTEVERYBODY'S LUNCH ORDER, 1119 00:45:56,116 --> 00:45:57,324 AND THERE'S A DINERAROUND THE CORNER. 1120 00:45:57,366 --> 00:45:58,866 I'LL TAKE HAM ON RYE. 1121 00:45:58,908 --> 00:46:01,659 OKAY. I'LL GET YOUYOUR USUAL. 1122 00:46:01,700 --> 00:46:04,492 UH, PERHAPSA CUP OF HERBAL TEA. 1123 00:46:05,534 --> 00:46:07,200 NO ROSEHIPS. 1124 00:46:08,409 --> 00:46:11,200 I'LL GRAB SOMETHINGFOR DALE, TOO. 1125 00:46:11,242 --> 00:46:12,284 ANY IDEA WHAT SHE'D LIKE? 1126 00:46:12,325 --> 00:46:13,700 UH, NO. 1127 00:46:13,742 --> 00:46:15,910 GOOD. 1128 00:46:20,035 --> 00:46:21,868 [RADIOS CRACKLING] 1129 00:46:21,868 --> 00:46:23,160 SO... 1130 00:46:23,201 --> 00:46:24,576 SHANE? 1131 00:46:24,618 --> 00:46:25,618 I'M SORRY? 1132 00:46:25,660 --> 00:46:26,660 YOU AND SHANE. 1133 00:46:26,701 --> 00:46:28,494 SOMETHING HAPPENED. 1134 00:46:28,536 --> 00:46:31,119 I MEAN,YOU GUYS AREN'T-- 1135 00:46:31,161 --> 00:46:32,161 I DON'T KNOW. 1136 00:46:32,202 --> 00:46:34,077 YOU'RE NOT CLICKING,LIKE YOU USUALLY DO. 1137 00:46:34,119 --> 00:46:38,411 OH, WELL, I'D LIKE TO THINKWE CLICKED A FEW TIMES THERE. 1138 00:46:38,452 --> 00:46:40,202 DID YOU EVER TAKE HER OUT,LIKE I TOLD YOU TO? 1139 00:46:40,202 --> 00:46:42,037 YES. 1140 00:46:42,037 --> 00:46:43,245 BUT NOT BECAUSEYOU SUGGESTED IT. 1141 00:46:43,287 --> 00:46:44,745 IT WAS SOMETHING I WANTED TO DO. 1142 00:46:44,787 --> 00:46:48,662 WE ACTUALLY WENT TO DINNERAT MONTALDO'S ON SATURDAY. 1143 00:46:48,703 --> 00:46:50,578 TWO DAYS AGO? 1144 00:46:50,620 --> 00:46:51,912 GEE, IT TOOK YOU LONG ENOUGH! 1145 00:46:51,953 --> 00:46:55,496 WELL, I'D LIKE TO THINKI'VE LEARNED TO... 1146 00:46:55,538 --> 00:46:56,538 WELL, NOT TO-- 1147 00:46:56,538 --> 00:46:57,496 RUSH INTO THINGS. 1148 00:46:57,538 --> 00:46:58,538 OF COURSE. I GET IT. 1149 00:46:58,538 --> 00:47:00,329 SO, HOW'D IT GO? 1150 00:47:02,538 --> 00:47:05,038 [RADIOS CRACKLING] 1151 00:47:07,996 --> 00:47:10,497 I ORDERED YOUA DOUBLE-PASTRAMI ON RYE. 1152 00:47:12,039 --> 00:47:14,872 THANK YOUFOR TELLING ME THAT, RITA. 1153 00:47:16,164 --> 00:47:19,789 YOU'RE WELCOME.OF COURSE. 1154 00:47:22,081 --> 00:47:24,623 [♪♪] 1155 00:47:27,706 --> 00:47:28,706 YOU'RE KIDDING. 1156 00:47:28,706 --> 00:47:30,915 YOU ACTUALLY SAID"WE'RE JUST FRIENDS"? 1157 00:47:31,956 --> 00:47:32,956 YES. 1158 00:47:32,998 --> 00:47:33,956 [LAUGHING] 1159 00:47:33,998 --> 00:47:35,373 WELL, NO WONDER SHE MENTIONED 1160 00:47:35,373 --> 00:47:36,666 ALL THOSE OTHER GUYSSHE'D BEEN THERE WITH. 1161 00:47:36,707 --> 00:47:38,207 IT WAS SELF-DEFENSE. 1162 00:47:39,707 --> 00:47:42,041 SO? HOW DID IT ALL END? 1163 00:47:42,041 --> 00:47:44,874 WELL, I ACTUALLY LEFT,FOR AWHILE. 1164 00:47:44,874 --> 00:47:47,291 I ACTUALLY ALMOST CALLED YOU. 1165 00:47:47,332 --> 00:47:51,250 [NIKKI]:♪ ...WATCH THE DOOR 1166 00:47:51,292 --> 00:47:54,542 ♪ AND TELL MYSELF... 1167 00:47:54,583 --> 00:47:58,042 ♪ I'M FINE ALONE 1168 00:47:58,042 --> 00:47:59,708 ♪ OH, YES 1169 00:47:59,750 --> 00:48:03,626 ♪ I'VE BEEN HERE BEFORE 1170 00:48:09,293 --> 00:48:11,209 OVILEAR! 1171 00:48:11,251 --> 00:48:12,459 RAMON! 1172 00:48:12,501 --> 00:48:13,876 WHAT ARE YOU DOING HERE? 1173 00:48:13,876 --> 00:48:17,919 WELL, I AM DINING WITHTHE MOST REMARKABLE WOMAN. 1174 00:48:17,960 --> 00:48:20,210 A MESMERIZING METEOROLOGIST. 1175 00:48:20,210 --> 00:48:22,544 I SEE THAT YOUAND THE LOVELY SHANE 1176 00:48:22,585 --> 00:48:26,335 ARE GETTING...WELL, DEEP IN CONVERSATION. 1177 00:48:26,377 --> 00:48:30,753 YES, WELL,WE ARE DEEP INTO SOMETHING. 1178 00:48:30,795 --> 00:48:33,628 AHH! I ALWAYS KNEWYOU TWO WOULD GET TOGETHER. 1179 00:48:33,670 --> 00:48:35,170 OH, NO, WE'RE NOT DATING, 1180 00:48:35,211 --> 00:48:37,628 WE'RE JUST ON A D... 1181 00:48:37,670 --> 00:48:38,753 WE'RE-- 1182 00:48:38,795 --> 00:48:39,795 OVILEAR! 1183 00:48:39,836 --> 00:48:41,878 STOP THINKING. 1184 00:48:41,920 --> 00:48:45,254 YOU STAREINTO EACH OTHER'S EYES, 1185 00:48:45,296 --> 00:48:48,129 YOU DRINK CHAMPAGNE,YOU DANCE-- 1186 00:48:50,129 --> 00:48:53,254 DANCE IS LIKE LOVE, MY FRIEND-- 1187 00:48:54,379 --> 00:48:55,671 DON'T LOOK DOWN. 1188 00:48:57,463 --> 00:48:58,797 DON'T YOU MEAN 1189 00:48:58,838 --> 00:49:01,838 "LOVE IS LIKE DANCING,DON'T LOOK DOWN." 1190 00:49:03,005 --> 00:49:04,130 MM, YES. 1191 00:49:04,172 --> 00:49:06,213 BUT IN THE END,WHAT IS THE DIFFERENCE, HMM? 1192 00:49:06,213 --> 00:49:08,505 NOW, I MUST GETBACK TO WORK. 1193 00:49:08,547 --> 00:49:10,423 IT'S LOTTERY NIGHT! 1194 00:49:10,464 --> 00:49:12,839 NOW, BE BOLD,GO OUT, 1195 00:49:12,881 --> 00:49:14,589 FACE THE MUSIC. 1196 00:49:14,631 --> 00:49:18,131 AND STOP THINKING. 1197 00:49:20,048 --> 00:49:23,131 I SEE YOU.STOP IT. 1198 00:49:25,424 --> 00:49:27,632 MA CHERIE! 1199 00:49:28,674 --> 00:49:32,382 [NIKKI]:♪ WHY SHOULD I RUSH TO PROVE 1200 00:49:32,382 --> 00:49:40,216 ♪ THAT I CAN BREAK MY HEARTALL OVER? ♪ 1201 00:49:40,216 --> 00:49:42,216 [JOE]:SO HOW DID THE NIGHT END? 1202 00:49:42,216 --> 00:49:44,925 NOT WELL. 1203 00:49:46,758 --> 00:49:50,341 YOU KNOW,I WAS NEVER PROUDER OF YOU 1204 00:49:50,383 --> 00:49:52,342 THAN THE DAY THAT I HEARDABOUT WHAT YOU DID 1205 00:49:52,384 --> 00:49:54,301 TO GET YOURDARK OF NIGHT AWARD. 1206 00:49:54,342 --> 00:49:56,884 YOU ACTUALLYSAVED SOMEONE'S LIFE. 1207 00:49:56,926 --> 00:49:59,509 WELL, I-I HAD A LOT OF HELP. 1208 00:50:03,884 --> 00:50:06,343 "PERHAPS SOMEDAY 1209 00:50:06,385 --> 00:50:09,052 IT WILL BE GOODTO REMEMBER THESE THINGS." 