Original subtitles

CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT

SO, UH, THIS IS HOW YOU GUYS WANT ME

TO PAY YOU GUYS BACK?

SOMEBODY'S DYING TONIGHT, HARRY.

WHO IT IS IS UP TO YOU.

SHIT.

FUCKIN' EASIER

THAN COMING UP WITH 100 LARGE,

I'LL TELL YA THAT.

CARLO FIGURES HE'S KILLING 2 BIRDS WITH ONE STONE.

ALL RIGHT, LISTEN UP.

THIS IS HOW IT'S GOING DOWN:

IN THAT ALLEY, LAST DOOR ON THE LEFT,

KNOCK ON IT, ASK FOR BIG TONY.

THEY'RE GONNA THINK IT'S A NORMAL DROP-OFF.

WHEN HE OPENS THE DOOR TO TAKE THE PACKAGE,

YOU SHANK HIM.

YOU DON'T STOP UNTIL HE'S DEAD.

TONY'S STILL BREATHING IN THE MORNING,

YOU WON'T BE.

HOW WILL I KNOW IT'S HIM?

HE'S OVER 300 POUNDS, FOR FUCK'S SAKE.

YOU CAN'T MISS HIM.

NOW GET GOING.

UNH. AAH.

AAH!

UNH.

[GROANS]

[SLAM]

[CREAK]

♪ I FELL AND FOUND THE SILENT STORM WITHIN ♪

♪ THERE'S NOTHING LEFT OF ME ♪

♪ BUT SKIN

♪ RAIN

♪ CRYING RAIN

♪ I BLEED TO FIND MY SOUL AGAIN ♪

BETTER NOT BE WASTIN' MY TIME, SAL.

YOU WANTED A CONNECTION TO THE SHIT.

I FOUND HIM.

BUT WAIT TILL YOU SEE THIS GUY, JIMMY.

[RUSSIAN ACCENT] DRAVEN IS EXPECTING YOU.

[RAP MUSIC BLARING]

♪ FELL IN LOVE WITH THIS GAME ♪

♪ MONEY MORE THAN THE PAIN

♪ I WAS SMALL-TIME, BUT NOW I'M FULL-BLOWN ♪

♪ FELL IN LOVE WITH THIS GAME ♪

♪ MONEY MORE THAN THE PAIN

WHAT THE FUCK IS THIS, SAL?

TRUST ME, JIMMY. HE'S THE GUY.

♪ YOU SEEK A MOTHERFUCKIN' PROFIT ♪

♪ ABOUT TO COME UP OFF THESE NEIGHBORHOOD FEES ♪

♪ STUPID AS IT MEANS

♪ SO FUCK THE AMERICAN DREAM ♪

♪ IT'S ALL SUPPLY AND DEMAND WITH THE CLOCK RACIN' ♪

♪ TAKE SOME FRANKLIN AND JACKSONS ♪

♪ AND FUCK TAXES

♪ WITH SUBTEXT, FALSE IDOLS ♪

♪ AND CLUTCH A BIBLE

♪ I GOT TO SAVE MY NECK AND LIVIN' FOR SURVIVAL ♪

♪ GONNA ELIMINATE RIVALS IN THIS BLACK MAFIA LIFE ♪

♪ THOSE WHO DARE AND BEAT YOU ♪

♪ PAID THE MOTHERFUCKIN' PRICE ♪

♪ TOP-RATE CREDENTIALS, MOTHERFUCKER ♪

[MUTES RAP MUSIC]

SORRY.

SHIT MAKES ME THINK MORE CLEARLY.

WHICH? THE WEED OR THIS FUCKIN' MUSIC?

IT'S A COMBINATION THING.

YOU GONNA INTRODUCE THIS MOTHERFUCKER, OR WHAT?

DRAVEN, THIS IS JIMMY PIERAZZI.

PIERAZZI FAMILY?

I AIN'T GOT NO PROBLEM

DOING BUSINESS WITH THE PIERAZZI FAMILY.

FIRST CLASS--

IT'S THE ONLY WAY I LIKE TO GO.

NOW THAT YOU KNOW ABOUT ME,

WHY DON'T YOU TELL ME A LITTLE BIT ABOUT YOU.

I'M THE PHARMACEUTICAL ENTREPRENEUR

THAT'S GONNA GET YOU THE CURE, MY BROTHER.

E-TABS, AMPHETAMINES,

STEROIDS, YOU NAME IT.

HELL, EVEN THE BLACK-MARKET MEDICINE

LIKE THE SHIT YOU AFTER.

WHERE DO YOU GET IT?

FROM FUCKIN' RUSSIA, JIMMY.

I WANT TO HEAR IT FROM HIM, SAL.

Jimmy: HEY, WHERE DO YOU GET THE FUCKIN' MEDICINE?

LIKE HE SAID,

I GET MY MERCHANDISE

OUT OF A LAB OUTSIDE OF MOSCOW.

END OF THE COLD WAR WAS A MOTHERFUCKER

FOR THEM RUSSIAN BOYS.

POOR BASTARDS'LL GET YOU ANYTHING FOR A PRICE.

WHAT'S YOUR CUT?

15%.

MINIMUM BUY, 2 MILLION U.S.

OF COURSE, MY FEE'S UP FRONT.

HELLO.

YOU WANT TO SEE MY MEDICINE CABINET?

[TURNS RAP MUSIC ON]

♪ MY MAMACITAS, ALL MY MOHIQUAS ♪

♪ OOH, BABY GIRL

OH, SHIT!

♪ THINKIN' ABOUT THE DIFFERENT THINGS ♪

♪ I LIKE TO DO, SEE

OH!

OH, SHIT!

OOH!

WHAT?!

THIS IS MY PRIVATE PARTY STASH.

A LITTLE SOMETHIN' SOMETHIN' FOR THE LADIES,

YOU KNOW?

THEY GET SOME BEFORE THEY GIVE UP SOME.

HEY! HEY! WHAT?!

MY MAMACITAS! SEÑORITA!

I TOLD YOU THIS GUY'S LARGE.

NOT TOO FUCKIN' SMART, THOUGH.

WHAT'S THAT, MY BROTHER?

WHAT IF I CAME TO WHACK YOU RIGHT HERE

AND TAKE ALL YOUR SHIT?

IF I THOUGHT YOU CAME OVER HERE

TO KILL A NIGGA...

[GUN COCKS]

I WOULDN'T HAVE INVITED YOU INTO MY HOUSE

IN THE FIRST PLACE, MY BROTHER.

♪ MAMACITAS, MUY BONITAS ♪

♪ MOHIQUAS,LATINAS

♪ WE KNOW YOU SEEN US LOOKIN' ♪

♪ LET'S GET SOMETHING COOKIN' ♪

NIMBLE MOTHERFUCKER, AIN'T HE?

WE'LL BE IN TOUCH.

WORD?

[CAR HONKS]

Woman: ON THE NIGHT IN QUESTION,

WERE YOU TAKING THE TRASH OUT INTO THE ALLEY?

AND THERE WERE 2 MEN

OUT IN THE ALLEY, AM I RIGHT?

NOW, THIS MAN THAT YOU SAW WITH THE GUN,

DO YOU SEE HIM HERE IN THIS COURTROOM TODAY?

[CELL SLAMS SHUT]

Man: GO, GO, GO, GO!

GET IN THERE! GET IN THERE!

NOW!

[HELICOPTER]

Director: AND CUT.

I WANT EVERYBODY TO STAY BACK

UNTIL WE HAVE ALL THE FIRES OUT.

Assistant director: EVERYONE STAY BACK.

GOOD JOB, JIMMY. YOUR TIMING WAS PERFECT.

FREDDY, OK?

OK.

WHEN DO I GET TO DO THE BIG GAGS?

PATIENCE, COWBOY.

I COULD'VE DONE THAT SHIT EASY.

OH, YOU GETTING COCKY ON ME NOW?

LISTEN, YOU KEEP YOUR HEAD ON STRAIGHT

AND KEEP ON LEARNIN'.

HEY, WHEN ARE YOU COMIN' BACK FROM NEW YORK?

3 DAYS.

WELL, HURRY, 'CAUSE YOU NEVER KNOW, RIGHT?

[BELL RINGS]

I'M GONE FOR 2 YEARS,

AND SEE WHAT HAPPENS, O'BYRNE?

I TOLD YOU THIS LIFE WAS NO GOOD.

DIFFERENCE IS, I WAS BORN INTO IT.

YOU HAD A CHOICE.

YOU HOLDING UP?

I'LL SURVIVE.

LOOK, I CAME BACK TO HELP OUT A FRIEND,

A FRIEND WHO ALWAYS HAD MY BACK.

I ASKED MY UNCLE CARLO, AS A FAVOR TO ME,

TO MAKE SOME CALLS AND GET YOU OFF.

HE'S GOT YOUR JUDGE IN HIS BACK POCKET.

HE'S AGREED TO THROW YOUR CASE OUT

BEFORE A JURY FUCKS YOU

OUT OF THE NEXT 25 YEARS OF YOUR LIFE.

I DON'T KNOW WHEN I'LL SEE YOU AGAIN, ERIC,

BUT I KNOW YOU'LL GO BACK TO THE SAME SHIT

AS SOON AS YOU GET OUT.

ME, I'M STAYING IN FLORIDA

AND LIVING LARGE.

TAKE IT EASY.

YOU GOT IT?

THE CURE IS IN THE HOUSE.

LET'S SEE.

