Original subtitles

RAPS DIA (1954)

South of France

Ripping: ibbins Review and sync: mawricio58

He reminded my daughter that our Are guests coming?

She is already coming down to see it.

- To see me? - That was what she said.

You want to put this in the car?

Notice where to send my suitcases.

- Yes ma'am. "It's here, Louise.

Sorry, Dad, I gotta get out.

- I am seeing. - I'm going to Zurich.

Zurich?

Studying piano at the Conservatoire.

Serious?

This seems determined and with high purposes ...

but since the sound of musical technique ...

can take decades to develop

can not wait for lunch

- Your lunch, Dad. - To my host.

Purely decorative. You do not need me.

Of course I do not have to.

Relationship based on need are tiresome.

Let us value ourselves, respect, like each other ...

and let the need to the needy.

He did not speak in love. Where does love come in?

In Zurich, I presume.

By the way, who the fuck?

I discussed your musical ability since its 10 years.

Will not face the discipline of the Conservatoire.

I was afraid that to know him.

Was afraid?

I was going to ruin everything. I would not like him.

I've never heard of him.

For this very reason I would not like him.

He is not nobody. He played the violin at the Casino ...

to finish your last year in Zurich.

Where would you sit him today, Father? Next to Matisse?

Rubinstein, or Miss. Hepburn?

Show your opinion without messing up the table.

Am I wrong?

If you think the glamor of the fight always fascinated me, you're right.

I admire the orchestra, no. the garbage in which it grows.

I can afford to take advantage of the final product.

Why lose my time with something else?

And you, too?

One day, Paul will be the best. Very talented.

There are thousands of talented who never says anything.

I would not mind that was a piano tuner.

I love him and I'm going to marry him. And do not try to stop me.

I already stopped her. to do something?

No, unfortunately.

Your guests are coming.

I'll let you know where will I be staying.

It would ruin if I asked his name?

Paul Bronte.

I'm sorry to have to stay hurt him.

Shows good I like to choose it ...

but it ends with this, dragging her to the wedding.

He did not drag me at all.

You do not even know we're getting married.

Still.

- What's it? - I should have turned.

This is the road to Saint Moritz.

Have you been there? My father goes every year.

In December snow hits in your window.

You can pick it up and wash your face with it.

It must look beautiful now.

No, Mendelsson.

- You do not have to like him. - From Mendelsson?

- No, from my father. - I do not even know him.

I know. What he says.

What does not stop who do not like you.

Why would you want me?

Instead, I would fight, before letting her travel ...

with a salafr rio like me.

- He does not care what I do. - Well, it's a fool.

Do you care what I do?

It was a month let you come along.

- Need to work. - Can work.

I'm going to study too.

Little Lulu, it's all a game. Do not

It's not fair. I know you have to work, but ...

why Zurich? He studied so long l .

Why not somewhere else, like Paris?

There's a teacher in Zurich.

Are good teachers in Paris.

Not like Prof. Schuman.

Because of him I played in summer at the Casino ...

competing with stubborn, croupiers and roulettes.

I've never been to Paris with someone I love.

Would not it be wonderful? Do not think ...

to taste, to feel ...

You convinced me, Lulu. You go to Paris.

I'll meet you there in two years.

- Do not play. - I'm not joking.

Get back in the car, Let's go to Zurich.

There will be nothing there, only the Conservatory, music ...

- and hard work. - You will be there.

That's right.

FURNISHED APARTMENT RENT

- What a lovely room! - I can put curtains on.

No, it's fine.

Had a small room not so. I'm interested.

Am sorry. I rented it half an hour ago.

Are there no other vacancies?

Lulu, it seems like will be alone.

Excuse me. Frau Sigerist, Do you have the keys to my room?

Of course.

- Do you have the front door? - Of all the doors.

I'll bring your keys later.

Just rent the S t quartoo's room?

Could...

- I can? - Thanks.

I'm Paul Bronte. This is Miss. Louise Durant.

- James Guest. - How are you?

- Of the army of occupation? - I was a soldier.

I'm a pianist.

First year? There is a rule in the Conservatoire.

The oldest, this one my last year

have advance right to all rooms.

Sorry, but you can remove your things without major problems.

- No? - No, but it was worth the try.

- Allow me. - Thank you, put it there.

Ou a, I want to compete for I quarrel with you.

You're going to lose, I was a soldier.