1210 00:50:09,093 --> 00:50:10,302 SMART MAN, VIRGIL. 1211 00:50:10,343 --> 00:50:12,718 YOUR GRANDFATHERWAS ALWAYS QUOTING HIM, 1212 00:50:12,718 --> 00:50:16,218 OR SHAKESPEARE OR THE BIBLE. 1213 00:50:16,218 --> 00:50:19,553 WHAT WAS THAT ONEABOUT LOVE AND POWER AND...? 1214 00:50:19,594 --> 00:50:23,386 "GOD HASN'T GIVEN USA SPIRIT OF FEAR, 1215 00:50:23,386 --> 00:50:27,094 BUT OF POWER AND LOVEAND A SOUND MIND." 1216 00:50:32,887 --> 00:50:34,345 AFTER WHATYOU'VE BEEN THROUGH, 1217 00:50:34,387 --> 00:50:37,345 I DON'T BLAME YOUFOR BEING AFRAID, SON. 1218 00:50:37,387 --> 00:50:39,887 BUT... AT YOUR CORE, 1219 00:50:39,887 --> 00:50:41,595 THAT'S NOT WHO YOU ARE. 1220 00:50:41,637 --> 00:50:43,887 YOU DON'T GET AN AWARD LIKE THAT 1221 00:50:43,929 --> 00:50:47,513 WITHOUT LOVE, POWER,AND SOUND MIND, 1222 00:50:47,555 --> 00:50:49,763 AND YOU DON'T GET MUCH ELSETHAT MATTERS IN LIFE 1223 00:50:49,805 --> 00:50:51,305 WITHOUT THAT, EITHER. 1224 00:50:52,971 --> 00:50:56,930 I KNOW, YOU'VE BEENHURT IN THE PAST. 1225 00:50:58,305 --> 00:51:01,306 AND I'M GUESSING,SOMEBODY'S HURT SHANE, TOO. 1226 00:51:02,639 --> 00:51:03,764 BUT IT SEEMS TO ME 1227 00:51:03,806 --> 00:51:07,056 THAT YOU'VE EACH GOTWHAT IT TAKES TO TRY AGAIN 1228 00:51:07,097 --> 00:51:10,181 IF YOU'LL JUST... TRY AGAIN. 1229 00:51:14,307 --> 00:51:15,765 THERE YOU ARE!HEY, YOU. 1230 00:51:15,807 --> 00:51:17,182 HI. 1231 00:51:17,223 --> 00:51:19,182 WELL, HELLO! 1232 00:51:21,182 --> 00:51:23,932 HI. SPECIAL AGENT DALE TRAVERS. 1233 00:51:23,973 --> 00:51:26,766 STATE DIVISIONOF INVESTIGATIONS. 1234 00:51:31,516 --> 00:51:34,183 [CHUCKLING] 1235 00:51:34,224 --> 00:51:35,224 [MEGAPHONE SQUEALS] 1236 00:51:35,224 --> 00:51:36,349 DUD! 1237 00:51:36,391 --> 00:51:38,974 THIS IS LESTER KIMSICLE,CHIEF OF POSTAL SECURITY. 1238 00:51:39,016 --> 00:51:40,475 [DOOR OPENS]I KNOW THAT! 1239 00:51:40,517 --> 00:51:43,017 YOU DON'T HAVE TOSAY IT EVERY TIME. 1240 00:51:43,059 --> 00:51:45,434 AND STOP CALLING ME "DUD". 1241 00:51:45,475 --> 00:51:47,059 DUD, THERE ISA GOOD-LOOKIN' FILLY HERE 1242 00:51:47,100 --> 00:51:49,934 FROM THE COLORADO STATEDIVISION OF INVESTIGATIONS 1243 00:51:49,975 --> 00:51:52,017 OF... COLORADO. 1244 00:51:52,059 --> 00:51:53,810 IF YOU DON'T GIVE UPBEFORE 5:00, 1245 00:51:53,851 --> 00:51:54,810 SHE'S GONNA TAKE YOU IN, 1246 00:51:54,851 --> 00:51:57,018 AND WE WOULD HATETO SEE THAT. 1247 00:51:57,060 --> 00:51:59,101 THEN GIVE ME WHAT I WANT! 1248 00:51:59,143 --> 00:52:01,018 I DON'T CARE WHAT YOU WANT! 1249 00:52:01,060 --> 00:52:03,518 PLEASE. WE'RERUNNING OUT OF TIME. 1250 00:52:03,560 --> 00:52:05,060 [LESTER SIGHS] 1251 00:52:05,060 --> 00:52:06,769 DARN IT. 1252 00:52:06,811 --> 00:52:09,686 OKAY, WHAT DO YA WANT?GIVE ME SOME DEMANDS. 1253 00:52:09,727 --> 00:52:12,144 I WANT MY LUNCH! 1254 00:52:12,186 --> 00:52:13,394 IT'S HERE.IT'S HERE. 1255 00:52:13,394 --> 00:52:16,436 WE GOT YOUR GOD-AWFULCORNED BEEF 1256 00:52:16,477 --> 00:52:18,061 AND CHICKEN SALAD RIGHT HERE. 1257 00:52:18,061 --> 00:52:19,978 WELL, BRING ITTO THE DOOR, 1258 00:52:20,020 --> 00:52:22,270 NICE AND SLOW, 1259 00:52:22,312 --> 00:52:23,895 AND I'LL GIVE YOUMY LIST OF DEMANDS. 1260 00:52:23,895 --> 00:52:26,145 AND COME ALONE! 1261 00:52:33,020 --> 00:52:35,979 [♪♪] 1262 00:53:00,230 --> 00:53:03,023 [♪♪] 1263 00:53:14,566 --> 00:53:17,566 [DALE]: "FIND JOSEPH O'TOOLEAND BRING HIM HERE. 1264 00:53:17,566 --> 00:53:19,274 "AND TELL HIM TO BRINGHIS DARK OF NIGHT AWARD. 1265 00:53:19,316 --> 00:53:20,441 IT BELONGS TO ME." 1266 00:53:20,482 --> 00:53:21,524 [OLIVER]:I DON'T LIKE THIS. 1267 00:53:21,566 --> 00:53:23,441 I DON'T LIKE YOU GOINGIN THERE ALONE, 1268 00:53:23,482 --> 00:53:26,274 I DON'T LIKEYOU GOING WITHOUT YOUR AWARD. 1269 00:53:26,316 --> 00:53:28,400 IT'S BACK HOME,PACKED AWAY IN A MOVING BOX. 1270 00:53:28,400 --> 00:53:30,733 IT'S AN HOUR THEREAND AN HOUR BACK. 1271 00:53:30,775 --> 00:53:32,900 THERE'S NOT ENOUGH TIMETO GET IT BEFORE 5:00. 1272 00:53:32,942 --> 00:53:36,567 I CAN'T HOLD THE FEDS ONCEDUDLEY'S OFFICIALLY RETIRED. 1273 00:53:36,567 --> 00:53:37,858 I'VE GOT AN IDEA. 1274 00:53:37,900 --> 00:53:39,442 BUT I'M GONNA NEED YOUR HELP. 1275 00:53:39,483 --> 00:53:42,401 NAME IT. 1276 00:53:42,401 --> 00:53:44,484 LET'S GO. 1277 00:53:55,152 --> 00:53:57,777 YOU SURE ABOUT THIS? 1278 00:53:57,819 --> 00:53:59,735 ONCE UPON A TIME, 1279 00:53:59,777 --> 00:54:02,610 A LOT OF LETTERS NEVER MADE ITTO THEIR DESTINATION 1280 00:54:02,652 --> 00:54:04,194 BECAUSE I DIDN'T DO MY JOB. 1281 00:54:04,235 --> 00:54:06,985 I NEVER WANT TOFEEL THAT WAY AGAIN. 1282 00:54:07,027 --> 00:54:08,653 IT'S STILL A LOT TO GIVE UP. 1283 00:54:10,861 --> 00:54:14,695 THAT'S WHATI LOVE ABOUT YOU, OLIVER. 1284 00:54:16,528 --> 00:54:19,111 THANK YOU. 1285 00:54:21,153 --> 00:54:22,279 IT'S TIME TO GO. 1286 00:54:24,904 --> 00:54:27,904 [♪♪] 1287 00:54:29,071 --> 00:54:31,779 [RADIO CRACKLING] 1288 00:54:31,821 --> 00:54:35,029 IS NORMAN EVER GOING TOCOME OUT OF THE TREE? 1289 00:54:35,071 --> 00:54:36,113 I DON'T KNOW!I THINK HE'S MAD 1290 00:54:36,155 --> 00:54:37,780 BECAUSE I DIDN'TTELL HIM ABOUT BOB. 1291 00:54:37,822 --> 00:54:40,447 BOB?YOU DIDN'T TELL ME ABOUT BOB. 1292 00:54:40,488 --> 00:54:41,988 -WHO'S BOB?-OH-- 1293 00:54:42,030 --> 00:54:43,697 [HORN HONKING] 1294 00:54:44,905 --> 00:54:46,113 [BRAKES SCREECH] 1295 00:54:49,948 --> 00:54:52,489 [LESTER]: HEADS UP, MEN! 1296 00:54:53,906 --> 00:54:56,156 OKAY, DUDLEY,YOU GOT YOUR O'TOOLE. 