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Subtitles by
N A N Ã O
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Brought through
Cappro International™
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®© 2015
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Credits.
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The credits will be
superimposed over...
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1 . The city of Buenos Aires
on a winter morning.
7
00:02:59,391 --> 00:03:04,761
The sun rises over the Rio de la
Plata, lighting up Buenos Aires.
8
00:03:05,431 --> 00:03:08,628
2. Mario's apartment.
9
00:03:08,834 --> 00:03:12,565
He lives on the top floor
of an old building...
10
00:03:12,771 --> 00:03:16,707
that is still a distinguished
central adress.
11
00:03:16,909 --> 00:03:19,377
The furnishings are quietly modern...
12
00:03:19,578 --> 00:03:23,241
parquet floors, simple furniture,
functional lighting.
13
00:03:24,083 --> 00:03:28,110
Who is Mario Suarez,
the hero of our story?
14
00:03:28,320 --> 00:03:32,780
That's not as important
as what happens to him...
15
00:03:33,826 --> 00:03:35,555
and what he does.
16
00:03:37,896 --> 00:03:42,731
We hear a woman singing
the first notes of a tango.
17
00:03:45,537 --> 00:03:47,869
Mario is pensive.
18
00:03:51,644 --> 00:03:55,944
Life is so strange, friend
19
00:03:56,148 --> 00:04:00,380
l didn't love her
when l met her
20
00:04:00,586 --> 00:04:04,920
Until one night
she firmly said to me
21
00:04:05,124 --> 00:04:09,959
''l'm tired of everything''
and left
22
00:04:10,162 --> 00:04:14,724
Life is so strange, friend
23
00:04:14,933 --> 00:04:18,926
That night
l fell in love with her
24
00:04:20,039 --> 00:04:24,442
l sacrificed so much
trying to forget her
25
00:04:24,643 --> 00:04:29,239
Partied my life away
all over town
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00:04:29,448 --> 00:04:34,181
How could l know
that her affection
27
00:04:34,386 --> 00:04:38,652
Would cause me all the
troubles that it did
28
00:04:38,857 --> 00:04:42,725
l wasted my life in bars
29
00:04:43,262 --> 00:04:47,824
So they'd all see
l'd forgotten her
30
00:04:48,033 --> 00:04:52,493
But that was a lie
and when l was alone
31
00:04:52,705 --> 00:04:56,937
l cried like a woman, my friend
32
00:05:06,752 --> 00:05:11,086
Two whole years we were together
33
00:05:11,290 --> 00:05:15,488
l never dreamt
that l'd fall for her
34
00:05:16,095 --> 00:05:20,464
How could l know that
she'd bewitch me
35
00:05:20,666 --> 00:05:25,365
That l'd do anything
to see her again
36
00:05:25,571 --> 00:05:30,508
Life is so strange, friend
37
00:05:30,709 --> 00:05:34,577
That was the night
l fell in love with her
38
00:10:18,830 --> 00:10:21,196
l didn't know you were here.
39
00:10:22,801 --> 00:10:26,999
-l came for my necklace.
-Why did you come, Laura?
40
00:10:27,205 --> 00:10:30,902
l told you. For my necklace.
41
00:10:32,144 --> 00:10:33,736
The keys...
42
00:10:34,746 --> 00:10:37,306
l found them among my things.
43
00:10:43,288 --> 00:10:45,813
Can we talk, Laura?
44
00:10:46,591 --> 00:10:49,958
-What about?
-Us.
45
00:10:50,162 --> 00:10:52,426
You and me.
46
00:10:52,631 --> 00:10:54,428
Haven't we said it all?
47
00:10:55,701 --> 00:10:58,192
l can't live this way.
48
00:10:59,304 --> 00:11:03,536
You're everywhere, Laura.
l miss you.
49
00:11:04,810 --> 00:11:06,641
Come back.
50
00:11:07,846 --> 00:11:13,011
-Mario, let's not start again.
-You don't understand.
51
00:11:18,256 --> 00:11:20,383
Kiss me.
52
00:11:23,462 --> 00:11:26,920
Like that. Please kiss me.
53
00:11:27,132 --> 00:11:31,592
-Please, l want to. Kiss me!
-Let go of me.
54
00:11:32,304 --> 00:11:35,831
You're hurting me! Let go!
55
00:11:40,512 --> 00:11:44,346
l'm living with another man!
l'm happy!
56
00:11:44,850 --> 00:11:47,444
ls he a better lay?
57
00:11:48,153 --> 00:11:50,280
Don't be crude!
58
00:12:13,512 --> 00:12:16,538
-Antonio!
-Hi, Mr. Mario.
59
00:12:16,748 --> 00:12:19,740
-How's everything going?
-Just fine.
60
00:12:20,218 --> 00:12:23,449
l'm moving into the studio.
l'll need a mattress...
61
00:12:23,655 --> 00:12:27,318
hi-fi and video,
a few chairs, a table.
62
00:12:27,526 --> 00:12:30,086
-Can you handle it?
-Leave it to me.
63
00:12:30,295 --> 00:12:33,059
-When are you moving in?
-Tomorrow.
64
00:12:34,299 --> 00:12:36,233
-How's you leg?
-Much better.
65
00:12:36,434 --> 00:12:40,029
-ln a few days, l won't need this.
-lt was a miracle!
66
00:12:40,238 --> 00:12:41,967
l fell asleep.
67
00:12:42,174 --> 00:12:45,041
l wasn't drunk or on drugs,
as they said.
68
00:12:45,243 --> 00:12:48,906
l was exhausted. All l remember...
69
00:12:49,114 --> 00:12:51,981
is a truck coming at me.
70
00:12:52,184 --> 00:12:56,280
They say your whole life flashes by.
71
00:12:56,488 --> 00:12:59,889
You see too many movies.
Didn't happen.
72
00:13:00,091 --> 00:13:04,118
l woke up in a hospital
with a broken leg.
73
00:13:04,329 --> 00:13:07,059
lt could have been worse.
74
00:13:07,299 --> 00:13:09,233
Maybe.
75
00:13:33,258 --> 00:13:37,957
Mr. Mario, you don't know me.
l'm a pro at this.
76
00:13:38,530 --> 00:13:41,829
l'm very good.
The best of the ''Guardia Vieja''.
77
00:13:42,033 --> 00:13:45,560
Where's Fuentes?
Back to your place.
78
00:13:46,771 --> 00:13:50,639
-They're calling us.
-Don't forget us.
79
00:13:52,277 --> 00:13:55,041
''The Creole Waltz'', Maestro!
80
00:15:33,178 --> 00:15:38,309
Mario.
