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1
00:00:03,302 --> 00:00:06,311
ANNIE: [panting]
2
00:00:06,311 --> 00:00:09,320
[breathing heavily]
3
00:00:09,320 --> 00:00:10,741
[dark music]
4
00:00:10,741 --> 00:00:12,830
[typewriter key clacks]
5
00:00:12,830 --> 00:00:17,052
♪ ♪
6
00:00:17,052 --> 00:00:20,061
[typewriter keys clacking]
7
00:00:20,061 --> 00:00:25,076
♪ ♪
8
00:00:25,076 --> 00:00:27,040
[sound mutes]
9
00:00:27,040 --> 00:00:30,091
♪ ♪
10
00:00:30,091 --> 00:00:31,762
[typewriter key clacks]
11
00:00:31,762 --> 00:00:33,267
[leaves crunching]
12
00:00:33,267 --> 00:00:35,314
[sound mutes]
13
00:00:35,314 --> 00:00:37,154
[typewriter key clacks]
14
00:00:37,154 --> 00:00:40,163
[panting]
15
00:00:40,163 --> 00:00:43,130
[water rushing]
16
00:00:52,324 --> 00:00:54,538
[typewriter keys clack]
17
00:00:54,538 --> 00:00:56,461
[typewriter whirs, clicks]
18
00:00:56,461 --> 00:01:03,482
♪ ♪
19
00:01:11,632 --> 00:01:14,641
[muffled typewriter keysclacking]
20
00:01:14,641 --> 00:01:17,565
♪ ♪
21
00:01:17,565 --> 00:01:19,530
[typewriter whirrs, clicks]
22
00:01:20,701 --> 00:01:22,539
CHORUS: ♪ We're coming
to the edge ♪
23
00:01:22,539 --> 00:01:24,796
♪ Running on the water ♪
24
00:01:24,796 --> 00:01:28,766
♪ Coming through the fog,
your sons and daughters ♪
25
00:01:28,766 --> 00:01:31,107
♪ ♪
26
00:01:31,107 --> 00:01:36,080
SINGER: ♪ Let the river run ♪
27
00:01:36,080 --> 00:01:39,674
♪ Let all the dreamers ♪
28
00:01:39,674 --> 00:01:43,895
♪ Wake the nation ♪
29
00:01:43,895 --> 00:01:45,776
♪ Come ♪
30
00:01:45,776 --> 00:01:51,794
♪ The New Jerusalem ♪
31
00:01:51,794 --> 00:01:56,015
♪ ♪
32
00:01:56,015 --> 00:02:00,152
♪ Silver cities rise ♪
33
00:02:00,152 --> 00:02:02,660
♪ The morning lights ♪
34
00:02:02,660 --> 00:02:06,379
♪ The streets that meet them ♪
35
00:02:06,379 --> 00:02:10,266
♪ And sirens call them on ♪
36
00:02:10,266 --> 00:02:13,776
♪ With a song ♪
37
00:02:13,776 --> 00:02:16,576
♪ ♪
38
00:02:16,576 --> 00:02:22,218
♪ It's asking for the taking ♪
39
00:02:22,218 --> 00:02:27,693
♪ Trembling, shaking ♪
40
00:02:27,693 --> 00:02:30,117
♪ Oh ♪
ANNIE: Joy.
41
00:02:30,117 --> 00:02:31,370
[engine turns over]
42
00:02:31,370 --> 00:02:33,418
JOY: Shall we?
‐ To the Laughing Place.
43
00:02:33,418 --> 00:02:35,424
‐ To the Laughing Place.
44
00:02:35,424 --> 00:02:36,720
SINGER:
♪ Coming through the fog ♪
45
00:02:36,720 --> 00:02:38,183
♪ Your sons and daughters ♪
46
00:02:38,183 --> 00:02:42,612
BOTH:
♪ We the great and small ♪
47
00:02:42,612 --> 00:02:45,246
♪ Stand on a star ♪
48
00:02:45,246 --> 00:02:50,679
SINGER: ♪ And blaze a trail
of desire ♪
49
00:02:50,679 --> 00:02:57,407
♪ Through the darkening dawn ♪
50
00:02:57,407 --> 00:02:59,371
♪ ♪
51
00:02:59,371 --> 00:03:04,386
BOTH: ♪ It's asking
for the taking ♪
52
00:03:04,386 --> 00:03:07,562
ANNIE: ♪ Come run with me now,
the sky is color of blue ♪
53
00:03:07,562 --> 00:03:11,742
♪ You've never even seen
in the eyes of your lover ♪
54
00:03:11,742 --> 00:03:15,127
BOTH: ♪ My heart is aching ♪
55
00:03:15,127 --> 00:03:17,885
‐ ♪ We're coming to the edge ♪
‐ ♪ Running on the water ♪
56
00:03:17,885 --> 00:03:21,312
‐ ♪ Coming through the fog ♪
‐ ♪ Your sons and daughters ♪
57
00:03:21,312 --> 00:03:25,532
♪ ♪
58
00:03:25,532 --> 00:03:31,050
BOTH: ♪ It's askingfor the taking ♪
59
00:03:31,050 --> 00:03:36,482
SINGER:
♪ Trembling, shaking ♪
60
00:03:36,482 --> 00:03:41,580
♪ Oh, my heart is aching ♪
61
00:03:41,580 --> 00:03:44,506
‐ ♪ We're coming to the edge ♪
‐ ♪ Running on the water ♪
62
00:03:44,506 --> 00:03:47,306
‐ ♪ Coming through the fog ♪
‐ ♪ Your sons and daughters ♪
63
00:03:47,306 --> 00:03:50,065
ALL: ♪ Let the river run ♪
64
00:03:50,065 --> 00:03:52,781
SINGER: ♪ Let the river run ♪
65
00:03:52,781 --> 00:03:54,286
♪ Let all the dreamers ♪
66
00:03:54,286 --> 00:03:57,628
[no audible dialogue]
67
00:03:57,628 --> 00:03:59,384
♪ Come ♪
68
00:03:59,384 --> 00:04:05,277
♪ The New Jerusalem ♪
69
00:04:05,277 --> 00:04:07,868
[all whooping, laughing]
70
00:04:07,868 --> 00:04:14,346
♪ ♪
71
00:04:14,346 --> 00:04:17,355
[insects chirping]
72
00:04:22,578 --> 00:04:24,836
[insects buzzing]
73
00:04:24,836 --> 00:04:27,385
[insect wings fluttering]
74
00:04:31,982 --> 00:04:34,949
[camera shutter clicking]
75
00:04:34,949 --> 00:04:37,582
TRAVELER: You're North Dakota.
76
00:04:37,582 --> 00:04:39,629
Your plate's North Dakota.
77
00:04:39,629 --> 00:04:41,677
One of the only suckers
we haven't got.
78
00:04:41,677 --> 00:04:43,266
"Plate from every state."
79
00:04:43,266 --> 00:04:45,522
It's a little game
my boy and I play in the car.
80
00:04:45,522 --> 00:04:47,068
You gotta pass the time.
81
00:04:47,068 --> 00:04:49,784
‐ Oh, surely do, but...
82
00:04:49,784 --> 00:04:52,376
oh, goodness,
I hate to even ask you this.
83
00:04:52,376 --> 00:04:53,964
‐ What was that?
84
00:04:53,964 --> 00:04:57,098
‐ It's just, my girl and I...
85
00:04:58,353 --> 00:05:01,110
We're taking a little break
from the internet.
86
00:05:01,110 --> 00:05:04,287
We've had some trouble online.
87
00:05:04,287 --> 00:05:07,171
Harassment.
‐ Oh, no.
88
00:05:07,171 --> 00:05:09,051
‐ Would you terribly mind
89
00:05:09,051 --> 00:05:11,517
deleting those pics
you just snapped?
90
00:05:11,517 --> 00:05:13,147
MAN: Of course, ma'am.
91
00:05:13,147 --> 00:05:14,609
Apologies.
92
00:05:14,609 --> 00:05:16,825
[gas rushing]
93
00:05:16,825 --> 00:05:19,624
[pump clicks]
94
00:05:19,624 --> 00:05:21,129
‐ Appreciate you.
95
00:05:22,633 --> 00:05:25,308
[screws twisting]
96
00:05:39,141 --> 00:05:42,025
[license plates clattering]
97
00:05:42,025 --> 00:05:43,613
[lock clicks]
98
00:05:45,243 --> 00:05:48,252
[engine rumbling]
99
00:05:50,885 --> 00:05:53,894
[dark music]
100
00:05:53,894 --> 00:05:59,577
♪ ♪
101
00:05:59,577 --> 00:06:02,586
[eerie, raspy breathing]
102
00:06:20,724 --> 00:06:23,064
[bag rustling]
103
00:06:23,064 --> 00:06:25,990
[no audible rattling]
104
00:06:25,990 --> 00:06:33,011
♪ ♪
105
00:06:36,855 --> 00:06:38,861
[no audible rattling]
106
00:06:38,861 --> 00:06:44,754
♪ ♪
107
00:06:46,468 --> 00:06:48,474
[no audible rattling]
108
00:06:50,814 --> 00:06:52,026
JOY: Mom!
109
00:06:52,026 --> 00:06:53,949
‐ [screams]
ANNIE: Joy!
110
00:06:53,949 --> 00:06:56,540
[both scream]
111
00:06:56,540 --> 00:06:59,507
[metal creaking]
112
00:06:59,507 --> 00:07:00,677
♪ ♪
113
00:07:00,677 --> 00:07:03,310
[metal crashing, skidding]
114
00:07:03,310 --> 00:07:06,319
[horn honking]
115
00:07:06,319 --> 00:07:09,328
[suspenseful music]
116
00:07:09,328 --> 00:07:16,349
♪ ♪
117
00:07:22,576 --> 00:07:25,585
[ominous music]
118
00:07:25,585 --> 00:07:32,606
♪ ♪
119
00:07:55,466 --> 00:07:58,475
[clock ticking]
120
00:07:58,475 --> 00:08:01,484
[ominous music]
121
00:08:01,484 --> 00:08:06,290
♪ ♪
122
00:08:06,290 --> 00:08:08,505
[approaching footsteps]
123
00:08:08,505 --> 00:08:11,932
♪ ♪
124
00:08:11,932 --> 00:08:13,979
POP: Let's go with a gas leak.