- If you need help, yell. - I'll scream.

There is a great secret to the success here, you know?

- Stay away from the girls. - I'd rather be a failure ...

like you.

It seems that I will not stay completely alone.

"I should have fought him." - No. of the welded type.

I have to find a room. - Not too far.

- We're not in the car. - Are you trying to scare me?

I'm not very nice, know it.

"I'll take my chances." - I am worried.

It will get cold, hungry, lonely?

I feel responsible. I do not like this.

I'll make you like it.

Have you wanted something in your life? that you can not have?

- Some things. - And what happened?

I got them.

I need to find a room.

We had dinner at Seyfert's in the corner.

- I'll meet you at 7:30 p.m.. - 7.30.

Look!

Excuse me.

- Looking for someone? - Mr. Bronte.

Paul Bronte?

- You know him? - Of course.

You should know that he the one before.

Sit at our table. Until he arrives.

- Well I... - Please.

Right.

My name is Mike Dove, viola. I had known the worst of me.

They knew an old friend, who did not tell me the name.

Louise Durant.

- Madeleine, Yvonne, Krafft. - How do you do?

By my luck, she is waiting for Paul.

- Paul's girlfriend? - Yvonne, French.

Naturally.

- instrumentalist, or voice? - Instrumentalist.

It touches the hearts of men like a fairy.

Just in my free time.

"Are you going to study here?" - Of course.

She is an amateur, like some people here.

But watch out, her mother. the best parties in Zurich.

I do not have the patience with people wasting time.

I say, "Stay at home, be beautiful, have children ...

but do not get in the way. "

What instrument does it play?

He is learning to touch the box.

You and your jokes of bad taste.

I'm a cellist secondary

but I can be a concert manager ...

- Like my uncle. - Edmund Striller.

I've heard of him.

Mr. Bronte! How's it going, my boy!

Paul, my love, did you miss me?

- Doubt? - Bronte!

Dove, you rascal!

Kraffty, how's it going? Yvonne, Madeleine.

Hello, Paul?

How were the music on the ship?

I still can not touch without feeling enj o.

I should not talk to you.

I got it with my uncle that he would play ...

like first violin in the string quartet ...

and he will play in the Casino.

No quartets for me, when playing in concerts ...

will be alone.

- I see you met Lulu. "Everyone was kind to me.

Especially Dove, certainly. Out!

Casinos, dance music. All of his technique ...

- I bet. - Bet?

How much? A dinner with champagne?

- You're right. - Right.

Is there a violinist in the house?

For you.

Angry!

- Hi, Paul. - Hello, Madeleine.

CONSERVATION FROM ZURICH

Do you want me to come in with you?

- Hello, my dear. - Hey, Effie.

- Are you coming to the party on Sunday? - Perhaps.

Bring your violin. - We did not go out together anymore.

Well, then send the violin.

- You want me to come in with you? - I'll be more nervous.

Do your best and do not worry

One way or another.

How are you? I'm Louise Durant.

Oh yeah.

It's early. You have to wait.

Forgiveness, but who is playing the piano

a new student, doing your entrance examination.

- No, it's all wrong. - The time?

Your interpretation. Chopin is romantic and romantic.

It is confusing this quality ...

making it unbearably romantic.

- Excuse me. - You need, I do not know ...

balance, center of gravity, without this...

- Pickard! - What?

He who must deal with you. Where are you going?

- I thought I was rejected. - Rejected?

What are you talking about? You have great talent.

I was going to waste time criticizing him, if he had not?

- Thank you sir. - Do not thank me.

I do not create talent, I just recognize it.

The Prof. Pickard is one of our best teachers.

And I'll listen to it. twice a month.

- Thank you. - Talent, just the spark.

Needs a lot of fanfare to become flame.

I do not fear work.

How much time do you want stay with us?

Depends on how long My money is going to ...

I understand.

There are scholarships. We'll see, later.

I am happy that is with us.

Me too. Thank you.

I did it. - How nice!

He will hear me twice a month.

Parab ns.

- MS. Durant. - Next?

Calm. Do not have to what to worry about.

As you know? Did you hear me play?

It'll work out fine.

How about some coffee later? I'll wait for her.

No, thank you. I have an appointment.

Maybe next time. Good luck.

Thanks.

- How's it going? Schuman? - How are you, Miss. Durant?

- I studied piano eight years. - That's not necessary.

Play something, please.