I COULD SAY THE SAME TO YOU

UNLESS YOU GOT A STACK OF BENJAMINS

IN YOUR BACK POCKET.

SAL, GRAB THE BRIEFCASE.

NOW SHOW ME MY STUFF.

YOU KNOW, I USUALLY WOULDN'T MEET ANYONE LIKE THIS.

YEAH?

YEAH.

WELL, MAYBE YOU SHOULDN'T HAVE.

Draven: HEY, HEY, WHAT THE HELL IS GOING ON?

I JUST WANT TO MAKE SURE

YOU DON'T HAVE SOME COMMIE FUCK

OUT THERE WITH A RIFLE.

SAL, GRAB THE BAG

AND PUT IT IN THE CAR.

MAN, THIS IS SOME BULLSHIT.

SHUT YOUR MOUTH.

WHEN I FIND OUT THIS SHIT'S FOR REAL,

THEN YOU GET YOUR MONEY.

DON'T YOU LOSE HIM, SERGEI.

FUCKIN' KNEW IT.

HEY, WHERE THE FUCK YOU THINK YOU'RE GOING?

WHAT THE FUCK DO YOU MEAN?

WE'RE IN THIS TOGETHER, JIMMY.

NO, NO, NO, NO, NO.

I AIN'T WITH NOBODY

TILL I FIND OUT THIS MEDICINE'S THE REAL THING.

AND IF IT AIN'T, SAL,

OR I FIND OUT YOU SET ME UP, HIDE.

NOW DO ME A FAVOR.

GET THE FUCK AWAY FROM THE CAR.

Assistant director: ALL RIGHT. QUIET, PLEASE.

STAND BY FOR REHEARSAL.

THIS IS 600 POUNDS. AIR RAM IS HOT.

1, 2, 3.

THAT'S THE ONE. ON THE MONEY.

GOOD, LEN.

LANCE, LET ME TALK TO YOU ONE SECOND.

Lance: WHAT?

LISTEN, I CAN GET A LOT MORE DISTANCE THAN THAT.

WHY DON'T WE INCREASE THE PRESSURE? WHOA, WHOA.

THE GAG IS FINE, TOUGH GUY, ALL RIGHT?

DON'T CHANGE A THING UNLESS YOU WANT MY JOB.

NOW JUST REMEMBER,

THE EXPLOSIVES AND PRIMER CORD

RIGHT, ARE WIRED TO THE RAM,

SO THE SECOND YOU STEP ON IT--

I KNOW. EVERYTHING EXPLODES 2 SECONDS LATER.

I GOT IT HANDLED.

YEAH. THAT'S WHAT I'M AFRAID OF.

[CHUCKLES]

ALL RIGHT, WELL-- LOOK, SERIOUSLY,

JUST--JUST MAKE IT TO THAT WINDOW.

MAKE SURE YOU MAKE IT TO THAT WINDOW

IF YOU GOT TO RUN AND DIVE, ALL RIGHT?

I WILL. YOU OK?

YEAH. YEAH.

AIRBORNE.

Assistant director: THE NEXT ONE IS PICTURE.

Assistant director: THIS WILL BE PICTURE.

ALL RIGHT. AIR RAM'S SET JUST LIKE BEFORE, OK?

HAVE A GOOD ONE, ALL RIGHT?

ALL RIGHT.

ALL RIGHT, GLEN, YOU GO TO THE ARCHWAY.

ARTIE, GO TO THE WINDOW.

YOU GO AROUND THE FRONT DOOR, BILLY.

WE'RE READY,

AND GO HOT.

Assistant director: WE ARE HOT.

AND ROLL THE CAMERAS.

Assistant director: ALL CAMERAS ARE ROLLING.

IT'S YOURS, LANCE.

ACTION, JIMMY!

AAH! UNH.

LANCE, I CAN'T MOVE MY FUCKIN' LEGS!

LANCE!

EVERYONE IN!

Assistant director: ABORT! ABORT!

AAH!

AAH!

GET HIM OUT! COME ON!

GET THAT KID OUT OF THERE!

Man: GET A PARAMEDIC IN HERE! LANCE HAS BEEN BURNED!

Assistant director: PARAMEDICS ARE ON THEIR WAY.

THIS MAN IS THE CAUSE OF MY NEPHEW'S DEATH--

MY BROTHER'S ONLY SON.

THAT'S NO WAY

FOR SOMEONE OF MY BLOOD TO DIE,

TO BE BURNED LIKE AN ANIMAL.

AND THIS MAN WILL DIE

AND SUFFER,

SUFFER THE WAY JIMMY DID.

HE DOESN'T LOOK TOO GOOD.

HE AIN'T.

GOT THIS TRIPLE-BYPASS SURGERY

IN A COUPLE DAYS.

JIMMY DYING DIDN'T HELP, EITHER.

HOW LONG JIMMY BEEN DOING MOVIE STUNTS?

WHO KNOWS?

HE KEPT IT TO HIMSELF.

ALL RIGHT, THIS IS HOW IT'S GOING DOWN:

YOU GO TO MIAMI

AND YOU FIND THIS GUY,

BUT YOU DON'T WHACK HIM YET.

CARLO'S GOT IT IN HIS HEAD

HE WANTS TO BE THERE.

WHY?

FEELS HE OWES IT TO HIS BROTHER JOE,

JIMMY'S FATHER.

HOW LONG BEFORE HE CAN GET DOWN THERE?

LONG AS IT TAKES.

VITO.

ERIC, SAL CANZANI.

NICE TO MEET YA.

PLEASURE.

Vito: SAL, ME AND ERIC ARE IN A THING HERE.

WE'LL TALK LATER ON, ALL RIGHT?

YOU GOT IT, VITO.

ALL RIGHT, YOU JUST ROSE FROM THE DEAD.

YOU LIVE IN PHILLY.

THERE'S ALSO A CONTACT NUMBER

FOR ANY HARDWARE YOU NEED

WHEN YOU GET TO MIAMI.

I'M GLAD YOU'RE OUT, ERIC.

JUST LOSE THAT FATAL FLAW YOU GOT.

WHAT'S THAT?

CONSCIENCE.

THE DEAD DON'T TALK. REMEMBER THAT NEXT TIME.

I WILL.

WE'LL HAVE TO TALK SOME OTHER TIME, SAL.

I TOOK CARLO HOME TO GET SOME REST.

VITO, I WANT TO GO BACK DOWN AND FIND THAT MONEY FOR HIM.

I KNOW I CAN.

CARLO ORDERED EVERYONE TO STAY OUT OF MIAMI

UNTIL HE'S READY TO GO HIMSELF.

YEAH, BUT I KNOW I COULD FIND IT.

ISN'T THAT WHAT HE WANTS?

CARLO DOESN'T GIVE A SHIT

ABOUT THE MONEY RIGHT NOW, SAL.

HIS NEPHEW WAS JUST KILLED,

AND NOT FOR NOTHIN', YOU'RE LUCKY

HE AIN'T HOLDING YOU RESPONSIBLE.

IT COULD BE YOU HE WANTS TORCHED.

I WAS OUT OF LINE.

UNH.

UNH.

NO, NO, NO, NO, NO. HOLD. CUT.

THAT'S A MISS, RIGHT?

UM, FIRST THING: UP THERE,

WHEN YOU SET HIM UP THERE,

HE'S COMING OFF THE WALL.

YOU'RE THROWING A SHORT PUNCH.

Actor: OK. SO IF HE COMES ON YOU,

SET HIM UP AGAIN,

AND THEN SEND IT, OK?

Second actor: OK.

AND THEN OVER HERE, THERE'S A MISS OVER HERE,

SO, UM, TAKE HIM OFF THE RAIL.

BRING HIM FROM HERE TO HERE.

AM I CLEAR HERE?

ALL RIGHT, AND THEN JUST BRING IT TO HIM STRAIGHT.

EASY, EASY. SAVE IT FOR THE MONEY.

LET'S GO,

OK?

Eric: YOU ALL RIGHT?

YEAH, YEAH.

IT'S MY FAULT.

I WAS LOOKING DOWN AT THE RADIO,

AND I DIDN'T SEE YA.

AT LEAST IT'S NOT THAT BAD.

YOU DO HAVE INSURANCE, DON'T YOU?

YES, BUT I'D LIKE TO PAY FOR THIS MYSELF.

FINE WITH ME. MY INSURANCE IS HIGH ENOUGH.

HERE, TAKE MY DRIVER'S LICENSE,

AND WE'LL EXCHANGE PHONE NUMBERS.

I'M ERIC.

CLARISSA.

YOU'RE FROM PHILADELPHIA?

YEAH. I JUST MOVED HERE.

ARE YOU WORKING ON THAT MOVIE?

NO. NO.

MY DAD'S THE STUNT COORDINATOR.

THAT'S MY NUMBER AT WORK.

IT'S WHERE I AM MOST OF THE TIME.

YOU'RE A NICE GUY, RIGHT?

I MEAN, YOU'RE NOT GONNA STIFF ME ON THIS?

HERE.

CALL IT A DEPOSIT.

NO, THAT'S OK. I JUST-- I HAVE THIS BAD HABIT

OF TRUSTING PEOPLE TOO EASILY.

THAT'S WHY I WANT YOU TO KEEP IT.

MAKE PEOPLE EARN YOUR TRUST.

THAT WAY, YOU WON'T GET TAKEN.

THANK YOU.

I'LL GET AN ESTIMATE AS SOON AS I CAN.

THERE'S NO RUSH. TAKE YOUR TIME.

OK.