125
00:08:13,979 --> 00:08:16,446
No arson.Too much paperwork.
126
00:08:16,446 --> 00:08:18,744
Place wasn't worth that muchto begin with.
127
00:08:36,464 --> 00:08:38,261
ACE: Hey.
128
00:08:38,261 --> 00:08:39,515
Hi.
129
00:08:39,515 --> 00:08:40,893
Hi, hi.
130
00:08:40,893 --> 00:08:42,858
‐ [dog whimpers]
‐ Hi. [kisses]
131
00:08:42,858 --> 00:08:44,154
[bell jingles]
132
00:08:44,154 --> 00:08:45,783
[railroad crossing bell
dinging]
133
00:08:45,783 --> 00:08:47,706
[tools whirring]
134
00:08:47,706 --> 00:08:49,294
[dog whimpers]
135
00:08:52,345 --> 00:08:53,766
[dog barks]
136
00:08:53,766 --> 00:08:56,733
♪ ♪
137
00:08:56,733 --> 00:08:57,903
[door slams]
138
00:08:57,903 --> 00:09:00,243
[engine turns over]
139
00:09:04,465 --> 00:09:06,846
[engine rumbling]
140
00:09:06,846 --> 00:09:09,855
[train wheels clattering]
141
00:09:09,855 --> 00:09:16,876
♪ ♪
142
00:09:22,101 --> 00:09:24,064
TALK SHOW HOST: And what dowe get in return?
143
00:09:24,064 --> 00:09:25,653
A slap in the face.
144
00:09:25,653 --> 00:09:28,077
Somalis took what they needed
145
00:09:28,077 --> 00:09:30,835
when they needed it,and now that they're dug in,
146
00:09:30,835 --> 00:09:33,552
guess what, we don't even geta "thank you."
147
00:09:33,552 --> 00:09:37,020
We sure as hell don't geta return on our investment.
148
00:09:37,020 --> 00:09:39,570
If they put a prayer roomin that new mall, folks,
149
00:09:39,570 --> 00:09:40,990
guess what...
150
00:09:40,990 --> 00:09:42,746
[engine rumbling]
151
00:09:42,746 --> 00:09:45,713
They're smart, these folks,and we've been stupid.
152
00:09:45,713 --> 00:09:47,969
And now they're taking it all.
153
00:09:47,969 --> 00:09:50,603
Not just our business either.Our land.
154
00:09:50,603 --> 00:09:52,984
They've been sweeping upold buildings
155
00:09:52,984 --> 00:09:55,868
and property all aroundSalem's Lot for years.
‐ [indistinct shouting]
156
00:09:55,868 --> 00:09:58,417
TALK SHOW HOST: Grounds we'velearned fell over decades
157
00:09:58,417 --> 00:10:00,842
'cause of one old ghost storyor another.
158
00:10:00,842 --> 00:10:02,722
[engine rumbling]
159
00:10:02,722 --> 00:10:04,478
[brakes squeaking]
160
00:10:04,478 --> 00:10:06,275
...400th anniversary.
161
00:10:06,275 --> 00:10:08,740
[indistinct chatter]
162
00:10:09,910 --> 00:10:13,212
‐ Hey. Go ahead.
Tie me that. Give it up.
163
00:10:13,212 --> 00:10:15,469
SHOP OWNER: Here is your money,
all right?
164
00:10:17,559 --> 00:10:19,188
‐ [scoffs]
165
00:10:19,188 --> 00:10:21,571
BILLY: Where's your weekly?
‐ Here you go.
166
00:10:21,571 --> 00:10:23,619
‐ You, give it up.
167
00:10:24,830 --> 00:10:26,961
BILLY: Pay up.
SHOP OWNER: Here.
168
00:10:28,257 --> 00:10:30,012
‐ Let's go.
Rent.
169
00:10:30,012 --> 00:10:31,517
‐ [laughing]
170
00:10:33,690 --> 00:10:36,113
[cash register dings]
[drawer clatters]
171
00:10:39,625 --> 00:10:42,341
The fuck's this?
‐ This is my two weeks' notice.
172
00:10:42,341 --> 00:10:45,768
I'll be closing down.
I'm moving to Abdi's new mall.
173
00:10:45,768 --> 00:10:47,983
BILLY: You, too,
you piece of shit?
174
00:10:47,983 --> 00:10:50,156
‐ Keep the money.
175
00:10:50,156 --> 00:10:52,162
‐ Please, Ace,
I pay what I owe.
176
00:10:52,162 --> 00:10:54,210
ACE: Oh, no, Naji.
177
00:10:54,210 --> 00:10:57,010
Please, keep it.
178
00:10:58,305 --> 00:11:00,688
You're not going anywhere.
179
00:11:00,688 --> 00:11:04,114
[foreboding music]
180
00:11:04,114 --> 00:11:07,123
[construction trucks beeping]
181
00:11:14,980 --> 00:11:16,986
ACE: [yelling]
Is that that piece of shit?
182
00:11:16,986 --> 00:11:19,243
Get the fuck out of my way.
183
00:11:19,243 --> 00:11:21,793
Touch me again,
you fucking rake!
184
00:11:21,793 --> 00:11:23,715
Touch me again!
MAN: You need to step back.
185
00:11:23,715 --> 00:11:26,013
‐ Abdi, get the fuck out here!
186
00:11:26,013 --> 00:11:28,688
You fucking prick.
187
00:11:28,688 --> 00:11:30,653
ABDI: Hey.
188
00:11:30,653 --> 00:11:32,867
Looking to rent a stall?
189
00:11:32,867 --> 00:11:34,790
Get of your own shitty mall?
190
00:11:34,790 --> 00:11:36,754
We can help you with that.
191
00:11:36,754 --> 00:11:38,342
We have friends
and family rate.
192
00:11:38,342 --> 00:11:39,721
‐ You're not my fucking family,
193
00:11:39,721 --> 00:11:41,727
and you never were,
you adopted piece of shit.
194
00:11:41,727 --> 00:11:43,440
‐ Hey, hey, hey.
Back up. Back up.
195
00:11:43,440 --> 00:11:46,241
ABDI:
It's just business, right?
That's what Pop taught me.
196
00:11:46,241 --> 00:11:47,787
ACE: You know why
you got this land?
197
00:11:47,787 --> 00:11:49,250
'Cause no one else
fucking wants it.
198
00:11:49,250 --> 00:11:50,588
HASSAN: Haunted, right?
199
00:11:50,588 --> 00:11:52,844
Ghosts of the white people
who used to live here?
200
00:11:52,844 --> 00:11:54,014
ABDI: Who were those?
201
00:11:54,014 --> 00:11:57,148
The witches
or the slave owners?
202
00:11:57,148 --> 00:12:00,366
ACE: Stop poaching my tenants.
‐ Hey, hey, hey.
203
00:12:00,366 --> 00:12:02,957
‐ Go back to your fucking car.
204
00:12:05,130 --> 00:12:06,886
[car door squeaks, slams]
205
00:12:06,886 --> 00:12:09,978
[engine turns over]
206
00:12:09,978 --> 00:12:12,026
[horn honks]
207
00:12:12,026 --> 00:12:14,242
[engine rumbling]
208
00:12:15,621 --> 00:12:18,630
[indistinct chatter]
209
00:12:19,883 --> 00:12:22,892
[machines whirring]
210
00:12:22,892 --> 00:12:25,901
[eerie, discordant music]
211
00:12:25,901 --> 00:12:32,922
♪ ♪
212
00:12:52,899 --> 00:12:55,908
[machine blares, powers down]
213
00:13:05,353 --> 00:13:08,362
[brakes creaking]
214
00:13:08,362 --> 00:13:11,371
[foreboding music]
215
00:13:11,371 --> 00:13:18,141
♪ ♪
216
00:13:18,141 --> 00:13:20,565
[car door squeaks]
217
00:13:20,565 --> 00:13:24,117
♪ ♪
218
00:13:24,117 --> 00:13:26,416
[car door slams]
219
00:13:26,416 --> 00:13:32,476
♪ ♪
220
00:13:32,476 --> 00:13:34,189
[door slams]
221
00:13:36,488 --> 00:13:37,532
‐ Mom?
222
00:13:37,532 --> 00:13:39,956
‐ You give that landlord
two lanes.
223
00:13:39,956 --> 00:13:41,921
You understand?
224
00:13:47,395 --> 00:13:48,482
JOY: Why?
225
00:13:48,482 --> 00:13:50,906
He seems okay.
226
00:13:50,906 --> 00:13:52,452
ANNIE: He's not.
227
00:13:54,541 --> 00:13:57,299
‐ After the accident,
he didn't even charge us
to tow the car.
228
00:13:57,299 --> 00:13:58,512
‐ Exactly.
229
00:13:58,512 --> 00:14:00,141
Nothing's for free
with a man like that,
230
00:14:00,141 --> 00:14:01,521
believe you me.
231
00:14:01,521 --> 00:14:03,234
‐ Mom.
‐ Joy.
232
00:14:03,234 --> 00:14:06,452
If you can't see how
that dirty bird's been
looking at us...
233
00:14:06,452 --> 00:14:09,545
[sighs]
I haven't taught you anything.
234
00:14:10,966 --> 00:14:13,055
JOY: Are you okay?
235
00:14:13,055 --> 00:14:15,563
You seem a little...
236
00:14:15,563 --> 00:14:17,987
you know.
237
00:14:17,987 --> 00:14:20,243
‐ This isn't about me.
238
00:14:22,082 --> 00:14:24,130
‐ You know, if‐‐if you're not
feeling like yourself,
239
00:14:24,130 --> 00:14:26,512
you can tell me.
240
00:14:26,512 --> 00:14:29,981
I just mean, you haven't
had your medicine
in a week, right?
241
00:14:29,981 --> 00:14:32,321
‐ I'm getting more pills
at the hospital today.
242
00:14:32,321 --> 00:14:35,957
Don't you worry one little bit.
243
00:14:35,957 --> 00:14:38,214
[lock clicks, handle rattles]
244
00:14:38,214 --> 00:14:41,181
‐ After I finish school stuff,
can I go to the store?
245
00:14:42,435 --> 00:14:44,650
To get more drawing paper.
246
00:14:44,650 --> 00:14:46,447
‐ I got you some two towns ago.