- Not very good, ? - No.

I want to study here. I pay double.

Sometimes we accept less money, never more.

Why a beautiful girl? Do you want to sit on the stool?

for 8 to 9 hours? It's bad for form.

I'm in love with a musician. He's a violinist.

I could not fall in love by a businessman?

It did not happen. This matters?

A great violinist can be a regular husband ...

it's a great husband can be a regular violinist.

- Can not it be both? - You can.

But it would be bigamy to love his music as much as his wife.

Unless she loves you too. Love?

No, but I can learn to love, or at least to understand.

That's why I want to study here. To be a part of it.

I need your help, teacher.

Several teachers classes after the time.

"I'll speak to one of them." - Thanks.

I hope I did not frighten you.

There can be joy in loving a musician.

I would still love him, if not touched more in life.

"But would he be happy?" - I think so.

So, you do not have to what to worry about.

And I see that he does not too.

- Good luck. - Thanks.

So what?

- Paul Bronte! - How are you, teacher?

In between, I'm free now.

How did it go, Lulu?

The Prof. Schuman very kind, will find a way.

Good. I said to she did not worry.

- Come in, come in. "Wait for me, will you?"

I'm delighted to see you for having decided to return.

"There were never any doubts. - Did you have a good summer?

Not bad, if you like of Strauss waltzes.

Money is good, and if you have plans to have a family life ...

I just have a plan. What I had in the beginning.

- Are you sure? - More than ever.

Good so lets to work.

- Now? - Yes.

That's right.

I decided that it will play Tchaikovsky with the Philarmonic.

- Are not you satisfied? - What an honor!

- I just hope ... - Hope does not lead to anything.

Work it out. Work and hours at the violin.

a score marked: My marks.

The way I would play, if I could.

- We will try? - I'm ready.

Three chords before of you enter.

Time, Paul, time.

Louise! Louise!

I'll play Tchaikovsky with the Philarmonic!

In an hour, please. I do not want to miss my train.

Good, thanks.

What's the idea? Where are you going?

- I am out of here. - Why?

Okay, you're mad, I made her wait.

- Did? - Excuse me.

I lost track of time.

Lulu, I'm sorry. Do not be silenced!

Throw something at me! Scream!

I have no reason to shout.

I get in the way one afternoon, and you're gone.

No you, I failed.

Such nonsense! He said that Schuman was going to fix ...

That's not what I said! I came to stay with you.

"Nothing has changed that. "This evening changed that.

Suddenly I saw myself. Weeks, months ...

sitting in ante-rooms as a mobile.

I knew I had to work.

Yes! But not so!

Living, breathing, eating music.

Without talking or even thinking on something else.

I can not live like this.

Maybe my only talent be love somebody.

- A beautiful talent! - No.

Stop talking like a fool. Stop talking.

No, Paul, I can not. call when you want

and turn it off when you do not want it.

You have to leave me, while I can.

That's right, see. As free as I am.

What do you want me to do? Tell me what to do.

I want you to need me, as much as I need you.

I need you. I love her.

I'll prove it. But stay.

Tell him to stay. "

Do you want to sign here, please?

- Thank you. - Thank you.

What do you think of my new piano?

Cool?

Sound is as good as it gets. the appearance?

Hope so. I can not return it.

If I had not been so pretty, I'd be jealous.

- What are you playing? An old folk music.

I think it's a reflection. It was my first piece.

- "See How l'm Jumping". - What?

- Her name. - I did not know you had a name.

I touch a hand.

He had a baby, We played together.

See how I'm jumping Jumping jumping

See how I'm rolling Like a ball

Did not you know that? I jumped so fast

Did not you know that? I jumped so high

See how I'm jumping Jumping jumping

When I'm tired I fall

Tucker. It was the bab nome's name. The one I liked.

I hated my first piano teacher

He beat on my articulations.

I thought, "One day I'm going to sit down. on a concert platform ...

and I'll make you sit down in the last row of the gallery ".

Poor Dick. He died four years ago.

That hit my articulations again.

Dear. I felt it was you.

An angel for calling. I missed you.

Did you miss me? It was a short answer.

Well, I'll go into the details. later.

In person.

Right. I'll finish in 15 min.

Come soon. Goodbye.

They left a telegram for you. He's at that table.

IF YOU ARE UNDERSTANDED OF MUSIC, COME TO ST. MORITZ.