YOU AREA NICE GUY.

I TRY.

Assistant director: ABORT!

ABORT! ABORT!

UH, SAY, COULD YOU SPARE ME SOME OF THAT CHA--

SO, HOW'S IT GOIN' DOWN THERE?

LOOK, I'M ALL SET.

I FOUND A GOOD WAY TO STAY CLOSE TO HIM.

YEAH? SO, THEN WHAT'S THE PROBLEM?

LET ME DO WHAT I DO BEST AND GET IT OVER WITH.

NO, NO, NO.

YOU GOTTA DO IT HIS WAY. YOU KNOW THAT.

BESIDES, THERE'S MORE GOIN' ON DOWN THERE

THAN YOU KNOW ABOUT.

WHAT'S THAT?

WELL, LET'S SAY SOME SHIT OF OURS IS MISSING.

LISTEN, DO YOURSELF A FAVOR AND RELAX.

GO GET LAID OR SOMETHING.

THE SURGERY WENT GOOD, BUT THE OLD MAN

IS STILL RECOVERING, SO YOU GOTTA SIT TIGHT.

ALL RIGHT?

YEAH.

I'M GONNA BE WITH YOU IN JUST A SECOND.

HELLO?

HI. IT'S ERIC.

HEY, HOW ARE YOU?

I'M DOIN' ALL RIGHT.

HOW'S THAT TOTALED CAR OF YOURS?

BARELY DRIVABLE.

LISTEN, I HAVEN'T HAD A CHANCE

TO GET AN ESTIMATE YET, AND I STILL HAVE YOUR MONEY.

THAT'S ALL RIGHT.

ARE YOU SURE?

YEAH.

I WAS ACTUALLY CALLING

TO SEE IF YOU'D HAVE DINNER WITH ME.

I HAVEN'T HAD A DECENT MEAL SINCE I GOT TO TOWN,

LET ALONE SOME GOOD COMPANY.

WHAT DO YOU SAY?

WHY NOT?

HOW 'BOUT FRIDAY NIGHT?

OK.

WHERE DO I PICK YOU UP?

CAN I WEAR MY SEAT BELT?

VERY FUNNY.

CALL ME ON FRIDAY. I'LL GIVE YOU DIRECTIONS.

I'LL SPEAK TO YOU THEN.

[GIRL COUGHING]

OH, MANDY.

I THINK THE MEDICINE IS MAKING ME SICKER.

IT'S NOT THE MEDICINE.

YOU KNOW I'D NEVER GIVE YOU ANYTHING

THAT WOULD HURT YOU.

I JUST DON'T WANT TO FEEL THIS WAY ANYMORE.

I KNOW YOU DON'T, SWEETIE.

BELIEVE ME, I'M TRYING EVERYTHING I CAN

TO GET YOU BETTER.

WE'RE GONNA BEAT THIS THING.

YOU GET SOME REST, ALL RIGHT?

I'LL CHECK BACK IN A LITTLE WHILE.

ALL RIGHT.

SOMETHING WRONG?

I'M SORRY.

I DON'T KNOW.

I'M DOING MY FELLOWSHIP IN PEDIATRIC ONCOLOGY

IN A CHILDREN'S WARD AT THE HOSPITAL,

AND MOST OF THE KIDS WE TREAT

HAVE TERMINAL CANCER AND DON'T MAKE IT.

THEY TAUGHT ME NOT TO GET EMOTIONALLY ATTACHED

OR INVOLVED, BUT...

SOMETIMES YOU JUST CAN'T HELP IT.

IT GETS TO YOU.

[LAUGHS]

I'M SORRY TO START THE CONVERSATION

ON SUCH A DOWNER.

DON'T BE.

I ADMIRE WHAT YOU DO.

IT'S GOTTA BE HARD TO DEAL WITH THAT

EVERY DAY.

IT REMINDS US HOW LUCKY WE ALL ARE...

NO MATTER WHAT SITUATION WE'RE IN.

YEAH, IT DOES.

HEY, DAD.

HI, KID.

THIS IS ERIC.

HEY. DON'T CALL ME DAD JUST YET.

UH, LANCE'LL DO FOR NOW.

DAD.

IT'S NICE TO MEET YOU.

LISTEN, I'M, UH,

I'M SORRY TO INTERRUPT YOUR DINNER,

BUT I GOT THAT MESSAGE ABOUT MY PRESCRIPTION.

IT'S REALLY GOOD TO HAVE A DAUGHTER FOR A DOCTOR.

OR A DOCTOR FOR A DAUGHTER, WHICHEVER MAKES MORE SENSE.

ANYWAY, LOOK, I'LL LET YOU TWO ENJOY YOUR NIGHT

WITHOUT THE OLD MAN HANGING OVER YOU.

WHY DON'T YOU STAY AND HAVE A DRINK?

NO, I'LL JUST GET OUT OF YOUR WAY.

WHEN HAVE YOU EVER REFUSED A DRINK?

WELL, YOU GOT ME THERE. WELL, OK, OK.

SCOTCH AND WATER.

SCOTCH AND WATER SOUNDS GOOD.

I'LL HAVE A CABERNET.

SO, WHAT?

UH, WHERE'D YOU TWO MEET?

WE RAN INTO EACH OTHER DOWNTOWN.

I JUST MOVED HERE FROM PHILADELPHIA.

YOU KNOW, I DID A--

I DID A COUPLE OF PICTURES IN PHILLY.

THAT'S RIGHT. CLARISSA SAYS YOU'RE A STUNT MAN.

YEAH.

WHEN ARE YOU DOING THAT PIPE RAMP?

UM...

THAT WOULD BE MONDAY.

HE'S GONNA CRASH A CAR ON PURPOSE.

I JUST WANT TO, UH,

SHOW SOME OF THOSE YOUNG PUNKS

THAT US OLD BOYS CAN GET IT DONE. CHEERS.

STOP ACTING LIKE YOU'RE OVER THE HILL.

I ONLY DO BECAUSE I AM.

HEY, YOU EVER BEEN ON A SET?

NO.

YOU HAVE, UM, CLARISSA BRING YOU.

I'M SURE YOU'RE GONNA GET A KICK OUT OF IT.

DAD.

WHY NOT?

YEAH. WHY NOT?

SO, UM, GOOD.

I'LL SEE YOU THEN.

AHH...

WELL, THANKS FOR THE DOPE, KID.

I'LL SEE YOU.

SEE YOU, DAD.

I--I HOPE HE DIDN'T PUT YOU ON THE SPOT.

NO, I'D--I'D LIKE TO SEE HOW A FILM GETS MADE.

YOU DON'T MIND, DO YOU?

NO, NO. I THINK YOU'LL LIKE IT.

HE'S GONNA DO WHAT?

[LAUGHS]

I SEE HIM DO THINGS LIKE THIS ALL THE TIME.

KIND OF CRAZY, ISN'T IT?

JUST ANOTHER DAY AT THE OFFICE.

Man: THEY'RE ABOUT READY ON CAMERA, LANCE.

SO, SEAN WILL BE THE FIRST GUY IN,

ALL RIGHT?

ALL RIGHT.

YEAH...

WELL, STRAP THE OLD FART IN.

WELL, YOU'VE ALWAYS BEEN MY HERO.

BLOW ME.

[LAUGHS]

ALL RIGHT. AIRBORNE, MAN.

TIME TO FLY LIKE AN EAGLE.

AND LAND LIKE A SACK OF SHIT.

ALL RIGHT. LANCE IS ALL SET.

LET'S HAVE EFFECTS GO HOT,

AND LET US KNOW WHEN CAMERAS ARE ROLLING.

Assistant director: STAND BY.

Assistant director: WE ARE HOT.

LET'S ROLL ALL CAMERAS.

ACTION, LANCE.

[BREATHS HEAVILY]

Assistant director: THAT'S A CUT! SAFETY TEAM IN!

RIGHT THERE! RIGHT THERE!

Assistant director: WE HAVE NO PROBLEMS.

LANCE IS GOOD. COPY THAT.

[ALL CHEERING]

WHOO!

YEAH! YEAH!

YEAH! YEAH!

YEAH! YEAH!

WHOO!

ALL RIGHT! UNBELIEVABLE.

WHOO!

CHECK THE CAR, WILL YOU?

I THINK I LEFT MY ASS IN THERE.

[ALL LAUGHING]

Lance: NOT BAD, WAS IT?

NOT TOO SHABBY.

HEY, LANCE, LANCE, LANCE.

YEAH.

IT'S 181 FEET. IT'S A NEW WORLD RECORD.

[ALL CHEERING]

GOOD ONE TO QUIT ON. GOOD ONE TO QUIT ON.

HEY, YOU WANT TO GO FOR A RIDE?

I'LL GET IT FIXED UP IN A MINUTE.

NO, THANKS.

YEAH, ME, NEITHER.

HEY, WE'RE THROUGH FOR THE DAY.

YOU GUYS COME TO THE BEACH WITH US.

LET'S GO. IT'LL BE FUN.

SURE. WHY NOT?

FINE? I GOTTA GET OUT OF THE MONKEY SUIT.

DO YOU MIND IF I DROP MY CAR OFF?

NOT AT ALL.

LOOKS LIKE A NICE NEIGHBORHOOD.

YEAH, IT'S PRETTY SAFE.

THERE'S THIS LITTLE OLD LADY WHO LIVES RIGHT THERE.

SHE'S A LITTLE OBSESSIVE ABOUT WATCHING MY PLACE.

WHAT IS IT?