1297 00:54:57,698 --> 00:54:59,073 I'LL TAKE IT. 1298 00:54:59,073 --> 00:55:00,823 I'M NOT LETTING YOUGO IN ALONE. 1299 00:55:02,699 --> 00:55:03,865 YOU GET INTO ANY TROUBLE, 1300 00:55:03,907 --> 00:55:05,824 YOU SAY THE MAGIC WORDAND WE'LL HEAR YOU. 1301 00:55:06,865 --> 00:55:08,324 WHAT IS THE MAGIC WORD? 1302 00:55:08,365 --> 00:55:11,449 I DON'T KNOW.HOW ABOUT, UH... 1303 00:55:11,490 --> 00:55:12,990 "HELP"? 1304 00:55:14,699 --> 00:55:16,991 [♪♪] 1305 00:55:42,201 --> 00:55:43,202 [KNOCKING] 1306 00:55:43,243 --> 00:55:44,452 IT'S OPEN! 1307 00:55:56,411 --> 00:55:58,078 HEY, JOE. 1308 00:55:58,119 --> 00:55:59,786 LONG TIME, NO SEE. 1309 00:55:59,828 --> 00:56:01,661 HOW YOU DOIN', CURLY? 1310 00:56:01,703 --> 00:56:03,661 I'LL BE DOING BETTERWHEN I GET WHAT I WANT. 1311 00:56:06,286 --> 00:56:07,911 TOSS IT OVER 1312 00:56:07,953 --> 00:56:09,244 AND THE MAIL'S YOURS. 1313 00:56:09,286 --> 00:56:10,829 [JOE]:NOT YET. I WANT TO KNOW 1314 00:56:10,870 --> 00:56:13,662 WHAT ALL THIS HADTO DO WITH MY FAMILY. 1315 00:56:13,704 --> 00:56:14,912 YOU STILL DON'T GET IT. 1316 00:56:14,912 --> 00:56:15,870 MAYBE. 1317 00:56:15,912 --> 00:56:18,079 BUT I WANT TOHEAR YOU SAY IT. 1318 00:56:18,120 --> 00:56:19,120 WELL, JOE, 1319 00:56:19,162 --> 00:56:20,995 WHEN I STARTEDAT THE POST OFFICE, 1320 00:56:21,037 --> 00:56:23,079 I WAS THE YOUNGEST PERSON EVER 1321 00:56:23,120 --> 00:56:25,246 TO BE NOMINATEDFOR ONE OF THOSE, 1322 00:56:25,288 --> 00:56:26,955 AND THEN THEY GAVE ITTO YOUR DAD 1323 00:56:26,996 --> 00:56:28,955 FOR BABYSITTING SOME DUCKS. 1324 00:56:28,996 --> 00:56:30,746 ACTUALLY,THEY WERE-- 1325 00:56:30,746 --> 00:56:31,746 AND MY LAST CHANCE 1326 00:56:31,746 --> 00:56:33,246 AT GETTING ONE 1327 00:56:33,246 --> 00:56:35,580 WENT TO YOUAND YOUR BUNCH. 1328 00:56:35,580 --> 00:56:38,706 YEAH, SURE,YOU GOT SOME GIRL A KIDNEY, 1329 00:56:38,747 --> 00:56:41,039 BUT YOU'VE GOT OTHER CHANCESTO WIN, 1330 00:56:41,081 --> 00:56:42,456 AND THIS WAS MY LAST. 1331 00:56:42,497 --> 00:56:44,247 AND WHAT ABOUT ME? 1332 00:56:44,289 --> 00:56:46,831 THAT ONE CUT THE DEEPEST. 1333 00:56:46,872 --> 00:56:49,956 I WAS THIS CLOSE TO THE DEADLINEFOR NOMINATIONS. 1334 00:56:49,997 --> 00:56:51,248 I MEAN, NOBODY WAS GONNA 1335 00:56:51,290 --> 00:56:53,290 TOP MEDROPPING THAT KID'S PROM DRESS 1336 00:56:53,332 --> 00:56:55,998 AT HER HIGH SCHOOLAT THE LAST MINUTE 1337 00:56:56,040 --> 00:56:57,623 DURING THE PLATTE RIVER FLOOD. 1338 00:56:57,665 --> 00:57:00,540 I EVEN THREW IN A CORSAGE. 1339 00:57:00,582 --> 00:57:02,748 BUT MY PAL, JOE, 1340 00:57:02,790 --> 00:57:05,583 DELIVERS SOME GAL'SWEDDING DRESS. 1341 00:57:05,624 --> 00:57:08,708 UM, THERE WASMORE TO IT THAN THAT. 1342 00:57:09,749 --> 00:57:10,708 RITA DID 1343 00:57:10,749 --> 00:57:11,749 SOME RESEARCH. 1344 00:57:11,791 --> 00:57:13,999 MY FATHER DROVE HIS TRUCK 1345 00:57:14,041 --> 00:57:16,583 50 MILESTHROUGH A BLIZZARD. 1346 00:57:16,624 --> 00:57:17,792 IT BROKE DOWN. 1347 00:57:17,834 --> 00:57:19,959 HE WALKEDFIVE MORE MILES. 1348 00:57:20,000 --> 00:57:22,334 UPHILL. ON ICE. 1349 00:57:22,375 --> 00:57:25,792 WELL, I DROVE THROUGHHAIL AND SLEET. 1350 00:57:26,834 --> 00:57:28,292 THE LODGECAUGHT ON FIRE. 1351 00:57:28,334 --> 00:57:29,917 MY FATHER PUT IT OUT. 1352 00:57:29,959 --> 00:57:32,543 WELL, MY PROM GIRLMARRIED THE PROM BOY, OKAY? 1353 00:57:32,585 --> 00:57:34,168 AND THEY HAD SIX KIDS. 1354 00:57:34,210 --> 00:57:35,168 SIR, MY FATHER-- 1355 00:57:35,210 --> 00:57:36,168 WHAT AREWE DOING HERE? 1356 00:57:36,210 --> 00:57:37,710 WHAT DOES IT MATTER? 1357 00:57:37,751 --> 00:57:39,835 YOU CAN GO AHEADAND KEEP THE CUP. 1358 00:57:39,876 --> 00:57:41,835 WE DON'T NEED ITTO KNOW WHAT WE DID. 1359 00:57:41,876 --> 00:57:43,585 AND NEITHER DO YOU! 1360 00:57:43,585 --> 00:57:45,586 AND SOME DAY, 1361 00:57:45,586 --> 00:57:49,336 WHEN YOU LOOK BACK ONHOW YOU GOT THIS CUP, 1362 00:57:49,377 --> 00:57:51,044 IT'S GONNA LOOKPRETTY EMPTY. 1363 00:57:55,419 --> 00:57:58,837 COME ON. COME ON! 1364 00:58:13,588 --> 00:58:15,921 THIS SAYS"OLIVER O'TOOLE." 1365 00:58:15,921 --> 00:58:18,671 I DIDN'T HAVE ENOUGH TIMETO GET MY DAD'S. 1366 00:58:21,796 --> 00:58:24,296 YOU GAVE THIS UPFOR YOUR DAD? 1367 00:58:29,089 --> 00:58:32,214 [♪♪] 1368 00:58:33,964 --> 00:58:35,672 [SIGHING] 1369 00:58:35,714 --> 00:58:37,714 YOU KNOW,WHEN A MAN RETIRES, 1370 00:58:37,755 --> 00:58:41,548 HE LOOKS BACK ACROSS THE YEARSAND HE ASKS HIMSELF 1371 00:58:41,590 --> 00:58:45,090 WHAT DOES HE GOT TO SHOWFOR HIS LIFE? 1372 00:58:45,090 --> 00:58:47,715 I GAVE MY HEART AND SOULTO THE POST OFFICE, 1373 00:58:47,756 --> 00:58:50,590 BUT NOBODY KNOWS MY NAME. 1374 00:58:50,631 --> 00:58:54,007 DUDLEY, CURLY-- NOBODY CARES! 1375 00:58:54,049 --> 00:58:57,507 I JUST WANT TO FEELLIKE I MATTERED IN THIS WORLD 1376 00:58:57,549 --> 00:58:59,299 BEFORE IT'S ALL OVER. 1377 00:59:01,841 --> 00:59:04,966 BUT NOBODY'S EVEN GONNA MISS ME. 1378 00:59:05,007 --> 00:59:07,467 [THUD] 1379 00:59:08,842 --> 00:59:12,425 I MISSED YOU...FOR 13 YEARS. 1380 00:59:14,133 --> 00:59:15,467 WHAT GOOD... 1381 00:59:16,633 --> 00:59:18,342 ...IS A LETTER, 1382 00:59:18,383 --> 00:59:21,259 IF WE DON'T MAIL IT? 1383 00:59:22,301 --> 00:59:23,259 WHAT? 1384 00:59:23,259 --> 00:59:26,551 SOMEWHERE IN THESE BAGSIS A LOVE LETTER 1385 00:59:26,593 --> 00:59:29,509 A LADY NAMED NIKKIMAILED LAST SATURDAY 1386 00:59:29,551 --> 00:59:31,759 BECAUSE OF THESE WORDSYOU SPOKE TO HER, 1387 00:59:31,801 --> 00:59:33,094 YOU UNDERSTOOD 1388 00:59:33,094 --> 00:59:34,510 THAT WRITING A LETTER 1389 00:59:34,552 --> 00:59:37,052 AND PUTTING IT IN A MAILBOX 1390 00:59:37,094 --> 00:59:41,344 IS LIKE HANDING YOUR HEARTOVER TO A STRANGER. 