LOVE, FATHER.

I better not spend the piano.

Go to Cahill's house. on Sunday night?

In Cahill's "open house"?

- Maybe we could ... - Sorry, but I'll be out.

I'm going to see my father in St. Moritz.

Why do not you use the piano? while I'm gone?

- I do not think so. - Do not be silly.

He's standing still. You soften it for me.

Pe o Frau Sigerist who give the keys to you.

So I can not fight. Have a good time.

I'm going to have fun.

Ms. Durant has just arrived, is in her groove.

Thank you.

- Louise! - Hi, Dad.

My dear.

I'm very pleased in v -la.

His musical education no. seems to do him harm.

- I like. - Now that it's over ...

Dad, I'd like you to meet Paul Bronte.

Yes, Mr. Bronte. How are you?

How are you, sir?

I thought they should meet each other.

I hope no Mind the surprise.

I stopped caring. with its longtime surprises.

I'll get us a drink. Still Bourbon, my dear?

- With ice. "What about Mr. Bronte?"

What do young musicians drink?

We usually chew the ice.

- And on special occasions? - Anything expensive.

Arranged a room to Mr. Bronte?

- Yeah, I talked to the manager. - Thank you.

We have to get back tomorrow night.

Paul has his first rehearsal with the orchestra ...

- on Monday. - Test?

I will be the soloist of Philarmonic from Zurich next time.

- Part of the curriculum. - Last part.

You will play the Concerto de Tchaikovsky. Why do not you go?

I heard the Concert by Tchaikovsky.

Yes?

Excuse me, the fourth of Mr. Bronte is ready.

I think I'm going to change.

I brought your violin. Could you give us a sample?

I'm afraid not. I play for pleasure or for money.

And a man with his talent. to search both ...

will understand, for sure.

"Let's have some coffee?" - By noon.

- Well, what do you think? - Is it important?

No, but I'm curious.

She is vain, she has a sharp tongue. and an arrogant charm.

A combination is forgivable, with a spectacular talent.

You're bored, are not you?

Because he did not become paralyzed like the others.

Because it was p reo for you.

I would ask if he I think it's for you?

I think so.

Or more pertinently, Do you believe him?

As well?

If you have any illusions about getting married with him, arrange a hummingbird.

- You're wrong. - I am?

He loves me.

Not the kind of love that you require.

You need they need you.

And Mr. Bronte You do not need anyone.

Except for himself, of course.

- Are not you describing yourself? - Can be.

Maybe that's why I found it I'm boring

and you find it attractive. Accept, my dear ...

there are people who do not can be owned.

You wanna bet, dad?

- Who? - The gar om, sir.

In between!

Good Morning.

- Good morning, Mr. Bronte. - Open Please.

What's it? It's 8:30 a.m.

The sun came up at 5:00.

Thanks.

Sleep well?

"But not enough." - Poor little thing.

- What are you doing? - Champagne and orange juice.

My favorite mix.

It's not a wonderful way to start a morning?

You're a wonderful way. to start one morning.

- Are you dressed for what? - Let's go skiing.

You go skiing, I'm going to study.

It's a glorious morning. Study later

I should not have come.

What nonsense. You have studied too much.

exactly what you need. Let's go.

- I'm not good at skiing. - That's easy!

And I do not have clothes.

If you walk early, you can take a quick breakfast.

I'm coming down, love.

A drink for the pianist.

Honey, I'm just warming up.

I had the most work in make my uncle care.

It's obvious now because lost one more at the Casino.

When he has the first rehearsal with the orchestra?

Tomorrow morning.

What right does he have to spend the weekend in St. Moritz?

"Who's in St. Moritz?" - Paul with the girl.

- Lucky if he comes back. - That's not true.

Do not I saw them leave.

You should know, they leave. under your nose.

It's just a ...

I apologize for this, or I'll break up with you.

- Calm down, Guest. - I apologize.

It's going to ruin the party.

Excuse me.

Are you back?

It's not late for ...

Excuse me. I was thinking of you.

- So beautiful. - You better leave.

I'm very tired.

Please, do you mind?

Can you give me the key?

Thank you for using the corridor.

He's handsome.

No, Mr. Bronte, you have to play. this in your restricted time.

Follow my touch. Again, gentlemen, of ...

four bars, before the letter F ...

What do you mean: "Follow my touch"?

In this passage there is no excuses for such freedoms.