Everything's ready for rehearsal.
81
00:15:45,957 --> 00:15:48,983
Hi, Mario.
How's the leg?
82
00:15:49,194 --> 00:15:51,287
l'm ready to dance.
83
00:15:52,097 --> 00:15:53,621
How do you like the place?
84
00:15:54,532 --> 00:15:56,261
l like it.
85
00:15:57,369 --> 00:15:59,667
l'll leave you with Andres.
lf you need me...
86
00:15:59,871 --> 00:16:01,896
l'll be in the workshop.
87
00:16:03,808 --> 00:16:06,072
Let's have the slides.
88
00:16:09,014 --> 00:16:11,039
Left side.
89
00:16:15,086 --> 00:16:16,883
Right side.
90
00:16:19,858 --> 00:16:22,850
-Andres.
-Be right with you.
91
00:16:23,061 --> 00:16:25,859
-l'll come back.
-No, tell me.
92
00:16:26,064 --> 00:16:30,296
l've thought about our talk
on the lighting.
93
00:16:30,502 --> 00:16:33,437
l think l get it.
94
00:16:33,638 --> 00:16:37,631
You want to use color
to travel in time.
95
00:16:39,310 --> 00:16:41,801
And use light to show
our hero's passage...
96
00:16:42,013 --> 00:16:45,881
from outer light
to inner darkness.
97
00:16:46,084 --> 00:16:48,245
That's it.
98
00:17:02,133 --> 00:17:05,830
-How are the rehearsals?
-lmproving.
99
00:17:06,037 --> 00:17:09,473
l hear you're complicating
the show, adding slides...
100
00:17:09,674 --> 00:17:13,701
a wind machine, new dances
and lots of other gimmicks.
101
00:17:14,045 --> 00:17:16,741
-Who told you?
-Never mind.
102
00:17:16,948 --> 00:17:19,439
You've got good spies.
103
00:17:19,651 --> 00:17:23,485
l'm looking for links
to give it unity.
104
00:17:23,688 --> 00:17:26,316
Sure. We're using new materials...
105
00:17:26,524 --> 00:17:30,153
textures from abroad...
lt's interesting.
106
00:17:31,496 --> 00:17:33,623
l have no idea how it'll come out.
107
00:17:33,832 --> 00:17:37,495
Listen to me for once!
108
00:17:37,702 --> 00:17:40,865
Don't complicate things.
Today, audiences want...
109
00:17:41,072 --> 00:17:44,371
simple things.
They've used to TV.
110
00:17:44,576 --> 00:17:48,740
Everything predigested.
They want pure entertainment...
111
00:17:48,947 --> 00:17:52,144
no moralizing, no politics,
no heavy thoughts.
112
00:17:52,350 --> 00:17:55,808
The simpler it is,
the happier they are!
113
00:17:57,455 --> 00:17:59,719
-l talked to them.
-Really.
114
00:17:59,924 --> 00:18:04,224
We had a meeting and...
they want a good show...
115
00:18:04,429 --> 00:18:08,195
and they'll do anything
you want, but...
116
00:18:08,399 --> 00:18:11,061
-But?
-Think of other people.
117
00:18:11,269 --> 00:18:14,295
Especially the investors.
118
00:18:14,672 --> 00:18:18,267
lf they don't like me,
they can fire me.
119
00:18:18,476 --> 00:18:21,604
-Don't be so arrogant!
-That's not it.
120
00:18:21,813 --> 00:18:26,375
lf they don't trust me...
l'll quit.
121
00:18:26,584 --> 00:18:30,076
Don't dramatize! They trust you!
122
00:18:30,288 --> 00:18:32,119
That's why they hired you.
123
00:18:32,323 --> 00:18:35,884
But they want a simple show
with no headaches.
124
00:18:36,094 --> 00:18:40,155
They've got their problems,
l've got mine.
125
00:18:40,365 --> 00:18:44,165
But l won't put up with interference!
126
00:18:44,369 --> 00:18:46,633
-As usual.
-As usual.
127
00:18:46,838 --> 00:18:49,136
Fuck it!
128
00:18:56,748 --> 00:19:00,047
Tonight is a special night...
129
00:19:00,185 --> 00:19:02,517
because here among us are...
130
00:19:02,720 --> 00:19:06,986
dear friends who came
to keep us company.
131
00:19:07,192 --> 00:19:14,064
Like Maestro Carlos Nebbia!
Give him a big hand!
132
00:19:23,074 --> 00:19:28,011
We'll impose on
our distinguished guest...
133
00:19:28,213 --> 00:19:31,376
and ask him to delight us
with a tango!
134
00:19:31,583 --> 00:19:33,551
Go, Maestro!
135
00:23:04,295 --> 00:23:07,196
Next, in this emotion-filled night...
136
00:23:07,398 --> 00:23:11,960
we hear this unique
orchestra playing...
137
00:23:12,170 --> 00:23:14,331
a ''milonga''!
138
00:23:15,306 --> 00:23:17,604
-How are you doing?
-Not as well as you.
139
00:23:17,809 --> 00:23:19,743
Don't exaggerate.
140
00:23:19,944 --> 00:23:22,538
l'm Angel Larroca,
the owner of this place.
141
00:23:22,747 --> 00:23:24,942
Angelo to my friends.
142
00:23:25,149 --> 00:23:27,083
-Maestro Stein.
-Delighted.
143
00:23:27,285 --> 00:23:29,549
-Mario Suarez!
-Delighted.
144
00:23:29,754 --> 00:23:33,554
lt's a real honor for us
to have you here.
145
00:23:33,758 --> 00:23:38,218
May l take a moment of your time?
l'd like to talk to you.
146
00:23:38,429 --> 00:23:41,592
-Now?
-l'd be grateful.
147
00:23:41,799 --> 00:23:45,826
Let's go to my table.
We'll have more privacy.
148
00:23:46,037 --> 00:23:48,130
Be careful.
149
00:23:48,940 --> 00:23:51,568
-Allow me.
-l'm okay, thanks.
150
00:23:53,344 --> 00:23:55,642
See you later.
151
00:23:57,715 --> 00:24:00,411
The guy's dangerous.
152
00:24:03,321 --> 00:24:05,050
What can l do for you?
153
00:24:06,624 --> 00:24:10,958
l'm not quite sure how to put it.
154
00:24:11,496 --> 00:24:13,430
Anyway...
155
00:24:13,764 --> 00:24:17,291
my life is all set up.
156
00:24:17,502 --> 00:24:20,335
Business is fine,
and l've got money.
157
00:24:20,905 --> 00:24:23,465
This place is just a whim for me.