YOU DON'T HEAR THIS IN MY NEIGHBORHOOD.

WHAT'S THAT?

SILENCE.

ANYTHING FOR A THRILL, HUH?

HE SAYS IF HE DOESN'T SCARE HIMSELF

ON A REGULAR BASIS, HE'LL SHRIVEL UP AND DIE.

WELL, HANGING UNDER A KITE

SURE SEEMS LIKE A GOOD WAY TO DO IT.

[INDISTINCT CHATTER]

YOU LIKE FLYING, DO YOU?

NOT ENOUGH TO TRY ONE OF THESE.

YEAH. THEY GET A LITTLE HAIRY.

JUST CAN'T SEEM TO GIVE IT UP, THOUGH.

IT'S GOOD TO HAVE HER HOME.

SHE WAS, UM...

SHE WAS OUT THERE IN L.A. VISITING, UH,

HER MOTHER, MY EX.

GREAT, GREAT GIRL.

UH...

I, UH, I MADE A BIG MESS OUT OF THAT ONE,

BUT THAT'S WHAT A LOT OF BOOZE WILL DO FOR YOU.

IS THAT WHY YOU MOVED HERE?

YEAH, YOU KNOW, TO GET MY HEAD ON STRAIGHT.

I MEAN, THE TRUTH OF THE MATTER IS, UH,

A GUY CAN LIVE ALMOST ANYWHERE NOWADAYS

AND MAKE A DECENT LIVING IN THIS BUSINESS.

YOU MUST MEET A LOT OF GUYS

THAT SAY THEY'D LIKE TO BE STUNT MEN.

OH, YEAH. YEAH, WE DO.

YOU GOT YOUR, UH, YOUR DUMB SHITS.

YOU KNOW, THE IDIOTS THAT'LL DO ANYTHING

EXCEPT USE THEIR BRAINS.

THEN YOU GOT THE VAPOR LOCKERS--

THE WOULD-BE HEROES THAT, UH,

YOU KNOW, THEY GET RIGHT UP TO THE GET-GO,

AND THEIR HEART SHRIVELS UP

TO THE SIZE OF A MUSTARD SEED.

AND THEN EVERY ONCE IN A GREAT WHILE, UH,

IN A GREAT WHILE...

YOU GET THE GUYS IN BETWEEN, YOU KNOW,

WHO USE THEIR BRAINS AND THEIR BALLS AND--

WELL, OBVIOUSLY, THEY'RE THE ONES WE LOOK FOR.

WHAT IF I TOLD I THOUGHT I'D MAKE A GOOD STUNT MAN?

OH, WELL, THAT WOULD JUST SHOCK THE HELL OUT OF ME.

I SAW YOUR EYES TODAY WHEN I GOT OUT OF THAT CAR.

IT LOOKED LIKE A--

LIKE A KID'S ON CHRISTMAS MORNING.

ANYWAY, JUST, UH, JUST FORGET ABOUT IT.

IT'S A ROUGH RACKET, AND YOU'LL DO A LOT OF STARVING.

I GOT SOME MONEY SAVED UP.

MONEY. WELL, IT TAKES A--

IT TAKES A LOT OF DEDICATION

AND A LOT OF TIME.

SOMETHING I'VE GOT A LOT OF--

TIME.

HMM...

WELL...

WELL?

WELL?

WILL YOU TEACH ME HOW TO DO STUNTS?

OH, SEE, I'M, UH...

I'M JUST REALLY SORRY, ERIC. I JUST, UH...

I JUST THINK MY TEACHING DAYS

ARE OVER, YOU KNOW?

WELL, IF THAT'S THE WAY YOU FEEL ABOUT IT.

[LAUGHS]

ALL RIGHT, LISTEN, YOU PAIN IN THE ASS.

I'LL TELL YOU, I'LL, UH...

I'LL GIVE YOU A LITTLE TASTE,

AND WE'LL SEE HOW IT GOES, ALL RIGHT?

SO THERE I WAS, ASSIGNED TO TAIL JIMMY PIERAZZI

FOR 2 LONG-ASS YEARS,

AND I CAN'T EVEN PIN A PARKING TICKET ON HIS ASS.

BUT THEN, MY PRAYERS ARE ANSWERED.

NOW, IT'S NOTHING SEXY LIKE MURDER, EXTORTION,

RACKETEERING.

HELL, THE MOTHERFUCKER'S ACTING LIKE A SAVIOR FOR HUMANITY.

BUT THE SHIT IS STILL ILLEGAL

AND MY TICKET HOME TO MY FAMILY,

SO I SET IT UP.

I GO OUT ON A LIMB,

A BIG...

FUCKING...

SHAKY-ASS LIMB

TO SET THIS SHIT UP.

NOW IT'S ABOUT TO SNAP RIGHT UNDER MY ASS, SAL.

HEY, YOU GOTTA GIVE ME A BREAK.

I CHECKED ON THE GIRL LIKE YOU SAID,

AND THEY ALREADY HAVE SOMEONE ON HER.

THIS GUY SEES ME, I'M DEAD.

SEE, NOW, THAT'S IRONIC,

BECAUSE THAT'S EXACTLY WHAT TIME IT IS--

DO OR DIE.

YOU CAN'T SQUEEZE ME.

HEH HEH HEH HO!

YES, I CAN.

I'M A U.S. FEDERAL FUCKING AGENT

WHO'S WAY OUT OF HIS JURISDICTION, SAL,

AND ONE WHO'S BEEN ORDERED

INTO AN INTERNAL INVESTIGATION IN 3 DAYS.

YOU SEE, THEY CONSIDER IT HIGHLY ILLEGAL

TO REMOVE $2 MILLION OF SEIZED PROPERTY

FROM FBI VAULTS,

AND THE SHIT'S STILL MISSING.

YEAH, AND SO IS THE FAMILY'S MONEY.

WELL, YOU SEE, THAT'S NOT MY PROBLEM.

YOU JUST KEEP TAILING THE GIRL, PARTNER.

SHE'S OUR ONLY LEAD.

I AIN'T YOUR FUCKING PARTNER.

YOU'RE THE FBI. YOU TAIL HER.

TELL YOU WHAT, PARTNER.

WHY DON'T I GIVE CARLO PIERAZZI A CALL

AND TELL HIM YOU'VE BEEN AN INFORMANT

FOR THE LAST 3 YEARS. WE'LL LET HIM DECIDE.

IT'S NOT MY FUCKING FAULT

THAT JIMMY'S DEAD!

LOWER YOUR VOICE.

FUCK YOU! AND FUCK ALL THESE PEOPLE!

I AM NOT TAKING THE FALL FOR THIS!

I'M NOT.

FIND MY FUCKING MEDICINE, SAL.

SO, THIS IS WHERE WE TRAIN AND KEEP THE EQUIPMENT

LANCE RENTS OUT TO PRODUCTIONS.

HELLO, ERIC. YOU, UH,

YOU MET GRAHAM HERE, UH,

RUNS MY EQUIPMENT RENTAL BUSINESS,

DOES MY RIGGING, JUST ABOUT EVERYTHING ELSE.

UH, OK.

SO, NOW IT'S-- IT'S TIME

FOR THE SPEECH THAT I GIVE,

AND I'M ONLY GONNA GIVE IT ONCE.

ALL RIGHT, UM,

IF YOU THINK

THAT ALL THIS IS ABOUT, UH, DAREDEVIL,

UH, EVEL KNIEVEL CRAP, YOU GOT IT ALL WRONG.

THIS IS ABOUT PROFESSIONALS BEING SERIOUS.

AND THE IDEA IS NOT TO EVER GET HURT.

I MEAN, NOT EVEN A SCRATCH, OK?

SO, THAT MEANS IF I TELL YOU

TO JUMP IN THE AIR, SHIT YOUR PANTS

BEFORE YOUR FEET HIT THE GROUND,

YOU DO EXACTLY WHAT I SAY, 'CAUSE...

THAT'S WHAT'S GONNA SAVE YOUR ASS.

AND, UH, WHEN I RIG SOMETHING,

IT STAYS RIGGED THE WAY I RIG IT.

YOU UNDERSTAND?

YOU UNDERSTAND?

YEAH.

OK. WELL, LET'S GET IN ON.

ALL RIGHT.

NO, HOLD IT, HOLD IT, HOLD IT, HOLD IT. HOLD IT.

YOU SEE, IF THE CAMERA'S OVER HERE?

LOOK, STAND OVER THERE.

YOU CAN'T COME SHORT. YOU GOTTA MAKE CONTACT.

Lance: THAT'S BETTER. YEAH.

BAM! YOU SEE? LIKE--

BAM! YEAH.

BAM! THERE.

BAM!

[ALL LAUGHING]

WE'RE HOT.

LET'S GO FOR THE RIDE.

THE REASON YOUR KNEE BUCKLED IS YOU DIDN'T COMMIT.

YOU GOTTA GO FOR IT.

THAT THING READY TO GO AGAIN?

IT COULD BE.

WE'RE HOT.

Graham: THERE YOU GO.

YEAH.

THAT'S THE MIND-SET YOU NEED.

JUMP IN THE SADDLE WHEN YOU FALL OFF.

THAT'S GOOD.

OH. EASY.

IT WAS JUST A SLAP ON THE SHOULDER.

YEAH.

COME ON. LET'S GO IN THE HOUSE REAL QUICK.

IT'S NOT OFTEN I GET A CHANCE

TO HAVE MY DAUGHTER COME OVER AND COOK.