You have to stay with the orchestra. Follow me.

When the melody line is with the orchestra, I'll follow you ...

when you're with me, the lord who follows me.

It's not a question of melody line, but ...

to keep the soloist and the orchestra together.

- That's an interpretation. - You're wrong!

No, sir!

Can interpret, when dominate the tradition.

It's among professionals.

How dare you question the teacher's instructions?

The passage says: "molto sostenuto il tempo ".

You came unprepared!

I know this concert, As well as anyone.

I feel it when I touch it.

If you want a traditional violinist, There are thousands!

Gentlemen, let's continue.

- Paul! - Do not be a fool, Paul!

- Where you go? - Who cares?

I.

How dare he say that to me?

- Honey! "Among professionals."

I have to lick my shoes. and say, "Yes, sir."

"Sure, for sure."

You do not have to do anything. You can do whatever you want...

Go where you want.

Of course.

All the places with which we dream.

You have a place with which I dreamed. Where I was.

And I was kicked.

- Paul, my dear. - Do not console me.

I know what I did. I know as well as Schuman.

I did what any musician of the second would do: I failed.

- It's not true. - You must know.

Where I've been all these weeks, months?

"When should I be working?" "But I was working."

With half the head.

It would be better if I had not Gone to you this morning.

Has he regained control?

Sorry, Prof. Schuman, You were right ...

I was unprepared. But I'm better than that.

Know this.

Every student here waits take something rare ...

to the world of music.

Few can, because they do not know how to discipline.

There is no great art. without discipline.

No discipline, no sacrifice.

Can you give us permission?

There's another essay on Wednesday. - Thank you.

I do not want it to be appreciated, but justify myself to the teacher.

And above all, in three weeks, justify it.

I'll do it. Thank you.

- He gave me another chance. - I knew.

You did not have to worry.

I have three weeks before of the concert.

Three lovely little weeks and I'm going to study 18 hours a day.

- As long as your fingers hold. - Of course.

I'll help at all that you can

If you have a mode to help me now.

As?

Getting away from me until after the concert.

- To stay away? - Yes, Lulu.

Somehow, almost a compliment.

- If you need it. - As soon as we talk.

It ends quickly.

And then?

The next is one hundred thousand notes of distance.

- Paul? - Yes?

We can not meet just for dinner

- Talk? - Call me.

- You mean on the phone? - Everyday. At 8:00 p.m.

My dear, I've missed you so much, these last two weeks ...

They never postpone a concert, no

It's going to be next week.

I do not know. I've had nightmares ...

where they live by putting it off. Every time for more ...

and I'm getting older.

That's right.

Come here? On the way to the concert?

I understand.

No, you have to stay with Schuman, if you must.

I'm going backstage when it's over.

Right. Tomorrow at 8:00 p.m.

Goodnight love.

SOLISTA PAUL BRONTE, VIOLINO

Hire him for a turn. I want to be the entrepreneur.

Uncle, he promised that if I find a new talent ...

I would benefit.

Let's go backstage.

I want my percentage.

It was wonderful.

- I'm sorry. - Me too.

Never touch again, yes i die

- I'll see you outside. - You're right.

Young man, I need to talk to you. We'd better go to the dressing room.

- Paul! - Hang on.

It is a very sober decision.

Good night, Paul. See you in Rome.

Good evening, Mr. Striller. I'll see you later, Kraffty.

Thank you again, Professor.

And remember, work and more job. I want news.

What's up, Lulu? What about? It started.

I worked so hard and I waited so long ...

which can not be too fast!

Not too big! Not too rich!

I'll buy this outfit. and take a picture with her.

- You made your plans? - Of course!

Mr. Striller gets me three. presentations the next time.

And in two weeks, I play in Rome. Think!

A stage like this in Rome.

And the sudden applause which frighten him.

It was for that. Every year, this is the payment.

Sure, there's the money, the hotels, all the good deals

but this is the department by Krafft ...

Lulu, you're not with me.

He did not smile or kiss me ...

Nor did he tell me how well I was.

Everybody did it. Is not that enough?

What's it?

It looks like you're offended with what I did

You're offended by my success. Can not you share it with me?

I want it, Paul. I hope you leave me.

Sorry, these three weeks were hard for me.

I thought I would hate this place. and all in it.

I'll be happy, when we leave.

Rome is such a wonderful place.

The wine, the bells, the churches.