158
00:24:25,476 --> 00:24:30,641
Are you aware that l own
50% of your show?
159
00:24:30,848 --> 00:24:34,284
-l put up the money.
-What about Alex and Fontan?
160
00:24:34,485 --> 00:24:38,546
They're in on it too.
But as l told you...
161
00:24:38,756 --> 00:24:41,384
l'm in control.
162
00:24:41,592 --> 00:24:44,220
Don't look so glum.
163
00:24:44,428 --> 00:24:47,158
-l didn't realize that.
-l'm not your enemy.
164
00:24:47,598 --> 00:24:51,056
l'm a big fan of your work.
165
00:24:51,269 --> 00:24:55,467
What l'm going to ask you
is perfectly normal.
166
00:24:56,874 --> 00:25:01,504
l'm in love with a girl.
She's wild about dancing.
167
00:25:01,712 --> 00:25:04,078
l think she's talented.
168
00:25:04,949 --> 00:25:07,110
l'd give my life for her.
169
00:25:07,418 --> 00:25:09,386
You understand me?
170
00:25:10,655 --> 00:25:12,680
Of course.
171
00:25:14,525 --> 00:25:18,222
That's her, over there
dancing with the old man.
172
00:25:20,298 --> 00:25:22,596
He's my father.
173
00:25:23,768 --> 00:25:26,931
Your father's a pro.
174
00:25:27,438 --> 00:25:29,872
Let's say, as good as one.
175
00:25:30,074 --> 00:25:33,703
But l didn't inherit his talent.
176
00:25:35,479 --> 00:25:40,416
All l'm asking for is...
177
00:25:40,618 --> 00:25:44,679
an audition for her.
No favoritism.
178
00:25:46,190 --> 00:25:49,717
l won't put any pressure on you.
179
00:25:51,662 --> 00:25:56,190
lt's a deal. She can come by the
studio at 11 :00 a.m. tomorrow.
180
00:26:12,817 --> 00:26:15,411
Let's do the same as yesterday.
181
00:26:15,620 --> 00:26:18,487
Separate the men and the women.
182
00:26:18,689 --> 00:26:21,590
The women, this side, okay?
183
00:26:22,159 --> 00:26:24,059
-Later they'll mingle.
-Okay. Can l start?
184
00:26:24,261 --> 00:26:26,593
Yes, and don't stop.
185
00:26:27,698 --> 00:26:31,190
-Hello. How are you?
-To your places.
186
00:26:31,402 --> 00:26:34,769
Girls on this side.
Boys on that side.
187
00:26:35,306 --> 00:26:37,797
We'll do a basic eight-beat step.
188
00:26:38,009 --> 00:26:42,105
Ready, Maestro?
Five, six, seven, eight...
189
00:26:58,329 --> 00:27:00,490
Very good.
The eight in 16 beats.
190
00:27:00,698 --> 00:27:03,326
Five, six, seven, eight...
191
00:27:27,324 --> 00:27:31,488
A double ''sentada'' in 16 beats.
Five, six, seven, eight...
192
00:27:50,347 --> 00:27:51,905
''Sentada''!
193
00:28:04,061 --> 00:28:08,293
lmagine you're holding a boy
in your arms. You too!
194
00:28:08,499 --> 00:28:12,435
Girls, put some joy into it!
Some love, some spice!
195
00:28:12,636 --> 00:28:17,039
A double hook in 16 beats.
196
00:28:33,224 --> 00:28:35,920
Very good.
197
00:28:37,361 --> 00:28:39,158
Now we'll do...
198
00:28:40,464 --> 00:28:43,797
the double hook...
then the ''parada''.
199
00:28:44,001 --> 00:28:48,267
First the ''voleo'' in eight beats.
200
00:28:56,514 --> 00:29:01,144
Now the ''parada'' in 16.
201
00:29:16,967 --> 00:29:19,333
Form a circle.
202
00:29:19,837 --> 00:29:21,737
Now we'll do...
203
00:29:21,939 --> 00:29:24,965
Move counterclockwise.
204
00:29:25,176 --> 00:29:29,738
Now we'll practice
the basic step...
205
00:29:29,947 --> 00:29:33,576
the double hook...
the ''voleo''...
206
00:29:34,451 --> 00:29:38,911
the ''parada''
and the finale in 16 beats.
207
00:29:47,965 --> 00:29:51,492
Make the girls sit more.
208
00:29:53,137 --> 00:29:57,665
l want to see one body with
four legs! Let's see some joy!
209
00:30:40,451 --> 00:30:42,976
-What do you think?
-Brilliant!
210
00:30:43,187 --> 00:30:45,246
He's marvelous!
211
00:30:45,890 --> 00:30:48,791
We've found a clip of Tita Merello.
212
00:30:48,993 --> 00:30:50,790
-And Mercedes Simone?
-We're trying.
213
00:30:50,995 --> 00:30:54,055
The little there
is in bad shape.
214
00:30:54,265 --> 00:30:58,099
The best we found on her
is a movie from 1932 or 1933.
215
00:30:58,302 --> 00:31:00,463
Called ''Tango''.
216
00:31:02,006 --> 00:31:04,600
-You've seen it?
-Sure.
217
00:31:04,808 --> 00:31:07,436
lt had Tita Merello,
Libertad Lamarque...
218
00:31:07,645 --> 00:31:09,670
Azucena Maizane and Simone.
219
00:31:09,880 --> 00:31:13,372
-What a foursome!
-What a cast!
220
00:31:14,752 --> 00:31:16,982
See you in five minutes.
221
00:31:18,522 --> 00:31:20,513
l'll be in the shop.
222
00:33:09,166 --> 00:33:10,758
-Fine.
-Do you like it?
223
00:33:10,968 --> 00:33:14,563
-Some things need fixing...
-What?
224
00:33:16,206 --> 00:33:18,766
-How are you?
-Fine.
225
00:33:20,611 --> 00:33:22,476
-Congratulations.
-Thanks.
226
00:33:24,782 --> 00:33:26,943
Laura, can l talk to you?
227
00:33:44,668 --> 00:33:47,000
Forgive me?
228
00:33:48,939 --> 00:33:51,066
l don't know what came over me.
229
00:33:53,844 --> 00:33:58,110
You know l couldn't harm anyone.
l don't know.
230
00:34:01,552 --> 00:34:03,884
lt'll never happen again. l swear it!
231
00:34:04,755 --> 00:34:07,883
All right, it's forgotten.
232
00:34:11,829 --> 00:34:14,923
What you're doing is fabulous!
233
00:34:15,466 --> 00:34:18,560
-Really?