I BET YOU PROBABLY HAD SOMETHING DO WITH THAT,

BUT YOU KNOW, I'M JUST GUESSING.

[CLARISSA LAUGHS]

GET OUT. YOU WERE CAPTAIN COURAGEOUS?

THAT'S RIGHT. THE ONE AND THE ONLY.

HE CLIMBED THE EMPIRE STATE BUILDING.

AND THAT IS ALSO VERY TRUE. YES, INDEED.

HOW DO YOU DO THAT?

DO WHAT, CLIMB THE EMPIRE STATE BUILDING?

HOW WOULD YOU DO IT? WITH MY HANDS AND FEET.

WHAT DO YOU MEAN?

WE USED A LITTLE CABLE.

HONEY, WOULD YOU, UH,

WOULD YOU POUR YOUR DADDY JUST ABOUT

ANOTHER 10 INCHES ABOUT?

WHAT'S THE CLOSEST CALL YOU'VE EVER HAD?

DEFINITELY THE SPEEDBOAT.

OH, YEAH. THE, UH...

THE DREADED SPEEDBOAT.

OVER 900 STITCHES

AND A YEAR IN THE HOSPITAL.

WHY DIDN'T YOU QUIT?

THE TRUTH IS, UH...

YOU KNOW, EVERYBODY'S BRAVE

TILL THAT FIRST TRIP TO THE HOSPITAL, AND...

WELL, UNFORTUNATELY,

SOMETIMES THAT'S THE REAL TEST.

THANK YOU.

LET ME GET THIS STRAIGHT. THIS GUY'S THREATENED

TO TIP OFF THE FEDS THAT WE'RE DEALING IN THIS SHIT?

HE'S GOT SOME BALLS, I'LL TELL YOU THAT.

HE'S OBVIOUSLY A WACK-JOB, OR HE'S BLUFFING.

VITO, ENOUGH.

JIMMY SAID THIS DRAVEN HAS OTHERS ON THE TAKE.

WHO'S TO SAY HE DOESN'T HAVE THE FBI ALSO, HUH?

WE HAVE TO BE CAREFUL.

I'M NOT SURE, CARLO.

AND I AM SORRY TO BOTHER YOU

AT HOME WHILE YOU'RE RESTING.

I JUST WANTED YOU TO KNOW.

YOU DID GOOD, SALVATORE.

YOU SHOULD TELL YOUR FAMILY EVERYTHING.

THAT'S THE WAY IT SHOULD BE.

VITO.

THIS DRAVEN MUST GO.

THERE WAS THIS KID, UH...

JIMMY MOORE.

YOU REMIND ME OF HIM.

HE, UH...

HE WAS A NATURAL

AND HAD THE HEART OF A LION.

ANYWAY, UM...

I LOST HIM ABOUT 2 OR 3 MONTHS AGO.

HE WAS DOING THIS, UH...

AIR RAM EXPLOSION THROUGH A WINDOW.

I DON'T KNOW WHAT THE HELL HAPPENED,

BUT, UH, HE NEVER MADE IT OUT THE WINDOW

BEFORE THE MORTARS WENT OFF, AND, UH...

WELL--

IS THAT HOW YOU BURNED YOUR LEG?

YEAH, WELL...

LOSING JIMMY WAS ABOUT--

ABOUT THE TOUGHEST THING I EVER HAD TO GO THROUGH.

I MEAN, DON'T--

DON'T GET ME WRONG. I MEAN, I, UH,

I WOULDN'T GIVE UP WHAT I DO FOR--

FOR ALL THE TEA IN CHINA.

I MEAN, I HAD ME SOME GREAT, GREAT TIMES...

AND I LOST A COUPLE FRIENDS ALONG THE WAY.

AND ONE OF 'EM, UM...

HE USED TO SAY,

"WE DANCE IN THE SHADOWS OF DEATH

EVERY TIME WE STEP ONTO THE SET."

I GUESS HE WAS RIGHT.

WHAT ARE YOU TRYING TO SAY?

I'M SAYING, UH,

IT'S NO DISGRACE TO WALK AWAY.

I UNDERSTAND THE RISKS.

OKEY-DOKE.

Lance: LET'S GET THAT CABLE UP.

HE KNOWS WHAT HE'S DOING WITH ALL THIS STUFF, RIGHT?

YOU JUST DO EXACTLY WHAT HE SAYS TO DO.

YOU'LL BE FINE. LANCE IS THE BEST, MAN.

DOUBLE-CHECKED THE CARABINERS, RIGHT?

EASY. DOUBLE-CHECK RIGHT OVER THERE.

YEAH, GRAHAM.

YEAH.

WHY DON'T YOU, UH, RUN DOWNSTAIRS

AND DOUBLE-CHECK EVERYTHING'S CLEARED

UNDER THE JUMP POSITION, ALL RIGHT?

Graham: ALL RIGHT, YOU GOT IT.

AND--AND...

ALL RIGHT, LET'S, UH,

LET'S GO OVER WHAT WE BOTH KNOW.

I KNOW THAT THE, UH, THE CABLE'S MEASURED

TO STOP YOU 3 FEET FROM THE GROUND,

AND ALL YOU HAVE TO KNOW--

ALL YOU HAVE TO KNOW IS HEADFIRST.

IF YOU DO, PIECE OF CAKE.

SO, UH, YOU ALL RIGHT?

YEAH.

AIRBORNE, COWBOY. BREAK YOUR CHERRY.

Assistant director: STAND BY FOR PICTURE.

DECELERATOR'S ON, ERIC.

Assistant director: WE ARE ROLLING.

WE'RE READY.

Lance: ALL RIGHT! 3...

2...

1!

ACTION!

[GRUNTS]

Assistant director: THAT'S A CUT.

SAFETY TEAM IN.

ALL RIGHT, BOYS, UNHOOK HIM.

I'LL BE RIGHT DOWN.

ALL RIGHT, LOWER HIM DOWN.

MORE.

A LITTLE MORE.

YEAH, THERE YOU GO. [CHUCKLES]

[APPLAUSE]

SO WHAT DO YOU THINK, HUH?

FUCKING AMAZING.

[LAUGHS]

ALL RIGHT, LANCE. WE GOT HIM.

WOW, IT'S SO DIFFERENT

WHEN MY DAD'S THE ONE DOING IT.

YEAH? WHY IS THAT?

I DON'T KNOW. I'VE JUST WATCHED HIM DO STUNTS FOR SO LONG,

HE'S BECOME INVINCIBLE TO ME,

BUT WITH YOU, I WAS--

I WAS REALLY WORRIED.

COME HERE.

HEY! HEY, HEY!

THAT'S MY DAUGHTER YOU PAWIN'.

WATCH IT.

PRETTY GOOD, HUH?

YOU REALLY HAVE TO GO BACK TO WORK?

CAN I SEE YOU LATER?

YEAH.

OK, I'LL CALL YOU.

OK.

BYE.

IT'S TIME ALREADY?

YEAH.

THANK YOU, SIR.

I FOUND A CURE FOR YOUR BOREDOM.

I DON'T RECOGNIZE HIM.

THAT AIN'T IMPORTANT,

BUT YOU TWO SHOULD GET ACQUAINTED

AS SOON AS POSSIBLE.

I THOUGHT I WAS WATCHIN' THE OTHER GUY.

WHY, YOU WANT ME TO SEND SOMEBODY ELSE DOWN THERE?

NO. I'LL HANDLE IT.

THAT IS WHAT I LIKE TO HEAR.

[TELEPHONE HANGS UP]

NICE NIGHT FOR A DRIVE.

IT'S CLEAN?

LIKE A GHOST.

WHAT A FUCKIN' MESS.

HEY, MAKE SURE YOU GET THAT SHIT BACK

BEFORE ANYBODY SEES YA.

I'LL BE CAREFUL.

YOU THINK SAL WENT FOR IT?

HE BETTER HAVE.

THERE WILL BE AN INVESTIGATION

IF THAT MEDICINE DOESN'T SHOW UP,

AND WE, MY FRIEND...

WILL BE SHIT OUT OF LUCK.

[BRAKES SQUEAL]

GOD DAMN!

FUCK!

FUCK!

SUGAR...

THERE WAS THIS MAN

PEEKING IN THE BACK WINDOW THERE.

I APPRECIATE YOU WATCHING OUT FOR ME, MRS. MAXWELL,

BUT I'M SURE IT WAS NOTHING.

WELL, GIRLS NOWADAYS

HAVE GOTTA BE MORE CAREFUL.

OK. YOU HAVE A NICE DAY.

[OPERATIC ARIA PLAYING]

[WOMAN VOCALIZING]

Vito: YEAH.

IT'S DONE.

Vito: IF I'D HAVE KNOWN THAT HE WAS A FED,

THIS WOULD HAVE NEVER COME DOWN.

YOU KNOW THAT, ERIC, RIGHT?

SOMEBODY KNEW.

OH, YEAH. SOMEBODY...

BUT LISTEN, DON'T WORRY. YOU DONE GOOD.

I CHECKED IT OUT. THE FEDS FOUND THE CAR.

IT WAS TOTALLY CLEAN, SO YOU KNOW WHAT THEY GOT?

THEY GOT [SPEAKING ITALIAN] THEY GOT NOTHIN'.

BESIDES, THE GUY WAS DIRTY, SO THEY WANNA BURY THIS SHIT.

WHEN I WAS A KID HANGIN' AROUND THE RESTAURANT,

I TOLD YOU I WANTED TO GET MADE.