1391 00:59:41,385 --> 00:59:42,635 JUST LIKE... 1392 00:59:42,677 --> 00:59:45,385 ASKING FOR LOVE IS A RISK, 1393 00:59:45,427 --> 00:59:48,761 OR ASKING FOR ATTENTION OR FORGIVENESS-- 1394 00:59:48,803 --> 00:59:51,928 YOU HAVE TO MAIL THE LETTERAND RISK WHATEVER HAPPENS NEXT, 1395 00:59:51,970 --> 00:59:55,178 OTHERWISE NOTHING HAPPENS. 1396 00:59:56,178 --> 00:59:57,428 SO WHETHER ANYONE 1397 00:59:57,428 --> 01:00:01,012 EVER APPRECIATES USOR KNOWS WHO WE ARE, MR. CURLY, 1398 01:00:01,054 --> 01:00:03,846 THEY WILL KNOWWHAT WE STAND FOR-- 1399 01:00:03,887 --> 01:00:04,971 AND THAT MATTERS 1400 01:00:05,012 --> 01:00:06,137 TO EVERY SINGLE PERSON 1401 01:00:06,179 --> 01:00:08,971 WHO WROTEEVERY ONE OF THESE LETTERS. 1402 01:00:12,721 --> 01:00:13,680 MY GOODNESS. 1403 01:00:13,722 --> 01:00:16,097 SIR. 1404 01:00:16,097 --> 01:00:18,472 THERE'S ONE HEREFOR YOU. 1405 01:00:27,598 --> 01:00:30,639 [♪♪] 1406 01:00:30,681 --> 01:00:31,681 THANK YOU. 1407 01:00:39,431 --> 01:00:41,224 "DEAR MR. CURLY--" 1408 01:00:41,265 --> 01:00:44,390 WELL, AT LEASTSOMEBODY GOT IT RIGHT. 1409 01:00:44,432 --> 01:00:46,932 "MY MOMMY SAYSYOU'RE GOING TO STOP WORKING 1410 01:00:46,932 --> 01:00:47,932 "AND YOU AREN'T GOING TO 1411 01:00:47,932 --> 01:00:50,515 BRING ANY MAIL TO US ANYMORE." 1412 01:00:52,432 --> 01:00:54,600 [BREATH TREMBLING] 1413 01:00:54,600 --> 01:00:56,600 "THAT IS... 1414 01:00:56,641 --> 01:00:59,766 THAT... THAT IS VERY SAD." 1415 01:00:59,808 --> 01:01:01,100 [BREATH SHAKING] 1416 01:01:01,100 --> 01:01:04,100 "I WILL MISS YOU. 1417 01:01:04,100 --> 01:01:05,766 "YOU BRINGALL MY BIRTHDAY CARDS 1418 01:01:05,766 --> 01:01:08,101 AND LETTERS FROM GRANDMA." 1419 01:01:08,101 --> 01:01:09,934 [PAGE CRINKLES] 1420 01:01:09,934 --> 01:01:13,101 "AND YOU ALWAYS SMILEWHEN I GIVE YOU COOKIES. 1421 01:01:13,142 --> 01:01:15,434 "I WISHWE COULD GIVE YOU A PARTY, 1422 01:01:15,476 --> 01:01:16,726 "BUT OUR PLACE 1423 01:01:16,767 --> 01:01:19,184 IS TOO SMALL." 1424 01:01:20,267 --> 01:01:22,018 "BUT YOU ALREADY KNOW THAT." 1425 01:01:24,268 --> 01:01:26,602 "LOVE... 1426 01:01:26,602 --> 01:01:28,768 BETSY." 1427 01:01:28,768 --> 01:01:30,518 ONE OF THOSE... 1428 01:01:32,602 --> 01:01:36,311 ...IS WORTHONE THOUSAND OF THESE. 1429 01:01:41,103 --> 01:01:43,103 I FEEL LIKE A FOOL. 1430 01:01:43,144 --> 01:01:44,936 DON'T BOTHER. 1431 01:01:44,936 --> 01:01:47,269 WE'VE ALREADY GOTONE OF THOSE OUTSIDE. 1432 01:01:47,311 --> 01:01:50,020 [♪♪] 1433 01:02:20,606 --> 01:02:22,064 SHANE! 1434 01:02:22,106 --> 01:02:24,856 THAT LETTER IS PROPERTYOF THE U.S. POSTAL SERVICE. 1435 01:02:24,897 --> 01:02:28,940 OH, WELL, SHE FILLED OUTA 10-67E AT THE D.L.O., LESTER. 1436 01:02:28,982 --> 01:02:30,982 WELL, THEN SHE GETS ITFROM THE D.L.O. 1437 01:02:31,023 --> 01:02:33,607 OH, FOR HEAVEN'SSAKE. REALLY? 1438 01:02:33,648 --> 01:02:35,440 REGULATIONS ARE LIKE 1439 01:02:35,482 --> 01:02:39,773 THE LIFEJACKETSON THE GANGPLANK OF LIFE, MISSY. 1440 01:02:39,815 --> 01:02:41,357 GREAT WORK TODAY, THOUGH. 1441 01:02:41,398 --> 01:02:43,399 KEEP THAT UP,I'LL BUY YOU DINNER. 1442 01:02:43,441 --> 01:02:45,649 OH. PLEASE... DON'T. 1443 01:02:45,691 --> 01:02:47,733 HAPPY TO DO IT. 1444 01:02:47,774 --> 01:02:49,108 HAPPY TO DO IT. 1445 01:02:49,149 --> 01:02:51,399 [FORCED CHUCKLE] 1446 01:02:53,566 --> 01:02:55,024 [SIGHS HEAVILY] 1447 01:02:55,066 --> 01:02:56,275 [JOE]: I'LL SEE YOUAT THE PARTY? 1448 01:02:56,317 --> 01:02:58,275 SHOULD BEINTERESTING. 1449 01:02:58,317 --> 01:03:00,484 [CHUCKLES]CURLY'S A GOOD GUY. 1450 01:03:00,525 --> 01:03:03,817 HE JUST LOST HIS WAYFOR A WHILE. 1451 01:03:03,859 --> 01:03:06,150 THINGS COULD'VE TURNEDOUT TERRIBLY FOR HIM 1452 01:03:06,192 --> 01:03:08,400 IF YOU HADN'THANDLED IT SO WELL. 1453 01:03:08,442 --> 01:03:09,442 THANK YOU. 1454 01:03:09,484 --> 01:03:11,568 THANK YOU. 1455 01:03:16,901 --> 01:03:19,235 [♪♪] 1456 01:03:26,111 --> 01:03:28,569 DUDLEY INVITED METO HIS RETIREMENT PARTY. 1457 01:03:28,611 --> 01:03:30,486 YOU SHOULD COME. 1458 01:03:31,736 --> 01:03:33,902 MAYBE I WILL. 1459 01:03:35,069 --> 01:03:36,737 ARE YOU COMINGTO CHOIR PRACTICE TOMORROW? 1460 01:03:36,778 --> 01:03:38,278 I WOULDN'T MISS IT. 1461 01:03:38,278 --> 01:03:40,320 GOOD. 1462 01:03:44,278 --> 01:03:47,195 [♪♪] 1463 01:03:57,446 --> 01:04:00,696 IT'S BLUEWITH A BIG HEART STICKER. 1464 01:04:03,321 --> 01:04:05,114 NORMAN? 1465 01:04:06,489 --> 01:04:08,905 YOU KNOWTHAT "BURROWING YELLOWTAIL OWL" 1466 01:04:08,947 --> 01:04:10,239 THAT RITA SENDS MONEY TO? 1467 01:04:10,280 --> 01:04:12,447 YEAH. 1468 01:04:12,447 --> 01:04:16,405 WELL, BEFORE I STARTED SINGING,I WORKED AT THE ZOO. 1469 01:04:16,447 --> 01:04:19,615 WOW. THAT ISA COMPLETE CAREER 180. 1470 01:04:19,615 --> 01:04:20,740 YEAH. 1471 01:04:20,781 --> 01:04:22,073 WELL, I LEARNED A LOT. 1472 01:04:22,115 --> 01:04:26,323 AND THERE'S SOMETHINGYOU SHOULD KNOW ABOUT BOB. 1473 01:04:29,156 --> 01:04:30,448 WHAT DO THEY SAY? 1474 01:04:30,448 --> 01:04:32,116 CAST YOURDARK OF NIGHT AWARD 1475 01:04:32,116 --> 01:04:33,491 UPON THE WATERS 1476 01:04:33,532 --> 01:04:36,116 AND IT SHALL BERETURNED UNTO YOU? 1477 01:04:36,157 --> 01:04:37,949 LOOK AT YOU,QUOTING SCRIPTURE. 