-Fabulous!
234
00:34:18,769 --> 00:34:20,862
Thanks.
235
00:34:21,071 --> 00:34:25,906
Mario, excuse me. l want to take
a shower. l'm tired.
236
00:34:41,892 --> 00:34:44,452
-He wants to dance with you.
-No, with you.
237
00:34:44,661 --> 00:34:46,788
-No, you!
-l don't dare.
238
00:34:46,997 --> 00:34:49,329
No, go on!
239
00:35:34,311 --> 00:35:37,644
Very good. You've gotten better.
240
00:35:40,617 --> 00:35:42,585
Don't overdo it.
241
00:36:13,817 --> 00:36:16,308
That's enough. Thanks.
242
00:36:32,836 --> 00:36:36,135
Where do you get all that energy?
243
00:36:36,340 --> 00:36:39,537
-You joking?
-lt's impressive.
244
00:36:39,743 --> 00:36:43,736
lt's my whole life.
My passion!
245
00:36:43,947 --> 00:36:46,973
Good rehearsal.
What about the girl?
246
00:36:47,351 --> 00:36:49,478
She's very good.
247
00:36:49,686 --> 00:36:52,678
How long to train her for a lead?
248
00:36:52,889 --> 00:36:56,450
You want her to dance a lead?
249
00:36:57,294 --> 00:36:59,524
You like her?
250
00:37:01,131 --> 00:37:04,066
We'll go all out.
251
00:37:14,611 --> 00:37:18,911
l'm Elena Flores.
Thank you for taking me.
252
00:37:19,116 --> 00:37:22,051
lt's a real pleasure
working with you all.
253
00:37:22,252 --> 00:37:24,550
l saw you dance with the Maestro.
254
00:37:25,355 --> 00:37:28,791
He's not easy to follow.
lt was very good.
255
00:37:29,593 --> 00:37:33,222
Thanks.
l hope l don't let you down.
256
00:37:33,430 --> 00:37:37,366
-Welcome.
-See you. Bye.
257
00:37:43,006 --> 00:37:46,305
Lend me your cane.
Hold onto me.
258
00:37:46,843 --> 00:37:48,936
And bend down. Look...
259
00:37:49,146 --> 00:37:52,809
the floor rises here.
260
00:37:53,450 --> 00:37:56,283
So when the immigrants advance...
261
00:37:56,486 --> 00:37:59,387
we don't see them at first.
262
00:37:59,990 --> 00:38:02,356
-The ramp.
-Sure, on the ramp.
263
00:38:02,559 --> 00:38:05,050
All you'll see is the sky...
264
00:38:05,262 --> 00:38:06,991
and the horizon.
265
00:38:07,197 --> 00:38:10,291
The sun starts to rise. lt's a dawn.
266
00:38:10,500 --> 00:38:14,834
Then, gradually, heads appear.
267
00:38:15,038 --> 00:38:20,135
Whole families. Men, women,
children, young and old.
268
00:38:20,344 --> 00:38:25,976
All dressed in
turn-of-the-century clothes.
269
00:38:26,183 --> 00:38:29,243
They carry suitcases, bundles.
270
00:38:29,453 --> 00:38:33,253
Maybe a man carrying
his kid piggyback.
271
00:38:34,558 --> 00:38:38,722
-What do you think?
-Nice image, yes.
272
00:38:40,330 --> 00:38:43,663
We start with a static shot...
273
00:38:43,867 --> 00:38:47,166
using the whole set.
274
00:38:47,371 --> 00:38:50,431
You want props or
just a backdrop?
275
00:38:50,640 --> 00:38:52,608
Or plastic frames?
276
00:38:52,809 --> 00:38:55,744
A backdrop with a Rosco mural.
277
00:38:55,946 --> 00:38:59,040
The images will vary
with the lighting.
278
00:38:59,249 --> 00:39:01,479
Front or back lit.
279
00:39:01,685 --> 00:39:04,245
The light can keep changing...
280
00:39:04,454 --> 00:39:07,082
from dawn to dusk.
281
00:39:07,290 --> 00:39:12,318
The light will symbolize
exile through the ages.
282
00:39:12,529 --> 00:39:16,124
-What do you say?
-Great!
283
00:39:16,700 --> 00:39:21,569
-Now we have to make it all move.
-l have some ideas.
284
00:39:21,772 --> 00:39:24,172
Still a bit fuzzy.
285
00:39:26,643 --> 00:39:29,942
-l have until?
-Tomorrow, Carlos.
286
00:39:32,382 --> 00:39:35,078
-And the music?
-A tango.
287
00:40:24,601 --> 00:40:29,004
Agri has such a sensitivity.
A virtuoso.
288
00:40:30,540 --> 00:40:32,599
De Lio always looks so absent.
289
00:40:41,218 --> 00:40:45,621
-Look at Salgan... 81 years old.
-Eighty-one?
290
00:40:46,556 --> 00:40:48,046
lncredible!
291
00:42:48,778 --> 00:42:52,509
My most vivid memory
of this school...
292
00:42:52,716 --> 00:42:56,880
is of Don Leandro Garcia Echenique,
my teacher.
293
00:42:57,087 --> 00:43:00,682
A Spanish Civil War refugee.
294
00:43:00,890 --> 00:43:05,020
He taught me to love poetry.
295
00:43:05,228 --> 00:43:07,822
A stern man, very brusque...
296
00:43:08,031 --> 00:43:10,761
but so affectionate.
297
00:43:10,967 --> 00:43:14,494
He started classes with
''Long Live the Republic!
298
00:43:14,704 --> 00:43:16,831
Be seated.''
299
00:43:17,841 --> 00:43:20,207
l went to the French school.
300
00:43:20,410 --> 00:43:25,313
My father was a concert violinist.
He taught me theory and notation.
301
00:43:26,116 --> 00:43:27,674
Did you like that?
302
00:43:27,884 --> 00:43:31,752
Yes. Family tradition
mattered to us.
303
00:43:31,955 --> 00:43:33,923
Granddad was musician.
304
00:43:34,124 --> 00:43:38,823
And Dad thought he had a boy genius
under his roof.
305
00:43:39,029 --> 00:43:42,396
Turns out he was right.
306
00:43:43,266 --> 00:43:46,667
Only a few small mammals
coexisted with them.
307
00:43:46,870 --> 00:43:50,670
Mankind appeared much later...
308
00:43:50,874 --> 00:43:55,243
when the dinosaurs disappeared
mysteriously from the planet.
309
00:43:55,445 --> 00:44:01,111
Gradually, the mammals
spread over the earth.