DO YOU REMEMBER WHAT YOU TOLD ME?

YES, I DO, LIKE IT WAS FUCKIN' YESTERDAY.

WE TALKED ABOUT THE "O"

BEIN' ON THE WRONG SIDE OF YOUR NAME O'BYRNE.

SO I'M NOTHIN' BUT A WRITE-OFF.

HEY, YOU LISTEN TO ME.

YOU MAY NOT BE A FRIEND OF OURS,

BUT YOU'RE A FRIEND OF MINE, YOU MICK BASTARD,

AND I PROMISE YOU ONE THING,

AND I SWEAR THIS ON MY MOTHER'S EYES,

ONE DAY VERY SOON,

SAL CANZANI'S A FUCKIN' CORPSE!

[TELEPHONE HANGS UP]

SO, HOW WAS YOUR DAY?

GOOD.

I WISH I COULD SAY THE SAME.

WHY?

I HAVEN'T TOLD ANYONE THIS.

ERIC, UM...

THIS 13-YEAR-OLD GIRL NAMED MANDY

CAME INTO THE HOSPITAL ABOUT 5 MONTHS AGO

DIAGNOSED WITH CANCER,

AND I GOT ATTACHED.

THEY FINALLY DECIDED TO MOVE HER

INTO A HOSPICE CARE UNIT,

YOU KNOW, TO HAVE A GOOD DEATH,

TO DIE PEACEFULLY.

WELL, I JUST COULDN'T WRITE HER OFF,

SO I STARTED DOING RESEARCH.

ON WHAT?

ALTERNATIVE MEDICINES NOT YET APPROVED.

I FINALLY FOUND THIS ONE CALLED 714-X.

IT'S VERY CONTROVERSIAL AND ILLEGAL.

WELL, I FOUND OUT WHERE TO GET IT

ON THE BLACK MARKET...

AND FOR A WHILE, SHE WAS DOING BETTER...

BUT THE CANCER WAS SO WIDESPREAD INITIALLY,

IT FINALLY CONSUMED HER,

OR I DIDN'T GIVE HER ENOUGH OF THE DRUG IN TIME.

I--I DON'T KNOW.

THE FACT IS, ERIC,

I TOOK THIS GIRL'S LIFE INTO MY OWN HANDS,

AND SHE DIED LAST NIGHT,

AND I FEEL LIKE IT'S MY FAULT.

IT'S NOT YOUR FAULT.

I KNOW, BUT IT JUST--

BUT NOTHING.

SOMETIMES YOU HAVE TO BEND THE RULES IN LIFE,

OR YOU GAIN NOTHING.

FEEL GOOD ABOUT WHAT YOU DID.

YOU'RE THE BEST THING

THAT'S EVER COME INTO MY LIFE.

I WANT YOU TO KNOW THAT.

AAH!

AAH!

WHO SENT YOU? HUH?!

Clarissa: ERIC!WHO SENT YOU?!

DON'T, ERIC! STOP!

[MAN CHOKES]

Eric: NO, CLARISSA!

JUST LET HIM GO!

JUST LET HIM GO!

[CRYING]

ALL RIGHT? ALL RIGHT.

IT'S OK.

[BRAKES SQUEAL AWAY]

ALL RIGHT. ALL RIGHT.

ALL RIGHT.

ALL RIGHT.

IT'S OVER.

HE MUST HAVE BEEN AFTER THE MONEY.

WHAT?

HE THOUGHT I HAD THE MONEY.

HE THOUGHT I HAD THE MONEY.

WHAT MONEY?

WHY DIDN'T YOU TELL ME ABOUT YOU AND JIMMY?

THERE WASN'T ANYTHING TO TELL.

HE WANTED SOMETHING SERIOUS,

AND I DIDN'T.

IT WASN'T LIKE US.

SO WHAT'S THIS MONEY?

JIMMY, HE WOULDN'T GIVE UP,

SO HE SHOWED ME THIS BRIEFCASE FULL OF MONEY.

I--I DON'T KNOW.

IT WAS LIKE HE THOUGHT I WOULD DO ANYTHING WITH HIM

AFTER SEEING IT.

WAS ANYONE ELSE AROUND WHEN HE SHOWED IT TO YOU?

NO. IT WAS RIGHT AFTER I WENT DOWN

TO BUY THAT MEDICINE I TOLD YOU ABOUT.

I NEVER FELT SAFE GOING ALONE,

SO I ASKED HIM TO COME WITH ME THIS ONE TIME.

SOMEONE MUST THINK YOU KNOW WHERE THE MONEY IS.

I DON'T.

HE--HE NEVER SHOWED ME THE BRIEFCASE AGAIN.

WHAT SHOULD I DO?

NOTHING.

OH, ERIC, WE--WE GOTTA CALL THE POLICE.

NO.

YOU CAN'T TELL ANYBODY ABOUT THIS.

THEY'LL THINK YOU'RE DIRECTLY INVOLVED

WITH HOW JIMMY GOT THE MONEY,

AND YOU'RE STAYING WITH ME AT MY HOTEL.

I CAN PROTECT YOU THERE.

I'LL TAKE CARE OF YOU.

I PROMISE.

I'LL BE RIGHT BACK.

I SEE YOU'RE LIVIN' THE GOOD LIFE.

I FIGURED YOU'D BE LONG GONE BY NOW.

NO, I STILL GOT SOME UNFINISHED BUSINESS HERE.

SEE, NOW THAT MY FUTURE WITH THE PIERAZZIS HAS GONE TO SHIT,

I NEEDED TO FIND THAT LITTLE NEST EGG

THAT ME AND JIMMY WERE WORKIN' ON.

YOU SEEN IT?

I DIDN'T THINK SO,

BUT IT'S AROUND SOMEWHERES,

AND THANKS TO YOU FOR TAKING THE HEAT OFF OF ME,

IT GIVES ME A LITTLE BREATHING ROOM

TO FIND WHERE JIMMY HID IT.

THEY DIDN'T TELL YOU SHIT, DID THEY?

THAT FED THAT YOU HIT,

HE WAS DOIN' A DEAL WITH ME AND JIMMY,

BUT JIMMY DECIDED TO FUCK HIM,

AND THE ASSHOLE LEFT ME HOLDIN' THE BAG.

I GUESS I OWE YOU ONE.

WHAT DO YOU WANT?

I WANT THE MONEY,

AND YOU'RE GONNA HELP ME FIND IT.

IT'D BE A SHAME FOR CARLO TO KNOW

YOU WERE HANGIN' AROUND THAT JERK-OFF

WHO GOT HIS NEPHEW KILLED.

I DON'T THINK SO. IF YOU WANT THE MONEY,

THE LAST THING YOU'LL DO IS TELL CARLO ANYTHING.

THAT'S WHY I'M GONNA SPLIT IT WITH YOU 50-50

IF YOU CAN FIND IT.

WHAT MAKES YOU THINK I CAN?

THIS IS JIMMY'S BACKYARD, BROTHER.

IT'LL BE EASY.

COME HERE.

[GROANS]

SHE DOESN'T KNOW WHERE THE MONEY IS,

SO YOU STAY AWAY FROM HER.

THE NEXT FUCK WHO COMES ANYWHERE NEAR HER,

I'LL GUT YOU FIRST. YOU UNDERSTAND ME?

50-50...

IS NOT A BAD DEAL.

I THOUGHT I SAW A FRIEND OF MINE.

WAS IT THEM?

NO.

[TV PLAYING]

YOU WATCH MUCH FOOTBALL, COWBOY?

I DIDN'T THINK SO.

YOU EVER THINK ABOUT HOW YOU'RE GONNA DIE?

HOW WHAT?

I SAID, "YOU EVER THINK ABOUT HOW YOU'RE GONNA DIE?"

I, UH--AS YOU GET OLDER,

YOU THINK ABOUT HOW YOU DON'TWANNA DIE.

WHAT DO YOU MEAN?

YOU KNOW, BEDRIDDEN IN SOME HOSPITAL,

WASTIN' AWAY.

I'LL TELL YOU WHAT I DO KNOW.

I AIN'T GONNA FIZZLE OUT.

I'M GONNA CRASH AND BURN.

I GUESS MY THING IS I JUST DON'T WANNA GO OUT

WITHOUT HAVING A FAMILY FIRST.

TIRED OF BEIN' ON MY OWN.

AH, YOU AIN'T ON YOUR OWN, PAL.

THANKS.

HEY, YOU'RE NOT GOIN' SUICIDAL ON ME, ARE YA?

NO.

YOU GOT ANY WORK FOR ME THIS WEEK?

NAH, NOT REALLY.

GOT A REALLY BIG AIR RAM GAG--

KIND OF LIKE JIMMY'S--

BUT IT'S ABOUT 4 STORIES UP.

LET ME DO IT.

NAH, NAH. I GAVE IT TO SOMEBODY ELSE.

COME ON.

I'M NOT SCARED TO DO ANYTHING YOU GIVE ME,

AND YOU KNOW IT.

SEE, THAT'S WHAT PISSES ME OFF

ABOUT YOU YOUNG PUNKS.

YOU THINK YOU'RE INVINCIBLE.

YOU KNOW, THEN YOU GET FEARLESS.

THEN YOU GET RECKLESS. THEN YOU GET DEAD.

LOOK, I'M JUST SAYIN'--

NO, I DON'T CARE WHAT YOU SAY.

WHAT I'M SAYING IS YOU AIN'T DYING ON MY SET.

ALL THIS TALK ABOUT DYING,

YOU AIN'T DYING ON MY SET.