247
00:14:46,447 --> 00:14:48,871
We're not millionaires, Joy.
248
00:14:48,871 --> 00:14:52,424
‐ I don't know, I'm just‐‐
I'm feeling a little
cabin‐fevery.
249
00:14:52,424 --> 00:14:54,430
I haven't been out of the house
in a week.
250
00:14:54,430 --> 00:14:56,727
‐ Little love...
251
00:14:56,727 --> 00:14:58,232
[tense music]
252
00:14:58,232 --> 00:15:01,827
This town is not a good place.
253
00:15:01,827 --> 00:15:04,083
Not just that dirty bird.
254
00:15:04,083 --> 00:15:05,713
He's the roach you can see.
255
00:15:05,713 --> 00:15:07,677
The rest are in the walls.
256
00:15:07,677 --> 00:15:09,683
I've heard things.
257
00:15:09,683 --> 00:15:11,481
Massacres.
258
00:15:11,481 --> 00:15:14,490
Kids vanishing into thin air.
259
00:15:14,490 --> 00:15:16,579
♪ ♪
260
00:15:16,579 --> 00:15:18,627
‐ Okay, Mom.
261
00:15:18,627 --> 00:15:21,803
ANNIE: Just a couple more days.
262
00:15:21,803 --> 00:15:25,271
We'll get the car fixed
good as new.
263
00:15:25,271 --> 00:15:28,866
We'll be back on the road
in no time.
264
00:15:28,866 --> 00:15:31,541
JOY: To where?
265
00:15:31,541 --> 00:15:33,170
‐ The Laughing Place,
of course.
266
00:15:33,170 --> 00:15:35,636
‐ Where?
Montreal, still?
267
00:15:35,636 --> 00:15:38,645
ANNIE: Why not?
268
00:15:38,645 --> 00:15:40,609
I need to get ready
for my interview.
269
00:15:40,609 --> 00:15:45,331
When I'm gone,
you don't open up that door
for anyone, understand?
270
00:15:50,764 --> 00:15:52,938
[bird cawing]
271
00:15:52,938 --> 00:15:54,902
JAMAL: How many shiftsare you after?
272
00:15:54,902 --> 00:15:56,323
How's April looking for you?
273
00:15:56,323 --> 00:15:58,245
ANNIE: Oh, I'm just
passing through.
274
00:15:58,245 --> 00:16:01,589
Your ad said
you needed temp RNs.
275
00:16:01,589 --> 00:16:03,260
‐ Okay, you on any medications?
276
00:16:03,260 --> 00:16:05,684
‐ No.
JAMAL: State screening.
277
00:16:05,684 --> 00:16:07,565
Now even temp RNs have to list.
278
00:16:07,565 --> 00:16:10,114
Annie: Oh, well, vitamin D.
279
00:16:10,114 --> 00:16:13,625
JAMAL: Docs love to push
the vitamin D, right?
280
00:16:13,625 --> 00:16:17,177
Okay, then, just need
two forms of ID, Ms. Ingalls.
281
00:16:21,106 --> 00:16:22,527
‐ Birth certificate.
282
00:16:22,527 --> 00:16:25,451
It's a copy.
I hope that's okay.
283
00:16:27,457 --> 00:16:30,634
[suspenseful music]
284
00:16:30,634 --> 00:16:34,145
NURSE: Nurses' station.
This is Eric.
285
00:16:34,145 --> 00:16:35,984
JAMAL: Salem's Lot'swe get all the greatest hits.
286
00:16:35,984 --> 00:16:39,452
Appendicitis, vaccines,arrhythmias.
287
00:16:39,452 --> 00:16:42,587
Intakes from Castle Rock,
you're looking at 70‐80% ODs.
288
00:16:42,587 --> 00:16:45,219
All NARCAN all the time.
289
00:16:45,219 --> 00:16:48,312
♪ ♪
290
00:16:48,312 --> 00:16:50,862
[marker squeaking]
291
00:16:50,862 --> 00:16:52,407
Drugs are all in there.
292
00:16:52,407 --> 00:16:54,330
Only docs and
nurse practitioners
have the passcode.
293
00:16:54,330 --> 00:16:55,919
‐ Seems like a lot
of extra work.
294
00:16:55,919 --> 00:16:59,261
‐ Mm, new state regs
'cause of all the damn junkies.
295
00:16:59,261 --> 00:17:02,521
♪ ♪
296
00:17:02,521 --> 00:17:05,488
[monitor beeping]
297
00:17:11,339 --> 00:17:13,387
EVELYN:
Can I help you with something?
298
00:17:13,387 --> 00:17:15,979
‐ Depakote, 125 for room three.
299
00:17:15,979 --> 00:17:18,570
She needs an adjustment.
‐ Can you find what you need?
300
00:17:18,570 --> 00:17:19,949
‐ Sure thing.
301
00:17:19,949 --> 00:17:22,414
[keypad beeping]
302
00:17:22,414 --> 00:17:24,922
‐ Oh, keypad's fritzing again.
303
00:17:24,922 --> 00:17:26,844
You know, Dr. H has
an override key.
304
00:17:26,844 --> 00:17:28,181
She'll bring you in.
305
00:17:28,181 --> 00:17:30,229
[indistinct announcementover PA]
306
00:17:30,229 --> 00:17:32,360
[bed creaks, metal clanging]
307
00:17:32,360 --> 00:17:33,615
♪ ♪
308
00:17:33,615 --> 00:17:35,746
[keypad beeps, echoes]
309
00:17:35,746 --> 00:17:37,500
NURSE: Anne?
310
00:17:37,500 --> 00:17:39,215
♪ ♪
311
00:17:39,215 --> 00:17:41,512
[metal clanging]
312
00:17:41,512 --> 00:17:42,892
[monitor beeping][clanging continues]
313
00:17:42,892 --> 00:17:45,149
[paddles charging]
314
00:17:45,149 --> 00:17:47,322
[monitor beeps]
315
00:17:47,322 --> 00:17:49,036
‐ [muttering] How on Earth...
316
00:17:49,036 --> 00:17:52,045
[wheelchair squeaking]
317
00:17:52,045 --> 00:17:58,731
♪ ♪
318
00:18:01,072 --> 00:18:03,412
[indistinct chatter]
319
00:18:03,412 --> 00:18:06,421
[birds chirping]
320
00:18:14,361 --> 00:18:16,744
‐ [sighs]
321
00:18:22,093 --> 00:18:25,937
[fridge whirring]
322
00:18:25,937 --> 00:18:28,362
[door squeaks]
323
00:18:28,362 --> 00:18:31,371
[cagey music]
324
00:18:31,371 --> 00:18:38,392
♪ ♪
325
00:18:40,649 --> 00:18:42,237
[button snaps]
326
00:18:42,237 --> 00:18:44,451
[static crackling]
327
00:18:44,451 --> 00:18:45,705
[button snaps]
[audio warbles]
328
00:18:45,705 --> 00:18:47,210
REPORTER: After monthsof renovations,
329
00:18:47,210 --> 00:18:49,676
inmates are finallyreturning home to Shawshank
330
00:18:49,676 --> 00:18:52,434
after spending mostof last year dispersedacross the northeast.
331
00:18:52,434 --> 00:18:54,732
Of course, not everyoneis happy to be back,
332
00:18:54,732 --> 00:18:57,365
in light of allthat's transpiredwithin these walls.
333
00:18:57,365 --> 00:18:59,246
ANNOUNCER:Orderly to admitting.
334
00:18:59,246 --> 00:19:01,127
Orderly to admitting.
335
00:19:01,127 --> 00:19:03,175
[suspenseful music]
336
00:19:03,175 --> 00:19:06,142
NADIA: We've had to keep
this locked.
[keypad beeps]
337
00:19:06,142 --> 00:19:07,980
NURSE: Thanks, Dr. H.
338
00:19:07,980 --> 00:19:15,002
♪ ♪
339
00:19:20,936 --> 00:19:23,945
[typewriter keys clacking]
340
00:19:23,945 --> 00:19:26,118
♪ ♪
341
00:19:26,118 --> 00:19:28,834
[typewriter whirrs, clicks]
342
00:19:28,834 --> 00:19:31,802
TALL MAN:[unintelligible muttering]
343
00:19:31,802 --> 00:19:34,894
[sinister music]
344
00:19:34,894 --> 00:19:37,193
♪ ♪
345
00:19:37,193 --> 00:19:40,578
[horn blaring]
346
00:19:40,578 --> 00:19:43,336
[tires rumbling]
347
00:19:43,336 --> 00:19:47,808
♪ ♪
348
00:19:51,068 --> 00:19:54,077
[Bruce Springsteen's"State Trooper"]
349
00:19:54,077 --> 00:19:58,548
♪ ♪
350
00:19:58,548 --> 00:20:02,644
BRUCE: ♪ New Jersey Turnpike ♪
351
00:20:02,644 --> 00:20:05,319
♪ Riding on a wet night ♪
352
00:20:05,319 --> 00:20:06,990
[herb crackles]
353
00:20:06,990 --> 00:20:09,874
♪ 'Neath the refinery's glow ♪
354
00:20:09,874 --> 00:20:14,638
♪ Out where the great
black rivers flow ♪
355
00:20:14,638 --> 00:20:18,776
♪ License, registration ♪
356
00:20:18,776 --> 00:20:20,531
♪ I ain't got none ♪
357
00:20:20,531 --> 00:20:22,871
‐ Tell Sheriff Boucher
358
00:20:22,871 --> 00:20:24,543
that if another one
of his rookies
359
00:20:24,543 --> 00:20:27,385
puts a fucking parking ticket
on my truck...
360
00:20:27,385 --> 00:20:29,307
[camera clicks]
361
00:20:29,307 --> 00:20:32,901
There won't be any Christmas
in the Boucher household.
362
00:20:32,901 --> 00:20:35,576
Your per diem's
in the Crisco can.
363
00:20:35,576 --> 00:20:37,123
♪ ♪
364
00:20:37,123 --> 00:20:40,132
BRUCE:
♪ Please don't stop me ♪
365
00:20:40,132 --> 00:20:42,513
[metal clatters]
366
00:20:42,513 --> 00:20:45,021
POP: You break it,
you bought it.
367
00:20:45,021 --> 00:20:47,320
ACE: Two more tenants
leaving me early
for Abdi's mall.
368
00:20:47,320 --> 00:20:49,201
POP: Leaving you?