310
00:44:01,317 --> 00:44:04,081
Mario!
311
00:44:04,287 --> 00:44:08,986
-What's the subject?
-You're talking about...
312
00:44:09,192 --> 00:44:13,856
You're so distracted.
This can't go on.
313
00:44:14,064 --> 00:44:18,763
l was saying that when
the dinosaurs reigned...
314
00:44:56,005 --> 00:44:58,030
What do you think?
315
00:44:58,241 --> 00:45:00,141
lt's very good.
316
00:45:00,944 --> 00:45:04,107
You need patience to teach them.
317
00:45:04,314 --> 00:45:08,648
Yes. Few children move in harmony.
318
00:45:08,852 --> 00:45:12,413
They're still green,
can't control their bodies.
319
00:45:12,822 --> 00:45:16,724
Look the little couple there.
320
00:45:16,926 --> 00:45:20,987
The girl has a feeling
for rhythm and dancing.
321
00:45:21,197 --> 00:45:25,896
But he's an oaf.
He can't be taught.
322
00:45:26,102 --> 00:45:29,594
Yet she'll only dance with him.
323
00:45:29,939 --> 00:45:33,466
That's how great loves are born, eh?
324
00:45:33,676 --> 00:45:35,837
You said it.
325
00:45:39,349 --> 00:45:41,374
l used to dance too.
326
00:45:41,584 --> 00:45:44,417
-You danced?
-And how!
327
00:45:45,121 --> 00:45:48,852
But l've no partner now.
328
00:45:49,058 --> 00:45:52,050
My wife died last year.
329
00:45:52,262 --> 00:45:55,288
Life has no meaning for me now.
330
00:45:58,768 --> 00:46:02,898
The girl putting on her shoes
is my granddaughter.
331
00:46:19,989 --> 00:46:22,480
Anita has dancing in her blood.
332
00:46:23,693 --> 00:46:29,154
They say musical sense is hereditary.
Who knows?
333
00:46:29,365 --> 00:46:34,826
Still the girl dances as well
as her grandfather.
334
00:47:26,556 --> 00:47:28,547
Don't stop, kids.
335
00:47:29,325 --> 00:47:32,852
The group... faces in profile.
336
00:47:33,062 --> 00:47:36,429
Hands down close at your sides.
337
00:47:37,000 --> 00:47:38,661
Julio?
338
00:47:38,868 --> 00:47:45,330
Neither group should mix with
the other before the fusion point.
339
00:47:45,541 --> 00:47:49,875
Don't forget, half the floor will
be black, half white.
340
00:47:50,079 --> 00:47:52,912
-You want them further apart.
-A bit.
341
00:47:56,152 --> 00:47:58,916
Okay, further apart.
We'll start again.
342
00:50:00,510 --> 00:50:02,671
Don't look at the floor.
343
00:50:16,492 --> 00:50:21,623
Be careful. Don't be nervous.
344
00:50:25,835 --> 00:50:28,963
You're both too far ahead.
345
00:51:07,710 --> 00:51:11,305
-How's it going?
-Fine, but she gets away from me.
346
00:51:11,514 --> 00:51:13,243
Keep at it.
347
00:51:47,250 --> 00:51:50,617
ln the Pampas,
the knife is in the belt.
348
00:51:50,820 --> 00:51:54,051
ln the slums they hide it
in their sleeves...
349
00:51:54,257 --> 00:51:58,489
ready for use,
sharp side up.
350
00:51:58,694 --> 00:52:01,891
lt's an extension of the arm.
351
00:52:02,765 --> 00:52:09,034
Okay, the blade is on the left side of
the jacket. Both are right-handed. Go!
352
00:52:10,973 --> 00:52:13,339
Not so direct.
353
00:52:13,676 --> 00:52:16,907
Be more catlike. Stalk.
354
00:52:17,113 --> 00:52:18,876
Very good.
355
00:52:29,625 --> 00:52:31,252
That's good.
356
00:52:39,035 --> 00:52:44,496
One of you should break out
and attack hard, right?
357
00:52:45,675 --> 00:52:48,508
A deep thrust, a scream. Now!
358
00:52:52,782 --> 00:52:56,479
Hold that position. Turn.
359
00:52:57,386 --> 00:52:59,251
That's the way.
360
00:53:03,759 --> 00:53:06,694
Junior, wait.
361
00:53:06,896 --> 00:53:09,865
Sorry. Carlos, hold this
for me a second.
362
00:53:11,534 --> 00:53:13,764
Give me the knife.
363
00:53:15,738 --> 00:53:18,502
lt should be loose in the hand...
364
00:53:18,708 --> 00:53:21,142
the wrist flexible.
365
00:53:23,879 --> 00:53:26,712
lt only stiffens to strike.
366
00:55:37,613 --> 00:55:40,173
Your latest acquisiton?
367
00:55:42,385 --> 00:55:44,376
What do you think?
368
00:55:44,587 --> 00:55:47,556
She has a lot to learn.
369
00:55:48,023 --> 00:55:49,888
She's young.
370
00:55:51,494 --> 00:55:53,587
She can learn.
371
00:55:55,464 --> 00:55:57,261
You should know.
372
00:55:57,466 --> 00:56:01,061
But watch out,
her ''godfather'' is dangerous.
373
00:56:01,704 --> 00:56:05,470
Let's do the trio.
374
00:56:07,076 --> 00:56:09,135
We need another look at it.
375
00:56:10,679 --> 00:56:12,544
You won't need that.
376
00:56:22,691 --> 00:56:24,420
Music!
377
01:00:08,784 --> 01:00:11,014
Did you like it?
378
01:00:13,155 --> 01:00:16,750
We'll rework it.
Thanks. See you later.
379
01:00:16,959 --> 01:00:21,123
Listen, everyone.
We'll do the introduction.
380
01:00:21,330 --> 01:00:26,734
Who did the introduction?
Take your places.
381
01:00:28,370 --> 01:00:30,201
l want to talk to you.
382
01:00:30,773 --> 01:00:33,139
-Must it be now?
-lf you can.
383
01:00:33,342 --> 01:00:36,800
l can't.
They're waiting for me.
384
01:00:37,012 --> 01:00:38,946
Then when?
385
01:00:41,984 --> 01:00:44,475
Ask me to dinner.
386
01:00:45,487 --> 01:00:46,977
All right.
387
01:00:54,296 --> 01:00:56,787
You living with somebody?
388
01:00:59,735 --> 01:01:03,102
Come off it.
You know who l live with.
389
01:01:03,706 --> 01:01:06,231
Angelo Larroca.
390
01:01:07,109 --> 01:01:09,509
An excellent godfather.