A lovely city to marry.

What is it, Paul? Did I said something wrong?

No, there will not be time for none of this in Rome.

I have an entire program to prepare.

I have to work like a dog!

In fact, Krafft said that ...

I think it is better to come later.

After I get the hang of it.

As a camp follower?

Do not be nervous!

That's why I sat three weeks in that room ...

without seeing it, without disturbing it?

I knew like those weeks were important to me.

Yes and I gave them to you, but now its over!

It's not over, it's just starting. This is going to be my life.

Music, concerts, programs, studies.

And where I enter it, Or did not Krafft tell you?

He has nothing to do with it. I know what I need.

I thought you needed me.

If you love me, you know I need stay free for a while ...

to work, to find me! I can not be possessed, suffocated!

I will not let you Do this to me.

The biggest night of my life, and you're trying to steal it from me!

It will have many great nights: Rome, Paris, London ...

all the major capitals of Europe, with Krafft on his side.

Yes, at least he does not hates my job.

No, he loves you.

But never lose your violin ...

or will it be the man most solitary in the world!

Mr. Guest! Mr. Guest!

- Yeah, what is it? - Quick, please!

- What's it? - I do not know, I heard something.

A strange noise. The door is locked.

"Are you sure she's there?" - Yes please!

The doctor is coming.

She's a strong girl. It's fine.

Frau Sigerist, the telegram I received:

"Your daughter needs you," was signed by Mr. Guest.

the neighbor from above. A good friend of your daughter.

What about Mr. Bronte?

He went to Rome, to play a recital.

I understand.

I told you that you You're here, Mr. Durant.

Thank you, doctor.

When can she travel?

"I do not want to rush you." "Neither do I, Doctor.

How's it going, honey?

The doctor said that It will be good soon.

I think Frau Sigerist is disappointed.

I counted on miming You for a while.

Why do not you speak?

Was right. He did not really want me.

He wanted... Are not you happy with yourself?

What do you think of me? What do you like to see her hurt?

Ended. You'll forget him. You can even learn from this.

I will not forget, but I learned.

I will not do the same error again.

You and Paul taught me: Be the beloved, not the beloved.

I wish I would stay, Until you feel better?

Do not forget yourself.

Strange, so many years and still we do not communicate

Would be my words or your ears?

The doctor said that soon will be alright

Why do not you come with me? to Paris?

It promises to be a season stimulant.

- Sorry, I do not ... - All right, Jim.

My father was leaving. This is Mr. Guest.

- How are you? - I'm glad you came.

Frau Sigerist said who should drink it.

No discussion. I'm older than you, even when you are off.

Let me fix this. Lift up a little.

a more persuasive nurse which Frau Sigerist.

That's why she sent me.

I'm leaving. Come on, Mr. Guest.

- Are you going? - Yes I need.

You're in good hands. "Au revoir."

Okay.

Okay, take it all.

- It was not that bad. Nothing is as bad as it sounds.

- Does that have a moral? - No, I do not ...

Do not worry. I do not do that again.

There's a moment between ...

that has a desire desperate to leave.

It does not feel like it It's worth dying for nothing ...

nor by anyone.

Thank you for breaking to my door.

Whenever you want, girl.

I got it! I got it!

- How lucky! - Come in, let's celebrate!

- No, thank you. - Celebrate what?

I got the scholarship. Schuman just told me.

How nice!

- Who's playing? - Paul Bronte.

His estréia in Rome.

- Let's drink your good luck. - No, thank you. I have to go.

- James? - Yes?

- How's she doing? - Well well.

- Where you go? - To Paris.

Paris? When you ...

The doctor passed and discharged me.

Thought I would stay here forever?

You can not go. I will not.

Do not be silly, James.

You can not say goodbye. and go away.

- Why not? - You know.

No after these Recent days.

You know how I feel about you. So it made me think ...

I can not help what you thought. It was kind, I was grateful.

- Is not that enough? - You're lying.

Why would I lie?

- I got a purse today. - Congratulations.

You know what that means? If it's hard for a year, I can play ...

Yes I know. Touch with the Philarmonic Society.

Funny. While Schuman I was thinking, I was thinking of you.

How it would look, when she told. What would you say, if you asked to stay.

Stay here? I can not wait to leave.

I hope I will never see this place.

- MS. Durant? - Yes?

- The receipt. - Thanks.

- And the piano. - Piano?