369
00:20:49,201 --> 00:20:51,248
That's a fucking mystery.
Who'd want to leave you?
370
00:20:51,248 --> 00:20:52,585
ACE: You could've put an end
to this shit.
371
00:20:52,585 --> 00:20:54,466
POP: Could I have?
372
00:20:54,466 --> 00:20:57,141
‐ That fucking land Abdi got
for a song and a handjob?
373
00:20:57,141 --> 00:20:59,231
That was imminent domain.
374
00:20:59,231 --> 00:21:01,612
One call to the fucking
state board, no new mall.
375
00:21:01,612 --> 00:21:04,204
You could have
stuck your dick in
and ended this whole thing.
376
00:21:04,204 --> 00:21:07,171
‐ That what you want?
Me sticking my dick in?
377
00:21:07,171 --> 00:21:10,096
Fuck, thought you wanted
to be in charge.
378
00:21:10,096 --> 00:21:11,725
‐ You just served me up
to him and the rakes.
379
00:21:11,725 --> 00:21:14,693
Jesus Christ, Pop,
you gotta tell Abdi,
"Cut this shit out."
380
00:21:14,693 --> 00:21:16,282
We're gonna lose everything!
‐ "We"?
381
00:21:16,282 --> 00:21:18,246
No, the mall, your house,
382
00:21:18,246 --> 00:21:19,917
everything you fucking have,
I gave you.
383
00:21:19,917 --> 00:21:22,048
ACE: You gave me shit,
I took what I deserved.
384
00:21:22,048 --> 00:21:25,475
Remember, Sergeant Major?
385
00:21:26,897 --> 00:21:30,449
‐ You'd be wise
not to bring that up again.
386
00:21:30,449 --> 00:21:31,995
[bell jingles]
387
00:21:31,995 --> 00:21:34,294
[tense music]
388
00:21:34,294 --> 00:21:35,924
[door closes]
389
00:21:35,924 --> 00:21:41,190
♪ ♪
390
00:21:41,190 --> 00:21:44,199
[TV chattering]
391
00:21:50,342 --> 00:21:52,975
‐ [sighs]
392
00:22:19,136 --> 00:22:21,560
[mellow acoustic guitar
playing]
393
00:22:21,560 --> 00:22:25,572
CHANCE: ♪ Water couldn't
end me ♪
394
00:22:25,572 --> 00:22:29,250
♪ Something, something,
un‐friend me ♪
395
00:22:29,250 --> 00:22:32,259
[continues singing
indistinctly]
396
00:22:32,259 --> 00:22:35,352
♪ ♪
397
00:22:35,352 --> 00:22:38,151
♪ Would you burn for me? ♪
398
00:22:38,151 --> 00:22:41,745
♪ Take my place at the stake? ♪
399
00:22:41,745 --> 00:22:43,835
♪ While I'm still awake? ♪
400
00:22:43,835 --> 00:22:46,510
[humming]
401
00:22:47,680 --> 00:22:49,143
Too loud?
402
00:22:49,143 --> 00:22:52,611
‐ Oh, no, it's‐‐it's pretty.
403
00:22:52,611 --> 00:22:55,662
‐ It's a work in progress
probably forever.
404
00:22:55,662 --> 00:22:57,961
It's about witches.
405
00:22:57,961 --> 00:23:00,218
‐ Ah.
406
00:23:00,218 --> 00:23:02,850
Like in The Wizard of Oz?
407
00:23:02,850 --> 00:23:05,275
CHANCE: Uh, yeah,
but more like Satanists.
408
00:23:05,275 --> 00:23:06,570
There used to be
a bunch of them
409
00:23:06,570 --> 00:23:08,534
that lived around here
like a million years ago.
410
00:23:08,534 --> 00:23:09,746
‐ Right.
411
00:23:09,746 --> 00:23:11,961
CHANCE: Before they burned
them all out.
412
00:23:11,961 --> 00:23:13,257
JOY: Makes sense.
413
00:23:13,257 --> 00:23:16,015
‐ Probably witches buried
right under our feet.
414
00:23:18,731 --> 00:23:20,905
JOY: That's cool too.
415
00:23:22,243 --> 00:23:24,707
CHANCE: You okay?
416
00:23:24,707 --> 00:23:26,045
You were in
the accident, right?
417
00:23:26,045 --> 00:23:27,716
They said your mom
didn't want an ambulance.
418
00:23:27,716 --> 00:23:29,514
‐ Uh, yeah, she‐‐
she's a nurse, so‐‐
419
00:23:29,514 --> 00:23:31,018
CHANCE:
It must have been the money.
420
00:23:31,018 --> 00:23:34,027
They really fuck you
on ambulances.
421
00:23:35,740 --> 00:23:38,164
‐ Yeah.
422
00:23:38,164 --> 00:23:40,839
‐ I'm Chance.
423
00:23:40,839 --> 00:23:42,636
‐ Joy.
424
00:23:42,636 --> 00:23:44,267
CHANCE: Come on.
425
00:23:44,267 --> 00:23:46,188
It's freak time.
426
00:23:46,188 --> 00:23:49,197
[upbeat music playingover boombox]
427
00:23:49,197 --> 00:23:51,788
SINGER: ♪ With all my friends,
feeling good ♪
428
00:23:51,788 --> 00:23:53,586
[metal clangs]
CHANCE: Guys!
429
00:23:53,586 --> 00:23:55,675
Hey.
430
00:23:55,675 --> 00:23:57,138
TIMOTHY: Aw.
431
00:23:58,726 --> 00:24:00,815
Oh, car crash girl.
[laughs]
432
00:24:00,815 --> 00:24:03,156
CHANCE: Her name is Joy.
433
00:24:03,156 --> 00:24:05,413
TIMOTHY: [laughs]
VERA: Hey, Joy.
434
00:24:05,413 --> 00:24:08,381
♪ ♪
435
00:24:08,381 --> 00:24:09,550
[laughs]
436
00:24:09,550 --> 00:24:11,222
CHANCE: This is Vera,
Cabin 9...
437
00:24:11,222 --> 00:24:13,186
‐ Asshole.
[rock clatters]
438
00:24:13,186 --> 00:24:16,822
‐ And this is Timothy,
Cabin 14.
439
00:24:16,822 --> 00:24:17,950
‐ Hi.
440
00:24:17,950 --> 00:24:19,705
‐ Where you from?
[grunts]
441
00:24:19,705 --> 00:24:22,631
‐ Oh, I don't know.
All over, I guess.
442
00:24:22,631 --> 00:24:26,518
Um, but we're stranded here
because of the crash.
443
00:24:26,518 --> 00:24:27,729
‐ You got any pictures?
444
00:24:27,729 --> 00:24:29,610
Your car must have been
fucked up.
445
00:24:29,610 --> 00:24:32,118
‐ Oh, I don't have a phone.
[laughs]
446
00:24:32,118 --> 00:24:33,999
♪ ♪
447
00:24:33,999 --> 00:24:35,462
VERA: Why not?
448
00:24:35,462 --> 00:24:37,843
‐ Phones give you brain cancer.
449
00:24:37,843 --> 00:24:40,560
Or, at least,
that's what my mom says.
450
00:24:40,560 --> 00:24:42,190
‐ Man, you need a phone.
451
00:24:42,190 --> 00:24:45,240
That's like the only good thing
about this dump, is free wi‐fi.
452
00:24:45,240 --> 00:24:46,703
[all laugh]
453
00:24:46,703 --> 00:24:48,709
CHANCE: Here, take a shot.
454
00:24:50,882 --> 00:24:52,094
TIMOTHY: Oh.
VERA: No.
455
00:24:52,094 --> 00:24:53,474
TIMOTHY: Ah, come on, Crash.
456
00:24:53,474 --> 00:24:55,647
‐ You're better than that.
JOY: [laughs]
457
00:24:55,647 --> 00:24:58,656
[tool whirring]
458
00:25:07,766 --> 00:25:10,984
[bell dinging]
459
00:25:14,202 --> 00:25:17,295
[soulful country musicplaying over radio]
460
00:25:17,295 --> 00:25:18,298
♪ ♪
461
00:25:18,298 --> 00:25:21,098
[dinging continues]
462
00:25:22,686 --> 00:25:24,107
CHRIS: Ms. Ingalls.
463
00:25:24,107 --> 00:25:27,909
You, uh, find a way out
of Castle Rock, let me know.
464
00:25:27,909 --> 00:25:29,999
ANNIE: Working on it.
465
00:25:29,999 --> 00:25:32,424
‐ Thought maybe you, uh,
decided to stay.
466
00:25:32,424 --> 00:25:34,597
‐ No.
CHRIS: Oh.
467
00:25:34,597 --> 00:25:37,648
Heard you picked up a shift
or two over at Deville.
468
00:25:37,648 --> 00:25:40,490
I'm, uh‐‐I'm friends
with some of the docs.
469
00:25:40,490 --> 00:25:42,537
‐ Is the windshield in?
470
00:25:42,537 --> 00:25:44,292
‐ Uh, no, ma'am, sorry.
471
00:25:44,292 --> 00:25:46,549
I, uh‐‐I spoke to them
this morning.
472
00:25:46,549 --> 00:25:48,806
But, hey, I'll‐‐I'll tell Jeep
473
00:25:48,806 --> 00:25:52,023
no more business with them
until it's here.
474
00:25:52,023 --> 00:25:56,161
ACE: Local fucking news coming
to watch them pour foundation
at a construction site.
475
00:25:56,161 --> 00:25:59,505
Fucking rakes pour
a concrete floor, that's news?
476
00:25:59,505 --> 00:26:01,428
[indistinct chatter]
477
00:26:01,428 --> 00:26:03,600
Hope Abdi falls in
and fucking dies.
478
00:26:03,600 --> 00:26:06,233
There's some news I can use.
‐ Yeah.
479
00:26:06,233 --> 00:26:08,364
ACE: Can I help you, 19?
480
00:26:14,047 --> 00:26:18,269
CHRIS: Pop said no more fucking
with the Star Gazer guests.
481
00:26:18,269 --> 00:26:20,693
ACE: She's got crazy
in her eyes, that one.
482
00:26:20,693 --> 00:26:22,949
Even her own daughter
looks afraid of her.
483
00:26:22,949 --> 00:26:24,622
CHRIS: She's a nurse, asshole.