YOU UNDERSTAND THAT?

I'M JUST SAYIN' THAT I TRUST YOU,

AND I KNOW WITH YOU THERE TAKIN' CARE OF THINGS,

I CAN DO IT.

YEAH.

AND BY THE WAY,

IF YOU MEANT ALL THAT SHIT

ABOUT GETTIN' BACK IN THE SADDLE,

YOU NEED THIS, TOO.

LOOK, JUST WATCH THE FOOTBALL, WILL YA?

WHY?

I HAVE TO KNOW.

WHAT? WHAT DO YOU HAVE TO KNOW--

THAT YOU CAN GET YOURSELF KILLED LIKE JIMMY?

GOD, YOU'RE ALL ALIKE.

IT'S YOUR FUCKING EGO.

THANKS FOR WATCHIN' OUT FOR ME.

[DOOR CLOSES]

SHIT.

IT'S TIME.

Lance: I TOLD HIM NOT TO PUT THAT CAMERA SO CLOSE

TO THE GODDAMN BOXES.

Eric: HEY. WHAT?

AIN'T I THE ONE THAT'S SUPPOSED TO BE NERVOUS?

I'M NOT NERVOUS.

I MEAN, YOUR ASS IS GOIN' 60 FEET,

AND I'M PUSHIN' THE BUTTON,

SO, YOU KNOW, I'M NOT NERVOUS.

RIGHT.

GRAHAM...

WE'RE ABOUT READY UP HERE.

HOW'S IT GOIN' DOWN THERE?

WE'RE GOOD TO GO.

Lance: COME ON.

YOU--YOU JUST CONCENTRATE ON GETTIN' OFF GOOD

JUST LIKE YOU BEEN DOIN',

YOU'LL CLEAR THIS ALLEY REAL EASY,

AND LEAVE THE REST TO ME, RIGHT?

CLOSE YOUR EYES.

YOU KNOW, THIS HERE ONE WILL, UH,

SEPARATE THE MEN FROM THE BOYS.

WELL, THAT'S WHY I KNOW YOU'RE GONNA KICK ASS, SON.

THANKS.

Assistant director: WE'RE ALL SET, LANCE.

IT'S YOUR CALL.

LET'S GO.

TIME TO GET AIRBORNE, BUDDY.

LET'S DO IT.

ROLL CAMERAS.

[WHISPERING] Let's do it. Let's do it.

Come on.

AND ALL CAMERAS ARE ROLLING.

LET'S DO IT, ERIC.

Assistant director: AND CUT.

HEY, ARE YOU OK, ERIC?

YEAH. JUST LET ME CATCH MY BREATH.

HERE.

SOMETIMES THESE BOXES

AREN'T THAT FORGIVING, ARE THEY?

YOU CAN SAY THAT AGAIN.

[GRAHAM LAUGHS]

YOU WERE DEFINITELY AIRBORNE, BROTHER.

[CHUCKLES]

MAN, I'M JUST GLAD YOU LISTENED TO LANCE.

WHAT DO YOU MEAN?

JIMMY DIDN'T.

WHEN WE FOUND THE AIR RAM,

THE GAUGE WAS SMASHED,

AND THE NEEDLE WAS STUCK HIGHER THAN WE SET IT.

JIMMY DOUBLED THE PRESSURE

WITHOUT TELLING ANYONE.

IF HE WOULD HAVE JUST LISTENED TO LANCE AND NOT CHANGED A THING,

HE'D STILL BE ALIVE.

BUT YOU DID IT RIGHT.

[CREW WHOOPS, CHEERS]

[KNOCK ON DOOR]

GREAT SHOT, HOTSHOT. YOU GOT 'EM ALL TALKING.

LET'S CELEBRATE.

FIRST TELL ME WHY YOU COVERED FOR JIMMY.

WHAT ARE YOU TALKING ABOUT?

YOU KNOW WHAT I'M TALKING ABOUT.

WHY DIDN'T YOU TELL ME?

I, UH, I REALLY DIDN'T HAVE ANY REASON TO.

I MEAN, I GUESS I SHOULD HAVE,

BUT I WAS ASKING YOU TO TRUST ME.

I REALLY DIDN'T WANT TO TARNISH THE KID'S NAME.

HE WAS A--HE WAS A REAL GOOD STUNT MAN,

BUT HE DIDN'T LISTEN SOMETIMES, YOU KNOW?

SO, HE INCREASED THE PRESSURE?

YEAH.

SEE, I KNEW HE HAD FAMILY IN NEW YORK,

AND IF THE INSURANCE INVESTIGATORS FOUND OUT

THAT HE WAS TAMPERING WITH THAT RAM, WELL,

THEY WOULD HAVE FOUND HIM AT FAULT

AND NOT GIVEN HIM ANY BENEFITS.

YOU TOOK THE BLAME.

I GOT NOTHIN' TO PROVE ANYMORE.

WHAT THE HELL DID IT MATTER?

ENOUGH OF THIS SHIT. LISTEN.

YOU GO HOME AND GET YOURSELF SOME SLEEP.

WE'LL CELEBRATE TOMORROW.

YOU GOT THAT RIGHT.

GREAT JUMP.ALL RIGHT, MAN.

FUCK.

[WEATHER REPORT ON TV]

[CAR DOOR SHUTS]

IT WENT GOOD.

IT WENT GOOD.

ASSHOLE.

HI, SUGAR.

HELLO, MRS. MAXWELL.

IS THAT HER?

THAT'S HER.

HEY...

OPEN THE DAMN DOOR FOR THE LADY.

YOU BOYS TODAY HAVE GOT TO LEARN SOME MANNERS.

YOU'RE ABSOLUTELY RIGHT.

AT LEAST CLARISSA'S OLD BOYFRIEND WAS A GENTLEMAN.

YOU GOT BUSTED, DIDN'T YOU?

HELL, HE'D EVEN CRAWL UNDERNEATH THE HOUSE

TO FIX HER PLUMBING.

NOW, THAT'S WHAT I CALL A REAL MAN.

Clarissa: YOU'RE KIDDIN' ME.

WELL, THAT'S THE BRIEFCASE.

OH, MY GOD.

THAT'S THE CANCER MEDICINE I WAS TELLING YOU ABOUT.

JIMMY MUST HAVE THOUGHT HE COULD SELL IT.

COME ON. WE'RE TAKING THIS WITH US.

WHAT'S WRONG?

COME IN.

NOW THAT EVERYBODY'S HERE,

WE CAN GET DOWN TO A LITTLE BUSINESS.

YOU PUT MY DAUGHTER IN THE MIDDLE OF THIS SHIT?

DAD, STOP!DAMN IT, ERIC.

NOW WE'RE HAVIN' A LITTLE FUN.

INSIDE!

GET THE FUCK INSIDE!

Sal: YOU'RE IN THE CHAIR, GIRLFRIEND.

NO GUN, HUH?

GETTIN' SLOPPY, ERIC.

I SHOULD DO HIM RIGHT NOW.

MAKE THINGS RIGHT WITH CARLO, WOULDN'T IT?

YOU DON'T KNOW, DO YOU? HEH HEH.

I LOVE THIS.

SEE, YOUR BOY CAME DOWN HERE TO PUT A BULLET IN YOUR HEAD

FOR GETTIN' JIMMY KILLED.

IT SHOULDA BEEN EASY FOR A KILLER LIKE ERIC.

RIGHT, ERIC?

I GUESS YOU TURNED INTO A LITTLE BITCH, DIDN'T YOU?

ENOUGH!

THE MONEY'S IN THE CAR.

SEE, NOW WE'RE GETTIN' SOMEWHERES.

SO, WHY DON'T YOU GO OUTSIDE AND GET MY FUCKIN' MONEY?!

NOW!

OK. JUST, PLEASE DON'T HURT HIM.

ONE BIG, HAPPY FAMILY, HUH?

FUCK IT. I GOT NOTHIN' TO LOSE.

I'M SORRY.

[FOOTSTEPS]

AIN'T LIKE YOU TO TAKE A BULLET, ERIC.

SO, I SEE YOUR NEW GIRLFRIEND

AND ALL OUR MONEY AND A BIG BAG,

AND IT LOOKS LIKE THEY'RE TAKIN' A TRIP SOMEPLACE.

AND THEN I SEE SAL.

I'M GONNA DIG A HOLE FOR THAT PRICK.

HOW LONG YOU BEEN FOLLOWING ME?

LONG ENOUGH.

CARLO HERE?

AMONG OTHERS.

I'M THE ONLY ONE THAT KNOWS.

YOUR CONSCIENCE HAS FUCKED YOU AGAIN.

YOU KNOW THAT, DON'T YOU?

I FINALLY FEEL LIKE SOMEBODY,

LIKE I FIT IN.

THIS IS MY FAMILY NOW.

THIS?

THIS IS WHAT YOU WANT?

FOR THIS MAN TO LIVE, YOU KNOW WHAT HAS TO HAPPEN?

PREPARED TO DO THIS?

YES.

DONE. I'LL ARRANGE A PLACE.

WHY SO EASY?

LET'S JUST SAY YOU'D BE DOING ME A FAVOR.

IF ANYTHING HAPPENS TO ME,

YOU'LL TELL 'EM AND PROTECT 'EM, RIGHT?

YOU DON'T MAKE IT EASY, DO YOU?

I'LL JUST BE A MINUTE.

WHAT ELSE DIDN'T YOU TELL US?

LOOK, I DON'T HAVE ANY EXCUSES.