Have you decided what to do with it?

- Yes, I'll give it to Mr. Guest. - No, thank you.

I'd like you to keep it.

Send me a tie. That covers everything.

Let me know later. I call them men to pack?

One minute.

It should not be so sensitive.

Accept the piano. Make good use of it.

One day, if you want, You can throw it at me.

Do not be desperate. You'll get over it.

We overcame everything.

Really?

Have you got over it?

It was what he wanted, instead of you.

But I'm not Paul. I need you. I love her.

- Disconnect! - No. Hear him.

"And I'll make you forget it." - No! You're going to get hurt.

I take my chances. I do not get hurt so easy.

Tell him he will not leave me. Stay with me.

AMSTERDAM PAUL BRONTE - VIOLINISTA

VIENNA SOLISTA PAUL BRONTE

MUSICAL SOCIETY N POLES PAUL BRONTE

LISBON SYMPHONIC ORCHESTRA

MADRID PAUL BRONTE

MUSICAL SOCIETY OF BUENOS AIRES

MUSICAL SOCIETY FROM PARIS

PAUL BRONTE VIOLINIST

Do you have the London paper?

"Musical Courier" please.

Mr. Bronte. How are you?

- You look terrific. - Thank you.

And going well, like the newspapers always remind me.

I had difficulty getting entrance to your concert.

Your interest is flattering.

It must be because I do not go. playing Tchaikovsky's Concerto.

Was I unpleasant? - No.

But it's a privilege which now deserves.

- Will stay long? - No. It's only a few days.

I must go.

Lulu...

Paul.

- Yes I know. - How are you?

- I am fine. - I'm down.

I would like to see you. Is it possible

- Are you there? - Yes, me...

Can I go up now?

Yes, give me 15 min. No, 10 min.

Okay, I'll take it. a drink in the bar.

- Guest, how are you, soldier? - It's all right.

Bronte!

If not man in person? Sit down!

Just a few minutes. I need to see someone.

What's this? Have a drink for old times.

"Give my friend a drink." - I got one at the bar.

Bring it to c and another double.

- Double, Mr. Guest? - That's what I said. Double.

Well well well.

If you stay at the Ritz bar, ends up finding everyone.

Everyone that's somebody.

Do not give me that. You're great.

- How have you been? - Very well.

Are you sick or studying with someone?

I am studying with the teacher here.

We have days, do not we?

And he never hits the my joints.

- Do not you play anymore? - Just to fall asleep.

I do not have a single goal, like you.

And I do not sleep in a bed of nails.

But all that study. In Zurich, you ...

Zurich?

It was childish. Think carefully.

16 hours on a piano. In exchange for what?

Let him pay you something. Anything.

- No, thank you. - Something expensive.

A Corona, or brandy Napoleon. I'll sign everything.

I sign Durant, and they Do you bring caviar, or do you prefer?

Durant? - I did not know?

It's a good name. You should be the first to know.

Louise and I ...

We should have sent a special invitation.

- When that? "Two weeks after you left."

We got married on the way to Paris. In a small town hall.

In a small town called Wachfola.

Fair enough, no?

You have everything you want. And I, everything I did not want.

- Half to half. - I have to go now.

- Drink and run? - Bye, Guest.

You did it. It was a challenge.

We have to repeat one hour like this

- No! I'll sign everything. - Bye, Guest.

I always found that when I saw him ...

I would punch him.

I even got over it.

My wife was right. You overcome everything.

- He went to l. "What did I tell you?"

I told the story of my life. Drink with me that I tell you.

Professor, I have another guest. Ms. Guest.

Give him a Bourbon with ice and one more for me.

He will not drink more today. Understood?

Yes ma'am.

I waited for him. Why did not you come?

- I saw your husband. - I know what you thought.

But he asked for it. He knew that I loved him.

Me too, as soon as I heard your voice.

I divorce him. I'll do anything.

- The same as always. - No, I've changed!

Believe. I know what wait for you now.

- We could be happy! "About the bones of a dead man?"

My stomach is not that strong. - They wait for you, Mr. Bronte.

Every time I looked at he I saw myself As I would be.

But you still love me.

And I will always wish that you would have been different.

ENTRY OF THE ARTISTS Louise!

He said he had learned. I did not learn.

- How long does it take? - The time it takes ...

but if you do not learn from your mistakes, never learn. "

Let's sit down.