484
00:26:24,622 --> 00:26:28,341
‐ A nurse whose fucking plates
don't match her VIN.
485
00:26:28,341 --> 00:26:30,305
‐ So now you're the DMV?
486
00:26:30,305 --> 00:26:33,816
ACE: Trust me,
she's running from something.
487
00:26:36,449 --> 00:26:38,204
‐ So what's that shit
with Abdi?
488
00:26:40,418 --> 00:26:43,135
‐ I thought you wanted
to be left the fuck out of it?
489
00:26:43,135 --> 00:26:45,977
CHRIS: He's‐‐he's your
fucking stepbrother.
490
00:26:45,977 --> 00:26:48,401
Please don't
do anything stupid.
491
00:26:48,401 --> 00:26:50,741
‐ Gosh.
492
00:26:50,741 --> 00:26:53,876
Whose side you on, little bro?
493
00:27:04,240 --> 00:27:07,249
[bird chirping]
494
00:27:07,249 --> 00:27:10,258
[typewriter keys clacking]
495
00:27:12,515 --> 00:27:15,942
[typewriter whirrs, dings]
496
00:27:15,942 --> 00:27:17,697
TALL MAN: Did you like it?
497
00:27:17,697 --> 00:27:20,330
[ominous music]
498
00:27:20,330 --> 00:27:27,184
♪ ♪
499
00:27:28,103 --> 00:27:31,739
TIMOTHY: Oh, shit.
‐ Mom?
500
00:27:31,739 --> 00:27:34,414
[all laugh]
501
00:27:34,414 --> 00:27:36,546
♪ ♪
502
00:27:36,546 --> 00:27:38,342
JOY: They're justsome new friends.
503
00:27:38,342 --> 00:27:40,055
ANNIE: Brats.
JOY: How do you know?
504
00:27:40,055 --> 00:27:42,814
‐ Because they live here.
JOY: So do we!
505
00:27:42,814 --> 00:27:44,067
‐ Not for long.
506
00:27:44,067 --> 00:27:45,740
JOY: I don't know anyone
except for you
507
00:27:45,740 --> 00:27:48,497
and‐‐and nobody knows me!
508
00:27:48,497 --> 00:27:51,298
But maybe we ended up here
for a reason.
509
00:27:51,298 --> 00:27:53,262
Maybe this is
the Laughing Place.
510
00:27:53,262 --> 00:27:55,435
ANNIE: It's not.
511
00:27:57,859 --> 00:28:01,369
Joy, I will always do anything,
512
00:28:01,369 --> 00:28:04,671
everything to keep you safe,
keep you whole,
513
00:28:04,671 --> 00:28:06,761
and give you the life
that you deserve.
514
00:28:06,761 --> 00:28:10,145
Not this awful, false thing
that passes as life,
515
00:28:10,145 --> 00:28:12,109
that people in places like this
say is life.
516
00:28:12,109 --> 00:28:13,573
It isn't.
517
00:28:13,573 --> 00:28:15,160
Now, people in places like this
will tell you
518
00:28:15,160 --> 00:28:17,961
the trash on the highway
shoulder is all there is
519
00:28:17,961 --> 00:28:20,133
and you should
chase after that trash
520
00:28:20,133 --> 00:28:22,224
as it blows in the filthy wind,
521
00:28:22,224 --> 00:28:24,522
and they will try
to make you one of them.
522
00:28:24,522 --> 00:28:28,785
They'll say,
"Oh, there's no such thing
as standards anymore."
523
00:28:28,785 --> 00:28:30,666
And they will
call that freedom,
524
00:28:30,666 --> 00:28:33,884
but it's their freedom
to make you trash‐‐
525
00:28:33,884 --> 00:28:35,973
their trash‐‐
so they can use you
526
00:28:35,973 --> 00:28:38,355
and own you
and throw you away...
527
00:28:38,355 --> 00:28:39,776
JOY: Mom‐‐
‐ But I won't let them!
528
00:28:39,776 --> 00:28:42,619
It'll be blood on Christmas
before I let them, Joy!
529
00:28:42,619 --> 00:28:45,669
I'll throw my blamed body
between you and anybody!
530
00:28:45,669 --> 00:28:47,131
‐ Mom!
531
00:28:47,131 --> 00:28:49,723
Did you get any pills
at the hospital?
532
00:28:51,436 --> 00:28:54,194
Is this an emergency?
533
00:28:54,194 --> 00:28:56,786
You need help!
Mom, can you hear me?
534
00:28:56,786 --> 00:28:59,586
I‐‐I'm worried about you.
Please, Mom, talk to me!
535
00:28:59,586 --> 00:29:01,592
[tense music]
536
00:29:01,592 --> 00:29:04,308
♪ ♪
537
00:29:04,308 --> 00:29:06,857
NARRATOR: His calves bulgedin his breeches,
538
00:29:06,857 --> 00:29:09,741
evidence of hard climbsand hard ridings,
539
00:29:09,741 --> 00:29:12,374
even as his belly had flattento nothing.
540
00:29:12,374 --> 00:29:15,007
He had been in the Highlands,that much she could see
541
00:29:15,007 --> 00:29:16,553
from the concavityof his cheeks.
542
00:29:16,553 --> 00:29:23,574
♪ ♪
543
00:29:24,953 --> 00:29:27,001
‐ [sighs]
544
00:29:27,001 --> 00:29:34,022
♪ ♪
545
00:30:20,996 --> 00:30:24,005
[dark music]
546
00:30:24,005 --> 00:30:31,026
♪ ♪
547
00:30:44,566 --> 00:30:47,575
[insect wings fluttering]
548
00:30:47,575 --> 00:30:50,584
[thunder rumbling]
549
00:30:59,946 --> 00:31:02,955
[sinister music]
550
00:31:02,955 --> 00:31:09,475
♪ ♪
551
00:31:17,540 --> 00:31:20,801
Big real estate mogul sleeping
on his sister's couch?
552
00:31:20,801 --> 00:31:22,555
‐ Try not to kill
anyone today, yeah?
553
00:31:22,555 --> 00:31:23,642
NADIA: Yep.
554
00:31:23,642 --> 00:31:26,651
[door opens]
[thunder rumbling]
555
00:31:31,499 --> 00:31:36,012
ANNOUNCER:Would Dr. Pazold dial 6277?
556
00:31:36,012 --> 00:31:39,147
Dr. Pazold dial 6277.
557
00:31:39,147 --> 00:31:40,568
NURSE: Hey, Dr. H.
558
00:31:40,568 --> 00:31:42,156
You got the override key
to the pharmacy?
559
00:31:42,156 --> 00:31:44,036
We're getting
another punch code error.
560
00:31:44,036 --> 00:31:45,792
NADIA: I left it
at home, I think.
561
00:31:45,792 --> 00:31:48,633
Keeping track
of the little things
is not my skill set.
562
00:31:48,633 --> 00:31:50,180
NURSE: I'll call security.
563
00:31:50,180 --> 00:31:52,144
NADIA: Hey, do you know
who did this?
564
00:31:52,144 --> 00:31:54,192
NURSE: I think it was
the new girl, Anne.
565
00:31:54,192 --> 00:31:56,783
‐ Huh.
566
00:31:56,783 --> 00:31:59,792
[indistinct chatter]
567
00:31:59,792 --> 00:32:02,801
[thunder rumbles]
568
00:32:11,368 --> 00:32:14,293
‐ That's mine.
569
00:32:15,631 --> 00:32:16,843
‐ It's lovely.
570
00:32:16,843 --> 00:32:18,557
ANNIE: Belonged to my mother.
571
00:32:18,557 --> 00:32:21,900
Darn clasp is loose.
572
00:32:22,987 --> 00:32:25,870
‐ My staff, they're telling me
you're doing good work here.
573
00:32:30,133 --> 00:32:32,139
ANNIE: Okay.
574
00:32:32,139 --> 00:32:34,605
NURSE: Hey, Dr. H?
‐ Yeah?
575
00:32:34,605 --> 00:32:36,987
NURSE: Your dad's here
to see you.
576
00:32:42,545 --> 00:32:45,471
[rain pattering on window]
577
00:32:45,471 --> 00:32:47,602
NADIA: You smoking
in my office?
578
00:32:47,602 --> 00:32:49,650
‐ What, this?
579
00:32:49,650 --> 00:32:52,533
Medicinal.
Better than my chemo.
580
00:32:58,342 --> 00:32:59,972
Hey, kid.
581
00:32:59,972 --> 00:33:02,479
NADIA:
Isn't your appointment Friday?
582
00:33:02,479 --> 00:33:06,910
‐ Yeah, well, I wanted
to see you before then.
583
00:33:06,910 --> 00:33:10,378
‐ What's wrong?
584
00:33:10,378 --> 00:33:13,220
‐ I think I'm dying.
NADIA: Not if I can help it.
585
00:33:13,220 --> 00:33:16,731
I didn't come back
to New England's asshole
for you to croak on me.
586
00:33:16,731 --> 00:33:20,408
POP: Wow, did you learn that
bedside manner at Harvard?
587
00:33:20,408 --> 00:33:21,913
‐ Skipped that day.
588
00:33:21,913 --> 00:33:23,375
Guess you wasted your money.
589
00:33:23,375 --> 00:33:26,635
‐ No, seeing you
in that white coat?
590
00:33:27,805 --> 00:33:31,483
I could check out tomorrow
knowing I done one good thing.
591
00:33:31,483 --> 00:33:34,158
‐ Don't say that.
592
00:33:38,881 --> 00:33:41,095
‐ You need to talk
to your brother.
593
00:33:41,095 --> 00:33:43,185
‐ Pop.
POP: It's important.
594
00:33:43,185 --> 00:33:46,821
He's still staying in that
guest shack of yours, yeah?
595
00:33:46,821 --> 00:33:49,245
‐ You and I had a deal.
596
00:33:49,245 --> 00:33:51,920
POP: Deal's only as good
as its weakest link.
597
00:33:51,920 --> 00:33:53,926
‐ And that's Abdi?
POP: That's Ace.
598
00:33:53,926 --> 00:33:56,266
NADIA: Huh.
599
00:33:56,266 --> 00:34:01,489
‐ Abdi's been poaching
Ace's tenants six months early.
600
00:34:01,489 --> 00:34:05,459
‐ Is it poaching if he's just
giving them a better deal?