1478 01:04:37,991 --> 01:04:39,657 [CHUCKLES] 1479 01:04:39,699 --> 01:04:41,949 I KNOW HOW HARD IT WAS FOR YOUTO GIVE THAT UP. 1480 01:04:41,949 --> 01:04:45,450 WELL, IT WAS EASIERTHAN I THOUGHT IT WOULD BE. 1481 01:04:45,492 --> 01:04:49,658 IT'S ACTUALLY JUSTA SYMBOL, LIKE A-- 1482 01:04:49,700 --> 01:04:51,200 LIKE... 1483 01:04:51,242 --> 01:04:53,325 LIKE THE ROSE CUTTINGTHAT YOU GAVE ME. 1484 01:04:54,783 --> 01:04:57,658 YOU KNOW, JUST BECAUSEIT DIDN'T TAKE, 1485 01:04:57,700 --> 01:05:02,034 IT DOESN'T DIMINISHTHE THOUGHT THAT WAS BEHIND IT. 1486 01:05:03,159 --> 01:05:04,451 "NEVER REGRET AN ACT OF--" 1487 01:05:04,493 --> 01:05:05,534 [NORMAN]:OH! FOUND IT! 1488 01:05:05,576 --> 01:05:07,034 GREAT! 1489 01:05:10,159 --> 01:05:11,994 I CAN'T BELIEVE 1490 01:05:12,035 --> 01:05:13,952 I'M HOLDING$50,000 IN MY HANDS. 1491 01:05:15,785 --> 01:05:18,035 SO... WHY AM I SO SAD? 1492 01:05:18,077 --> 01:05:21,119 BECAUSE NO MATTERHOW MUCH YOU'VE WON, 1493 01:05:21,160 --> 01:05:23,160 IT CAN'T FIXWHAT YOU'VE LOST. 1494 01:05:25,120 --> 01:05:27,870 UH, SATURDAY NIGHTAT THE RESTAURANT, 1495 01:05:27,911 --> 01:05:29,828 I WAS SINGING THIS LOVE SONG,REMEMBER? 1496 01:05:29,870 --> 01:05:33,578 AND I'D SUNG IT A MILLION TIMES,BUT, FOR SOME REASON, 1497 01:05:33,620 --> 01:05:35,786 THAT NIGHT IT FELT LIKE I WASSINGING IT JUST FOR GRAHAM. 1498 01:05:35,828 --> 01:05:37,995 AND THEN IT HIT ME, 1499 01:05:38,036 --> 01:05:41,537 BEING SOME BROADWAY STARREALLY ISN'T MY DREAM. 1500 01:05:42,662 --> 01:05:44,621 BEING WITH GRAHAM... 1501 01:05:44,662 --> 01:05:47,621 BEING TOGETHER, ANYWHERE, 1502 01:05:47,621 --> 01:05:49,537 THAT'S THE DREAM. 1503 01:05:50,954 --> 01:05:53,122 THATWASTHE DREAM. 1504 01:05:53,122 --> 01:05:56,122 AT LEAST, IT WAS MINE. 1505 01:05:57,122 --> 01:05:58,955 YOU KNOW, WHENI BROKE UP WITH BOB, 1506 01:05:58,955 --> 01:06:00,538 I WAS SO SAD. 1507 01:06:00,580 --> 01:06:03,247 I THOUGHT I WOULD NEVERFIND THE RIGHT MAN FOR ME. 1508 01:06:03,288 --> 01:06:04,455 [QUIETLY]: "BOB"? 1509 01:06:04,497 --> 01:06:08,414 BUT THEN MY MOM SAID "RITA,DON'T BE IN SUCH A HURRY. 1510 01:06:08,456 --> 01:06:10,081 "THE PERFECT MAN IS OUT THERE, 1511 01:06:10,123 --> 01:06:12,081 "BUT HE'S STILLIN THE OVEN, BAKING. 1512 01:06:12,123 --> 01:06:13,664 "AND IF YOU KEEP RUNNINGINTO THE KITCHEN 1513 01:06:13,706 --> 01:06:14,789 "AND OPENING THE DOOR, 1514 01:06:14,789 --> 01:06:15,831 HE'LL NEVER BE READY." 1515 01:06:16,873 --> 01:06:20,207 SO, I WAITED,AND IT WASN'T EASY, 1516 01:06:20,249 --> 01:06:24,165 BUT THEN ALL OF A SUDDEN,I SMELLED SOMETHING REALLY GOOD, 1517 01:06:24,207 --> 01:06:26,499 AND WHEN I OPENED THE DOOR... 1518 01:06:26,540 --> 01:06:28,249 THERE WAS NORMAN. 1519 01:06:28,290 --> 01:06:29,290 ALL DONE! 1520 01:06:29,290 --> 01:06:30,540 DING! 1521 01:06:30,582 --> 01:06:32,082 [LAUGHTER] 1522 01:06:32,124 --> 01:06:33,750 HE WASWORTH THE WAIT. 1523 01:06:34,791 --> 01:06:37,416 [NIKKI]:I THOUGHT GRAHAM WAS, TOO. 1524 01:06:37,458 --> 01:06:41,333 HE SEEMED LIKESUCH A GOOD GUY, BUT... 1525 01:06:43,291 --> 01:06:45,875 WRONG OVEN, I GUESS. 1526 01:06:45,916 --> 01:06:47,417 LOOK AT IT THIS WAY. 1527 01:06:47,459 --> 01:06:50,542 NOW YOU CAN LIVEA TROUT-FREE LIFE 1528 01:06:50,584 --> 01:06:52,209 AND YOU DON'T HAVE TOWEAR BLUE ANYMORE. 1529 01:06:52,251 --> 01:06:53,751 GOOD POINT. 1530 01:06:53,792 --> 01:06:55,542 MISS BERGENS,THERE'S A VAST DIFFERENCE 1531 01:06:55,584 --> 01:06:58,292 BETWEEN CHOOSING A GOOD MAN 1532 01:06:58,292 --> 01:07:00,627 AND FINDING THE RIGHT MAN. 1533 01:07:00,627 --> 01:07:03,793 I HOPE YOU DON'T GIVE UPUNTIL YOU FIND BOTH. 1534 01:07:05,335 --> 01:07:07,293 OKAY. 1535 01:07:07,293 --> 01:07:10,127 WELL...THANKS FOR EVERYTHING. 1536 01:07:10,127 --> 01:07:11,627 OUR PLEASURE. 1537 01:07:12,793 --> 01:07:14,794 BACK TO WORK! 1538 01:07:14,836 --> 01:07:16,044 RIGHT! 1539 01:07:16,086 --> 01:07:18,878 OR I COULD JUST QUIT. 1540 01:07:18,919 --> 01:07:20,878 DON'T THINK ABOUT IT. 1541 01:07:20,919 --> 01:07:22,794 GO BACK TO WORK,FACE THE MUSIC. 1542 01:07:22,836 --> 01:07:24,044 YOU'LL KNOW WHAT TO DO. 1543 01:07:26,837 --> 01:07:28,629 [OLIVER]: MISS BERGENS,WE'LL SEE YOU OUT. 1544 01:07:29,879 --> 01:07:30,920 BYE. 1545 01:07:37,170 --> 01:07:38,545 RITA? 1546 01:07:40,087 --> 01:07:42,380 WE HAVE TO TALK. 1547 01:07:44,130 --> 01:07:46,963 NORMAN, I KNOW WHATYOU'RE GOING TO SAY. 1548 01:07:47,005 --> 01:07:49,463 I SHOULD HAVE TOLD YOUBEFORE ABOUT BOB, 1549 01:07:49,463 --> 01:07:53,463 BUT I DON'T FEEL ABOUT HIMTHE WAY I FEEL ABOUT YOU, 1550 01:07:53,505 --> 01:07:55,839 AND I NEVER DID. 1551 01:07:55,881 --> 01:07:58,214 YOU'RE JUST GOING TOHAVE TO TRUST ME. 1552 01:07:58,256 --> 01:08:00,006 OH, I TRUST YOUCOMPLETELY. 1553 01:08:00,047 --> 01:08:02,131 BUT I DON'T TRUST BOB. 1554 01:08:02,172 --> 01:08:03,839 I KNOW YOU WANTEDTO BELIEVE IT, BUT... 1555 01:08:04,881 --> 01:08:07,382 BOUVET ISLANDDOESN'T HAVE ANY OWLS. 1556 01:08:07,423 --> 01:08:10,673 AND THERE'S NO SUCH THINGAS THE BURROWING YELLOWTAIL. 1557 01:08:10,715 --> 01:08:12,590 BOB SCAMMED YOU. 1558 01:08:16,965 --> 01:08:18,673 OH. 1559 01:08:18,715 --> 01:08:20,757 I'M SORRY. 1560 01:08:22,466 --> 01:08:25,049 [SIGHS] 1561 01:08:25,091 --> 01:08:27,383 POOR BOB. 1562 01:08:27,424 --> 01:08:29,924 HE MUST HAVEREALLY NEEDED THE MONEY. 1563 01:08:32,424 --> 01:08:33,883 YOU'RE AMAZING. 