Maybe I should have I told you about James.

Why? It was a wedding of inconvenience. What do you think?

I do not think I even thought about him. But that does not matter.

- Paul does not want me anymore. - I think he does.

Is afraid of me. Maybe he's right.

"What are your plans?" - I do not know.

There's one thing. Divorce me of James as soon as possible.

Why the rush?

Do not you think that already? Did I do too much with him?

There is a saying that says: "Never hit a fallen man."

Help him before.

Kind of heroic, but efficient.

- What you mean? - No twisting.

Repentance is good Soul

and Mr. Bronte can stay satisfied knowing that he has a soul.

I can not. I do not know where to start.

Do you want to bet?

"Henry, did you see Mr. Guest?" He came for the train ticket.

Passage? Where?

- Marseille. - Marseille?

Yes ma'am.

Mr. James Guest, a message for you in the Bureau.

Mr. James Guest, a message for you in the Bureau.

Thanks.

What's it? I left all the clothes, no?

- I forgot my watch. - Stop, James!

- Where are you going? "What interests you?"

I did everything I could. I gave everything I had.

It was not enough. But it's not your fault.

There is a cargo ship who leaves Marseille tomorrow.

16 days at New York.

Maybe I'll get my hands stand firm ...

to teach piano lessons in Scratton.

I'll go with you, James. But to Zurich.

- Zurich, why? - Unfinished business.

- I? - The two of us.

- What's the deal? - It's not a deal.

Is awareness bothering you? We're not going to fool ourselves any more.

I want it to end What started.

- Prove something. "What am I a genius like him?"

Could be. If it was not for me. If I had helped ...

No one twisted my arm. Do not feel guilty.

I do not have to feel anything. I've tried that.

Do not feel anything.

It means that I would go back to Zurich, how I hated her ...

- by me? - It's a call.

VIRTUOSO PAUL BRONTE

How about a walk? The two of us?

Slave trader

CONCERT JAMES GUEST

Angry!

- It was great, Paul. - Wonderful!

HOW TO SAY TO PAUL What did I do for him? L.

- Who's there? - Love, Krafft.

What does it mean?

That sometimes, It's too bad to be wrong.

Thank you.

We do not need the rest. of the 2nd movement.

- Bravo, Mr. Guest. - Thank you.

Good evening, gentlemen.

I want to redo two parts. The 1st movement ...

eight measures before paragraph 8.

- Ready, Mr Guest? One moment, sir.

Prof. Schuman, someone can to find the numbers for me?

- It would be faster. - Of course.

Help me please?

I think it would be better someone who knew the music.

Nobody knows this music better than my wife.

Soon, master.

- You look beautiful. - James!

You, too. I'm nervous.

I should be nervous, no you

I think I'm not good at waiting.

Why do not you go to the Seyfert's with me?

I could not.

I like the traditions. Schuman will not mind.

I prefer no. You did too much.

And I promised Frau Sigerist ...

Backstage, the first thing.

Give me something of your own. A magic.

A bunch of her hair. A jewel.

I could not without this. Without you.

I see it behind the scenes.

Give me the sack. It's not true what you think.

You can do it without me. Need!

good, bright, It can not fail.

It has nothing to do with me. You, your talent!

- You do not need me. - What you mean?

After the concert ...

Paul will take me with him.

Paul?

What kind of demonic You

Do this to me? Tell me before ...

But he had to tell her, do not you see

How to leave it there thinking What can not you do alone?

If I did, I would have to say tomorrow, and the rest of your life ...

would not believe that You can do it without me ...

but you can do it! James, I know.

Never doubt.

You do not need a cane. a whole human being, again.

I did not mean it now. I did not mean to.

But I did!

Please understand!

Angry! Angry!

Angry!

Angry!

- Lulu? - Paul?

- Where were you? The plane was late.

- Did you hear him? - I heard.

Look at him.

On that mountain alone.

Nothing in the world matters, if not this moment

Tell us about us?

Let's go backstage?

- Congratulations, James. - Let's go to Zeyfert's.

Come on. - I do not think so.

You must come. Your night, James.

Okay, I'll change and I meet them.

Right.

One second.

I was right, was not I?

I knew I could do it on my own.

Was here?

I saw everything.

Where is Paul?

He said goodbye and told me wished you good luck.

All fools need luck.

- Louise! - Oh, James!

Ripping: ibbins Review and sync: mawricio58