601
00:34:05,459 --> 00:34:09,305
‐ Ace doesn't read
The Economist, Nadia.
602
00:34:09,305 --> 00:34:11,311
Tell Abdi to go easy.
603
00:34:11,311 --> 00:34:13,776
This'll take care of itself.
604
00:34:13,776 --> 00:34:15,992
‐ I don't get involved
in that side.
605
00:34:15,992 --> 00:34:18,081
That was our deal.
606
00:34:18,081 --> 00:34:21,132
‐ "Do no harm."
‐ First day of class.
607
00:34:21,132 --> 00:34:23,013
Money well spent, Pop.
608
00:34:23,013 --> 00:34:26,522
‐ I hope so.
NADIA: Hmm.
609
00:34:26,522 --> 00:34:29,073
See you at your
appointment Friday.
610
00:34:29,073 --> 00:34:33,001
And whatever green cultivation
you're smoking, cut it in half.
611
00:34:33,001 --> 00:34:34,505
[paper smacks]
612
00:34:34,505 --> 00:34:36,720
‐ Talk to your brother.
613
00:34:36,720 --> 00:34:39,604
[door shuts]
614
00:34:39,604 --> 00:34:42,613
[thunder rumbling]
[rain pattering]
615
00:34:44,996 --> 00:34:46,709
[thunder crashes]
616
00:34:46,709 --> 00:34:49,718
[ominous music]
617
00:34:49,718 --> 00:34:52,350
[breathing heavily]
618
00:34:52,350 --> 00:34:56,529
♪ ♪
619
00:34:56,529 --> 00:35:00,499
‐ [retching, gasping]
620
00:35:00,499 --> 00:35:02,088
♪ ♪
621
00:35:02,088 --> 00:35:05,097
[electricity humming]
622
00:35:05,097 --> 00:35:07,772
[typewriter clacks, dings]
623
00:35:07,772 --> 00:35:10,781
TALL MAN:[speaking inaudibly]
624
00:35:10,781 --> 00:35:12,745
♪ ♪
625
00:35:12,745 --> 00:35:15,712
Stumbling...[speaking inaudibly]
626
00:35:15,712 --> 00:35:18,763
♪ ♪
627
00:35:18,763 --> 00:35:21,396
Scale the rooftops.
628
00:35:21,396 --> 00:35:23,568
Did you like it?
629
00:35:23,568 --> 00:35:25,784
♪ ♪
630
00:35:25,784 --> 00:35:28,793
[lights humming]
631
00:35:31,970 --> 00:35:33,598
[lever snaps]
632
00:35:33,598 --> 00:35:36,607
[all gasping, chattering]
633
00:35:36,607 --> 00:35:38,071
[monitor beeping]
634
00:35:38,071 --> 00:35:40,161
WORKER: The whole building?
‐ I'm not sure. I'll check.
635
00:35:40,161 --> 00:35:42,333
Hello?
I'm trying to call out.
636
00:35:42,333 --> 00:35:44,966
NURSE: Give it a minute or two,
the generator will kick in.
637
00:35:44,966 --> 00:35:47,850
[overlapping chatter]
638
00:35:47,850 --> 00:35:51,068
[intense music building]
639
00:35:51,068 --> 00:35:52,781
[musical crash]
640
00:35:52,781 --> 00:35:56,042
TALL MAN: [distorted voice]
Did you like it?
Did you like it?
641
00:35:56,042 --> 00:35:58,256
♪ ♪
642
00:35:58,256 --> 00:36:00,179
[distorted audio]Did you like it?
643
00:36:00,179 --> 00:36:02,602
♪ ♪
644
00:36:02,602 --> 00:36:03,981
[distorted audio]Did you like it?
645
00:36:03,981 --> 00:36:06,030
ANNIE: [grunts]
646
00:36:06,030 --> 00:36:08,955
[panting]
647
00:36:08,955 --> 00:36:11,379
[gasping]
648
00:36:11,379 --> 00:36:16,102
♪ ♪
649
00:36:16,102 --> 00:36:19,111
[panting]
650
00:36:22,203 --> 00:36:23,874
[shoes squeak]
651
00:36:25,714 --> 00:36:28,764
JAMAL: Anne?
652
00:36:28,764 --> 00:36:30,937
What are you doing?
653
00:36:30,937 --> 00:36:33,779
‐ [panting]
I just‐‐I fell and‐‐
654
00:36:33,779 --> 00:36:36,412
was... [panting]
655
00:36:36,412 --> 00:36:39,046
Four needs Zofran.
656
00:36:39,046 --> 00:36:42,430
The blackout really got to her,
so I need to get in.
657
00:36:42,430 --> 00:36:43,768
JAMAL: Well, security
will be here soon.
658
00:36:43,768 --> 00:36:45,230
‐ Security?
659
00:36:45,230 --> 00:36:47,695
‐ Dr. H left her override key
at home again.
660
00:36:47,695 --> 00:36:49,242
♪ ♪
661
00:36:49,242 --> 00:36:50,872
NURSE: You know,
Dr. H has an override key.
662
00:36:50,872 --> 00:36:52,000
She'll bring you in.
663
00:36:52,000 --> 00:36:53,213
[panel beeps]
664
00:36:53,213 --> 00:36:55,594
JAMAL: Anne?
NADIA: Take what you need.
665
00:36:55,594 --> 00:36:58,144
JAMAL: Anne, are you okay?
666
00:36:58,144 --> 00:37:00,150
‐ Never mind.
667
00:37:00,150 --> 00:37:03,159
[panting]
668
00:37:03,159 --> 00:37:06,168
[tense music]
669
00:37:06,168 --> 00:37:12,395
♪ ♪
670
00:37:13,690 --> 00:37:15,612
NADIA: Understaffed,
underpaid.
671
00:37:15,612 --> 00:37:17,368
♪ ♪
672
00:37:17,368 --> 00:37:20,962
You know, I've been stuck on
overnights for the last week,
673
00:37:20,962 --> 00:37:23,136
I'm exhausted.
674
00:37:23,136 --> 00:37:26,145
[insects chirping distantly]
675
00:37:38,306 --> 00:37:41,315
[insects chirping]
676
00:37:41,315 --> 00:37:44,324
[curious music]
677
00:37:44,324 --> 00:37:51,345
♪ ♪
678
00:37:54,604 --> 00:37:57,280
[microwave door shuts]
679
00:37:57,280 --> 00:38:04,301
♪ ♪
680
00:38:16,253 --> 00:38:19,220
[muffled heavy rock musicplaying over speakers]
681
00:38:19,220 --> 00:38:22,229
[singer singing indistinctly]
682
00:38:22,229 --> 00:38:27,453
♪ ♪
683
00:38:27,453 --> 00:38:30,420
SINGER: ♪ Too hard too long ♪
684
00:38:30,420 --> 00:38:32,551
♪ ♪
685
00:38:32,551 --> 00:38:35,560
[singer continuesindistinctly]
686
00:38:35,560 --> 00:38:38,736
♪ All over
just one more time ♪
687
00:38:38,736 --> 00:38:41,745
[gas gurgling]
688
00:38:41,745 --> 00:38:48,766
♪ ♪
689
00:38:55,287 --> 00:38:58,296
[suspenseful music]
690
00:38:58,296 --> 00:39:05,275
♪ ♪
691
00:39:06,320 --> 00:39:09,329
[gravel crunching]
692
00:39:09,329 --> 00:39:12,338
[thunder rumbling]
693
00:39:12,338 --> 00:39:17,478
♪ ♪
694
00:39:17,478 --> 00:39:20,487
[distant siren wailing]
695
00:39:20,487 --> 00:39:23,496
[siren swells, fades]
696
00:39:23,496 --> 00:39:30,517
♪ ♪
697
00:39:49,490 --> 00:39:52,123
[floors creak]
698
00:39:54,797 --> 00:39:57,806
[objects rattling]
699
00:39:57,806 --> 00:40:01,192
♪ ♪
700
00:40:01,192 --> 00:40:03,783
[cabinet door shuts]
701
00:40:03,783 --> 00:40:09,007
♪ ♪
702
00:40:09,007 --> 00:40:10,930
‐ [inhales sharply]
703
00:40:10,930 --> 00:40:13,939
[eerie, discordant music]
704
00:40:13,939 --> 00:40:19,539
♪ ♪
705
00:40:30,154 --> 00:40:32,703
[door creaking]
706
00:40:34,375 --> 00:40:41,270
♪ ♪
707
00:40:41,270 --> 00:40:42,858
[car door slams]
708
00:40:42,858 --> 00:40:44,614
[car alarm chirps]
709
00:40:44,614 --> 00:40:46,286
♪ ♪
710
00:40:46,286 --> 00:40:48,542
[panting]
711
00:40:48,542 --> 00:40:54,017
♪ ♪
712
00:40:59,409 --> 00:41:01,706
[door handle rattles]
713
00:41:01,706 --> 00:41:03,546
[keys jingle, clatter]
714
00:41:03,546 --> 00:41:06,178
[door slams]
[latch clicks]
715
00:41:06,178 --> 00:41:07,933
[door creaks]
716
00:41:09,730 --> 00:41:12,448
ABDI: [yawns]
717
00:41:13,659 --> 00:41:16,000
[object clatters]
718
00:41:29,957 --> 00:41:36,978
♪ ♪
719
00:41:53,612 --> 00:41:57,248
[glass shattering]
[flames roaring]
720
00:41:57,248 --> 00:42:00,717
[fire alarm beeping]
721
00:42:00,717 --> 00:42:06,191
♪ ♪
722
00:42:06,191 --> 00:42:09,117
[coughing]
723
00:42:09,117 --> 00:42:12,209
[beeping continues]
724
00:42:12,209 --> 00:42:16,096
♪ ♪
725
00:42:16,096 --> 00:42:19,272
[glass shatters]
726
00:42:21,153 --> 00:42:23,284
[coughing]
727
00:42:23,284 --> 00:42:25,541
[extinguisher spraying]
728
00:42:25,541 --> 00:42:29,135
[engine rumbling]
729
00:42:29,135 --> 00:42:36,115
♪ ♪
730
00:42:39,625 --> 00:42:41,548
[coughing]
731
00:42:44,724 --> 00:42:46,646
‐ [panting]
732
00:42:46,646 --> 00:42:48,652
[distant sirens wail]
733
00:42:52,664 --> 00:42:54,795
[phone ringing]
734
00:42:54,795 --> 00:42:56,968
ANNOUNCER:Eric Parker to the ER.