391
01:01:09,978 --> 01:01:12,173
We're splitting up.
392
01:01:13,515 --> 01:01:15,847
Why, if l may ask?
393
01:01:16,652 --> 01:01:18,677
We don't get along.
394
01:01:19,221 --> 01:01:21,246
l'm hard to live with.
395
01:01:22,124 --> 01:01:27,118
Living with someone is awful.
Every time l've tried...
396
01:01:27,730 --> 01:01:29,027
it's been a mess.
397
01:01:29,965 --> 01:01:35,460
l'm a special case.
l'm sort of solitary animal...
398
01:01:35,671 --> 01:01:37,730
one of those old lions...
399
01:01:37,940 --> 01:01:41,671
who roam the African
savannah aimlessly.
400
01:01:41,877 --> 01:01:45,677
Lionesses are different.
401
01:01:45,881 --> 01:01:49,544
They gather, unite, hunt...
402
01:01:49,752 --> 01:01:52,152
whelp, nurse...
403
01:01:52,354 --> 01:01:55,585
protect their defenseless cubs.
404
01:01:55,791 --> 01:01:59,557
They have a concrete mission in life.
405
01:02:00,662 --> 01:02:04,063
Nurse, protect, mate...
406
01:02:05,234 --> 01:02:08,203
That's a woman's mission in life?
407
01:02:08,804 --> 01:02:13,104
-What did you think l said?
-That.
408
01:02:13,675 --> 01:02:18,408
l didn't mean that.
l respect women too much.
409
01:02:18,614 --> 01:02:21,708
Maybe that was a bad analogy.
410
01:02:24,219 --> 01:02:26,187
Men...
411
01:02:27,022 --> 01:02:32,756
have been raised to hunt and
fight for thousands of years.
412
01:02:33,662 --> 01:02:37,758
Now he hunts in his own way.
413
01:02:37,966 --> 01:02:43,962
Let's say he goes haywire
for a little power...
414
01:02:44,173 --> 01:02:47,233
or a medal or money...
415
01:02:47,442 --> 01:02:50,206
a form of power.
416
01:02:50,412 --> 01:02:55,440
lt'd be a shame if women
followed men in their folly.
417
01:02:55,651 --> 01:02:57,881
That's what l meant.
418
01:02:58,086 --> 01:03:00,350
All l ask of men...
419
01:03:00,556 --> 01:03:03,821
is to respect me, listen to me...
420
01:03:04,026 --> 01:03:08,463
and not treat me like
a nut spouting nonsense.
421
01:03:09,231 --> 01:03:14,032
Why is it so hard for men
to admit that a beautiful woman...
422
01:03:14,236 --> 01:03:17,228
can also be intelligent?
423
01:03:17,439 --> 01:03:20,931
Must a good mind always go
with an ugly face?
424
01:03:21,643 --> 01:03:24,578
That's not what l think.
425
01:03:29,451 --> 01:03:32,113
How can l put this?
426
01:03:33,589 --> 01:03:37,150
You wake up one day, look in
a mirror and say:
427
01:03:37,359 --> 01:03:40,294
''l've aged.''
You go outside...
428
01:03:40,495 --> 01:03:43,157
and the young call you mister.
429
01:03:43,365 --> 01:03:47,927
They look at you askance.
To them, you've gone over the hill.
430
01:03:48,737 --> 01:03:52,503
You're an old fart.
Time goes by...
431
01:03:53,075 --> 01:03:56,010
your hair starts to fall out...
432
01:03:56,211 --> 01:03:58,270
then the rest falls apart.
433
01:03:58,947 --> 01:04:01,279
You like good food, you get fat...
434
01:04:01,483 --> 01:04:04,680
you get lazy, stop going out.
435
01:04:05,587 --> 01:04:09,648
Still, despite the physical decay...
436
01:04:09,858 --> 01:04:13,453
you feel as energetic as a boy.
437
01:04:13,662 --> 01:04:16,358
So what do you do?
438
01:04:16,565 --> 01:04:21,093
Why is it unseemly for a man
to act like a boy?
439
01:04:21,303 --> 01:04:26,935
l can't enjoy a girl of 18
because l'm an older man.
440
01:04:27,142 --> 01:04:31,670
How old are you, anyway?
441
01:04:32,414 --> 01:04:34,314
Twenty-three.
442
01:04:35,550 --> 01:04:40,112
You seem younger.
Let's see if l can complete this.
443
01:04:41,490 --> 01:04:47,190
On that day you wonder
''What life have l had?
444
01:04:47,396 --> 01:04:48,988
What's happened to me?
445
01:04:49,197 --> 01:04:52,496
Where are my youthful illusions,
my dreams?''
446
01:04:52,701 --> 01:04:57,695
You can't say that. lt's unfair.
You've done wonderful things.
447
01:04:59,474 --> 01:05:01,169
Thank you.
448
01:05:01,376 --> 01:05:06,541
Maybe. But l can't help feeling
l've wasted my time.
449
01:05:07,849 --> 01:05:10,977
That l only touched
the surface of things.
450
01:05:11,620 --> 01:05:17,149
All l did was to swim frantically
to avoid sinking into the muck.
451
01:05:18,794 --> 01:05:20,853
How does that sound to you?
452
01:05:21,630 --> 01:05:25,760
Pretentious, eh?
But vivid, right?
453
01:05:31,039 --> 01:05:33,007
Anyway...
454
01:05:33,208 --> 01:05:36,405
all that to say l'm a good guy...
455
01:05:36,611 --> 01:05:42,106
modest, simple,
sensitive, hardworking, honest...
456
01:05:42,317 --> 01:05:45,411
unable to organize my life...
457
01:05:48,156 --> 01:05:51,091
And deeply frustrated in love.
458
01:06:04,072 --> 01:06:05,733
lt's very nice.
459
01:06:12,147 --> 01:06:14,308
l have to leave, Mario.
460
01:06:16,852 --> 01:06:19,320
Stay with me tonight.
461
01:06:20,422 --> 01:06:22,185
l can't.
462
01:06:23,692 --> 01:06:26,456
Someone's waiting? Sorry.
463
01:07:27,856 --> 01:07:30,518
lt's all wrong.
464
01:07:31,126 --> 01:07:34,755
You got carried away
by your imagination.
465
01:07:34,963 --> 01:07:38,160
That's not enough,
and you know it.
466
01:07:38,800 --> 01:07:41,496
You need more discipline.
467
01:07:41,736 --> 01:07:46,002
What's the dramatic line
that unifies all this?
468
01:07:47,776 --> 01:07:53,578
The woman leaves him. The guy falls
apart, but another woman appears.