1564 01:08:35,509 --> 01:08:38,425 [CHUCKLES] 1565 01:08:44,884 --> 01:08:48,051 BUT I'M NOT GIVING HIMANY MORE MONEY! 1566 01:08:48,093 --> 01:08:49,593 HEY! DO YOU WANNAGO GET DINNER? 1567 01:08:49,635 --> 01:08:51,260 I'VE GOTAN EXTRA 50 BUCKS! 1568 01:08:51,301 --> 01:08:52,760 YEAH! 1569 01:08:52,801 --> 01:08:54,385 I'M STARVING. 1570 01:08:54,426 --> 01:08:57,051 [♪♪] 1571 01:09:03,469 --> 01:09:04,552 NIKKI! 1572 01:09:04,594 --> 01:09:07,219 PLEASE HOLD ON.I NEED TO TELL YOU SOMETHING. 1573 01:09:07,261 --> 01:09:08,844 I TRIED CALLING YOUAFTER YOU RAN OFF, 1574 01:09:08,886 --> 01:09:10,261 BUT YOUR VOICEMAILWAS FULL 1575 01:09:10,302 --> 01:09:11,261 AND YOU DIDN'TPICK UP. 1576 01:09:11,302 --> 01:09:13,511 WE DON'T HAVE TOPRETEND ANYMORE, GRAHAM. 1577 01:09:13,552 --> 01:09:14,636 WE DON'THAVE TO TALK, 1578 01:09:14,677 --> 01:09:16,303 WE JUSTHAVE TO SING 1579 01:09:16,303 --> 01:09:18,470 AND SERVE BETTER-THAN-AVERAGE FOOD 1580 01:09:18,470 --> 01:09:19,637 AT INFLATED PRICES 1581 01:09:19,678 --> 01:09:20,637 TO PEOPLE WHO THINK 1582 01:09:20,678 --> 01:09:21,637 GOING TOA ROMANTIC RESTAURANT 1583 01:09:21,678 --> 01:09:23,595 ACTUALLY HAS ANYTHINGTO DO WITH LOVE. 1584 01:09:23,637 --> 01:09:25,512 NIKKI, PLEASE,JUST LISTEN TO ME FOR ONCE. 1585 01:09:26,553 --> 01:09:27,803 ACTUALLY WHATI TRIED TO SAY, 1586 01:09:27,845 --> 01:09:31,304 BUT YOU WOULDN'T LET MEIS I-- 1587 01:09:31,304 --> 01:09:32,971 I LOVE YOU. 1588 01:09:33,013 --> 01:09:35,096 AND MORE THAN THAT, 1589 01:09:35,138 --> 01:09:36,929 I AM IN LOVE YOU,AND MORE THAN THAT, EVEN. 1590 01:09:36,971 --> 01:09:38,638 WHAT'S MORE THAN THAT? 1591 01:09:38,679 --> 01:09:40,138 I DON'T KNOW, 1592 01:09:40,138 --> 01:09:42,389 "I LOVE YOU FOREVER" LOVE? 1593 01:09:43,889 --> 01:09:46,639 IF THERE'S A "BUT" COMING,I'M GONNA KILL YOU. 1594 01:09:46,680 --> 01:09:49,555 I WAS GOING TO BREAK UP,BUT ONLY BECAUSE I-- 1595 01:09:49,597 --> 01:09:51,139 I HAVE NO BUSINESSGIVING YOU HOPE 1596 01:09:51,180 --> 01:09:52,597 THAT I CAN GO WITH YOUTO NEW YORK. 1597 01:09:52,639 --> 01:09:54,139 BUT YOU'VE BEEN SAVING UPFOR SO LONG. 1598 01:09:54,180 --> 01:09:56,140 I WAS,BUT MY MOM-- 1599 01:09:56,181 --> 01:09:57,473 MY MOM LOST HER JOB 1600 01:09:57,473 --> 01:09:59,681 AND FELL BEHINDON HER MORTGAGE PAYMENTS. 1601 01:09:59,723 --> 01:10:01,806 SHE DIDN'T WANT ME TO FIND OUT,BUT I DID, 1602 01:10:01,806 --> 01:10:04,140 AND I HAD TO HELP HER OUTBECAUSE SHE'S MY MOM 1603 01:10:04,140 --> 01:10:06,348 AND NOBODY ELSE BELIEVES IN MELIKE SHE DOES. 1604 01:10:06,390 --> 01:10:08,931 EXCEPT YOU. 1605 01:10:13,057 --> 01:10:14,807 WHY DIDN'T YOU TELL ME? 1606 01:10:14,849 --> 01:10:16,474 I COULDN'T LET YOUPUT YOUR DREAMS ON HOLD 1607 01:10:16,474 --> 01:10:17,682 WHILE YOU WAITED FOR ME. 1608 01:10:17,724 --> 01:10:20,974 BUT AFTER YOU RAN OFF,I KNEW I'D MADE A MISTAKE. 1609 01:10:21,016 --> 01:10:24,558 I JUST DON'T KNOWHOW TO FIX IT. 1610 01:10:26,267 --> 01:10:28,475 OKAY. 1611 01:10:28,517 --> 01:10:30,600 FIRST OF ALL... 1612 01:10:32,225 --> 01:10:35,392 I "LOVE YOU FOREVER"LOVE YOU, TOO. 1613 01:10:35,433 --> 01:10:36,851 AND SECOND, 1614 01:10:36,893 --> 01:10:37,893 I'M SORRY-- 1615 01:10:37,934 --> 01:10:40,976 REALLY SORRY--THAT I RAN OFF. 1616 01:10:41,018 --> 01:10:43,559 YOU WERE OBVIOUSLY IN THE OVEN 1617 01:10:43,601 --> 01:10:45,351 AND I DIDN'T REALIZEYOU WERE DONE-- 1618 01:10:46,393 --> 01:10:48,559 DON'T ASK. 1619 01:10:48,601 --> 01:10:50,227 BUT THIRD... 1620 01:10:50,269 --> 01:10:52,144 YOU ARE SO STUPID! 1621 01:10:52,185 --> 01:10:53,144 THANK YOU. 1622 01:10:53,185 --> 01:10:55,685 I MEAN, YOU'RE MY DREAM,NOT NEW YORK! 1623 01:10:55,727 --> 01:10:57,977 AND WHAT MAKES YOU HAPPYMAKES ME HAPPY, 1624 01:10:58,019 --> 01:10:59,019 AND I LOVE YOUR MOM, 1625 01:10:59,060 --> 01:11:00,310 AND IF WE'RE GONNABE TOGETHER FOREVER, 1626 01:11:00,310 --> 01:11:01,477 THEN WE CAN'T LET HERLOSE HER HOUSE, 1627 01:11:01,477 --> 01:11:03,561 OTHERWISE WHERE WILL WE GOFOR CHRISTMAS, 1628 01:11:03,603 --> 01:11:05,561 WHICH BRINGS ME TO--WHAT ARE WE ON? 1629 01:11:05,603 --> 01:11:06,645 FOUR. 1630 01:11:06,686 --> 01:11:07,686 FOURTH... 1631 01:11:07,728 --> 01:11:09,895 WILL YOU MARRY ME? 1632 01:11:09,936 --> 01:11:11,645 IN A MINUTE! 1633 01:11:11,645 --> 01:11:13,520 GOOD. UM... 1634 01:11:13,561 --> 01:11:16,520 BY THE WAY,WE WON THE LOTTERY. 1635 01:11:16,561 --> 01:11:18,812 I KNOW, THAT'S EXACTLYWHAT IT FEELS LIKE. 1636 01:11:18,854 --> 01:11:21,937 NO, WE WON THE LOTTERY. 1637 01:11:23,646 --> 01:11:25,562 OH. [CHUCKLES] 1638 01:11:25,604 --> 01:11:27,271 DON'T OPEN IT. 1639 01:11:27,312 --> 01:11:29,062 JUST KISS ME. 1640 01:11:30,187 --> 01:11:33,063 [♪♪] 1641 01:11:33,105 --> 01:11:36,563 [STAFF APPLAUDING] 1642 01:11:55,523 --> 01:11:57,815 [♪♪] 1643 01:11:59,149 --> 01:12:01,482 ♪ MY HEART IS ON FIRE 1644 01:12:01,482 --> 01:12:03,440 ♪ I'M RUNNING OUT OF TIME 1645 01:12:03,482 --> 01:12:06,815 ♪ GOTTA FIND OUTIF YOU'RE STILL MINE ♪ 1646 01:12:06,815 --> 01:12:09,690 [FOOTBALL GAME PLAYS ON TELEVISION] 1647 01:12:09,732 --> 01:12:10,983 PLAY ANY SPORTSIN HIGH SCHOOL, NORM? 1648 01:12:11,025 --> 01:12:15,650 I WAS A FOSTER KID,SO I MOVED AROUND A LOT. 1649 01:12:17,191 --> 01:12:20,150 SPORTS ARETHE FOUNDATION OF WAR. 1650 01:12:21,483 --> 01:12:23,316 LIKE PLAYING CHECKERSWITH REAL PEOPLE, 1651 01:12:23,358 --> 01:12:26,234 ONLY YOU DON'TGET HURT. 1652 01:12:27,484 --> 01:12:29,734 WHAT POSITIONDID YOU PLAY? 1653 01:12:31,234 --> 01:12:32,817 I WAS A FOSTER KID.I MOVED AROUND A LOT. 1654 01:12:32,859 --> 01:12:33,817 I DIDN'T-- 1655 01:12:33,859 --> 01:12:36,151 SHORT-STOP... 1656 01:12:36,151 --> 01:12:37,734 GOOD FOR YOU. 1657 01:12:39,818 --> 01:12:42,818 OH, YEAH, I LOVE TO DANCE. 