735
00:42:56,968 --> 00:42:59,100
Eric Parker to ER.
736
00:42:59,100 --> 00:43:02,109
[suspenseful music]
737
00:43:02,109 --> 00:43:09,130
♪ ♪
738
00:43:14,270 --> 00:43:15,441
[car door slams]
739
00:43:15,441 --> 00:43:18,492
OFFICER: Ace Merrill?
740
00:43:18,492 --> 00:43:20,121
ACE: You know who I am.
741
00:43:20,121 --> 00:43:23,004
OFFICER: There was a fire
last night in Salem's Lot.
742
00:43:23,004 --> 00:43:24,969
Abdi and
Nadia Howlwadaag's house.
743
00:43:24,969 --> 00:43:26,599
Where were you last night?
744
00:43:26,599 --> 00:43:33,620
♪ ♪
745
00:43:40,558 --> 00:43:42,731
[panel chirps]
746
00:43:42,731 --> 00:43:44,486
Can we come in and ask you
a couple of questions?
747
00:43:44,486 --> 00:43:46,158
ACE: Yeah, and I don't see
a fucking warrant.
748
00:43:46,158 --> 00:43:49,208
[indistinct radio chatter]
749
00:43:55,770 --> 00:43:57,859
[pills rattle]
750
00:43:57,859 --> 00:44:04,880
♪ ♪
751
00:44:09,352 --> 00:44:11,148
‐ Hi, Doc.
752
00:44:12,779 --> 00:44:15,453
Just grabbing a Zofran for six.
753
00:44:15,453 --> 00:44:17,209
NADIA: Anne?
ANNIE: Mm‐hmm?
754
00:44:17,209 --> 00:44:20,761
NADIA: There's nobody in six.
755
00:44:20,761 --> 00:44:22,809
‐ I know that.
756
00:44:22,809 --> 00:44:25,107
I‐‐what I meant was
I was grabbing one for‐‐
757
00:44:25,107 --> 00:44:28,074
‐ Anne, stop.
758
00:44:28,074 --> 00:44:30,666
‐ Okay.
759
00:44:32,463 --> 00:44:33,717
I lost the chart.
760
00:44:33,717 --> 00:44:35,472
I forgot the rules‐‐
‐ What are you stealing?
761
00:44:35,472 --> 00:44:37,352
Oxycontin? Fentanyl?
‐ No!
762
00:44:37,352 --> 00:44:38,648
‐ You're an addict.
‐ No, no, no, I swear.
763
00:44:38,648 --> 00:44:40,110
NADIA: So you're selling
the drugs.
ANNE: No!
764
00:44:40,110 --> 00:44:41,741
‐ I'm gonna call the cops
if you don't tell me
765
00:44:41,741 --> 00:44:44,081
what you're doing here
right now.
766
00:44:44,081 --> 00:44:47,299
‐ [breathing heavily]
767
00:44:47,299 --> 00:44:48,970
I'm not right.
768
00:44:48,970 --> 00:44:51,813
[sighs]
769
00:44:51,813 --> 00:44:53,442
[tense music]
770
00:44:53,442 --> 00:44:57,454
I've got these things
in my mind.
771
00:44:57,454 --> 00:44:59,377
♪ ♪
772
00:44:59,377 --> 00:45:03,305
People running around[stammers] and memories.
773
00:45:03,305 --> 00:45:04,893
♪ ♪
774
00:45:04,893 --> 00:45:07,610
I stumped 'em, though.
775
00:45:07,610 --> 00:45:10,285
The headshrinkers,
they couldn't diagnose me.
776
00:45:10,285 --> 00:45:13,294
They could not make me right,
but I found the recipe.
777
00:45:13,294 --> 00:45:15,801
‐ What recipe?
778
00:45:15,801 --> 00:45:19,730
‐ Risperdal, Haldol, Lithium.
779
00:45:19,730 --> 00:45:21,736
‐ Antipsychotics.
780
00:45:21,736 --> 00:45:23,992
You're stealing antipsychotics.
781
00:45:23,992 --> 00:45:25,246
Why?
782
00:45:25,246 --> 00:45:27,921
ANNIE: Because I can't‐‐
those go on my chart,
783
00:45:27,921 --> 00:45:30,261
the state association
sees that,
784
00:45:30,261 --> 00:45:34,105
I can't work in a hospital.
785
00:45:34,105 --> 00:45:36,488
I need my pills.
786
00:45:36,488 --> 00:45:38,244
[sniffs]
787
00:45:38,244 --> 00:45:42,004
Because Joy,
she needs the real me.
788
00:45:42,004 --> 00:45:45,265
[baby crying]
The right me.
789
00:45:45,265 --> 00:45:48,274
And the good Lord knows,
there's more to all of us,
790
00:45:48,274 --> 00:45:49,778
and not all of it's good
791
00:45:49,778 --> 00:45:52,954
but I am trying...
792
00:45:52,954 --> 00:45:55,002
for Joy.
793
00:45:55,002 --> 00:45:57,551
♪ ♪
794
00:45:57,551 --> 00:45:59,222
‐ Joy is your daughter?
795
00:45:59,222 --> 00:46:01,814
ANNIE: I lost my own mom
when I was about her age,
796
00:46:01,814 --> 00:46:03,485
so I know‐‐
797
00:46:03,485 --> 00:46:05,826
I know how hard
it would be for her
798
00:46:05,826 --> 00:46:08,459
if I couldn't...
[breathing heavily]
799
00:46:08,459 --> 00:46:11,050
♪ ♪
800
00:46:11,050 --> 00:46:12,722
NADIA: What are the doses?
801
00:46:12,722 --> 00:46:15,521
‐ What?
‐ Risperdal, Haldol, Lithium.
802
00:46:15,521 --> 00:46:17,737
How much?
803
00:46:19,157 --> 00:46:21,624
‐ 40, 20, 10.
804
00:46:21,624 --> 00:46:28,645
♪ ♪
805
00:46:32,824 --> 00:46:37,086
NADIA:
Risper‐‐I'll have to make
a couple of small adjustments.
806
00:46:37,086 --> 00:46:39,970
We'll use samples
and off‐labels, but...
807
00:46:39,970 --> 00:46:43,522
you'll get what you need.
808
00:46:43,522 --> 00:46:45,863
[paper rustles]
809
00:46:45,863 --> 00:46:47,576
‐ The rules.
810
00:46:47,576 --> 00:46:49,373
NADIA: As long as you're
working at this hospital,
811
00:46:49,373 --> 00:46:50,919
I can cover you.
812
00:46:50,919 --> 00:46:54,973
ANNIE: But...why are you...
813
00:46:54,973 --> 00:46:57,564
‐ If more people took Lithium
and not Oxy,
814
00:46:57,564 --> 00:46:59,487
this would be
a much better world.
815
00:46:59,487 --> 00:47:04,000
But if you feel an episode
coming on, call me.
816
00:47:06,424 --> 00:47:07,929
‐ Thank you.
817
00:47:15,368 --> 00:47:16,997
‐ Where'd you find it?
818
00:47:16,997 --> 00:47:18,962
I thought I left
my key at home.
819
00:47:18,962 --> 00:47:21,009
‐ Behind your desk.
820
00:47:21,009 --> 00:47:22,932
It fell.
821
00:47:33,045 --> 00:47:36,054
[soft music]
822
00:47:36,054 --> 00:47:42,072
♪ ♪
823
00:47:43,577 --> 00:47:48,885
CHRIS: Okay, and this
and, uh, your keys.
824
00:47:48,885 --> 00:47:55,906
♪ ♪
825
00:48:03,219 --> 00:48:05,016
‐ So you got Old Bessie back?
826
00:48:05,016 --> 00:48:07,775
ANNIE: I did.
827
00:48:07,775 --> 00:48:09,823
‐ And some medicine?
828
00:48:12,790 --> 00:48:15,004
‐ Yes.
829
00:48:16,634 --> 00:48:19,392
‐ So we're leaving?
830
00:48:24,909 --> 00:48:28,755
‐ We're searchers, you and me.
831
00:48:28,755 --> 00:48:32,808
My dad, your grandpa‐‐
that good old guy,
832
00:48:32,808 --> 00:48:35,524
they don't make men like that,
little love‐‐not anymore.
833
00:48:35,524 --> 00:48:38,407
Now they just make dirty birds
and paper fakes.
834
00:48:38,407 --> 00:48:41,208
No heroes, no real men,
sorry to say.
835
00:48:41,208 --> 00:48:44,593
But my dad was one of them,
and he would say to me,
836
00:48:44,593 --> 00:48:48,354
"Annie, there are two kinds
of people that made America:
837
00:48:48,354 --> 00:48:50,528
searchers and settlers."
838
00:48:50,528 --> 00:48:53,369
He was a searcher,
Dad, your grandpa.
839
00:48:53,369 --> 00:48:56,002
He settled for nothing,
that one.
840
00:48:56,002 --> 00:48:59,763
And my mom, she was a settler.
841
00:48:59,763 --> 00:49:02,396
You set her down anywhere
and she would make a home.
842
00:49:02,396 --> 00:49:04,318
She would make it perfect,
843
00:49:04,318 --> 00:49:07,830
and she would keep
making it perfect until...
844
00:49:07,830 --> 00:49:09,878
[nostalgic music]
845
00:49:09,878 --> 00:49:13,095
Till it said uncle, you know?
846
00:49:13,095 --> 00:49:15,937
And me, well...
847
00:49:15,937 --> 00:49:19,489
I'm kind of a funny old
oogy mess of both.
848
00:49:19,489 --> 00:49:23,417
All mixed up sometimes,
but good things besides
849
00:49:23,417 --> 00:49:27,722
and always, always
your best interests
at heart, Joy.
850
00:49:27,722 --> 00:49:29,060
♪ ♪
851
00:49:29,060 --> 00:49:32,528
See, I'm a searcher
who just wants to settle.
852
00:49:32,528 --> 00:49:34,660
Wants it bad.
853
00:49:34,660 --> 00:49:38,212
I just can't seem
to find a place to alight.