469
01:07:53,782 --> 01:07:57,980
A younger dancer.
The guy falls in love.
470
01:07:58,186 --> 01:07:59,448
He falls in love?
471
01:07:59,654 --> 01:08:04,421
Does he fall in love?
Or is he grasping at straws?
472
01:08:04,626 --> 01:08:09,586
And her?
Does she fall in love?
473
01:08:09,798 --> 01:08:11,459
She exploits it.
474
01:08:11,666 --> 01:08:14,726
He pursues her,
despairs if she's not there.
475
01:08:14,936 --> 01:08:18,997
She's everything to him.
She hides, slips away.
476
01:08:19,207 --> 01:08:23,041
She plays.
He has no time for games.
477
01:08:25,614 --> 01:08:29,880
What's the woman do?
She returns?
478
01:08:30,085 --> 01:08:34,044
l love you. l adore you.
l need you.
479
01:08:36,625 --> 01:08:39,492
What a lot of nonsense.
480
01:08:43,632 --> 01:08:46,226
Never changes.
481
01:08:48,236 --> 01:08:51,899
But there's no other way
to tell the story.
482
01:08:54,476 --> 01:08:58,173
lnspiration, where are you?
483
01:09:00,715 --> 01:09:05,846
What is inspiration
but work, work, work?
484
01:09:07,489 --> 01:09:10,185
Who said that?
485
01:09:10,992 --> 01:09:13,187
A labor leader.
486
01:16:12,780 --> 01:16:14,441
What are you doing?
487
01:16:16,417 --> 01:16:19,284
-How did you get in?
-The janitor let me in.
488
01:16:19,487 --> 01:16:24,481
-What's the wind machine for?
-lmagining a scene.
489
01:16:24,692 --> 01:16:27,786
-Was l in it?
-Of course.
490
01:16:28,896 --> 01:16:33,697
Beautiful as ever.
And unexpected.
491
01:16:33,901 --> 01:16:35,994
l came to keep you company.
492
01:16:36,204 --> 01:16:40,834
-At 3:00 a.m.?
-l have an idea for your show.
493
01:16:46,147 --> 01:16:48,012
Sit down.
494
01:16:59,527 --> 01:17:01,688
Ready?
495
01:17:03,131 --> 01:17:08,831
Life is so strange, friend
496
01:17:09,037 --> 01:17:14,839
l didn't love her when l met her
497
01:17:15,043 --> 01:17:19,878
Until one night
she firmly said to me
498
01:17:20,081 --> 01:17:24,984
''l'm tired of everything''
and left
499
01:17:25,186 --> 01:17:29,555
Life is so strange, friend
500
01:17:29,824 --> 01:17:36,593
Ever since that night
l fell in love with her
501
01:17:37,331 --> 01:17:41,665
l sacrificed so much
502
01:18:12,033 --> 01:18:13,796
Lights!
503
01:18:17,105 --> 01:18:19,198
Music!
504
01:21:24,992 --> 01:21:28,519
The kid was 13 or 14.
505
01:21:29,463 --> 01:21:32,057
Those brutes jumped on him...
506
01:21:32,667 --> 01:21:38,333
and bashed his head in
with their rifle butts and boots.
507
01:21:38,539 --> 01:21:40,200
-They killed him?
-Sure. He was dead!
508
01:21:40,408 --> 01:21:45,937
-Maria Elman.
-Delighted.
509
01:21:47,448 --> 01:21:52,613
l hear you've worked out
a choreography on our theme.
510
01:21:52,820 --> 01:21:56,756
We're looking for ideas
in Goya's etchings.
511
01:21:57,391 --> 01:21:58,858
That's perfect.
512
01:21:59,060 --> 01:22:01,551
History repeats itself.
513
01:22:03,597 --> 01:22:05,963
That's part of our lives.
514
01:22:06,867 --> 01:22:09,495
The horrible, cruel part...
515
01:22:09,704 --> 01:22:13,504
that we wish we could avoid.
516
01:22:13,708 --> 01:22:15,801
But it's there.
517
01:22:18,379 --> 01:22:21,314
Sorry. Waldo Norman,
our art director.
518
01:22:28,923 --> 01:22:33,155
The torturers played tangos loud
to cover up the screams.
519
01:23:32,820 --> 01:23:36,221
lmagination is a guardrail...
520
01:23:36,424 --> 01:23:39,916
that stops you from plunging
into the pit of horror.
521
01:23:41,262 --> 01:23:45,756
l'm haunted by images of friends...
522
01:23:46,801 --> 01:23:51,568
who disappeared.
Thousands lost their lives...
523
01:23:54,642 --> 01:23:59,636
in that brutal
and uncontrolled repression.
524
01:24:00,581 --> 01:24:03,015
l left here when l was young.
525
01:24:03,651 --> 01:24:06,518
Relatively young.
526
01:24:06,720 --> 01:24:10,417
l spent many years in Europe.
When l got back...
527
01:24:10,624 --> 01:24:13,821
most of my friends had disappeared.
528
01:24:16,764 --> 01:24:22,293
What remained was this city,
completely changed.
529
01:24:23,971 --> 01:24:27,099
Ugly, grey and distrustful.
530
01:24:27,608 --> 01:24:30,076
Why think about all that?
531
01:24:30,945 --> 01:24:33,846
Ugly things are best forgotten.
532
01:24:39,353 --> 01:24:41,753
Who we are...
533
01:24:44,125 --> 01:24:47,492
how we live,
how little we are...
534
01:24:49,864 --> 01:24:54,824
lf we forget all that
what identity will we have?
535
01:24:55,035 --> 01:24:58,937
But now you're here.
We have each other.
536
01:25:00,608 --> 01:25:02,599
We're lucky.
537
01:25:12,786 --> 01:25:16,552
-What's that?
-Sounds effects. They're testing.
538
01:25:21,829 --> 01:25:24,320
You know, l'm worried.
539
01:25:26,300 --> 01:25:29,167
l think l'm being followed.
540
01:25:29,370 --> 01:25:35,036
Today when l came over,
a car followed my taxi.
541
01:25:35,843 --> 01:25:38,710
-Larroca?
-Who else?
542
01:25:39,947 --> 01:25:42,711
You're not imagining things?
543
01:25:43,751 --> 01:25:45,480
Maybe.
544
01:25:46,921 --> 01:25:49,287
But Angelo scares me.
He's violent.
545
01:25:49,490 --> 01:25:51,754
He's Mafia.
546
01:25:53,260 --> 01:25:56,593
The other day he said,
''lf you leave me, l'll kill you.''