1658 01:12:42,860 --> 01:12:44,693 IT'S VERY HARD WORK, THOUGH. 1659 01:12:44,735 --> 01:12:47,235 WELL, AT LEAST THE WAYTHAT I DO IT, ANYWAYS. 1660 01:12:47,277 --> 01:12:48,485 [GIGGLES] 1661 01:12:48,485 --> 01:12:49,693 HOW ABOUT YOU? 1662 01:12:49,735 --> 01:12:51,569 OH, I HAVEN'TDANCED IN YEARS. 1663 01:12:51,611 --> 01:12:54,819 SHANE AND OLIVERTOOK DANCE LESSONS ONCE. 1664 01:12:54,819 --> 01:12:56,861 WHERE IS SHANE? 1665 01:12:56,903 --> 01:12:59,653 I DON'T KNOW. 1666 01:13:03,569 --> 01:13:04,944 [SPEAKING QUIETLY] 1667 01:13:08,529 --> 01:13:10,320 I'VE HEARD OF COP BARSAND I'VE HEARD OF SPORTS BARS, 1668 01:13:10,320 --> 01:13:12,945 BUT I'VE NEVERHEARD OF... 1669 01:13:17,570 --> 01:13:18,988 WOULD YOU EXCUSE ME? 1670 01:13:19,030 --> 01:13:20,071 SURE. 1671 01:13:21,905 --> 01:13:23,155 WELL, EVERYONE NEEDSA PLACE TO-- 1672 01:13:23,155 --> 01:13:24,155 OLIVER. 1673 01:13:24,155 --> 01:13:25,155 HAVE SOME CAKE. 1674 01:13:25,196 --> 01:13:26,238 OH, THANK YOU. 1675 01:13:26,280 --> 01:13:28,113 SHANE HAD ITSPECIAL-ORDERED. 1676 01:13:28,155 --> 01:13:29,405 FROM MONTALDO'S. 1677 01:13:30,613 --> 01:13:31,821 OH. 1678 01:13:31,863 --> 01:13:34,281 DALE, COULD YOU HELP MEMIX SOME MORE PUNCH? 1679 01:13:34,322 --> 01:13:35,531 SURE. 1680 01:13:36,697 --> 01:13:37,739 LATER? 1681 01:13:37,781 --> 01:13:39,364 YES. 1682 01:13:40,656 --> 01:13:43,572 [♪♪] 1683 01:13:49,115 --> 01:13:50,698 ♪ KISSES... 1684 01:13:50,740 --> 01:13:53,948 ♪ ARE SO DELICIOUS 1685 01:13:53,990 --> 01:13:58,282 ♪ DISTRACT MEALL MY WISHES ♪ 1686 01:13:58,323 --> 01:14:01,991 ♪ AND MAKE THIS DAYIN MY HEART... ♪ 1687 01:14:01,991 --> 01:14:04,574 [NIKKI]:♪ ...BEFORE ♪ 1688 01:14:04,616 --> 01:14:06,866 [DINERS APPLAUDING] 1689 01:14:11,449 --> 01:14:12,574 I, UH, 1690 01:14:12,616 --> 01:14:14,242 TOOK THE LIBERTYOF ORDERING DESSERT. 1691 01:14:14,284 --> 01:14:16,492 OH, THANK YOU. 1692 01:14:16,492 --> 01:14:17,909 WAS THAT RAMONTHAT I SAW LEAVING? 1693 01:14:17,950 --> 01:14:18,950 YES. 1694 01:14:18,992 --> 01:14:20,992 HE SENDS HIS REGARDS. 1695 01:14:21,034 --> 01:14:22,075 [CHUCKLES] 1696 01:14:22,117 --> 01:14:24,200 THAT GUY ALWAYS SHOWS UPAT THE WEIRDEST TIMES. 1697 01:14:25,367 --> 01:14:27,118 YOU THINK THIS IS WEIRD? 1698 01:14:29,618 --> 01:14:31,493 ARE YOU GOING TOTRY YOUR DESSERT? 1699 01:14:32,826 --> 01:14:36,285 UM, I'M NOT QUITE READY YET. 1700 01:14:36,326 --> 01:14:37,535 AHEM. 1701 01:14:37,576 --> 01:14:38,910 FORGIVE ME. 1702 01:14:38,951 --> 01:14:42,161 UH, IT GETSA BIT HOT IN HERE. 1703 01:14:43,661 --> 01:14:47,077 BUT, UM,I SUPPOSE YOU KNOW THAT, 1704 01:14:47,119 --> 01:14:49,036 BEING SO FAMILIARWITH THE PLACE. 1705 01:14:54,162 --> 01:14:57,287 OLIVER, LESTER IS AN IDIOT. 1706 01:14:57,328 --> 01:14:59,495 AND STEVE... 1707 01:14:59,495 --> 01:15:03,120 I HAVE BEEN OVER HIMFOR A VERY LONG TIME. 1708 01:15:04,370 --> 01:15:06,620 YOU OWE MENO EXPLANATIONS, MS. McINERNEY. 1709 01:15:06,662 --> 01:15:09,996 BECAUSE YOU AND IARE JUST... FRIENDS? 1710 01:15:09,996 --> 01:15:13,913 THAT WAS AN UNFORTUNATETURN OF PHRASE, I'M AFRAID. 1711 01:15:20,872 --> 01:15:22,622 SO-- [SIGHS] 1712 01:15:22,664 --> 01:15:25,122 SO WHAT WAS TONIGHT? 1713 01:15:26,164 --> 01:15:27,455 WAS IT A DATE? 1714 01:15:27,497 --> 01:15:30,872 OR WAS IT JUSTOUR "LONG-PROMISED DINNER"? 1715 01:15:32,830 --> 01:15:34,248 I DON'T KNOW. 1716 01:15:35,415 --> 01:15:38,206 IT WAS SUPPOSED TO BEA QUIET DINNER 1717 01:15:38,248 --> 01:15:41,331 WITH GOOD COMPANYAND GOOD CONVERSATION, 1718 01:15:41,373 --> 01:15:44,331 AND I DID WANT ITTO BE SOMEPLACE SPECIAL... 1719 01:15:45,706 --> 01:15:48,249 AND I WANTED TO DANCE. 1720 01:15:52,749 --> 01:15:54,666 OLIVER, 1721 01:15:54,707 --> 01:15:57,582 I NEVER DANCEDWITH ANY OF THE OTHERS HERE. 1722 01:15:59,041 --> 01:16:01,167 I ONLY-- 1723 01:16:03,667 --> 01:16:06,792 I ONLY DANCE WITH YOU. 1724 01:16:12,000 --> 01:16:14,500 WE COULD USE MORE PRACTICE. 1725 01:16:16,543 --> 01:16:18,668 I-I KNOW. 1726 01:16:18,668 --> 01:16:21,793 IF WE WE'RE GONNA GETANY GOOD AT IT. 1727 01:16:21,834 --> 01:16:25,959 I IMAGINEWE COULD BE VERY GOOD. 1728 01:16:26,001 --> 01:16:29,252 I IMAGINE WE WOULD BE. 1729 01:16:29,294 --> 01:16:31,419 IF WE PRACTICED EVERY WEEK. 1730 01:16:32,502 --> 01:16:34,169 EVERY WEEK? 1731 01:16:35,585 --> 01:16:38,835 OH, I ONLY MEANTIF YOU WERE SERIOUS... 1732 01:16:38,877 --> 01:16:39,919 I-I MEAN-- 1733 01:16:41,127 --> 01:16:42,920 RIGHT. 1734 01:16:44,211 --> 01:16:46,045 [PIANO BEGINS TO PLAY] 1735 01:16:46,086 --> 01:16:47,336 RIGHT. 1736 01:16:47,378 --> 01:16:50,045 [HOST]:AND NOW, RETURNING TO THE STAGE 1737 01:16:50,086 --> 01:16:52,711 WITH A VERY SPECIAL GOODNIGHT FROM MONTALDO'S... 1738 01:16:52,753 --> 01:16:56,171 PLEASE WELCOME MICHAEL AND SOPHIA. 