854
00:49:38,212 --> 00:49:40,719
Can't seem to find
that Laughing Place
855
00:49:40,719 --> 00:49:43,728
that'll live up to you...
856
00:49:43,728 --> 00:49:46,570
my perfection.
857
00:49:46,570 --> 00:49:49,370
I'm not saying this is it,
but I am saying
858
00:49:49,370 --> 00:49:53,132
you deserve a chance
to see‐‐to settle a little,
859
00:49:53,132 --> 00:49:55,849
make a place in the world.
860
00:49:55,849 --> 00:49:57,729
Maybe...
861
00:49:57,729 --> 00:50:01,824
anywhere could be
the Laughing Place
if we're there together.
862
00:50:01,824 --> 00:50:04,290
Even here.
863
00:50:04,290 --> 00:50:06,212
Maybe.
864
00:50:06,212 --> 00:50:08,846
♪ ♪
865
00:50:08,846 --> 00:50:11,102
Mm.
866
00:50:11,102 --> 00:50:18,123
♪ ♪
867
00:50:36,386 --> 00:50:38,100
‐ What's this for?
868
00:50:38,100 --> 00:50:40,858
‐ You've been cooped up
long enough.
869
00:50:40,858 --> 00:50:42,990
Why don't you go get yourself
some drawing paper?
870
00:50:42,990 --> 00:50:44,954
‐ [stammers]
By myself?
871
00:50:44,954 --> 00:50:47,879
‐ How else are you gonna
draw us up a better world?
872
00:50:47,879 --> 00:50:51,347
♪ ♪
873
00:51:06,686 --> 00:51:08,845
ABDI:[speaking foreign language]
874
00:51:19,934 --> 00:51:22,065
♪ ♪
875
00:51:26,077 --> 00:51:28,375
‐ Ace did some KKK shit.
876
00:51:28,375 --> 00:51:30,006
Trying to burn us both alive.
877
00:51:30,006 --> 00:51:33,307
‐ Ace?
‐ Thank God you weren't here.
878
00:51:36,274 --> 00:51:39,283
NADIA: This has to stop, Abdi.
879
00:51:39,283 --> 00:51:40,829
ABDI: It will.
880
00:51:42,250 --> 00:51:44,799
Put that away!
Do not make things worse.
881
00:51:54,411 --> 00:51:56,919
[train horn blaring]
882
00:51:56,919 --> 00:51:59,970
[train wheels rumbling]
883
00:52:22,705 --> 00:52:25,087
REPORTER: With the 400thanniversary approaching,
884
00:52:25,087 --> 00:52:26,884
rumors thatwitch trials happened
885
00:52:26,884 --> 00:52:28,597
near this partof Salem's Lot abound,
886
00:52:28,597 --> 00:52:31,314
but that hasn't stopconstruction.
887
00:52:31,314 --> 00:52:33,278
It may notlook like much yet,
888
00:52:33,278 --> 00:52:35,284
but once the foundationis poured tomorrow,
889
00:52:35,284 --> 00:52:38,335
rest assured, the newSomali mall will rise up‐‐
890
00:52:38,335 --> 00:52:40,174
[bright orchestral music]‐ Change your language.
891
00:52:40,174 --> 00:52:42,765
[TV continues indistinctly]
892
00:52:42,765 --> 00:52:44,938
[keys jingling]
[doorknob rattling]
893
00:52:44,938 --> 00:52:46,777
ANNIE: Joy?
894
00:52:46,777 --> 00:52:49,076
ACE: Your daughter here?
895
00:52:51,582 --> 00:52:54,049
‐ What are you doing
in my house?
896
00:52:54,049 --> 00:52:56,264
[ice cream plops slowly]
897
00:52:56,264 --> 00:52:58,645
‐ You're dripping.
898
00:53:03,410 --> 00:53:06,712
She gets out at night,
that kid.
899
00:53:06,712 --> 00:53:09,971
Gets out...
900
00:53:09,971 --> 00:53:12,687
gets into shit.
901
00:53:12,687 --> 00:53:14,694
Other people's shit.
902
00:53:18,038 --> 00:53:19,249
ANNIE: Get out.
903
00:53:19,249 --> 00:53:22,007
‐ You've heard of
"landlord may enter"?
904
00:53:22,007 --> 00:53:25,225
That's state law.
I'm the landlord.
905
00:53:25,225 --> 00:53:27,900
I may enter.
906
00:53:27,900 --> 00:53:30,282
Landlord's gotta do
his own background checks.
907
00:53:30,282 --> 00:53:34,419
You're not the first lammer
showed up here paying cash,
908
00:53:34,419 --> 00:53:38,013
driving around
with fictitious plates.
909
00:53:40,145 --> 00:53:41,817
‐ I'll call the police.
910
00:53:41,817 --> 00:53:46,497
‐ See, Anne Ingalls
from Pepin, Wisconsin
911
00:53:46,497 --> 00:53:48,921
just might do that.
912
00:53:48,921 --> 00:53:53,268
But Annie Wilkes
from Bakersfield, California
913
00:53:53,268 --> 00:53:56,485
sure as shit would not.
914
00:53:56,485 --> 00:54:00,539
I'm happy to provide
free internet access
to all our guests
915
00:54:00,539 --> 00:54:03,883
as long as I get to ride along.
916
00:54:03,883 --> 00:54:08,271
So here's the deal,
Annie Wilkes...
917
00:54:09,942 --> 00:54:13,369
Your daughter saw some shit
she shouldn't have,
918
00:54:13,369 --> 00:54:15,919
so you're gonna shut her up,
so I don't have‐‐
919
00:54:15,919 --> 00:54:18,008
‐ [yelps]
‐ [groans]
920
00:54:18,008 --> 00:54:20,098
[muffled gagging]
921
00:54:20,098 --> 00:54:22,563
‐ [yelping]
922
00:54:22,563 --> 00:54:24,277
‐ [gagging]
923
00:54:24,277 --> 00:54:27,203
‐ [grunting]
924
00:54:27,203 --> 00:54:30,295
‐ [gagging]
925
00:54:30,295 --> 00:54:33,053
‐ [whimpering]
926
00:54:33,053 --> 00:54:35,769
‐ [groans, gagging]
927
00:54:37,149 --> 00:54:40,158
[gurgling]
‐ [whimpering]
928
00:54:41,704 --> 00:54:44,713
‐ [groaning]
929
00:54:47,221 --> 00:54:50,230
ANNIE: [panting]
930
00:54:57,125 --> 00:55:00,135
‐ [muffled breathing]
931
00:55:00,135 --> 00:55:03,101
[dark music]
932
00:55:03,101 --> 00:55:07,824
♪ ♪
933
00:55:07,824 --> 00:55:10,248
[groaning]
934
00:55:10,248 --> 00:55:17,269
♪ ♪
935
00:55:23,204 --> 00:55:25,377
[exhales sharply]
936
00:55:25,377 --> 00:55:29,222
♪ ♪
937
00:55:29,222 --> 00:55:30,434
[bones crunch]
938
00:55:30,434 --> 00:55:33,108
[squelching]
939
00:55:33,108 --> 00:55:40,129
♪ ♪
940
00:55:52,666 --> 00:55:55,675
[tense music building]
941
00:55:55,675 --> 00:55:59,270
♪ ♪
942
00:56:04,619 --> 00:56:07,294
‐ Mom?
943
00:56:07,294 --> 00:56:12,141
SINGER: ♪ Let the river run ♪
944
00:56:12,141 --> 00:56:15,861
♪ Let all the dreamers ♪
945
00:56:15,861 --> 00:56:19,915
♪ Wake the nation ♪
946
00:56:19,915 --> 00:56:21,921
♪ Come ♪
947
00:56:21,921 --> 00:56:27,855
♪ The New Jerusalem ♪
948
00:56:27,855 --> 00:56:29,485
♪ ♪
949
00:56:29,485 --> 00:56:33,497
♪ Silver cities rise ♪
950
00:56:33,497 --> 00:56:36,590
♪ The morning lights ♪
951
00:56:36,590 --> 00:56:39,599
♪ The streets that meet them ♪
952
00:56:39,599 --> 00:56:43,736
♪ And sirens call them on ♪
953
00:56:43,736 --> 00:56:47,539
♪ With a song ♪
954
00:56:47,539 --> 00:56:49,295
[engine turns over]
955
00:56:49,295 --> 00:56:54,519
♪ It's asking for the taking ♪
956
00:56:54,519 --> 00:56:56,817
♪ Trembling ♪
957
00:56:56,817 --> 00:56:59,784
♪ Shaking ♪
958
00:56:59,784 --> 00:57:04,632
♪ Oh, my heart is aching ♪
959
00:57:04,632 --> 00:57:07,766
♪ We're coming to the edge,
running on the water ♪
960
00:57:07,766 --> 00:57:10,358
♪ Coming through the fog,
your sons and daughters ♪
961
00:57:10,358 --> 00:57:14,829
♪ We the great and small ♪
962
00:57:14,829 --> 00:57:17,253
♪ Stand on a star ♪
963
00:57:17,253 --> 00:57:22,686
♪ And blaze a trail of desire ♪
964
00:57:22,686 --> 00:57:29,290
♪ Through the darkening dawn ♪
965
00:57:29,290 --> 00:57:32,758
[thunder crashes, rumbles]
966
00:57:32,758 --> 00:57:35,308
[door slams]
967
00:57:35,308 --> 00:57:38,317
[insects chirping]
968
00:57:40,949 --> 00:57:43,958
[sinister music]
969
00:57:43,958 --> 00:57:50,770
♪ ♪
970
00:57:50,770 --> 00:57:53,362
[shovel scraping]
971
00:57:53,362 --> 00:58:00,383
♪ ♪
972
00:58:05,940 --> 00:58:08,449
ANNIE: [breathing shakily]
973
00:58:08,449 --> 00:58:15,470
♪ ♪
974
00:58:27,422 --> 00:58:30,932
[rumbling, shifting]
975
00:58:30,932 --> 00:58:32,270
[shrieks]
976
00:58:32,270 --> 00:58:34,610
[insects buzzing]
977
00:58:34,610 --> 00:58:37,619
[whimpering, yelping]
978
00:58:39,040 --> 00:58:41,004
[shrieks]
979
00:58:41,004 --> 00:58:43,846
♪ ♪
980
01:00:08,307 --> 01:00:10,272
CHILDREN: Bad robot.
63298
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