IT'S JUST...

THIS IS THE ONLY LIFE I'VE EVER KNOWN.

WHY DIDN'T YOU JUST KILL ME, ERIC?

YOU EVER WANT TO BELONG?

BE A PART OF SOMETHING, LIKE A FAMILY?

THAT'S ALL I WANTED.

WELL...

I FINALLY FOUND THAT WITH YOU...

AND CLARISSA.

WELL, HOW DOES IT FEEL TO FINALLY HAVE THAT

AND THEN JUST THROW IT ALL AWAY?

I UNDERSTAND IF YOU GUYS

DON'T WANT TO HAVE ANYTHING TO DO WITH ME,

BUT I HAVE TO TAKE CARE OF THIS SITUATION.

THAT WAY, NOTHIN' WILL HAPPEN TO EITHER OF YOU.

STAY HERE TILL IT'S OVER.

VITO WILL LOOK OUT FOR YOU.

WHAT THE FUCK ARE YOU DOING HERE?!

I TOLD YOU TO STAY AT THE HOUSE.

WELL, IF YOU REALLY DON'T WANT THIS WAY OF LIFE ANYMORE,

I'M HERE TO HELP YOU DO THAT.

NO. IT'S NOT THAT EASY.

YOU DON'T JUST WALK AWAY CLEAN FROM THESE GUYS.

THERE'S A PRICE TO PAY.

WELL, THAT'S FINE, ERIC,

BUT YOU'VE GOT TO GIVE A LITTLE MORE THOUGHT TO THIS.

LOOK, THERE'S GOTTA BE ANOTHER WAY.

LET'S CALL THE COPS. YOU HAVEN'T COMMITTED A CRIME.

I'M SURE AS HELL NOT GONNA SAY NOTHIN'.

IT'S NOT AN OPTION I CAN TAKE.

FAMILY DEALS WITH FAMILY,

EVEN IF IT'S THE ONE THAT YOU'RE WALKIN' AWAY FROM.

SHIT. WHAT?

IT'S TOO LATE, ANYWAY.

LISTEN TO ME. THIS ISN'T MAKE-BELIEVE.

THIS ISN'T SOME MOVIE SET.

ALL RIGHT. SO, WHAT DO WE DO?

HIDE BY THE BAY DOOR. WHEN THE CAR COMES IN,

PULL THE DOOR SHUT AND THEN DISAPPEAR.

I'LL TAKE CARE OF THE REST.I'M NOT FUCKIN' HIDIN'.

LISTEN! DO AS I SAY,

AND WE'LL BOTH MAKE IT OUT OF HERE, ALL RIGHT?

YEAH, ALL RIGHT.

VITO SAID THEY HAD HIM. WHERE ARE THEY?

THIS IS THE PLACE HE SAID TO MEET, CARLO.

[DOOR CLOSES NOISILY]

HEY, FIND OUT WHO'S OVER THERE.

LOOK OUT!

YOU FIND HIM.

YOU RAM THAT FUCKIN' BAY DOOR

AND YOU GET CARLO OUTTA HERE!

WE'LL TAKE CARE OF THIS PRICK.

AAH!

[WHISPERING] Come here!

THANKS.

LIKEWISE.

[GUNSHOTS]

WHAT DO WE DO?

COMMIT.

HEY, DON'T EVER DO THAT SHIT AGAIN.

I DON'T PLAN TO.

GO HOME. I'LL MEET YOU THERE.

NO. YOU COME WITH ME.

NO. I GOTTA FINISH THIS.

I GOTTA FINISH IT ALONE.

GO.

IT'LL BE ALL RIGHT.

THIS IS THE LAST THING I HAVE TO DO

BEFORE I CAN LEAVE ALL THIS BEHIND.

GET OUT!

GET OUT OF THE CAR, CARLO.

LOOK, CARLO,

I APPRECIATE EVERYTHING YOU'VE EVER DONE FOR ME,

AND JIMMY WAS MY FRIEND...

BUT IT WAS AN ACCIDENT. HE KILLED HIMSELF.

SO GET OUT OF HERE BEFORE IT'S TOO LATE.

WHO DO YOU THINK YOU ARE?!

DON'T TALK TO ME LIKE I'M SOME JERK-OFF.

YOU SHOW ME THE RESPECT I DESERVE

AND PULL THAT TRIGGER,

OR WALK AWAY LIKE A-- LIKE A COWARD.

[GUNSHOT]

NOT LONG AGO, YOU WOULDN'T HAVE HESITATED.

I'M THROUGH WITH THIS LIFE.

THEN ENJOY YOUR NEW ONE.

YOU FUCKIN' MICK BASTARD.

ALL YOU HAD TO DO WAS PULL THE TRIGGER.

WELL, LIKE I ALWAYS TOLD YOU...

THE DEAD DON'T TALK.

[WOMAN VOCALIZING]

[KNOCK ON DOOR]

ERIC DIDN'T MAKE IT.

WHAT ARE YOU TALKIN' ABOUT? I JUST LEFT HIM.

HE'S DEAD.

HE GAVE HIS LIFE FOR THE TWO OF YOUSE.

MAKE IT WORTHWHILE.

[SOBBING]

[WOMAN VOCALIZING]

WHY DON'T YOU PUT THAT IN THE BACK, DAD?

I PUT SOME DRINKS IN THERE.

ALL RIGHT.

CAN'T BELIEVE I TALKED YOU INTO THIS ROAD TRIP.

GONNA BE ALL RIGHT.

YOU KNOW, IT AIN'T EVERY DAY

THAT AN OLD FART LIKE ME GETS

TO ENJOY HIS DAUGHTER AND THE OPEN ROAD.

AND YOU KNOW I AIN'T SEEN YOUR MOM IN A LONG TIME, AND...

THIS WILL BE GOOD, TO SEE HER.

HEY...

HOW DO I LOOK?

YOU LOOK GREAT, DAD.

WELL, ALL RIGHT.

BE NICE TO GET TOGETHER AGAIN.

YEAH, IT WILL.

I THINK THAT'S WHAT ERIC MEANT ABOUT HAVING FAMILY.

BE NICE TO TAKE THE TIME TO ENJOY IT.

WELL, THAT'S SOMETHIN' WE GOT A LOT OF, KID. TIME.

CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT

CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--

♪ LIVING ON THE EDGE IS WHAT I DO BEST ♪

♪ I LIVE MY LIFE FROM DAY TO DAY ♪

♪ NOT KNOWING WHAT COMES NEXT ♪

♪ GO THROUGH THE MOTIONS

♪ WITH NO CONSCIENCE OF WHAT I DO ♪

♪ I'M IN THE SHADOWS

♪ DOIN' WHAT I'M TOLD TO DO ♪

♪ SO CONFUSED

♪ THEN YOU CAME

♪ AND MADE ME FEEL I BELONGED ♪

♪ AND YOUR LOVE

♪ HAS MADE ME RECLAIM MYSELF ♪

♪ AND YOUR RUSH

♪ IS GREATER THAN THE GREATEST RUSH ♪

♪ CATCH ME, I'M FALLIN', FALLIN' ♪

♪ I'M FALLIN' SO IN LOVE WITH YOU ♪

♪ LOOKIN' AT YOU REMINDS ME I CAN FEEL ♪

♪ THAT PLACE I THOUGHT I LOST ♪

♪ IS STILL ALIVE AND WELL

♪ SO TIRED OF LYIN'

♪ FOR ONCE AND ALL, WE'RE GONNA MAKE IT RIGHT ♪

♪ ENOUGH OF MADNESS

♪ FOR YOU KNOW I WOULD GIVE MY LIFE ♪

♪ I WILL FLY

♪ THEN YOU CAME

♪ AND MADE ME FEEL I BELONGED ♪

♪ AND YOUR LOVE

♪ HAS MADE ME RECLAIM MYSELF ♪

♪ AND YOUR RUSH

♪ IS GREATER THAN THE GREATEST RUSH ♪

♪ CATCH ME, I'M FALLIN', FALLIN' ♪

♪ I'M FALLIN' SO IN LOVE WITH YOU ♪

♪ GOOD NIGHT TO DEMONS THAT PULLED ME IN ♪

♪ GOOD-BYE TO THE PAIN AND THE PAST I LIVED ♪

♪ GOOD NIGHT

♪ I'M TRYIN' TO FORGIVE MY SINS ♪

♪ CATCH ME WHEN

♪ I'M FALLIN', FALLIN'

♪ CATCH ME WHEN

♪ I'M FALLIN' SO IN LOVE WITH YOU ♪

♪ I'M TRYIN' TO FORGIVE MY SINS ♪

♪ FORGIVE MY SINS

♪ THEN YOU CAME

♪ AND MADE ME FEEL I BELONGED ♪

♪ AND YOUR LOVE

♪ HAS MADE ME RECLAIM MYSELF ♪

♪ AND YOUR RUSH

♪ IS GREATER THAN THE GREATEST RUSH ♪

♪ CATCH ME, I'M FALLIN', FALLIN' ♪

♪ I'M FALLIN' SO IN LOVE WITH YOU ♪

♪ YOU MADE ME FEEL I BELONGED ♪

♪ AND LOVE

♪ HAS MADE ME RECLAIM MYSELF ♪

♪ MY RUSH

♪ IS GREATER THAN THE GREATEST RUSH ♪

♪ CATCH ME, I'M FALLIN', FALLIN' ♪

♪ I'M FALLIN' SO IN LOVE WITH YOU ♪