1739 01:17:03,837 --> 01:17:09,588 ♪ IF I LOVED YOU 1740 01:17:09,630 --> 01:17:12,088 ♪ TIME AND AGAIN 1741 01:17:12,130 --> 01:17:15,338 ♪ I WOULD TRY TO SAY 1742 01:17:15,380 --> 01:17:22,506 ♪ ALL I'D WANT YOU TO KNOW 1743 01:17:24,423 --> 01:17:29,089 ♪ IF I LOVED YOU 1744 01:17:29,131 --> 01:17:34,631 ♪ WORDS WOULDN'T COMEIN AN EASY WAY ♪ 1745 01:17:34,673 --> 01:17:41,299 ♪ ROUND IN CIRCLESI'D GO ♪ 1746 01:17:43,049 --> 01:17:48,424 ♪ LONGING TO TELL YOUBUT AFRAID AND SHY ♪ 1747 01:17:48,465 --> 01:17:51,175 ♪ I'D LET MY GOLDEN CHANCES 1748 01:17:51,175 --> 01:17:54,258 ♪ PASS ME BY 1749 01:17:55,675 --> 01:17:59,508 ♪ SOON YOU'D LEAVE ME 1750 01:17:59,550 --> 01:18:02,466 ♪ OFF YOU WOULD GO 1751 01:18:02,508 --> 01:18:05,301 ♪ IN THE MIST OF DAY 1752 01:18:05,342 --> 01:18:12,384 ♪ NEVER, NEVER TO KNOW 1753 01:18:12,426 --> 01:18:17,427 ♪ HOW I LOVED YOU 1754 01:18:18,677 --> 01:18:23,968 ♪ IF I LOVED YOU 1755 01:18:30,136 --> 01:18:33,261 [♪♪] 1756 01:18:34,761 --> 01:18:38,928 ♪ SOON YOU'D LEAVE ME 1757 01:18:38,969 --> 01:18:41,428 ♪ OFF YOU WOULD GO 1758 01:18:41,469 --> 01:18:44,179 ♪ IN THE MIST OF DAY 1759 01:18:44,179 --> 01:18:52,137 ♪ NEVER, NEVER TO KNOW 1760 01:18:52,179 --> 01:18:58,096 ♪ HOW I LOVED YOU 1761 01:18:59,138 --> 01:19:01,930 [SILENCE FALLS] 1762 01:19:06,055 --> 01:19:08,305 ♪ IF 1763 01:19:10,346 --> 01:19:15,889 ♪ I LOVED YOU ♪ 1764 01:19:19,222 --> 01:19:21,764 [DINERS APPLAUDING] 1765 01:19:40,474 --> 01:19:42,808 [♪♪] 1766 01:20:12,018 --> 01:20:14,101 [POP DANCE MUSIC PLAYS] 1767 01:20:27,352 --> 01:20:29,102 OLIVER,ARE WE DANCING? 1768 01:20:31,269 --> 01:20:34,728 NO, MS. McINERNEY.WE ARE NOT. 1769 01:20:36,520 --> 01:20:38,603 OKAY. 1770 01:20:38,645 --> 01:20:41,020 [OLIVER]:I NEED TO ASK YOU SOMETHING. 1771 01:20:41,062 --> 01:20:43,312 I LIKED THAT DESSERT. 1772 01:20:43,353 --> 01:20:45,354 IT WAS VERY GOOD. 1773 01:20:45,354 --> 01:20:46,771 I'M GLAD TO HEAR IT. 1774 01:20:46,813 --> 01:20:48,479 IT'S HARD TO FINDA GOOD CURD THESE DAYS. 1775 01:20:48,521 --> 01:20:50,688 YES. TIMES HAVE CHANGED. 1776 01:20:50,688 --> 01:20:52,521 AND I'M VERYOLD-FASHIONED, YOU KNOW. 1777 01:20:52,563 --> 01:20:54,188 I'M AWARE OF THAT. 1778 01:20:54,229 --> 01:20:56,188 AND WHEN LIFEBECOMES COMPLICATED, 1779 01:20:56,229 --> 01:20:57,771 ONE FINDS ONESELF FALLING BACK 1780 01:20:57,813 --> 01:20:59,980 UPON THE TRADITIONALAND FAMILIAR. 1781 01:21:00,022 --> 01:21:03,397 ONE TAKES ONE'S TIME TO AVOIDTHE RISK OF PRECIPITOUSNESS. 1782 01:21:03,439 --> 01:21:05,855 DOES ONE GET TO THE QUESTION? 1783 01:21:05,897 --> 01:21:07,064 AND YET... 1784 01:21:07,105 --> 01:21:08,189 WHAT GOOD 1785 01:21:08,189 --> 01:21:11,064 IS A LETTERIF ONE NEVER MAILS IT? 1786 01:21:12,147 --> 01:21:13,898 IS THAT THE QUESTION? 1787 01:21:13,940 --> 01:21:16,690 NO. WHY DID YOU ORDERLEMON CAKE FOR THE PARTY TODAY? 1788 01:21:18,356 --> 01:21:20,523 UM... 1789 01:21:20,523 --> 01:21:22,940 I THOUGHT YOU SHOULD HAVEA SECOND CHANCE TO TRY IT. 1790 01:21:24,065 --> 01:21:26,024 AND YOU COULDN'T WAIT 1791 01:21:26,066 --> 01:21:28,024 UNTIL THE NEXT TIMEWE WENT TO MONTALDO'S? 1792 01:21:28,066 --> 01:21:30,816 OR DID YOU ASSUMETHERE WOULD BE NO "NEXT TIME"? 1793 01:21:31,941 --> 01:21:33,066 WELL, I... 1794 01:21:33,107 --> 01:21:34,691 WELL... 1795 01:21:34,732 --> 01:21:36,107 IT MAY SURPRISE YOU, 1796 01:21:36,149 --> 01:21:39,817 BUT I BELIEVEIN SECOND CHANCES, TOO. 1797 01:21:41,067 --> 01:21:43,192 OKAY. 1798 01:21:43,233 --> 01:21:46,150 SHALL I SHOULD PUT ITON THE CALENDAR, THEN, 1799 01:21:46,192 --> 01:21:48,067 FOR SOMETIME THIS YEAR? 1800 01:21:48,108 --> 01:21:50,733 YES. HOW DOESNEXT SATURDAY SOUND? 1801 01:21:50,775 --> 01:21:51,817 GREAT. 1802 01:21:51,858 --> 01:21:52,858 IT'S A DATE. 1803 01:21:52,900 --> 01:21:54,359 I MEAN, IT'S A-- 1804 01:21:54,401 --> 01:21:56,984 IT IS A DATE. 1805 01:22:01,943 --> 01:22:04,484 SPEAKING OFSECOND CHANCES-- 1806 01:22:04,526 --> 01:22:06,109 MM-HMM? 1807 01:22:06,151 --> 01:22:07,860 HOW DO YOU LIKE MY HAIR? 1808 01:22:07,902 --> 01:22:09,735 WHAT? 1809 01:22:10,777 --> 01:22:13,652 DO YOU LIKE MY HAIR? 1810 01:22:13,694 --> 01:22:16,569 IT'S FINE.UH, IT'S, UH, VERY... 1811 01:22:18,319 --> 01:22:20,070 I LIKE THE FLOWER. 1812 01:22:20,111 --> 01:22:22,403 GOOD. 1813 01:22:22,445 --> 01:22:23,695 AHEM. 1814 01:22:23,736 --> 01:22:26,278 IT'S THE FIRSTROSE OF SUMMER. 1815 01:22:28,028 --> 01:22:29,195 NO! 1816 01:22:29,195 --> 01:22:31,695 IT TOOK AFTER ALL. 1817 01:22:31,736 --> 01:22:35,779 AND NO ANIMALS WERE HARMEDIN THE BLOOMING OF THIS ROSE. 1818 01:22:35,821 --> 01:22:37,237 [LAUGHING] 1819 01:22:37,279 --> 01:22:39,029 AND-- ANDYOU'D GIVEN UP. 1820 01:22:39,029 --> 01:22:40,779 I KNOW. 1821 01:22:40,821 --> 01:22:42,904 OH, ME OF LITTLE FAITH. 1822 01:22:44,362 --> 01:22:46,862 ALL IT TAKES IS A LITTLE. 1823 01:22:50,947 --> 01:22:52,030 COME ON! 1824 01:22:52,072 --> 01:22:56,072 [♪♪] 1825 01:23:02,364 --> 01:23:03,323 ♪ IT'S ALL GOOD 1826 01:23:03,364 --> 01:23:04,864 ♪ IT GETS EVEN BETTER 1827 01:23:04,864 --> 01:23:05,864 ♪ UP IN THE SKY 1828 01:23:05,906 --> 01:23:06,864 ♪ THERE'S ALWAYS SUNNY WEATHER 1829 01:23:06,864 --> 01:23:08,198 ♪ IT'S A PERFECT DAY 1830 01:23:08,198 --> 01:23:11,364 ♪ AIN'T NOTHING WRONG'CAUSE EVERYTHING'S ALL RIGHT ♪ 1831 01:23:11,364 --> 01:23:14,699 ♪ IT'S ALL GOODWHEN WE GET TOGETHER ♪ 1832 01:23:14,740 --> 01:23:17,115 ♪ WELL, NOW IT GETS BETTER 1833 01:23:17,157 --> 01:23:19,199 ♪ WHEN YOU GOT WHAT MATTERS 1834 01:23:19,199 --> 01:23:20,199 ♪ IT'S ALL GOOD 1835 01:23:20,199 --> 01:23:21,657 ♪ IT GETS EVEN BETTER 1836 01:23:21,699 --> 01:23:23,449 ♪ DOO, DOO-DOODOO-DOO-DOO-DOO ♪ 1837 01:23:23,490 --> 01:23:25,990 ♪ DOO, DOO-DOODOO-DOO-DOO-DOO-DOO ♪ 1838 01:23:26,032 --> 01:23:28,366 ♪ DOO, DOO-DOODOO-DOO-DOO-DOO ♪ 1839 01:23:28,366 --> 01:23:29,366 ♪ IT'S ALL GOOD 1840 01:23:37,366 --> 01:23:41,326 [♪♪] 113001

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