547
01:25:58,699 --> 01:26:02,499
Come and live... with me.
548
01:26:04,138 --> 01:26:06,038
You mean it?
549
01:26:13,681 --> 01:26:18,641
lf you feel that l love you,
come here. Come live with me.
550
01:26:22,690 --> 01:26:25,181
You've got problems.
551
01:26:25,926 --> 01:26:28,451
l don't want to be one more.
552
01:26:31,398 --> 01:26:34,026
You'll move in tomorrow?
553
01:33:10,864 --> 01:33:14,664
-Good work, kids.
-l don't like it.
554
01:33:14,868 --> 01:33:18,531
Why bring up something
that has been forgotten?
555
01:33:18,905 --> 01:33:20,998
Why create more anxiety?
556
01:33:21,208 --> 01:33:25,269
That number
threatens the whole show!
557
01:33:25,612 --> 01:33:28,137
-lt scared me!
-l can see why!
558
01:33:28,849 --> 01:33:34,879
lt could be softened.
What do you say, Larroca?
559
01:33:35,422 --> 01:33:38,448
l want to think it over first.
560
01:33:44,064 --> 01:33:45,929
What did you think?
561
01:33:47,234 --> 01:33:50,294
We liked the show a lot.
562
01:33:50,504 --> 01:33:55,271
-Very impressive.
-l don't think you need that scene.
563
01:33:55,475 --> 01:33:58,376
The audience won't get it.
564
01:33:58,578 --> 01:34:03,311
We gave them beautiful dancing,
beautiful women...
565
01:34:03,517 --> 01:34:06,179
lovely tango music.
566
01:34:06,386 --> 01:34:10,550
Then there, it all turns
to fear, anxiety.
567
01:34:11,792 --> 01:34:17,424
-That doesn't belong in a musical.
-lt's my conception of the show.
568
01:34:17,631 --> 01:34:20,896
Maybe you could soften it a bit.
569
01:34:21,101 --> 01:34:25,060
-The generals won't like it.
-Depends which ones.
570
01:34:26,139 --> 01:34:31,634
There's a fascinating Borges quote:
''The past is indestructible.
571
01:34:31,845 --> 01:34:34,609
Sooner or later
things turn up again.
572
01:34:34,815 --> 01:34:40,082
One of the things that turns up
is a plan to destroy the past.''
573
01:34:42,189 --> 01:34:46,421
Very clever.
But one washes dirty linen at home.
574
01:34:46,626 --> 01:34:48,890
Depends on the linen and the home.
575
01:34:50,397 --> 01:34:55,733
Think it over. We disliked it.
l won't press it further.
576
01:34:56,236 --> 01:34:58,636
Good night.
577
01:35:51,191 --> 01:35:53,489
Why'd you want to see me?
578
01:35:56,429 --> 01:36:00,991
-Why? To talk to you.
-What about?
579
01:36:05,372 --> 01:36:08,068
We could talk
about lots of things.
580
01:36:08,875 --> 01:36:13,107
-l'd rather discuss us.
-Haven't we said it all?
581
01:36:13,313 --> 01:36:15,747
Not everything.
582
01:36:16,983 --> 01:36:19,543
l can't live this way, Elena.
583
01:36:19,753 --> 01:36:22,244
l can't forget you, try as l may.
584
01:36:23,523 --> 01:36:25,150
Please.
585
01:36:27,394 --> 01:36:29,760
Come back to me.
586
01:36:29,963 --> 01:36:35,196
-Angelo, let's not start that again.
-l love you, Elena.
587
01:36:36,002 --> 01:36:37,867
l love you...
588
01:36:38,371 --> 01:36:39,804
and l want you.
589
01:36:40,473 --> 01:36:44,034
l need to kiss you,
make love to you.
590
01:36:44,244 --> 01:36:47,645
Please... kiss me.
591
01:36:48,281 --> 01:36:52,615
Kiss me, Elena. l love you!
592
01:36:52,819 --> 01:36:54,650
Let go of me!
593
01:36:57,023 --> 01:36:59,491
l don't love you, l never did!
594
01:36:59,693 --> 01:37:03,322
l'm living with another man
and l'm happy!
595
01:37:03,530 --> 01:37:07,125
l don't care, Elena. l don't care.
596
01:37:07,334 --> 01:37:11,600
l can forgive everything!
Right now!
597
01:37:11,805 --> 01:37:13,067
Let me go!
598
01:37:14,207 --> 01:37:16,607
Let me live in peace.
599
01:37:17,377 --> 01:37:19,845
You're making a mistake, Elena!
600
01:37:20,914 --> 01:37:23,109
You're making a mistake!
601
01:37:24,351 --> 01:37:27,047
No one plays games with me!
602
01:47:30,957 --> 01:47:32,356
No!
603
01:48:09,495 --> 01:48:12,896
Please.
604
01:48:14,367 --> 01:48:16,460
My love.
605
01:48:22,975 --> 01:48:25,000
How was it?
606
01:48:25,811 --> 01:48:28,803
-What's wrong?
-l got scared.
607
01:48:29,015 --> 01:48:33,384
That's fine. Thanks, everyone.
That's all for today.
608
01:48:34,654 --> 01:48:39,114
l want you all in the studio
tomorrow at 8:00 a.m....
609
01:48:39,325 --> 01:48:44,058
for the immigration ballet.
ln costume and made up by 11:00.
610
01:48:44,997 --> 01:48:47,659
-You liked my work?
-Terrific!
611
01:48:47,867 --> 01:48:51,132
-Marvelous.
-Was l convincing?
612
01:48:51,737 --> 01:48:56,071
Let's go.
Let's see what the director says.
613
01:49:03,816 --> 01:49:05,841
Let's go.
614
01:49:21,434 --> 01:49:23,527
Congratulations, Maestro.
615
01:49:23,736 --> 01:49:26,637
-You were great.
-Thanks.
616
01:49:31,310 --> 01:49:33,369
Sorry, but one thing bothers me.
617
01:49:33,579 --> 01:49:38,846
My shout comes too soon.
lt's not spontaneous enough.
618
01:49:39,051 --> 01:49:41,952
-That's the trouble.
-l was terrified.
619
01:49:42,154 --> 01:49:44,179
l thought he stabbed her.
620
01:49:44,390 --> 01:49:49,589
Set up a rehearsal for me tomorrow
so l can work on my timing.
621
01:50:19,892 --> 01:50:26,892
Subtitles by
N A N Ã O
622
01:50:30,000 --> 01:50:37,000
Brought through
Cappro International™
623
01:50:40,000 --> 01:50:45,000
®© 2015
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